Putin, Chekhov and the Theater of Despair
LONDON — There’s a chill in the air at the Almeida Theater, notwithstanding the record-breaking heat here. That drop in temperature comes from the coolly unnerving “Patriots,” a new drama whose look at power politics in Russia over the last quarter-century induces a shiver at despotism’s rise.

The gripping production, directed by Rupert Goold, runs through Aug. 20.

Written by Peter Morgan (“The Crown,” “Frost/Nixon”), “Patriots” surveys the sad, shortened life of Boris Berezovsky, the brainiac billionaire who died in 2013, age 67, in political exile in London. An inquest into Berezovsky’s mysterious death returned an unusual “open verdict,” but on this occasion, it is unequivocally presented as a suicide: The play ends with this balding man, bereft of authority, preparing to end his life.

An academic whiz-turned-oligarch who expedited the rise of the younger Vladimir V. Putin, Berezovsky later fell out with the onetime ally who enlarged his power base, according to the play, with promises of “liberalizing Russia,” yet proceeded to do anything but.