▁Te legraph , ▁" Ac comp an ied ▁by ▁the ▁bew itch ing ▁X iom ara ▁Re yes ▁– ▁spring - loaded ▁ball on , ▁g oss amer ▁hands ▁– ▁he ▁un le ash es ▁a ▁fear some ▁bar rage ▁of ▁grand ▁technical ▁br ill iance , ▁as ▁controlled ▁as ▁it ▁is ▁ex uber ant . ▁T ogether , ▁this ▁extraordinary ▁his pan ic ▁du o ▁make ▁the ▁T cha ik ov sky ▁Pas ▁de ▁Deux ▁bla ze ▁from ▁the ▁stage ▁– ▁you ▁gr in ▁hel pl ess ly , ▁and ▁can ▁bare ly ▁resist ▁the ▁imp ulse ▁to ▁get ▁up ▁and ▁join ▁them ." ▁Clement ▁Cris p , ▁writing ▁for ▁The ▁Fin an cial ▁Times ▁commented , ▁" I ▁much ▁adm ired ▁the ▁way ▁X iom ara ▁Re yes ▁and ▁H erman ▁Cor ne jo ▁de alt ▁with ▁the ▁en su ing ▁T cha ik ov sky ▁pas ▁de ▁deux ▁by ▁Bal anch ine , ▁which ▁was ▁to ▁take ▁no ▁prisoners . ▁Bra v ura . ▁L ots ▁of ▁pir ou ettes ; ▁lots ▁of ▁steps ▁cut ▁d azz ling ly ▁in ▁the ▁air ; ▁lots ▁of ▁charm . ▁And ▁lots ▁and ▁lots ▁of ▁des erved ▁app la use ." ▁ ▁O ks ana ▁Kh ad arina , ▁writing ▁for ▁Dance ▁T abs ▁noted , ▁" Watch ing ▁the ▁performance ▁of ▁X iom ara ▁Re yes ▁in ▁the ▁main ▁role , ▁I ▁kept ▁thinking ▁that ▁AB T ▁is ▁about ▁to ▁bid ▁fare well ▁to ▁the ▁fin est ▁Cow g irl ▁in ▁the