st ones ▁stim ulated ▁new ▁sources ▁of ▁insp iration , ▁changed ▁his ▁philosophy ▁of ▁living ▁and ▁art istic ▁per ception . ▁He ▁watched ▁Indian ▁rit ual ▁d ances ▁where ▁ex otic ▁d anc ers ▁decor ated ▁with ▁fe athers , ▁flowers ▁and ▁tur qu o ise ▁fl itted ▁like ▁birds ▁in ▁the ▁wind . ▁▁ ▁As ▁an ▁explicitly ▁authentic ▁artist , ▁the ▁expl orer ▁of ▁prim ord ial ▁unity , ▁in ▁the ▁era ▁of ▁incred ible ▁speed ▁and ▁smoke ▁of ▁high ▁techn ologies ▁he ▁provided ▁us ▁with ▁the ▁rem in isc ences ▁of ▁lost ▁dimensions ▁of ▁ever last ing ▁child hood . ▁With ▁deep ▁and ▁surface ▁in cis ions , ▁the ▁artist ▁achieved ▁the ▁dynamics ▁of ▁closed ▁and ▁open , ▁sharp ▁and ▁rounded ▁forms , ▁a ▁dance ▁of ▁light ▁and ▁shadow . ▁He ▁col oured ▁his ▁figures ▁with ▁strong ▁and ▁bright ▁t int ▁and ▁frequent ▁inter changes ▁of ▁red ▁and ▁green , ▁blue ▁and ▁yellow . ▁The ▁colour ▁always ▁followed ▁the ▁development ▁of ▁volume , ▁whether ▁related ▁to ▁g orge ous ▁branch ing ▁or ▁del ic ately ▁st yl ized ▁and ▁calm ▁forms . ▁The ▁combination ▁of ▁the ▁sculpt ural ▁and ▁the ▁p ict orial ▁be ars ▁witness ▁of ▁the ▁artist ' s ▁complexity ▁and ▁express iveness ▁with ▁additional ▁help ▁of ▁naturally ▁" blo oming " ▁forms , ▁and ▁nearly ▁f au v ist , ▁wild ▁t int . ▁Kal mar ▁the ▁sculpt or ▁is ▁sometimes ▁over master ed ▁by ▁Kal mar ▁the ▁painter ! ▁The ▁mere ▁procedure ▁of ▁emb od iment ▁of