ough ▁of ▁the ▁song ▁and , ▁just ▁as ▁important , ▁the ▁implicit ▁sexual ▁humor . ▁In ▁short , ▁she ▁got ▁it ." ▁In ▁an ▁interview ▁with ▁music ▁writer ▁Ralph ▁J . ▁G le ason , ▁Thor nt on ▁said : ▁" They ▁were ▁just ▁a ▁couple ▁of ▁k ids , ▁and ▁they ▁had ▁this ▁song ▁written ▁on ▁the ▁back ▁of ▁a ▁paper ▁bag ." ▁Thor nt on ▁claims ▁that ▁she ▁added ▁a ▁few ▁inter jections ▁of ▁her ▁own , ▁played ▁around ▁with ▁the ▁rh ythm ▁( some ▁of ▁the ▁ch or uses ▁have ▁th ir teen ▁rather ▁than ▁twelve ▁bars ), ▁and ▁had ▁the ▁band ▁b ark ▁and ▁how l ▁like ▁h ound ▁dogs ▁at ▁the ▁end ▁of ▁the ▁song : ▁" I ▁started ▁to ▁sing ▁the ▁words ▁and ▁join ▁in ▁some ▁of ▁my ▁own . ▁All ▁that ▁talk in ' ▁and ▁hol ler in ' — that ' s ▁my ▁own ." ▁Thor nt on ▁interact s ▁constantly ▁in ▁a ▁call ▁and ▁response ▁fashion ▁during ▁a ▁one - min ute ▁long ▁guitar ▁" sol o " ▁by ▁Lewis . ▁Her ▁vocals ▁include ▁lines ▁such ▁as : ▁" A w , ▁listen ▁to ▁that ▁o le ▁h ound ▁dog ▁how l … ▁O O O O oo o ow ", ▁" Now ▁w ag ▁your ▁tail ", ▁and ▁" A w , ▁get ▁it , ▁get ▁it , ▁get ▁it ". ▁This ▁" bl ues ▁talk ", ▁is ▁" a ▁common ▁practice ▁in ▁bl ues ▁music ". ▁Years ▁later ▁Thor nt on ▁helped