Title: Mithila (Birthplace of Sita) « JHA’S
Headings: Mithila (Birthplace of Sita)
Mithila (Birthplace of Sita)
Content: Belonging to no orthodox or conventional school of art, these paintings stand out for their raw originality. The women of the region had neither education nor formal training in painting. The art form was handed down from one generation to the next. In the process, there have been changes and embellishments, but the basic style has remained unaltered. The differences between the works of Brahmin and Kayastha women and women of lower castes are apparent. “ The Harijan Madhubani paintings appear simpler and less sophisticated. They are closer to the Geru tradition of painting, with emphasis on volume and depth rather than ornamentation,” Rekha told Frontline. Hurar, a local animal, by Bhagvati Devi, in the Geru style. Whereas the Brahmins and the Kayasthas stuck to mythological themes, the Scheduled Caste artists allowed themselves greater freedom of expression by depicting day-to-day life. Jamuna Devi’s portrait of a Chamar disposing of the carcass of a cow is a famous example of this.