going ▁televis ual ▁series ▁al beit ▁in ▁the ▁shape ▁of ▁a ▁book , ▁reson ates ▁in ▁the ▁typ ographic ▁world ▁of ▁the ▁book . ▁Each ▁volume ▁of ▁The ▁Famil iar ▁opens ▁with ▁visual s ▁that ▁feed ▁from ▁its ▁fict ional ▁universe , ▁including ▁the ▁mini - series ▁" C aged ▁H unt ," ▁a ▁fully ▁trans cribed ▁description ▁of ▁a ▁video ▁enc ased ▁in ▁the ▁recogn izable , ▁YouTube - like ▁frame ▁of ▁a ▁digital ▁player . ▁The ▁per vas ive ▁presence ▁of ▁television ▁series ▁as ▁ke yst ones ▁of ▁American ▁main stream ▁culture , ▁can ▁also ▁be ▁felt ▁in ▁the ▁numerous ▁references ▁to ▁Batt l est ar ▁Gal act ica ▁as ▁a ▁common ▁enjoy ment ▁of ▁An war ▁and ▁his ▁daughter ▁X an ther , ▁to ▁be ▁compared ▁with ▁the ▁mentions ▁and ▁quotes ▁from ▁books ▁and ▁vide og ames , ▁a ▁modern ▁medi atic ▁pan or ama . ▁ ▁Writing ▁process ▁and ▁collaboration ▁In ▁writing ▁this ▁series , ▁Dan iele w ski ▁“ had ▁to ▁rely ▁on ▁individuals , ▁on ▁techn ologies , ▁[ and ] ▁on ▁actual ▁tri ps ▁to ▁places .” ▁People ▁involved ▁in ▁the ▁project ▁include ▁profess ors , ▁grad ▁students , ▁research ers , ▁computer ▁program mers , ▁graph ic ▁artists , ▁transl ators , ▁even ▁Los ▁Angeles ▁detect ives . ▁He ▁calls ▁his ▁closest ▁group ▁of ▁collabor ators ▁“ At el ier ▁Z " ▁( in sp ired ▁by ▁the ▁French ▁term ▁at el ier ), ▁but ▁the ▁number ▁of ▁people ▁involved ▁in ▁work ▁on ▁The ▁Famil