What publication contributed to by Jesse Browner was founded to compete with "The New Yorker?"
New York
Jesse Browner
Jesse Browner (born March 30, 1961) is an American novelist, essayist, and translator.
 His work has appeared in Nest (magazine), Food & Wine,"Gastronomica", New York (magazine), The New York Times Book Review and Poets & Writers.
 His books have been published in the United States, France, Italy, Poland, Germany and the Netherlands.
New York (magazine)
New York is an American biweekly magazine concerned with life, culture, politics, and style generally, and with a particular emphasis on New York City.
 Founded by Milton Glaser and Clay Felker in 1968 as a competitor to "The New Yorker", it was brasher and less polite, and established itself as a cradle of New Journalism.
 Over time, it became more national in scope, publishing many noteworthy articles on American culture by writers such as Tom Wolfe, Jimmy Breslin, Nora Ephron, John Heilemann, Frank Rich, and Rebecca Traister.
Katharine Sergeant Angell White
Katharine Sergeant Angell White (September 17, 1892 – July 20, 1977) was a writer and the fiction editor for "The New Yorker" magazine from 1925 to 1960.
 In her obituary, printed in "The New Yorker" in 1977, William Shawn wrote that "More than any other editor except Harold Ross himself, Katharine White gave "The New Yorker" its shape, and set it on its course." Arthur Getz
Arthur Kimmig Getz (May 17, 1913 – January 19, 1996) was an American illustrator best known for his fifty-year career as a cover artist for "The New Yorker" magazine.
 Between 1938 and 1988, two hundred and thirteen Getz covers appeared on "The New Yorker", making Getz the most prolific "New Yorker" cover artist of the twentieth century.
 Getz was also a fine artist, painted murals for the Works Progress Administration Program, wrote and illustrated children's books, and taught at the School of Visual Arts in New York City, the University of Connecticut, and the Washington Art Association in Washington, Connecticut.
 In addition to his "New Yorker" covers and spot drawings, Getz's illustrations were published in "American Childhood", "Audubon", "Collier's", "Consumer Reports", "Cue", "Esquire", "Fortune", "The Nation", "The National Guardian", "The New Masses", "The New Republic", "PM", "Reader's Digest", "Saturday Review", "Stage", and "The Reporter". The New Yorker Radio Hour
The New Yorker Radio Hour is a radio show and podcast produced by "The New Yorker" and WNYC Studios.
 It is hosted by David Remnick, who has worked as an editor at "The New Yorker" since 1998.
 The first episode of "The New Yorker Radio Hour" debuted on October 24, 2015. Peter Arno
Peter Arno (January 8, 1904 – February 22, 1968) was a U.S. cartoonist.
 He contributed cartoons and 99 covers to "The New Yorker" from 1925, the magazine's first year, until 1968, the year of his death.
 In 2015, "New Yorker" contributor Roger Angell described him as "the magazine's first genius". Helen E. Hokinson
Helen Elna Hokinson (June 29, 1893 – November 1, 1949) was an American cartoonist and a staff cartoonist for "The New Yorker".
 Over a 20-year span, she contributed 68 covers and more than 1,800 cartoons to "The New Yorker". Chrysler New Yorker
The Chrysler New Yorker is an automobile model which was produced by Chrysler from 1940 to 1996, serving for several years as the brand's flagship model.
 A trim level named the "New York Special" first appeared in 1938 and the "New Yorker" name debuted in 1939.
 Until its discontinuation in 1996, the New Yorker had made its mark as the longest-running American car nameplate. Brendan Gill
Brendan Gill (October 4, 1914 – December 27, 1997) wrote for "The New Yorker" for more than 60 years.
 He also contributed film criticism for "Film Comment" and wrote a popular book about his time at the "New Yorker" magazine. View of the World from 9th Avenue
View of the World from 9th Avenue (sometimes A Parochial New Yorker's View of the World, A New Yorker's View of the World or simply View of the World) is a 1976 illustration by Saul Steinberg that served as the cover of the March 29, 1976, edition of "The New Yorker".
 The work presents the view from Manhattan of the rest of the world showing Manhattan as the center of the world.