> nose for music or is it just nepotism? > fails the 'name the producers' test "i care not who plays in a nation's orchestra pits nor who struts and frets his hour upon the stage, as long as our tribe controls publishing, promotion, distribution, legal depts., live venues, record companies, production companies, and the money supply" q: who else among anons here has actually met any (((people))) running the above scams through working as actual creative talent or as skilled technical labor? tl;dr control of music/live theater/movies/tv is 100% ethnic nepotism wake tf up already
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