In her collection of early works (1960-1997) "Crass Art and Other Pre Post-Modernist Monsters", Gee is shown to use paints and collages to show her strong anarcho-pacifist, and feminist views through her artwork.
In her collection of early works (1960-1997) "Crass Art and Other Pre Post-Modernist Monsters", Dagenham, East London. Vaucher is shown to use paints and collages to show her strong anarcho-pacifist, and feminist views through her artwork.