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Title: A solid blowing session.
Review: Jimmy Forrest's tenor which has a warm fat tone, kind of like Ben Webster with a bluesey edge, is the star of this recording from 1961. He displays a gutbucket, bar room blues wail on "Bolo Blues", a boppish flair on "Crash Program", and a soulful vibrato on the slow numbers "I've Got A Right To Cry" and "Yesterdays". Backed by Joe Zawinul on piano, Tommy Potter on bass, and Clarence Johnston on drums, Forrest cuts a straightahead blowing session that is a pleasant mix of soulful slow numbers and uptempo material.
