▁at ▁the ▁T amar ind ▁Lith ography ▁Work shop ▁in ▁Los ▁Angeles ▁with ▁her ▁husband ▁for ▁a ▁lecture ▁of ▁his , ▁Al bers ▁was ▁invited ▁to ▁experiment ▁with ▁print ▁media . ▁She ▁grew ▁immediately ▁fond ▁of ▁the ▁technique , ▁and ▁there after ▁gave ▁up ▁most ▁of ▁her ▁time ▁to ▁l ith ography ▁and ▁screen ▁printing . ▁She ▁was ▁invited ▁back ▁as ▁a ▁fellow ▁to ▁T amar ind ▁in ▁ 1 9 6 4 . ▁Here ▁she ▁created ▁the ▁six ▁print ▁port folio ▁titled , ▁Line ▁In vol v ements . ▁Al bers ▁wrote ▁an ▁article ▁for ▁Britannica ▁in ▁ 1 9 6 3 , ▁and ▁then ▁expanded ▁on ▁it ▁for ▁her ▁second ▁book , ▁On ▁We aving , ▁published ▁in ▁ 1 9 6 5 . ▁The ▁book ▁was ▁a ▁powerful ▁voice ▁of ▁the ▁mid century ▁text ile ▁design ▁movement ▁in ▁the ▁United ▁States . ▁Her ▁design ▁work ▁and ▁writ ings ▁on ▁design ▁helped ▁establish ▁Design ▁History ▁as ▁a ▁serious ▁area ▁of ▁academic ▁study . ▁ ▁In ▁ 1 9 7 6 , ▁Al bers ▁had ▁two ▁major ▁exhib itions ▁in ▁Germany , ▁and ▁a ▁hand ful ▁of ▁exhib itions ▁of ▁her ▁design ▁work , ▁over ▁the ▁next ▁two ▁dec ades , ▁receiving ▁a ▁half - do zen ▁honor ary ▁doctor ates ▁and ▁lifetime ▁achiev ement ▁awards ▁during ▁this ▁time ▁as ▁well , ▁including ▁the ▁second ▁American ▁C raft ▁Council ▁Gold ▁Medal ▁for ▁" un comp rom ising ▁excell ence " ▁in ▁ 1 9 8 1 . ▁In ▁ 2 0 1