▁most ▁part ; ▁the ▁fant as ias ▁are ▁im itative ▁ric erc ars ; ▁and ▁there ▁is ▁a ▁set ▁of ▁eight ▁Polish ▁d ances , ▁probably ▁derived ▁from ▁actual ▁folk ▁music . ▁ ▁Some ▁aspects ▁of ▁early ▁Bar o que ▁style ▁are ▁clear ▁in ▁C ato ' s ▁music , ▁including ▁the ▁use ▁of ▁short ▁mot ifs ▁which ▁rec ur ▁to ▁un ify ▁longer ▁sections , ▁and ▁the ▁use ▁of ▁linking ▁epis od ic ▁sections ▁between ▁them atic ▁statements ; ▁on ▁the ▁other ▁hand , ▁some ▁of ▁his ▁l ute ▁music ▁includes ▁lines ▁of ▁vocal ▁character ▁in ▁strict ▁im itation , ▁more ▁in ▁the ▁style ▁of ▁the ▁mid - to - late ▁ 1 6 th ▁century ▁poly phon ists . ▁ ▁Other ▁instrument al ▁music ▁by ▁C ato ▁includes ▁pieces ▁for ▁cons ort s ▁of ▁vi ols , ▁as ▁well ▁as ▁solo ▁keyboard . ▁ ▁His ▁vocal ▁works ▁include ▁settings ▁of ▁Polish ▁sacred ▁songs ▁in ▁a ▁collection ▁entitled ▁R yt my ▁ ła ci ń skie ▁d zi wn ie ▁s zt uc z ne ▁... ▁for ▁four ▁voices ▁and ▁l ute , ▁as ▁well ▁as ▁Pie ś ń ▁o ▁świ ę t ym ▁Stanisław ie , ▁for ▁four ▁voices ▁un ac comp an ied . ▁ ▁He ▁also ▁wrote ▁an ▁Italian ▁m adr ig al , ▁Tir si ▁mor ir ▁vo lea , ▁for ▁five ▁voices , ▁though ▁it ▁only ▁exists ▁in ▁an ▁arrangement ▁for ▁solo ▁voice ▁and ▁instrument al ▁accompan iment : ▁ ▁a ▁trans cription ▁which ▁could ▁represent ▁a