↑ Romanization of Korean. The National Institute of the Korean Language. Retrieved 14 February 2013. ↑ Farrar, Lara (December 31, 2010). Korean Wave of pop culture sweeps across Asia. CNN. Turner Broadcasting System, Inc. Retrieved March 16, 2010. ↑ Ravina, Mark (2009). Introduction: Conceptualizing the Korean Wave. Southeast Review of Asian Studies. ↑ Kim, Ju Young (2007). Rethinking media flow under globalisation: rising Korean wave and Korean TV and film policy since 1980s. University of Warwick Publications. ↑ Yoon, Lina. (2010-08-26) K-Pop Online: Korean Stars Go Global with Social Media. TIME. Retrieved on 2011-02-20. ↑ JAMES RUSSELL, MARK. The Gangnam Phenom. Foreign Policy. Retrieved 11 October 2012. First taking off in China and Southeast Asia in the late 1990s, but really spiking after 2002, Korean TV dramas and pop music have since moved to the Middle East and Eastern Europe, and now even parts of South America. ↑ South Koreas K-pop spreads to Latin America. Agence France-Presse. Retrieved 28 March 2013. ↑ Brown, August (29 April 2012). K-pop enters American pop consciousness. The Los Angeles Times. Retrieved 24 March 2013. The fan scene in America has been largely centered on major immigrant hubs like Los Angeles and New York, where Girls Generation sold out Madison Square Garden with a crop of rising K-pop acts including BoA and Super Junior. ↑ South Korea pushes its pop culture abroad. BBC. 2011-11-08. Retrieved 7 September 2012. ↑ South Korea’s soft power: Soap, sparkle and pop The Economist (August 9, 2014). Retrieved on August 12, 2014. 1 2 Melissa Leong (August 2, 2014). How Korea became the worlds coolest brand. Financial Post. Retrieved 18 January 2015. ↑ Kwak, Donnie. PSYs Gangnam Style The Billboard Cover Story. Billboard. Retrieved 2 November 2012. The Korean music industry grossed nearly $3.4 billion in the first half of 2012, according to Billboard estimates, a 27.8% increase from the same period last year. ↑ Hallyu: Confluence of politics, economics and culture. The Daily Tribune. Retrieved 21 April 2013. Hallyu was derived from the two Korean words Han for Korean and Ryu for wave, bringing about the present-day name for Korean Wave, a global phenomena about the popularity of Korean dramas. 1 2 Kim, J. (2014). Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. London: IB Tauris. ↑ Parc, Jimmyn and Moon, Hwy-Chang (2013) “Korean Dramas and Films: Key Factors for Their International Competitiveness”, Asian Journal of Social Science 41(2): 126-149. ↑ Nye, Joseph. South Koreas Growing Soft Power. Harvard University. Retrieved 4 March 2013. Indeed, the late 1990s saw the rise of Hallyuor the Korean Wavexa0— the growing popularity of all things Korean, from fashion and film to music and cuisine. ↑ South Korea: The king, the clown and the quota. The Economist. 18 February 2006. Retrieved 17 March 2013. ↑ The Future, after the Screen Quota. The KNU Times. Retrieved 8 April 2013. ↑ Lee, Hyung-Sook (2006). Between Local and Global: The Hong Kong Film Syndrome in South Korea. ProQuest. p.xa048. ↑ Choi, Jinhee (2010). The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press. p.xa016. ↑ What is the future of Korean film?, The Korea Herald ↑ ROUSSE-MARQUET, Jennifer. K-popxa0: the story of the well-oiled industry of standardized catchy tunes. Retrieved 17 March 2013. 1 2 Shim, Doobo. Waxing the Korean Wave (PDF). National University of Singapore. Retrieved 17 March 2013. ↑ Huat, Chua Beng; Iwabuchi, Koichi (2008). East Asian pop culture. Hong Kong: Hong Kong University press. ISBNxa09789622098923. ↑ Onishi, Norimitsu (29 June 2005). South Korea adds culture to its export power. The New York Times. Retrieved 18 March 2013. What is more, South Korea, which long banned cultural imports from Japan, its former colonial ruler, was preparing to lift restrictions starting in 1998. Seoul was worried about the onslaught of Japanese music, videos and dramas, already popular on the black market. So in 1998 the Culture Ministry, armed with a substantial budget increase, carried out its first five-year plan to build up the domestic industry. The ministry encouraged colleges to open culture industry departments, providing equipment and scholarships. The number of such departments has risen from almost zero to more than 300. ↑ MACINTYRE, DONALD (10 September 2001). Koreas Big Moment. Time. Retrieved 17 March 2013. Technical quality improved steadily and genres multiplied. Shiri, released in 1999, was the breakthrough. Hollywood-style in its pacing and punch, it probed the still-sensitive issue of relations between the two Koreas through the story of a North Korean assassin who falls in love with a South Korean counterintelligence agent. The film sold 5.8 million tickets, shattering the previous record for a locally made movie of 1 million. Its $11 million box office grabbed the attention of investors, who are clamoring for new projects. ↑ U.N. Panel Approves Protections for Foreign Films, NPR ↑ Ji-myung, Kim. Serious turn for hallyu 3.0. The Korea Times. Retrieved 17 March 2013. ↑ Kim, Hyung-eun. Hallyu bridges gap, but rift with China remains Check _BAR_url= value (help). JoongAng Ilb. Retrieved 21 March 2013. ↑ When the Korean wave ripples, International Institute for Asian Studies 1 2 A little corner of Korea in India. BBC. 17 October 2010. Retrieved 30 August 2012. ↑ Kember, Findlay. Remote Indian state hooked on Korean pop culture. Agence France-Presse. Retrieved 24 February 2013. ↑ List of million sellers in 2002 (in Japanese). RIAJ. Retrieved September 29, 2008. ↑ Celdran, David. Its Hip to Be Asian. PHILIPPINE CENTER FOR INVESTIGATIVE JOURNALISM. Archived from the original on 19 March 2013. Retrieved 19 March 2013. ↑ Kee-yun, Tan. Welcome back pretty boys. Asiaone. Retrieved 19 March 2013. ↑ Hewitt, Duncan (20 May 2002). Taiwan boy band rocks China. BBC. Retrieved 19 March 2013. ↑ Lee, Claire. Remembering Winter Sonata, the start of hallyu. The Korea Herald. Retrieved 26 December 2012. ↑ Chua, Beng Huat; Iwabuchi, Koichi (2008-02-01). East Asian Pop Culture: Analysing the Korean Wave. Hong Kong University Press. ISBNxa09789622098923. ↑ The Korean Wave (Hallyu) in East Asia: A Comparison of Chinese, Japanese, and Taiwanese Audiences Who Watch Korean TV Dramas. ↑ A Study of Japanese Consumers of the Korean Wave (PDF). ↑ Han, Hee-Joo; Lee, Jae-Sub (2008-06-01). A Study on the KBS TV Drama Winter Sonata and its Impact on Koreas Hallyu Tourism Development. Journal of Travel & Tourism Marketing. 24 (2-3): 115–126. doi:10.1080/10548400802092593. ISSNxa01054-8408. ↑ Hanaki, Toru; Singhal, Arvind; Han, Min Wha; Kim, Do Kyun; Chitnis, Ketan (2007-06-01). Hanryu Sweeps East Asia How Winter Sonata is Gripping Japan. International Communication Gazette. 69 (3): 281–294. doi:10.1177/1748048507076581. ISSNxa01748-0485. ↑ Lee, Claire. Remembering Winter Sonata, the start of hallyu. The Korea Herald. Retrieved 26 December 2012. The shows popularity in Japan was surprising to many, including the producer Yoon Suk-ho and then-Japanese Prime Minister Junichiro Koizumi, who in 2004 famously said, Bae Yong-joon is more popular than I am in Japan. ↑ Lee (이), Hang-soo (항수). 홍콩인들 이영애·송혜교 가장 좋아. Chosun Ilbo (in Korean). Retrieved 2 April 2013. ↑ Celdran, David. Its Hip to Be Asian. PHILIPPINE CENTER FOR INVESTIGATIVE JOURNALISM. Archived from the original on 19 March 2013. Retrieved 19 March 2013. ↑ Williamson, Lucy (26 April 2011). South Koreas K-pop craze lures fans and makes profits. BBC. Retrieved 19 March 2013. ↑ Faiola, Anthony (31 August 2006). Japanese Women Catch the Korean Wave. The Washington Post. Retrieved 18 March 2013. Theres only one more thing this single Japanese woman says she needs to find eternal bliss – a Korean man. She may just have to take a number and get in line. In recent years, the wild success of male celebrities from South Korea – sensitive men but totally ripped – has redefined what Asian women want, from Bangkok to Beijing, from Taipei to Tokyo. Gone are the martial arts movie heroes and the stereotypical macho men of mainstream Asian television. Today, South Koreas trend-setting screen stars and singers dictate everything from what hair gels people use in Vietnam to what jeans are bought in China. Yet for thousands of smitten Japanese women like Yoshimura, collecting the odd poster or DVD is no longer enough. Theyve set their sights far higher – settling for nothing less than a real Seoulmate. ↑ K-Drama: A New TV Genre with Global Appeal. Korean Culture and Information Service. Retrieved 2016-01-05. ↑ K Wave in Sri Lanka. Wordpress. Retrieved 2014-10-16. ↑ Korea in Nepal. beed. Retrieved 2016-01-05. ↑ Korean fever strikes Bhutan. Inside ASEAN. Retrieved 2016-01-05. ↑ Brown, August (29 April 2012). K-pop enters American pop consciousness. Los Angeles Times. Retrieved 17 March 2013. ↑ Hampp, Andrew. Secrets Behind K-Pops Global Success Explored at SXSW Panel. Billboard. Retrieved 17 March 2013. Thats a long way from even a few years ago, when panel moderator Sang Cho, chief operating officer of Korean TV company Mnet, would start pitching music programming to U.S. executives. We probably showed about 300 music videos to top producers and record labels. In the beginning there were relationships so they would be courteous, but it was not a serious conversation, he said. Its a different dialogue now. ↑ Oh, Esther. K-Pop taking over the world? Dont make me laugh. CNN. Retrieved 28 April 2013. Like BoA, Se7en also tried to find success in North America and worked alongside Mark Shimmel, Rich Harrison and Darkchild. The result? Complete flops. ↑ James Russell, Mark. The Gangnam Phenom. Foreign Policy. Retrieved 5 March 2013. ↑ Iranians hooked on Korean TV drama, Global Post ↑ Mee-yoo, Kwon. Intl fans visit Korea for Seoul Drama Awards. Korea Times. Retrieved 17 March 2013. The hit Korean drama Jumong was broadcast in Romania earlier this year, attracting some 800,000 viewers to the small screen. 1 2 Koreas mark on an expectation-defying Iran. The Korea Herald. Retrieved 17 February 2013. The Korean wave, or hallyu, has also made significant forays into Iran. Korean period dramas, Jumong in particular, were smash hits. Jumong ― the founding monarch of Koreas ancient Goguryeo kingdom (37 B.C.-A.D. 668) ― has become the most popular TV drama representing Korea here, with its viewer ratings hovering around 80 to 90 percent. ↑ K-pop goes global. CNN. Retrieved 4 March 2013. ↑ (LEAD)(Yonhap Interview) Peruvian vice president hopes for further economic ties. Yonhap. Retrieved 5 March 2013. K-pop and soap operas have taken popularity. It was one of the main factors that made Peruvian people wanting to get to know South Korea more, Espinoza said. ↑ FLOTUS (First Lady of the United States). Last week, we picked Napa cabbage in the garden. Now, were using it to make kimchi in the kitchen.... Twitter. Retrieved 22 March 2013. ↑ South Korea Digests White House Kimchi Recipe. The Wall Street Journal. Retrieved 22 March 2013. ↑ Vilas-Boas, Eric. Will the White House Kitchen Go Global in the Second Term?. Retrieved 22 March 2013. ↑ HAWKES, STEVE. Psy-high demand for Korean grub. London: The Sun. Retrieved 22 March 2013. ↑ Hallyu erobert die Welt (in German). Deutschlandradio. Retrieved 22 March 2013. ↑ Le 20h avant lheurexa0: le phénomène K Pop déferle en France (in French). TF1. Retrieved 22 March 2013. ↑ Myanmars Suu Kyi urges more human democracy. AFP. Retrieved 22 March 2013. On Thursday night she had a special dinner with a host of South Korean soap opera stars, one of whom she had personally invited because of his resemblance to her assassinated father. Ahn Jae-Wook, a popular singer and actor, starred in the 1997 TV drama Star in My Heart, which was a big hit in Myanmar. ↑ Full text of Parks inauguration speech. Yonhap. Retrieved 24 March 2013. The new administration will elevate the sanctity of our spiritual ethos so that they can permeate every facet of society and in so doing, enable all of our citizens to enjoy life enriched by culture. We will harness the innate value of culture in order to heal social conflicts and bridging cultural divides separating different regions, generations, and social strata. We will build a nation that becomes happier through culture, where culture becomes a fabric of daily life, and a welfare system that embodies cultural values. Creative activities across wide-ranging genres will be supported, while the contents industry which merges culture with advanced technology will be nurtured. In so doing, we will ignite the engine of a creative economy and create new jobs. Together with the Korean people we will foster a new cultural renaissance or a culture that transcends ethnicity and languages, overcomes ideologies and customs, contributes to the peaceful development of humanity, and is connected by the ability to share happiness. ↑ Park to put policy priority on culture. The Korea Times. Retrieved 24 March 2013. ↑ Tourism To South Korea Number of tourists visiting South Korea expected to top 10 million - .... eturbonews.com. ↑ Culture to be groomed as next growth engine. The Korea Times. Retrieved 24 March 2013. As a recent state survey indicates, there are many who believe that the popularity of hallyu faces an uncertain future. Around 66 percent of 3,600 respondents in nine countries (China, Japan, Taiwan, Thailand, U.S., Brazil, France, U.K. and Russia) said that the popularity of Korean culture will subside in the next four years ↑ KOTRA 작년 한류 문화콘텐츠 수출효과 3조2000억원. view.asiae.co.kr. Retrieved 2016-04-21. ↑ Mukasa, Edwina (15 December 2011). Bored by Cowell pop? Try K-pop. London: The Guardian. Retrieved 25 January 2013. The result, according to a survey conducted by the Korean Culture and Information Service, is that there are an estimated 460,000 Korean-wave fans across Europe, concentrated in Britain and France, with 182 hallyu fan clubs worldwide boasting a total of 3.3m members. ↑ K-pop drives hallyu craze: survey. The Korea Herald. Retrieved 28 July 2013. ↑ Web Search Interest: super junior. Saudi Arabia, Kazakhstan, Peru, Italy, United States, Sep–Dec 2012.. Google Trends. Retrieved 20 April 2013. ↑ Sourcexa0: Ministry of Foreign Affairs and Trade (South Korea). KOREA.net. Archived from the original on 31 March 2013. Retrieved 31 March 2013. Meanwhile, the number of members of the Hallyu fan clubs has exceeded the 1,000 mark. Amid such trends, TV broadcasters are airing an increasing number of the Korean soap operas. 1 2 3 4 Middle East: Korean pop brings hope for peace. BBC. 2013-08-07. Retrieved 7 August 2013. 1 2 Shin, Hyon-hee. K-pop craze boosts Koreas public diplomacy. The Korea Herald. Retrieved 28 January 2013. In Chile alone, there are about 20,000 members of 200 clubs also for Big Bang, 2PM, CN Blue, SHINee, MBLAQ and other artists. Peru is another K-pop stronghold, with nearly 8,000 people participating in 60 groups. ↑ K-pop magazine published in Russia. Korea.net. Oct 15, 2012. Retrieved 17 January 2015. ↑ DAMIEN CAVE (21 September 2013). For Migrants, New Land of Opportunity Is Mexico. The New York Times. Retrieved 23 September 2013. there are now 70 fan clubs for Korean pop music in Mexico, with at least 60,000 members. ↑ Falletti, Sébastien. La vague coréenne déferle sur le Zénith (in French). Le Figaro. Retrieved 18 March 2013. Cest un mélange de sons familiers, avec en plus une touche exotique qui fait la différence, explique Maxime Pacquet, fan de 31 ans. Cet ingénieur informatique est le président de lAssociation Korea Connection qui estime à déjà 100.000 le nombre damateurs en France. ↑ K-POP İstanbulu sallayacak! (in Turkish). Milliyet. Retrieved 25 June 2013. Türkiye’de kayıtlı 150.000 K-POP fanı bulunuyor. ↑ Overseas hallyu fan clubs estimated to have 3.3 million members. Yonhap. Retrieved 31 March 2013. ↑ Riding the Korean Wave. The Korea Herald. Retrieved 2 April 2013. The cultural wave, or hallyu, is establishing itself as a global phenomenon that has already washed over East Asia and is now reaching the shores of Europe, Latin America and the Middle East. As a result, there are now more than 830 hallyu fan clubs in more than 80 countries, with a total of 6 million members. ↑ Park Jin-hai (2014-01-08). `Hallyu fans swell to 10 mil.. The Korea Times. Retrieved 8 January 2014. ↑ Foreign Ministry to Host a K-Pop Show as Part of Hallyu Diplomacy. Foreign Ministry (South Korea). Retrieved 11 May 2013. ↑ South Korea-China Mutual Perceptions: The Good, The Bad, and The Ugly (PDF). U.S.-Korea Institute at SAIS. Retrieved 11 May 2013. ↑ Korea swallows its pride in Chinese kimchi war. Asia Times Online. Retrieved 11 May 2013. . Chinese President Hu Jintao was reported to be a fan of the Korean historical soap opera Dae Jang Geum, which was watched by more than 180 million Chinese when it was broadcast last September. ↑ 温家宝总理接受韩国新闻媒体联合采访 (in Chinese). Xinhua News Agency. Retrieved 10 May 2013. 对于韩流这种文化现象，中国人民特别是年轻人都很喜欢，中国政府会继续鼓励包括韩流在内的两国文化交流活动。 ↑ 2013-07-23, South Korean Soap Operas: Just Lowbrow Fun? , Korea Real Time, The Wall Street Journal ↑ 2014-03-20, Chinese Fans of Korean Soap Operas: Don’t Call Us Dumb, Korea Real Time, The Wall Street Journal 1 2 Frater, Patrick (2016-08-04). China Reportedly Bans Korean TV Content, Talent. Variety. Retrieved 2016-09-05. ↑ Fu, Eva (2016-08-08). K-Pop Stars Become Scapegoats in Chinas Protests Against Anti-Missile Deployment. Epoch Times. Retrieved 2016-09-05. ↑ Brzeski, Patrick (2016-08-02). China Takes Aim at K-pop Stars Amid Korean Missile-Defense Dispute. The Hollywood Reporter. Retrieved 2016-09-05. ↑ DIPLOMATIC BLUEBOOK 2005 (PDF). Ministry of Foreign Affairs (Japan). Retrieved 11 May 2013. Mutual interest and exchange between the peoples of Japan and the ROK expanded substantially during 2004, spurred by the joint hosting of the 2002 FIFA World Cup, the holding of the Year of Japan-ROK National Ex- change 14 and the Japan-ROK Joint Project for the Fu- ture, 15 and the Hanryu (Korean style) boom in Korean popular culture in Japan. ↑ Japanese housewives are crazy about Korean stars. Global Times. Retrieved 11 May 2013. It seems nothing can be done really to stem the new Korean Wave, with high-profile fans in Japan including current first lady Miyuki Hatoyama and previous first lady Akie Abe. 1 2 Cho, Hae-joang (2005). Reading the Korean Wave as a Sign of Global Shift. Korea Journal. ↑ Anti-Korean Wave in Japan turns political. CNN. Retrieved 11 May 2013. ↑ Kim, J. (2014). Reading Asian television drama: Crossing borders and breaking boundaries. London: IB Tauris. ↑ The Asian Wave hits Saudi Arabia. Saudi Gazette. Retrieved 21 April 2013. Egypt and Iran has been the center of the hallyu phenomena in the Middle East for a few years now. While Egypt went crazy after the dramas Autumn in my Heart and Winter Sonata, Iran went gaga when its state television aired Emperor of the Sea and Jewel in the Palace. ↑ K--Pop Concerts Head To New Countries As Hallyu Expands. KpopStarz. ↑ ONISHI, NORIMITSU (28 June 2005). Roll Over, Godzilla: Korea Rules. The New York Times. Retrieved 21 April 2013. South Korea has also begun wielding the non-economic side of its new soft power. The official Korean Overseas Information Service last year gave Winter Sonata to Egyptian television, paying for the Arabic subtitles. The goal was to generate positive feelings in the Arab world toward the 3,200 South Korean soldiers stationed in northern Iraq. ↑ Israeli fans latch on to ever-mobile K-pop wave. Music Asia. Retrieved 18 January 2015. ↑ Lyan, Irina. Hallyu across the Desert: K-pop Fandom in Israel and Palestine. Retrieved 19 January 2015. ↑ Nissim Otmazgin, Irina Lyan (December 2013). Hallyu across the Desert: K-pop Fandom in Israel and Palestine (PDF). Hebrew University of Jerusalem. Retrieved 17 January 2015. ↑ Korean Wave To Hit Hebrew University On May 7. CFHU. Retrieved 19 January 2015. ↑ Autumn in My Heart Syndrome in Egypt. Korean Broadcasting System. Retrieved 21 April 2013. ↑ Autumn in My Heart Syndrome in Egypt. Korean Broadcasting System. Retrieved 21 April 2013. This drama proved extremely effective in enhancing Korea s international image, which has been undermined by the troop deployment in Iraq , added Lee. 1 2 Song Il Gook is a superstar in Iran because of Jumong. Allkpop. Retrieved 21 April 2013. ↑ Book probes transnational identity of hallyu. The Korea Times. Retrieved 22 April 2013. Korean television dramas reinforce traditional values of Confucianism that Iranians find more closely aligned to Islamic culture, implying that cultural proximity contributes to the Islamic Korean wave. Reflecting traditional family values, Korean culture is deemed a filter for Western values in Iran, the article says. ↑ Foreign broadcasts, DVDs challenge Iran grip on TV. Reuters. 19 January 2011. Retrieved 22 April 2013. 1 2 IRIB director visits location of South Korean TV series popular in Iran, The Tehran Times ↑ IRIB director meets South Korean media officials. IRIB World Service. Retrieved 21 April 2013. ↑ Scholars illuminates Silla-Persian royal wedding. The Korea Times. Retrieved 21 April 2013. ↑ Musical Daejanggeum to premiere in the palace. Ministry of Culture, Sports and Tourism. Retrieved 21 April 2013. In Iran, the drama recorded 86 percent TV ratings. 1 2 3 Korean Culture and Information Service (KOCIS). Korean wave finds welcome in Iraq. korea.net. ↑ <李대통령 터키인, 한국기업 취업 길 많다> (in Korean). Yonhap. Retrieved 23 March 2013. ↑ 김재중, 터키 국빈 만찬 참여..한류스타 위상 (in Korean). Nate. Retrieved 21 April 2013. ↑ Australia and Korea: Partners and Friends Speech to Yonsei University, Seoul. Department of the Prime Minister and Cabinet (Australia). Retrieved 10 May 2013. Australia has even caught the Korean wave the renaissance of your popular culture reaching all the way to our shores. We welcomed some of Koreas biggest reality television programs to our country last yearxa0– and tens of thousands of young Koreans and Australians watched your best known singing stars perform at a K-Pop concert in Sydney last year. Our friendship is strong and growing and when I return to Australia, I will do so enlivened and inspired by your Korean example. ↑ NZ Asia Institute Conference celebrates the New Zealandxa0– Korea Year of Friendship 16–17 November 2012. Ministry of Foreign Affairs and Trade (New Zealand). Retrieved 10 May 2013. Korean food and music, both traditional and modern, are becoming well known in New Zealand. Indeed there is now a 4,000 strong association of K-Pop followers in New Zealand. So the Korean Wave is now becoming part of the Kiwi lifestyle. 1 2 Hallyu in Rumänienxa0– ein Phänomen aus Südkorea (in German). Allgemeine Deutsche Zeitung für Rumänien. Retrieved 15 May 2013. ↑ ROUMANIE • Mon feuilleton coréen, bien mieux quune telenovela (in French). Courrier International. Retrieved 4 May 2013. ↑ La France et la République de Corée (in French). Ministry of Foreign and European Affairs (France). Retrieved 10 May 2013. La culture populaire coréenne connaît un succès grandissant à travers le monde. Ce phénomène porte le nom de  Hallyu ou  vague coréenne . ↑ Auswärtiges Amtxa0— Kultur und Bildungspolitik (in German). Auswärtiges Amt. Retrieved 2013-05-10. Koreanische Pop- und Unterhaltungskultur (Hallyu Telenovelas, K-Popbands etc.), verzeichnen in Asien und darüber hinaus große Publikumserfolge. ↑ Hugo Swire. Anglo-Korean Society Dinnerxa0— Speeches. www.gov.uk. Retrieved 19 December 2012. . As Gangnam Style has demonstrated, your music is global too. ↑ Remarks by President Obama at Hankuk University. White House. Retrieved 27 October 2012. Its no wonder so many people around the world have caught the Korean Wave, Hallyu. ↑ Remarks by President Obama and President Park of South Korea in a Joint Press Conference. White House. Retrieved May 7, 2013. And of course, around the world, people are being swept up by Korean culture – the Korean Wave. And as I mentioned to President Park, my daughters have taught me a pretty good Gangnam Style. ↑ Video Recording for the Republic of Koreas Independence Day. United States Department of State. Retrieved 30 August 2013. And people in every corner of the world can see it, as the Korean Wave spreads Korean culture to countries near and far. ↑ Seoul, Republic of Korea, 30 October 2012 – Secretary-Generals address to the National Assembly of the Republic of Korea: The United Nations and Korea: Together, Building the Future We Want [as prepared for delivery]. United Nations. Retrieved 30 April 2013. ...the Hallyu-wave and Korean pop music, Korean culture is making its mark on the world. ↑ 金健人主编 (2008). 《韩流冲击波现象考察与文化研究》. 北京市：国际文化出版公司. p.xa04. ISBNxa07801737792. ↑ Liu, H. (Yang). (2014, Summer). The Latest Korean TV Format Wave on Chinese Television: A Political Economy Analysis. Simon Fraser University. ↑ Faiola, Anthony (August 31, 2006). Japanese Women Catch the Korean Wave. The Washington Post. Retrieved May 7, 2010. ↑ 중국판 런닝맨 달려라형제(奔跑吧, 兄弟!) 중국서 인기 폭발! _BAR_ DuDuChina. DuDu China. Retrieved 2015-12-13. ↑ Popular China TV show Running Man to be filmed in Australia - News & Media - Tourism Australia. www.tourism.australia.com. Retrieved 2015-12-13. ↑ Shim Doobo. (2006). ‘Hybridity and Rise of Korean Popular Culture in Asia.’ Media, Culture & society. 28 (1), pp. 25-44. ↑ 2012 BBC Country Ratings (PDF). Globescan/BBC World Service. Retrieved 29 December 2012. ↑ Oliver, Christian. South Koreas K-pop takes off in the west. Financial Times. Retrieved 30 July 2013. ↑ South Korea’s pop-cultural exports, The Economist ↑ South Korea’s K-pop takes off in the west, Financial Times 1 2 Korean Cultural Exports Still Booming, The Chosun Ilbo ↑ Hallyu seeks sustainability. The Korea Herald. Archived from the original on 21 March 2013. Retrieved 21 March 2013. According to the Hallyu Future Strategy Forums 2012 report, hallyu was worth 5.6 trillion won in economic value and 95 trillion won in asset value. 1 2 2012년 1분기 콘텐츠산업 동향분석보고서 (애니메이션/케릭터산업편) [Contents Industry Trend Analysis Report (Animation/Character Industries) 1st quarter, 2012] (PDF) (in Korean). Korea Creative Contents Agency. July 2012. Retrieved 13 August 2012. ↑ 2012년 1분기 콘텐츠산업 동향분석보고서 (방송(방송영상독립제작사포함)산업편) [Contents Industry Trend Analysis Report (Broadcasting(Including independent broadcasting video producers) Industry) 1st quarter, 2012] (PDF) (in Korean). Korea Creative Contents Agency. July 2012. Retrieved 13 August 2012. 1 2 2012년 1분기 콘텐츠산업 동향분석보고서 (출판/만화산업편) [Contents Industry Trend Analysis Report (Publishing/Cartoon Industries) 1st quarter, 2012] (PDF) (in Korean). Korea Creative Contents Agency. July 2012. Retrieved 13 August 2012. ↑ 2012년 1분기 콘텐츠산업 동향분석보고서 (게임산업편) [Contents Industry Trend Analysis Report (Gaming Industry) 1st quarter, 2012] (PDF) (in Korean). Korea Creative Contents Agency. July 2012. Retrieved 13 August 2012. ↑ 2012년 1분기 콘텐츠산업 동향분석보고서 (지식정보산업편) [Contents Industry Trend Analysis Report (Knowledge/Information Industry) 1st quarter, 2012] (PDF) (in Korean). Korea Creative Contents Agency. July 2012. Retrieved 13 August 2012. ↑ 2012년 1분기 콘텐츠산업 동향분석보고서 (영화산업편) [Contents Industry Trend Analysis Report (Movie Industry) 1st quarter, 2012] (PDF) (in Korean). Korea Creative Contents Agency. July 2012. Retrieved 13 August 2012. ↑ 2012년 1분기 콘텐츠산업 동향분석보고서 (음악산업편) [Contents Industry Trend Analysis Report (Music Industry) 1st quarter, 2012] (PDF) (in Korean). Korea Creative Contents Agency. July 2012. Retrieved 13 August 2012. 1 2 Korean Wave set to swamp North Korea, academics say. Reuters. 29 April 2011. Retrieved 18 March 2013. ↑ North Korea cracks down on Korean wave of illicit TV. UNHCR. Retrieved 23 March 2013. In May 2007, Hwangjini became the first South Korean movie ever to be publicly previewed in North Korea. The main character, an artistic and learned woman of great beauty known as a kisaeng, is played by Song Hye Gyo, one of the most popular Korean Wave stars of the moment. The story is based on a novel by North Korean author Hong Seok Jung, and it was previewed at Mount Kumgang in North Korea. ↑ North Korea cracks down on Korean wave of illicit TV. Radio Free Asia. Retrieved 23 March 2013. ↑ Hwang Chang Hyun. Winds of Unification Still Blowing.... Daily NK. Retrieved 22 March 2013. ↑ Diffusion de la vague coréenne hallyu au Nord par TV portable. Yonhap (in French). October 22, 2013. ↑ SULLIVAN, TIM. North Korea cracks down on knowledge smugglers. Associated Press. Retrieved 23 March 2013. ↑ North Korea cracks down on knowledge smugglers. Associated Press. Retrieved 23 March 2013. There has definitely been a push to roll back the tide of the flow of information, said Nat Kretchun, associate director of an international consulting group InterMedia, which released a report earlier this year about information flow into North Korea, based on surveys of hundreds of recent North Korean defectors. The study was commissioned by the U.S. State Department. His conclusion: North Korea is increasingly anxious to keep information at bay, but has less ability to control it. People are more willing to watch foreign movies and television programs, talk on illegal mobile phones and tell family and friends about what they are doing, he said. There is substantial demand for things like South Korean movies and television programs, said Kretchun. And there are intensely entrepreneurial smugglers who are more than willing to fulfill that demand. ↑ North Korea: Stop Crackdown on Economic Crimes. Human Rights Watch. Retrieved 16 May 2013. One North Korean woman told Human Rights Watch that, My happiest moments when I was in North Korea were watching [South] Korean TV shows. I felt like I was living in that same world [as those actors on the show].... Watching Korean shows was really common in North Korea. ↑ Latest S. Korean pop culture penetrates N. Korea. Yonhap. Retrieved 22 March 2013. ↑ North Korea: Stop Crackdown on Economic Crimes. Human Rights Watch. Retrieved 16 May 2013. Entertainment shows from South Korea are particularly popular and have served to undermine the North Korean governments negative portrayals of South Korea. ↑ Korea, Monthly Statistics of Tourism(1975~1996) _BAR_ key facts on toursim _BAR_ Tourism Statistics. kto.visitkorea.or.kr. Retrieved 2016-04-22. ↑ Korea, Monthly Statistics of Tourism - key facts on toursim - Tourism Statistics. visitkorea.or.kr. 1 2 Hee- Joo Han, Jae-Sub Lee (2008) A study on the KBS TV drama Winter Sonata and its inpact on Korea’s Hallyu tourism development. Journal of Travel and Marketing 24: 2-3, 115-126 ↑ KTO launches Imagine your Korea -ETB Travel News Asia. etbtravelnews.com. ↑ KTO Launches Imagine Your Korea Campaign. superadrianme.com. 1 2 Harnessing K-Pop for tourism _BAR_ CNN Travel. travel.cnn.com. Retrieved 2016-04-21. ↑ Seongseop (Sam) Kim , Sangkyun (Sean) Kim , Cindy (Yoonjoung) Heo,. (2014) Assessment of TV Drama/Film Production Towns as a Rural Tourism Growth Engine. Asia Pacific Journal of Tourism Research. ↑ Howard, K. (2010). Chua Beng Huat and Koichi Iwabuchi (eds): East Asian Pop Culture: Analysing the Korean Wave. (TransAsia: Screen Cultures.) xi, 307 pp. Hong Kong: Hong Kong University Press, 2008. ISBN 978 962 209 893 0. Bulletin of the School of Oriental and African Studies, 73(01), p.144 ↑ Kim Soo-hyun elected tourism ambassador. Yahoo News Singapore. 17 April 2012. ↑ Korean Wave backlash in Taiwanxa0: The DONG-A ILBO. english.donga.com. Retrieved 2016-04-21. ↑ Nam, Soo-hyoun; Lee, Soo-jeong (February 17, 2011). Anti-Korean Wave backlash has political, historical causes. Korea JoongAng Daily. JoongAng Ilbo. Retrieved March 16, 2011. ↑ Maliangkay, Roald (2006). ‘When the Korean Wave Ripples.’ IIAS Newsletter, 42, p. 15. ↑ thunderstix (31 July 2011). Talk of the Town: Anti-Korean Wave?. Soompi. Soompi Inc. Retrieved 30 July 2012. ↑ Anti-hallyu voices growing in Japan. koreatimes. Retrieved 2016-04-21. ↑ 101 East (1 February 2012). South Koreas Pop Wave. Aljazeera. Aljazeera. Retrieved 30 July 2012. ↑ Barry, Robert. Gangnam Style & How The World Woke Up to the Genius of K-Pop. The Quietus. Retrieved 5 March 2013. While suspicious talk of Hallyu as soft power akin to the CIAs cultural Cold War bears a whiff of the old Victorian fear of yellow peril, 