, ▁contains ▁several ▁nine - note ▁t unes , ▁now ▁identified ▁as ▁Border ▁pipe ▁music . ▁Some ▁of ▁the ▁small pipe ▁t unes ▁in ▁Pe ac ock ' s ▁book , ▁from ▁the ▁early ▁ 1 9 th ▁century , ▁are ▁in ▁the ▁L yd ian ▁mode , ▁with ▁a ▁t onic ▁of ▁c , ▁but ▁with ▁one ▁sharp ▁in ▁the ▁key ▁signature ; ▁these ▁– ▁" Bob by ▁Sh af to e " ▁is ▁one ▁– ▁make ▁more ▁musical ▁sense ▁in ▁the ▁major ▁mode ▁with ▁an ▁f ▁natural , ▁viewed ▁as ▁adapt ations ▁from ▁original s ▁for ▁Border ▁pip es . ▁The ▁Pe ac ock , ▁John ▁Smith ▁and ▁some ▁of ▁the ▁Bew ick ▁t unes ▁are ▁reprodu ced ▁in ▁the ▁F AR NE ▁archive . ▁ ▁St y list ic ▁features ▁▁ ▁These ▁t unes ▁display ▁several ▁features ▁distingu ishing ▁them ▁from ▁music ▁for ▁fiddle , ▁North umb rian ▁pip es ▁and ▁High land ▁pip es . ▁The ▁nine - note ▁modal ▁scale , ▁usually ▁mix ol yd ian , ▁with ▁a ▁comp ass ▁from ▁the ▁sub ton ic ▁up ▁to ▁the ▁high ▁t onic , ▁separ ates ▁them ▁clearly ▁from ▁most ▁fiddle ▁and ▁small pipe ▁t unes . ▁In ▁particular , ▁the ▁interval ▁of ▁an ▁augment ed ▁fourth , ▁difficult ▁on ▁the ▁fiddle , ▁is ▁much ▁common er ▁in ▁these ▁t unes . ▁The ▁comp ass ▁of ▁fiddle ▁t unes ▁is ▁generally ▁wider , ▁while ▁the ▁older ▁small pipe ▁t unes ▁have ▁an ▁eight - note ▁ ▁range ▁from ▁the