. ▁This ▁can ▁also ▁be ▁found ▁in ▁the ▁trans itional ▁music ▁such ▁as ▁that ▁found ▁in ▁Mus icks ▁Hand - ma id , ▁( 1 6 7 8 ), ▁( John ▁Play ford , ▁editor ), ▁as ▁well ▁as ▁in ▁typically ▁English ▁compos ers ▁such ▁as ▁Thomas ▁August us ▁Ar ne ▁in ▁his ▁keyboard ▁son at as . ▁Ar ne ▁in ▁particular ▁wrote ▁many ▁variation ▁movements ▁that ▁would ▁sometimes ▁start ▁in ▁du ple ts , ▁but ▁sometimes ▁used ▁a ▁great ▁deal ▁of ▁triple ts , ▁and ▁often ▁in ▁the ▁trans itions ▁one ▁finds ▁even ▁notes ▁that ▁when ▁leading ▁to ▁a ▁triple t ▁section , ▁applying ▁long – short ▁( or ▁even ▁occasionally ▁short – long ) ▁notes ▁in ég ales ▁proves ▁very ▁effective . ▁This ▁also ▁often ▁occurs ▁in ▁the ▁Gall ant , ▁Emp find sam keit , ▁and ▁Class ical ▁music ▁of ▁J . C . ▁Bach ▁and ▁Hay dn ▁and ▁their ▁contempor aries . ▁( fur ther ▁cit ations ▁and ▁examples ▁to ▁come ▁S J ) ▁ ▁Altern ative ▁Ent asis ▁Theory ▁▁ ▁An ▁alternative ▁point ▁of ▁view ▁is ▁that ▁this ▁idea ▁of ▁Notes ▁In ég ales ▁as ▁une ven ▁be ats ▁with ▁a ▁fixed ▁perfectly ▁regular ▁amount ▁of ▁swing ▁as ▁in ▁modern ▁Jazz ▁is ▁completely ▁wrong . ▁Instead ▁the ▁idea ▁might ▁have ▁been ▁to ▁install ▁a ▁sense ▁of ▁musical ▁surprise ▁and ▁un predict ability ▁in ▁the ▁listener , ▁a ▁sense ▁that ▁every ▁note ▁is ▁new . ▁This ▁alternative ▁interpretation ▁ar ises ▁out ▁of ▁a ▁detailed ▁understanding ▁and ▁familiar ity ▁with