▁schedule ▁and ▁low ▁budget , ▁telling ▁cr tit c ▁Tom ▁We aver ▁that ▁" it ▁was ▁a ▁situation ▁where ▁we ▁just ▁got ▁tra pped , ▁again , ▁without ▁any ▁money . ▁We ▁had ▁no ▁prepar ation ▁time , ▁and ▁Fran ken stein ' s ▁D augh ter ▁was ▁designed ▁on ▁the ▁set ▁on ▁the ▁first ▁day ▁of ▁shooting ▁... ▁we ▁just ▁didn ' t ▁have ▁enough ▁money ▁to ▁create ▁a ▁mon ster ▁that ▁would ▁represent ▁S ally ▁Tod d . ▁Thomas ▁told ▁We aver ▁in ▁a ▁separate ▁interview ▁that ▁he ▁" w anted ▁to ▁make ▁S ally ▁Tod d ▁up ▁as ▁the ▁mon ster , ▁but ▁the ▁produ cers ▁didn ' t ▁think ▁she ▁was ▁big ▁enough ▁to ▁fight ▁and ▁look ▁men acing ". ▁ ▁Crit ic ▁Bry an ▁S enn ▁says ▁that ▁" though ▁there ' s ▁much ▁to ▁sc off ▁at ▁in ▁this ▁gender - b ending ▁cheap ie , ▁director ▁Cu h na ▁and ▁cinemat ograph er ▁Mer ed ith ▁Nich ol son ▁at ▁least ▁try ▁to ▁invest ▁the ▁proceed ings ▁with ▁some ▁visual ▁interest , ▁util izing ▁sh adows , ▁depth ▁of ▁field , ▁and ▁even ▁change ▁of ▁focus ▁within ▁a ▁shot ▁to ▁bring ▁a ▁character ▁into ▁sharp ▁relief ▁at ▁a ▁dram atic ▁moment ". ▁Those ▁attempts ▁do ▁not ▁sound ▁entirely ▁successful , ▁though . ▁Hard y ▁writes ▁that ▁Nich ol son ' s ▁" shadow y ▁light ing , ▁however , ▁can ' t ▁fully ▁dis gu ise ▁the ▁few ▁cr amp ed ▁studio ▁sets ▁and ▁b anal