▁Hope ▁or ▁Mil ton ▁Ber le , ▁Ca esar ▁always ▁stayed ▁in ▁character : ▁" He ▁was ▁so ▁totally ▁into ▁the ▁scene ▁he ▁never ▁lost ▁it ." ▁ ▁Ca esar ▁was ▁able ▁to ▁p antom ime ▁a ▁wide ▁variety ▁of ▁things : ▁a ▁t ire , ▁a ▁g um ball ▁machine , ▁a ▁l ion , ▁a ▁dog , ▁a ▁p unch ing ▁bag , ▁a ▁tele phone , ▁an ▁infant , ▁an ▁elev ator , ▁a ▁rail road ▁train , ▁a ▁her d ▁of ▁horses , ▁a ▁piano , ▁a ▁r att les nake ▁and ▁a ▁bott le ▁of ▁s elt zer . ▁On ▁the ▁Dick ▁Clark ▁show ▁in ▁ 1 9 7 8 , ▁he ▁played ▁a ▁che wing ▁g um ▁machine ▁and ▁a ▁slot ▁machine . ▁He ▁was ▁also ▁able ▁to ▁create ▁imag inary ▁characters . ▁Alfred ▁H itch cock ▁compared ▁him ▁to ▁Charlie ▁Chap lin , ▁and ▁critic ▁John ▁C ros by ▁felt ▁" he ▁could ▁w rench ▁laugh ter ▁out ▁of ▁you ▁with ▁the ▁violence ▁of ▁his ▁great ▁eyes ▁and ▁the ▁she er ▁imm ens ity ▁of ▁his ▁par ody ." ▁In ▁an ▁article ▁in ▁The ▁Saturday ▁Even ing ▁Post ▁in ▁ 1 9 5 3 , ▁show ▁business ▁bi ograph er ▁Maurice ▁Z ol ot ow ▁noted ▁that ▁" Ca esar ▁re lies ▁upon ▁gr un ts ▁and ▁gr im aces ▁to ▁express ▁a ▁vast ▁range ▁of ▁emot ions ." ▁ ▁Of ▁his ▁double - t alk ▁rout ines , ▁Carl ▁Re iner ▁said , ▁" H