▁ser en ade ) ▁ ▁Late ▁sym phon ies ▁( 1 7 7 8 – 1 7 8 8 ) ▁▁ ▁Sym phony ▁No . ▁ 3 1 ▁in ▁D ▁major , ▁" Par is ", ▁K . ▁ 2 9 7 / 3 0 0 a ▁( 1 7 7 8 ) ▁ ▁Sym phony ▁No . ▁ 3 2 ▁in ▁G ▁major , ▁" O vert ure ▁in ▁the ▁Italian ▁style ", ▁K . ▁ 3 1 8 ▁( 1 7 7 9 ) ▁ ▁Sym phony ▁No . ▁ 3 3 ▁in ▁B ▁major , ▁K . ▁ 3 1 9 ▁( 1 7 7 9 ) ▁ ▁Sym phony ▁No . ▁ 3 4 ▁in ▁C ▁major , ▁K . ▁ 3 3 8 ▁( 1 7 8 0 ) ▁ ▁Sym phony ▁No . ▁ 3 5 ▁in ▁D ▁major , ▁" H aff ner ", ▁K . ▁ 3 8 5 ▁( 1 7 8 2 ) ▁ ▁Sym phony ▁No . ▁ 3 6 ▁in ▁C ▁major , ▁" Lin z ", ▁K . ▁ 4 2 5 ▁( 1 7 8 3 ) ▁ ▁Sym phony ▁No . ▁ 3 7 ▁in ▁G ▁major , ▁K . ▁ 4 4 4 ▁( 1 7 8 3 ) ▁For ▁years ▁this ▁was ▁categor ized ▁as ▁a ▁Moz art ▁sym phony , ▁but ▁later ▁scholar ship ▁determined ▁that ▁it ▁was ▁actually ▁composed ▁by ▁Michael ▁Hay dn ▁( Sym phony ▁No . ▁ 2 5 ), ▁and ▁Moz