▁ex changes , ▁such ▁as ▁Te a ▁G one ▁Cold ▁( 1 9 9 9 ), ▁in ▁an ▁exhibition ▁called ▁Ant ip ath ies ▁and ▁Cor respond ences : ▁R ae ▁St ases on , ▁L inda ▁D uv all , ▁Jo anne ▁Br istol , ▁at ▁the ▁M end el ▁Gallery ▁( now ▁known ▁as ▁Rem ai ▁Modern ▁Art ▁Gallery ▁of ▁S ask atch ew an ), ▁and ▁Te a ▁and ▁G oss ip ▁( 2 0 0 3 , ▁Red ▁Head ▁Gallery , ▁Toronto ; ▁ 2 0 0 4 , ▁K ender d ine ▁Art ▁Gallery , ▁University ▁of ▁S ask atch ew an , ▁and ▁other ▁locations ). ▁ ▁With ▁the ▁ 2 0 0 5 ▁work , ▁L ament ▁( Red ▁Head ▁Gallery ▁and ▁Ag nes ▁E ther ington ▁Art ▁Centre ▁in ▁ 2 0 0 8 ), ▁D uv all ' s ▁work ▁turned ▁to ▁more ▁sorrow ful ▁modes ▁of ▁disc ourse . ▁In ▁L ament , ▁D uv all ▁presented ▁audio ▁record ings ▁of ▁people ▁reading ▁public ▁l aments ▁such ▁as , ▁conf essions , ▁ple as ▁of ▁ap ology ▁or ▁regret , ▁and ▁announ c ements ▁of ▁unexpected ▁tra ged y ▁or ▁death . ▁A udi ence ▁members ▁were ▁invited ▁to ▁particip ate ▁in ▁these ▁public ▁read ings , ▁while ▁visual ▁foot age ▁of ▁D uv all ▁involved ▁in ▁a ▁violent ▁police ▁incident ▁was ▁visible ▁in ▁the ▁room . ▁The ▁work , ▁She ▁Can ' t ▁Begin ▁( 2 0 0 7 , ▁Red ▁Head