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Title: Double-oh-zero stars
Review: What a pity I'm forced to give this License to Hurl 1 star, because that's one more than it deserves. Synth maven Serra was a terrible choice for this genre from the beginning, being far more comfortable with a futuristic feast like "The Fifth Element," but then he arrogantly doffed the Bond theme and peppered the film with hokey, inappropriate synth solos that dragged down every scene they accompanied. One ("Pleasant Drive in St Petersburg") was so bad that the producers omitted it from the film, leaving the scene it was meant for to flounder on without help.Of all Bond scores, this one would be a finalist for the worst ever, along with Legrand's jazzed-up mess for "Never Say Never Again" and Hamlisch's disco-drenched "The Spy Who Loved Me." Decide for yourself which one was the worst, but this one is definitely a bottom-three puker.
