6 a ▁in ▁his ▁review ▁of ▁Moz art ' s ▁early ▁sym phon ies ▁because ▁most ▁exper ts ▁did ▁not ▁consider ▁it ▁authentic ▁Moz art . ▁Vol ker ▁Sch er li ess ▁stated ▁that ▁after ▁long ▁and ▁int ensive ▁discussion , ▁Moz art ▁exper ts ▁have ▁agreed ▁that ▁the ▁" O den se " ▁sym phony ▁cannot ▁be ▁considered ▁a ▁work ▁of ▁Moz art ▁in ▁both ▁tradition ▁and ▁style . ▁ ▁De leted ▁movement ▁once ▁thought ▁to ▁be ▁for ▁this ▁sym phony ▁ ▁On ▁the ▁back ▁of ▁the ▁fourth ▁page ▁of ▁the ▁aut ograph ▁of ▁the ▁Wind ▁Di vert imento ▁in ▁B ▁major , ▁K . ▁ 1 8 6 / 1 5 9 b , ▁there ▁are ▁ 1 6 ▁crossed - out ▁bars ▁for ▁strings , ▁ 2 ▁ob o es ▁and ▁ 2 ▁horn s . ▁Alfred ▁Ein stein , ▁in ▁his ▁edition ▁of ▁the ▁Kö ch el ▁catalog ue , ▁thought ▁this ▁was ▁an ▁And ante ▁in ▁E ▁major ▁belonging ▁to ▁a ▁sym phony ▁written ▁much ▁earlier , ▁perhaps ▁to ▁the ▁( then ▁und isc over ed ) ▁K . ▁ 1 6 a . ▁The ▁sixth ▁edition ▁of ▁the ▁Kö ch el ▁catalog ue ▁largely ▁repeated ▁this , ▁but ▁re word ed ▁it ▁to ▁imply ▁that ▁the ▁association ▁remained ▁uncertain . ▁ ▁Wolfgang ▁Pl ath ▁dated ▁the ▁di vert imento ▁to ▁ 1 7 7 2 , ▁but ▁the ▁ 1 6 ▁bars ▁to ▁ 1 7 6 5 ▁or ▁ 1 7 6 6 ▁based ▁on ▁the