▁Row an ▁of ▁D rown ed ▁in ▁Sound ▁and ▁Andy ▁O ' Con nor ▁of ▁P itch f ork ▁were ▁less ▁im pressed ▁with ▁the ▁album ▁and ▁gave ▁it ▁a ▁five ▁and ▁five - and - a - half ▁( both ▁out ▁of ▁ten ) ▁respectively , ▁cit ing ▁too ▁little ▁of ▁Mer z bow ' s ▁sound ▁an ▁influence ▁as ▁a ▁major ▁factor . ▁Row an ▁said ▁Mer z bow , ▁" se ems ▁bare ly ▁present ▁on ▁the ▁heavy ▁tracks ▁and ▁only ▁on ▁two - and - a - half ▁songs ▁could ▁I ▁definitely ▁point ▁to ▁what ▁I ▁pres umed ▁was ▁his ▁invol vement ," ▁and ▁O ' Con nor ▁described ▁the ▁collaboration ▁as ▁" fr ustr ating ▁because ▁it ▁falls ▁short ▁of ▁its ▁goals , ▁in ▁part ▁due ▁to ▁Mer z bow ' s ▁too - redu ced ▁role ▁and ▁that ▁Full ▁of ▁Hell ▁don ' t ▁make ▁up ▁for ▁the ▁missing ▁space ." ▁ ▁While ▁most ▁review ers ▁were ▁diss atisf ied ▁with ▁the ▁lack ▁of ▁Mas ami ' s ▁influence ▁on ▁Full ▁of ▁Hell ▁& ▁Mer z bow , ▁most ▁critics ▁did ▁pra ise ▁the ▁album ' s ▁longer ▁tracks ▁toward ▁the ▁end ▁of ▁the ▁album ▁(" High ▁F ells " ▁and ▁" L jud et ▁Av ▁G ud ") ▁that ▁more ▁notice ably ▁featured ▁Mas ami ' s ▁signature ▁noise . ▁R anc ic ▁described ▁these ▁tracks ▁as ▁being ▁" more ▁abstract ▁territory " ▁and ▁that ▁ultimately ▁" it ' s ▁a ▁good ▁look ▁for ▁the ▁band