▁▁ 1 4 5 0 – 1 5 2 4 ) ▁and ▁subsequently ▁Yan ▁Song ▁( 1 4 8 1 – 1 5 6 8 ). ▁After ▁the ▁political ▁down fall ▁of ▁Yan ▁Song ▁in ▁ 1 5 6 2 , ▁his ▁collection ▁was ▁conf isc ated , ▁and ▁the ▁Ad mon itions ▁Scroll ▁came ▁into ▁the ▁possession ▁of ▁the ▁M ing ▁court . ▁However , ▁the ▁painting ▁did ▁not ▁stay ▁in ▁government ▁ownership ▁for ▁long , ▁as ▁it ▁was ▁noted ▁by ▁He ▁Li ang j un ▁( 何 良 <0xE4> <0xBF> <0x8A> , ▁▁ 1 5 0 6 – 1 5 7 3 ) ▁as ▁being ▁in ▁the ▁possession ▁of ▁the ▁official ▁Gu ▁Cong yi ▁( <0xE9> <0xA1> <0xA7> <0xE5> <0xBE> <0x9E> 義 , ▁▁ 1 5 2 3 – 1 5 8 8 ) ▁during ▁the ▁ 1 5 6 0 s . ▁It ▁then ▁entered ▁the ▁collection ▁of ▁wealth y ▁art ▁collect or ▁and ▁pa wn bro ker , ▁X i ang ▁Y uan bian ▁( <0xE9> <0xA0> <0x85> 元 <0xE6> <0xB1> <0xB4> , ▁▁ 1 5 2 5 – 1 5 9 0 ), ▁who ▁marked ▁his ▁ownership ▁of ▁the ▁painting ▁with ▁about ▁fifty ▁se al ▁st amps . ▁Wh ilst ▁the ▁Ad mon itions ▁Scroll ▁was ▁in ▁the ▁possession ▁of ▁X i ang , ▁it ▁was ▁seen ▁by ▁the ▁famous ▁painter , ▁D ong ▁Q ich ang ▁( <0xE8> <0x91> <0xA3> 其 昌 , ▁▁ 1 5 5 5 – 1 6 3 6 ), ▁who ▁copied ▁out