”. ▁ ▁The ▁narr ator ▁offers ▁to ▁the ▁reader ▁a ▁bi ased ▁picture ▁of ▁Mrs . ▁An erton , ▁indeed , ▁she ▁is ▁seen ▁as ▁a ▁god dess , ▁because ▁of ▁the ▁insp iration ▁she ▁arose ▁in ▁her ▁poet ▁R end le , ▁and ▁in ▁other ▁men . ▁The ▁sentence ▁“ ▁[ … ] ▁on ▁the ▁alt ar ▁of ▁her ▁ins ati able ▁div inity ” ▁shows ▁that . ▁There ▁is ▁the ▁lex ical ▁field ▁of ▁the ▁div inity ▁“ alt ar ” ▁“ div inity ” ▁“ v ener ation ” ▁“ san ctu ary ”. ▁She ▁allows ▁the ▁creation . ▁“ Sil via ▁had ▁herself ▁created ▁the ▁Son net s ▁to ▁Sil via ” ; ▁she ▁is ▁like ▁a ▁demi ur ge , ▁a ▁div inity ; ▁she ▁spread s ▁an ▁a ura ▁that ▁ar ouses ▁the ▁insp iration . ▁▁ ▁By ▁being ▁abstract , ▁this ▁notion ▁of ▁insp iration ▁needs ▁concrete ▁images ▁to ▁be ▁stated ▁and ▁that ▁is ▁why ▁the ▁narr ator ▁uses ▁numerous ▁compar isons . ▁A bove ▁all , ▁we ▁can ▁quote ▁two ▁compar isons ▁between ▁insp iration ▁and ▁other ▁concrete ▁elements . ▁▁ ▁First ▁of ▁all , ▁insp iration ▁is ▁presented ▁through ▁the ▁muse , ▁Mrs . ▁An erton , ▁like ▁a ▁garden : ▁" M rs . ▁An erton ' s ▁mind ▁was ▁like ▁some ▁fert ile ▁garden ▁where in ▁in ev it ably , ▁R end le ' s ▁imagination ▁had ▁root ed ▁and ▁flow ered ". ▁This ▁sentence ▁comp ares ▁R end le '