painted entirely black or white
question: What colors were Louise Nevelson's forward-looking wood reliefs painted?, context: The sculptor Louise Nevelson took up a fair amount of space in New York in the 1960s and early ’70s. She was one of the most prominent artists of her generation, known for her imperious personality and a penchant for false eyelashes, heavy jewelry and chinchilla capes. More important were her forward-looking wood reliefs, painted entirely black or white, which linked the found-object aesthetic of assemblage to the clean lines and orderly sequences of Minimalism (and also presaged the all-black assemblage sculptures of Rashid Johnson). But by the time she died at age 88 in 1988, the art world had moved on.
What colors were Louise Nevelson's forward-looking wood reliefs painted?
More important were her forward-looking wood reliefs, painted entirely black or white , which linked the found-object aesthetic of assemblage to the clean lines and orderly sequences of Minimalism (and also presaged the all-black assemblage sculptures of Rashid Johnson).
The sculptor Louise Nevelson took up a fair amount of space in New York in the 1960s and early ’70s. She was one of the most prominent artists of her generation, known for her imperious personality and a penchant for false eyelashes, heavy jewelry and chinchilla capes. More important were her forward-looking wood reliefs, painted entirely black or white, which linked the found-object aesthetic of assemblage to the clean lines and orderly sequences of Minimalism (and also presaged the all-black assemblage sculptures of Rashid Johnson). But by the time she died at age 88 in 1988, the art world had moved on.
More important were her forward-looking wood reliefs, <hl> painted entirely black or white <hl> , which linked the found-object aesthetic of assemblage to the clean lines and orderly sequences of Minimalism (and also presaged the all-black assemblage sculptures of Rashid Johnson).
The sculptor Louise Nevelson took up a fair amount of space in New York in the 1960s and early ’70s. She was one of the most prominent artists of her generation, known for her imperious personality and a penchant for false eyelashes, heavy jewelry and chinchilla capes. More important were her forward-looking wood reliefs, <hl> painted entirely black or white <hl>, which linked the found-object aesthetic of assemblage to the clean lines and orderly sequences of Minimalism (and also presaged the all-black assemblage sculptures of Rashid Johnson). But by the time she died at age 88 in 1988, the art world had moved on.
The sculptor Louise Nevelson took up a fair amount of space in New York in the 1960s and early ’70s. She was one of the most prominent artists of her generation, known for her imperious personality and a penchant for false eyelashes, heavy jewelry and chinchilla capes. <hl> More important were her forward-looking wood reliefs, painted entirely black or white , which linked the found-object aesthetic of assemblage to the clean lines and orderly sequences of Minimalism (and also presaged the all-black assemblage sculptures of Rashid Johnson). <hl> But by the time she died at age 88 in 1988, the art world had moved on.