▁ 2 0 0 0 s , ▁C SF ▁b ump ed ▁the ▁number ▁of ▁annual ▁summer ▁produ ctions ▁from ▁three ▁to ▁four , ▁with ▁occas ional ▁for ays ▁into ▁non - Sh akespe are ▁other ▁classical ▁or ▁related ▁material , ▁such ▁as ▁Tom ▁Sto pp ard ' s ▁Ros enc rant z ▁and ▁Gu ild enst ern ▁Are ▁Dead ▁in ▁ 1 9 9 5 ▁and ▁M oli ère ' s ▁The ▁M iser ▁in ▁ 1 9 9 6 . ▁ ▁Among ▁De vin ' s ▁innov ations ▁was ▁a ▁program ▁that ▁offered ▁free ▁tick ets ▁to ▁produ ctions ▁by ▁other ▁companies ▁with ▁the ▁purchase ▁of ▁a ▁season ▁subscription . ▁In ▁ 2 0 0 3 , ▁for ▁instance , ▁those ▁who ▁bought ▁C SF ▁subscri ptions ▁also ▁received ▁tick ets ▁to ▁produ ctions ▁at ▁the ▁Den ver ▁Center , ▁Nom ad ▁Theatre , ▁Den ver ' s ▁Cur ious ▁Theatre , ▁the ▁Colorado ▁Music ▁Festival ▁and ▁the ▁University ▁of ▁Colorado ▁Con cert s ▁series . ▁ ▁In ▁ 2 0 1 0 , ▁De vin ▁was ▁named ▁an ▁Honor ary ▁L if etime ▁Member ▁Award ▁by ▁the ▁U . S . ▁Institute ▁for ▁Theatre ▁Technology ▁Inc ., ▁of ▁which ▁he ▁had ▁served ▁as ▁president . ▁ ▁The ▁festival ▁began ▁to ▁experience ▁budget ▁short falls , ▁which ▁were ▁period ically ▁covered ▁by ▁the ▁College ▁of ▁Arts ▁and ▁Sciences . ▁De vin ▁c ited ▁fund ing ▁challeng es ▁as ▁one ▁reason ▁he ▁decided ▁to ▁step ▁down : ▁" After ▁ 1 7