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###Input: At the same time he made attempts to help grow ABC, Goldenson had been trying since mid-1953 to provide content for the network by contacting his old acquaintances in Hollywood, with whom he had worked when UPT was a subsidiary of Paramount Pictures. ABC's merger with UPT led to the creation of relationships with Hollywood's film production studios, breaking a quarantine that had existed at that time between film and television, the latter of which had previously been more connected to radio. ABC's flagship productions at the time were The Lone Ranger, based on the radio program of the same title, and The Adventures of Ozzie and Harriet, the latter of which (at 13 seasons, running from 1952 to 1965) held the record for the longest-running prime time comedy in U.S. television history, until it was surpassed by The Simpsons in 2002.

Warner tried with mixed success to adapt some of its most successful films as ABC television series, and showcase these adaptations as part of the wheel series Warner Bros. Presents. Airing during the 1955–56 season, it showcased television adaptations of the 1942 films Kings Row and Casablanca; Cheyenne (adapted from the 1947 film Wyoming Kid); Sugarfoot (a remake of the 1954 film The Boy from Oklahoma); and Maverick. However, the most iconic of ABC's relationships with Hollywood producers was its agreement with Walt Disney; after the start of the network's bond with the Disney studio, James Lewis Baughman, who worked as a columnist at that time, observed that "at ABC's headquarters in New York, the secretaries [were now] wearing hats with Mickey Mouse ears".

Walt Disney and his brother Roy contacted Goldenson at the end of 1953 for ABC to agree to finance part of the Disneyland project in exchange for producing a television program for the network. Walt wanted ABC to invest $500,000 and accrued a guarantee of $4.5 million in additional loans, a third of the budget intended for the park. Around 1954, ABC agreed to finance Disneyland in exchange for the right to broadcast a new Sunday night program, Disneyland, which debuted on the network on October 27, 1954 as the first of many anthology television programs that Disney would broadcast over the course of the next 50 years.

In July 1968, ABC Radio launched a special programming project for its FM stations, which was spearheaded by Allen Shaw, a former program manager at WCFL in Chicago who was approached by ABC Radio president Harold L. Neal to develop a format to compete with the new progressive rock and DJ-helmed stations. The new concept called "LOVE Radio", which featured a limited selection of music genres, was launched on ABC's seven owned-and-operated FM stations in late November 1968; the concept replaced nearly all of the programming provided by these stations; however, several affiliates (such as KXYZ) retained the majority of their content. In August 1970, Shaw announced that ABC FM's music choice policy should be reviewed to allow listeners access to many styles of music.

On the television side, in September 1969, ABC launched the Movie of the Week, a weekly showcase aimed at capitalizing on the growing success of made-for-TV movies since the early 1960s. The Movie of the Week broadcast feature-length dramatic films directed by such talented filmmakers as Aaron Spelling, David Wolper and Steven Spielberg (the latter of whom gained early success through the showcase for his 1971 film Duel) that were produced on an average budget of $400,000–$450,000. Hits for the television network during the late 1960s and early 1970s included The Courtship of Eddie's Father, The Brady Bunch and The Partridge Family.



###Question: Who lead the 1968 special programming for ABC Radio's FM stations?

###Answer: {'answer':'Allen Shaw'}