▁style . ▁ ▁Bach ▁C ertain ly ▁this ▁new ▁complex ▁transformation ▁and ▁am alg am ation ▁of ▁the ▁Italian ▁style ▁with ▁the ▁new ▁" F ashion able " ▁L ull ist / F rench ▁style ▁is ▁evident ▁in ▁the ▁complex ▁French ▁O u vert ure ▁text ures ▁found ▁throughout ▁Bach ' s ▁works , ▁and ▁explicitly ▁formed ▁the ▁models ▁of ▁Bach ' s ▁own ▁Or ch est ral ▁Su ites , ▁and ▁the ▁O u vert ure ▁nach ▁Fran zös ischer ▁Art , ▁B W V ▁ 8 3 1 , ▁which ▁Bach ▁published ▁along ▁with ▁the ▁Italien isches ▁Kon z ert , ▁B W V ▁ 9 7 1 , ▁which ▁show ▁a ▁prof ound ▁intens ification ▁of ▁texture ▁compared ▁to ▁the ▁Aust rian ▁and ▁German ▁Music ▁that ▁preced ed ▁J . S . ▁Bach . ▁ ▁In ▁Bach ' s ▁text ures , ▁the ▁French ▁composer ' s ▁ 8 th ▁notes ▁which ▁were ▁el ig ible ▁notes ▁in ég ales ▁became ▁Bach ' s ▁ 1 6 th ▁notes . ▁But ▁at ▁the ▁same ▁time , ▁other ▁rh yth ms ▁were ▁" sh ar pen ed " ▁and ▁certain ▁types ▁of ▁three ▁note ▁six teenth ▁note ▁figures ▁were ▁often ▁" com pressed ▁to ▁three ▁ 3 2 nd ▁note ▁up be at ▁figures . ▁And ▁up be at ▁ 8 th ▁notes ▁became ▁up be at ▁ 1 6 th ▁notes . ▁( All ▁the ▁would ▁be ▁even ly ▁written ▁eight ▁notes ▁are ▁written ▁out ▁in ▁long – short ▁notes