ages ▁the ▁fe at ▁of ▁being ▁the ▁gro ovi est ▁dance ▁track ▁L ope z ▁has ▁released ▁since ▁J . Los ▁' Play ' ." ▁In ▁a ▁mixed ▁review , ▁Commons ens em edia ' s ▁Kath i ▁K amen ▁Gold mark ▁said ▁the ▁song , ▁" per col ates ▁with ▁man ic ▁horn ▁r iffs ▁and ▁the ▁kind ▁of ▁inf ect ious ▁energy ▁that ▁makes ▁thin ▁vocals ▁irrelevant ." ▁ ▁Sal ▁Cin qu em ani ▁of ▁Sl ant ▁Magazine ▁agreed , ▁while ▁critic izing ▁her ▁voice , ▁said ▁the ▁" in cess ant ▁M ace o ▁Parker ▁horn ▁loop ▁of ▁' Get ▁Right ' ▁is ▁ob no x ious ▁at ▁best ". ▁Although ▁also ▁critic izing ▁L ope z ' s ▁vocals , ▁Nathan ▁Rab in ▁of ▁The ▁A . V . ▁Club ▁club ▁wrote : ▁" L ope z ' s ▁exception ally ▁thin ▁voice ▁hasn ' t ▁stopped ▁her ▁from ▁c ran king ▁out ▁a ▁steady ▁stream ▁of ▁pop ▁hits , ▁which ▁continues ▁with ▁" Get ▁Right ," ▁the ▁mad den ingly ▁catch y ▁first ▁single ▁from ▁her ▁new ▁Reb irth . ▁More ▁than ▁any ▁of ▁her ▁other ▁sm ash es , ▁the ▁song ▁illustr ates ▁just ▁how ▁irrelevant ▁L ope z ' s ▁cro oning ▁is ▁to ▁her ▁chart ▁success : ▁Produ cers ▁Rich ▁Harrison ▁and ▁C ory ▁Ro oney ▁could ▁easily ▁s lip ▁L ope z ' s ▁whisper ▁of ▁a ▁vocal ▁out ▁of ▁the ▁mix , ▁leaving ▁just ▁fun ky ▁drum ming ▁and ▁fur ious , ▁st