His first non-documentary feature , '' Personnel '' ( 1975 ) , was made for television and won him first prize at the Mannheim Film Festival . Both '' Personnel '' and his next feature , '' The Scar '' ( '' Blizna '' ) , were works of social realism with large casts : '' Personnel '' was about technicians working on a stage production , based on his early college experience , and '' The Scar '' showed the upheaval of a small town by a poorly-planned industrial project . These films were shot in a documentary style with many nonprofessional actors ; like his earlier films , they portrayed everyday life under the weight of an oppressive system , but without overt commentary . '' Camera Buff '' ( '' Amator '' , 1979 ) ( which won the grand prize at the 11th Moscow International Film Festival ) and '' Blind Chance '' ( '' Przypadek '' , 1981 ) continued along similar lines , but focused more on the ethical choices faced by a single character rather than a community . During this period , Kieślowski was considered part of a loose movement with other Polish directors of the time , including Janusz Kijowski , Andrzej Wajda , and Agnieszka Holland , called the Cinema of Moral Anxiety . His links with these directors , Holland in particular , caused concern within the Polish government , and each of his early films was subjected to censorship and enforced re-shooting/re-editing , if not banned outright . For example , '' Blind Chance '' was not released domestically until 1987 , almost six years after it had been completed
11th Moscow International Film Festival
11th Moscow International Film Festival
Krzysztof Kieślowski