Title: Salsa music - Wikipedia
Headings: Salsa music
Salsa music
Contents
Salsa as a musical term
Issues of identity and ownership
Lyrics
Instrumentation
Son Conjunto
String charanga
Percussion
Music structure
Verse and chorus sections
Clave
Percussion and clave alignment
Guajeo
Bass tumbao
Moñas
History
Pre-salsa: Cuban dance music in New York City 1930-1940
1970s
Divergence of salsa and Cuban popular music
1980s
"Salsa cubana" and the birth of timba
African salsa
1990s to the present
Films
See also
References
Notes
Bibliography
Further reading
External links

Content: While Salazar describes this song as the origin of salsa meaning "danceable Latin music", Ed Morales describes the usage in the same song as a cry from Piñeiro to his band, telling them to increase the tempo to "put the dancers into high gear". Morales claims that later in the 1930s, vocalist Beny Moré would shout salsa during a performance "to acknowledge a musical moment's heat, to express a kind of cultural nationalist sloganeering [and to celebrate the] 'hotness' or 'spiciness' of Latin American cultures". World music author Sue Steward claims salsa was originally used in music as a "cry of appreciation for a particularly piquant or flashy solo". She cites the first use in this manner to a Venezuelan radio DJ named Phidias Danilo Escalona; In 1955 Cheo Marquetti created a new band called Conjunto Los Salseros and recorded some new songs (Sonero and Que no muera el son). In 1955 José Curbelo recorded some other salsa songs (La familia, La la la and Sun sun sun ba bae). The contemporary meaning of salsa as a musical genre can be traced back to New York City Latin music promoter Izzy Sanabria: In 1973, I hosted the television show Salsa which was the first reference to this particular music as salsa. I was using [the term] salsa, but the music wasn't defined by that. The music was still defined as Latin music.