conversations.from: human
conversations.value: Write me a song called Lover (Piano/Vocal) with the following description: “Lover (Piano/Vocal)” is a song that can be found on all four of the Target Deluxe Editions of Taylor Swift’s seventh studio album, Lover. It is the final track on the album and is a stripped-back version of the third single, “Lover.” Taylor can be heard describing the writing process of the song in between her vocals, giving her thoughts on the song in more of a personal and in-the-moment way. Make sure the lyrics are different from the original song.
conversations.from: gpt
conversations.value: [Spoken]
  Writing the song "Lover" was one of those magical experiences that you sometimes get to have as a songwriter. Um, I wrote it really quick in the middle of the night. As soon as I wrote it, I knew I wanted it to be the album title. And I knew that writing it kinda would depict the tone of the entire record. So it was a real catalyst for what this album turned into. And I wrote it alone, so I wanted to go in and play it for Jack Antonoff who I knew who would be the perfect person to produce it. And so I walked into the studio and I sat in the piano. And this is what happened So it is, it's basically, I don't see it as a piano. I think it's that like, kinda of, dreamy, guitary, throwback, but not like camp throwback, so
  .
  [Sung: Verse 1]
  We could leave the Christmas lights up 'til January
  This is our place, we make the rules
  And there's a dazzling haze, a mysterious way about you, dear
  Have I known you 20 seconds or 20 years?
  [Sung: Chorus]
  Can I go where you go?
  Can we always be this close forever and ever?
  And ah, take me out, take me home
  You're my, my, my, my lover
  [Spoken]
  Yeah, I love the walk down. I love the walk down. I was trying to figure out "what the hell is gonna happen there"
  So the, so
  .
  [Sung]
  My, my, my, my lover
  [Sung: Verse 2]
  We could let our friends crash on the couches
  This is our place, we make the call
  And I'm highly suspicious that everyone who sees you wants you
  I've loved you three summers now, honey, but I want 'em all [Sung: Chorus]
  Can I go where you go?
  Can we always be this close forever and ever?
  And ah, take me out, and take me home
  You're my, my, my, my lover
  [Spoken]
  Okay and then I have this bridge thing that's um, essentially, Well, no I was, I did, I did it in this key, but it could be like a thing where it's like a key change. So it plays off of the walk down-ish. But it's, this is the melody of it, it goes, it's like
  [Sung: Bridge]
  Ladies and gentlemen, will you please stand?
  With every guitar string scar on my hands
  I take this magnetic force-
  Oh, ****
  I take this magnetic force of a man to be my lover
  My heart's been borrowed and yours has been blue
  All's well that ends well to end up with you
  Swear to be overdramatic and true to my lover
  And you'll save all your dirtiest jokes for me
  [Spoken]
  Wait, so goes...
  [Sung: Bridge]
  And you'll save all your dirtiest jokes for me
  And at every table, I'll save you a seat [Spoken]
  So goes, and you, it goes
  ...
  [Sung: Bridge]
  And you'll save all your dirtiest jokes for me
  My heart's been borrowed your heart's been blue
  All's well that ends well to end up with you
  Swear to be overdramatic
  Swear to be overdramatic and true to my lover
  And you'll save all your dirtiest jokes for me
  And at every table, I'll save you a seat
  [Spoken]
  You like? Yeah! I've never, I never do these cords, but, I was really at the piano, like, hashing it out yesterday
  .