▁Kon ishi ▁should ▁ce ase ▁purs uing ▁such ▁in effect ive ▁techniques . ▁ ▁Kon ishi ▁created ▁a ▁k ata ▁he ▁named ▁Tai ▁Sab aki ▁( “ body ▁movement ” ). ▁A ▁notable ▁difference ▁from ▁most ▁kar ate ▁k ata ▁was ▁that ▁it ▁was ▁an ▁un bro ken ▁sequence ▁of ▁actions . ▁Mor ihe i ▁U es hib a ▁remarked , ▁" The ▁demonstr ation ▁you ▁did ▁just ▁now ▁was ▁satisf actory ▁to ▁me ▁and ▁that ▁k ata ▁is ▁worth ▁master ing ." ▁Kon ishi ▁would ▁later ▁develop ▁two ▁more ▁forms ▁based ▁on ▁the ▁same ▁principles , ▁and ▁he ▁named ▁these ▁three ▁k ata ▁Tai ▁Sab aki ▁Sh od an , ▁Tai ▁Sab aki ▁N idan ▁and ▁Tai ▁Sab aki ▁Sand an . ▁ ▁Se iry u ▁( 青 <0xE6> <0x9F> <0xB3> ) ▁K ata ▁▁ ▁During ▁the ▁ 1 9 3 0 s , ▁the ▁Japanese ▁government ▁was ▁largely ▁controlled ▁by ▁the ▁military , ▁and ▁around ▁ 1 9 3 5 , ▁the ▁command ing ▁general ▁of ▁the ▁Imperial ▁Japanese ▁Army ▁approached ▁Kon ishi ▁and ▁asked ▁him ▁to ▁develop ▁self - def ense ▁techniques ▁for ▁women ▁serving ▁in ▁the ▁Japanese ▁Government ▁Rail ways . ▁At ▁the ▁time , ▁Kon ishi , ▁U es hib a , ▁M ab uni ▁and ▁O ht su ka ▁were ▁training ▁together ▁almost ▁every ▁day , ▁and ▁Kon ishi ▁asked ▁M ab uni ▁to ▁work ▁with ▁him ▁on ▁deliver ing ▁what ▁the ▁government ▁had ▁requested . ▁ ▁T ogether , ▁the ▁two ▁men ▁developed ▁a ▁k ata