The European concept of the harem further implants itself within Delacroix's work, ultimately creating a painting that objectifies and eroticizes the Algerian women to a greater extent than the original 1834 version.
The European concept of the harem further implants itself within Delacroix's work. Ultimately creating a painting that objectifies and eroticizes the Algerian women to a greater extent than the original 1834 version.