▁throughout ▁the ▁work , ▁giving ▁the ▁sense ▁of ▁an ▁end less ▁flow ▁of ▁music , ▁s atur ated ▁with ▁flor id ▁detail . ▁Ch anges ▁in ▁mut ing ▁and ▁playing ▁technique , ▁usually ▁in ▁one ▁instrument ▁at ▁a ▁time , ▁are ▁used ▁to ▁mark ▁off ▁composite ▁pitch ▁aggreg ates ▁. ▁ ▁The ▁work ▁is ▁based ▁on ▁an ▁all - partition ▁array ▁which ▁is ▁( with ▁a ▁few ▁sw apped ▁partitions ) ▁the ▁M 5 ▁transform ▁of ▁the ▁one ▁used ▁in ▁The ▁Joy ▁of ▁More ▁Se xt ets ▁( 1 9 8 6 ), ▁for ▁viol in ▁and ▁piano ▁. ▁ ▁Disc ography ▁Mil ton ▁B abb itt : ▁Occ as ional ▁Vari ations . ▁Also ▁with ▁B abb itt : ▁String ▁Quart et ▁No . ▁ 2 ; ▁String ▁Quart et ▁No . ▁ 6 ; ▁Com position ▁for ▁Gu itar . ▁R CA ▁Mark ▁II ▁Sound ▁Syn thes izer , ▁realized ▁by ▁Mil ton ▁B abb itt ; ▁Compos ers ▁Quart et ▁( M att hew ▁Ra im ond i , ▁An ah id ▁A jem ian , ▁viol ins ; ▁Jean ▁Dup ou y , ▁vi ola ; ▁Michael ▁Rud ia kov , ▁c ello ); ▁Sher ry ▁Quart et ▁( Har umi ▁Rh odes , ▁A aron ▁Bo yd , ▁viol ins ; ▁James ▁My er ▁Hog g , ▁vi ola ; ▁K atherine ▁Cher bas , ▁c ello ); ▁William ▁Anderson , ▁guitar . ▁CD ▁recording . ▁T z ad ik ▁T Z ▁ 7 0 8 8 .