▁associated ▁with ▁Ang ola ' s ▁m ous se ques ▁( ib id ). ▁ ▁According ▁to ▁Tony ▁Am ado , ▁self - proc laimed ▁cre ator ▁of ▁K ud uro , ▁he ▁got ▁the ▁idea ▁for ▁the ▁dance , ▁after ▁seeing ▁Jean - Cla ude ▁Van ▁Dam me ▁in ▁the ▁ 1 9 8 9 ▁film ▁K ick box er , ▁in ▁which ▁he ▁appears ▁in ▁a ▁bar ▁dr unk , ▁and ▁d ances ▁in ▁a ▁hard ▁and ▁unusual ▁style . ▁As ▁Viv ian ▁Host ▁points ▁out ▁in ▁her ▁article , ▁despite ▁the ▁common ▁assumption ▁that ▁" world ▁music " ▁from ▁non - West ern ▁countries ▁holds ▁no ▁common al ities ▁with ▁Western ▁modern ▁music , ▁Ang olan ▁k ud uro ▁does ▁contain ▁" elements ▁in ▁common ▁with ▁punk , ▁deep ▁trib al ▁house , ▁and ▁even ▁D aft ▁Punk ." ▁And ▁although ▁Ang olan ▁k ud uro ▁reflect s ▁an ▁understanding ▁and ▁an ▁interpretation ▁of ▁Western ▁musical ▁forms , ▁the ▁world ▁music ▁category ▁that ▁it ▁fits ▁under , ▁tends ▁to ▁reject ▁the ▁idea ▁of ▁Western ▁musical ▁imperial ism . ▁DJ ▁Ri ot ▁of ▁S istema ▁said , ▁" K ud uro ▁was ▁never ▁world ▁music … ▁It ▁wasn ’ t ▁born ▁on ▁con gas ▁and ▁b ong os , ▁as ▁some ▁traditional ▁folk - music . ▁It ▁was ▁k ids ▁making ▁straight - up ▁dance - music ▁from , ▁like , ▁’ 9 6 . ▁Play ing ▁this ▁new ▁music , ▁this ▁new ▁African ▁music , ▁that ▁feels ▁straight - up