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Title: In heaven's name why?
Review: "The Seduction of Claude Debussy" owes more to the work of Malcolm McLaren, in particular "Fans", than to anything the band did previously. I thought "Opera House" went out of fashion in the Eighties. "Into Battle", the band's debut, sounds less dated than "The Seduction of Claude Debussy" which should be clogging cutout bins in short-order. A soapbox aside to any Eighties band contemplating a comeback: leave rap out of the equation. It didn't work for Blondie, it doesn't work here, it can't work period.
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