Released in late Feb in Australia, I grabbed this off the shelfas soon as I saw it. Mitchell is really in her element here - a smallintimate venue ( one of the studios at Warners in LA) decorated with sofas and Mitchell's paintings. The band is just right - not too lush not too sparse. Drums, guitar/pedal steel, bass and trumpet and of course Mitchell herself on that new whizz bang guitar of her's which I think sounds great. She jokes with the audience, dances with one of her singers and tells a great story at the end about Woodstock, knitting and stars. As you would expect, most of the material is post Court and Spark except for Big Yellow taxi for openers and Woodstock in closing. Lots of wonderful stuff from Hejira and fortunately only one from her "I'm angry with the world, so lets write a silly song" repetoire.  Throughout the concert (a selection from two consecutive nights) Mitchell's singing is great; 'live' her voice seems fresher than on CD and though the upper register is shot to pieces, what's left is full of character, reveals more light and shade. Plus her phrasing is right on.  There are really no dud tracks here and I tend to just put it on as if it were a CD (nice and loud), popping back to the screen every now and then to watch the still beautiful woman do her stuff, though other times I sit down and just indulge in the whole 98 minutes of it. One particularly shining moment is Mitchell's cover of Marvin Gaye's Trouble Man. Its a heartfelt and beautifully sung version that reveals what a great singer Mitchell really is. It sends shivers up my spine everytime I replay. This video is a great introduction to what Mitchell has achieved over the last 20 years. It should send people out to snap up records like Hejira and Hissing of Summer Lawns not to mention more recent stuff. A perfect complement to this video would be Shadows and Light, the double live album that came out in the early eighties and featuring Jaco Pastorius on bass and other luminaries.