▁subject ▁returns .... ▁[ T ] he ▁end ▁comes ▁with ▁a ▁return ▁of ▁fast - running ▁music ▁and ▁a ▁march ing ▁statement ▁of ▁the ▁first ▁theme ." ▁ ▁L ento ▁con ▁molto ▁es pression e ▁The ▁m ood ▁for ▁this ▁movement ▁is ▁set ▁with ▁flow ing ▁ar p eg g ios ▁over ▁which ▁a ▁rom antic ▁wide - sp anning ▁theme ▁is ▁flo ated . ▁Text ures ▁such ▁as ▁these ▁pro l ifer ate , ▁contrast ing ▁strongly ▁with ▁the ▁outer ▁movements . ▁A ▁contin ually ▁repeated ▁falling ▁figure ▁acts ▁as ▁an ▁accompan iment , ▁giving ▁an ▁overall ▁impression ▁of ▁still ness . ▁At ▁the ▁mark ing ▁Mol to ▁tran qu illo , ▁this ▁figure ▁sh ifts ▁to ▁the ▁right ▁hand ▁and ▁the ▁theme ▁to ▁the ▁left ▁hand . ▁The ▁music ▁clim ax es ▁with ▁f ren etic ▁ar p eg g ios ▁in ▁the ▁right ▁hand ▁as ▁the ▁bass ▁sli ps ▁lower ▁down ▁the ▁keyboard ▁and ▁the ▁main ▁theme ▁is ▁grand ly ▁sound ed ▁in ▁ch ords ▁written ▁over ▁four ▁st aves . ▁The ▁music ▁dies ▁away ▁with ▁the ▁return ▁of ▁the ▁repeated ▁figure . ▁ ▁Sch er zo ▁— ▁Finale ▁( L arg amente ▁— ▁Al leg ro ▁molto ▁viv ace ) ▁For eman ▁writes , ▁" The ▁opening ▁theme ▁of ▁the ▁first ▁movement ▁returns ▁to ▁launch ▁the ▁third , ▁now ▁more ▁ex ult antly , ▁after ▁which ▁sch er z ando ▁figures ▁d art ▁over ▁the ▁keyboard ▁and ▁the ▁main ▁theme ▁r ush es ▁up ▁ener get ically ▁from ▁the