Gate of no return, 2024
In line with [the concept of magical thinking], the artist proposes to revisit this state of mind by creating shelters for various creatures, aiming to cultivate a sense of security and belonging. [Gate of no return is part of a series of] sculptures (…) meticulously crafted on a small scale, resembling a blend of miniatures and models. This deliberate sizing encourages viewers to physically engage with the artworks, sparking their imagination through a mental play of magnification and shrinking. Constructed from clay, these works draw inspiration from earthly elements and traditional architectural forms, evoking both historical and futuristic sensibilities.
The miniature sculptures delve into the profound concept of home and protection. Each piece encapsulates the essence of a shelter, exploring the idea of a sanctuary not only for humans but also for animals. Drawing from the artist’s imagination, they evoke a utopian or dystopian vision of the future, akin to a fantastical bunker where creatures of all kinds seek refuge. This imaginative portrayal resonates with the interconnectedness of beings, echoing the symbiotic relationship between humans and nature. Particularly striking is the connection to bees, symbolizing both the fragility and resilience of ecosystems. These sculptures serve as poignant reminders of our responsibility to coexist harmoniously with the natural world, offering a glimpse into a future where protection and care extend beyond human boundaries.
Excerpt from Paky Vlassopoulou’s introduction to her exhibition at callirrhoë, Athens, “WE NEED TO DO MORE: magical thinking”, 2024.