0 4 . ▁However , ▁he ▁was ▁replaced ▁by ▁Frank ▁C ora ci , ▁who ▁previously ▁directed ▁Sand ler ▁vehicles ▁The ▁Wed ding ▁S inger ▁( 1 9 9 8 ) ▁and ▁The ▁Water boy ▁( 1 9 9 8 ), ▁in ▁March ▁ 2 0 0 5 . ▁Executive ▁producer ▁Tim ▁Her li hy ▁was ▁also ▁en act ed ▁several ▁script ▁revis ions . ▁Christopher ▁Wal ken ▁joined ▁the ▁cast ▁on ▁February ▁ 2 3 , ▁ 2 0 0 5 . ▁ ▁Image works ▁began ▁working ▁on ▁the ▁digital ▁effects ▁for ▁Click ▁in ▁January ▁ 2 0 0 6 ▁without ▁any ▁research ▁and ▁development . ▁While ▁most ▁of ▁the ▁effects ▁were ▁shot ▁compos it ings , ▁three - dimensional ▁graphics ▁were ▁also ▁made ▁for ▁the ▁display ▁on ▁the ▁remote ▁and ▁mat te ▁painting ▁a ▁few ▁settings , ▁such ▁as ▁the ▁Bed ▁and ▁Bey ond ▁w are house , ▁a ▁city ▁background ▁at ▁Michael ' s ▁work place , ▁and ▁the ▁winter ▁back yard ▁at ▁his ▁home ; ▁programs ▁such ▁as ▁Cinema ▁ 4 D ▁and ▁Aut odes k ▁May a ▁were ▁used ▁to ▁produce ▁the ▁graphics . ▁In ▁order ▁to ▁make ▁the ▁fast - forward ing ▁and ▁re w inding ▁look ▁DVD - like , ▁effects ▁of ▁inter la ced ▁video ▁and ▁scan ▁lines ▁" s lic ing ▁through " ▁were ▁added . ▁Mot ion ▁control ▁phot ography ▁and ▁green ▁screen ▁effects ▁were ▁used ▁for ▁scenes ▁where ▁Michael ▁looked ▁back ▁on ▁his ▁life ▁with ▁the ▁remote , ▁meaning ▁that ▁were ▁occasionally