, ▁Hot ▁House ▁was ▁released ▁with ▁its ▁cover ▁art , ▁featuring ▁an ▁imag ined ▁jam ▁session ▁between ▁bl u egr ass ▁legend ▁Bill ▁Mon roe ▁and ▁jazz ▁legend ▁Charlie ▁Parker . ▁The ▁album ▁found ▁Horn s by ▁expand ing ▁into ▁the ▁jazz ▁sound ▁from ▁Har bor ▁L ights , ▁this ▁time ▁re int rodu cing ▁elements ▁of ▁bl u egr ass ▁from ▁A ▁Night ▁on ▁the ▁Town ▁and ▁his ▁earlier ▁collabor ations . ▁ ▁During ▁this ▁time ▁period , ▁" even ▁his ▁concert s ▁convey ed ▁a ▁lo oser , ▁more ▁play ful ▁m ood , ▁and ▁Horn s by ▁began ▁taking ▁requests ▁from ▁the ▁audience ". ▁Horn s by ' s ▁concert s ▁became ▁" de part ure ▁points " ▁for ▁his ▁album ▁compos itions , ▁which ▁would ▁be ▁bl ended ▁with ▁and ▁re work ed ▁into ▁" length y ▁sp ont aneous ▁med le ys ". ▁Both ▁in ▁terms ▁of ▁audience ▁requests ▁and ▁in ▁terms ▁of ▁sp ont aneous ▁on - stage ▁dec isions , ▁Horn s by ' s ▁performances ▁became ▁opportun ities ▁for ▁him ▁to ▁challenge ▁himself ▁by ▁trying ▁to ▁" find ▁a ▁way ▁to ▁se am lessly ▁thread ▁these ▁seem ingly ▁dispar ate ▁elements ▁together ". ▁ ▁Horn s by ▁next ▁worked ▁with ▁several ▁Gr ateful ▁Dead ▁re formation ▁projects , ▁including ▁several ▁Fur thur ▁Fest iv als ▁and ▁the ▁ult imate ▁formation ▁of ▁The ▁Other ▁On es , ▁which ▁resulted ▁in ▁the ▁release ▁a ▁live ▁album , ▁The ▁Str ange ▁Rem ain . ▁Horn s by '