▁air play ▁success . ▁Yet ▁they ▁saw ▁the ▁composition ▁as ▁either ▁one ▁of ▁the ▁Buck ingham ' s ▁" le ast ▁catch y " ▁as ▁written ▁in ▁the ▁Mar š al ík ' s ▁review , ▁or ▁" one ▁of ▁[ her ] ▁weak iest ▁songs " ▁per ▁Mor av c ová ▁herself . ▁She ▁would ▁explain ▁her ▁jud g ement ▁further : ▁" In ▁contrast ▁to ▁the ▁rest , ▁it ▁works ▁too ▁roughly ▁and ▁its ▁R & B ▁flow ▁mis f its ▁the ▁pop ▁concept ▁of ▁[ her ] ▁album ." ▁ ▁Hon za ▁Bal u š ek ▁writing ▁for ▁the ▁online ▁newspaper ▁Music Server . cz , ▁refused ▁the ▁result ▁for ▁a ▁change , ▁calling ▁it ▁"[ her ] ▁most ▁weird ▁[ song ]" ▁reported ly ▁due ▁to ▁its ▁" bro ken ▁rh ythm ". ▁The ▁editor , ▁though , ▁admitted ▁the ▁song ' s ▁potential ▁in ▁the ▁under ground ▁circuit . ▁Š t ě p án ▁Stre j č ek ▁of ▁the ▁Future H its ▁celebrated ▁the ▁result ▁as ▁" very ▁modern ▁track ", ▁actually ▁adding : ▁" For ▁my ▁part , ▁there ▁is ▁nothing ▁at ▁all ▁to ▁repro ach ▁[ it ] ." ▁While ▁Mich a ela ▁Ž ure k ová ▁from ▁the ▁Slov ak ▁web ▁devoted ▁to ▁music ▁Hud ba ▁gave ▁a ▁positive ▁rating , ▁too , ▁qu oting : ▁"... even ▁an ▁ac oust ic ▁spirit ▁of ▁songs ▁fits ▁Cel este , ▁which ▁she ▁demonstr ates ▁for ▁example ▁on ▁the ▁first ▁single , ▁a ▁really ▁strong ,