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Title: Bah, humbug!
Review: Fresh off their success with Abacab and the self-titled album, Gene$i$, with Phil Collins at the fore, foisted this banal, over-commercialized tripe on the world. The album's highlights are the driving Domino and the quirky instrumental The Brazilian, both of which hint at Genesis' art-rock past. The rest of the album is sadly infested with forgettably cheesy techno-pop. A worthwhile comparison is with ex-member Peter Gabriel's "So" - released at about the same time - which clearly shows that a commercially positioned release can nonetheless make a significant artistic statement. Artistically, Invisible Touch largely stands as a disgrace to the Genesis legacy, albeit highly beneficial to their wallets. I implore anyone new to Genesis to start with Second's Out, which showcases the band's true skills as writers and musicians
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