What film genre does Marx Reloaded and Bitter Jester have in common?
documentary
Bitter Jester
Bitter Jester is a documentary starring Maija DiGiorgio, Kenny Simmons, Jody Del Giorno and Heather McConnell.
 It's a portrait of the comedy world that includes interviews with a multitude of stars including Richard Pryor, Richard Belzer and many others.
Marx Reloaded
Marx Reloaded is a 2011 German documentary film written and directed by the British writer and theorist Jason Barker.
 Featuring interviews with several well-known philosophers, the film aims to examine the relevance of Karl Marx's ideas in relation to the Great Recession.
 The film's title is a wordplay on "The Matrix Reloaded", the sequel to "The Matrix," which is parodied in the documentary.
Film genre
A film genre is a motion picture category based on similarities in either the narrative elements or the emotional response to the film (namely, serious, comic, etc.).
 Most theories of film genre are borrowed from literary genre criticism.
 The basic genres include fiction and documentary, from which subgenres have emerged, such as docufiction and docudrama.
 Other subgenres include the courtroom and trial-focused drama known as the legal drama.
 Types of fiction which may seem unrelated can also be combined to form hybrid subgenres, such as the melding of horror and comedy in the "Evil Dead" films.
 Other popular combinations are the romantic comedy and the action comedy film. Hollywood Outlaw Movie
Hollywood Outlaw, The Unmaking of a Bitter Jester is the director’s cut of the controversial documentary "Bitter Jester" which was buried in 2004 amidst much scandal, never to be seen again.
 Directed by, written by, and starring Maija DiGiorgio, this film follows her through the construction and subsequent deconstruction of Bitter Jester, including all of the footage that sparked the scandal leading to blackmail and censorship. Singapore Short Film Awards
The Singapore Short Film Awards (abbreviation: SSFA) is an annual event which promotes and recognises excellence in short films in Singapore.
 It began in 2010 and was jointly organised by The Substation and Objectifs, presented by The Substation's Moving Images.
 Created by filmmaker Chai Yee Wei, former Programme Manager of The Substation's Moving Images Low Beng Kheng and current Co-Founder of Objectifs Yuni Hadi, the Singapore Short Film Awards highlights quality work done annually in the short film genre in Singapore - by seeking out new talent, reflecting current standards of the short film genre and to bring together both the veterans and the young talents as a community to create a space for networking and sharing. OP Eiga
OP Eiga (オーピー映画 ) , also known as Ōkura Eiga (大蔵映画 ) is the largest and one of the oldest independent Japanese studios which produce and distribute pink films. Along with Shintōhō Eiga, Kantō, Million Film, and Kōji Wakamatsu's production studio, Ōkura was one of the most influential studios on the pink film genre.
 Among the many notable pink films released by the studio are Satoru Kobayashi's "Flesh Market" (1962), the first film in the pink film genre. Actuality film
The actuality film is a non-fiction film genre that, like the documentary film, uses footage of real events, places, and things, yet unlike the documentary is not structured into a larger argument, picture of the phenomenon or coherent whole.
 In practice, actuality films preceded the emergence of the documentary.
 During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts.
 The line between "fact" and "fiction" was not so sharply drawn in early cinema as it would become after the documentary came to serve as the predominant non-fiction filmmaking form.
 An actuality film is not like a newspaper article so much as it is like the still photograph that is published along with the article, with the major difference being that it moves.
 Apart from the traveling actuality genre, actuality is one film genre that remains strongly related to still photography. Jester
A jester, court jester, or fool, was historically an entertainer during the medieval and Renaissance eras who was a member of the household of a nobleman or a monarch employed to entertain him and his guests.
 A jester was also an itinerant performer who entertained common folk at fairs and markets.
 Jesters are also modern-day entertainers who resemble their historical counterparts. Woman's film
The woman's film is a film genre which includes women-centered narratives, female protagonists and is designed to appeal to a female audience.
 Woman's films usually portray "women's concerns" such as problems revolving around domestic life, the family, motherhood, self-sacrifice, and romance.
 These films were produced from the silent era through the 1950s and early 1960s, but were most popular in the 1930s and 1940s, reaching their zenith during World War II.
 Although Hollywood continued to make films characterized by some of the elements of the traditional woman's film in the second half of the 20th century, the term itself disappeared in the 1960s.
 The work of directors George Cukor, Douglas Sirk, Max Ophüls, and Josef von Sternberg has been associated with the woman's film genre.
 Joan Crawford, Bette Davis, and Barbara Stanwyck were some of the genre's most prolific stars. Chico Marx
Leonard Marx (March 22, 1887 – October 11, 1961), known professionally as Chico Marx, was an American comedian, musician, bandleader, actor and film star.
 He was a member of the Marx Brothers (Groucho Marx, Harpo Marx, and Zeppo Marx).
 His persona in the act was that of a charming, dim-witted albeit crafty con artist, seemingly of rural Italian origin, who wore shabby clothes and sported a curly-haired wig and Tyrolean hat.
 In virtually every film that includes the main trio of the Marx Brothers, Chico is seen working with Harpo Marx, usually as partners in crime.
 Leonard was the oldest of the Marx Brothers to live past early childhood (first-born Manfred Marx had died in infancy).
 In addition to his work as a performer, he played an important role in the management and development of the act in its early years.