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Courtyard by Marriott Sacramento Folsom: 2017 Room Prices, Deals & Reviews | Expedia
Map Iron Point Rd Folsom CA 1-855-809-3511
Folsom Aquatic Center - 2.9 miles
Folsom Premium Outlets - 3.8 miles
Situated in Folsom, this hotel is 0.1 mi (0.2 km) from Palladio at Broadstone and within 3 mi (5 km) of Three Stages Visual and Performing Arts Center and Mercy Hospital of Folsom. Lembi Park and Folsom Aquatic Center are also within 6 mi (10 km).
All 125 rooms provide conveniences like refrigerators and coffee makers, plus free WiFi and TVs with cable channels. Other amenities available to guests include premium bedding, free newspapers, and hair dryers.
2575 Iron Point Rd Folsom CA 95630
In addition to an indoor pool, Courtyard by Marriott Sacramento Folsom provides a spa tub and a fitness center. Dining options at the hotel include a restaurant, a coffee shop/café, and a snack bar/deli. A bar/lounge is on site where guests can unwind with a drink. Wireless Internet access is complimentary.
This 3-star property offers access to a 24-hour business center and a meeting room. Event facilities measure 704 square feet (65 square meters). This business-friendly hotel also offers complimentary newspapers in the lobby, laundry facilities, and dry cleaning/laundry services. Complimentary self parking is available on site.
Courtyard by Marriott Sacramento Folsom is a smoke-free property.
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Team up for drug prevention with America's young athletes. (Book, 1984) [WorldCat.org]
I thought you might be interested in this item at http://www.worldcat.org/oclc/10932962 Title: Team up for drug prevention with America's young athletes. Publisher: [Washington, D.C.?] : U.S. Department of Justice, Drug Enforcement Administration, [1984?] OCLC:10932962
Team up for drug prevention with America's young athletes.
[Washington, D.C.?] : U.S. Department of Justice, Drug Enforcement Administration, [1984?]
[Washington, D.C.?] : U.S. Dept. of Justice, Drug Enforcement Administration, [1984?]
(OCoLC)762852954
10932962
[Item 967; ft/vi/vi].
[27] pages ; 28 cm
Add tags for "Team up for drug prevention with America's young athletes.". Be the first.
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Top threads in this forum54Why we are unhappy51Don't Expect Anything Major From Nikon...24D810 AF compared to D4S17Nikon: "we plan to concentrate on medium and high-end DSLR14D700 still relevant in 2017? (Upgrading from a Fuji X-E1)13D750 Autofocus... Awesome7D810 Best Dual card set-up7best combo: D750/D800 , or D810/D7005nikon body for architectural photography4Favorite Cameras of National Geographic photographers!4How to toggle external flash on/off3Snow Birds3Borrowed the D810, now for the RAW conversion?2D750 and View NX-2 or Capture NX-D?2D800 mirror locked up can't push down2Nikon BSI dual pixel AF patent1Lens Line-up for Critique + Feedback1Nikon GP-1a connection or Android Wireless trigger option1Comparison between the Nikon D2X and the Nikon D2001Just Took a Kind Interest in the 100th Anniversary D5
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Words containing frigidnesse | Words that contain frigidnesse
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SFGTV2 : June 30, 2011 1:00am-1:30am PDT : Free Borrow & Streaming : Internet Archive
tv [untitled] June 30, 2011 1:00am-1:30am PDT
hot-wired into our system that says we need to try to tell a story. there is nothing at all in my background. i am an absolutely accidental writer. there is nothing in my background which suggests i should be writing novels. i grew up in chicago. i write books about san francisco. i studied accounting at the university of illinois. i have been a corporate and securities attorney for 28 years. i've now written seven best-selling novels about murder trials, death penalty cases, and courtroom drama. i have never handled a criminal case in my life. [laughing] so all of you out there who are thinking of writing novels, there is hope. but i did have this feeling a long time ago, probably from the time i was in high school, that at some point i would like to try to write a novel. and i can't explain why.
i do know that when i read "presumed innocent" on an airplane in 1988, i decided that if i ever get around to writing the novel that i probably will never write, it will be a courtroom novel. and scott didn't invent the genre. neither did john grisham. earl stanley gardner was writing courtroom drama in the 1930's and 1940's. "anatty of a murder" came out in 1958. first we have "to kill a mockingbird," which most lawyers and most lawyer authors will tell you is kind of the seminal work of why we got interested. and i started writing a novel as i was approaching my 40th birthday. i wrote most of it on a ferry going to and from work every day. it took me three years. and that book became "special circumstances," story of a murder in a big law firm. it came out in 2000 and spent seven weeks on "the new york times"' bestsellers' list.
so for those of you who have bought my books, i thank you, because now i don't have to practice law full-time anymore. >> but all kidding aside, you know, i think crime novelists and readers of crime novels whether it's lawyer books or whether it's private detectives or cops, you know, in my world i'm like -- unlike tony's, i can control the outcome. i can get justice in my books because i can fix the ending. and i start -- and most authors do i start with the ending. i know who did it, how and why. and by god, when i write that book, i'm going to make sure justice is served. i think that's why people keep coming back to lawyer books in particular because there's a lot of drama in the courtroom. there's always a murder. there's always big stakes. i've written books about death penalty cases. the stakes don't get any bigger than that.
and i think it was important to me to have the center of my books a defense attorney who is the kind of guy, the tony serra's of the world, the person you would call if you got into serious trouble. and there are a lot of corrupt lawyers in my books. there are a lot of nasty people in my books. there are a lot of lawyers who are not portrayed in a particularly favorable way. but the centers of my story are two small time criminal defense attorneys who work on michigan street. and if you get accused of a crime, those are the people you want to call. >> that's my approach. and they're both former public defenders, right? >> yes, they are. they are both former public defenders here in san francisco. without giving away too much of the story, there may be a return at some point to that particular office where they would, of course, be working for you. >> anytime. [laughing] there seems to be such a huge
projected ideal that there is justice, we'll say, in the court system and that there's idealistic lawyers, and there's fair judges, and there's not, you know, indelible bias and prejudice and rac racism, sexis, and all of those things dissipate, you know, when we approach the per diem. it's just like blinding our self. it's a way of taking the placebo instead of the medicine. great reform is required. we're threatened now by totalitarian tactics, grand juries, informants, mandatory sentencing. it's not very good, my friends. we're losing constitutional rights every day. and i think the way we appease our conscious, those of us who
desire, i guess, not to probe and not to reform and not to speak out is we pretend that things have occurred in courts that didn't real liquor. [applause] >> it sounds like all of those things would make great tv or, of course, a great novel. paulette, you've spent so much time in court watching cases. what observations have you made after the hours and hours that you've spent? you're creating not only art, but you're creating a representation of the emotional heart of a case. what have you gleaned from your experience of watching so many trials? >> well, this is sort of like the fly on the wall, the court artist. i haven't an aperture that is
completely open because i'm trying to take in as much as i can possibly absorb. and at the same time i'm very focused on what i'm doing. and i have to remember everything that i'm doing. so as far as the nitpicking particulars of a trial, that goes past me. but what i do see is -- i believe there's a science called cybertronics or something, where you get frozen to death. and that's kind of what it's like. everybody's, for the most part, the lawyers in a trial seem very frozen. i mean a poker match has more emotion in it. they're holding their card close to their chest. they don't want to really see what's going on. from the artist view, they're holding back whatever is going on. one of the reasons tony excites
me as a lawyer is that he's out there. he is transparent. you can see exactly what's going on. you can even see it while it's going on. it's sort of like one of these things you see the digestion taking place because it's all on some transparent piece of, i don't know, behind glass or something. so there's this combination of what is held back and what is sort of scrolled out or spooled out little by little. what i see in court is, of course, the incredible inequities. i tend to have a great soft spot for people who are not of life of privilege and whose lives are very challenged and who deal with them in the best ways they can. everybody wants, you know, some sort of decency for their family. and everybody''s capable of
incredible rage and probably even the urge to kill. they're also capable of greatness and goodness if that side is sort of coaxed out of them. so criminals to me, anyway, are a group of people who have fallen on hard times. i've been there. i've never really done criminal acts, but i've certainly been pushed to limits that could easily become that. i think it's the humanity that is lacking in the courtroom. and i think that a lot of what we see in the justice system today is done because people can do it. i think as was spoken earlier about trials, people get away with as much as they can. so for the criminal to be the bad guy, what about the politicians in this country? what about all of these other
kinds of criminal acts that are going on? i see that there is a lust for power, there is a lust for control, and there is a lust to put the lesser down. it happens a lot in court. and that's what i see. >> we're going to have the opportunity to have you ask questions. so the ushers have cards. so just raise your hand if you'd like to fill out a card, and they will submit them to me and i will ask the questions. john, you know, over time we've seen the portrayals, whether it's -- just take for example the defense attorney. a lot of us grew up watching "perry mason." you don't see those kinds of movies now it seems to be almost seasonal that you have, you know, either positive or negative portrayals. but it seems to follow a certain
cycle. we have so many shows on tv now about, you know, police and law enforcement. i think we have, what, maybe three different "c.s.i. i "series now, "law & order" parts one, two, and three. what do you think counts for the portrayal of our justice system and how it shifts over time? and also if you've seen in terms of what writers have done or haven't done. >> you know, i was -- when i was listening to mr. serra, i was thinking, you know, actually the law is this huge thing. and there are parts of it that work really well. and when i started out, i was a young lawyer at a large wall street law firm. and believe it or not, we did really good work. and since we typically litigate
you know, business. you have to work hard in that context to get drama. it's harder to write a show like "l.a. law" because you have to find drama almost in the ordinary practice of law. to my way of thinking, you know, doing a crime show or even a criminal defense show, that's the easy stuff to do. you know? there's drama that's inherent in it. the hard stuff to do is say, like "the paper chase" where they're going to the library. really. so you've got to figure out a way to make that interesting. we did a show called "scavenger hunt," a massive search through all the libraries. and it's actually a very exciting show. but when we went to the network, they said, what are you shooting? we said we're shooting an episode with seven libraries. and they were like, we got to
cancel this. how did osborn get here? you know? that's the hard kind of stuff for television. i'd like to see more of that. i am so sick of "law & order." [laughing] and all of that stuff. i'm not answering the question, but i'm getting stuff off my shoulders. >> let me get something off my shoulder. with no lack of respect. wall street lawyers are serving capitalistic corporations who have taken our democracy in hostage. you served one dinosaur fighting another dinosaur for the last firms. that is shifting money, you know, from one capitalistic entity to another. so if you think that works, i think it's a manifestation of the malfunction of the entire
some of that in. because i think that's important. if you're writing books about lawyers and about crime, you know, there are victims. and i do try to set the world right at the end when i possibly can. and that is, as i said earlier, the advantage of writing novels as opposed to trying real cases. the other point i would make -- and everybody's kind of touched upon it here a little bit. lawyers are not portrayed, in many cases, particularly positively in the media. and a lot of that we bring upon ourselves. but i would also point out that, you know, we all operate in an environment where you have to deal with the cards that are out there. aties cuss finch -- atticus finch didn't have to deal with a
24-hour news cycle. tony serra didn't have to deal with bloggers in his career. i think what's going on in new york city where the head of the i.m.f. was arrested for doing some untorrid things in a big hotel. i found it ironic last night that eliot spitzer was interviewing people talking about these sorts of activities, and that cycle is going on and on. if you want to play a drinking game, you know, who wants to take bets of when we're going to have the first appearance of gloria allred? it's inevitable. i'm getting off the point a little bit here. but at some point i think it was around the time of the o.j. case where you had this confluence of a big public figure, it was a juicy trial, and cable news was just becoming a force. it changed the environment in which we operate, at least criminal system operates. because it's not just cases
present in. so it is storytelling, but it's storytelling from the gut rather than from the head which i kind of call window shopping. i wasn't interested in window shopping tony. i wanted it to be his energy. i wanted it to encapsulate a life force. i wanted it to show the great range of his humanity which is the full spectrum and extremely difficult to put on a page to say the least. >> the next question i have is for both john and tony. you both agree that the criminal justice system doesn't work, particularly for poor people in the criminal justice system. what would you do to improve it? we'll start with you first, john. what would you improve? this is an imperfect society that we have.
we know that. what can we do to improve it? >> gee. you know, i don't know anything about the criminal justice system. but i think you need to start out in, you know -- we need to have income redistribution in the country. i mean, it's crazy. and if you do that, you know, in an important way, then a lot of these problems are just going to get fixed by themselves. they're fundamentally economic problems. we used to have 90% taxation of, you know, very high income individuals. we don't do that anymore. i meek, god, dividends and capital gains are taxed at 15%. that's just incredible. it's an incredibl incredible st. -- steal. so that's what i would say.
>> well, it's a subject matter that's ripe for hours of discussion. but very quickly, we litigate in the criminal form too many times of actions and behaviors. so the first thing is, take out all the so-called victimless crimes, all the so-called drug or drug-related cases. can you place them in medical forums or other social forums. secondly, mandatory sentences have to go out. thirdly, grand jury has to go out. fourthly, the informant system has to be eliminated. the police powers, which are ever increasing, have to be at least dropped or minimized. fourth amendment, fifth amendment, first amendment rights have to be given more strength than they have, more resources for the defense because, yes, public defenders and good lawyers who are on the
panels, they are defending most of the people who are accused. and they lack the resources because ultimately prosecution with unlimited resources and defense with very, very limited resources. the deeper issues are where the jurors come from and how they're selected, whether or not judges are curtailing due process in court. reform, reform, reform. and it can only come from the inside, from us, the lawyers. from the judicial process. and from those activists who are interested in reforming the system. but we are in grave crises now because the judiciary has been swallowed by the executive and the balance of powers is sad lay miss. [applause] >> we're going to have to bring the panel to a close in a few minutes. we were just asked if there are any closing thoughts that you
have for the audience, before we close it. >> i keep following tony. it's not fair. you know, the system is only as good as the people who are operating within it. and it's only as good as how the resources available to it can be used. and that's not an easy fix. that's a long-time issue. and i don't have a good answer for that attorney i am hopeful we can try in some manner to level the playing field a little more, at least so that the attorneys in my fictional world have it a little easier. but more important, you know, i ha
June 30, 2011 1:00am-1:30am PDT

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John Ritter Still in planning stages, the linear collider would be designed to carry international research beyond any new laws of physics and forms of matter that may be discovered using the new machine at CERN.“China is certainly interested in the I.L.C.,” said Dr. Chen, who is a member of the steering committee for the international collider, and one of the organizers of a meeting this week in Beijing, where Chinese scientists and industry and government leaders will start talking about what role to take in the project.Jie Gao, a physicist at Beijing’s Institute of High Energy Physics and a member of the big collider’s design team who helped instigate this week’s meeting, said he hoped the conclusion was positive, “for the good of sciences, economy, education, a harmonious and peaceful world, and a sustainable development of human being.”
It wasn’t until the early 1970s, after the turmoil of the Cultural Revolution began to wind down, that Chinese physics began to recover. Zhou Enlai, China’s premier, took advantage of Mao’s enthusiasms to endorse the development of high-energy physics, including a long-dormant dream of building a Chinese particle accelerator. It didn’t hurt that particle physics was closely connected to nuclear weapons.Zhou got support from so-called overseas Chinese scientists, who had begun to visit their homeland in droves, like Chen-Ning Yang, then of the State University of New York at Stony Brook, and Tsung-Dao Lee, of Columbia University, who were Nobelists and heroes in China, and who talked up the importance of basic research to Mao and others.A group of Chinese physicists toured Western laboratories in 1973 and returned with their hearts set on building a collider that would bang protons together at energies of 50 billion electron volts. When Wolfgang Panofsky, the former director of the Stanford accelerator, first visited China in 1976 in the wake of the Tangshan earthquake that killed hundreds of thousands, and after the deaths of Mao and Zhou, he was struck by the desire of the Chinese people to carry on, even though many were living in tents in the streets.But Dr. Panofsky and others, including Dr. Lee, argued that a more modest machine would serve China better.“We talked them out of it,” Dr Panofsky said. In 1982, in the midst of economic difficulties, the proton machine was canceled in favor of one that would collide electrons and positrons at the much lower energy of around 2 billion electron volts. Such a machine would produce synchrotron radiation, which has medical and other uses as well as a role in particle research. The site of the accelerator was also moved from a remote area outside Beijing near the Ming tombs into the city.Deng Xiaoping himself showed up to shovel dirt at the groundbreaking.Dr. Panofsky remembered being in Beijing for a presentation on physics and the collider.“Deng shut us up and gave an hour-and-a-half lecture on the beauty of high-energy physics,” Dr. Panofsky said. To learn the business, a group of Chinese accelerator engineers spent a summer at the Stanford accelerator.
New particles, heralding perhaps new laws, are often first glimpsed by the mighty proton colliders. But such collisions are intrinsically messy and hard to understand because of all the junk that lives inside protons, and physicists often leave new particles behind and unstudied in their rush to build the next bigger machine and, in effect, go farther back in time.The energy range of the Beijing collider, 1 to 2.2 billion electron volts per beam, contained a lot of puzzling left-behind physics, including the tau, a sort of superfat electron, for which nature has no obvious purpose, and the so-called J/psi. The J/psi, consisting of a pair of quarks each exhibiting the quantum property known whimsically as charm, set off a revolution and led to Nobel prizes when it was discovered in 1974.“There is a lot going on in that energy region,” said Frederick A. Harris, a professor of physics at the University of Hawaii, who works often at the Beijing collider. By tuning the energy of their colliding beams, the Chinese researchers have been able to measure the mass of the tau very precisely, as well as carry out detailed studies of the J/psi and similar particles.In the collider’s energy range, Dr. Chen said simply, “We dominate.”Among the collider’s achievements, Dr. Harris said, was the most precise measurement yet of a number called “R.” In the so-called standard model, which currently rules particle physics, this parameter measures the likelihood of fireballs produced in the collider to materialize into so-called hadrons, particles made of quarks as opposed to other, simpler particles known as muons. That involved “changing the machine energy 91 times,” explained Dr. Harris.When physicists at CERN fire up their new Large Hadron Collider, which will eventually collide protons with 7 trillion electron volts of energy, in search of new particles and clues to new unified laws of physics, the Beijing data on this parameter will be critical to their analyses.“They are all dependent on measurements made in China at lower energy,” Dr. Harris said.Dr. Panofsky, of the Stanford accelerator, said: “Most economic growth is not due to new invention, but making things faster and cheaper. High energy physics mirrors this. In China they measure things known to exist better and with higher accuracy than in the West.”The improvement of the Beijing collider will extend the Chinese hegemony over this energy range, allowing the experiments to gather 100 times more data on rare events.
“Do they exist or not?” Dr. Panofsky asked. “Tune in next year.”Completing the Beijing improvements, Dr. Chen has said, will also free Chinese accelerator experts to concentrate their energies on the international effort to build the proposed International Linear Collider some time in the next decade.The proposed I.L.C. would shoot electrons and positrons at each other with 500 billion electron volts of energy through a tunnel 20 miles long. An approximate price tag will be announced when the international collider planning team meets in Beijing this February.Since this collider is being planned to follow up on discoveries made at CERN, and is likely to cost several billion dollars, it probably won’t be approved by the governments that would have to do the heavy financial lifting until the end of the decade — when the new CERN collider has something to show for itself.“The I.L.C is still a mythical beast,” Dr. Panofsky said.Yet the jockeying for where to put the machine has already begun. The host country for the collider would have the advantage of being the center of 21st-century physics, but would have to bear a larger share of the cost.Last spring, a report from the National Academy of Sciences urged the United States to do what it takes to get it built here rather than in Europe or Asia, or face the prospect of relinquishing traditional leadership in physics.Barry C. Barish, a California Institute of Technology physicist who is head of the design team for the international collider, said the “informal plan” is for China’s role to grow in the coming years. Just how much depends on what kind of commitment the Chinese government decides to make.Dr. Harris said, “The rate China is growing, this is something they could contemplate hosting in 10 years.” Although few accelerator experts expect China to be that aggressive, nobody really knows what the future holds. Given the explosive growth of China’s economy and the vow of the country’s leaders to emphasize science and technology, it is natural to wonder whether some future particles will have Chinese names the way many of the bright stars in the sky have Arabic names. Thanks to the Beijing collider, said Dr. Chen, “A new generation of accelerator engineers and data engineers is growing up.”
It has helped them that “now a person can have a reasonable life if you are interested in science,” said Dr. Chen, who spent part of the Cultural Revolution years as a high school teacher.A middle generation of scientists have returned from the diaspora to pitch in. Among them is Dr. Gao, who came back to China a couple of years ago after spending 15 years in France. He is leading the design of the so-called damping rings that will keep the particle beams of the international collider tightly focused. Dr. Gao said he was struck by the pace of life in today’s China.“Another big surprising change is that all Chinese are very busy in all fields, the work is busy and the life is busy,” Dr. Gao said. “I am terribly tired, but very happy, there are too many things to learn, to do and to improve.”

value: This website is an American daily newspaper based in New York City with a worldwide readership. Founded in 1851, the Times has since won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded within the industry as a national "newspaper of record".


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Burnett's Talent Still Alluring - The Washington Post
Burnett's Talent Still Alluring
By Jorge Arangure Jr. By Jorge Arangure Jr. July 22, 2005
It is the 2003 World Series and a bright sun beats down on Miami's Pro Player Stadium, even in mid-October. Hours before the start of Game 3, Florida Marlins pitcher A.J. Burnett walks slowly toward the outfield accompanied by a teammate. They begin to play catch.
Burnett, a spectator during this World Series, is less than six months removed from elbow ligament replacement surgery and medium-strength tosses are all he will be allowed to throw for the next several months. After 15 minutes he begins to walk slowly back toward the dugout. Then he stops, and in one quick motion, a simple act of frustration, he turns and throws the ball with all his might toward the right field bleachers. It lands in an empty seat, a few feet from a group of startled reporters.
When his right elbow ligament snapped just four starts into the 2003 season, Burnett was one of the best young pitching prospect in baseball and a budding top-of-the-rotation starter.
"I mean really, at the time of his injury he was our best pitcher," former Marlins and current Minnesota Twins catcher Mike Redmond said. "He was really getting it going. He was starting to dominate. Whatever happened, his elbow just couldn't go anymore. I know it was tough for him to just sit there and watch Josh [Beckett], Pavy [Carl Pavano], and not be able to go out there and compete with them. I know that hurt him a lot. . . . He wants to be the guy out there pitching in the big game."
More than two years after elbow surgery, what kind of pitcher the 28-year-old Burnett is now is unknown. Burnett has a career losing record (43-44) and has never won more than 12 games in a season. Aside from the year he missed because of the elbow surgery, he has been on the disabled list because of a broken foot and a torn thumb ligament. Yet he has caused every contender, including the Baltimore Orioles, to rethink its rotation when the Marlins made him available only a few weeks ago.
"We're a business full of optimists," said a high-level scout for a contending team. "The big thing about him is that every night he's out there, if he's right, he has the ability to throw a no-hitter. That's the allure to a lot of people. Obviously there's the thought about being a .500 pitcher and the health issues but there's no question about the attraction with him. He's got top-of-the-rotation stuff."
The biggest moment of his career, a no-hitter against the San Diego Padres on May 12, 2001, may be the biggest example of Burnett's ability and inconsistency. Burnett walked nine, hit one batter, and threw a wild pitch. In four of the innings the Padres had two men on base. Once they had runners on second and third. Three runners each stole a base against him. Yet Burnett was untouchable when consistently in the strike zone.
"Obviously it wasn't your typical no-hitter," Redmond said. "I think we all just looked up in the seventh and eighth and we were like, 'God, he's throwing a no-hitter.' Just because it wasn't clean. He had so many walks. There were all these guys on base. You think a typical no-hitter nobody even gets on first."
Burnett throws a fastball that can top at 98 mph, even late in games; an effective change-up and a curveball that is among the best in the game.
"It's got as much power as any breaking ball in the big leagues," the scout said.
Agent and friend Darek Braunecker said he can easily explain Burnett's lack of career wins. From 2001 to '02 Burnett had the fifth-best opposing hitters batting average (.219) in the majors. Yet in that time he also had the 10th worst run support. Three of the top 10 pitchers in worst run support during that time were Marlins. In 2002, his breakout season, Burnett was fourth in the majors with a .209 opposing hitter average. Braunecker also challenges the notion Burnett is injury prone.
"People talk about his medical history, but he's had one real baseball injury," Braunecker said. "We're going to certainly acknowledge his injury history. And teams better acknowledge the lack of baseball injuries he's had."
Braunecker said he believes Burnett will thrive when put in the spotlight. It's an opportunity he has been waiting for since that 2003 World Series.
"I believe it's inevitable he's going to be moved to a contending club," Braunecker said, "and you'll see what he'll do in that environment."
A.J. Burnett has had major elbow surgery and won no more than 12 games in a season, but he interests the Orioles and others.

value: This website is an American daily newspaper published in Washington, D.C. It is the most-widely circulated newspaper within the Washington metropolitan area, and has a large national audience. Daily broadsheet editions are printed for D.C., Maryland, and Virginia.


text:
The Focal easy guide to Cakewalk Sonar : for new users and professionals (eBook, 2005) [WorldCat.org]
I thought you might be interested in this item at http://www.worldcat.org/oclc/858312312 Title: The Focal easy guide to Cakewalk Sonar : for new users and professionals Author: Trev Wilkins Publisher: Oxford [England] ; Burlington, MA : Focal Press, 2005. ISBN/ISSN: 9781136125416 1136125418 OCLC:858312312
The Focal easy guide to Cakewalk Sonar : for new users and professionals
Focal easy guide series.
Get professional results fast with this full color guide to Cakewalk's popular Sonar software. Trev Wilkins provides you with a working knowledge of all the essential tools and features.

This concise book is an ideal starting point for anyone using Sonar for the first time and is suitable for users of both Studio and Producer Editions.

All the key areas are covered, including: * set up * recording and editing audio * recording and editing MIDI * using plug-in instruments* using ReWire * the console view and routing * automation * working with video *mixing down and mastering.

Updates on new features can be found at www.focaleasyguidetocakewalksonar.com

* Cakewalk SONAR is the music software of choice for thousands of PC-users
* Written by the author of Future Music magazine's popular Cakewalk column
* New SONAR users (of both Studio and Producer editions) can learn how to get professional results fast with this guide. Read more...
Wilkins, Trev.
Focal easy guide to Cakewalk Sonar.
Oxford ; Boston : Elsevier/Focal, 2005
(OCoLC)57281449
Find more information about: Trev Wilkins
9781136125416 1136125418
858312312
SONAR basics --
Recording audio --
Recording MIDI --
Editing audio --
Editing MIDI --
Using plug-in instruments and effects --
Using ReWire --
The console view and routing --
Mixing down and mastering --
SONAR producer edition versus Studio edition.
Trev Wilkins.
Suitable for those using Sonar for the first time, this title includes: set up; recording and editing audio; recording and editing MIDI; using plug-in instruments; using ReWire; the console view and routing; automation; working with video; and mixing down and mastering. Read more...
"Wilkin's book delivers a straightforward rundown of all of Sonar's tools and features, and it's applicable to both the Studio and Producer editions of the software. Users of all levels will find the book capable of illuminating both broad and minutely detailed issues." - International Musician Read more...
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