- player ▁into ▁un famil iar ▁territory , ▁comp elling ▁him ▁to ▁clim b ▁through ▁sh ifting , ▁pl ated ▁orch est ral ▁accompan iment . ▁Each ▁time ▁Hay es ▁arrived ▁at ▁a ▁plate au , ▁F lyn n ▁had ▁sp un ▁the ▁map , ▁but ▁Hay es ▁was ▁und eter red , ▁asc ending ▁and ▁ch asing ▁even ▁harder . ▁It ▁was ▁thr illing , ▁head y ▁and ▁explos ive . ▁Bro phy ▁dan ced ▁on ▁the ▁pod ium . ▁I ▁moved ▁to ▁the ▁edge ▁of ▁my ▁seat ." ▁ ▁Irish ▁Times ▁critic ▁Michael ▁Der van ▁wrote ▁" F lyn n ’ s ▁new ▁A ont acht , ▁premier ed ▁by ▁Hay es ▁with ▁the ▁R T É ▁Con cert ▁Orchestra ▁under ▁David ▁Bro phy ▁on ▁Wed nes day , ▁is ▁no ▁conventional ▁con cer to . ▁There ’ s ▁not ▁really ▁much ▁in ▁the ▁way ▁of ▁dialog ue ▁or ▁give ▁and ▁take . ▁It ’ s ▁a ▁vehicle ▁for ▁a ▁traditional ▁music ian , ▁with ▁the ▁or chestra ▁cast ▁in ▁the ▁role ▁of ▁a ▁backing ▁group , ▁a ▁sometimes ▁assert ive ▁and ▁no isy ▁backing ▁group , ▁but ▁a ▁backing ▁group ▁non eth eless . ▁And ▁the ▁solo ist ▁is ▁worked ▁pretty ▁hard , ▁with ▁hardly ▁a ▁pause ▁for ▁breath . ▁The ▁solo ▁part ▁is ▁un con vent ional , ▁too ▁– ▁all ▁not ated ▁with ▁precision , ▁but ▁not ▁intended ▁to ▁be ▁played ▁as ▁written . ▁It ’ s ▁more ▁on ▁the ▁lines ▁of ▁a ▁template , ▁which ▁the ▁f