▁in ▁two ▁sections ▁related ▁to ▁the ▁struggle ▁and ▁filled ▁with ▁constant ▁movement ▁and ▁t ension ▁height ening ▁the ▁atmosphere ▁of ▁brut ality , ▁opp ression , ▁suffering , ▁and ▁violence . ▁“ In ▁this ▁painting ” ▁an ▁art ▁critic ▁writes , ▁“ K ans o ▁expl ores ▁the ▁multip licity ▁of ▁power ▁and ▁makes ▁aware ▁of ▁its ▁mobile ▁relations ▁by ▁creating ▁a ▁center ▁with ▁no ▁central ▁figure . ▁Four ▁figures ▁replace ▁the ▁notion ▁of ▁a ▁center ▁of ▁power ▁with ▁the ▁multip licity ▁of ▁mobile ▁relations . ▁In ▁ess ence ▁“ power ▁is ▁exerc ised ▁from ▁in numerable ▁points , ▁in ▁the ▁inter play ▁of ▁non - eg al itar ian ▁and ▁mobile ▁relations .” . ▁The ▁figures ▁around ▁the ▁center ▁appear ▁as ▁“ he gem onic ▁symbols ” ▁of ▁the ▁mobile ▁relations , ▁where ▁there ▁is ▁power ▁there ▁is ▁resistance ” ▁a ▁term ▁developed ▁as ▁a ▁result ▁of ▁American ▁Oriental ism . ▁There ▁are ▁four ▁hors emen ▁even ly ▁distributed ▁in ▁front ▁four ▁to wers ▁with ▁mask like ▁faces . ▁Some ▁critics ▁cont end ▁that ▁these ▁rid ers ▁represent ▁their ▁accum ulated ▁power ▁and ▁wealth ▁i . e . ▁corpor ations ▁and ▁corpor ate ▁heads . ▁A ▁spectral ▁figure ▁r iding ▁a ▁horse ▁confront s ▁a ▁cru c ified ▁be arded ▁figure ▁who ▁is ▁being ▁spe ared ▁at ▁the ▁ch est . ▁He ▁seems ▁to ▁be ▁pulling ▁force fully ▁in ▁a ▁look ▁of ▁ra ge . ▁This ▁figure ▁all udes ▁to ▁the ▁cru c ified ▁Christ ▁and ▁symbol izes ▁the ▁van ishing ▁of