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Title: The real blood on the tracks
Review: Dismissed as imitation Springsteen by several critics (presumably due to the prominence of Steve Douglas's saxophone), "Street Legal" caught Bob Dylan at mid-point in a creative hot streak that started with "Planet Waves," and ended with "Infidels." Far from sounding "fake" (Rolling Stone's description of this album), there is an effortless quality to both the songs and the performances as if pure inspiration was at work. "I wish I was a magician," Dylan sings at one point, and on "Street Legal" he truly is. From the countrified "We Better Talk This Over" to the sorrowful "Where Are You Tonight?" this album is as bittersweet as "Blood on the Tracks" and, at times, much more powerful. You can really feel the blood on these tracks, and, in retrospect, it shouldn't have been a surprise to see Dylan embrace Christianity a year later. Who but the Lord could relieve such pain?
