▁Br ought ▁to ▁Book ▁( 1 9 9 4 ), ▁which ▁documented ▁the ▁my ri ad ▁forms ▁of ▁bibli oph ilia c ▁ob session . ▁Although ▁he ▁had ▁a ▁long standing ▁relationship ▁with ▁the ▁Anthony ▁Reyn olds ▁Gallery ▁in ▁London , ▁his ▁ke enn ess ▁to ▁develop ▁new ▁ways ▁of ▁working ▁led ▁to ▁res iden cies ▁with , ▁among ▁others , ▁Ty ne ▁Te es ▁Television ▁( 1 9 8 5 ) ▁and ▁Dur ham ▁C athedral ▁( 1 9 9 4 - 9 5 ). ▁ ▁Works ▁of ▁this ▁period ▁included ▁Aud itor ium ▁( 1 9 9 4 ), ▁a ▁film ▁made ▁with ▁composer ▁Ron ▁Ge es in , ▁in ▁which ▁we ▁are ▁taken ▁to ▁a ▁variety ▁show , ▁but ▁are ▁only ▁allowed ▁to ▁see ▁the ▁audience ' s ▁re actions ; ▁the ▁results ▁are ▁h il ari ous ▁and ▁touch ing . ▁Aud itor ium ▁was ▁on ▁show ▁at ▁The ▁De ▁La ▁W arr ▁Pav il ion , ▁B ex hill , ▁as ▁part ▁of ▁an ▁exhibition , ▁co - cur ated ▁by ▁Break well , ▁called ▁Vari ety , ▁the ▁title ▁taken ▁from ▁another ▁Break well / Ge es in ▁film . ▁The ▁pav il ion ▁itself ▁was ▁the ▁setting ▁for ▁The ▁Other ▁Side ▁( 2 0 0 2 ), ▁in ▁which ▁ball room ▁d anc ers ▁float ▁ser en ely ▁through ▁its ▁dream like ▁architecture , ▁to ▁the ▁accompan iment ▁of ▁a ▁Sch ub ert ▁no ct ur ne ▁for ▁piano ▁tri o . ▁ ▁It ▁was ▁in