SANTANA-SUPERNATURAL: This ain't your Dad's Santana. Named for original Fleetwood Mac guitarist Peter Green's breathtaking blooze instrumental (he also composed BLACK MAGIC WOMAN), here's the album that rescued the entirely deserving Carlos Santana from endless classic rock tour pergatory. Not since Tina Turner's "I've still got legs" comeback in the 80s has the music world witnessed such an unexpected and satisfying resurrection, thanks to the Clive Davis notion of pairing Mexico's guitar guru with a half dozen young disciples. The catalyst was SMOOTH, a blistering, funk-fried Rob Thomas collaboration that knocked doldrums-drenched radio on its keister at the turn of the century, culminating in the Grammy's most decorated album ever. Since Santana has always employed a wide palette of musical styles and vocalists (from Journey's Gregg Rolie to Buddy Miles to John Lee Hooker), hearing him jam on hip-hop, jazz-rock, and rap in tandem with Lauryn Hill, Dave Matthews, and Everlast is not such a far fetched notion. When the musical history books are written, SUPERNATURAL will remain proof positive that, yes Virginia, there really IS a Santana clause.