▁became ▁his ▁friend ▁and ▁music ▁partner . ▁ ▁They ▁worked ▁together ▁for ▁ 3 0 ▁years . ▁ ▁" He ▁started ▁from ▁ground ▁zero , ▁( learning ) ▁' This ▁is ▁a ▁middle ▁C ,' ▁and ▁became ▁. ▁. ▁. ▁a ▁great ▁music ian ," ▁said ▁Castro - Ne ves . ▁" He ▁was ▁a ▁very ▁inspired ▁composer ▁with ▁a ▁great ▁ability ▁to ▁write ▁mel od ies ▁and ▁a ▁great ▁orch est ral ▁talent ." ▁ ▁By ▁the ▁mid - 1 9 7 0 s , ▁Good man ▁did ▁his ▁first ▁film ▁projects ▁as ▁composer ▁for ▁such ▁films ▁as ▁Sl umber ▁Party ▁' 5 7 ▁( 1 9 7 6 ). ▁ ▁In ▁ 1 9 7 9 , ▁Good man ▁arranged ▁orch estr ations ▁on ▁the ▁Peter ▁S ellers ▁comedy ▁Being ▁There ▁for ▁Mand el . ▁ ▁Good man ▁and ▁Mand el ▁would ▁continue ▁to ▁collabor ate ▁with ▁each ▁other ▁over ▁the ▁next ▁few ▁years , ▁most ▁not ably ▁to ▁score ▁Sid ney ▁L um et ' s ▁Oscar - n omin ated ▁film , ▁The ▁Ver dict ▁( 1 9 8 2 ). ▁ ▁He ▁later ▁composed ▁the ▁score ▁for ▁Te en ▁Wolf ▁( 1 9 8 5 ), ▁st arring ▁Michael ▁J . ▁Fox . ▁ ▁He ▁also ▁orch estr ated ▁or ▁scored ▁music ▁for ▁Foot lo ose ▁( 1 9 8 4 ), ▁About ▁Last ▁Night ▁( 1 9 8 6 ), ▁Little ▁Sh op ▁of ▁Hor ror s ▁( 1 9 8 6 ), ▁La ▁B amba ▁(