article_snippet.sent: Kelly Ort initially told CNN the incident occurred just before 4 a.m. at 1OAK, a club in New York Chelsea neighborhood known to draw celebrities among its clientele, club later told CNN that the stabbing occurred in front of the Fulton Houses project down the street.
article_snippet.sent: However, 1OAK's team assisted Mr. Copeland to 1OAK's team fullest capabilities, and called for help as soon as Mr. Copeland was seen walking back towards the venue," the statement said.
article_snippet.sent: Mr. Copeland and a female companion, Katrine Saltara, were in club for about 10 minutes before leaving and walking down the street toward Fulton Houses, where Copeland and a female companion, Katrine Saltara car was parked, said a 1OAK spokesperson.
article_snippet.sent: The suspect, who a 1OAK spokesperson said never entered 1OAK, stabbed Mr. Copeland and Saltara in front of Fulton Houses, and according to club's statement, "Mr. Copeland's driver sprang to accost and detain the apparent perpetrator and that individual is now in police custody.
article_snippet.sent: Mr. Copeland and Saltara tried to make Copeland and Saltara way back to club to seek help from the 20 or so security personnel on hand, leaving a "bloody trail of handprints" between the site of the stabbing and club, a 1OAK spokesperson said.
article_snippet.sent: Mr. Copeland "almost landed right next to club," a 1OAK spokesperson said, adding that surveillance footage will not show the actual stabbing because the actual stabbing occurred too far away from club.
article_snippet.sent: Word of the actual stabbing quickly spread through club, reaching Antic and Sefolosha, who went outside to check on their friend, Copeland, a 1OAK spokesperson said.
article_snippet.sent: Copeland's agent, John Spencer, issued a statement saying, "Copeland's agent, John Spencer're concerned about the safety of Copeland and Katrine.
highlights_snippet.sent: Chris Copeland left "bloody trail of handprints" as Chris Copeland returned to club seeking help, club says .
  