▁a ▁mult itude ▁of ▁sources . ▁Beck ett ▁bi ograph er ▁James ▁Know l son ▁obser ves , ▁for ▁example , ▁that ▁" R . ▁S . ▁Wood worth ’ s ▁Contempor ary ▁School s ▁of ▁Psych ology ▁provided ▁him ▁with ▁the ▁general ▁framework ▁that ▁he ▁needed ." ▁ ▁Compar ing ▁the ▁narr ator ▁to ▁Mol loy , ▁critic ▁Michael ▁Robinson ▁arg ues ▁that ▁one ▁" can ▁only ▁assume ▁[ … ] ▁that ▁his ▁future ▁will ▁take ▁him ▁to ▁Mal one ' s ▁room ▁and ▁then ▁to ▁the ▁Un nam able ’ s ▁el o quent ▁stat is ▁[ … ] ▁Despite ▁the ▁hero ’ s ▁usual ▁ass urance ▁that ▁he ▁" reg ret [ s ] ▁nothing ", ▁the ▁note ▁of ▁regret ▁is ▁contin ually ▁raised ▁throughout ▁the ▁mon olog ue . ▁[...] ▁It ' s ▁aff inity ▁with ▁Kra pp ’ s ▁Last ▁T ape ▁is ▁too ▁great ▁to ▁be ▁dismiss ed ▁as ▁coinc idence . ▁In ▁the ▁play ▁there ▁is ▁the ▁same ▁nost alg ia ▁for ▁a ▁lost ▁past " ▁despite ▁efforts ▁to ▁suppress ▁their ▁mem ories ▁( K ra pp ' s ▁" Ke ep ▁‘ em ▁under ! "). ▁Both ▁protagon ists ▁dwell ▁on ▁their ▁dead ▁moth ers ▁and ▁the ▁fact ▁that ▁each ▁has ▁let ▁rom antic ▁love ▁s lip ▁from ▁his ▁grasp . ▁ ▁Beck ett ▁considered ▁Sch ub ert ' s ▁song ▁cycle ▁Winter re ise ▁as ▁the ▁composer ' s ▁" master work ". ▁( See ▁What ▁Where ). ▁It ▁tells ▁of ▁" the ▁aim