▁scene ▁intens ified ▁by ▁divisions , ▁shapes , ▁and ▁symmetry ▁of ▁spatial ▁areas ▁animated ▁by ▁struggling ▁figures ▁in ▁various ▁acts ▁and ▁enc oun ters . ▁According ▁to ▁critical ▁analysis , ▁this ▁painting ▁presents ▁the ▁human ▁body ▁as ▁the ▁most ▁telling ▁vehicle ▁to ▁a ▁new ▁sense ▁of ▁soul , ▁and ▁its ▁transformation ▁from ▁the ▁met aph ys ical ▁to ▁the ▁communic ative ▁level . ▁K ans o ▁focus es ▁on ▁the ▁process ▁of ▁transform ing ▁sexual ▁desire ▁into ▁disc ourse ▁and ▁brings ▁into ▁focus ▁the ▁place ▁of ▁sex ▁within ▁techniques ▁of ▁communication ▁and ▁absence ▁of ▁communication ▁as ▁made ▁explicit ▁in ▁ps y cho analysis . ▁The ▁only ▁cloth ed ▁woman ▁in ▁the ▁paint ings ▁is ▁placed ▁in ▁the ▁upper ▁right ▁of ▁the ▁center . ▁She ▁all udes ▁to ▁the ▁Madonna ▁reflect ing ▁con not ations ▁such ▁as ▁asc etic ism , ▁conf ession , ▁and ▁myst ic ism , ▁all ▁concepts ▁closely ▁related ▁to ▁ps y cho analysis ▁as ▁a ▁human ▁technique . ▁Her ▁cl othing ▁intens ifies ▁the ▁sens ual ity ▁of ▁the ▁n ude ▁figures ▁that ▁surr ound ▁her . ▁On ▁the ▁left ▁side , ▁the ▁figures ▁of ▁a ▁mother , ▁father , ▁and ▁child ▁are ▁symbols ▁of ▁sec ular ▁sexual ity . ▁Prom in ently ▁position ed ▁in ▁the ▁for eground ▁is ▁the ▁back side ▁of ▁male ▁figure ▁with ▁wing - shape ▁raised ▁arms ▁and ▁almost ▁invisible ▁bent ▁down ▁head ▁is ▁seen ▁thrust ing ▁toward ▁for ked ▁legs ▁at ▁the ▁center ▁surrounded ▁by ▁female ▁figures . ▁It ▁is ▁noted ▁by ▁some