▁one ▁would ▁be ▁able ▁to ▁calculate ▁each ▁individual ▁action ▁in ▁advance , ▁each ▁step ▁in ▁the ▁progress ▁of ▁knowledge , ▁each ▁error , ▁each ▁act ▁of ▁mal ice . ▁To ▁be ▁sure ▁the ▁acting ▁man ▁is ▁caught ▁in ▁his ▁ill usion ▁of ▁vol ition ; ▁if ▁the ▁wheel ▁of ▁the ▁world ▁were ▁to ▁stand ▁still ▁for ▁a ▁moment ▁and ▁an ▁om nis cient , ▁calculating ▁mind ▁were ▁there ▁to ▁take ▁advantage ▁of ▁this ▁inter ruption , ▁he ▁would ▁be ▁able ▁to ▁tell ▁into ▁the ▁far th est ▁future ▁of ▁each ▁being ▁and ▁describe ▁every ▁r ut ▁that ▁wheel ▁will ▁roll ▁upon . ▁The ▁acting ▁man ' s ▁del usion ▁about ▁himself , ▁his ▁assumption ▁that ▁free ▁will ▁exists , ▁is ▁also ▁part ▁of ▁the ▁calcul able ▁mechanism . ▁ ▁From ▁the ▁Soul ▁of ▁Art ists ▁and ▁Writ ers ▁N iet z sche ▁uses ▁this ▁section ▁to ▁den ounce ▁the ▁idea ▁of ▁divine ▁insp iration ▁in ▁art , ▁claim ing ▁that ▁great ▁art ▁is ▁the ▁result ▁of ▁hard ▁work , ▁not ▁a ▁higher ▁power ▁or ▁" gen ius ". ▁This ▁can ▁be ▁interpreted ▁as ▁a ▁ve iled ▁attack ▁on ▁his ▁former ▁friend ▁Wagner ▁( a ▁strong ▁bel ie ver ▁in ▁genius ), ▁though ▁N iet z sche ▁never ▁mentions ▁him ▁by ▁name , ▁instead ▁simply ▁using ▁the ▁term ▁" the ▁artist ". ▁ ▁Sign s ▁of ▁High er ▁and ▁Lower ▁Culture ▁Here ▁N iet z sche ▁critic izes ▁Dar win , ▁as ▁he ▁frequently ▁does , ▁as ▁na ive ▁and ▁derivative ▁of ▁Hob bes