et ype ▁forms . ▁Up ▁until ▁this ▁point ▁the ▁Bar bel o ▁a e on ▁is ▁spoken ▁of ▁as ▁being ▁constructed ▁of ▁three ▁distinct ive ▁real ms , ▁but ▁in ▁line ▁ 1 9 ▁the ▁author ▁refers ▁to ▁the ▁Bar bel o ▁as ▁having ▁been ▁divided ▁into ▁“ The ▁qu int et ”, ▁referring ▁to ▁The ▁Ap oc ry phon ▁of ▁John ▁model ▁of ▁Bar bel o . ▁The ▁following ▁line ▁even ▁mentions ▁that ▁Bar bel o ▁has ▁been ▁given ▁to ▁them ▁in ▁“ Tri ple ▁powerful ness ”, ▁indicating ▁the ▁two ▁structures ▁given ▁are ▁not ▁necessarily ▁mut ually ▁exclusive . ▁The ▁h ymn ▁continues ▁to ▁pra ise ▁Bar bel o ▁as ▁em an ating ▁from ▁the ▁superior ▁real m ▁and ▁for ▁the ▁sake ▁of ▁the ▁inferior ▁real m ▁in ▁which ▁we ▁live , ▁Bar bel o ▁res ides ▁in ▁between ▁our ▁real m ▁and ▁the ▁In visible ▁Parent . ▁The ▁rest ▁of ▁the ▁h ymn ▁continues ▁the ▁tr end ▁of ▁pra ising ▁the ▁Bar bel o ▁as ▁perfect ▁and ▁im man ent . ▁ ▁Ste le ▁ 2 ▁Ste le ▁ 2 ▁assumes ▁the ▁collect ive ▁voices ▁of ▁S eth ▁and ▁Ger ad ams ▁in ▁pra ise ▁of ▁the ▁Bar bel o . ▁ <0x09> H ymn ▁ 3 : ▁Pra ise ▁of ▁the ▁Bar bel o ▁begins ▁on ▁the ▁Second ▁Ste le ▁and ▁continues ▁to ▁pra ise ▁Bar bel o ▁as ▁both ▁S eth ▁and ▁Ger ad am as , ▁beginning ▁with ▁“ M as cul ine , ▁Virgin , ▁first