▁arg ues ▁that ▁using ▁dist raction ▁by ▁combining ▁discipl ines ▁is ▁the ▁approach ▁to ▁cre ativity ▁that ▁is ▁taken ▁by ▁advoc ates ▁of ▁combin atory ▁play . ▁Wh ilst ▁similar , ▁the ▁notable ▁difference ▁for ▁writers ▁of ▁combin atory ▁literature ▁is ▁that ▁in ▁order ▁to ▁seek ▁new ▁pers pect ives , ▁they ▁adopt ▁the ▁influence ▁or ▁constraint ▁from ▁another ▁discipline ▁into ▁their ▁work . ▁The ▁cre ative ▁process ▁is ▁therefore ▁not ▁simply ▁a ▁temporary ▁shift ▁from ▁one ▁discipline ▁and ▁into ▁another ▁as ▁Pop ova ▁explains ▁it ▁is ▁for ▁combin atory ▁play . ▁ ▁F oc using ▁on ▁the ▁formation ▁of ▁combin atory ▁literature , ▁Peter ▁G end ol la ▁and ▁J ör gen ▁Sch ä fer , ▁who ▁wrote ▁The ▁A est het ics ▁of ▁Net ▁Liter ature , ▁discuss ▁how ▁the ▁initial ▁attempt ▁at ▁cre ative ▁writing ▁is ▁the ▁result ▁of ▁internal ▁computation ▁and ▁the ▁processing ▁of ▁one ' s ▁experience , ▁expos ure ▁to ▁the ▁world ▁and ▁personal ▁subject ivity . ▁They ▁argue ▁that ▁the ▁author ' s ▁experience ▁and ▁per ception ▁of ▁the ▁world ▁subt ly ▁and ▁often ▁un cons ci ously ▁emer ges ▁through ▁their ▁writing . ▁What ▁appears ▁in ▁the ▁first ▁instance ▁of ▁cre ative ▁writing ▁is ▁in ▁fact ▁computation ▁of ▁the ▁world ▁around ▁them . ▁On ▁this ▁basis ▁it ▁is ▁not ▁as ▁cre ative ▁as ▁first ▁assumed . ▁Com bin atory ▁writing ▁attempts ▁to ▁address ▁this . ▁Writing ▁for ▁W ired ▁magazine ▁in ▁ 2 0 0 3 , ▁Kar en ▁K ream er ▁says ▁that ▁former