▁of ▁the ▁pen ult imate ." ▁ ▁Ela ine ▁Jordan ▁arg ues , ▁in ▁her ▁ 1 9 8 8 ▁analysis ▁of ▁T enn ys on ' s ▁works , ▁that ▁the ▁poem ' s ▁dep iction ▁of ▁" self - inf old ing ▁[...] ▁is ▁a ▁neg ation ▁which ▁involves ▁the ▁drawing - in ▁of ▁forces ▁in ▁order ▁perhaps ▁to ▁assert ▁the ▁self ▁differently . ▁Mar iana ▁is ▁the ▁most ▁powerful ▁expression , ▁very ▁early , ▁of ▁such ▁a ▁moment , ▁though ▁its ▁assert iveness ▁exists ▁only ▁as ▁strong ▁glo om ▁in ▁image ▁and ▁rh ythm , ▁not ▁as ▁narr ative ▁possibility ▁except ▁in ▁the ▁desire ▁for ▁an ▁end ▁to ▁it ▁all ▁preferred ▁over ▁p atience ." ▁In ▁ 2 0 0 2 , ▁Ruth ▁G lan cy ▁writes , ▁" In ▁the ▁last ▁st anza , ▁Mar iana ' s ▁g rip ▁on ▁the ▁present ▁is ▁lo osen ing , ▁and ▁T enn ys on ' s ▁master y ▁of ▁sound ▁and ▁images ▁is ▁evident ▁( even ▁in ▁this ▁early ▁poem ) ▁in ▁his ▁description ▁of ▁the ▁house ▁that ▁echo es ▁her ▁utter ▁des olation ". ▁Anna ▁Bart on , ▁in ▁her ▁ 2 0 0 8 ▁analysis , ▁decl ares ▁Mar iana ▁" the ▁most ▁famous ▁hero ine ▁of ▁the ▁ 1 8 3 0 ▁volume " ▁and ▁that ▁both ▁The ▁Ball ad ▁of ▁Ori ana ▁and ▁" Mar iana " ▁are ▁" po ems ▁of ▁greater ▁subst ance ▁that ▁develop ▁the ▁po etic ▁that ▁T enn ys on ▁begins