These crawls are part of an effort to archive pages as they are created and archive the pages that they refer to. That way, as the pages that are referenced are changed or taken from the web, a link to the version that was live when the page was written will be preserved.Then the Internet Archive hopes that references to these archived pages will be put in place of a link that would be otherwise be broken, or a companion link to allow people to see what was originally intended by a page's authors.The goal is to fix all broken links on the web . Crawls of supported "No More 404" sites. ||||| This undated image provided by the Nelson-Atkins Museum of Art in Kansas City, Missouri, shows “The Temptation of St. Anthony.” The museum announced Monday, Feb. 1, 2016, that the 16th century painting,... (Associated Press) 
 
 This undated image provided by the Nelson-Atkins Museum of Art in Kansas City, Missouri, shows “The Temptation of St. Anthony.” The museum announced Monday, Feb. 1, 2016, that the 16th century painting,... (Associated Press) 
 
 NELSON-ATKINS HAS A REAL HIERONYMUS BOSCH 
 
 The Nelson-Atkins Museum of Art in Kansas City, Missouri, has learned that a 16th century oil-wood panel the museum owns was painted by the Dutch artist Hieronymus Bosch. 
 
 The work, "The Temptation of St. Anthony," was previously attributed to the artist's workshop. The piece is on loan to the Het Noordbrabents Museum in Den Bosch, The Netherlands, which is Bosch's hometown, for an exhibition opening Feb. 13. The show in Holland marks 500 years since Bosch's death in 1516. 
 
 The attribution of the work was made by the Bosch Research and Conservation Project, which sent a team to Kansas City to study the painting and concluded that it could "be ascribed to Bosch with confidence." 
 
 There are only about 25 paintings — including four others in the U.S. — in existence that are known to be by Bosch, including "The Garden of Earthly Delights." His style is known for elaborate, fantastical, colorful landscapes filled with exotic creatures and references to Biblical stories. 
 
 According to the Nelson-Atkins, investigators were able to detect Bosch's typical technique of sketching an underdrawing over the ground layer of his oak panels using a coarse brush with thin paint. Bosch also often changed his designs, and a change in the shape of the jug in the St. Anthony panel was apparent. 
 
 The work dates from 1500 to 1510 and was last on view at the Nelson-Atkins in 2003. Because of its inclusion in the show in Holland this year and other pending invitations, it's not known when it will be shown in Kansas City next. It's the Nelson-Atkins' sole Bosch, but the museum is opening a show of Dutch art Feb. 24 called "Reflecting Class in the Age of Rembrandt and Vermeer." 
 
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 EPCOT FLOWER AND GARDEN FEST AT DISNEY WORLD 
 
 The Epcot International Flower & Garden Festival gets under way March 2 for a 90-day run through May 30 at Walt Disney World Resort in Lake Buena Vista, Florida. 
 
 The event features topiaries of Disney characters, floral displays, gardening seminars and a concert series. Admission to the festival is included in regular admission to Epcot. 
 
 Plants, grasses and mosses are used to create the character topiaries, which will include Peter Pan, Snow White and "Frozen" sisters Anna and Elsa. 
 
 The festival also includes Butterflies on the Go, a garden with nearly 1,000 butterflies flitting amid nectar plants like passion flower, coral honeysuckle, lantana, butterfly bush, blue porterweed, scarlet milkweed and canna lily. 
 
 Food and beverage items will include garden- and backyard-inspired creations like a field greens salad, using greens harvested from Epcot's Land pavilion, along with heirloom apples, Stilton cheese and dried blueberries. 
 
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 SHOW IN PORTLAND, OREGON, FOCUSING ON JAPANESE ARCHITECT 
 
 A monthlong exhibition at the Center for Architecture in Portland, Oregon, looks at the work of Japanese architect Kengo Kuma. 
 
 The show focuses on Kuma's design for the Portland Japanese Garden's Cultural Crossing expansion project, which is Kuma's first public commission in North America. The $33.5 million project includes Kuma's design for a Cultural Village of three LEED-certified buildings to house a learning center, a library, gallery space and a traditional tea cafe. 
 
 The show at the Center for Architecture, "Tsunagu: Connecting to the Architecture of Kengo Kuma," uses project images, construction drawings, and an interactive use of space to explore Kuma's use of nature, natural materials and Japanese traditions. Tsunagu means connection but also suggests a connection between nature and people. 
 
 The immersive show will also include materials that can be touched, seen, and smelled, such as screens, tatami mats and samples of the cedar and granite used in the new buildings. 
 
 The free show is open daily Feb. 4-29 at the Center for Architecture, 403 NW 11th Ave., in Portland. 
 
 The Portland Japanese Garden, located in Portland's Washington Park, has been closed for construction of the Cultural Crossing expansion project but reopens March 1. ||||| ’S-HERTOGENBOSCH, the Netherlands — A small 16th-century oil on panel largely kept in storage at a Kansas City, Mo., museum is a work by the Dutch Renaissance master Hieronymus Bosch, researchers here said on Monday, a finding that, if accepted by other scholars, would add to the tiny list of about 25 recognized Bosch paintings in the world. 
 
 The painting, “The Temptation of St. Anthony,” dated 1500-1510, had previously been attributed to the workshop of Bosch or to a follower of Bosch, known for his comic and surreal images of heaven and hell and the earthly moral purgatory in between. 
 
 The new attribution is based on studies of underdrawings, a comparison of motifs and details on a microscopic level with similar ones in undisputed Bosch paintings, and an analysis of Bosch’s brush work. Taken together, the evidence indicates that “St. Anthony” is in Bosch’s “handwriting,” said experts from the Bosch Research and Conservation Project, a six-year, $3.3 million effort to study and catalog all of the artist’s works before the 500th anniversary of his death in 1516. 
 
 “It’s the same painting, and all of a sudden you see it with more affection,” Julián Zugazagoitia, the director and chief executive officer of the Nelson-Atkins Museum of Art in Kansas City, said on Friday in Amsterdam. “It’s like your child who just won the Nobel Prize.”
– Last displayed more than a decade ago and kept mostly in storage at a small museum in Kansas City is not the treatment you'd expect for a rare painting by a Renaissance master. But the Kansas City Star reports that's exactly what's happened to The Temptation of St. Anthony, now believed to be one of only about 25 recognized paintings by the Dutch artist Hieronymus Bosch. Since purchasing it from a New York gallery in 1935, the Nelson-Atkins Museum of Art has operated under the assumption that the 15-by-10-inch, 500-year-old oil-on-wood painting was simply created by Bosch's workshop. But that changed when a team of Bosch experts came to look at it in September as part of their attempt to catalog all of Bosch's work in time for the 500th anniversary of his death this year, according to the New York Times. Those experts left the Missouri museum believing The Temptation of St. Anthony can be "ascribed to Bosch with confidence," the AP reports. The panel is believed to be part of a larger work, possibly part of a wing of a dismantled triptych. "I'm stoked," Rima Girnius, a Nelson-Atkins associate curator, tells the Star. The experts used infrared photography and reflectography to look at layers of work that had been erased or painted over while comparing its motifs and brush work, on a microscopic level, to other Bosch works. In fact, they're so confident they've uncovered a lost Bosch that The Temptation of St. Anthony went on display in Bosch's hometown in the Netherlands on Monday. “It’s the same painting, and all of a sudden you see it with more affection,” Nelson-Atkins director Julián Zugazagoitia tells the Times. (A "toy" shipped from Belgium was actually a lost Picasso.)