query: occupation alessandro della via
supports: Tiziano Vecelli or Tiziano Vecellio (1488/1490  27 August 1576), known in English as Titian , was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno (in Veneto, Republic of Venice). During his lifetime he was often called "da Cadore", taken from the place of his birth. Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino and Vatican City. Italy covers an area of and has a largely temperate seasonal climate and Mediterranean climate; due to its shape, it is often referred to in Italy as "lo Stivale" (the Boot). With 61 million inhabitants, it is the fourth most populous EU member state. Tintoretto (born Jacopo Comin, late September or early October, 1518  May 31, 1594) was an Italian painter and a notable exponent of the Renaissance school. For his phenomenal energy in painting he was termed Il Furioso. His work is characterized by its muscular figures, dramatic gestures, and bold use of perspective in the Mannerist style, while maintaining color and light typical of the Venetian School. Cinquecento ('five hundred'; short for "millecinquecento" '1500') was the Italian Renaissance of the 16th century, including the current styles of art, music, literature, and architecture.  Architecture (Latin "architectura", from the Greek  "arkhitekton" "architect", from - "chief" and  "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Alessandro della Via was an Italian engraver . He resided at Venice c. 1730 . He engraved several portraits and a plate , representing the Virgin and Infant Christ , with St. Sebastian and other Saints after Paolo Veronese . The Feast in the House of Levi or Christ in the House of Levi is a 1573 painting by Italian painter Paolo Veronese and one of the largest canvases of the 16th century, measuring . It is now in the Gallerie dell'Accademia in Venice. It was painted by Veronese for the rear wall of the refectory of the Basilica di Santi Giovanni e Paolo, a Dominican friary, as a "Last Supper", to replace an earlier work by Titian destroyed in the fire of 1571. Paolo Caliari, known as Paolo Veronese (15281588), was an Italian Renaissance painter, based in Venice, known for large-format history paintings of religion and mythology, such as "The Wedding at Cana"(1563) and "The Feast in the House of Levi" (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the great trio that dominated Venetian painting of the "cinquecento" and the Late Renaissance in the 16th century. Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. Venice (; ) is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 117 small islands that are separated by canals and linked by bridges. These are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, and artwork. The lagoon and a part of the city are listed as a World Heritage Site. History painting is a genre in painting defined by its subject matter rather than artistic style. History paintings usually depict a moment in a narrative story, rather than a specific and static subject, as in a portrait. The term is derived from the wider senses of the word "historia" in Latin and Italian, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, historical painting is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological and allegorical subjects, which are included in the broader term history painting, and before the 19th century were the most common subjects for history paintings. 
candidates: architect architecture member naturalist painter religious
answer: painter