Terry Gilliam's post-Python oeuvre usually strikes me as rather cold and overly intellectualized.  I 'like' his movies very much, but can rarely get close enough to 'love' them.  "Brazil" and "Twelve Monkeys" being chief offenders in this complaint.  I enjoyed their visions of futuristic dystopias, but never felt involved on an emotional level.  Sure, "Baron Munchausen" tickled my whimsy-bone, and "Time Bandits" gave me kid-sized guffaws, but both those films also had a good dose of textbook thinking behind them, enough to keep the audience always an arm's length away.