▁protocol ▁to ▁have ▁a ▁female ▁t utor ▁for ▁her . ▁ ▁An gu iss ola , ▁from ▁an ▁Italian ▁family ▁of ▁the ▁minor ▁arist ocracy , ▁was ▁rec ru ited ▁to ▁come ▁to ▁Madrid ▁for ▁this , ▁starting ▁immediately ▁after ▁the ▁four teen ▁year - old ▁queen ' s ▁wed ding . ▁ ▁As ▁well ▁as ▁the ▁relax ed ▁portrait ▁style ▁she ▁had ▁previously ▁developed , ▁she ▁lear nt ▁the ▁formal ▁Spanish ▁court ▁style , ▁and ▁was ▁used ▁for ▁port ra its ▁of ▁male ▁royal ty . ▁ ▁There ▁is ▁now ▁some ▁confusion ▁between ▁her ▁work ▁and ▁that ▁of ▁the ▁main ▁court ▁painter , ▁Al onso ▁S ánchez ▁Co ello , ▁one ▁of ▁whose ▁daughters ▁also ▁became ▁a ▁painter ▁and ▁assistant ▁to ▁her ▁father . ▁ ▁The ▁leading ▁woman ▁among ▁the ▁artists ▁of ▁the ▁T ud or ▁court ▁was ▁Lev ina ▁Te er lin c , ▁who ▁was ▁given ▁an ▁annual ▁sal ary ▁of ▁£ 4 0 ▁from ▁ 1 5 4 6 ▁to ▁her ▁death ▁in ▁ 1 5 7 6 , ▁so ▁serving ▁four ▁monarch s , ▁producing ▁mainly ▁portrait ▁mini atures . ▁ ▁Other ▁women ▁court ▁pain ters , ▁also ▁all ▁portrait ists , ▁included ▁the ▁F lem ish ▁Renaissance ▁painter ▁C ath arina ▁van ▁Hem essen ▁( 1 5 2 8 ▁– ▁after ▁ 1 5 6 5 ) ▁to ▁Mary ▁of ▁Hung ary , ▁brother ▁of ▁Charles ▁V ▁and ▁his ▁governor ▁of ▁the ▁Netherlands , ▁Ad é la ï de ▁Lab ille - Gui ard ▁( 1 7