inaire ” ▁and ▁ends ▁in ▁Buenos ▁Aires ▁with ▁En rique ▁Mol ina . ▁ ▁In ▁ 1 9 9 0 ▁one ▁of ▁the ▁first ▁formal ▁meet ings ▁of ▁the ▁Société ▁Im ag inaire ▁is ▁organized ▁in ▁Berlin ▁and ▁is ▁attended ▁by ▁numerous ▁ill ust ri ous ▁members ▁who ▁contribute ▁texts ▁that ▁form ▁the ▁form ative ▁principles ▁of ▁the ▁undert aking . ▁ ▁Bat uz ▁begins ▁to ▁paint ▁less ▁and ▁concentr ates ▁his ▁efforts ▁on ▁the ▁undert aking ▁which ▁will ▁remain ▁his ▁main ▁priority ▁for ▁the ▁remainder ▁of ▁his ▁life . ▁ ▁But or ▁writes ▁that ▁Bat uz ▁“ no ▁longer ▁pain ts ▁with ▁br ush es ▁but ▁with ▁people ”. ▁ ▁As ▁a ▁consequence ▁to ▁bringing ▁together ▁like - mind ed ▁people ▁he ▁creates ▁in ▁collaboration ▁with ▁different ▁artists ▁the ▁‘ Ar gent ine ▁Port folio ’ ▁in ▁ 1 9 9 1 . ▁It ▁is ▁the ▁first ▁of ▁many ▁port fol ios ▁that ▁will ▁consequ ently ▁follow ▁and ▁which ▁become ▁the ▁physical ▁document ations ▁of ▁his ▁endeav ors ▁that ▁bring ▁together ▁people ▁from ▁various ▁parts ▁of ▁the ▁world . ▁ ▁The ▁written ▁contributions ▁from ▁these ▁participants ▁illustrated ▁by ▁others ▁become ▁the ▁contents ▁of ▁the ▁port fol ios . ▁ ▁A ▁further ▁initi ative ▁to ▁cons olid ate ▁the ▁efforts ▁of ▁the ▁members ▁spread ▁across ▁the ▁world , ▁Bat uz ▁begins ▁the ▁project ▁‘ Cor respond ence ’ . ▁ ▁He ▁has ▁authors ▁under go ▁a ▁long - standing ▁exchange ▁of ▁letters ▁which ▁would ▁in ▁their ▁end ▁create ▁a ▁mut ual ▁understanding ▁through