ics ▁and ▁music ▁for ▁most ▁of ▁the ▁record ▁at ▁his ▁parents ' ▁home , ▁on ▁a ▁Hamm ond ▁organ ▁with ▁a ▁built - in ▁t ape ▁rec order . ▁Inter view ed ▁in ▁ 2 0 0 4 , ▁producer ▁Mike ▁Hed ges ▁did ▁not ▁recall ▁any ▁demo ▁tracks , ▁with ▁the ▁band ▁generally ▁playing ▁the ▁track ▁in ▁the ▁studio ▁before ▁lay ing ▁down ▁a ▁backing ▁track ▁to ▁which ▁over d ubs ▁were ▁added . ▁ ▁Two ▁members ▁of ▁the ▁Magazine ▁Sp ies , ▁bass ▁guitar ist ▁Simon ▁Gall up ▁and ▁keyboard ist ▁Matth ieu ▁Hart ley , ▁were ▁added ▁to ▁the ▁band ' s ▁line up . ▁Gall up ▁replaced ▁D emp sey , ▁which ▁rel ieved ▁Smith ▁as ▁he ▁felt ▁D emp sey ' s ▁bass lines ▁were ▁too ▁orn ate . ▁Hart ley ' s ▁synth ▁work ▁added ▁a ▁new ▁dimension ▁to ▁the ▁band ' s ▁newly ▁eth ere al ▁sound , ▁although ▁he ▁would ▁later ▁cl ash ▁with ▁Smith ▁over ▁complexity ; ▁Hart ley ▁enjoyed ▁complex ▁ch ords ▁but ▁Smith ▁wanted ▁single ▁notes . ▁ ▁Because ▁of ▁financial ▁rest raint s , ▁the ▁album ▁was ▁recorded ▁and ▁mixed ▁in ▁seven ▁days ▁on ▁a ▁budget ▁of ▁between ▁£ 2 , 0 0 0 ▁and ▁£ 3 , 0 0 0 , ▁which ▁resulted ▁in ▁the ▁band ▁working ▁ 1 6 ▁or ▁ 1 7 ▁hours ▁a ▁day . ▁Smith ▁stated ▁that ▁as ▁a ▁result , ▁the ▁track ▁" The ▁Final ▁Sound ", ▁which ▁was ▁planned ▁to ▁be ▁much ▁longer ,