anner ist ▁sty list ic ▁and ▁icon ographic ▁elements , ▁and ▁incorpor ates ▁sty list ic ▁elements ▁of ▁the ▁C ret an ▁School . ▁ ▁During ▁the ▁second ▁half ▁of ▁the ▁ 1 6 th ▁century , ▁many ▁C ret an ▁artists ▁went ▁to ▁Ven ice , ▁in ▁the ▁hope ▁of ▁gain ing ▁comm issions ▁and ▁recognition . ▁Un like ▁El ▁Gre co , ▁the ▁other ▁C ret an ▁pain ters ▁who ▁moved ▁there ▁did ▁not ▁substantial ly ▁alter ▁their ▁styles ▁or ▁working ▁methods . ▁They ▁simply ▁incorpor ated ▁more ▁Italian ▁mot ifs ▁into ▁a ▁consistent ▁By z antine ▁framework . ▁Jonathan ▁Brown ▁provides ▁a ▁per cept ive ▁analysis ▁of ▁the ▁ways ▁that ▁El ▁Gre co ▁distinguished ▁himself ▁from ▁other ▁C ret an ▁artists ▁active ▁in ▁Ven ice , ▁while ▁Richard ▁Mann ▁arg ues ▁that ▁" none ▁of ▁these ▁pain ters ▁accepted ▁Renaissance ▁ideas ▁about ▁the ▁relev ance ▁of ▁change ▁to ▁the ▁creation ▁of ▁art ▁works ". ▁ ▁Michael ▁Dam ask en os ▁returned ▁to ▁Cre te ▁after ▁three ▁years , ▁and ▁remained ▁there ▁for ▁the ▁rest ▁of ▁his ▁life . ▁▁▁ 1 7 th ▁century ▁▁ ▁Prom inent ▁represent atives ▁of ▁the ▁C ret an ▁School ▁during ▁the ▁ 1 7 th ▁century ▁were ▁Father ▁Em manuel ▁T z anes ▁( Ε μ μ α ν ο υ ή λ ▁ Τ ζ ά ν ε ς , ▁ 1 6 1 0 – 1 6 9 0 ), ▁Em manuel ▁Lamb ard os ▁and ▁The odor os ▁P ou lak is