▁As ▁I ▁say , ▁' the ▁G ▁if ▁you ' re ▁in ▁C – that ▁kind ▁of ▁thing . ▁And ▁[ he ] ▁also ▁[ put ] ▁mel od ies ▁in ▁the ▁bass ▁line ." ▁ ▁Step wise - fall ing ▁mel od ic ▁lines . ▁As ▁James ▁Per one ▁writes ▁of ▁the ▁second ▁track ▁from ▁Pet ▁S ounds , ▁" You ▁Still ▁Bel ieve ▁in ▁Me ", ▁" One ▁of ▁the ▁high ▁points ▁of ▁the ▁composition ▁and ▁Brian ' s ▁vocal ▁performance ▁... ▁is ▁the ▁sn ak y , ▁though ▁generally ▁desc ending ▁mel od ic ▁line ▁on ▁the ▁line ▁' I ▁want ▁to ▁cry ,' ▁his ▁response ▁to ▁the ▁real ization ▁that ▁his ▁girl friend ▁still ▁bel ieves ▁in ▁him ▁despite ▁his ▁past ▁fail ures ." ▁He ▁describes ▁the ▁" step wise ▁fal lo ff ▁of ▁the ▁interval ▁of ▁a ▁third ▁at ▁the ▁end ▁of ▁each ▁verse " ▁to ▁be ▁a ▁typically ▁" Wil son ian " ▁feature . ▁The ▁feature ▁recurs ▁alongside ▁a ▁" m adr ig al ▁s igh ▁mot if " ▁in ▁" That ' s ▁Not ▁Me ", ▁where ▁the ▁mot if ▁con cludes ▁each ▁line ▁of ▁the ▁vers es . ▁This ▁s igh ing ▁mot if ▁then ▁appears ▁in ▁the ▁next ▁track , ▁" Don ' t ▁T alk ▁( Put ▁Your ▁Head ▁on ▁My ▁Should er )", ▁a ▁piece ▁inspired ▁by ▁classical ▁music , ▁and ▁once ▁again ▁in ▁the ▁closing ▁" Car oline , ▁No ". ▁ ▁Sud den ▁breaks ▁into ▁a ▁c app ella