Title: Gothic rock - Wikipedia
Headings: Gothic rock
Gothic rock
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Contents
Characteristics
History
Forerunners (1960s and 1970s)
Origins
Expansion of the scene
Subsequent developments
Visual elements
Impact
See also
References
Bibliography
Books
Journals
External links

Content: J.G. Ballard was a strong lyrical influence for many of the early gothic rock groups; the Birthday Party drew on Arthur Rimbaud and Charles Baudelaire. Post-punk and glam rock are considered the forerunner genres of gothic rock. Pitchfork wrote: " Although it abandoned the psychedelic color palette and exchanged alien worship for a vampire cult, goth kept glam's theatricality intact, as well as its openness to experimentation." In the late 1970s, the word "gothic" was used to describe the atmosphere of post-punk bands like Siouxsie and the Banshees, Magazine and Joy Division. In a live review about a Siouxsie and the Banshees' concert in July 1978, critic Nick Kent wrote that concerning their performance, "parallels and comparisons can now be drawn with gothic rock architects like the Doors and, certainly, early Velvet Underground". In March 1979, Kent used the gothic adjective in his review of Magazine's second album, Secondhand Daylight. Kent noted that there was "a new austere sense of authority" to their music, with a "dank neo-Gothic sound". The second Siouxsie and the Banshees album, also released in 1979, was a precursor in several aspects.