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The American Heritage Children's Dictionary book by American Heritage Dictionary | 8 available editions | Alibris Books
Using the format and style of an "adult" dictionary, The American Heritage Children's Dictionary is one that respects the intellects of its users. Each of the 37,000 entries is well defined, grammatically categorized and phonetically rendered. An extremely practical and accessible volume. Full-color and b&w illustrations. Read More
Using the format and style of an "adult" dictionary, The American Heritage Children's Dictionary is one that respects the intellects of its users. Each of the 37,000 entries is well defined, grammatically categorized and phonetically rendered. An extremely practical and accessible volume. Full-color and b&w illustrations. Read Less
ISBN-13: 9781328787354
ISBN: 1328787354
Alibris ID: 14875527645
New. Sewn binding. Paper over boards. 896 p. Contains: Illustrations. Intended for a juvenile audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Alibris ID: 14822004550
Fine. Sewn binding. Paper over boards. 896 p. Contains: Illustrations. Intended for a juvenile audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Alibris ID: 14797730211
Alibris ID: 14825862597
New. Sewn binding. Paper over boards. 896 p. Contains: Illustrations. Intended for a juvenile audience.
Alibris ID: 14826283478
New in New jacket. The American Heritage Children's Dictionary (Hardback or Cased Book)
Alibris ID: 14831967371
Alibris ID: 14831967227
Alibris ID: 14806614336
ISBN: 0544336100
Alibris ID: 14805512983
Alibris ID: 14859670741
Good. 0544336100 Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc...
All Editions of The American Heritage Children's Dictionary

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Cliff Hotel Rügen - Resort & Spa: 2017 Room Prices from $129, Deals & Reviews | Expedia
Cliff Hotel Rügen - Resort & Spa, Sellin Cliff Hotel Rügen - Resort & Spa, Sellin, current page
Map Cliff Am Meer 1 Sellin MV 18586 Germany 1-866-599-6674
With direct access to the beach, this Sellin hotel is next to a golf course and within 1 mi (2 km) of Inselparadies Sellin, Baabe Beach, and Selliner See. Friedensberg Kurpark and Amber Museum Sellin are also within 2 mi (3 km).
Catch some rays at the nearby beach or spend the day relaxing at Cliff Hotel Rügen - Resort & Spa's full-service spa. Then enjoy a meal at one of the hotel's 2 restaurants.
All 246 rooms offer thoughtful touches like pillow menus and bathrobes, as well as comforts such as pillowtop beds and Egyptian cotton sheets. Free WiFi and minibars are standard, as are LED TVs with digital channels.
Cliff Am Meer 1 Sellin MV 18586
Spend the day at the beach and work on your tan in the sun loungers (chaise longues) or kick back in the shade with complimentary cabanas and umbrellas. Pamper yourself with a treatment at the full-service spa and enjoy amenities at Cliff Hotel Rügen - Resort & Spa like a complimentary children's club and an indoor pool.
Guests can enjoy a complimentary breakfast each morning. Dining is available at one of the hotel's 2 restaurants. A bar/lounge is on site where guests can unwind with a drink. Public areas are equipped with complimentary wireless Internet access. This luxury hotel also offers an outdoor tennis court, a steam room, and a fitness center. Onsite parking is available (surcharge).
Cliff Hotel Rügen - Resort & Spa has designated areas for smoking.
Seeterrassen - Overlooking the ocean, this restaurant specializes in local cuisine and serves breakfast, lunch, and dinner. Reservations are required. Open daily.
Casa Blanca - This restaurant specializes in Mediterranean cuisine and serves dinner only. Reservations are required. Open select days.
Cliff Bar - This bar serves light fare only. Open daily.
Ruelax has massage/treatment rooms. Services include massages, facials, body wraps, and body scrubs. A variety of treatment therapies are provided, including aromatherapy and Ayurvedic.
HND to YYC
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Cheap Rooms in Wainiha

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Metal Drafting Table | Products I Love | Pinterest | Drafting Tables, Metals and Drafting Desk
table uncovet
desk uncovet
Metal Drafting Table Pinned from Thank You For Being Sophisticated.
Metal Drafting Table, would love this for my Jewelry Making table.
Vintage Metal Drafting Table...o how I need this!! via Etsy
market 279
desk worldmarket
market drafting
Drafting Desk - World Market by Cost Plus World Market. $279.99. Whether you're an artist or simply appreciate good design, our adjustable Drafting Desk does the job most admirably. In a rich, compelling shade, it's composed of lenga wood and architecturally detailed with a metal flourish. The summation of simple modern design, it's a timeless composition at an inconceivably affordable price.
Functional drafting table that would foot nicely into room design. WorldMarket.com: Drafting Desk
Have a drafting desk I have never opened will be going in the office/craft room
Drafting Desk. Must get this for our home office.
Drafting Desk worldmarket.com
Reclaimed wood into textured, modern rustic wall feature | jebiga | #interiors #wood #modern #rustic #walldecor #design #jebiga
Reclaimed wood into textured, modern rustic wall feature. Bedroom inspiration with pops of coral??
love the wood plank wall as an accent wall
Ammanda Sayman
drafting drawing furniture
drafting table diy
drawing table tilt drawers | ... drawing boards. The table top’s tilt angle is adjustable to a
http://www.draftingsuppliesdew.com/smi-f3042-hst-student-drafting-table-natural-finish
SMI Student Drafting Table - Natural or Medium Finish 3042-HST
Wooden Drafting Table...want this in my classroom!
Wooden Drafting Table Like, Comment, Repin !!
Drawing Table | ART & DRAFTING TABLES
Shop Drafting Table - Pesquisa Google
Drafting table - Cerca amb Google
1 Repin Tanya Sanders-Prestwood
Factory windows as shower enclosures - love how these have been re-purposed!
Pattern for a drafting table; might be useful - with modifications
Table It - narrow console table as bedside table. Adds storage space.
bedside table in guest room
from No Place Like Home 1 Repin Alli Cox
329 Repins 79 Likes 1 Comment LCMVS - Laura Chase McGehee, Visual Storyteller
Workspace#office design #office ideas #working design #design office| http://your-working-design-collections.blogspot.com
37 Cool Attic Home Office Design Inspirations on #Working Design #Office Design| http://design-bedrooms-8285.blogspot.com
37 Cool Attic Home Office Design Inspirations on #Working Decor #Office Design #Working Design
37 Cool Attic Home Office Design Inspirations - | http://workingdesigncollections.13faqs.com
from aterriblehumanbeing.tumblr.com Cla Gleiser
Learn more at sweetyoungjourney.blogspot.ca
sweetyoungjourney.blogspot.ca
1 Repin Erin Woodruff-Stern
1 Repin Becky McDermitt Buice
:: admire ::
anthropologie retractable
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This retractable desk from Anthropologie is, in two words, write on. #writingdesk #anthropologie #shopping #officedecor
Love this dual functino piece! Would go great next to a Spark Board <3 Anthropologie Retractable Writing Desk #anthrofave
This would be the most perfect sewing desk for moi! Anthropologie Retractable Writing Desk #anthrofave #anthropologie
contemporary scandi chic Anthropologie Retractable Writing Desk #AnthroFave
I want this desk. Anthropologie Retractable Writing Desk #anthrofave
from shopstyle.com 1 Like Jac Thurmond
from FFFFOUND! Alexandria Leider
No space for an office? Hang a kitchen cabinet horizontally and attach piano hinges to the door so it opens to become a mini desk, and conceal space with a curtain.
IHeart Organizing: Extra! Extra! Organizing Reads! And Monthly Challenge News! Love the cozy office nook. Great for my small space!
Office & Workspace. Awesome Creative Home Office Ideas Working from Home in Style: Inspiring Modern Design Workspace Office Space In A Classic Design House Wood Laminate Flooring Hardwood Brown Chairs And Tables Luxury Design Work Swivel Chairs Unique Design Wooden Bookshelf ~ vitmol
Home Office Storage & Organization Solutions Hidden Office | bhg.com | hang kitchen cabinet horizontally and attach piano hinges to doors
Small Place Style. Cool desk idea and I am loving the use of curtains instead of doors in small | http://apartmentdesigncollections.blogspot.com
Mason Jar Lighting Mason Jar Chandelier Mason Jar Lamps Lights - UpCycled Rustic Eco Friendly Wedding Accent - Original BootsNGus Design #homedecor #home #lighting
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$399.00 Pottery Barn via Wanelo - Mason jar lighting fixture because when I grow up to be an obscenely wealthy hipster type, my kitchen will look like unicorns & elves cook me organic vegan treats there. #household #lighting #fairyland
Love any and all mason jar light fixtures but this one is especially cool!
2 Repins Evelyn Marie
Adjustable working table for Jockum Nordström studio in Stockholm made by Kristoffer Sundin. La mesa de trabajo buenísima!
build your own drafting table plans - Pesquisa Google
i would love a creative space
from A Feminine Tomboy 1 Like Malory Sweat
diy furniture and other indoor things
I want to collect Pyrex, clearly, I'm getting old
vintage dish collection...love it!
Love the Pyrex aqua
Pyrex Blue set
by mattnveronica Leslie Wapenaar

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Shadows of Death by H. P. Lovecraft | 9780345486141 | NOOK Book (eBook) | Barnes & Noble
Shadows of Death [NOOK Book]
Overview Descend into the nerve-shattering realm of America’s master of horror, H. P. Lovecraft–to a dank place where gloomy maelstroms await the unwary, where the unnatural is surpassed only by the unspeakable, and where all pleasure is perverse. Take a chance. . . . All you can lose is your sanity. The Doom That Came to Sarnath–The magnificent city had wealth beyond measure, but no riches could save it from a ghastly day of reckoning. The Shunned ...
Shadows of Death (eBook)
Shadows of Death (Mass Market Paperback)
The Watchers Out of TimeH. P. Lovecraft
The ArcanumThomas Wheeler
Beneath the Moors and Darker...Brian Lumley
BerserkTim Lebbon
Smoke and Mirrors: Short...Neil Gaiman
Descend into the nerve-shattering realm of America’s master of horror, H. P. Lovecraft–to a dank place where gloomy maelstroms await the unwary, where the unnatural is surpassed only by the unspeakable, and where all pleasure is perverse. Take a chance. . . . All you can lose is your sanity.
The Doom That Came to Sarnath–The magnificent city had wealth beyond measure, but no riches could save it from a ghastly day of reckoning.
The Shunned House–He vowed to rid the odious structure of the brooding horror that clung to it, but evil would not go gently.
The Dream Quest of Unknown Kadath–Desperate to understand his tormenting vision, one man begins a forbidden and nightmarish journey.
The Tomb–The old Hyde family crypt held a gruesome attraction for a boy, until he communed with the dead and learned their secrets.
The Shadow Out of Time–The quest to understand the devouring force that once possessed a scholar leads a man to the other side of the world, where all will be revealed in one hideous, unholy night.
PLUS ELEVEN OTHER MACABRE TALES OF PURE TERROR
ISBN-13: 9780345486141
Sold by: Random HouseFormat: eBook File size: 446 KB
H. P. Lovecraft (1890—1937) lived his life in the moody New England that was the setting for his tales. His writing appeared in some of his era’s most famous pulp magazines, but as no book of his work was published in his lifetime, Lovecraft died in relative poverty and obscurity. Since his death he has been recognized as one of the most influential cult horror writers of the twentieth century. His influence on American horror can be detected in the work of Stephen King, Anne Rice, Clive Barker, and many others.
By H. P. Lovecraft Random House
All right reserved. ISBN: 0345486145 Chapter One
After twenty-two years of nightmare and terror, saved only by a desperate conviction of the mythical source of certain impressions, I am unwilling to vouch for the truth of that which I think I found in Western Australia on the night of July 17-18, 1935. There is reason to hope that my experience was wholly or partly an hallucination--for which, indeed, abundant causes existed. And yet, its realism was so hideous that I sometimes find hope impossible.
If the thing did happen, then man must be prepared to accept notions of the cosmos, and of his own place in the seething vortex of time, whose merest mention is paralyzing. He must, too, be placed on guard against a specific, lurking peril which, though it will never engulf the whole race, may impose monstrous and unguessable horrors upon certain venturesome members of it.
It is for this latter reason that I urge, with all the force of my being, a final abandonment of all the attempts at unearthing those fragments of unknown, primordial masonry which my expedition set out to investigate.
Assuming that I was sane and awake, my experience on that night was such as has befallen no man before. It was, moreover, a frightful confirmation of all I had sought to dismiss as myth and dream. Mercifully there is no proof, for in my fright I lost the awesome object which would--if real and brought out of that noxious abyss--have formed irrefutable evidence.
When I came upon the horror I was alone--and I have up to now told no one about it. I could not stop the others from digging in its direction, but chance and the shifting sand have so far saved them from finding it. Now I must formulate some definite statement--not only for the sake of my own mental balance, but to warn such others as may read it seriously.
These pages--much in whose earlier parts will be familiar to close readers of the general and scientific press--are written in the cabin of the ship that is bringing me home. I shall give them to my son, Professor Wingate Peaslee of Miskatonic University--the only member of my family who stuck to me after my queer amnesia of long ago, and the man best informed on the inner facts of my case. Of all living persons, he is least likely to ridicule what I shall tell of that fateful night.
I did not enlighten him orally before sailing, because I think he had better have the revelation in written form. Reading and rereading at leisure will leave with him a more convincing picture than my confused tongue could hope to convey.
He can do anything that he thinks best with this account--showing it, with suitable comment, in any quarters where it will be likely to accomplish good. It is for the sake of such readers as are unfamiliar with the earlier phases of my case that I am prefacing the revelation itself with a fairly ample summary of its background.
My name is Nathaniel Wingate Peaslee, and those who recall the newspaper tales of a generation back--or the letters and articles in psychological journals six or seven years ago--will know who and what I am. The press was filled with the details of my strange amnesia in 1908-13, and much was made of the traditions of horror, madness, and witchcraft which lurked behind the ancient Massachusetts town then and now forming my place of residence. Yet I would have it known that there is nothing whatever of the mad or sinister in my heredity and early life. This is a highly important fact in view of the shadow which fell so suddenly upon me from outside sources.
It may be that centuries of dark brooding had given to crumbling, whisper-haunted Arkham a peculiar vulnerability as regards such shadows--though even this seems doubtful in the light of those other cases which I later came to study. But the chief point is that my own ancestry and background are altogether normal. What came, came from somewhere else--where, I even now hesitate to assert in plain words.
I am the son of Jonathan and Hannah (Wingate) Peaslee, both of wholesome old Haverhill stock. I was born and reared in Haverhill--at the old homestead in Boardman Street near Golden Hill--and did not go to Arkham till I entered Miskatonic University as instructor of political economy in 1895.
For thirteen years more my life ran smoothly and happily. I married Alice Keezar of Haverhill in 1896, and my three children, Robert, Wingate, and Hannah, were born in 1898, 1900, and 1903, respectively. In 1898 I became an associate professor, and in 1902 a full professor. At no time had I the least interest in either occultism or abnormal psychology.
It was on Thursday, May 14, 1908, that the queer amnesia came. The thing was quite sudden, though later I realized that certain brief, glimmering visions of several hours previous--chaotic visions which disturbed me greatly because they were so unprecedented--must have formed premonitory symptoms. My head was aching, and I had a singular feeling-- altogether new to me--that some one else was trying to get possession of my thoughts.
The collapse occurred about 10:20 a.m., while I was conducting a class in Political Economy VI--history and present tendencies of economics--for juniors and a few sophomores. I began to see strange shapes before my eyes, and to feel that I was in a grotesque room other than the classroom. My thoughts and speech wandered from my subject, and the students saw that something was gravely amiss. Then I slumped down, unconscious, in my chair, in a stupor from which no one could arouse me. Nor did my rightful faculties again look out upon the daylight of our normal world for five years, four months, and thirteen days. It is, of course, from others that I have learned what followed. I showed no sign of consciousness for sixteen and a half hours, though removed to my home at 27 Crane Street, and given the best of medical attention.
At 3 a.m. May 15th my eyes opened and I began to speak, but before long the doctor and my family were thoroughly frightened by the trend of my expression and language. It was clear that I had no rememberance of my identity and my past, though for some reason I seemed anxious to conceal this lack of knowledge. My eyes gazed strangely at the persons around me, and the flections of my facial muscles were altogether unfamiliar.
Even my speech seemed awkward and foreign. I used my vocal organs clumsily and gropingly, and my diction had a curiously stilted quality, as if I had laboriously learned the English language from books. The pronunciation was barbarously alien, whilst the idiom seemed to include both scraps of curious archaism and expressions of a wholly incomprehensible cast.
Of the latter, one in particular was very potently--even terrifiedly--recalled by the youngest of the physicians twenty years afterward. For at that late period such a phrase began to have an actual currency--first in England and then in the United States--and though of much complexity and indisputable newness, it reproduced in every least particular the mystifying words of the strange Arkham patient of 1908.
Physical strength returned at once, although I required an odd amount of reeducation in the use of my hands, legs, and bodily apparatus in general. Because of this and other handicaps inherent in the mnemonic lapse, I was for some time kept under strict medical care.
When I saw that my attempts to conceal the lapse had failed, I admitted it openly, and became eager for information of all sorts. Indeed, it seemed to the doctors that I lost interest in my proper personality as soon as I found the case of amnesia accepted as a natural thing.
They noticed that my chief efforts were to master certain points in history, science, art, language, and folklore--some of them tremendously abstruse, and some childishly simple--which remained, very oddly in many cases, outside my consciousness.
At the same time they noticed that I had an inexplicable command of many almost unknown sorts of knowledge--a command which I seemed to wish to hide rather than display. I would inadvertently refer, with casual assurance, to specific events in dim ages outside of the range of accepted history--passing off such references as a jest when I saw the surprise they created. And I had a way of speaking of the future which two or three times caused actual fright.
These uncanny flashes soon ceased to appear, though some observers laid their vanishment more to a certain furtive caution on my part than to any waning of the strange knowledge behind them. Indeed, I seemed anomalously avid to absorb the speech, customs, and perspectives of the age around me; as if I were a studious traveler from a far, foreign land.
As soon as permitted, I haunted the college library at all hours; and shortly began to arrange for those odd travels, and special courses at American and European Universities, which evoked so much comment during the next few years.
I did not at any time suffer from a lack of learned contacts, for my case had a mild celebrity among the psychologists of the period. I was lectured upon as a typical example of secondary personality--even though I seemed to puzzle the lecturers now and then with some bizarre symptoms or some queer trace of carefully veiled mockery.
Of real friendliness, however, I encountered little. Something in my aspect and speech seemed to excite vague fears and aversions in every one I met, as if I were a being infinitely removed from all that is normal and healthful. This idea of a black, hidden horror connected with incalculable gulfs of some sort of distance was oddly widespread and persistent.
My own family formed no exception. From the moment of my strange waking my wife had regarded me with extreme horror and loathing, vowing that I was some utter alien usurping the body of her husband. In 1910 she obtained a legal divorce, nor would she ever consent to see me even after my return to normality in 1913. These feelings were shared by my elder son and my small daughter, neither of whom I have ever seen since.
Only my second son, Wingate, seemed able to conquer the terror and repulsion which my change aroused. He indeed felt that I was a stranger, but though only eight years old held fast to a faith that my proper self would return. When it did return he sought me out, and the courts gave me his custody. In succeeding years he helped me with the studies to which I was driven, and today, at thirty-five, he is a professor of psychology at Miskatonic.
But I do not wonder at the horror I caused--for certainly, the mind, voice, and facial expression of the being that awakened on May 15, 1908, were not those of Nathaniel Wingate Peaslee.
I will not attempt to tell much of my life from 1908 to 1913, since readers may glean all the outward essentials--as I largely had to do--from files of old newspapers and scientific journals.
I was given charge of my funds, and spent them slowly and on the whole wisely, in travel and in study at various centers of learning. My travels, however, were singular in extreme, involving long visits to remote and desolate places.
In 1909 I spent a month in the Himalayas, and in 1911 aroused much attention through a camel trip into the unknown deserts of Arabia. What happened on those journeys I have never been able to learn.
During the summer of 1912 I chartered a ship and sailed in the Arctic, north of Spitzbergen, afterward showing signs of disappointment.
Later in that year I spent weeks alone beyond the limits of previous or subsequent exploration in the vast limestone cavern systems of western Virginia--black labyrinths so complex that no retracing of my steps could even be considered.
Excerpted from Shadows of Death by H. P. Lovecraft Excerpted by permission.

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BBC Radio 2 - Desmond Carrington: The Music Goes Round, Let's Go West We use cookies to ensure that we give you the best experience on our website. We also use cookies to ensure we show you advertising that is relevant to you. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the BBC website. However, if you would like to, you can change your cookie settings at any time. Continue Find out more ]]> Accessibility links Skip to content Skip to local navigation Accessibility Help BBC iD BBC iD Settings Sign out BBC navigation News Sport Weather Capital Culture Shop TV Radio More… Search term: iPlayer Radio What's New? Stations On Air Now 10:00 - 12:45
See all local, nations and national radio stations. Radio 1 Radio 1Xtra Radio 2 Radio 3 Radio 4 Radio 4 Extra Radio 5 live Radio 5 live sports extra Radio 6 Music Asian Network World Service Radio Scotland Radio Nan Gaidheal Radio Ulster Radio Foyle Radio Wales Radio Cymru Categories Comedy Documentaries Events Music All Categories Comedy Documentaries Events Music All Categories Programmes Programme Quickfind: The Chris Evans Breakfast Show Dermot O'Leary The People's Songs The Folk Show with Mark Radcliffe The Radio 2 Arts Show with Claudia Winkleman Jeremy Vine Go to Radio 2 Programmes A-Z Schedule Favourites Playlister Listen On Now : Ken Bruce Boyzone's Keith Duffy picks his final two Tracks of My Years BBC Radio 2Desmond Carrington: The Music Goes Round
BBC Radio 2 Fri 1 Mar 2013
Light See all episodes from Desmond Carrington: The Music Goes Round	Let's Go West Duration: 57 minutes
Desmond shares good tunes, some unexpected ones and a few you may never have heard before from the worlds of classical music, pop standards, jazz , shows and films. All served with a sprinkling of interpretations from modern artistes who dig into the music of yesterday to make the music go round today. This week he sorts through his personal record collection for songs and music related to the theme of Let's go west. Music to head off into the sunset. Add "Desmond Carrington: The Music Goes Round, Let's Go West" to Favourites Add "Desmond Carrington: The Music Goes Round, Let's Go West" to Favourites Share this page
QR code Music Played 15 items Add music you love and enjoy it with Stanley Black HELLO DOLLY BROADWAY SPECTACULAR, DECCA PFS 4077 Ronnie Carroll LET'S FALL IN LOVE ROSES ARE RED, DIAMOND RECORDINGS GENCD 004 IAN WALLACE DOWN BELOW BEST OF IAN WALLACE, EMI 7243 8 28370 Detroit Symphony Orchestra HOE-DOWN (RODEO) COPELAND - EL SALON MEXICO ETC, DECCA 414 273 Édith Piaf LA VIE EN ROSE CAFÉ DE PARIS, YESTERYEAR GLM/Y 38-25 Elvis Costello SHE MOVIES' GREATEST LOVE SONGS, UNIVERSAL 982 7988 WESTERN BROTHERS PLAY THE GAME YOU CADS GLORIOUS OLD TIME MUSIC HALL, YESTERYEAR GLM/Y 38-14 JOHN GREGORY BIG COUNTRY DYNAMIC SOUND OF JOHN GREGORY, PHILIPS 842 833 Dinah Shore BUTTONS AND BOWS DINAH SHORE COLLECTION, VOCALION 2CDUS 3003 Benny Hill ERNIE HELLO CHILDREN EVERYWHERE, EMI 7243 8 74827 Judy Garland LET'S GO WEST AGAIN COLLECTORS' GEMS FROM THE MGM MUSICALS, EMI 7243 8 54533 Henry Hall RED SAILS IN THE SUNSET THE MUSIC GOES 'ROUND AND AROUND, VOCALION CDEA 6008 Betty Garrett WAY OUT WEST WORDS AND MUSIC (SOUNDTRACK), SONY Randy Newman RIDER IN THE RAIN LONELY AT THE TOP, READERS DIGEST RDCD 516 VERNON & MARYETTA MIDGLEY LITTLE GREY HOME IN THE WEST DUETS FOR FOUR, MVM CDMVM 11157 Broadcasts BBC Radio 2Fri 1 Mar 2013 19:00 BBC Radio 2 You might also like…
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Patent US4662739 - Method of controlling copying machine operation - Google PatentsSearch Images Maps Play YouTube News Gmail Drive More »Advanced Patent Search | Sign inAdvanced Patent SearchPatentsIn a copying apparatus which comprises a plurality of rotatable photosensitive members and an image transfer belt rotatably movable in synchronism with the photosensitive members and in which visible image formed on the photosensitive members are transferred onto a transfer paper carried by the transfer...http://www.google.com/patents/US4662739?utm_source=gb-gplus-sharePatent US4662739 - Method of controlling copying machine operationPublication numberUS4662739 APublication typeGrantApplication numberUS 06/812,950Publication dateMay 5, 1987Filing dateDec 24, 1985Priority dateDec 29, 1984Fee statusLapsedPublication number06812950, 812950, US 4662739 A, US 4662739A, US-A-4662739, US4662739 A, US4662739AInventorsHideya Furuta, Yutaka Koizumi, Mitsuru Mamizuka, Yoshihiro SakaiOriginal AssigneeRicoh Company, Ltd.Export CitationBiBTeX, EndNote, RefManPatent Citations (1), Referenced by (23), Classifications (10), Legal Events (6) External Links: USPTO, USPTO Assignment, EspacenetMethod of controlling copying machine operationUS 4662739 AAbstract In a copying apparatus which comprises a plurality of rotatable photosensitive members and an image transfer belt rotatably movable in synchronism with the photosensitive members and in which visible image formed on the photosensitive members are transferred onto a transfer paper carried by the transfer belt, a pair of sensors are arranged around the transfer belt which has a pair of marks thereon and an initiation and a termination of a preprocess are performed prior to a copying process on the basis of detections of these marks by the sensors.
What is claimed is: 1. A process control method for a copying apparatus having a plurality of rotatable photosensitive members and an image transfer belt rotatable in synchronism with said photosensitive members for transferring visible images formed on said photosensitive members onto a transfer paper carried by said transfer belt, comprising the steps of;confirming a detection of a first mark provided on said transfer belt by a first sensor provided in the vicinity of said transfer belt, initiating rotations of said photosensitve members upon said confirmation such that each of said photosensitve members completes at least on revolution prior to a detection of a second mark provided on said transfer belt by a second sensor provided in the vicinity of said transfer belt after said first mark is detected by said first sensor, performing a preprocess for said photosensitive members during at least one revolution of each of said photosensitive members, initiating a copying process upon said detection of said second mark by said second sensor, and terminating movements of said photosensitive members and said transfer belt upon a subsequent detection of said first mark by said first sensor to said detection of said second mark by said second sensor. 2. The method as claimed in claim 1, wherein said transfer paper is sent by a feed roller from a transfer paper storage to a register roller during said preprocess is performed.
BACKGROUND OF THE INVENTION The present invention relates to a copying maching having a plurality of photosensitive members and an image transfer belt movable in synchronism with rotations of the photosensitive members for transferring visible images formed on the photosensitive members onto a transfer paper carried by the transfer belt and, particularly to a method for controlling an operation of the copying machine.
SUMMARY OF THE INVENTION In view of the state of art mentioned above, an object of the present invention is to provide a control method for a copying machine operation according to which the relative position of the transfer belt with respect to the copying process can be easily set in an optimum state.
BRIEF DESCRIPTION OF THE DRAWINGS FIG. 1 is a schematic cross-section of a color copying machine to which the present invention is applied;
DESCRIPTION OF THE PREFERRED EMBODIMENTS First of all, an overall operation of the color copying machine shown in FIG. 1 will be described. In FIG. 1, an original 1 having a color image is mounted on an original mounting table 2 with a surface thereof having the image being down. The mounting table 2 is in a ready position W shown by a solid line during a time in which any copying operation is out of order, and is shifted in a direction A to a copy start position shown by a chain line S upon a start of copying operation. Then the mounting table 2 is moved in a direction B to a return position shown by a chain line R during the copying operation and is returned to the ready position W upon a completion of the copying operation. The reciprocation of the mounting table 2 is performed in a level although it is shown as being performed in different levels in FIG. 1 for clarification purpose.
In the embodiment shown in FIG. 1 and 2, the distance between the illumination positions La and Lb and the distance between the positions Lb and Lc are commonly made equal to a distance between supporting shafts of the photosensitive drums 3a and 3b which is equal to the distance between the shafts of the photosensitive drums 3b and 3c and corresponds to a half of the peripheral length of the photosensitive drum. Therefore, when the mounting table 2 moves to the second illumination position Lb and the exposing step is initiated for the second photosensitive drum 3b after the first photosensitive drum 3a is exposed in the first illumination position La, a front edge portion of the latent image on the drum 3a is moved by a distance corresponding to the half of the peripheral length of the drum 3a and is developed by the developing device 12a already. Similarly, when the mounting plate 2 is moved from the second illumination position Lb to the third illumination position Lc and the exposure for the third photosensitive drum 3c is started, the developed front edge portion of the latent image of the first photosensitive drum 3a is fully revolved and a front edge portion of the latent image on the second photosensitive drum 3b is revolved by 180 latent images on the first, second and third photosensitive drums 3a, 3b and 3c are performed at different timings in the order and thus the developments thereof are performed at different timings correspondingly.
Patent CitationsCited PatentFiling datePublication dateApplicantTitleUS4531828 *Mar 23, 1984Jul 30, 1985Canon Kabushiki KaishaImage receiving member conveying device of a multiplex image forming apparatus* Cited by examinerReferenced byCiting PatentFiling datePublication dateApplicantTitleUS4751549 *Dec 19, 1986Jun 14, 1988Ricoh Company, Ltd.Color copying machineUS4788572 *Mar 23, 1987Nov 29, 1988Colorocs CorporationBelt controls for a print engine for color electrophotographyUS4903067 *Apr 27, 1988Feb 20, 1990Canon Kabushiki KaishaMultiimage forming apparatusUS4990966 *Nov 30, 1989Feb 5, 1991Ricoh Company, Ltd.Image forming apparatusUS4990969 *Jan 2, 1990Feb 5, 1991Eastman Kodak CompanyMethod and apparatus for forming multicolor imagesUS5016062 *Jan 2, 1990May 14, 1991Eastman Kodak CompanyMulticolor image forming apparatus having improved registrationUS5255055 *Dec 23, 1991Oct 19, 1993Eastman Kodak CompanyReproduction apparatus having a plurality of non-imaging portion detectorsUS5557383 *Oct 27, 1995Sep 17, 1996Canon Kabushiki KaishaImage forming apparatus having recording material carrying meansUS5732312 *Dec 19, 1995Mar 24, 1998Canon Kabushiki KaishaImage forming apparatus with movable belt and means to position recording sheets thereonUS5926670 *Jan 5, 1998Jul 20, 1999Ricoh Company, Ltd.Image forming apparatus cleaning an intermediate transfer member carrying a concurrently existing plurality of toner image pagesUS5956552 *Sep 22, 1997Sep 21, 1999Matsushita Electric Industrial Co., Ltd.Color image forming apparatus comprising a regular mode and a high speed modeUS5974282 *Jan 12, 1999Oct 26, 1999Minolta Co., Ltd.Image forming apparatusUS6106090 *Sep 16, 1997Aug 22, 2000Canon Kabushiki KaishaInk jet printing apparatus with print medium conveyance beltUS6157799 *Jun 10, 1998Dec 5, 2000Matsushita Electric Industrial Co., Ltd.Color image forming apparatus, image forming unit therefor, and transfer belt unit thereforUS6185396Oct 31, 1997Feb 6, 2001Matsushita Electric Industrial Co., Ltd.Color image forming apparatusUS6366756Sep 13, 2000Apr 2, 2002Matsushita Electric Industrial Co., Ltd.Color image forming apparatusUS6418296Jan 10, 2002Jul 9, 2002Matsushita Electric Industrial Co., Ltd.Color image forming apparatusUS7133630Jul 29, 2004Nov 7, 2006Ricoh Company, Ltd.Belt device, image forming apparatus, and method to control belt speedUS7576509Sep 10, 2004Aug 18, 2009Ricoh Company, LimitedDrive control method, drive control device, belt apparatus, image forming apparatus, image reading apparatus, computer productUS7636540Sep 17, 2004Dec 22, 2009Ricoh Company, LimitedBelt driving unit and, method of switching the control loop between a normal and abnormal control loopEP0342366A2 *Apr 17, 1989Nov 23, 1989Colorocs CorporationMethod and apparatus for registration control in an electrophotographic print engineEP0840174A2 *Nov 4, 1997May 6, 1998Matsushita Electric Industrial Co., LtdColor image forming apparatusEP0944241A2 *Aug 20, 1998Sep 22, 1999Hewlett-Packard CompanySynchronous band drive for an inline color printer* Cited by examinerClassifications U.S. Classification700/13, 399/66International ClassificationG03G21/14, G03G15/01Cooperative ClassificationG03G2215/0119, G03G15/0178, G03G21/145, G03G2215/00189European ClassificationG03G21/14B, G03G15/01S2Legal EventsDateCodeEventDescriptionJul 18, 1995FPExpired due to failure to pay maintenance feeEffective date: 19950510May 7, 1995LAPSLapse for failure to pay maintenance feesDec 13, 1994REMIMaintenance fee reminder mailedOct 22, 1990FPAYFee paymentYear of fee payment: 4Jan 20, 1987AS02Assignment of assignor's interestOwner name: FURUTA, HIDEYAEffective date: 19851216Owner name: KOIZUMI, YUTAKAOwner name: MAMIZUKA, MITSURUOwner name: RICOH COMPANY, LTD., NO. 3-6, NAKAMAGOME 1-CHOME,Owner name: SAKAI, YOSHIHIROJan 20, 1987ASAssignmentOwner name: RICOH COMPANY, LTD., NO. 3-6, NAKAMAGOME 1-CHOME,Free format text: ASSIGNMENT OF ASSIGNORS INTEREST.;ASSIGNORS:SAKAI, YOSHIHIRO;KOIZUMI, YUTAKA;MAMIZUKA, MITSURU;AND OTHERS;REEL/FRAME:004656/0462Effective date: 19851216Owner name: RICOH COMPANY, LTD.,JAPANFree format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNORS:SAKAI, YOSHIHIRO;KOIZUMI, YUTAKA;MAMIZUKA, MITSURU;AND OTHERS;REEL/FRAME:004656/0462RotateOriginal ImageGoogle Home - Sitemap - USPTO Bulk Downloads - Privacy Policy - Terms of Service - About Google Patents - Send FeedbackData provided by IFI CLAIMS Patent Services©2012 Google

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