ic ▁nor ▁a ▁fair y ▁tale , ▁and ▁yet ▁a ▁rural ▁poetry , ▁or ▁rather ▁a ▁ple be ian ▁poetry ▁[...] ▁of ▁great ▁pl astic ▁vig or , ▁its ▁voc ab ul ary ▁cruel ▁to ▁the ▁br ink ▁of ▁vul gar ity ▁and ▁u g lin ess , ▁but ▁authentic ". ▁According ▁to ▁C . ▁D . ▁Ze letin , ▁Cre v edia ▁had ▁a ▁" r ural ▁ob session ", ▁but ▁actually ▁dis lik ed ▁Roman ian ▁fol kl ore ; ▁behind ▁the ▁" im pression ▁of ▁ag gress iveness ▁and ▁primit iv ism ", ▁he ▁was ▁secret ly ▁inspired ▁by ▁Arg he zi ' s ▁more ▁cultiv ated ▁and ▁urban ite ▁literature . ▁Ze letin ▁pra ised ▁in ▁particular ▁Cre v edia ' s ▁use ▁of ▁all iter ation ▁and ▁experiments ▁with ▁po etic ▁language , ▁arg uing ▁that ▁they ▁render ▁a ▁" s avant ▁charm ". ▁C ă lines cu ▁also ▁noted ▁that ▁Cre v edia ' s ▁po etic ▁hom age ▁to ▁his ▁father ▁as ▁a ▁man ▁" se em ingly ▁made ▁from ▁st umps ▁and ▁soil ", ▁had ▁" a ▁certain ▁x y log raph ic ▁vig or "; ▁Lov ines cu ▁also ▁called ▁it ▁an ▁" ad mi rable ▁wood cut ". ▁C ă lines cu ▁identified ▁even ▁" p urer ▁v ibr ations " ▁in ▁st anz as ▁such ▁as : ▁ ▁Pro se ▁According ▁to ▁rev iewer ▁Sil vi u ▁Bar de ș , ▁Cre v edia ' s ▁ten ▁sketch es ▁in ▁Bac ala