L'ultimo giorno di Pompei influenced the canvas painting by the artist of what nationality in the period 1830-33?
Russian
The Last Day of Pompeii
The Last Day of Pompeii is a large canvas painting by Russian artist Karl Bryullov in 1830-33.
L'ultimo giorno di Pompei
L'ultimo giorno di Pompei ("The last day of Pompeii") is an opera ("dramma per musica") in two acts composed by Giovanni Pacini to an Italian libretto by Andrea Leone Tottola.
 It premiered to great success at the Teatro San Carlo in Naples on 19 November 1825 followed by productions in the major opera houses of Italy, Austria, France, and Portugal.
 When Pacini's popularity declined in the mid-19th century, the opera was all but forgotten until 1996 when it received its first performance in modern times at the Festival della Valle d'Itria in Martina Franca.
 "L'ultimo giorno di Pompei" influenced either directly or indirectly several other 19th-century works, most notably Karl Bryullov's 1833 painting, "The Last Day of Pompeii".
Man in a Hurry
Man in a Hurry (French: "L'Homme pressé" , Italian: "L'ultimo giorno d'amore" , released in UK as The Hurried Man) is a 1977 French-Italian drama film directed by Édouard Molinaro and starring Alain Delon and Mireille Darc.
 It is based on the novel "The Man in a Hurry" by Paul Morand.
 It recorded admissions of 730,581 in France. Colegio NS de Pompei
Colegio NS de Pompei (originally called "Scuola Nostra Signora di Pompei") is an Italian private & religious school in Caracas (Venezuela). The Last Day of School Before Christmas
The Last Day of School Before Christmas (Italian: "L'ultimo giorno di scuola prima delle vacanze di Natale" ) is a 1975 drama film written and directed by Gian Vittorio Baldi.
 It was screened at the 1975 Cannes Film Festival in the Directors' Fortnight section. Jone (opera)
Jone, ossia L'ultimo giorno di Pompei is an opera in four acts by Errico Petrella.
 The Italian-language libretto was by Giovanni Peruzzini, after Edward Bulwer-Lytton's famous novel "The Last Days of Pompeii". Agostino Rovere
Agostino Rovere (1804, Monza - 1865, New York City) was an Italian operatic bass.
 After studying singing in Milan, he made his professional opera debut in 1826 at the opera house in Pavia.
 In 1828 he portrayed Clemente in the world premiere of Vincenzo Bellini's "Bianca e Fernando" at the Teatro Carlo Felice in Genoa.
 In 1839 he sang the role of Pedrigo in the world premiere of Gaetano Donizetti's "Gianni di Parigi" at La Scala.
 He returned to that opera house the following year to create the role of La Rocca in the world premiere of Giuseppe Verdi's "Un giorno di regno".
 In 1842 he portrayed the role of Marquis de Boisfleury in the world premiere of Donizetti's "Linda di Chamounix" at the Kärntnertortheater in Vienna.
 In 1847-1848 he was committed to the Royal Opera House in London where he sang Bartolo in Wolfgang Amadeus Mozart's "The Marriage of Figaro", Don Magnifico in Rossini's "La Cenerentola", Dulcamara in Donizetti's "L'elisir d'amore", Leporello in "Don Giovanni", and Mustafà in Gioachino Rossini's "L'italiana in Algeri" La trovatella di Pompei
La trovatella di Pompei (i.e. "The foundling of Pompei") is a 1957 Italian melodrama film co-written and directed by Giacomo Gentilomo and starring Massimo Girotti and Alessandra Panaro. Shrine of the Virgin of the Rosary of Pompei
The Pontifical Shrine of the Blessed Virgin of the Rosary of Pompei (Italian: "Pontificio Santuario della Beata Vergine del Santo Rosario di Pompei" ) is a Roman Catholic cathedral, Marian pontifical shrine and minor basilica commissioned by Bartolo Longo, located in Pompei, Italy.
 It is the see of the Territorial Prelature of Pompei. Dean Bernardini
Dean Bernardini (born December 27, 1973) is the bass guitarist and backing vocalist for the rock band Chevelle.
 He joined the band in 2005 after the departure of Joe Loeffler, who had been a member of the group since 1995.
 Bernardini is also a noted visual artist and woodworker; the cover of the 2009 album "Sci-Fi Crimes" was an original 24"x48" oil on canvas painting by Bernardini, and he also supplied an original oil on canvas painting for the band's 2012 album "".