Represented by his lawyer Rajačić, on 31 January 2000, Niko Zorić filed a complaint to the Ministry of Building Renovation, Construction, and Residence, and when they rejected the complaint, he began a Constitutional dispute in September 2000, claiming that their ownership rights over the plow field were usurpated.


Zastupan po odvjetniku Rajačiću, Niko Zorić 31. siječnja 2000. žalio se Ministarstvu prostornog uređenja, graditeljstva i stanovanja, a kad su oni odbili žalbu, pokrenuo je u rujnu 2000. Upravni spor, tvrdeći da je uzurpirano njihovo vlasničko pravo nad oranicom.


In an unclear situation, Urba was able to receive a large loan from Privredna Bank Zagreb even though the total amount cannot be confirmed; despite the fact that they did not have a building permit, they began construction in June 2001 in Španska.


U nejasnim okolnostima, Urba je ipak uspjela dobiti enormno visoki kredit u Privrednoj banci Zagreb, čiji je ukupni iznos nemoguće ustanoviti, premda nije imala građevinsku dozvolu, i u lipnju 2001. početi gradnju u Španskom.


In July 2001, The Ministry for Environmental Protection brought about the decision to bulldoze the center in Španska, and two months later they received the conclusion for the permit to destroy the building.


U srpnju 2001. Ministarstvo zaštite okoliša donijelo je rješenje o rušenju centra u Španskom, a dva mjeseca poslije i zaključak o dozvoli za izvršenje rušenja.


Urba submitted to request for a building permit in January 2002.


Urba je tek u siječnju 2002. predala zahtjev za izdavanje građevinske dozvole.


In the meantime, inspection officers file five violations against the investors, Urba West, which resulted in the cancellation of the agreement with Leclerc. The investment ended up in French courts where Urba started a lawsuit claiming that they were responsible for the slow method of operation and the slow consignment with tenders.


U međuvremenu je Inspekcija podnijela pet prekršajnih prijava protiv investitora, tvrtke Urba zapad, što je rezultiralo raskidanjem ugovora s Leclercom, a sudbina investicije predana je francuskom sudu na kojemu je Urba pokrenula parnicu na kojoj će pokušati tvrditi da su sami usporili isporuku tendera i usporili posao.


When the case made it to the newspapers, Leclerc threatened to collect the bank guarantee for a loan of 16 million franks and pull out the guarantee for an additional 25 million DM. Rajačić and Stupalo did not give up easily.


Kad je slučaj dospio u novine, Leclerc je zaprijetio naplatom bankovnih garancija za kredit od 16 milijuna franaka i najavio da će povući i garanciju za još 25 milijuna maraka. A Rajačić i Stupalo se ne predaju.


On 23 November 2001, they wrote a letter to Privredna Bank Zagreb in which they stated: “… We believe that it is well known that the building is under construction without a building permit. That was the reason that my client procured a legal decision on demolishing the building from the authoritative institute, and is prepared to do everything necessary, even putting media pressure on legal procedures and demolishing what has been constructed.”


Dana 23. studenog 2001. pišu Privrednoj banci Zagreb: ”?Vjerujem da je poznato da se objekt gradi iako nema niti lokacijsku dozvolu zbog čega je moj klijent ishodio od nadležnog organa pravomoćno rješenje o rušenju i spreman je izvršiti sve potrebno, uključujući i medijski pritisak da se postupi zakonito i izgrađeno poruši.”


Five months later, Rajačić again contacted the Executive president of PBZ, Bozo Prke, and revealed his final intention: “Because Leclerc is giving up on the mentioned operations, notably because of the tough charges filed by Urba West against Leclerc in France, it is understandable that the only remaining possibility is that the bank takes over the position of Urba West and purchases the mentioned property or that a third subject does so.


Pet mjeseci poslije, Rajačić se opet obraća predsjedniku Uprave PBZ Boži Prki i otkriva svoje krajnje namjere: “Obzirom da je izvjesno da Leclerc odustaje od predmetnog posla, osobito nakon krajnje drske tužbe Urba zapad protiv Leclerca podnesene u Francuskoj, razumljivo je da je jedina preostala mogućnost da Banka preuzme položaj Urba zapad i kupi predmetno zemljište ili da to učini treći subjekt.


If that interest does not exist, then a possible alternative is that my client guarantees the means for completing the project in coordination with the bank, in order to eliminate an array of damaging consequences.”


U slučaju da takav interes ne postoji, moguća je i alternativa da moj klijent osigura sredstva za dovršenje projekta u koordinaciji s Bankom, čime bi otklonili niz štetnih posljedica.”


Only when Leclerc cancelled the agreement, did Stupalo cave in.


Tek kad je Leclerc poništio ugovor, kapitulirao je i Stupalo.


The owner of the land that held PBZ, Leclerc, and Urba West in the palm of his hand sold the land to Ivan Dumančić, who once again sold the land to Neno Barada for €1.7 million at the end of last year, as stated by Nacional’s sources.


Vlasnik parcele koji je držao u pat-poziciji i PBZ iLeclerc i Urbu zapad, naposljetku ju je prodao izvjesnom Ivanu Dumančiću, koji je, opet, krajem prošle godine njivu preprodao Neni Baradi za 1,7 milijuna eura, kako tvrde Nacionalovi izvori.


The Leclerc project, which has become a construction crime story, is marked by an abandoned, incomplete building at the entrance to Zagreb.


O projektu Leclerc koji je postao građevinski krimić danas svjedoči golemo crno zapušteno i nedovršeno zdanje na ulazu u Zagreb.


The idea of a Leclerc shopping center was replaced by a commercial entertainment center with 16 movie theaters; among the interested buyers are Todorić’s Agrokor, Bauhaus, and Kaufland.


Ideju o hipermarketu Leclerc zamijenio je projekt trgovačko-zabavnog centra sa 16 kinodvorana, a među zainteresiranim kupcima spominju se Todorićev Agrokor, Bauhaus i Kaufland.


Whatever happens in the end will be an ugly reminder that nothing works in Croatia.


Ma što naposljetku bilo, građanima će ostati ružan podsjetnik kako u Hrvatskoj gotovo ništa ne štima.


Foreigners will see it as evidence of inefficiency in corrupt Croatia which is hard to understand in developed countries, where citizens and companies protect themselves with simple legal regulations that allow property to be sold at a maximum of 30% the purchased price.


A strancima još jedan dokaz o neposlovnosti u korupciji ogrezloj Hrvatskoj, kakva je teško zamisliva u naprednim zemljama, gdje se građani i tvrtke od makinacija štite jednostavnim zakonskim odredbama koje dopuštaju preprodaju nekretnina po maksimalno trideset posto većoj cijeni od kupljene.


The numerous hotels, camps, two ACY marinas, boarding-houses, villas, apartments and rooms in private houses all offer varying types of high-quality accommodation.


Brojni hoteli, kamp, dvije ACY marine, pansioni, vile, apartmani i sobe u privatnim kućama pružaju različite vrste vrlo kvalitetnog smještaja.


Most of the hotels and campsites belong to the largest hotel compani, Imperial.


Najveći dio hotela i kamp pripadaju najvećem hotelskom poduzeću Imperial.


As well as these, there are several more large and small newly-renoveted hotels on Rab.


Osim njih se na Rabu nalaze još neki veći i manji novouređeni hoteli.


This dynamic and comprehensive development has been possible due to the growth in the entrepreneurial spirit of Rab in the last few years.


Dinamičan i svjestan razvoj bio je moguć zahvaljujući činjenici da je poduzetnički duh Raba bio u poletu u zadnjih nekoliko godina.


Meny of the people of Rab see a future in tourism and so are investing in the renovation and construction of hotels, boarding-houses and apartments, and so the range of accomodation is becoming better and more varied.


Mnogi Rabljani u turizmu vide budućnost te investiraju u obnovu i izgradnju hotela, pansiona i apartmana tako da smještajni kapaciteti postaju sve raznovrsniji i bolji.


The musical phenomena of the Kvarner region are an important part of Croatian culture.


Glazbeni fenomeni kvarnerskoga kraja važna su sastavnica hrvatske kulturne riznice.


They are so numerous and diverse that if you wish to become acquainted with them, you will need to listen to many different music styles and expressions.


Oni su toliko brojni i bogati da je za upoznavanje s njima nužno oslušnuti zvukove pojedinačnih rukavaca velike kvarnerske glazbene rijeke.


The most ancient source is folk music, as ancient as the life itself in this area.


Najstarije je izvorište folklorna glazba. Duboko je koliko i život na tom području.


It is directly connected to the way of living and working within the relatively small area of Kvarner, its sea and the mountains.


Izravno je vezana za način življenja i rada na razmjerno malom kvarnerskom prostoru, njegovu moru i planinama.


The folk music is a symbol of the fireside, the atmosphere of our ancestors’ homes, which is why it is so authentic and unique.


Folklorna je glazba simbol kućnog ognjišta, atmosfere doma predaka što joj pridaje čvrste motive za samosvojan rast.


Generations have shaped and preserved their music, in a process that combined various musical styles and expressions.


Naraštaji su oblikovali i čuvali svoju glazbu, a u tim su se procesima različite vrste izričaja stalno isprepletale i dopunjavale.


Throughout its history, Croatia has been influenced by a variety of cultures, which is why today there are six different areas with respect to music and folklore.


Hrvatska je povijest stalno zapljuskivana valovima drugih kultura o čemu svjedoči i činjenica da u njoj postoji šest glazbeno-folklornih područja.


The originality of its folklore remained nevertheless preserved, as well as the spirit of Croatia’s people.


Folklor je ipak uspio očuvati originalnost svoga izričaja pa i duh hrvatskoga naroda.


The mutual influences of Croatia’s folklore areas were no disturbance, quite the opposite.


Međusobni utjecaji hrvatskih folklornih područja pritom nisu bili smetnja, dapače.


On the other hand, the music of Istria and Kvarner, originating from barren coastal soil, has always been so special that it has remained quite protected from external influences.


S druge strane, istarsko-primorska glazba, nastala na škrtoj zemlji uz more, toliko je zvučno posebna da se upravo tom posebnošću branila od dodira s drugima.


The whole coast of Kvarner and the islands of Krk, Cres and Lošinj are proud of that tradition.


Cijelo kvarnersko primorje te otoci Krk, Cres i Lošinj takvom se tradicijom ponose.


The other elements of folklore – the musical instruments, dances and traditional costumes – add to the integrity of the story.


Njezini popratni folklorni elementi – instrumenti, plesovi, nošnja – nadopunjuju cjelovitost priče.


They have also been the inspiration for many Croatian and European artists.


Ujedno su inspiracija mnogim hrvatskim pa i europskim umjetnicima.


Due to its traditionalism and originality, the folklore heritage of Kvarner and neighbouring Istria can be compared with the musical folklore from other Mediterranean areas.


Folklorna baština koju Kvarner dijeli sa susjednom Istrom tradicionalnošću je i originalnošću usporediva sa zvučnom snagom ostalih folklornih sastavnica velike žamorne mediteranske glazbovnice.


Another musical rarity of Kvarner is Glagolitic singing, a unique example of popular ecclesiastical music that combines Gregorian and Croatian folk chants.


Drugi glazbeni raritet Kvarnera je glagoljaško pjevanje. Srastanjem gregorijanskoga korala i hrvatske pučke popijevke u njemu je dobiven jedinstven primjer crkvenoga pučkog pjevanja.


Today it cannot be heard live, but it has been recorded.


Živo glagoljaško pjevanje danas se ne može čuti, ali je zabilježeno u muzikološkim spisima.


The best way to learn more about it is to buy a CD in local churches or CD shops.


Najbolji način da se ono upozna je potražiti kakav CD u sakristijama ovdašnjih crkava ili u specijaliziranim prodavaonicama.


The centre of musical arts on Kvarner is the Croatian National Theatre Ivan pl.


Umjetnička glazba na kvarnerskom području najvećim je dijelom okupljena oko Hrvatskoga narodnoga kazališta Ivana pl.


Zajc in Rijeka.


Zajca u Rijeci.


As a nursery of musicians and music, the theatre has always been a great motivator for artistic life in the area.


Kao središnje rasadište glazbenika i glazbe, ono je bilo silan poticaj umjetničkom životu svoje sredine.


Local and foreign artists perform here, including renowned composers, conductors and actors.


Teatar je u gradu oduvijek mjesto nastupa domaćih i stranih umjetnika, uključujući velika skladateljska, dirigentska i glumačka imena.


The theatre has helped to develop the interest of local people in the arts and musical education, so it is no wonder that several artists of worldwide renown have come from Rijeka, the cultural heart of Kvarner.


Živa zbivanja kazališnoga svijeta potiču interese domicilne sredine za umjetničkim djelatnostima i glazbenom naobrazbom pa je Rijeka, kao kulturno srce Kvarnera, iznjedrila umjetnike svjetskoga glasa.


This process has continued up to the present day.


Taj proces traje i danas.


As a venue for theatrical and musical events, Kvarner ranks very highly in Croatia, its repertoire and organisation meeting international criteria.


Aktualno mjesto Kvarnera glede kazališnih i glazbenih zbivanja u hrvatskim je okvirima visoko rangirano, s repertoarnom i organizacijskom politikom usmjerenom prema svjetskim kulturnim kriterijima.


This is confirmed by, among other things, numerous cultural events in summer featuring performances by renowned ensembles.


Potvrđuju to, uz ostalo, mnogobrojna ljetna kulturna događanja, u kojima sudjeluju ansambli koji nude vrhunske zvučne svečanosti.


These include Musical Evenings in Osor on the island of Cres (classical music in an historical ambience with an emphasis on works by Croatian composers), Musical Evenings in Lubenice, also on the island of Cres, but with an emphasis on early music, folklore and vocal singing - the so-called klape.


Ponajprije su to Osorske glazbene večeri na otoku Cresu (inkantacijske svečanosti povijesnog ambijenta i klasične glazbe, s naglaskom na domaćem stvaralaštvu) te Lubeničke glazbene večeri, priklonjene ranoj glazbi, folkloru i klapskom pjevanju.


Not to forget the Kastav Cultural Summer, Rijeka Summer Night, Opatija Summer of Culture, summer events on the islands of Krk and Rab...


Tu su i Kastafsko kulturno ljeto, Riječke ljetne noći, Opatijsko kulturno ljeto, Krčko ljeto, Rapsko ljeto...


Throughout the year, most concerts take place in Rijeka, primarily in the Governor’s Palace and the Croatian House of Culture (Hrvatski kulturni dom) in Sušak.


Tijekom godine koncertni je život intenziviran dobrim dijelom u Rijeci, za što se ujedno koristi prostore Guvernerove palače i Hrvatskoga kulturnoga doma na Sušaku.


Opatija’s Villa Angiolina hosts ever more concerts and stage performances also in wintertime.


Sve zamjetniji ritam zimskih koncerata i predstava bilježi se u opatijskoj vili Angiolini.


Popular music, mainly created and played by talented, self-taught performers, but also by creative academic artists, makes up for the areas that cannot be covered by classical music and continues to develop its own, rich hedonistic life.


Zabavna glazba što je stvaraju i izvode talentirani samouci, a kreativno se do nje nerijetko zapute i akademski umjetnici, uspješno ispunjava prostore što ih klasična glazba ne pokriva. Ona razvija svoj bogat hedonistički život.


This is how it has always been and how it still is today.


Tako je nekako vazda bilo i tako je nekako još uvijek.


Popular music follows recent international trends and creates a domestic musical scene characterised by pop ballads in the local Čakavian dialect with elements of Istrian folklore.


Lakoglazbeni izraz prati recentne svjetske žanrove i stvara domaću glazbenu scenu kojom prednjači pop-balada čakavskoga narječja s elementima istarskoga glazbenog folklora.


Festivals of “Čakavian songs” include the popular Melodies of Istria and Kvarner, the only travelling festival in Croatia.


Utemeljeni su festivali ″čakavskoga songa″. Najznačajniji je Melodije Istre i Kvarnera, jedini putujući festival u Hrvatskoj.


It encourages musical creativity with respect to the local folklore musical and linguistic heritage.


On potiče glazbeno autorstvo koje uvažava lokalnu folklornu glazbenu i jezičnu baštinu.


Croatian festivals of popular music have their roots right here on Kvarner.


Festivalska praksa hrvatske zabavne glazbe potekla je upravo s Kvarnera.


The Crystal Hall of Opatija’s Hotel Kvarner was the first venue for the Festival of Popular Melodies Opatija in 1958.


Kristalna dvorana opatijskoga hotela Kvarner bila je 1958. prvom pozornicom Festivala zabavnih melodija Opatija.


It was no accident that Opatija, at that time compared with Italy’s San Remo, was chosen as the first festival town: apart from being a tourist sensation, Opatija could boast of famous visitors from the world of music, like Pietro Mascagni, Giacomo Puccini, Boris Papandopulo, Ivan pl.


Osim što je Opatija turistička senzacija, njezinu elitnost podižu imena uglednih gostiju. U predugom su popisu glazbenici Pietro Mascagni, Giacomo Puccini, Boris Papandopulo, Ivan pl.


Zajc, Begnamino Gigli, Jan Kubelik, Franz Lehar, Alma and Gustav Mahler.


Zajc, Beniamigno Gigli, Jan Kubelik, Franz Lehar, Alma i Gustav Mahler.


The musical life on Kvarner is to a great extent created by cultural artistic societies, singing groups (the so-called klape), choirs, tamburizza and other orchestras and dancing groups.


Glazbeni život Kvarnera dobrim dijelom kreiraju kulturno umjetnička društva, klape, zborovi, tamburaški i slični sastavi te plesne skupine.


Amateurs are playing an ever more important role in cultural events.


Amaterizam bilježi znatan rast i ima sve veću ulogu u kulturnim zbivanjima.


Musical creativity of amateurs includes both indigenous and imported means of expression, the most famous probably being singing in the so-called klape choral groups with elements of pop music.


Uz lokalne oblike izražavanja, u radu amatera nalazimo i uvezene. Poglavito se to odnosi na klapsko pjevanje, koje je nerijetko urešeno šlagerskom dekoracijom.


Music is, more than any other art form, omnipresent in people’s everyday life.


Glazba je, više nego druge umjetnosti, sveprisutna u ljudskoj svakodnevici i čovjeku samom.


Life on Kvarner confirms this, to its own joy and to the delight of its visitors.


Život na Kvarneru to potvrđuje, na vlastitu radost i na užitak svojih gostiju.


The Beneventan Evangelical Script from the 11th century is the oldest musical document on Kvarner.


Beneventanski evanđelistar iz 11. stoljeća najstariji je glazbeni dokument pronađen na Kvarneru.


It was discovered in the cathedral in Osor on the island of Cres, and today it is kept in the Biblioteca Apostolica in the Vatican.


Otkriven je u katedrali u Osoru, na otoku Cresu, a Biblioteca Apostolica u Vatikanu mjesto je gdje se danas čuva.


Glagolitic singing is a kind of ecclesiastical singing used to accompany the Old Slavic liturgy.


Glagoljaško pjevanje vrsta je crkvenog pjevanja koje je pratilo staroslavensku liturgiju.


The name derives from the old Croatian Glagolitic alphabet that was used from the 9th until the 19th century.


Ime potječe od staroga hrvatskog pisma glagoljice, u uporabi od 9. do 19. stoljeća.


Ritual Glagolitic books contain no music manuscripts, so it is hard to say much about how it was in the beginning.


U obrednim glagoljaškim knjigama nema notnih zapisa pa je teško reći kakvo je ono bilo u početcima.


Through oral tradition it has been preserved in a somewhat changed form.


Usmenom predajom sačuvalo se izmijenjeno.


Today’s Glagolitic singing is simpler than Gregorian chant.


Glagoljaško pjevanje u današnjem obliku jednostavnije je od gregorijanskoga korala.


The melody follows the structure of the spoken word.


Melodija mu proizlazi iz strukture govorne riječi.


This is part-singing music, sometimes heterophonic.


Višeglasno je, katkad i heterofono.


Intonation is often untimed.


Intonacija je često netemperirana.


There are local variants from place to place: on the island of Krk one can distinguish the Vrbnik nota and the Punat nota.


Postoje lokalne varijante glagoljaškoga pjevanja pa na otoku Krku razlikujemo vrbničku notu (u Vrbniku) i puntarsku notu (u Puntu).


The term vela nota describes singing on feast days, whereas mala nota describes singing on ordinary days.


Izraz vela nota odnosi se na pjevanja blagdanom, dok je mala nota naziv pjevanja u obične dane.


The influence of Gregorian chant is characterised by the need to adapt foreign, Latin chant to the Croatian language.


Utjecaj gregorijanskoga korala uvjetovan je i potrebom da se strani, latinski napjev prilagodi hrvatskome jeziku.


The beauty of Glagolitic singing has grown from the Christian tradition of western music and the unique Croatian folk singing.


Ljepota glagoljaškoga pjevanja izrasta na kršćanskoj tradiciji zapadne glazbe i jedinstvene hrvatske pučke popijevke.


It represents an extraordinary Croatian phenomenon that has always attracted the attention of local and international musicians.


Ono je izniman hrvatski fenomen koji odavno privlači pozornost domaćih i stranih glazbenika.


The Istrian scale is a row of six tones with a specific sequence of intervals that theoretically systematises the untimed folk music of Istria, the Littoral and the Kvarner Islands.


Istarska ljestvica niz je od šest tonova specifičnih tonskih odnosa koji teorijski usustavljuje netemperiranu folklornu glazbu Istre, Hrvatskoga primorja i kvarnerskih otoka.


The name comes from its place of origin, the Istrian peninsula.


Naziv je dobila prema Kvarneru susjednom istarskom poluotoku Istri, svom žarišnom području.


The most famous folk instruments on Kvarner are the sopile.


Najpoznatiji folklorni instrument Kvarnera su sopile.


These are wind instruments of the oboe type and a remnant of the old European instrument called the shawn (šalmaja) that has a double reed and a conical tube.


To je puhački instrument tipa oboe i ostatak starog europskog instrumenta šalmaja koji ima dvostruki jezičac i koničnu cijev.


Sopile are usually played in pairs - one person plays the “small” sopila, the other plays the “large” one.


Redovito nastupaju dva svirača sopca, pri čemu jedan svira, tj. sope "malu" sopilu, drugi "velu" sopilu.


The instrument has six finger-holes and is made of maple.


Instrument na prebiralici ima šest rupica koje se zatvaraju prstima.


Apart from sopile, several more traditional instruments are played on Kvarner, like the dvojnice, mišnice, šurle, button accordion and tamburizza orchestras.


Specifičan način pjevanja obojio je narodnu glazbu primorskoga dijela Kvarnera od Brseča do Novog Vinodolskog te na otocima Krku, Cresu, Lošinju i Rabu.


Vocal singing by the so-called klape has its origins in Dalmatia and is now also widespread on Kvarner.


Klapsko pjevanje višeglasno je muško pjevanje podrijetlom iz Dalmacije, a rašireno i na Kvarneru.


The pure harmonic part-singing melodies reflect the Mediterranean culture and the bel canto singing technique.


Čisti harmonijski odnosi višeglasnih odnosa odraz su mediteranske kulture, odnosno belkantističkog pjevanja.


Men or women sing in specific choral groups, the so-called klape, thus providing the musical background typical of seaside areas.


Pjevači lijepa glasa osnivaju posebne družine, klape, da bi uživali u pjevanju i bili glazbenom dekoracijom u životu svog mjesta.


The festival of klape from all over Croatia takes place every year in Novi Vinodolski.


Festival klapskoga pjevanja svake se godine održava u Novom Vinodolskom, a sudionici su klape iz cijele Hrvatske.


Some of the most renowned such groups from Kvarner are the men’s klapa Fortunal, the women’s klapa Luka (both from Rijeka) and the women’s klapa Teha (from Cres).


Brojnošću dobivenih nagrada i priznanja među kvarnerskim se pjevačkim družinama ističu muška klapa Fortunal, ženska klapa Luka (obje iz Rijeke) te ženska klapa Teha (iz Cresa).


Bugarenje is a specific but today rarely performed style of folk singing.


Bugarenje je osebujan način pučkoga pjevanja, danas već rijetko izvođeno.


It involves two-part singing without instrumental accompaniment and with specific tone intervals reminiscent of the oldest forms of heterophony.


To je dvoglasno pjevanje bez instrumentalne pratnje, specifičnih tonskih odnosa koji upućuju na najstarije oblike heterofoničnosti.


Today it is performed only by male singers on rare and mostly private occasions, in small villages in the hinterland of Opatija beneath Mount Učka.


Izvode ga još samo muškarci, u rijetkim i uglavnom privatnim prilikama, u malim selima opatijskoga zaleđa podno Učke.


The Organ in Rab Cathedral is one of the most valuable musical instruments of its kind in all Croatia, where the tradition of building organs goes back to the 14th century.


Orgulje rapske katedrale jedan su od najdragocjenijih instrumenata te vrste u Hrvatskoj. Orguljarstvo na tom području pustilo je duboko korijenje, o čemu svjedoče podatci o građenju orgulja u 14. stoljeću.


Some of the finest examples were made in the 18th century by Petar Nakić (1694 – 1769), a brilliant organ builder and a craftsman of the European tradition.


Najbolji primjerci izrađeni su u 18. stoljeću, a njihov je autor Petar Nakić (1694. – 1769.), genijalni konstruktor i majstor europskog orguljarstva.


Today it is estimated that he constructed about 350 organs in total, but only four remain preserved in his homeland.


Od oko 350 orgulja, koliko se procjenjuje da ih je izradio, danas ih je u domovini sačuvano tek četiri.


The Rab organ is one of them.


Orgulje rapske katedrale jedne su od njih.


It was made in the mid-18th century and recently restored to serve for liturgical purposes again.


Građene su sredinom 18. stoljeća, nedavno restaurirane i vraćene liturgijskoj službi.


Vinko Jelić/Jeličić (1596 – 1636?) emphasised his Rijeka origins by adding “Fluminensi Sancti Viti” to his name when signing his works.


Vinko Jelić/Jeličić (1596. – 1636.?) riječko je podrijetlo isticao uz naslove svojih tiskanih djela, dodajući imenu pridjevak "Fluminensi Sancti Viti".


He first lived in Rijeka, then moved to Graz in 1606 and later went on to other European cities.


Ranu mladost proživio je u Rijeci, da bi 1606. otišao u Graz, a kasnije i u druge gradove Europe.


He was ordained in 1618.


Godine 1618. zaređuje se.


He gained a reputation with his ecclesiastic music as a composer of early baroque characteristics.


Djelima crkvene glazbe stječe ugled kao skladatelj ranobaroknih obilježja.


He was the composer of a collection of spiritual concerts “Parnassia militia” (1622), a collection of motets and other church compositions “Arion primus” and “Arion secundus” (1628).


Autor je zbirke duhovnih koncerata „Parnassia militia“ (1622.), zbirke moteta i drugih crkvenih skladbi nazvanih „Arion primus“ i „Arion secundus“ (1628.).


Unfortunately, none of his collections has been preserved entirely.


Nažalost, nijedna od njegovih zbirki nije u cijelosti sačuvana.


It is assumed that he died in Zabern when it became caught up in the Thirty Years War from 1632.


Pretpostavlja se da je skončao u Zabernu kojim je od 1632. pustošio tridesetogodišnji rat.


Venceslav Wenzel (1784 – 1835), a composer and conductor, was born in the Czech town of Police.


Venceslav Wenzel (1784. – 1835.), skladatelj i dirigent rođen u češkom mjestu Police.


From 1821 he worked in Rijeka as the first teacher in the newly established music school.


Od 1821. djelovao je u Rijeci kao prvi učitelj novoosnovane glazbene škole.


He was also organist for the church choir and conductor of the theatre’s orchestra.


Bio je i orguljaš zborne crkve i gradski kapelnik kazališnog orkestra.


Until 1835 he was the leading musical personality in Rijeka.


Do 1835. vodeća je gradska glazbenička osobnost u Rijeci.


Nikola Udina Algarotti (1791 – 1838), philologist and priest.


Nikola Udina Algarotti (1791. – 1838.), filolog i svećenik.


Upon his death he bestowed to his hometown of Krk six thousand books, a large collection of music items, and a valuable collection of instruments.


Ostavio je oporučno rodnom Krku šest tisuća knjiga, veliku zbirku muzikalija i skupocjenu zbirku instrumenata.


Some of these were signed by Stradivari, Amati, Guarneri, Bergonzi and Stainer.


Zbirka uključuje glazbala s potpisom Stradivarija, Amatija, Guarnerija, Bergonzija i Stainera.


Since 1935, his collection of music items has been kept in the archive of the Croatian Music Institute (Hrvatski glazbeni zavod) in Zagreb.


Od 1935. njegova se zbirka muzikalija nalazi u arhivu Hrvatskoga glazbenoga zavoda u Zagrebu.


This includes three thousand printed and hand-written compositions, among them manuscripts of A. Alberti, J. Bajamonti, I. M. Jarnović, as well as some first editions of Udini’s contemporaries.


Riječ je o tri tisuće tiskanih i rukopisnih skladbi, među kojima su rukopisi A. Albertija, J. Bajamontija, I. M. Jarnovića te prva izdanja Udininih suvremenika.


There are also fragments of Mozart’s opera Lucio Silla with some notations made by the author’s hand.


Tu su i fragmenti Mozartove opere „Lucio Silla“, s podatcima zabilježenima autorovom rukom.


Josip Kašman (1850 – 1925) was a world-famous baritone of Mali Lošinj origin.


Josip Kašman (1850. – 1925.) svjetski je poznat bariton podijetlom iz Malog Lošinja.


He was a member of the first permanent Croatian opera in Zagreb, and performed in nearly all the major opera houses in Europe and worldwide.


Bio je član prve hrvatske stalne opere u Zagrebu i nastupao u gotovo svim velikim oprenim kućama Europe i ostalih kontinenata.


A brilliant interpreter of characters from the operas of Wagner and several Italian authors, he was known as the “king of bel canto”.


Osim tumačenjem Wagnerovih likova, Kašman se istaknuo kao nenadmašan interpret likova u operama talijanskih autora, zbog čega je prozvan ″kraljem belkanta″.


Franjo Kresnik (1869 – 1943) was born in Vienna, studied medicine in Innsbruck, made violins in Rijeka and Genoa, and worked as a general practitioner in Rijeka from 1900.


Franjo Kresnik (1869. – 1943.) rođen je u Beču, završio studij medicine u Innsbrucku, a violine privatno u Rijeci i Genovi. Od 1900. radio je u Rijeci kao liječnik opće prakse.


As a supreme connoisseur of instruments by the old master craftsmen, he was known in Cremona as “the man who reads violins”.


Kao odličan poznavatelj glazbala starih majstora u Cremoni je prozvan ″čovjekom koji čita violine″.


He built his own, awarded violins to the model of Guarneri “del Gesu”.


Usporedno s tim, gradio je vlastite, nagrađivane violine, po uzoru na Guarnerija ″del Gesu″.


Eight of his violins, of the 52 that he built, are kept in the History and Maritime Museum in Rijeka.


Njegovih osam violina (od 52 sagrađene) pohranjeno je u Pomorskom i povijesnom muzeju Hrvatskoga primorja u Rijeci.


Ivan Zajc the Older, or Johann Nepomuk pl.


Ivan Zajc stariji, odnosno Johann Nepomuk pl.


Zagicz or Zajitz (1800 – 1854) was a composer and conductor born in the Czech town of Domašin.


Zagicz ili Zajitz (1800. – 1854.) skladatelj je i dirigent, rođen u češkomu mjestu Domašinu.


From 1830 he worked in Rijeka as military bandmaster, and in 1836 he took over the duties of Venceslav Wenzel.


Djelovao je u Rijeci od 1830. kao vojni kapelnik, a 1836. naslijedio je sve dužnosti Venceslava Wenzela.


He taught stringed instruments and singing in the music school, conducted in theatrical performances, and played the organ.


Predavao je u glazbenoj školi gudačke instrumente i pjevanje, dirigirao u kazališnim predstavama, orguljao.


He lived and worked in an era that was very important for the musical life of Rijeka, to which he contributed a lot.


Svojim djelovanjem pripadao je važnom povijesnom trenutku Rijeke, mnogostruko upotpunjujući gradski glazbeni život.


During his time, 50 operas were staged in Rijeka theatre, 43 of them being premieres.


Za njegova je djelovanja u riječkom kazalištu izvedeno 50 opera, od kojih su 43 bile riječke praizvedbe.


He was particularly successful composing concerts for oboe and piano, polonaises, piano pieces and offertories.


Posebno je uspješan bio u koncertnim komadima za obou i klavir, polonezama, klavirskim skladbama i ofertorijima.


Ivan pl.


Zajc (1832 – 1914), the great Croatian composer and conductor born in Rijeka, marked an important period of Croatian music, now known as “Zajc’s era” (1870 – 1914).


Zajc (1832. – 1914.), veliki hrvatski skladatelj i dirigent rođen u Rijeci, osoba koja je obilježila važno razdoblje hrvatske glazbe, po njemu nazvano "Zajčevim dobom" (1870. – 1914.).


He gained his musical knowledge at the conservatory in Milan, and worked in Rijeka, Vienna and Zagreb.


Glazbeničko znanje stjecao je na konzervatoriju u Milanu, a djelovao je u Rijeci, Beču i Zagrebu.


Ivan Zajc was an inspired, well-educated artist, and above all a composer for theatre.


Ivan Zajc je nadareni umjetnik, čvrste stručne spreme, ponajprije kazališni skladatelj.


Having a rich melodic invention, he wrote numerous opera scores, inspired by the Italian opera of Verdi’s time, as was the case with many of his contemporaries.


Zahvaljujući bogatoj melodijskoj invenciji, ispisao je mnogobrojne operne partiture i upisao se u plejadu onodobnih glazbenika kojima je talijanska opera iz Verdijeva vremena ostala trajnim uzorom.


He wrote about 1,200 pieces, most important among them being probably the 19 operas.


Napisao je oko 1.200 djela. Osobito mjesto u tomu zauzima 19 opera.


Because of its musical quality and the national elements it comprises, his most performed opera is Nikola Šubić Zrinjski (1876).


Zbog uspjelosti glazbenih kvaliteta i nacionalnih elemenata najizvođenija je opera Nikola Šubić Zrinjski (1876.).


But one shouldn’t forget his 26 operettas, stage music, oratories, cantatas, as well as many orchestral, chamber and vocal works.


Tomu valja dodati 26 opereta, scensku glazbu, oratorije, kantate te orkestralna, komorna i vokalna djela.


In his honour, Rijeka today regularly hosts the event known as “Zajc’s days” (“Zajčevi dani”).


Glazbeniku u čast danas se u Rijeci redovito priređuju "Zajčevi dani".


Hinko Simonić (1867 – 1919), was a violin virtuoso from Rijeka who also worked as a composer and wrote several successful violin miniatures.


Hinko Simonić (1867. – 1919.), riječki violinski virtuoz koji se okušao i u skladateljskom radu. Napisao je nekoliko uspjelih violinskih minijatura.


He gave concerts in Croatia, Slovenia, Italy, Austria and Hungary.


Koncertirao u Hrvatskoj, Sloveniji, Italiji, Austriji i Mađarskoj.


He became established as an organiser and animator of Rijeka’s musical life during its “fin de siècle” era.


Potvrdio se kao organizator i animator glazbenog života Rijeke u vremenu "fin de siecelea".


Ivan Matetić Ronjgov (1880 – 1960), was a composer and folklorist born in the village of Ronjgi near Viškovo.


Ivan Matetić Ronjgov (1880. – 1960.), skladatelj i folklorist, rođen u Ronjgima kraj Viškova.


After gaining his musical education at the Music Academy in Zagreb, he went on to explore and write down Istrian folk chants and theoretically described the Istrian music scale.


Stručnu naobrazbu stječe na Muzičkoj akademiji u Zagrebu. Istraživao i bilježio istarske napjeve te pridonio tumačenju istarske ljestvice.


It is to his credit that folk music from Istria and Kvarner found its place in the tone system of artistic music.


Folklorna glazba Istre i Kvarnera njegovom je zaslugom našla svoje mjesto u tonskom sustavu umjetničke glazbe.


He defined the Istrian scale, a half-tone base of that folk music that became part of the Croatian tradition and proof of the Croatian national existence on Kvarner and in Istria.


Definirao je istarsku ljestvicu, polutonsku osnovu te folklorne glazbe. Riječ je o glazbi koja je postala hrvatskom tradicijom i dokazom nacionalne opstojnosti hrvatskoga naroda na Kvarneru i u Istri.


By theoretically describing the Istrian scale, Matetić made it possible to compose music based on that specific folklore.


Pronalaskom teorijskog objašnjenja istarske ljestvice, Matetić je postavio i ozbiljne temelje za umjetničko oblikovanje skladbi u tom specifičnom folklornom melosu.


He composed vocal parts that became hymns to Kvarner’s folklore, such as the choir compositions Ćaće moj and Roženice, as well as solo chants, church and orchestral pieces.


Skladao je vokalna djela koja su postala himna folklora na Kvarneru. To su zborovi Ćaće moj i Roženice te solo popijevke, crkvena i instrumentalna djela.


The house in which he was born in Ronjgi became a memorial house in 1977 and seat of the Ivan Matetić Ronjgov Cultural Society. “Matetić’s days” (“Matetićevi dani”) is a traditional event that takes place every year.


Njegova rodna kuća u Ronjgima postala je 1977. spomen dom u kojem djeluje Kulturno-prosvjetno društvo „Ivan Matetić Ronjgov“. Svake se godine tradicionalno održava i priredba "Matetićevi dani".


Milutin Polić (1883 – 1908) was the brother of Rijeka’s poet Janko Polić Kamov.


Milutin Polić (1883. – 1908.), brat riječkog pjesnika Janka Polića Kamova.


He studied music in Zagreb and Venice, but his studies were interrupted by a heavy lung disease, which eventually caused the death of this young man who left several romantic works full of temperament.


Učio je glazbu u Zagrebu i Veneciji. Teška plućna bolest i prerana smrt prekinule su studij. Ostavio je nevelik broj djela temperamentne romantičarske kvalitete.


One of his most successful works is the orchestral composition “Suite fantastica”.


Među najuspjelije njegove skladbe ubraja se orkestralna „Suite fantastica“.


Nikola Polić (1890 – 1960) was a poet, essayist and music critic.


Nikola Polić (1890. – 1960.), pjesnik, esejist i glazbeni kritičar.


His music reviews for the newspapers Riječki novi list, Sušački novi list and Primorske novine, have left an indelible record of Rijeka’s musical life at the beginning of the 20th century.


Pišući glazbene kritike za Riječki novi list, Sušački novi list i Primorske novine ostavio je neizbrisiv trag o riječkom glazbenom životu s početaka 20. stoljeća.


Milan Pihler (1897 – 1981) was an opera soloist in Osijek, Beograd, Zagreb and Rijeka (1946 – 1959) and a permanent guest at the Ljubljana Opera.


Milan Pihler (1897. – 1981.), operni solist u Osijeku, Beogradu, Zagrebu i Rijeci (1946. – 1959.) te stalan gost ljubljanske Opere.


He had a great baritone voice with a wide range and a remarkable stage presence.


Osim zvučnim baritonom velikog opsega, osvajao je scenskom pojavnošću.


He gave 130 performances as the leading role in the Zajc’s opera Nikola Šubić Zrinjski.


U ulozi Nikole Šubića Zrinjskoga iz istoimene Zajčeve opere nastupio je 130 puta.


Bruno Rudan (1898 – 1978) had a successful career as a pianist in Italy where he also engaged in educational work.


Bruno Rudan (1898. – 1978.) gradio je bogatu pijanističku karijeru u Italiji, gdje se bavio i pedagoškim radom.


He taught at the Bologna conservatory and worked closely with the pianist Arturo Benedetti Michelangeli.


Predavao je na bolonjskom konzervatoriju i bio bliski suradnik pijanista Artura Benedettija Michelangelija.


He composed piano miniatures, nice musical sketches inspired by the beauty of his hometown Rijeka and the Kvarner region.


Bavio se i skladanjem glasovirskih minijatura, uspjelih zvučnih sličica inspiriranih ljepotama rodne Rijeke i kvarnerskog zavičaja.


Lovro Matačić (1899. – 1985.), was born in Sušak and gained his musical education at the Vienna conservatory.


Lovro Matačić (1899. – 1985.), rodom Sušačanin, glazbeno se usavršavao na konzervatoriju u Beču.


He began his international career as a conductor in Cologne (Köln) and went on to conduct operas and symphonies in many musical centres across Europe, America and Asia.


Dirigentsku karijeru započinje u Kölnu i razvija je do svjetskih razmjera.


He also worked as a composer.


Kao operni i simfonijski dirigent bio je gost mnogih glazbenih središta Europe, Amerike i Azije, a ogledao se i kao skladatelj.


After World War II, he worked in Rijeka theatre for a while.


Nakon Drugoga svjetskoga rata jedno je vrijeme bio dirigent riječke Opere.


Being an artist of rare expressiveness, he knew exactly how to get his interpretation across to musical ensembles and audiences.


Lovro Matačić umjetnik je rijetke izražajnosti, koji se suverenom interpretacijom znao nametnuti glazbenim ansamblima i publici.


His conducting performances belong amongst the most outstanding achievements worldwide of that kind.


Matačićeve dirigentske reprodukcije ubilježene su u sam vrh svjetskih glazbenih ostvarenja te vrste.


1.1.2 Conchita Riviera (1900 – 1990) was a world-famous singer from Rijeka who studied singing in Vienna and Rome and was known as a priestess of the arts.


1.1.2 Conchita Riviera (1900. – 1990.) Riječanka je svjetskoga glasa, svećenica umjetnosti. Studirala je pjevanje u Beču i Rimu.


As an opera singer and master of an exquisite bel canto technique, her repertoire extended from the old Italian masters to the 20th century composers.


Bila angažirana operna pjevačica izuzetne belkantističke tehnike, širokog repertoara od starih talijanskih majstora do autora 20. stoljeća.


After World War II, she worked at the Music Conservatory in Cagliari, Italy.


Nakon Dugoga svjetskoga rata djeluje na glazbenom konzervatoriju glazbe u Cagliariju, u Italiji.


1.1.3 Štefanija Lenković (1904 – 1998), was a soprano singer from Rijeka who studied solo singing techniques at Franz Steiner in Vienna and Lucija Ožegović in Zagreb.


1.1.3 Štefanija Lenković (1904. – 1998.), riječka sopranistica, usavršavala se u solo-pjevanju kod Franza Steinera u Beču i Lucije Ožegović u Zagrebu.


From 1946 until 1959 she was a soloist at the Rijeka Opera.


Od 1946. do 1959. solistica je riječke Opere.


The prize for best operatic achievements that has been awarded by the Ival pl. Zajc Theatre in Rijeka since 2003 is named after her.


Prema njoj je nazvana Nagrada za najbolja operna ostvarenja koju od 2003. dodjeljuje HNK Ivana pl. Zajca.


Boris Papandopulo (1906 – 1991), was a composer and conductor who worked in Rijeka and lived in Opatija.


Boris Papandopulo (1906. – 1991.), skladatelj i dirigent koji je svojim djelovanjem postao Riječaninom, a stanovanjem Opatijcem.


After studying in Zagreb and Vienna, he developed a very successful musical career and is now regarded as one of the greatest names of the Croatian music.


Studirao je u Zagrebu i Beču i razvio vrlo bogatu glazbenu karijeru kojom se upisuje u velikane hrvatskoga glazbeništva.


He was the director of the Rijeka Opera during some of its most famous periods (1946 – 1948 and 1953 – 1959).


Bio je direktor riječke Opere (1946. – 1948. i 1953. – 1959.) u jednom od najslavnijih razdoblja te umjetničke kuće.


Many of his works are regarded as capital works of Croatian music arts.


Mnoga njegova djela zauzimaju važno mjesto u hrvatskom stvaralaštvu.


He composed symphonies, chamber and piano pieces, operas, film music, vocal scores and ecclesiastical music.


Skladao je za gotovo sva glazbena područja: simfonije, komorna djela, klavirska, opere, filmsku glazbu, vokalna i crkvena djela.


His most important works are the oratorio Muka Gospodina našega Isukrsta, the Simfonijeta the Concerto da camera and the opera Rona.


Izdvajamo oratorij Muka Gospodina našega Isukrsta, Simfonijetu i Concerto da camera te operu Rona.


Slavko Zlatić (1910 – 1993) was a conductor, composer and musical pedagogue.


Slavko Zlatić (1910. – 1993.), dirigent, skladatelj i glazbeni pedagog, rođen je u Istri.


Born in Istria, he worked for many years in Rijeka, Zagreb and Pula.


Djelovao je dugi niz godina u Rijeci, Zagrebu i Puli.


His extensive biography includes the founding and leading of the musical societies Jeka s Jadrana, Glazba Trsat and Glazbeno društvo Sušak.


U bogatoj biografiji bilježi utemeljenje i vođenje glazbenih društava Jeka s Jadrana, Glazba Trasat i Glazbeno društvo Sušak.


He fulfilled many important functions: he was the president of the Yugoslavia’s and Croatia’s composer societies, and a member of the international council for music at UNESCO. His opus as a composer includes many choral compositions, the most praised among them being the Variations on a folk theme for choir, alt and piano (Varijacije na narodnu temu za zbor, alt i klavir).


Obnašao je mnoge važne funkcije: bio je predsjednik kompozitora Jugoslavije i kompozitora Hrvatske te član međunarodnog savjeta za muziku pri UNESCO-u. Njegov skladateljski opus sadrži najviše zbornih radova, među najcjenjenijima Varijacije na narodnu temu za zbor, alt i klavir.


Many of his works, inspired by Istrian folklore, were written for various instrumental groups; like the Istrian dance (Istarski ples), Grudo motovunska and the Wind quintet (Puhački kvintet), to mention just a few.


Mnogi radovi inspirirani istarskim folklorom napisani su za razne instrumentalne sastave; osobito se izdvajaju Istarski ples, Grudo motovunska, i Puhački kvintet.


Josip Kaplan (1910 – 1996) was a composer, music teacher, conductor and choirmaster.


Josip Kaplan (1910. – 1996.). skladatelj, glazbeni pedagog, dirigent i zborovođa.


He worked in several places across Croatia and taught composition to many generations of the Ivan Matetić Ronjgov music school in Rijeka.


Djelovao je u različitim mjestima u Hrvatskoj, a kao profesor kompozicije podučavao naraštaje Glazbene škole "Ivan Matetić Ronjgov" u Rijeci.


He wrote instrumental, vocal and stage music and won many awards for his compositions.


Pisao je instrumentalnu, vokalnu i scensku glazbu. Dobitnik je mnogih vrijednih nagrada i priznanja za skladateljski rad.


His most important works are the Galiotova pesan solo composition, the Serenada composition for wind quintet, and several choral compositions.


Najznačajnija su mu ostvarenja Galiotova pesan, solo-popijevka, Serenada za duhački kvintet te zborna djela.


Franjo Godec (1917 – 1999) was an operatic soloist at the Rijeka Opera and performed as a concert and oratorio singer.


Franjo Godec (1917. – 1999.), operni solist riječke Opere. Nastupao je kao koncertni i oratorijski pjevač.


He interpreted more than a hundred operatic roles.


Tumačio je više od stotinu opernih uloga autoriziranih interepretacija.


Particularly famous is his performance in the opera Nikola Šubić Zrinjski by Ivan Zajc.


Osobito je slavna njegova izvedba u operi Nikola Šubić Zrinjski, I. Zajca.


Ivo Peran (1920 – 2003) was a Franciscan musician and a poet.


Ivo Peran (1920. – 2003.), glazbenik i pjesnik franjevac.


He graduated in theology in Split and served for a long time on the small island of Košljun (on the island of Krk).


Teologiju je diplomirao u Splitu. Dugo je službovao na otočiću Košljunu (otok Krk).


He composed masses, motets, ecclesiastical chants and organ music.


Skladao je mise, motete, crkvene popijevke i orguljnu glazbu.


His dedicated work has left a significant mark on Croatian church music.


Predanim je djelovanjem ostavio značajan trag u hrvatskoj crkvenoj glazbi.


Mario Kinel (1921 – 1995) was a pop music composer, lyricist and musical editor.


Mario Kinel (1921. – 1995.), skladatelj zabavne glazbe, tekstopisac i glazbeni urednik.


He gained his reputation writing Čakavian and Italian lyrics for the Melodies of Istria and Kvarner festival.


Istaknuo se u pisanju čakavskih i talijanskih tekstova za festival Melodije Istre i Kvarnera.


He reworked more than 2000 foreign pop songs.


Prepjevao je više od 2000 stranih zabavnih pjesama.


He is the author of many lyrics and popular songs.


Autor je mnogih tekstova i šlagerskih skladbi.


In 1988 he won the Josip Slavenski Award for his contribution to popular music.


Godine 1988. dobio je Nagradu „Josip Slavenski“ za doprinose na području estradne glazbe.


Ljubo Kuntarić (1925) mainly composes popular music.


Ljubo Kuntarić (1925.) bavi se skladanjem pretežito zabavne glazbe.


He has won many awards at pop music festivals and wrote the popular musical “Karolina Riječka” (1980) based on the comedy by Drago Gervais.


Među njegovim djelima ističe se uspjeli i rado izvođeni mjuzikl Karolina Riječka (1980.), prema istoimenoj komediji Drage Gervaisa.


Vladimir Benić (1922) graduated in conducting at the Zagreb Musical Academy and worked in Salzburg and Cleveland.


Vladimir Benić (1922.) diplomirao je dirigranje na Muzičkoj akademiji u Zagrebu. Usavršavao se u Salzburgu i Clevelandu.


From 1950 he was the conductor at the Rijeka Opera and its artistic manager and director.


Od 1950. dirigent je u riječkoj Operi te njezin umjetnički rukovoditelj i direktor.


Miro Klobas (1922) was a musical writer, teacher and organiser of musical events.


Miro Klobas (1922.), glazbeni pisac, pedagog i organizator glazbenog života.


He made his contribution to Rijeka as a professor and director of the Ivan Matetić Ronjgov Music School.


Znatan doprinos Rijeci dao je kao profesor i direktor Glazbene škole "Ivan Matetić Ronjgov".


He was the first person to research the history of Rijeka Music School and musical life in Rijeka.


Prvi se bavio istraživanjem povijesti riječke glazbene škole i riječkoga glazbenoga života.


Vladimir Fajdetić (1924 – 1981) was a musicologist and music critic.


Vladimir Fajdetić (1924. – 1981.), muzikolog i glazbeni kritičar.


He graduated in musicology at the Faculty of Philosophy in Ljubljana.


Diplomirao je muzikologiju na Filozofskome fakultetu u Ljubljani.


He was a keen chronicler of Rijeka’s music life, and a tireless explorer of artistic and folk musical heritage.


Bio je kroničar riječkoga glazbenoga života, neumorni istraživač umjetničke i narodne glazbene baštine.


His life’s work is the monograph about the violinist Franjo Krežma.


Životno mu je djelo monografija o violinistu Franji Krežmi.


Nedjeljko Karabaić (1924 – 1958) was a musical folklorist who collected more than a thousand folk dances and songs from Kvarner, Istria and the Kvarner islands.


Nedjeljko Karabaić (1924. – 1958.) sabrao je, kao glazbeni folklorist, više od tisuću narodnih plesova i pjesama Hrvatskoga primorja, Istre i kvarnerskih otoka.


In his studies and articles he wrote about the musical arts of this region and noted many interesting details that would otherwise be forgotten.


U studijama i stručnim člancima pisao je o glazbenim umjetninama toga područja i iznosio mnoge zanimljivosti, otimajući ih time zaboravu.


His most important work is the collection of 42 melodies with extensive commentary under the title “Musical folklore of the Croatian Littoral and Istria” (1956).


Najvažniji mu je rad zbirka od 42 melodije s opširnim komentarom pod naslovom Muzički folklor Hrvatskog primorja i Istre (1956.).


Blanka Zec (1924) graduated in singing at the Croatian State Conservatory in Zagreb.


Blanka Zec (1924.) završila je studij pjevanja na Hrvatskom državnom konzervatoriju u Zagrebu.


Her debut as alto was at the Rijeka Opera in 1952 in the role of Mercedes in Bizet’s Carmen.


Debitirala je u riječkoj Operi 1952. kao Mercedes (u Bizetovoj Carmen).


She was an operatic soloist at the Rijeka Opera and gave solo concerts in Croatia and abroad.


Kao altistica, bila je operna solistica riječke Opere te priređivala solističke koncerte u zemlji i inozemstvu.


She won many awards, among them the Milka Trnina award for the role of Azucena in Verdi’s Il Trovatore.


Dobitnica je više nagrada, među kojima i Nagrade „Milka Trnina“ za Azucenu u Verdijevom Trubaduru.


Dušan Prašelj (1931) was a conductor and composer born in Sušak, and a student of Ivan Matetić Ronjgov.


Dušan Prašelj (1931.), dirigent i skladatelj rođen na Sušaku. Učenik je i sljedbenik Ivana Matetića Ronjgova.


He graduated in folklore theory from the Zagreb Musical Academy and in conducting from Vienna.


Na Muzičkoj akademiji u Zagrebu diplomirao na teoretsko-folklornom odjelu, a dirigiranje u Beču.


From 1977 he was the director of the Ivan Matetić Ronjgov Institute in Viškovo.


Od 1977. je ravnatelj Ustanove ″Ivan Matetić Ronjgov″ u Viškovu.


Being a dedicated choirmaster, in 1990 he founded and led the Ivan Matetić Ronjgov Rijeka Oratorio Choir.


Bogatu djelatnost razvija kao zborovođa, a 1990. osniva i vodi Riječki oratorijski zbor ″Ivan Matetić Ronjgov″.


He won many prizes and awards.


Dobitnik je nagrada i priznanja.


His most important compositions are the Baklje na Učki (Torches on Učka) choir, the Staroslavenska misa (Old Slavic Mass) musical recital and the Naš domaći glas (Our Native Voice) cantata.


Iz njegova se skladateljskog opusa izdvajaju zborni rad Baklje na Učki, glazbeni recital Staroslavenska misa te kantata Naš domaći glas.


Ivo Frleta (1933 – 1994) was the organiser and art director of the summer festival on the island of Krk, the most significant cultural event on the island of Krk.


Ivo Frleta (1933. – 1994.) bio je organizator i umjetnički ravnatelj Ljetnih priredbi otoka Krka, najznačajnije krčke kulturne priredbe.


He was a conductor and composer whose works for voice and orchestra included Miserere, Stabat mater and Otok Krk kolijevka glagoljice (Island of Krk the Cradle of the Glagolitic).


Dirigent je i skladatelj, o čemu svjedoče vokalno-instrumentalna djela Miserere, Stabat mater te Otok Krk kolijevka glagoljice.


Davorin Hauptfeld (1931 – 2004) graduated in conducting in Zagreb and worked as conductor in several Croatian theatres and in Berlin.


Davorin Hauptfeld (1931. – 2004.) diplomirao je dirigiranje u Zagrebu, a kao dirigent djelovao u kazalištima Hrvatske i u Berlinu.


He came to Rijeka Opera in 1961 and remained its director for many years.


U riječku Operu dolazi 1961. i ostaje njen dugogodišnji ravnatelj.


He regularly worked for the local radio station Radio Rijeka.


Bio je i stalni suradnik Radio-Rijeke.


He won many prizes for his achievements in a wide range of musical activities.


Dobitnik je mnogih nagrada za ostvarenja u širokom glazbenom rasponu svoga djelovanja.


Vjekoslav Gržinić (1934 – 1970) was born in Ika and studied at the Ljubljana Music Academy where he obtained a Master’s degree in music.


Vjekoslav Gržinić (1934. – 1970.), rođen u Iki, usavršava se na ljubljanskoj Akademiji za glazbu i stječe naslov magistra glazbe.


His opus comprises vocal and instrumental compositions, concerts for solo instruments, chamber music and cantatas.


Skladateljski opus sačinjavaju instrumentalna i vokalno-instrumentalna djela, koncerti za solo instrumente, komorna djela i kantate.


Gržinić’s music has its roots in the composer’s expressionistic experiences from the first half of the 20th century.


Gržinićeva glazba izrasla je na skladateljskim iskustvima ekspresionista iz prve polovine 20. stoljeća.


The rich tone of his instrumental work is achieved by the use of effective elements from the musical folklore of Kvarner and Istria.


Bogatstvo instrumentalnog kolorita postiže uporabom efektnih elemenata istarsko-primorskoga glazbenog folklora.


His most acclaimed works are the Ojađeno zvono cantata, the Simfonija fantazija (Fantasy Symphony) and the Simfonijska impresija (Symphonic Impression).


Iz njegova se opusa izdvajaju kantata Ojađeno zvono, Simfonija fantazija i Simfonijska impresija.


Vjekoslav Šutej (1951 - 2009) is an internationally renowned conductor who was born in Rijeka and studied in Zagreb and Rome.


Vjekoslav Šutej (1951. - 2009.), dirigent međunarodne karijere, rođen u Rijeci. Školovao se u Zagrebu i Rimu.


Since 2003 he has been the director and conductor of the Zagreb Philharmonic.


Od 2003. rukovoditelj je i dirigent Zagrebačke filharmonije.


He has conducted large orchestras in America and Europe.


Dirigirao velikim orkestrima Amerike i Europe.


Zoran Juranić (1947) graduated in conducting from the Zagreb Music Academy and works as a musical researcher.


Zoran Juranić (1947.), završio studij dirigiranja na Muzičkoj akademiji u Zagrebu. Bavi se i muzikološkim istraživanjima.


He is to be credited for the reappraisal and enlivening Ivan Zajc’s opera and operetta opus.


Posebice je zaslužan za revalorizaciju i oživljavanje opernog i operetnog opusa Ivana Zajca.


He was the art director of the Opera at the Ivan pl.


Bio je umjetnički ravnatelj Opere HNK Ivana pl.


Zajc theatre in his hometown Rijeka.


Zajca u rodnoj Rijeci.


He writes orchestral, chamber stage and choral music.


Piše orkestralna, komorna, scenska i zborska djela.


Ivo Robić (1923 – 2000), is a legendary name in Croatian pop music.


Ivo Robić (1923. – 2000.), legendarno ime hrvatske šlagerske produkcije.


Heused to perform frequently in Opatija, especially on the terrace of the Hotel Kvarner, where he became synonymous with popular music in the 1960s.


Njegovi se nastupi osobito vezuju uz opatijske pozornice, gdje je 1960-ih bio šlagerski zaštitni znak. To se poglavito odnosi na Hotel Kvarner.


He made a European career in Germany, owing to his success with the song Morgen that sold millions of copies.


Europsku je karijeru izgradio u Njemačkoj, ponajprije zahvaljujući milijunskoj nakladi pjesme Morgen.


By his own account, he once heard an unknown group of young men playing modern music in a local club in Germany, and recommended them to an important person in the music business that he was with that night.


Prema njegovu svjedočenju, čuvši ″električarsku glazbu″ nepoznate skupine čupavih mladića iz lokalnog kluba u Njemačkoj, preporučio je izvođače diskografski utjecajnoj osobi s kojom je upravo prolazio uz klub.


The young men later went on to achieve enormous success, becoming known across the world as The Beatles.


Mladići su potom napravili karijeru pod imenom The Beatles.


Betty Jurković (1936), is a pop singer who performed at various festivals of popular music in Croatia, the former Yugoslavia and abroad.


Betty Jurković (1936.), pjevačica zabavne glazbe. Nastupala je na raznim festivalima zabavne glazbe u Hrvatskoj, zemljama bivše Jugoslavije i u inozemstvu.


She gained popularity with the songs Vozi me vlak, Mandolina and others.


Popularnost je stekla interpretacijama pjesama Vozi me vlak, Mandolina i drugim.


She also composed several songs such as Ljuljačka, Barke fahren, etc.


Okušala se kao skladateljica pjesmama, što potvrđuju naslovi skladbi Ljuljačka, Barke fahren, itd.


Radojka Šverko (1948) has enjoyed a successful singing career, crowned with many international festival awards – in Rio de Janeiro, Tokyo, Los Angeles and elsewhere.


Radojka Šverko (1948.) izgradila je uspješnu pjevačku karijeru i potvrdila je mnogim međunarodnim festivalskim nagradama – u Rio de Janeiru, Tokiju, Los Angelesu i drugdje.


She is known as the first lady of Croatian popular music.


Hrvatska estrada nazvala ju je prvom damom zabavne glazbe.


Her specific singing and performing qualities have opened several doors for her to the world of theatre and film.


Pjevačka osebujnost i izuzetan angažman odveli su je i u svjetove kazališta i filma.


Nina Kovačić (1949) graduated in Ljubljana where she also obtained a Master’s degree for piano.


Nina Kovačić (1949.), diplomirala i magistrirala klavir u Ljubljani.


She teaches at the Ivan Matetić Ronjgov music school in Rijeka.


Profesorica je u Glazbenoj školi Ivana Matetića Ronjgova u Rijeci.


For many years she has been Rijeka’s most active pianist, giving concerts in Croatia and abroad as a soloist, chamber musician and rehearser.


Niz je godina najaktivnija riječka pijanistica. Koncertira u zemlji i inozemstvu kao solistica, komorna glazbenica i korepetitorica.


Mirella Toić (1953) has performed as a soprano in the Rijeka Opera since 1979.


Mirella Toić (1953.), od 1979. djeluje kao sopranistica u riječkoj Operi.


She has won awards in Skoplje, Pula, Amsterdam, Ostend, and Athens.


Nagrađivana je u Skoplju, Puli, Amsterdamu, Ostendeu, Ateni.


She has interpreted many leading roles: Leonora (in Verdi’s Il Trovatore), Mimì (in Puccini’s La Boheme), Tosca (in Puccini’s opera of the same name), Cio-ciosan (in Puccini’s Madama Butterfly), Fiordiligi (in Mozart’s Cosi fan tutte), countess (in Mozart’s Don Giovanni), Michaela (in Bizet’s Carmen), Đula (in Gotovac’s Ero s onoga svijeta).


Nosila je mnoge glavne uloge: Leonore (u Verdijevom Trubaduru), Mimi (u Puccinijevoj La Boheme), Tosce (u istoimenoj Puccinijevoj operi), Čo-Čo-San (u Puccinijevoj Madame Butterfly), Fiordilige (u Mozartovoj Cosi fan tutte), Grofice (u Mozartovu Don Giovanniju), Micaele (u Bizetovoj Carmen), Đule (u Gotovčevom Eri).


Andrej Baša (1950) is a composer, arranger and producer of popular music.


Andrej Baša (1950.), skladatelj, aranžer i producent zabavne glazbe.


Recently he has been the art director of the Melodies of Istria and Kvarner festival.


Posljednjih je godina i umjetnički ravnatelj festivala Melodije Istre i Kvarnera.


Duško Rapotec Ute (1961) is a composer of stage music, particularly noted in the performances of the Ivan pl.


Duško Rapotec Ute (1961.), skladatelj scenske glazbe, posebno zapažene u predstavama HNK Ivana pl.


Zajc theatre in Rijeka.


Zajca.


Marinko Baljak (1957) builds classical guitars, and lives and works in Opatija.


Marinko Baljak (1957.), graditelj klasičnih gitara. Živi i radi u Opatiji.


The state-of-the-art instruments that come out of his workshop are played by renowned international artists worldwide, including David Collet, Tommy Emmanuel and others.


Vrhunska glazbala iz njegove radionice nalaze se diljem svijeta. Na njegovim gitarama sviraju veliki umjetnici David Collet, Tommy Emmanuel i drugi.


He also performs as a concert guitarist.


Nastupa i kao koncertni gitarist.


Elvis Stanić (1963) is a successful jazz guitarist from Opatija who took additional studies in Boston.


Elvis Stanić (1963.), uspješni opatijski jazz gitarist. Usavršavao se u Bostonu.


He founded the Elvis Stanić Group jazz-fusion band that has given many successful performances in Croatia and abroad.


Osnivač je jazz fusion benda "Elvis Stanić Group" koji uspješno nastupa u Hrvatskoj i svijetu.


Darko Jurković Charlie (1963) is a jazz guitarist from Rijeka with a Master’s degree in arts, particularly acclaimed for his taping playing technique.


Darko Jurković Charlie (1963.), riječki jazz gitarist s diplomom magistra umjetnosti. Posebno je cijenjen kao izvođač tehnike taping.


He often performs with renowned jazz musicians on the international stage.


Često nastupa s poznatim jazz glazbenicima i koncertira na svjetskim pozornicama.


Vladimir Babin (1964) is a pianist and lecturer in the Rijeka department of the Zagreb Music Academy.


Vladimir Babin (1964.), pijanist i docent na riječkom područnom odsjeku Muzičke akademije.


He engages in a wide range of concert and other musical activities, from classical music and jazz to pop and rock music.


Glazbenik je bogatog koncertnog života i širokog raspona djelovanja, od klasike i jazza do zabavne i rock glazbe.


Damir Urban (1968) first appeared on the Rijeka rock scene as frontman of the band Laufer and won over audiences with his suggestive vocal interpretations.


Damir Urban (1968.) pojavio se na riječkoj rock sceni kao frontman skupine Laufer i pridobio publiku sugestivnom vokalnom interpretacijom.


He also writes lyrics and music.


Djeluje također kao tekstopisac i koautor glazbe.


His second solo album, Žena dijete (Woman Child), has been acclaimed one of Croatia’s ten best albums of the last decade.


Njegov drugi samostalni album, Žena dijete, proglašen je jednim od deset najboljih albuma hrvatske rock produkcije posljednjeg desetljeća.


The Rijeka rock scene emerged at the beginning of the 1960s.


Riječka rock scena nastala je početkom 1960-ih.


An important role in it was played by Rijeka’s alternative club Palach and the youth magazine Val.


Bitan udio u njezinu životu imalo je djelovanje gradskog alternativnog klub ″Palach″ te omladinskog lista ″Val″.


Since 1979, Rijeka has hosted the longest-lived rock festival in the country, Ri-rock, aimed mainly at promoting unknown bands.


U Rijeci se od 1979. redovito održava najdugovječniji rock festival u državi, Ri-rock, na kojem nastupaju uglavnom neafirmirane družine.


A very important chapter in the history of rock music in Rijeka is the period of punk and new wave, when Rijeka was the leader of Croatia’s punk scene.


Nadasve značajno poglavlje riječke rock priče razdoblje je punka i novog vala, kada Rijeka izrasta u predvodnicu hrvatske punkerske scene.


Bands like Paraf, Termiti, Grad and Grč have their roots here, and later Let 3, Laufer, Urban & 4.


Tu su se afirmirali izvođači poput skupina Paraf, Termiti, Grad, Grč, potom Let 3, Laufer, Urban & 4.


Although alternative rock is a trademark of the town, Rijeka has also never lacked mainstream performers, such as bands like Denis & Denis, Cacadou look or En Face.


Unatoč tomu što je alternativni rock postao zaštitnim znakom grada, u Rijeci nije manjkalo ni zapaženih srednjostrujaških izvođača, poput skupina Denis & Denis, Cacadou look ili En Face.


Choral groups follow the Kvarner tradition of part-singing.


Pjevački zborovi nastavljaju se na kvarnersku tradiciju višeglasnog pjevanja.


Besides the mixed choirs, found in almost every town, there are “specialist” choirs like the choirs for old age pensioners, doctors, hunters, etc.


Gotovo svaki grad na Kvarneru ima mješoviti zbor pri nekom od kulturno-umjetničkih društava, čemu valja pridodati i "specijalizirane" zborove, poput umirovljeničkih, liječničkih, lovačkih i sl.


There are also church choirs like the Sancti Viti cathedral choir in Rijeka or the choir from the church of Our Lady of Seven Sorrows in Mrkopalj.


Tu su i crkveni zborovi, poput riječkog katedralnog zbora Sancti Viti i mrkopaljskog zbora crkve Majke Božje od Sedam Žalosti.


Two choirs from Rijeka, the Jeka Primorja and Oratorio Choir Ivan Matetić Ronjgov, stand out for their demanding repertoire, notable performances and numerous prizes.


Zahtjevan repertoar, značajni nastupi i mnogobrojne nagrade učinili su riječke zborove Jeku Primorja i Oratorijski zbor "Ivan Matetić Ronjgov", najreprezentativnijim kvarnerskim zborovima.


Children’s choirs are a nice musical speciality of Kvarner.


Dječji zborovi simpatična su kvarnerska glazbena osobitost.


Their members are children of pre-school and early school age who enrich various events in the town with their frisky songs and childish charm.


Njihovi su članovi mališani predškolske i ranoškolske dobi što vrckavim pjesmicama i dječjim šarmom obogaćuju gradske svečanosti i ostale priredbe.


Such choirs are the Mići boduli from Krk and Mali Riječani and Tratinčice from Rijeka.


Takvi su zborovi Mići boduli iz Krka te Mali Riječani i Tratinčice iz Rijeke.


It was started in 1935 with the aim of preserving the island’s musical heritage and passing it on to the younger generation.


Krčki folklorni festival, osnovan 1935., najstariji je festival te vrste u Hrvatskoj.


Amateurs are also active in other parts of Kvarner, with the aim of rescuing the local folklore from oblivion.


Amateri na Kvarneru djeluju i u mnogim ostalim sredinama, nastojeći sačuvati od zaborava lokalni folklor.


The Zora folklore ensemble from Opatija was founded in 1948.


Dugovječno djelovanje bilježi Folklorno društvo Zora iz Opatije, osnovano 1948.


There are other cultural societies (KUD for short in Croatian) like the KUD Ilija Dorčić from Novi Vinodolski, KUD Studenac from Nerezine, KUD Orlec from Cres, KUD Rapski tanac from Rab, KUD Ante Kamenar from Grobnik, KUD Jelenje, Manfrina folklore group from Mali Lošinj and others.


Njemu se pridružuju KUD „Ilija Dorčić“ iz Novog Vinodolskog, KUD Studenac iz Nerezina, KUD Orlec s Cresa, KUD Rapski tanac iz Raba, KUD „Ante Kamenar“ s Grobnika, KUD Jelenje, Folklorna grupa Manfrina iz Malog Lošinja i drugi.


The music of Gorski kotar is being preserved by cultural societies (KUD for short in Croatian) like the KUD Runolist from Mrkopalj, KUD Delnice or KUD Zeleni Vir from Skrad, and by tamburica orchestras like Kočki tamburaši from Brod Moravice, wind orchestras, dancing and folklore groups.


Glazba Gorskoga kotara sačuvana je u KUD-ovima, o čemu svjedoči djelovanje KUD-a Runolist iz Mrkoplja, KUD-a Delnice, KUD-a Zeleni Vir iz Skrada i drugih. Pri njima ili neovisno djeluju tamburaški sastavi (npr. Kočki tamburaši iz Brod Moravica), puhački sastavi ili orkestri te plesno-folklorne skupine.


Sometimes the music is performed at particular energy spots in the natural environment, on walking paths or places to rest.


Da je goranska glazba Prirode zasebna glazbena pojava, upućuju tamburanja na tzv. energetskim točkama u zelenom okolišu, povezanim šetnicama i odmorištima.


This is a way to renew one’s spiritual energy by getting in touch again with nature and music.


U dodiru s prirodom i glazbom tu se obnavlja osobna duhovna energija.


Wind orchestras have a very long tradition indeed here on Kvarner.


Puhačka društva njeguju izrazito dugu kvarnersku puhačku tradiciju.


In Fužine, Čabar, Ravna Gora, Bakar and Mali Lošinj such bands have been active since the 19th century.


U Fužinama, Čabru, Ravnoj Gori, Bakru i Malom Lošinju ″pleh bande″ djeluju od 19. stoljeća.


The Fužine Wind Orchestra was founded in 1848 and is still going strong.


Limena glazba Fužine, osnovana 1848., još je aktivna.


Other wind societies include the Trsat Town Music (Gradska glazba Trsat) (1906), the Wind Orchestra of the KUD Sloga in Ravna Gora (1830), the Lovran Wind Orchestra (1912), the Josip Kašman Wind Orchestra from Mali Lošinj (second half of the 19th century), the Wind Orchestra of the Spinčići Music Society in Kastav (1929), the Wind Orchestra of the Rab Voluntary Fire Brigade (1914), and others.


Takva su društva Gradska glazba Trsat (1906.), Puhački orkestar KUD-a Sloga u Ravnoj Gori (1830.), Puhački orkestar Lovran (1912.), Puhački orkestar ″Josip Kašman″ u Malom Lošinju (druga polovina 19. stoljeća), Puhački orkestar Glazbenog društva Spinčići na Kastvu (1929.), Limena glazba Dobrovoljnog vatrogasnog društva Rab (1914.) itd.


The Ivan pl.


Hrvatsko narodno kazalište Ivana pl.


Zajc Croatian National Theatre was founded in 1885 as the Municipal Theatre (Teatro comunale) and was renamed in 1913 as the Teatro Verdi.


Zajca institucija je osnovana 1885. pod imenom Općinsko kazalište (Teatro comunale). Godine 1913. preimenovano je u Teatro Verdi.


It was given its current name in 1992 and comprises the Croatian Drama, the Italian Drama, the Opera and the Ballet.


Pod današnjim imenom djeluje od 1992. i uključuje četiri umjetnička ansambla: Hrvatsku dramu, Talijansku dramu, Operu i Balet.


Some of the great names of music used to perform here, like maestro Giacomo Puccini (1895), singers Enrico Caruso (1898) and Beniamino Gigli, actress Sarah Bernhardt (1899), Rijeka actress Irma Gramatica (1897), composer Ivan Zajc, conductors Boris Papandopulo and Lovro Matačić.


Na nepreglednoj listi velikih umjetnika koji su prošli Kazalištem izdvajaju se maestro Giacomo Puccini (1895.), pjevači Enrico Caruso (1898.) i Beniamigno Gigli, francuska glumica Sarah Bernhard (1899.), riječka glumica Irma Gramatica (1897.), skladatelj Ivan Zajc, dirigenti Boris Papandopulo i Lovro Matačić.


Many performances on the stage of Rijeka theatre will remain unforgettable, like the actor Veljko Maričić interpreting Hamlet or the opera soloist Milan Pihler interpreting Zrinjski.


Mnoge kreacije nastale na sceni riječke kazališne kuće ostale su nezaboravne. Potvrđuju to, uz ostalo, prvak Drame toga kazališta Veljko Maričić u interpretaciji Hamleta te operni solist Milan Pihler u ulozi Zrinjskoga.


The creations of the stage set designers Antun Žunić and Dorian Sokolić have contributed to the success of many performances.


Uspjesima zapaženih predstava pridonijele su inscenacije scenografa Antuna Žunića i Doriana Sokolića.


The costume designer Ružica Nenadović-Sokolić has received many European awards.


Među kostimografima, Ružica Nenadović-Sokolić primila je mnoga europska priznanja.


Members of the Rijeka theatre also give guest performances outside Croatia.


Bogatu djelatnost riječke kazališne kuće upotpunjuju gostovanja izvan hrvatskih granica.


Musical education on Kvarner has its roots in the Rijeka Music School, which was founded in 1820 and is one of the oldest music schools in Croatia.


Glazbeno obrazovanje na Kvarneru ima korijene u Riječkoj glazbenoj školi, osnovanoj 1820., jednoj od najstarijih u Hrvatskoj.


Its first teachers were Venceslav Wenzel and Joseph Prohaska, then Ivan Zajc the Older and Ivan Zajc the Yonger.


Prvi su njezini učitelji bili Venceslav Wenzel i Joseph Prohaska, potom Ivan Zajc stariji i Ivan Zajc mlađi.


The Josip Kašman Elementary School in Mali Lošinj also includes the Elementary Music School in Cres.


U Malom Lošinju djeluje Osnovna glazbena škola ″Josip Kašman″. Ona obuhvaća i Osnovnu glazbenu školu u Cresu.


Delnice is the location of the Ivo Tijardović Music School.


U Delnicama djeluje Glazbena škola ″Ivo Tijardović″.


Today there are two private institutions – the Mirković Secondary Music School in Lovran and the Aleksandra Jug Matić Elementary Music School in Rijeka.


Danas postoje i dvije privatne ustanove - Srednja glazbena škola ″Mirković″ u Lovranu i Osnovna glazbena škola ″Aleksandra Jug Matić″ u Rijeci.


Academic grades can be obtained at the Rijeka Regional department of the Zagreb Music Academy (1971).


Akademsko glazbeno obrazovanje može se dobiti u riječkom Područnom odsjeku Muzičke akademije u Zagrebu (1971.).


The Rijeka Philharmonic Orchestra continues the activities that were started by the town orchestra (1805) for the needs of the Adamić Theatre.


Riječka filharmonija nastavlja djelovanje koje je započeo gradski orkestar (1805.) za potrebe kazališta Adamić.


It was founded in 1954 on the initiative of Boris Papandopulo with members of the Rijeka Opera Orchestra.


Na poticaj Borisa Papandopula 1954. je utemeljena Riječka filharmonija, s članovima orkestra riječke Opere.


The Philharmonic was brought to life again in 2001 on the initiative of Nada Matošević.


Poslije njena gašenja, Filharmonija je iznova oživjela 2001., na poticaj Nade Matošević.


Today it is one of the two orchestras of that type in Croatia.


Danas je jedan od takva dva orkestra u Hrvatskoj.


Apart from the Philharmonic, there are several other ensembles in Rijeka, the oldest among them being the Rijeka Chamber Orchestra (1976), led by violoncellist David Stefanutti, then the Rijeka Wind Quintet (1980), consisting of members of the Opera Orchestra of the Croatian National Theatre Ivan pl.


Filharmoniji se u djelovanju pridružuje nekoliko drugih komornih ansambala, među kojima je najstariji Riječki komorni orkestar (1976.). Njegovu jezgru čini gudački korpus. Voditelj mu je violončelist David Stefanutti. Uz te ansamble djeluje Riječki puhački kvintet (1980.), u kojem sviraju članovi orkestra Opere HNK Ivana pl.


Zajc, and the Rijeka Piano Trio (1980).


Zajca te Riječki klavirski trio (1980.).


Not to forget the Collegium Musicum Fluminensie ensemble (1987), led by D. Stefanutti, which mainly performs music from the 17th and 18th centuries.


Tu je i ansambl Collegium musicum fluminensie (1987.), koji djeluje pod vodstvom violončelista Davida Stefanuttija. Izvodi uglavnom glazbu 17. i 18. stoljeća.


The Rijeka Piano Duo (1989) has performed in Croatia and Italy.


Riječki klavirski duo (1989.) nastupao je u Hrvatskoj i Italiji.


All these ensembles pay particular attention to the preservation of Croatian musical heritage.


Svi ansambli osobito njeguju hrvatsku glazbenu baštinu.


Radio Rijeka was established in 1945 as the first local radio station for the Liburnian and Kvarner region.


Radio Rijeka osnovana je 1945. kao prva radiopostaja namijenjena dijelu Liburnije i mjestima Kvarnerskog zaljeva, a kao kulturna tekovina značajni je čimbenik u širenju kulture.


Since then it has played a significant role in spreading culture by providing information about what’s on in the theatre, galleries and other cultural venues and giving them valuable media attention with the aim of cultural education and popularisation of the arts.


Prati rad kazališta, galerija te ostala poprišta kulturnih zbivanja dajući im bitan medijski prostor u svrhu kulturnog prosvjećivanja i popularizacije umjetničkih vrijednosti.


As far as popular music is concerned, Radio Rijeka has also played an important role in making Croatian music production a respected part of the Croatian music scene.


U sferi zabavne glazbe programski je orijentirana na njegovanje domaćeg zabavnog glazbeništva, koje je upravo zahvaljujući Radio Rijeci postalo respektabilnim dijelom hrvatske scene.


The island of Murter is well known for its rich gastronomic offer of Mediterranean specialities.


Otok Murter je poznat po svojoj bogatoj gastro ponudi koja odiše mediteranskim obilježjem, odnosno specijalitetima.


Fish and meat dishes are prepared in an extremely simple, indigenous way, cooked or grilled with plenty of rich, indigenous spices such as olive oil, in addition to various Mediterranean herbs.


Jela od ribe i mesa se pripremaju na krajnje jednostavan domaći način, kuhano ili pečeno na žaru uz obilje bogatih autohtonih začina, poput maslinovog ulja, a uz dodatak raznog mediteranskog bilja.


Numerous restaurants of the island of Murter will be happy to welcome their guests with delicious and diverse offers of Dalmatian specialities.


Brojni restorani otoka Murtera rado će ugostiti svoje goste uz ukusnu i raznoliku ponudu dalmatinskih specijaliteta.


The apartment A1 (2+1) has one double room with a toilet and a bathroom, a kitchen, a sitting room, a terrace and SAT-TV. The apartment is air-conditioned.


Apartman A1 (2+1) ima dvokrevetnu sobu, kupaonicu, WC, terasu, dnevnu sobu, SAT-TV i kuhinju. Apartman je klimatiziran.


The apartment A2 (2+1) has one double room with a toilet and a bathroom, a kitchen, a terrace and SAT-TV. The apartment is air-conditioned.


Apartman A2 (2+1) ima dvokrevetnu sobu, kupaonicu, WC, terasu, SAT-TV i kuhinju. Apartman je klimatiziran.


The apartment has its own parking.


Apartmani imaju vlastito parkiralište.


The distance from apartment to the sea is 10 meters.


Apartmani su udaljeni od Korčule 4 km, a od mora 10 m.


The Museum's library is one among the oldest European libraries specialized in arts & crafts.


Knjižnicu Muzeja za umjetnost jedna je od najranijih specijalnih knjižnica za umjetnost i umjetnički obrt u Europi.


It was established in 1880 by the Art Society as a professional library, along with the collection of ornaments.


Kao stručnu knjižnicu i zbirku ornamenata 1880. godine osnovalo ju je Društvo umjetnosti.


Ever since its foundation, the library has occupied a special position among the Museum's collections expected to include exemplary specimens to the advancement of the artistic and craft production's aesthetic & technical quality.


Od samog osnutka, knjižnica je imala posebno mjesto među zbirkama Muzeja za umjetnost i obrt koje su trebale osigurati primjerne uzorke koji će unaprijediti estetsku i tehničku kvalitetu umjetničke i obrtničke produkcije.


The very professionally assembled collection of graphic ornament specimens from all periods was intended for this particular purpose.


Toj namjeni služila je znalački formirana zbirka grafičkih uzoraka ornamenata svih stilskih razdoblja.


This unique collection, along with some fundamental 18th and 19th c. art history works, constitutes the library's historic holdings, preserved in their original disposition.


Ta jedinstvena zbirka kao i temeljna djela povijesti umjetnosti iz 18. i 19. stoljeća čine povijesni fond ove knjižnice, sačuvan u izvornom rasporedu.


Since 1880, the library has evolved into a modern museum library whose holdings correspond to the Museum's collections (painting, sculpture, furniture, ceramics, glass, textile, clothes & fashion accessories, metal items, clocks & watches, photographs, graphic & product design, architectural items, ivory, musical instruments...), functioning primarily as the source of references for all Museum departments.


Od 1880. godine do danas Knjižnica se razvila u suvremenu muzejsku knjižnicu koja sadržajem fonda korespondira s muzejskim zbirkama (slikarstvo, kiparstvo, namještaj, keramika, staklo, tekstil, odjeća i modni pribor, metal, satovi, fotografija, grafički i produkt-dizajn, arhitektura, bjelokost, muzički instrumenti ...) i funkcionira ponajprije kao referentno mjesto za sve muzejske odjele.


The holdings encompassing 50,000 volumes include books, journals, manuals, specimen maps, exhibition & auction catalogues.


Fond od 50.000 svezaka obuhvaća knjige, časopise, priručnike, mape uzoraka, kataloge izložaba i aukcijske kataloge.


The collection of rare and antique books from the 16th to the 19th c. constitutes a unit apart, having the status of another Museum's collection.


Posebnu cjelinu čini zbirka starih i rijetkih knjiga od 16. do 19. stoljeća, koja ima karakter muzejske zbirke.


The library's reading-room, which, back in 1910, served as the first lecture-room of the Department of Art History & Archeology, makes all library items accessible to the general public.


U čitaonici knjižnice, koja je 1910. godine bila prva predavaonica katedre za povijest umjetnosti i arheologiju, dostupna je sva bibliotečna građa i vanjskim korisnicima.


The library exchanges publications with over 150 related institutions both in the country and abroad, while it is also subscribed to 20 different international professional journals.


Knjižnica razmjenjuje publikacije s više od 150 srodnih ustanova u zemlji i svijetu, a pretplatom nabavlja 20 naslova međunarodnih stručnih časopisa.


In keeping with modern needs, the newer part of the library holdings is classified according to UDK (original Croatian abbreviation for the Universal Decimal Classification) and catalogued in the CROLIST software made after the UNIMARC standard.


U skladu sa suvremenim potrebama, noviji dio bibliotečnog fonda klasificira se prema UDK (Univerzalnoj decimalnoj klasifikaciji) i katalogizira u programu CROLIST po standardu UNIMARC.


The Government of the Republic of Croatia established the Croatian Academic and Research Network – CARNet – in 1995 as an institution whose basic activities are network development, building and maintenance.


Vlada Republike Hrvatske osnovala je 1995. godine Hrvatsku akademsku i istraživačku mrežu – CARNet kao ustanovu kojoj je jedna od osnovnih djelatnosti razvoj, izgradnja i održavanje mreže.


CARNet network is a private network of Croatian academic, scientific and research community, as well as of institutions of elementary and high school educational system.


Mreža CARNet je privatna mreža hrvatske akademske i znanstveno-istraživačke zajednice te ustanova iz sustava osnovnog i srednjeg školstva.


The network infrastructure is owned by CARNet institution, but cables are rented from various telecommunication providers.


Mrežnu infrastrukturu posjeduje CARNet ustanova, a vodove unajmljuje od niza davatelja telekomunikacijskih kapaciteta.


CARNet network is an example of a WAN network (Wide Area Network – a network distributed over large distances), which enables CARNet members throughout Croatia to connect into a compact information and communication system.


CARNet mreža je primjer WAN mreže (Wide Area Network – mreža rasprostranjena na većim udaljenostima) putem koje se članice CARNeta diljem Hrvatske povezuju u kompaktnu informacijsko-komunikacijsku cjelinu.


CARNet network is a data network whose principal purpose is to transfer data through TCP/IP protocol (Transport Control Protocol/Internet protocol).


CARNet mreža je podatkovna mreža namijenjena prije svega prijenosu podataka korištenjem protokola TCP/IP (Transport Control Protocol/Internet protocol).


This protocol is an agreed standard for the currently most widespread computer network - Internet.


Taj je protokol dogovoreni standard za najrašireniju računalnu mrežu današnjice - Internet.


The currently supported version of TCP/IP protocol on most of Internet, as well as CARNet network as its integral part, is version 4 (IPv4).


Trenutačno podržana verzija TCP/IP protokola na većem dijelu mreže Internet, pa tako i u CARNet mreži kao njezinom integralnom dijelu, jest verzija 4 (IPv4).


The key characteristic of every private network is its connection to the global network - Internet.


Ključna karakteristika svake privatne mreže jest njezin spoj prema globalnoj mreži - Internetu.


CARNet network established this connection through the pan-European research network GEANT, at the current connection speed of 10 Gbps.


CARNet mreža je tu vezu ostvarila kroz pan-europsku istraživačku mrežu GEANT, trenutačnom brzinom veze od 10 Gbit/s .


GEANT network is a result of a European Union initiative, as well as initiatives of other European academic networks, to establish technologically most developed computer network which would connect all European national academic and research networks, as well as to establish a connection towards the so-called commercial Internet.


Mreža GEANT rezultat je inicijative Europske zajednice i udruge europskih akademskih mreža za uspostavom tehnološki najnaprednije računalne mreže koja povezuje sve europske akademske i istraživačke nacionalne mreže, te ostvaruje vezu i prema tzv. komercijalnom Internetu.


Connection to other Internet providers in Croatia has been implemented through the Croatian Internet Exchange Point – CIX.


Veza prema drugim davateljima Internet usluge u Hrvatskoj ostvarena je kroz mjesto razmjene internetskog prometa u Hrvatskoj - CIX.


In Croatia, CARNet network connects major Croatian towns on land and a number of settlements on the islands.


Unutar Hrvatske CARNet mreža povezuje veće hrvatske gradove na kopnu te niz mjesta na otocima.


Larger university centres (Dubrovnik, Osijek, Pula, Rijeka, Split, Zadar, Zagreb) have high speed connections (ranging from 155 Mbps to 1 Gbps), while smaller centres are connected at the speed ranging from 2 Mbps to 100 Mbps.


Veći sveučilišni centri (Dubrovnik, Osijek, Pula, Rijeka, Split, Zadar, Zagreb) povezani su vezama velikih brzina (u rasponu od 155 Mbit/s do 1 Gbit/s), dok su za manje centre osigurane veze brzina od 2 Mb/s do 100 Mb/s.


Zagreb has a particularly advanced infrastructure (see image), connecting larger faculties and scientific institutions at the speeds of up to 10 Gbps.


Osobito je napredna infrastruktura u samom Zagrebu (pogledati sliku), koja povezuje veće fakultete i znanstvene ustanove brzinama i do 10 Gbit/s.


Furthermore, as part of the "Net in School" project, more than 900 institutions from elementary and high school educational system are connected to CARNet network via ADSL connections through four points of traffic exchange.


Nadalje, u sklopu projekta "Net u školi" je preko četiri točke za razmjenu prometa na CARNet mrežu spojeno više od 900 ustanova iz sustava osnovnog i srednjeg školstva putem ADSL veza. Više o projektu "Net u školi" moguće je pročitati ovdje.


Besides, a number of schools on Croatian islands are now connected to CARNet network within the e-Islands project.


Osim toga, u sklopu projekta "e-Otoci" na CARNet mrežu je spojen niz škola na hrvatskim otocima.


Technologically, the network includes several types of transfer lines (copper, optical and wireless connection) and several types of transfer technologies.


Tehnološki, mreža uključuje više vrsta prijenosnih vodova (bakar, optika, bežično spajanje) i više vrsta prijenosnih tehnologija.


Solution intended for mayors and other employees in Municipalities, aimed at the systematic and methodological development based management of the local area.


Rješenje namijenjeno načelnicima i ostalim djelatnicima općina, usmjereno ka sustavnom i metodološki zasnovanom upravljanju razvojem lokalnog područja.


Solution intended for cities, i.e. for mayors and employees of all departments.


Rješenje namijenjeno gradovima, odnosno gradonačelnicima i djelatnicima svih službi u gradovima.


With its modules and granules e-city is adjusted to the requirements of cities in the segment of the planning and management of their development, and preparation and implementation of development projects.


Svojim modulima i granulama e-grad je prilagođen potrebama gradova u segmentu planiranja i upravljanja njihovim razvojem, te pripremi i provedbi razvojnih projekata grada.


Solution adjusted for upgrading the work of accounting and bookkeeping companies with the aim of improving the provision of services and quality in the accounting companies.


Rješenje prilagođeno za poboljšanje rada računovodstvenih i knjigovodstvenih tvrtki s ciljem unaprjeđenja pružanja usluge i kvalitete u knjigovodstvenim tvrtkama.


Part of the solution e-city and e-municipality is a solution aimed for all public procurement obliged persons oriented on transparent and systematic implementation of the public procurement procedure.


Dio je rješenja e-grad i e-općina, e-javna nabava predstavlja rješenje namijenjeno svim obveznicima javne nabave usmjereno transparentnom i sustavnom provođenju postupka javne nabave.


The main aim of e-public procurement is to facilitate and improve the process for all obliged persons of public procuremet enforcement proceedings.


Osnovni cilj e-javne nabave je olakšati i unaprijediti proces javne nabave u jedinici lokalne samouprave.


Part of the Support programmes module within the solution e-city and e-municipality.


Dio je modula Programi podrške unutar rješenja e-grad i e-općina.


Except as an integral part of the solution and e-city, e-hrm can be a separate modul that is used to manage human resources in any organisation.


Osim kao sastavni dio rješenja e-općina i e-grad, e-hrm može biti i zaseban modul koji se koristi za upravljanje ljudskim potencijalima u bilo kojoj organizaciji.


Programme solution intended for procuration of documentation of the Quality Management System according to ISO 9001 standard, and other related quality standards, such as ISO 1401, ISO 27001, OHSAS 18001, and HACCP. As part of solution e-city and e-municipality, in the module Support programmes, e-standard is adjusted and intended to facilitate quality management of business processes in local self-government units.


Rješenje namijenjeno za upravljanje dokumentacijom Sustava Upravljanja Kvalitetom prema normi ISO 9001, te prema ostalim srodnim normama kao što su ISO 9001, ISO 14001, ISO 27001, OHSAS 18001, te HACCP. Kao dio rješenja, e-grad i e-općina, u modulu Programi podrške, e-standard je prilagođen i namijenjen za olakšano upravljanje kvalitetom poslovnih procesa u jedinicama loklane samouprave.


The solution consists of a series of regurarly arranged and distributed documentation necessary for quality management system; procedures, plans, operating instructions and standardized forms.


Rješenje se sastoji od niza pravilno složene i raspoređene dokumentacije potrebne za upravljanje sustavom kvalitete; procedure, planovi, radne upute i tipizirani obrasci.


Real-Time system as a set of elementary communicating processes.


Stvarnovremenski sustav kao skup elementarnih komunicirajućih procesa.


Formal methods: algebraic, net and logic models with application to verification and specification.


Formalne metode opisa: algebarski, mrežni i logički modeli sa primjenom na specifikaciju i verifikaciju.


Real-Time UML, SDL and synchronous languages.


Reaktivni UML, SDL i sinkroni jezici.


Language pair system analysis, reachability algorithms, theorem proving.


Analiza sa jezičnim parovima, algoritmi dostupnosti, dokazivanje teorema.


Synthesis as a composition of coordinating processes.


Sinteza kao kompozicija koordinirajućih procesa.


Real-Time scheduling and allocation.


Raspodjela i alokacija procesa.


Tools and languages for analysis.


Programski alati i jezici za analizu.


Examples: concurrent reactive systems, protocols, parallel algorithms, model extraction.


Primjeri: protokoli, paralelni algoritmi, konkurentni reaktivni sustavi, model ekstrakcija.


Producta Ltd. is a group of intellectual property and legal professionals and specialists whose attitude is that our cooperative efforts will provide the best professional service in IP rights and legal affairs to our clients around the globe.


Producta-u d.o.o. čini grupa profesionalaca, stručnjaka iz područja zaštite prava intelektualnog vlasništva čiji je motiv zajedničkim naporima omogućiti najbolju profesionalnu uslugu u pogledu zaštite intelektualnog vlasništva klijentima diljem svijeta.


Our staff includes persons that have been comprehensively educated and trained for in the field of intellectual property, with a result that our personnel includes, inter alia, the co-authors of the Copyright and Related Right Law and the Patent Law, and those who are, as the short-time experts, involved in the ongoing CARDS program regarding the system of IPR in Croatia.


Naše osoblje čine pojedinci čija je izobrazba široka, a obuka na području intelektualnog vlasništva vrlo temeljita, tako da naše osoblje uključuje, između ostalog, koautore Zakona o autorskom i srodnim pravima te Zakona o patentu, kao i one koji, kao eksperti, sudjeluju u CARDS programu vezanom na sustav intelektualnog vlasništva u Hrvatskoj.


Furthermore, we would like to mention that our team includes people that have been internationally educated in the relevant fields of studies (i.e. The John Marshall Law School Chicago; EPO München; WIPO Geneva etc.) and that we are active members of international organizations such as INTA (an active member of INTA Bulletin Publishing Board), AIPPI, LES etc.


Nadalje, spomenuli bismo da naš tim uključuje i ljude koji su obrazovani u zemlji i inozemstvu na specijalističkim studijima i programima (kao što je The John Marshall Law School Chicago; EPO München; WIPO Ženeva itd.) kao i da smo aktivni članovi međunarodnih organizacija: INTA - Međunarodna organizacija za zaštitu žigova (aktivni član INTA Bulletin Publishing Board), AIPPI - Međunarodna organizacija za zaštitu intelektualnog vlasništva, LES - Međunarodno licencijsko udruženje itd.


We would especially like to emphasize our experience in patent application drafting from various scientific areas including chemical, pharmaceutical and other related fields and our constant efforts to provide our clients with as broader protection as possible.


Također bismo naglasili naše iskustvo u izradi patentnih prijava iz različitih znanstvenih područja uključujući kemiju, farmaceutiku i dr, kao i naša stalna nastojanja da omogućimo što širu zaštitu prava naših klijenata.


Petra was born in 1985 in Zagreb.


Petra je rođena 1985. godine u Zagrebu.


At the moment she is finishing her study at the Faculty of Business Economy in Zagreb, major tourism.


Trenutno završava Ekonomski fakultet u Zagrebu, smjer turizam.


As of this year, on the same institution, she is starting with her postgraduate study, Tourism Management.


Ove godine, na istom Fakultetu, upisuje i poslijediplomski studij – Menadžment turizma.


Petra started working in tourism over the summer, in a marina.


Petra počinje s radom u turizmu, radeći u marini preko ljeta.


She begun working in Horwath Consulting in 2008, first as apprentice and then as intern.


U Horwath Consultingu počinje raditi 2008. godine, prvo kao praktikantica, a zatim i kao pripravnica.


In Horwath Consulting, Petra is focused on market research and analysis, benchmark analysis and on creative concepts for product development.


U Horwathu se bavi istraživanjem tržišta, benchmark analizama i kretivnim konceptima razvoja proizvoda.


In her free time, she is occupied with learning foreign languages.


U slobodno vrijeme posvećuje se učenju stranih jezika.


Besides English, German and Italian, as of this year she started learning Russian language.


Osim engleskog, njemačkog i talijanskog, od ove godine počela je učiti i ruski jezik.


Due to improvements of her language skills, she spent some time abroad (Oxford, London and Heidelberg).


Radi usavršavanja znanja jezika više je puta boravila u inozemstvu (Oxford, London i Heidelberg).


Penetration testing is a very detailed and thorough service of examination of the security which is fully adapted to the needs and requirements of the client and its information system.


Penetracijsko testiranje je vrlo detaljna i temeljita usluga ispitivanja sigurnosti koja je u potpunosti prilagođena potrebama i zahtjevima klijenta te njegovom informacijskom sustavu.


In addition to numerous checks using specialized tools, in this process the crucial is experience and knowledge of security professionals whose ultimate goal is to make access and take control of the target system on identical way potential attackers would do.


Osim brojnih provjera korištenjem specijaliziranih alata u ovom procesu ključno je iskustvo i znanje sigurnosnog stručnjaka čiji je krajnji cilj ostvariti pristup i preuzeti kontrolu nad ciljnim sustavom na identičan način kako to čine potencijalni napadači na sustav.


Nobium, during testing, ensures confidentiality, integrity and availability of data and systems and after conducted testing ensures the confidentiality of test results.


Nobium tijekom ispitivanja jamči klijentu povjerljivost, integritet i raspoloživost podataka i sustava, a po provedenom ispitivanju osigurava povjerljivost rezultata ispitivanja.


When conducting investigations of security, Nobium uses a knowledge base that their experts developed, and which includes Nobium long experience in monitoring and analysis of unauthorized activity on the Internet.


Kod provođenja ispitivanja sigurnosti Nobium koristi bazu znanja koju sam razvija, a koja sadrži i višegodišnje iskustvo Nobium-a u praćenju i analizi neovlaštenih aktivnosti na Internetu.


Service of penetration testing is intended to users who want a detailed and thorough assessment of the security of their own information system.


Usluga penetracijskog testiranja namijenjena je onim korisnicima koji žele detaljnu i temeljitu procjenu stanja sigurnosti vlastitog informacijskog sustava.


Partly under international pressures, coming strongly from Britain and the Netherlands, the Croatian government has decided to finally settle accounts with the fugitive Hrvoje Petrač.


Djelomice i pod međunarodnim pritiskom, u prvom redu iz Britanije i Nizozemske, hrvatska se vlast odlučila dokraja razračunati s odbjeglim Hrvojem Petračem.


Nacional has learned that the government is willing to use all methods and means to destroy him.


Pritom, kako doznaje Nacional, neće birati ni sredstva ni metode da ga uništi.


In only a few months, he has been accused of two crimes: for participating in the kidnapping of the son of General Zagorec and in the affair of bribing police officers of the Zagreb Police.


U samo nekoliko mjeseci on je optužen za dva zlodjela: za sudjelovanje u otmici sina generala Zagorca te u aferi podmićenih policajaca PU zagrebačke.