s ▁final ▁scene ▁reve aling ▁the ▁source ▁of ▁the ▁Cro ix ▁de ▁Fe u ' s ▁fund ing ▁- ▁an ▁act ▁of ▁c ensor ship ▁that ▁Gre ene ▁noted ▁as ▁making ▁the ▁film ▁" F asc ist ▁in ▁tone ". ▁ ▁Al ist air ▁Co oke , ▁The ▁List ener ▁( Nov ember ▁ 2 0 , ▁ 1 9 3 5 ) ▁— ▁The ▁March ▁of ▁Time ▁is ▁not ▁the ▁result ▁of ▁bright ▁insp iration . ▁Be hind ▁it ▁is ▁ten ▁years ' ▁experience ▁with ▁a ▁magazine ▁of ▁the ▁same ▁style ; ▁an ▁army ▁of ▁correspond ents ▁and ▁cam er amen ▁scattered ▁throughout ▁the ▁world ; ▁an ▁historical ▁film ▁library ▁it ▁took ▁two ▁years ▁to ▁prepare ; ▁a ▁newspaper ▁cutting ▁library ▁as ▁exhaust ive ▁as ▁anything ▁ext ant ; ▁and ▁in ▁New ▁York ▁and ▁Chicago ▁a ▁vast ▁research ▁staff ▁alert ▁to ▁trace ▁the ▁orig ins ▁of ▁any ▁family , ▁war , ▁author , ▁states man , ▁treat y , ▁or ▁breath ▁or ▁rum our . ▁With ▁no ▁less ▁than ▁this ▁should ▁any ▁other ▁film ▁company ▁ir respons ibly ▁comp ete . ▁ ▁Bos ley ▁Crow ther , ▁The ▁New ▁York ▁Times ▁( Oct ober ▁ 3 1 , ▁ 1 9 3 7 ) ▁— ▁And ▁now , ▁less ▁than ▁three ▁years ▁old ▁but ▁already ▁an ▁institution , ▁the ▁March ▁of ▁Time ▁is ▁today ▁one ▁of ▁the ▁most ▁successful ▁and ▁forward - looking ▁features ▁on ▁the ▁screen ▁— ▁a ▁dynamic ▁force ▁for ▁the ▁pur vey ance ▁of ▁information ▁through ▁the ▁medium ▁of