▁th era pe ut ic ▁process ▁which ▁Hill man ▁calls ▁" s oul ▁making " ▁takes ▁place . ▁Hill man ▁equ ates ▁the ▁ps y che ▁with ▁the ▁soul ▁and ▁see ks ▁to ▁set ▁out ▁a ▁psych ology ▁based ▁without ▁shame ▁in ▁art ▁and ▁culture . ▁The ▁goal ▁is ▁to ▁draw ▁soul ▁into ▁the ▁world ▁via ▁the ▁cre ative ▁acts ▁of ▁the ▁individual , ▁not ▁to ▁exclude ▁it ▁in ▁the ▁name ▁of ▁social ▁order . ▁The ▁potential ▁for ▁soul making ▁is ▁revealed ▁by ▁psych ic ▁images ▁to ▁which ▁a ▁person ▁is ▁drawn ▁and ▁app reh ends ▁in ▁a ▁meaning ful ▁way . ▁Indeed , ▁the ▁act ▁of ▁being ▁drawn ▁to ▁and ▁looking ▁deeper ▁at ▁the ▁images ▁presented ▁creates ▁meaning ▁– ▁that ▁is , ▁soul . ▁Further ▁to ▁Hill man ' s ▁project ▁is ▁a ▁sense ▁of ▁the ▁dream ▁as ▁the ▁basic ▁model ▁of ▁the ▁ps y che . ▁ ▁This ▁is ▁set ▁out ▁more ▁fully ▁in ▁The ▁Dream ▁and ▁the ▁Under world ▁( 1 9 7 9 ). ▁In ▁this ▁text ▁Hill man ▁suggests ▁that ▁dream s ▁show ▁us ▁as ▁we ▁are ; ▁diverse , ▁taking ▁very ▁different ▁roles , ▁experien cing ▁fragments ▁of ▁meaning ▁that ▁are ▁always ▁on ▁the ▁tip ▁of ▁conscious ness . ▁They ▁also ▁place ▁us ▁inside ▁images , ▁rather ▁than ▁placing ▁images ▁inside ▁us . ▁This ▁move ▁turns ▁traditional ▁ep ist em ology ▁on ▁its ▁head . ▁The ▁source ▁of ▁knowing ▁is ▁not ▁Des cart es ' ▁" I " ▁but , ▁rather , ▁there ▁is ▁a ▁world ▁full