▁us . ▁We ▁find ▁ourselves ▁imm ers ed ▁in ▁their ▁world ▁whose ▁reality ▁becomes ▁our ▁own ▁reality . ▁ ▁The ▁God s ▁appear ▁imm ort al ▁but ▁not ▁et ernal ; ▁each ▁Holy ▁Family ▁pres ides ▁only ▁over ▁one ▁epo ch ▁in ▁the ▁history ▁of ▁men ▁with ▁the ▁God s . ▁The ▁powers ▁( be yond ▁Good ▁and ▁Ev il ) ▁into ▁which ▁“ N ec ess ity ▁is ▁analyz ed ▁have ▁no ▁history ; ▁they ▁cr ush ▁human ity ▁within ▁the ▁et ernal ▁circle ▁of ▁hel pl ess ▁reflection ▁and ▁un cons cious ▁desire .” ▁ ▁The ▁picture ▁surface ▁occ l udes ▁the ▁sky , ▁the ▁empty ▁space ▁of ▁the ▁horizon ▁that ▁makes ▁possible ▁light , ▁darkness , ▁and ▁their ▁relations , ▁the ▁horizon ▁as ▁a ▁boundary ▁between ▁sky ▁and ▁earth . ▁the ▁composition ▁covers ▁that ▁space ▁and ▁all ▁its ▁cogn itive ▁ill us ions ▁The ▁explos ions ▁of ▁wars ▁w re aking ▁destruction ▁and ▁dev ast ation ▁infl amed ▁and ▁ob f usc ated ▁the ▁blue ▁sky ▁with ▁dark ▁forms ▁er upt ing ▁from ▁earth ▁burning ▁fires . ▁The ▁violent ▁scenes ▁dist ur bs ▁the ▁chrom atic ▁gam ut ▁of ▁ch iar osc uro , ▁light ▁and ▁shadow ▁through ▁which ▁the ▁vict ims ▁emer ge ▁from ▁the ▁can v ases ▁with ▁a ▁common ▁s igh ▁of ▁an ▁open ▁injury ▁sust ained ▁by ▁social ▁reality . ▁ ▁The ▁p ict orial ▁layout ▁extends ▁to ▁the ▁edges ▁of ▁the ▁can v ases ▁as ▁light ▁or ▁dark ▁with ▁no ▁space . ▁Light ▁em an