lullabies to my sorrows
question: What words did Brahms use to described his Three Intermezzos?, context: Brahms described his Three Intermezzos (Op. 117) as “lullabies to my sorrows.” Mr. Kissin played them with deep empathy, allowing the notes of the first to cling to one another in a show of quiet, poignant reluctance. In “Granada,” from Albéniz’s “Suite Española,” Mr. Kissin echoed some of the same melancholy but transposed it into a warmer, more sensual sound world. Three other city portraits by Albéniz and the dazzling “Viva Navarra!” by Larregla followed, showcases for Mr. Kissin’s refined play of colors.
What words did Brahms use to described his Three Intermezzos?
as “ lullabies to my sorrows .”
Brahms described his Three Intermezzos (Op. 117) as “lullabies to my sorrows.” Mr. Kissin played them with deep empathy, allowing the notes of the first to cling to one another in a show of quiet, poignant reluctance. In “Granada,” from Albéniz’s “Suite Española,” Mr. Kissin echoed some of the same melancholy but transposed it into a warmer, more sensual sound world. Three other city portraits by Albéniz and the dazzling “Viva Navarra!” by Larregla followed, showcases for Mr. Kissin’s refined play of colors.
as “ <hl> lullabies to my sorrows <hl> .”
Brahms described his Three Intermezzos (Op. 117) as “<hl> lullabies to my sorrows <hl>.” Mr. Kissin played them with deep empathy, allowing the notes of the first to cling to one another in a show of quiet, poignant reluctance. In “Granada,” from Albéniz’s “Suite Española,” Mr. Kissin echoed some of the same melancholy but transposed it into a warmer, more sensual sound world. Three other city portraits by Albéniz and the dazzling “Viva Navarra!” by Larregla followed, showcases for Mr. Kissin’s refined play of colors.
Brahms described his Three Intermezzos (Op. 117) <hl> as “ lullabies to my sorrows .” <hl> Mr. Kissin played them with deep empathy, allowing the notes of the first to cling to one another in a show of quiet, poignant reluctance. In “Granada,” from Albéniz’s “Suite Española,” Mr. Kissin echoed some of the same melancholy but transposed it into a warmer, more sensual sound world. Three other city portraits by Albéniz and the dazzling “Viva Navarra!” by Larregla followed, showcases for Mr. Kissin’s refined play of colors.