▁er ase ▁his ▁emot ional ▁individual ity ▁seen ▁in ▁his ▁pieces . ▁ ▁Fre el ance ▁and ▁the ▁I CA IC ▁ ▁Later ▁in ▁his ▁career , ▁after ▁being ▁fired ▁from ▁the ▁school ▁of ▁architecture ▁in ▁Hav ana , ▁Ra úl ▁Martínez ▁soon ▁began ▁his ▁work ▁as ▁a ▁fre el ance ▁designer ▁and ▁made ▁count less ▁contributions ▁to ▁the ▁Cub an ▁Film ▁Institute , ▁and ▁other ▁central ized ▁government ▁organizations ▁( before ▁the ▁decent ral ization ▁of ▁powers ▁on ▁Cuba ▁under ▁F idel ' s ▁reign ). ▁ ▁Otherwise ▁known ▁as ▁the ▁I CA IC ▁( the ▁ac ron ym ▁before ▁translation ), ▁the ▁organization ▁played ▁a ▁major ▁role ▁in ▁both ▁the ▁importance ▁of ▁the ▁revolution ▁to ▁the ▁history ▁and ▁development ▁of ▁Cuba , ▁as ▁well ▁as ▁perpet u ating ▁the ▁inclusion ▁of ▁popular ▁art ▁within ▁the ▁culture . ▁ ▁In ▁a ▁time ▁where ▁there ▁was ▁little ▁else ▁for ▁the ▁public ▁to ▁do ▁for ▁le is ure , ▁the ▁mov ies ▁were ▁increasing ly ▁popular ▁to ▁the ▁Cub an ▁culture . ▁ ▁Because ▁of ▁the ▁embargo , ▁mov ies ▁were ▁very ▁limited ▁in ▁Cuba , ▁thus ▁the ▁demand ▁for ▁new ▁material ▁was ▁rather ▁high . ▁ ▁One ▁of ▁the ▁out comes ▁of ▁such ▁demand ▁was ▁a ▁cin ematic ▁success ▁called ▁Luc ía , ▁for ▁which ▁the ▁poster ▁was ▁designed ▁by ▁Martínez , ▁and ▁has ▁come ▁to ▁define ▁the ▁movie . ▁ ▁Leg acy ▁ ▁The ▁work ▁of ▁Ra úl ▁Martínez ▁traces ▁the ▁pro gression ▁of ▁the ▁pop ▁art ▁movement ▁in ▁Cuba , ▁as