els ▁and ▁other ▁ex ter iors ▁at ▁the ▁Trop ical ▁Gard ens , ▁Me ise . ▁ ▁Inter pret ation ▁The ▁critic ▁Camil le ▁P aglia ▁writes ▁in ▁Sex ual ▁Person ae ▁( 1 9 9 0 ) ▁that ▁D augh ters ▁of ▁Dark ness ▁is ▁a ▁good ▁example ▁of ▁a ▁" class y ▁genre ▁of ▁v amp ire ▁film " ▁that ▁" follow s ▁a ▁style ▁I ▁call ▁psych ological ▁high ▁Goth ic ." ▁P aglia ▁sees ▁this ▁" abstract ▁and ▁cer emon ious " ▁style , ▁which ▁dep ict s ▁evil ▁as ▁" h ier arch ical ▁gl amour " ▁and ▁de als ▁with ▁" er otic ized ▁western ▁power ", ▁as ▁beginning ▁in ▁Samuel ▁Taylor ▁Col er idge ' s ▁poem ▁Christ abel , ▁Ed gar ▁All an ▁Po e ' s ▁short ▁story ▁" L ige ia ", ▁and ▁Henry ▁James ' s ▁nov ella ▁The ▁Turn ▁of ▁the ▁S cre w . ▁ ▁According ▁to ▁the ▁critic ▁Geoff rey ▁O ' B rien : ▁ ▁Les bian ▁v amp ires ▁made ▁frequent ▁inc urs ions ▁in ▁the ▁early ▁ 1 9 7 0 ’ s — in ▁mov ies ▁r anging ▁from ▁hard core ▁por n ographic ▁to ▁dre amil y ▁a est h etic ▁— ▁as ▁the ▁Goth ic ▁horror ▁movie ▁took ▁to ▁fla un ting ▁its ▁psych osex ual ▁sub text s . ▁D augh ters ▁of ▁Dark ness ▁le ans ▁fl am boy antly ▁toward ▁the ▁art istic ▁end ▁of ▁the ▁spectrum , ▁with ▁Del