A. O. Scott , writing for '' The New York Times '' , found the visual aspects of the film to be innovative stating : " the viewer also becomes accustomed to the images , and astonishment at the film 's innovative , painstaking technique begins to fade . But its charm never quite wears off , for reasons summed up in the title . " Actress Angourie Rice had similar sentiments , writing in an essay that “ it was such a fascinating experience to witness the actors ’ performances turned into van Gogh style paintings . The great thing about this film is that it also made me question what the merging of artforms meant for art , film , and everything in between . ” Giuseppe Sedia of the '' Krakow Post '' praised the impressive visual style of the movie . However , he added , " In their concern to keep the viewers interested , directors Kobiela and Welchman have built an over-narrated and spirit-dampening movie in which the preponderance of the dialogues hinders the viewers ’ immersion into the violent beauty and materiality of Van Gogh ’s oeuvre " . The film won the " Most Popular International Feature " award at the 2017 Vancouver International Film Festival . It was nominated in the Hollywood Music in Media Awards 2017 for Best Original Score in an Animated Film . It won the Audience Award at the 2017 Annecy International Animated Film Festival and the Golden Goblet for Best Animation Film at the Shanghai International Film Festival . It won the XII Festival de Cine Inédito de Mérida ( FCIM ) after obtaining the highest score among the projected films and also the highest score obtained in the history of the event . On 9 December 2017 , the film won Best Animated Feature Film Award at the 30th European Film Awards in Berlin . The film also received Best Animated Feature nominations at both the Academy Awards and Golden Globes
Vancouver International Film Festival
Vancouver International Film Festival
Loving Vincent