ü en eb aum ▁Gallery ▁that ▁year . ▁He ▁wrote , ▁" The ▁Str ucture ▁of ▁her ▁pictures ▁often ▁looks ▁quite ▁simple , ▁... ▁but ▁is ▁not ▁simple ▁at ▁all . ▁The ▁difficulty ▁and ▁complexity ▁have ▁been ▁ref ined ▁into ▁lean , ▁direct ▁gest ures ▁and ▁a ▁lyr ical , ▁concentr ated ▁economy ▁of ▁form ." ▁Of ▁a ▁solo ▁exhibition ▁in ▁ 1 9 8 9 , ▁when ▁she ▁was ▁ 8 5 ▁years ▁old , ▁a ▁critic ▁wrote ▁that ▁her ▁work ▁showed ▁the ▁vig or ▁of ▁a ▁person ▁ 3 0 ▁years ▁younger . ▁" Her ▁painting ," ▁he ▁wrote , ▁" is ▁a ▁bl end ▁of ▁real ism ▁and ▁fancy . ▁In ▁her ▁inter iors , ▁city sc apes , ▁land sc apes ▁and ▁port ra its , ▁some ▁colors ▁and ▁shapes ▁hover ▁and ▁run ; ▁others ▁asset ▁themselves ▁suddenly ▁and ▁then ▁stay ▁put , ▁fixing ▁space ▁in ▁a ▁way ▁that ▁is ▁rem in is cent ▁of ▁Bonn ard ▁and ▁Hof mann ." ▁ ▁Following ▁B ial a ' s ▁death ▁in ▁ 2 0 0 0 , ▁another ▁critic ▁said ▁of ▁her ▁paint ings ▁that ▁they ▁" se em ▁touched ▁by ▁a ▁t ough ▁ing enu ous ness ▁— ▁never ▁sentiment al ▁or ▁na ï ve , ▁but ▁slightly ▁nost alg ic ▁in ▁their ▁play ful ▁int im acy . ▁Su ff using ▁them ▁is ▁the ▁out look ▁of ▁a ▁painter ▁who ▁has ▁found ▁what ▁she ▁needs ▁and ▁knows ▁what ▁she ▁wants ▁to ▁do . ▁The ▁results ▁g low ▁with