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Title: film-making at its most remarkable
Review: Bresson sets up every shot as if it were a painting. The composition throughout is beautiful. The acting is typical Bresson fare: blank, subdued, but suggestive of enormous repressed emotion. Jean-Luc Godard's second wife has a small role as a sought after bar-maid. The lead performance is flawless. The ending is acutely disturbing. Wonderful wonderful film.
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