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<a href="https://www.tate.org.uk/art/artists/henri-gaudier-brzeska-1143" aria-label="More by Henri Gaudier-Brzeska" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Henri Gaudier-Brzeska</a>
Torso a Woman
Presented by the Earl of Sandwich 1930
<p>Gaudier-Brzeska made a number of naturalistic works to demonstrate his accomplishment as a sculptor. The artist stated: 'I long to make a statue of a single body, an absolutely truthful copy - something so true that it will live when it is made.' For this work Gaudier-Brzeska made a clay model from which two plaster casts were taken. One of the plasters, one breast of which had broken, was later acquired by the Earl of Sandwich and from it three bronzes were cast, of which this is one. Two similar torsos in marble are listed by Gaudier-Brzeska as portraits of the artist Nina Hamnett. In this work the artist reveals his understanding of classical sculpture.</p><p><em>Gallery label, August 2004</em></p>
sculpture bronze
Torso of a Woman
object: 210 × 89 × 83 mm
Presented by the Earl of Sandwich 1930
<p>Gaudier-Brzeska made a number of naturalistic  works to demonstrate his accomplishment as a  <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/s/sculpture" title="Glossary definition for 'Sculpture'"><span>sculptor</span></a>. The artist stated: 'I long to make a  statue of a single body, an absolutely truthful  copy - something so true that it will live when it  is made.' For this work Gaudier-Brzeska made a  clay model from which two <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/plaster-of-paris" title="Glossary definition for 'Plaster of Paris'"><span>plaster</span></a> casts were  taken. One of the plasters, one breast of which  had broken, was later acquired by the Earl of  Sandwich and from it three <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/m/metal" title="Glossary definition for 'Metal'"><span>bronzes</span></a> were <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/c/cast" title="Glossary definition for 'Cast'"><span>cast</span></a>, of  which this is one. Two similar torsos in marble  are listed by Gaudier-Brzeska as <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/portrait" title="Glossary definition for 'Portrait'"><span>portraits</span></a> of the  artist Nina Hamnett. In this work the artist  reveals his understanding of <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/c/classicism" title="Glossary definition for 'Classicism'"><span>classical</span></a> sculpture.</p>
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2004-08-18T00:00:00
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<p><b>N04534</b> TORSO OF A WOMAN 1913
<br/> 
<br/>Not inscribed.
<br/>Bronze, 8 1/4×3 1/2×3 1/4 (21×9×8).
<br/>Presented by the Earl of Sandwich 1930.
<br/><i>Lit:</i> Ede, 1930, p.205; Ede in <i>Le Jardin des Arts</i>, 1955, p.28, repr.
<br/><i>Repr:</i> The plaster: Brodzky, 1933, facing p.16. The bronze: Pound, 1957, pl.7.</p>
<p>One of several naturalistic studies made by the artist to show his accomplishment as a <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/s/sculpture" title="Glossary definition for 'Sculpture'"><span>sculptor</span></a> (see Ede, 1930, p.177). The original in clay was finished in 1913. Two <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/plaster-of-paris" title="Glossary definition for 'Plaster of Paris'"><span>plaster</span></a> casts were made. The clay and one plaster were given to Wolmark, the second plaster, one breast of which was broken, was given to Brodzky. The latter was acquired by the Earl of Sandwich and from it three <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/m/metal" title="Glossary definition for 'Metal'"><span>bronze</span></a> casts were made in 1930, of which this is one.</p>
<p>Two similar torsos in marble are listed by Gaudier (in Ede, 1930, pp.200–1) as being <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/portrait" title="Glossary definition for 'Portrait'"><span>portraits</span></a> of Nina Hamnett, who refers to them in her book <i>Laughing Torso</i>, 1932, pp.39–40. They now belong to Ezra Pound and the V. &amp; A. (repr. Pound, 1957, pls.8 and 6 respectively). The one belonging to Ezra Pound was nicknamed ‘Mlle. G.’ and is referred to in one of the artist's letters from the trenches (Ezra Pound, 1916, p.75). A plaster <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/c/cast" title="Glossary definition for 'Cast'"><span>cast</span></a> was exhibited at the Leicester Galleries, May–June 1918 (8), described as ‘Plaster cast of Torso in Victoria and Albert Museum’ but possibly one of the two casts mentioned above.</p>
<p><b>Published in:</b>
<br/>Mary Chamot, Dennis Farr and Martin Butlin, <i>The Modern British Paintings, Drawings and Sculpture</i>, London 1964, I
<br/></p>

Catalogue entry
2004-10-06T00:00:00
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