▁finished ▁by ▁Pal ma ▁Giov ane ; ▁it ▁seems ▁he ▁only ▁received ▁it ▁some ▁years ▁after ▁Tit ian ' s ▁death , ▁and ▁then ▁had ▁it ▁in ▁his ▁studio ▁for ▁some ▁years . ▁ ▁He ▁added ▁an ▁ins cription ▁recording ▁his ▁contribution ▁below ▁Christ . ▁ ▁Only ▁after ▁Pal ma ' s ▁death ▁in ▁ 1 6 2 8 ▁did ▁it ▁finally ▁hang ▁in ▁a ▁church , ▁but ▁this ▁was ▁St ▁Ang elo ▁in ▁Ven ice , ▁which ▁was ▁closed ▁in ▁ 1 8 1 0 , ▁and ▁demol ished ▁in ▁ 1 8 3 7 . ▁ ▁It ▁entered ▁the ▁Gall erie ▁dell ' Acc adem ia ▁in ▁ 1 8 1 4 . ▁ ▁The ▁painting ▁has ▁achieved ▁a ▁presence ▁in ▁the ▁Fr ari ▁as ▁it ▁is ▁one ▁of ▁the ▁five ▁religious ▁paint ings ▁by ▁Tit ian ▁represented ▁in ▁mar ble ▁relief s ▁on ▁the ▁large ▁monument ▁to ▁him ▁put ▁up ▁in ▁the ▁church ▁in ▁the ▁ 1 9 th ▁century , ▁in ▁the ▁chap el ▁where ▁the ▁painting ▁was ▁intended ▁to ▁hang . ▁ ▁Match ing ▁the ▁location ▁In ▁the ▁Fr ari ▁the ▁painting ▁was ▁intended ▁to ▁hang ▁in ▁the ▁C app ella ▁di ▁Cro ce f is so ▁(" Ch ap el ▁of ▁the ▁Cru c if ix "), ▁where ▁Tit ian ▁was ▁buried , ▁and ▁where ▁his ▁monument ▁now ▁stands . ▁Like ▁his ▁much ▁earlier ▁master pie ce , ▁the ▁P es aro ▁Alt arp ie ce , ▁which ▁was ▁diag on ally ▁across ▁the ▁church , ▁the