▁in ▁New ▁York ▁and ▁Los ▁Angeles ▁such ▁as ▁Psych ed el ic ▁Sol utions ▁Gallery ▁in ▁Green wich ▁Village , ▁New ▁York ▁City ▁which ▁was ▁run ▁by ▁Jac ae ber ▁K ast or , ▁La ▁Lu z ▁de ▁Jesus ▁run ▁by ▁Billy ▁Sh ire ▁and ▁ 0 1 ▁gallery ▁in ▁Hollywood , ▁run ▁by ▁John ▁P och na . ▁The ▁movement ▁stead ily ▁grew ▁from ▁its ▁beginning , ▁with ▁hundreds ▁of ▁artists ▁adopt ing ▁this ▁style . ▁As ▁the ▁number ▁of ▁artists ▁grew , ▁so ▁did ▁the ▁number ▁of ▁gall eries ▁showing ▁Low brow . ▁In ▁ 1 9 9 2 ▁Greg ▁Es cal ante ▁helped ▁orch est rate ▁the ▁first ▁formal ▁gallery ▁exhibition ▁to ▁take ▁low ▁brow ▁art ▁seriously ; ▁painter ▁Anthony ▁Aus gang ’ s ▁solo ▁show ▁" Lo oney ▁V irt ues ” ▁at ▁the ▁Jul ie ▁Rico ▁Gallery ▁in ▁Santa ▁Mon ica . ▁The ▁B ess ▁C ut ler ▁Gallery ▁also ▁went ▁on ▁to ▁show ▁important ▁artists ▁and ▁helped ▁expand ▁the ▁kind ▁of ▁art ▁that ▁was ▁class ified ▁as ▁Low brow . ▁The ▁low brow ▁magazine ▁Ju xt ap oz , ▁launched ▁in ▁ 1 9 9 4 ▁by ▁Robert ▁Williams , ▁Greg ▁Es cal ante , ▁and ▁Eric ▁Sw enson , ▁has ▁been ▁a ▁main st ay ▁of ▁writing ▁on ▁low brow ▁art ▁and ▁has ▁helped ▁shape ▁and ▁expand ▁the ▁movement . ▁ ▁Writ ers ▁have ▁noted ▁that ▁there ▁are ▁now ▁dist in ctions ▁to ▁be ▁drawn ▁between ▁how ▁low brow ▁manifest s ▁itself ▁in ▁different ▁regions ▁and