cc able , ▁and ▁as ▁a ▁studio ▁recording ▁it ▁is ▁techn ically ▁more ▁secure ▁than ▁the ▁live ▁V ime o ▁video . ▁The ▁she er ▁intensity ▁of ▁both ▁music ▁and ▁performance ▁there of ▁is ▁spell binding , ▁as ▁if ▁the ▁passion ▁of ▁the ▁composer ▁for ▁her ▁subject ▁sh ines ▁through ▁like ▁a ▁light . ▁ ▁Richard ▁Bu ell ▁of ▁the ▁Boston ▁Glo be ▁wrote ▁in ▁his ▁review ▁of ▁her ▁chamber ▁work ▁F able , ▁This ▁was ▁sh rew d ▁compos ing , ▁the ▁genu ine ▁article . ▁On to ▁the ▁season ' s ▁best ▁list ▁it ▁goes " ▁and ▁of ▁her ▁String ▁Quart et ▁" an ▁un m ist ak able ▁ly ric ▁intensity ... a ▁fine ▁piece ... worth y ▁of ▁the ▁Ar d itt i ' s ▁attention , ▁and ▁later ▁of ▁her ▁Magic ▁Car pet ▁Music ▁as ▁played ▁by ▁Col lage ▁New ▁Music : ▁" Sch w ending er ' s ▁Magic ▁Car pet ▁Music ▁like ▁the ▁composer ' s ▁other ▁music , ▁rejo ices ▁in ▁edge ▁and ▁has ▁a ▁force ▁that ▁has ▁its ▁way ... Here ▁is ▁a ▁composer ▁with ▁distinct ▁voice ." ▁Mark ▁K anny ▁of ▁the ▁Pitts burgh ▁Trib une ▁wrote , ▁The ▁absence ▁of ▁any ▁visual ▁entertain ment ▁for ▁Schw ending er ' s ▁Buenos ▁Aires ▁focused ▁attention ▁on ▁the ▁musical ▁excell ence ▁of ▁her ▁hard - d riv ing ▁quart et ▁for ▁fl ute , ▁bass ▁clar inet , ▁viol in ▁and ▁c ello . ▁She ▁creates ▁fresh ▁and ▁comp elling ▁lines ▁that ▁are ▁brought