am ▁artists ▁wer r ▁divided ▁into ▁four ▁groups , ▁representing ▁the ▁four ▁vari eties ▁of ▁rh ythm ▁namely ▁– ▁Ch atus ram , ▁T is ram , ▁K hand am ▁and ▁Mis ram . ▁The ▁ra ga ▁“ S ach ch idan anda ” ▁is ▁w oven ▁around ▁the ▁four ▁notes ▁– ▁Sa , ▁Ga , ▁Pa ▁and ▁D ha ▁and ▁the ▁m r ud ang am ▁was ▁also ▁tun ed ▁to ▁each ▁of ▁these ▁notes ▁by ▁the ▁four ▁groups . ▁A part ▁from ▁playing ▁intr insic ▁patterns , ▁the ▁four ▁groups ▁also ▁presented ▁four ▁Kor va is . ▁ ▁With ▁the ▁bless ings ▁of ▁Gan ap ath y ▁Sach ch idan anda ▁Sw am iji ▁and ▁ab ly ▁led ▁by ▁ma estro ▁Th ir u var ur ▁Bh ak th av ats al am , ▁“ L aya ▁Mad h ura ▁M rid anga ▁Y agna ” ▁expl ored ▁the ▁multi h ued ▁colours ▁of ▁mel ody ▁and ▁rh ythm ▁in ▁the ▁most ▁ex quis ite ▁manner ▁and ▁transport ed ▁the ▁listen ers ▁to ▁a ▁totally ▁med itative ▁plane . ▁He ▁also ▁did ▁one ▁more ▁m rid hang a ▁y agna ▁in ▁kan chi ▁kam ak oti ▁pe et am , ▁kan ch ip ur am ▁with ▁ 7 6 ▁m rid ang am ▁artists ▁recently . ▁ ▁L aya ▁Mad h ura a ▁School ▁of ▁music ▁ ▁Sri ▁Th ir u va ar ur ▁Bak th av ath sal am ▁is ▁the ▁founder , ▁director ▁of ▁the ▁" L aya ▁Mad