▁which ▁makes ▁the ▁demand ▁for ▁law y ers ▁extremely ▁necessary . ▁ ▁C ategories ▁Entertainment ▁law ▁is ▁generally ▁sub - div ided ▁into ▁the ▁following ▁areas ▁related ▁to ▁the ▁types ▁of ▁activities ▁that ▁have ▁their ▁own ▁specific ▁trade ▁un ions , ▁production ▁techniques , ▁rules , ▁custom s , ▁case ▁law , ▁and ▁neg ot iation ▁strateg ies : ▁▁ ▁F IL M , ▁including ▁option ▁agre ements , ▁chain ▁of ▁title ▁issues , ▁talent ▁agre ements ▁( screen writ ers , ▁film ▁direct ors , ▁actors , ▁compos ers , ▁production ▁design ers ), ▁production ▁and ▁post ▁production ▁and ▁trade ▁union ▁issues , ▁distribution ▁issues , ▁motion ▁picture ▁industry ▁negoti ations ▁distribution , ▁and ▁general ▁intellectual ▁property ▁issues ▁especially ▁rel ating ▁to ▁copy right ▁and , ▁to ▁a ▁less er ▁extent , ▁tra dem arks ; ▁▁▁ ▁IN TER NET , ▁including ▁C ensor ship , ▁Copy right , ▁Fre edom ▁of ▁information , ▁Information ▁Technology , ▁Priv acy , ▁and ▁Tele communic ations ▁issues ; ▁▁ ▁M ULT IME DI A , ▁including ▁software ▁lic ens ing ▁issues , ▁video ▁game ▁development ▁and ▁production , ▁Information ▁technology ▁law , ▁and ▁general ▁intellectual ▁property ▁issues ; ▁▁ ▁M US IC , ▁including ▁talent ▁agre ements ▁( mus icians , ▁compos ers ), ▁producer ▁agre ements , ▁and ▁synchron ization ▁rights , ▁music ▁industry ▁neg ot iation ▁and ▁general ▁intellectual ▁property ▁issues , ▁especially ▁rel ating ▁to ▁copy right ▁( see ▁music ▁law ); ▁▁▁▁ ▁P UB L IS H ING ▁and ▁PR