▁sexual ity , ▁between ▁ec st asy ▁and ▁suffering . ▁In ▁ 2 0 1 1 ▁he ▁exhib ited ▁Show ▁Me ▁the ▁M oney ▁series ▁at ▁Cur ators ▁Vo ice ▁Art ▁Gallery ▁in ▁M I AM I , ▁in ▁which ▁he ▁cr ushed ▁doll ar ▁b ills ▁and ▁photograph ed ▁it ▁against ▁a ▁solid ▁black ▁background , ▁creating ▁images ▁which ▁dece ive ▁the ▁vie wer ’ s ▁per ception ▁and ▁question ▁the ▁traditional ▁can ons ▁of ▁economic ▁power . ▁The ▁W yn wood ▁atmosphere ▁in ▁the ▁heart ▁of ▁the ▁Miami ▁art ▁district , ▁with ▁its ▁gra ff iti , ▁v ibr ant ▁art ▁street ▁and ▁gall eries , ▁invited ▁him ▁to ▁turn ▁to ▁his ▁third ▁express ive ▁way , ▁painting . ▁In ▁ 2 0 1 2 ▁Rob ier b ▁debut ▁in ▁New ▁York ▁City ▁art ▁scene ▁at ▁Em manuel ▁F rem ing ▁Gallery ▁with ▁his ▁Bul let - F ly ▁Effect ▁series , ▁a ▁group ▁of ▁photograph s ▁in ▁which ▁he ▁performed ▁compos itions ▁that ▁f used ▁the ▁body ▁of ▁a ▁but ter fly , ▁symbol ▁of ▁beauty , ▁with ▁war ▁materials ▁like ▁bul lets ▁or ▁machine ▁guns ▁with ▁a ▁result ▁that ▁dram atically ▁ev okes ▁images ▁of ▁transformation , ▁beauty , ▁war ▁and ▁death , ▁while ▁establish es ▁a ▁reference ▁to ▁the ▁‘ but ter fly ▁effect ’ ▁in ▁the ▁Cha os ▁Theory , ▁where ▁the ▁fla pping ▁of ▁a ▁but ter fly ' s ▁wings ▁in ▁New ▁York ▁can ▁create ▁a ▁t sun ami ▁in ▁Japan . ▁In ▁ 2