▁a ▁number ▁of ▁extra ▁elements ▁were ▁added ▁to ▁the ▁scroll , ▁including ▁a ▁title ▁ins cription , ▁a ▁painting ▁of ▁an ▁orch id ▁by ▁Q ian long , ▁a ▁long ▁col oph on ▁by ▁Q ian long , ▁and ▁at ▁the ▁very ▁end ▁of ▁the ▁scroll ▁a ▁painting ▁by ▁Z ou ▁Y ig ui ▁( <0xE9> <0x84> <0x92> 一 <0xE6> <0xA1> <0x82> , ▁▁ 1 6 8 6 – 1 7 7 2 ). ▁He ▁hous ed ▁the ▁scroll , ▁together ▁with ▁three ▁other ▁master pie ces ▁attributed ▁to ▁the ▁Northern ▁Song ▁painter ▁Li ▁G ong lin ▁( 1 0 4 9 – 1 1 0 6 ), ▁which ▁he ▁collect ively ▁named ▁the ▁" F our ▁Beaut ies " ▁( ), ▁in ▁his ▁private ▁residence , ▁the ▁Pav il ion ▁of ▁T ran qu il ▁E ase ▁( ). ▁Q ian long ▁also ▁commission ed ▁two ▁paint ings ▁each ▁from ▁eight ▁pain ters ▁to ▁be ▁aff ixed ▁to ▁the ▁outer ▁boxes ▁containing ▁the ▁" F our ▁Beaut ies ", ▁but ▁none ▁of ▁the ▁boxes ▁surv ive . ▁Like ▁X i ang ▁Y uan bian ▁before ▁him , ▁Q ian long ▁marked ▁his ▁ownership ▁of ▁the ▁painting ▁with ▁numerous ▁se al ▁impress ions ▁( 3 7 ▁in ▁total ), ▁which ▁he ▁apparently ▁added ▁at ▁different ▁times ▁and ▁on ▁different ▁occasions ▁throughout ▁his ▁si xty - year ▁reign . ▁ ▁After ▁the ▁death ▁of ▁Q ian long ▁the ▁Ad mon itions ▁Scroll ▁remained ▁in ▁the ▁imperial ▁palace ▁at ▁Be ij ing , ▁but ▁when