Frankly, I think I wore the LP out in my youth, and the appeal of the CD is lost on me, even as I can claim Donaggio's previous DON'T LOOK NOW (1973) as one of my five favorite film scores of all time.  I can still  hear why I was mesmerized way back when. Donaggio's score IS adolescent  angst in a Herrmann/classical/pop vein, and he does this well.  I was never  extremely fond of Katie Irving's breathy vocals, but the title tune could  have been a smash country and western ballad if someone in Marketing had  possessed that insight at the time.  Donaggio's gone on to score about a  hundred fair-to-middlin' Italian scores, and some bombastic ones for  DePalma (BLOW OUT - far too saccharine and BODY DOUBLE - well, I love the  Minnie Mouse-doing-the-Eurodisco-streap-tease song).  In my maturity he  seems a little over-the-top, but he did seduce me into a world of feelings  and impressions previously unavaible to a teenager, and for this I remain  grateful.  Film score purists will be better directed to his Italian  output, such as OLTRE LA PORTA, and his lovely western score, AMORE PIOMBO  E FURORE (Love, Bullets and Fury), which contains a dynamite vocal by  legendary wild woman/Cajun, Ronee Blakely, and, of course, the haunting  DON'T LOOK NOW.