Our Lady of the Nile

Our Lady of the Nile () is a French-language novel by Scholastique Mukasonga, originally published in 2012 by Éditions Gallimard. It is Mukasonga's fourth book and first novel. The English-language translation, published in the United States in 2014 by Archipelago Books, was done by Melanie Mauthier, a poet and writer from the United Kingdom.
The story is about life at a Catholic boarding secondary school in Nyambinombe District, Rwanda circa 1980, prior to the Rwandan genocide of 1994.
Christine Rousseau of "Le Monde" wrote that "D'une écriture âpre et tendue, Notre-Dame du Nil dépeint une société qui chemine inexorablement vers l'horreur" ("With bitter and tense writing, "Our Lady of the Nile" depicts a society walking inexorably towards horror"). Brian P. Kelly of "The New Criterion" wrote that the book "is a snapshot of the social and racial conflicts that eventually led to the 1994 massacres." Madeleine LaRue of "Music & Literature" wrote that "The West has indeed too often dismissed suffering in Africa, but books like "Our Lady of the Nile" remind us why we must not be dismissive, why we must not look away."
Story.
The story takes place at an all-girls lycée at the top of a hill, near the source of the Nile River. The story is set during Hutu rule. Most of the students are children of prominent government officials. Julian Lucas describes the culture as an "East African "Mean Girls". The school has a quota that limits Tutsi students to 10% of the student body. Therefore only two girls are Tutsis. The characters form an ensemble cast and are present throughout the book. Each chapter focuses on a particular girl.
The initial portion of the book discusses a geography lesson in which the teacher points to the high altitude in which the school resides, and the teacher proclaims the apparent proximity to heaven. Julian Lucas of the "New York Review of Books" states that this foreshadows a fall from grace. The middle of the novel includes the Tutsi students' encounters with some men, and the final portion of the novel showcases an anti-Tutsi frenzy, orchestrated by Hutu student Gloriosa and assisted by a white teacher. Gloriosa had accidentally damaged a statue of Mary while trying to remove a nose deemed too Tutsi-like, referring to the notion of spiting one's face by cutting off one's nose. Character deaths are not directly depicted and are instead recounted by another character. A northern-origin student, Goretti, ends Gloriosa's campaign and becomes the leader of the school dormitory; this is a reference to the overthrow of Grégoire Kayibanda by Juvénal Habyarimana. Gloriosa's father becomes a prison inmate.
Tom Zoellner of Chapman University argued that the beginning of the novel is "too preoccupied with stage-setting".
Style.
Christopher Byrd of "Barnes & Noble Review" stated that the novel uses a context leading up to the Rwandan massacre while also maintaining "a universal texture to the resentment, envy, and opportunism that are a part of any student body" through being a school story. Nick DiMartino wrote in "Three Percent" that Mukasonga included "chuckling good humor" and was "playful" in her writing. The novel uses many Kinyarwanda words, a feature retained in the English translation; LaRue stated that many writers in post-colonial countries intersperse words of indigenous languages into texts written in European languages, which is "interrupting" the colonial language. The English version also retains usage of some French words, such as "lycée", giving it what LaRue describes as "another layer of “foreignness” to the text."
Characters.
"Publishers Weekly" wrote that the characters are distinct and that a few characters "lack overt motivation for their nastiness". LaRue argued that some characters are "too schematic".
Most of the characters are schoolgirls from wealthy families. Students include:
Faculty:
Other characters:
Reception.
The book won the 2012 . It also won the Prix Renaudot, the French Voices Award, and the Océans France Ô prize. Judith Rosen of "Publishers Weekly" ranked it as one of "The Big Indie Books of Fall 2014". In 2016, the English translation was on the shortlist for the International Dublin Literary Award.
Byrd stated that the "air of foreboding consequence that imparts urgency to almost every page" adds to the novel, and that "Mukasonga is a gifted storyteller with a sure sense of plot construction, and an aptitude for crafting piquant descriptions." Byrd criticised the use of archetypes as characters, calling them "tendentious characterizations" and Byrd also argued that the dialog "skews too much to blatant declarations for my tastes".
Rousseau wrote that the book was "Poignant et implacable" (poignant and harsh/implacable).
Tom Zoellner of Chapman University stated that the book is an "outstanding work of African fiction", and that "Mukasonga is dead on target about Rwanda". According to Zoellner, the expository speeches were "clunky" and some characters made "stentorian proclamations that no self-respecting adolescent girl would attempt" and therefore "Mukasonga’s strength is generally not in dialogue."
LaRue stated that "we should[...]welcome the opportunity to read Mukasonga’s work in English", despite its minor flaws including " dialogue and exposition[that]are occasionally clumsy".
John Taylor wrote in "The Arts Fuse" that "Our Lady of the Nile" is "well-constructed". He argued that the author used too pedagogical of an approach to explain the Hutu-Tutsi conflict but he said that was a minor complaint.
"Publishers Weekly" wrote that Mukasonga "fully draws readers into the tensions, spirituality, and culture of Rwandan life from page one."
Film.
In 2014, Charlotte Casiraghi bought the rights to the book and will be one of the producers of the film to be adapted from the novel. "Chapter 2", the production company run by Casiraghi's partner, Dimitri Rassam released the film in partnership with Les Films du Tambour, run by Marie Legrand and Rani Massalha.
The film was directed by Atiq Rahimi and stars Amanda Santa Mugabekazi, Albina Sydney Kirenga, Malaika Uwamahoro, Clariella Bizimana, Belinda Rubango Simbi, and Pascal Greggory. Its world premiere is scheduled for 5 September 2019 at the Toronto International Film Festival, where the film has been designated "Contemporary World Cinema Opening Film".