▁Francisco ▁Botan ical ▁Garden ▁in ▁Golden ▁Gate ▁Park . ▁ ▁She ▁began ▁collabor ating ▁and ▁performing ▁with ▁David ▁J ▁( B au haus , ▁Love ▁and ▁Rock ets ) ▁in ▁ 2 0 0 9 , ▁re le asing ▁two ▁singles ▁in ▁ 2 0 1 0 . ▁Ac company ing ▁him ▁on ▁piano ▁during ▁live ▁concert s , ▁she ▁developed ▁a ▁post - class ical ▁cin ematic ▁version ▁of ▁" B ela ▁L ug osi ' s ▁Dead ," ▁and ▁composed ▁a ▁lav ish ▁ 2 - min ute ▁solo ▁piano ▁intro ▁which ▁gradually ▁revealed ▁the ▁rh ythm ▁of ▁the ▁classic ▁t une ▁as ▁the ▁band ▁joined ▁in . ▁This ▁was ▁released ▁as ▁" B ela ▁L ug osi ' s ▁Dead ▁( Und ead ▁is ▁Fore ver )" ▁by ▁“ David ▁J ▁( with ▁J ill ▁T racy ) ” ▁in ▁ 2 0 1 3 . ▁ ▁“ We ▁recorded ▁pract ically ▁in ▁pitch ▁darkness ,” ▁J ill ▁says ▁of ▁the ▁session , ▁which ▁was ▁captured ▁live ▁in ▁a ▁single ▁take . ▁“ That ’ s ▁why ▁there ▁is ▁such ▁a ▁g orge ous , ▁sed uct ive ▁ur gency ▁to ▁the ▁piece : ▁the ▁band ▁could ▁only ▁hear … ▁and ▁feel … ▁and ▁react ." ▁ ▁“ Back ▁during ▁the ▁recording ▁of ▁The ▁Bit ters weet ▁Con stra in , ▁my ▁engineer ▁Alex ▁N ah as ▁kept ▁referring ▁to ▁my ▁signature ▁dark ▁grand ▁style ▁of ▁playing ▁as ▁‘ B auth oven ,' ▁I ▁loved ▁that ▁phrase . ▁This ▁seemed