▁of ▁the ▁" f lying ▁c ym bal " ▁sound ▁on ▁Lee ' s ▁produ ctions , ▁developed ▁by ▁drum mer ▁Carl ton ▁' S anta ' ▁Davis , ▁with ▁Lee ' s ▁session ▁band , ▁The ▁A gg rov ators . ▁ ▁Lee ▁was ▁instrument al ▁in ▁producing ▁early ▁dub ▁music , ▁working ▁with ▁his ▁friend ▁and ▁dub ▁pione er ▁King ▁T ub by ▁in ▁the ▁early ▁ 1 9 7 0 s . ▁ ▁Lee ▁and ▁T ub by ▁were ▁experiment ing ▁with ▁new ▁production ▁techniques ▁which ▁Lee ▁described ▁as ▁" im plements ▁of ▁sound ." ▁Working ▁with ▁equipment ▁that ▁today ▁would ▁be ▁considered ▁primitive ▁and ▁limit ing , ▁they ▁produced ▁tracks ▁that ▁consisted ▁of ▁mostly ▁the ▁rh ythm ▁parts ▁mixed ▁with ▁dist orted ▁or ▁alter ed ▁versions ▁of ▁a ▁song . ▁With ▁all ▁the ▁bass ▁and ▁drum ▁t ing ▁now , ▁dem ▁t ing ▁just ▁start ▁by ▁accident , ▁a ▁man ▁sing ▁off ▁key , ▁an ▁when ▁you ▁a ▁reach ▁a ▁dat ▁you ▁drop ▁out ▁everything ▁an ▁leave ▁the ▁drum , ▁an ▁l ick ▁in ▁the ▁bass , ▁an ▁cause ▁a ▁confusion ▁an ▁people ▁like ▁it ... ▁ ▁Lee ▁encourag ed ▁T ub by ▁to ▁mix ▁increasing ly ▁wild ▁dub s , ▁sometimes ▁including ▁sound ▁effects ▁such ▁as ▁th under ▁cla ps ▁and ▁gun sh ots . ▁In ▁addition ▁to ▁King ▁T ub by , ▁dub ▁mix ers ▁Prince ▁Jam my ▁and ▁Philip ▁Sm art ▁also ▁worked ▁extens ively ▁on ▁Lee ' s ▁produ ctions , ▁with ▁most ▁of ▁Lee