Screenprint on paper
Tate Collection
Works with images
General Collection
Rose and Chris Prater
Collection
<a href="https://www.tate.org.uk/art/artists/harold-cohen-925" aria-label="More by Harold Cohen" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Harold Cohen</a>
Presented by Rose and Chris Prater through the Institute of Contemporary Prints 1975
abstraction
colour
emotions, concepts and ideas
formal qualities
geometric
non-representational
pattern
<p>Cohen was born in London and studied at the Slade School of Art. In the 1950s and 1960s he held various teaching posts and had a number of successful exhibitions in London and New York. In 1966 he was one of five artists selected to represent Great Britain in the Venice Biennale.</p><p>Since 1968 Cohen has been working with computers to create his experimental works of art. He wrote ‘from my very first contact, I found myself fascinated, almost to the exclusion of everything else, by the decision-making power of programmes’.</p><p><em>Gallery label, February 2004</em></p>
paper print screenprint
Untitled
image: 686 × 686 mm
Presented by <a href="/search?gid=999999979" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Rose and Chris Prater</a> through the Institute of Contemporary Prints 1975
<div class="para10">
<span class="text18">Cohen was born in London and studied </span><span class="text0">
at the Slade School of Art. In the 1950s and 1960s he held      various teaching posts and  </span><span class="text16">had a number of      successful exhibitions  in London and New York. In 1966 he was  one of five      artists selected to represent </span><span class="text0">
Great Britain in      the Venice Biennale.  </span>
</div>
<div class="para1">
<span class="text0">
<br/> </span>
</div>
<div class="para10">
<span class="text0">Since 1968 Cohen has been working with computers to      create his experimental works of art. He wrote ‘from my very first      contact,  I found myself fascinated, almost to the </span><span class="text1">exclusion of everything else, by the decision-</span><span class="text0">making power of programmes’. </span>
</div>

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2004-02-10T00:00:00
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abstraction colour emotions, concepts and ideas formal qualities geometric non-representational pattern