Schlußakkord
... that in his 1936 German melodrama, Schlußakkord, Douglas Sirk characterised and contrasted a Weimar new woman and a German expatriate mother through their reactions to Beethoven's 9th Symphony?
... that in his 1936 German melodrama, <i id="mwDa8"><b id="mwDbA"><a href="./Schlußakkord" id="mwDbE" rel="mw:WikiLink" title="Schlußakkord">Schlußakkord</a></b></i>, <a href="./Douglas_Sirk" id="mwDbI" rel="mw:WikiLink" title="Douglas Sirk">Douglas Sirk</a> characterised and contrasted a <a class="mw-redirect" href="./Weimar_republic" id="mwDbM" rel="mw:WikiLink" title="Weimar republic">Weimar</a> new woman and a German expatriate mother through their reactions to <a href="./Symphony_No._9_(Beethoven)" id="mwDbQ" rel="mw:WikiLink" title="Symphony No. 9 (Beethoven)">Beethoven's 9th<span id="mwDbU" typeof="mw:Entity"> </span>Symphony</a>?