▁small ▁panel ▁by ▁Bar na ▁da ▁S ien a ▁of ▁ 1 3 3 0 - 1 3 5 0 ▁in ▁the ▁Fr ick ▁Collection . ▁ ▁These ▁continued ▁through ▁the ▁Renaissance ▁and ▁Bar o que ▁period , ▁with ▁a ▁" close - up " ▁half ▁length ▁composition ▁first ▁appearing ▁in ▁Northern ▁Italy ▁around ▁ 1 4 9 0 . ▁ ▁Some what ▁in ▁contrast ▁to ▁most ▁and ach ts b ilder , ▁the ▁suffering ▁of ▁Christ ▁is ▁often ▁less ▁graph ically ▁dep icted ▁in ▁these ▁than ▁in ▁larger ▁scenes ▁where ▁he ▁is ▁mob bed ▁by ▁a ▁host ile ▁crowd . ▁ ▁As ▁tri pty chs ▁became ▁popular , ▁the ▁scene ▁often ▁occurs ▁as ▁the ▁left - hand ▁wing ▁to ▁a ▁central ▁Cru c if ix ion , ▁with ▁an ▁Ent omb ment ▁or ▁Res urre ction ▁on ▁the ▁right - hand ▁wing . ▁ ▁From ▁around ▁ 1 5 0 0 , ▁the ▁subject ▁became ▁used ▁for ▁single ▁piece ▁alt arp ie ces ▁in ▁Italy , ▁usually ▁showing ▁either ▁the ▁meeting ▁with ▁Ver onica ▁or ▁the ▁S wo on ▁of ▁the ▁Virgin ▁or ▁sp as imo , ▁when ▁the ▁Virgin ▁swo ons , ▁f ain ts , ▁or ▁at ▁least ▁falls ▁to ▁her ▁kne es , ▁both ▁fairly ▁recent ▁and ▁rather ▁controvers ial ▁introdu ctions , ▁without ▁script ural ▁authority . ▁ ▁Works ▁Ind ividual ▁works ▁with ▁articles ▁include ▁the ▁following ▁( ap art ▁from ▁a ▁large ▁number ▁of ▁cycles ▁featuring ▁the ▁scene ): ▁ ▁Christ ▁Fall ing ▁on ▁the ▁Way ▁to