Screenprint on paper
Tate Collection
Works with images
General Collection
Tate Members
Collection
<a href="https://www.tate.org.uk/art/artists/sir-eduardo-paolozzi-1738" aria-label="More by Sir Eduardo Paolozzi" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Sir Eduardo Paolozzi</a>
Tafel 16
Presented anonymously through the Friends of the Tate Gallery 1980
abstraction
colour
emotions, concepts and ideas
film, music and ballet
film: Paolozzi, Eduardo, Sir, ‘History of Nothing’
formal qualities
geometric
irregular forms
literature and fiction
machinery
non-representational
objects
photographic
scientific and measuring
tools and machinery
watch
paper print screenprint
14 February 2017 – 15 May 2017
2017-05-15
14 February 2017 – 15 May 2017
2017-05-15
2017-02-14
Whitechapel Gallery (London, UK)
http://www.whitechapel.org/
2017-02-14
Eduardo Paolozzi
Loan-out
Tafel 16
image: 651 × 270 mm
Presented anonymously through the Friends of the Tate Gallery 1980
<p><b>P01952</b> TAFEL 16 1974
<br/>
<br/>Not inscribed
<br/>Screenprint, printed at Kelpra Studio, published by the artist in an edition of 80, 25 5/8×10 5/8 (65.2×27)
<br/>Presented anonymously through the Friends of the Tate 1980
<br/>Lit: op.cit., no.19
<br/>
<br/>The <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/e/edition" title="Glossary definition for 'Edition'"><span>edition</span></a> of 80 was printed in pairs, i.e. there were two of each of 40 different colour combinations. This <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/print" title="Glossary definition for 'Print'"><span>print</span></a> is also related to ‘History of Nothing’ imagery.
<br/>
<br/><b>Published in:</b>
<br/><i>The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions</i>, London 1984
<br/></p>

Catalogue entry
2004-10-08T00:00:00
catalogue-entry
CATALOGUE_ENTRY
abstraction colour emotions, concepts and ideas film, music and ballet film: Paolozzi, Eduardo, Sir, ‘History of Nothing’ formal qualities geometric irregular forms literature and fiction machinery non-representational objects photographic scientific and measuring tools and machinery watch