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Title: You can never be too richly orchestrated or too thin
Review: Check out the marimba and the mellotron and the pizzacato strings in CHILD KILLERS. Check out the electric piano in COMING IN FROM THE COLD. Check out Emma's abrupt segue into the brief bridge of COMING IN. Check out the full-tilt orchestral bombast in IS THIS A PLAN. Check out Emma's creepy filtered delivery of "some cold comfort will tell us what's true" in NEVER LOOK AT THE SUN. NEVER LOOK also includes a brief weird bridge in which the sextuple time is slowed down so that you can fully savor Emma's scrumptious catatonia. There's 1 dud track: a dreary waltz called FAMOUS. But all the other tracks are dreary in the best sense of the word.
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