There is probably no person in the world that the news about the medical operation on close someone does not feel sadness and helplessness.


Vjerojatno ne postoji osoba na svijetu koja na vijest o medicinskom zahvatu nekoga bliskoga ne osjeća tugu i bespomoćnost.


After news of the black on weekends in the traffic is often not see the sequel in which we participate - and maybe save someone's life.


Iza vijesti o crnim vikendima u prometu često ne vidimo onaj nastavak u kojemu možemo sudjelovati – i možda spasiti nečiji život.


There is something that can't be bought, because they can't produce, but only to give.


Postoji nešto što se ne može kupiti, jer se ne može proizvesti, nego samo darovati.


Something without which no one can live, and why everyone can get into a situation depending on the goodwill of a stranger.


Nešto bez čega nitko ne može živjeti i zbog čega svatko može doći u situaciju ovisnosti o dobroj volji nekog neznanca.


There is not divided into left and right, the rich and poor, men and women, but only those with A, B or other blood group.


Tu se ne dijelimo na lijeve i desne, na bogate i siromašne, muškarce i žene, nego samo na one s A, B ili nekom drugom krvnom grupom.


Long tradition Blood banks in Croatia has a long tradition.


Duga tradicija Darivanje krvi u Hrvatskoj ima dugu tradiciju.


The first blood transfusion was performed in Peter hospital in Zagreb back in 1923rd year.


Prva transfuzija krvi obavljena je u zagrebačkoj Petrovoj bolnici davne 1923. godine.


The first blood transfusion with blood group determination occurred in the same hospital a year later.


Prva transfuzija s određivanjem krvne grupe dogodila se u toj istoj bolnici godinu dana kasnije.


The donors were relatives and acquaintances of patients whose blood was needed, and also in hospitals, the blood was given to the private apartments and homes.


Prvi donori bili su rođaci i poznanici pacijenata kojima je krv bila potrebna, a osim u bolnicama krv se davala i po privatnim stanovima i domovima.


During the World War II, the blood began to take organized, and this practice has remained until this day, when all the media we often hear calls for voluntary blood banks.


Za vrijeme 2. svjetskog rata krv se počela organizirano uzimati, a takva praksa ostala je i do današnjeg dana, kada po svim medijima često možemo čuti pozive na dobrovoljno darivanje krvi.


Probably the most job had transfusion departments during the Homeland War, when every drop of blood was worth more than usual.


Vjerojatno najviše posla transfuzijski su odjeli imali za vrijeme Domovinskog rata, kada je svaka kap krvi vrijedila i više no inače.


Day of blood donors is marked since 1963. years and this tradition is maintained to this day.


Sam Dan darivatelja krvi obilježava se od 1963. godine i ta se tradicija održala sve do danas.


Solemn assembly On 18th of March 2010, donors held their 40th Solemn assembly in Brodosplit Shipyard.


Svečana skupština U brodogradilištu Brodosplit, 18. ožujka 2010. godine, održana je 40. svečana skupština.


Club volunteer blood donors Brodosplit operates in shipyard almost immediately after World War II, in the service of safety at work.


Klub dobrovoljnih darivatelja krvi "Brodosplit" djeluje u brodogradilištu praktički odmah nakon II svjetskog rata, unutar službe zaštite na radu.


Since 1970 until 1990 operating system of the Red Cross, and since 1990 became independent and operates as an independent association of citizens, ie. named KDDK Brodosplit.


Od 1970. do 1990. djeluje u sustavu Crvenog križa, a od 1990. se osamostaljuje i djeluje kao samostalna udruga građana, odn. pod imenom KDDK Brodosplit.


Financed largely from grants Brodosplit employees (0.2% of monthly income), donating company Brodosplit and partly from fees for donated blood dose.


Financira se najvećim dijelom od donacija zaposlenika Brodosplita (0,2% mjesečnih primanja), donacijom društva "Brodosplit" i manjim dijelom od naknade za darovane doze krvi.


The aim of the club is always to provide the necessary dose of blood for employees of shipyard and their families, if need, and donate all the surplus hospital, and the citizens of Split and its surroundings.


Cilj kluba je osigurati uvijek potrebne doze krvi za zaposlenike "škvera" kao i njihove obitelji, ukoliko je potreba, a sav višak darovati bolnici, odnosno građanima Splita i okolice.


The purpose is monitored daily and organized blood banks solely on the blood transfusion department of Clinical Hospital Split (Members are not approved blood banks in field operations).


U tu svrhu prati se i organizira svakodnevno darivanje krvi isključivo na odjelu transfuzije KBC Split (članovima se ne odobrava darivanje krvi na terenskim akcijama).


Every day ten shipyard workers donates blood Response of donors in the shipyard is very big club and membership is usually between 1/4 and 1/3 of shipyard Brodosplit employees.


Svaki dan deset škverana daruje krv Odaziv darivatelja u brodogradilištu je vrlo velik te članstvo u klubu obično iznosi između 1/4 i 1/3 zaposlenika Brodosplita.


The club now has more than 1300 members, and from year to year, constantly increasing.


Klub danas broji nešto više od 1300 članova, te se iz godine u godine stalno povećava.


An indispensable part of the membership are women, which currently has 220, which makes 17% of the membership club.


Nezaobilazan dio članstva predstavljaju žene kojih trenutno ima 220 što čini 17% članstva kluba.


In 2009 year is 2078 doses donated blood.


U 2009. godini darivano je 2078 doza krvi.


As a dose of blood is 0.45 lit., that is 4617 liters of the precious liquid.


Kako jedna doza krvi iznosi 0,45 lit. to je 4617 litara dragocjene tekućine.


If this is divided by the number of working days, on the transfusion every day, on average, were ten shipyard workers who donated blood.


Ako se to podijeli s brojem radnih dana, na transfuziji je svaki dan, u prosjeku, bilo 10 "škverana" koji su darovali krv.


It is understandable that blood volunteer in relation to production activities is secondary task of members, so respects the rule by which every employee of Brodosplit - blood donors are required to notify and obtain consent of the manager to perform blood transfusions during working hours.


Razumljivo je da je davalaštvo krvi u odnosu na proizvodne aktivnosti sekundaran zadatak članova, pa se poštuje pravilo prema kojem je svaki zaposlenik Brodosplita - darivatelj krvi dužan javiti se i dobiti suglasnost rukovoditelja za obavljanje transfuzije u radnom vremenu.


More than 34.000 liters of blood This activity is specifically recognized by the Split hospital, and was often praised in the media humanity of Brodosplit donors.


Vi š e od 34.000 litara krvi Ova djelatnost je prepoznata naročito od strane splitske bolnice, pa je više puta u medijima pohvaljena humanost Brodosplitovih darivatelja.


So, Head of transfusion Department, Dr. Jela Martinović-Mikulandra once at the media presented information that donors club Brodosplit in total doses of blood participates with 15% or 1/6 for all doses.


Tako je voditeljica odjela tranfuzije, dr. Jela Martinović-Mikulandra jednom prilikom za medije iznijela podatak da Klub DDK Brodosplit u ukupnim dozama krvi sudjeluje sa 15% ili 1/6 svih doza.


In 40 years never happened to the blood should be, and that the club could not provide.


U 40 godina postojanja nikada se nije dogodilo da je krv trebala, a da je klub nije mogao osigurati.


Month giving, on average are 130 bottles of blood, and since the foundation has given more than 34.000 liters of blood.


Mjesečno se daruje, u prosjeku 130 boca krvi, a od osnutka darovano je više od 34.000 litara krvi.


All the benefits of blood performed in the clinic for a transfusion of the Split hospital under strict medical supervision.


Sva se davanja krvi obavljaju u Klinici za transfuziju splitske bolnice i pod strogim liječničkim nadzorom.


Blood can give all the healthy people 18 to 65 years.


Krv mogu davati svi zdravi ljudi od 18 do 65 godina.


The rule is that men should give blood every three months and women every four.


Pravilo je da muškarci smiju dati krv svaka tri mjeseca, a žene svaka četiri.


For his contribution to the donors are rewarded, and for women over 25 donations and men more than 50 donations welfare do not pay for public transport.


Za svoj doprinos darivatelji su nagrađeni, pa žene za više od 25 davanja i muškarci za više od 50 davanja ne plaćaju javni gradski prijevoz.


One of the most important clubs in the county This is one of the largest and most important clubs in the city of Split and the county in blood volunteer.


Jedan od najznačajnijih klubova u županiji Ovo je jedan od najvećih i najznačajnijih klubova u gradu Splitu i županiji na području davalaštva krvi.


Daily dose provides precious blood on transfusion department, not the actions periodically.


Svakodnevno osigurava dragocjene doze krvi na odjelu transfuzije, a ne periodično na akcijama.


Also, the agreement with Hospital Split, always ready to step up activities for members if they need such hospitals (eg Christmas and New Year holidays because then the need for more blood, as well as in summer, due to the influx of tourists and a variety of accidents).


Također, dogovoru s KBC Split, uvijek je spreman pojačati aktivnosti članstva ukoliko su takve potrebe bolnice (npr. za božićne i novogodišnje blagdane jer su tada potrebe za krvlju veće, kao i ljeti, zbog priljeva turista i raznih nezgoda).


Volunteer donors Brodosplit club are human and noble people who have expressed a sense of social and often are active in cultural and sports societies.


Dobrovoljni darivatelji Brodosplitova kluba su humane i plemenite osobe koje imaju izražen socijalni osjećaj i često su aktivne u kulturnim i sportskim društvima.


Giving blood is not harmful to health if they spend all the procedures in the selection of blood donors.


Davanje krvi ne šteti zdravlju ako se provode svi propisani postupci pri odabiru darivatelja krvi.


Blood donation not only helps others, but also controls its own health.


Davanjem krvi ne samo da pomažu drugima, nego i kontoliraju vlastito zdravlje.


Unique in Croatia Club is unique in Croatia for its organization, and constant concern for the members.


Jedinstveni u Hrvatskoj Klub je jedinstven u Hrvatskoj po svojoj organiziranosti i stalnoj brizi za članove.


Every year, take care to rest for blood donors by organizing trips and seek fresh air three times a year on Bjelolasica, at the island of Hvar and Stubičke Spa.


Svake godine se pobrine da se darivatelji krvi odmore, pa se organiziraju izleti i svjež zrak potraži tri puta godišnje na Bjelolasici, otoku Hvaru i u Stubičkim toplicama.


Know, thanks to low cost friendly travel, pull up to Rome, Budapest, ...


Znaju, zahvaljujući cjenovno pristupačnijem aranžmanu putovanja, potegnuti i do Rima, Budimpešte,...


Also at the annual meeting, members socialize and make divisions anniversary prize, given the number of doses of the blood, and individually highlight the most active providers, such as recorders Vladimir Vulić, Marko Ajduković, Cvjetko Paić, Voislav Tripunović, Miroslav Kuščić and Veljko Zdilar, with more than 100 donated bottles of blood.


Također se na godišnjoj skupštini, članovi druže i izvrši podjela jubilarnih nagrada, prema broju datih doza krvi, te poimenično istaknu najaktivniji davaoci, poput rekordera Vladimira Vulića, Marka Ajdukovića, Cvjetka Paića, Voislava Tripunovića, Miroslava Kuščića i Veljka Zdilara, s više od 100 darovanih boca krvi.


Back in 1965th years, Marko Ajduković first stepped among the magnificent halls of Shipbuilding Industry Brodosplit, in the workshops of machine treatment known as ''mechanics''.


Davne je 1965. godine Marko Ajduković prvi put zakoračio među velebne hale Brodograđevne industrije Split, i to u Pogon strojoobrade poznatije kao ''mehanika''.


At the same time when began his working life, also established a club volunteer blood donors whose Brodosplit active member becomes 1970th year.


Istodobno kada započinje njegov bogati radni vijek osniva se i Klub dobrovoljnih darivatelja krvi Brodosplit čijim aktivnim članom postaje 1970. godine.


Mr. Marko likes to point out that the blood actually provides more active since 1969 until then now giving 106 donations.


Šjor Marko voli pri tom naglasiti da krv u stvari daje aktivno još od 1969. godine zabiljevši do sada 106 davanja.


If he knows that covered the 60-year life, it is easy to conclude that this shipyard worker, but as a young man early felt the need for help, giving part of themselves selflessly to others.


Ako se zna da je prevalio 60-tu godinu života, lako je zaključiti da je ovaj škveranin već kao mladić zarana osjetio potrebu za pomaganjem, nesebično darivajući dio sebe drugima.


Many donors In 2009, 59 donors were awarded for 10 donations, 52 donors were awarded for 15 donations, 27 donors were awarded for 20 donations, 24 donors were awarded for 25 donations, 24 donors were awarded for 30 donations, 15 donors were awarded for 35 donations, 15 donors were awarded for 40 donations, 10 donors were awarded for 50 donations.


Brojni darivatelji U 2009. godini je za 10 darivanja nagrađeno 59 darivatelja, za 15 darivanja 52 darivatelja, za 20 darivanja 27 darivatelja, za 25 darivanja 24 darivatelja, za 30 darivanja 24 darivatelja, za 35 darivanja 15 darivatelja, za 40 darivanja 15 darivatelja, za 50 darivanja 10 darivatelja.


Special rewards for 60 donations was earned by Frane Magazinović, Denis Kranjac, Jozo Tadić i Ante Abramac.


Posebna priznanja su zaslužili za 60 darivanja Frane Magazinović, Denis Kranjac, Jozo Tadić i Ante Abramac.


For 70 donations was earned by Dalmiro Lukić, Mladen Ivica i Ante Goreta.


Za 70 darivanja priznanje su zaslužili Dalmiro Lukić, Mladen Ivica i Ante Goreta.


For 80 donations was earned by Srđan Kaliterna, Željko Dodik i Budimir Rakvin. The recorders with 100 blood donations are Miroslav Kuščić and Veljko Zdilar.


Za 80 darivanja priznanje su zaslužili Srđan Kaliterna, Željko Dodik i Budimir Rakvin, te ovogodišnji rekorderi za 100 darovanih boca krvi, Miroslav Kušćić i Veljko Zdilar.


Human activity will not stop Steadfast work and fostering constructive relationships with the hospital, but the media and the club is recognized as one of the most important in blood volunteer.


Humana djelatnost neće prestati Upornim radom te njegovanjem konstruktivnih odnosa sa bolnicom, ali i medijima klub je prepoznat kao jedan od najznačajnijih na području davalaštva.


Club action is covered by the media and constantly developed and improved.


Djelovanje kluba je i medijski pokriveno i stalno se unapređuje i poboljšava.


How worked up to now, the club will continue, led by the presidency to make the club president Kristijan Brkljačić, Secretary Ratomir Delić, and members of Andro Jašić, Ervin Domazet, Mario Janjić, Ivan Vuko, Denis Kranjac, Goran Lelanović and Božidar Domljanović.


Kako je djelovao do sada, klub će nastaviti i dalje, na čelu s predsjedništvom koje čine predsjednik kluba Kristijan Brkljačić, tajnik Ratomir Delić, te članovi Andro Jašić, Ervin Domazet, Mario Janjić, Ivan Vuko, Denis Kranjac, Goran Lelanović i Božidar Domljanović.


Despite the recession and uncertainties existence of shipbuilding activities, its human and social activity will not stop.


Unatoč neizvjesnostima recesije i opstojnosti brodograđevne djelatnosti, njegova humana i društvena djelatnost neće prestati.


Working in the club's is only honorary, and the knowledge that they have just saved someone life is priceless, is proud Rato Delić.


Rad u klubu je isključivo volonterski, a spoznaja da su baš oni nekome spasili život je neprocjenjiva, ponosan je Rato Delić.


Only one blood banks during the year, is the traditional slogan of the members of the club, which regularly invites all potential blood donors to join them.


Samo jedno darivanje krvi tijekom godine, tradicionalni je slogan članova kluba, kojim redovito pozivaju sve potencijalne darivatelje krvi da im se pridruže.


Dr. Enrih Merdic was born on 30 December 1962 in Osijek.


Dr. Enrih Merdić je rođen 30. prosinca 1962. u Osijeku.


He finished primary and secondary school in Osijek, where he also graduated from the Faculty of education. He completed his graduate studies and got a PhD in natural sciences (biology) at the College of Science in Zagreb.


Osnovnu i srednju te Pedagoški fakultet završio je u Osijeku, a poslijediplomski studij i doktorat prorodnih znanosti iz polja biologja na zagrebačkom PMF-u.


Since he was nine years old, he has been spending time in folk ensembles.


Od svoje devete godine počeo je svoje slobodno vrijeme provoditi u kulturno umjetničkim društvima.


As a member of the Folk Ensemble Milica Križan he spent the best time of his youth (1971-1989) as an active dancer.


U KUD "Milica Križan" provodi najljepše doba svoje mladosti i to kao aktivan plesač od 1971. do 1989. godine.


He got his first chance to pass on the folklore tradition to the younger generation when he graduated from secondary school in 1981.


Prvu šansu da prenese folklornu tradiciju na mlađe naraštaje dobio je kao maturant 1981. godine.


He trained ensembles in Josipovac, Ernestinovo, Cepin and Osijek (Folk Ensemble Biseri Slavonije and the Croatian Folk Ensemble Željeznicar).


Od tog doba vodio je KUD-ove u Josipovcu, Ernestinovu, Čepinu i Osijeku (FA "Biseri Slavonije" i HKUD "Željezničar").


Since December 1985, he has been the art director and choreographer of the Workers' Folk Ensemble PIK Đakovo, which later changed its name to The Folk Ensemble TENA, Folklore group Slavonske Kraljice.


Od prosinca 1985. godine umjetnički je voditelj i koreograf RKUD-a "PIK Đakovo" kasnije KUD "TENA" FA "Slavonske Kraljice".


Besides working as an instructor who teachers dances, songs, and singing, shapes and practices the program, he also choreographs.


Usporedo s voditeljskim radom, koji se odnosi na učenje plesova, pjesama, načina pjevanja, kreiranje i uvježbavanje programa, odvija se i koreografski rad.


He was trained for the job of a choreographer at a number of seminars.


Predhodno obrazovanje za koreografski posao stekao je na raznim seminarima.


As early as the summer of 1983, he started attending the folklore school organized by the Cultural and educational assembly of Croatia as seminars in the summers and winters. he has taken all obligatory courses and passed all exams related to the theoretical knowledge about folklore and dance zones in Croatia.


Tako je već ljeti 1983. počeo posjećivati školu folklora koju je organizirao Kulturno prosvjetni Sabor Hrvatske u obliku ljetnih i zimskih seminara.


The main aim of the school was to send the candidates to villages to collect folklore material themselves at the very source.


Odslušao je sve zadane kolegije škole, a položio sve ispite koji se odnose na teorijsko poznavanje folklora i plesne zone u Hrvatskoj.


From 1986 to the beginning of the war in 1991, he has intensively collected folklore material.


Tako je od 1986 intenzivno sakupljao folklornu građu sve do izbijanja rata 1991.


In this period he composed many Slavonian choreographies: Kumova grana, Ajmo žito pokupiti pa cmo kolo zaigrati, Kiti bunar Jelo, Filipovcice, Savom vodom od Davora do Šamca, Šetale se tri divojke, Slavonske kraljice and choreographies from Baranja: Plesovi iz Baranje, Baranjsko Petrovo Selo veljace iljadu osamsto i neke, Poklade su and Baranjski svatovski adet.


Iz tog razdoblja izašle su mnoge slavonske koreografije: "Kumova grana", "Ajmo žito pokupiti pa ćmo kolo zaigrati", "Kiti bunar Jelo", "Filipovčice", "Savom vodom od Davora do Šamca", "Šetale se tri divojke", "Slavonske kraljice" i baranjske koreografije: "Plesovi iz Baranje", "Baranjsko Petrovo Selo veljače iljadu osamsto i neke", "Poklade su" i "Baranjski svatovski adet".


In addition to choreographies from Slavonia and Baranja, he also made choreographies from other regions of Croatia: Zelen Juraj došal je (from Pokuplje), Krcki kanti i tonci, Plesovi iz Medimurja, Posavcica od glave do pete" and Stari splitski ples and Trogirska cetvorka, A oj Liko ravnija od Srema, Lepo naše zeleno Primorje, Na Ivanje ne radim oranje.


Osim slavonskih i baranjskih koreografija tijekom koreografskog rada nastale su i koreografije iz cijelokupnog područja Hrvatske: "Zelen Juraj došal je" (Pokuplje), "Krčki kanti i tonci", "Plesovi iz Međimurja", "Posavčica od glave do pete" i "Stari splitski ples i Trogirska četvorka", "A oj Liko ravnija od Srema", "Lepo naše zeleno Primorje", "Na Ivanje ne radim oranje" .


As a choreographer and expert on Slavonian folklore he was invited to give his choreographies to other folklore ensembles: Strawberry Hill CFA, Kansas City, USA; St. Johns Tamburitzans, Kansas City, SAD; Miroslav Krleža Fellbach, Njemacka, THE Folk Ensemble Zagreb, Zagreb; The Folk Ensemble Šokadija Stari Mikanovci Croatian National Theatre Ivan pl.


Kao koreograf i čovjek koji dobro poznaje slavonski folklor bio je pozvan da ustupi svoje koreografije nekim folklornim ansamblima: Strawberry Hill CFA, Kansas City, SAD; St. Johns Tamburitzans, Kansas City, SAD; Miroslav Krleža Fellbach, Njemačka, KUD Zagreb, Zagreb; KUD Šokadija Stari Mikanovci HNK Ivan pl.


Zajc, Rijeka; Folklore ensemble Biseri Slavonije, The Folk Ensemble Željeznicar. The largest number of his choreographies are performed by his parent ensemble Tena.


Zajc, Rijeka. KUD "Biseri Slavonije" HKUD "Željezničar" a naravno najveći broj njegovih koreografija izvodi se u njegovom matičnom društvu KUD "Tena".


Considering his experience working with folk ensembles and his research in the field, especially in Slavonia and Baranja, he was invited to lecture on Slavonian folklore at seminars of Croatian folklore in Zagreb in 1994, and since 1996 he has been a regular lecturer at the regional seminar of Slavonia, Baranja and Sirmium.


Obzirom na njegovo iskustvo u radu s kulturno umjetničkim društvima i istraživačkom radu na terenu prije svega Slavonije i Baranje bio je pozvan kao predavač slavonskog folklora na seminarima Hrvatskog folklora u Zagrebu 1994., a od 1996. godine stalni je predavač na regionalnom seminaru Slavonije Baranje i Srijema.


As an instructor of quality ensembles and a choreographer, he became a member of the Board of Managers of the society of folklore instructors and choreographers of Croatia.


Kao voditelj dobrih društava i koreograf postao je član Upravnog odbora Društva folklornih voditelja i koreografa Hrvatske.


The Kvarner area abounds in diverse approaches to visual arts that are characterised by a variety of motifs, sensibilities and historical sources.


Područje gdje se nalazimo s namjerom istraživanja likovne panorame, obiljem razlika upućuje i na različitost likovnih priča, motiva, senzibiliteta i povijesnih izvora.


Changes throughout history, various cultural influences, and finally the 20th century as a bridge between the old and the new eras, have created a varied picture interwoven with scenes from folk and urban creations in the form of both inherited and newly created cultural diversity.


Tradicijski prevrati, različiti kulturni utjecaji i naposljetku 20. stoljeće kao most između staroga i novoga vremena, omogućili su nam šaroliku sliku u kojoj se isprepleću prizori slika iz pučkog i urbanog stvaralaštva te u obliku baštinjenoga, ali i novonastaloga kulturnog bogatstva.


In this survey, we are interested in locations and traces of visual arts that comprise painting and sculpture.


Zanimaju nas lokacije i tragovi onog dijela likovne kulture koja se odnosi na slikarski i skulptorski prostor djelovanja.


We will follow the traces of visual artists in our region, mainly in religious buildings and public places, and give some insight into the existing collections of museums and galleries.


Krenut ćemo tragom likovnih umjetnika na tlu naše regije, ponajprije u sakralnim objektima i javnim prostorima, s uvidom u postojeće muzejsko-galerijske prostore i zbirke.


This will be a walk through the visual panorama of this region characterised by its green-blue landscape, with the remark that we will limit our selection only to the most important works and personalities that are easily accessible to visitors.


Pred nama je šetnja kroz likovnu panoramu regije zeleno-plavog pejzaža, s napomenom da ćemo se zadržati tek na užem izboru bitnih stvaralačkih osobitosti koje su posjetitelju lakše dostupne.


Originating from a source of various influences, the culture of this region has been maintained within the bounds of rather modest resources. Today expert and material efforts are being made to appropriately validate the entire artistic production created up to the end of the 20th century, and to open to the public the permanent exhibitions within the existing large museums as soon as possible.


Iznikla na izvoru različitih utjecaja, kultura ove regije u pravilu se održavala u okrilju skromnih mogućnosti pa se danas ulažu stručni i materijalni napori kako bi se valorizirala ukupna produkcija koju zatvara druga polovina 20. stoljeća i kako bi se stalni postavi zbirki postojećih velikih muzeja što prije otvorili javnosti.


Our task is also to re-establish the reputation of some extraordinary historic personalities that were born here, like Julije Klović, a miniaturist of worldwide renown from the Vinodol region.


Pred nama su i zadatci ponovne afirmacije nekih iznimnih povijesnih ličnosti rođenih na našem tlu – poput Julija Klovića, minijaturista svjetskoga glasa koji je došao u svijet slavnih upravo iz okrilja vinodolskoga kraja.


Juraj Julije Klović, born in 1498 in the village of Grižane near Vinodol and died in 1578 in Rome, was one of Europe’s greatest 16th century miniaturists in the period of mannerism.


Juraj Julije Klović, rođen 1498. u Grižanama kod Vinodola (umro u Rimu 1578.g.), jedan je od najvećih europskih minijaturista 16. stoljeća i razdoblja manirizma.


With elongated figured, landscapes of mysterious ambience, pale greenish, bluish and violet tones and luxuriant ornamentation, he depicted the pages of the masterpiece Officium Virginis which contains 28 of his miniatures showing scenes from the Old and New Testaments and two miniatures with liturgical themes.


Izduljenim likovima, zagonetnim ugođajima krajolika, bljeđim zelenim, plavičastim i ljubičastim tonovima i dekorativnom raskoši iscrtavao je stranice remek-djela Officium Virginis gdje 28 njegovih minijatura sadrži prizore iz Staroga i Novoga zavjeta, uz dvije minijature s liturgijskom tematikom.


The history of sacred arts in the Kvarner area also encompasses a series of valuable paintings that we inherited over the past centuries as works of masters from abroad, as imported works of arts, or as the creations of rather few indigenous artists.


Povijest sakralne umjetnosti na našem području obuhvaća i čitav niz pažnje vrijednih slikarskih ostvarenja što smo ih baštinili u minulim stoljećima kao djela majstora došljaka, kao importirane umjetnine ili autohtonu građu nekoliko malobrojnih iznimaka s domaćeg tla.


This panoramic survey will mainly concentrate on the collections available to visitors, which means that many valuable painters from our region have been left out because there are no available permanent collections of their work.


Panoramski pregled ponajprije uključuje posjetitelju dostupnu građu pa su mnogi vrijedni slikari s našeg područja izostavljeni jer nemamo dostupnug stalnog postava zbirki s njihovim radovima.


Among the artists from the beginning of the 20th century, one should not forget Josip Moretti Zajc - Peppo (Bakar 1882 – Rijeka 1933), a painter dedicated to light and influenced by Venetian painting, who created some of the finest Kvarner landscapes, marinas and panoramas, as well as the stage curtain in the Croatian Reading Room (Hrvatska čitaonica) in Trsat.


Na pragu 20. stoljeća pak važno je spomenuti umjetnike poput slikara Josipa Morettija Zajca - Peppa, (Bakar 1918. – Rijeka 1933.) koji je, zaokupljen svjetlošću, pod utjecajem venecijanskog slikarstva slikao naše ponajbolje krajolike, marine i vedute te zastor za pozornicu Hrvatske čitaonice na Trsatu.


The artists from the Kvarner region who worked in the productive period in the second half of the 20th century and strongly influenced the visual arts of the region were Romolo Venucci (Rijeka, 1903 – 1976), Jakov Smokvina (Rijeka, 1903 – Volosko, 1987), Vladimir Udatny (Voćin, 1920 – Rijeka, 1972), Antun Haller (Split, 1923), Ivo Kalina (Zagreb, 1924 – Rijeka, 1995), Vojo Radoičić (Požega, 1930), Slavko Grčko (Rijeka, 1934), Josip Diminić (Sveti Lovreč, 1937), Mauro Stipanov (Rijeka, 1952) and many others who will be mentioned later in this text.


Na popisu likovnih umjetnika s našeg područja koji su djelovali u produktivnom razdoblju druge polovine 20 st. valja izdvojiti one s bitnim utjecajem na likovnu klimu regije, poput Romola Venuccija (Rijeka, 1903. – 1976.), Jakova Smokvine (Rijeka, 1903. – Volosko, 1987.), Vladimira Udatnyja (Voćin, 1920. – Rijeka, 1972.), Antuna Hallera (Split, 1923.), Ive Kaline (Zagreb,1924. – Rijeka,1995.), Voje Radoičića (Požega,1930.), Slavka Grčka (Rijeka,1934.), Josipa Diminića (Sveti Lovreč,1937.), Maura Stipanova (Rijeka,1952.) te mnoge druge o kojima u daljnjem tekstu govorimo.


Sculptor Ljubo de Karina from Brseč and painter Mate Solis from Cres are the best examples of visual artists who worked in their places of origin and made a great contribution to the region in which they lived by creating individually shaped houses – museums and receiving recognition by many experts.


Djelovanje određenih likovnih umjetnika u sredinama gdje su rođeni i njihov velik doprinos kraju u kojem su živjeli, vidljiv kroz samostalno oblikovanje kuća – muzeja te ostale mnogobrojne stručne potvrde, u najboljem svjetlu predstavljaju kipar Ljubo de Karina u Brseču i Mate Solis u Cresu.


A special place among artists who dedicated their most valuable work to depicting motifs from the regional landscape belongs to Oton Gliha (academic painter, born in Črnomelj/Slovenia, 1914 – died in Zagreb, 1999) and Mila Kumbatović (academic painter, born in Omišalj, 1915 – died in Zagreb, 2004).


Među umjetnicima koji su svojim djelovanjem uzdigli značenje kraja, posvetivši motiviku svojih vrijednih likovnih ostvarenja krajoliku, neizostavni su Oton Gliha (akademski slikar, rođen u Črnomlju/Slovenija, 1914. – umro u Zagrebu, 1999.) i Mila Kumbatović (akademska slikarica, rođena u Omišlju, 1915. – umrla u Zagrebu, 2004.).


In their artistic work and private life they remained faithful to Omišalj on the island of Krk.


Svoj su umjetnički rad i zajednički život vezali uz Omišalj na otoku Krku.


Mila Kumbatović found motifs for her paintings in the authentic areas of the island of Krk, from early 1950s landscapes up to later abstractions. Gliha’s famous paintings of gromače were directly inspired by Krk’s dry-stone walls.


Motivi slika Mile Kumbatović proistječu upravo iz autentičnog prostora otoka Krka, od pejzaža iz ranih 50 - ih godina, sve do kasnije apstrakcije, dok su Glihine čuvene slike gromača neposredno inspirirane suhozidima na otoku Krku.


A wall in the building of Rijeka Airport near Omišalj is the location for a stone mosaic by Oton Gliha from the 1970s.


U pristanišnoj zgradi Zračne luke Rijeka kraj Omišlja na zidu je kameni mozaik, rad Otona Glihe iz 1970.


As for revitalising the landscape, a sculptors’ workshop called Goranska kiparska radionica in Lokve, in the region of Gorski kotar, is known for placing sculptures in the countryside. This workshop has been active since 1979 when it was registered as a citizens association whose primary activity is to organise summer sculptors’ symposiums.


Što se pak revitalizacije krajolika tiče, unošenjem aktivne produkcije umjetničkih ostvarenja u sredinu svoga djelovanja, posebno mjesto zavrjeđuje Goranska kiparska radionica u Lokvama, koja djeluje od 1979., kada je registrirana kao udruga građana čija je primarna aktivnost kiparski simpozij tijekom ljeta.


Some of the most renowned Croatian and international sculptors have taken part in these symposiums.


Na njemu su sudjelovali najznačajniji skulptori iz zemlje i svijeta.


Many of the sculptures created in the course of the last years within the workshop have been left in the countryside to become a part of natural surroundings, thus making a kind of artistic nature park.


Mnoge su skulpture nastale tijekom proteklih godina u sklopu rada Goranske kiparske radionice ostale sastavnim dijelom prirodnoga okoliša kao svojevrstan umjetnički park prirode.


The founder and leader of the workshop for many years was the sculptor Nikola Lepinski (1934 – 1999).


Osnivač i dugogodišnji voditelj Radionice bio je Nikola Lepinski (1934. – 1999.), koji je i sam bio kipar.


The works of artists from Kvarner, as well as other artists from Croatia and abroad, can be seen in professionally managed galleries such as the Kortil gallery in Sušak, the Filodrammatica, the Julije Klović gallery, the State Archive exhibition area, the O.K. gallery (Jan Palach Multimedia Cultural Centre for the Young), the Mali salon gallery and the Arh gallery (all in Rijeka), then the Juraj Šporer arts pavilion in Opatija, the Turnac gallery in Novi Vinodolski, the Crikvenica Exhibition Gallery, the Knežev dvor and Paradiso galleries in Rab, the Decumanus gallery in Krk, the Lapidarij in Omišalj and the Toš in Punat.


Djela kvarnerskih, ali i mnogih drugih hrvatskih i inozemnih, suvremenih umjetnika imamo prigodu upoznavati u stručno vođenim galerijskim prostorima regije poput Galerije Kortil na Sušaku, Filodrammatice, Galerije Julija Klovića, izložbenog prostora u Državnom arhivu, Galerije O.K. (Multimedijalni centar za kulturu mladih „Jan Palach“), Maloga salona i Galerije Arh u Rijeci, Umjetničkoga paviljona „Juraj Šporer“ u Opatiji, Galerije Turnac u Novom Vinodolskom, Izložbeno galerijskog prostora Crikvenica, galerija Knežev dvor i Paradiso u Rabu, Galerije Decumanus u Krku te Lapidarija u Omišlju i Toša u Puntu.


By drawing concise sketches of the following panoramic survey, we wanted to call the reader’s attention to the available heritage of sacred painting in the Kvarner area, to the museums and collections of arts, as well as to monuments in public areas that remind of significant personalities – whether because they were erected in their honour, or because they were created by them.


Oblikovanjem kratkih crtica panoramskog pregleda koji slijedi, namjera je ukazati na dostupnu baštinu sakralnoga slikarstva na kvarnerskom području, na muzejske ustanove, zbirke i riznice te na spomenike u javnim prostorima koji upućuju posjetitelja na značajna imena i velike ljude – bilo da su njima spomenici podizani, bilo da su oni skulptorskim radom zadužili kvarnersko područje.


Collections of sacred arts are particularly important places where Kvarner’s sacred art heritage is kept.


Sakralne zbirke i riznice ulaze u krug posebno značajnih mjesta pohrane kvarnerske umjetničke sakralne baštine.


The arts gallery in the sanctuary of Our Lady of Trsat features a reliquary of Barbara Frankopan from the 15th century, a silver statue of Our Lady from the 16th century (a gift of ban Tomo Bakač-Erdödy), a silver crown for the votive statue (1615), a gift of the faithful, and other items of interest. The collection from the Cathedral of St. Vitus features Jesuitical mass vestments, chasubles and dalmatics, a pluviale from the period between the 17th century and the second half of the 18th century, liturgical items and sculptures in silver and gilding like statues, chalices, monstrances and reliquaries.


Riznica i galerija umjetnina svetišta Majke Božje Trsatske čuva relikvijar Barbare Frankopan (15. st.), kip Majke Božje (srebro, 16. st.), dar bana Tome Bakača-Erdödyja, krune za zavjetni kip (srebro, 1615.), dar vjernika i dr. U zbirci katedrale sv. Vida ističu se isusovačko misno ruho, kazule i dalmatike, pulvijal iz razdoblja 17. do druge polovine 18. st., liturgijski predmeti i skulpture u srebru i pozlati, poput kipova, kaleža, monstranca i relikvijara.


The oldest item in the collection is a gilded copper brass processional cross, made in the 15th century, before the Jesuits.


Najstariji je predmet zbirke procesijski križ od pozlaćenoga bakrenoga lima iz 15. st., prije isusovaca.


The Museum of Sacred Arts in Osor on the island of Cres is located in the former bishop’s court, and the City Museum (the former Town Hall from the 15th century) looks after a valuable archaeological collection.


Muzej sakralne umjetnosti Osora smješten je u bivšem biskupskom dvoru, dok je u Gradskome muzeju (nekadašnjoj gradskoj vjećnici iz 15. stoljeća) vrijedna arheološka zbirka.


In Dobrinj on the island of Krk there is a museum of sacred artefacts and ethnography from 1996 with a collection of silverware, woodenware, paintings and books.


U Dobrinju na otoku Krku sakralni je i etnografski muzej iz 1996., sa zbirkom srebrnine, drvenine, platna i knjiga.


The Mozaico collection of sacred artefacts is exhibited in the church of St. Quirinus (crkva sv. Kvirina) in Krk.


Izložbena zbirka sakralne umjetnosti »Mozaico« u crkvi je sv. Kvirina u Krku.


The monastery on the small island of Košljun has been carefully protecting valuable heritage for almost half a millennium.


Samostan na Košljunu čuva vrijednu baštinu već pola tisućljeća.


In the Franciscan church of the Annunciation (1523), the main altar features a polyptych by Girolamo da Santacroce from 1535, and the lateral altar a depiction of St. Francis by an unknown Venetian artist from the 16th century. The triumphal arch has a large composition, The Last Judgment by E. Ughetto from 1653.


U franjevačkoj crkvi Navještenja (1523.), na glavnom oltaru je poliptih Girolama da Santacrocea iz 1535., a na bočnom slika Sv. Franjo, rad nepoznatog mletačkog majstora iz 16. st., dok je na trijumfalnom luku velika kompozicija Posljednji sud E. Ughetta iz 1653. g.


The monastery’s museum also displays a collection of artistic craftsmanship as well as icons and paintings, among them the works by Krk’s master Fran Jurić (Krk, 1693 – 1755), a priest and self-taught painter.


U samostanskom muzeju je i zbirka predmeta umjetničkoga obrta te ikone i slike, među kojima su i radovi krčkog majstora Frana Jurića (Krk, 1693. – 1755.), svećenika i samoukog slikara.


His most valuable work is Virgin and Saints (1724) on the main altar of the parish church in Baška.


Najvrjednije mu je djelo Majka Božja sa svecima (1724.) na glavnom oltaru župne crkve u Baški.


The Franciscan monastery on Košljun displays his signed painting Blessed Virgin Mary and Child and St. John the Baptist(1725) and a series of paintings from 1728 in the church choir.


U franjevačkom samostanu na Košljunu njegova je potpisana slika Blažena Djevica Marija s Isusom i sv. Ivanom Krstiteljem (1725.) i niz slika iz 1728. s pjevališta crkve.


In 1731 he depicted the ceiling in the chapel of St. Anthony in Vrbnik.


U Vrbniku je 1731. oslikao tabulat u kapeli sv. Ante.


Franjo and his brother Ante had the only painter’s workshop registered so far on the island of Krk.


Franjo i njegov brat Ante imali su do sada jedinu zabilježenu slikarsku radionicu na otoku Krku.


Sacred painting of the 17th century in Rijeka was in its heyday in the third decade of the century when the whole region experienced a general progress after the foundation of the Jesuit Gymnasium in Rijeka.


Sakralno slikarstvo 17. stoljeća u Rijeci bilježi značajnije rezultate u trećem desetljeću stoljeća, kada je došlo do općeg napretka u regiji, nakon osnutka Isusovačke gimnazije u Rijeci.


This period was marked by the work of three exceptional artists on Kvarner.


Tada su na području Kvarnera djelovala tri istaknuta slikara.


The first of them is Ivan Franjo Gladić (Rijeka, ca. 1605 – ca. 1680), whose pala (a kind of altar frontal, antependium) Handing the keys to St. Peter from 1640 is located in the church of Our Lady of the Assumption.


Prvi je Ivan Franjo Gladić (Rijeka, oko 1605. – oko 1680.), čija se oltarna pala Predaja ključeva sv. Petru (1640.) nalazi u zbornoj crkvi Uznesenja Marijina.


The second important painter is Ivan Krstitelj Cosmini (Kozmina) from Rijeka whose pala The Three Magi (1687) is located in the chapel of the Immaculate Conception in the Augustine monastery in Rijeka.


Drugi je Ivan Krstitelj Cosmini (Kozmina), Riječanin čija je pala Sveta tri Maga (1687.) u kapeli Bezgrešnog začeća Augustinskoga samostana u Rijeci.


The third and most significant author is father Serafin Schön (Menzingen/Switzerland, (?) – Trsat, 1642) who came to Trsat monastery in 1630 where he left seven oil paintings and one wall painting.


Treći i najznačajniji je fra Serafin Schön (Menzingen / Švicarska (?) – Trsat, 1642.), koji je došao u samostan na Trsatu 1630. i tu ostavio sedam slika u ulju i jednu zidnu sliku.


His oldest works are the three altar palas from 1631 in Trsat’s church – St. Michael, St. Nicholas with intercessors and St. Catherine with martyrs.


Njegova najstarija djela su tri oltarne pale iz 1631. u trsatskoj crkvi – Sv. Mihovil, Sv. Nikola sa zagovornicima i Sv. Katarina s mučenicima.


He is also claimed to have made the compositions from Mary’s life in the new cloister’s lunettes.


Pripisuje mu se i kompozicija iz Marijina života u lunetama novog klaustra.


The painting Our Lady of Loretto from 1632 is kept in the Franciscan monastery on Trsat that also hosts the large composition Mystical Supper (1640), Schön’s most important work.


Slika Majka Božja Loretska iz 1632. čuva se u franjevačkom samostanu na Trsatu gdje je, u samostanskoj blagovaonici, i velika kompozicija Mistična večera (1640.), ujedno najznačajnije Schönovo djelo.


Valentin Metzinger (St. Avold / France, 1699 – Ljubljana 1759) was an educated 18th century artist who worked in the Kvarner area.


Valentin Metzinger (St. Avold / Francuska, 1699. – Ljubljana 1759.) školovani je umjetnik iz 18. stoljeća, koji djeluje na kvarnerskom području.


Six of his paintings depicting St. Francis of Assisi, St. Anthony of Padua, St. Ladislav the King, St. Bonaventura, St. Paškval and St. John of Capistrano are displayed in a corridor of the Franciscan monastery on Trsat; the church of Our Lady of the Assumption in Rijeka contains his altar palas depicting St. Anthony the Abbot and St. Philip Neri.


U hodniku franjevačkoga samostana na Trsatu nalazi se šest njegovih slika na kojima su prikazani sv. Franjo Asiški, sv. Ante Padovanski, sv. Ladislav Kralj, sv. Bonaventura, sv. Paškval i sv. Ivan Kapistan; u zbornoj crkvi Uznesenja Marijina u Rijeci nalaze se njegove oltarne pale s prikazima sv. Ante opata i sv. Filipa Nerrija.


One of his most valuable works from 1757 is a representative altarpiece (pala) depicting St. Margaret, Helena and Agnes on the lateral altar in the church of St. Margaret (built in 1668) in Bakar. (On the location of the medieval church a new parish church was built in 1830 which includes the altar painting by Girolamo da Santacroce The Holy Trinity from the 16th century).


Jedno od njegovih najvrjednijih djela iz 1757.g., reprezentativna je pala s prikazima sv. Margerete, Jelene i Agneze na bočnom oltaru crkve sv. Margarete (iz 1668.g.) u Bakru. (Na mjestu srednjovjekovne sagrađena je nova župna crkva (1830.g.), u kojoj se nalazi i oltarna slika Girolama da Santacrocea (16.st.), Sv. Trojstvo).


The most valuable work by Valentin Metzinger in Gorski kotar is the altarpiece (pala) in the baroque church of St. Anthony of Padua in Čabar.


Na području Gorskoga kotara najvrjednijim se djelom Valentina Metzingera smatra oltarna pala u baroknoj crkvi sv. Antuna Padovanskoga u Čabru.


Unknown artists used to work across the wider area of Opatija.


Nepoznati majstori djelovali su u više mjesta opatijskoga primorja.


In Kastav they created the painting of All Saints / Mary’s Coronation in the parish church of St. Helene (crkva Sv. Jelene) and the painting of Madonna with St. George and St. Stephen in the church of St. Sebastian.


U Kastvu su izradili sliku Svi sveti / Krunjenje Marijino u župnoj crkvi sv. Jelene te Bogorodicu sa svetim Jurjem i sv. Stjepanom u crkvi sv. Sebastijana.


The Lovran parish church of St. George (crkva sv. Jurja) displays a painting of St. Anthony of Padua, and the parish church of St. Andrew (crkva sv. Andrije) in Mošćenice features a painting of St. Andrew and St. Cezarej.


U lovranskoj župnoj crkvi sv. Jurja iza njih je ostala slika Sv. Ante Padovanski, a u župnoj crkvi sv. Andrije u Mošćenicama nalazimo sliku Sv. Andrija i Sv. Cezarej.


The works by unknown artists from the 17th century in Bakar include the paintings of Christ on the Cross in the parish church of St. Andrew (crkva sv. Andrije), Madonna of sadness in the church of St. Margaret, St. Aurelius in the parish church of St. George (crkva sv. Jurja) and the Lamentation of Christ in the parish church of St. Nicholas (crkva sv. Nikole).


Među djelima nepoznatih slikara iz 17. st. u Bakru su slike Krist na križu u župnoj crkvi sv. Andrije, Bogorodica od Žalosti u crkvi sv. Margarete i Sv. Aurelije u župnoj crkvi sv. Jurja te Oplakivanje Krista u župnoj crkvi sv. Nikole.


The painting Veronica’s scarf by an unknown artist from that period is located in the parish office in Kraljevica.


Slika Veronikin rubac, nepoznatog majstora iz toga razdoblja, nalazi se u župnom uredu u Kraljevici.


The Churches in Veli Lošinj mostly feature works of art imported by Lošinj’s naval captains who bought them at auctions of Venetian churches.


U crkvama Velog Lošinja importirani je inventar u kojem prevladavaju umjetnine što su ih lošinjski kapetani kupovali na dražbama ukinutih mletačkih crkava.


The church of St. Anthony (crkva sv. Antuna) from the 15th century displays the paintings Virgin and Child with Saints by Bartolomeo Vivarini (1440–1499), St. Francis by Bernard Strozzi (1581−1644), St. John the Baptist by Lattanzio Querena (1768 – 1853), Adoration of the Kings by Francesco Hayez (1791−1882), St. Gregory by Francesco del Cossa (1435−1477) and Souls in the Purgatory by F. Potenza.


U crkvi sv. Antuna iz 15. st. nalaze se Bogorodica s djetetom i svecima Bartolomea Vivarinija (1440. – 1499.), Sv. Franjo Bernarda Strozzija (1581. – 1644.) , Sv. Ivan Krstitelj Lattanzia Querene (1768. – 1853.), Poklonstvo kraljeva Francesca Hayeza (1791. – 1882.), Sv. Grgur Francesca del Cosse (1435. – 1477.) i Duše u čistilištu F. Potenze.


The church of Our Lady of the Assumption (crkva Marijina uzašašća) from 1510 houses the paintings of St. Hildebrand and St. Francis of Assisi by Francesco Fontebass (1709 – 1769), as well as several anonymous works from the period between the 16th and 18th centuries.


U crkvi Marijina uzašašća iz 1510. nalaze se slike Sv. Hildebrand i Sv. Franjo Asiški Francesca Fontebassa (1709. – 1769.), uz više anonimnih radova iz razdoblja od 16. - 18. st.


Lošinj’s maritime character is also reflected in votive paintings by sailors from the 18th century in the church of St. Nicholas (crkva sv. Nikole) in Veli Lošinj and those from the 19th century in the church of Our Lady of the Annunciation (crkva Marijina Navještenja) in Čikat in Mali Lošinj.


Pomorski karakter Lošinja prate i zavjetne slike pomoraca iz 18. st. u crkvi sv. Nikole u Velom Lošinju i one iz 19. st. u crkvici Navještenja na Čikatu u Malom Lošinju.


Sacred painting on the island of Rab includes many valuable pieces of art.


Sakralno slikarstvo otoka Raba bilježi vrijedne umjetničke domete.


Today’s parish church (until 1828 the Cathedral of St. Mary the Great - katedrala sv. Marije Velike) hosts an altarpiece (pala) depicting Virgin and Child from the 14th century, supposedly by Guariento d’Arpo from Paolo Veneziano’s circle.


U današnjoj nadžupnoj crkvi (do 1828. katedrala sv. Marije Velike) nalazi se oltarna pala Bogorodice s Djetetom iz 14. st., pripisana mletačkom slikaru Guarientu d'Arpu iz slikarskoga kruga Paola Venezijana.


This church also displays a work of late Venetian baroque (between 1746 and 1756), The Assumption.


U istoj crkvi je i djelo kasnomletačkoga baroka, (između 1746. i 1756.), Uznesenje Bogorodice.


The church of St. Anthony the Abbot (crkva sv. Antuna Opata) includes an altarpiece (pala) depicting St. Joachim and Anthony, a work by Mateo Ponzoni from the 17th century.


U crkvi sv. Antuna Opata oltarna je pala s prikazom sv. Joakima i Ante, rad Matea Ponzonija iz 17. st.


Beside the Benedictine monastery of St. Andrew is a monastery church built in the mid-11th century.


Uz samostan benediktinki sv. Andrije samostanska je crkva izgrađena sredinom 11. st.


In the northern apse of the church is a renaissance crucifix with a depiction of Lamentation.


U sjevernoj apsidi crkve renesansno je raspelo sa slikanim prikazom Oplakivanja.


The main altar in the church of St. Andrew contains an altarpiece (pala) by the Venetian painter A. Novelli from 1765.


Na glavnom oltaru crkve sv. Andrije oltarna je pala rad mletačkog slikara A. Novellija iz 1765.


There is also the valuable Cretan-Byzantine painting of the Virgin Mary with Christ in her arms from the 16th century, whose silver-golden icon frame was made by a Venetian goldsmith in the 18th century.


Tamo je i vrijedna kretsko-bizantska slika Bogorodica s Kristom u naručju iz 16. st., kojoj je srebrno-zlatni okvir ikone izradio mletački zlatar iz 18. st.


Inside the monastery is a Cretan-Venetian painting Lamentation of Christ from the 16th century.


U samostanu je slika Oplakivanje Krista, kretsko-mletački rad iz 16. st.


The church of St. Justine from 1574 is home to an altarpiece (pala) with a depiction of St. Justine and characters from the Battle of Lepanto from the 17th century by a Flemish painter, Baldasare d’Ana.


U crkvi sv. Justine, iz 1574., nalazi se oltarna pala, prikaz Sv. Justine i likova vezanih uz bitku kod Lepanta, iz 17. st., flamanskog slikara Baldasare d'Ane.


The altarpiece in the same church with the depiction of Death of St. Joseph is a work by the Venetian painters’ workshop from the turn of the 16th and 17th centuries.


Oltarna pala u istoj crkvi s prikazom Smrt sv. Josipa, rad je mletačke slikarske radionice na prijelazu 16. u 17. st.


A polyptych from the ruins of the church of St. John the Evangelist, with the central composition of the Crucifixion and figures of the saints (from the 14th century), is credited to the best painter of the Venetian trecento, Paolo Veneziano.


Poliptih koji potječe iz porušene crkve sv. Ivana Evanđelista, sa središnjom kompozicijom Raspeća i likovima svetaca (iz 14. st.) pripisan je najboljem slikaru mletačkog trecenta Paolu Venezijanu.


Virgin with Christ in her arms and the angels is a work by a Spanish painter Zuano Buschet from the 16th century.


Bogorodica s Kristom u krilu i anđelima djelo je španjolskoga slikara Zuana Buscheta iz 16. st.


The lower part of the altarpiece in the church of the Holy Cross (crkva sv. Križa) includes a depiction of Virgin with Christ in her arms and the angels.


U crkvi sv. Križa na donjem dijelu oltarne pale prikaz je Bogorodice s Kristom u krilu među svecima.


The painting was credited to several master painters of the Venetian settecento, most recently to Giovani Scajara.


Slika je bila pripisivana različitim vrhunskim slikarima mletačkoga settecenta, u posljednje vrijeme Giovaniju Scajari.


The church of St. Anthony of Padua hosts an altarpiece (pala) with the depiction of Virgin with Christ in her arms and the angels by a Venetian baroque painter from the 17th century.


U crkvi sv. Ante Padovanskoga oltarna je pala s prikazom Bogorodice s Kristom u krilu i sa svecima, rad mletačkoga baroknog slikara iz 17. st.


The central building of the Franciscan monastery of St. Euphemia, the church of St. Bernardine houses a late Gothic sanctuary and a depicted baroque ceiling of the naos.


U središnjoj građevini franjevačkoga samostana sv. Eufemije, u crkvi sv. Bernardina, kasnogotičko je svetište i barokni oslikani tabulat na stropu naosa.


The polyptych in the sanctuary with a depiction of the Virgin with Christ in her arms and the angels is a work by Venetian painters, the brothers Antonio and Bartolomeo Vivarini (from 1458). Its golden frame was made by the wood-carver Franciscus.


Poliptih svetišta s prikazom Bogorodice s Kristom i grupom svetaca rad je mletačkih slikara, braće Antonija i Bartolomea Vivarinija (iz 1458.g.), a zlatni mu okvir rad drvorezbara Franciscusa.


Sacred painting on the island of Krk has left us many works of art.


Sakralno slikarstvo otoka Krka ostavilo nam je bogat niz ostvarenja.


Paintings in the cathedral in the town of Krk include: the polyptych St. Lucy by Paolo Veneziano (after 1333) from the Benedictine abbey in Jurandvor near Baška, in the diocese as a part of the collection of works by Italian masters from the 15th and the 16th centuries; The Entombment by Giovanni Antonio Pordenone (Pordenone, 1483 – Ferrara, 1539); four religious paintings: Manna from Heaven, Abraham’s Sacrifice, Multiplication of Bread and The Last Supper by Christophor Tasca (Bergamo, 1667 – Venice, 1737) from 1706; three paintings of the Annunciation St. Francis of Paola, St. Anthony the Abbot and St. John of Nepomuk with the Holy Bishop by Nicola Grassi (1682 – 1748) from the period between 1712 and 1721; and finally the large painting of Our Lady of Carmel by Francesco Zugna (probably from the same period).


Iz slikarske baštine grada Krka, u katedrali su: poliptih Sv. Lucija Paola Venezijana (nakon 1333.), iz benediktinske opatije u Jurandvoru kraj Baške, u biskupiji je sa zbirkom talijanskih majstora 15. i 16. st.; Polaganje u grob, Giovanija Antonija Pordenonea (Pordenone, 1483. – Ferrara, 1539.), četiri sakralne slike: Kiša mane, Abrahamova žrtva, Umnožavanje kruha i Posljednja večera (1706.g.) Christophora Tasce (Bergamo, 1667. – Venecija, 1737.) iz 1706. g.; tri slike Blagovijesti Sv. Franjo Paolski, Sv. Ante Opat i Sv. Ivan Nepomuk sa sv. biskupom, Nicole Grassija (1682. – 1748.) iz razdoblja od 1712. do 1721. i velika slika Gospe od Karmela Francesca Zugne (pretpostavlja se iz istog razdoblja).


The altar painting of Madonna with saints by Bernardino Licinio (Bergamo, around 1489 – after 1561) is located in the single-aisled Franciscan church from the 12th century (not far from the church of Our Lady of Health - crkva Gospe od Zdravlja).


Oltarna slika Madona sa svetcima Bernardina Licinija (Bergamo, oko 1489. – poslije 1561.) smještena je u jednobrodnoj franjevačkoj crkvi iz 12. st. (nedaleko Gospe od Zdravlja).


The three-aisled parish church of Holy Trinity (crkva Sv. Trojstva) in Baška (from 1722) displays altar paintings of Our Lady with saints from the end of the 15th century by Marco Marziala (1492 – 1507) and The Last Supper by Jacopo Palma the Younger (1544 – 1628).


U trobrodnoj župnoj crkvi sv. Trojstva u Baški ( iz 1722.g.) sačuvane su oltarne slike Majka Božja sa svecima s kraja 15. st.


The Third Order Franciscan monastery from the 15th century near the church from the 16th century is located in Glavotok on the west coast of the island of Krk.


Marca Marziale (1492. – 1507.) i Posljednja večera Jacopa Palme Mlađega (1544. – 1628.) Glavotok, samostan iz 15. st. uz crkvu iz 16. st., franjevaca trećoredaca glagoljaša, nalazi se na zapadnoj obali otoka Krka.


The main altar of the church features the paintings Blessed Virgin Mary and Child, St. Francis and St. Jerome, presumably by Matteo da Verona (1576 – 1618).


Na glavnom oltaru crkve slike su Blažena Djevica Marija s Djetetom, Sv. Franjo i Sv. Jeronim, koje se pripisuju Matteu da Verona (1576. – 1618.).


The monastery houses paintings and liturgical items from the 17th and 18th centuries, as well as several Glagolitic inscriptions.


U samostanu se nalaze slike i liturgijski predmeti iz 17. i 18. st. uz veći broj glagoljaških natpisa.


The main altar of the parish church of the Holy Trinity (crkva sv. Trojstva) from 1777 (reconstructed in 1934) includes carvings and sculptures from the 18th century and the altarpiece (pala) St. john preaching in the desert by Domeniko Fedeli called Maggiotto (1713 – 1793).


U župnoj crkvi sv. Trojstva iz 1777. (pregrađenoj 1934.) na glavnom oltaru s rezbarijama i skulpturama iz 18. st. oltarna je pala Domenika Fedelija, zvanog Maggiotto (1713. – 1793.), Propovijed sv. Ivana u pustinji.


The chapel of the church of St. Mary in Vrbnik displays the polyptych of St. Ana, a work by a local painter from the 15th century, and the main altar features the painting The Last Supper by Marino Cvitković from Kotor (1599).


U kapeli vrbničke crkve sv. Marije nalazi se poliptih Sv. Ana, domaći rad iz 15. st., a na glavnom oltaru Posljednja večera, Kotoranina Marina Cvitkovića, iz 1599.


The Dinko Vitezić library in Vrbnik contains a triptych of the Blessed Virgin Mary with Saints from the 16th century.


U sklopu knjižnice Vrbničanina Dinka Vitezića u vrbničkom Zadružnom domu triptih je Blažena Djevica Marija sa svecima, iz 16. st.


A Third Order Franciscan monastery was formed in Dubašnica next to the small church of St. Mary Magdalene near the village of Porat around 1480.


U Dubašnici se uz malu crkvu sv. Marije Magdalene kraj sela Porat formirao oko 1480. samostan franjevaca trećoredaca (glagoljaša).


The church features a polyptych by Girolamo and Francesco de Santacroce (before 1556), and the monastery includes a cultural history museum, library and archive with Glagolitic manuscripts.


U crkvi je poliptih Girolama i Francesca da Santacrocea (prije 1556.g), a u samostanu kulturno-povijesni muzej, biblioteka i arhiv s glagoljskim rukopisima.


The church of St. Maria in Gorica includes paintings by Celestin Medović, (academic Franciscan painter, born in Kuna on the peninsula of Pelješac in 1857, died in Sarajevo in 1920), a renowned artist from the first generation of Croatian modernism.


U crkvi sv. Marije na Gorici nalaze se slike Celestina Medovića (akademski slikar franjevac, rođen je u Kuni na Pelješcu 1857, umro u Sarajevu 1920.), istaknutog likovnog umjetnika prvog naraštaja slikara hrvatske moderne.


Public monuments in Rijeka from the 16th until the 19th century include a series of valuable works that chronologically begin in 1508 with a stendarac, an old town flagpole that is today located in front the former Municipium palace.


Javni spomenici Rijeke od 16. do 19. st. čine niz značajnih djela koja kronološki započinju stendaracom, starim gradskim stupom za zastavu iz 1508. Stup se danas nalazi ispred zgrade bivšeg Municipija.


A famous monument to road building, the Pyramid, is a milestone from the beginning of the 19th century erected on its present location of the part of the town of the same name when the road that connects Rijeka to the cove of Martinšćica was constructed in 1833. Of the monumental Emperor Franz Joseph fountain from 1857, today only the figure of the Emperor remains. it is kept in the Rijeka State Archive.


Poznati spomenik cestogradnji, Piramida, miljokaz je s početka 19. st., postavljen na postojećem mjestu istoimenoga gradskog kvarta kada se izgradila cesta koja povezuje grad s uvalom Martinšćicom (1833.) Od monumentalne fontane caru Franji Josipu, što je u Rijeci podignuta 1857., ostala je samo figura cara, danas u prostoru Državnoga arhiva Rijeke.


Adamićevi svjedoci (Adamić’s witnesses), a work by the stone-carver from Rijeka Giuseppe Capovilla, is now exhibited in the lapidarium of the History and Maritime Museum in Rijeka.


Djelo riječkog kamenoresca Giuseppea Capoville Adamićevi svjedoci u lapidariju je Pomorskog i povijesnog muzeja Hrvatskoga primorja.


Simone Adamich, a tobacco wholesaler from Rijeka, had them made as a warning against perjury at the end of the 18th century.


Simone Adamich, riječki veletrgovac duhanom, dao ih je oblikovati na opomenu krivokletstvu krajem 18. st.


The Basilisk in Trsat Castle, also known as the Trast Dragon, is a zoomorphic mythological creature and a heraldic adornment on the coat of arms of the Nugent family from the end of the 19th century.


Bazilisk na Trsatskoj gradini, ili Trsatski zmaj, zoomorfno je mitsko biće i heraldički ukras grba obitelji Nugent s kraja 19. st.


Two such sculptures were made by the Viennese sculptor Anton Dominik von Fernkorn (1813 – 1878).


Dvije takve skulpture izradio je bečki kipar Anton Dominik von Fernkorn (1813. – 1878.).


Public monuments in Rijeka from the second half of the 20th century include many valuable works of art.


Javni spomenici Rijeke iz druge polovine 20 st. vrijedna su riznica ostvarenja.


A monument to health, a fountain with the sculpture of Hygia by the sculptor Zvonko Car has been located in the park of the Rijeka hospital since 1956.


Spomenik zdravlju, fontana sa skulpturom Hygia, djelo kipara Zvonka Cara, u parku je riječke bolnice od 1956.


The stone bust of Frano Supilo in front of the building of the local newspaper Novi list is a work by Julije Csikos Sessija (Zagreb, 1898 – 1978).


Kameno poprsje Frana Supila nalazi se ispred zgrade Novoga lista, a oblikovao ga je Julije Csikos Sessija (Zagreb, 1898. – 1978.).


The fountain in Kobler square from the 1970s was set up on the 150th anniversary of the paper factory; its creator was the architect from Rijeka Igor Emili (Sušak, 1927 – Rijeka, 1987).


Fontana na Koblerovom trgu iz 70-ih godina 20. st. postavljena je u povodu obilježavanja 150. obljetnice Tvornice papira. Autor je riječki arhitekt Igor Emili (Sušak, 1927. – Rijeka,1987.).


The academic sculptor from Rijeka Vinko Matković (Sušak, 1911 – Rijeka, 1973) created the grand Monument to the Liberation in the part of the town called Delta (1955), whose pedestal contains reliefs by the sculptor Raoul Goldoni (Split, 1919 – Zagreb, 1983).


Riječki akademski kipar Vinko Matković (Sušak, 1911. – Rijeka, 1973.) oblikovao je monumentalni Spomenik oslobođenju na Delti (1955.g.), na čijem postamentu su reljefi kipara Raoula Goldonija (Split,1919. – Zagreb,1983.).


Ljubo de Karina is the creator of the monument to the Fallen People from Trsat in World War II (1977), and the Altar - Cross in Trsat cemetery in memory of the fallen soldiers of the Croatian Homeland War (1998).


Autor spomenika poginulim Trsaćanima u NOR-u, (1977.) je Ljubo de Karina, a na Trsatskom groblju je i njegov rad iz 1998., Oltar – križ, spomen - obilježje poginulim borcima Domovinskoga rata.


Works by the sculptor Belizar Bahorić (Sušačka Draga near Rijeka, 1920 – Zagreb, 2002) are exhibited in several locations: a bust of the composer and musician Ivan pl.


Spomenici kipara Belizara Bahorića (Sušačka Draga kod Rijeke, 1920. – Zagreb, 2002.) postavljeni na različitim lokacijama u gradu su bista Ivan pl.


Zajc was placed in the park in front of Rijeka Theatre in the 1980s; the sculpture of the milkmaid Mlikarica dates from the 1990s; the Monument to the Sportsman is located at the sports ground of the Orijent football club, and the sculpture Val (The Wave) on the square in front of the Town Library (2004).


Zajca, kompozitora i glazbenika (podignuta 80-ih godina) u parku pred Kazalištem; skulptura Mlikarica (1990-ih), Spomenik sportašu na igralištu NK Orijent i Val na trgu ispred Gradske knjižnice (2004.).


The monument to Rijeka’s poet and writer Janko Polić Kamov (Sušak, 1890 – Barcelona, 1910) is a work of the academic sculptor Zvonimir Kamenar from 2000 and is located along the fence of the old Sušak bridge near the Hotel Kontinental.


Spomenik (iz 2000.g.) riječkom pjesniku i piscu Janku Poliću Kamovu (Sušak,1890. – Barcelona, 1910.) rad je akademskog kipara Zvonimira Kamenara. Postavljen je uz ogradu starog sušačkog mosta kod Hotela Kontinental.


Kamenar’s works also include the sculpture in memory of the Fallen soldiers of Kostrena in World War II (1976) and the stone monument to the victims of the Homeland War in Croatia at the 3. maj shipyard in Rijeka.


Kamenarove su spomen-skulpture, palim borcima Kostrene u NOB-u (iz 1976.) i kameni spomenik poginulima u Domovinskom ratu za „3. maj” u Rijeci.


At the eastern entrance to the town (the so-called Plumbum) is a lantern – a monument to friendship – a gift from the town of Kawasaki to Rijeka in 1986.


Na istočnom ulazu u grad (Plumbum) je lanterna – spomenik prijateljstva – što ju je japanski grad Kawasaki darovao Rijeci 1986.


Jelačić square contains Kawasaki, a fountain by the architect Abel Šlosar (Opatija, 1939 – Volosko, 2005) and Maša Uravić from the 1980s, with a sculpture that was donated by the town of Kawasaki.


Na Jelačićevu trgu u nalazi se fontana Kawasaki, rad arhitekata Abela Šlosara (Opatija, 1939. – Volosko, 2005.) i Maše Uravić iz 80-ih godina 20. st.. sa skulpturom koju je darovao grad Kawasaki.


The sculpture Majčinstvo (Motherhood, from 1979) by the academic sculptress Jasna Bogdanović from 1979 is located at the entrance to the Institute for Public Health (Zavod za javno zdravstvo).


Skulptura Majčinstvo, akademske kiparice Jasne Bogdanović, iz 1979., pred zgradom je Zavoda za javno zdravstvo.


The monument to Pope John Paul II called The Trsat Pilgrim (Trsatski hodočasnik) from 2005 by Ante Jurkić, an academic sculptor from Zagreb, is located in Mary’s gardens (Marijin perivoj) of Trsat church.


Spomenik papi Ivanu Pavlu II., Trsatski hodočasnik (2005.), rad akademskog kipara iz Zagreba Ante Jurkića, nalazi se u Marijinu perivoju trsatske crkve.


Public monuments on the Opatija Riviera are often typified by the sculpture Girl with the Seagull, one of the visual symbols of Opatija, created in 1956 by Zvonko Car.


Javni spomenici opatijskoga primorja nerijetko se poistovjećuju s kamenom skulpturom Djevojke s galebom na rtu uz nekadašnje groblje, koja je jedan je od vizualnih simbola grada Opatije.


It is located on the same rock above the sea near the former cemetery on which previously stood the sculpture Madonna del Mare by Hans Rathausky from Graz, who was also creator of the Helios and Selene fountain from 1889 in the park between the church of St. James (crkva sv. Jakova) and the Hotel Imperial.


Rad je Zvonka Cara, na sadašnjem mjestu od 1956., gdje je do tada bio kip Madonne del Mare, autora Hansa Rathauskoga iz Graza (njegova je i fontana Helios i Selena iz 1889., u parku između crkve sv. Jakova i Hotela Imperial).


A gilded replica of the Madonna now stands in front of the church of St. James.


Pozlaćena inačica Madonne pred crkvom je sv. Jakova.


A series of sculptures by Tatjana Kostanjević (born in 1963 in Rijeka) points to some of Opatija’s more famous visitors, like the ballet dancer Isadora Duncan (2002) and the writer A.P. Chekhov (2003) in Angiolina Park, and the composer Gustav Mahler (2004) in front of the Villa Jeanette.


U Opatiji je i niz spomen - skulptura akademske kiparice Tatjane Kostanjević (1963., Rijeka), slavnih posjetitelja Opatije, kao Isidore Duncan (2002.) i A.P. Čehova (2003.) u parku Vile Angioline te Gustava Mahlera (2004.) u Vili Jeanette.


A relief portrait of Dr. Čedomil Plavšić (1902 – 1987, founder and for many years director of the Thalassotherapia, is exhibited in the Thalassotherapia building (2005).


Reljefni portret dr. Čedomila Plavšića (1902. – 1987., osnivač i dugogodišnji direktor Thalassotherapije) postavljen je u Thalassotherapiji (2005.).


The creator of the vertical wooden sculpture from the 1990s, Without Title, located in front of Opatija Town Hall, is Mirko Zrinšćak (born 1953 in Volosko).


Pred zgradom Grada Opatije skulptura je Bez naziva, drvena vertikala iz 90-ih., kipara Mirka Zrinšćaka (rođenog 1953. godine u Voloskom).


He was the first artist from Liburnia to represent Croatia at the Biennale in Venice, in 1995.


Zrinšćak je 1995. bio prvi liburnijski umjetnik koji je predstavio Republiku Hrvatsku na venecijanskom Biennalu.


The façade of the Town Hall (2002) features a bronze bust of the Croatian patriot and politician Dr. Andrija Štanger (Volosko, 1853 – 1934) who was head of the Volosko – Opatija Municipality from 1895 until 1918.


Na pročelju zgrade Grada Opatije (2002.) brončana je bista dr. Andrije Štangera (Volosko, 1853. – 1934.), hrvatskog domoljuba i političara, načelnika općine Volosko – Opatija od 1895. do 1918. godine.


The bust was created by the sculptor Ivan Rendić (Imotski, 1849 – Split, 1932), and the pedestal was made by Ljubo de Karina.


Bista je rad kipara Ivana Rendića (Imotski, 1849. – Split, 1932), dok je postolje izradio Ljubo de Karina.


In front of the Zora Cultural Society (Kulturni dom Zora) in Opatija is the sculpture Nordkapp by Siniša Majkus (born in Rijeka in 1962).


U Matuljima je (1998.g.) skulptura Linné, rad akademskog kipara Siniše Majkusa (Rijeka, 1962).


His work Linné from 1998 is exhibited in Matulji.


Pred Kulturnim domom Zora u Opatiji (1998.) njegova je suvremena skulptura Nordkapp.


Public monuments in the Vinodol region include various works by Zvonko Car in Crikvenica.


Javni spomenici vinodolskoga primorja brojni su.


The park of the Hotel Kaštel features a monument to the writer Vladimir Nazor by Zdenko Kolacio (architect and town planner, Sušak, 1914 – Zagreb, 1987) and the stone sculpture of St. John the Nepomuk from 1735, restored in 1980 by the sculptor Zvonimir Kamenar.


U Crikvenici su, uz djela Zvonka Cara, spomenik Vladimiru Nazoru, u parku kod Hotela Kaštel, autora Zdenka Kolacija (arhitekt i urbanist, Sušak,1914. – Zagreb,1987.), a kameni kip sv. Ivana Nepomuka, pred istim hotelom, iz 1735., restaurirao je 1980. kipar Zvonimir Kamenar.


Monuments to Julije Klović, a great artist from our region, are exhibited in Drivenik and Grižane.


Spomenici velikom umjetniku našega kraja Juliju Kloviću nalaze se u Driveniku i Grižanama.


The monument in Drivenik is a work of Zvonko Car and is located in front of the old primary school, while the monument in Grižane is a medallion with the figure of the painter, a work by Ivan Belobrajić (Tribalj, 1933).


U Driveniku se nalazi ispred stare osnovne škole i rad je kipara Zvonka Cara, a u Grižanama kipara Ivana Belobrajića (Tribalj, 1933.), sa slikarevim likom u medaljonu.


The same village hosts a monument to fallen soldiers by Vinko Matković and the sculpture Woman with a Wooden Basket by Zvonko Car. The bust of Mihovil Kombol in Bribir is a work by Drago Čarapina.


Na istom području su spomenici Palim borcima, Vinka Matkovića i Žena s brentom, Zvonka Cara, u Grižanama, te kamena bista Mihovila Kombol, rad Drage Čarapine, u Bribiru.


Mosaic Selčanka (Woman from Selce - around 1958) by Hajrudin Kujundžić (Velečevo/Bosnia and Herzegowina, 1915 – Zagreb, 1986) is located above the Polača spring, and his frescos The last farewell and The sentry can be seen at the partisan memorial cemetery.


Mozaik slikara Hajrudina Kujundžića (Velečevo / BIH, 1915. – Zagreb, 1986.) Selčanka (oko 1958.) nalazi se iznad vrela Polača. Njegove freske Posljednji ispraćaj i Borac na straži mogu se vidjeti na partizanskom spomen-groblju.


The author is also the founder of the Toč gallery in Selce.


Autor je u Selcu osnovao galeriju Toč.


Public monuments on the island of Cres serve as reminders of some of the great personalities of Croatian and worldwide culture who were born on this island.


Javni spomenici otoka Cresa nisu propustili tematizirati najveća imena što ih je otok dao hrvatskoj i svjetskoj kulturi.


In 1997 Marija Ujević-Galetović, academic sculptor from Zagreb (1933) and member of the Croatian Academy of Sciences and Arts (HAZU, since 1998), erected a monument to Franjo Petrić (Cres, 25th April 1529 – Rome, 6th/7th February 1597), a philosopher, poet and historian interested in military disciplines, mathematics, geometry and medicine.


Marija Ujević-Galetović, akademska kiparica iz Zagreba (1933.) i redovita članica HAZU (od 1998.), oblikovala je 1997. Spomenik Franji Petriću. Petrić je filozof (rođen u Cresu 25. IV. 1529., umro u Rimu, 6./7. II. 1597.), poeta, retoričar, historiograf, bavio se vojnim disciplinama, matematikom, geometrijom i medicinom.


His works include Sretan grad, Rasprave o peripatetičkoj filozofiji, Nova opća filozofija.


Njegova su djela Sretan grad, Rasprave o peripatetičkoj filozofiji, Nova opća filozofija...


The sculpture is located in front of Arsan Palace, the house in which Petrić was born.


Skulptura se nalazi ispred palače Arsan, Petrićeve rodne kuće.


Sculptor Ljubo de Karina is the creator of 20 stone sculptures along the Tramuntana I eco-path (1996/98).


Kipar Ljubo de Karina u javnim je prostorima otoka Cresa uz eko stazu Tramuntana I (1996./98.), oblikovao obilježje od 20 kamenih skulptura iz ciklusa Prodori i Kamen na kamen.


The path is dedicated to Andro Vid Mihičić (Beli, 1896 – Mali Lošinj, 1992), poet, art historian, collector, donor and professor on the Academy of Visual Arts in Zagreb.


Staza je posvećena pjesniku Andru Vidu Mihičiću (Beli, 1896. – Mali Lošinj 1992.). Pjesnik je, povjesničar umjetnosti, kolekcionar i darovatelj te redovni profesor Akademije likovnih umjetnosti u Zagrebu.


He has published several books: About the sculptor Dujmo Penić, Paris 1930; Sonde i Stope u prahu, Beli, 1988; Kucanje na vratima tajne and Prividi i slutnje, 1990/91.


Objavio je knjige: O kiparu Dujmu Peniću, Pariz 1930. Sonde i Stope u prahu, Beli, 1988. te Kucanje na vratima tajne i Prividi i slutnje, 1990./91.


Along the access road to Valun, a stone sculpture Stol (Table) was placed in 1999, in the same location as the grave monument to Msgr. Anton Benvin, rector of St. Jerome’s in Rome.


Uz pristupnu cestu za Valun (1999.) postavljena je kamena skulptura Stol iz ciklusa Kamen na kamen, a u istom mjestu te godine i nadgrobni Spomenik msgr. Antonu Benvinu, rektoru Sv. Jeronima u Rimu.


Public monuments on the island of Lošinj include a park of sculptures with musical motifs called Sculpture and Music in Osor.


Javni spomenici otoka Lošinja uključuju kipred Kiparstvo i glazba, postavljen u Osoru.


It includes works by Ivan Meštrović, Fran Kršinić, Vanja Radauš, Toma Rosandić and Marija Ujević.


Njegovi su autori Ivan Meštrović, Fran Kršinić, Vanja Radauš, Toma Rosandić, Marija Ujević.


The park features an outstanding sculpture of the composer Jakov Gotovac by the sculptress Marija Ujević-Galetović.


Radi se o perivoju skulptura s glazbenim motivima među kojima posebno mjesto pripada djelu Jakov Gotovac, autorice Marije Ujević - Galetović.


In 1998 the sculptor Belizar Bahorić created the Monument to the Croatian Kuna (Spomenik hrvatskoj kuni), a currency which was first mentioned in Osor in 1018.


Kipar Belizar Bahorić (1998.) u Osoru je oblikovao Spomenik hrvatskoj kuni, koja se kao platežno sredstvo prvi put spominje upravo u Osoru 1018. godine.


Sculptor Vinko Matković created the fountain Monument to Water (Spomenik vodi) in 1960.


Kipar Vinko Matković oblikovao je 1960.g.


It is located on the Republic of Croatia Square in Mali Lošinj and features a fountain with sculptures of two dolphins that has become the symbol of Lošinj.


Spomenik vodi, koji se nalazi na Trgu Republike Hrvatske u Malom Lošinju.


The same square also displays the monument to a spear fisher by Ante Starčević that was made according to the original by Vinko Matković.


Spomenik predstavlja fontanu s dva razigrana dupina koji su tijekom godina postali simbol Lošinja.


Ante Starčević, academic sculptor from Zagreb (1933), made in 1980 the monument to Ambroz Haračić that is located in the bay of Čikat.


Na istom se trgu nalazi Spomenik podvodnom ribolovcu, koji je akademski kipar Ante Starčević izradio prema izvorniku Vinka Matkovića Ante Starčević, akademski kipar iz Zagreba (1933.), oblikovao je 1980. u uvali Čikat Spomenik Ambrozu Haračiću.


Haračić (1855 – 1916) conducted meteorological measurements, initiated the afforestation of the island, was founder of the first tourism society in 1886 and is considered the person who has done most for the development of tourism on the island.


Haračić (1855. – 1916.) se bavio meteorološkim mjerenjima, pošumljivanjem otoka. Osnivač je prvog turističkog društva na otoku, 1886. godine, i smatra se najzaslužnijom osobom za početak razvoja turizma na otoku.


The academic sculptor Dušan Džamonja (Strumica / Macedonia, 1928) made the Monument to a Sailor (Spomenik mornaru) in 1956; it is located in Velopin and dedicated to the liberators of the islands of Cres and Lošinj in World War II.


Dušan Džamonja, akademski kipar (Strumica / Makedonija, 1928.), oblikovao je 1956. u Velopinu Spomenik mornaru, u slavu osloboditeljima Cresa i Lošinja u Drugome svjetskome ratu.


Public monuments on the island of Rab include a very special gift: the fountain in the Boškopini park was given to Rab at the end of the 1930s by the ban (governor) Ivan Perović.


Javni spomenici otoka Raba nude pogledu, uz ostalo, jedan banski dar. Fontanu u parku Boškopini, s kraja 30-ih godina 20. st., darovao je Rabu ban Ivan Perović.


The fountain has six sources of water that symbolise the parishes of the island with a common source in the centre.


Ona ima šest izvora vode, koji simboliziraju otočne župe, s izvorom u zajedničkom središtu.


The fountain in St. Christopher’s Square (Trg sv. Kristofora), a work of the academic sculptor Žarko Violić from Rijeka (1989), portrays the local legend of the shepherdess Draga and Kalifront from an epic by Juraj Baraković.


Fontana na Trgu sv. Kristofora (1989.) tematizira lokalnu legendu o pastirici Dragi i Kalifrontu, iz pjeva Juraja Barakovića, a djelo je riječkoga akademskoga kipara Žarka Violića.


The memorial cemetery for the victims of fascism in Kampor from 1953 is a project by Slovenian architect Edvard Ravnikar (1907-1993).


Spomen groblje žrtava fašizma u Kamporu iz 1953. projekt je slovenskog arhitekta Edvarda Ravnikara (1907. – 1993.).


The memorial complex includes a mosaic by Marijo Pregelj from Slovenia.


U sklopu spomen obilježja mozaik je slovenskoga autora Marija Pregelja.


The monument to the fallen soldiers of World War II is a work by Vinko Matković from 1952. It has been restored in 2003 and joined with the monument to the fallen soldiers and victims of the Homeland war in Croatia by Mladen Šćerbe.


Spomenik palim borcima NOB-a, rad Vinka Matkovića iz 1952., obnovljen je 2003., i objedinjen sa Spomenikom poginulim hrvatskim braniteljima i žrtvama u Domovinskom ratu autora Mladena Šćerba.


It is located in the town’s Boškopini Park.


Nalazi se na lokalitetu gradskoga parka Boškopini.


The bust of Pravdoje Belija (highly esteemed senior forester of Rab, 1853 – 1923) was put up in 1974 in the town’s Komrčar Park. The sculptor is unknown.


Bista Pravdoja Belije (zaslužni rapski nadšumar, 1853 – 1923.) postavljena je 1974. u gradskom parku Komrčar i rad je nepoznatog autora.


The bronze statue of St. Marin by Daniella Volpini from San Marino (2004) is a gift to Rab from the Republic of San Marino.


Bronca Sv. Marin , autorice Danielle Volpini iz San Marina, iz 2004., dar je Republike San Marino Rabu, gradu prijatelju.


The bronze monument to Markantunus de Dominis (archbishop, mathematician and physicist, born in Rab, 1560, died in Rome, 1624, as a prisoner of the Inquisition) is a work by Kosta Angeli Radovani (academic painter, London, 1916 – Zagreb, 2002) from 1974. The monument was placed in front of Dominis’s house of birth in 1994.


Brončani spomenik Markantunu de Dominisu (nadbiskup, matematičar i fizičar, rođen u Rabu 1560., umro je 1624. u Rimu u zatočeništvu inkvizicije) djelo je Koste Angelija Radovanija (akademski slikar, London,1916. – Zagreb, 2002.), iz 1974.g., a pred rodnu kuću Dominisa postavljeno je 1994.


The bust of Ivan Goran Kovačić and the monument in the meadow of Matić poljana are the most valuable recent public monuments in Gorski kotar.


Bista Ivana Gorana Kovačića i spomenik na Matić - poljani najvrjednija su spomenička baština novijeg vremena u javnim prostorima goranskoga kraja.


The bust of the poet Ivan Goran Kovačić (Lukovdol 1913 – Bunovo 1943) is located next to the house in which he was born.


Poprsje istaknutoga hrvatskoga pjesnika Ivana Gorana Kovačića (Lukovdol 1913. – Bunovo 1943.) nalazi se uz njegovu rodnu kuću.


It was made by Vojin Bakić (academic sculptor, Bjelovar, 1915 – Zagreb, 1992) in 1946 and is one of the author’s most important works.


Riječ je o portretnoj skulpturi kipara Vojina Bakića (akademski kipar, Bjelovar, 1915. – Zagreb, 1992.), iz 1946., jednom od značajnijih kiparevih ostvarenja.


On the northern part of the meadow of Matić poljana near Mrkopalj is a monument to the tragic death of 26 partisans who froze to death in that meadow on 19th/20th of February 1944.


U Mrkoplju, na sjevernoj strani Matić - poljane, spomenik je posvećen tragičnoj smrti 26 partizana Druge brigade 13. primorsko-goranske divizije koji su se smrzli na tom mjestu 19./20. veljače 1944.


The monument consists of a row of stone blocks put into the ground.


Spomenik je cjelina koju čini niz kamenih gromada usađenih u zemlju.


Zvonko Car, academic sculptor, teacher and public worker (1913 – 1982, died in his hometown of Crikvenica), was a very busy sculptor in his native region.


Zvonko Car, akademski kipar, likovni pedagog i javni djelatnik (1913. – 1982., preminuo u rodnoj Crikvenici), autor je niza spomenika i na području Crikvenice.


He created a stone statue of the Blessed Virgin Mary in front of the parish church of Our Lady of the Assumption, and a travertine statue of St. Anthony in the church of the same name (crkva sv. Antuna).


Oblikovao je kameni kip Blažene Djevice Marije ispred župne crkve Uznesenja Blažene Djevice Marije. Sadreni kip sv. Antuna u crkvi je sv. Antuna.


A bronze bust of Stjepan Radić (1940) is located at the entrance to the park, which also has a bust of Dr. Ivan Sobol.


Brončana bista Stjepana Radića (1940.) nalazi se na ulazu u istoimeni park, gdje je i brončana bista dr. Ivana Sobola.


There is a bronze bust of the writer Vladimir Nazor in front of the primary school, and a bust of Dr. Antun Barac in the building of the secondary school.


Brončana bista Vladimira Nazora nalazi se ispred istoimene osnovne škole, a bista dr. Antuna Barca u zgradi je istoimene srednje škole.


A replica of the bust of Josip Pančić (1986) is located in front of the Hotel Omorika, and the sculpture Fisher (Ribar) is in Crikvenica’s harbour.


Kopija biste Josipa Pančića (1986.) ispred je Hotela Omorika, a skulptura Ribar u gradskoj je luci Crikvenice.


Car also created the monument to fallen soldiers in Selce. In the centre of Selce are busts of revolutionaries and fighters from World War II.


Car je u Selcu oblikovao i spomenik palim borcima, a u središtu su mjesta biste revolucionara i boraca NOB-a.


Collections in Novi Vinodolski and Selce include valuable exhibits.


Zbirke Novog Vinodolskog i Selca čuvaju vrijedne izloške.


On the ground floor of the Frankopan family castle in Novi Vinodolski (from 1288) is the Public Reading Room and Library from the period of the so-called Illyrian revival (1845), founded by Josip Mažuranić.


U prizemlju frankopanskog kaštela u Novom Vinodolskom (iz 1288.) Narodna je čitaonica i knjižnica iz vremena ilirskog preporoda (1845.), koju je osnovao Josip Mažuranić.


The second floor contains the People’s Museum with archive material dating from 1288 until today. It includes an ethnographic collection, a collection of archaeological and hydro-archaeological finds from the area of Novi Vinodolski and Povile, a collection of arts and weapons, and a Mažuranić memorial collection.


Na drugom katu je Narodni muzej koji arhivira građu od 1288. do danas, s etnografskom zbirkom, arheološkim i hidroarheološkim nalazima iz Novog Vinodolskog i Povila, zbirkom umjetničkih predmeta i oružja te memorijalnom zbirkom književnika Mažuranića.


The collection of the Public Reading Room and Library in Selce includes manuscripts and paintings by Ivan Lončarić Papić (Selce, 1870 – 1964), chronicler, poet, archivist, writer, painter and encyclopaedist.


Narodna knjižnica i čitaonica Selce u zavičajnoj zbirci čuva rukopisnu i likovnu ostavštinu Ivana Lončarića Papića (Selce, 1870. – 1964.), kroničara, pjesnika, arhivara, pisca, slikara i malomišćanskog enciklopedista.


Selce also has the Stara škola (Old school) gallery that is run by the by Lirac’s painters’ workshop.


U Selcu djeluje i Galerija Stara škola koju vodi Likovna radionica Lirac.


The parish church in the town of Cres (from the 15th century) has one of the most valuable paintings from that area, created by the painter Alvise Vivarini (Venice, ca. 1445/46 – 1503/05) with the central figure of St. Sebastian.


U riznici župne crkve u gradu Cresu, (iz 15 st.) nalazi se jedno od najvrjednijih slikarskih djela s toga područja, slika Alvisea Vivarinija (Venecija, oko 1445./46. – 1503./05.) sa središnjim likom sv. Sebastijana.


The Town of Cres Museum houses monuments of artistic, cultural and historical importance for the island.


Muzeja Grada Cresa čuva umjetničke i kulturnopovijesne spomenike otoka.


The Prehistory and Ancient Archaeology collections include wicker sculptures, icons, wooden items from the 15th century and numismatics.


U zbirkama Prapovijest i antička arheologija su pleterne skulpture, ikone, drvena plastika iz 15. stoljeća i numizmatika.


The collection of stone monuments - the lapidarium - includes roman inscriptions from the northern part of the island and medieval epigraphy.


U lapidariju su rimski natpisi iz sjevernog dijela otoka i srednjovjekovna epigrafika.


The collection in the parish church includes paintings from the period between the 15th and 18th centuries; the Franciscan monastery presents a collection of furniture from the 16th and 17th centuries, Gothic plastic arts, paintings, incunabula and codices from the 15th century; and the Benedictine monastery is home to icons and codices from the 15th century.


U riznici župne crkve slike su iz razdoblja od 15. do 18. st.; u franjevačkom samostanu je zbirka namještaja iz 16. – 17. stoljeća, gotička plastika, slike, inkunabule i kodeksi iz 15. stoljeća; u samostanu benediktinki su ikone i kodeksi iz 15. stoljeća.


People’s college (Pučko učilište) Mali Lošinj includes two valuable collections.


Pučko učilište Mali Lošinj čuva dvije vrijedne zbirke.


The first is the collection that was donated in 1988 by Andro Vid Mihičić (Beli, 1896 – Mali Lošinj, 1992, scientist, poet, art historian) and includes his manuscripts and works by Kršinić, Vidović, Augustinčić, Radauš, Kerdić, Krstulović, Bošnjak, Janeš, Meštrović, Motika, Aralica, Filakovac, Mujadžić, V. Parać.


Prva je Zbirka umjetnina Andra Vida Mihičića (Beli, 1896. – Mali Lošinj, 1992., znanstvenik, pjesnik, povjesničar umjetnosti) – njegovih rukopisa i 87 djela Kršinića, Vidovića, Augustinčića, Radauša, Kerdića, Krstulovića, Bošnjaka, Janeša, Meštrovića, Motike, Aralice, Filakovca, Mujadžića, V. Paraća... – koju je 1988. donirao rodnom kraju.


The second is the Piperat collection of old masters including 27 paintings and some wooden items of artistic utility value.


Druga je Zbirka starih majstora Piperata koja sadrži 27 slika i nekoliko drvenih predmeta uporabne umjetničke vrijednosti.


Particularly valuable are the collections of paintings by Italian, French and Dutch 17th and 18th century masters.


Posebna su dragocjenost zbirke slikarskih djela talijanskih, francuskih i nizozemskih majstora 17. i 18. stoljeća.


Ljubo de Karina’s house and gallery displays over 200 works by this academic sculptor (born in Rijeka in 1948) in renovated indigenous stone houses in the hinterland of Brseč (Brsečko Zagorje).


Kuća - galerija Ljube de Karine, akademskog kipara (Rijeka, 1948.) predstavlja više od dvije stotine radova u prostoru preuređenih kamenih zgrada, autohtone istarske arhitekture u Brsečkom Zagorju.


Besides the museum of Brseč, his works include the Old town gate in Brseč, a bronze bust of the writer Eugen Kumičić (from 1971), the front door of the church of the Holy Cross (crkvica sv. Križa) from 1995, the stone gutter in the olive mill and the monument to the olive from 1997, the tomb of the archbishop Msgr. Dr. Josip Uhač from 1998, sculptures made of natural stone in the interior of Gallery K in Eugen Kumičić’s birthplace, the bronze rock representing a theme from a novel by Kumičić (2000), and a sculpture from the cycle Stone on Stone (Kamen na kamen) at the crossroads in Brseč (2001). The park in front of the Eugen Kumičić Gymnasium in Opatija (1988) includes his bust of the poet Drago Gervais (writer, Opatija, 1904 – Sežana, 1957).


Uz muzej u Brseču njegovim djelima pribrajamo Stara gradska vrata Brseča i brončanu bistu književnika Eugena Kumičića (iz 1971.); ulazna vrata crkvice sv. Križa iz 1995., kameni oluk mlina za tiskanje maslina i spomenik maslini iz 1997., grobnicu nadbiskupa msgr. dr. Josipa Uhača iz 1998., skulptorsku obradu prirodnih stijena interijera Galerije K u rodnoj kući Eugena Kumičića i brončanu reljefnu stijenu na temu Kumičićeva romana (2000.g.) te kamenu skulpturu iz ciklusa Kamen na kamen, na raskrižju prometnica u Brseču (2001.g.) U parku Gimnazije Eugena Kumičića u Opatiji (1988.g.) bista je pjesnika Drage Gervaisa (književnik, Opatija, 1904. – Sežana, 1957.), rad istog autora.


Stone sculptures from the cycle Stone on stone (Kamen na kamen, 1989) and Breakthrough (Prodori, 1990) and a monument to the fallen soldiers of Croatia’s Homeland War are also exhibited in Opatija.


Uz to, za Opatiju oblikuje kamene skulpture iz ciklusa Kamen na kamen (1989.) i Prodori (1990.) te spomenik poginulim hrvatskim braniteljima Domovinskoga rata.


De Karina’s bust of Viktor Car Emin (writer, Kraj near Lovran, 1870 – Opatija, 1963) is exhibited in Lovran, in the park in front of the elementary school (1984), and his stone sculpture from 1998 The Cross (Križ) dedicated to St. John the Baptist and the third millennium is located in Jurdani near Matulji .


De Karinin rad, bista Viktora Cara Emina (književnik; Kraj kod Lovrana, 1870. – Opatija, 1963.), nalazi se u Lovranu, u parku uz istoimenu osnovnu školu (1984.), a u Jurdanima (kraj Matulja) njegova je kamena skulptura (1998.g.) Križ, posvećena sv. Ivanu Krstitelju i trećem tisućljeću.


Mate Solis’s house and gallery (Cres, 1935) is a specific work of art by the academic painter and sculptor who always remained faithful to the island of his birth.


Kuća-galerija Mate Solisa (Cres, 1935.) svojevrsno je umjetničko djelo akademskog slikara i kipara, čije je cjelokupno stvaralaštvo vezano uz rodni otok.


The gallery is located in Cres and houses a permanent exhibition. Solis took part in the realisation of the island’s land use plans, detailed urbanistic plans for individual settlements on the island, decided on the colours of the facades of old and new buildings in collaboration with the institute for the protection of historic monuments, participated in discovering archaeological sites and their protection, and in choosing projects for public buildings.


Na otoku Cresu Solis je sudjelovao u stvaranju prostornih planova otoka, u realizaciji detaljnih planova otočnih mjesta, određivao je boje starih i novih zdanja u suradnji s konzervatorskim zavodom, sudjelovao je u pronalaženju arheoloških lokaliteta i njihovoj zaštiti te u odabiru projekata za javne objekte.


He initiated the permanent exhibition in Cres Museum, worked as a teacher, created the Mate Solis’s Gallery with a permanent exhibition of his works, and a new gallery in his house with a retrospective collection of his works from the early 1960s up to the present day.


Inicirao je i postavio muzejsku zbirku Cresa, bavio se pedagoškim radom, uredio Galeriju Mate Solisa sa stalnim postavom svojih radova i novi galerijski prostor u svojoj kući s retrospektivnim postavom svojih djela od ranih šezdesetih godina do danas.


The new gallery includes a park of sculptures, structures and art installations with an ethnographical and ecological horticultural garden on an area of 2,400 square metres called AXIS MUNDI. He created the Monument to the fallen soldiers of World War II (1975) on the promenade in Cres, and designed the pharmacies in Cres, Mali Lošinj and Nerezine.


U sastavu nove galerije uredio je park skulptura, objekata i instalacija s etnografskim i ekološkim hortikulturnim vrtom na površini od 2.400 četvornih metara pod nazivom AXIS MUNDI. Izradio je Spomenik palim borcima Drugoga svjetskoga rata, 1975. na Šetalištu XX. travnja u gradu Cresu, a likovno oblikovao ljekarne u Cresu, Malom Lošinju i Nerezinama.


His decorations and frescoes are exhibited in the hotels Punta in Veli Lošinj, Kimen in Cres and Vespera in Mali Lošinj.


Njegove dekoracije i freske nalaze se u hotelima Punta u Velom Lošinju, Himen u Cresu i Vespera u Malom Lošinju.


The Town of Rijeka Museum (Muzej Grada Rijeke), established on the 11th April 1994, is located in a building that was constructed in 1976 in the courtyard of the Governor’s Palace.


Muzej Grada Rijeke osnovan je 11. travnja 1994. i smješten u zgradi izgrađenoj 1976. do Guvernerove palače.


It is the venue in which museum materials are processed under expert and scientific supervision, and where collections are systematised and presented to the public.


Bavi se sustavnim sakupljanjem i stručnom, znanstvenom obradom muzejske građe te sistematizacijama zbirki, predstavljanjem građe i objavljivanjem podataka o njoj.


It includes eleven collections: visual arts, art craftsmanship, documentary material, numismatics, securities, medals, weapons and items from World War II and the Homeland War, a collection of theatre and film material, philately, photographs and press cuttings, a technical and a miscellaneous collection.


Ima jedanaest zbirki: likovnu zbirku, zbirku umjetničkog obrta, dokumentarne građe, numizmatike, vrijednosnica, medalja i odlikovanja, oružja i predmeta iz Drugoga svjetskoga rata i Domovinskoga rata, zbirku kazališne i filmske građe, filatelije, fotografije i tiska, tehničku i zbirku varija.


The museum has no permanent exhibition, but the collections are available to visitors and researchers.


Muzej nema stalni postav, ali su zbirke dostupne za razgledavanje i proučavanje.


History and Maritime Museum in Rijeka (Pomorski i povijesni muzej Hrvatskog primorja Rijeka) is the successor of the Museo civico – the Town Museum from the 19th century and the Town Museum of Sušak from 1934.


Pomorski i povijesni muzej Hrvatskoga primorja Rijeka sljednik je Musea civica – Gradskoga muzeja iz 19. stoljeća (razvoj muzejske djelatnosti u Rijeci potaknut je darom (čašom) Franje Josipa I. gradu Rijeci, sa željom da se pohrani u gradskom muzeju) i Gradskoga muzeja Sušak iz 1934.


In 1951, the two museums were united into one that has changed several names and that has borne its present name since 1961 and is located in the Governor’s Palace.


Njihovim sjedinjenjem 1951. nastaje Muzej Hrvatskoga primorja, koji 1953. mijenja naziv u Narodni muzej, a 1961. postaje Pomorski i povijesni muzej Hrvatskoga primorja koji se do danas nalazi u Guvernerovoj palači.


A rich museum fund encompasses archaeological, maritime, ethnographical, cultural and historical materials.


Bogati muzejski fundus čini građa arheološkog, pomorskog, etnografskog i kulturno - povijesnog odjela.


The Museum of Modern Arts (Muzej moderne i suvremene umjetnosti) in Rijeka has existed since 1948 as a museum and gallery institution.


Muzej moderne i suvremene umjetnosti Rijeka djeluje od 1948. kao muzejska i galerijska ustanova.


It keeps works by the 19th century artists from Rijeka and Croatian and foreign artists from the 20th and 21st centuries.


Prikuplja i čuva djela riječkih umjetnika 19. stoljeća te hrvatskih i stranih umjetnika 20. i 21. stoljeća.


Due to the lack of adequate exhibition area, there is no permanent museum exhibition.


Zbog nedostatka odgovarajućeg izložbenog prostora, nema stalni muzejski postav.


Works from individual collections are occasionally lent to various exhibitions.


Djela iz zbirki izlažu su povremeno na tematskim, problemskim i monografskim izložbama.


The Museum organises individual and group exhibitions by Croatian and international authors, researches and organises retrospectives of less-known Croatian artists, and introduces young artists and contemporary Croatian artists abroad.


Muzej organizira povremene samostalne i skupne izložbe hrvatskih i stranih autora, istražuje i priređuje retrospektive manje poznatih hrvatskih umjetnika, predstavlja rad mladih umjetnika i rad hrvatskih suvremenih umjetnika u inozemstvu.


Ensemble Symblema was founded in the year 2009 by Bojan Čičić, Nika Zlatarić and Pavao Mašić, all of them renowned musicians of the younger generation.


A nsambl Symblema osnovali su 2009. godine Bojan Čičić, Nika Zlatarić i Pavao Mašić, redom renomirani glazbenici mlađe generacije.


In the course of their studies in Zagreb and later at institutions of higher learning in Paris, London, Lausanne, Freiburg, Oberlin, Rochester and The Hague, they directed their interests towards the music of the Baroque and near-by periods.


Već tijekom studija u Zagrebu, te na visokim školama u Parizu, Londonu, Lausanni, Freiburgu, Oberlinu, Rochesteru i den Haagu, usmjerili su svoj interes prema glazbi baroka i susjednih razdoblja.


In their artistic activities they dedicated themselves to the interpretation of the Early Music playing on original period instruments or their replicas, combining their own artistic intuition and creativity with the historically informed performance practice.


U svom umjetničkom djelovanju posvetili su se interpretaciji Rane glazbe na originalnim instrumentima i njihovim replikama kombinirajući vlastitu umjetničku intuiciju i kreativnost s povijesno utemeljenom izvođačkom praksom.


In this sense their chosen name for the ensemble, symblema, is one of the many harmonic figures of the baroque music that unites dissonance with the otherwise consonance harmonic surrounding as a pre-condition of a livelier, more complete and spontaneous musical experience of the listener and performer.


U tom smislu za naziv ansambla izabrali su symblemu, jednu od brojnih harmonijskih figura barokne glazbe koja objedinjuje disonancu s inače konsonantnim harmonijskim okruženjem kao preduvjet življeg, potpunijeg i neposrednijeg glazbenog doživljaja slušatelja i izvođača.


The violinist Bojan Čičić, former member of the Zagreb Soloists, after his studies in Paris and London, is active as member of the prominent European Brandenburg Ensemble under the leadership of the renowned Sir Trevor Pinnock and as concertmaster cooperates with eminent Early Music musicians like Christophe Rousset, Kenneth Weiss and Christophe Coin.


Violinist Bojan Čičić, nekadašnji član Zagrebačkih solista, nakon školovanja u Parizu i Londonu djeluje kao član uglednog European Brandenburg Ensemblea pod vodstvom renomiranog sir Trevora Pinnocka, a kao koncertni majstor surađuje s istaknutim imenima Rane glazbe kao što su Christophe Rousset, Kenneth Weiss i Christophe Coin.