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Title: Lovely ghosts
Review: Kozinsky's interpretation of Reger's op. 57 is rather controlled; the double fugue glides without shakes, the organ seems to favour it spreading out an uniform sound mantle; if you are fond of this work, and wait for the wise "slowdowns" before theme's repeats, as Wheinberger or Germani did, you'll be disappointed. Moreover Bach's BWV 562, in comparison with so much discography, does not present surprises of great importance. The listener thinks: another organist philologist? Till Karg Elert's spirit on the one hand, on the other Karl Richter appear suddenly to Kozinsky on track n5: it's only possible this way to explain an incredible, rhapsodical, furious interpretation of a real masterpiece, whose I don't know different recordings. Only this one merits more than five stars; but never I saw before someone to face a program so deadly for an anthological CD. Thank's to GM Records.Roberto Ranieri
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