▁made ▁several ▁tri ps ▁around ▁Europe , ▁met ▁other ▁artists ▁and ▁became ▁better ▁acquaint ed ▁with ▁the ▁world ▁of ▁contemporary ▁culture . ▁In ▁Rome , ▁in ▁the ▁ 1 9 7 0 s . ▁he ▁began ▁working ▁for ▁the ▁theatre ▁and ▁television ▁( also ▁with ▁RA I , ▁the ▁Italian ▁public ▁national ▁television ). ▁In ▁these ▁art istic ▁phase ▁he ▁sought ▁an ▁express ive ▁path ▁of ▁his ▁own ▁by ▁experiment ing ▁different ▁methods ▁and ▁ways ▁of ▁painting , ▁using ▁natural ▁elements ▁such ▁as ▁wind , ▁rain ▁and ▁fire ▁– ▁a ▁means ▁of ▁introdu cing ▁random ness ▁and ▁materials ▁such ▁as ▁l ime , ▁c ement , ▁waste ▁paper ▁and ▁canvas . ▁In ▁the ▁late ▁‘ 7 0 s ▁he ▁began ▁working ▁on ▁the ▁“ Tr as par enze ”, ▁which ▁followed ▁the ▁“ St ra ppi ” ▁cycle , ▁re confirm ing ▁his ▁constantly ▁evol ving - transform ing ▁study ▁on ▁canvas . ▁The ▁Tras par enze ▁represent ▁“ res earch ▁into ▁canvas ▁and ▁its ▁pen et rab ility , ▁on ▁the ▁visibility ▁of ▁what ▁is ▁beyond ▁the ▁fabric : ▁an ▁attempt ▁not ▁to ▁make ▁the ▁visibility ▁system ▁st iff ” ▁C . ▁Ben inc asa . ▁These ▁works ▁consist ▁of ▁ult ra - light ▁and ▁super im posed ▁lin en ▁can v ases , ▁meaning ▁the ▁super im position ▁of ▁transparent ▁surfaces ▁that ▁make ▁reference ▁the ▁one ▁to ▁the ▁other ▁and ▁do ▁not ▁hide ▁the ▁colour ▁fragments ▁and ▁small ▁fol ded ▁fab rics ▁they ▁enc lose . ▁This ▁cycle ▁was ▁presented ▁in