Gene Saks and Lucian Pintilie are both what?
film director
Gene Saks
Gene Saks (November 8, 1921 – March 28, 2015) was an American stage, film director, and actor.
 An inductee of the American Theater Hall of Fame, his acting career beginning with a debut on Broadway in 1949.
 As a director, he was nominated for seven Tony Awards, winning three for his direction of "I Love My Wife", "Brighton Beach Memoirs" and "Biloxi Blues".
 He also directed a number of films during his career.
 He was married to Bea Arthur, who died in 2009, from 1950 until 1980, and subsequently to Keren Saks, from 1980 to his death in 2015.
Lucian Pintilie
Lucian Pintilie (] ; born 9 November 1933) is a Romanian film director and screenwriter.
The Oak
The Oak (Romanian: Balanţa ) is a 1992 Romanian drama film directed by Lucian Pintilie.
 It was screened out of competition at the 1992 Cannes Film Festival. Victor Rebengiuc
Victor Rebengiuc (] ; known in full as Victor-George Rebengiuc; born February 10, 1933) is an award-winning Romanian film and stage actor, also known as a civil society activist.
 Since 1957, he has been a member of the Bulandra Theater company, acting in more than 200 roles on that stage alone.
 Having had his breakthrough performance with Liviu Ciulei's "The Forest of the Hanged", Rebengiuc became a major figure in Romanian cinema, and became especially known for his 1986 appearance in Stere Gulea's "Moromeţii".
 He also starred in films by Dan Piţa ("Tănase Scatiu"; "Dreptate în lanţuri"; "Faleze de nisip"; "The Man of the Day") and Lucian Pintilie ("De ce trag clopotele, Mitică?
"; "Balanţa"; "Too Late"; "Last Stop Paradise"; "Niki and Flo"; "Tertium non datur").
 Rebengiuc was celebrated for his stage performances, appearing in plays directed by, among others, Ciulei, Radu Penciulescu, Andrei Şerban, Cătălina Buzoianu, Yuri Kordonsky, Gábor Tompa and Alexandru Dabija.
 The former husband of actress Anca Vereşti, he is married to Mariana Mihuţ, his Bulandra colleague. Sunday at Six
Sunday at Six (Romanian: "Duminică la ora 6" ) is a 1966 black-and-white psychological romance film by Romanian director Lucian Pintilie. Ward Six
Ward Six () is a 1978 Yugoslav film directed by Lucian Pintilie, an adaptation of Anton Chekhov's short story "Ward No. 6".
 It competed in the Un Certain Regard section at the 1979 Cannes Film Festival. The Reenactment
The Reenactment (Romanian: 'Reconstituirea' ), also known as Reconstruction, is a 1968 black-and-white film by Romanian director Lucian Pintilie.
 It is based on a novel by Horia Pătraşcu, which in turn reflects real-life events witnessed by the author.
 Produced under the communist regime, which it indirectly criticizes, it is a tragicomedy about incompetence, indifference and misuse of power.
 Structured as a film within a film and largely shot as a mockumentary, "The Reenactment" stars George Constantin as a prosecutor who keeps in custody two minor delinquents, Vuică and Nicu, played respectively by George Mihăiţă and Vladimir Găitan.
 He makes them reenact their drunken brawl at a restaurant, and is helped in this effort by the militiaman Dumitrescu (played by Ernest Maftei) and a film crew.
 Two bystanders watch upon the youngsters' degradation at the hands of the prosecutor.
 They are The Miss ("Domnişoara" in the original), played by Ileana Popovici, who is amused by the succession of events, and the pedantic alcoholic Paveliu (Emil Botta). Next Stop Paradise (1998 film)
Next Stop Paradise (Romanian: "Terminus Paradis" ) is a 1997 Romanian film directed by Lucian Pintilie.
 It was entered into the 55th Venice International Film Festival.
 The film was selected as the Romanian entry for the Best Foreign Language Film at the 71st Academy Awards, but was not accepted as a nominee. Too Late (1996 film)
Too Late (Romanian: Prea târziu ) is a 1996 Romanian drama film directed by Lucian Pintilie.
 It was entered into the 1996 Cannes Film Festival. Carnival Scenes
Carnival Scenes (Romanian: De ce trag clopotele, Mitică? )
 is a 1981 Romanian drama film directed by Lucian Pintilie.
 It was banned in Romania and was not shown until after the 1989 revolution.
 The film was selected as the Romanian entry for the Best Foreign Language Film at the 63rd Academy Awards, but was not accepted as a nominee.