in her sitting room
question: Where did they speak., context: She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.
Where did they speak.
We spoke in her sitting room , where a Fernand Léger painting presides from above the fireplace.
She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.
We spoke <hl> in her sitting room <hl> , where a Fernand Léger painting presides from above the fireplace.
She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke <hl> in her sitting room <hl>, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.
She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” <hl> We spoke in her sitting room , where a Fernand Léger painting presides from above the fireplace. <hl> A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.