This is the one for which Robin Williams should have received an Oscar; for as Parry, the victim of a senseless tragedy, he is nothing short of brilliant in "The Fisher King," directed by Terry Gilliam and co-starring  Jeff Bridges (who also gives an Oscar-worthy performance here).  Gilliam  has created the perfect mood and atmosphere to tell the story of successful  radio talk-show host Jack Lucas (Bridges), and the homeless and mentally  unhinged Parry, whose lives intersect in the wake of an act of  unconscionable violence that leaves them both barely clinging to the memory  of a reality that no longer exists for either of them.  With this movie,  Gilliam has deftly crafted a study of the symbiotic existence of mankind  and the impact of human nature upon the space we all must share in a world  growing smaller day by day.  Through Jack's eyes, Gilliam examines the  nature of cause and effect, and the results thereof, and Jack's story  ultimately becomes Parry's story, and aptly illustrates how the needs of  one become the necessity of another, and what it means to finally be able  to look beyond ourselves and delve beneath those layers of contemporary  frivolity we all manage to build, which in the end are nothing more than  pretentious insulations that keep us from the things in life that really  matter.  Even as Jack's own act of irresponsibility comes back to haunt him  and make him question his own values to the very core of his being, Parry  receives the brunt of it all from the other end of the spectrum, with  consequences even more dire, though for both the result of their shared  circumstance is life-altering.  Williams gives a masterful performance  here that illuminates so well how thin the line between comedy and drama  really is.  He brings the complex, tragic figure of Parry to the screen  flawlessly, with attitude, expression and even body language that is  impeccable, and all without a single false moment to be found anywhere  throughout (by comparison, even as good as he was in "Good Will Hunting,"  for which he received the B.S.A. Oscar, under close scrutiny you'll find a  moment or two there that do not ring true).  This is quite simply the best  work he's ever done, before or since, and he's given the cinematic world an  unforgettable character that will undoubtedly make a lasting impression on  anyone who sees this film.  And, though Williams grabs the lion's share of  the spotlight here, he by no means overshadows Jeff Bridges, who has also  created a memorable character in Jack.  He brings a depth to this role  through which he readily displays the many different levels upon which Jack  works and lives, from the egotistical, self-centered to the compassionate;  it's like watching a struggle for domination going on within him, and  waiting to find out which side will ultimately emerge triumphant.  It's an  exemplary performance, and it's a gross miscarriage of justice that Bridges  didn't at least receive a nomination for Best Actor for this one.  Proving, however, that justice does, at times, get it's due, Mercedes Ruehl  was awarded the Best Supporting Actress Oscar for her personable portrayal  of Anne, the fulcrum upon which Jack and Parry dramatically balance their  tender and tentative psyches.  Like Bridges and Williams, she gives a  performance here that is totally credible, and she's a delight to watch.  One of the strengths of this movie, in fact, is the incredible  performances; and it's so gratifying to see such a good story brought to  life and made so real through artistic endeavor.  In a supporting role,  Michael Jeter demands to be singled out for his part as the homeless  Cabaret Singer, and also Amanda Plummer, as the hapless and endearing  Lydia, both of whom are just additional parts of the aggregate that make  this such a great movie.  With "The Fisher King," Gilliam has given us a  wonderfully textured morality tale, both entertaining and engaging and rich  with metaphor and substance that will endure the test of time, because it  is, in the end, a story for the ages.  This is definitely one you do not  want to let pass you by.