▁ 1 8 8 7 ▁his ▁remains ▁were ▁moved ▁to ▁the ▁church ▁of ▁Santa ▁Cro ce , ▁Florence . ▁ ▁Music ▁ ▁" The ▁Code ▁Ross ini " ▁ ▁The ▁writer ▁Julian ▁Bud den , ▁not ing ▁the ▁formulas ▁adopted ▁early ▁on ▁by ▁Ross ini ▁in ▁his ▁career ▁and ▁consist ently ▁followed ▁by ▁him ▁there after ▁as ▁regards ▁over t ures , ▁a rias , ▁structures ▁and ▁ens emb les , ▁has ▁called ▁them ▁" the ▁Code ▁Ross ini " ▁in ▁a ▁reference ▁to ▁the ▁Code ▁Nap ol éon , ▁the ▁legal ▁system ▁established ▁by ▁the ▁French ▁Emperor . ▁Ross ini ' s ▁overall ▁style ▁may ▁indeed ▁have ▁been ▁influenced ▁more ▁directly ▁by ▁the ▁French : ▁the ▁historian ▁John ▁Ross elli ▁suggests ▁that ▁French ▁rule ▁in ▁Italy ▁at ▁the ▁start ▁of ▁the ▁ 1 9 th ▁century ▁meant ▁that ▁" music ▁had ▁taken ▁on ▁new ▁military ▁qual ities ▁of ▁attack , ▁noise ▁and ▁speed ▁– ▁to ▁be ▁heard ▁in ▁Ross ini ." ▁Ross ini ' s ▁approach ▁to ▁opera ▁was ▁in ev it ably ▁temper ed ▁by ▁changing ▁t ast es ▁and ▁audience ▁dem ands . ▁The ▁formal ▁" class ic ist " ▁libre tt i ▁of ▁Met ast as io ▁which ▁had ▁under p inned ▁late ▁ 1 8 th ▁century ▁opera ▁seria ▁were ▁replaced ▁by ▁subjects ▁more ▁to ▁the ▁taste ▁of ▁the ▁age ▁of ▁Rom antic ism , ▁with ▁stories ▁demand ing ▁stronger ▁character isation ▁and ▁quick er ▁action ; ▁a ▁job bing ▁composer ▁needed ▁to ▁meet ▁these ▁dem ands ▁or