▁by ▁the ▁tri o ▁of ▁the ▁pian ist ▁Bill ▁Char lap ..." ▁John ▁Paul ▁of ▁Spect rum ▁Culture ▁mentioned ▁" There ▁is ▁nothing ▁on ▁Love ▁Is ▁Here ▁to ▁St ay ▁that ▁will ▁rewrite ▁the ▁legacy ▁of ▁either ▁artist — they ’ ve ▁both ▁been ▁better ▁before ▁and ▁Ben nett ’ s ▁range ▁isn ' t ▁quite ▁what ▁it ▁once ▁was ▁( but ▁whose ▁is ▁after ▁some ▁ 7 0 ▁years ▁in ▁the ▁business ?) ▁But ▁it ’ s ▁non eth eless ▁an ▁enjoy able ▁pair ing ▁of ▁two ▁of ▁the ▁class iest ▁jazz ▁vocal ists ▁still ▁working ▁and , ▁more ▁important ly , ▁still ▁clearly ▁enjo ying ▁themselves ▁in ▁the ▁process . ▁We ▁should ▁all ▁hope ▁to ▁be ▁so ▁active ▁should ▁we ▁find ▁ourselves ▁becoming ▁non agen ari ans ". ▁ ▁Stephen ▁Thomas ▁Er le w ine ▁of ▁All Music ▁stated ▁" ▁In ▁the ▁Bill ▁Char lap ▁T rio , ▁the ▁pair ▁have ▁em path etic ▁support , ▁keeping ▁the ▁proceed ings ▁both ▁light ▁and ▁l ush , ▁helping ▁to ▁turn ▁this ▁album ▁into ▁a ▁char ming ▁test ament ▁to ▁end urance ▁-- ▁end urance ▁of ▁the ▁G ers h win ▁catalog , ▁the ▁collaboration ▁between ▁Kr all ▁and ▁Ben nett , ▁and , ▁especially , ▁how ▁Tony ▁Ben nett ▁can ▁still ▁sound ▁completely ▁committed ▁to ▁songs ▁he ' s ▁spent ▁dec ades ▁singing ". ▁Bobby ▁Re ed ▁of ▁Down Be at ▁wrote ▁" Ben nett ▁and ▁Kr all ▁offer ▁ 1 0 ▁delight ful ▁du ets — including ▁" I ▁Got ▁Rh