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Title: (Ostre sledované vlaky)
Review: The misadventures of a fledgling male, confronting the adult world for the first time, become a dark comedy about lost innocence and transitory accomplishments. The young hero, Milos, assumes the responsibility of his first job as a stationmaster's assistant in a village outside Prague. He is a frightened faun of a youth, all eyes and knobby knees, settling into the routines of a railway employee's life, and seldom removing his cherished cap, even in bed. The comic balance between Milos's shyness in both love and business matters, and the satirical look at small-town ribaldry, hypocrisy, and isolationism is overshadowed by the presence of the Germans. (It is the 1940s.) Menzel's film is a second look, filled with wit and pathos, at a particular Czech Everyman, catching every nuance of Milos's bright, often painful revelations, and leaving the spectator stunned by the inevitability of an unexpected fate.
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