▁by ▁extension ▁Irish ▁medieval ▁har p ▁tun ings ▁recorded ▁in ▁the ▁ap ▁H uw ▁manuscript ▁that ▁are ▁also ▁present ▁in ▁Scottish ▁bag pipe ▁tun ing . ▁The ▁common ▁source ▁of ▁influence ▁for ▁these ▁shared ▁musical ▁practices ▁is ▁likely ▁to ▁be ▁found ▁in ▁the ▁formal ▁convent ions ▁of ▁medieval ▁arist ocr atic ▁and ▁religious ▁Irish ▁G ael ic ▁wire - str ung ▁har p ▁music . ▁ ▁Irish ▁ce ò l ▁m ór ▁ ▁Further ▁cl ues ▁to ▁the ▁bro ader ▁cultural ▁context ▁of ▁bag pipe ▁p ib ro ch ▁can ▁be ▁found ▁in ▁the ▁small ▁body ▁of ▁compos itions ▁that ▁have ▁an ▁Irish ▁association . ▁The ▁p ib ro ch ▁" C um ha ▁a ▁Ch le ir ich " ▁which ▁transl ates ▁as ▁" The ▁C ler ic ' s ▁L ament " ▁and ▁is ▁commonly ▁known ▁as ▁" The ▁B ard ' s ▁L ament " ▁is ▁entitled ▁" one ▁of ▁the ▁Irish ▁p io bar ich " ▁in ▁the ▁Campbell ▁Can nt aire ach d ▁manuscript . ▁This ▁can nt aire ach d ▁provides ▁possible ▁surv iving ▁documentation ▁of ▁an ▁Irish ▁har p ▁ce ò l ▁m ór ▁re per toire . ▁Ann ▁He ym ann ▁has ▁recently ▁trans cribed , ▁performed ▁and ▁recorded ▁this ▁p ib ro ch ▁played ▁on ▁a ▁rep lica ▁early ▁Irish ▁wire - str ung ▁Cla irse ach ▁har p . ▁▁▁ ▁At ▁the ▁High land ▁Society ▁of ▁London ▁p ib ro ch ▁competition ▁in ▁Edinburgh ▁in ▁ 1 7 8 5 , ▁John ▁Mac