What genre does Telemark and Quickstep have in common?
ballroom dance
Telemark (waltz)
The Telemark is a silver level waltz ballroom dance step.
 Telemarks are reverse turns where the follower does a heel turn as the leader travels around her.
 There are similar Telemarks in Foxtrot and Quickstep.
Quickstep
The quickstep is a light-hearted member of the standard ballroom dances.
 The movement of the dance is fast and powerfully flowing and sprinkled with syncopations.
 The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events.
 Quickstep was developed in the twenties in New York and was first danced by Caribbean and African dancers.
 Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing.
First-person shooter
First-person shooter (FPS) is a video game genre centered around gun and other weapon-based combat in a first-person perspective; that is, the player experiences the action through the eyes of the protagonist.
 The genre shares common traits with other shooter games, which in turn makes it fall under the heading action game.
 Since the genre's inception, advanced 3D and pseudo-3D graphics have challenged hardware development, and multiplayer gaming has been integral. Biblical genre
A Biblical genre is a classification of Bible literature according to literary genre.
 The genre of a particular Bible passage is ordinarily identified by analysis of its general writing style, tone, form, structure, literary technique, content, design, and related linguistic factors; texts that exhibit a common set of literary features (very often in keeping with the writing styles of the times in which they were written) are together considered to be belonging to a genre.
 In Biblical studies, genres are usually associated with whole books of the Bible, because each of its books comprises a complete textual unit; however, a book may be internally composed of a variety of styles, forms, and so forth, and thus bear the characteristics of more than one genre (for example, chapter 1 of the Book of Revelation is prophetic/visionary; chapters 2 and 3 are similar to the epistle genre; etc.). Return to the Field
Return to the Field (歸田賦) is a literary work written in the Chinese style known as a rhapsody, or "fu" style: it is by Zhang Heng (AD 78–139), an official, inventor, mathematician, and astronomer of the Han Dynasty of China (202 BC–220 AD).
 Zhang's "Return to the Field" is a seminal work in the Fields and Gardens poetry genre which helped to sparked centuries of poetic enthusiasm for poems of various forms which share a common theme of nature foremost with human beings and human thought seemingly not in main focus, somewhat similar to the Landscape poetry genre; however, in the case of the Fields and Gardens genre, nature was focused upon in its more domestic manifestation, paying homage to the appearance of nature in gardens, as found in backyards, and cultivated in the countryside.
 "Return to the Field" also invokes traditional themes of Classical Chinese poetry involving nature versus society. Genre painting
Genre painting, also called genre scene or petit genre, depicts aspects of everyday life by portraying ordinary people engaged in common activities.
 One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively—thus distinguishing "petit genre" from history paintings (also called "grand genre") and portraits.
 A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model.
 In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question.
 The depictions can be realistic, imagined, or romanticized by the artist.
 Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Northern (genre)
The Northern or Northwestern is a genre in various arts which tell stories set primarily in the later half of the 19th century in the north of North America, primarily in Canada but also in Alaska.
 It is similar to the Western genre but many elements are different, as appropriate to its setting.
 It is common for central character to be a Mountie instead of, for example, a cowboy or sheriff.
 Other common characters include fur trappers and traders, lumberjacks, prospectors, First Nations people, settlers and townsfolk. Sjøfløyte
The sjøfløyte (Norwegian: ""sea flute"" , or kjøpefløyte, byfløyte) is a Norwegian variant of the recorder.
 This instrument first came to Norway by sea, thus its name, from Continental Europe in the 18th and 19th centuries, and was extensively copied largely from German-made instruments.
 The name "sea flute" is most common in Numedal, Telemark and Agder.
 On the west coast they are called "German flute", for its nation of origin.
 In Gudbrandsdalen, where it is found many 1700 numbers flutes, it is often called the "wooden flute."
 Egil Storbekken created his flute based on one found in Gudbrandsdalen. Regional State Archives in Kongsberg
Regional State Archives in Kongsberg (Norwegian: "Statsarkivet i Kongsberg" ) is a regional state archives situated in Kongsberg, Norway.
 Part of the National Archival Services of Norway, it is responsible for archiving documents from state institutions in the counties of Buskerud, Telemark and Vestfold.
 The agency is the youngest regional state archive, opening in 1994.
 Prior to this, documents from the three counties were stored at the Regional State Archives in Oslo.
 The archive has about 14 shelf-kilometers of material.
 Intermunicipal Archives of Buskerud, Vestfold and Telemark moved to an adjoining building in 2014, allowing the two to share a common reading room and conservation facilities. Well-made play
The well-made play (French: "la pièce bien faite" , pronounced ] ) is a dramatic genre from nineteenth-century theatre first codified by French dramatist Eugène Scribe.
 Dramatists Victorien Sardou, Alexandre Dumas, fils, and Emile Augier wrote within the genre, each putting a distinct spin on the style.
 The well-made play was a popular form of entertainment.
 By the mid-19th century, however, it had already entered into common use as a derogatory term.
 Henrik Ibsen and the other realistic dramatists of the later 19th century (August Strindberg, Gerhart Hauptmann, Émile Zola, Anton Chekhov) built upon its technique of careful construction and preparation of effects in the genre problem play.
 "Through their example", Marvin Carlson explains, "the well-made play became and still remains the traditional model of play construction."