The "equivalents" of White were often photographs of barns, doorways, water, or sky, things usually considered mundane; but in regards to an equivalent, the specific objects are of little importance either to the photographer or the viewer.
The "equivalents" of White were often photographs of barns, doorways, water, the sky, or simple paint peeling on a wall: things usually considered mundane. However, in regards to an equivalent, the specific objects themselves are of little importance either to the photographer or the viewer.