▁a ▁few ▁people ▁who ▁could ▁understand ▁German , ▁and ▁they ▁would ▁laugh ▁at ▁the ▁spoken ▁j okes ▁in ▁the ▁film . ▁Every body ▁else ▁got ▁anno yed ▁because ▁they ▁thought ▁they ▁were ▁missing ▁something ▁[...] ▁ ▁Using ▁a ▁M ovi ola , ▁Wein berg ▁then ▁began ▁to ▁super im pose ▁titles ▁over ▁the ▁moving ▁images ▁of ▁the ▁film : ▁ ▁At ▁the ▁beginning , ▁I ▁was ▁very ▁c aut ious ▁and ▁super im posed ▁hardly ▁more ▁than ▁ 2 5 ▁or ▁ 3 0 ▁titles ▁to ▁a ▁ten - min ute ▁re el ... Then ▁I ' d ▁go ▁into ▁the ▁theatre ▁during ▁a ▁showing ▁to ▁watch ▁the ▁audience ' s ▁faces , ▁to ▁see ▁how ▁they ▁react ed ▁to ▁the ▁titles . ▁I ' d ▁wonder ed ▁if ▁they ▁were ▁going ▁to ▁drop ▁their ▁heads ▁slightly ▁to ▁read ▁the ▁titles ▁at ▁the ▁bottom ▁of ▁the ▁screen ▁and ▁then ▁raise ▁them ▁again ▁after ▁they ▁read ▁the ▁titles ▁[...] ▁but ▁I ▁didn ' t ▁have ▁wor ried ▁[...] ▁they ▁didn ' t ▁drop ▁their ▁heads , ▁they ▁merely ▁dropped ▁their ▁eyes , ▁I ▁noticed . ▁ ▁Wein berg ▁went ▁on ▁to ▁translate ▁films ▁from ▁a ▁number ▁of ▁languages , ▁including ▁some ▁languages ▁he ▁did ▁not ▁know , ▁and ▁for ▁which ▁he ▁was ▁obliged ▁to ▁work ▁from ▁a ▁literal ▁translation . ▁He ▁subt itled ▁films ▁from ▁German , ▁French , ▁Italian , ▁Spanish , ▁Hung arian , ▁Greek , ▁Czech oslov ak , ▁Swedish , ▁Japanese , ▁Finn ish ▁and ▁H indi . ▁ ▁Life