atic ▁material ▁altern ates ▁between ▁chrom atic ▁pass ages ▁( sections ▁A ▁and ▁B ) ▁and ▁highly ▁t onal , ▁mel od ic ▁pass ages ▁( C ▁and ▁D ). ▁ ▁The ▁j ub il ant ▁sound ▁of ▁the ▁C ▁section ▁is ▁achieved ▁by ▁harm on ising ▁every ▁single ▁mel ody ▁note ▁with ▁a ▁major ▁ch ord , ▁even ▁if ▁they ▁are ▁totally ▁foreign ▁to ▁the ▁t onic ▁key . ▁ ▁The ▁D ▁section , ▁by ▁contrast , ▁does ▁not ▁use ▁a ▁single ▁accident al ; ▁here , ▁j ub il ance ▁is ▁expressed ▁through ▁the ▁use ▁of ▁br isk ▁tempo , ▁strong ▁rh ythm , ▁fort iss imo , ▁and ▁a ▁simple , ▁maj estic ▁ch ord ▁pro gression . ▁ ▁As ▁might ▁be ▁expected ▁from ▁the ▁sav agen ess ▁of ▁the ▁rest ▁of ▁the ▁piece , ▁the ▁c oda ▁is ▁anything ▁but ▁subt le : ▁f fff ▁dynamics ▁and ▁a ▁trem end ous ▁gl iss ando ▁bring ▁the ▁dance ▁to ▁a ▁close . ▁ ▁External ▁links ▁ ▁Dan za ▁del ▁G au cho ▁Mat rero ▁Video ▁of ▁Cec ilia ▁P ill ado ' s ▁live ▁performance . ▁ ▁Dan za ▁de ▁la ▁Mo za ▁Don osa ▁streaming ▁file ▁performed ▁by ▁Robert ▁Chan . ▁ ▁Category : Com pos itions ▁by ▁Alberto ▁G in aster a ▁Category : Com pos itions ▁for ▁solo ▁piano ▁Category : 1 9 3 7 ▁compos itions <0x0A> </s> ▁" Don ' t ▁Ever ▁Go ▁A way ▁( P or ▁C aus a ▁de ▁V oc ê