Admittedly some parts of this album are extreme & harsh on the ears but I think that's what it's meant to be like, contrasting w/ catchy nice tunes like Oh No & Toads of the Short Forest. A lot of the album is  instrumental, a segment from Didja Get Any Onya? ["Charles Ives"  is its proper name] was also used to great effect for The Blimp  [mousetrapreplica] on Captain Beefheart's Trout Mask Replica [the best  album ever]. I have this on a 2 hour tape w/ the godawful Tinsletown  rebellion which just goes to show how good WRMF is. I played 'the Eric  Dolphy Memorial tribute' to a jazz fan friend & he said it doesn't  sound like Dolphy [he can be heard on Ornette Coleman's FREE JAZZ, probably  an influence on some of the skronkier parts of this album]. It's obvious  this lp has no commercial potential but it certainly is a great work of  art.