Which film is a silent documentary film who was edited by a woman, 'Laloorinu Parayanullathu' or 'Man with a Movie Camera'?
Man with a Movie Camera
Laloorinu Parayanullathu
Laloorinu Parayanullathu (What Has Laloor To Say) (മലയാളം: ) is an Indian documentary film directed by Sathish Kalathil in Malayalam Language.
 The documentary narrates about the problems of Municipal Garbage dumping in Laloor, a suburban area in Thrissur Municipal Corporation.
 The film reveals the history of the waste dumping in Laloor since the period of Sakthan Thampuran who was the ruler of the Kingdom of Cochin and first violence against the Garbage dumping here.
Man with a Movie Camera
Man with a Movie Camera (Russian: Человек с кино-аппаратом ("Chelovek s kinoapparatom"), Ukrainian: Людина з кіноапаратом ("Liudyna z Kinoaparatom") – sometimes called "A Man with a Movie Camera", "The Man with the Movie Camera", "The Man with a Camera", "The Man with the Kinocamera", or "Living Russia") – is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov and edited by his wife Elizaveta Svilova.
Man with a Movie Camera (Biosphere album)
Man with a Movie Camera is an ambient soundtrack by Biosphere for Dziga Vertov's 1929 film "Man with a Movie Camera", commissioned by the Tromsø International Film Festival in 1996.
 This soundtrack was released later in 2001 as a bonus disc of "Substrata 2" with two bonus tracks ("The Eye of the Cyclone" and "Endurium") from the Japanese version of "Substrata". Ultra Panavision 70
Ultra Panavision 70 and MGM Camera 65 were, from 1957 to 1966, the marketing brands that identified motion pictures photographed with Panavision's anamorphic movie camera lenses.
 The 70 mm film gauge actually used 65 mm wide film in the camera to capture images in these processes.
 The projection print, however, was 70 mm film stock.
 The extra 5 mm on the positive projection print was used to accommodate six-track stereo sound.
 Ultra Panavision 70 and MGM Camera 65 were shot at 24 frames per second (fps) using anamorphic camera lenses.
 Ultra Panavision 70 and MGM Camera 65's anamorphic lenses compressed the image 1.25 times, yielding an extremely wide aspect ratio of 2.76:1 (when a 70 mm projection print was used). Moviecam
Moviecam is a motion picture equipment company specializing in movie camera systems for 35 mm film.
 Originally started in Vienna as an in-house project of Fritz Gabriel Bauer and Walter Kindler's Moviegroup film production company in the late 1960s, the amount of research and development needed to create a new and modern motion picture camera system from scratch led to the formal creation of Moviecam as an independent corporate entity in 1976.
 Although only three camera models (SuperAmerica, Compact, and SL) were produced in significant quantities for international usage, the high quality camera design, simplicity of usage compared to the contemporary models of Arri and Panavision , and integration of modern and pioneering camera features led to widespread usage in the film industry.
 Arri subsequently bought the company in the 1990s.
 At Arri, Bauer developed, together with Walter Trauninger and their camera development team, the Arricam System, which combined the basic movement and design of the Moviecam systems with the precision electronic parts and complement of camera accessories already designed by Arri.
 The Arricam cameras were released in 2000 and remain the flagship camera line of Arri's 35 mm products.
 Despite the fact that Moviecam cameras have not been manufactured for almost ten years, their quality and features have kept them in service to meet their consistent high demand by feature film shoots. Arricam
Arricam is a 35 mm movie camera line manufactured by Arri.
 It is Arri's flagship sync-sound camera line, replacing the Arriflex 535 line.
 The design was developed by Fritz Gabriel Bauer and Walter Trauninger, and is heavily derivative of the cameras Bauer created for his Moviecam company, which was bought out by Arri in the mid-1990s.
 As such, the Arricam is a fusion of the mechanical and intuitive design innovations of the Moviecam and the interchangeable accessories and complex electronic integration of the Arriflex.
 s of 2006 , the Arricam is considered, along with the Panaflex Millennium line, the top sync-sound camera system currently in usage, and is extremely popular amongst bigger budget feature films.
 The line comprises two camera body models, the ST (Studio) and LT (Lite).
 The Arricam ST is intended as a full-capability camera, including two camera magazine mounting configurations, whereas the Arricam LT is optimized for smaller, lightweight usage in handheld and Steadicam application, with only the option to mount the magazine in the rear position.
 Both cameras use motorized displacement magazines, have electronic rotating mirror shutters mounted beneath the film gate (as opposed to beside it, as in Panavision cameras), and contain independently adjustable sprocket pulleys within the camera body. Movie camera
The movie camera, film camera or cine-camera is a type of photographic camera which takes a rapid sequence of photographs on an image sensor or on a film.
 In contrast to a still camera, which captures a single snapshot at a time, the movie camera takes a series of images; each image constitutes a "frame".
 This is accomplished through an intermittent mechanism.
 The frames are later played back in a movie projector at a specific speed, called the frame rate (number of frames per second).
 While viewing at a particular frame rate, a person's eyes and brain merge the separate pictures together to create the illusion of motion. Sathish Kalathil
Sathish Kalathil (മലയാളം: ) is an Indian film and documentary Director and Producer in malayalam.
 He is also Story Writer, and Lyricist.
 His experimental works are well known and appropriately discussed in Malayalam Cinema industry and his debut movie Jalachhayam (2010) was well discussed according to its experimental approach.
 Actually, his first venture was in 2008 named Veena Vaadanam, a documentary film about Art (Painting) and that was his first experimental entry in movie.
 In 2012, he directed Laloorinu Parayanullathu, a social committed documentary film about Municipal solid waste. A-Minima
The A-Minima is a Super 16 movie camera that was introduced by Aaton in 1999.
 Touted as the smallest reflex viewfinder movie camera at the time, the camera is distinguished by its low-profile form-factor.
 It has a size comparable to a small prosumer video camera, and weights 4.4 lb including film and battery.
 In order to accommodate the camera design, Aaton worked with Eastman Kodak to create a specially designed flexible flange 200 ft daylight spool.
 Because of the spool's particular design and the fact that the camera requires A-wind 16 mm film, the A-Minima can only use Kodak film stock, manufactured specifically for use with the A-Minima.
 The 200 foot length (approximately 5.5 minutes at 24 frame/s) and slightly noisy sound rating of 29 dB make it convenient as a B-camera or second unit camera; however, the small size and ease of use, along with an integrated AatonCode timecode unit, allow for less conspicuous and cumbersome shooting on Super 16. Arriflex 435
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35III line.
 The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film.
 The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound.
 However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds.
 As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage.
 It is currently considered to be the most popular 35 mm movie camera in usage, due to its wide range of production adoption, intuitive design, high reliability, and retail availability.
 Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories.
 In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.