▁in ▁Paris ▁( Man on ▁Les ca ut ▁in ▁ 1 9 9 1 ▁and ▁ 1 9 9 3 ), ▁Mon aco ▁( I ▁V esp ri ▁sic il iani ▁and ▁A ida ), ▁Nice ▁( La ▁f anci ulla ▁del ▁West ), ▁Roma ▁( T ur and ot ), ▁Lis bon ▁( Man on ▁Les ca ut ), ▁Par ma ▁( Don ▁Carlo ), ▁P ret oria , ▁South ▁Africa ▁( Un ▁bal lo ▁in ▁mas ch era ), ▁and ▁German ▁cities ▁including ▁Stuttgart ▁and ▁Hamburg . ▁Perhaps ▁the ▁only ▁important ▁opera ▁house ▁where ▁he ▁did ▁not ▁sing ▁was ▁Teatro ▁alla ▁Scala , ▁Milano , ▁although ▁a ▁role ▁in ▁I ▁V esp ri ▁sic il iani ▁was ▁discussed . ▁ ▁V ocal ▁characteristics ▁and ▁career ▁Mold ove anu ’ s ▁voice ▁had ▁a ▁v ibr ant ▁tim bre , ▁consistent ▁with ▁the ▁characteristics ▁of ▁the ▁ly ric ▁ten or ▁that ▁he ▁considered ▁himself . ▁However , ▁he ▁had ▁a ▁steady ▁and ▁strong ▁ac ute ▁register , ▁which ▁allowed ▁him ▁to ▁successfully ▁approach ▁roles ▁more ▁typically ▁associated ▁with ▁sp into ▁ten ors ▁( Cal af , ▁Don ▁Carlo , ▁Don ▁José , ▁Man rico ), ▁as ▁well ▁as ▁dram atic ▁roles ▁( Rad ames , ▁Dick ▁Johnson ). ▁His ▁voice , ▁sometimes ▁compared ▁to ▁those ▁of ▁great ▁past ▁ten ors ▁such ▁as ▁Giovanni ▁Martin elli ▁and ▁Franco ▁Cor elli , ▁was ▁supported ▁by ▁a ▁sl im ▁figure ▁and ▁ar dent ▁eyes . ▁These ▁factors ▁made ▁him ▁highly ▁appreciated ▁in ▁some ▁roles ,