▁company ’ s ▁history . ▁Over ▁the ▁years , ▁the ▁Cub an - born ▁ball er ina ▁put ▁an ▁ind el ible ▁stamp ▁on ▁this ▁role , ▁making ▁it ▁truly ▁her ▁own ." ▁In ▁his ▁review ▁of ▁her ▁performance ▁in ▁C inder alla , ▁The ▁New ▁York ▁Times ▁Chief ▁Dance ▁Crit ic , ▁Al ast air ▁Mac A ul ay ▁eff used ▁that , ▁" X iom ara ▁Re yes , ▁on ▁Saturday ▁afternoon , ▁was ▁techn ically ▁ade pt ▁at ▁every ▁moment . ▁She ▁was ▁at ▁her ▁most ▁individual ▁in ▁the ▁Act ▁III ▁kitchen ▁solo . ▁In ▁one ▁phrase ▁— ▁a ▁pair ▁of ▁quick ▁j umps ▁and ▁a ▁rapid ▁run ▁on ▁point ▁— ▁all ▁other ▁C inder ell as ▁are ▁j ub il ant ▁and ▁ra pt ur ous , ▁yet ▁M s . ▁Re yes ▁delivered ▁it ▁f row ning ly , ▁as ▁if ▁protest ing ▁her ▁current ▁situation , ▁a ▁most ▁effective ▁contrast ▁to ▁the ▁swe eter ▁mem ories ▁that ▁followed ." ▁ ▁In ▁ 2 0 1 0 , ▁Re yes ▁returned ▁to ▁Cuba ▁for ▁the ▁first ▁time ▁in ▁ 1 8 ▁years ▁to ▁perform ▁with ▁AB T ▁as ▁part ▁of ▁the ▁ 2 2 nd ▁Hav ana ▁International ▁Dance ▁Festival . ▁The ▁occasion ▁marked ▁the ▁first ▁time ▁that ▁the ▁company ▁had ▁visited ▁Cuba ▁in ▁ 5 0 ▁years . ▁ ▁Ret irement ▁In ▁ 2 0 1 5 , ▁Re yes ▁retired ▁from ▁American ▁Bal let ▁Theatre ▁after ▁celebr ating ▁ 1 4 ▁years ▁with ▁the ▁company .