Title: some things should stay lost
Product review: It isn't difficult to see why Heifetz avoided recording many of these transcriptions. Why was it so important that Ms. Kloss record the banal Gluck "Sonata", the painfully awful Debussy "La Puerta del Vino" (in which she sounds like an 8 year old during her first recital), and the ghastly Ravel "Forlane"? Compounding my displeasure was Ms. Kloss' overly harsh tone throughout this program. The Master would not be pleased.
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