▁J avan ese ▁equivalent ▁of ▁this ▁term ▁is ▁E y ang ▁G uru ▁which ▁may ▁be ▁used ▁for ▁an ▁elder ly ▁master ▁or ▁the ▁teacher ' s ▁master . ▁In ▁all ▁countries ▁where ▁sil at ▁is ▁pract ised , ▁the ▁honor ary ▁title ▁of ▁P ende kar ▁may ▁be ▁officially ▁best owed ▁onto ▁a ▁master ▁by ▁royal ty ▁or ▁uno fficial ly ▁by ▁common ers . ▁ ▁Music ▁ ▁Music ▁is ▁used ▁in ▁sil at ▁to ▁determine ▁the ▁rh ythm ▁of ▁a ▁tra ine e ' s ▁movements . ▁This ▁training ▁aspect , ▁often ▁simpl ist ically ▁seen ▁as ▁" per formance ", ▁is ▁what ▁is ▁known ▁as ▁p enc ak . ▁These ▁movements ▁are ▁often ▁displayed ▁during ▁festiv ities ▁such ▁as ▁wed d ings ▁or ▁a ▁royal ▁installation . ▁They ▁can ▁be ▁done ▁either ▁solo ▁or ▁with ▁a ▁partner ▁and ▁are ▁accompanied ▁by ▁music ▁played ▁by ▁a ▁live ▁band . ▁Several ▁traditional ▁d ances ▁were ▁influenced ▁by ▁sil at , ▁such ▁as ▁the ▁in ai ▁from ▁northern ▁Malays ia . ▁In ▁the ▁Min ang k ab au ▁area ▁sil at ▁is ▁one ▁of ▁the ▁main ▁components ▁in ▁the ▁men ' s ▁folk ▁dance ▁called ▁rand ai , ▁besides ▁b ak aba ▁( story t elling ) ▁and ▁sal u ang ▁jo ▁d end ang ▁( song - and - fl ute ). ▁ ▁The ▁music ▁played ▁during ▁sil at ▁performances ▁is ▁known ▁as ▁g end ang ▁b aku ▁in ▁the ▁Mal ay ▁Pen ins ula , ▁and ▁g end ang ▁pen cha