man ▁util ised ▁the ▁limited ▁space ▁to ▁best ▁effect , ▁placing ▁the ▁drum ▁k it ▁in ▁the ▁far ▁left ▁corner , ▁facing ▁the ▁control ▁room , ▁m ik ed ▁with ▁S enn he iser ▁MD 4 2 1 s ▁on ▁the ▁t oms , ▁an ▁Elect ro - V o ice ▁RE 2 0 ▁and ▁A K G ▁D 1 2 ▁on ▁the ▁kick ▁drum , ▁a ▁Sh ure ▁SM 5 7 ▁and ▁A K G ▁C 4 5 1 ▁with ▁a ▁ 2 0   d B ▁pad ▁on ▁the ▁sn are , ▁ 4 5 1 s ▁for ▁overhead s ▁and ▁the ▁hi - hat , ▁and ▁Ne umann ▁U 8 7 s ▁set ▁back ▁a ▁little ▁to ▁capture ▁" some ▁kind ▁of ▁amb ience ". ▁They ▁placed ▁the ▁piano ▁in ▁a ▁tight ▁bo oth ▁in ▁the ▁far ▁right ▁corner ▁of ▁the ▁studio , ▁m ik ed ▁with ▁A K G ▁C 4 1 4 s . ▁The ▁Hamm ond ▁B 3 ▁was ▁placed ▁nearby , ▁with ▁its ▁Les lie ▁speaker ▁cr ammed ▁into ▁an ▁air lock ▁next ▁to ▁the ▁control ▁room . ▁Ill s ley ' s ▁bass ▁ampl ifier ▁was ▁recorded ▁inside ▁a ▁small ▁vocal ▁bo oth ▁with ▁a ▁Ne umann ▁F ET ▁ 4 7 ▁and ▁a ▁DI ▁unit . ▁Kn opf ler ' s ▁ampl ifiers ▁were ▁m ik ed ▁with ▁ 5 7 s , ▁ 4 5 1 s , ▁and ▁Ne umann ▁U 6 7 s . ▁F let cher ' s ▁synth s