▁D hy ani ▁Bud d has ▁in ▁med itation . ▁They ▁are ▁Ak sh ob h ya , ▁the ▁blue ▁ext ir p ator ▁of ▁wr ath ▁occup ying ▁the ▁centre ▁of ▁the ▁Mand ala , ▁V ai roc ana , ▁the ▁white ▁ext ir p ator ▁of ▁ignor ance ▁occup ying ▁the ▁eastern ▁part ▁of ▁the ▁Mand ala , ▁Rat nas amb h ava , ▁the ▁yellow ▁destroy er ▁of ▁cont empt ▁se ated ▁in ▁the ▁south , ▁red ▁Am it aba ▁who ▁roots ▁out ▁l ust ▁and ▁s its ▁in ▁the ▁west ▁and ▁green ▁Am og has idd hi , ▁ext ir p ator ▁of ▁ill ▁will ▁who ▁domin ates ▁the ▁north . ▁ ▁The ▁art ▁of ▁Cham ▁ ▁The ▁es oter ic ▁mystery ▁dance ▁called ▁Cham ▁was ▁introduced ▁to ▁Mong olia ▁along ▁with ▁the ▁Tib et an ▁Buddh ism ▁and ▁fl our ished ▁beginning ▁in ▁the ▁ 1 8 th ▁century . ▁The ▁first ▁Cham ▁ceremony ▁in ▁Kh alk ha ▁was ▁held ▁in ▁Er den e ▁Zu u ▁Mon aster y ▁in ▁the ▁first ▁de cade ▁of ▁the ▁ 1 9 th ▁century . ▁ ▁Mong ol ian ▁Cham ▁is ▁of ▁special ▁interest ▁because ▁this ▁type ▁of ▁sacred ▁performance ▁att ained ▁during ▁its ▁brief ▁life ▁span ▁in ▁Mong olia ▁a ▁level ▁never ▁equ aled ▁elsewhere . ▁Although ▁Tib et an ▁and ▁Mong ol ian ▁manual s ▁which ▁detail ▁the ▁icon ography ▁and ▁outline ▁the ▁ch ore ography ▁of ▁the ▁T sam ▁exist , ▁e y ew it ness ▁accounts ▁of