▁and ▁" a ▁little ▁sound ▁editing " ▁for ▁Minn ie ▁and ▁Mos kow itz . ▁Har wood ▁composed ▁po ign ant ▁music ▁for ▁Cass av etes ' s ▁following ▁three ▁films , ▁and ▁was ▁also ▁cred ited ▁as ▁" Sound " ▁for ▁two ▁of ▁them . ▁ ▁During ▁these ▁projects , ▁Har wood ▁wrote ▁several ▁songs , ▁some ▁with ▁Cass av etes . ▁ ▁During ▁his ▁work ▁with ▁Cass av etes , ▁Har wood ▁claimed ▁the ▁not or iously ▁un predict able ▁director ▁preferred ▁to ▁use ▁the ▁" scr atch ▁track " ▁version ▁of ▁his ▁compos itions , ▁rather ▁than ▁to ▁let ▁Har wood ▁ref ine ▁and ▁re - record ▁them ▁with ▁an ▁or chestra . ▁Some ▁of ▁these ▁scratch ▁tracks ▁were ▁recorded ▁in ▁Cass av etes ' s ▁office , ▁with ▁piano ▁or ▁guitar , ▁as ▁dem os , ▁and ▁then ▁eventually ▁ended ▁up ▁in ▁the ▁final ▁film . ▁While ▁this ▁matched ▁the ▁raw , ▁un pol ished ▁feel ▁that ▁marks ▁most ▁of ▁Cass av etes ' s ▁films , ▁Har wood ▁was ▁sometimes ▁surprised ▁and ▁embar rass ed . ▁ ▁The ▁relationship ▁between ▁Har wood ▁and ▁Cass av etes ▁ended ▁am ic ably . ▁ ▁When ▁asked ▁by ▁document arian ▁Michael ▁Vent ura ▁during ▁the ▁making ▁of ▁Cass av etes ' s ▁last ▁film ▁Love ▁Stream s , ▁what ▁he ▁had ▁learned ▁from ▁working ▁with ▁Cass av etes , ▁Har wood ▁replied : ▁I ▁learned ▁a ▁lot ▁through ▁John . ▁I ' ve ▁done ▁a ▁lot ▁of ▁editing ▁for ▁him .