Peter Greenway's 'Eisenstein in Guanajuato' at the Istanbul Film Festival
It is so unusual for a Greenway film to have a narrative story that frankly it is hard to know how to react to this sensuous tale. Are we to identify with the main character, Eisenstein, and truly care about his amorous evolution?  Or are we to take the love story as a pretext to enjoy a montage of fantastic  images about sex and death?