This Ross Hunter technicolor production is glossy and sophisticated. It is a perfect, first class showcase for Doris Day, as she takes a dramatic turn in this film. Here, Ms. Day plays the role of Kit Preston, an American heiress newly married to the successful and busy British businessman, Tony Preston, played with panache by the ever dapper and debonair Rex Harrison.
While Kit's wealthy Aunt Bea (Myrna Loy) is visiting them in their beautiful home in London, Kit begins receiving a series of unnerving, anonymous calls, making threats upon her life. After notifying Scotland Yard of the threats, Kit continues to get these calls, which people are starting to think that she made up to get her busy husband's attention. She is also starting to believe that someone is following her and has some unnerving incidents occur, including one in which she is pushed in front of a moving bus and nearly run over.
Who is the stalker? Is it the handsome construction foreman, Brian Younger (John Gavin), working on the building next door, who seems to know Ms. Preston and makes his telephone calls from the pub around the corner? Is it Malcolm (Roddy McDowall), the son of Kit's maid, who is always shaking his mother down for anything he can get? Is it an executive at Mr. Preston's firm, Charles Manning (Herbert Marshall), who seems to be having money trouble and is an old love interest of Aunt Bea? Or could it be Tony, her loving husband, from whose firm someone has embezzled over a million pounds?
The red herrings fly fast and furious in this film, but the discerning viewer should be able to figure out who the crank caller is with relative ease. Notwithstanding this, the film is charming, suspenseful, and well done. Doris Day, beautifully gowned and coiffed throughout the film, is terrific as the unnerved, histrionic heiress, showing herself more than capable at handling dramatic roles. Myrna Loy is wonderful as her concerned aunt who, along with others, is beginning to think that all this is in her niece's mind. Rex Harrison, with his urbane, sophisticated air, is perfectly cast as Kit's successful and well connected husband. Roddy McDowall is excellent in the small role of the malevolent Malcolm, and John Gavin is perfect as the handsome hunk.
This is a stylish, well done film of psychological suspense, deftly directed by David Miller. Fans of Doris Day, as well as those who like a well paced mystery, will enjoy this film.
This Ross Hunter technicolor production is glossy and sophisticated. It is a perfect, first class showcase for Doris Day, as she takes a dramatic turn in this film. Here, Ms. Day plays the role of Kit Preston, an American heiress newly married to the successful and busy British businessman, Tony Preston, played with panache by the ever dapper and debonair Rex Harrison. While Kit's wealthy Aunt Bea (Myrna Loy) is visiting them in their beautiful home in London, Kit begins receiving a series of unnerving, anonymous calls, making threats upon her life. After notifying Scotland Yard of the threats, Kit continues to get these calls, which people are starting to think that she made up to get her busy husband's attention. She is also starting to believe that someone is following her and has some unnerving incidents occur, including one in which she is pushed in front of a moving bus and nearly run over. Who is the stalker? Is it the handsome construction foreman, Brian Younger (John Gavin), working on the building next door, who seems to know Ms. Preston and makes his telephone calls from the pub around the corner? Is it Malcolm (Roddy McDowall), the son of Kit's maid, who is always shaking his mother down for anything he can get? Is it an executive at Mr. Preston's firm, Charles Manning (Herbert Marshall), who seems to be having money trouble and is an old love interest of Aunt Bea? Or could it be Tony, her loving husband, from whose firm someone has embezzled over a million pounds? The red herrings fly fast and furious in this film, but the discerning viewer should be able to figure out who the crank caller is with relative ease. Notwithstanding this, the film is charming, suspenseful, and well done. Doris Day, beautifully gowned and coiffed throughout the film, is terrific as the unnerved, histrionic heiress, showing herself more than capable at handling dramatic roles. Myrna Loy is wonderful as her concerned aunt who, along with others, is beginning to think that all this is in her niece's mind. Rex Harrison, with his urbane, sophisticated air, is perfectly cast as Kit's successful and well connected husband. Roddy McDowall is excellent in the small role of the malevolent Malcolm, and John Gavin is perfect as the handsome hunk. This is a stylish, well done film of psychological suspense, deftly directed by David Miller. Fans of Doris Day, as well as those who like a well paced mystery, will enjoy this film.