ed ▁in ▁the ▁industry . ▁One ▁industry ▁member ▁wrote ▁of ▁Bre uil ' s ▁short ▁ret irement ▁in ▁Mov ing ▁Picture ▁World , ▁“ [ Bre uil ] ▁has ▁worked ▁constantly ▁for ▁the ▁last ▁three ▁years ▁without ▁c ess ation ▁and ▁is ▁entitled ▁to ▁a ▁little ▁‘ lo af ing ▁time ’ ▁before ▁she ▁again ▁gets ▁into ▁the ▁traces .... ▁but ▁we ▁are ▁going ▁to ▁miss ▁Mrs . ▁Bre uil ” ▁ ▁In ▁response ▁to ▁criticism ▁of ▁female ▁script writ ers , ▁a ▁ 1 9 1 3 ▁article ▁listed ▁Bre uil ▁alongside ▁Ma ib elle ▁He ikes ▁Justice , ▁Het ty ▁Gray ▁Baker , ▁and ▁Gene ▁Ga unt ier ▁as ▁an ▁example ▁of ▁an ▁excellent ▁script writer . ▁The ▁author ▁c ites ▁Bre uil ▁as ▁having ▁completed ▁“ a ▁couple ▁hundred ▁stories ▁for ▁Vit agraph ” ▁and ▁as ▁“ do ing ▁splendid ly ▁as ▁a ▁free ▁lance .” ▁ ▁On ▁the ▁topic ▁of ▁her ▁own ▁work , ▁The ▁New ▁York ▁Times ▁wrote , ▁“ [ Bre uil ] ▁is ▁proud ▁of ▁the ▁fact ▁that ▁she ▁has ▁never ▁failed ▁to ▁produce ▁the ▁sort ▁of ▁story ▁asked ▁for , ▁and ▁[ she ] ▁regards ▁her ▁occupation ▁as ▁a ▁sort ▁of ▁war fare ▁w aged ▁against ▁her ▁imagination ▁and ▁her ▁original ity , ▁in ▁which ▁she ▁has ▁thus ▁far ▁been ▁triumph ant .” ▁Though ▁her ▁time ▁in ▁the ▁industry ▁was ▁somewhat ▁short , ▁Bre uil ▁was ▁considered ▁one ▁of ▁the ▁more ▁prominent ▁script writ ers ▁of ▁her ▁time , ▁having ▁been ▁cred ited ▁for ▁writing