ended ▁into ▁its ▁surr ound ings ▁and ▁from ▁the ▁outside ▁looked ▁like ▁an ▁old , ▁abandoned ▁store front ▁with ▁no ▁outside ▁sign age ▁among ▁other ▁similarly ▁vac ant ▁buildings . ▁The ▁inside ▁of ▁the ▁space ▁was ▁rem in is cent ▁of ▁a ▁w are house ▁- ▁high ▁ce il ings ▁and ▁open ▁space . ▁ ▁Jim ▁Haw kins ▁originally ▁designed ▁the ▁main ▁recording ▁studio , ▁ ▁and ▁a ▁red es ign ▁followed ▁in ▁ 1 9 7 2 ▁by ▁Tom ▁H id ley . ▁According ▁to ▁doc ents ▁at ▁the ▁Mer cer ▁Music ▁at ▁Cap ric orn , ▁the ▁H id ley ▁red es ign ▁changed ▁the ▁studio ▁walls ▁from ▁sound proof ▁t iles ▁to ▁walls ▁with ▁a ▁fabric - cover ed ▁upper ▁half ▁and ▁a ▁stone ▁and ▁wood ▁bottom ▁half . ▁St ri ps ▁of ▁ced ar ▁sh ing les ▁placed ▁strateg ically ▁throughout ▁the ▁room ▁covered ▁lights ▁and ▁further ▁diff used ▁sound . ▁Four ▁echo ▁ch amb ers ▁built ▁under ▁the ▁studio ▁connected ▁directly ▁to ▁the ▁control ▁room ▁to ▁create ▁popular ▁vocal ▁and ▁instrument al ▁echo ▁effects . ▁ ▁Mus icians ▁fond ly ▁remember ▁the ▁atmosphere ▁of ▁the ▁studio ▁referring ▁to ▁it ▁as ▁“ home ” ▁or ▁re collect ing ▁that ▁anything ▁could ▁happen ▁or ▁anyone ▁could ▁stop ▁by . ▁El vin ▁Bishop ▁called ▁Cap ric orn ▁Records ▁“ the ▁only ▁thing ▁happening ▁in ▁town ▁that ▁was ▁different ▁from ▁anything ▁in ▁a ▁thousand ▁other ▁towns ▁around ▁the ▁South ▁at ▁the ▁time .” ▁ ▁Wal den ▁planned ▁to ▁model ▁the ▁studio ▁after