▁the ▁ins cri ptions ▁to ▁the ▁paint ings , ▁which ▁he ▁believed ▁to ▁be ▁by ▁Gu ▁Ka iz hi , ▁and ▁published ▁them ▁in ▁ 1 6 0 3 ▁as ▁call ig raph ic ▁models . ▁There after , ▁the ▁painting ▁changed ▁hands ▁frequently , ▁and ▁during ▁the ▁late ▁M ing ▁and ▁early ▁Q ing ▁D ynast y ▁it ▁is ▁known ▁to ▁have ▁been ▁in ▁the ▁possession ▁of ▁Z hang ▁Ch ou ▁( 張 <0xE4> <0xB8> <0x91> , ▁▁ 1 5 7 7 – 1 6 4 3 ), ▁Z hang ▁X ia osi ▁( 張 孝 思 ), ▁Da ▁Zh ong gu ang ▁( <0xE7> <0xAC> <0xAA> 重 光 , ▁▁ 1 6 2 3 – 1 6 9 2 ), ▁and ▁Li ang ▁Q ing bia o ▁( <0xE6> <0xA2> <0x81> 清 <0xE6> <0xA8> <0x99> , ▁▁ 1 6 2 0 – 1 6 9 1 ), ▁before ▁finally ▁being ▁acquired ▁by ▁a ▁wealth y ▁salt ▁merchant , ▁An ▁Q i ▁( 安 <0xE5> <0xB2> <0x90> , ▁▁ 1 6 8 3 – c . ▁ 1 7 4 6 ). ▁ ▁After ▁the ▁death ▁of ▁An ▁Q i , ▁the ▁Ad mon itions ▁Scroll ▁passed ▁into ▁the ▁hands ▁of ▁the ▁Q ian long ▁Emperor ▁( r . ▁ 1 7 3 5 – 1 7 9 6 ), ▁who ▁tre as ured ▁the ▁painting ▁as ▁the ▁p inn acle ▁of ▁Chinese ▁art . ▁Q ian long ▁had ▁the ▁painting ▁rem ount ed ▁in ▁ 1 7 4 6 , ▁and