Title: Zeke Hecker: On Composing for Woodwind Quintet
Headings: On Composing for Woodwind Quintet
On Composing for Woodwind Quintet
by Zeke Hecker

Content: The repertory, overwhelmingly 20th century, has been enriched by hundreds of composers, including some of the most eminent. The first things to consider when composing for this medium are the capabilities and limitations of the individual instruments. I won't say much about that here. You should know their ranges (if you don't, keep a chart on your piano rack); you should know what to avoid in the clarinet's throat register; you should know which fingerings drive bassoonists crazy. But don't think primarily in terms of limitations. The refinements in design and construction of woodwind instruments (achieved mostly by 19th century French builders), combined with the increasing demands made on players by 20th century composers, have produced astonishing results. Wind players can do much more than is customarily required of them. The virtuoso potential, especially of the treble instruments, is tremendous;