▁J ill ▁T racy ▁states ▁that ▁some ▁of ▁her ▁biggest ▁child hood ▁influ ences ▁were ▁film ▁score ▁compos ers ▁such ▁as ▁Bernard ▁Her rm ann , ▁and ▁classic ▁susp ense ▁tales , ▁including ▁Alfred ▁H itch cock ▁and ▁Fritz ▁Lang ▁films , ▁Ray ▁Brad bury ▁stories , ▁and ▁Rod ▁Ser ling ' s ▁The ▁Tw il ight ▁Zone . ▁In ▁an ▁interview , ▁she ▁stated , ▁" I ▁learned ▁from ▁watching ▁' The ▁Tw il ight ▁Zone ' ▁that ▁often ▁it ▁was ▁what ▁you ▁didn ’ t ▁see ▁that ▁really ▁put ▁the ▁fear ▁in ▁you ... ▁How ▁a ▁story ▁could ▁e voke ▁such ▁em otion ▁and ▁response ▁essentially ▁reve aling ▁so ▁little . ▁I ▁ab ide ▁by ▁that ▁in ▁my ▁approach ▁to ▁music . ▁It ’ s ▁the ▁breath , ▁the ▁spaces ▁between ▁the ▁notes ▁and ▁the ▁arrang ements ▁that ▁make ▁the ▁work ▁come ▁alive . ▁The ▁Soul ▁lives ▁in ▁the ▁silence ." ▁ ▁She ▁thinks ▁of ▁her ▁music ▁as ▁a ▁portal , ▁a ▁" way - in " ▁and ▁calls ▁this ▁sed uct ive ▁and ▁mag ical ▁place ▁she ▁inhab its ▁the ▁" e leg ant ▁side ▁of ▁the ▁n ether world ." ▁ ▁LA ▁Week ly ▁describes ▁her ▁work : ▁" Th ink ▁of ▁J ill ▁T racy ’ s ▁music ▁as ▁the ▁sound track ▁for ▁Union ▁Station ▁fil med ▁in ▁black ▁and ▁white ▁during ▁the ▁eer ie ▁build - up ▁to ▁a ▁start ling ly ▁rom antic ▁plot ▁tw ist . ▁She ▁has ▁a ▁voice ▁that ▁prompt s ▁images ▁of