▁all ▁of ▁the ▁sh ots ▁were ▁used ▁in ▁the ▁final ▁film ▁and ▁the ▁company ▁were ▁awarded ▁many ▁more ▁sh ots ▁in ▁Mus chi etti ' s ▁piece . ▁ ▁At omic ▁Arts ▁highlight ed ▁the ▁challeng es ▁in ▁creating ▁the ▁paper ▁boat ▁sequence , ▁as ▁Mus chi etti ▁and ▁Ch ung ▁shot ▁in ▁it ▁bright ▁sun sh ine . ▁Am alg am ated ▁Dynam ics ▁worked ▁on ▁the ▁special ▁make up ▁effects ▁on ▁It . ▁ ▁Produ cer ▁Barbara ▁Mus chi etti ▁stated ▁that ▁It ▁would ▁use ▁computer - generated ▁imag ery ▁as ▁a ▁support ▁tool ▁in ▁every ▁circumst ance ; ▁never ▁as ▁an ▁element ▁standing ▁on ▁its ▁own ▁in ▁regard ▁to ▁its ▁relationship ▁with ▁practical ▁effects , ▁to ▁which ▁she ▁stated , ▁" In ▁every ▁film , ▁in ▁this ▁day ▁and ▁age , ▁there ▁is ▁some ▁CG , ▁but ▁we ▁will ▁use ▁it ▁as ▁little ▁as ▁possible ." ▁Andy ▁Mus chi etti ▁spoke ▁of ▁It ▁containing ▁a ▁small ▁amount ▁of ▁CG I , ▁with ▁much ▁of ▁Pen ny wise ▁being ▁Sk ars g år d ▁and ▁his ▁face : ▁" The ▁rest ▁it ' s ▁a ▁shape - sh ifting ▁mon ster , ▁and ▁I ▁wanted ▁to ▁bring ▁that ▁to ▁the ▁screen , ▁when ▁he ' s ▁basically ▁trying ▁to ▁throw ▁everything ▁he ▁has ▁at ▁them .", ▁while ▁sign ifying ▁the ▁importance ▁of ▁design ▁and ▁execution ▁in ▁the ▁et ernal ▁discussion ▁of ▁practical ▁versus ▁CG . ▁ ▁Company ▁ 3 s ▁Stephen ▁Nak am ura ▁collabor ated ▁with ▁Mus chi etti ▁to