▁and ▁D rac ula ▁( and ▁cit ing ▁from ▁religious ▁texts , ▁legal ▁comment ary , ▁and ▁por n ography ), ▁D work in ▁argued ▁that ▁the ▁dep ict ions ▁of ▁inter course ▁in ▁main stream ▁art ▁and ▁culture ▁consist ently ▁emphas ized ▁heter osex ual ▁inter course ▁as ▁the ▁only ▁or ▁the ▁most ▁genu ine ▁form ▁of ▁" real " ▁sex ; ▁that ▁they ▁port rayed ▁inter course ▁in ▁violent ▁or ▁invas ive ▁terms ; ▁that ▁they ▁port rayed ▁the ▁violence ▁or ▁invas iveness ▁as ▁central ▁to ▁its ▁er otic ism ; ▁and ▁that ▁they ▁often ▁un ited ▁it ▁with ▁male ▁cont empt ▁for , ▁rev ulsion ▁towards , ▁or ▁even ▁murder ▁of , ▁the ▁" c arn al " ▁woman . ▁She ▁argued ▁that ▁this ▁kind ▁of ▁dep iction ▁enfor ced ▁a ▁male - cent ric ▁and ▁co er ci ve ▁view ▁of ▁sexual ity , ▁and ▁that , ▁when ▁the ▁cultural ▁att itudes ▁combine ▁with ▁the ▁material ▁conditions ▁of ▁women ' s ▁lives ▁in ▁a ▁sex ist ▁society , ▁the ▁experience ▁of ▁heter osex ual ▁inter course ▁itself ▁becomes ▁a ▁central ▁part ▁of ▁men ' s ▁sub ord ination ▁of ▁women , ▁experienced ▁as ▁a ▁form ▁of ▁" occupation " ▁that ▁is ▁never theless ▁expected ▁to ▁be ▁ple as urable ▁for ▁women ▁and ▁to ▁define ▁their ▁very ▁status ▁as ▁women . ▁ ▁In ▁the ▁ 1 9 9 8 ▁book , ▁Without ▁Ap ology : ▁Andrea ▁D work in ' s ▁Art ▁and ▁Polit ics , ▁in ▁chapter ▁ 6