▁Mc Don ough ▁we ars ▁to ▁port ray ▁the ▁character ▁could ▁not ▁get ▁wet . ▁ ▁D ' Esp os ito ▁chose ▁to ▁differenti ate ▁the ▁short ▁from ▁The ▁First ▁Aven ger ▁by ▁avoid ing ▁the ▁sep ia ▁tone ▁used ▁for ▁that ▁film ▁by ▁director ▁Joe ▁John ston , ▁instead ▁using ▁a ▁cool er ▁blue ▁color . ▁The ▁production ▁used ▁two ▁old ▁l enses ▁( for ▁both ▁night ▁and ▁day ) ▁that ▁gave ▁the ▁short ▁some ▁" bet ter " ▁l ens ▁fl ares ▁that ▁D ' Esp os ito ▁felt ▁gave ▁the ▁period ▁setting ▁a ▁more ▁modern ▁feel . ▁D ' Esp os ito ▁used ▁a ▁Ste adic am ▁or ▁a ▁camera ▁dol ly ▁for ▁the ▁action ▁sequences , ▁to ▁avoid ▁a ▁" quick ▁cut ty ▁or ▁bl ur ry ▁or ▁sh ak y " ▁feel . ▁D ' Esp os ito ▁said ▁that ▁the ▁crew ▁was ▁ultimately ▁" push ing ▁our ▁limit " ▁to ▁get ▁the ▁planned ▁sh ots ▁on ▁schedule , ▁and ▁he ▁eventually ▁realized ▁that ▁he ▁" was n ' t ▁going ▁to ▁get ▁every ▁shot ▁and ▁I ▁wasn ' t ▁going ▁to ▁get ▁every ▁p unch ▁and ▁kick , ▁so ▁what ▁we ▁do ▁is ▁get ▁the ▁optim um ". ▁ ▁Post - production ▁Visual ▁effects ▁sh ots ▁of ▁ 1 9 4 0 s ▁New ▁York ▁from ▁Captain ▁America : ▁The ▁First ▁Aven ger ▁were ▁re used ▁in ▁the ▁short ▁for ▁budget ary ▁reasons . ▁D ' Esp os ito ▁noted ▁the ▁sequence ▁where ▁Carter ▁comes ▁" f