, ▁and ▁make ▁to ▁it ▁res emble ▁reality , ▁to ▁which ▁he ▁remarked ▁afterwards ▁that : ▁" We ▁spent ▁so ▁much ▁time ▁on ▁the ▁background ▁cr ick ets ▁for ▁the ▁opening ▁of ▁the ▁film , ▁because ▁we ▁had ▁a ▁few ▁iterations ▁that ▁were ▁too ▁much , ▁and ▁then ▁a ▁few ▁iterations ▁that ▁wer en ' t ▁quite ▁enough . ▁I ne v it ably ▁one ▁b ull f rog ▁would ▁jump ▁in ▁and ▁then ▁we ▁would ▁have ▁to ▁go ▁delete ▁it . ▁You ▁don ' t ▁want ▁anything ▁to ▁be ▁over t ▁or ▁artificial ." ▁Nich ols ▁concluded ▁by ▁stating , ▁" It ' s ▁a ▁dance ▁that ▁we ▁do ▁in ▁every ▁department ▁and ▁every ▁fac et ▁of ▁the ▁film making ▁... ▁If ▁sound ▁is ▁done ▁well , ▁no ▁one ▁will ▁ever ▁notice ▁it . ▁They ' ll ▁just ▁feel ▁it ." ▁ ▁Music ▁ ▁The ▁sound track ▁is ▁composed ▁by ▁David ▁W ingo , ▁who ▁worked ▁with ▁Nich ols ▁previously ▁on ▁Take ▁Sh elter ▁( 2 0 1 1 ), ▁M ud ▁( 2 0 1 2 ), ▁and ▁Mid night ▁Special ▁( 2 0 1 6 ). ▁The ▁original ▁music ▁is ▁by ▁W ingo , ▁along ▁with ▁" L oving " ▁written ▁and ▁performed ▁by ▁Ben ▁Nich ols . ▁W ingo ▁wanted ▁the ▁original ▁music ▁for ▁the ▁film ▁to ▁feel ▁" like ▁it ▁could ▁have ▁been ▁from ▁any ▁time ." ▁ ▁Jeff ▁Nich ols ▁wished ▁for ▁the ▁score ▁of ▁L oving ▁it ▁to ▁be ▁orch est ral , ▁classical , ▁while