war ▁Girl " ▁and ▁" A maz ina ." ▁This ▁character ▁she ▁developed ▁was ▁an ▁emp ower ed ▁female ▁war rior ▁unlike ▁the ▁sexual ized ▁woman ▁s tere ot ype ▁that ▁was ▁pre val ent ▁during ▁the ▁ 1 9 8 0 s . ▁ ▁At ▁the ▁time , ▁the ▁form ative ▁band ▁members ▁were ▁living ▁in ▁an ▁old ▁da iry ▁plant ▁that ▁had ▁been ▁converted ▁into ▁lo ft s ▁and ▁artists ▁stud ios ▁which ▁they ▁called ▁" The ▁Mil k ▁B ott le ". ▁It ▁was , ▁as ▁Miller ▁describes , ▁" a ▁huge ▁castle ▁br imming ▁with ▁cre ative ▁energy ." ▁ ▁During ▁her ▁time ▁performing ▁with ▁G war , ▁Miller ▁participated ▁in ▁several ▁icon ic ▁sk its , ▁including : ▁creating ▁a ▁giant ▁RA ID ▁can ▁to ▁ex termin ate ▁the ▁only ▁surv iving ▁creature ▁from ▁the ▁Ch ern ob yl ▁nuclear ▁accident ▁in ▁the ▁USS R : ▁a ▁giant ▁co ck ro ach ; ▁a ▁commercial ▁for ▁G war ▁c ere al ; ▁and ▁an ▁ir onic ▁installation ▁featured ▁around ▁an ▁o vers ized ▁pair ▁of ▁Adolf ▁Hitler ' s ▁under we ar . ▁ ▁The ▁Global ▁Angel ▁W ings ▁Project ▁( 2 0 1 2 - ongo ing ) ▁▁ ▁Miller ▁moved ▁to ▁Los ▁Angeles ▁in ▁ 1 9 9 9 ▁and ▁began ▁her ▁Global ▁Angel ▁W ings ▁Project ▁in ▁ 2 0 1 2 ▁to ▁" rem ind ▁human ity ▁that ▁we ▁are ▁the ▁ang els ▁on ▁this ▁Earth ." ▁One ▁day ▁she ▁was ▁de pressed ▁and