Title: Gothic rock - Wikipedia
Headings: Gothic rock
Gothic rock
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Contents
Characteristics
History
Forerunners (1960s and 1970s)
Origins
Expansion of the scene
Subsequent developments
Visual elements
Impact
See also
References
Bibliography
Books
Journals
External links

Content: In the late 1970s, the word "gothic" was used to describe the atmosphere of post-punk bands like Siouxsie and the Banshees, Magazine and Joy Division. In a live review about a Siouxsie and the Banshees' concert in July 1978, critic Nick Kent wrote that concerning their performance, "parallels and comparisons can now be drawn with gothic rock architects like the Doors and, certainly, early Velvet Underground". In March 1979, Kent used the gothic adjective in his review of Magazine's second album, Secondhand Daylight. Kent noted that there was "a new austere sense of authority" to their music, with a "dank neo-Gothic sound". The second Siouxsie and the Banshees album, also released in 1979, was a precursor in several aspects. For journalist Alexis Petridis of The Guardian, "A lot of musical signifiers [...] – scything, effects-laden guitar, pounding tribal drums – are audible, on [...] Join Hands ". In September, Joy Division's manager Tony Wilson described their music as "gothic" on the television show Something Else, and their producer Martin Hannett described their style as "dancing music with gothic overtones". In 1980, Melody Maker wrote that "Joy Division are masters of this gothic gloom". When their final album Closer came out a couple of months after the suicide of their singer Ian Curtis, Sounds noted in its review that there were "dark strokes of gothic rock". Proto-goth band Joy Division
Joy Division sometimes are considered the first gothic rock band.