7 works on paper, acrylic paint, dye, lithograph, screenprint, etching, paper and metal chain, on aluminium panel
Tate Collection
Works with images
General Collection
Collection
<a href="https://www.tate.org.uk/art/artists/james-rosenquist-1866" aria-label="More by James Rosenquist" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">James Rosenquist</a>
Time Dust
Presented by Tyler Graphics Ltd in honour of Pat Gilmour, Tate Print Department 1974-7, 2004
astronomy
domestic
emotions, concepts and ideas
fine arts and music
instrument, tuba
miscellaneous
money
objects
pencil
planet
pollution
reading, writing, printed matter
refuse
social comment
society
space
time
tin can
universal concepts
vessels and containers
<p>Rosenquist is known for the imposing scale of his paintings. As he has said, ‘the reason for bigness isn’t largeness, it’s to be engulfed by peripheral vision; it questions the self and questions self-consciousness’. In making Time Dust, Rosenquist and Tyler continued to explore the techniques of the Welcome to the Water Planet series, notably the development of ‘pattern pistols’ with which Rosenquist could spray areas of coloured pulp onto the wet handmade paper. Rosenquist has described the image as being ‘about the garbage left in space’.</p><p><em>Gallery label, November 2004</em></p>
paper print 7 works acrylic paint dye lithograph screenprint etching metal chain aluminium panel
22 November 2004 – 4 April 2005
2005-04-04
15 November 2004
2004-11-15
Tate Modern (London, UK)
http://www.tate.org.uk/modern/
2004-11-22
Tyler Gift
Collection based display
18 November 2017 – 19 August 2018
2018-08-19
18 November 2017 – 4 March 2018
2018-03-04
2017-11-18
Museum Ludwig (Cologne, Germany)
14 April 2018 – 19 August 2018
2018-08-19
2018-04-14
ARoS Aarhus Kunstmuseum (Aarhus, Denmark)
2017-11-18
James Rosenquist: Painting as Immersion
Loan-out
Time Dust
image: 2185 × 10619 mm
Presented by Tyler Graphics Ltd in honour of Pat Gilmour, Tate Print Department 1974-7, 2004
<p>Rosenquist is known for the imposing scale of his paintings. As he has said, ‘the reason for bigness isn’t largeness, it’s to be engulfed by peripheral vision; it questions the self and questions self-consciousness’. In making Time Dust, Rosenquist and Tyler continued to explore the techniques of the Welcome to the Water Planet series, notably the development of ‘pattern pistols’ with which Rosenquist could spray areas of coloured pulp onto the wet handmade paper. Rosenquist has described the image as being ‘about the garbage left in space’.</p>

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2004-11-22T00:00:00
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astronomy domestic emotions, concepts and ideas fine arts and music instrument, tuba miscellaneous money objects pencil planet pollution reading, writing, printed matter refuse social comment society space time tin can universal concepts vessels and containers