In his Neoclassical works, Respighi generally kept clear of the musical idiom of the classical period, preferring to combine pre-classical melodic styles and musical forms (like dance suites) with typical late-19th-century romantic harmonies and textures.
In his Neoclassical works, Respighi generally kept clear of the musical idiom of the classical period. He preferred combining pre-classical melodic styles and musical forms (like dance suites) with typical late-19th-century romantic harmonies and textures.