▁lives , ▁and ▁their ▁efforts ▁to ▁stay ▁connected ; ▁of ▁prisoners ' ▁loved ▁ones ▁and ▁other ▁st ake hold ers ▁showing ▁up ▁at ▁the ▁prison ▁or ▁trying ▁to ▁stay ▁ab re ast ▁of ▁what ' s ▁happening ▁there ▁via ▁Internet ▁or ▁news ▁sources ; ▁of ▁the ▁prisoners ▁using ▁cell ph ones ▁and ▁computers ▁they ▁have ▁conf isc ated ▁to ▁learn ▁and ▁keep ▁up ▁with ▁develop ments ▁in ▁the ▁outside ▁world ; ▁of ▁the ▁t endency ▁of ▁TV ▁shows ▁to — as ▁Z ir con ia ▁puts ▁it — " keep ▁talking ▁even ▁when ▁there ' s ▁nothing ▁more ▁to ▁talk ▁about "; ▁of ▁the ▁sch isms ▁between ▁those ▁who ▁prefer ▁separate ▁themselves ▁from ▁the ▁f ray ▁versus ▁those ▁who ▁prefer ▁to ▁keep ▁up ▁with ▁or ▁even ▁particip ate ▁in ▁what ▁is ▁happening ; ▁the ▁conflicts ▁that ▁arise ▁between ▁those ▁who ▁want ▁to ▁know ▁the ▁truth ▁of ▁what ' s ▁happening ▁( e . g ., ▁Su z anne ▁and ▁Ale ida ) ▁and ▁their ▁anger ▁with ▁those ▁who ▁with hold ▁the ▁truth ▁from ▁them ▁( e . g ., ▁Black ▁C ind y ▁and ▁J ana e ▁in ▁the ▁first ▁instance , ▁and ▁Gl oria ▁in ▁the ▁second ). ▁" Loc o ▁Lor na ", ▁who ▁is ▁in ▁prison ▁for ▁st alk ing ▁a ▁man ▁she ▁was ▁fix ated ▁on ▁but ▁who ▁wanted ▁nothing ▁to ▁do ▁with ▁her , ▁and ▁K ase y , ▁who ▁becomes ▁increasing ly ▁ups et ▁when ▁she ▁sees ▁photos ▁on ▁social ▁media ▁indicating ▁her ▁significant ▁other ▁has ▁become