, ▁and ▁let ▁the ▁produ cers ▁drop ▁them ▁if ▁they ▁did ▁not ▁like ▁them ▁but ▁they ▁refused . ▁Jones ▁had ▁created ▁an ▁algorithm ▁to ▁estimate ▁what ▁music ▁would ▁be ▁like ▁in ▁the ▁future ▁while ▁lect uring ▁in ▁Mal ta ▁and ▁offered ▁to ▁use ▁this , ▁adding ▁that ▁Jim i ▁Hend rix ▁would ▁be ▁considered ▁a kin ▁to ▁classical ▁music ▁by ▁the ▁time ▁period ▁of ▁the ▁series . ▁He ▁wrote ▁two ▁pieces , ▁but ▁the ▁produ cers ▁rejected ▁them ▁as ▁they ▁did ▁not ▁want ▁to ▁have ▁modern - day ▁music ▁appear ▁in - un iverse . ▁ ▁Re ception ▁and ▁home ▁media ▁release ▁James ▁H unt , ▁in ▁his ▁review ▁for ▁the ▁website ▁Den ▁of ▁Ge ek , ▁called ▁the ▁episode ▁" al right ", ▁but ▁critic ised ▁the ▁lack ▁of ▁links ▁between ▁the ▁two ▁plots . ▁He ▁suggested ▁that ▁Ok ona ▁himself ▁was ▁a ▁Mary ▁Sue ▁type ▁character , ▁as ▁the ▁episode ▁revol ves ▁around ▁his ▁actions ▁but ▁added ▁that ▁he ▁was ▁pleased ▁that ▁there ▁was ▁a ▁tw ist ▁which ▁was ▁more ▁complicated ▁than ▁Ok ona ▁turning ▁out ▁to ▁be ▁evil . ▁He ▁also ▁pra ised ▁the ▁entertain ment ▁seen ▁in ▁Br ent ▁Sp iner ' s ▁ability ▁to ▁" over act ", ▁saying ▁that ▁it ▁" could ▁fill ▁an ▁episode ▁in ▁itself " ▁and ▁that ▁the ▁observation ▁that ▁Data ▁makes ▁towards ▁the ▁end ▁was ▁the ▁most ▁prof ound ▁of ▁the ▁series ▁so ▁far . ▁ ▁Keith ▁De C and ido ▁review ed ▁the ▁episode ▁for ▁Tor . com , ▁where ▁he ▁said