▁challenge : ▁bring ▁order ▁to ▁the ▁whole , ▁through ▁design , ▁composition , ▁t ension , ▁balance , ▁light ▁and ▁harm ony ." ▁He ▁conj ures ▁up ▁the ▁painting ' s ▁setting , ▁a ▁small ▁sub urban ▁park ▁on ▁an ▁island , ▁and ▁retain s ▁some ▁control ▁of ▁his ▁surr ound ings ▁as ▁he ▁draw s ▁them . ▁His ▁long time ▁mist ress , ▁D ot , ▁models ▁for ▁him , ▁despite ▁her ▁fr ustration ▁at ▁having ▁to ▁get ▁up ▁early ▁on ▁a ▁Sunday ▁(" S und ay ▁in ▁the ▁Park ▁with ▁George "). ▁More ▁park ▁regular s ▁begin ▁to ▁arrive : ▁a ▁quar rel some ▁Old ▁Lady ▁and ▁her ▁Nur se ▁discuss ▁how ▁Paris ▁is ▁changing ▁to ▁accommod ate ▁a ▁tower ▁for ▁the ▁International ▁Ex position , ▁but ▁the ▁Nur se ▁is ▁more ▁interested ▁in ▁a ▁German ▁coach man , ▁Franz . ▁The ▁quiet ▁of ▁the ▁park ▁is ▁interrupted ▁by ▁a ▁group ▁of ▁r ude ▁b athers . ▁George ▁free zes ▁them ▁with ▁a ▁gesture , ▁making ▁them ▁the ▁subjects ▁of ▁his ▁first ▁painting , ▁B athers ▁at ▁As ni ères . ▁The ▁setting ▁ab rupt ly ▁changes ▁to ▁a ▁gallery ▁where ▁the ▁painting ▁is ▁on ▁display . ▁Jules ▁( a ▁more ▁successful ▁artist ▁friend ▁of ▁George ' s ) ▁and ▁his ▁wife ▁Y v onne ▁think ▁George ' s ▁work ▁has ▁" No ▁Life ". ▁Back ▁on ▁the ▁island , ▁Jules ▁and ▁Y v onne ▁have ▁a ▁short ▁discussion ▁with ▁George ▁and ▁depart . ▁They ▁take ▁their ▁coach man ▁Franz ▁with