▁culture . ▁Although ▁the ▁visual s ▁of ▁the ▁film ▁were ▁primarily ▁the ▁work ▁of ▁St ak ker ▁members ▁Mare k ▁P yt el , ▁Mark ▁McC lean ▁and ▁Col in ▁Scott , ▁the ▁musical ▁sound track ▁was ▁largely ▁the ▁work ▁of ▁Brian ▁Doug ans , ▁later ▁of ▁The ▁Future ▁Sound ▁of ▁London . ▁The ▁ 2 5 - min ute ▁sound track ▁was ▁recorded ▁using ▁a ▁Roland ▁T B - 3 0 3 , ▁and ▁reflect s ▁the ▁fast - sh ifting ▁momentum ▁of ▁the ▁film ▁by ▁incorpor ating ▁fragment ed ▁elements ▁of ▁acid ▁house , ▁Chicago ▁house ▁and ▁Detroit ▁te ch no ▁that ▁shift ▁after ▁their ▁brief ▁appearances , ▁thus ▁contrib uting ▁to ▁an ▁intr ic ately ▁layer ed ▁style . ▁▁ ▁The ▁film ▁was ▁released ▁by ▁Virgin ▁Video ▁Music ▁in ▁ 1 9 8 9 ▁and ▁became ▁influ ential ▁on ▁other ▁film - m akers , ▁although ▁the ▁sound track ▁itself ▁did ▁not ▁initially ▁receive ▁its ▁own ▁release . ▁Over ▁the ▁years , ▁the ▁music ▁proved ▁influ ential ▁on ▁other ▁produ cers , ▁including ▁Square push er ▁and ▁Ap hex ▁T win . ▁The ▁latter ▁released ▁the ▁sound track ▁on ▁CD ▁and ▁vin yl ▁for ▁the ▁first ▁time ▁in ▁January ▁ 2 0 0 3 ▁on ▁his ▁Re ph lex ▁label , ▁which ▁had ▁been ▁inspired ▁by ▁the ▁music . ▁The ▁album ▁received ▁positive ▁reviews ▁for ▁its ▁early ▁acid ▁te ch no ▁sound ▁and ▁was ▁ha iled ▁as ▁innov ative . ▁It ▁was ▁followed ▁by ▁another ▁release ▁of ▁early ▁Brian ▁Doug