▁Ag nes ▁V arda ' s ▁short ▁On cle ▁Yan co ▁( ▁' Un cle ▁Yan co ', ▁ 1 9 6 7 ), ▁made ▁in ▁San ▁Francisco ▁about ▁one ▁of ▁her ▁relatives ▁who ▁was ▁a ▁painter ▁leading ▁a ▁hi pp ie ▁life ▁on ▁a ▁bar ge . ▁ ▁At ▁fifty - six , ▁his ▁contribution ▁as ▁one ▁of ▁five ▁camera ▁operators ▁on ▁the ▁land mark ▁rock ▁concert ▁document ary ▁Wood stock ▁( 1 9 7 0 ) ▁brought ▁an ▁Oscar ▁and ▁established ▁his ▁reputation ▁as ▁a ▁film maker ▁in ▁the ▁rock ▁music ▁industry . ▁That ▁achiev ement ▁was ▁followed ▁by ▁his ▁cinemat ography ▁on ▁Johnny ▁C ash ▁in ▁San ▁Qu entin ▁( 1 9 6 9 ), ▁El vis ▁on ▁Tour ▁( 1 9 7 2 ), ▁Joe ▁C ocker : ▁Mad ▁D ogs ▁& ▁English men ▁( 1 9 7 1 ), ▁Soul ▁to ▁Soul ▁( 1 9 7 1 ), ▁W att st ax ▁( 1 9 7 3 ), ▁Let ▁the ▁Good ▁Times ▁Roll ▁( 1 9 7 3 ), ▁Save ▁the ▁Children ▁( 1 9 7 3 ), ▁The ▁Gr ateful ▁Dead ▁( 1 9 7 7 ), ▁Martin ▁Sc ors ese ' s ▁The ▁Last ▁W alt z ▁( 1 9 7 8 ), ▁Neil ▁Young ' s ▁Neil ▁Young ▁& ▁Cra zy ▁Hor se : ▁R ust ▁Never ▁S le eps ▁( 1 9 7 9 ) ▁and ▁J oni ▁Mitchell ' s ▁Sh adows ▁and ▁Light ▁( 1 9 8 0 ). ▁ ▁My ers