usch ino , ▁( 1 8 1 3 ) ▁deploy ing ▁viol in ▁b ows ▁t apping ▁rh yth ms ▁on ▁music ▁stands , ▁is ▁an ▁example ▁of ▁such ▁w itt y ▁original ity . ▁ ▁Italy , ▁ 1 8 1 3 – 1 8 2 3 ▁▁ ▁The ▁great ▁success ▁in ▁Ven ice ▁of ▁the ▁premier es ▁of ▁both ▁Tan cre di ▁and ▁the ▁com ic ▁opera ▁L ' ital iana ▁in ▁Al ger i ▁within ▁a ▁few ▁weeks ▁of ▁each ▁other ▁( 6 ▁February ▁ 1 8 1 3 ▁and ▁ 2 2 ▁May ▁ 1 8 1 3 ▁respectively ) ▁set ▁the ▁se al ▁on ▁Ross ini ' s ▁reputation ▁as ▁the ▁rising ▁opera ▁composer ▁of ▁his ▁generation . ▁From ▁the ▁end ▁of ▁ 1 8 1 3 ▁to ▁mid - 1 8 1 4 ▁he ▁was ▁in ▁Milan ▁creating ▁two ▁new ▁oper as ▁for ▁La ▁Scala , ▁A ure li ano ▁in ▁Pal mi ra ▁and ▁Il ▁Tur co ▁in ▁Italia . ▁Ar s ace ▁in ▁A ure li ano ▁was ▁s ung ▁by ▁the ▁cas tr ato ▁Gi amb att ista ▁V ell uti ; ▁this ▁was ▁the ▁last ▁opera ▁role ▁Ross ini ▁wrote ▁for ▁a ▁cas tr ato ▁singer ▁as ▁the ▁norm ▁became ▁to ▁use ▁contr al to ▁voices ▁– ▁another ▁sign ▁of ▁change ▁in ▁oper atic ▁taste . ▁Rum our ▁had ▁it ▁that ▁Ross ini ▁was ▁dis ple ased ▁by ▁V ell uti ' s ▁orn ament ation ▁of ▁his ▁music ; ▁but ▁in ▁fact