▁the ▁scroll ▁has ▁surv ived ; ▁based ▁on ▁the ▁existing ▁fragments , ▁the ▁images ▁would ▁have ▁closely ▁followed ▁the ▁text ▁of ▁the ▁di ary . ▁ ▁The ▁illustr ations ▁in ▁the ▁em aki ▁follow ▁the ▁late - He ian ▁and ▁early ▁Kam ak ura ▁period ▁convention ▁of ▁H ik ime ▁k ag ib ana ▁( line - ey e ▁and ▁hook - n ose ) ▁in ▁which ▁individual ▁fa cial ▁expressions ▁are ▁omitted . ▁Also ▁typical ▁of ▁the ▁period ▁is ▁the ▁style ▁of ▁f uk im uki ▁y ata i ▁( b low n ▁off ▁roof ) ▁dep ict ions ▁of ▁inter iors ▁which ▁seem ▁to ▁be ▁visual ized ▁from ▁above ▁looking ▁down ward ▁into ▁a ▁space . ▁According ▁to ▁Mason , ▁the ▁interior ▁scenes ▁of ▁human ▁figures ▁are ▁ju xt ap osed ▁against ▁empty ▁exterior ▁gard ens ; ▁the ▁characters ▁are ▁' house - bound '. ▁ ▁In ▁the ▁di ary ▁Mur as aki ▁writes ▁of ▁love , ▁hate ▁and ▁l onel iness , ▁feelings ▁which ▁make ▁the ▁illustr ations , ▁according ▁to ▁Mason , ▁of ▁the ▁" fin est ▁ext ant ▁examples ▁of ▁pro se - po etry ▁narr ative ▁illustr ations ▁from ▁the ▁period ". ▁Mason ▁finds ▁the ▁illustr ation ▁of ▁two ▁young ▁cour ti ers ▁opening ▁the ▁lattice ▁bl inds ▁to ▁enter ▁the ▁women ' s ▁qu arters ▁particularly ▁po ign ant , ▁because ▁Mur as aki ▁tries ▁to ▁hold ▁the ▁lattice ▁shut ▁against ▁their ▁adv ances . ▁The ▁image ▁shows ▁that ▁the ▁architecture ▁and ▁the ▁men ▁who ▁keep