This album has a bit of a bad rap among Bowie's Eno collaborations. I don't really understand why. This album is less new-wavey and less robotic than the other two, and much more eclectic, but I don't see those as bad things. This is perhaps the most experimental of the three albums as well on a purely song-to-song basis, going from a bizarre proto-rap freakout ("African Night Flight") to Turkish reggae ("Yassassin") to a krautrock-influenced mess of a rocker ("Red Sails".) These are some of my favorite songs on the album, however. As a whole, it's quite a wild ride, with ideas everywhere, some more fully realized than others, and some just strange (Eno's "cricket menace" on "African Night Flight"... that song in general, in fact.)