Who was born first Buster Keaton or Pupi Avati?
Joseph Frank "Buster" Keaton
Pupi Avati
Giuseppe Avati, better known as Pupi Avati (born 3 November 1938), is an Italian film director, producer, and screenwriter.
 He is known to horror film fans for his two masterpieces of the macabre, "The House with Laughing Windows" (1976) and "Zeder" (1983).
Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer.
 He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face."
 Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor–director in the history of the movies".
 His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.
 He recovered in the 1940s, remarried, and revived his career to a degree as an honored comic performer for the rest of his life, earning an Academy Honorary Award in 1959.
Go West: Music for the Films of Buster Keaton
Go West: Music for the Films of Buster Keaton is the sixth album by Bill Frisell to be released on the Elektra Nonesuch label.
 It was released in 1995 and features performances by Frisell, Kermit Driscoll and Joey Baron.
 The album is designed as accompaniment to the Buster Keaton's silent film classic, "Go West" (1925), and was released at the same time as another album of Keaton soundtracks by Frisell, "The High Sign/One Week" (1995). The Boat (film)
The Boat is a 1921 American short comedy film written by, directed and starring Buster Keaton.
 The International Buster Keaton Society takes its name, The Damfinos, from this film. Buster Keaton: A Hard Act to Follow
Buster Keaton: A Hard Act to Follow is a 3-part television documentary series made in 1987, charting the life and career of Buster Keaton.
 The series was written and produced by Kevin Brownlow and David Gill for Thames Television and narrated by Lindsay Anderson.
 It was one of three such series produced as follow-ups to Brownlow and Gill's epic documentary series "Hollywood" (1980), falling between "Unknown Chaplin" (1983) and "" (1989). The High Sign/One Week
The High Sign/One Week: Music for the Films of Buster Keaton is the seventh album by Bill Frisell to be released on the Elektra Nonesuch label.
 It was released in 1995 and features performances by Frisell, Kermit Driscoll and Joey Baron.
 The album is designed as accompaniment to Buster Keaton's the first two silent films classic, "The High Sign" (1921) (tracks 1-9) and "One Week" (1920) (tracks 10-19).
 It was released at the same time as another album by Frisell of Keaton soundtracks, "" (1995). International Buster Keaton Society
The International Buster Keaton Society Inc.— a.k.a. "The Damfinos"—is the official educational organization dedicated to comedy film producer-director-writer-actor-stuntman Buster Keaton. The Buster Keaton Show
The Buster Keaton Show was a television series broadcast in 1950 starring Buster Keaton.
 It was broadcast over KTTV, which at the time was the Los Angeles affiliate of CBS (the network would start KNXT in 1951).
 Several episodes from the show were assembled into a feature length film that was released theatrically in the United Kingdom as "The Misadventures of Buster Keaton". The Hideout (film)
The Hideout (Italian: Il nascondiglio ) is a 2007 Italian-American mystery film written and directed by Pupi Avati.
 It marked the comeback of Avati to the thrilling genre (a genre he had successfully explored decades before in films such as "The House with Laughing Windows" and "Zeder") after a series of intimate dramas and nostalgic comedies. Buster Keaton Rides Again
Buster Keaton Rides Again is a 55-minute 1965 documentary film directed by John Spotton and narrated by Michael Kane.
 The film is a behind-the-scenes documentary shot while Buster Keaton's film "The Railrodder" (1965), was being produced.
 Although it is a production documentary, the film is actually longer than "The Railrodder", which was only 24 minutes long.
 Both films were produced by the National Film Board of Canada (NFB).
 In addition, a French version of "Buster Keaton Rides Again", "Avec Buster Keaton" was released.