▁would ▁already ▁be ▁s atur ated ▁with ▁media ▁about ▁Apol lo , ▁and ▁that ▁the ▁film ▁would ▁have ▁no ▁box ▁office ▁appeal . ▁He ▁asked ▁K ame cke ▁not ▁to ▁worry ▁about ▁that , ▁but ▁just ▁to ▁make ▁a ▁time ▁caps ule . ▁ ▁Element s ▁of ▁the ▁film ▁As ide ▁from ▁all ▁the ▁predict able ▁foot age ▁available ▁from ▁NASA ▁( 1 6 mm , ▁video ▁and ▁still s ▁shot ▁during ▁the ▁mission , ▁and ▁views ▁from ▁space ▁shot ▁during ▁other ▁miss ions ), ▁there ▁were ▁huge ▁pieces ▁to ▁be ▁filled ▁in . ▁Stock ▁foot age ▁research ers ▁were ▁set ▁to ▁the ▁task ▁of ▁finding ▁news re el ▁foot age ▁of ▁the ▁time , ▁and ▁beautiful ▁and ▁unusual ▁foot age ▁from ▁around ▁the ▁world ▁to ▁represent ▁both ▁the ▁people ▁and ▁the ▁planet ▁as ▁this ▁event ▁unfold ed . ▁The ▁scenes ▁of ▁the ▁making ▁of ▁the ▁space craft ▁and ▁su its , ▁and ▁the ▁testing ▁of ▁human ▁end urance ▁were ▁shot ▁in ▁the ▁months ▁following ▁the ▁first ▁moon walk . ▁The ▁launch ▁sequence ▁itself , ▁with ▁all ▁the ▁slow ▁motion ▁sh ots ▁of ▁fl ame , ▁smoke ▁and ▁falling ▁ice ▁were ▁put ▁together ▁from ▁engineering ▁film ▁shot ▁by ▁cam eras ▁on ▁the ▁launch ▁pad ▁and ▁tower . ▁In ▁looking ▁through ▁a ▁technical ▁manual ▁he ▁obtained ▁from ▁NASA , ▁K ame cke ▁noticed ▁that ▁besides ▁the ▁three ▁or ▁four ▁sh ots ▁of ▁the ▁launch ▁which ▁had ▁been ▁allocated ▁for ▁media ▁purposes , ▁there ▁were ▁ 2 4 0 ▁film ▁cam eras ▁automatically ▁triggered ▁at