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Title: WEAK PLOTS. WEAKER SCORES. WHEN'S THE NEXT SHIP OUT?
Review: In the Golden Age of Hollywood, each studio usually took a stab all various genres, but excelled in only one. Warner Brothers cornered gangster films, with forays into musicals (Busby Berkeley) and noir (Bogart). Universal dabbled in lots of B-films, but succeeded big-time with horror. MGM, of course, produced the best musicals. Fox did melodramas --- especially noir --- with an occasional romp on MGM's musical turf. And usually those romps hit some really bad notes. Witness the first three flicks in their Marquee Musicals series. Daddy Long Legs has Astaire and Caron, Pin-Up Girl has Betty Grable, Week-End in Havana has Alice Faye and Carmen Miranda, The memory of these films, for the most part, is a lot better than the films themselves. The pleasant but fairly pedestrian scores, thin plots and busy character actors scurrying around propping up the story make for rough going. And make one yearn for Mickey and Judy.
