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Never Before Have I Been so Relieved to be Aging Out of the Feminist Blogosphere | Tiny Cat Pants
Is there anything funnier than tiny cat pants?	Dec 20 Never Before Have I Been so Relieved to be Aging Out of the Feminist Blogosphere
I have lots of thoughts on this crap, but none of it is coherent. I wonder, for instance, not just whether you should quote extensively from people without asking when you’re writing about an instance in which people felt that there was a lot of “borrowing” without asking. I wonder if it’s even “fair use” to use whole blog posts without asking permission. I wonder about that dude’s friend, who seems like he might be being abused by his wife, and his friend sees his weird behavior and ascribes the problem to “women” or “feminists” and not to abuse. And I wonder if I really believe in redemption and I think that I don’t. Or at least, I don’t believe redemption then means you get to put yourself center stage.
Share this:TwitterEmailDiggFacebookRedditStumbleUponLike this:Like Loading...	Fun with Feminism	15 thoughts on “Never Before Have I Been so Relieved to be Aging Out of the Feminist Blogosphere”	the Professor says:	December 20, 2011 at 2:36 pm	I wonder what disciple the dissertation is in. I don’t think it would occur to me to get permission to quote from anyone, but I would of course cite them. I know my work has been cited and no one asked me. That’s sorta how it works, right? But I do think that 2 concerns raised over there do matter. I just don’t know what to make of talking about the distinction between the moral and academic obligations of feminists and intellectuals. First, if the person is a member of a community researching a community, the IRB might should have something to say. That’s why I ask the discipline. But she isn’t interviewing or surveying them. It seems she’s analyzing what she observed. And second, to not discuss her own self and role in the work seems like bad work. But why not just make it a critique of her work? Flavia’s tone bothers me. It feels less like engagement than harsh judgment. It cannot be the case that white women can never talk about women of color. That just doesn’t make sense. But, yes, white women do often do a terrible job of talking about women of color, of getting clear about what’s at stake in feminism being inclusive and intersection. We have to figure out how to do this better, not tell white women they can’t succeed.
nm says:	December 20, 2011 at 2:50 pm	Actually, if your dissertation claimed to be studying the individuals quoted (rather than using them as secondary, buttressing sources), I think your university’s Research Office would raise a hell of a ruckus if you didn’t get permission. I base this on long and tedious lectures from university research officers* and on the trouble taken by someone who wrote a scholarly article analyzing an e-mail list of which I was a member to get permission for everything he quoted, even anonymously/pseudonymously.
*Trust me, I could not even get myself exempted from them by pointing out that the people I study have been dead for many centuries, and that I cite their appearances in public documents, not private communications. No, that didn’t matter. It was necessary for me to Understand These Important Procedures To Follow.
Aunt B. says:	December 20, 2011 at 2:53 pm	It looks like she’s getting a law degree of some sort. It wouldn’t occur to me to get permission to quote from a book or journal article, no, that’s true. But it would for private correspondence between living people.
And I’m not sure where exactly blogs fall on that continuum. It’s surely not private correspondence, but it’s not the same thing as a published book or journal article. Plus, she quotes Brownfemipower pretty extensively and those posts are no longer on the internet. She had to go to the Wayback machine to get them. So, in that case, she’s literally quoting from material the author has sought to unpublish.
It seems to me that she’s trying to act, on the one hand, like a scholar from a more text-based field–the blogs are her texts and she’s analyzing them. But on the other hand, she only knows this stuff happened and that these blog posts existed because she is, in fact, a participant observer and I don’t think that anthropologists or sociologists have gotten to sit around academically observing people without their consent in some time.
the Professor says:	December 20, 2011 at 4:33 pm	I would not ask permission to quote anything from the NYT, op ed or otherwise. I guess I think of blogs similarly – as public opinion. But surely not private correspondence. If that’s included, well, she’s clearly violating academic standards, not just moral ones.
RachelW says:	December 20, 2011 at 5:04 pm	I think the idea that one can “age out” of the feminist blogosphere tells us about something else wrong with the feminist blogoshere, as well.
Kathy says:	December 20, 2011 at 5:37 pm	I’ve been thinking (and drafting a post) about this too: I “riff” off a lot of other bloggers. I cite and link, and granted, the blogosphere is not academia, not by a long shot, but is this, if not unethical, intellectually lazy? I’d never use an entire blog post for anything, cited on not. Given the feminist blogosphere’s history of appropriation, I’m surprised that anyone who’d claim to be a member of it would go there.
nm says:	December 20, 2011 at 5:51 pm	The issue comes down to the respective attitudes toward unwitting participation. Academia tries very hard to ensure that people who have participated in a study have done so only after giving permission. So the people being studied, surveyed, whatever, have to give explicit consent. The authors of books or articles being cited in a study, however, are assumed to have given consent to being quoted, cited, argued against, etc. by the act of publishing those works. Obviously, citing at too great a length or without proper citation is plagiarism, and citing truncated or edited selections that misrepresent the original author’s position is dishonest.
The blogosphere tends to take the position that putting up a blog post constitutes publishing, and that any blog post can be cited or quoted in another. Therefore there is no such thing as unwitting participation.* The question then becomes whether a blogger can unpublish — is a post, once posted, to be considered published forever? Or can a blogger, in taking a post down, fairly ask that it not be cited elsewhere?
The blogosphere has no rules against plagiarizing or misrepresenting a source, and there doesn’t seem to be any consensus about whether comments on a blog post should be considered published. This, I think, is a huge problem for the blogosphere.
RachelW says:	December 20, 2011 at 5:55 pm	nm, and what degree of unpublished is necessary? One can request exclusion or removal from the Wayback Machine – but the post is still going to appear in quoted forms, and possibly in RSS feeds. What is “enough?”
Aunt B. says:	December 20, 2011 at 7:25 pm	On my way home I was thinking about how I’d feel if I found myself quoted in her dissertation and I decided that I’d think it was strange for her to quote me without telling me, but not wrong-wrong. I mean, one thing about the internet is that, when someone reads you and quotes from you, they usually link to you, not just so that people can see where they got the ideas from, but so that you know you’re being talked about.
So, I feel a little like quoting without informing, while maybe academically okay, is bad etiquette.
But I also think that, if I were her adviser, I’d be troubled by the idea that she’s writing about an incident in the recent past that took place among people who all are, as far as I know, still living, and she doesn’t contact them to find out what they think about the situation now.
The whole idea of treating their words on years’ old blog posts as texts that tell you all you need to know about their ideas about this topic is strange. Even in her dissertation, she seems to think that the drawback to her approach is that she couldn’t possibly read everything that was said in the blogosphere on the subject, not that she didn’t see what the principal players thought now.
emjb (@emjb) says:	December 20, 2011 at 9:31 pm	I don’t know, I see all this struggle and anger as part of the growth of feminism. We have 5000 years or more of patriarchy plus all the intersecting oppressions of race and disability and what have you to confront and dismantle, and still only a small percentage of the planet even knows or cares about doing so. Is it really surprising that the process is so messy and slow?
Aunt B. says:	December 20, 2011 at 11:07 pm	Ha, well, true enough. I guess if it were comfortable or easy to figure out, we’d know it wasn’t changing us enough.
Katherine Coble says:	December 21, 2011 at 9:19 am	I haven’t visited the second and third links yet, but that first link reminds me of so much that I hate about the murk surrounding blogs and, especially, blog comments. I’ve bitched loudly and long on other occasions about people who “write” books that are essentially compiled of blog comments. This seems to be the same garbage. As for aging out of the feminist blogosphere, I’ve never lasted very long in it, as a general rule. I will sometimes lurk. But my lord. What is it with the Feminist Blogosphere and all the tl;dr posts?! I’ve never seen a set of work more in need of editing and conciseness as the feminist blogosphere in general.
Veronica (that used to write at Nine Pearls) says:	December 29, 2011 at 3:18 pm	I can’t believe you’re still here.
I can’t believe I read that whole Schwyzer piece.
This is like walking into de ja vu Bizarroland.
Aunt B. says:	December 30, 2011 at 9:42 am	I know. Everyone’s gone to Tumblr and Facebook, but I just haven’t made the leap. Probably won’t.
jennifer says:	December 30, 2011 at 1:20 pm	Ooh, @emjb, that ties neatly to an excellent post I read recently on exactly that thought with regards to other communities: http://transgriot.blogspot.com/2011/12/contentious-strategy-arguments-in.html
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The Reality of Pain | autismthoughts
August 6, 2014 autismthoughts
I may not register pain in the same way other people do because I do not know what it is like to NOT be in pain.
My life has been filled with pain and so I sometimes don’t really realize when I am in pain or why I am in pain. I experience pain from sounds, sights, emotions, stress, touch. Normal everyday life constantly causes me pain. Sometimes it is bearable and sometimes it is unbearable, but it is always there.
So when people say that people with autism don’t experience pain or don’t register pain, I cringe inside. When life is pain, how could you not experience pain? The thing is though, when life is pain, how do you know the difference between the pain of sensory disturbance and pain that signifies a medical condition? How do you know when the pain is preventable and when it’s not? How do you know that pain is a sign that something is wrong when your body is constantly telling you that the world is wrong?
To me, there are many different types of pain and sometimes one pain can masquerade as another pain. Sometimes I feel a tingling pain like when your foot falls asleep, only it happens when someone touches me. Sometimes I feel stabbing or throbbing pain when I hear a loud or prolonged noise. Sometimes I feel a dull ache when I’ve been in the same room for too long. Sometimes I feel a choking pain like the gripping pain of frostbite when I see someone else hurting or lonely.
All of these types of pains are normal to me. I feel them nearly every day. However, they can also signify that something is wrong. They can be signs of a medical condition or a danger in the environment. The problem is telling the difference. The problem is knowing when your normal pains aren’t normal.
So before you think that someone won’t be able to feel pain because they self injure or because they don’t seem to respond to pain, maybe think about some other reasons they may not seem to feel pain. Lack of emotion to pain doesn’t necessarily mean that the pain isn’t felt. It just may not be fully understood.
AnxietyAutismexperience painPainRegistering painSelf injurious behaviorself injurysensitivitysoundsStress
11 thoughts on “The Reality of Pain”
christabella611 says:
Great post! I often struggle with this myself. I have a hard time explaining to people how I feel pain. I break a toe and my left arm hurts. I sprain an ankle and my tongue hurts. It is like it is all wrongly wired. I also struggle to differentiate between throbbing pain, stabbing pain and achy pain. I can’t describe pain other than to say I am in it. I have a high tolerance to pain (I can tolerate all dental work and many surgeries without an numbing agent), which adds to the belief I can’t feel pain. I feel it, but it isn’t something I can react to.
Hmm, that’s interesting. I think pain is always hard to describe. I mean, we come up with all these terms for pain like stabbing and throbbing, but unless you feel it it’s hard to get an accurate description of what the pain is like.
First off; thank you so much for taking the time to write about your experiences! It is so important to give people proper psycho-education on not only different aspects of mental health, but on experiences outside of their own. I applaud your bravery! (Too many people lack this quality and it is one that I hold near and dear to me)
Second, this post really spoke to me. Especially the part where you mention say “How do you know that pain is a sign that something is wrong when your body is constantly telling you that the world is wrong?” I have a different, yet similar experience when I am about to experience an anxiety attack. It is very difficult because someone who does not cope with it has a gut instinct that they are usually able to trust. But due to my anxiety disorder, I may become afraid and feel threatened thereby triggering a fight or flight response and then i’m left trying to figure out if there really is a threat.
To be honest, I never thought I was being brave. I just have to be honest. It’s in my nature to be subconsciously direct and open. And well, this blog is the first time I’ve really been able to share with the world so I say what I feel.
I’m glad you can relate. (well, not glad that you experience that, but glad that my post connected with you.) Figuring out the world is a very interesting experience sometimes and I always find it interesting how we’re all so different and yet so similar.
Hey there. First of all, let me just say thank you for following my blog.
I’m extremely interested in yours, being that I have a 7 year old son that has Asperger’s Syndrome. I’m so glad you’re sharing your first-hand experiences. It can help me understand my little guy a bit better. I also have an older brother that has autism, so I’ve been around autistic people all my life.
“I experience pain from sounds, sights, emotions, stress, touch. Normal everyday life constantly causes me pain.”
–Very interesting. Maybe this is why my son has such a hard time stopping and reading with me. We live in Brazil, but I’m Canadian. So, in our home I speak only English with my kids and am teaching them to read in English. It is sooooo frustrating with my son because every time we’re going to read he freaks out and doesn’t want to do it. Then it takes him forever to read just one sentence. I was thinking it could be a focus thing or maybe having so many words together on the page and seeing them all together causes him stress. Who knows?
Thanks a ton Julia.
No problem. Thanks for reading! As far as the aversion to reading thing goes, it could be a lot of different things from the environment to scheduling to sensory input. That’s the beauty and difficulty of autism. There’s no one answer to any question. Everyone is unique and individual in how they react to things.
Oh yes, I know it could be any number of things. I fully believe that every person is an individual and that there are no pat answers. It’s frustrating for me because it is difficult pinpointing exactly how to deal with his resistance and know what it is about it that bothers him.
Yeah that would be frustrating, but you’re trying and that’s what matters the most 🙂
Thanks for visiting! I look forward to getting to know your blog as well 🙂

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May | 2014 | Saffron Cuccio's OCA Photography learning log
Part 1 to produce one photograph for each combination of primary and secondary colours that follows the rule of proportion as proposed by J.W. Von Goethe.
This entry was posted in Part 3 - Colour on May 8, 2014 by Saffron Cuccio.


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Someone to lean on? - Boston Celtics Blog - ESPN Boston
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Sorry I never told you last week where I was going because I had no idea where I was going till 5 clock that night. Well I'm now in Little Hampton and serving with Elder Ertmann from Morgan, Utah! Yep he is my 7th Utahn companion. He is also my 11th companion and am now on to my 6 area. Crazy how many different people and areas of England I have seen. Little Hampton reminds me a lot of Hedge End. That is bunch of old people and small area. We are a 5 minute walk from the sea so looks like I will spend a solid year right by the sea which is pretty epic! Sorta hope this isn't my last area, but if it is oh well the ward and people here are awesome! Plus I'm right by my third area so I can see the members I lived with all the time:) Elder Gunnell is also my district leader which is hilarious and awesome since I only got one transfer to serve with him. Elder Green is also in the next city over so will be seeing him a lot which is sick since he goes home in three months! Also get to be right by the temple again which is nice since I have been exiled for the last 7.5 months! Elder Ertmann is epic! He is 20 and loves to hunt. He owns property in South Africa and says all I have to do is pay for the plane ticket. Its only $2500 so that's pocket change! Just have to go get me a lion! He also was less active all growing up and then about 2 years ago decided to be active and now just tears it up on his mission! Brought the rest of his family back into activity as well which was really cool. He is so chilled and so dang funny. Just cracks me up constantly with all his stories. He came out last April and I actually went on a split with him for like two hours when he was brand spanking new. Trained by an Elder from my group so it was epic. Pretty dang excited for this transfer.
We have about 4 investigators. 2 are a couple that have been investigating the church for 50 years so they are more like members then investigators. Then another one named Sandy has been investigating for a few years now and has decided to be baptized before the summer starts so that is epic! Her daughters where baptized 4 years ago by my old district leader Elder La Mazza. The other guy is a Jehovah Witness that they just found and likes to Bible Bash. Seeing him on Tuesday so time to bear down in pure testimony against him and get him baptized! Other then those people and a few of the craziest less actives I have ever met we just do a whole lot of finding! Real quick we have this less active that is crazy and will call us up all the time and say I bought you this chicken so come get it. He buys us whole flippin chickens! So funny.
The beginning of this week was pretty crazy. I found out Monday night before going over to the Stake President's to eat dinner that I'm leaving tomorrow morning. So we go eat dinner then go to John and Judith Martin's to say goodbye since we were suppose to eat there the next day and just took some pics. We then packed until midnight which was fun. Well the zone leaders come and pick us up and while driving there decided to tell me that I'm spending the night in Bideford which is an area in Plymouth Stake and leaving my bags with them. So I just chilled in the same clothes for like 3 days haha. Bideford is fun though cause Elder Williams (from my mtc group and old district leader) and they have a car! So we went to a D.A. with this old couple and there nonmember sister and taught her. We then went to young men and women's and had waffles and played this fun game. Well while playing this game I went to move and just let out this big old fart. It was pretty funny. Everyone kept telling me how glad they were that I'm not staying. Ooops! We then had to wake up at 4:30 in the morning went and picked up someone in Exeter who is going to the Isle of Wight. Lucky dog. Then on our way to Yeovil we got stuck in traffic so we turn around and start going down the back roads which are barely wider then your car. Well we start having loads of cars coming the other way so we barely get by that when a bus comes from behind and get everyone stuck. We barely escape and spend the next half hour telling all the other cars to turn around. Turned out a Lori (Semi) jacked knife on the main road and now everyone was using the back roads! Anyway got to Yeovil I then got in the Poole Zone leaders car and talked about ranching and driving trucks the whole two hours to Staines. Sister Barnes who was on the Isle of Wight with me was in the car so that was cool to catch up with her. We also drove by Stone Henge which is right by the motorway. Just in this dirt field with sheep. Pretty funny to look at. Yeah then after getting dropped off in Worthing saying hi to Elder Gunnell and then leaving to my flat. Well about a half mile away from my flat one of my suitcases decides to have both sets of wheels just blow up or something so I drag this 50lbs bag full of books and who know what for a half mile. That was great. So yeah that is my exciting week! So many adventures.
I forgot to mention last week that the week before on P-day that it snowed for the first time of me being in England! It was pretty sick! Made snow angels and had a weak snowball fight haha. That's my week and hope you have had a great week and an even better week! LOVE YA TO SHREDZZ!!!
Stake President, his wife, and daughter.
Then John and Judith my couple of my favorite members ever!
First snowfall of my whole mission
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Skip to main contenteBayShop by categoryShop by categoryEnter your search keywordAll CategoriesAntiquesArtBabyBooksBusiness & IndustrialCameras & PhotoCell Phones & AccessoriesClothing, Shoes & AccessoriesCoins & Paper MoneyCollectiblesComputers/Tablets & NetworkingConsumer ElectronicsCraftsDolls & BearsDVDs & MoviesEntertainment MemorabiliaGift Cards & CouponsHealth & BeautyHome & GardenJewelry & WatchesMusicMusical Instruments & GearPet SuppliesPottery & GlassReal EstateSpecialty ServicesSporting GoodsSports Mem, Cards & Fan ShopStampsTickets & ExperiencesToys & HobbiesTravelVehicle Parts & AccessoriesVehiclesVideo Games & ConsolesEverything ElseAdvanced or register':' style="margin-right:3px">Hi -User-!'.replace(/-User-/,escape(a)))+"")}catch(b){document.write("")}})();Hi (Sign in to bid or buy) Daily Deals Sell Help & Contact My eBayExpand My eBay Summary Bids/Offers Watch List All Lists Purchase History Selling My Collections Followed searches MessagesNotification Refine your search for puerh tea
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text:
My Passionate Pursuit: How can you not?
I was reading Ephesians chapter 1 today and was immediately drawn into the passage.
I love how the apostle Paul went straight from his greeting the believers at Ephesus - right into praise. Look at verse 3.
the heavenly realms with every spiritual blessing in Christ.
How do you chose to give God praise? Do you do it with singing? Through prayer? Do you write your heartfelt thoughts in poetic form or as random thoughts in your personal journal?
Why do we praise Him? Because He alone is worthy of our Worship. He alone is Holy. He alone is to be exalted above all others, above all things.
Why do we bless Him? We bless Him because He has so richly blessed us. When we bless Him we praise Him for who He is and for what He has done.
How has He blessed us? He has blessed us with every spiritual blessing. Notice the completeness of that blessing. Every blessing - nothing is lacking.
For he chose us in him before the creation of the world to be holy and blameless
in his sight. Ephesians 1:4
We have been given the benefit of knowing God.
We were chosen by Him for salvation.
We were adopted as His children. He has forgiven our past. He has secured our future. He has fulfilled our present.
We have been given the Holy Spirit as a comforter and guide. The Holy Spirit bears fruit in our lives with love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self-control.
We have truly been blessed with every spiritual blessing in the heavens.
And it's all because of Jesus. Because of what He did on the cross. He took upon Himself our guilt, our shame, our punishment so that we could have forgiveness, eternal life and hope.
I don't know about you..., but like Paul I just have to praise Him!
Labels: Ephesians, Praise, Salvation
Excellent blog header.
I am a singer. Singing to the Lord is something that I am compelled to do. Thanks for sharing.
Great message Lisa. We just have no other choice but to lift our praises up to God!
We sang " I Will Exalt Thee" Sunday a.m. and I thought, Oh Lord, that is all I want to do, Exalt Thee. That is the deepest desire for me with Higher Grounds.
Exalting the only one that deserves to be Exalted. Father God, Lord Jesus Christ and the Holy Spirit.
Amen? AMEN! Love ya, Yolanda
Great post Lisa! You always give me so much to chew on. I plan to come back and read your post again in the morning during my quiet time so I can chew on Ps. 141 and Eph. 1 a bit more.
Amen Lisa! I join you in praise to our LORD for He alone is worthy! Music is how I praise Him most I think.
O Lisa this is awesome!
Often I say and pray, that LORD HOW CAN I NOT PRAISE YOU?! With all that He's done for me. With all that He is to me. How can I not? How can I/we not?
Yes, I too praise Him with my voice. Sometimes when I sing in the praise band, or even just sing from my seat among all of my brothers and sisters, I think that I leave the presence of the congregation and commune alone with God. Thanks for sharing this...
I just want to praise Him.
What a privilege it is to be able to praise the great I AM.
Singing, dancing, talking and just sitting, He loves it all - what a wonderful God we serve.


text: “I’m not sure why he felt he was allowed to go back,” Mangalik said, adding that he had not been aware of any dispute over Rush’s care until contacted by The New York Times. “I don’t know if he told the team he had symptoms and they let him play anyway, or if he didn’t have symptoms and now is saying that he did. I don’t know that. All I know is what he told me and I told him.”A spokesman for HealthONE Clinic Services, based in Denver, said the company would not comment until it could review the court filing.The A.F.L. went into bankruptcy last year and has re-emerged with a reshuffled roster of teams in a season beginning next month, but the Crush no longer exists.No Crush official is named in the lawsuit because Colorado law restricts legal action for injured employees to the state worker’s compensation system. Mangalik and HealthONE were independently contracted by the Crush as medical providers and are therefore not considered Rush’s employers.The lawsuit is not the first of its kind. In November, La Salle University agreed to pay $7.5 million to settle a lawsuit brought by a player severely injured by a concussion that he claimed had been mistreated by university medical staff.In 2000, the former N.F.L. running back Merril Hoge received a $1.55 million jury verdict in a lawsuit against a former Chicago Bears team physician, Dr. John Munsell. The lawsuit alleged that Munsell’s mistreatment of a concussion had led to more serious injury. The case was later settled under confidential terms.

value: The New York Times (N.Y.T. or N.Y. Times) is an American daily newspaper based in New York City with a worldwide readership. Founded in 1851, the Times has since won 132 Pulitzer Prizes (the most of any newspaper), and has long been regarded within the industry as a national "newspaper of record".


text:
USDC HI - Taitz v. Hawaiian Memorial Park Mortuary - ECF 09 - 2014-01-10 - Order
BrowseBrowseInterestsBiography & MemoirBusiness & LeadershipFiction & LiteraturePolitics & EconomyHealth & WellnessSociety & CultureHappiness & Self-HelpMystery, Thriller & CrimeHistoryYoung AdultBrowse byBooksAudiobooksComicsSheet MusicBrowse allUploadSign inJoinBooksAudiobooksComicsSheet MusicWelcome to Scribd! Start your free trial and access books, documents and more.Find out moreU.S.District Court District of Hawaii (Hawaii) CIVIL DOCKET FOR CASE #: 1:13-cv-00708-SOM-KSC
Date Filed 01/10/2014
# Docket Text 9
CERTIFICATE OF SERVICE Participants registered to receive electronic notifications received this document electronically at the e-mail address listed on the Notice of Electronic Filing (NEF). Participants not registered to receive electronic notifications were
EO: In her response to the court's Order To Show Cause Why Action Should Not Be Dismissed, Plaintiff states that she is withdrawing her Emergency Petition for Stay/Preliminary Injunction of Cremation of the Alleged Remains of Deceased Loretta Fuddy. This court has already denied the Emergency Petition, so the withdrawal is untimely. However, the court deems the withdrawal to indicate that Plaintiff is not seeking the detailed written order that the court had indicated would be forthcoming. The court therefore will not be issuing a detailed written order denying the Emergency Petition, and its earlier minute order will be the only order denying the Emergency Petition. The court's Order To Show Cause remains under consideration by this court.. (JUDGE SUSAN OKI MOLLWAY)(tbf, )
served by first class mail on the date of this docket entry
(Entered: 01/10/2014)
Taitz v. Hawaiian Memorial Park Mortuary Assigned to: JUDGE SUSAN OKI MOLLWAY Referred to: JUDGE KEVIN S.C. CHANG Cause: 28:1332 Diversity-Wrongful Death
Date Filed: 12/20/2013 Date Terminated: 01/10/2014 Jury Demand: None Nature of Suit: 360 P.I.: Other Jurisdiction: Diversity
Melendres # 1807 Arpaio Notice of Interlocutory AppealMelendres # 1809 Maricopa County Notice of Interlocutory AppealMelendres # 1810 Sands Notice of Interlocutory Appeal09-23-2016 ECF 1342-1 USA v a BUNDY Et Al - Transcript of Exhibit 2109-23-2016 ECF 1343 USA v A BUNDY et al - Second Motion for Judicial Notice Re Hammond Case09-23-2016 ECF 1342 USA v a BUNDY Et Al - USA Memorandum in Support of Motion Re Gov Exhibit 2109-23-2016 ECF 1340 USA v DAVID FRY - Proposed Jury Instructions Re Count Two09-23-2016 ECF 1341 USA v A BUNDY et al - Stipulated Notice by USA Re Bunkerville09-23-2016 ECF 1337 USA v A BUNDY et al - USA Memorandum in Opposition to Motion Re Jury Instructions09-23-2016 ECF 1335 USA v A BUNDY et al - USA Memorandum in Opposition to Motion Re Jury Instructions09-23-2016 ECF 1331 USA v JASON BLOMGREN - Unopposed Motion to Continue - Reset Sentencing Hearing09-23-2016 ECF 1334 USA v A BUNDY et al - USA Memorandum in Opposition to Motion Re Jury Instructions09-23-2016 ECF 1332 USA v JASON BLOMGREN - Declaration by Robert Rainwater Re Unopposed Motion to Continue - Reset Sentencing09-23-2016 ECF 1333 USA v A BUNDY - Stipulated Notice by USA as to Ammon Bundy Re Laptop09-22-2016 ECF 1327-1 USA v A BUNDY et al - XBT 1 to ORDER Taking Judicial Notice of Fedl Ownership of the MNWR09-22-2016 ECF 1326 USA v BLAINE COOPER - Declaration by Krista Shipsey Re Cooper Sentencing Reset09-22-2016 ECF 1325 USA v BLAINE COOPER - Unopposed Motion to Continue-Reset Sentencing Hearing Date09-22-2016 ECF 1327 USA v A BUNDY et al - ORDER Taking Judicial Notice of Fed Ownership of the MNWR09-22-2016 ECF 1323 USA v KENNETH MEDENBACH - Proposed Jury Instructions Re Nullification09-22-2016 ECF 1324 USA v DAVID FRY - Stipulated Notice by USA Re Arrest09-22-2016 ECF 1322 USA v A BUNDY et al - Motion for Reconsideration Re Judicial Notice09-21-2016 ECF 1317 USA v A BUNDY et al - (VACATED) ORDER Taking Judicial Notice of Federal Ownership09-21-2016 ECF 1321 USA v A BUNDY et al - Supplemental Brief Re Proposed Jury Instructions09-21-2016 ECF 1318 USA v A BUNDY et al - Memorandum in Support of Motion to Enjoin-Dismiss09-21-2016 ECF 1317-1 USA v A BUNDY et al - Exhibit to (VACATED) ORDER Taking Judicial Notice of Federal Ownership
USDC HI - Taitz v. Hawaiian Memorial Park Mortuary - ECF 09 - 2014-01-10 - Order by Jack Ryan3 viewsEmbedDownloadDescriptionUSDC HI - Taitz v. Hawaiian Memorial Park Mortuary - ECF 09 - 2014-01-10USDC HI - Taitz v. Hawaiian Memorial Park Mortuary - ECF 09 - 2014-01-10Interests: Types, Business/LawRead on Scribd mobile: iPhone, iPad and Android.Copyright: Attribution Non-Commercial (BY-NC)Download as PDF, TXT or read online from ScribdFlag for inappropriate contentShow moreShow less
RelatedUsdc Hi - Taitz v Hi Mp Mortuary - Ecf 1 - Emergency Petition for Stay - d.hawaii_1-13-Cv-00708_1by Jack RyanUsdc Hi - Taitz v Hi Mp Mortuary Ecf 10 - Order Dismissing Case - Gov.uscourts.hid.113778.10.0(1)by Jack RyanUSDC HI - Taitz v HI MP Mortuary - But Not - Is Supposed to Be Response to OSC - It is Notby Jack RyanUsdc Hi - Taitz v Hi Mp Mortuary - Exhibits - 24-30by Jack RyanSimilar to USDC HI - Taitz v. Hawaiian Memorial Park Mortuary - ECF 09 - 2014-01-10 - OrderUsdc Hi - Taitz v Hi Mp Mortuary - Ecf 1 - Emergency Petition for Stay - d.hawaii_1-13-Cv-00708_1Usdc Hi - Taitz v Hi Mp Mortuary Ecf 10 - Order Dismissing Case - Gov.uscourts.hid.113778.10.0(1)USDC HI - Taitz v HI MP Mortuary - But Not - Is Supposed to Be Response to OSC - It is NotUsdc Hi - Taitz v Hi Mp Mortuary - Exhibits - 24-30USDC HI - Taitz v HI MP Mortuary - But Not Really - Exhibits 2-23Usdc Hi - Taitz v Hi Mp Mortuary - Ecf 1-2 - Civil Cover Sheet - d.hawaii_1-13-Cv-00708_1_2USDC HI - Taitz v. Hawaiian Memorial Park Mortuary - ECF 05 - 2012-12-20 - Order

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Game of Thrones® Tour from Belfast including Giant's Causeway (Sep19-Dec19) Tickets, Tue 22 Oct 2019 at 09:15 | Eventbrite
Tue, 22 October 2019, 09:15 – 17:30 BST

value: Eventbrite is an American event management and ticketing website. The service allows users to browse, create, and promote local events.


text:
Patent US5194892 - Film information exchange system with virtual identification codes - Google PatentsSearch Images Maps Play YouTube News Gmail Drive More »Sign inPatentsA virtually transparent magnetic layer is included as an additional layer in a photographic film. Information exchange between various users of the film, such as the film manufacturer, the camera user, the dealer and photofinisher, is carried via plural longitudinal magnetic tracks on the film, each...http://www.google.com/patents/US5194892?utm_source=gb-gplus-sharePatent US5194892 - Film information exchange system with virtual identification codesAdvanced Patent SearchTry the new Google Patents, with machine-classified Google Scholar results, and Japanese and South Korean patents.Publication numberUS5194892 APublication typeGrantApplication numberUS 07/686,635Publication dateMar 16, 1993Filing dateApr 16, 1991Priority dateOct 7, 1988Fee statusPaidPublication number07686635, 686635, US 5194892 A, US 5194892A, US-A-5194892, US5194892 A, US5194892AInventorsGary L. RobisonOriginal AssigneeEastman Kodak CompanyExport CitationBiBTeX, EndNote, RefManPatent Citations (14), Non-Patent Citations (4), Referenced by (47), Classifications (16), Legal Events (4) External Links: USPTO, USPTO Assignment, EspacenetFilm information exchange system with virtual identification codes
US 5194892 AAbstract
A virtually transparent magnetic layer is included as an additional layer in a photographic film. Information exchange between various users of the film, such as the film manufacturer, the camera user, the dealer and photofinisher, is carried via plural longitudinal magnetic tracks on the film, each track being dedicated to the writing and reading of a predetermined set of related parameters. The tracks are divided into data fields. A data field includes a virtual identification code and a plurality of sub-fields representative of different parameters. The virtual identification code serves as an address to corresponding stored instructions which identify and interpret the data in the corresponding sub-fields. Look-up tables addressed by said virtual identification codes can include bit-map instructions, state identifier instructions, and/or scaling algorithm instructions.
1. In an elongate photographic film strip having successive frames, the improvement comprising:a magnetic layer; and a magnetic track recorded in said magnetic layer, said track comprising at least one field, said field comprising a virtual identification code and a plurality of sub-fields comprising magnetically recorded data representive of different parameters, the virtual identification code serving as an address to corresponding stored instructions which identify and interpret data in said sub-fields. 2. The film strip of claim 1 wherein said virtual identification codes refer to instructions for corresponding sub-fields comprising at least one of: bit-mapping instruction; state identifier instructions; scaling algorithm instructions.
The invention solves the problem of attaining data synchronization at all stages of film use without requiring that each stage transport the film at constant velocity nor even at the same velocity while recording or playing back data. The invention achieves this without requiring the recording of an extra space-wasting clocking track simultaneously with the data track. Instead, the representation of the binary state of a particular bit is unaffected by the film transport speed during recording and playback and is self-clocking. This representation uniquely depends upon the temporal relationship between each data transition pulse and its immediately preceeding and succeeding clock pulses in the serial pulse train comprising the self-clocking code. In the preferred embodiment, a one bit is represented by a data transition pulse which is closer to the preceeding clock pulse. For a zero bit, the data transistion pulse is closer to the succeeding clock pulse.
Referring to FIG. 1, a strip 100 of color negative film 35 millimeters wide includes a base 110, various well-known photo-chemical layers 115 on one side of the base 110 and a virtually transparent magnetic layer 120 on the other side. An anti-static and lubricating layer 22 overlies the magnetic layer 120. The film strip 100 includes perforations 125 sapced along the film edge at regular intervals matching the pitch of a metering pawl in a camera adapted to use the film strip 100.
As described previously with reference to FIG. 6, each field of data is preceeded by an identification code or ID code 625 comprising two six-bit characters. The remainder of the field consists of one or more six-bit characters representing a particular parameter or piece of information. For example, if the camera records the aperture size used to expose each frame, then, as one possible example, four characters would suffice, using the symbol table of FIG. 8. Specifically, if the aperture size was f 1.4, then the first character would be the six-bit byte for "f" from FIG. 8, the second would be "1", the third "." and the fourth would be the six bit byte for "4". Unfortunately, such a scheme uses twelve indentification code bits for each parameter recorded, requiring a maximum amount of overhead. (The term "overhead", as used in this specification, refers to data recorded for control or identification purposes.)
Use of the dedicated film tracks for magnetic recording of information by a camera has been described with reference to the example of FIG. 2. FIG. 10 illustrates one example of the use of the dedicated film tracks (of either FIG. 1 or FIG. 3) for magnetic reading and writing in a photofinishing system. In general, such a photofinishing system employs it own version of the read only memories 240, 700, 800 for track location, and ID code dictionary and a symbol dictionary.
Referring to FIG. 18a, an order entry station, such as one used by a film dealer, receives a cassette of film of the type illustrated in FIG. 1 from a customer. Presumably, the customer has exposed the film in his camera and desires that the film be processed for prints. Under these circumstances, the process which is followed is illustrated in FIG. 18a and is described with reference to the system illustrated in FIG. 10. The dealer would have only a few of the components illustrated in FIG. 10, these being a P/F order entry station 910, a controller 915, a memory 925 storing the P/F order entry algorithm illustrated in FIG. 18a and a terminal 920. The customer's cassette containing the film 100 is inserted into the order entry station 910 (block 1001 of FIG. 18a). The order entry station 910 includes means of the type well-known in the art for extracting the film leader out of the cassette so that the order entry station magnetic head 910a can read data (if any) previously recorded in dedicated tracks on the film lead (frame 0). (Blocks 1003, 1005 of FIG. 18a.) The controller 915 first determines (through the head 910a) whether track F1 of frame 0 is empty (block 1007). If data is detected in track F1 (NO branch of block 1007) the controller 915 immediately concludes that the film cassette is a customer reorder for prints, was developed previously and therefore should be handled separately. Otherwise (taking the YES branch of block 1007) the controller 915 next determines whether the owner's name and address (ID) was previously recorded--presumably using a camera of the type illustrated in FIG. 2--on camera track C0 of frame 0, in accordance with the dedicated tracks allocation of FIG. 5 (block 1009 of FIG. 18a). If not, taking the NO branch of block 1009, the controller 915 causes the display on the terminal 910 to prompt the dealer to input the owner ID (block 1011). The dealer then inputs the owner ID on the keyboard 920 (block 1013). Otherwise, taking the YES branch of block 1009, the controller 915 causes the terminal 920 to display the owner ID previously recorded in the film. The controller 915 then determines whether the owner ID is complete or correct, given prior inputs from the terminal 920 (blocks 1015 and 1017 of FIG. 18a). If the ID is incorrect or incomplete, the controller 915 causes the display on the terminal 920 to prompt the dealer for a correction of the owner (block 1019) so that the dealer may respond by making the correct entry at the keyboard 920 (block 1021 of FIG. 18a). If the owner ID is correct and complete (YES branch of block 1017) the controller 915 then determines (block 1023) whether the customer ID indicates a return customer. This determination would be made by matching the customer's ID with the file of all customer ID's kept in the dealer's computer memory. As a variation on this theme, it may be that the customer has used a camera of the type illustrated in FIG. 2 which could have the capability of recording a particular dealer ID on the film exposed by that camera. In such a case, the camera may have been programmed by the dealer that sold it to always record that dealer's ID on all film processed by the camera. Alternatively, means could be provided for permitting the customer to program his camera to record certain dealer ID numbers.
As illustrated in FIG. 10, the photofinisher system itself may include its own order entry station, enabling it to use computerized automation to process film received from the dealer and even film received directly from a customer. Of course, such a photofinisher order entry station would operate in nearly the same manner as that described in connection with the dealer order entry station process of FIG. 18a. FIG. 18b, however, highlights the differences between the operation of a photofinisher order entry station and a dealer order entry station. Referring to FIG. 18b, the photofinisher order entry station 910 of FIG. 10 extracts the leader from the film cartridge in order to read the data recorded on frame O (block 1040). The controller 915 of the photofinisher order entry station then determines whether tracks F00 and F01 are empty (block 1042). If so, the process described previously in connection with FIG. 18a is used to update the frame 0 data to be recorded in tracks F00 and F01 representing the customer and order information in accordance with the dedicated track allocation of FIG. 5 (block 1044). Such data is then recorded through the head 910a and the requisite locations on tracks F00 and F01 of frame 0 (block 1046).
The inspection station 960 of FIG. 10, under control of the controller 965, follows an inspection algorithm stored in the memory 970, the inspection algorithm being illustrated in the flow diagram of FIG. 18d. The inspection station 960, via the magnetic head 960a, reads the data frame 0, tracks F00, F01 and F02 (block 1200 of FIG. 18d). The controller 965 determines whether or not track F02 is empty (block 1203). If track FO0 is not empty, this indicates that the current order requires makeover or reorder, and an alarm or indication is raised (NO branch of block 1203). In a special case, the inspection station 960 may halt operation at this point if it is not supposed to handle reorders or makeovers. Otherwise, taking the YES branch of block 1203, the inspection station 960 advances the negsatives by one frame (block 1205 of FIG. 18d) and reads the frame number of the next frame (block 1207). The controller 965 determines whether or not that frame number falls within the maximum number of frames on a given roll of film (block 1209). If not, taking the NO branch of block 1209, the frame number indicates the end of the particular customer order has been reached and the controller 965 next determines whether an end of order flag has been set (block 1211). The setting of this flag will be discussed below. If not (NO branch of block 1211), the negatives and the prints have gotten out of synchronization with each other (block 1213) and an alarm is sounded. Otherwise, the end of order has properly been reached and the roll of negatives is advanced to frame 0 (the leader) of the next customer order or roll (block 1215), and the entire cycle is repeated.
Patent CitationsCited PatentFiling datePublication dateApplicantTitleUS3379095 *Dec 17, 1963Apr 23, 1968Edward K. KaprelianMethod of and means for recording and reproducing soundUS3782947 *Jan 28, 1972Jan 1, 1974Eastman Kodak CoPhotographic product with photographically transparent magnetic recording mediumUS3926633 *Jul 2, 1973Dec 16, 1975Peter Anderson CusterMotion picture film soundtrack and method for production thereofUS4054920 *Feb 3, 1976Oct 18, 1977Karl VockenhuberDevice for storing electromagnetic control signals on magnetic strip material and a sound film projector equipped therewithUS4358805 *Sep 10, 1979Nov 9, 1982Agfa-Gevaert AgPlayback and/or recording device for magnetic recording media, especially still photographs provided with a magnetizable coatingUS4441807 *Feb 17, 1982Apr 10, 1984Lucht Engineering, Inc.Photographic printing system including an improved masking cardUS4443099 *Feb 17, 1982Apr 17, 1984Lucht Engineering CorporationPhotographic printing systemUS4482924 *Sep 29, 1982Nov 13, 1984Eastman Kodak CompanyVideo player, film medium, and photographic printer for automatic croppingUS4760428 *Dec 3, 1986Jul 26, 1988Fuji Photo Film Co., Ltd.Image data recording medium and apparatus for determining tape position of the sameUS4965627 *Aug 14, 1989Oct 23, 1990Eastman Kodak CompanyFilm information exchange system using dedicated magnetic tracks on film with virtual data indentifiersDE3122276A1 *Jun 4, 1981Dec 23, 1982Rudolf HamerProcess for the production of photographic copies, and device for carrying out this processEP0011086B1 *Aug 3, 1979Jan 12, 1983EASTMAN KODAK COMPANY (a New Jersey corporation)Photographic film unitFR2295453A1 * Title not availableGB2083652A * Title not available* Cited by examinerNon-Patent CitationsReference1"DATAKODE Magnetic Control Surface", Eastman Kodak Company, 1983 pp. 1-3.2"Technical Experience with Datakode Magnetic Control Surface", Eastman Kodak Company, 1984 pp. 1-24.3 *DATAKODE Magnetic Control Surface , Eastman Kodak Company, 1983 pp. 1 3.4 *Technical Experience with Datakode Magnetic Control Surface , Eastman Kodak Company, 1984 pp. 1 24.* Cited by examinerReferenced byCiting PatentFiling datePublication dateApplicantTitleUS5376981 *Jun 29, 1993Dec 27, 1994Olympus Optical Co., Ltd.Data recording apparatus for a cameraUS5453805 *Jun 27, 1994Sep 26, 1995Olympus Optical Co., Ltd.Data recording apparatus for a cameraUS5485554 *Oct 29, 1993Jan 16, 1996Hewlett-Packard CompanyMethod and apparatus for processing an image in a video printing apparatusUS5500701 *Oct 25, 1993Mar 19, 1996Olympus Optical Co., Ltd.Data recording module device for camera and camera system using the sameUS5508783 *Jan 24, 1994Apr 16, 1996Konica CorporationPhotographic processing systemUS5548361 *Jan 27, 1994Aug 20, 1996Nikon CorporationCamera with data display functionUS5576836 *Oct 28, 1994Nov 19, 1996Minolta Co., Ltd.Multi-picture image printing systemUS5625848 *Oct 19, 1994Apr 29, 1997Nikon CorporationMultiple point distance measurement camera with correction for orientationUS5710618 *Mar 30, 1995Jan 20, 1998Eastman Kodak CompanyPhotofinishing process converting optical data to magnetic dataUS5740484 *May 22, 1996Apr 14, 1998Olympus Optical Co., Ltd.Camera capable of recording data onto filmUS5742857 *Jun 5, 1997Apr 21, 1998Minolta Co, Ltd.System for reproducing film imageUS5768633 *Sep 3, 1996Jun 16, 1998Eastman Kodak CompanyTradeshow photographic and data transmission systemUS5913088 *Sep 6, 1996Jun 15, 1999Eastman Kodak CompanyPhotographic system capable of creating and utilizing applets on photographic filmUS6023524 *Dec 18, 1996Feb 8, 2000Fuji Photo Film Co., Ltd.Method for determining amount of exposureUS6038011 *Sep 29, 1993Mar 14, 2000Fuji Photo Film Co., Ltd.Photographic printing methodUS6084728 *Aug 10, 1995Jul 4, 2000Fuji Photo Film Co., Ltd.Method of recording magnetic informationUS6108104 *Sep 16, 1996Aug 22, 2000Eastman Kodak CompanyImage handling method and systemUS6222607Dec 8, 1999Apr 24, 2001Eastman Kodak CompanySystem and method for process and/or manipulating imagesUS6278531Jun 21, 2000Aug 21, 2001Eastman Kodak CompanyImage handling method and systemUS6321040Jun 4, 1998Nov 20, 2001Eastman Kodak CompanySystem and method of scanning, viewing and writing information on a magnetic layer of photosensitive filmUS6396537Nov 24, 1997May 28, 2002Eastman Kodak CompanyPhotographic system for enabling interactive communication between a camera and an attraction siteUS6833861 *Jul 9, 1999Dec 21, 2004Fuji Photo Film Co., Ltd.System for transferring image data from a camera to a printing systemUS6879373 *Aug 19, 2003Apr 12, 2005Eastman Kodak CompanyMakeover workflow process in a digital photofinishing systemUS7218776Apr 8, 2005May 15, 2007Eastman Kodak CompanyPlurality of picture appearance choices from a color photographic recording material intended for scanningUS7221475 *Dec 22, 1997May 22, 2007Canon Kabushiki KaishaColor image processing apparatusUS7576892May 2, 2007Aug 18, 2009Canon Kabushiki KaishaColor image processing apparatusUS7590347Dec 6, 2007Sep 15, 2009Silverbrook Research Pty LtdPhotographic prints having magnetically recordable mediaUS7742696Aug 17, 2009Jun 22, 2010Silverbrook Research Pty LtdDigital camera having printhead and magnetic recorderUS8271388Aug 29, 2006Sep 18, 2012Sony CorporationImage commercial transactions system and method, image transfer system and method, image distribution system and method, display device and methodUS8306917Oct 26, 2006Nov 6, 2012Sony CorporationImage commercial transactions system and methodUS20010016829 *Dec 27, 2000Aug 23, 2001Hideki ToshikageImage commercial transactions system and methodUS20010053247 *Dec 20, 2000Dec 20, 2001Eastman Kodak CompanyPlurality of picture appearance choices from a color photographic recording material intended for scanningUS20040183918 *Mar 20, 2003Sep 23, 2004Eastman Kodak CompanyProducing enhanced photographic products from images captured at known picture sitesUS20050041223 *Aug 19, 2003Feb 24, 2005Eastman Kodak CompanyMakeover workflow process in a digital photofinishing systemUS20060080187 *Nov 4, 2005Apr 13, 2006Sony CorporationPortable music player and a photographic image commercial transaction systemUS20070003275 *Aug 29, 2002Jan 4, 2007Kia SilverbrookPhotographic prints having magnetically recordable mediaUS20070050267 *Oct 26, 2006Mar 1, 2007Sony CorporationImage commercial transactions system and methodUS20070188626 *Apr 4, 2007Aug 16, 2007Squilla John RProducing enhanced photographic products from images captured at known eventsUS20070192211 *Mar 16, 2007Aug 16, 2007Sony CorporationPortable music player and photographic image commercial transactions systemUS20070220173 *Feb 22, 2007Sep 20, 2007Sony CorporationImage commercial transactions system and methodUS20070279660 *May 2, 2007Dec 6, 2007Canon Kabushiki KaishaColor image processing apparatusUS20080075443 *Dec 6, 2007Mar 27, 2008Silverbrook Research Pty LtdPhotographic Prints Having Magnetically Recordable MediaUS20080174676 *Jan 24, 2007Jul 24, 2008Squilla John RProducing enhanced photographic products from images captured at known eventsUS20090304376 *Aug 17, 2009Dec 10, 2009Silverbrook Research Pty LtdDigital Camera Having Printhead And Magnetic RecorderEP0858207A2Jan 19, 1998Aug 12, 1998Eastman Kodak CompanyImage handling method and system incorporating coded instructionsEP0892298A2 *Jul 15, 1998Jan 20, 1999Canon Kabushiki KaishaCamera control apparatus adapted for film having magnetic recording partEP0892298A3 *Jul 15, 1998Dec 11, 2002Canon Kabushiki KaishaCamera control apparatus adapted for film having magnetic recording part* Cited by examinerClassifications U.S. Classification355/40, 396/319, 355/77, 352/236, G9B/5.235, 360/1International ClassificationG03B27/46, G03D15/00, G11B5/633Cooperative ClassificationG03B27/462, G03B2217/244, G03D15/001, G11B5/633European ClassificationG03D15/00B, G03B27/46E, G11B5/633Legal EventsDateCodeEventDescriptionApr 16, 1991ASAssignmentOwner name: EASTMAN KODAK COMPANY, ROCHESTER, NY A CORP OF NJFree format text: ASSIGNMENT OF ASSIGNORS INTEREST.;ASSIGNOR:ROBISON, GARY L.;REEL/FRAME:005680/0456Effective date: 19910416Aug 21, 1996FPAYFee paymentYear of fee payment: 4Aug 30, 2000FPAYFee paymentYear of fee payment: 8Aug 25, 2004FPAYFee paymentYear of fee payment: 12RotateOriginal ImageGoogle Home - Sitemap - USPTO Bulk Downloads - Privacy Policy - Terms of Service - About Google Patents - Send FeedbackData provided by IFI CLAIMS Patent Services

value: Google Patents is a search engine from Google that indexes patents and patent applications.


text:
Akama | Malagasy Skateboarding, skateboard in Madagascar | Page 2
Publié le 17 février 2015 par rollinran	• Poster un commentaire
On the occasion of the celebration of the two years of our beloved blog, new videos will soon be on the net of which one will be under your eyes now. And every week early, one clip will be online. See yourself! A l’occasion de la célébration des deux ans de notre cher blog, de … Lire la suite →


text: Loading...PITTSBURGH, PA - NOVEMBER 12: Jamaal Charles #25 of the Kansas City Chiefs runs the ball in the first half against the Pittsburgh Steelers at Heinz Field on November 12, 2012 in Pittsburgh, Pennsylvania. (Photo by Gregory Shamus/Getty Images)Back to galleryPhoto 14 of 96Previous | Next


text: Shannon Brown PicturesPHOENIX, AZ - DECEMBER 09: Shannon Brown #26 of the Phoenix Suns drives the ball past Nikola Vucevic #9 of the Orlando Magic during the NBA game at US Airways Center on December 9, 2012 in Phoenix, Arizona. The Magic defeated the Suns 98-90. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement. (Photo by Christian Petersen/Getty Images)Shannon Brown Photos »176 of 200


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Coconut Grove Grapevine: Proliferation of peacocks Coconut Grove Grapevine -Daily Updates on what's up in Coconut Grove. - We cover news, events, gossip and happenings in the Grove. Miami news, Miami art news
Proliferation of peacocks
Here's Patrick Sessions, taking a photo of Heather Bettner, chair of the Coconut Grove Peacock Tour, as more painted peacocks hit the streets of Coconut Grove yesterday.
This peacock, entitled, "Queen of Coconut Grove," by artist Eileen Seitz, was sponsored by the Sessions family for the benefit of the Village Council. It is installed in a prime location, right on the corner of Commodore Plaza and Main Highway at the new Lulu restaurant.
LuLu's is painted on the bird. Art imitating life. Lulu is set to open at the end of the month.
Penelopeacock, created by artist George Rodez, proudly sits outside The Bookstore at Grand and Virginia. They are the most photographed things in the Grove at the moment. People love them and come up to them to admire them and of course take lots of photos.
At left is Valentina Peacock, done by pop artist Ed King, it is located at EMW's office (the little yellow house) at Franklin and Main Highway, it gives a big wave goodbye as people leave the Center Grove; at right is the peacock painted by Fred Hunt called, "Night and Day, You Are the One," which is right at the entrance to the Mayfair Promenade, in front of the Antique Market.
A map of the locations of many of the peacocks may be seen here. It is still in the works, so more locations will be added as the peacocks are added. A printed map will be available all over town soon. Heather is considering adding another 10 perhaps, because people seem to want to sponsor one when they see them on the streets. Contact her at 305-775-0113. There are many available aritsts who are prepared to create a peacock just for you.
And here is the Channel 10 report that reporter Victor Oquendo did the other day. You can even see the back of my bald head in a couple of shots.


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Brini's Doll Domain: Announcing the Annual Christmas Giveaway--Giveaway #1!!
Announcing the Annual Christmas Giveaway--Giveaway #1!!
Grayson: "Hello Everyone. I am here to announce the first of four giveaways sponsored by Brini's Doll Domain. This year winning will a variety of great gifts and me and my family will be your host for the duration. The rules will be as followed:"
Grayson: "Today giveaway will feature something for the sport person in your community."
Grayson: "You have a chance to win a set of fishing rods manufactured by Mayberry Street Miniatures. I myself love these, They are very welled made and easy to handle."
Grayson: "Included will be the fishing accessories that will aid you in enjoying your outing. You will have a small lantern just in case you go past dawn, small bait basket, small pail and a fishing lure with a floater."
Grayson: "Everything you see here as well as the cooler will go to the lucky winner of today's giveaway. I want to wish everyone good luck."
Posted by Brini at 6:02 PM
Labels: AA Jewel Secret Ken, Blog giveaway 2014, C. Grayson Clark
lindaivette montes de oca November 30, 2014 at 11:16 PM
Hola amiga, que bonitas fotos. Saludos y abrazos.
Brini December 5, 2014 at 5:32 PM
Hola, feliz de haberlo detenido por. Te he entrado en el dibujo. Buena suerte.
billa's dolls and fashions December 1, 2014 at 7:41 AM
Hi Brini! Grayson is such a generous guy!
Brini December 5, 2014 at 5:28 PM
He is a great guy, such a gentle guy to be a judge.
simsgrl December 1, 2014 at 5:02 PM
I would love to participate. What a generous person.
Brini December 5, 2014 at 5:29 PM
You have been entered. Good Luck.
shirley hargrove December 1, 2014 at 7:57 PM
hi brini! i would love to participate.grayson i agree with you those are some great items!
I found the additional items too. You have been entered.
D7ana December 1, 2014 at 8:22 PM
That's a cute kit. Most of the East Philly crew think that fish comes frozen in bags, lol. Fishing as "sport" or vocation might jar their sensibilities ;-)
Brini December 5, 2014 at 5:30 PM
Hopefully they will get a chance to enjoy fresh fish. You have been entered.
Night Owl December 2, 2014 at 3:53 AM
Grayson is looking very handsome! A great set, I would love to participate :-).
Ms. Leo December 3, 2014 at 3:05 PM
I would love to participate. I love Grayson's mustache! I have been trying to find an articulated body for that complexion of male doll. I can't. Do you know of a male doll that is articulated in that complexion?
Brini December 5, 2014 at 5:31 PM
I have been trying to hunt down bodies for the longest. I'm not going to give up either. I have you entered as well.
Rosemary Hill December 6, 2014 at 3:23 PM
Hello, Brini!
I would love to participate. I like Your male dolls, especially Grayson :) Greetings from Hungary :)


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Carb Tripper: July 2014
"Running late - again!" I called to tell Sherri I would be late for the Monday night Cooking "Class!"
"No Probs" quoth she!
Sherri put together a wonderful dinner
Using only her imagination and a few Sundry Items
A little prep shopping and chopping.
We CAN follow a recipe - And we have...
BUT we are mostly cooking without them....
And learning how and why things make food taste better!
Fresh Fruit is Summer is a treat
Especially when it comes from a produce stand In or near East Texas!
Get rid of the junk food, and Don't eat out so much,
And you are more than half-way there!
Sherri is now able to cook almost anything!
With skill and ease!
She is an official graduate of the CT LC School of Foodolgy.
Graduating with honors: Mo Beta Fry!
Not that there is anything wrong with the old way...
So Sherri is officially a cook! And an awesome one - at that!
cooking with sherri,
just say no to frozen dinners,
low carb home made
New kicks.... lol
Not new, but bless her heart
Not new either - In-n-Out never gets old.
This is the Flying Dutchman from the Secret Menu
Gruel and unusual punishment Not yet Halloween
Heave Ho Crane
Leaders are Readers - the sign says
Rockwall Court House
Licked to Death by savage pups
Finally some rain - and the temp got below 100!
Cuz it gets pretty hot in the car with the windows up!
low carb stuff,
picnic at the arboretum So Sherri comes over for lunch on Saturday
We went to the Dallas Arboretum
And I thought - why not bring a lunch?
So I nade a little picnic basket
I once bet Sherri $5 that in time,
She would discover (as I have)
That food you make yourself at home
Is Better, Healthier, Cheaper, and even Faster
Than almost ANYTHING you can buy - eating out!
I think she is almost convinced!
These little bottles fit in my cooler
Nice lunch surroundings!
On the way back to my place,
There was this huge Church -
I grew up in the Lake Highlands area of Dallas
By now Sherri is used to me taking a picture of everything in the world.
She even suggested we stop here!
Comparing two kinds of "miracle noodles"...
The actual kind and the grocery store kind.
One is ZC (no carbs) One has 4 carbs per serving....
Both are made with Konjack Noodles... (link)
Only watch out for soy.
Soy is a sick, rancid chemical, all GMO,
And we don't ever need soy, ever, in any amount.
(Says the former Vegan who once lived on soy!)
Hint: WASH them before you serve them
Made some Zoodles....
Spiral cut Zucchini
Italian Sausage and Brats
I prance - after my nearly 20 pound re re gain loss
One kind - more translucent
The other kind - more starchy
No real taste difference
Both make for a great scramble
Fried Tomatoes in Balsamic Vinegar.....
Sausage.... Zoodles.... and Noodles
Tea... And dinnah - is - suvved, y'all!
The winner - Unknown!
If you are really strict on carbs, get the Miracle Noodles. (link)
If Albertson's in nearby, get the other!


text:
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