), ▁was ▁written ▁for ▁small ▁forces ▁( origin ally ▁voices , ▁two ▁pian os ▁and ▁harm on ium ), ▁and ▁therefore ▁un su ited ▁to ▁concert ▁hall ▁performance ; ▁and ▁as ▁it ▁included ▁women ' s ▁voices ▁it ▁was ▁un accept able ▁for ▁church ▁performances ▁at ▁the ▁time . ▁For ▁these ▁reasons , ▁Richard ▁Os bor ne ▁suggests , ▁the ▁piece ▁has ▁been ▁somewhat ▁over look ed ▁among ▁Ross ini ' s ▁compos itions . ▁ ▁It ▁is ▁neither ▁especially ▁petite ▁( l ittle ) ▁nor ▁entirely ▁sol enn elle ▁( sole mn ), ▁but ▁is ▁notable ▁for ▁its ▁grace , ▁counter point ▁and ▁mel ody . ▁At ▁the ▁end ▁of ▁the ▁manuscript , ▁the ▁composer ▁wrote ▁D ear ▁God , ▁here ▁it ▁is ▁finished , ▁this ▁poor ▁little ▁Mass . ▁Is ▁it ▁sacred ▁music ▁I ▁have ▁written , ▁or ▁dam ned ▁music ? ▁I ▁was ▁born ▁for ▁opera ▁buff a , ▁as ▁you ▁know ▁well . ▁A ▁little ▁technique , ▁a ▁little ▁heart , ▁that ' s ▁all . ▁Be ▁bl essed ▁then , ▁and ▁grant ▁me ▁Parad ise . ▁ ▁In flu ence ▁and ▁legacy ▁▁ ▁The ▁popular ity ▁of ▁Ross ini ' s ▁mel od ies ▁led ▁many ▁contemporary ▁virt u osi ▁to ▁create ▁piano ▁trans cri ptions ▁or ▁fant as ies ▁based ▁on ▁them . ▁Ex amples ▁include ▁Sig ism ond ▁Th al berg ' s ▁fant asy ▁on ▁them es ▁from ▁Mo ï se , ▁the ▁sets ▁of ▁variations ▁on ▁" Non ▁più ▁m esta " ▁from ▁La