The Letter for the King (TV series)

The Letter for the King is a coming-of-age adventure television series developed by Will Davies and FilmWave for Netflix inspired by the classic 1962 Dutch novel by Tonke Dragt. The six-episode series was released on Netflix on March 20, 2020.
Premise.
A young aspiring knight Tiuri (Amir Wilson) finds himself on a perilous mission to deliver a secret letter to the King who lives across the Great Mountains.
Production.
Development.
In July 2018, it was announced Netflix had ordered an original series based on Tonke Dragt's "De brief voor de Koning" with Will Davies as showrunner and executive producer. This is the first Netflix adaptation of a Dutch book, although it will be adapted in English; the series is titled after the English translation, which was published in 2014. FilmWave acquired the international rights in a deal with Leopold. Paul Trijbits of FilmWave is executive producing, Chris Clark is producing, and Alex Holmes and Felix Thompson are directing.
Casting.
The cast was announced in December 2018 with Amir Wilson in the lead role.
Filming.
Principal photography took place in New Zealand and Prague, Czech Republic.
Music.
Brandon Campbell composed the music for the series. "It’s an orchestral, adventure score, but we wove in a lot of Western elements. There are acoustic guitars, some vocals, the fiddle, and trumpet. Our approach to this project, and our vision as it came together, was a Western that takes place in the middle of this magical adventure," he told "Awards Daily".
Jussipo uses the score of "In Hell, I'll Be in Good Company" from the band "The Dead South" as music for his songs, this music is also sung for his burial.
Release.
First-look promotional pictures were released in January 2020 followed by a teaser and trailer in February.
Reception.
Critical reception.
On Rotten Tomatoes, the series has an approval rating of 60% based on reviews from 20 critics, with an average rating of 6.69/10. The website's critical consensus reads: "The Letter for the King aspires for greatness, but poor pacing stretched across too many episodes hinder what could be an epic journey." On Metacritic, the series has a score of 55 out of 100 based on reviews from 6 critics, indicating "mixed or average reviews".
Anglophone reception.
Jack Seale of "The Guardian" awarding the series 3 out of 5 stars and wrote: "But while The Letter for the King doesn’t feel like an adults’ show that kids can get away with watching, it’s also not a kids’ show that’s fun enough for adults to enjoy, with its bowdlerised fights and romance." David Opie of "Digital Spy" gave it 2 out of 5 stars and wrote: "Unfortunately, The Letter For The King is not the new fantasy smash we were hoping for, so you can toss out any high expectations you might have like a coin to your Witcher. In fact, it's not even that great for fans of the book either.".
"The Letter for the King" was frequently dubbed as a "Game of Thrones" for children. Patrick Cremona of "Radio Times" gave it 2 out of 5 stars and wrote: "The show is watchable enough, and might serve as a useful way into medieval fantasy for younger audiences who aren’t yet ready for the more adult-orientated series that have recently dominated the genre, which is by no means a bad thing. It seems unlikely, however, that this is the next big fantasy series that Netflix might have hoped for. The hunt for the next Game of Thrones goes on…".
Dutch reception.
Although the series topped the Netflix ratings in the Netherlands, it also received very mixed critical reviews, mostly directed towards the execution of the series based on the book by Dragt. Mark Moorman of "De Volkskrant" awarded the show 3 out of 5 stars and commented: "With nice young actors, beautiful cinematography and a strong queeste, The Letter for the King is a reasonable success. But it does feel a bit like Netflix has crushed our favourite children's book with a steam driver." Belinda van de Graaf of "Trouw" also awarded the series 3 out of 5 stars and wrote: "In their dedication to inclusivity, the creators even went further. Tiuri's most important companion is no long a boy (Piak) but a girl, Lavinia. And somewhere at the end, there is an intimate kiss between two trainees. Sweet, that kiss between two guys, but that scene is a bit unearned. The same counts for all the hocus pocus that the creators added. It is understandable that Tonke Dragt rather wants to talk of series that was inspired by her book than an adaption of her work."