▁we ▁cut ▁for , ▁but ▁not ▁Brian . ▁We ▁were ▁in ▁a we ▁of ▁Brian ." ▁She ▁added : ▁" He ▁took ▁bass ▁up ▁another ▁step . ▁He ▁saw ▁it ▁as ▁integral ▁in ▁a ▁sym ph onic ▁or chestra . ▁He ▁used ▁bass ▁as ▁the ▁framework ▁for ▁a ▁hit ▁record . ▁Very ▁few ▁people ▁can ▁write ▁for ▁bass , ▁but ▁his ▁writing ▁was ▁beautiful . ▁There ▁are ▁a ▁lot ▁of ▁jazz ▁mus icians ▁who ▁adm ire ▁him ▁for ▁it ." ▁Sometimes ▁he ▁wrote ▁charts ▁that ▁had ▁mel od ic ▁lines ▁in ▁different ▁keys ▁at ▁the ▁same ▁time , ▁which ▁confused ▁session ▁mus icians . ▁" Here ▁Today " ▁was ▁declared ▁by ▁All Music ' s ▁Donald ▁Gu aris co ▁to ▁be ▁one ▁of ▁Wilson ' s ▁most ▁am bit ious ▁arrang ements ▁that ▁" per fect ly ▁bl ends ▁the ▁complexity ▁of ▁an ▁orch est ral ▁piece ▁with ▁the ▁imm edia cy ▁of ▁a ▁good ▁pop ▁t une ". ▁ ▁Friend ▁D anny ▁H utton ▁highlight ed ▁Brian ' s ▁studio ▁prof ic iency , ▁cit ing ▁what ▁he ▁believed ▁to ▁be ▁an ▁extraordinary ▁talent ▁at ▁har ness ing ▁several ▁different ▁studio ▁spaces ▁while ▁pie cing ▁together ▁discrete ▁instrument al ▁patterns ▁and ▁tim bres ▁coh es ively . ▁He ▁noted , ▁" Some body ▁could ▁go ▁in ▁right ▁after ▁Brian ' s ▁session ▁and ▁try ▁to ▁record , ▁and ▁they ▁could ▁never ▁get ▁the ▁sound ▁he ▁got . ▁There ▁was ▁a ▁lot ▁of ▁subt le ▁stuff ▁he ▁did . ▁... ▁People ▁don '