▁c af eter ia ▁and ▁sleep ing ▁qu arters ▁for ▁the ▁jan itors . ▁The ▁post - 1 9 2 0 ▁issues ▁introduced ▁a ▁number ▁of ▁changes ▁in ▁format . ▁It ▁began ▁hosting ▁photo j ournal istic ▁pieces ▁by ▁I os if ▁B erman , ▁one ▁of ▁Roman ia ' s ▁celebrated ▁photograph ers ▁( who ▁had ▁made ▁his ▁debut ▁with ▁Dim inea ța ▁in ▁ 1 9 1 3 ). ▁A dev ăr ul ▁began ▁head lin ing ▁its ▁front ▁page ▁with ▁a ▁short ▁listing ▁of ▁the ▁top ▁news ▁of ▁the ▁day , ▁often ▁accompanied ▁by ▁sar cast ic ▁editor ial ▁comment ary . ▁ ▁Among ▁the ▁other ▁innov ations ▁were ▁regular ▁columns ▁discuss ing ▁develop ments ▁in ▁literature ▁and ▁philosophy , ▁written ▁by ▁two ▁young ▁modern ist ▁authors , ▁Benjamin ▁F ond ane ▁and ▁I on ▁V inea , ▁as ▁well ▁as ▁a ▁the ater ▁chron icle ▁by ▁F ag ure ▁and ▁I os if ▁N ă de j de . ▁V inea ' s ▁texts ▁discussed ▁literary ▁authentic ity , ▁ec lect ic ism , ▁and ▁consistent ▁pra ises ▁of ▁modern ▁lyr ical ▁pro se . ▁Other ▁such ▁articles ▁followed ▁V inea ' s ▁rival ry ▁with ▁his ▁former ▁colle ague ▁Tr istan ▁T z ara , ▁and ▁stated ▁his ▁re jection ▁of ▁D ada ism , ▁a ▁radical ▁avant - gar de ▁current ▁that ▁T z ara ▁had ▁formed ▁in ▁Switzerland ▁during ▁the ▁war . ▁In ▁ 1 9 2 2 , ▁V inea ▁went ▁on ▁to ▁establish ▁Cont