TC ▁II ▁– ▁where ▁the ▁ 1 6 th ▁notes ▁can ▁be ▁played ▁in ▁long – short ▁notes ▁in ég ales ▁against ▁the ▁general ▁triple t ▁texture ▁( not ▁unlike ▁the ▁fug ue ▁from ▁the ▁Kunst ▁der ▁F uge ▁in ▁the ▁keyboard ▁arrang ements , ▁and ▁the ▁ 1 6 th ▁notes ▁in ▁O u vert ure ▁from ▁the ▁D ▁Major ▁Part ita , ▁in ▁the ▁slow ▁O u vert ure ▁section . ▁ ▁Out side ▁of ▁the ▁keyboard ▁literature , ▁in ▁the ▁c ello ▁and ▁l ute ▁su ites , ▁the ▁suite ▁in ▁C ▁Minor ▁has ▁two ▁versions , ▁and ▁the ▁suite ▁opens ▁with ▁a ▁P rel ude ▁that ▁is ▁in ▁st ile ▁francese . ▁The ▁early ▁version ▁is ▁like ▁the ▁early ▁version ▁of ▁the ▁O u vert ure ; ▁mostly ▁ 1 6 th ▁notes ▁that ▁could ? ▁be ▁el ig ible ▁for ▁notes ▁in ég ales . ▁However , ▁Bach ▁re writ es ▁the ▁later ▁version ▁again ▁shows ▁a ▁clar ification ▁of ▁the ▁even ly ▁written ▁ 1 6 th ▁notes ▁that ▁are ▁un anch ored , ▁being ▁subject ▁to ▁" over t ure ▁style " ▁r ht ym ic ▁alter ation ▁where ▁the ▁un anch ored ▁three ▁ 1 6 th ▁note ▁groups ▁are ▁assim il ated ▁into ▁groups ▁of ▁three ▁ 3 2 nd ▁notes ▁up be ats , ▁against ▁a ▁texture ▁that ▁is ▁mostly ▁full ▁of ▁long – short ▁notes ▁in ég ales ▁d otted ▁eight ▁note / six teenth ▁note ▁pairs . ▁ ▁J . K