ishes ▁the ▁worst ▁architect ▁from ▁the ▁best ▁of ▁be es ▁is ▁this , ▁that ▁the ▁architect ▁ra ises ▁his ▁structure ▁in ▁imagination ▁before ▁he ▁ere ct s ▁it ▁in ▁reality . ▁At ▁the ▁end ▁of ▁every ▁labour - process , ▁we ▁get ▁a ▁result ▁that ▁already ▁existed ▁in ▁the ▁imagination ▁of ▁the ▁labour er ▁at ▁its ▁comm enc ement . ▁He ▁not ▁only ▁effects ▁a ▁change ▁of ▁form ▁in ▁the ▁material ▁on ▁which ▁he ▁works , ▁but ▁he ▁also ▁real ises ▁a ▁purpose ▁of ▁his ▁own ▁that ▁gives ▁the ▁law ▁to ▁his ▁mod us ▁oper and i , ▁and ▁to ▁which ▁he ▁must ▁sub ordinate ▁his ▁will . ▁And ▁this ▁sub ord ination ▁is ▁no ▁mere ▁moment ary ▁act . ▁ ▁From ▁these ▁pass ages ▁we ▁can ▁observe ▁something ▁of ▁Marx ' s ▁belief s ▁about ▁humans . ▁That ▁they ▁character ist ically ▁produce ▁their ▁environments , ▁and ▁that ▁they ▁would ▁do ▁so , ▁even ▁were ▁they ▁not ▁under ▁the ▁bur den ▁of ▁' phys ical ▁need ' ▁- ▁indeed , ▁they ▁will ▁produce ▁the ▁' who le ▁of ▁[ the ir ] ▁nature ', ▁and ▁may ▁even ▁create ▁' in ▁accord ance ▁with ▁the ▁laws ▁of ▁beauty '. ▁Perhaps ▁most ▁important ly , ▁though , ▁their ▁cre ativity , ▁their ▁production ▁is ▁pur pos ive ▁and ▁planned . ▁Hum ans , ▁then , ▁make ▁plans ▁for ▁their ▁future ▁activity , ▁and ▁attempt ▁to ▁exercise ▁their ▁production ▁( even ▁lives ) ▁according ▁to ▁them . ▁Perhaps ▁most ▁important ly , ▁and ▁most ▁crypt