Despite the bizarre album title, this is the main course (yeah, I said it) from that master. Beginning and ending with doo-wop, the main content is classically-based progressive rock, with heavy reliance on a great pianist, Ian Underwood. "Aybe Sea" and "Little House I Used To Live In" are really masterpieces, in that vein. I would think that Aaron Copeland himself would approve of these "soundscapes".