0 1 0 ), ▁and ▁S art re ’ s ▁No ▁Exit ▁( D ar ling ▁Har bour ▁Convention ▁Centre , ▁Sydney ▁ 2 0 1 1 ) ▁among ▁others . ▁ ▁These ▁produ ctions ▁provided ▁the ▁basis ▁for ▁academic ▁publications ▁on ▁topics ▁such ▁as ▁cultural ▁issues ▁and ▁theatre , ▁c ater ing ▁for ▁people ▁with ▁dis abilities , ▁and ▁the ▁role ▁of ▁conscious ness ▁in ▁Me is ner - based ▁acting . ▁ ▁M ardi ▁L ums den ▁of ▁J our ney On line ▁felt ▁his ▁ 2 0 1 0 ▁direction ▁of ▁ ▁Sh adow lands , ▁a ▁play ▁written ▁by ▁William ▁Nich ol son , ▁" is ▁an ▁innov ative ▁adaptation ▁... ▁with ▁the ▁introduction ▁of ▁live ▁music , ▁sculpt ure ▁and ▁mine ." ▁C ait lin ▁Graham ▁of ▁Australian ▁Stage ▁felt ▁that ▁due ▁to ▁" some ▁cl ums y ▁and ▁f uss y ▁direction " ▁it ▁" falls ▁short " ▁whilst ▁" The ▁music ▁and ▁the ▁sculpt ure ▁are ▁lov ely ▁and ▁create ▁a ▁nice ▁atmosphere ." ▁ ▁He im ▁del ivers ▁public ▁lect ures ▁on ▁topics ▁combining ▁psych iat ry ▁and ▁music . ▁These ▁include : ▁" Bar o que ▁& ▁the ▁Bra in ▁W ave : ▁can ▁music ▁help ▁in ▁de ment ia ▁care ?" ▁to ▁the ▁ ▁Royal ▁Society ▁of ▁New ▁South ▁Wales ▁( the ▁society ' s ▁Anne ▁Wood ▁described ▁that ▁" What ▁he ▁has ▁done ▁is ▁to ▁take ▁this ▁music ▁from ▁the ▁late ▁ 1 7 th ▁century ▁through ▁to ▁the ▁mid ▁ 1