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Title: underrated gem in the bowie catalog
Review: i like this album a lot more than Outside, the somewhat overcooked album he did after this one. Bowie was at a creative peak in the early to mid nineties. a stretch that went from 1992 Black Tie White Noise and ended with 1999's Hours. Originally, this wasn't even released in the U.S. until there was a Bowie reissue campaign around the time of his then-recent album, Earthling (i believe @ the time Bowie had just signed with Virgin)There's a healthy portion of instrumentals, which are quite good and some great vocal tracks too, like the original version of Strangers When We Meet (which later appeared on Outside, albeit a much different version), Sex And The Church, Bleed Like A Craze Dad, Ian Fish UK Heir, and the title track.
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