▁up ▁on ▁bass es ▁and ▁triple d ▁up ▁on ▁key boards , ▁which ▁made ▁everything ▁sound ▁bigger ▁and ▁deeper ." ▁He ▁used ▁similar ▁recording ▁techniques ▁as ▁Spect or , ▁especially ▁during ▁the ▁Pet ▁S ounds ▁era . ▁Author ▁D omen ic ▁Pri ore ▁observed , ▁" The ▁Ron ettes ▁had ▁s ung ▁a ▁dynamic ▁version ▁of ▁The ▁Stud ents ' ▁ 1 9 6 1 ▁hit ▁' I ' m ▁So ▁Young ', ▁and ▁Wilson ▁went ▁right ▁for ▁it , ▁but ▁took ▁the ▁Wall ▁of ▁Sound ▁in ▁a ▁different ▁direction . ▁Where ▁Phil ▁would ▁go ▁for ▁total ▁effect ▁by ▁bringing ▁the ▁music ▁to ▁the ▁edge ▁of ▁c ac oph ony ▁– ▁and ▁therefore ▁rock ing ▁to ▁the ▁t enth ▁power ▁– ▁Brian ▁seemed ▁to ▁prefer ▁audio ▁clar ity . ▁His ▁production ▁method ▁was ▁to ▁spread ▁out ▁the ▁sound ▁and ▁arrangement , ▁giving ▁the ▁music ▁a ▁more ▁l ush , ▁comfortable ▁feel . ▁ ▁Music ▁jour no ▁David ▁Dal ton ▁said ▁that ▁Wilson ▁analyz ed ▁" Be ▁My ▁Baby " ▁" like ▁an ▁ade pt ▁memor izing ▁the ▁Kor an ." ▁In ▁July ▁ 1 9 6 7 , ▁Dal ton ▁visited ▁Wilson ▁at ▁his ▁home , ▁later ▁writing ▁about ▁a ▁box ▁of ▁t apes ▁he ▁discovered ▁in ▁Wilson ' s ▁bed room : ▁" I ▁assumed ▁they ▁were ▁studio ▁dem os ▁or ▁reference ▁tracks ▁and ▁threw ▁one ▁on ▁the ▁t ape ▁machine . ▁It ▁was ▁the ▁str ang est ▁thing ▁... ▁All ▁the ▁t apes ▁were ▁of ▁Brian ▁talking ▁into ▁a ▁t ape