▁did ▁not ▁know ▁about ▁the ▁scene ▁until ▁he ▁saw ▁the ▁film , ▁but ▁before ▁it ▁opened , ▁the ▁media ▁re ass ured ▁fans ▁that ▁" S po ck ▁will ▁live " ▁again . ▁Due ▁to ▁time ▁constraints , ▁the ▁c asket ▁scene ▁was ▁fil med ▁in ▁an ▁over g rown ▁corner ▁of ▁San ▁Francisco ' s ▁Golden ▁Gate ▁Park , ▁using ▁smoke ▁machines ▁to ▁add ▁a ▁prim al ▁atmosphere . ▁The ▁shoot ▁last ed ▁from ▁m idd ay ▁to ▁evening , ▁as ▁the ▁team ▁was ▁well ▁aware ▁there ▁would ▁be ▁no ▁time ▁for ▁res ho ots . ▁ ▁Special ▁consideration ▁was ▁given ▁during ▁film ing ▁to ▁allow ▁for ▁integration ▁of ▁the ▁planned ▁special ▁effects . ▁Television ▁mon itors ▁standing ▁in ▁for ▁computer ▁displays ▁were ▁spe cially ▁cal ibr ated ▁so ▁that ▁their ▁refresh ▁rate ▁did ▁not ▁result ▁in ▁band ing ▁on ▁film . ▁Due ▁to ▁a ▁loss ▁of ▁resolution ▁and ▁quality ▁resulting ▁from ▁re ph ot ograph ing ▁an ▁element ▁in ▁an ▁optical ▁printer , ▁live ▁action ▁sequences ▁for ▁effects ▁were ▁shot ▁in ▁ 6 5 mm ▁or ▁V ista V ision ▁formats ▁to ▁compens ate . ▁When ▁the ▁larger ▁prints ▁were ▁reduced ▁through ▁an ▁an am orph ic ▁l ens ▁on ▁the ▁printer , ▁the ▁result ▁was ▁a ▁Pan av ision ▁composite . ▁ ▁Effect s ▁With ▁a ▁short ▁time frame ▁to ▁complete ▁The ▁W r ath ▁of ▁Kh ans ▁special ▁effects ▁sequences , ▁effects ▁super visor ▁Jim ▁Ve ille ux , ▁Meyer , ▁Jenn ings , ▁S all in ▁and ▁Minor