▁they ▁were ▁usually ▁written ▁in ▁a ▁sh orth and ▁form ▁for ▁the ▁other ▁players ▁by ▁one ▁of ▁his ▁session ▁mus icians . ▁On ▁notation ▁and ▁arr anging , ▁Wilson ▁clar ified : ▁" S ometimes ▁I ' d ▁just ▁write ▁out ▁a ▁ch ord ▁sheet ▁and ▁that ▁would ▁be ▁for ▁piano , ▁organ , ▁or ▁har ps ich ord ▁or ▁anything .   ... ▁I ▁wrote ▁out ▁all ▁the ▁horn ▁charts ▁separate ▁from ▁the ▁key boards . ▁I ▁wrote ▁one ▁basic ▁keyboard ▁chart , ▁viol ins , ▁horn s , ▁and ▁bass es , ▁and ▁per cussion ." ▁One ▁of ▁Wilson ' s ▁favorite ▁techniques ▁was ▁to ▁apply ▁re verb ▁exclus ively ▁to ▁a ▁timp ani , ▁as ▁can ▁be ▁heard ▁in ▁" W ould n ' t ▁It ▁Be ▁Nice ", ▁" You ▁Still ▁Bel ieve ▁in ▁Me ", ▁and ▁" Don ' t ▁T alk ". ▁ ▁Once ▁an ▁instrument al ▁track ▁was ▁completed , ▁vocals ▁would ▁then ▁be ▁over d ub bed ▁by ▁the ▁group . ▁Carl ▁said ▁about ▁the ▁Beach ▁Boys ' ▁vocal ▁arrang ements : ▁" O ur ▁vocals ▁were ▁vo iced ▁like ▁horn ▁parts , ▁the ▁way ▁those ▁R & B ▁records ▁make ▁background ▁vocals ▁sound ▁like ▁a ▁sa x ▁section . ▁It ▁sound ed ▁big , ▁because ▁the ▁four ▁parts ▁were ▁all ▁within ▁the ▁same ▁oct ave ; ▁that ▁was ▁really ▁the ▁secret . ▁He ▁used ▁a ▁lot ▁of ▁counter point , ▁a ▁lot ▁of ▁layer ed ▁sound ; ▁it ▁had ▁a ▁real ▁depth ▁to ▁it