What style of music performance do both Singspiel and La fanciulla del West belong to?
opera
Singspiel
A Singspiel (] ; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera.
 It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like.
 Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil.
La fanciulla del West
La fanciulla del West ("The Girl of the West") is an opera in three acts by Giacomo Puccini to an Italian libretto by and , based on the play "The Girl of the Golden West" by the American author David Belasco.
 "Fanciulla" followed "Madama Butterfly", which was also based on a Belasco play.
 The opera has fewer of the show-stopping highlights that are characteristic of other Puccini works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work.
 "Fanciulla" displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative.
 Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian.
The Girl of the Golden West (1938 film)
The Girl of the Golden West is a 1938 musical western film.
 It was adapted from the play of the same name by David Belasco, better known for providing the plot of the opera "La fanciulla del West" by Giacomo Puccini.
 A frontier woman falls in love with an outlaw. Mariam Cannon Hayes School of Music
The Mariam Cannon Hayes School of Music is part of "Appalachian State University" and is one of the premier public music schools in the eastern United States.
 A fully accredited member of the National Association of Schools of Music, the Hayes School of Music offers undergraduate programs in music education, music performance, theory/composition, sacred music performance, music therapy, and music industry studies as well as Master of Music degrees in performance, music education, and music therapy.
 Particularly distinguished for its music performance, music education, and music therapy programs, the Hayes School of Music draws students and faculty from across the United States and the world.
 Through summer workshops and specialized course offerings (e.g. the North Carolina Summer Institute of Choral Arts), the Hayes School of Music is engaged in year-round activities.
 In addition, the school also sponsors the Cannon Music Camp, an annual comprehensive summer music camp that trains younger, high-school-age musicians, during which the North Carolina Symphony is in residence. Repertoire of Plácido Domingo
Spanish tenor Plácido Domingo has officially sung 147 roles in Italian, French, German, English, Spanish and Russian.
 His main repertoire however is Italian ("Otello", Cavaradossi in "Tosca", "Don Carlo", Des Grieux in "Manon Lescaut", Dick Johnson in "La fanciulla del West", Radames in "Aida"), French ("Faust", "Werther", Don José in "Carmen", Samson in "Samson et Dalila"), and German ("Lohengrin", "Parsifal", and Siegmund in "Die Walküre").
 Domingo currently continues to add more operas to his repertoire.
 Since 2009, he has moved substantially into the baritone repertoire, especially focusing on Verdi baritone roles.
 In 2015, he made his most recent debuts as Macbeth at the Berliner Staatsoper, Don Carlo in "Ernani" at the Metropolitan Opera, and Gianni Schicchi at the Los Angeles Opera.
 Tim Page, a Pulitzer Prize-winner for music criticism, described Domingo in a 1996 "Washington Post" article as "the most versatile, intelligent and altogether accomplished operatic tenor now before the public." Networked music performance
A networked music performance or network musical performance is a real-time interaction over a computer network that enables musicians in different locations to perform as if they were in the same room.
 These interactions can include performances, rehearsals, improvisation or jamming sessions, and situations for learning such as master classes.
 Participants may be connected by "high fidelity multichannel audio and video links" as well as MIDI data connections and specialized collaborative software tools.
 While not intended to be a replacement for traditional live stage performance, networked music performance supports musical interaction when co-presence is not possible and allows for novel forms of music expression.
 Remote audience members and possibly a conductor may also participate. Ch'ella mi creda
"Ch'ella mi creda" is a tenor aria from act 3 of the opera "La fanciulla del West" by Giacomo Puccini.
 It is the tenor aria sung by Dick Johnson (a.k.a. the bandit "Ramerrez") before he is to be executed by a lynch mob of gold prospectors led by Sheriff Jack Rance.
 In the aria, Johnson asks them not to tell Minnie, whom he loves, that he has been killed.
 Instead, he asks them to "let her believe" (the title phrase, "ch'ella mi creda") that he is far away, on the road to redemption from his bandit past. All I Ask of You
"All I Ask of You" is a song performed by Cliff Richard and Sarah Brightman during the 1986 English musical "The Phantom of the Opera".
 It was written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe, and produced by Lloyd Webber.
 The duet was meant for characters Christine Daaé and Raoul during the stage musical.
 An operatic pop piece, its lyrics serve as dialogue between the two characters and discuss themes such as commitment and romance.
 During the stage performance of "All I Ask of You", Steve Barton performs as the role of Raoul instead of Richard.
 Like Lloyd Webber's song "The Music of the Night", "All I Ask of You" was compared to the music found in Giacomo Puccini's 1910 opera "La fanciulla del West". Frank Guarrera
Frank Guarrera (December 3, 1923 – November 23, 2007) was an Italian-American lyric baritone who enjoyed a long and distinguished career at the Metropolitan Opera, singing with the company for a total of 680 performances.
 He performed 35 different roles at the Met, mostly from the Italian and French repertories, from 1948 through 1976.
 His most frequent assignments at the house were as Escamillo in Georges Bizet's "Carmen", Marcello in Giacomo Puccini's "La Bohème", Valentin in Charles Gounod's "Faust", and Ping in Puccini's "Turandot".
 He was also an admired interpreter of Mozart roles, establishing himself in the parts of both Guglielmo and Don Alfonso in "Così fan tutte" and Count Almaviva in "Le nozze di Figaro".
 Most of the roles he portrayed were from the lyric repertoire, such as the title role in Tchaikovsky's "Eugene Onegin", but he also sang some heavier roles at the Met like Amonasro in "Aïda", Jack Rance in "La fanciulla del West" and Il conte di Luna in "Il trovatore". Kevin Short (singer)
Kevin Short is an American operatic bass-baritone.
 A graduate of Morgan State University, the Curtis Institute of Music, and the Juilliard School, he won the bass-baritone award for the Middle Atlantic region Metropolitan Opera National Council Auditions in 1989.
 From 1991-1998 he appeared annually at the Metropolitan Opera, singing in a total of 129 performances.
 He notably created the role of Joseph in the world premiere of John Corigliano's "The Ghosts of Versailles" in 1991.
 Some of the other roles he has performed at the Met are Colline in "La Bohème", the Friar in "Don Carlos", Happy in "La fanciulla del West", the Jailer in "Dialogues of the Carmelites", Lackey in "Ariadne auf Naxos", Mandarin in "Turandot", Masetto in "Don Giovanni", Sciarrone in "Tosca", Pirro in "I Lombardi alla prima crociata", Yamadori in "Madama Butterfly", and Zaretsky in "Eugene Onegin".
 He also sang several roles with the New York City Opera during the 1980s and 1990s, including Nourabad in "The Pearl Fishers" and Raimondo in "Lucia di Lammermoor".