▁created ▁a ▁policy ▁of ▁exclus ively ▁present ing ▁new ▁plays , ▁producing ▁a ▁new ▁play ▁each ▁week . ▁ ▁She ▁also ▁began ▁ring ing ▁a ▁bell ▁before ▁each ▁production , ▁wel coming ▁the ▁audience ▁with , ▁ ▁" Wel come ▁to ▁La ▁Ma Ma ▁dedicated ▁to ▁the ▁play w right ▁and ▁all ▁aspects ▁of ▁the ▁theatre . ▁Ton ight ▁we ▁present ▁... " ▁ ▁Stewart ▁believed ▁that ▁young ▁play w right s ▁needed ▁the ▁ability ▁to ▁explore ▁without ▁the ▁fear ▁of ▁professional ▁criticism ▁too ▁early ▁in ▁their ▁career , ▁and ▁that ▁new ▁play w right s ▁shouldn ' t ▁be ▁crit iqu ed ▁in ▁the ▁same ▁way ▁as ▁more ▁experienced ▁play w right s . ▁Stewart ▁said ▁that ▁play w right s ▁who ▁didn ' t ▁feel ▁they ▁had ▁the ▁experience ▁to ▁make ▁work ▁at ▁C aff e ▁C ino ▁would ▁come ▁to ▁La ▁Ma Ma ▁instead . ▁By ▁producing ▁their ▁work , ▁Stewart ▁was ▁creating ▁a ▁space ▁for ▁new ▁play w right s ▁to ▁learn ▁from ▁practical , ▁collabor ative ▁experiences . ▁ ▁La ▁Ma Ma ▁and ▁C aff e ▁C ino ▁ ▁Stewart ▁did ▁not ▁believe ▁that ▁her ▁the ater ▁was ▁an ▁im itation ▁of ▁C ino ' s . ▁C ino ▁and ▁Stewart ▁had ▁a ▁close ▁relationship , ▁and ▁the ▁first ▁documented ▁production ▁at ▁La ▁Ma Ma , ▁( One ▁Arm , ▁July ▁ 2 7 , ▁ 1 9 6 2 , ▁an ▁adaptation ▁of ▁a ▁Tennessee ▁Williams ▁story , ▁transferred ▁from ▁C aff e ▁C ino . ▁Perhaps