▁minor , ▁as ▁a ▁trans cription ▁by ▁a ▁Russian ▁composer ▁called ▁Paul ▁K len ov sky . ▁In ▁Wood ' s ▁later ▁account , ▁the ▁press ▁and ▁the ▁BBC ▁" f ell ▁into ▁the ▁trap ▁and ▁said ▁the ▁scoring ▁was ▁wonderful , ▁K len ov sky ▁had ▁the ▁real ▁f lare ▁ ▁for ▁true ▁colour ▁etc . ▁– ▁and ▁performance ▁after ▁performance ▁was ▁given ▁and ▁asked ▁for ." ▁Wood ▁kept ▁the ▁secret ▁for ▁five ▁years ▁before ▁reve aling ▁the ▁truth . ▁The ▁press ▁treated ▁the ▁de ception ▁as ▁a ▁great ▁jo ke ; ▁The ▁Times ▁entered ▁into ▁the ▁spirit ▁of ▁it ▁with ▁a ▁j oc ular ▁t ribute ▁to ▁the ▁l ament ed ▁K len ov sky . ▁ ▁As ▁Wood ' s ▁working ▁life ▁took ▁a ▁turn ▁for ▁the ▁better , ▁his ▁domestic ▁life ▁started ▁to ▁d eter ior ate . ▁During ▁the ▁early ▁ 1 9 3 0 s , ▁he ▁and ▁his ▁wife ▁gradually ▁became ▁est r anged , ▁and ▁their ▁relationship ▁ended ▁in ▁bit tern ess , ▁with ▁Mur iel ▁taking ▁most ▁of ▁Wood ' s ▁money ▁and , ▁for ▁much ▁of ▁the ▁time , ▁living ▁abroad . ▁She ▁refused ▁to ▁divor ce ▁him . ▁The ▁bre ach ▁between ▁Mur iel ▁and ▁Wood ▁also ▁caused ▁his ▁est r ang ement ▁from ▁their ▁daughters . ▁In ▁ 1 9 3 4 ▁he ▁began ▁a ▁happy ▁relationship ▁with ▁a ▁wid owed ▁former ▁pup il , ▁Jess ie ▁L inton , ▁who ▁had ▁s ung ▁for ▁him ▁frequently ▁in ▁the ▁past ▁under