▁and ▁concepts ▁of ▁combat ▁and ▁to ▁serve ▁as ▁performance ▁pieces ▁for ▁the ▁school . ▁We ap ons - based ▁sp arring ▁forms ▁are ▁especially ▁useful ▁for ▁teaching ▁students ▁the ▁extension , ▁range , ▁and ▁technique ▁required ▁to ▁manage ▁a ▁weapon . ▁ ▁Form s ▁in ▁Trad itional ▁Chinese ▁Mart ial ▁Arts ▁ ▁The ▁term ▁ta olu ▁( <0xE5> <0xA5> <0x97> 路 ) ▁is ▁a ▁short ened ▁version ▁of ▁T ao ▁Lu ▁Y un ▁D ong ▁( <0xE5> <0xA5> <0x97> 路 <0xE9> <0x81> <0x8B> 動 ), ▁an ▁expression ▁introduced ▁only ▁recently ▁with ▁the ▁popular ity ▁of ▁modern ▁w ush u . ▁This ▁expression ▁refers ▁to ▁" ex erc ise ▁sets " ▁and ▁used ▁in ▁the ▁context ▁of ▁athlet ics ▁or ▁sport . ▁ ▁In ▁contrast , ▁in ▁traditional ▁Chinese ▁mart ial ▁arts ▁alternative ▁termin ologies ▁for ▁the ▁training ▁( <0xE7> <0xB7> <0xB4> ) ▁of ▁' sets ▁or ▁forms ▁are : ▁▁ ▁li an ▁quan ▁t ao ▁( <0xE7> <0xB7> <0xB4> 拳 <0xE5> <0xA5> <0x97> ) ▁– ▁pract icing ▁a ▁sequence ▁of ▁f ists . ▁ ▁li an ▁quan ▁j iao ▁( <0xE7> <0xB7> <0xB4> 拳 <0xE8> <0x85> <0xB3> ) ▁– ▁pract icing ▁f ists ▁and ▁feet . ▁ ▁li an ▁b ing ▁q i ▁( <0xE7> <0xB7> <0xB4> 兵 器 ) ▁– ▁pract icing ▁weapons . ▁ ▁du i ▁da ▁( <0xE5> <0xB0> <0x8D> 打 ) ▁and ▁du i ▁li an ▁( <0xE5> <0xB0> <0x8D> <0xE7> <0xB7> <0xB4> ) ▁– ▁fighting ▁sets . ▁ ▁Trad itional ▁" s par ring " ▁sets , ▁called