oc ations ▁of ▁two - part ▁counter point ▁where ▁con son ance ▁is ▁always ▁a ▁wh isk er ▁away ▁from ▁dis son ance ▁or ▁in ▁one ▁instance ▁- ▁the ▁Arm iste ad ▁Mau pin ▁setting ▁' M other ▁in ▁the ▁mirror ' ▁- ▁down right ▁ab ras iveness ". ▁The ▁extraordinary ▁inter play ▁of ▁the ▁vocal ▁lines ▁in ▁" F acing ▁forward " ▁- ▁super b ly ▁interpreted ▁by ▁Joy ce ▁Di Don ato ▁and ▁Freder ica ▁von ▁St ade ▁- ▁was ▁pain ful ▁in ▁its ▁emot ional ▁truth - t elling , ▁something ▁that ▁it ▁was ▁easier ▁to ▁understand ▁when ▁one ▁learned ▁that ▁the ▁text ▁of ▁the ▁piece , ▁written ▁by ▁the ▁composer ▁himself , ▁reflected ▁the ▁ten - year - old ▁H eg gie ' s ▁loss ▁of ▁his ▁father ▁to ▁suic ide . ▁ ▁E lo qu ently ▁performed ▁by ▁Paul ▁Gro ves ▁and ▁Keith ▁Ph ares , ▁Here ▁and ▁G one ▁drew ▁on ▁po ems ▁by ▁V ach el ▁L inds ay ▁and ▁A . ▁E . ▁H ous man ▁on ▁the ▁theme ▁of ▁" lo ve ▁un re qu ited ▁only ▁to ▁be ▁acknowled ged ▁when ▁it ▁is ▁too ▁late ". ▁There ▁was ▁not ▁a ▁sy ll able ▁in ▁these ▁vers es ▁for ▁which ▁H eg gie ▁did ▁not ▁find ▁the ▁right ▁note . ▁The ▁Brit ten es que ▁" Factory ▁window ▁song " ▁was ▁amaz ingly ▁acid , ▁and ▁the ▁res ignation ▁of ▁" The ▁half - mo on ▁west ers ▁low " ▁was ▁enough ▁to ▁break