IIn some dystopian future, date unspecified, our descendants are on the cusp of a brave new world in which designer babies become the norm. Shortly before this technological achievement our hero comes upon the scene with all of the normal faults and frailties that mortal flesh is usually heir to. Having forked out for the specs necessary to redress the faults in his vision his parents decide to spend their cash second time around ensuring his brother has no need of such artificial aids. In due course the younger son surpasses his brother in the usual childhood games and is well on the way to fulfilling all of his parents aspirations and repaying their investment when Vincent, the elder and imperfect son, decides that his home life isn't doing his self esteem any favours and leaves to find his imperfect way in the perfect world bequeathed to his favoured sibling. He obtains a job as a cleaner at Gattaca, an institution whose existence depends upon selecting and training only the most ideal human specimens to continue humanity's quest for the stars. Demonstrating that crime is always a corollary of social injustice the movie has Vincent obviously managing to save enough from his cleaner's wage to take advantage of the black market in false identities and we meet Jude Law, the antithesis of Vincent in many ways: the golden boy made bad. They `swap' identities and Vincent becomes the `perfect' Jerome and begins to take pleasure in all the fruits that perfect specimens, or `valids' enjoy as part of their birthright, including those provided by off-screen wife, Uma Thurman in the person of the perfectly lovely Irene. He gets accepted for flight crew training at Gattaca and loses no opportunity to gaze at the stars his soon to be destination if all goes well!