Deborah Levy

Deborah Levy (born 6 August 1959) is a British novelist, playwright and poet. She initially concentrated on writing for the theatre – her plays were staged by the Royal Shakespeare Company – before focusing on prose fiction. Her early novels included "Beautiful Mutants", "Swallowing Geography" and "Billy & Girl". Her more recent fiction has included the Booker-shortlisted novels "Swimming Home" and "Hot Milk", as well as the Booker-longlisted "The Man Who Saw Everything" and the short story collection "Black Vodka".
Early life and education.
Levy was born in Johannesburg, South Africa, the granddaughter of Lithuanian immigrants. Her father, Norman Levy, was a member of the African National Congress and an academic and historian. Her mother was Philippa (née Murrell). The family emigrated to London in 1968, initially living in Wembley before moving to Petts Wood. Her parents divorced in 1974.
She was educated at St Saviour’s and St Olave’s School, Southwark, and then at Hampstead School. She then trained at Dartington College of Arts, which she was inspired to attend by Derek Jarman, whom she met while working as an usher at Notting Hill's Gate Cinema.
Work.
Theatre.
After leaving Dartington in 1981, Levy wrote a number of plays, including "Pax", "Heresies" for the Royal Shakespeare Company, and others ("Clam", "The B File", "Pushing the Prince into Denmark", "Macbeth – False Memories", and "Honey, Baby") which are published in "Levy: Plays 1" (Methuen).
She was director and writer for Man Act Theatre Company, a radical group that operated under the umbrella of Cardiff Laboratory Theatre, based at Chapter Arts Centre.
Poetry.
Levy's major work as a poet is "An Amorous Discourse in the Suburbs of Hell" (1990), which takes the form of a conversation between an angel and an accountant. It considers the struggle between, on the one hand, spontaneity and ambition, and, on the other, logic and contentment.
Fiction.
Levy published a collection of short stories, "Ophelia and the Great Idea", in 1985. Her first novel, "Beautiful Mutants", was published in 1987 by Jonathan Cape. Her second novel, "Swallowing Geography", was published in 1993, also by Cape, and her third, "Billy and Girl", was published in 1996 by Bloomsbury. Her short story "Proletarian Zen" was published in "PEN New Fiction" in 1985 by PEN International and Quartet Books.
"Swimming Home" (And Other Stories, 2011) was shortlisted for the Man Booker Prize 2012 among other awards. Levy published a short story collection, "Black Vodka" (And Other Stories, 2013), which cemented her reputation as "one of the most exciting voices in contemporary British fiction." Her novel "Hot Milk" was published in 2016 and was shortlisted for the Man Booker Prize 2016.
One of Levy's short stories, "Stardust Nation", was adapted as a graphic novel by Andrzej Klimowski, emeritus professor at the Royal College of Art, and published by SelfMadeHero in 2016.
In 2019 her novel "The Man Who Saw Everything" was longlisted for the Booker Prize.
Autobiographies.
Levy's first volume of autobiography, "Things I Don't Want to Know", was written in response to George Orwell's essay "Why I Write" and was published in 2013. In 2018 she published a second, "The Cost of Living". She has described them as "living" autobiographies, since they are "hopefully not being written at the end, with hindsight, but in the storm of life".
Style and themes.
Writing in the "London Review of Books" in 2016, Alice Spawls commented on several unconventional characteristics of Levy's writing: she "doesn't like stable narrators", has a "preference for shifting perspectives – she especially likes looking at one character through another", and "is interested in women who don’t have homes and aren’t sure where to look for them" ("women who like to dissect things, who reassure themselves with cataloguing and calculating, as though people and feelings could be contained by indices"). Spawls noted that Levy's stories "almost always begin with a failure of language", explaining that Levy "has said that she’s not interested in the most articulate person in the room, and that her work is informed by the theatre director Zofia Kalinska’s statement: 'We always hesitate when we wish for something. In my theatre, I like to show the hesitation and not to conceal it. A hesitation is not the same as a pause. It is an attempt to defeat the wish.'"
Leo Robson, reviewing "The Man Who Saw Everything" in the "New Statesman", provided this overview: "Levy’s project as a writer is itself about effacing borders – between the novel of ideas and the novel of sentiment, be-tween the schematic and the fluent, the inevitable and the accidental, the cerebral and immersive, the sensuous (or somatic) and cerebral, the parochial and otherworldly, metaphor and literalism. If this sounds vague, it should."
Academic.
Levy was a Fellow Commoner in Creative Arts at Trinity College, Cambridge from 1989 to 1991. From 2006 to 2009 she was AHRB Fellow in Creative and Performing Arts at the Royal College of Art. She was a visiting professor at Falmouth School of Art, Falmouth University, from 2013 to 2015, and from 2018 to 2019 was a fellow of Columbia University's Institute for Ideas and Imagination.
Personal life.
Levy married David Gale, a playwright, in 1997. The couple, who have two daughters, are now divorced.