↑ Russian: Анна Андреевна Горенко, IPA: [ˈanə ɐnˈdrʲejɪvnə gɐˈrʲɛnkə] (listen); Ukrainian: Анна Андріївна Горенко, Anna Andriyivna Horenko 1 2 1912: Vecher (Evening) 46 poems, 92 pages. 300 copies. Published by the Poets Guild. See Martin (2007) p. 4. 1 2 1914: Chetki (Rosary or literally Beads) 52 poems, 120 pages, published by Hyperborea. See Martin (2007) p. 4 and Wells (1996) p. 6 ↑ "Poem Without a Hero" was inspired by Alexander Pushkin's Eugene Onegin ↑ See here for mosaic images Mosaics located in the National Gallery in London. In the Cathedral of Christ the King Mullingar, Anrep's mosaic of Saint Anne is spelt Anna – the saint’s image bears a close resemblance to Akhmatova in her mid-20s. He also depicted Akhmatova in a religious mosaic entitled Compassion. ↑ For commentary on the relationship between Akhmatova and Anrep, see Wendy Rosslyn, "A propos of Anna Akhmatova: Boris Vasilyevich Anrep (1883–1969)," New Zealand Slavonic Journal 1 (1980): pp. 25-34. 1 2 Anno Domini MCMXXI 102 pages, 2000 copies published. Her last volume of new work. See Martin (2007) p.6 ↑ Their home in The Fountain House, on the Fontanka river in St Petersburg, is now an Akhmatova museum. ↑ "Enûma Elish" are the opening words of a Babylonian creation myth. It could be translated as "when at the summit". Accounts differ as to when it was destroyed. Polivanov, who knew Akhmatova, suggests it was written in Tashkent while she was suffering from typhus, and burnt in fear in 1944. The poet read the play to friends before burning it, and it is reported to concern the Kafkaesque imprisonment and trial of a woman poet, who does not why she has been interned, roundly condemning Stalin and the arbitrary nature of his purges. During the 1960s Akhmatova tried to recall the text. Polivanov reports that her friend "could not remember her shortest poems, much less a long text". No text of the play is extant. [Polivanov (1994) pp.213-214]. ↑ 1917: Belaya Staya (White flock) 2000 copies, 142 pages, published by Hyperborea. See Martin (2007) p.5 ↑ 1921 Podorozhnik (Wayside grass/Plantain). 60 pages, 1000 copies published. Half the poems are about to or about her husband Shileiko. See Martin (2007) p. 6 ↑ 1940 From Six Books 327 pages. 10,000 copies intended but publication was suspended shortly after release and copies pulped and remaining issues banned. See Martin (2007) p.9 ↑ 1943 Izbrannoe Stikhi (“Selections of poetry”) Tashkent, government issued and edited. 114 pages, 10,000 copies. See Martin (2007) p.10 1 2 3 1965 Beg vremeni (The flight of time) – (Collected works 1909–1965) 50,000 copies, 471-pages. The collection draws from seven of her books including the unpublished volumes Iva and Sed’maya kniga (Seventh book) See Martin (2007) pp. 12-13