Title: Two Minutes Hate - Wikipedia
Headings: Two Minutes Hate
Two Minutes Hate
Contents
Purpose
Origins of the term
Orwell's concept
See also
References

Content: Two Minutes Hate - Wikipedia
Two Minutes Hate
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Ceremony in the novel Nineteen Eighty-Four
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Two Minutes Hate is the daily, public period during which members of the Outer Party of Oceania must watch a film depicting the enemies of the state, specifically Emmanuel Goldstein and his followers, to openly and loudly express hatred for them. The political purpose of the Two Minutes Hate is to allow the citizens of Oceania to vent their existential anguish and personal hatreds towards politically expedient enemies: Goldstein and the enemy superstate of the moment. In re-directing the members' subconscious feelings away from the Party's government of Oceania, and towards non-existent external enemies, the Party minimises thoughtcrime and the consequent, subversive behaviours of thoughtcriminals. Contents
1 Purpose
2 Origins of the term
3 Orwell's concept
4 See also
5 References
Purpose
In the novel Nineteen Eighty-Four (1949), the first session of Two Minutes Hate shows the introduction of O'Brien, a member of the Inner Party, to the story of Winston Smith, the protagonist whose feelings communicate the effectiveness of the Party's psychological manipulation and control of Oceanian society: The horrible thing about the Two Minutes Hate was not that one was obliged to act a part, but that it was impossible to avoid joining in. Within thirty seconds any pretence was always unnecessary. A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one's will into a grimacing, screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one object to another like the flame of a blowlamp. In the cinematic version of Nineteen Eighty-Four (1984), brainwashing of the participants in the Two Minutes Hate includes auditory and visual cues, such as "a hideous, grinding speech, as of some monstrous machine running without oil" that burst from the telescreen.