▁were ▁"... numer ous ▁points ▁of ▁contact ▁between ▁Disney ▁and ▁the ▁Je pson ▁Art ▁Institute ..." ▁ ▁Mar is ol ▁dr ift ed ▁through ▁many ▁movements . ▁"' Not ▁Pop , ▁Not ▁Op , ▁It ' s ▁Mar is ol !' ▁was ▁the ▁way ▁Grace ▁Gl ue ck ▁titled ▁her ▁article ▁in ▁the ▁New ▁York ▁Times ▁in ▁ 1 9 6 5 … " ▁Sil ence ▁was ▁an ▁integral ▁part ▁of ▁Mar is ol ' s ▁work ▁and ▁life . ▁ ▁She ▁was ▁said ▁to ▁have ▁spoken ▁no ▁more ▁than ▁she ▁needed ▁to , ▁and ▁in ▁her ▁work ▁she ▁been ▁described ▁as ▁having ▁to ▁best owed ▁silence ▁with ▁" form ▁and ▁weight ". ▁ ▁She ▁talked ▁little ▁of ▁her ▁career ▁and ▁once ▁stated , ▁" I ▁have ▁always ▁been ▁very ▁fort un ate . ▁People ▁like ▁what ▁I ▁do ." ▁ ▁In ▁ 1 9 6 6 - 6 7 , ▁she ▁completed ▁Hugh ▁He f ner , ▁a ▁sculpt ural ▁portrait ▁of ▁the ▁celebr ity ▁magazine ▁publish er . ▁She ▁dep icted ▁him ▁with ▁two ▁copies ▁of ▁his ▁tra dem ark ▁sm oking ▁pipe , ▁one ▁painted , ▁and ▁the ▁other ▁a ▁real ▁one ▁project ing ▁ag gress ively ▁from ▁the ▁front ▁of ▁the ▁piece . ▁The ▁sculpt ure ▁was ▁featured ▁on ▁the ▁March ▁ 3 , ▁ 1 9 6 7 ▁cover ▁of ▁Time ▁magazine . ▁The ▁work ▁was ▁acquired ▁by ▁Time , ▁and ▁is ▁now ▁in ▁the ▁collection ▁of ▁the ▁National ▁Port rait ▁Gallery ▁of ▁the ▁Smith son ian ▁Institution