▁of ▁high ▁and ▁popular ▁art istic ▁production : ▁Mar ge ▁tre ats ▁the ▁Spring field ▁P ops ▁as ▁' c ulture ' ▁and ▁expects ▁that ▁the ▁usually ▁bo or ish ▁H omer ▁will ▁need ▁to ▁be ▁drawn ▁into ▁the ▁spect acle ." ▁However , ▁Ko enig s berger ▁notes ▁that ▁H omer ▁actually ▁regards ▁Star ▁Wars ▁as ▁a ▁" class ic ", ▁imp lying ▁that ▁a ▁" class ic " ▁work ▁must ▁have ▁a ▁musical ▁composer ▁that ▁is ▁dece ased , ▁and ▁be ▁de void ▁of ▁light - sh ows ▁or ▁gl itter ▁balls . ▁Ko enig s berger ▁uses ▁this ▁example ▁to ▁discuss ▁H omer ' s ▁application ▁of ▁" a ▁strategy ▁characteristic ▁of ▁literary ▁modern ism ". ▁ ▁In ▁their ▁book ▁Edu c ating ▁R ita ▁by ▁Wil ly ▁Russell , ▁Reb e cca ▁Mah on ▁and ▁Nick ▁Ch ed ra ▁c ite ▁Mar ge ' s ▁desire ▁to ▁" enter ▁the ▁world " ▁as ▁an ▁example ▁of ▁their ▁topic ▁called ▁" In to ▁the ▁World ". ▁Mah on ▁and ▁Ch ed ra ▁note : ▁" Com edy ▁and ▁par ody ▁are ▁frequently ▁used ▁in ▁the ▁episode ▁in ▁order ▁to ▁convey ▁the ▁fr ustr ations ▁Mar ge ▁is ▁forced ▁to ▁deal ▁with ▁— ▁whether ▁these ▁are ▁based ▁around ▁the ▁cor ruption ▁of ▁her ▁colle agues , ▁the ▁music ▁used ▁on ▁occasion ▁which ▁par od ies ▁former ▁police ▁shows , ▁or ▁even ▁the ▁scene ▁where ▁Mar ge ▁is ▁forced ▁to ▁arrest ▁her ▁husband ." ▁The ▁authors ▁compare ▁Mar ge ' s ▁experiences