Title: Zeke Hecker: On Composing for Woodwind Quintet
Headings: On Composing for Woodwind Quintet
On Composing for Woodwind Quintet
by Zeke Hecker

Content: The very qualities which left the Romantics cold have recommended it to modern composers: precision, clarity, lightness, wit. Since 19th-century values and repertory still dominate concert life, the woodwind quintet has never achieved the status with audiences that its tireless and passionate sister, the string quartet, enjoys. Permanently constituted touring woodwind quintets appeared only in the 1950's (the Philadelphia group was perhaps the first great one), but in recent decades they have proliferated as part of the chamber music boomlet. Amateur quintets abound. The repertory, overwhelmingly 20th century, has been enriched by hundreds of composers, including some of the most eminent. The first things to consider when composing for this medium are the capabilities and limitations of the individual instruments. I won't say much about that here. You should know their ranges (if you don't, keep a chart on your piano rack); you should know what to avoid in the clarinet's throat register;