Fábri 's style of filmmaking can be described mainly as " classical " , using academic techniques of art filmmaking . His greatest influences were the Italian Neorealism and French Poetic Realism . He experimented with narrative and flashback techniques for a while in the 1960s ( in his films '' Nappali sötétség '' and '' Húsz óra '' ) and his 1976 film '' Az ötödik pecsét '' contains some highly surrealist scenes , but overall he never used the mannerisms of modernist film in his works . For this reason the Kádár regime favored Fábri over more controversial and experimental directors like Miklós Jancsó . The film won the Golden Prize at the 10th Moscow International Film Festival and was entered into the 27th Berlin International Film Festival
27th Berlin International Film Festival
27th Berlin International Film Festival
Zoltán Fábri