▁comment ▁on ▁the ▁seg reg ation ▁of ▁male ▁and ▁female ▁wor sh ipp ers ▁in ▁the ▁Orth odox ▁syn agog ue ▁and ▁at ▁the ▁Western ▁Wall . ▁As ▁noted ▁by ▁A yl on , ▁" The ▁material ▁I ▁thought ▁appropriate ▁for ▁the ▁Part ition ▁that ▁separ ates ▁male ▁and ▁female ▁wor sh ipp ers ▁is ▁made ▁of ▁the ▁rit ual ▁gar b ▁worn ▁by ▁religious ▁men . ▁But ▁if ▁there ▁were ▁nine ▁male ▁wor sh ipp ers ▁and ▁one ▁thousand ▁female ▁wor sh ipp ers , ▁the ▁service ▁could ▁not ▁begin ▁because ▁the ▁service ▁requires ▁the ▁presence ▁of ▁ten ▁men ." ▁ ▁A yl on ▁also ▁created ▁Wrest lers ▁( 1 9 8 0 , ▁ 2 0 0 5 ), ▁the ▁e ighth ▁work ▁in ▁the ▁series . ▁It ▁features ▁large - scale ▁landscape ▁photograph s ▁with ▁herself ▁as ▁a ▁tiny ▁figure ▁in ▁them , ▁searching ▁for ▁for em oth ers . ▁In ▁ 2 0 0 5 ▁she ▁" added ▁another ▁layer ▁of ▁meaning ▁to ▁the ▁Wrest lers ▁by ▁foc using ▁on ▁one ▁particular ▁wrest ling ▁fore - m other ▁- ▁Lot ' s ▁W ife ▁- ▁and ▁I ▁gave ▁her ▁a ▁name ." ▁That ▁name ▁was ▁Hash em sh ela , ▁which ▁according ▁to ▁A yl on ▁means ▁" her ▁name " ▁in ▁Heb rew . ▁A yl on ▁dedicated ▁Wrest lers ▁to ▁Ana ▁M endi eta . ▁ ▁The ▁nin th ▁and ▁final ▁work ▁in ▁A yl on ' s ▁The ▁G - d ▁Project ▁is ▁All ▁R ise