ana ▁was ▁said ▁to ▁be ▁the ▁prin cess ▁of ▁K ed iri , ▁while ▁the ▁actual ▁historic ▁ Ç ri ▁Kir ana ▁was ▁the ▁prin cess ▁of ▁J ang g ala . ▁In ▁the ▁Sur ak arta ▁court ▁poet ▁Rang ga ▁Wars ita ' s ▁gene al ogy ▁P ust aka ▁Rad ja ▁M ada , ▁the ▁J avan ese ▁k ings , ▁including ▁Pan ji , ▁are ▁considered ▁the ▁descend ants ▁of ▁the ▁P and avas ▁of ▁the ▁Mah ab har ata . ▁ ▁App ear ances ▁in ▁art ▁and ▁literature ▁Sc enes ▁from ▁the ▁Pan ji ▁cycles ▁appear ▁in ▁the ▁narr ative ▁relief s ▁of ▁the ▁walls ▁of ▁East ▁J avan ese ▁cand i ▁from ▁the ▁ 1 3 th ▁century , ▁where ▁they ▁are ▁presented ▁grace fully , ▁natural ist ically ▁and ▁del ic ately , ▁in ▁contrast ▁to ▁way ang ▁style . ▁ ▁Sun an ▁Gi ri ▁is ▁cred ited , ▁along ▁with ▁other ▁innov ations ▁in ▁way ang , ▁with ▁the ▁creation ▁of ▁way ang ▁ged og ▁in ▁ 1 5 5 3 , ▁to ▁en act ▁the ▁Pan ji ▁stories . ▁Way ang ▁k ul it ▁performances ▁of ▁the ▁Pan ji ▁cycle ▁are ▁in ▁general ▁the ▁same ▁as ▁in ▁performances ▁of ▁the ▁way ang ▁pur wa ▁( th ose ▁based ▁on ▁the ▁Indian ▁ep ics ); ▁however , ▁because ▁of ▁their ▁material ▁they ▁are ▁considered ▁less ▁significant . ▁In ▁addition , ▁their ▁he address es ▁are ▁simpler ▁and ▁the ▁gar ment ▁worn ▁on ▁the ▁lower ▁body ▁is