p ah ▁and , ▁from ▁there , ▁Hong ▁Kong ▁director ▁John ▁W oo , ▁as ▁well ▁as ▁virt ually ▁everybody ▁since . ▁Every ▁film maker ▁who ▁uses ▁slow ▁motion , ▁mont age , ▁and ▁multiple ▁cam eras ▁to ▁st yl ize ▁violence ▁in ▁the ▁ways ▁that ▁Ku ros awa ▁had ▁demonstrated ▁in ▁Seven ▁Sam ur ai ▁ow es ▁him ▁a ▁great ▁deb t ." ▁But ▁Tony ▁Williams ▁notes ▁that ▁The ▁Wild ▁B unch ▁" ext ended ▁those ▁influ ences ▁in ▁more ▁cre ative ▁and ▁dynamic ▁ways ", ▁and ▁Michael ▁S rag ow ▁argued ▁that ▁" Pe ck in p ah ▁did ▁it ▁right ▁in ▁The ▁Wild ▁B unch . ▁He ▁produced ▁an ▁American ▁movie ▁that ▁equals ▁or ▁sur pass es ▁the ▁best ▁of ▁Ku ros awa . ▁Sc ors ese ▁tries ▁to ▁match ▁it ▁in ▁G angs ▁of ▁New ▁York   – ▁and ▁doesn ' t ▁come ▁close . ▁The ▁Wild ▁B unch ▁is ▁the ▁G öt ter d äm mer ung ▁of ▁Western s ." ▁Seven ▁Sam ur ai , ▁Bon nie ▁and ▁C ly de , ▁and ▁The ▁Wild ▁B unch ▁were ▁all ▁in ▁the ▁listing ▁of ▁the ▁best ▁edited ▁films ▁of ▁all ▁time ▁compiled ▁in ▁ 2 0 1 2 ▁by ▁the ▁Mot ion ▁Picture ▁Edit ors ▁Gu ild . ▁ ▁Many ▁critics ▁have ▁noted ▁the ▁influence ▁of ▁the ▁editing ▁of ▁the ▁set pie ce ▁gun b att les ▁in ▁The ▁Wild ▁B unch ▁on ▁later ▁films . ▁Paul ▁Mon aco ▁has ▁written , ▁" L omb ardo ▁pushed ▁the