Heather Sculthorpe, chief executive of the Tasmanian Aboriginal Center, called the work an “insult.” 
 
 “The idea of our Aboriginal history being hidden from most of Tasmania is a valid point,” she said. “The most effective way of bringing it out is not climbing under the road. It doesn’t do anything to promote understanding of Aboriginal history.” 
 
 Furthermore, she said, Mr. Parr did not consult with Aboriginal Tasmanians about the performance. “It’s when people feel used as objects and not part of the venture that people get annoyed — as in this case,” she said. “No attempt was made to discuss it.” 
 
 [Sign up for the Australia Letter to get news, conversation starters and local recommendations in your inbox each week.] 
 
 Mr. Parr said last week in an interview at his studio that he could not be an independent artist if he needed to always ask permission for his work. ||||| Dark Mofo artist Mike Parr begins 72-hour stint 'buried alive' under Hobart street 
 
 Updated 
 
 An artist has been buried alive beneath a busy Hobart road, where he will spend 72 hours as part of Tasmania's Dark Mofo winter festival. 
 
 Organisers estimate more than 3,000 onlookers watched as Mike Parr, 73, climbed into a steel container beneath Macquarie Street and the road was resealed above him. 
 
 Oxygen will be pumped into the container where Parr will spend the next three days fasting, meditating, reading and drawing in his sketchbook. 
 
 Before he entered the box, Dark Mofo curator Jarrod Rawlins said Parr was very calm and had been fasting in preparation. 
 
 During the three days he will consume a limited amount of liquids. 
 
 "He is an endurance performance artist and he's been doing this for many years, so his body is quite used to doing this," Mr Rawlins said. 
 
 "He will take a copy of Robert Hughes's The Fatal Shore down with him to read, and he'll have his sketchbook, but what he does down there aside from that, nobody knows." 
 
 And what will he use for a toilet? "There's a bucket down there," Mr Rawlins said. 
 
 Mr Rawlins said Parr would be monitored on security cameras and if anything goes wrong he can be removed from the container in "only a matter of minutes". 
 
 "This work is funded by MONA which is owned by David Walsh, and the artist is liable for his own actions and we are liable for ours," Mr Rawlins said. 
 
 The artist's previous work includes sewing his lips together, hacking off his meat-filled prosthetic arm, holding his finger in a flame and pushing tacks into his leg. 
 
 This is his third work for the Hobart winter festival. 
 
 The performance titled Underneath the Bitumen the Artist is billed as a work "conceived to memorialise the victims of twentieth century totalitarian violence in all of its ideological forms, including the shadow cast by the genocidal violence of 19th century British colonialism in Australia". 
 
 "This may be for some people a representation for them personally of some kind of localised violence, but it also might be for somebody else a man going into a box under the road," Mr Rawlins said. 
 
 "It's important for Mike that people are free to bring what they wish to bring to the work but it's understood that Mike himself is not making any specific representations on behalf of him or another group." 
 
 Parr will emerge from the container at 9:00pm on Sunday, and concrete will be poured to fuse the chamber and its contents as a time capsule. 
 
 The artist was unable to gain approval to conduct the performance in two other cities. 
 
 Aboriginal community protests 
 
 The performance has drawn a mixed response from Tasmania's Aboriginal community, with some calling it "insulting". 
 
 The Tasmanian Aboriginal Centre held up Aboriginal flags and used the performance as an opportunity to remind people of Tasmania's dark history. 
 
 "Our history has been buried like he's being buried," spokesman Michael Mansell said. 
 
 He said the organisers accommodated them, allowing them to tie the flags to barriers. 
 
 Thousands of people also watched the event on Facebook, with many asking what the point of the performance was. 
 
 "How is this art??? We won't be able to see anything while he is under the ground," posted Shelley Lovell. 
 
 Others were worried about the cost and whether money would be better spent on helping homeless people, or fixing Hobart's roads. 
 
 There were also humorous suggestions. 
 
 "Will he be able to fix the NBN while he is down there?" asked Mark Grewar. 
 
 'For heaven's sake' 
 
 Hobart Lord Mayor Ron Christie said all of the council alderman approved Dark Mofo's application, except for one. 
 
 "I voted against it, not for art's sake, but for heaven's sake," he said. 
 
 "For heavens sake, during peak hour on this arterial road of ours, we have something like 2,000 to 3,000 vehicles going through. 
 
 "We have enough traffic problems in Hobart now without any more occurring, so that's one of the reasons I voted against it." 
 
 Alderman Christie said council was not funding any part of the project. 
 
 "This is all part of MONA's content and Mona's budget. They're paying for all of that, we just have to give road approvals," he said. 
 
 He said the festival had transformed the city from "Slow-bart" to Hobart. 
 
 "They get what they want but we also get what we want, and that is that we bring money into our economy here — and we're not talking about tens of thousands, we're talking about millions of dollars and each year it's gaining worldwide recognition," he said. 
 
 This year's Dark Mofo has already created a stir with inverted crosses on Hobart's waterfront offending some Christians. 
 
 Last year the slaughter of a bull in preparation for a performance piece generated community outrage and protests. 
 
 Topics: street-art, visual-art, carnivals-and-festivals, events, hobart-7000 
 
 First posted
– An Australian artist has been buried alive with a bucket and a book, but don't worry—they plan to dig him out Sunday. More than 3,000 people watched Thursday as Mike Parr, 73, descended a ladder into a 25-foot-square box under a road in Hobart, Australia, for a performance piece called "Underneath the Bitumen the Artist," the New York Times reports. The confinement was billed as a memorial to victims of totalitarian violence and British colonialism in Australia, notes ABC News Australia, but many assumed it was about local Aboriginal Tasmanian history being buried—particularly the 19th-century Black War in which British settlers nearly wiped out Indigenous Tasmanians. And that sparked a few fighting words. "It is a bit insulting, really," says Tasmanian Aboriginal Center CEO Heather Sculthorpe, per Pedestrian. "If they have any interest in telling the Aboriginal story then they should have put it out there for Aboriginal people to do it." But an Aboriginal activist called Parr "courageous" and said that "we support this bloke." Meanwhile, Parr sits below Hobart traffic with his thermos and a microphone that lets his team monitor his breathing. The apparent risk is old hat for Parr, who in past works has nailed his arm to a wall, sewn his mouth shut, and stayed in a glass cage for 10 days with only water to survive. But what if he never emerges from this one? "I haven't thought of that," he says. "No, no, no, I'm coming out definitely. I have all sorts of performance plans." (National Geographic admits its past coverage of Australian Aboriginals and others has been racist.)