▁of ▁the ▁movie , ▁saying ▁that ▁"[ i ] t ’ s ▁OK ▁to ▁go ▁into ▁these ▁woods ▁because ▁there ’ s ▁not ▁much ▁to ▁get ▁sp ook ed ▁by ▁in ▁The ▁Forest , ▁unless ▁you ’ re ▁cre ep ed ▁out ▁by ▁the ▁occas ional ▁Japanese ▁school g irl ." ▁Compar ing ▁the ▁film ▁to ▁some ▁of ▁its ▁pe ers , ▁he ▁wrote ▁the ▁movie ▁is ▁" def initely ▁a ▁step ▁up ▁from ▁sc ream ing ▁te en agers ▁and ▁some ▁gu y ▁running ▁through ▁trees ▁with ▁a ▁ch ains aw ," ▁but ▁expressed ▁disappoint ment ▁that ▁the ▁" film ▁never ▁makes ▁the ▁most ▁of ▁its ▁conce it ." ▁ ▁Peter ▁Ke ough ▁of ▁The ▁Boston ▁Glo be ▁zero ed ▁in ▁on ▁the ▁writing ▁as ▁a ▁source ▁of ▁fault , ▁while ▁appro ving ▁of ▁the ▁acting ▁and ▁direct ing , ▁writing ▁that ▁" Z ada ▁gets ▁cred ible ▁performances ▁from ▁D orm er ▁and ▁Kin ney , ▁but ▁their ▁characters ▁under go ▁such ▁unlikely ▁psych ological ▁cont ort ions ▁that ▁these ▁efforts ▁are ▁to ▁no ▁avail ." ▁He ▁echo ed ▁the ▁compla ints ▁of ▁most ▁critics , ▁saying ▁" H ad ▁Z ada ▁st rayed ▁more ▁from ▁the ▁generic ▁path ▁into ▁such ▁unknown ▁territory , ▁The ▁Forest ▁might ▁have ▁had ▁genu ine ▁depth ▁and ▁darkness ." ▁ ▁Al onso ▁D ural de , ▁writing ▁for ▁The W rap , ▁vo iced ▁these ▁g ri pes ▁as ▁well , ▁fault ing ▁the ▁writing ▁in ▁saying , ▁" By ▁the ▁time ▁screen writ ers