Just Once in My Life was partly written by which Wall of Sound producer?
Phillip Harvey Spector
Phil Spector
Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American record producer, musician, and songwriter who developed the Wall of Sound, a music production formula he described as a "Wagnerian" approach to rock and roll.
 Spector is considered the first auteur among musical artists for acting not only as a producer, but also the creative director, writing or choosing the material, and masterminding all phases of the recording process.
 Additionally, Spector helped engender the idea of the studio as its own distinct instrument.
 For these contributions, he is acknowledged as one of the most influential figures in pop music history.
 Later in his life, Spector became notorious for his solitary lifestyle and eccentric personality, which was brought to wider notice during the media coverage surrounding his trials and conviction for murder in the 2000s.
Just Once in My Life
"Just Once in My Life" is a song written by Gerry Goffin, Carole King and Phil Spector.
 The song was released by the Righteous Brothers in 1965 and reached No. 9 on the "Billboard" Hot 100.
Fire Lake
"Fire Lake" is a song written and recorded by American musical artist Bob Seger.
 Seger planned to record "Fire Lake" for his 1975 album "Beautiful Loser", but the track was not finished.
 The song had been partly written years before, in 1971 , and was finally finished in 1979 and released in 1980 on Seger's album "Against the Wind".
 It reached number 6 on the "Billboard" Hot 100.
 A much appreciated live rendition of the song also has been made. Physical (album)
Physical is the ninth full-length studio album by British-Australian singer-songwriter Olivia Newton-John, released on 13 October 1981 by MCA Records.
 The album was produced and partly written by her long-time record producer John Farrar.
 Recorded and mixed at David J. Holman's studio in Hollywood, California, "Physical" became one of Newton-John's most controversial and sexual records, and her most successful studio album to date.
 Musically, the album features considerable use of synthesizers and explores lyrical themes such as love and relationships, sex, kinesthetics and environmental protection.
 Upon its release, the album received generally positive reviews from music critics, many of them considering it to be Newton-John's best work.
 The album charted high in several countries, including the United States, Japan and Newton-John's native Australia, becoming one of the most successful albums of the early 1980s.
 It also ranks among the best-selling albums by Australian solo artists, selling more than ten million copies worldwide. Our Hunting Fathers
Our Hunting Fathers, Op. 8, is an orchestral song-cycle by Benjamin Britten, first performed in 1936.
 Its text, assembled and partly written by W. H. Auden, with a pacifist slant, puzzled audiences at the premiere, and the work has never achieved the popularity of the composer's later orchestral song-cycles, "Les Illuminations", the "Serenade for Tenor, Horn and Strings" and the "Nocturne". Edward III (play)
The Raigne of King Edward the Third, commonly shortened to Edward III, is an Elizabethan play printed anonymously in 1596.
 It has frequently been claimed that it was at least partly written by William Shakespeare, a view that Shakespeare scholars have increasingly endorsed.
 The rest of the play was probably written by Thomas Kyd. A M Bisley &amp; Co Ltd v Thompson
A M Bisley & Co Ltd v Thompson [1982] 2 NZLR 696 is a cited case in New Zealand regarding express terms in a contract.
 It highlights one of the exceptions to the parol evidence rule, that is contracts that are partly written, and partly oral contracts. Charter-party
Charter party (Latin: charta partita; a legal paper or instrument, divided, i.e. written in duplicate so that each party retains half), a written, or partly written and partly printed, contract between a shipowner and a merchant, by which a ship is let or hired for the conveyance of goods on a specified voyage, or for a defined period.
 A vessel might also be chartered to carry passengers on a journey. Adéodat Compère-Morel
Adéodat Constant Adolphe Compère-Morel (5 October 1872 – 3 August 1941) was a French Socialist politician, agronomist, orator and writer.
 Characterized as a Marxist doctrinaire, he was one of the founders of the Socialist Party of France ("Parti socialiste de France", PSdF).
 A gifted propagandist, he was a particular expert on social reform in rural France and became viewed as his party's agrarian specialist.
 He was an associate of the likes of revolutionary Marxist socialist journalist and literary critic Paul Lafargue and authored many books and papers, several of which were partly written with Lafargue.
 His best known and most influential work was "Encyclopédie socialiste syndicale et coopérative de l'International ouvrière", published in 1912. It's a Great Day for the Irish
"It's a Great Day for the Irish" is an Irish-American song that was written in 1940 by Roger Edens, one of the many musical directors at the Metro-Goldwyn-Mayer studios under the leadership of Arthur Freed for inclusion in the film version of the George M. Cohan 1922 Broadway show "Little Nellie Kelly", directed by Norman Taurog.
 The rights of the show were sold to MGM by Cohan as a starring vehicle for Judy Garland.
 The song was partly written to capitalize on Garland's identification with her Irish roots (Garland was a quarter Irish through her maternal grandmother Eva Fitzpatrick).
 The new song was to be used in a recreation of New York's famed annual St. Patrick's Day Parade marching up Fifth Avenue.
 It was to be a major production number requiring the "New York Street" set on the backlot to be enlarged, involving the main characters of the film and showcasing Garland's enormously strong voice and engaging performance style as she sang and danced up the avenue with her father, played by George Murphy, her stereotypical grandfather (played by Charles Winninger) and her boyfriend (Douglas McPhail).
 The movie was well received, but is now most remembered for the rousing song it introduced into Irish-American culture and as Garland's only death scene on film.