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Title: generous artistic presence
Review: Rubinstein's respect for the score, controlled freedom, and unerring sense of proportion prove how sanity and inspiration are not mutually exclusive interpretive properties. A few examples will suffice. For instance, when the pianist lingers over the First Ballade's E-flat major subject, he still provides a strong rhythmic backbone in the left-hand accompaniment to anchor it. Many pianists blur the Second Scherzo's famous opening triplets; instead Rubinstein articulates them without compromising their spookiness.While the aforementioned Rubinstein Edition CD appears to be mastered at a higher level, with slightly more emphasis in the bass, the SACD's overall ambience wins the day, even when reproduced on a conventional two-channel CD player.
