▁and ▁cinemat ograph er ▁knew ▁that ▁they ▁needed ▁to ▁" create " ▁a ▁feel ▁and ▁look ▁for ▁" p unk ". ▁The ▁cinemat ography ▁in ▁Li qu id ▁Sky ▁is ▁a ▁form ▁of ▁expression ism . ▁The ▁film ▁was ▁shot ▁to ▁make ▁you ▁feel ▁the ▁emot ions ▁of ▁the ▁characters , ▁expressed ▁through ▁powerful ▁light , ▁colors , ▁contrast , ▁composition , ▁and ▁movement . ▁The ▁reality ▁of ▁the ▁cinemat ography ▁is ▁a ▁world ▁expressed ▁and ▁painted ▁with ▁em otion ▁rather ▁so ▁much ▁rather ▁than ▁practical ity . ▁All ▁three ▁department ▁heads ▁were ▁successful ▁film m akers ▁from ▁the ▁USS R ▁who ▁became ▁film making ▁in ▁their ▁te en age ▁years . ▁The ▁cinemat ography ▁was ▁well ▁received ▁by ▁the ▁community ▁and ▁film m akers . ▁In ▁a ▁ 1 9 8 4 ▁February ▁issue ▁of ▁American ▁Cin emat ograph er , ▁review ers ▁of ▁Li qu id ▁Sky ▁cinemat ography ▁were ▁quoted ▁as ▁saying ▁it ▁is ▁" the ▁picture ' s ▁asset " ▁and ▁" On ▁its ▁simplest ▁level , ▁it ▁could ▁be ▁just ▁as ▁satisfying ▁to ▁be ▁watched ▁with ▁its ▁sound ▁off , ▁as ▁a ▁spect ac ular ▁work ▁of ▁moving ▁art ." ▁The ▁magazine ▁would ▁go ▁as ▁far ▁as ▁to ▁comment ▁" New ▁York ▁has ▁never ▁been ▁photograph ed ▁better ▁before ." ▁▁ ▁As pect ▁Rat io : ▁ 1 : 8 5 ▁▁▁ 3 5 mm ▁Film ▁ ▁( 4 K ▁Master ▁Rest ore ▁to ▁Digital ▁in ▁ 2 0 1 7 ) ▁ ▁Sound ▁Design ▁ ▁To ▁create