▁activities . ▁Although ▁this ▁approach ▁took ▁up ▁some ▁of ▁the ▁them es ▁of ▁the ▁counter - c ulture , ▁it ▁was ▁also ▁critical ▁of ▁the ▁counter - c ulture ' s ▁excess ive ▁valor isation ▁of ▁less ▁abstract ▁levels ▁of ▁life ▁and ▁the ▁belief ▁that ▁modern ▁subjects ▁could ▁or ▁should ▁withdraw ▁into ▁anti - techn ological ▁primit iv ism . ▁In ▁Arena ' s ▁immediate ▁circles ▁it ▁found ▁expression ▁in ▁a ▁decision ▁to ▁establish ▁Arena ’ s ▁own ▁printer y ▁and , ▁from ▁ 1 9 7 4 ▁on wards , ▁to ▁types et , ▁print ▁and ▁publish ▁their ▁own ▁journal ▁and ▁related ▁publications . A ren a ' s ▁distinct ive ▁approach ▁can ▁thus ▁be ▁seen ▁as ▁having ▁some ▁super f icial ▁similar ities ▁with ▁post - Mar x ist ▁and ▁post - class ical ▁attempts ▁to ▁apply ▁a ▁levels ▁analysis ▁of ▁social ▁life ▁as ▁developed ▁( d iffer ently ) ▁by ▁J ürgen ▁Hab erm as ▁and ▁Louis ▁Al th us ser . ▁Its ▁critical ▁account ▁of ▁instrument al ised ▁abstra ction ▁also ▁has ▁some ▁surface ▁par alle ls ▁with ▁S la voj ▁Ž i ž ek ' s ▁critique ▁of ▁post mod ern ism ▁in ▁The ▁T ick lish ▁Sub ject ▁and ▁The ▁F rag ile ▁Ab solute , ▁and ▁Z yg m unt ▁Ba uman ' s ▁analysis ▁of ▁' liqu id ▁modern ity ’ ▁in ▁his ▁recent ▁works . ▁More ▁generally , ▁Arena ’ s ▁distinct ive ▁approach ▁is ▁ground ed ▁in ▁an ▁emphas is ▁on ▁the ▁constit