▁( 1 9 7 2 : ▁ 4 9 ) ▁definition ▁as ▁' p ract ices ▁that ▁system atically ▁form ▁the ▁objects ▁of ▁which ▁they ▁speak '. ▁According ▁to ▁this , ▁speak ers ▁constantly ▁move ▁between ▁powerful ▁and ▁power less ▁' subject ▁positions ' ▁as ▁they ▁talk ▁and ▁interact . ▁F P DA ▁is ▁influenced ▁by ▁a ▁post struct ural ist ▁rather ▁than ▁a ▁Crit ical ▁Disc ourse ▁Analysis ▁( CD A ) ▁perspective : ▁that ▁is , ▁the ▁method ▁is ▁informed ▁by ▁the ▁view ▁that ▁no ▁speaker ▁is ▁wh olly ▁a ▁victim ▁and ▁power less , ▁nor ▁wh olly ▁dominant ▁and ▁powerful . ▁R ather , ▁speak ers ▁are ▁constantly ▁sh ifting ▁their ▁subject ▁positions ▁according ▁to ▁the ▁inter play ▁of ▁disc ourses ▁within ▁specific ▁settings . ▁The ▁femin ist ▁part ▁of ▁F P DA ▁cons iders ▁gender ▁difference ▁to ▁be ▁a ▁dominant ▁disc ourse ▁among ▁compet ing ▁disc ourses ▁when ▁anal ys ing ▁all ▁types ▁of ▁text . ▁According ▁to ▁B ax ter ▁( 2 0 0 3 ), ▁F P DA ▁does ▁not ▁have ▁an ▁' em anci pat ory ' ▁ag enda ▁for ▁women ▁but ▁a ▁' transform ative ' ▁one . ▁This ▁means ▁that ▁it ▁a ims ▁to ▁represent ▁women ' s ▁voices ▁that ▁have ▁been ▁' sil enced ' ▁or ▁marg inal ised ▁since ▁F P DA ▁cons iders ▁that ▁these ▁have ▁been ▁histor ically ▁absent ▁in ▁many ▁cult ures . ▁For ▁example , ▁Kam ada ▁( 2 0 0 8 a ; ▁ 2 0 0