▁– ▁another ▁technique ▁borrow ed ▁from ▁the ▁Four ▁F resh men ▁that ▁Lam bert ▁calls ▁the ▁" inter rupt ing ▁cel est ial ▁cho ir ". ▁It ▁occurs ▁in ▁" S alt ▁Lake ▁City " ▁( 1 9 6 5 ) ▁and ▁" S loop ▁John ▁B " ▁( 1 9 6 6 ). ▁ ▁Ly ric ism ▁ ▁In ▁most ▁cases , ▁Wilson ▁was ▁forced ▁to ▁rely ▁on ▁outside ▁collabor ators ▁when ▁it ▁came ▁to ▁adding ▁ly ric ism ▁to ▁his ▁compos itions . ▁At ▁this ▁stage , ▁Wilson ▁usually ▁worked ▁with ▁band mate ▁Mike ▁Love , ▁whose ▁assert ive ▁persona ▁provided ▁youth ful ▁sw agger ▁that ▁contrast ed ▁Wilson ' s ▁expl or ations ▁in ▁rom antic ism ▁and ▁sens itivity . ▁San chez ▁noted ▁a ▁pattern ▁where ▁Brian ▁would ▁spare ▁sur f ing ▁imag ery ▁when ▁working ▁with ▁collabor ators ▁outside ▁of ▁his ▁band ' s ▁circle , ▁in ▁the ▁examples ▁" L on ely ▁Sea " ▁and ▁" In ▁My ▁Room ". ▁Wilson ▁has ▁said ▁that ▁he ▁had ▁" ne ver ▁been ▁the ▁type " ▁to ▁pre ach ▁social ▁messages ▁in ▁his ▁songs . ▁ ▁In ▁early ▁ 1 9 6 4 , ▁Wilson ▁began ▁his ▁break away ▁from ▁beach - th emed ▁music . ▁The ▁album ▁The ▁Beach ▁Boys ▁Today ! ▁( 1 9 6 5 ) ▁established ▁Wilson ' s ▁new ▁lyr ical ▁approach ▁toward ▁the ▁aut obi ographical . ▁Nick ▁Kent ▁writes : ▁" In ▁songs ▁like ▁' She ▁Kn ows ▁Me ▁To o ▁Well '