s ▁out ▁across ▁hundreds ▁of ▁private ▁locations " ▁ ▁Monument ▁ ▁In ▁ 2 0 0 9 , ▁Cla re ▁Tw ome y ▁created ▁the ▁work ▁Monument ▁for ▁the ▁M idd les br ough ▁Institute ▁of ▁Modern ▁Art ▁as ▁part ▁of ▁the ▁exhibition ▁Poss ib ilities ▁and ▁L oss es : ▁Trans itions ▁in ▁Clay , ▁which ▁she ▁helped ▁to ▁cur ate . ▁This ▁exhibition ▁included ▁Keith ▁Harrison , ▁L inda ▁S orm in ▁and ▁Neil ▁Brow ns word . ▁ ▁For ▁Monument , ▁ 3 0 ▁cub ic ▁meters ▁of ▁cer am ic ▁waste ▁were ▁p iled ▁up ▁ 8 ▁meters ▁high . ▁In sp ired ▁by ▁looking ▁at ▁a ▁p ile ▁of ▁broken ▁ch ina ▁from ▁the ▁Johnson ▁Por cel ain ▁T ile ▁Factory ▁in ▁Sto ke - on - Tr ent , ▁this ▁piece ▁was ▁made ▁up ▁of ▁disc arded ▁seconds ▁and ▁manufact uring ▁mistakes . ▁ ▁The ▁scale ▁of ▁the ▁p ile ▁created ▁t ension ▁in ▁the ▁work ▁because ▁the ▁p ile ▁seemed ▁as ▁though ▁it ▁could ▁cr umble ▁at ▁any ▁moment . ▁ ▁Fore ver ▁ ▁In ▁Tw ome y ' s ▁first ▁solo ▁American ▁Show ▁( 2 0 1 1 ), ▁Tw ome y ▁observed ▁the ▁Frank ▁and ▁Har ri et ▁Burn laps ▁collection ▁of ▁ 1 , 3 4 5 ▁pieces ▁of ▁cer am ics ▁at ▁the ▁Nelson ▁At kins ▁Museum ▁of ▁Art . ▁ ▁In ▁this ▁exhibition ▁she ▁expl ored ▁perman ence , ▁responsibility , ▁memory , ▁des ira b ility , ▁the ▁value ▁and