▁The ▁New ▁York ▁Times ▁observed ▁" A ▁lot ▁of ▁the ▁sets ▁are ▁lov ely , ▁Daniel ▁M asse y ▁acts ▁beautiful ly ▁as ▁a ▁kind ▁of ▁war med ▁N ö el ▁Cow ard , ▁and ▁the ▁film , ▁which ▁gets ▁rich er ▁and ▁better ▁as ▁it ▁goes ▁along , ▁has ▁a ▁nice ▁scene ▁from ▁Private ▁L ives . ▁People ▁who ▁like ▁old - style ▁musical s ▁should ▁get ▁their ▁money ' s ▁worth . ▁So ▁should ▁people ▁who ▁like ▁Jul ie ▁Andrew s . ▁But ▁people ▁who ▁liked ▁Ger tr ude ▁Lawrence ▁had ▁better ▁stick ▁with ▁their ▁record ▁collections ▁and ▁mem ories ." ▁ ▁Vari ety ▁wrote ▁" Jul ie ▁Andrew s ' ▁port ray al ... occ asion ally ▁s ags ▁between ▁musical ▁numbers ▁but ▁the ▁cast ▁and ▁team ▁of ▁red ou b table ▁technical ▁contrib utors ▁have ▁helped ▁to ▁turn ▁out ▁a ▁ple asing ▁t ribute ▁to ▁one ▁of ▁the ▁theatre ' s ▁most ▁adm ired ▁stars . ▁It ▁gives ▁a ▁fasc in ating ▁coverage ▁of ▁Lawrence ' s ▁spect ac ular ▁rise ▁to ▁show b iz ▁fame , ▁and ▁also ▁a ▁neat ly ▁observed ▁background ▁of ▁an ▁epo ch ▁now ▁gone ." ▁ ▁Time ▁Out ▁London ▁wrote ▁" W ise ' s ▁bi op ic ▁hardly ▁des erved ▁the ▁rough ▁treatment ▁it ▁received ▁from ▁most ▁critics ▁and ▁aud ien ces , ▁who ▁had ▁been ▁led ▁by ▁the ▁studio ' s ▁advert ising ▁to ▁expect ▁another ▁Sound ▁of ▁Music . ▁This ▁was ▁a ▁far ▁more ▁am bit ious ▁project ; ▁it