ire ▁after ▁ret iring . ▁At ▁the ▁a pe x ▁of ▁his ▁head stone ▁is ▁a ▁hand ▁with ▁a ▁finger ▁pointing ▁up wards . ▁Under ne ath ▁the ▁letter ing ▁a ▁set ▁of ▁st umps ▁is ▁car ved , ▁with ▁the ▁b ails ▁flying ▁off ▁and ▁a ▁bat ▁which ▁has ▁just ▁hit ▁the ▁w icket . ▁ ▁Res pect ▁for ▁its ▁her itage ▁has ▁not ▁always ▁been ▁a ▁priority ▁in ▁E y am . ▁In ▁his ▁Pe ak ▁Sc en ery ▁( 1 8 2 4 ), ▁Eb ene zer ▁Rh odes ▁charges ▁that ▁by ▁the ▁start ▁of ▁the ▁ 1 9 th ▁century ▁many ▁former ▁grav est ones ▁of ▁pl ague ▁vict ims ▁had ▁been ▁pulled ▁up ▁to ▁floor ▁houses ▁and ▁bar ns ▁and ▁that ▁pl ough ing ▁was ▁allowed ▁to ▁enc ro ach ▁on ▁the ▁R iley ▁Gra ves ▁( pp .   3 4 – 5 ); ▁that ▁the ▁l ime ▁trees ▁plant ed ▁on ▁either ▁side ▁of ▁Mrs ▁M omp ess on ' s ▁grave ▁had ▁been ▁cut ▁down ▁for ▁tim ber ▁( 3 9 – 4 0 ); ▁that ▁the ▁missing ▁piece ▁from ▁the ▁sh aft ▁of ▁the ▁Sax on ▁Cross ▁had ▁been ▁broken ▁up ▁for ▁domestic ▁use ▁( p .   4 4 ); ▁and ▁that ▁in ▁general ▁the ▁profit ▁of ▁the ▁living ▁was ▁put ▁before ▁respect ▁for ▁the ▁dead ▁( 4 6 – 7 ). ▁ ▁Cultural ▁representations ▁ ▁P aint ings ▁E y am ▁Museum ▁was ▁opened ▁in ▁ 1 9 9 4 ▁and ,