▁player , ▁has ▁open ▁finger ▁holes , ▁and ▁has ▁two ▁ch amb ers : ▁one ▁for ▁collect ing ▁the ▁breath ▁of ▁the ▁player ▁and ▁a ▁second ▁chamber ▁which ▁creates ▁sound . ▁The ▁player ▁breath es ▁into ▁one ▁end ▁of ▁the ▁fl ute ▁without ▁the ▁need ▁for ▁an ▁emb ouch ure . ▁A ▁block ▁on ▁the ▁outside ▁of ▁the ▁instrument ▁direct s ▁the ▁player ' s ▁breath ▁from ▁the ▁first ▁chamber ▁— ▁called ▁the ▁slow ▁air ▁chamber ▁— ▁into ▁the ▁second ▁chamber ▁— ▁called ▁the ▁sound ▁chamber . ▁The ▁design ▁of ▁a ▁sound ▁hole ▁at ▁the ▁proxim al ▁end ▁of ▁the ▁sound ▁chamber ▁causes ▁air ▁from ▁the ▁player ' s ▁breath ▁to ▁v ibr ate . ▁This ▁v ibration ▁causes ▁a ▁steady ▁reson ance ▁of ▁air ▁pressure ▁in ▁the ▁sound ▁chamber ▁that ▁creates ▁sound . ▁ ▁Native ▁American ▁fl utes ▁compr ise ▁a ▁wide ▁range ▁of ▁designs , ▁sizes , ▁and ▁variations ▁— ▁far ▁more ▁varied ▁than ▁most ▁other ▁classes ▁of ▁wood wind ▁instruments . ▁ ▁Names ▁ ▁The ▁instrument ▁is ▁known ▁by ▁many ▁names . ▁Some ▁of ▁the ▁reasons ▁for ▁the ▁variety ▁of ▁names ▁include : ▁the ▁varied ▁uses ▁of ▁the ▁instrument ▁( e . g . ▁cour ting ), ▁the ▁wide ▁dispers al ▁of ▁the ▁instrument ▁across ▁language ▁groups ▁and ▁ge ographic ▁regions , ▁legal ▁stat utes ▁( see ▁the ▁Indian ▁Arts ▁And ▁C raft s ▁Act ), ▁and ▁the ▁Native ▁American ▁name ▁controvers y . ▁ ▁Native ▁American ▁names ▁for ▁the ▁fl ute ▁include : ▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁( T egu ima ▁language