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Title: Cinematography and visual storytelling at its best
Review: If you can get past the labelling of "children's story" or "melodramatic fable", The Black Stallion has the kind of stunning filmwork reserved only for the grandest epics. The first half of the movie -- about a boy and horse shipwrecked on a small island -- is basically a silent movie. It is a story of friendship and trust that is told without the benefit of dialog. Deschanel's wonderful cinematography conveys both the island's beauty and Farley's storytelling without becoming maudlin or trite. The still photography alone brings to mind Adams, and the haunting score is near perfect for the occasion. The second half of the film reverts back to a formulaic Nerd-wins-Girl, or in this case, Boy-and-Horse-Win-Big-Race, but the performances are superb and the movie never patronizes to its adult viewers. Predictable ending aside, The Black Stallion is an awesome, visual masterpiece masquerading as a children's movie.
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