s ▁original ▁design ▁and ▁includes ▁an ▁extensive ▁complex ▁of ▁farm ▁buildings , ▁which ▁are ▁not ▁part ▁of ▁the ▁actual ▁real isation . ▁ ▁This ▁early ▁work ▁by ▁P all ad io ▁still ▁demonstr ates ▁characteristics ▁of ▁the ▁architecture ▁of ▁his ▁time . ▁A ▁harm onic ▁unity ▁of ▁landscape ▁and ▁architecture ▁does ▁not ▁yet ▁seem ▁to ▁have ▁been ▁an ▁asp iration . ▁The ▁building ▁is ▁a ▁massive ▁block ▁consisting ▁of ▁three ▁distinct ▁parts . ▁The ▁public ▁space ▁of ▁the ▁reception ▁area ▁( the ▁s ala ) ▁is ▁clearly ▁distinguished ▁from ▁the ▁domestic ▁living ▁areas ▁and ▁the ▁ensemble ▁does ▁not ▁present ▁a ▁un ified ▁appearance . ▁The ▁flight ▁of ▁entrance ▁steps ▁is ▁fl ank ed ▁by ▁bal ust ers ▁and ▁its ▁width ▁corresponds ▁to ▁the ▁middle ▁arch ▁of ▁the ▁ar cade ▁of ▁the ▁log gia . ▁▁ ▁F res co es ▁▁ ▁The ▁interior ▁was ▁decor ated ▁with ▁ ▁fres co es ▁initially ▁by ▁G ual t iero ▁Pad ov ano , ▁and ▁later ▁by ▁Giovanni ▁Batt ista ▁Zel otti ▁and ▁Batt ista ▁del ▁Mor o . ▁Their ▁" H all ▁of ▁the ▁Mus es " ▁includes ▁dep ict ions ▁of ▁c ary at ids ▁within ▁a ▁composition ▁of ▁mus es ▁and ▁po ets ▁in ▁Arc ad ian ▁land sc apes . ▁Ru ins ▁of ▁a ▁Greek ▁temple ▁also ▁form ▁the ▁back drop ▁for ▁the ▁dep iction ▁of ▁Olymp ian ▁gods . ▁This ▁is ▁followed ▁by ▁symbols ▁of ▁peace ▁and ▁justice , ▁a ▁common ▁theme ▁in ▁Ven et ian ▁vill as ▁following ▁the ▁War ▁of