▁ ▁Direct ed ▁by ▁Stuart ▁Watson , ▁ ▁the ▁new ▁organization ▁allowed ▁each ▁new ▁local ▁territory ▁to ▁freely ▁sign ▁and ▁develop ▁acts ▁on ▁its ▁own . ▁ ▁If ▁those ▁artists ▁could ▁create ▁a ▁strong ▁regional ▁profile , ▁it ▁would ▁be ▁possible ▁to ▁" export " ▁them ▁to ▁Z om ba ▁International ▁for ▁bro ader ▁expos ure . ▁ ▁Sim ult ane ously , ▁it ▁allowed ▁Z om ba ▁artists ▁increased ▁international ▁expos ure . ▁ ▁The ▁expansion ▁was ▁largely ▁un ham per ed , ▁save ▁for ▁some ▁legal ▁issues ▁with ▁the ▁Australian ▁branch . ▁ ▁Australian ▁record ▁company ▁Festival ▁M ush room ▁Group ▁lost ▁at ▁least ▁a ▁dozen ▁employees ▁to ▁Z om ba ▁in ▁early ▁ 1 9 9 9 , ▁and ▁placed ▁an ▁inj unction ▁that ▁stopped ▁them ▁from ▁solic iting ▁M ush room ▁employees , ▁and ▁accused ▁former ▁employee ▁Scott ▁Mur phy ▁of ▁trying ▁to ▁bol ster ▁Z om ba ' s ▁presence ▁while ▁still ▁working ▁for ▁M ush room . ▁However , ▁the ▁issue ▁was ▁resolved ▁fairly ▁am ic ably ▁and ▁ended ▁with ▁a ▁distribution ▁deal ▁with ▁B FM ▁Distribution ▁( a ▁joint ▁vent ure ▁of ▁Festival ▁M ush room ▁Group ▁and ▁B M G ). ▁ ▁As ▁the ▁record ▁industry ▁began ▁evol ving ▁due ▁to ▁the ▁w ides p read ▁use ▁of ▁the ▁Internet , ▁and ▁the ▁increasing ▁ease ▁with ▁which ▁artists ▁can ▁record ▁at ▁home , ▁Z om ba ▁made ▁moves ▁that ▁illustrated ▁their ▁desire ▁to ▁change ▁with ▁the ▁times . ▁ ▁In ▁ 2 0 0 0