con ces , ▁v ases , ▁clock s ▁and ▁rich ▁mount ings ▁of ▁furn iture ▁are ▁entirely ▁harm on ious . ▁The ▁" c ise leur " ▁and ▁the ▁" f onde ur ", ▁such ▁as ▁Pierre ▁G outh ière ▁and ▁Jacques ▁C aff ieri , ▁associated ▁themselves ▁with ▁the ▁mak ers ▁of ▁fine ▁furn iture ▁and ▁of ▁del icate ▁S è v res ▁por cel ain , ▁the ▁result ▁being ▁extreme ▁rich ness ▁and ▁hand some ▁effect . ▁The ▁style ▁was ▁succeeded ▁after ▁the ▁French ▁Revolution ▁by ▁a ▁st iff , ▁classical ▁manner ▁which , ▁although ▁having ▁a ▁charm ▁of ▁its ▁own , ▁la cks ▁the ▁life ▁and ▁freedom ▁of ▁earlier ▁work . ▁In ▁London ▁the ▁styles ▁may ▁be ▁studied ▁in ▁the ▁Wal lace ▁collection , ▁Manchester ▁Square , ▁and ▁at ▁the ▁Victoria ▁and ▁Albert ▁Museum , ▁South ▁K ens ington ; ▁in ▁New ▁York ▁at ▁the ▁Metropolitan ▁Museum . ▁ ▁England ▁▁ ▁Cast ing ▁in ▁bronze ▁reached ▁high ▁per fection ▁in ▁England , ▁where ▁a ▁number ▁of ▁monuments ▁yet ▁remain . ▁William ▁Tor el , ▁g olds m ith ▁and ▁citiz en ▁of ▁London , ▁made ▁a ▁bronze ▁eff ig y ▁of ▁Henry ▁III , ▁and ▁later ▁that ▁of ▁Queen ▁Ele an or ▁for ▁their ▁tomb s ▁in ▁West min ster ▁Ab bey ; ▁the ▁eff ig y ▁of ▁Edward ▁III ▁was ▁probably ▁the ▁work ▁of ▁one ▁of ▁his ▁pup ils . ▁No ▁bronze ▁fonts ▁are ▁found ▁in ▁English ▁churches , ▁but ▁a ▁number ▁of ▁process ional ▁cru c if ix