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Title: the urge to destroy is a creative urge
Review: In this novel Acker aims her critique at the gnarly intersection of capitalism, violence, sexual dysfunction, and male dominance. In order to live out this critique, Acker jettisons most of the (male-dominated) traditions of narrative as she writes, systematically disrupting the stability of characters and setting, and rejecting the claim to authorial originality (as you might guess from the title). Some might say that this rejection is a case of throwing the baby out with the bathwater, but I'm more inclined to say it's form following function. Exemplary.
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