ical s , ▁Belg ia ▁Orient ului ▁(" The ▁Orient ' s ▁Belg ium ", ▁named ▁after ▁a ▁common ▁sar cast ic ▁reference ▁to ▁the ▁Roman ian ▁Kingdom ) ▁and ▁Ne a ▁G hi ță ▁(" Un cle ▁G hi ță "). ▁It ▁also ▁began ▁running ▁its ▁own ▁publishing ▁house , ▁Edit ura ▁A dev ĕ r ul , ▁noted ▁early ▁on ▁for ▁its ▁ed itions ▁of ▁Constantin ▁M ille ' s ▁nov els , ▁Car ag iale ' s ▁sketch es , ▁and ▁George ▁Pan u ' s ▁mem oir s ▁of ▁his ▁time ▁with ▁the ▁literary ▁club ▁Jun ime a . ▁In ▁parallel , ▁M ille ▁reached ▁out ▁into ▁other ▁areas ▁of ▁local ▁culture . ▁Early ▁on , ▁he ▁instit uted ▁a ▁tradition ▁of ▁month ly ▁festiv ities , ▁paid ▁for ▁from ▁his ▁own ▁pocket , ▁and ▁noted ▁for ▁the ▁participation ▁of ▁leading ▁figures ▁in ▁Roman ian ▁the ater ▁( M aria ▁Gi ur ge a , ▁Constantin ▁N ott ara ▁and ▁Arist izza ▁Roman es cu ▁among ▁them ). ▁Begin ning ▁ 1 9 0 5 , ▁the ▁paper ▁had ▁for ▁its ▁illustr ator ▁I os if ▁I ser , ▁one ▁of ▁the ▁major ▁graph ic ▁artists ▁of ▁his ▁generation , ▁whose ▁sat ir ical ▁draw ings ▁most ▁often ▁target ed ▁Carol ▁I ▁and ▁Russian ▁Emperor ▁Nicholas ▁II ▁( att ack ed ▁for ▁viol ently ▁suppress ing ▁the ▁ 1 9 0 5 ▁Revolution ). ▁As ▁a ▁prom ot ional ▁t actic , ▁A dev ăr ul ▁participated ▁in ▁the