▁at ▁the ▁time ▁he ▁was ▁less ▁influenced ▁by ▁Italian ▁painting ▁than ▁by ▁the ▁late ▁M anner ist ▁style ▁that ▁was ▁at ▁the ▁time ▁being ▁developed ▁in ▁U tre cht ▁and ▁H aar lem ▁and ▁drew ▁insp iration ▁from ▁the ▁work ▁of ▁the ▁F lem ish ▁painter ▁Bar th ol ome us ▁Spr anger . ▁ ▁The ▁work ▁D iana ▁and ▁Call isto ▁does , ▁however , ▁rely ▁on ▁Italian ▁sculpt ure ▁of ▁both ▁Anti qu ity ▁and ▁the ▁Renaissance , ▁as ▁does ▁his ▁later ▁work . ▁ ▁Following ▁his ▁return ▁to ▁Ant werp ▁in ▁ 1 6 0 2 ▁J ans sens ' ▁work ▁displayed ▁a ▁strong ▁reli ance ▁on ▁Rap ha el . ▁ ▁This ▁is ▁clear ▁in ▁the ▁composition ▁Mount ▁Olymp us ▁( Al te ▁Pin ak othek , ▁Mun ich ) ▁which ▁shows ▁the ▁combination ▁of ▁J ans sens ' ▁study ▁of ▁the ▁Ant ique ▁and ▁of ▁Michel ang elo , ▁during ▁his ▁stay ▁in ▁Italy ▁and ▁with ▁the ▁help ▁of ▁prints ▁which ▁he ▁could ▁view ▁in ▁Ant werp . ▁ ▁From ▁ 1 6 0 6 ▁on wards , ▁his ▁style ▁started ▁to ▁show ▁the ▁influence ▁of ▁Car av aggio . ▁ ▁It ▁is ▁believed ▁that ▁this ▁was ▁a ▁response ▁to ▁new ▁t endencies ▁in ▁the ▁Ant werp ▁school ▁of ▁painting ▁around ▁this ▁time . ▁ ▁He ▁painted ▁in ▁this ▁style ▁for ▁about ▁five ▁to ▁six ▁years . ▁ ▁His ▁composition ▁S cal dis ▁and ▁Ant ver p ia ▁( also ▁referred ▁to ▁as ▁Al leg ory ▁of ▁the