▁prefer ential ▁ven ue ▁for ▁fl amen co ▁artists . ▁Most ▁of ▁the ▁sole á ▁mel od ies ▁we ▁know ▁have ▁been ▁attributed ▁to ▁sing ers ▁who ▁were ▁active ▁at ▁that ▁time . ▁With ▁the ▁turn ▁of ▁the ▁century , ▁other ▁" pal os " ▁like ▁those ▁belonging ▁to ▁the ▁group ▁" c antes ▁lib res " ▁like ▁mal ague ña , ▁tar ant as , ▁or ▁Cart ag ener as ▁took ▁the ▁supre m acy . ▁At ▁the ▁times ▁of ▁the ▁" Ó per a ▁Fl amen ca ", ▁it ▁was ▁further ▁dis place ▁by ▁F and ang os , ▁popular ▁songs ▁fashion ed ▁to ▁the ▁Bul er ías ▁rh ythm ▁and ▁" c antes ▁de ▁id a ▁y ▁vuel ta " ▁like ▁the ▁Gu aj iras . ▁ ▁During ▁the ▁ 1 9 5 0 s ▁to ▁ 1 9 7 0 s , ▁at ▁the ▁time ▁of ▁the ▁ne o - trad itional ism ▁of ▁Antonio ▁M air ena ▁and ▁his ▁school , ▁the ▁style ▁went ▁back ▁into ▁favour , ▁becoming , ▁together ▁with ▁Seg ui ri y as ▁and ▁Ton ás ▁one ▁of ▁the ▁most ▁val ued ▁by ▁fl amen co ▁artists , ▁critics ▁and ▁public . ▁The ▁sole á ▁went ▁again ▁into ▁dis f av our ▁after ▁the ▁birth ▁of ▁New ▁Fl amen co . ▁Follow ers ▁of ▁Cam ar ón ▁de ▁la ▁Is la ▁and ▁his ▁school ▁tend ▁to ▁pay ▁less ▁attention ▁to ▁traditional , ▁" hard " ▁styles , ▁and ▁favour ▁other ▁more ▁fest ive ▁"