Which television series features considerable use of special effects? 
Doubutsu Sentai Zyuohger
Doubutsu Sentai Zyuohger
Doubutsu Sentai Zyuohger (動物戦隊ジュウオウジャー , Dōbutsu Sentai Jūōjā ) is a Japanese Tokusatsu television series and the 40th entry of Toei's long-running Super Sentai series, following "Shuriken Sentai Ninninger".
 "Zyuohger" premiered February 14, 2016, joining "Kamen Rider Ghost", and later, "Kamen Rider Ex-Aid" in the "Super Hero Time" line-up on TV Asahi affiliate stations, until its conclusion on February 5, 2017.
 Released as part of Super Sentai's 40th anniversary and Toei's "Super Hero Year", "Zyuohger" is the fourth series in the franchise whose central theme is animals, 28 years after "Choujuu Sentai Liveman", 15 years after "Hyakujuu Sentai Gaoranger" and 10 years after "Juken Sentai Gekiranger".
 The series also has a Minecraft-inspired cube/square motif.
 The lead screenwriter for the series is Junko Kōmura.
Tokusatsu
Tokusatsu (特撮 ) is any Japanese live-action film or television drama that features considerable use of special effects ("tokusatsu" literally translates as "special filming" in Japanese).
Physical (album)
Physical is the ninth full-length studio album by British-Australian singer-songwriter Olivia Newton-John, released on 13 October 1981 by MCA Records.
 The album was produced and partly written by her long-time record producer John Farrar.
 Recorded and mixed at David J. Holman's studio in Hollywood, California, "Physical" became one of Newton-John's most controversial and sexual records, and her most successful studio album to date.
 Musically, the album features considerable use of synthesizers and explores lyrical themes such as love and relationships, sex, kinesthetics and environmental protection.
 Upon its release, the album received generally positive reviews from music critics, many of them considering it to be Newton-John's best work.
 The album charted high in several countries, including the United States, Japan and Newton-John's native Australia, becoming one of the most successful albums of the early 1980s.
 It also ranks among the best-selling albums by Australian solo artists, selling more than ten million copies worldwide. NEAT Particles
NEAT Particles is an Interactive evolutionary computation program that enables users to evolve particle systems intended for use as special effects in video games or movie graphics.
 Rather than being hand-coded like typical particle systems, the behaviors of NEAT Particle effects are evolved by user preference.
 Therefore, non-programmer, non-artist users may evolve complex and unique special effects in real time.
 NEAT Particles is meant to augment and assist the time-consuming computer graphics content generation process. Special effects supervisor
A special effects supervisor (also referred to as a special effects coordinator or SFX Supervisor) is an individual who works on a commercial, theater, television or film set creating special effects.
 The supervisor generally is the department head who defers to the film's director and/or producers, and who is in charge of the entire special effects team.
 Special effects include anything that is manual or mechanically manipulated (also called "practical effects" or in camera effects).
 This may include the use of mechanized props, special effects makeup, props, scenery, scale models, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds etc. John Dykstra
John Charles Dykstra, A.S.C. (born June 3, 1947 in Long Beach, California, United States) is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes.
 He was one of the original founders of Industrial Light & Magic, the special effects and computer graphics division of Lucasfilm.
 He is well known as the special effects lead on the original "Star Wars", helping bring the original visuals for lightsabers, space battles between X-wings and TIE fighters, and Force powers to the screen.
 He also led special effects on many other movies, including "Batman Forever", "Batman and Robin", "Stuart Little", "", "Spider-Man" and "Spider-Man 2". Chris Corbould
Christopher Charles Corbould, {'1': ", '2': ", '3': ", '4': "} (born 1958) is a British special effects coordinator best known for his work on major blockbuster films and the action scenes on some 11 "James Bond" films since the early 1980s.
 He has also worked extensively on the "Superman" and "Batman" film series on digital effects and stunts.
 Corbould has been awarded two Honorary Doctorates from Southampton Solent University in December 2009 and University of Hertfordshire in 2011.
 In 2011, he won the Academy Award for Best Visual Effects at the 83rd Academy Awards for his work on "Inception".
 He is the brother of special effects supervisors Neil Corbould and Paul Corbould. Jamie Hyneman
James Franklin Hyneman (born September 25, 1956) is an American special effects expert who is best known as the co-host of the television series "MythBusters" alongside Adam Savage.
 He is also the owner of M5 Industries, the special effects workshop where "MythBusters" was filmed.
 He is known among "Robot Wars" devotees for his robot entry, Blendo, which, for a time, was deemed too dangerous for entry in the competition.
 He is one of the designers of the aerial robotic camera system Wavecam, used in sports and entertainment events. Martin Bower
Martin Bower (born 1952) is a model maker and designer of special effects miniatures for both film and television.
 His credits include the television series "" (1975-8) and the films "Alien" (1979), "Flash Gordon" (1980) and "Outland" (1981).
 He has a long-standing professional relationship with special effects director Brian Johnson. Theatrical smoke and fog
Theatrical smoke and fog, also known as special effect smoke, fog or haze, is a category of atmospheric effects used in the entertainment industry.
 The use of fog can be found throughout motion picture and television productions, live theatre, concerts, at nightclubs and raves, amusement and theme parks and even in video arcades and similar venues.
 These atmospheric effects are used for creating special effects, to make lighting and lighting effects visible, and to create a specific sense of mood or atmosphere.
 If an individual is at an entertainment venue and beams of light are visible cutting across the room, that most likely means smoke or fog is being used.
 Theatrical smoke and fog are indispensable in creating visible mid-air laser effects to entertain audiences.
 Recently smaller, cheaper fog machines have become available to the general public, and fog effects are becoming more common in residential applications, from small house parties to Halloween and Christmas.