s ▁and ▁early ▁ 1 9 6 0 s ▁Br ut al ism ▁began ▁to ▁gar ner ▁a ▁following ▁within ▁Y ug oslav ia , ▁particularly ▁among ▁younger ▁architect s , ▁a ▁tr end ▁possibly ▁influenced ▁by ▁the ▁ 1 9 5 9 ▁dis band ment ▁of ▁the ▁Congrès ▁Intern ation aux ▁d ' Arch itecture ▁Mod erne . ▁▁ ▁With ▁ 1 9 5 0 s ▁decent ral ization ▁and ▁liberal ization ▁policies ▁in ▁S FR ▁Y ug oslav ia , ▁architecture ▁became ▁increasing ly ▁f ract ured ▁along ▁eth nic ▁lines . ▁Arch itect s ▁increasing ly ▁focused ▁on ▁building ▁with ▁reference ▁to ▁the ▁architect ural ▁her itage ▁of ▁their ▁individual ▁social ist ▁republic s ▁in ▁the ▁form ▁of ▁critical ▁regional ism . ▁ ▁G row ing ▁distinction ▁of ▁individual ▁eth nic ▁architect ural ▁ident ities ▁within ▁Y ug oslav ia ▁was ▁ex ac erb ated ▁with ▁the ▁ 1 9 7 2 ▁decent ral ization ▁of ▁the ▁formerly ▁central ized ▁historical ▁pres ervation ▁authority , ▁providing ▁individual ▁regions ▁further ▁opportunity ▁to ▁crit ically ▁analyze ▁their ▁own ▁cultural ▁narr atives . ▁ ▁The ▁next ▁generation ▁of ▁Sloven ian ▁architect s ▁was ▁led ▁by ▁Nov o ▁M esto - born ▁Ed vard ▁Rav nik ar , ▁student ▁of ▁Jo že ▁Ple č nik . ▁Rav nik ar , ▁a ▁professor ▁at ▁the ▁L jub lj ana ▁School ▁of ▁Architecture , ▁promoted ▁Sc and in av ian ▁architect ural ▁style ▁in ▁Sloven ia , ▁particularly ▁Finn ish ▁achiev ements ▁in ▁architecture ▁accomplished ▁by