▁assume ▁the ▁future ▁Queen ' s ▁portrait ▁was ▁of ▁much ▁the ▁same ▁scale . ▁ ▁Although ▁the ▁original ▁has ▁been ▁lost ▁and ▁is ▁today ▁known ▁only ▁from ▁a ▁few ▁copies , ▁van ▁E y ck ▁was ▁a ▁ren owned ▁and ▁widely ▁copied ▁artist ▁at ▁the ▁time ▁and ▁its ▁probable ▁influence ▁can ▁be ▁seen ▁in ▁paint ings ▁of ▁the ▁queen ▁by ▁Rog ier ▁van ▁der ▁W ey den ▁as ▁well ▁as ▁in ▁a ▁dep iction ▁by ▁an ▁unknown ▁northern ▁artist ▁of ▁the ▁mid - 1 5 th ▁century , ▁although ▁both ▁works ▁show ▁Isabel la ▁at ▁a ▁much ▁older ▁age . ▁From ▁a ▁copy ▁by ▁an ▁unknown ▁follow er , ▁we ▁can ▁see ▁that ▁Isabel la ▁is ▁shown ▁directly ▁gaz ing ▁at ▁the ▁vie wer , ▁a ▁highly ▁d aring ▁and ▁int imate ▁pose ▁for ▁a ▁bet ro th al ▁portrait . ▁Although ▁her ▁look ▁is ▁suit ably ▁co y , ▁it ▁is ▁obviously ▁intended ▁to ▁be ▁all uring . ▁ ▁References ▁ ▁Notes ▁ ▁S ources ▁ ▁Ba uman , ▁Guy . ▁" E ar ly ▁F lem ish ▁Port ra its ▁ 1 4 2 5 – 1 5 2 5 ". ▁The ▁Metropolitan ▁Museum ▁of ▁Art ▁Bul letin , ▁Vol . ▁ 4 3 , ▁no . ▁ 4 , ▁Spring , ▁ 1 9 8 6 ▁ ▁P ächt , ▁Otto . ▁Van ▁E y ck ▁and ▁the ▁Found ers ▁of ▁Early ▁Nether land ish ▁P ain ting . ▁ 1 9 9 9 . ▁London : ▁Har vey ▁Miller