This paper seeks to investigate the postporgraphic production of the Colombian artist Nadia Granados, who through his character La Fulminante explores (and exploits) stereotypical representation of sexually provocative Latino women in order to generate libertarian artisticinterventions in public space. Their performances are powerful critics about normative gender roles, but also about violence against female bodies. At the same time, her work allows us to think about the possibility of recovering the autonomy of feminized bodies through pleasure and sexuality. The theoretical contributions that I will use to analyze the work of this Colombian artist are the studies of performance and decolonial feminism. Finally, it is important to inscribe Granados's work as part of the history of feminist art, where the performing arts have been explored by women artists to visualize not only the violence that passes through our bodies, but also the possibility of leakage and resistance in terms of gender and sexualities.