▁of ▁order ▁spread ▁to ▁almost ▁all ▁on ▁the ▁artists ▁under ▁contract ▁with ▁Lé once ▁Ros enberg — including ▁Juan ▁Gr is , ▁Jacques ▁Lip ch itz , ▁Henri ▁Laur ens , ▁August e ▁Her bin , ▁Joseph ▁Cs ak y ▁and ▁G ino ▁Sever ini — leading ▁to ▁the ▁descript ive ▁term ▁' C ry stal ▁Cub ism ', ▁co ined ▁by ▁the ▁critic ▁Maurice ▁Ray nal . ▁ ▁Fem me ▁au ▁m iro ir , ▁as ▁other ▁works ▁by ▁Met z inger ▁of ▁the ▁same ▁period , ▁relate ▁to ▁those ▁of ▁his ▁colle ague ▁and ▁friend ▁Juan ▁Gr is , ▁whose ▁Port rait ▁of ▁Jos ette ▁Gr is ▁was ▁painted ▁just ▁six ▁months ▁after ▁Met z inger ' s ▁canvas , ▁and ▁with ▁Gr is ' ▁Se ated ▁Woman ▁of ▁ 1 9 1 7 . ▁▁ ▁The ▁works ▁of ▁Gr is ▁and ▁Met z inger ▁painted ▁during ▁the ▁war ▁employ ▁trans par encies ▁that ▁bl ur ▁the ▁distinction ▁between ▁the ▁background ▁and ▁the ▁figure . ▁R ather ▁than ▁grad ients ▁of ▁tone ▁or ▁color , ▁these ▁works ▁are ▁painted ▁with ▁flat , ▁uniform ▁sections ▁of ▁tone ▁and ▁color . ▁Al beit , ▁in ▁Fem me ▁au ▁m iro ir ▁Met z inger ▁uses ▁a ▁text ured ▁surface ▁in ▁the ▁l ighter ▁blue ▁areas . ▁Some ▁minimal ▁br ush st ro kes ▁remain ▁visible ▁throughout ▁these ▁paint ings . ▁Each ▁painting ▁represents ▁objects ▁or ▁elements ▁of ▁the ▁real ▁world — such ▁as ▁perf ume ▁bott les , ▁m ould ing ▁of ▁the