What is the fine-grained topic of the following text: Many (probably those who don’t realize that the family’s name rhymes with “loss”) will be taken in by Silberling’s approach here - Silberling’s somber approach certainly worked for me in his similarly elegiac City of Angels - but this time out I felt the gears churning underneath, and no amount of A-list actors, comforting yellow lighting schemes, or studied distance from its characters could make the film work for me. Only return the topic.
The critique of Silberling's filmmaking approach in a specific film.