s ▁a ▁sort ▁of ▁historical ▁eg oc ent ric ity , ▁which ▁is ▁quite ▁int ol er able ." ▁D iana ▁E . ▁Hend erson ▁was ▁un im pressed ▁with ▁this ▁approach , ▁however , ▁writing ▁" it ▁was ▁the ▁perfect ▁production ▁to ▁us her ▁in ▁the ▁ne o - con serv ative ▁ 1 9 8 0 s " ▁and ▁" this ▁BBC - TV ▁museum ▁piece ▁un ab ash edly ▁celebr ates ▁the ▁order ▁achieved ▁through ▁female ▁submission ." ▁ ▁In ▁this ▁adaptation , ▁the ▁induction ▁and ▁all ▁subsequent ▁references ▁to ▁S ly ▁are ▁absent . ▁Spe aking ▁of ▁the ▁somewhat ▁controvers ial ▁decision ▁to ▁remove ▁the ▁induction , ▁Miller ▁wrote ▁" I ▁find ▁[ it ] ▁ter rib ly ▁hard ▁to ▁do ▁in ▁any ▁other ▁format ▁but ▁the ▁stage : ▁it ▁is ▁a ▁stage ▁device , ▁and ▁it ' s ▁fright fully ▁hard ▁to ▁see ▁it ▁on ▁television . ▁It ' s ▁a ▁device ▁that ▁brings ▁the ▁audience ▁into ▁close ▁identification ▁with ▁some ▁person ▁who ▁is ▁like ▁them . ▁It ▁would ▁be ▁on ▁television ▁a ▁little ▁extra ▁programme ▁tag ged ▁on ▁before ▁the ▁programme ▁proper ▁begins . ▁On ▁the ▁stage , ▁it ' s ▁possible ▁to ▁make ▁it ▁work ▁much ▁better : ▁it ' s ▁a ▁folk ▁style ▁which ▁s its ▁rather ▁un com fort ably ▁in ▁this ▁very ▁tw enti eth - century ▁medium ▁of ▁domestic ▁view ing ." ▁Similarly , ▁the ▁BBC ▁Shakespe ares ▁text ual ▁editor , ▁David ▁Sn od in ▁wrote ▁ ▁As ▁with ▁all ▁of