made ▁an am orph ic ▁type ▁built ▁by ▁Pan av ision ▁to ▁which ▁he ▁attributes ▁part ▁of ▁the ▁effect iveness ▁for ▁the ▁high ▁shot ▁looking ▁down ▁on ▁Richard , ▁as ▁he ▁propos es ▁to ▁M ild red ▁in ▁a ▁grass y ▁field , ▁to ▁which ▁Stone ▁states , ▁" We ▁were ▁a ▁mod est ly ▁budget ed ▁movie ▁and ▁to ▁have ▁people ▁like ▁Dave ▁D od son ▁and ▁Dan ▁S as aki ▁at ▁Pan av ision ▁reserve ▁and ▁twe ak ▁those ▁l enses ▁for ▁us ▁– ▁knowing ▁they ▁are ▁in ▁high ▁demand ▁for ▁much ▁bigger ▁mov ies ▁– ▁made ▁all ▁the ▁difference ." ▁He ▁con cludes ▁by ▁stating , ▁" For ▁that ▁scene ▁in ▁particular , ▁whatever ▁you ▁hit ▁was ▁the ▁l ens ' ▁sweet ▁spot . ▁They ▁are ▁so ▁awesome ." ▁Of ▁the ▁an am orph ic ▁format , ▁Stone ▁stated , ▁" An am orph ic ▁is ▁how ▁we ▁shot ▁Sh ot gun ▁St ories ▁( 2 0 0 7 ), ▁it ' s ▁how ▁we ▁shot ▁M ud ▁( 2 0 1 2 ), ▁it ' s ▁how ▁we ▁shot ▁Mid night ▁Special ▁( 2 0 1 6 ), ▁and ▁now ▁it ' s ▁how ▁we ▁shot ▁L oving ." ▁ ▁Cin emat ograph er ▁Stone ▁spoke ▁of ▁one ▁of ▁his ▁favour ite ▁scenes ▁in ▁which ▁Richard ▁sm ugg les ▁M ild red ▁back ▁into ▁Virginia ▁at ▁night , ▁in ▁which ▁she ▁j umps ▁out ▁of ▁one ▁car ▁and ▁into ▁another . ▁Stone ▁spoke ▁of ▁the ▁car ▁head light s