▁evident ▁of ▁M uff at ' s ▁am alg am ated ▁sty list ic ▁influence , ▁and ▁Fischer ' s ▁compos itions ▁also ▁for esh adow ▁the ▁complexity ▁of ▁Bach . ▁Bach ▁knew ▁the ▁works ▁of ▁Fischer ▁and ▁numerous ▁fug ue ▁them es ▁from ▁the ▁Well ▁Tem per ed ▁C lav ier ▁are ▁taken ▁from ▁Fischer ' s ▁own ▁earlier ▁collection ▁pre l udes ▁and ▁fug ues , ▁some ▁note ▁for ▁note . ▁Fischer ' s ▁most ▁famous ▁suite ▁in ▁D ▁minor ▁– ▁U ran ie ▁from ▁his ▁collection ▁of ▁very ▁French ▁influenced ▁su ites ▁found ▁in ▁the ▁collection ▁Musical ischer ▁Par n ass us ▁– ▁feature ▁and ▁Alle mande ▁and ▁Cour ante ▁that ▁" need " ▁notes ▁in ég ales ; ▁and ▁with ▁the ▁application ▁of ▁notes ▁in ég ales ▁Fischer ' s ▁strong ▁art istic ▁compos itional ▁hand ▁become ▁even ▁more ▁evident . ▁ ▁Georg ▁M uff at ▁In ▁the ▁first ▁work ▁of ▁the ▁Flor ile g ium ▁Sec und um , ▁F asc icul us ▁I . ▁– ▁N obil is ▁Ju vent us . ▁ 1 . ▁O u vert ure , ▁Georg ▁M uff at ▁writes ▁an ▁O u vert ure ▁in ▁st ile ▁Frances e , ▁in ▁which ▁he ▁writes ▁out ▁the ▁notes ▁in ég ales ▁in ▁the ▁top most ▁part , ▁the ▁Vi ol ino , ▁in ▁an ▁approximate ▁performance ▁" real ization " ▁where ▁the ▁long – short ▁pairs ▁are ▁explicitly ▁not ated ▁in ▁d otted ▁e ighth / six teenth ▁note ▁pairs ▁as ▁the