Title: Is this really contemporary classical music?
Review: Who cannot admire the technical felicity of Liebermann's second piano concerto? His mastery of classical and romatic form and orchestration are plain. But should we be seduced by the blatent references to Rachmaninoff and recycling Ravel. These naughty -- but not really very naughty at all -- dissonances and irregular rhythms are really too timid.What could Liebermann do with all his immense technical powers?I would have been shocked in 1907, but in 2007 I think I was stroked too much.
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