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Title: The "Mefistofele" from Hell
Review: The good--Well, Ramey isn't bad. Snarls a bit, but not embarrassing. The bad--Unfortunately, just about everything else is. Cupido as Faust gets booed after 'Dai Campi' and I'm sorry to say I agree with the audience. Dessi is no more than a pretty voice coping with a role that doesn't quite sound right for her. Bartoletti tries to keep the massive forces under control and succeeds at times, but interpretation only comes in fits and starts. The sound is shallow, dry, and not expansive enough in this live recording. The ugly--Orfeo D'Or is hit or miss. When they have a good recording, it's terrific (Eugene Onegin, Turandot with Nilsson and Corelli) but when it's bad, it's a trainwreck (see also Rigoletto with Pavarotti and Scotto).
