. ▁It ▁strik es ▁us ▁that ▁this ▁is ▁a ▁b ard ic ▁expression ▁for ▁the ▁instrument ▁itself , ▁as ▁we ▁should ▁say ▁" the ▁Bag ▁of ▁P ipes ." ▁This ▁p ib ro ch ▁appears ▁in ▁the ▁Campbell ▁Can nt aire ach d ▁MS . ▁as ▁" Mac Le od ' s ▁L ament ." ▁ ▁A ▁related ▁t une ▁was ▁published ▁by ▁Ang us ▁F ras er ▁in ▁ 1 8 1 6 ▁with ▁the ▁title ▁" C um ha ▁Cra ob h ▁nan ▁te ud / L ament ▁for ▁the ▁Har p ▁Tree ". ▁William ▁Math es on ▁arg ues ▁that ▁the ▁title ▁is ▁a ▁cor ruption ▁of ▁" C um ha ▁c ran n ▁nan ▁te ud " ▁or ▁" L ament ▁for ▁the ▁Har p ▁Key ". ▁He ▁ident ifies ▁the ▁p ib ro ch ▁composition ▁with ▁the ▁song ▁" Fe ill ▁nan ▁C ran n " ▁attributed ▁to ▁one ▁of ▁the ▁last ▁Scottish ▁wire - str ung ▁har per ▁po ets ▁R ory ▁D all ▁Mor ison ▁( c . ▁ 1 6 5 6 - c . ▁ 1 7 1 4 ), ▁also ▁known ▁as ▁R ua id h ri ▁D all ▁Mac ▁M hu ir ich , ▁written ▁in ▁his ▁later ▁years ▁as ▁a ▁sat ir ical ▁l ament ▁to ▁his ▁decl ining ▁sexual ▁pot ency . ▁ ▁As ▁Scottish ▁G ael ic ▁arist ocr atic ▁patron age ▁and ▁trad itions ▁began ▁to ▁break ▁down ▁through ▁political ▁and ▁cultural ▁changes ▁and ▁the ▁ever - in