▁a ▁pro sec ution ▁of ▁modal . ▁ ▁Fal sett one ▁is ▁however ▁employed ▁in ▁many ▁rend itions ▁of ▁classical ▁bar o que ▁music , ▁of ▁which ▁Monte ver di , ▁Hand el ▁are ▁names ▁worth ▁of ▁mention , ▁pione ers ▁of ▁this ▁genre , ▁by ▁male ▁sing ers , ▁ten ors ▁but ▁often ▁even ▁bar it ones ▁or ▁lower , ▁taking ▁roles ▁which ▁used ▁to ▁be ▁of ▁cas tr ati . ▁These ▁sing ers ▁use ▁a ▁reson ating ▁fal set to ▁to ▁achieve ▁the ▁notes ▁and ▁approximate ▁the ▁tim bre ▁which ▁possibly ▁used ▁to ▁be ▁of ▁these ▁men . ▁We ▁can ▁name ▁among ▁them ▁Andreas ▁Sch oll , ▁Philippe ▁Jar ous sky . ▁Fem ale ▁opera ▁sing ers ▁often ▁use ▁this ▁register ▁for ▁the ▁higher ▁part ▁of ▁their ▁t ess it ura , ▁but ▁they ▁connect ▁it ▁to ▁their ▁lower ▁register . ▁ ▁In ▁that ▁same ▁period ▁Italian ▁music ologist ▁Rod ol fo ▁C ellett i , ▁who ▁was ▁also ▁an ▁amateur ▁singing ▁teacher , ▁tried ▁to ▁restore ▁the ▁fal sett one ▁technique , ▁training ▁the ▁ten or ▁Giuseppe ▁Mor ino , ▁who ▁made ▁his ▁debut ▁singing ▁the ▁ten ore ▁contr alt ino ▁role ▁of ▁G ual t iero ▁in ▁Bell ini ’ s ▁Il ▁pir ata , ▁at ▁the ▁Festival ▁della ▁Valle ▁d ' It ria ▁in ▁Mart ina ▁Fran ca . ▁ ▁Just ▁a ▁register ▁or ▁a ▁specific ▁style ? ▁We ▁can ▁notice ▁that ▁in ▁the ▁definition ▁of ▁fal sett one , ▁l ary n ge al ▁and ▁sty list