Title: Fair
Product review: Obviously Buckethead is a great guitar player. On the metel sections of this album, you can hear his adapt chord blocks, and he has the magic fingers to play fast leads.But running in place on the upper neck does not make a great soloist, and that is what Buckethead does for most of his solos. There is no real archatecture at work, and there is nothing that seperates him from freeze dried 80s metel wackers. Yes, Verenon Ried employs some of the same techniques, but as part of a bigger, blues based whole.The concept of the album seems to be serial murder, and when Bucket is not scampering in the upper register, he rambles like a demented baby about playing with bodies all night. All this has a midly adolesent appeal, but it sure does not make a great free jazz album.This is flashy at first, then it just gets boring.
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