اي نوع من الموسيقى هي فرق مثل feist ويلكو?
روك مستقل
Since the mid-2000s, the mainstreaming of bands like Wilco and Feist have pushed indie rock into the adult contemporary conversation. In the early 2010s, indie musicians like Imagine Dragons, Mumford & Sons, Of Monsters & Men, The Lumineers and Ed Sheeran also had indie songs that crossed over to the adult contemporary charts. منذ منتصف -2000 s, دمج الفرق مثل ويلكو و feist قد دفع روك ايندي الى المحادثة المعاصرة للكبار. في اوائل 2010 s, الموسيقيين ال ايندي مثل تخيل التنين, الموسيقية & ابناء, من الوحوش والرجال, و ال و اد شيران ايضا اغاني ايندي التي عبرت الى الخرائط المعاصرة للكبار. Seit der Mitte -2000 er Jahre, das Mainstreaming von Bands wie Wilco und Feist hat Indie Rock in das erwachsene zeitgenössische Gespräch geschoben. Anfang der 2010 er Jahre, Indie-Musiker wie Imagine Dragons, Mumford & Sons, von Monsters & Men, hatten die Lumineers und Ed Sheeran auch Indie-Songs, die zu den Erwachsenen zeitgenössischen Charts gingen. Desde mediados de la década de 2000, la incorporación de bandas como wilco y feist han empujado a indie rock a la conversación contemporánea para adultos. A principios de los años 2010, los músicos indie como Imagine Dragons, Mumford & Sons, de monstruos y hombres, los lumineers y ed sheeran también tenían canciones indie que se cruzaron a las listas contemporáneas de adultos. 2000 के दशक के मध्य से, पोरी और feist जैसे बैंड के मुख्य मुख्य मुख्य मुख्य ने इंडी रॉक को वयस्क समकालीन बातचीत में धकेल दिया है । 2010 के दशक के प्रारंभ में, इंडी संगीतकारों जैसे कल्पना ड्रेगन, mumford और बेटों, राक्षसों और पुरुषों, lumineers और एड शीरन के पास इंडी गीत भी थे जो वयस्क समकालीन चार्ट के लिए पार हो गए थे । Kể từ giữa -2000 s, cái của các ban nhạc như Wilco và Feist đã đẩy indie rock vào cuộc trò chuyện đương đại của người lớn. Vào đầu những năm 2010, các nhạc sĩ indie như tưởng tượng Rồng, D.O. & Con trai, của Quái vật & Đàn ông, The Lumineers và Ed Sheeran cũng có những bài hát indie đã vượt qua các biểu đồ đương đại của người lớn. 自2000年代中期以来, 像威尔科斯和俺这样的乐队将独立摇滚推入了成年人的当代对话. 在2010世纪2010年代初, 独立音乐家就像想象 龙, 芒福德&儿子, 怪物和男人, lumineers和艾德·希兰也有独立的歌曲, 跨越了成年人的当代图表.
Bài đăng-punk là một thể loại eclectic dẫn đến nhiều sáng tạo âm nhạc và giúp trộn các phong cách âm nhạc trắng và đen. Ra khỏi bài đăng-punk trường đến sự khởi đầu của các thể loại tiếp theo khác nhau, bao gồm sóng mới, nhảy-rock, mới pop, công nghiệp âm nhạc, album, đăng-hardcore, neo-psychedelia thay thế đá và nhà âm nhạc. các ban nhạc như thế nào Joy Division, Bauhaus và Ah, Bauhaus và chữa trị được chơi trong một phong cách tối tăm hơn, nhiều phong cách khác của bài đăng-punk dẫn đến sự phát triển của các thể loại rock gothic. Post-punk was an eclectic genre which resulted in a wide variety of musical innovations and helped merge white and black musical styles. Out of the post-punk milieu came the beginnings of various subsequent genres, including new wave, dance-rock, New Pop, industrial music, synthpop, post-hardcore, neo-psychedelia alternative rock and house music. Bands such as Joy Division, Siouxsie and the Banshees, Bauhaus and the Cure played in a darker, more morose style of post-punk that lead to the development of the gothic rock genre. Aunque foo fighters continuó siendo uno de los actos de rock más exitosos, con álbumes como en su honor (2005) alcanzando el número dos en los ee. uu. Y Reino Unido, muchos de la primera ola de bandas post-Grunge comenzaron a desvanecerse en popularidad. Actos como creed, staind, charco de mudd y nickelback tomaron el género en la década de 2000 con considerable éxito comercial, abandonando la mayor parte de la angustia y la ira del movimiento original para himnos más convencionales, narrativas y canciones románticas. fueron seguidos en esta vena por nuevos actos, incluyendo shinedown y seether. Actos con más sonidos convencionales de hard rock incluidos Andrew w. K., hermosas criaturas y buckcherry, cuyo álbum de avance 15 (2006) fue platino y dio lugar al single sorry (2007), que hizo el top 10 de los Billboard 100. Estos se unieron por bandas con inclinaciones de hard rock que surgieron a mediados de la década de 2000 desde el garage rock o post punk revival, incluyendo black rebel motocicleta club y reyes de León, y reinas de la edad de piedra de los Estados Unidos, tres días de gracia de Canadá, jet de Australia y el datsuns desde Nueva Zelanda. En 2009, los buitres torcidos, un supergrupo que reunió a dave luchadora de foo fighters, Queens of The Stone Age ' s josh homme y led zeppelin bajista John Paul Jones atrajo la atención como un acto en vivo y lanzó un álbum debut homónimo que llegó al top 20 en los ee. uu. y reino unido y el top ten en varios otros países. Hard Rock es una forma de música rock fuerte y agresiva. A menudo se destaca la guitarra eléctrica, utilizada con distorsión y otros efectos, tanto como instrumento de ritmo utilizando riffs repetitivos con un grado diferente de complejidad, y como instrumento de plomo solista. la batería se centra en los ritmos de conducción, un fuerte tambor de bajo y un backbeat en la trampa, a veces usando platos para el énfasis. la guitarra bajo trabaja en conjunto con la batería, ocasionalmente jugando riffs, pero normalmente proporciona un respaldo para el ritmo y las guitarras de plomo. Las voces son a menudo gruñendo, inedito, o implican gritos o lamentos, a veces en una gama alta, o incluso voz de falsete. Đá cứng là một hình thức âm nhạc ồn ào, hung hăng. Guitar điện thường được sử dụng, sử dụng với mó và các hiệu ứng khác, cả hai đều là một nhạc cụ nhịp điệu sử dụng riffs lặp lại với độ phức tạp khác nhau, và như một nhạc cụ dẫn đầu solo. Đánh trống characteristically tập trung vào các nhịp lái, trống bass mạnh và một backbeat trên cạm bẫy, đôi khi sử dụng chọe để nhấn mạnh. The bass guitar làm việc trong kết hợp với trống, thỉnh thoảng chơi riffs, nhưng thường cung cấp một sự ủng hộ cho nhịp điệu và chì guitar. Các giọng hát thường được gầm gừ, Chỉ, hoặc liên quan đến la hét hay khóc lóc, đôi khi ở một tầm cao, hoặc thậm chí là giọng nói falsetto. Although Foo Fighters continued to be one of the most successful rock acts, with albums like In Your Honor (2005) reaching number two in the US and UK, many of the first wave of post-grunge bands began to fade in popularity. Acts like Creed, Staind, Puddle of Mudd and Nickelback took the genre into the 2000s with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs. They were followed in this vein by new acts including Shinedown and Seether. Acts with more conventional hard rock sounds included Andrew W.K., Beautiful Creatures and Buckcherry, whose breakthrough album 15 (2006) went platinum and spawned the single "Sorry" (2007), which made the Top 10 of the Billboard 100. These were joined by bands with hard rock leanings that emerged in the mid-2000s from the garage rock or post punk revival, including Black Rebel Motorcycle Club and Kings of Leon, and Queens of the Stone Age from the US, Three Days Grace from Canada, Jet from Australia and The Datsuns from New Zealand. In 2009 Them Crooked Vultures, a supergroup that brought together Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Led Zeppelin bass player John Paul Jones attracted attention as a live act and released a self-titled debut album that reached the top 20 in the US and UK and the top ten in several other countries. Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice. अमेरिका में डिस्को के उदय और ब्रिटेन में पंक रॉक के साथ, हार्ड रॉक की मुख्यधारा का प्रभुत्व दशक के बाद के भाग की ओर rivalled था । डिस्को ने लोगों के एक और विविध समूह की अपील की और पंक विद्रोही भूमिका को लेने के लिए लग रहा था जो कठिन रॉक एक बार आयोजित किया गया था । प्रारंभिक पंक बैंड जैसे ramones ने ड्रम एकल और विस्तारित गिटार एकल के खिलाफ स्पष्ट रूप से विद्रोह किया, जो स्टेडियम रॉक की विशेषता है, उनके लगभग सभी गानों के साथ लगभग दो मिनट में कोई गिटार एकल नहीं है । हालांकि, नए रॉक कार्य जारी रहे और रिकॉर्ड बिक्री 1980 के दशक में उच्च रह गया । 1977 को देखा और विदेशी के स्टारडम में वृद्धि हुई, जो मध्य-1980 के दशक के माध्यम से कई प्लैटिनम एल्बम जारी करने के लिए चला गया । कान्सास, reo speedwagon और स्टिक्स जैसे पश्चिमी समूहों ने स्टेडियम रॉक के रूप में मध्य में सीमेंट भारी चट्टान की मदद की । 1978 में, वैन बनाएं लॉस एंजिल्स संगीत दृश्य से उभरा, लीड गिटारवादक एडी वैन बनाएं के कौशल के आसपास एक ध्वनि के साथ । उन्होंने दो हाथ के हथौड़ा-ऑन और पुल को टैप करने के लिए एक गिटार-वादन तकनीक को लोकप्रिय किया, एल्बम वैन बनाएं से गीत विस्फोट पर प्रदर्शित किया गया, जो एक लोकप्रिय शैली के रूप में हार्ड रॉक को पुन: स्थापित करने में अत्यधिक प्रभावशाली था पंक और डिस्को विस्फोट, जबकि इलेक्ट्रिक गिटार की भूमिका को फिर से परिभाषित और ऊंचा करते हुए । هارد روك هو شكل من اشكال موسيقى الروك القوية وال العدوانية. غالبا ما يتم التاكيد على الجيتار الكهربائي, يستخدم مع التشويه وغيرها من الاثار, سواء بوصفها اداة ايقاع باستخدام riffs المتكررة بدرجة مختلفة من التعقيد, و كماة الرصاص المنفرد. يركز التطبيل بشكل مميز على ايقاع القيادة, و طبل الباس القوي, وال ا على الايقاع, وفي بعض الاحيان باستخدام الصنج من اجل التركيز. الغيتار الباس يعمل بالتزامن مع الطبول, وفي بعض الاحيان يلعب riffs, ولكن عادة ما يوفر الدعم ل ايقاع والتارات. غالبا ما تكون الصوتيات الهدر, انا, او تتضمن الصراخ او نحيب, احيانا في نطاق عالي, او حتى صوتة. Post-punk is a heterogeneous type of rock music that emerged in the wake of the punk movement of the 1970s. Drawing inspiration from elements of punk rock while departing from its musical conventions and wider cultural affiliations, post-punk music was marked by varied, experimentalist sensibilities and its "conceptual assault" on rock tradition. Artists embraced electronic music, black dance styles and the avant-garde, as well as novel recording technology and production techniques. The movement also saw the frequent intersection of music with art and politics, as artists liberally drew on sources such as critical theory, cinema, performance art and modernist literature. Accompanying these musical developments were subcultures that produced visual art, multimedia performances, independent record labels and fanzines in conjunction with the music.