▁to ▁a ▁young ▁woman ▁brought ▁up ▁as ▁a ▁Scottish ▁Protest ant ), ▁a ▁theme ▁expl ored ▁in ▁her ▁later ▁work . ▁ ▁She ▁and ▁a ▁group ▁of ▁her ▁contempor aries ▁are ▁sometimes ▁called ▁The ▁Edinburgh ▁School . ▁They ▁may ▁be ▁seen ▁as ▁the ▁" he irs " ▁of ▁the ▁Scottish ▁Col our ists : ▁Red path ' s ▁The ▁Orange ▁Chair , ▁for ▁example , ▁suggests ▁the ▁Col our ist ▁her itage . ▁ ▁During ▁her ▁years ▁in ▁France ▁( 1 9 2 0 – 1 9 3 3 ), ▁Red path ' s ▁painting ▁was ▁limited ▁by ▁family ▁commit ments , ▁but ▁she ▁produced ▁enough ▁for ▁exhib itions ▁in ▁ 1 9 2 1 ▁and ▁ 1 9 2 8 . ▁She ▁also ▁decor ated ▁furn iture ▁with ▁bright ▁flower ▁and ▁bird ▁patterns . ▁( See ▁Still ▁Life ▁with ▁P aint ed ▁Ch est ) ▁Later ▁there ▁would ▁be ▁many ▁paint ings ▁of ▁flowers : ▁in ▁v ases , ▁or ▁growing ▁abund ant ▁in ▁the ▁wild . ▁( The ▁Po ppy ▁Field ) ▁Red path ▁became ▁heavily ▁influenced ▁by ▁the ▁lik es ▁of ▁Mat isse ▁and ▁Bonn ard . ▁ ▁On ▁her ▁return ▁to ▁Scotland ▁in ▁ 1 9 3 4 , ▁she ▁started ▁to ▁sketch ▁the ▁coun tr ys ide ▁round ▁Haw ick , ▁and ▁painted ▁land sc apes ▁with ▁a ▁more ▁m uted ▁look ▁than ▁much ▁of ▁her ▁work : ▁F rost y ▁Mor ning , ▁T row ▁Mill ▁( 1 9 3 6 ), ▁for ▁example . ▁In ▁the