ór ▁rev ival ▁ ▁A ▁parallel ▁body ▁of ▁practice - based ▁research ▁is ▁being ▁undert aken ▁by ▁wire - str ung ▁G ael ic ▁har p ▁players ▁who ▁are ▁trans cri bing ▁the ▁ce ò l ▁m ór ▁re per toire ▁back ▁to ▁its ▁re put ed ▁har p ▁orig ins ▁via ▁p ib ro ch ▁compos itions ▁from ▁early ▁manuscript s ▁sources , ▁particularly ▁the ▁Campbell ▁Can nt aire ach d ▁MS . ▁and ▁from ▁fiddle ▁p ib ro ch ▁compos itions ▁documented ▁by ▁Daniel ▁Dow ▁and ▁others . ▁ ▁Man x ▁har per ▁Charles ▁Guard ▁was ▁the ▁first ▁to ▁record ▁arrang ements ▁of ▁bag pipe ▁p ib ro chs ▁performed ▁on ▁the ▁wire ▁str ung ▁cl ars ach ▁har p ▁in ▁ 1 9 7 7 . ▁Scottish ▁Har per ▁Al ison ▁Kin na ird ▁recorded ▁rev ived ▁p ib ro ch ▁related ▁ce ò l ▁m ór ▁re per toire ▁on ▁the ▁har p ▁along ▁with ▁other ▁early ▁Scottish ▁har p ▁music ▁gen res ▁such ▁as ▁ports ▁the ▁following ▁year . ▁In ▁her ▁early ▁record ings ▁she ▁played ▁this ▁music ▁on ▁a ▁modern ▁lever ▁har p , ▁She ▁has ▁recorded ▁ce ò l ▁m ór ▁related ▁compos itions ▁with ▁Ann ▁He ym ann ▁who ▁plays ▁a ▁rep lica ▁early ▁Irish ▁cla irse ach ▁wire - str ung ▁har p . ▁Kin na ird ▁has ▁recently ▁also ▁performed ▁and ▁recorded ▁rev ived ▁ce ò l ▁m ór ▁on ▁a ▁rep lica ▁early ▁Scottish ▁wire - str ung ▁cl ars ach ▁har