inet ▁and ▁cor net ▁solo . ▁The ▁explo itation ▁of ▁wind ▁band ▁tone ▁colour ▁combinations ▁flav our ▁this ▁movement . ▁While ▁the ▁movement ▁is ▁pre domin antly ▁light ▁in ▁character , ▁the ▁clar inet ▁has ▁a ▁stir ring ▁solo , ▁which ▁is ▁later ▁repeated ▁by ▁other ▁voices : ▁ ▁Then , ▁the ▁eu phon ium ▁( or ▁alto ▁clar inet ) ▁takes ▁us ▁back ▁to ▁the ▁first ▁theme . ▁Finally ▁the ▁second ▁theme ▁is ▁played ▁in ▁a ▁major ▁key ▁while ▁the ▁upper ▁wood w inds ▁play ▁their ▁virt u os ic ▁sem iqu a vers , ▁and ▁dimin ishes ▁to ▁the ▁lowest ▁possible ▁volume . ▁ ▁Mov ement ▁ 3 : ▁" M arch " ▁▁ ▁The ▁march ▁is ▁usually ▁played ▁at ▁a ▁march ▁tempo , ▁although ▁many ▁record ings ▁use ▁a ▁faster ▁tempo . ▁It ▁opens ▁with ▁a ▁famous ▁bass ▁drum ▁solo , ▁one ▁of ▁the ▁few ▁in ▁the ▁band ▁literature . ▁It ▁features ▁two ▁primary ▁mel od ies ▁both ▁very ▁contrast ing ▁in ▁style . ▁ ▁The ▁first ▁mel ody ▁is ▁featured ▁exclus ively ▁in ▁the ▁br ass ▁section ▁in ▁a ▁very ▁marc ato ▁manner . ▁The ▁second ▁mel ody ▁in ▁the ▁mid ▁and ▁low ▁wood w inds , ▁and ▁later ▁the ▁eu phon ium , ▁bar it one ▁sa x oph one , ▁and ▁bass oon , ▁res emb les ▁the ▁mel od ies ▁of ▁the ▁first ▁two ▁movements ▁and ▁is ▁played ▁in ▁a ▁very ▁leg ato ▁and ▁lyr ical ▁style . ▁Following ▁the ▁completion ▁of ▁the ▁second ▁mel ody