▁relative ▁bre vity ". ▁It ▁is ▁epis od ic , ▁emphas izing ▁a ▁desc ending ▁chrom atic ▁scale ▁mot if . ▁The ▁music ologist ▁T ad ashi ▁I so y ama ▁notes ▁" the ▁graph ically ▁chrom atic ▁phr ases ▁of ▁the ▁opening ▁sin f onia ▁and ▁the ▁following ▁ch orus ; ▁these ▁are ▁ev oc ative ▁of ▁the ▁suffering ▁of ▁the ▁world ". ▁ ▁The ▁following ▁sop rano ▁aria , ▁"" ▁( Y et ▁I ▁am ▁and ▁remain ▁content ), ▁is ▁also ▁brief ▁but ▁includes ▁significant ▁word ▁painting . ▁ ▁The ▁fourth ▁movement , ▁"" ▁( L ead ▁me ▁in ▁your ▁Tr uth ▁and ▁teach ▁me ), ▁is ▁another ▁short ▁and ▁epis od ic ▁ch orus , ▁divided ▁into ▁four ▁sections . ▁ ▁Mov ement ▁five , ▁"" ▁( C ed ars ▁must , ▁before ▁the ▁wind s , ▁often ▁feel ▁much ▁hard ship ), ▁is ▁one ▁of ▁only ▁a ▁hand ful ▁of ▁vocal ▁tri os ▁to ▁be ▁found ▁in ▁Bach ' s ▁o e uv re , ▁as ▁well ▁as ▁the ▁only ▁movement ▁in ▁the ▁cant ata ▁in ▁all ▁major . ▁I so y ama ▁writes : ▁" the ▁continu o ▁part ▁drives ▁the ▁music ▁forward ▁with ▁its ▁phrase ▁describing ▁the ▁tri als ▁of ▁the ▁storm w inds ". ▁ ▁The ▁pen ult imate ▁movement , ▁"", ▁features ▁a ▁" cel est ial ▁ha ze " ▁of ▁instruments ▁as ▁part ▁of ▁a ▁complex ▁texture . ▁It ▁is ▁in ▁binary ▁form ▁and ▁mod ul ates ▁from ▁D ▁major ▁through ▁B ▁minor ▁to