ament ation , ▁especially ▁when ▁there ▁is ▁no ▁obvious ▁indic ation . ▁His ▁extremely ▁detailed ▁cod ification ▁of ▁notes ▁in ég ales ▁and ▁the ▁L ull ist ▁performance ▁practices , ▁and ▁in ▁practical ▁combination ▁with ▁his ▁su ites , ▁and ▁including ▁further ▁exp lication ▁by ▁explicit ▁half ▁encoded / half ▁written ▁out ▁solutions ▁to ▁demonstrate ▁the ▁correct ▁and ▁appropriate ▁application ▁of ▁notes ▁in ég ales ▁in ▁the ▁Prem iere ▁suite ▁of ▁the ▁Flor ile g ium ▁Sec und um , ▁would ▁achieve ▁a ▁clar ity ▁of ▁understanding ▁the ▁rh yth mic ▁alter ation ▁procedure ▁of ▁notes ▁in ég ales ▁to ▁a ▁huge ▁musical ▁circle ▁beyond ▁his ▁personal ▁scope ▁and ▁of ▁his ▁musical ▁circle ▁which ▁included ▁his ▁colle ague ▁Heinrich ▁Ign az ▁Franz ▁Bi ber ' s ▁world ▁in ▁ 1 7 th ▁century ▁Sal zburg , ▁Austria . ▁ ▁Henry ▁Pur cell ▁In ▁England , ▁style ▁Frances e ▁was ▁deliber ately ▁introduced ▁in ▁the ▁ 1 7 th ▁century ▁by ▁order ▁of ▁the ▁King , ▁sending ▁a ▁ 1 4 - year - old ▁exception ally ▁tal ented ▁ch or ister ▁and ▁composer , ▁the ▁young ▁Henry ▁Pur cell , ▁to ▁the ▁L ull ist ▁court ▁to ▁study ▁and ▁master ▁the ▁style ▁of ▁L ul ly ▁and ▁the ▁L ull ist ▁or chestra ▁" Ch ap el ▁Royal " ▁which ▁had ▁become ▁famous ▁throughout ▁Europe , ▁after ▁which ▁Pur cell ▁was ▁to ▁return ▁to ▁England ▁to ▁form ▁an ▁English ▁version ▁of ▁the ▁Chap el ▁Royal . ▁Pur cell ' s ▁orch est ral