Title: Zeke Hecker: On Composing for Woodwind Quintet
Headings: On Composing for Woodwind Quintet
On Composing for Woodwind Quintet
by Zeke Hecker

Content: There are over thirty of them.) Think, too, of variation in texture. Straight homophonic writing (sustained hymn-like chords, or melody with chordal accompaniment) works fine for a while, but does not show off this ensemble to best advantage if carried on too long. Try a more contrapuntal approach. These instruments like to move, not just hang on to notes, even in slow music. Speaking of color, you can achieve some startling and wonderful blends. High bassoon and low flute can be virtually indistinguishable. Horn and bassoon together, in parallel motion at consonant intervals, sound like a pair of hunting horns. Above the staff, the three trebles begin to sound very much alike. Using these and other combinations, you can create an almost orchestral effect.