ina , ▁his ▁voice ▁r ises ▁from ▁the ▁narr ative ▁chant ▁to ▁his ▁top ▁A ▁on ▁" P erd on ata ". ▁The ▁con greg ation ▁echo es ▁him , ▁L ina ▁ec stat ically ▁thanks ▁God ▁with ▁her ▁top ▁C , ▁and ▁the ▁cur tain ▁falls ". ▁ ▁Gab rie le ▁Bald ini ' s ▁The ▁Story ▁of ▁Giuseppe ▁Ver di ▁de als ▁with ▁St iff el io ▁and ▁A ro ld o ▁together , ▁so ▁the ▁former ▁gets ▁rather ▁limited ▁mention . ▁ ▁But ▁in ▁regard ▁to ▁the ▁music , ▁he ▁makes ▁a ▁point ▁about ▁how : ▁the ▁act ▁ 1 ▁sop rano ▁and ▁bar it one ▁du et ▁[ O ▁me co ▁ven ite ▁/ ▁" Come ▁now ▁with ▁me ; ▁tears ▁are ▁of ▁no ▁consequence "] ▁for ▁example , ▁contains ▁the ▁germ ▁of ▁several ▁ideas ▁which ▁later ▁expand ▁the ▁R igo let to ▁quart et . ▁ ▁The ▁dark ▁instrument al ▁introduction ▁and ▁broad , ▁passion ate ▁a ri oso ▁which ▁opens ▁act ▁ 2 , ▁finding ▁the ▁woman ▁alone ▁in ▁an ▁' anci ent ▁c emetery ', ▁const itute ▁a ▁sort ▁of ▁dress ▁re he ars al ▁for ▁the ▁beginning ▁of ▁Un ▁bal lo ▁in ▁mas cher as ▁second ▁act ▁and ▁the ▁final ▁scene ▁of ▁La ▁for za ▁del ▁dest ino : ▁it ▁is ▁no ▁accident ▁that , ▁mus ically ▁speaking , ▁these ▁are ▁the ▁best ▁sections ▁of ▁both ▁oper as . ▁ ▁Record ings ▁ ▁References Not es C ited ▁sources B ald ini , ▁Gab rie