ov ▁Church ▁where ▁he ▁also ▁created ▁the ▁organ ▁gallery . ▁Like ▁the ▁pul p its ▁in ▁N yk ø bing ▁( 1 6 4 0 ) ▁and ▁St ub bek ø bing ▁( 1 6 3 4 ), ▁it ▁was ▁paid ▁for ▁by ▁local ▁mer ch ants ▁and ▁their ▁families . ▁His ▁b ills ▁show ▁that ▁in ▁ 1 6 3 1 ▁he ▁was ▁living ▁in ▁Mar ib o ▁while ▁in ▁ 1 6 3 7 ▁and ▁ 1 6 4 0 ▁he ▁was ▁in ▁Nak sk ov . ▁His ▁work ▁compr ises ▁ 2 3 ▁pul p its ▁and ▁eight ▁alt arp ie ces ▁which , ▁apart ▁from ▁his ▁pul p its ▁in ▁O ks b ø l ▁and ▁Nord borg ▁on ▁the ▁island ▁of ▁Als , ▁are ▁all ▁to ▁be ▁found ▁on ▁L ol land ▁or , ▁in ▁particular , ▁on ▁Fal ster . ▁He ▁often ▁created ▁an ▁alt arp ie ce ▁and ▁a ▁pul pit ▁for ▁the ▁same ▁church . ▁ ▁Style ▁ ▁Ring nis ▁work ▁can ▁be ▁recognized ▁by ▁his ▁elaborate ▁aur icular ▁style ▁in ▁a ▁high ▁Renaissance ▁framework . ▁His ▁older ▁pul p its ▁have ▁relief s ▁with ▁scenes ▁from ▁the ▁Old ▁and ▁New ▁Test aments , ▁similar ▁to ▁those ▁of ▁R inger in ck , ▁but ▁starting ▁with ▁the ▁Ki pping e ▁pul pit ▁( 1 6 3 1 ), ▁they ▁are ▁replaced ▁by ▁the ▁figures ▁of ▁the ▁Evangel ists . ▁The ▁quality ▁and ▁nature ▁of ▁Ring nis ' ▁work ▁remained ▁constant ▁throughout ▁his ▁practice ▁over ▁a