▁ 1 9 1 0 . ▁She ▁worked ▁her ▁way ▁up ▁from ▁assistant ▁to ▁head ▁editor ▁of ▁the ▁department ▁in ▁just ▁four ▁months . ▁ ▁Vit agraph ▁was ▁known ▁for ▁its ▁exception al ▁scenario ▁department ▁and ▁the ▁efficiency ▁with ▁which ▁the ▁staff ▁read ▁and ▁approved ▁or ▁disc arded ▁potential ▁manuscript s . ▁Bre uil ▁herself ▁described ▁the ▁process ▁as ▁“ we eding - out ” ▁the ▁good ▁manuscript s ▁from ▁the ▁bad ▁in ▁an ▁article ▁she ▁wrote ▁for ▁Mov ing ▁Picture ▁World , ▁a ▁film ▁industry ▁magazine , ▁“ All ▁scripts ▁are ▁considered ▁the ▁day ▁they ▁arrive ▁( arr anging ▁in ▁numbers ▁from ▁sevent y - five ▁to ▁one ▁hundred ▁a ▁day ), ▁receiving ▁sound ▁judgment ▁from ▁two ▁well ▁trained ▁readers . ▁Those ▁that ▁are ▁de emed ▁worth while ▁are ▁submitted ▁to ▁the ▁editor .” ▁A ▁New ▁York ▁Times ▁article ▁confir ms ▁that ▁Vit agraph ▁received ▁up ▁to ▁ 5 0 0 ▁manuscript s ▁a ▁week , ▁which ▁all ▁went ▁to ▁the ▁department ▁head ed ▁by ▁Bre uil . ▁Some ▁cred ited ▁the ▁product ivity ▁of ▁this ▁department ▁to ▁Bre uil ▁herself , ▁by ▁describing ▁her ▁as ▁“ the ▁woman ▁who ▁organized ▁and ▁brought ▁to ▁a ▁point ▁of ▁great ▁efficiency ▁the ▁scenario ▁department ▁of ▁the ▁Vit agraph ▁Company ▁of ▁America .” ▁ ▁After ▁Vit agraph ▁ ▁After ▁Bre uil ▁quit ▁the ▁Vit agraph ▁Company , ▁she ▁worked ▁as ▁a ▁fre el ance ▁worker , ▁writing ▁scenarios ▁“ to ▁order .” ▁In ▁ 1 9 1 4 , ▁she ▁took ▁the ▁position ▁of ▁“