▁for ▁thinking ▁about ▁com ics ▁art . ▁He ▁places ▁the ▁real istic ▁representation ▁in ▁the ▁bottom ▁left ▁corner , ▁with ▁icon ic ▁representation , ▁or ▁cart o ony ▁art , ▁in ▁the ▁bottom ▁right , ▁and ▁a ▁third ▁identifier , ▁abstra ction ▁of ▁image , ▁at ▁the ▁a pe x ▁of ▁the ▁triangle . ▁This ▁allows ▁pla cement ▁and ▁grouping ▁of ▁artists ▁by ▁tri ang ulation . ▁ ▁The ▁cart o ony ▁style ▁uses ▁com ic ▁effects ▁and ▁a ▁variation ▁of ▁line ▁width s ▁for ▁expression . ▁Char acters ▁tend ▁to ▁have ▁rounded , ▁simplified ▁an atom y . ▁Not ed ▁ex ponents ▁of ▁this ▁style ▁are ▁Carl ▁B arks ▁and ▁Jeff ▁Smith . ▁ ▁The ▁real istic ▁style , ▁also ▁referred ▁to ▁as ▁the ▁advent ure ▁style ▁is ▁the ▁one ▁developed ▁for ▁use ▁within ▁the ▁advent ure ▁stri ps ▁of ▁the ▁ 1 9 3 0 s . ▁They ▁required ▁a ▁less ▁cart o ony ▁look , ▁foc using ▁more ▁on ▁real istic ▁an atom y ▁and ▁shapes , ▁and ▁used ▁the ▁illustr ations ▁found ▁in ▁pul p ▁mag az ines ▁as ▁a ▁basis . ▁ ▁This ▁style ▁became ▁the ▁basis ▁of ▁the ▁super h ero ▁com ic ▁book ▁style ▁since ▁Joe ▁Sh uster ▁and ▁Jerry ▁Sie gel ▁originally ▁worked ▁Super man ▁up ▁for ▁publication ▁as ▁an ▁advent ure ▁strip . ▁ ▁Mc Cloud ▁also ▁notes ▁that ▁in ▁several ▁trad itions , ▁there ▁is ▁a ▁t endency ▁to ▁have ▁the ▁main ▁characters ▁drawn ▁rather ▁simpl istic ▁and ▁cart o ony , ▁while