↑ Bissell, R. Ward. Artemisia Gentileschi and the Authority of Art Critical Reading and Catalogue Raisonné. University Park: Pennsylvania State University Press, 1999. ↑ Patrizia Cavazzini, Artemisia in Her Fathers Housein Orazio and Artemisia Gentileschi (New Haven and London, 2001), pp. 283–95. ↑ Mary D. Garrard, Artemisia Gentileschis Self Portrait as the Allegory of Painting The Art Bulletin, Vol. 62, No.1 (Mar.,1980) pp. 97–112. ↑ Adelina Modesti, Il Pennello Virile Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters? in Artemisia Gentileschi in a Changing Light, ed. Shelia Barker (Turnhout, 2018) ↑ Jesse Locker, Artemisia in the Eyes of the Neapolitan Poets, from Artemisia Gentileschi: The Language of Painting (New Haven: Yale University Press, 2015) ↑ Elizabeth S. Cohen, The Trials of Artemisia Gentileschi: A Rape as History. Sixteenth Century Journal XXXI/1 (2000): 47–75 ↑ Garrard, Mary (1989). Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art. Princeton, NJ: Princeton University Press. p.xa013. ↑ Cohen, Elizabeth S. (2000-01-01). The Trials of Artemisia Gentileschi: A Rape as History. The Sixteenth Century Journal. 31 (1): 47–75. doi:10.2307/2671289. JSTORxa02671289. ↑ Artemisia Gentileschi - Biography & Art - The Art History Archive. www.arthistoryarchive.com. Retrieved 2017-01-12. ↑ Artemisia, The Rape and the Trial. www.webwinds.com. Retrieved 2017-01-12. ↑ Artemisia Gentileschi. Biography.com. May 13, 2014. Retrieved 28 September 2017. ↑ Artemisia: The Rape and the Trial Webwinds.com ↑ Zarucchi, Jeanne Morgan (Autumn 1998 – Winter 1999). The Gentileschi Danaë A Narrative of Rape. Womans Art Journal. 19 (2): 13–19. doi:10.2307/1358400. JSTORxa01358400. ↑ Moss, Matthew. Distraught young mother breastfeeds her infant. Artemisia Gentileschi 1593-1653. academia.edu. The feeding child, his full bloated tummy attached to two chubby legs is holding on firmly to the young woman’s arm while his dark somnolent eyes peer into the distance with a look of self-satisfaction. The artist shows him at the moment shortly after having been fed. In the process of drawing the milk from the mother’s nipples, his sharp newly emerged teeth, bite the mother’s breast, sufficiently to draw blood. That part of the shift covering her right breast, from which he has already fed, is blood soaked, causing her underlying injuries. The suffering mother’s face is, turned away from the child. Her pallid features and tortured heavy-lidded eyes display the physical signs of amnesia from the loss of blood. ↑ An Artemisia Conundrum. artmontecarlo.com. October 22, 2016. ↑ Solinas, Francesco (2011). Lettere di Artemisia: Edizione critica e annotata con quarantatre documenti inediti. Rome: De Luca. ISBNxa09788865570524. ↑ Richard Spear, I have made up my mind to take a short trip to Rome, in Orazio and Artemisia Gentileschi, 335–43. 1 2 Locker, Jesse (2014). Artemisia Gentileschi: The Language of Painting. Yale University Press. p.xa0100. 1 2 3 Christiansen, Keith (2002). Orazio and Artemisia Gentileschi. New York, Metropolitan Museum of Art. p.xa0392. ↑ De Vito, Giuseppe (2005). A note on Artemisia Gentileschi and Her Collaborator Onofrio Palumbo. Burlington Magazine. 1232 (137): 749. ↑ Longhi, Roberto (1916). Gentileschi padre e figlia. LArte. ↑ Orazio and Artemisia Gentileschi _BAR_ MetPublications _BAR_ The Metropolitan Museum of Art. www.metmuseum.org. Retrieved 2017-01-12. ↑ Christiansen, Keith; Mann, Judith W. (2001). Orazio and Artemisia Gentileschi. New York: The Metropolitan Museum of Art. p.xa0250. ISBNxa01588390063. Retrieved 2017-01-12. ↑ Moss, Matthew. Distraught young mother breastfeeds her infant. Artemisia Gentileschi 1593-1653. academia.edu. The artist’s intention was, likely, an attempt to express her feeling through the painter’s medium, that of her impotence and he powerlessness in the face of a society where violence against a woman was the norm; that had the power, and had used it, to treat her with intolerance and disrespect. This, in the face of the mild six month jail sentence the courts inflicted on Agostino Tassi. ↑ Pollock Differencing the Canon: Routledge 1999 ↑ Camille Paglia (1994). Vamps and Tramps NY: Vintage, p. 115 ↑ Corisca and the SatyrWikipedia, 2018-08-27, retrieved 2019-03-08 ↑ Rozsika,, Parker,. Old mistressesxa0: women, art, and ideology. Pollock, Griselda,. London. ISBNxa00710008791. OCLCxa08160325. ↑ Rozsika,, Parker,. Old mistressesxa0: women, art, and ideology. Pollock, Griselda,. London. ISBNxa00710008791. OCLCxa08160325. ↑ Elisabetta Sirani Wikipedia, 2019-02-27, retrieved 2019-03-08 1 2 3 Jenni, Murray (October 12, 2018). The Vengeance of Artemisia Gentileschi. Literary Hub. Retrieved October 15, 2018. 