Love Is the Law (Suburbs album)
Introduction '''''Love Is the Law''''' is an album by the American New wave band The Suburbs, released in 1984.
Reception Writing for Allmusic, music critic Vince Ripol wrote that the album "concentrates the Suburbs' alternative dance-rock into a single-length showcase of their strengths... In general, ''Love Is the Law'' is harder and tighter than previous releases, and even the most intense tracks produce lingering melodies in the wake of relentless rock & roll. The Suburbs may not have equaled the success or longevity of other Minneapolis musicians from the 1980s, but ''Love Is the Law'' holds its own against the more celebrated albums of its time. "The album cover includes a reproduction of Édouard Manet's "The Dead Toreador", which the band had seen on display at the National Gallery of Art in Washington, D.C. In an interview with ''Cashbox'' magazine, Chan Poling said that the band liked the ironic juxtaposition of the album's themes of warmth and love with the coldness of an image of a man lying dead.
Track listing All songs composed by The Suburbs.#"Love Is the Law" – 4:44#"Monster Man" – 3:18#"Rattle My Bones" – 3:28#"Skin" – 4:24#"Accept Me Baby" – 3:47#"Hell A" – 4:32#"Perfect Communist" – 5:07#"Rainy Day" – 5:02#"Crazy Job" – 5:07
Personnel * Chan Poling – keyboards, vocals* Beej Chaney – vocals* Hugo Klaers – drums* Bruce Allen – guitar, vocals* Michael Halliday – bass* Terry Paul – vocals* Tom Burnevik – saxophone* Scott Snyder – trumpet
Production notes *Steven Greenberg – producer, engineer*Paul Stark – producer, engineer*Howie Weinberg – mastering*Robert Hadley – digital remastering*Édouard Manet – cover painting*Laurie Allen – photography
References
External links *   The album page on the Twin/Tone website.