▁and ▁create ▁new ▁ones ▁to ▁reflect ▁the ▁film ' s ▁dark er ▁tone . ▁" There ’ s ▁a ▁moment ▁when ▁the ▁Enter prise ▁is ▁taking ▁off , ▁and ▁they ▁are ▁going ▁off ▁on ▁their ▁mission , ▁and ▁I ▁thought ▁' This ▁would ▁be ▁fun ▁to ▁bring ▁back ▁that ▁similar ▁moment ▁from ▁the ▁first ▁film ,' ▁but ▁it ▁wasn ’ t ▁working . ▁It ▁was ▁too ▁much ▁of ▁an ▁advent ure ▁feel , ▁and ▁it ▁was ▁all ▁about ▁saying ▁' Ok ay , ▁well ▁how ▁do ▁I ▁do ▁that ▁same ▁idea ▁but ▁in ▁a ▁dark er ▁way ?' ▁It ’ s ▁all ▁about ▁finding ▁the ▁right ▁ch ords ▁and ▁substitution s ▁that ▁you ▁are ▁using ▁with ▁those ▁mel od ies ▁– ▁and ▁how ▁did ▁that ▁alter ▁the ▁mel ody ? ▁It ’ s ▁constantly ▁trying ▁to ▁b end ▁and ▁tw ist ▁things ▁so ▁you ▁feel ▁that ▁theme ▁from ▁the ▁previous ▁film , ▁but ▁it ’ s ▁being ▁used ▁in ▁a ▁different ▁way . ▁You ▁have ▁a ▁different ▁emot ional ▁response ▁to ▁it . ▁If ▁I ▁had ▁just ▁used ▁it ▁exactly ▁as ▁it ▁was , ▁it ▁wouldn ’ t ▁have ▁been ▁the ▁right ▁emot ional ▁response ▁that ▁you ▁would ▁want ▁for ▁the ▁audience . ▁So ▁it ▁was ▁about ▁tw isting ▁things ▁in ▁a ▁way ▁to ▁make ▁it ▁fit ▁right ." ▁ ▁A ▁specific ▁example ▁of ▁this ▁was ▁during ▁the ▁composition ▁of ▁the ▁track ▁" Lond on ▁Call ing ." ▁"[ Direct or ▁J . ▁J . ▁Abr ams ] ▁just ▁wanted ▁it ▁to ▁feel