▁less ▁than ▁exempl ary ▁( e . g ., ▁his ▁statement ▁" If ▁he ▁appears ▁not ▁very ▁anxious ▁for ▁the ▁supply , ▁you ▁should ▁require ▁only ▁forty ▁or ▁fifty ▁per ▁cent ; ▁but ▁if ▁you ▁find ▁him ▁in ▁great ▁dist ress , ▁and ▁want ▁the ▁m one ys ▁very ▁bad , ▁you ▁may ▁ask ▁double " ▁[ III . 1 ]). ▁It ▁may ▁be ▁significant ▁that ▁in ▁Johann ▁Z off any ' s ▁portrait ▁of ▁Robert ▁Bad de ley ▁as ▁Mos es , ▁we ▁find ▁that ▁" Under ▁his ▁arm ▁Mos es ▁holds ▁a ▁rolled ▁par ch ment ▁of ▁the ▁Sur face ▁family ▁tree ▁that ▁is ▁used ▁as ▁an ▁au ction ▁ham mer , ▁and ▁he ▁seems ▁to ▁be ▁tick ing ▁off ▁pictures ▁in ▁the ▁catalog ue ", ▁although ▁in ▁the ▁play ▁Care less ▁is ▁the ▁au ction e er ▁in ▁the ▁relevant ▁scene ▁( IV . 1 ) ▁and ▁Mos es ▁has ▁a ▁relatively ▁minor ▁role . ▁ ▁It ▁is ▁notable ▁that ▁at ▁least ▁one ▁ 2 1 st - century ▁production ▁( Los ▁Angeles , ▁ 2 0 0 4 ) ▁has ▁" san it ized ▁most ▁of ▁what ▁could ▁be ▁de emed ▁as ▁anti - S emit ic ▁content " ▁by ▁changing ▁references ▁to ▁" J ew s " ▁and ▁" J ew ry " ▁to ▁" m one yl enders " — a ▁practice ▁that ▁a ▁rev iewer ▁term ed ▁" PC - ification " ▁of ▁the ▁play . ▁Another ▁production , ▁by ▁the ▁Seattle ▁Shakespeare ▁Company ▁in ▁