▁hor iz ons , ▁empty ▁pla ins — every thing ▁which ▁is ▁bare ▁has ▁always ▁greatly ▁im pressed ▁me .” ▁( Tw enti eth ▁Century ▁Art ists ▁on ▁Art , ▁ 1 9 5 8 ). ▁ ▁Ble u ▁I ▁and ▁Ble u ▁III ▁are ▁nearly ▁identical ▁to ▁Ble u ▁II ▁with ▁exactly ▁the ▁same ▁background s ▁of ▁matching ▁color ▁and ▁simple ▁lines ▁and ▁shapes . ▁▁▁ ▁To ▁animate ▁the ▁sp ars eness ▁of ▁Ble u ▁II s ▁canvas , ▁Mir ó ▁includes ▁the ▁dynamic ▁red ▁line ▁on ▁the ▁left ▁side ▁of ▁the ▁painting , ▁con ve ying ▁a ▁sharp ▁shock ▁in ▁the ▁calm ▁blue ▁surface . ▁ ▁He ▁also ▁emp lo ys ▁the ▁series ▁of ▁bold , ▁defined ▁black ▁d ots ▁radi ating ▁out ▁from ▁the ▁red ▁line ▁in ▁a ▁horizontal ▁flow ▁to ▁transmit ▁the ▁motion ▁of ▁the ▁line ▁through ▁the ▁whole ▁exp anse ▁of ▁the ▁canvas . ▁ ▁With ▁these ▁shapes , ▁Mir ó ▁creates ▁an ▁ener get ic , ▁powerful ▁piece , ▁a ▁bold ▁work ▁brought ▁to ▁life ▁by ▁the ▁precise ▁( but ▁by ▁intention ▁very ▁free ) ▁pla cement ▁of ▁geometric ▁shapes ▁and ▁bright ▁colors , ▁allowing ▁the ▁vie wer ▁a ▁g limp se ▁into ▁the ▁un sp o iled ▁sub cons cious ▁of ▁the ▁artist ▁and ▁truly ▁em body ing ▁the ▁unique ▁style ▁for ▁which ▁Mir ó ▁is ▁well ▁known ▁for ▁today . ▁ ▁References ▁ ▁" Chr on ology ▁of ▁Joan ▁Mir ó " ▁ ▁External ▁links ▁An ▁interactive ▁sounds cape ▁( Mus Icon ) ▁of ▁the