ung ▁mul led ▁over ▁the ▁notion ▁of ▁a ▁period ▁look ▁for ▁It , ▁but ▁ultimately ▁felt ▁the ▁ 1 9 8 0 s ▁feel ▁was ▁convey ed ▁through ▁Claude ▁Par é ' s ▁sets ▁and ▁the ▁work ▁of ▁Jan ie ▁Bry ant , ▁in ▁which ▁Ch ung ▁stated : ▁" Try ing ▁to ▁make ▁a ▁movie ▁set ▁in ▁the ▁ 1 9 8 0 s ▁look ▁like ▁the ▁ 1 9 8 0 s ▁can ▁be ▁dangerous ." ▁Initial ly ▁he ▁had ▁thought ▁of ▁photograph ing ▁with ▁ 1 9 8 0 s ▁light ing ▁rules ▁and ▁g ear , ▁though ▁later ▁feeling ▁it ▁to ▁be ▁super fl uous ▁as ▁Mus chi etti ▁and ▁he ▁were ▁trying ▁to ▁capture ▁a ▁natural ▁look . ▁ ▁Mus chi etti ▁himself ▁found ▁main stream ▁ 1 9 8 0 s ▁light ing ▁too ▁artificial ▁thus ▁preferred ▁to ▁through ▁windows ▁and ▁b ounce ▁off ▁the ▁floor , ▁allowing ▁him ▁to ▁convey ▁a ▁feeling ▁of ▁int im acy ▁with ▁the ▁characters , ▁while ▁adm iring ▁the ▁approach ▁of ▁un sett ling ▁back light s ▁and ▁soft ▁lights . ▁Ch ung ▁spoke ▁of ▁his ▁experience ▁on ▁Sto ker ▁( 2 0 1 3 ), ▁which ▁taught ▁him ▁how ▁to ▁light ▁quickly ▁using ▁one ▁source : ▁" I ▁feel ▁luck y ▁because ▁some ▁direct ors ▁will ▁always ▁say , ▁Can ▁you ▁make ▁more ▁light ? ▁But ▁this ▁movie ▁is ▁very ▁natural istic . ▁My ▁responsibility ▁is ▁to ▁the ▁audience ▁and ▁to ▁tell ▁the ▁story , ▁and ▁if ▁you ▁want ▁this