What is the name of the album on which the Beatles covered a song from the album The Fabulous Miracles by The Miracles?
With the Beatles
The Fabulous Miracles
The Fabulous Miracles is a 1963 album by The Miracles featuring the million-selling "Grammy Hall of Fame" hit, "You've Really Got a Hold on Me", one of the group's most popular singles.
 It also features the chart hits "A Love She Can Count On" and "I've Been Good To You", which The Beatles' John Lennon has identified as his favorite Miracles song.
You've Really Got a Hold on Me
"You've Really Got a Hold on Me" is a song written by Smokey Robinson which became a 1962 Top 10 hit single for The Miracles on Motown's Tamla label.
 One of the Miracles' most covered tunes, this million-selling song received a 1998 Grammy Hall of Fame Award.
 It has also been selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
 It was covered by English rock group the Beatles on their second album, "With the Beatles" and many other musicians.
After All (The Miracles song)
"After All" is a 1960 song written by Smokey Robinson and originally recorded and released by The Miracles on the Tamla label.
 It was later covered as an unreleased single by The Supremes for Tamla; it was canceled in favor of the single "Buttered Popcorn", and their cover wasn't released until it appeared on the 2000 box set, "The Supremes".
 The song is noted for both groups' unusual choices for leads.
 For the Miracles' version it serves as a rare lead for Claudette Rogers Robinson, instead of the group’s main lead, Claudette's husband, Smokey Robinson.
 In the Supremes' case it is their only single to feature Barbara Martin singing on lead vocals (although she does have a spoken line during the song "(He's) Seventeen").
 Florence Ballard, Mary Wilson, and Diana Ross sing verses, and Martin sings the bridge (usually Ballard or Ross was given the lead on the group's recordings at that time).
 "After All" was also later covered by The Marvelettes, in the early 1970s, with group member Wanda Young Rogers as lead.
 (There's a connection to the two previous groups in that Wanda Young was the wife of Miracles member Bobby Rogers, and she was the only member of The Marvelettes on the song—as with the late-1960s singles of The Supremes, The Andantes served as background singers.)
 Their version appears on the album "The Return of the Marvelettes", and later became the group's belated final single (it failed to chart). Love Machine (The Miracles song)
"Love Machine" is a 1975 single recorded by Motown group The Miracles, taken from their album "City of Angels".
 This song was a #1 Pop smash on the "Billboard Hot 100", and the biggest-selling hit single of The Miracles' career.
 This single was one of two Billboard Hot 100 Top 20 hits recorded by The Miracles with Billy Griffin as lead vocalist; the other is 1973's "Do It Baby".
 Griffin had replaced Miracles founder Smokey Robinson as lead singer in 1972.
 The song features a growling vocal by Miracle Bobby Rogers, with group baritone Ronnie White repeating ""Yeah Baby"" throughout the song. I Like It Like That (album)
I Like It Like That is an album by Motown group the Miracles, compiled for the UK market and released on the UK Tamla-Motown label (TML11003) as one of its initial group of six albums in March 1965 (there was no equivalent album to this in the USA).
 Known as the Miracles' "forgotten album", few people, outside of Motown insiders, hard-core Miracles fans, and collectors, remember that it had even existed.
 This album featured a combination of several new-for-1964 songs along with previously-issued material from the group's album from the year before, "The Miracles Doin' Mickey's Monkey".
 New for 1964 songs included "I Like It Like That" (the Top 30 title song), the Bobby Rogers-led flip side "You're So Fine and Sweet,"(this is the "only" original Miracles studio album that has that song), "That's What Love Is Made Of" (another 1964 hit) that the group performed on the American International Pictures release, the T.A.M.I. Show that year, and "Would I Love You", a song that became a popular regional hit tune for the group in Pennsylvania and The Midwest.
 The album also featured a Claudette Robinson-led cover version of the Orlons' #2 Pop smash, "The Wah Watusi".
 (Claudette is also featured with the rest of the group on the album's cover), and the group's 1963 Top 40 Hit, "I Gotta Dance to Keep From Crying".
 Several of the group's other 1964 songs, including the chart hits "(You Can't Let the Boy Overpower) The Man in You", "Come On Do the Jerk", and its "B" side, "Baby Don't You Go", were not included.
 The new 1964 recordings "I Like It Like That", "Would I love You" and "That's What Love Is Made Of" were included on the only US Miracles 1964 album release "Miracles Greatest Hits From The Beginning" which was the first double album released by Motown Records. Happy Landing
"Happy Landing" is a 1962 R&B recording by Motown Records singing group The Miracles, issued on that label's Tamla Records subsidiary label (T54073).
 It was recorded in November 1962, and appeared on their album "The Fabulous Miracles".
 The group also recorded a live version of this song on their first live album, 1963's "The Miracles Recorded Live on Stage". I Don't Blame You at All
"I Don't Blame You At All" was a 1971 R&B song by The Miracles (also known as Smokey Robinson & The Miracles) on Motown Records' Tamla label.
 It was composed by Miracles lead singer, William "Smokey" Robinson,and produced by Robinson and Terry "Buzzy" Johnson, and was taken from their album, "One Dozen Roses".
 This song was actually the follow-up hit to their #1 smash, "The Tears of a Clown", and reached the Top 20 of the "Billboard" Hot 100, charting at #18, and the Top 10 of the "Billboard" R&B chart, peaking at #7.
 It was also a Top 20 hit in the UK, reaching #11 on the British charts that year.
 It is also noted as the group's last Top 20 pop hit before Smokey Robinson's departure from The Miracles the following year, and was performed by the group on Dick Clark's "American Bandstand" on an episode dated July 10, 1971. A Love She Can Count On
"A Love She Can Count On" (Tamla 54078) was a 1963 hit single by Motown Records R&B group The Miracles, issued on that label's Tamla subsidiary label.
 It was taken from their album "The Fabulous Miracles", and was the follow-up to the group's million-selling Grammy Hall of Fame inducted tune, "You've Really Got A Hold On Me". I've Been Good to You
"I've Been Good to You" is a 1961 R&B song by The Miracles on Motown Records' Tamla label.
 It was released as the B-side of their "Billboard" Top 40 hit, "What's So Good About Goodbye", and was included on their album "I'll Try Something New" the following year.
 This sad, melancholy ballad charted #103 on the "Billboard" Pop chart.
 Despite its relatively modest chart placing, this song has been hugely influential, and is noted as Beatle John Lennon's favorite Miracles tune, and was the inspiration behind The Beatles' song, "Sexy Sadie".
 Written by Miracles lead singer Smokey Robinson, the song begins with the lyric, "Look what you've done...You've made a fool out of someone..." which Lennon later paraphrased in "his" song as, "What have you done...You've made a fool of everyone." A Pocket Full of Miracles
A Pocket Full Of Miracles (TS306) is a 1970 album by Motown Records R&B group The Miracles,(AKA ""Smokey Robinson & The Miracles"") issued on its Tamla subsidiary label, one of three albums the group released that year.
 This album charted at #56 on the "Billboard" pop albums chart, and reached the top ten of the magazine's R&B albums chart, peaking at #10.
 It was released on September 30 of that year.
 Hit singles on the album included "Point It Out" and the topical Ashford & Simpson written-and-produced song "Who's Gonna Take The Blame", a sad, dark song about a girl that is turned out as a prostitute (unusually serious lyric content for The Miracles).
 Also included is the charting flip side "Darling Dear", B-side of "Point It Out", which reached # 100 on the "Billboard" pop chart, and spawned a cover version by The Jackson Five.