▁( 1 9 3 3 ), ▁and ▁for ▁the ▁soft ▁tone ▁of ▁his ▁images . ▁He ▁helped ▁establish ▁the ▁modern ▁touch ▁of ▁Sho ch iku ' s ▁cinemat ography ▁at ▁Kam ata ▁along ▁with ▁Bun j ir ō ▁M iz ut ani ▁and ▁M its uo ▁Mi ura . ▁He ▁later ▁worked ▁at ▁Tokyo ▁H asse i ▁E iga , ▁T oh o , ▁Sh into ho , ▁and ▁Da iei ▁Film . ▁He ▁shot ▁films ▁for ▁many ▁of ▁Japan ' s ▁great ▁direct ors ▁such ▁as ▁A ki ra ▁Ku ros awa , ▁Y as uj ir ō ▁O zu , ▁Ken ji ▁M iz og uch i , ▁K ō z ab ur ō ▁Y osh im ura , ▁Y ut aka ▁A be , ▁Mas ah iro ▁Mak ino , ▁Sho he i ▁Im am ura , ▁Sh ū e ▁M ats ub ay ashi , ▁and ▁Ko ji ▁Sh ima . ▁In ▁ 1 9 5 4 , ▁he ▁won ▁the ▁award ▁for ▁best ▁cinemat ography ▁at ▁the ▁Main ichi ▁Film ▁Awards ▁for ▁his ▁work ▁on ▁A i ▁to ▁sh i ▁no ▁tan ima ▁and ▁N iw atori ▁wa ▁fut at abi ▁n aku . ▁ ▁Selected ▁film ography ▁▁ ▁The ▁Dan cing ▁Girl ▁of ▁I zu ▁( 1 9 3 3 ) ▁Som n ilo qu y ▁of ▁the ▁B ride g room ▁( H an am uk o ▁no ▁neg oto ) ▁( 1 9 3 5 ) ▁A ▁Bur den ▁of ▁Life ▁( J in se