Photograph, gelatin silver print on paper
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<a href="https://www.tate.org.uk/art/artists/rene-burri-22358" aria-label="More by René Burri" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">René Burri</a>
Fort Rohtas 109 miles Rawalpindi 1963
Presented by Pierre Brahm 2015
architecture
castle
countries and continents
emotions, concepts and ideas
formal qualities
Fort Rohtas
fortification
Islamic
landscape
man-made landmarks (non-UK)
military
natural phenomena
Pakistan
periods and styles
photographic
places
rocky
shadow
sunshine
tree
weather
<p><span>Fort Rohtas, 109 miles from Rawalpindi, 1963 </span>1963, printed 2014, is a black and white photograph by the Swiss photographer René Burri. It shows the shadow of a tree spreading over rough ground from the bottom of the frame, as if from the position of the photographer. A stone fortification wall with rounded, hollow crenellations runs across the top of the image. Fort Rohtas is a sixteenth century fortress in Pakistan, a prime example of Muslim military architecture. The fort has several monumental gateways, terraces and bastions, but Burri chooses instead to capture an aspect of the natural terrain, including only a modest part of the exterior wall in the distance.</p>
paper print photograph gelatin silver
Fort Rohtas, 109 miles from Rawalpindi, 1963
image: 345 × 524 mm
Presented by Pierre Brahm 2015
<div class="text">
<p>
<i>Fort Rohtas, 109 miles from Rawalpindi, 1963 </i>1963, printed 2014, is a black and white photograph by the Swiss photographer René Burri. It shows the shadow of a tree spreading over rough ground from the bottom of the frame, as if from the position of the photographer. A stone fortification wall with rounded, hollow crenellations runs across the top of the image. Fort Rohtas is a sixteenth century fortress in Pakistan, a prime example of Muslim military architecture. The fort has several monumental gateways, terraces and bastions, but Burri chooses instead to capture an aspect of the natural terrain, including only a modest part of the exterior wall in the distance.   </p>
<p>This image is part of a portfolio of twenty-seven prints (Tate <a class="acno-pop" data-gtm-destination="page--artwork" data-gtm-name="body_text_link" href="https://www.tate.org.uk/art/artworks/burri-inauguration-of-the-chapel-of-notre-dame-du-haut-france-1955-p14301" title="View the details of this artwork"><span>P14301</span></a>–<a class="acno-pop" data-gtm-destination="page--artwork" data-gtm-name="body_text_link" href="https://www.tate.org.uk/art/artworks/burri-poster-of-che-guevara-1993-p14327" title="View the details of this artwork"><span>P14327</span></a>), selected and compiled by Burri as a cohesive group shortly before his death in 2014. The selection spans his sixty-year career and includes a number of his best known black and white works, as well as a group of lesser known-colour works. The portfolio was printed by Burri in 2014 and this copy is number three in an edition of five plus one artist’s proof. It contains fourteen black and white gelatin silver prints and thirteen colour C-prints, highlighting Burri’s diverse use of light and shadow alongside his experimental use of colour. Although predominantly known for shooting in black and white, Burri often travelled with two cameras, switching between them to capture images in both colour and greyscale. This was a progressive approach at the time, when colour photography was generally only used in advertising or for commercial practices. Burri revisited his archive of colour images later in his career and published the monograph <i>René Burri: Impossible Reminiscences</i> in 2013 as a decisive examination of this work.</p>
<p>Burri is most famous for his work as a member of the photojournalism agency Magnum Photos and the portfolio includes images produced in this context from projects in Brazil, Egypt, Lebanon, East Germany, China and South Korea, as well as an iconic image of Cuban revolutionary leader Che Guevara taken in Havana in 1963. The young Burri was introduced to Magnum by fellow Swiss photographer Werner Bischof and began working with the agency first as an associate in 1955, before becoming a full member in 1959. His extensive career encompassed a wide variety of photographic practices, including documentary, reportage, street photography and the photo-essay, as well as portraiture, architecture and landscape. He often worked on press assignments and personal projects simultaneously, building a varied portfolio of work in both black and white and colour. Burri’s use of both bird’s eye and worm’s eye views and his attention to the effects of light and shadow created by architectural forms are reminiscent of techniques used by modernist photographers in the early twentieth century.</p>
<p>
<b>Further reading</b>
<br/>Hans-Michael Koetzle, <i>René Burri Photographs</i>, London 2003.<br/>Hans-Michael Koetzle, <i>René Burri: Impossible Reminiscences</i>, London 2013.</p>
<p>Shoair Mavlian<br/>January 2015<br/>Arthur Goodwin<br/>October 2018</p>
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Summary
2019-01-18T00:00:00
summary
SHORT_TEXT
architecture castle countries and continents emotions, concepts and ideas formal qualities fortification Fort Rohtas Islamic landscape man-made landmarks (non-UK) military natural phenomena Pakistan periods and styles photographic places rocky shadow sunshine tree weather