▁committed ▁through ▁hard ▁times , ▁h arrow ing ▁times , ▁like ▁for ▁the ▁Lov ings , ▁but ▁also ▁m und ane ▁times ▁and ▁the ▁daily ▁parts ▁of ▁life . ▁When ▁I ▁look ▁at ▁my ▁own ▁marriage , ▁that ' s ▁where ▁the ▁love ▁is . ▁That ' s ▁where ▁the ▁real ▁work ▁is ." ▁Nich ols ▁spoke ▁of ▁influ ences ▁No ▁Country ▁For ▁Old ▁Men ▁( 2 0 0 7 ) ▁afford ed ▁to ▁him , ▁such ▁as ▁giving ▁him ▁an ▁answer ▁to ▁a ▁question ▁rel ating ▁to ▁a ▁dol ly , ▁by ▁which ▁cinemat ograph er ▁Adam ▁Stone ▁and ▁key ▁g rip ▁Rock y ▁Ford ▁used ▁a ▁great ▁rig ▁accompanied ▁with ▁a ▁j ib ▁arm ▁and ▁a ▁remote ▁head : ▁an ▁approach ▁used ▁by ▁Roger ▁De ak ins . ▁ ▁In ▁approaching ▁the ▁story , ▁Nich ols ▁referred ▁to ▁Nancy ▁Bu ir ski ' s ▁The ▁L oving ▁Story ▁( 2 0 1 1 ), ▁as ▁well ▁as ▁a ▁hard ▁drive ▁given ▁to ▁him ▁by ▁Bu ir ski ▁with ▁all ▁of ▁the ▁arch ival ▁ 1 6 mm ▁black - and - white ▁foot age ▁that ▁Hope ▁Ry den ▁shot ▁in ▁the ▁mid - ' 6 0 s , ▁every ▁interview ▁the ▁Lov ings ▁ever ▁gave . ▁Nich ols ▁remarked ▁that ▁every ▁interview ▁that ▁Bu ir ski ▁did ▁was ▁all ▁their ▁friends ▁and ▁relatives ▁and ▁people ▁that ▁knew ▁them , ▁with ▁Nich ols ▁being ▁in ▁possession ▁of ▁all ▁the ▁out t akes . ▁To ▁prepare ▁for ▁their ▁roles , ▁both ▁Ed g