0 s . ▁Fam ous ▁examples ▁from ▁this ▁period ▁include ▁T iger ▁from ▁T j ampa ▁( 1 9 5 3 ), ▁P ang lim a ▁Bes i , ▁Ser i ▁M ers ing , ▁Mus ang ▁Ber j ang g ut , ▁H ang ▁J eb at , ▁Ser ik and i , ▁and ▁Malays ia ' s ▁first ▁colour ▁movie , ▁H ang ▁Tu ah . ▁While ▁sil at ▁was ▁featured ▁in ▁all ▁these ▁films ▁for ▁the ▁purpose ▁of ▁the ▁plot , ▁the ▁dep iction ▁of ▁the ▁art ▁was ▁not ▁a ▁priority . ▁What ▁was ▁shown ▁was ▁essentially ▁sil at ▁way ang , ▁designed ▁for ▁stage ▁performances . ▁There ▁was ▁very ▁little ▁ch ore ography ▁arranged ▁before hand ▁and ▁they ▁were ▁never ▁promoted ▁as ▁either ▁action ▁or ▁mart ial ▁art ▁mov ies . ▁According ly , ▁actors ▁at ▁the ▁time ▁usually ▁had ▁no ▁prior ▁training ▁in ▁sil at , ▁resulting ▁in ▁what ▁are ▁now ▁considered ▁generally ▁poor ▁dep ict ions ▁of ▁the ▁art . ▁However , ▁sil at ▁became ▁increasing ly ▁prominent ▁in ▁Indones ian ▁mov ies ▁during ▁the ▁ 7 0 s , ▁resulting ▁in ▁more ▁professional ▁and ▁authentic ▁dep ict ions ▁of ▁the ▁art ▁in ▁both ▁historical ▁films ▁as ▁well ▁as ▁action ▁mov ies . ▁Indones ian ▁action ▁stars ▁Rat no ▁T imo er ▁and ▁Advent ▁Bang un ▁were ▁famous ▁for ▁ 8 0 s ▁sil at ▁films ▁such ▁as ▁The ▁Dev il ' s ▁S word ▁and ▁M ala ik at ▁Bay ang an . ▁In ▁Malays ia