as ▁( gr ass lands ). ▁ ▁The ▁final ▁section ▁returns ▁to ▁the ▁opening ▁mel ody , ▁but ▁with ▁a ▁rich er ▁harm on isation ▁based ▁on ▁third s . ▁Une x pected ly , ▁the ▁piece ▁ends ▁with ▁an ▁at onal ▁ch ord , ▁instead ▁of ▁the ▁t onic ▁key , ▁giving ▁a ▁feeling ▁of ▁uncertainty ▁rather ▁than ▁conclusion . ▁ ▁This ▁piece ▁was ▁in ▁the ▁C ▁list ▁of ▁pieces ▁for ▁AB RS M ' s ▁grade ▁ 7 ▁piano ▁exam ▁sy ll ab us ▁in ▁ 2 0 1 3 / 2 0 1 4 ▁( pie ce ▁C 1 ). ▁ ▁Dan za ▁del ▁gau cho ▁mat rero , ▁Op . ▁ 2 ▁no . ▁ 3 ▁ ▁With ▁directions ▁such ▁as ▁fur ios amente ▁(" fur iously "), ▁viol ente ▁(" vi ol ent "), ▁m ord ento ▁(" bit ing "), ▁and ▁salv aggio ▁(" w ild "), ▁G in aster a ▁left ▁no ▁doubt ▁as ▁how ▁to ▁play ▁the ▁third ▁dance , ▁Dan za ▁del ▁gau cho ▁mat rero ▁(" D ance ▁of ▁the ▁Out law ▁Cow boy "), ▁should ▁be ▁performed . ▁ ▁G in aster a ▁makes ▁use ▁of ▁grat uit ous ▁dis son ance ▁in ▁this ▁piece , ▁opening ▁it ▁with ▁a ▁ 1 2 - t one ▁ost in ato ▁and ▁frequently ▁using ▁minor ▁seconds ▁to ▁harm on ize ▁otherwise ▁simple ▁mel od ies . ▁ ▁The ▁structure ▁is ▁an ▁approximate ▁r ondo ▁( AB AC D AC D ), ▁and ▁the ▁them