s ▁never theless ▁provide ▁a ▁resource ▁for ▁the ▁reconst ruction ▁of ▁key ▁aspects ▁of ▁this ▁musical ▁culture . ▁A ▁significant ▁body ▁of ▁wire - str ung ▁har p ▁compos itions ▁and ▁related ▁performance ▁practices ▁were ▁not ated ▁from ▁the ▁last ▁of ▁the ▁Irish ▁wire - str ung ▁har p ists ▁by ▁Edward ▁Bun ting ▁in ▁the ▁late ▁ 1 8 th ▁century . ▁Document ation ▁of ▁the ▁Scottish ▁wire - str ung ▁har p ▁re per toire ▁can ▁be ▁found ▁through ▁t unes ▁that ▁were ▁trans cribed ▁to ▁other ▁instruments ▁such ▁as ▁the ▁Port ▁genre ▁trans cribed ▁in ▁Scottish ▁l ute ▁manuscript s ▁and ▁other ▁collections , ▁fiddle ▁p ib ro chs ▁published ▁by ▁Walter ▁Mc F ar lan , ▁and ▁Daniel ▁Dow , ▁and ▁possibly ▁some ▁of ▁the ▁early ▁bag pipe ▁p ib ro chs . ▁L ik ely ▁wire - str ung ▁har p ▁re per toire ▁can ▁also ▁be ▁found ▁in ▁a ▁number ▁of ▁collections ▁of ▁Irish ▁and ▁Scottish ▁songs ▁and ▁t unes , ▁often ▁published ▁in ▁arrang ements ▁for ▁viol in , ▁fl ute ▁and ▁other ▁modern ▁instruments . ▁ ▁" C ao ine ad h ▁R ì og h ail / The ▁Royal ▁L ament " ▁( ca ▁ 1 6 4 9 ) ▁is ▁a ▁har p ▁t une ▁similar ▁in ▁structure ▁to ▁p ib ro ch ▁with ▁an ▁intro duct ory ▁theme ▁and ▁formal ▁variations . ▁It ▁is ▁re put ed ▁to ▁have ▁been ▁composed ▁by ▁the ▁arist ocr atic ▁wire - str ung ▁har per