Title: Vogue (magazine) - Wikipedia
Headings: Vogue
(magazine)

Vogue (magazine)
Vogue
Contents
History
1892–1905: Early years
1905–1920: Condé Nast
1920–1970: Expansion
1988–present: Anna Wintour leadership
Features
Particularly noteworthy Vogue covers
Healthy body initiative
Style and influence
Technological
Economic
Political
Social
Music
Criticism
Media
Documentaries
Video channel
Books
Voguepedia
Website
Podcast
Vogue App
Vogue Business
Other editions
Editors of international editions
See also
Cover models
References
External links

Content: In the 1950s, the decade known as the magazine's "powerful years", Jessica Daves became editor-in-chief. As Rebecca C. Tuite has noted, "Daves led a quiet charge for excellence during one of the most challenging, transformative, and rich decades in the magazine's history." Daves believed that "taste is something that can be taught and learned", and she edited Vogue with the conviction that it should be "a vehicle to educate public taste". While fashion coverage remained a priority, Daves also elevated the written content of American Vogue, particularly championing more robust arts and literature features. The Daves era of Vogue came to an end in 1962, when Diana Vreeland joined the magazine (first as associate editor, and then, following Daves's departure in December 1962, as editor-in-chief). The pair had diametrically opposed approaches to editing Vogue: Daves famously declared, "I respect fashion ... it is exciting ... but I am annoyed at people who treat it as a joke, who constantly take sledge-hammers to it ... it's a very serious business." On the other hand, Vreeland believed, as she once told art director Alexander Liberman, "it's only entertainment", and conversely led the magazine into a period of youth and vitality, but also "extravagance, and luxury and excess". In the 1960s, with Diana Vreeland as editor-in-chief and personality, the magazine began to appeal to the youth of the sexual revolution by focusing more on contemporary fashion and editorial features that openly discussed sexuality. Toward this end, Vogue extended coverage to include East Village boutiques such as Limbo on St. Mark's Place, as well as including features of "downtown" personalities such as Andy Warhol 's "Superstar" Jane Holzer 's favorite haunts.