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Title: Mutter's affectation
Review: I am shocked that something as sublime and classical as Beethoven's violin concerto can be played in such an affected and self conscious a manner. Similar maanerisms can be found in her recordings of Kreutzer and Spring but to a lesser degree. Clearly, Mutter does not appear to understand what it means to observe fidelity to a score and to the spirit in which a work is written.
