▁from ▁application ▁of ▁notes ▁in ég ales . ▁A ▁broken ▁ar p eggi ated ▁fig uration ▁in ▁the ▁left ▁hand , ▁such ▁as ▁an ▁Al ber ti ▁bass , ▁was ▁always ▁understood ▁to ▁be ▁played ▁regularly . ▁Sometimes ▁one ▁sees ▁the ▁explicit ▁mark ing : ▁cro ches ▁ég ales ▁meaning ▁equal ▁qu a vers ▁or ▁e ighth ▁notes . ▁Pass ages ▁which ▁mixed ▁note ▁values ▁may ▁have ▁been ▁ex empt ed ▁from ▁the ▁practice . ▁Occ asion ally ▁a ▁long ▁sl ur ▁printed ▁over ▁a ▁series ▁of ▁notes ▁was ▁understood ▁to ▁imply ▁that ▁all ▁the ▁notes ▁should ▁be ▁played ▁even ly , ▁except ▁that ▁the ▁first ▁note ▁under ▁the ▁sl ur ▁could ▁be ▁acc ented . ▁Pass ages ▁which ▁were ▁highly ▁dis j unct ▁were ▁also ▁less ▁likely ▁to ▁be ▁played ▁une qu ally ▁than ▁conj unct ▁pass ages , ▁although ▁the ▁sources ▁are ▁not ▁un anim ous ▁on ▁even ▁this . ▁ ▁If ▁the ▁effect ▁of ▁a ▁passage ▁was ▁d otted , ▁the ▁comp elling ▁rh ythm ▁of ▁the ▁d otted ▁notes , ▁or ▁notes ▁in ég ales , ▁would ▁sometimes ▁simply ▁override ▁all ▁the ▁rules . ▁The ▁Hand el ▁F ug ue ▁in ▁D ▁Minor ▁from ▁the ▁First ▁S ett ▁of ▁Su ites ▁ 1 7 0 9 ▁in ▁its ▁first ▁ed itions ▁shows ▁the ▁first ▁few ▁notes ▁of ▁the ▁theme ▁with ▁d otted ▁rh yth ms , ▁but ▁the ▁d ots ▁stop ▁after ▁ 4 ▁note ▁for ▁the ▁first ▁two ▁entries ; ▁the ▁next ▁two ▁entries ▁Hand el ▁only ▁both