▁the ▁challeng es ▁of ▁a ▁global ized ▁art ▁market . ▁They ▁are ▁bringing ▁together ▁various ▁elements ▁of ▁their ▁identity , ▁marked ▁by ▁the ▁status ▁of ▁imm igr ant ▁of ▁first ▁or ▁second ▁generation . ▁ ▁They ▁address ▁issues ▁that ▁speak ▁to ▁the ▁Arab ▁world ▁with ▁an ▁" outs ider " ▁l ens . ▁K ader ▁Att ia ▁is ▁one ▁of ▁them . ▁He ▁was ▁born ▁in ▁France ▁in ▁ 1 9 7 0 . ▁ ▁In ▁a ▁large ▁installation ▁in ▁ 2 0 0 7 ▁called ▁Ghost , ▁he ▁displayed ▁do z ens ▁of ▁ve iled ▁figures ▁on ▁their ▁kne es , ▁made ▁of ▁al umin um ▁fol d . ▁Adel ▁Abd ess emed , ▁born ▁in ▁Constant ina ▁in ▁ 1 9 7 0 , ▁attended ▁the ▁É cole ▁des ▁Be aux - Ar ts ▁in ▁Al gi ers , ▁Al ger ia ▁and ▁then ▁Lyon , ▁France . ▁Through ▁his ▁concept ual ▁art works , ▁he ▁displays ▁strong ▁art istic ▁statements ▁using ▁a ▁wide ▁range ▁of ▁media ▁( draw ing , ▁video , ▁phot ography , ▁performance , ▁and ▁installation ). ▁In ▁ 2 0 0 6 , ▁he ▁exposed ▁at ▁the ▁David ▁Z immer ▁gallery ▁in ▁New ▁York ▁City . ▁One ▁of ▁his ▁art works ▁was ▁a ▁bur nt ▁car ▁entitled ▁Pract ice ▁Zero ▁Tol er ance , ▁a ▁year ▁after ▁ri ots ▁in ▁France ▁and ▁in ▁the ▁midst ▁of ▁a ▁res urg ence ▁of ▁terror ist ▁attacks ▁since ▁ 1 1 ▁September ▁ 2 0 0 1 . ▁Kat