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Title: Disappointing neoRomanticism
Review: A lot was made in the program notes about Liebermann's fondness for tonality and other vestiges of Romanticism. While there is nothing wrong with that and, in fact, it's a welcomed trend after so many years of aimless atonality and minimalism, however, there is nothing new in the way that he treats his materials. I fell in love with his Sonata for Flute and Piano years ago, but for me that was his high point. This music left me with a "ho-hum" feeling that will probably keep me from listening to his music in the future. I'm very sorry to have to say these things. I would like to give him praise, however, for the third movement (Largo) of his Symphony No. 2. If the rest of the music had been up to the quality of this moving, and original, movement then we would have something to rejoice about. Unfortunately, it doesn't.
