", ▁later ▁att est ▁to ▁the ▁fa ctions ▁in ▁Spain ▁that ▁sh red ded ▁one ▁another ▁and ▁the ▁national ▁fabric ▁in ▁an ▁effort ▁to ▁restore ▁unity . ▁At ▁the ▁same ▁time , ▁other ▁po ems ▁project ed ▁Cast ilian ▁arch et ypes ▁that ▁ev oked ▁emot ions ▁like ▁path os ▁(" La ▁mujer ▁man ch ega ", ▁" The ▁Man ch eg an ▁Woman "), ▁rev ulsion ▁(" Un ▁criminal "), ▁and ▁stark ▁ra pt ure ▁(" Cam pos ▁de ▁S oria "). ▁ ▁In ▁ 1 9 1 7 ▁various ▁po ems ▁were ▁added ▁to ▁" Cam pos ", ▁including ▁a ▁group ▁of ▁po ems ▁written ▁in ▁B ae za ▁about ▁the ▁death ▁of ▁his ▁young ▁wife , ▁a ▁series ▁of ▁short ▁reflect ive ▁po ems , ▁often ▁res emb ling ▁popular ▁songs ▁or ▁say ings , ▁called ▁" Pro verb ios ▁y ▁Cant ares ", ▁and ▁a ▁series ▁of ▁" E log ios ", ▁dedicated ▁to ▁people ▁such ▁as ▁Rub én ▁D ario ▁or ▁Feder ico ▁García ▁Lor ca ▁who ▁had ▁been ▁influ ential ▁in ▁his ▁life . ▁ ▁Mach ado ' s ▁later ▁po ems ▁are ▁a ▁virtual ▁anth rop ology ▁of ▁Spain ' s ▁common ▁people , ▁describing ▁their ▁collect ive ▁psych ology , ▁social ▁m ores , ▁and ▁historical ▁dest iny . ▁He ▁ach ieves ▁this ▁pan or ama ▁through ▁basic ▁myth s ▁and ▁rec urrent , ▁et ernal ▁patterns ▁of ▁group ▁behavior . ▁He ▁developed ▁these ▁arch et ypes ▁in ▁Cam pos ▁de ▁Cast illa ▁(" Cast