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Review title: Shakespare, acting, and feminism.
Product review: An edited transcript of interview and round-table discussions amongst five of the best female actors to grace the modern British stage, this book is a wealth of fascinating material not only on female roles in Shakespeare, but also public, directorial, and historical/traditional perceptions of those roles, and of the place of women in Shakespearean productions in particular. Standouts include Harriet Walter's compare'n'contrast of Helena from ALL'S WELL THAT ENDS WELL with Imogen in CYMBELINE; Juliet Stevenson and Fiona Shaw's discussion of the Rosalind/Celia relationship in AS YOU LIKE IT; and Paola Dionisetti and Sinead Cusack comparing two different Kates from two different productions of TAMING OF THE SHREW. Great companion volume to go with the PLAYERS OF SHAKESPEARE series of books.
