ym bal ▁is ▁made ▁l ou der ▁and ▁more ▁pen etr ating , ▁and ▁is ▁domin ated ▁by ▁the ▁sound ▁of ▁the ▁r att les ▁themselves . ▁ ▁Also ▁important ▁but ▁less ▁obvious , ▁the ▁c ym bal ▁los es ▁some ▁of ▁its ▁sust ain ▁and ▁dynamic ▁range , ▁because ▁whenever ▁there ▁is ▁ins u fficient ▁energy ▁left ▁in ▁the ▁c ym bal ▁to ▁lift ▁the ▁r att les , ▁the ▁sound ▁cut s ▁out ▁sharp ly . ▁ ▁Both ▁effects ▁have ▁musical ▁uses , ▁and ▁can ▁also ▁be ▁used ▁to ▁mask ▁unw anted ▁over ton es ▁in ▁c ym b als ▁of ▁less er ▁quality . ▁However ▁the ▁best ▁results ▁are ▁still ▁generally ▁obtained ▁with ▁high ▁quality ▁c ym b als . ▁ ▁Us es ▁and ▁patterns ▁ ▁The ▁most ▁common ▁form ▁of ▁s izz le ▁c ym bal ▁used ▁in ▁a ▁drum ▁k it ▁is ▁a ▁large ▁ride ▁c ym bal ▁with ▁a ▁number ▁of ▁riv ets ▁lo os ely ▁fitted ▁but ▁capt ive ▁in ▁holes ▁spac ed ▁even ly ▁around ▁the ▁c ym bal ▁close ▁to ▁the ▁rim . ▁This ▁might ▁be ▁called ▁the ▁traditional ▁pattern ▁s izz le ▁c ym bal . ▁The ▁loose ▁fit ▁allows ▁the ▁riv ets ▁to ▁r attle ▁in ▁the ▁holes . ▁Sw ish ▁and ▁to ▁a ▁less er ▁extent ▁p ang ▁c ym b als ▁with ▁riv ets ▁installed ▁in ▁this ▁way ▁were ▁heavily ▁used ▁as ▁main ▁ride ▁c ym b als ▁in ▁the ▁swing ▁band ▁era , ▁and ▁the ▁sw ish ▁is ▁tradition