evidence: Contemplate, dear reader, this image of a (cancelled-to-order) stamp, nominally from Equatorial Guinea, a tiny sovereign state on the west coast of Africa that has been grievously plundered and misruled by its leaders, both under Portuguese dominion and in the half-century since independence. The stamp is pretty enough — though the full-color reproduction of an Auguste Renoir painting of a very naked, very pink, big-bosomed young woman seems a bit, well, over the top. Can you seriously imagine a beleaguered citizen of this outlaw African state finding one of these in her or his local post office, for use on outgoing mail? Not likely. Remember all those rules set by the Universal Postal Union about what constitutes a legitimate stamp? (See blog post, September 2017.) Well, this stamp breaks most of those rules. It certainly has nothing to do with Equatorial Guinea. It’s doubtful it ever went on sale in the country, or if so was widely available for purchase. It is by no possible rhetorical stretch an emblem of Equatorial Guinean culture or sovereignty.