able ", ▁and ▁felt ▁that , ▁despite ▁being ▁released ▁on ▁Sk int , ▁the ▁album ▁was ▁" the ▁fr ig id ▁f li ps ie ▁of ▁Sk int ' s ▁post - tri p - h op ▁irre ver ence ," ▁and ▁noted ▁that ▁it ▁established ▁him ▁as ▁the ▁label ' s ▁" party - down ▁wall flow er ." ▁ ▁Open ing ▁track ▁" World " ▁and ▁the ▁fourth ▁track ▁" C rack " ▁are ▁said ▁to ▁" f izz ▁on ▁ icy ▁waters ▁of ▁tre b ly ▁noise ," ▁with ▁the ▁be ats ▁only ▁" find ing ▁their ▁flow " ▁after ▁the ▁appearance ▁of ▁stop - start ▁cross f ades . ▁" I " ▁and ▁" B iz ames " ▁display ▁a ▁" gr is ly " ▁jazz - f unk ▁sound ▁on ▁top ▁of ▁spectral ▁d ron es ▁which ▁K ul kar ni ▁felt ▁were ▁" more ▁a kin ▁to ▁avant - rock ▁than ▁hip ▁hop ." ▁" M b ira ▁Classic " ▁is ▁a ▁" ha un ting , ▁f uz zy " ▁and ▁" lon se ome " ▁t ribute ▁to ▁the ▁M b ira , ▁a ▁traditional ▁African ▁thumb ▁piano . ▁The ▁piece , ▁alongside ▁the ▁later ▁track ▁" V oc oder ▁Break ▁Rock ", ▁have ▁been ▁compared ▁to ▁electro ▁innov ators ▁Man ▁Par r ish ▁and ▁their ▁" b ritt le ▁flux ." ▁The ▁beat ▁abs cond s ▁altogether ▁on ▁" N avigator ▁ 1 ▁& ▁ 2 ", ▁instead ▁leaving ▁" a ▁war ped -