▁the ▁medieval ▁association ▁of ▁five ▁specific ▁moments ▁in ▁Jesus ' ▁Pass ion ▁with ▁specific ▁hours ▁of ▁the ▁day . ▁Having ▁then ▁attributed ▁these ▁to ▁hours ▁of ▁the ▁Div ine ▁Office , ▁he ▁arrived ▁at ▁this ▁schema : ▁▁ ▁Com pl ine ▁- ▁ 2 1 : 0 0 ▁- ▁Jesus ' ▁Ar rest ▁on ▁the ▁Mount ▁of ▁Ol ives ▁ ▁Mat ins ▁- ▁ 0 0 : 0 0 ▁- ▁Jesus ' ▁Tri al ▁before ▁the ▁Jewish ▁San hed rin ▁ ▁Prime ▁- ▁ 0 6 : 0 0 ▁- ▁" an ▁inter l ude ▁celebr ating ▁Christ ▁as ▁the ▁light ▁of ▁the ▁new ▁day " ▁ ▁Ter ce ▁- ▁ 0 9 : 0 0 ▁- ▁Jesus ' ▁Tri al ▁before ▁Pont ius ▁Pil ate ▁ ▁Se xt ▁- ▁ 1 2 : 0 0 ▁- ▁Jesus ' ▁Cru c if ix ion ▁ ▁None ▁- ▁ 1 5 : 0 0 ▁- ▁Jesus ' ▁Death ▁ ▁V es pers ▁- ▁ 1 8 : 0 0 ▁- ▁" rec alling ▁and ▁celebr ating ▁the ▁entire ▁daily ▁cycle " ▁ ▁In ▁the ▁arts ▁ ▁Visual ▁art ▁ ▁Each ▁episode ▁of ▁the ▁Pass ion , ▁such ▁as ▁the ▁Flag ell ation ▁of ▁Christ ▁or ▁Ent omb ment ▁of ▁Christ , ▁has ▁been ▁represented ▁thousands ▁of ▁times ▁and ▁has ▁developed ▁its ▁own ▁icon ographic ▁tradition ; ▁the ▁Cru c if ix ion ▁is ▁much ▁the ▁most ▁common ▁and ▁important ▁of ▁these ▁subjects . ▁The ▁Pass ion ▁is ▁often ▁covered ▁by ▁a ▁cycle ▁of ▁dep