Screenprint on paper
Tate Collection
Works with images
General Collection
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Collection
<a href="https://www.tate.org.uk/art/artists/sir-eduardo-paolozzi-1738" aria-label="More by Sir Eduardo Paolozzi" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Sir Eduardo Paolozzi</a>
trial proof
Presented anonymously through the Friends of the Tate Gallery 1980
abstraction
animals: mammals
cat
colour
diagrammatic
emotions, concepts and ideas
formal qualities
geometric
non-representational
pattern
repetition
paper print screenprint
[no title: trial proof]
image: 800 × 521 mm
Presented anonymously through the Friends of the Tate Gallery 1980
<p><b>P01990</b> UNTITLED PROOF 1973
<br/>
<br/>Inscribed ‘Eduardo Paolozzi A/P 1973’ bottom right
<br/>Screenprint, printed at Advanced Graphics, 31 1/2×20 1/2 (80×52.2)
<br/>Presented anonymously through the Friends of the Tate 1980
<br/>
<br/>This <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/proof" title="Glossary definition for 'Proof'"><span>proof</span></a> has something in common with ‘Reality’ from ‘As Is When’ 1965 and with ‘The Children's Hour’ 1974 from ‘Calcium Light Night’. The colouring, however, lies somewhere between the brightness of ‘BASH’ and the soft-coloured close-toned <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/print" title="Glossary definition for 'Print'"><span>prints</span></a> of 1974.
<br/>
<br/><b>Published in:</b>
<br/><i>The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions</i>, London 1984
<br/>
<br/></p>

Catalogue entry
2004-10-08T00:00:00
catalogue-entry
CATALOGUE_ENTRY
abstraction animals: mammals cat colour diagrammatic emotions, concepts and ideas formal qualities geometric non-representational pattern repetition