Title: Zeke Hecker: On Composing for Woodwind Quintet
Headings: On Composing for Woodwind Quintet
On Composing for Woodwind Quintet
by Zeke Hecker

Content: from audience left, it's flute, oboe, horn, bassoon, clarinet; sometimes horn and bassoon are switched; no array is sacrosanct. In score the order from top down is flute, oboe, clarinet, horn, bassoon. I do the score at written, not sounding, pitch, since it's mainly for the players' use: flute, oboe, and bassoon in C, horn in F, clarinet in A or Bb depending on the key orientation of the piece, if any. Each player is usually given only the appropriate part, not the full score, to play from, the score being reserved for study and consultation. Here, then, in only a vague semblance of sequence, are some suggestions: Woodwind players must breathe. Unlike a viola, a clarinet can't keep up an unbroken Alberti-bass-type figure for 32 measures, but needs a 16th note rest every few bars.