▁political ▁in ▁itself ." ▁ ▁K ud ur istas ▁use ▁body ▁movements ▁that ▁often ▁em an ate ▁movement / st ill ness , ▁in co ord ination , ▁falling , ▁pop ▁& ▁lock , ▁and ▁break dan cing . ▁This ▁style ▁of ▁dance ▁seems ▁to ▁“ break ▁down ” ▁body ▁parts ▁into ▁isol ations ▁and ▁st acc ato ▁movements , ▁serving ▁as ▁a ▁reflection ▁of ▁deb ility ▁and ▁the ▁mixture ▁of ▁able d / disabled ▁bodies ▁in ▁performance . ▁Popular ▁Ang olan ▁dan cer ▁Cost ule ta , ▁whose ▁leg ▁has ▁been ▁am put ated , ▁is ▁known ▁for ▁his ▁capt iv ating ▁performances ▁displaying ▁de xter ity ▁and ▁sexual ity . ▁The ▁incorpor ation ▁of ▁deb ility ▁comp licates ▁norm ative ▁not ions ▁of ▁“ abled - ness ” ▁while ▁recall ing ▁mot ifs ▁of ▁black ▁surv ival ▁throughout ▁the ▁di as por a , ▁specifically ▁in ▁relation ▁to ▁the ▁land ▁mines ▁plant ed ▁after ▁Ang ola ' s ▁war ▁of ▁independence ▁that ▁has ▁left ▁many ▁Ang ol ans ▁am put ated . ▁K ud ur istas ▁cont ort ▁their ▁bodies ▁in ▁direct ▁response ▁to ▁their ▁spatial ▁environments : ▁K ud ur istas , ▁ac utely ▁aware ▁of ▁the ▁six ▁to ▁twenty ▁million ▁land min es ▁still ▁waiting ▁to ▁be ▁det on ated , ▁as ▁well ▁as ▁the ▁fact ▁that ▁one ▁out ▁of ▁every ▁ 3 3 4 ▁Ang ol ans ▁has ▁lost ▁a ▁lim b ▁as ▁a ▁result ▁of ▁land mine ▁det on ation , ▁em ulate ▁to ▁various ▁degrees ▁the