Title: New Wave-era Hawkwind
Product review: The first five tracks are shorter tracks that continue the direction that Hawkwind began in 1978 with _Quark, Strangeness, and Charm_. A live version of "Motorway City" is the best track out of these. The second half of the album is a conceptual piece performed with S.F. writer Michael Moorcock. This is one of their more obscure albums, basically for Hawkwind fanatics only, but worth it if you're already a fan. The music here is very much what you would expect from a 1983 release: Heavily synth-oriented in the same vein as groups like A Flock of Seagulls or Missing Persons, albeit more overtly S.F. oriented since this is Hawkwind after all.
Would you say this review depicts the product in a flattering or unflattering light?
