▁Andy ▁B eta ▁of ▁P itch f ork , ▁the ▁frequencies ▁in ▁the ▁music ▁quickly ▁dist ort ▁into ▁four - on - the - floor ▁rh yth ms , ▁but ▁soon ▁under go ▁" per mut ations " ▁with ▁" har sh ▁power tools ▁bu zz " ▁surrounding ▁and ▁cutting ▁them . ▁He ▁compared ▁the ▁f ren zy ▁of ▁" cl ash ing ▁sounds " ▁to ▁Carl ▁St alling ▁cart o ons , ▁due ▁to ▁the ▁sound track ' s ▁preference ▁for ▁" the ▁most ▁abs urd ▁squ igg les , ▁rub ber y ▁y anks , ▁and ▁rh yth mic ▁ju xt ap os itions ▁possible ▁within ▁the ▁different ▁patch es ▁of ▁synth ▁sound ▁and ▁editing ▁capabilities ." ▁He ▁described ▁tracks ▁ 7 - 1 0 – the ▁longest ▁on ▁the ▁album – as ▁forming ▁the ▁" core " ▁of ▁the ▁sound track , ▁with ▁met all ic , ▁d ron ing ▁key boards ▁and ▁un ab ated ▁be ats . ▁Track ▁ 9 ▁features ▁an ▁ambient ▁style ▁with ▁T B - 3 0 3 ▁" squ ir ts ▁b asso ," ▁while ▁track ▁ 1 0 ▁features ▁no ises ▁and ▁processed ▁vocals ▁a kin ▁to ▁early ▁ 8 0 8 ▁State . ▁ ▁Album ▁release ▁and ▁reception ▁▁ ▁Despite ▁never ▁originally ▁receiving ▁its ▁own ▁release , ▁the ▁music ▁in ▁Euro tech no ▁proved ▁influ ential . ▁The ▁music ' s ▁t endency ▁to ▁er ad icate ▁recogn is able ▁patterns ▁after ▁a ▁brief ▁appearance ▁proved ▁influ ential ▁on ▁later ▁day ▁produ