Which of the song sang by Agostino Rovere in  Royal Opera House in London  is an operatic "dramma giocoso" in two acts by Gioachino Rossini?
La Cenerentola
La Cenerentola
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic "dramma giocoso" in two acts by Gioachino Rossini.
 The libretto was written by Jacopo Ferretti, based on the fairy tale "Cendrillon" by Charles Perrault.
 The opera was first performed in Rome's Teatro Valle on 25 January 1817.
Agostino Rovere
Agostino Rovere (1804, Monza - 1865, New York City) was an Italian operatic bass.
 After studying singing in Milan, he made his professional opera debut in 1826 at the opera house in Pavia.
 In 1828 he portrayed Clemente in the world premiere of Vincenzo Bellini's "Bianca e Fernando" at the Teatro Carlo Felice in Genoa.
 In 1839 he sang the role of Pedrigo in the world premiere of Gaetano Donizetti's "Gianni di Parigi" at La Scala.
 He returned to that opera house the following year to create the role of La Rocca in the world premiere of Giuseppe Verdi's "Un giorno di regno".
 In 1842 he portrayed the role of Marquis de Boisfleury in the world premiere of Donizetti's "Linda di Chamounix" at the Kärntnertortheater in Vienna.
 In 1847-1848 he was committed to the Royal Opera House in London where he sang Bartolo in Wolfgang Amadeus Mozart's "The Marriage of Figaro", Don Magnifico in Rossini's "La Cenerentola", Dulcamara in Donizetti's "L'elisir d'amore", Leporello in "Don Giovanni", and Mustafà in Gioachino Rossini's "L'italiana in Algeri"
Dramma giocoso
Dramma giocoso (Italian, literally: drama with jokes; plural: "drammi giocosi") is a genre of opera common in the mid-18th century.
 The term is a contraction of "dramma giocoso per musica" and describes the opera's libretto (text).
 The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice.
 A "dramma giocoso" characteristically used a grand "buffo" (comic or farce) scene as a dramatic climax at the end of an act.
 Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act.
 Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. L'equivoco stravagante
L'equivoco stravagante (] ; The Curious Misunderstanding) is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Gaetano Gasbarri.
 It was Rossini's first attempt at writing a full two-act opera. Royal Opera House (Mumbai)
Royal Opera House, also known as Opera House in Mumbai (formerly Bombay), is India's only surviving opera house.
 Situated on Charni Road, near Girgaum Chowpatti beach, the adjective ‘Royal’ was prefixed to ‘Opera House’ to reflect the fact that its foundation stone was laid during the British Raj in 1909, and King George V inaugurated the building in 1911 while the building was still under construction.
 Work on the Royal Opera House was completed in 1912, although additions were made to the building up to 1915.
 After years of neglect following its closure in 1993, restoration work started in 2008.
 The exterior restoration was completed in 2011 and restoration was completed in 2016.
 The area around the theatre is also referred to as the Opera House in Mumbai.The Opera House area has many jewellery, metal and IT companies.
 On 21 October 2016, after a gap of 23 years, Royal Opera House hosted performance of Bombay-born British soprano Patricia Rozario and her husband, pianist Mark Troop.
 The private event was organised by Opera House owners Maharaja Joytendrasinhji Jadeja and Maharani Kumud Kumari Jadeja of Gondal, Gujarat. Il viaggio a Reims
Il viaggio a Reims, ossia L'albergo del giglio d'oro (The Journey to Reims, or The Hotel of the Golden Fleur-de-lis) is an operatic dramma giocoso, originally performed in three acts, by Gioachino Rossini to an Italian libretto by Luigi Balocchi, based in part on "Corinne, ou L'Italie" by Mme de Staël. Erik Ole Bye
Erik Ole Bye (20 March 1883 – 17 May 1953) was a Norwegian operatic baritone.
 He studied singing with Morgenstierne in Oslo, zur Muhlen in London and R. Willani in Paris.
 He made his professional opera debut in 1913 at the National Theatre, Oslo as Don Basilio in Gioachino Rossini's "The Barber of Seville".
 From 1914-1917 he was a member of the Breslau Opera House; making his debut there as Amonasro in Giuseppe Verdi's "Aida".
 In 1917 he sang with the Opéra-Comique in Paris.
 In November 1918 he sang the role of the High Priest in Camille Saint-Saëns's "Samson et Dalila" for the opening of the new opera house in Oslo.
 From 1921-1932 he was primarily active with opera companies and orchestras in North America.
 He returned to Norway in 1932 where he continued to perform and worked as a businessman.
 He made recordings for Columbia Records, His Master's Voice, and the Victor Talking Machine Company.
 His son, Erik Bye, was a prominent Norwegian journalist. L'italiana in Algeri
L'Italiana in Algeri (] ; English: The Italian Girl in Algiers ) is an operatic "dramma giocoso" in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca.
 It premiered at the Teatro San Benedetto in Venice on 22 May 1813.
 The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies. Pollione Ronzi
Pollione Ronzi (before 1835 - after 1912) was an Italian operatic tenor, composer, conductor, and voice teacher.
 He sang roles at many important opera houses in Italy, including La Scala in Milan.
 In 1867, he was heard at the opera house in Livorno as Egidio in Errico Petrella's "La contessa d'Amalfi".
 In 1871, he sang the role of Rodrigo in Gioachino Rossini's "Otello" at the Teatro Regio di Torino.
 In 1874, he became manager and conductor at the Teatro Manzoni in Milan.
 In 1876, he sang in recital alongside soprano Ida Corani with Clara Schumann serving as their accompanist in the Royal Philharmonic Society's concert season in London.
 He had sung in orchestral concerts with the RPS a year earlier under conductor William Cusins. Eduardo e Cristina
Eduardo e Cristina (] ) is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto originally written by Giovanni Schmidt for "Odoardo e Cristina" (1810), an opera by Stefano Pavesi, and adapted for Rossini by Andrea Leone Tottola and Gherardo Bevilacqua-Aldobrandini.