Hanák followed it with the still admired feature-length documentary '' Pictures of the Old World '' ( '' Obrazy starého sveta , '' 1972 ) , partly a meditation on what lies hidden beneath the concept of " an authentic life " , a theme already addressed in '' 322 '' . Although Hanák was treated with suspicion by the more repressive communist authorities that took over after the Warsaw Pact invasion of Czechoslovakia , he found an early refuge in a topic sufficiently removed from big politics to survive on the margins of official production and yet , executed with a finesse that gave it a wide international appeal . In the most extraordinary section , an old man talks with great fascination and lucidity about space travel , recalling how two astronauts walked on the moon and collected rocks while a third circled in their spaceship . Tacked to the wall of his crumbling shack is a small photograph of men walking on the moon . It is a beautiful , elegiac work whose images could apply to Appalachia or any other poor region . Good reviews or not , '' Pictures of the Old World '' was ordered shelved after the briefest of theatrical runs . Nevertheless , despite the authorities ' surly take on Hanák 's films , his next venture , '' Rosy Dreams , '' turned out to be another original work . His film '' I Love , You Love '' won the Silver Bear for Best Director at the 39th Berlin International Film Festival
39th Berlin International Film Festival
39th Berlin International Film Festival
Dušan Hanák