Stone won't make himself vulnerable to anyone or the facts, whether that means eliminating all JFK conspiracy theories other than his own or simplifying a story and people as he has done here in Midnight Express. Stone borrowed Billy Hayes' real story of being held in a Turkish prison for several years after being caught smuggling hashish, and hijacked it to devastating effect. [I focus on screenwriter Stone instead of director Parker because the substance of Hayes' original book was altered by Stone and Parker just created Stone's skewed vision]. Stone was successful in destroying the Turkish justice image in the minds of generations of Americans. Ask most any American [now thirty years after Stone made his movie] to picture a Turkish(or Islamic) prison or court room or justice system, and the one portrayed in Midnight Express is the one that is ingrained. Coincidence or not, it should be noted that this humiliating portrayal of Islamic justice came at a time of increased Hollywood output of negative Islamic images and favorable Israeli ones(the unprecedented and universally viewed miniseries Masada). To this day, Islam's portrayal in movies is considered horrendous by those who study it(Shaheen's 'Reel Bad Arabs').