ones ▁is ▁used ▁to ▁height en ▁the ▁harm onic ▁interest . ▁ ▁The ▁clim ax ▁is ▁at ▁the ▁top ▁of ▁the ▁cres c endo ▁with ▁the ▁theme ▁being ▁stated ▁in ▁almost ▁all ▁of ▁the ▁low ▁instruments . ▁The ▁higher ▁instruments ▁play ▁so aring ▁counter point ▁lines , ▁all ▁of ▁which ▁is ▁marked ▁. ▁The ▁final ▁repet ition , ▁stated ▁in ▁the ▁trom b ones ▁and ▁low ▁tr ump ets / cor net s ▁( an ▁unusual ▁combination ▁for ▁its ▁day ) ▁is ▁trans posed ▁up ▁a ▁fifth , ▁chrom atically ▁alter ed , ▁and ▁extended . ▁The ▁movement ▁ends ▁with ▁the ▁trom b ones ▁and ▁tr ump ets / cor net s ▁playing ▁against ▁the ▁rest ▁of ▁the ▁band ▁playing ▁on ▁be ats ▁one ▁and ▁two ▁while ▁the ▁rest ▁of ▁the ▁band ▁is ▁striking ▁sust ained ▁ch ords ▁on ▁the ▁third ▁beat ▁of ▁the ▁bar . ▁Hol st , ▁in ▁the ▁final ▁ch ord , ▁dro ps ▁out ▁all ▁of ▁the ▁bass ▁voices ▁from ▁the ▁band ▁leaving ▁a ▁very ▁brilliant ▁sound ing ▁ch ord ▁with ▁high ▁concert ▁B s ▁in ▁the ▁fl utes , ▁pic col os , ▁and ▁tr ump ets / cor net s . ▁This ▁powerful ▁c oda ▁is ▁difficult ▁to ▁play ▁well , ▁but ▁has ▁very ▁high ▁emot ional ▁impact ▁when ▁it ▁is . ▁ ▁Mov ement ▁ 2 : ▁" Inter mez zo " ▁▁ ▁Near ly ▁all ▁of ▁this ▁movement ▁is ▁devoted ▁to ▁a ▁rh yth mic ▁and ▁well - art ic ulated ▁ob oe , ▁clar