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Title: good cover
Review: Have to agree with Litterati1 that the cover was the most powerful part of this book--seductive in a way the writing wasn't. The Paris in the '20s stuff with that insufferably arch critic character was actually my least favorite part: the Who's Who of "artistic" "bohemian" characters was like a gallery of twittering marionettes(anybody who grew up reading Genet's contributions to the New Yorker will have experienced the true standard for elegance and eloquent wit that must have been shared by those American expats).
