Title: From the Publisher
Review: "Darko Suvin here breaks new ground in a non-Eurocentric study of comparative subjectivities. His recent in interest in Japan also centers on the theater, and in particular on Brecht's use of the Nó play. This new book is full of valuable linguistic and philosophical insights which can only enhance our understanding of Japanese culture and its theatrical and theoretical traditions."Fredric Jameson, Duke University.
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