▁features ▁production ▁from ▁F . B . T ., ▁which ▁consists ▁of ▁" p iano ▁l icks , ▁s wer ving ▁synth , ▁and ▁a ▁de cept ively ▁simpl istic ▁bass ▁r umble ▁over ▁which ▁Em ▁sn akes ▁and ▁sn ar ls ▁and ▁war ns ▁that ▁' you ▁can ' t ▁stop ▁me ▁from ▁to pping ▁these ▁charts ... ' ". ▁He ▁pok es ▁fun ▁at ▁critics ▁who ▁take ▁his ▁lyr ical ▁content ▁seriously , ▁explaining ▁that ▁" half ▁the ▁sh it ▁I ▁say , ▁I ▁just ▁make ▁it ▁up ▁to ▁make ▁you ▁mad ". ▁ ▁C ensor ship ▁▁ ▁In ▁his ▁book ▁Ed ited ▁C lean ▁Version : ▁Technology ▁and ▁the ▁Culture ▁of ▁Control , ▁author ▁Ra if ord ▁Gu ins ▁writes ▁that ▁the ▁clean ▁version ▁of ▁The ▁Marshall ▁Math ers ▁LP ▁" res emb les ▁a ▁cross ▁between ▁a ▁cell ▁phone ▁chat ▁with ▁terrible ▁reception ... and ▁a ▁noted ▁hip - h op ▁ly ric ist ▁suffering ▁from ▁an ▁in cur able ▁case ▁of ▁h ic cu ps ." ▁This ▁version ▁of ▁the ▁album ▁often ▁either ▁om its ▁words ▁completely ▁or ▁obsc ures ▁them ▁with ▁added ▁sound ▁effects . ▁The ▁clean ▁version ▁of ▁the ▁album ▁did ▁not ▁c ensor ▁all ▁prof an ity . ▁W ords ▁like ▁" ass ", ▁" b itch ", ▁" god dam n ", ▁and ▁" sh it " ▁were ▁un c ens ored . ▁However , ▁on ▁the ▁track ▁" The ▁Real ▁S lim ▁Sh ady ", ▁the ▁words ▁" b itch " ▁and ▁"