▁and ▁consistent ▁to ▁classic ▁bar o que ▁French ▁notes ▁in ég ales ▁procedures . ▁ ▁Hand el ▁ ▁Hand el ▁also ▁seemed ▁to ▁use ▁and ▁understand ▁notes ▁in ég ales ▁in ▁many ▁of ▁his ▁works . ▁However , ▁like ▁often ▁in ▁the ▁French ▁literature , ▁there ▁are ▁also ▁incons isten cies ▁which ▁have ▁never ▁been ▁fully ▁explained ▁where ▁d ots ▁start ▁and ▁then ▁stop ▁for ▁no ▁clear ▁reason , ▁but ▁as ▁New man ▁has ▁observed , ▁mostly ▁this ▁happens ▁towards ▁the ▁approach ▁to ▁cad ences . ▁But ▁in ▁general , ▁in ▁many ▁of ▁his ▁su ites , ▁and ▁even ▁his ▁orch est ral ▁music , ▁the ▁application ▁of ▁notes ▁in ég ales ▁finds ▁a ▁solid ▁home ▁in ▁Hand el . ▁Most ▁obvious ▁are ▁in ▁some ▁of ▁the ▁O u vert ures , ▁but ▁there ▁are ▁many ▁movements ▁where ▁a ▁subt le ▁notes ▁in ég ales ▁works ▁well , ▁such ▁as ▁in ▁the ▁Sar ab ande ▁of ▁the ▁E ▁Minor ▁suite ▁( from ▁the ▁set ▁of ▁E ight ▁Great ▁Su ites ; ▁his ▁earliest ▁compilation ); ▁and ▁numerous ▁Menu ets ▁throughout ▁his ▁keyboard ▁and ▁even ▁some ▁of ▁his ▁orch est ral ▁works . ▁Even ▁in ▁his ▁orch est ral ▁music , ▁and ▁vocal ▁music , ▁Hand el ▁can ▁have ▁some ▁very ▁" F rench " ▁moments ▁– ▁some ▁of ▁the ▁menu ets ▁in ▁particular , ▁keyboard ▁as ▁well ▁as ▁orch est ral , ▁can ▁work ▁well ▁with ▁a ▁subt le ▁notes ▁in ég ales , ▁despite ▁Hand el ' s ▁very ▁inter cont inental