Title: Mexican muralism - Wikipedia
Headings: Mexican muralism
Mexican muralism
Contents
Antecedents
Mural movement
After the mural project at the National Preparatory High School
Artistry
Los Tres Grandes (The Three Great Ones)
El Cuarto Grande (The Fourth Great One)
" Nacimiento de Nuestra Nacionalidad " (The Birth of Our Nationality)
Revolutionary artistry
Political expression
Influence
Women of Mexican muralism
Aurora Reyes Flores, first woman muralist
Elena Huerta Muzquiz, artist of the biggest mural created by a woman in Mexico
Rina Lazo, Rivera's assistant for 10 years until his death, his "right hand"
See also
Further reading
References
External links

Content: Mural movement
Eagle and snake image from the Colegio San Ildefonso project by Jean Charlot. In 1921, after the end of the military phase of the Revolution, José Vasconcelos was appointed to head the Secretaría de Educación Pública. At the time, most of the Mexican population was illiterate and the government needed a way to promote the ideals of the Mexican Revolution. It was Vasconcelos's idea to have a government-backed mural program for this purpose. Similar to mural use in the pre Hispanic period and during the colonial period, the purpose of these murals were not simply aesthetic, but social, to promote certain ideals. These ideals or principles were to glorify the Mexican Revolution and the identity of Mexico as a mestizo nation, with the indigenous promoted as well as the Spanish. The government began to hire the country's best artists to paint murals, calling some of them home from Europe including Diego Rivera. These initial muralists included Dr. Atl, Ramón Alva de la Canal, Federico Cantú and others but the main three would be David Alfaro Siqueiros, José Clemente Orozco and Diego Rivera. His time as secretary was short but it set how muralism would develop. His image was painted on a tempera mural in 1921 by Roberto Montenegro, but this was short lived.