▁a ▁review ▁for ▁the ▁N ME ▁in ▁August ▁ 1 9 7 1 , ▁D erek ▁Johnson ▁wrote ▁of ▁" B ang la ▁Des h ": ▁" Op ens ▁almost ▁like ▁a ▁ser mon , ▁then ▁the ▁beat ▁come ▁is   ... ▁as ▁George ▁w ails ▁fer vent ly ▁to ▁a ▁backing ▁of ▁a ▁solid ▁rh ythm ▁section ▁and ▁hand c laps ." ▁The ▁track ▁retain s ▁an ▁" urg ent ▁' live ' ▁m ood ", ▁L eng ▁notes , ▁although ▁it ▁is ▁possible ▁that ▁St arr ' s ▁contribution ▁was ▁over d ub bed ▁after ▁the ▁main ▁session , ▁due ▁to ▁his ▁film ing ▁schedule ▁for ▁the ▁Western ▁movie ▁Bl ind man ▁( 1 9 7 1 ), ▁in ▁Spain . ▁The ▁song ▁features ▁sol os ▁shared ▁between ▁Russell , ▁Horn ▁( on ▁ten or ▁sa x ) ▁and ▁Harrison ▁( slide ▁guitar ), ▁and ▁f ades ▁out ▁with ▁the ▁ensemble ▁playing ▁in ▁double ▁time , ▁similar ▁to ▁a ▁fast ▁gat ▁section ▁( or ▁dr ut ) ▁used ▁in ▁H indust ani ▁classical ▁music . ▁ ▁" B ang la ▁Des h " ▁marked ▁the ▁first ▁occasion ▁that ▁Harrison ▁worked ▁with ▁Horn , ▁who ▁would ▁go ▁on ▁to ▁become ▁a ▁regular ▁collabor ator . ▁Al ready ▁a ▁veter an ▁of ▁the ▁LA ▁music ▁scene ▁by ▁ 1 9 7 1 , ▁Horn ▁rec alls ▁his ▁" j aded " ▁mind set ▁before ▁meeting ▁Harrison , ▁but ▁describes ▁the ▁session ▁as ▁a ▁" real ▁turning ▁point " ▁in ▁his ▁career , ▁"