▁em otion ▁and ▁passion ▁which ▁are ▁expressed ▁in ▁common ▁with ▁the ▁descri ptions ▁of ▁them . ▁There ▁is ▁an ▁appropriate ▁object ▁for ▁every ▁sh ade ▁of ▁feeling , ▁from ▁the ▁light ▁touch ▁of ▁passing ▁adm iration ▁to ▁the ▁triumph ant ▁mad ness ▁of ▁soul ▁and ▁sense , ▁or ▁the ▁deep ▁and ▁ever last ing ▁an gu ish ▁of ▁surv iv or ship ." ▁A ▁review ▁by ▁a ▁" Pro f essor ▁Ly all " ▁in ▁ 1 8 7 8 ▁arg ues , ▁" As ▁descript ive ▁poetry , ▁and ▁for ▁that ▁feature ▁of ▁real istic ▁description ▁so ▁characteristic ▁of ▁T enn ys on ' s ▁muse , ▁' Mar iana ' ▁has , ▁perhaps , ▁not ▁been ▁sur pass ed ▁even ▁by ▁him ." ▁ ▁Harold ▁Nicol son , ▁in ▁ 1 9 2 3 , ▁viewed ▁the ▁dre ar iness ▁of ▁" Mar iana " ▁and ▁T enn ys on ' s ▁other ▁early ▁works ▁as ▁an ▁aspect ▁that ▁makes ▁the ▁early ▁works ▁better ▁than ▁his ▁later ▁works . ▁In ▁T . ▁S . ▁Eli ot ' s ▁ 1 9 3 6 ▁Ess ays ▁An cient ▁and ▁Modern , ▁he ▁pra ises ▁T enn ys on ' s ▁ability ▁to ▁represent ▁the ▁visual , ▁tact ile , ▁aud itory , ▁and ▁ol factory ▁aspects ▁of ▁the ▁scene . ▁Later ▁in ▁ 1 9 7 2 , ▁Christopher ▁R icks ▁arg ues ▁that ▁the ▁poem ▁is ▁" one ▁of ▁T enn ys on ' s ▁master pie ces ▁in ▁the ▁art