. F . ▁Fischer ▁Johann ▁Cas par ▁Ferdinand ▁Fischer , ▁a ▁highly ▁influ ential ▁composer , ▁who ▁lived ▁a ▁generation ▁before ▁Bach , ▁also ▁" ado pt ed " ▁this ▁new ▁transformation ▁of ▁an ▁Aust rian / G erman ▁national ▁musical ▁style . ▁A ▁study ▁of ▁Fischer ▁is ▁outside ▁the ▁scope ▁of ▁the ▁topic ▁of ▁notes ▁in ég ales , ▁but ▁his ▁large ▁Cha conne ▁in ▁G ▁Major ▁– ▁a ▁copy ▁of ▁which ▁was ▁made ▁by ▁Pur cell ' s ▁teacher , ▁John ▁B low , ▁surely ▁not ▁a ▁coinc idence ▁– ▁is ▁written ▁sole ly ▁in ▁even ▁e ighth ▁notes ▁in ▁the ▁first ▁of ▁its ▁two ▁G ▁Major ▁sections ▁( as ▁well ▁as ▁the ▁Cha conne ▁dé nou ement ▁conclusion ). ▁Fischer ' s ▁Cha conne ▁greatly ▁res emb les ▁the ▁Cha con nes ▁of ▁Louis ▁Cou per in ▁and ▁Nicolas ▁Le ▁B è gue ▁in ▁key , ▁time ▁signature , ▁texture ▁and ▁affect , ▁both ▁of ▁whom ▁are ▁contemporary ▁to ▁L ul ly , ▁and ▁fully ▁qual ify ▁for ▁notes ▁in ég ales ▁treatment ▁of ▁the ▁even ly ▁not ated ▁e ighth ▁notes . ▁ ▁Fischer ' s ▁influence ▁on ▁J . S . ▁Bach ▁ ▁With ▁the ▁application ▁of ▁notes ▁in ég ales ▁to ▁the ▁even ly ▁not ated ▁e ighth ▁notes ▁in ▁the ▁Fischer , ▁the ▁work ▁even ▁more ▁comes ▁alive ▁as ▁the ▁French ▁dance ▁that ▁is ▁the ▁Cha conne . ▁Fischer ' s ▁collection ▁of ▁su ites ▁published ▁as ▁Musical ischer ▁Par n ass us ▁are ▁also ▁strongly