Cumming 's video works have screened in Canada and internationally since he took up video in 1995 . In 1998 , the International Film Festival Rotterdam ( IFFR ) featured Cumming 's work in the program '' The Cruel Machine '' . In 2000 , his video installation '' Moving Stills '' was featured in the IFFR 's Exploding Cinema , while his work '' Fountain '' premiered at the IFFR in 2005 . Cumming 's videos have screened at the New York Video Festival , the Whitney Museum of American Art , Anthology Film Archives , and the Museum of Modern Art , and have also shown regularly at the Festival du Nouveau Cinéma . Two retrospectives of his video work were organized in 2002 , at the Pacific Film Archive ( Berkeley , California ) and at Visions du Réel , Nyon International Film Festival ( Switzerland ) . The Cinémathèque québécoise , in collaboration with Vidéographe , presented a retrospective of Donigan Cumming 's works in 2014 . In 2015 , Cumming 's video '' Culture '' was included in the program '' L'œil du photographe : la photographie et le documentaire poétique / A Photographer 's Eye : Photography and the Poetic Documentary '' at the Festival 2015 Rencontres internationales du documentaire de Montréal . Two anthologies published in 2015 included entries on Cumming 's photographic work : '' Une Collection . Maison européenne de la photographie '' ( Arles : Actes Sud , 2015 ) ; and '' The Thames & Hudson Dictionary of Photography '' , ed . Nathalie Herschdorfer ( London : Thames & Hudson Ltd. , 2015 ) . His artist book , '' Kerr 's Suitcase '' ( Montreal : Maquam Press , 2016 ) marked a return to photographic themes of loss and recovery
Visions du Réel
Visions du Réel
Donigan Cumming