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Title: Honest
Review: When I hear Chan Marshall's voice, I want to both shield her and rock out. She carries this incredible frailty in her voice, in the tentative strokes of her fingers on strings or keys, that I feel compelled to stand in front of the onslaught. It's a protective urge, but I'm also singing along. This is, to me, the sort of music that begets a squeaky singalong as I trudge home from a long day. It reminds me of the emotions I can often cast aside; it reminds me of our interconnectivity.Maybe it's my own depressive tendencies revealed, but I find more in her less catchy tunes. Songs like "Names" and "Good Woman" are breathtaking-simply because they are stark, simply because her voice cracks with the pain (and I don't believe it's an affectation). It's just really honest stuff.
