Stabat Mater (art)
Introduction Gentile da Fabriano, c. 1400–1410'''Stabat Mater''' (Latin for "the mother was standing") is a compositional form in the crucifixion of Jesus in art depicting the Virgin Mary under the cross during the crucifixion of Christ alongside John the apostle. Rood cross group, Church of St Mary, Gdansk It is common in groups of sculpture on a rood screen, and in paintings. In large hanging ''Crucifixions'', Mary and John may be shown at a smaller scale beside Christ's torso.
Description In these depictions, the Virgin Mary and John the apostle are standing under the cross during the crucifixion of Christ, with only these three figures shown. Mary is almost always standing to the right hand side of the body of her son Jesus on the cross, with John standing to the left. It is distinguished from fully populated ''Crucifixion'' scenes where there may be considerable numbers of other figures, though these three have the same positions. It contrasts with depictions of the ''Swoon of the Virgin'', where she is seen fainting; this is only seen from the late medieval period onwards.In the ''Stabat Mater'' depictions the Virgin Mary is represented as an actor and spectator in the scene, a mystical emblem of faith in the Crucified Savior, an ideal figure at once the mother of Christ and the personified Church.
Biblical reference In the Gospel of John, chapter 19:
Similar representations In some depictions of the Crucifixion, Christ is alone in a "Christ on the Cross" scene, while in other representations, other people can be seen alongside Mary and John: the penitent thief, the impenitent thief, the women at the crucifixion, Roman soldiers, Jewish leaders, among others. ''Stabat Mater'' is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being ''Mater Dolorosa'' (Mother of Sorrows) and ''Pietà''.
In Christian tradition The depictions generally reflect the first three lines of the "Stabat Mater" poem:The concept is also present in other designs, e.g. the Miraculous Medal and the more general Marian Cross. The Miraculous Medal, by Saint Catherine Labouré in the 19th century, includes a letter M, representing the Virgin Mary under the Cross. The Marian Cross is also used in the coat of arms of Pope John Paul II, about which the Vatican newspaper, ''L’Osservatore Romano'', stated in 1978: "the large and majestic capital M recalls the presence of the Madonna under the Cross and Her exceptional participation in Redemption."
Gallery File:Giovanni bellini, crocifissione del museo correr.jpg|Giovanni Bellini, 1455File:Weyden Christ on the Cross with Mary and St John.jpg|Rogier van der Weyden, c. 1460File:Pietro Perugino 040.jpg|Pietro Perugino, c. 1482File:Foligno067.jpg|Noël Quillerier, Oratorio della Nunziatella, Foligno, Italy, 1625–1626File:Wüger Kreuzigung.jpg|Gabriel Wuger, 1868
Notes
See also * Marian art in the Catholic Church* Depiction of Jesus