▁ ▁O ften , ▁the ▁long – short ▁version ▁of ▁notes ▁in ég ales ▁was ▁indicated ▁by ▁sl ur red ▁pairs ▁of ▁notes ▁throughout ▁the ▁French ▁re per toire ▁in ▁François ▁Cou per in , ▁Jacques ▁Du ph ly , ▁Antoine ▁For quer ay , ▁Pierre ▁Dum age , ▁Louis - N icol as ▁Cl ér amb ault , ▁Jean - Fran çois ▁D and rie u , ▁and ▁Jean - Ph ili ppe ▁R ame au , ▁to ▁c ite ▁the ▁more ▁prominent ▁keyboard ▁compos ers ▁from ▁the ▁French ▁Bar o que . ▁ ▁L ull ist ▁short – long ▁pairs ▁ ▁Occ asion ally ▁the ▁long – short ▁version ▁of ▁notes ▁in ég ales ▁was ▁revers ed ▁to ▁a ▁short – long , ▁known ▁sometimes ▁as ▁the ▁Lomb ard ▁rh ythm ▁or ▁the ▁Scot ch ▁snap . ▁ ▁The ▁practice ▁of ▁sl ur red ▁pairs ▁of ▁notes ▁being ▁possibly ▁an ▁indic ation ▁of ▁short – long ▁" notes ▁in ég ales " ▁has ▁been ▁suggested ▁to ▁extend ▁further ▁than ▁France ▁to ▁" F rench ▁( L ull ist ) ▁model led " ▁compos itions ▁throughout ▁Europe , ▁especially ▁Germany , ▁Austria , ▁and ▁England , ▁and ▁even ▁to ▁influence ▁the ▁performance ▁of ▁sl ur red ▁pairs ▁of ▁notes ▁in ▁the ▁fast ▁movements ▁of ▁Be eth oven ▁( and ▁other ▁non - F rench ▁and ▁non - Bar o que ▁compos ers ), ▁such ▁as ▁in ▁the ▁Son ata ▁in ▁F ▁major , ▁Op . 8 3 , ▁among ▁other ▁son at