▁" amb ient " ▁in ▁that ▁the ▁tracks ▁tend ▁to ▁bl end ▁into ▁each ▁other ▁and ▁thus ▁ful fill ▁all ▁of ▁En o ' s ▁original ▁expect ations ▁of ▁what ▁the ▁term ▁means . ▁Nevertheless , ▁there ▁is ▁still ▁room ▁for ▁the ▁occas ional ▁surprise , ▁such ▁as ▁Jon ▁Hass ell ' s ▁recogn is able ▁effect - lad en ▁tr ump et ▁in ▁" Sh adow ". ▁En o , ▁cogn iz ant ▁of ▁the ▁deeper ▁a ural ▁qual ities , ▁said , ▁" On ▁the ▁whole , ▁On ▁Land ▁is ▁quite ▁a ▁dist urbed ▁landscape : ▁some ▁of ▁the ▁undert ones ▁deliber ately ▁threaten ▁the ▁over ton es , ▁so ▁you ▁get ▁the ▁past oral ▁pre tt iness ▁on ▁top , ▁but ▁under ne ath ▁there ' s ▁a ▁dis son ance ▁that ' s ▁like ▁an ▁imp ending ▁earth qu ake ". ▁ ▁En o ▁also ▁had ▁something ▁to ▁say ▁about ▁how ▁music — this ▁album ▁in ▁particular — should ▁be ▁listened ▁to . ▁In ▁the ▁l iner ▁notes , ▁he ▁suggested ▁( even ▁going ▁so ▁far ▁as ▁to ▁draw ▁a ▁diagram ) ▁" a ▁three - way ▁speaker ▁system ▁that ▁is ▁both ▁simple ▁to ▁install ▁and ▁in exp ensive , ▁and ▁which ▁seems ▁to ▁work ▁very ▁well ▁on ▁any ▁music ▁with ▁a ▁broad ▁s tere o ▁image ". ▁ ▁Track ▁names ▁▁ ▁The ▁album ▁makes ▁reference ▁to ▁definite ▁ge ographical ▁places , ▁such ▁as ▁L izard ▁Point , ▁the ▁exposed , ▁southern most ▁tip ▁of ▁main land ▁Britain ,