▁herself ▁to ▁purs uing ▁and ▁document ing ▁her ▁experiences . ▁Müller ▁accepted ▁and ▁was ▁able ▁to ▁continue ▁with ▁further ▁cycles . ▁She ▁also ▁began ▁to ▁paint ▁her ▁vis ions ▁and ▁particular ▁religious ▁images ▁of ▁Christ . ▁ ▁Smith ▁is ▁mentioned ▁by ▁André ▁Bre ton ▁in ▁his ▁book ▁Nad ja ▁where ▁he ▁comp ares ▁her ▁to ▁the ▁e pon ym ous ▁character . ▁▁ ▁" A ▁brief ▁scene ▁in ▁dialog ue ▁at ▁the ▁end ▁of ▁my ▁" Po isson ▁Sol ub le ," ▁and ▁which ▁seems ▁to ▁be ▁all ▁she ▁has ▁yet ▁read ▁of ▁the ▁Man ifest , ▁a ▁scene ▁whose ▁precise ▁meaning ▁moreover ... g ives ▁her ▁the ▁impression ▁of ▁having ▁actually ▁participated ▁in ▁it ▁and ▁even ▁of ▁having ▁played ▁the - if ▁anything ▁obsc ure - ▁part ▁of ▁H él ène ." ▁ ▁E valu ation ▁Thé odore ▁Fl our no y ▁considered ▁her ▁" cy cles " ▁as ▁the ▁products ▁of ▁what ▁he ▁jud ged ▁to ▁be ▁infant ile ▁imag in ings ▁and ▁her ▁Mart ian ▁language ▁as ▁a ▁mere ▁constructed ▁language . ▁Fl our no y ▁concluded ▁that ▁her ▁" Mart ian " ▁language ▁had ▁a ▁strong ▁res embl ance ▁to ▁M s . ▁Smith ' s ▁native ▁language ▁of ▁French ▁and ▁that ▁her ▁automatic ▁writing ▁was ▁" rom ances ▁of ▁the ▁sub lim inal ▁imagination , ▁derived ▁largely ▁from ▁forgotten ▁sources ▁( for ▁example , ▁books ▁read ▁as ▁a ▁child ). " ▁He ▁invent ed ▁the ▁term ▁crypt om nes ia ▁to ▁describe ▁this ▁phenomen on . ▁ ▁Psych