As It Is in Heaven (play)
Introduction '''''As It Is In Heaven''''' is a play by playwright/actor/director Arlene Hutton. It premiered at 78th Street Theater Lab, followed by performances at the Edinburgh Fringe Festival and at the Off-Broadway Arclight Theatre in New York City, where it ran from January 11 to February 5, 2002.The title comes from the Shaker song "The Saviour's Universal Prayer (Our Father Who Art in Heaven)", a Shaker rendition of the Lord's Prayer. The play is published by Dramatists Play Service, Inc.
Background Attending the Edinburgh Fringe Festival in 1995, where her first plays were produced, Hutton saw a play about Scottish female farm workers that intrigued her and inspired her to seek an American equivalent to its characters. Hutton wrote the play after visiting the Pleasant Hill Shaker Village near Harrodsburg, Kentucky, a restored community that the Shakers occupied for more than a century. For her play about a pre-Civil War Shaker community in which several young women claim to see celestial visions, she did three years of research. One of the startling discoveries she made was that the Kentucky community whose history she was studying had contained several distant relatives of hers, with the same surname.A work with an all-female cast, ''As It Is in Heaven'' was first performed at the Edinburgh Fringe Festival in 2001.A production was scheduled to open at off-Broadway’s 78th Street Theatre Lab in New York City on September 13 of that year. Two days prior, the September 11 attacks occurred, and on that night, the cast members responded by rehearsing the Shaker hymns performed in the play. The production later opened as planned. In 2008, the play was performed in Shakertown, in Pleasant Hill, Kentucky, the place that had first inspired it, and it was revived in New York in 2011.
Song list The songs used were (as requested by the author) to be sung a cappella. '''Year'''  '''Type of music'''  '''Song Title'''  '''Author(s)''' '''Shaker Village origin''' '''1829''' ''Song''  ''I Never Did Believe''  Betsy Bates  New Lebanon, New York  '''1835''' ''Song''  ''Come Life, Shaker Life''  Issachar Bates  New Lebanon, New York  '''1838''' ''Song''  ''My Carnal Life I Will Lay Down''   South Union, Kentucky  '''1838''' ''Song''  ''Come Dance And Sing Around The Ring''   New Lebanon, New York  '''1840s''' ''Song''  ''I Will Bow And Be Simple''  Mary Hazard  New Lebanon, New York  '''1840s''' ''Song''  ''Who Will Bow And Bend Like A Willow''   Enfield, New Hampshire  '''1840s''' ''Hymn''  ''O Sisters Ain't You Happy''  Clarissa Jacobs  New Lebanon, New York  '''1845''' ''Hymn''  ''O Father Who Art In Heaven''   New Lebanon, New York  '''1847''' ''Song''  ''Hop Up And Jump Up''   Shirley, Massachusetts  '''1848''' ''Song''  '' 'Tis The Gift To Be Simple''  Joseph Brackett Jr. Alfred, Maine  '''1852''' ''Hymn''  ''Glory Unto God We'll Sing''   Enfield, New Hampshire  '''1864''' ''Song''  ''Come To Zion''  Paulina Bates  New Lebanon, New York  '''1869''' ''Song''  ''Welcome, Welcome Precious Gospel Kindred''   Enfield, New Hampshire  '''1870''' ''Song''  ''Come The Fest Is Ready''   Canterbury, New Hampshire  '''1870s''' ''Hymn''  ''If Ye Love Not Each Other (More Love)''   Canterbury, New Hampshire
Critical reception The work has been well-received by critics. Calling Hutton "one of the most richly humane voices in contemporary theater," F. Kathleen Foley of ''Los Angeles Times'' described ''As It Is in Heaven'' as “amusing, intellectually stimulating and moving – a beautifully crafted piece that will endure.” The critic of ''The Village Voice'', Alexis Soloski, noted that "the scenes of the women working and living together are wonderful for their very Shaker-like qualities: simplicity, unpretentiousness, attention to detail," although Soloski claims that the playwright "weaves in a dramatic arc that never seems as finely worked as the rest of the play." Anita Gates in ''The New York Times'', reviewing the New York revival, described ''As It Is in Heaven'' as a "modest, strangely moving one-act," which "is also an unexpected patchwork of high and low cultural influences," including ''The Age of Innocence'', ''The Crucible'' and even ''The Book of Mormon''. ''American Theatre Web'' said that "Hutton... once again looks into a slice of Americana... while showing that even a 'utopian' existence such as the Shakers' was not without complications... Hutton asks some universal questions about the nature of community and belief that are timeless and also prove to be good fodder for storytelling on stage... As It Is in Heaven contains a story that deserves to be told." A review on TheaterMania.com stated that "What Hutton does that is so fascinating is to show us people who appear to be the very picture of goodness and brings out their eccentricities and frailties. She is excellent at drawing comedy from the situation... to its satisfying and inspiring conclusion".
References
External links * Shakers and angels (Los Angeles Times)* Theater Review on American Music Preservation