▁R ake ' s ▁Progress , ▁B iz et ' s ▁Car men , ▁Ver di ' s ▁Mac b eth , ▁Be eth oven ' s ▁F idel io , ▁Mass en et ' s ▁Wer ther ▁( all ▁English ▁Tour ing ▁Opera ); ▁Bar ber ' s ▁A ▁Hand ▁of ▁Bridge ; ▁G ers h win ' s ▁Blue ▁Monday ; ▁and ▁Bern stein ' s ▁Tr ouble ▁in ▁T ah iti ▁( all ▁Barb ican ▁Centre , ▁designed ▁by ▁Che var a ); ▁Moz art ' s ▁Magic ▁Fl ute ▁( Hol land ▁Park ▁Opera , ▁London ); ▁D vo ř ák ' s ▁The ▁C unning ▁Pe asant ; ▁P ou len c ' s ▁Les ▁Dialog ue ▁des ▁Car m él ites ; ▁and ▁Brit ten ' s ▁Albert ▁Her ring ▁( all ▁Gu ild hall ▁School ▁of ▁Music ▁and ▁D rama ; ▁Moz art ' s ▁I dom ene o , ▁Ross ini ' s ▁La ▁C ener ent ola ▁and ▁Brit ten ' s ▁A ▁Mid sum mer ▁Night ' s ▁Dream ▁( all ▁C open hagen ▁Opera ▁Academy ); ▁Pro k of iev ' s ▁The ▁F ier y ▁Angel ▁( Ro yal ▁Opera ▁House , ▁Associ ate ▁Director ▁with ▁David ▁Fre eman ); ▁Ross ini ' s ▁The ▁Bar ber ▁of ▁Se ville ▁( D ub lin ▁Grand ▁Opera ); ▁Mad erna ' s ▁S aty ric on ▁( Oper a ▁Factory / The ▁Dr ill ▁Hall , ▁London ); ▁as ▁well ▁as ▁numerous