▁then ▁further ▁notes ▁that ▁" Any ▁discussion ▁of ▁The ▁Wild ▁B unch ▁implicitly ▁acknowled ges ▁the ▁editing ▁by ▁Lou ▁Lomb ardo ▁and ▁Robert ▁Wol fe , ▁so ▁integral ▁is ▁it ▁to ▁the ▁style , ▁meaning , ▁and ▁effect ▁of ▁the ▁film . ▁Still , ▁one ▁should ▁at ▁least ▁observe ▁that ▁the ▁art ▁and ▁craft ▁of ▁film ▁editing ▁know ▁no ▁higher ▁pe aks ▁than ▁The ▁Wild ▁B unch , ▁and ▁very , ▁very ▁few ▁that ▁are ▁anywhere ▁near ▁its ▁sum mit ." ▁ ▁Connection ▁to ▁The ▁Fel ony ▁Squad ▁Lomb ardo ▁became ▁acquaint ed ▁with ▁Pe ck in p ah ▁when ▁he ▁moon light ed ▁as ▁a ▁cam er aman ▁when ▁Pe ck in p ah ▁was ▁direct ing ▁the ▁television ▁movie ▁No on ▁W ine ▁( 1 9 6 6 ). ▁Ult imately ▁this ▁connection ▁led ▁to ▁Lomb ardo ' s ▁joining ▁Pe ck in p ah ▁to ▁make ▁The ▁Wild ▁B unch ; ▁Pe ck in p ah ▁was ▁particularly ▁interested ▁in ▁the ▁editing ▁techniques ▁that ▁Lomb ardo ▁had ▁de vised ▁while ▁editing ▁Fel ony ▁Squad . ▁Lomb ardo ▁described ▁the ▁cru cial ▁scene ▁from ▁the ▁television ▁show ▁in ▁a ▁later ▁interview ▁with ▁Vincent ▁Lo Br utto , ▁" J oe ▁Don ▁Baker ▁came ▁out ▁and ▁was ▁being ▁shot ▁by ▁all ▁these ▁police . ▁I ▁printed ▁every ▁frame ▁three ▁times ▁and ▁created ▁slow ▁motion . ▁I ▁inter cut ▁him ▁being ▁shot , ▁falling , ▁this ▁gu y ▁shooting , ▁that ▁gu y ▁running , ▁Baker ▁falling . ▁Sam ▁and ▁Phil ▁Feld man