▁and ▁World ▁War ▁II . ▁The ▁mel anch oly ▁tone ▁of ▁the ▁music ▁reflect s ▁the ▁them es ▁of ▁Finn ish ▁folk ▁poetry ; ▁Finn ish ▁t ango ▁is ▁almost ▁always ▁in ▁a ▁minor ▁key . ▁ ▁The ▁t ango ▁is ▁dan ced ▁in ▁very ▁close ▁full ▁th igh , ▁pel vis ▁and ▁upper ▁body ▁contact ▁in ▁a ▁wide ▁and ▁strong ▁frame , ▁and ▁features ▁smooth ▁horizontal ▁movements ▁that ▁are ▁very ▁strong ▁and ▁determined . ▁Dan cers ▁are ▁very ▁low , ▁allowing ▁long ▁steps ▁without ▁any ▁up ▁and ▁down ▁movement , ▁although ▁r ises ▁and ▁falls ▁are ▁optional ▁in ▁some ▁styles . ▁For ward ▁steps ▁land ▁he el ▁first ▁except ▁when ▁desc ending ▁from ▁a ▁rise , ▁and ▁in ▁back ward ▁steps ▁d anc ers ▁push ▁from ▁the ▁he el . ▁In ▁basic ▁steps , ▁the ▁passing ▁leg ▁moves ▁quickly ▁to ▁rest ▁for ▁a ▁moment ▁close ▁to ▁the ▁ground ed ▁leg . ▁D ips ▁and ▁rot ations ▁are ▁typical . ▁There ▁is ▁no ▁open ▁position , ▁and ▁typically ▁feet ▁stay ▁close ▁to ▁the ▁floor , ▁except ▁in ▁di ps ▁the ▁follow er ▁might ▁slightly ▁raise ▁the ▁left ▁leg . ▁Un like ▁in ▁some ▁Latin ▁American ▁t ango ▁styles , ▁in ▁Finn ish ▁t ango ▁there ▁is ▁no ▁kick ing ▁of ▁any ▁kind , ▁and ▁there ▁are ▁no ▁aer ial s . ▁ ▁The ▁annual ▁Finn ish ▁t ango ▁festival ▁Tang om ark kin at ▁draw s ▁over ▁ 1 0 0 , 0 0 0 ▁tang oph iles ▁to ▁the ▁central ▁Finn ish