. ▁ ▁Mar l borough ’ s ▁first ▁move ▁was ▁to ▁open ▁an ▁exhibition ▁in ▁the ▁same ▁time frame ▁as ▁the ▁ 5 5 th ▁Ven ice ▁B ienn ial . ▁When ▁Mass im il iano ▁G ioni , ▁listed ▁Gü ne ş te kin ’ s ▁ <0xE2> <0x80> <0x9F> M oment um ▁of ▁Memory ” ▁exhibition ▁among ▁the ▁ <0xE2> <0x80> <0x9F> Top ▁ 1 0 ▁exhib itions ▁to ▁see ,” ▁the ▁media ▁couldn ’ t ▁remain ▁ind ifferent . ▁Gü ne ş te kin ’ s ▁works ▁appeared ▁in ▁high ▁circul ation ▁Italian ▁d ail ies ▁such ▁as ▁Il ▁Man if esto , ▁La ▁Repub blica , ▁La ▁St ampa . ▁Natur ally , ▁his ▁works ▁drew ▁the ▁attention ▁of ▁the ▁art ▁circle . ▁▁▁▁▁▁▁▁▁▁▁▁ ▁In ▁November ▁ 2 0 1 3 , ▁Mar l borough ▁Gallery ▁opened ▁its ▁doors ▁in ▁New ▁York ▁to ▁Gü ne ş te kin . ▁After ▁making ▁a ▁fl am boy ant ▁introduction ▁for ▁Gü ne ş te kin ▁with ▁a ▁solo ▁exhibition , ▁“ Ah met ▁Gü ne ş te kin : ▁Rec ent ▁P aint ings ” ▁between ▁ 2 6 ▁November ▁and ▁ 4 ▁January ▁ 2 0 1 4 , ▁Mar l borough ▁Gallery ▁prepared ▁an ▁int ensive ▁program ▁for ▁ 2 0 1 4 . ▁The ▁exhib itions ▁that ▁began ▁in ▁January ▁with ▁Ar co ▁Madrid ▁was ▁followed ▁by ▁the ▁New ▁York ▁Arm ory ▁Show , ▁Art ▁B red a , ▁and ▁Art ▁Bas el ▁Hong ▁Kong . ▁After ward