Christopher Lee Fraley
composer, publisher, choral tenor
Recordings / CDs
I'm still in the process of creating a consistent easy-to-use way to order music. For choral music, you may use the order form. For all other music, please contact me directly. Finally, some pieces are also available at MusicSpoke or Sheet Music Plus.
Adela Florence Nicolson
Isabella Parker
Lord Tennyson
PROJECT:ENCORE
India's Love Lyrics
a cappella Adela Florence Nicolson Alto Solo Animation Anthem A Virgin Unspotted Baptism Brightest and Best Byrd Ensemble Cascadian Chorale CD Cello Christina Rossetti Christmas Chromatic Drum Duet Eastertide Emily Dickinson English Epiphany Flute German Hebrew Heinrich Heine Horatio Parker Hymn India's Love Lyrics Isabella Parker Jazzy King Arthur Latin Lecture Lord Tennyson Mass MMR Nature Orchestra Oscar Wilde Piano Picardy Playful PROJECT:ENCORE Recording Sacred Sara Teasdale SATB Song SSA SSAATTBB SSATBB String Quartet Tenor Thomas Tallis Tone Poem Video Violin Vocal William Billings Woodwind Quintet
Catalog Overview
View highlights: Choral – Art Song – Sacred – Chamber – Orchestral
View entire catalog: By Date – Choral – Art Song – Sacred – Chamber – Orchestral – Opera
There's a lot of ground to cover in order to fully explore my catalog, so we'll cover some highlights here.
Missa Brevis – An a capella SATB mass setting. After studying many a capella settings, I decided to write for a single choir rather than double or antiphonal choirs. Doing so, however, presents some unique challenges in terms of preserving interest and forward momentum (both of which would have been easier if I had used a second choir). The Kyrie is a motet in ABA form, corresponding to the form of the text. The Gloria is more declamatory, and based on Pythagorean harmony (based mostly on 5ths). This is immediately followed by a long, fugal Amen movement. The Credo is a highly compact movement—less than three minutes in spite of the long text—that beautifully paints the meaning of the text. The Sanctus features an expressive baritone solo, which climaxes in an exuberant "Hosanna!". The Agnus Dei is beautifully contemplative, with the harmony underscoring the text. (more)
India's Love Lyrics (The Plains , Wistful Wind , Golden Stars ) are based on three poems by Adela Florence Nicolson. A similar harmonic flavor, based on pentatonic chords (1-2-3-5-6 or 1-2-b3-5-b6), unites these pieces. The Plains builds on a chant-like melody and incorporates a lot of word painting, as does the fast-paced Wistful Wind, while Golden Stars makes use of a notational system that allows for great flexibility in performance.
Requiescat is based on the beautifully touching Oscar Wilde poem. This a capella choral song is written as if it were a scene from an opera—a tenor soloist is lamenting at his lover's grave, while the chorus provides harmonic and moral support.
Complete list of choral works.
Wind of the Western Sea , written to the Lord Tennyson poem Sweet and Low, the piano's left-hand depicts the rolling waves of the sea.
Only You , for classical guitar, cello, and tenor/baritone, is a flowing love song written entirely in 7/8.
The Last Flower (text by Ben Johnson) is a lovely song for soprano and piano.
Complete list of art song works.
Now Thank We All Our God is a celebratory anthem based on the standard "old" tune, and is written for SATB choir, organ, trumpet, and optional hand bells, with optional congregational singing on the final verse. A new melody was composed that is compatible with the standard harmonization of the tune, and this new melody forms the basis of the piece. This new melody (and a corresponding new harmony) is the basis for the instrumental introduction as well as the first two verses. The anthem culminates at the last verse with a trumpet descant over an arrangement of the standard harmonization, so that the congregation may join in singing the final verse.
Reborn by Living Water was written for a small church choir which was light on tenor and bass voices. While easy for the choir to learn and sing, there is a lot of musical interest, including the counterpoint in the piano and a cleverly hidden modulation towards the end of the music. Appropriate for baptism or Eastertide.
In the Shadow of the Son is a sacred chamber piece for SATB choir and either violin/clarinet/bassoon/cello or organ. Rather long for use in a worship service, but perfect for a choir concert or special church occasion.
Complete list of sacred works.
String Quartet No. 2 , also known as the Love Quartet, follows in Schubert's tradition of poetic, tuneful writing and harmonic development. The first movement, Longing, is built from three distinct themes, and is uniquely structured to interweave them in all six possible orderings. The second movement, Courtship, explores the excitement and tenderness of courtship. The final movement, Together, is a dance form which depicts the couple's journey together.
The Fish Trio, a piano trio originally written for two violas (it was premiered at a recital of teachers from MAVI, a viola institute), tells the story of a fateful trout (think Schubert) in an aquarium (think Saint Saens) who meets an untimely demise (think cats). The Fish Trio is a fun and funny piece that is still musically serious. If you've ever wanted to hear a Chopin prelude in 5/4, this piece is for you!
The Crossing is an art song for string quartet, horn, and tenor/baritone. It is dark and moody, yet retains a certain beauty.
Woodwind Quintet No. 1 is a neat romp through musical themes via a modified rondo form.
Woodwind Quintet No. 1 (digital demo)
Complete list of chamber works.
Eire's Call , for string orchestra and piano, combines a highly memorable melody with interesting counterpoint. The structure is somewhere between a theme with variations and a rondo. Like Yorkminster Lights , this piece is not a piano concerto per se, but rather each of the string sections and the piano are equally important, playing as a single ensemble.
King Arthur Suite is a collection of four tone poems for string orchestra and percussion, featuring a varied and interesting sound palette built from the strings (with support from a single percussionist). Each tone poem reflects a significant aspect of the Arthurian legend. For example, Guinevere introduces the maiden, depicts her marriage to the king, and the eventual love triangle that forms, using solo instruments for each character.
Symphony No. 1 introduces a few notable twists into an otherwise traditional form. The first movement is a modified sonata, where a fanfare adds a rondo-like element to the structure. The second movement is a fantasy which builds slowly from a single solo instrument to the full symphonic orchestra. The last movement combines the traditional scherzo and finale into a single movement.
Complete list of orchestral works.
Copyright © 2010 – 2020 by Fraley Music, Inc.
Please note that all content on this web site is protected by copyright.