▁her ▁j ew el ry ▁as ▁form ▁and ▁composition ▁with ▁the ▁emphas is ▁on ▁a est h etic ▁qual ities ▁rather ▁than ▁skill , ▁stating ▁that ▁" I ▁consider ▁each ▁effort ▁by ▁itself ▁as ▁regards ▁color ▁and ▁form ▁much ▁as ▁I ▁would ▁paint ▁a ▁picture ." ▁Bra in erd ▁Bl iss ▁Th res her , ▁another ▁American ▁arts ▁and ▁craft s ▁j ew eler , ▁used ▁materials ▁like ▁car ved ▁horn ▁and ▁am eth yst ▁for ▁their ▁a est h etic ▁qual ities , ▁following ▁the ▁example ▁of ▁René ▁L al ique ▁who ▁mixed ▁quot id ian ▁and ▁pre cious ▁materials ▁in ▁his ▁j ew el ry . ▁As ▁Jan et ▁Kop los ▁and ▁Bruce ▁Met cal f ▁suggest , ▁whereas ▁the ▁British ▁Arts ▁and ▁C raft s ▁movement ▁tried ▁to ▁reun ite ▁art ▁and ▁labor , ▁many ▁upper - class ▁Americans ▁like ▁Th res her ▁un ited ▁art ▁and ▁le is ure : ▁" The ▁practice ▁of ▁craft ▁as ▁a ▁recre ation ▁could ▁be ▁a ▁relief ▁from ▁the ▁pressure ▁of ▁a ▁difficult ▁job , ▁a ▁demonstr ation ▁of ▁one ' s ▁good ▁taste ▁and ▁sav or ▁viv re , ▁a ▁pol ite ▁manifest ation ▁of ▁progress ive ▁politics , ▁or ▁an ▁expression ▁of ▁the ▁she er ▁pleasure ▁of ▁satisfying ▁labor ." ▁ ▁Art ▁j ew el ry ▁fell ▁out ▁of ▁style ▁in ▁the ▁ 1 9 2 0 s ▁and ▁ 3 0 s , ▁over shadow ed ▁by ▁art ▁de co , ▁as ▁well ▁as ▁audience ▁response ▁to ▁its ▁functional ▁and