▁series ▁St oney ▁Bur ke . ▁In ▁ 1 9 6 3 , ▁he ▁began ▁film ing ▁another ▁television ▁series ▁called ▁The ▁Out er ▁Lim its . ▁Then , ▁in ▁ 1 9 6 4 , ▁he ▁shot ▁his ▁first ▁feature - length ▁black ▁and ▁white ▁film , ▁Wild ▁Se ed , ▁which ▁was ▁made ▁in ▁roughly ▁ 2 4 ▁days ▁with ▁producer ▁Albert ▁S . ▁Rud dy . ▁ ▁Hall ' s ▁break through ▁came ▁with ▁Mor it uri ▁in ▁ 1 9 6 5 , ▁for ▁which ▁he ▁received ▁his ▁first ▁Oscar ▁nom ination . ▁ ▁In ▁the ▁following ▁year ▁Hall ▁shot ▁Inc ub us , ▁The ▁Prof ession als , ▁and ▁Har per , ▁which ▁was ▁his ▁first ▁color ▁film . ▁His ▁first ▁collaboration ▁with ▁director ▁Richard ▁Bro oks ▁on ▁The ▁Prof ession als ▁was ▁put ▁in ▁motion ▁by ▁assistant ▁director ▁Tom ▁Shaw , ▁who ▁worked ▁with ▁Hall ▁on ▁Wild ▁Se ed ▁and ▁recommended ▁him ▁to ▁Bro oks ; ▁the ▁work ▁resulted ▁in ▁his ▁second ▁Oscar ▁nom ination . ▁ ▁Their ▁second ▁collaboration , ▁ 1 9 6 7 ' s ▁In ▁Cold ▁Blood , ▁resulted ▁in ▁yet ▁another ▁Oscar ▁nom ination . ▁It ▁is ▁notable ▁for ▁the ▁document ary ▁feel ▁and ▁location ▁sh ots , ▁which ▁were ▁rare ▁at ▁the ▁time . ▁In ▁that ▁same ▁year , ▁Hall ▁shot ▁C ool ▁Hand ▁Luke ▁and ▁Div or ce ▁American ▁Style . ▁C ool ▁Hand ▁Luke ▁is ▁known ▁for ▁being ▁shot ▁in ▁Pan av ision , ▁which ▁contributed ▁to ▁its ▁l