▁as ▁int imate ▁and ▁inside ▁the ▁experience ▁as ▁possible ", ▁while ▁making ▁references ▁to ▁The ▁Age ▁of ▁Sp in ▁where ▁Ch app elle ▁and ▁he ▁em pt ied ▁the ▁space ▁to ▁create ▁a ▁mini - stad ium , ▁complete ▁with ▁a ▁thrust ▁that ▁takes ▁Ch app elle , ▁who ▁tends ▁to ▁walk ▁the ▁stage ▁for ▁blocks , ▁anyway , ▁out ▁into ▁the ▁house . ▁L athan ▁also ▁mentions ▁networks ▁ment ality ▁when ▁it ▁comes ▁to ▁the ▁audience ▁in ▁that ▁"[ they ] ▁believe ▁aud ien ces ▁should ▁be ▁heard ▁and ▁not ▁seen ▁[...] ▁That ▁goes ▁against ▁what ▁I ▁personally ▁feel ▁is ▁part ▁of ▁the ▁TV ▁experience . ▁He ' s ▁performing ▁for ▁these ▁people , ▁not ▁for ▁these ▁cam eras ." ▁For ▁Equ anim ity , ▁L athan ▁photograph ed ▁using ▁ 1 0 ▁Sony ▁ 4 3 0 0 ▁cam eras , ▁in ▁which ▁he ▁states : ▁" three ▁j ib s , ▁two ▁hand h eld s , ▁four ▁p eds ▁and ▁a ▁Ste adic am , ▁which ▁gave ▁us ▁a ▁ 3 6 0 - deg ree ▁look ▁at ▁the ▁theatre . ▁Instead ▁of ▁re lying ▁on ▁typical ▁audience ▁cut aw ays , ▁we ▁included ▁Dave ▁in ▁those ▁sh ots ▁whenever ▁possible ." ▁In ▁Spring ▁ 2 0 1 8 , ▁L athan ▁was ▁finishing ▁work ▁on ▁one ▁of ▁Ch app elle ' s ▁spe ci als , ▁where in ▁he ▁spoke ▁of ▁the ▁editing ▁process ▁and ▁bringing ▁the ▁com ed ian ▁into ▁the ▁editing ▁room , ▁with ▁L athan