▁. ▁ ▁More ▁precise ▁consider ations ▁of ▁the ▁point ▁of ▁origin ▁are ▁a ▁matter ▁of ▁some ▁dispute . ▁One ▁view ▁holds ▁that ▁it ▁began ▁with ▁the ▁war ▁of ▁liber ation ▁against ▁Napoleon , ▁leading ▁to ▁a ▁re cept ive ▁atmosphere ▁in ▁Germany ▁for ▁We ber ' s ▁opera ▁Der ▁Fre isch üt z ▁( 1 8 2 1 ) ▁and , ▁later , ▁Richard ▁Wagner ' s ▁ep ic ▁dram as ▁based ▁on ▁Te ut onic ▁leg ends . ▁At ▁around ▁the ▁same ▁time , ▁Poland ' s ▁struggle ▁for ▁freedom ▁from ▁Cz ar ist ▁Russia ▁produced ▁a ▁national ist ▁spirit ▁in ▁the ▁piano ▁works ▁and ▁orch est ral ▁compos itions ▁such ▁as ▁Ch op in ' s ▁Fant asy ▁on ▁Polish ▁Air s ▁and ▁slightly ▁later ▁Italy ' s ▁asp iration ▁to ▁independence ▁from ▁Austria ▁reson ated ▁in ▁many ▁of ▁the ▁oper as ▁of ▁Giuseppe ▁Ver di ▁. ▁Count ries ▁or ▁regions ▁most ▁commonly ▁linked ▁to ▁musical ▁national ism ▁include ▁Russia , ▁Czech ▁Republic , ▁Poland , ▁Roman ia , ▁Hung ary , ▁Sc and in avia , ▁Spain , ▁the ▁United ▁Kingdom , ▁Latin ▁America ▁and ▁the ▁United ▁States . ▁ ▁Poland ▁ ▁Jan ▁Stef ani ▁▁ ▁( 1 7 4 6 – 1 8 2 9 ) ▁composed ▁the ▁S ings piel ▁C ud ▁m ni em any , ▁czy li ▁Krak ow ia cy ▁i ▁g ó ral i ▁( The ▁Supp osed ▁Mi racle , ▁or ▁the ▁C rac ov ians ▁and ▁the ▁High land ers ), ▁which