▁B ial a ▁joined ▁him ▁in ▁discuss ions ▁at ▁the ▁abstract ▁expression ist ▁discussion ▁group ▁called ▁Studio ▁ 3 5 . ▁Like ▁Lee ▁K ras ner , ▁Louise ▁Bour ge ois , ▁Joan ▁Mitchell , ▁and ▁others , ▁B ial a ▁was ▁not ▁treated ▁as ▁an ▁equal ▁by ▁the ▁male ▁artists ▁of ▁the ▁New ▁York ▁School ▁or ▁by ▁critics ▁such ▁as ▁Harold ▁Ros enberg . ▁Despite ▁her ▁friendship ▁with ▁abstract ▁expression ist ▁artists , ▁B ial a ▁retained ▁a ▁unique ▁approach ▁to ▁her ▁art ▁in ▁which ▁no ▁art ▁movement ▁showed ▁domin ance . ▁As ▁one ▁critic ▁put ▁it , ▁" she ▁continued ▁to ▁paint ▁ex quis it ely ▁craft ed ▁can v ases ▁in ▁a ▁personal ▁style ▁that , ▁even ▁now , ▁res ists ▁classification ." ▁ ▁In ▁the ▁ 1 9 5 0 s ▁her ▁work ▁appeared ▁frequently ▁in ▁solo ▁and ▁group ▁exhib itions ▁at ▁New ▁York ' s ▁St able ▁Gallery ▁and ▁the ▁Galerie ▁Jean ne ▁Buch er ▁in ▁Paris . ▁Regarding ▁a ▁one - person ▁show ▁held ▁in ▁ 1 9 5 3 , ▁a ▁critic ▁pra ised ▁the ▁" harm on ies ▁of ▁tone " ▁and ▁quality ▁of ▁draft sm ans hip ▁in ▁her ▁work ▁and ▁said ▁" the ▁show ▁is ▁one ▁of ▁the ▁most ▁ex h ilar ating ▁and ▁satisfying ▁events ▁of ▁the ▁whole ▁season .... ▁ ▁Miss ▁B ial a ' s ▁art ▁strik es ▁me ▁as ▁the ▁happ iest ▁result ▁of ▁an ▁abstract ▁training ▁govern ed ▁by ▁a ▁hum ane ▁concern ▁with ▁the ▁values ▁of ▁the