According to Barry Waters of '' The Pitchfork Review '' , " Jones ' singular appearance and meticulously crafted presentation made her a natural fit for the burgeoning music video medium , especially in its early , experimental days . " Jean-Paul Goude directed the music videos for " I 've Seen That Face Before ( Libertango ) " and " Pull Up to the Bumper " , as well as the celebrated 1982 VHS release '' A One Man Show '' . The latter – a montage of still photography , concert footage and music videos – " asserted Jones as an astute visual artist " and was nominated for Best Long Form Music Video at the 26th Annual Grammy Awards . Nelson George , reviewing the release for '' Billboard '' in early 1983 , called it " one of the more fascinating and defiantly visual concert videos yet produced . " According to Ernest Hardy of CraveOnline , the film " seamlessly blends cabaret , performance art and underground nightclub cool . " '' Nightclubbing '' became Jones ' chart breakthrough and remains one of the greatest commercial triumphs of her entire career . It entered the top five in no less than four countries , and became the singer 's highest-charting record on the US '' Billboard '' mainstream albums and R&B charts . The album brought Jones from being a former disco diva with a loyal cult following but dropping sales figures to an international star with mainstream chart success . It later formed the basis of her groundbreaking concept tour A One Man Show
26th Annual Grammy Awards
26th Annual Grammy Awards
Nightclubbing (Grace Jones album)