. ▁ ▁From ▁this ▁period ▁on wards ▁Bo za ci ' s ▁works ▁have ▁become ▁more ▁so cio - crit ical . ▁His ▁attitude ▁to ▁social ▁media ▁was ▁visible ▁in ▁the ▁ 2 0 1 5 ▁trav elling ▁exhibition ▁‘ F if teen ▁Second s ▁of ▁Fame ’ . ▁He ▁transformed ▁acquaint ances ’ ▁facebook ▁profile ▁images ▁into ▁icon ic ▁port ra its ▁using ▁digital ▁technology . ▁The ▁faces ▁are ▁based ▁on ▁circle ▁shapes . ▁Bo za ci ▁views ▁the ▁per fection ▁of ▁a ▁circle ▁as ▁em blem atic ▁of ▁the ▁current ▁desire ▁for ▁beauty , ▁with ▁Facebook ▁being ▁the ▁ideal ▁place ▁to ▁manifest ▁van ity ▁and ▁n arc iss ism . ▁View ed ▁from ▁close ▁up , ▁only ▁graph ic ▁forms ▁can ▁be ▁compreh ended ▁in ▁the ▁port ra its . ▁Se en ▁from ▁a ▁greater ▁distance , ▁a ▁nearly ▁phot ore al istic ▁image ▁emer ges . ▁Bo za ci ▁also ▁subsequently ▁painted ▁digit ally - created ▁port ra its ▁as ▁mur als , ▁among ▁them ▁a ▁portrait ▁of ▁the ▁Turkish ▁writer ▁En is ▁B atur . ▁The ▁five - met re ▁tall ▁picture ▁was ▁real ised ▁in ▁collaboration ▁with ▁RA W C UT ▁Design ▁Studio ▁and ▁students ▁from ▁the ▁Bom ont i ▁M imar ▁Sin an ▁University ▁in ▁Ist an bul . ▁ ▁Bo za ci ' s ▁largest ▁m ural ▁to ▁date ▁can ▁be ▁seen ▁in ▁Sh enz hen , ▁China . ▁He ▁was ▁invited ▁to ▁create ▁an ▁open - air ▁gallery ▁in ▁ 2 0 1 6 ▁to