in ▁solo ▁in ▁I ▁Lomb ardi . ▁Catherine ▁M alf it ano ▁and ▁D way ne ▁Cro ft ▁provided ▁one ▁of ▁the ▁evening ' s ▁most ▁successful ▁pass ages ▁of ▁authentic ▁music ▁drama ▁in ▁a ▁py re xic ▁scene ▁from ▁Eug ene ▁On egin . ▁ ▁Jane ▁E ag len , ▁" a ▁Wagner ian ▁div a ▁straight ▁from ▁a ▁New ▁York er ▁cart oon ", ▁showed ▁that ▁it ▁did ▁not ▁much ▁matter ▁what ▁Br ün n h ilde ▁looked ▁like ▁if ▁she ▁had ▁a ▁voice ▁as ▁ ▁over wh el ming ▁as ▁a ▁t sun ami . ▁Sh aron ▁S weet ▁was ▁" str ident " ▁in ▁La ▁for za ▁del ▁dest ino . ▁Freder ica ▁von ▁St ade ▁demonstrated ▁that ▁" ch arm ▁conqu ers ▁all " ▁with ▁" her ▁still ▁boy ish ▁Cher ub ino ▁and ▁ir res ist ibly ▁tips y ▁P ér ich ole ". ▁Kar ita ▁Matt ila ▁and ▁H ak ån ▁H ag eg år d ▁were ▁almost ▁as ▁sed uct ive ▁in ▁a ▁fl irt ati ous ▁Watch ▁Du et ▁from ▁Die ▁Fle der ma us . ▁Bir git ▁Nil sson ▁provided ▁the ▁g ala ' s ▁most ▁ex h ilar ating ▁t ribute ▁to ▁Lev ine ▁with ▁a ▁tr ump et - like ▁V alk y rie ▁war - c ry . ▁ ▁Pl á cido ▁Dom ingo ▁and ▁Samuel ▁R ame y ▁were ▁comfort ingly ▁stell ar ▁in ▁" Fa ust ", ▁R ame y ▁for ▁once ▁being ▁allowed ▁to ▁perform ▁without ▁bar