▁useful ▁rem inder ▁that ▁northern ▁European ▁sculpt ure ▁of ▁this ▁period ▁was ▁normally ▁a ▁team ▁effort . ▁Work shop ▁master s ▁like ▁Be a une ve u ▁would ▁set ▁the ▁standard ▁and ▁dict ate ▁the ▁overall ▁style ▁but ▁on ▁any ▁large ▁project , ▁one ▁can ▁usually ▁distinguish ▁the ▁presence ▁of ▁multiple ▁distinct ▁craft s men . ▁ ▁P ain ting ▁and ▁st ained ▁glass ▁Archives ▁show ▁that ▁during ▁the ▁ 1 3 7 0 s , ▁whilst ▁working ▁on ▁the ▁fun ere al ▁sculpt ures ▁for ▁the ▁Count ▁of ▁Fland ers , ▁Be a une ve u ▁was ▁also ▁supp lying ▁paint ings ▁for ▁the ▁Ald erman ' s ▁hall ▁in ▁his ▁home ▁town ▁of ▁Val enci ennes ▁as ▁well ▁as ▁undert aking ▁various ▁comm issions ▁for ▁the ▁town ▁coun c ils ▁of ▁Y pres ▁and ▁Me ch elen , ▁though ▁none ▁of ▁these ▁works ▁nor ▁any ▁other ▁panel ▁paint ings ▁by ▁the ▁artist ▁surv ive . ▁ ▁In ▁the ▁early ▁ 2 0 th ▁century , ▁the ▁new found ▁interest ▁in ▁Goth ic ▁art ▁and ▁the ▁ob session ▁with ▁att rib uting ▁anonymous ▁works ▁to ▁named ▁artists ▁led ▁some ▁authors ▁to ▁c ite ▁Be a une ve u ▁as ▁the ▁cre ator ▁of ▁numerous ▁late ▁ 1 4 th ▁century ▁art works , ▁including ▁the ▁H ak end over ▁Alt arp ie ce ▁and ▁the ▁P are ment ▁de ▁Nar bon ne . ▁ ▁The ▁English ▁bibli oph ile ▁S . C . ▁C ocker ell ▁even ▁claimed ▁that ▁Be a une