▁err one ously ▁refers ▁to ▁the ▁play ▁as ▁The ▁H unted ▁En chan ter . ▁In ▁Kub rick ' s ▁film , ▁the ▁hotel ▁be ars ▁the ▁same ▁name ▁as ▁in ▁the ▁novel , ▁but ▁now ▁the ▁play ▁really ▁is ▁called ▁The ▁H unted ▁En chan ter . ▁Both ▁names ▁are ▁established ▁only ▁through ▁sign age ▁– ▁the ▁b anner ▁for ▁the ▁police ▁convention ▁at ▁the ▁hotel ▁and ▁the ▁marque e ▁for ▁the ▁play ▁– ▁the ▁names ▁are ▁never ▁mentioned ▁in ▁dialog ue . ▁▁ ▁The ▁relationships ▁between ▁Hum bert ▁and ▁other ▁women ▁before ▁and ▁after ▁L ol ita ▁is ▁omitted ▁from ▁the ▁film . ▁Greg ▁Jenkins ▁sees ▁this ▁as ▁part ▁of ▁Kub rick ' s ▁general ▁t endency ▁to ▁simplify ▁his ▁narr atives , ▁also ▁not ing ▁that ▁the ▁novel ▁therefore ▁gives ▁us ▁a ▁more ▁" season ed " ▁view ▁of ▁Hum bert ' s ▁taste ▁in ▁women . ▁ ▁Only ▁the ▁film ▁has ▁a ▁police ▁convention ▁at ▁the ▁hotel ▁where ▁Hum bert ▁allows ▁L ol ita ▁to ▁s edu ce ▁him . ▁Kub rick ▁scholar ▁Michel ▁C iment ▁sees ▁this ▁as ▁typical ▁of ▁Kub rick ' s ▁general ▁t endency ▁to ▁ass ail ▁authority ▁figures . ▁ ▁L ol ita ▁comple tes ▁the ▁school ▁play ▁( written ▁by ▁Cla re ▁Qu ilty ) ▁in ▁the ▁film , ▁but ▁dro ps ▁out ▁prior ▁to ▁finishing ▁it ▁in ▁the ▁novel . ▁In ▁the ▁film , ▁we ▁see ▁that ▁Qu ilty ' s ▁play ▁has ▁suggest ive ▁symbol ism , ▁and ▁Hum bert '