In a review of the film at Montreal 's 2002 Festival du nouveau cinéma ( where it won the " Best Documentary Award " ) , Donato Totaro said '' Gambling , Gods and LSD '' is a " fragmented narrative " and " a modern variant of the wonderful , old tradition of the city film " . He compared the film to '' Man with a Movie Camera '' ( 1929 , Dziga Vertov ) , '' Koyaanisqatsi '' ( 1982 , Godfrey Reggio ) and '' Baraka '' ( 1992 , Ron Fricke )
Festival du nouveau cinéma
Festival du nouveau cinéma
Gambling, Gods and LSD