▁port ra its . ▁She ▁is ▁se ated , ▁and ▁the ▁full ▁weight ▁of ▁her ▁body ▁has ▁shift ed ▁onto ▁the ▁left ▁but to ck ▁while ▁the ▁upper ▁tor so ▁sl ants ▁to ▁the ▁right ▁in ▁a ▁circular ▁movement . ▁The ▁whole ▁post ure ▁is ▁emphas ised ▁by ▁the ▁parallel ▁rh ythm ▁of ▁her ▁right ▁leg ▁and ▁right ▁arm ▁coming ▁freely ▁down ▁in ▁a ▁mud ra ▁symbol ising ▁gener os ity ▁and ▁the ▁horizontal ▁line ▁of ▁her ▁left ▁leg ▁in ▁classical ▁t uck ed ▁up ▁position ▁providing ▁firm ▁support . ▁Her ▁bre asts ▁are ▁young ▁and ▁full ▁and ▁her ▁small ▁wa ist ▁curves ▁grace fully . ▁The ▁left ▁hand ▁mud ra ▁dep ict s ▁refuge ▁in ▁the ▁three ▁j ew els : ▁Bud d ha , ▁D har ma ▁and ▁Sang ha . ▁V aj rad h ara , ▁the ▁D hy ani ▁Bud d has ▁and ▁other ▁de ities ▁show ▁the ▁ 3 2 ▁main ▁and ▁ 8 0 ▁secondary ▁features ▁of ▁an ▁ideal ▁human ▁body . ▁They ▁are ▁in ▁harm ony ▁with ▁the ▁canonical ▁proport ions ▁described ▁in ▁T eng y ur . ▁Es pecially ▁beautiful ▁are ▁the ▁faces ▁of ▁Z an ab azar ’ s ▁Bud d has ▁and ▁Bod his att vas ▁in ▁deep ▁med itation . ▁Gu ided ▁by ▁desire ▁to ▁liber ate ▁the ▁people ▁from ▁wr ath , ▁ignor ance , ▁l ust , ▁cont empt ▁and ▁ill ▁will ▁– ▁the ▁five ▁v ices ▁giving ▁rise ▁to ▁all ▁s ins ▁- ▁the ▁sculpt or ▁created ▁the ▁Five