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US8082212B2 - Electronic musical apparatus for recording and reproducing music content - Google Patents
Electronic musical apparatus for recording and reproducing music content Download PDF
US8082212B2
US8082212B2 US12355256 US35525609A US8082212B2 US 8082212 B2 US8082212 B2 US 8082212B2 US 12355256 US12355256 US 12355256 US 35525609 A US35525609 A US 35525609A US 8082212 B2 US8082212 B2 US 8082212B2
US12355256
US20090133565A1 (en )
In an electronic musical apparatus, a media ID (MD1, MD2, MD3, MD4, MD5) is associated with each recording media of a memory card 8, hard disk device 10, flash memory ROM 11, CD-ROM 12 and internet 15. Each media ID is encrypted to be recorded on a different position in a ROM 2. Upon reading a music content, the media ID of the corresponding recording media is decoded to decode the music content based upon the media ID and the secret key, and then, the resultant is temporarily stored in a RAM 3. Upon writing a music content, it is encrypted based upon the media ID corresponding to a recording media and the secret key, and the content in the RAM 3 is deleted. This makes cryptanalysis hard to thereby enhance a protection level of a music content in an electronic musical apparatus.
This is a divisional of U.S. patent application Ser. No. 11/079,553 filed Mar. 14, 2005.
The present invention relates to an electronic musical apparatus that is accessible to plural types of recording medias and can read music content, that is encrypted to be recorded, from one optional recording media among the plural types of recording medias and can encrypt the music content to be recorded to one optional recording media, and to a computer-readable program applied to this apparatus.
Conventionally, there has widely been known an electronic musical apparatus such as an electronic musical instrument or the like that can make an automatic performance based upon music piece data (performance data) composed of MIDI data. Further, there has been proposed an electronic musical instrument that adopts a memory card such as a smart media (registered trademark) as an external memory media, wherein the prestored MIDI music piece data is read from this memory card for an automatic performance or the MIDI music piece data edited or composed by a user is written in the memory card for storage. Moreover, in case where MIDI music piece data or the like (hereinafter suitably referred to as “music content”) that needs a copyright protection is read from the external recording media or the like, some electronic musical instruments give management information including a copyright flag to the music content for attempting a copyright protection to protect illegal copy.
A CPU adopted in an electronic musical instrument has increased speed year by year. Further, the electronic musical instrument has incorporated therein a recording media such as a flash memory ROM, CD-ROM/R/RW drive or the like or it can be connected to these recording medias via an interface such as a USB or the like. Therefore, various recording medias are being able to be utilized for electronic musical instruments. Using plural types of recording medias described above leads to the use of various software or various contents, thus enhancing a function of the electronic musical instrument. Moreover, the music content can also be recorded in the various recording medias according to the taste of a user. In this case, it becomes necessary to consider the copyright protection of the music content.
From the viewpoint of the copyright protection, a technique for encrypting music piece data is disclosed in Japanese Unexamined Patent Application No. 2003-208163. This conventional technique discloses that music piece data is transmitted via a network and this music piece data is taken in an electronic musical instrument to execute an automatic performance. Further, in this conventional technique, music piece data is encrypted by using a key (secret key) so as not to allow the illegal use of the auditioning music piece data.
When a secret key is used for an encryption as described above, the secret key is needed for its decode. Therefore, it is necessary to store the secret key in, for example, an electronic musical instrument that is also used as a stand-alone device. Moreover, in case where the music contents respectively stored in the plural types of recording medias are encrypted, the use of common secret key simplifies a processing program, but once the secret key is found, the music contents in all the recording medias are easily decoded, thereby entailing a problem that a level of protection is weak, such as allowing an illegal copy.
The present invention is accomplished in view of the above-mentioned problems, and aims to make cryptanalysis hard to thereby enhance a protection level of a music content in an electronic musical apparatus that is accessible to plural types of recording medias and can read a music content, that is encrypted to be recorded, from one optional recording media among the plural types of recording medias or can encrypt a music content to be recorded to one optional recording media.
In order to attain the above-mentioned object, an electronic musical apparatus that can reproduce encrypted music contents each recorded in plural types of recording medias is configured as follows. The electronic musical apparatus comprises a storing portion that stores plural media IDs each allocated to each of plural types of recording medias, a media ID obtaining portion that obtains, among the plural media IDs stored in the storing portion, a media ID corresponding to the recording media from which a music content is designated to be read, and a reading portion that reads the encrypted music content from the recording media from which the music content is designated to be read and decodes the read and encrypted music content by using the obtained media ID.
This makes it impossible to decode the encrypted music content so long as the media ID corresponding to the recording media on which the music content is recorded cannot be obtained. Accordingly, the music contents recorded on the plural recording medias cannot freely be reproduced, thereby enhancing a copyright protection of the music contents.
Further, the encrypted music content may include encrypted common key information independent of the types of the recording media, wherein the storing portion may further store a common secret key for decoding the encrypted common key information and the reading portion may be configured as follows. The reading portion may have a common key information decoding portion that decodes the encrypted common key information by using the common secret key, a decoding key generating portion that generates a decoding key for decoding the encrypted music content by using the decoded common key information and the obtained media ID, and a music content decoding portion that decodes the read and encrypted music content by using the generated decoding key.
Moreover, the encrypted music content may include encrypted music piece data representing a music piece, an encrypted music piece data key for decoding the encrypted music piece data and encrypted common key information independent of the types of the recording media, wherein the storing portion may further store a common secret key for decoding the encrypted common key information and the reading portion may be configured as follows. The reading portion may have a common key information decoding portion for decoding the encrypted common key information by using the common secret key, a decoding key generating portion for generating a decoding key for decoding the encrypted music piece data key by using the decoded common key information and the obtained media ID, a music piece data key decoding portion for decoding the encrypted music piece data key included in the read and encrypted music content by using the generated decoding key, and a music piece data decoding portion for decoding the encrypted music piece data included in the read and encrypted music content by using the decoded music piece data key.
This makes the procedure for decoding complicated, thereby further enhancing a copyright protection of a music content.
Further, an electronic musical apparatus that can encrypt music contents and record the encrypted music contents in plural types of recording medias is configured as follows. The electronic musical apparatus comprises a storing portion that stores plural media IDs each allocated to each of plural types of recording medias, a media ID obtaining portion that obtains, among the plural media IDs stored in the storing portion, a media ID corresponding to the recording media into which a music content is designated to be written, and a writing portion that encrypts the music content by using the obtained media ID and writes the encrypted music content in the designated recording media.
Further, the music content may include common key information independent of the types of the recording media, wherein the storing portion may further store a common secret key for encrypting the common key information and the writing portion may be configured as follows. The writing portion may have an encryption key generating portion for generating an encryption key by using the common key information and the obtained media ID, a music content encrypting portion for encrypting the music content by using the generated encryption key, a common key information encrypting portion that encrypts the common key information by using the common secret key, and a music content writing portion that writes the encrypted music content including the encrypted common key information in the designated recording media.
Moreover, the music content may include music piece data representing a music piece, a music piece data key for encrypting the music piece data and common key information independent of the types of the recording media, wherein the storing portion may further store a common secret key for encrypting the common key information and the writing portion may be configured as follows. The writing portion may have a music piece data encrypting portion for encrypting the music piece data by using the music piece data key, an encryption key generating portion for generating an encryption key by using the common key information and the obtained media ID, a music piece data key encrypting portion for encrypting the music piece data key by using the generated encryption key, a common key information encrypting portion for encrypting the common key information by using the common secret key, and a music content writing portion that writes the encrypted music content including the encrypted music piece data, the encrypted music piece data key and the encrypted common key information in the designated recording media.
This allows the complicatedly encrypted music content to be recorded in the recording media, thereby further enhancing a copyright protection of the music content.
Further, the music content read from one recording media of plural recording medias as described above may be stored in temporal storing portion, and then, the music content stored in the temporal storing portion may be automatically written in the other one recording media by the manner described above. Specifically, the music content can be transferred among plural types of recording medias with a specific cryptographic process performed every recording media. In this case, the music content stored in the temporal storing portion may automatically be deleted after the music content is written in the other one recording media.
According to this, even if the music content is transferred from one recording media to the other one recording media among plural recording medias, the music content is encrypted and recorded according to the recording media to which the music content is to be transferred, thereby enhancing a copyright protection of the music content.
Further, the invention is not limited to an electronic musical apparatus upon embodying the invention, but it can be embodied as an invention of a computer-readable program and an invention of a method applied to an electronic musical apparatus.
FIG. 1 is a block diagram of a hardware configuration of an electronic musical apparatus and peripherals according to an embodiment of the present invention;
FIG. 2 is a view showing an outline of a process to music piece data handled by the electronic musical apparatus of the embodiment and each recording media;
FIG. 3 is a conceptional view showing a data structure of encrypted music content and a procedure for decode and encryption;
FIG. 4 is a flowchart showing a main routine in the embodiment;
FIGS. 5A and 5B are flowcharts showing a reading routine in the embodiment;
FIGS. 6A and 6B are flowcharts showing a writing routine in the embodiment; and
FIG. 7 is a flowchart showing a modified example of the main routine.
FIG. 1 is a block diagram showing a hardware configuration of an electronic musical instrument and peripherals in an embodiment of the present invention, wherein a CPU 1 (a control portion) entirely controls the electronic musical instrument by using a working area in a RAM 3 based upon a control program stored in a ROM 2. As a basic function of a general electronic musical instrument, the CPU 1 detects an operation event of a keyboard or the like at an input operation section 4 to control a manual performance. Further, it detects an operation event of a panel operation elements or the like at the input operation section 4 to perform a process according to the operation of each operation element. Moreover, it controls a display on a display device 5 such as a liquid crystal panel or the like. A tone generator 6 generates a tone signal according to various data set from the CPU 1 by a keyboard performance or automatic performance and outputs the tone signal to a sound system 7. The sound system 7 performs D/A conversion or amplification of the tone signal and sounds out the resultant with speakers.
This electronic musical instrument is, as a recording media or its drive device, provided with a memory card reading/writing device 9 that performs read/write of data to a memory card 8, a hard disk device (HDD) 10 that performs read/write of data to a built-in hard disk, a flash memory ROM 11 that performs read/write of data to an internal memory area and a CD-ROM drive 13 that reads data from a CD-ROM 12. Among these, the memory card reading/writing device 9, hard disk device 10 and flash memory ROM 11 are incorporated in the body of the musical instrument, while the CD-ROM drive 13 is externally mounted with a USB cable via an interface 14. Further, it is connectable to internet 15 via the interface 14. Specifically, the memory card 8, hard disk device 10, flash memory ROM 11, CD-ROM 12 and sites of the internet 15 are defined as plural recording medias of different type in this embodiment.
A media ID (hereinafter referred to as “MD1, MD2, MD3, MD4, MD5” in that order), each being different from one another, is allocated to the memory card reading/writing device 9, hard disk device 10, flash memory ROM 11, CD-ROM drive 13 and internet connecting section of the interface 14 respectively. These media IDs are encrypted and written in a predetermined area of a control program stored in the ROM 2 (a storing portion). By this process, the media ID is set to each recording media in the electronic musical instrument. Any information is available as the media ID as long as it can be used as secret key information. Preferably, the pieces of information can be inferred easily and are different from each other.
FIG. 2 is a view showing music piece data handled by the electronic musical instrument in this embodiment and an outline of a process to each recording media. A block of “providing music piece data” is a seller of the memory card 8 and CD-ROM 12 having the music piece data recorded thereon or a site on the internet 15 providing transmission service or selling service of the music piece data. The music piece data provided by the memory card 8, CD-ROM 12 and internet 15 is encrypted in advance for the electronic musical instrument by a secret key described below based upon the media ID (the same media ID in the electronic musical instrument) corresponding to each recording media. The music piece data already encrypted is provided by the corresponding recording media.
The encrypted music piece data in the memory card 8 and the CD-ROM 12 is decoded by the secret key based upon each media ID (MD1, MD4) by reading (LOAD). Further, the encrypted music piece data downloaded from the internet 15 is decoded by the secret key based upon the media ID (MD5). Each decoded music piece data is stored in a content storing area (a temporal storing portion or temporal storing device) in the RAM 3. Further, the music piece data is encrypted and can be saved in the recording media on which a recording is possible such as the memory card 8, hard disk device 10 and the flash memory ROM 11 by a secret key based upon each media ID. However, the music piece data that needs a copyright protection, i.e., the encrypted music piece data cannot be copied but can only be transferred among the readable and recordable recording medias.
FIG. 3 is a conceptional view of a data structure of the encrypted music content and a procedure of decoding and encryption. The data of the music content is composed of common key information, security information and music piece data. These pieces of information are encrypted respectively. The common key information includes a common key A set based upon a random value. The security information includes a file name, name of works, copyright information (flag) and content ID. The content ID is a single content ID for whole data of the music content. This content ID functions as a key C (music piece data key) described later for decoding the music piece information. The music piece data information includes MIDI music piece data, logical score data, style (performance data for accompaniment), registration (data for designating a tone or effect of an electronic organ) or the like.
The ROM 2 (a storing portion) stores a control program and media IDs (MD1, MD2, MD3, MD4, MD5) each corresponding to each recording media. These media IDs are stored at the respective places (addresses) apart from one another, each ID being subject to different encryption by a predetermined secret key different from every recording media. It should be noted that, since the storing place and encryption process of the media ID is determined in advance every recording media, the reading and decoding of the media ID according to each recording media is of course possible by the execution of the control program in the electronic musical instrument. Further, a predetermined secret key AA (common secret key) is stored in the control program of the ROM 2. This secret key AA is for decoding the common key information in the music content and encrypting the decoded common key information.
In case where the encrypted music content is decoded, the data of the common key information is firstly decoded by the secret key AA in the control program to obtain the common key A. Then, the media ID corresponding to the recording media of the music content is decoded to be read, wherein a predetermined calculation or the like is performed to generate a key B (decoding key) for decoding the security information by using the media ID and the common key A. Further, the security information is decoded by this key B to obtain the content ID therein as a key C (music piece data key). Then, the music piece data information is decoded by this key C. The keys A, B and C, media ID and music piece data obtained by this decoding are temporarily stored in the content storing area (a temporal storing portion or temporal storing device) of the RAM 3 with decoded state. The music piece data or the like is read according to the predetermined program to be suitably used for an automatic performance or the like.
Subsequently explained is a procedure for encryption upon recording the decoded music content in the memory card 8, hard disk device 10 and flash memory ROM 11. When the security information of the music content that is to be encrypted (recorded) is designated, a key B (encryption key) is firstly generated by the common key A of the common key information of the music content corresponding to the security information and the media ID of the recording media where the music content is to be recorded. The security information (including the content ID (music piece data key)) is encrypted by the key B and the common key information including the common key A is encrypted by the predetermined secret key AA (common secret key) in the control program. Then, the music piece data information is encrypted by the key C (music piece data key) that is the content ID before the encryption.
FIG. 4 is a flowchart showing a main routine of the embodiment, FIGS. 5A and 5B are flowcharts showing a reading routine and FIGS. 6A and 6B are flowcharts showing a writing routine. The process of each routine is performed based upon the execution of the control program by the CPU 1 (a control portion). In the main routine in FIG. 4, a general process of the electronic musical instrument is performed at step S1 such as an activation such as initialization, a process corresponding to the operation on the operation panel at the input operation section 4, a sound-out process based upon the performance on the keyboard at the input operation section 4, an automatic performance process based upon the music piece data, a performance guide process such as turning on a depressed key guide lamp, a designating process of the music content temporarily stored at the content storing area in the RAM 3, a designating process of the recording media composed of the memory card 8, hard disk device 10, flash memory ROM 11, CD-ROM drive 13 (CD-ROM 12) and internet 15, a designating process of the music content in the recording media or the like.
Subsequently, it is determined at step S2 whether there is an instruction of loading of the music piece data or not. If there is no instruction of loading, the program proceeds to step S4. If there is an instruction of loading, the process of the reading routine in FIGS. 5A and 5B is performed at step S3, and then, the program proceeds to step S4. It is determined at step S4 whether there is an instruction of saving the music piece data or not. If there is no instruction of saving, the program proceeds to step S6. If there is an instruction of saving, the process of the writing routine in FIGS. 6A and 6B is performed at step S5, and then, the program proceeds to step S6. The other processes are performed at step S6, whereupon the processes at step S1 and the following steps are repeated unless the process is ended by turning off a power source at step S7.
In the reading routine shown in FIGS. 5A and 5B, it is determined at step S11 whether the music content is encrypted or not. If not encrypted, the music content is read as it is to be temporarily stored in the content storing area in the RAM 3, and then, the program proceeds to step S26. If encrypted, the processes at the step S13 and the following steps are performed. As to whether the music content is encrypted or not, a general reading operation is carried out, for example, and the determination may be made that the music content is encrypted if it cannot be read, or the fact that the music content is encrypted in advance may be recorded to the music content.
It is determined at steps S13 to S17 from what type of recording media the music content is read, and steps S18 to S22 execute a process according to each recording media. Specifically, at steps S18 to S22, the data of the media ID corresponding to the recording media is read from the place (address) corresponding to the recording media, from which the music content is read, in the ROM 2, and the read media ID is decoded, wherein the decoded value (MD1 to MD 5) is stored as the corresponding media ID. Then, the program proceeds to step S24. If the recording media is not determined to be any one of the recording medias corresponding to MD1 to MD5, a warning is displayed at step S23 such as, for example, “It is not the recording media handled by this apparatus” or the like, and the program proceeds to step S26.
As explained at FIG. 3, at step S24, the common key information is decoded by using the secret key AA to thereby obtain the common key A, whereby the key B (decoding key) is generated by the common key A and the media ID to decode the security information by the key B. The music piece data is decoded with the content ID in this decoded security information defined as the key C (music piece data key). Subsequently, at step 25, each key, ID, security information and music piece data are temporarily stored (virtual storage) in the content storing area in the RAM 3 with the decoded state. Then, the program returns to step S11 unless the data to be read is ended at step S26, while the program returns to the original routine if ended.
The writing routine shown in FIGS. 6A and 6B is activated when the music content is read from the recording media as decoded to be temporarily stored (virtual storage) in the content storing area (a temporal storing portion or a temporal storing device) in the RAM 3 by the process of the reading routine shown in FIGS. 5A and 5B and when the music content is selected at step S1 in FIG. 4 (when the music piece data and the corresponding security information are designated). Specifically, the writing routine is a process for encrypting the music content that is decoded and temporarily stored in the RAM 3 and writing the resultant to the recording media, in response to the determination of saving instruction of the music piece data by step S4 in FIG. 4. Firstly, it is determined at step S31 whether the music content should be encrypted or not. If it is not the one that should be encrypted, the music content is written in the recording media without being encrypted at step S32, and the program proceeds to step S44. If it should be encrypted, the processes at step S33 and the following steps are performed. Whether the music content should be encrypted or not is determined by the copyright information (flag) of the security information or the like.
It is determined at steps S33 to S36 on what type of recording media the music content is written. The process according to each recording media is performed at steps S37 to S40. It should be noted that steps S51 and S52 shown by a broken line will be described later. At steps S37 to S40, the data of the media ID corresponding to the recording media is read from the place (address) corresponding to the recording media, on which the music content is to be written, in the ROM 2, and the read media ID is decoded, wherein the decoded value (MD1 to MD3, MD5) is stored as the corresponding media ID. Then, the program proceeds to step S42. If the recording media is not judged to be any one of the recording medias corresponding to MD1 to MD5, a warning is displayed at step S41 such as, for example, “There is no recording media on which music content should be written” or the like, and the program proceeds to step S44.
As explained at FIG. 3, at step S42, the key B (encryption key) is generated by using the common key A and the media ID to thereby encrypt the security information (music piece data key) by the key B. Further, the common key A is encrypted by the secret key AA. Moreover, the music piece data is encrypted with the content ID in this security information defined as the key C (music piece data key), and the information of the common key A, security information and music piece data are collected as one music content. Then, the music content in which the information of the common key A, security information and music piece data are collected is recorded on the designated recording media and the music content temporarily stored (virtual storage) in the RAM 3 is deleted at step S43. Then, the program returns to step S31 unless the data to be written is ended at step S44, while the program returns to the original routine if ended.
The above-mentioned embodiment explains about the case where the CD-ROM drive 13 performs reading from the CD-ROM 12. However, in case where the CD-ROM drive 13 has a function to write in the CDR/RW, steps S51 and S52 shown by a broken line in FIG. 6 may be executed. Specifically, when it is determined at step S51 whether the writing is performed to the CDR/RW, the data of the media ID corresponding to the CDR/RW is read from the place (address) corresponding to the CDR/RW in the ROM 2, and the read data is decoded to be stored as the media ID at step S52. Then, the program proceeds to step S42.
The above-mentioned embodiment does not basically consider remodeling the device, but in this embodiment, a media ID (media number) common to every type of the recording media is set to encrypt the music piece data. Accordingly, when a recording media (other than the flash memory) for a first electronic musical instrument is removed and attached to a second electronic musical instrument different from the first electronic musical instrument, the music piece data utilized for the first electronic musical instrument can be utilized for the second electronic musical instrument. The flash memory (ROM) is fixed on a substrate by a soldering, so that it cannot be removed. This can be eliminated as follows except for the CD-ROM. As for a memory card that is easily removed, the one with an ID number is adopted. After a different encryption is performed for every memory card, data is recorded on the memory card. As for a hard disk device, each one is encrypted based upon each format/serial number that is a numerical value different from each hard disk device, and then, recording is performed. This means that a ID storing portion provided every type of recording media for storing the media ID is not only provided at the ROM 2 but also provided every recording media. According to this, the music piece data can be decoded only by a single electronic musical instrument.
Further, the aforesaid embodiment independently performs that the music piece data recorded on one recording media among plural recording medias is temporarily stored in the RAM 3 and that the music piece data temporarily stored in the RAM 3 is recorded on one recording media among plural recording medias. However, in addition to this, the music content recorded on one recording media among plural recording medias can also be transferred to the other one recording media among plural recording medias. In this case, the CPU 1 executes the main routine shown in FIG. 7 wherein processes at steps S8, S3′ and S5′ are added between the step S5 and step S6 in FIG. 4.
In this main routine, when the music content is instructed to be moved by the process corresponding to the operation on the operation panel at the input operation section 4 at step S1, the CPU 1 makes “YES” determination at step S8 to automatically successively execute steps S3′ and S5′. The processes at steps S3′ and S5′ are the same as those at steps S3 and S5. It should be noted that, in this case, one recording media having recorded thereon the music content that is to be moved and the music content in the recording media are designated as well as the recording media to which the music content is moved to be recorded is also designated. By this, the music content recorded in the designated one recording media is decoded by the same manner as in the above-mentioned embodiment and temporarily stored in the RAM 3. Thereafter, the temporarily stored music content is automatically read from the RAM 3 to be recorded on the designated one recording media as encrypted by the same manner as in the above-mentioned embodiment. Further, the music content in the RAM 3 is deleted thereafter.
Moreover, the security information is decoded and encrypted by the key B as well as the music piece data information is decoded and encrypted by the key C (music piece data key) in the security information in the aforesaid embodiment and modified example. However, instead of this, the music piece data information and the security information (not including the key C that is the content ID) may be decoded and encrypted by the key B (decoding key and encryption key), omitting the key C (music piece data key) that is the content ID in the security information.
Further, the invention is not limited to the above-mentioned embodiment, but various modifications are possible without departing from the spirit of the invention upon embodying the present invention.
1. An electronic musical apparatus for transferring encrypted music contents from among plurality types of music content recording media, the electronic musical apparatus comprising:
a storage device for storing a secret key and a plurality of media IDs each unique to one of the plurality types of music content recording media;
a temporary memory device;
a processor coupled to the memory device,
wherein the memory device stores executable instructions that when executed by the processor causes the processor to perform the operations of:
reading the encrypted music contents from one of the plurality types of music content recording media;
determining a type of the one of the plurality types of music content recording media;
retrieving the medium ID of the determined type of the one of the plurality types of music content recording media;
decrypting the read encrypted music contents using the retrieved medium ID;
retrieving common key information, security information, and music piece information from the decrypted music contents and storing the common key information, the security information, and the music piece information in the temporary memory device, wherein the common key information includes a common key, wherein the security information includes copyright information and a content ID;
determining a type of one medium of the music content recording media from which the encrypted music contents is designated to be transferred to;
retrieving the medium ID of the determined type of the one medium of the music content recording media to be transferred to and the secret key from the storage device;
retrieving the content ID from the retrieved security information;
encrypting the retrieved music piece information using the retrieved content ID;
retrieving the common key from the retrieved common key information;
generating a first key using the retrieved common key and the retrieved medium ID of the determined type of the one medium of the music content recording media to be transferred to;
encrypting the retrieved security information with the first key;
encrypting the retrieved common key information with the retrieved secret key; and
writing the encrypted security information, the common key information, and the music piece information to the determined type of the one medium of the music content recording media to be transferred to.
2. The electronic musical apparatus according to claim 1, wherein the content ID is a security key.
3. The electronic musical apparatus according to claim 1, wherein the processor deletes the music contents stored in the temporary memory device after writing the encrypted music contents in the one media of the music content recording media to be transferred to.
4. The electronic musical apparatus according to claim 1, wherein:
the processor decrypts the common key information using the secret key retrieved from the storage device to retrieve the common key;
the processor decrypts the security information retrieved from the temporary memory using the retrieved common key and the medium ID of the determined type of the one of the plurality types of music content recording media from to retrieve the content ID; and
the processor decrypts the music piece information using the retrieved content ID.
5. A non-transitory computer-readable storage medium storing a computer program executable by an electronic musical apparatus to carry out a method of transferring encrypted music contents from among plurality types of music content recording media, the electronic musical apparatus having a storage device, a temporary memory device, a memory device storing the computer program, and a processor coupled to the memory device, the method comprising the steps of:
storing in the storage device a secret key and a plurality of media IDs each unique to one of the plurality types of music content recording media;
encrypting the retrieved common key information with the retrieved secret key;
6. The non-transitory computer-readable storage medium according to claim 5, wherein the content ID is a security key.
7. The non-transitory computer-readable storage medium according to claim 5, further comprising the step of deleting the music contents stored in the temporary memory device after writing the encrypted music contents in the one media of the music content recording media to be transferred to.
8. The non-transitory computer-readable storage medium according to claim 5, wherein the decrypting step comprises:
decrypting the common key information using the secret key retrieved from the storage device to retrieve the common key;
decrypting the security information retrieved from the temporary memory using the retrieved common key and the medium ID of the determined type of the one of the plurality types of music content recording media to retrieve the content ID; and
decrypting the music piece information using the retrieved content ID.
9. A method of transferring encrypted music contents from among plurality types of music content recording media with an electronic musical apparatus having a storage device, a temporary memory device, a memory device, and a processor coupled to the memory device, the method comprising the steps of:
10. The method according to claim 9, wherein the content ID is a security key.
11. The method according to claim 9, further comprising the step of deleting the music contents stored in the temporary memory device after writing the encrypted music contents in the one media of the music content recording media to be transferred to.
12. The method according to claim 9, wherein the decrypting step comprises:
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EP (1) EP1580644A3 (en)
CN (1) CN1670817B (en)
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Oswald Chambers | Religion-wiki | Fandom powered by Wikia
Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers	Wikia is not accessible if you’ve made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected.	File:Chambers.jpeg Oswald Chambers (1874 - 1917) was a preacher, writer, and evangelist. Born in Aberdeen, Scotland, he was educated in The Art School in South Kensington, the University of Edinburg, and in theology in Dunoon Training School, where he became a tutor in philosophy. From 1906 to 1907, he engaged in a round-the-world preaching tour among Methodist and Holiness groups. [1]
Chambers worked with the League of Prayer from 1907 to 1910, and was Principal of the League's Bible Training School from 1911 to 1915. From 1915 to his death in 1917, he served among British soldiers in Egypt as a YMCA worker. His numerous books are mainly compilations of his messages--the most popular being My Utmost For His Highest. [2]
The Reverend Oswald Chambers was an evangelist throughout the United Kingdom, America and Japan. In 1915 he traveled to Egypt to work with the YMCA in Zeitoun ministering to soldiers there, and it was here that he suffered from an attack of appendicitis that ultimately took his life. Biddy Chambers, Oswald’s wife, took meticulous notes on his various sermons and talks, and made the decision to have them published. Her hard work allows us to experience the wisdom of this great man so many years after his death. [3]
Oswald Chambers was a man unbridled by the world and its desires. Some say he was one of the greatest Christian thinkers of our time. He would say if any credit is given, let it go to Jesus Christ, his Lord and Savior. Much like the apostle Paul, life for Oswald Chambers was but an open opportunity to glorify God. [4]
Notes ↑ http://withchrist.org/MJS/chambers.htm ↑ http://withchrist.org/MJS/chambers.htm ↑ http://www.wheaton.edu/learnres/ARCSC/collects/sc122/index.htm ↑ http://www.intouch.org/myintouch/mighty/portraits/oswald_chambers_213668.html External links Oswald Chambers: The Surrendered Life My Utmost for His Highest - daily readings
Retrieved from "http://religion.wikia.com/wiki/Oswald_Chambers?oldid=79090"

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Page: << Prev | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | Next >> Argentina’s Currency Falls Sharply Against the Dollar, Stirring Inflation Fears
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An attack by a school of carnivorous fish injured 70 people bathing in an Argentine river, including seven children, who lost parts of their fingers or toes, officials said.
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A fan since he was a boy, the pontiff is delighted after his favorite soccer club wins its first championship since 2007 after narrowly avoiding relegation the season before.
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The Walking Dead | SlickGaming
Gaming News: 3/9/13
Jet called it in a tweet last week: I think we doomed SimCity.
After the game was released it was plagued with issues concerning connectivity, gameplay performance, and more. After talking highly of the series and it’s future on the last Bosscast I am more than upset the game has stumbled right out of the gate.
In other news, there are some games on sale you can swipe if you’re fast. And apparently there’s a Professor Layton manga I can must spend all of my money importing. Read the rest of this entry »
Posted by jsicktheslick on 03/09/2013 in News
Tags: Gaming News, SimCity, The Walking Dead, video game, video games
There’s always video games on my Christmas list. Ever since I can remember I’ve always asked for a game (usually more than one) for Christmas. Year after year I am always delighted and truly grateful each time I pick up a package that’s in the shape of a game and wonder what it could be. Like a kid with any new toy, after I open up each present all I can think about is how fun it’s going to be to actually play with my new gift. This past week I’ve been lucky enough to not only have some time off work, but also extra free time to sit down and play several of these games already. Check out my latest Sunday Roundup to see each game I so graciously received as a gift for Christmas, but before then check out below how each game I’ve played so far is shaping up. Read the rest of this entry »
Posted by jsicktheslick on 01/03/2013 in Nintendo 3DS, Nintendo DS, Xbox 360
Tags: Christmas, Mario Hoops 3 on 3, Mario Tennis Open, Now Playing, The Walking Dead, Theatrhythm: Final Fantasy, video game, video games
Sunday Roundup: 12/30/12
Here it is. The final Sunday Roundup of the year.
And what a year it’s been. dozens of great games came out in 2012 (with some included in this week’s Roundup!), and even more stellar games came my way this year as well.
The final Sunday Roundup of 2012 includes not only games I picked up myself throughout the week but also the handful of excellent Christmas gifts I received from family and loved ones. Thank you so much for all the gifts everyone. And now to just play them all 🙂 Read the rest of this entry »
Posted by jsicktheslick on 12/30/2012 in Nintendo 3DS, Nintendo DS, Playstation 1, Playstation 2, Saturn, Wii, Xbox 360
Tags: Action Replay, Centipede: Infestation, Collecting, Contra: legacy of War, Darkstalkers 3, Donkey Kong Country Returns, Gauntlet: Seven Sorrows, Golden Axe: Beast Rider, Kirby's Dream Collection, Klonoa: Door to Phantomile, Mario Hoops 3 on 3, Mario Tennis Open, Metroid Prime 3: Corruption, New Super Mario Bros. 2, Sunday Roundup, The Legend of Zelda: Skyward Sword, The Rub Rabbits, The Walking Dead, Theatrhythm: Final Fantasy, video game, video games, Wrestlemania: The Arcade Game, XCOM: Enemy Unknown

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Class Act Books: August releases!
James McCormickNovember 10, 2014 at 9:50 AMThis comment has been removed by the author.ReplyDeleteJames McCormickNovember 10, 2014 at 9:51 AMI especially enjoyed the latent sense of menace in Variations on the Theme of Man as it didn’t strike me as a tale which would automatically guarantee the reader a happy ending. With shades of Angela Carter and Robert Louis Stevenson this is a highly original, entertaining and intelligent work of science fiction.ReplyDeleteAdd commentLoad more...

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Shepherds go to Bethlehem | Jlue's Weblog
← Government Dependency Results in Chaos
I’m Glad I Know Who Jesus Is! →
Shepherds go to Bethlehem
Posted on December 10, 2010	by jlue
Wouldn’t you like to have been with the shepherds that morning?
This entry was posted in Christianity, Christmas and tagged Angel, Bethlehem, Christmas, Holidays, Jesus, Lord, Shepherd. Bookmark the permalink.


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Items in JS Gun Grips store on eBay!
JS Gun Gripsjimmythegrip
(892 )100%Follow38 followersSign up for newsletterin titles & descriptionWelcome to JS Gun Grips. I specialize in making custom 1911 pistol grips out of G10 and exotic woods. All of my grips are CNC machined for ...read more
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Contented Chaos: *insert Charlie Brown-inspired noise of frustration here*
Samuel will be a senior this year and I feel like we finally got a handle on the rhythms and patterns of high school life. His was a simple schedule, though, since it was 'just' DDF (Drama/Debate/Forensics) and school and occasional work. You'd think his sisters would want to emulate their big brother and keep things simple. You're right, they aren't.
Moriah wants to try out for flag football and Susannah wants to try out for volleyball. I haven't the foggiest idea what chances they have of making either team since Girdwood doesn't have a middle school version of either one (volleyball is the only one that was an 'official' middle school sport, but Girdwood has not had a team). Both girls also are interested in the drama department and yet again, I have no earthly idea what their chances are of making it into a production. Everyone who tried out made it into Girdwood School's production as long as you showed up for rehearsals. The girls are also tentatively interested in DDF for the drama events (some brotherly insistence influence, for sure) and would be on the team for sure if they choose to go that route. Given all three options that the girls are considering, and given all of the paperwork and driving and logistics that will go into managing these interests, I am feeling no small amount of panic. Perhaps panic is too strong a word, but my heart is beating noticeably and I'm left wondering if the first part of the school year will be horrible unbearable interesting. I am incredibly grateful that there is an activities bus available for Girdwood students, making rides less of an issue...but still. Long days, lots of juggling and at least a little chaos. Nothing we can't handle, right?


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Senate panel votes to tighten oversight of chemicals - Chicago Tribune
Chemical companies would have to provide more health and safety information about their products and regulators would have more authority to force harmful substances off the market under legislation approved along party lines Wednesday by a Senate committee.
With research increasingly linking toxic chemicals to cancer, learning disabilities and other health problems, the vote represented an important milestone in a decades-long effort to keep troublesome compounds out of furniture, toys, cosmetics, electronics and other household products.
The changes would represent the first overhaul of federal chemical law since 1976, but majority Democrats acknowledged it likely will not advance further without at least some bipartisan support. All Republican senators on the Senate Environment and Public Works Committee opposed the measure.
Sponsoring Sen. Frank Lautenberg, a New Jersey Democrat who has introduced versions of the Safe Chemicals Act every year since 2005, pared back several of the toughest provisions in an attempt to garner more votes.
One of the biggest concessions was language allowing chemical companies to keep putting new products on the market without thorough safety testing, though theU.S. Environmental Protection Agencywould get more authority to screen chemicals and require studies of potential health effects.
If research raised concerns about a chemical, the legislation would make it easier to force companies to stop making the product.
“Too many toxic chemicals end up in every day consumer products, and too many of our children are born with untested industrial chemicals in their bodies,” said Lautenberg, citing support from more than 300 groups of physicians, scientists, public health advocates and environmental organizations. “This legislation establishes a strong but practical system for guaranteeing the safety of chemicals, and that will protect American families.”
Republicans said that calling for a vote now disrupted behind-the-scenes negotiations on a new version of the bill. Industry lobbyists have suggested some changes in those meetings but have stopped short of going through the bill line by line as Democrats urged them to do.
Opponents declined to submit alternatives publicly, other than a short amendment that Democrats said would tangle the EPA in bureaucratic knots and lead to further delays in chemical screenings. That proposal failed on a party-line vote.
“Everybody agrees we need … reform,” said Sen. David Vitter, a Louisiana Republican who has been negotiating with Lautenberg for months on a potential compromise. “But I think this is a step backward.”
After the vote, the American Chemistry Council, the industry's leading trade group, issued a statement calling the bill "fundamentally flawed in many critical areas." The group opposes the proposed safety standard for chemicals and said provisions requiring more public information about compounds would "undermine long-standing protections of trade secrets, seriously hampering innovations in new products and technologies."
The trade group boosted its lobbying expenditures last year to $10.3 million, up from $8.3 million the year before, according to federal reports analyzed by the nonprofit Center for Responsive Politics. Only four other lobbying operations spent more during the fourth quarter.
Lautenberg’s bill would revamp the Toxic Substances Control Act, a 1976 law that gives the government little power to assess or limit dangers from industrial chemicals. The law’s shortcomings were featured in a Tribune investigative series published in May about toxic flame retardants, many of which remain on the market despite research linking them to cancer, neurological deficits, impaired fertility and developmental problems.
Citing loopholes in the law, the EPA acknowledges that it knows little, if anything, about the safety of most of the 84,000 industrial compounds in commercial use in the U.S. Neither regulators nor consumers can tell what specific substances are used in many products, meaning it can take years for independent scientists to identify chemicals, track them in the environment and determine if they cause harm.
“EPA has not been living up to what the American public expects,” James Jones, the agency’s top chemical safety official, told the Senate panel at a hearing Tuesday. “But a good deal of that has to do with the challenges that the law creates for us.”
Companies are required to notify the EPA before introducing a new chemical. But the agency must process the application within 90 days, and after a manufacturer submits basic information such as the chemical’s identity, its intended uses and estimated production volume, the law allows companies to make significant changes without telling anyone.
Unlike Europe, where companies generally are required to prove the safety of their chemicals before use, the U.S. law requires manufacturers to submit safety data only if they have it. Most don’t, records show, forcing the EPA to guess if there are potential problems by using computer models that the agency admits can fail to identify adverse effects.
Once health problems are documented, the law requires the EPA to prove that a chemical presents an “unreasonable risk.” Court decisions prompted by industry challenges of the law have established such a narrow definition of “unreasonable” that the government couldn’t even ban asbestos, a well-documented carcinogen that has killed thousands of people who suffered devastating lung diseases from breathing the fibrous insulation.
A growing list of critics – including the nation’s leading group of pediatricians and the Government Accountability Office, the investigative arm of Congress – have called for a dramatic overhaul.
“A lot of folks have worked hard to find middle ground,” said Richard Denison, a senior scientist at the nonprofit Environmental Defense Fund who has been working on the issue for years. “This bill is an important step that places the burden on chemical companies to prove their products are safe, rather than on the EPA to prove they are unsafe.”

value: The Chicago Tribune is a daily newspaper based in Chicago, Illinois, United States, owned by Tribune Publishing. Founded in 1847, and formerly self-styled as the "World's Greatest Newspaper" (a slogan for which WGN radio and television are named), it remains the most-read daily newspaper of the Chicago metropolitan area and the Great Lakes region.


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it has been a while since we've had an articulate leader. while i agree that he is a bit of a wildcard relative to experience, there is something to be said for the ceo of our nation to possess effective communication skills and the ability to motivate. we have instant credibility with our allies in europe. and, finally, no bush in the white house.
voting kind of blew. we live in the worst voting district...and it took both of us (voting at different times mind you) 1.5 to 2 hours with lines being constantly shifte and re-ordered. the only reason we didn't make the news was the bomb threat at the middleton high school polling place. the polling volunteers are not to blame...it's the dependably poor turn out at all other elections between the presidential. get out and vote regularly you free loaders.
boy, i haven't done much for exercise lately. i know, a few weeks ago was the beginning of a new stretch of training. i've just been too busy/tired. robin is gone this weekend, and my former self would be salivating at the oportunity to log 12-14 hours of riding. now i'm excited to have a huge block of time to try and cross some homework of the list. i've always been a little square...but now i've moved to a larger size.


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C:\Documents And Settings\Chemtc01\My Documents\Slides For Ann And Joy
Encuentro en la Semana Azul La Laji... by Pepa Peñate 408 views
Campo de refugiados by maricruzsanzol 799 views
Mi Vida by meliastar2003 434 views
Pollution in surat by Kamlesh Joshi 1317 views
Shalom Hartman Institute, Jerusalem... by Alan Abbey 2172 views
ROMANS 16 COMMENTARY by GLENN PEASE 238 views
claudechemtob
1. Slides for Ann and Joy Contributed by: Claude M. Chemtob, Ph.D. Research Professor, Director, Family Trauma Research Program, Departments of Psychiatry and Child and Adolescent Psychiatry, New York University School of Medicine
2. Liana

This was obtained in the context of our post-9/11 research and intervention program for infants-toddlers-and preschoolers: ITP

As part of our intervention with this case we invited the family to construct a shared family narrative as a way of explaining in a more coherent way to their youngest child what had happenned during and after 9/11

Many people find the story compelling and it is useful to base complex points about young children and disaster on.

I hope you find it useful!

14. Sderot Slide

Drawn by a child living in a kibbutz under recurrent missile attacks from Gaza

Encuentro en la Semana Azul La Lajita II
Pollution in surat

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19th Century Darwin Awards Candidate | BizarreVictoria
← The Nigerian Prince, 19th-Century Style
Ninger Note →
19th Century Darwin Awards Candidate	Posted on January 4, 2014	by silverforketiquette I found this post on @HistoryWeird's blog here. The original source was The Daily News, London, October 23rd, 1852.
"In October 1852 an employee of London Zoo, Edward Horatio Girling, was killed by a bite from a five-foot cobra. The post-mortem on Girling’s corpse revealed the cobra had bitten him five times on the nose. One of these bites penetrated to the nasal bone and had bled profusely. Girling was rushed to hospital by cab, a journey that took 20 minutes. While in the cab his head swelled to 'an enormous size' and his face turned black. Girling died 35 minutes after being admitted to hospital; both artificial respiration and electrical shocks failed to revive him. Having ascertained how Girling died, the inquest investigated how he came to be bitten in the first place. Early press reports of the incident suggested the cobra had bitten him with 'murderous intent', lunging from the shadows while Girling was delivering food to its enclosure. It soon became apparent, however, that Girling was responsible for his own demise. One of Girling’s work colleagues was Edward Stewart, the zoo’s hummingbird keeper, who testified that:
"'…A little after eight o’clock he was going out of the door with a basket of larks. [Girling] was then by the snake glass. He lifted up the glass and took out the Bocco [a mildly venomous colubrid snake] and held it up by its neck… Girling then said ‘Now for the cobra!’ Deceased took the cobra out of the case and put it inside his waistcoat, it crawled round from the right side and came out at the left side… Girling drew it out and was holding the cobra between the head and middle of the body when it made a dart at his face.'
"Stewart and other witnesses also testified that Girling was drinking gin at breakfast time. A zookeeper named Baker told the inquest 'he believed that the deceased was intoxicated”'. It was also noted that Girling had little if any experience with venomous snakes; he had only recently started working at the zoo after employment with the railways. Unsurprisingly the coroner found that Girling had died as a 'result of his own rashness whilst in a state of intoxication'."
If only we could give out retroactive Darwin awards for pre-Darwinian theory deaths.
This entry was posted in Uncategorized and tagged darwin, death, drinking, stupidity, unusual pets, weirdness. Bookmark the permalink.	← The Nigerian Prince, 19th-Century Style


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Manchu princess, Japanese spy : the story of Kawashima Yoshiko, the cross-dressing spy who commanded her own army, Phyllis Birnbaum (Instance) - European University Institute
The instance Manchu princess, Japanese spy : the story of Kawashima Yoshiko, the cross-dressing spy who commanded her own army, Phyllis Birnbaum represents a material embodiment of a distinct intellectual or artistic creation found in European University Institute.
https://secure.syndetics.com/index.aspx?type=xw12&client=erounivinst&isbn=9780231152181&upc=&oclc=%28OCoLC%29894032768/LC.JPG
u313347
Context of Manchu princess, Japanese spy : the story of Kawashima Yoshiko, the cross-dressing spy who commanded her own army, Phyllis Birnbaum

 Data from Manchu princess, Japanese spy : the story of Kawashima Yoshiko, the cross-dressing spy who commanded her own army, Phyllis Birnbaum - European University Institute

Data Citation of the Instance Manchu princess, Japanese spy : the story of Kawashima Yoshiko, the cross-dressing spy who commanded her own army, Phyllis Birnbaum

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The Flame Chronicles No. 3: New split, new resolve18dTyler ErzbergerEnVyUs stops Immortals in the NA LCS15dNoah WaltzerNBA not looking at a new esports league in China17dJacob WolfMisfits overcome slow start to beat Team ROCCAT15dNoah WaltzerLoL: Cloud9 rebounds to sweep P117dNoah WaltzerTwo days with the Alpha: Behind the scenes with Victor "Punk" Woodley19dDarin KwilinskiFlaSh is all-in on Brood War19dYoung Jae JeonQuaye, director of Fnatic - 'I think teams should be pretty scared of us"19dAdel ChoaudriaIntroducing the first family of collegiate esports20dTyler ErzbergerCepted is the LCK's 'super rookie' to watch20dTyler ErzbergerThe Flame Chronicles No. 3: New split, new resolveLee "Flame" Ho-jong is all smiles during Week 1 of the North American League Championship Series summer split. Provided by Riot GamesFacebookTwitterFacebook MessengerEmailcommentJun 8, 2017Tyler ErzbergerESPN Esports CloseStaff writer for ESPN.com
Worked with biggest teams across titles like League of Legends and StarCraft IIFollow on TwitterFacebookTwitterFacebook MessengerPinterestEmailprintcommentEditor's note: This is the third part in an ongoing series with Flame that chronicles his return to the main stage and life in America. Read No. 1 here and No. 2 here.Lee "Flame" Ho-jong was not happy with his first split in the North American League Championship Series. What was supposed to be his first step toward regaining his place as one of the most revered players in the top lane position turned out to be three steps back. Flame's first season on Immortals could be summed up in one word: disjointed.While he remained mature throughout the spring split -- never singling out a teammate for the squad's overall lukewarm play -- his play inside the game left a lot to be desired. Although there were games where he resembled the player that was in the debate for not only the best top laner in the world -- but best player period -- in early 2013, more than often than not, he seemed to be a player on an island, not knowing how to link up with his teammates to create the optimal play. By the end of the split, the team was drifting apart, failing to make playoffs the first time in club history.Flame, a former superstar, was left floundering near the bottom of all positive stat categories at his position.Editor's PicksThe 2017 League of Legends HubThe 2017 League of Legends Hub is your stop for all the information you need about the five major regions. You'll find stats, standings, results, recaps and more, all in one place.LoL: Afreeca Freecs stall to victoryCan't beat the enemy? Stall. At least, that was Afreeca Freecs' game plan during Week 2 of League Champions Korea.LoL: Misfits earns first win over NiPAfter falling to Fnatic during the first week of the EU LCS summer split, Misfits bounced back with a sweep over newcomers Ninjas in Pajamas.2 RelatedSpring was not a season of rebirth. It was a season of turmoil, and at its worst, chaos."When I first came to North America for the first time, I had a lot of confidence about [my] game," said Flame, now sitting on the second floor of the LCS Arena in Santa Monica, Calif. "But I was not so good and we weren't good in the spring season. I felt bad. I tried hard [in the offseason] and we've had changes, like our new Korean coach [Kim "SSONG" Sang-soo], and that's made us better."The regular season is long, nine weeks to be exact, and one week won't erase the faults of last spring. But Flame couldn't have had a better showing in Immortals' first games of the summer split. A loner in his first season with Immortals, he now smiles with the team outside the game.So far, Flame has played as an integral part of the team in the first two matches of the season. While he would make fundamental mistakes in the spring with his teleports -- arriving in a few seconds too early or too late -- his coordination with his team against last season's third and first-place teams, Phoenix1 and Team SoloMid, were on point. When Flame made a mistake in the first week of summer, he didn't let it get to him. After the opening game of the split (the only one IMT would drop all weekend), where Flame's Jarvan IV resembled the uncoordinated Flame of last season, he came into the next game with the mindset of a former champion: don't shy away from the pressure, thrive in the pressure. Attack, and don't let one game define you.Over the next four games, Flame would only die once in a string of wins for Immortals, currently atop of the NA LCS standings with two match victories. After the game, he smiled, happy with his teammates and fans, but this time it was different. He wasn't only happy about his team -- he was happy about himself. Through hard work in constant English lessons and help from the staff around him, he finally felt like the old Flame -- the Flame circa 2013-2014, an inspiration to top laners around the world.Immortals pose backstage after their victory over Phoenix1 during Week 1 of the North American League Championship Series summer split. Provided by Riot GamesSSONG, a former assistant coach on the legendary ROX Tigers team that almost usurped SK Telecom T1 in last year's Worlds semifinals, could be the one to bring that Flame back into existence.This time, in North America."[SSONG] is very cold with emotions," said Flame. "He doesn't have emotion when it comes to business. He's really good at his work. He's very [direct]."Since moving away from CJ Entus Blaze at the end of the 2014 competitive year, Flame hasn't had a coach as respected or as business-like as SSONG. Even though he played for Longzhu in the 2016 LCK, the coaching staff was pointed out as one of the weak spots of the team. Coincidentally, SSONG became the strategic coach of Longzhu for a short time in the spring of this year, helping the team move in the right direction for the first time in a long time before leaving the club shortly after due to personal reasons. The team reverted back to poor play right when he departed.With SSONG, Flame has a coach that he can speak to in his mother tongue, a coach that is no stranger to working with elite top laners. When SSONG was a player, he was teammates with legendary top laner Yoon "MakNooN" Ha-woon on NaJin Sword, and as he transitioned into a coaching role, he watched over the development of superstar top laner Song "Smeb" Kyung-ho. He knows about teams with top laners being a focal point, and if Flame can be consistent and build upon his 11.3 KDA opening round of the season, it'll be another team where SSONG can build around a pillar.In the jungle, though, is another new face. At the start of the 2017 year, Immortals was supposed to be a one-two punch between Flame and Joshua "Dardoch" Hartnett, the latter now on Counter Logic Gaming. Flame and Dardoch had some chemistry in lane, at times a bit too forceful in gank attempts, and eventually failed to register on the same page. In Dardoch's place is now veteran and two-time league champion Jake "Xmithie" Puchero, a stalwart in the jungle for years, and the vocal leader Immortals need to work in tandem with SSONG's strict training."Xmithie has very good shot-calling," said Flame. "He has a mind [that] goes over the entire game. He makes us all a better team. Last season, we didn't have any knowledge over vision. We had to win lane and snowball, and if we couldn't do that, we would not win the game. Now we have vision knowledge and are good at the team game. We're getting better at communication too, so I can use [teleport] well with our vision and knowledge of the game."After a split to forget, Immortals could have gone for wholesale changes but went for quiet moves instead. While Dardoch went to CLG and Team SoloMid welcomed back Yiliang "Doublelift" Peng, Immortals tried to fix the team, instead of hoping a single player could change everything..Flame smirks following a 2-0 victory over rival Team SoloMid, the first best-of win over TSM in Immortals' record. He is starting to get acclimated to not only his team but North America. He jokes around about how he enjoys the weather and the food. His teammates are fun. Things are changing for Immortals. Flame, a player sick of hearing about his past glory, wants to create a new legend in the NA LCS."I want to win," answered Flame when asked if believes he can be the best top laner in the region. "I want our team to be the best in NA. I want to be the best, and I want us to win, too. I want to go to the World Championship, and I want to go to All-Stars, I've never gone [before]."The season of chaos is over in Flame's mind. Now, in the summer, it's time to get to work. It's time to win.

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How should we prepare for the collapse of world economy in 2016? | Sahibul-Saif Sheykh Abdul Kerim al-Kibrisi
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Without Weapons or Without Self-Defense Training, How does One Protect Themselves? →
How should we prepare for the collapse of world economy in 2016?
Posted on December 1, 2015	by sahibulsaif
Question: Now that sources mentioned the collapse on the economy in 2016, what is being done for preparation?
Preparation for what? For the collapse of the economy? Economy is already collapsing. But that’s because we live here, we don’t live in Syria, we don’t live in Gaza, we don’t live in parts of Africa, or even parts of China, or even parts of Europe, or even parts of America, we don’t live in the inner cities, so the economy is still very good to us. Who can say that one day we are not going to be like that?
We are here to prepare ourselves, not for the collapse of the economy, we are here preparing ourselves for the collapse of our physical bodies. We are here to prepare ourselves for death. Compared to death and the world economy collapsing, nobody can say the world economy is more important than me living or dying, correct? We are preparing for that. How are we preparing for our death? We are living life simple. Like what the khutba is saying, what the Holy Prophet (asws) is saying, ‘the dunya will suffer for those who are preparing for ahiret.’ Our dunya is suffering in the way that we are not here, running after to be the best that we can be in this dunya. We move up to the top of the mountain to work on our ahiret and our dunya is suffering. So many looking at me and saying, ‘what happened to you? You had so much promise at one time, you go to such nice school, you can be this and this and this.’ And I said, yes. But I would lose my ahiret.
Now I’m here, I’m working on my ahiret, but Alhamdulillah, we have the dunya. We have a roof over our head, we have clothes to wear, and we have food to eat. Allah is not testing us. How merciful Allah is. He is not testing us. We have more food that we can eat. We have more clothes than we can wear. Everywhere we go, that is our home. In fact we become the richest ones without any of the stress, and the worry and the troubles that comes with running after the world, isn’t it? But we are here preparing for a bigger concern, that is the collapse of our spirit, our bodies, our death. And once we start preparing for that, you start living a simple life, and that simple life means, whatever happens outside, the simple life will continue. If outside everyone becomes a billionaire, and if they discover mountains of gold, our lifestyle will continue. If outside, the economy collapse and everything, our lifestyle will continue because our lifestyle is very simple. If the world economy gets very very good, it’s not like we are running to eat fancy food and more fancy food every day, every month, every year, whatever that is there we eat. We don’t run. We don’t become too busy with that. If it comes, Alhamdulilah. If it doesn’t come, don’t look too hard for it. If it comes, we are not saying now if it comes now throw it away. No. If it comes, eat. They give us today nice cake, Alhamdulillah. Tomorrow they don’t give us anything, Alhamdulillah syukur. Everytime we had cake, today they give us tea, Alhamdulillah. Tomorrow they give us water, who is going to complain?
We are train to say whatever is coming, syukur Alhamdulillah. At least we have. Because there are so many people who don’t have. And for us, in this simple way, I don’t know about you but I get ashamed, they ask a little Syrian boy, we say, ‘how are you little boy?’ and he says, ‘Alhamdulilah. I didn’t eat for five days.’
They say, ‘you didn’t eat? What have you been eating?’
‘Nothing. I’ve just been eating grass.’ Little boy, fathers and mothers, like your kids, look at your kids and look at that Syrian boy, there’s no difference in the eyes of Allah. They say, ‘what is your favourite food?’
And he said, ‘anything I find is my favorite food.’
They said, ‘but what would you really like to eat now?’
He said, ‘bread.’
Are we seeing those things? taking it in and learning and living according to that? or are we seeing that and immediately we just skip and we look at some other things that is going to make our hearts to become really hard? What makes our heart to harden? What did the Prophet (asws) say? Laughing. Too much laughing. It makes the heart to harden. Now, tell me, majority of the time when you are checking your social media and everything, what is it for? Majority of the people, they are looking at that, to make themselves to laugh, isn’t it? For entertainment. Hundred percent of the shows, everything is for entertainment. It is to laugh, it is to enjoy. It makes the heart to become really hard. So that time, even if you see something like that, you see a suffering, you see a death, you see an innocent one being killed and tortured, your heart is so hard and you say, ‘huh!’ turn the page and laugh, ‘hahahaha!’ and laugh at it. Isn’t that what is happening, majority of the time? And we are teaching our children from that? Now everything is affecting them; what they hear, what they see, what they eat, what they wear, everything is going to affect them.
So it depends. You want your children to grow up to be humans, follow the way of the Prophet. If you want your children to grow up to become heartless barbarian, follow the way of the dunya. Dunya is going to say, ‘who cares about people. Who cares about the world. You want something go and get it.’ So we are here preparing ourselves for death. That is real. That is more real than the economic collapse. At least you can predict, 2016. Can you predict your own death? It can happen anytime.
May Allah forgive me. SelamAleykum


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KitchenAid KP26M1XMR Professional 600 Series 6-Quart Bowl-Lift Stand Mixer, Meringue: Amazon.ca: Home & Kitchen
KitchenAid KP26M1XMR Prof...
KitchenAid KP26M1XMR Professional 600 Series 6-Quart Bowl-Lift Stand Mixer, Meringue
+ Price For Both: CDN$ 564.98
This item: KitchenAid KP26M1XMR Professional 600 Series 6-Quart Bowl-Lift Stand Mixer, Meringue CDN$ 479.99
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CDN$ 449.99 Prime KitchenAid KSM150PSWH Artisan 5-Quart Stand Mixer, White
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Amazon Bestsellers Rank: #6,763 in Home & Kitchen (See Top 100 in Home & Kitchen)
#32 in Home & Kitchen > Home Appliances > Small Appliances > Mixers > Stand Mixers
KitchenAid FGA Food Grinder 4.5 out of 5 stars (150)
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KitchenAid RVSA Rotor Slicer/Shredder Attachment for Stand Mixers 3.9 out of 5 stars (240)
44 of 45 people found the following review helpfulFantastic purchase...fabulous color!!..
on Jan. 2 2012Color: Pearl Metallic
on May 15 2012Color: Pearl Metallic
82 of 87 people found the following review helpfulNot so great.
TOP 1000 REVIEWER on March 17 2013Color: Nickel Pearl
Very robust machine with plenty of power. Lots of noise from the gearbox/motor. Plastic bowl cover is flimsy compared to rest of the machine.
Published 9 days ago by David MCA Powell
I gave 2 stars for delivery. It came before expected date. But the status of the machine wasnt as described too many scratches and the top plug falling out, plus the bowel doesnt...
Published 11 days ago by Bilal Kobayssi
Quite simple Beaters don't over wash or you'll be
Quite simpleBeaters don't over wash or you'll be scrubbing
Published 15 days ago by A. Adams
Published 15 days ago by Pascal Poulin
Published 22 days ago by Saad Nasim
I beat two egg whites no problem and it made quick and easy work of...
Enjoying this new purchase very much. Some worry about large gap between blades/whisk and bowl. I beat two egg whites no problem and it made quick and easy work of pizza dough.
very powerful machine I use it very often it does everything for what...
I use it mostly for doing bread, very satisfied.
Published 24 days ago by Jocelyne Desjardins
Great mixer with great price
We ordered this mixer because our bread machine packed it in. We had a kitchen aid mixer (smaller version) which we had for about 15 years and it served us well.
Published 26 days ago by Henry Champagne

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Puppies With Deadly Case Of Mange Saved By Good Samaritan | Huffington Post
05/19/2013 12:34 pm ET
In this case, four puppies were born to a mother already suffering from Demodex. The owner could not care for the entire family, so he kept the mother and abandoned her poor, sick little pups at a local shelter. The pups were barely a couple weeks old, and too young to even be adopted, when the mange had reached a critical point. Their hair was falling out in clumps, and their skin became scaly. What started out as a few spots, soon spread to the rest of their tiny, fragile little bodies. The pups were sick, weak and in desperate need of medical care. Often, dogs that need costly, on-going medical treatments are humanely euthanized. The understaffed and underfunded shelter simply doesn't have the time or money to give many of the sick or injured animals the costly care they need. Instead of euthanizing these pups, the shelter reached out to their community, and asked for help. A kind foster mom by the name of Candi Crawford, stepped forward and took on the challenge of caring for three very sick little puppies.
Today, the pups have recovered and found their forever homes. Lucky pup, Cora, found a home with foster mom Candi, who couldn't help but fall in love with this little cutie.
The Baldwin Park Animal Care Center in Baldwin Park Ca. always has so many beautiful animals available for adoption. Please reach out to them on Facebook to show them your support, and share the many dogs, cats and bunnies that are available for adoption. You can see more of their adoptable pets on PetFinder: Baldwin Park. Also remember, no matter what breed of dog you are looking for, they can be found at your local shelter or with a local rescue organization. Do you have a Tail of Hope? We'd love to hear it! Visit us at thepetcollective.tv and tell us your story!
Dog Rescue Good-news Pets Animals Puppies

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