▁as ▁a ▁kind ▁of ▁m imes is ▁rather ▁than ▁mere ▁ill usion ▁or ▁im itation ▁of ▁life , ▁in ▁that ▁the ▁play w right ▁is ▁able ▁to ▁present ▁a ▁reality ▁to ▁the ▁audience ▁that ▁is ▁different , ▁yet ▁recogn is able ▁to ▁that ▁which ▁they ▁usually ▁identify ▁with ▁in ▁their ▁every day ▁lives . ▁Another ▁aspect ▁of ▁this ▁is ▁that ▁of ▁creating ▁the ▁kind ▁of ▁dialog ue ▁that ▁makes ▁the ▁play w right ' s ▁characters ▁come ▁alive ▁and ▁allows ▁for ▁their ▁development ▁in ▁the ▁course ▁of ▁his ▁dram at ization . ▁ ▁The ▁play w right ' s ▁art ▁also ▁consists ▁in ▁the ▁ability ▁to ▁convey ▁to ▁the ▁audience ▁the ▁ideas ▁that ▁give ▁ess ence ▁to ▁the ▁drama ▁within ▁the ▁frame ▁of ▁its ▁structure . ▁ ▁Finally , ▁the ▁feeling ▁for ▁the ▁natural ▁divisions ▁of ▁a ▁play — including ▁acts , ▁scenes , ▁and ▁changes ▁of ▁place — its ▁entries ▁and ▁ex its , ▁and ▁the ▁position ing ▁of ▁the ▁cast ▁are ▁integral ▁to ▁play writing ▁technique . ▁ ▁One ▁of ▁the ▁play w right ' s ▁functions ▁is ▁that ▁concerned ▁with ▁adapt ations ▁of ▁existing ▁traditional ▁drama , ▁such ▁as ▁Charles ▁Mar ow itz ’ s ▁coll ages ▁of ▁Ham let ▁and ▁Mac b eth ▁and ▁other ▁re - inter pret ations ▁of ▁Shakespeare ' s ▁works , ▁as ▁well ▁as ▁Tom ▁Sto pp ard ’ s ▁approaches ▁in ▁Ros enc rant z ▁& ▁Gu ild enst ern ▁Are ▁Dead , ▁Dog g ' s ▁Ham let , ▁and ▁C ah