▁and ▁Germany . ▁ ▁J . S . ▁Bach ▁fam ously ▁im itated ▁the ▁style ▁in ▁Cont rap unct us ▁II ▁from ▁the ▁Art ▁of ▁F ug ue ; ▁however , ▁in ▁this ▁piece ▁the ▁notes ▁in ég ales ▁are ▁written ▁out ▁as ▁d otted ▁rh yth ms . ▁ ▁But ▁in ▁Cont rap unct us ▁VI , ▁fully ▁emb rac ing ▁notes ▁in ég ales , ▁a ▁composition ▁written ▁in ▁the ▁complex ▁texture ▁of ▁the ▁" O u vert ure ", ▁in ▁St ile ▁francese , ▁Bach ▁uses ▁" the ▁d otted ▁style " ▁in ▁augment ation , ▁and ▁writes ▁out ▁the ▁notes ▁in ég ales ▁although ▁many ▁treat ises ▁describe ▁the ▁assim ilation ▁of ▁up be at ▁notes ▁to ▁have ▁the ▁slower ▁rh yth ms ▁become ▁" in ▁sync " ▁with ▁the ▁shorter ▁notes ▁of ▁the ▁fast ▁up be at ▁note ▁groups , ▁as ▁well ▁as ▁the ▁" short " ▁notes ▁of ▁the ▁in ég ales ▁pairs . ▁ ▁And ▁perhaps ▁most ▁significantly , ▁in ▁Cont rap unct us ▁ 1 6 ▁– ▁actually ▁two ▁F ug ues ▁one ▁normal ▁and ▁its ▁pair ▁in ▁mirror ▁in version , ▁the ▁notes ▁in ég ales ▁are ▁written ▁out ▁in ▁a ▁texture ▁of ▁running ▁triple ts , ▁showing ▁the ▁varying ▁value ▁of ▁the ▁dot , ▁as ▁well ▁as ▁the ▁varying ▁" swing " ▁of ▁notes ▁in ég ales . ▁And ▁it ▁is ▁of ▁interest ▁to ▁note ▁that ▁in ▁the ▁keyboard ▁arrang ements ▁of ▁this ▁work , ▁the ▁notes ▁in ég ales ▁are ▁not ▁written