▁de ▁I pan ema ). ▁In ▁their ▁compla int , ▁they ▁stated ▁that ▁her ▁status ▁as ▁The ▁Girl ▁from ▁I pan ema ▁( G ar ô ta ▁de ▁I pan ema ) ▁did ▁not ▁ent itle ▁her ▁to ▁use ▁a ▁name ▁that ▁leg ally ▁belonged ▁to ▁them . ▁Public ▁support ▁was ▁strongly ▁in ▁favor ▁of ▁Pin he iro . ▁A ▁press ▁release ▁by ▁Job im ▁and ▁M ora es , ▁the ▁compos ers , ▁in ▁which ▁they ▁had ▁named ▁Pin he iro ▁as ▁the ▁real ▁Girl ▁from ▁I pan ema ▁( G ar ota ▁de ▁I pan ema ) ▁was ▁used ▁as ▁evidence ▁that ▁they ▁had ▁intended ▁to ▁best ow ▁this ▁title ▁on ▁her . ▁The ▁court ▁ruled ▁in ▁favor ▁of ▁Pin he iro . ▁ ▁In ▁a ▁separate ▁legal ▁dispute , ▁A str ud ▁Gil berto ▁su ed ▁F rito - L ay ▁for ▁tra dem ark ▁in fr ing ement ▁for ▁using ▁the ▁song ▁in ▁a ▁TV ▁advert is ement ▁for ▁its ▁b aked ▁pot ato ▁ch ips . ▁Gil berto ▁argued ▁that :[ A ] s ▁the ▁result ▁of ▁the ▁huge ▁success ▁of ▁the ▁ 1 9 6 4 ▁recording , ▁and ▁her ▁frequent ▁subsequent ▁performances ▁of ▁" I pan ema ," ▁she ▁has ▁become ▁known ▁as ▁The ▁Girl ▁from ▁I pan ema ▁and ▁is ▁identified ▁by ▁the ▁public ▁with ▁the ▁ 1 9 6 4 ▁recording . ▁She ▁claims ▁as ▁a ▁result ▁to ▁have ▁earned ▁tra dem ark ▁rights ▁in ▁the ▁ 1 9 6 4 ▁recording , ▁which