original passage: The inspector of the "Nationalsingspiel" was Gottlieb Stephanie. When the 25-year-old Mozart arrived in Vienna in 1781, seeking professional opportunity, one of the first tasks to which he addressed himself was to become acquainted with Stephanie and lobby him for an opera commission. To this end, he brought a copy of his earlier unfinished opera "Zaide" and showed it to Stephanie, who was duly impressed. Mozart also made a strong impression on the manager of the theater, Count Franz Xaver Orsini-Rosenberg, when in the home of Mozart's friend and patroness Maria Wilhelmine Thun the Count heard him play excerpts from his opera "Idomeneo", premiered with great success the previous year in Munich. With this backing, it was agreed that Stephanie would find appropriate material and prepare a libretto for Mozart. Stephanie complied by preparing an altered version of an earlier work "Belmont und Constanze, oder Die Entführung aus dem Serail" without attributing or seeking permission from its original author Christoph Friedrich Bretzner. Bretzner later complained loudly and publicly about the theft.
original sentence: To this end, he brought a copy of his earlier unfinished opera "Zaide" and showed it to Stephanie, who was duly impressed.
sentence2: If "Zaide" were to be performed later to match Mozart's vision for the opera, would it be longer than the work that Gottlieb Stephanie had viewed at this time?
sentence1: The inspector of the "Nationalsingspiel" was Gottlieb Stephanie. When the 25-year-old Mozart arrived in Vienna in 1781, seeking professional opportunity, one of the first tasks to which he addressed himself was to become acquainted with Stephanie and lobby him for an opera commission. To this end, he brought a copy of the final draft of his earlier opera "Zaide" and showed it to Stephanie, who was duly impressed even when the inspectors reading of the work was unfinished. Mozart also made a strong impression on the manager of the theater, Count Franz Xaver Orsini-Rosenberg, when in the home of Mozart's friend and patroness Maria Wilhelmine Thun the Count heard him play excerpts from his opera "Idomeneo", premiered with great success the previous year in Munich. With this backing, it was agreed that Stephanie would find appropriate material and prepare a libretto for Mozart. Stephanie complied by preparing an altered version of an earlier work "Belmont und Constanze, oder Die Entführung aus dem Serail" without attributing or seeking permission from its original author Christoph Friedrich Bretzner. Bretzner later complained loudly and publicly about the theft.