▁exp ense ▁of ▁pot ency . ▁ ▁By ▁way ▁of ▁resolution , ▁Wind ▁suggests ▁an ▁intermediate ▁and ▁integr ative ▁approach , ▁supp lement ing ▁the ▁toler ance ▁afford ed ▁by ▁a est h etic ▁det achment ▁with ▁an ▁ins istence ▁on ▁personal ▁assess ment ▁on ▁beh alf ▁of ▁the ▁work ' s ▁audience : ▁“ We ▁should ▁react ▁to ▁a ▁work ▁of ▁art ▁on ▁two ▁levels : ▁we ▁should ▁judge ▁it ▁a est het ically ▁in ▁its ▁own ▁terms , ▁but ▁we ▁should ▁also ▁decide ▁whether ▁we ▁find ▁those ▁terms ▁acceptable .” ▁ ▁As ▁such , ▁Wind ▁indicates ▁that ▁the ▁intellectual ▁advantages ▁of ▁the ▁contemporary ▁approach ▁to ▁art ▁may ▁be ▁retained ▁without ▁sacrific ing ▁the ▁“ direct ly ▁[ f elt ] ” ▁quality ▁that ▁is ▁so ▁fundamental ▁to ▁it . ▁ ▁Notes ▁ ▁References ▁ ▁Chan ey , ▁Edward . ▁" W ar burg ian ▁Art ist : ▁R . B . ▁Kit aj , ▁Ed gar ▁Wind , ▁Ernst ▁G om br ich ▁and ▁the ▁War burg ▁Institute ." ▁In ▁Ob s essions : ▁R . B . ▁Kit aj ▁ 1 9 3 2 - 2 0 0 7 . ▁Ker ber ▁Art : ▁Jewish ▁Museum ▁Berlin , ▁ 2 0 1 2 , ▁pp .   9 7 – 1 0 3 . ▁ ▁E is ler , ▁Col in . ▁" K unst geschichte ▁American ▁Style : ▁A ▁Study ▁in ▁M igration ." ▁In ▁The ▁Intel lect ual ▁M igration : ▁Europe ▁and ▁America : ▁ 1 9