▁with ▁an ▁" out bur st ▁of ▁national ▁feeling ▁all ▁over ▁Europe " ▁that ▁was ▁particularly ▁strong ▁at ▁the ▁edges ▁of ▁Europe , ▁where ▁national ▁identity ▁was ▁most ▁assert ed . ▁National ist ▁compos ers ▁emer ged ▁in ▁Central ▁Europe , ▁Russia , ▁Sc and in avia , ▁Spain ▁and ▁Britain : ▁the ▁music ▁of ▁D vo ř ák , ▁S met ana , ▁Gr ieg , ▁R im sky - K ors akov , ▁Bra h ms , ▁Lis zt , ▁de ▁F alla , ▁Wagner , ▁Sib el ius , ▁V aug han ▁Williams , ▁Bart ók , ▁and ▁many ▁others ▁drew ▁upon ▁folk ▁mel od ies . ▁ ▁Regional ▁forms ▁▁ ▁While ▁the ▁loss ▁of ▁traditional ▁folk ▁music ▁in ▁the ▁face ▁of ▁the ▁rise ▁of ▁popular ▁music ▁is ▁a ▁world wide ▁phenomen on , ▁it ▁is ▁not ▁one ▁occurr ing ▁at ▁a ▁uniform ▁rate ▁throughout ▁the ▁world . ▁The ▁process ▁is ▁most ▁advanced ▁" where ▁industrial ization ▁and ▁commercial isation ▁of ▁culture ▁are ▁most ▁advanced " ▁but ▁also ▁occurs ▁more ▁gradually ▁even ▁in ▁settings ▁of ▁lower ▁techn ological ▁adv ancement . ▁However , ▁the ▁loss ▁of ▁traditional ▁music ▁is ▁slow ed ▁in ▁nations ▁or ▁regions ▁where ▁traditional ▁folk ▁music ▁is ▁a ▁bad ge ▁of ▁cultural ▁or ▁national ▁identity , ▁for ▁instance ▁in ▁the ▁case ▁of ▁Bang l adesh , ▁Hung ary , ▁India , ▁Ireland , ▁Pakistan , ▁Scotland , ▁Lat via , ▁Turkey , ▁Portugal , ▁Brit t any , ▁Gal icia , ▁Greece ▁and ▁Cre te . ▁Tour