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Title: Beethoven doesn't come any better
Review: The recording of the concerto was recorded in the late 1950's, soon after Richter was discovered in the U.S. The recording is spectacular, bearing all the hallmarks of a recording made in Symphony Hall during those years: warm, resonant, with full sound from strings, bass, and brass. But it is Richter's piano that delights, with much spontaneity and interesting touches. Moreover, if you have not heard this version of the "Appassionata" sonata by Richter, you must look into this. It is one of the best performances available of this turbulent piece. A bargain.
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