' ▁recording ▁sessions , ▁and ▁returned ▁to ▁Los ▁Angeles ▁to ▁final ize ▁their ▁material . ▁C yrus ▁also ▁collabor ated ▁with ▁the ▁production ▁team ▁Rock ▁M af ia , ▁consisting ▁of ▁Anton ina ▁Arm ato ▁and ▁Tim ▁James ; ▁they ▁not ably ▁produced ▁her ▁earlier ▁singles ▁" See ▁You ▁Again " ▁and ▁" 7 ▁Things " ▁from ▁her ▁first ▁and ▁second ▁studio ▁albums ▁Me et ▁M iley ▁C yrus ▁( 2 0 0 7 ) ▁and ▁Break out ▁( 2 0 0 8 ), ▁respectively . ▁C yrus ▁stated ▁that ▁Can ' t ▁Be ▁T amed ▁contained ▁a ▁variety ▁of ▁dance ▁be ats ▁and ▁synth s , ▁but ▁believed ▁that ▁its ▁sound ▁was ▁secondary ▁to ▁the ▁personal ▁lyr ics ▁there in . ▁ ▁Release ▁and ▁art work ▁In ▁February ▁ 2 0 1 0 , ▁C yrus ▁announced ▁that ▁her ▁then - unt itled ▁third ▁studio ▁album ▁would ▁be ▁released ▁later ▁that ▁summer , ▁which ▁she ▁felt ▁was ▁appropriate ▁because ▁it ▁is ▁" good ▁to ▁bl ast ▁in ▁your ▁car ." ▁Later ▁that ▁April , ▁it ▁was ▁announced ▁that ▁the ▁record ▁would ▁be ▁titled ▁Can ' t ▁Be ▁T amed , ▁and ▁would ▁be ▁released ▁on ▁June ▁ 2 2 , ▁ 2 0 1 0 ▁in ▁the ▁United ▁States . ▁Con sequently , ▁it ▁became ▁the ▁first ▁project ▁from ▁Hollywood ▁Records ▁to ▁be ▁released ▁under ▁the ▁" day - and - date " ▁format , ▁which ▁allowed ▁the ▁project ▁to ▁be ▁released ▁nearly ▁simultaneously ▁world wide ▁instead ▁of ▁tradition ally ▁" st