▁to ▁create ▁aud ien ces ▁for ▁his ▁films . ▁His ▁Blue ▁Film : ▁Est imation ▁( 1 9 6 8 ) ▁benef itted ▁from ▁a ▁public ity ▁campaign ▁emphas izing ▁that ▁main stream ▁actress ▁M its ug u ▁F uj ii ▁was ▁st arring ▁in ▁this ▁p ink ▁film . ▁The ▁whisper - camp aign ▁behind ▁F lesh ▁ 2 ▁( 1 9 6 9 ) — sequ el ▁to ▁Mu ka i ' s ▁debut ▁film — f oc used ▁on ▁a ▁sex ▁scene ▁between ▁a ▁Korean ▁girl ▁and ▁a ▁black ▁U . S . ▁G . I ., ▁and ▁Japan ▁Virgin ▁R ape ▁( 1 9 7 0 ) ▁had ▁the ▁first ▁lady ▁of ▁Indones ia ▁in ▁its ▁cast . ▁Blue ▁Film ▁Woman ▁was ▁an ▁early ▁all - color ▁p ink ▁film , ▁and ▁Jas per ▁Sh arp ▁writes ▁that ▁Mu ka i ' s ▁use ▁of ▁color ▁in ▁this ▁film ▁appears ▁to ▁be ▁" making ▁up ▁for ▁lost ▁time ", ▁and ▁that ▁the ▁film ▁is ▁a ▁" high ly ▁st yl ised ▁piece ." ▁In ▁ 1 9 6 9 , ▁Mu ka i ' s ▁film ▁ ▁( 1 9 6 6 ) ▁was ▁released ▁in ▁Italy ▁under ▁the ▁title ▁Na omi . ▁The ▁film ▁was ▁b anned ▁due ▁to ▁obsc en ity , ▁but ▁scored ▁a ▁triumph ▁in ▁a ▁showing ▁at ▁W ased a ▁University ' s ▁Ok uma ▁Aud itor ium . ▁▁ 1 9 7 0 s ▁and ▁later ▁Through out ▁his ▁career ▁Mu ka i