▁appear ▁to ▁be ▁genu ine ▁at ▁first , ▁they ▁are ▁actually ▁in exp ensive ▁im itations ▁of ▁pres umably ▁pre cious ▁consumer ▁goods . ▁Sub ject s ▁are ▁ad orn ed ▁in ▁cost ume ▁supplies , ▁paint , ▁and ▁advert ising ▁photograph s ▁that ▁suggest ▁a ▁fabric ated ▁sense ▁of ▁truth . ▁This ▁style ▁dis associ ated ▁ideas ▁of ▁femin inity ▁as ▁being ▁authentic , ▁but ▁rather ▁considered ▁the ▁concept ▁to ▁be ▁a ▁repet ition ▁of ▁fict ional ▁ideas . ▁Through ▁Mar is ol ' s ▁the at ric ▁and ▁sat ir ic ▁im itation , ▁common ▁sign ifiers ▁of ▁' f em in inity ' ▁are ▁explained ▁as ▁patri arch al ▁logic ▁established ▁through ▁a ▁repet ition ▁of ▁representation ▁within ▁the ▁media . ▁By ▁incorpor ating ▁herself ▁within ▁a ▁work ▁as ▁the ▁' f em in ine ' ▁fa ç ade ▁under ▁scr ut iny , ▁Mar is ol ▁effectively ▁convey ed ▁a ▁' f em in ine ' ▁subject ▁as ▁capable ▁of ▁taking ▁control ▁of ▁her ▁own ▁dep iction . ▁ ▁Mar is ol ▁m im icked ▁the ▁imag inary ▁construct ▁of ▁what ▁it ▁means ▁to ▁be ▁a ▁woman , ▁as ▁well ▁as ▁the ▁role ▁of ▁the ▁' art ist '. ▁She ▁accomplished ▁this ▁through ▁combining ▁sens ib ilities ▁of ▁both ▁Action ▁painting ▁and ▁Pop ▁art . ▁Mar is ol ▁util ized ▁the ▁sp ont aneous ▁gesture ▁of ▁expression ▁within ▁Action ▁painting ▁along ▁with ▁the ▁cool ▁and ▁collected ▁art istic ▁intent ▁of ▁Pop ▁art . ▁Mar is ol ' s ▁sculpt