▁own ▁work ▁to ▁record ▁with ▁either ▁the ▁rh ythm ▁section ▁or ▁leader ; ▁thus ▁it ▁was ▁unusual ▁when ▁Roll ins ▁recorded ▁with ▁the ▁same ▁mus icians ▁that ▁he ▁played ▁with ▁in ▁the ▁Quint et . ▁Roll ins ▁had ▁joined ▁the ▁Quint et ▁five ▁months ▁before hand , ▁replacing ▁Harold ▁Land , ▁who ▁left ▁New ▁York ▁to ▁care ▁for ▁his ▁sick ▁wife ▁in ▁California . ▁ ▁Roll ins ▁was ▁working ▁as ▁a ▁jan itor ▁in ▁Chicago , ▁sp ending ▁most ▁of ▁his ▁time ▁pract icing ▁and ▁re th inking ▁his ▁life ▁( a ▁shorter ▁s abb at ical ▁compared ▁to ▁ones ▁he ▁would ▁take ). ▁The ▁Quint et ▁was ▁in ▁Chicago ▁in ▁November ▁ 1 9 5 5 ▁and ▁was ▁playing ▁at ▁the ▁Be e ▁H ive ▁Club ▁in ▁Hy de ▁Park . ▁After ▁sitting ▁in ▁with ▁the ▁Brown / Ro ach ▁Quint et ▁at ▁the ▁Be e ▁H ive , ▁Roll ins ▁was ▁added ▁as ▁ten or ▁sa x oph on ist . ▁▁ ▁After ▁returning ▁to ▁New ▁York , ▁Roll ins ▁recorded ▁Plus ▁ 4 ▁and ▁used ▁the ▁Quint et ▁as ▁part ▁of ▁an ▁arrangement ▁between ▁his ▁record ▁label , ▁Pr est ige , ▁and ▁Em Ar cy , ▁the ▁jazz ▁subs idi ary ▁of ▁Mercur y , ▁which ▁had ▁the ▁Brown / Ro ach ▁Quint et ▁under ▁contract . ▁To ▁use ▁Roll ins ▁on ▁the ▁Brown - Ro ach ▁Quint et ' s ▁Em Ar cy ▁albums , ▁Pr est ige ▁owner ▁Bob ▁We inst ock ▁ins isted ▁that ▁the ▁group