▁Hal ley ' s ▁com et , ▁which ▁led ▁to ▁the ▁name ▁Gi otto ▁being ▁given ▁to ▁a ▁ 1 9 8 6 ▁space ▁pro be ▁to ▁the ▁com et . ▁ ▁M ature ▁works ▁ ▁Gi otto ▁worked ▁on ▁other ▁fres co es ▁in ▁Pad ua , ▁some ▁now ▁lost , ▁such ▁as ▁those ▁that ▁were ▁in ▁the ▁Bas il ica ▁of . ▁St . ▁Anthony ▁and ▁the ▁Pal azzo ▁della ▁R ag ione . ▁N umer ous ▁pain ters ▁from ▁northern ▁Italy ▁were ▁influenced ▁by ▁Gi otto ' s ▁work ▁in ▁Pad ua , ▁including ▁Gu ar iento , ▁Gi usto ▁de ' ▁Men ab u oi , ▁Jac opo ▁A van zi , ▁and ▁Alt ich iero . ▁ ▁From ▁ 1 3 0 6 ▁to ▁ 1 3 1 1 ▁Gi otto ▁was ▁in ▁Ass isi , ▁where ▁he ▁painted ▁the ▁fres co es ▁in ▁the ▁tr anse pt ▁area ▁of ▁the ▁Lower ▁Church ▁of ▁the ▁Bas il ica ▁of ▁St . ▁Francis , ▁including ▁The ▁Life ▁of ▁Christ , ▁Francis can ▁Al leg ories ▁and ▁the ▁Mag dal ene ▁Chap el , ▁drawing ▁on ▁stories ▁from ▁the ▁Golden ▁Leg end ▁and ▁including ▁the ▁portrait ▁of ▁Bishop ▁Te ob al do ▁Pont ano , ▁who ▁commission ed ▁the ▁work . ▁Several ▁assist ants ▁are ▁mentioned , ▁including ▁Pal er ino ▁di ▁Gu ido . ▁The ▁style ▁demonstr ates ▁develop ments ▁from ▁Gi otto ' s ▁work ▁at ▁Pad ua . ▁ ▁In ▁ 1 3 1 1 , ▁Gi