ley ▁sl ather ing ▁on ▁the ▁sch mal z ▁in ▁" De in ▁ist ▁me in ▁ganz es ▁Herz ". ▁Maria ▁E wing ▁" y ow led " ▁G ers h win ' s ▁" My ▁man ' s ▁gone ▁now " ▁with ▁her ▁hands ▁rather ▁odd ly ▁thrust ▁into ▁her ▁po ckets . ▁K iri ▁Te ▁Kan awa ' s ▁h oney ed ▁performance ▁of ▁an ▁aria ▁from ▁Don ▁Giovanni ▁was ▁accompanied ▁by ▁" com ic - v amp ▁rout ines ". ▁Gh ena ▁Dim it ro va , ▁Franco ▁Far ina ▁and ▁Juan ▁P ons ▁sang ▁a ▁tri o ▁from ▁Un ▁bal lo ▁in ▁mas ch era ▁as ▁though ▁working ▁in ▁some ▁theatre ▁in ▁the ▁provinces . ▁ ▁Ren ée ▁F lem ing ▁provided ▁the ▁most ▁beautiful ▁vocal ism ▁of ▁the ▁entire ▁concert ▁in ▁her ▁ex cer pts ▁from ▁Louise ▁and ▁Der ▁Ros enk aval ier . ▁James ▁Morris , ▁on ▁the ▁other ▁hand , ▁raised ▁concerns ▁for ▁the ▁health ▁of ▁his ▁voice ▁by ▁the ▁way ▁in ▁which ▁he ▁delivered ▁W ot an ' s ▁F are well ▁in ▁his ▁" f ray ing ▁b asso ". ▁James ▁Lev ine ' s ▁guidance ▁of ▁his ▁excellent ▁or chestra ▁was ▁" sym path etic ▁if ▁sometimes ▁loud ▁and ▁sometimes ▁inf lex ible ". ▁ ▁Neil ▁Cr ory ▁review ed ▁the ▁g ala ▁on ▁Las erd isc ▁in ▁the ▁Fall ▁ 1 9 9 7 ▁issue ▁of ▁Opera ▁Canada . ▁It ▁was , ▁he ▁wrote , ▁" the ▁g ala - to -