▁in ▁my ▁initial ▁study ▁and ▁in ▁the ▁minds ▁of ▁other ▁conduct ors ▁whose ▁purs uits ▁of ▁definite ▁answers ▁in ▁this ▁has ▁been ▁an ▁equal ▁fr ustration .” ▁ ▁Among ▁the ▁questions ▁raised ▁were ▁those ▁concerning ▁the ▁scoring ▁dis cre pan cies ▁associated ▁with ▁the ▁alto ▁clar inet ▁and ▁bar it one ▁sa x oph one . ▁ ▁In ▁light ▁of ▁these ▁real is ations , ▁a ▁new , ▁re vised ▁score ▁was ▁subsequently ▁prepared ▁by ▁English ▁composer ▁Col in ▁Matt he ws , ▁with ▁the ▁assistance ▁of ▁Im ogen ▁Hol st ▁and ▁Frederick ▁F enn ell . ▁ ▁This ▁new ▁edition ▁was ▁published ▁in ▁ 1 9 8 4 ▁by ▁Bo ose y ▁& ▁Haw kes . ▁ ▁Matt he ws ▁knew ▁that ▁a ▁complete ▁return ▁to ▁the ▁scoring ▁of ▁the ▁manuscript ▁would ▁once ▁again ▁limit ▁the ▁access ibility ▁of ▁the ▁work , ▁particularly ▁in ▁the ▁United ▁States , ▁where ▁American ▁bands ▁are ▁still ▁to ▁this ▁day ▁typically ▁larger ▁than ▁their ▁British ▁counter parts . ▁ ▁In ▁the ▁introduction ▁to ▁the ▁re vised ▁score , ▁Matt he ws ▁states : ▁ ▁“ Since ▁the ▁composition ▁of ▁military ▁bands ▁and ▁wind ▁bands ▁in ▁general ▁has ▁changed ▁since ▁ 1 9 0 9 , ▁this ▁new ▁edition ▁of ▁the ▁score ▁does ▁not ▁attempt ▁to ▁go ▁back ▁wh olly ▁to ▁the ▁original ▁manuscript … ▁ ▁The ▁second ▁pair ▁of ▁tr ump ets ▁and ▁the ▁bar it one ▁have ▁been ▁omitted ▁entirely , ▁while ▁the ▁added ▁bar it one ▁and ▁bass ▁sa x oph ones ▁have ▁been