▁and ▁moon light ▁being ▁the ▁only ▁true ▁source ▁of ▁light ▁on ▁that ▁road , ▁in ▁which ▁he ▁explained , ▁" So ▁we ▁used ▁b ounced ▁H MI ' s , ▁and ▁it ▁bal anced ▁out ▁nicely . ▁We ▁used ▁some ▁day - for - night ▁driving ▁sh ots ▁at ▁d usk , ▁and ▁could ▁have ▁benef ited ▁from ▁an ▁Alex a ▁for ▁PO V ' s . ▁But ▁shooting ▁with ▁the ▁actors ▁at ▁night ▁[ in ▁a ▁process ▁car ] ▁on ▁film ▁was ▁so ▁much ▁fun . ▁We ▁only ▁had ▁one ▁B eb ee ▁[ light ] ." ▁Stone ▁made ▁compar isons ▁to ▁M ud ▁( 2 0 1 2 ) ▁in ▁which ▁he ▁had ▁at ▁least ▁five ▁film ▁stock s ▁to ▁choose ▁from ▁– ▁ 5 0 D ▁to ▁ 2 5 0 D , ▁ 1 0 0 ▁to ▁ 5 0 0 ▁t ung sten ▁and ▁a ▁Fu ji ▁ 5 0 0 ▁Day light , ▁whereas ▁L oving ▁shot ▁with ▁V ision ▁ 3 ▁ 5 0 0 T ▁and ▁ 2 5 0 D , ▁in ▁which ▁he ▁states , ▁" That ' s ▁pretty ▁much ▁all ▁that ' s ▁left ▁now ad ays , ▁for ▁better ▁or ▁worse . ▁Of ▁course ▁the ▁V ision ▁stock ▁is ▁so ▁well ▁put ▁together , ▁you ▁could ▁shoot ▁everything ▁on ▁ 5 0 0 T ▁and ▁it ▁would ▁still ▁hold ▁up ▁great ." ▁On ▁why ▁he ▁pre fers ▁using ▁film , ▁as ▁well ▁as ▁using ▁it ▁on ▁L oving , ▁Stone