▁is ▁neither ▁of ▁an ▁ext ro vert ▁or ▁an ▁intro vert ▁but ▁consists ▁of ▁the ▁poly ph onic ▁echo es , ▁pre domin antly ▁of ▁a ▁centro vert . ▁Ran chan ▁claims ▁that ▁obsc ure ▁poetry ▁disc ou rages ▁“ common ▁reader ” ▁but ▁is ▁essential ▁to ▁sust ain ▁variety ▁of ▁“ multi - c ultur ism , ▁myth ical ▁and ▁arch et yp al ▁rever ber ations ▁and ▁met aph ys ical ▁experiences ” ▁( K ir pal ▁Singh ). ▁Or r ington ▁R ams ay , ▁Professor ▁of ▁English , ▁California ▁State ▁University ▁( USA ), ▁op ines : ▁“ S om ▁P . ▁Ran chan ’ s ▁lyr ical ▁tongue ▁is ▁the ▁ult imate ▁universal ▁love ▁of ▁earth , ▁of ▁man , ▁and ▁of ▁the ▁gods … he ▁incorpor ates ▁the ▁l ush ▁cad ences ▁of ▁our ▁own ▁English ▁verse ▁and ▁the ▁myst ic ▁vision ▁of ▁India ” ▁( “ Back ▁Cover ” ▁Som ▁P . ▁Ran chan : ▁A ▁Po et ▁of ▁Many ▁Vo ices , ▁ 1 9 9 4 ). ▁ ▁For ▁the ▁readers ▁of ▁Ran chan , ▁a ▁collection ▁of ▁papers ▁by ▁the ▁most ▁prominent ▁sch ol ars ▁of ▁India , ▁V ed ▁Sh arma ’ s ▁A ▁Profile ▁in ▁Cre ativity ( 1 9 9 2 ) ▁is ▁an ▁ever ▁ill umin ating ▁ende avor . ▁U sha ▁B ande ▁op ines ▁that : ▁” ▁Som ▁P . ▁Ran chan ’ s ▁‘ Bl ind ▁Beg gar ’ , ▁sitting ▁ast ride ▁a ▁Sh im