▁painting ▁by ▁the ▁swe eping ▁curve ▁of ▁the ▁da is . ▁The ▁rich ▁blue ▁in ▁the ▁cost ume ▁of ▁the ▁standard ▁bear er ▁directly ▁in ▁the ▁for eground ▁then ▁catch es ▁the ▁eye ▁and ▁leads ▁the ▁vie wer ▁back ▁to ▁the ▁top ▁of ▁the ▁da is ▁along ▁the ▁diagonal ▁lines ▁of ▁his ▁body . ▁The ▁figures ▁on ▁the ▁right ▁are ▁b athed ▁in ▁a ▁bright ▁light ▁which ▁strongly ▁contrast s ▁the ▁deep ▁sh adows ▁and ▁dark ▁t ones ▁to ▁the ▁left ▁of ▁the ▁painting . ▁This ▁helps ▁to ▁direct ▁the ▁gaz e ▁as ▁the ▁eye ▁is ▁drawn ▁towards ▁the ▁bright ly ▁light ▁space ▁and ▁then ▁directed ▁back ▁to ▁the ▁centre , ▁away ▁from ▁the ▁dark er ▁areas . ▁ ▁The ▁painting ▁is ▁separated ▁into ▁three ▁sections ▁by ▁the ▁da is ▁at ▁the ▁base ▁and ▁the ▁architect ural ▁feature ▁towards ▁the ▁top , ▁both ▁of ▁which ▁use ▁strong ▁horizontal ▁lines ▁to ▁create ▁a ▁defined ▁central ▁area ▁of ▁the ▁painting . ▁The ▁colours ▁and ▁figures ▁are ▁conf ined ▁to ▁the ▁central ▁section ▁of ▁the ▁painting ▁where ▁their ▁diagonal ▁and ▁open ▁st ances ▁create ▁a ▁strong ▁sense ▁of ▁movement . ▁The ▁top ▁and ▁bottom ▁sections ▁of ▁the ▁painting ▁are ▁domin ated ▁by ▁layer ed ▁horizontal ▁and ▁vertical ▁lines , ▁in ▁the ▁floor ▁t iles ▁in ▁the ▁lower ▁section ▁and ▁the ▁architect ural ▁features ▁in ▁the ▁top , ▁that ▁give ▁the ▁painting ▁depth . ▁T ie p olo ' s ▁master ful ▁use ▁of ▁for esh ort ening ▁in ▁the ▁figures ▁acc ent u ates ▁this ▁depth