▁running ▁of ▁the ▁Prom s , ▁and ▁would ▁also ▁run ▁a ▁winter ▁series ▁of ▁sym phony ▁concert s ▁at ▁the ▁Queen ' s ▁Hall . ▁ ▁The ▁BBC ▁regime ▁brought ▁immediate ▁benefits . ▁The ▁use ▁of ▁the ▁second ▁half ▁of ▁concert s ▁to ▁promote ▁Ch app ell ' s ▁songs ▁ceased , ▁to ▁be ▁replaced ▁by ▁music ▁chosen ▁for ▁its ▁own ▁excell ence : ▁on ▁the ▁first ▁night ▁under ▁the ▁BBC ' s ▁control , ▁the ▁songs ▁in ▁the ▁second ▁half ▁were ▁by ▁Sch ub ert , ▁Qu il ter ▁and ▁Par ry ▁rather ▁than ▁ball ads ▁from ▁Ch app ell ' s . ▁For ▁Wood , ▁the ▁greatest ▁benefit ▁was ▁that ▁the ▁BBC ▁gave ▁him ▁twice ▁as ▁much ▁re he ars al ▁time ▁as ▁he ▁had ▁previously ▁enjoyed . ▁He ▁now ▁had ▁a ▁daily ▁re he ars al ▁and ▁extra ▁re he ars als ▁as ▁needed . ▁He ▁was ▁also ▁allowed ▁extra ▁players ▁when ▁large ▁scores ▁called ▁for ▁them , ▁instead ▁of ▁having ▁to ▁res core ▁the ▁work ▁for ▁the ▁forces ▁available . ▁ ▁In ▁ 1 9 2 9 , ▁Wood ▁played ▁a ▁celebrated ▁practical ▁jo ke ▁on ▁music olog ists ▁and ▁critics . ▁" I ▁got ▁very ▁fed ▁up ▁with ▁them , ▁always ▁finding ▁fault ▁with ▁any ▁arrangement ▁or ▁orch estr ations ▁that ▁I ▁made ▁... ▁' sp o iling ▁the ▁original ' ▁etc . ▁etc .", ▁and ▁so ▁Wood ▁passed ▁off ▁his ▁own ▁orch estr ation ▁of ▁Bach ' s ▁T occ ata ▁and ▁F ug ue ▁in ▁D