has ▁come ▁down ▁to ▁us ▁as ▁the ▁second ▁fl ute ▁con cer to , ▁but ▁was ▁almost ▁certainly ▁an ▁ob oe ▁con cer to ) ▁( 1 7 7 7 – 7 8 ) ▁ ▁Fl ute ▁Con cer to ▁No . ▁ 1 ▁in ▁G ▁major , ▁K . ▁ 3 1 3 ▁( 1 7 7 8 ) ▁ ▁Fl ute ▁Con cer to ▁No . ▁ 2 ▁in ▁D ▁major , ▁K . ▁ 3 1 4 ▁( 1 7 7 8 ) ▁( an ▁arrangement ▁of ▁the ▁above ▁O bo e ▁Con cer to ) ▁ ▁And ante ▁for ▁fl ute ▁and ▁or chestra ▁in ▁C ▁major , ▁K . ▁ 3 1 5 / 2 8 5 e ▁( 1 7 7 8 ) ▁ ▁Clar inet ▁Con cer to ▁in ▁A ▁major , ▁K . ▁ 6 2 2 ▁( 1 7 9 1 ) ▁ ▁Con cert ante ▁sym phon ies ▁▁▁ ▁S inf onia ▁Con cert ante ▁for ▁Vi olin , ▁Vi ola ▁and ▁Orchestra ▁in ▁E ▁major , ▁K . ▁ 3 6 4 ▁( 1 7 7 9 ) ▁ ▁S inf onia ▁Con cert ante ▁for ▁O bo e , ▁Clar inet , ▁Horn , ▁Bass oon ▁and ▁Orchestra ▁in ▁E ▁major , ▁K . ▁ 2 9 7 b ▁( An h . ▁ 9 ▁and ▁later ▁An h . ▁C ▁ 1 4 . 0 1 ) ▁( pro bably ▁sp ur ious ▁arrangement ▁of ▁lost ▁S inf onia ▁Con