Acrylic paint, dye, lithograph and paper pulp on paper
Tate Collection
Works with images
General Collection
Welcome to the Water Planet
Collection
<a href="https://www.tate.org.uk/art/artists/james-rosenquist-1866" aria-label="More by James Rosenquist" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">James Rosenquist</a>
Time Door Time DOr
Presented by Tyler Graphics Ltd in honour of Pat Gilmour, Tate Print Department 1974-7, 2004
abstraction
astronomy
body
emotions, concepts and ideas
eye
figure
flower
formal qualities
fragmentation
from recognisable sources
irregular forms
non-representational
objects
organic
people
planet
plants and flowers
space
vase
vessels and containers
<p>The prints in this series were made using a mix of techniques, including sprayed paper pulp and collage. When he worked as a sign painter, Rosenquist’s job was to enlarge artwork for adverts to the size of billboards. This made him look at pictures differently: ‘I would take disparate images, put them together and try to make another sense out of them. It was almost like the idea of listening to radio and thinking about something in the abstract.’</p><p><em>Gallery label, January 2019</em></p>
paper print acrylic paint dye lithograph pulp
15 November 2004 – 10 April 2005
2005-04-10
15 November 2004 – 3 April 2005
2005-04-03
2004-11-15
Tate Liverpool (Liverpool, UK)
http://www.tate.org.uk/liverpool/
2004-11-15
Tyler Gift
Collection based display
Time Door Time D’Or
image: 2477 × 3048 mm
Presented by Tyler Graphics Ltd in honour of Pat Gilmour, Tate Print Department 1974-7, 2004
<div class="text">
<p>The prints in this series were made using a mix of techniques, including sprayed paper pulp and collage. When he worked as a sign painter, Rosenquist’s job was to enlarge artwork for adverts to the size of billboards. This made him look at pictures differently: ‘I would take disparate images, put them together and try to make another sense out of them. It was almost like the idea of listening to radio and thinking about something in the abstract.’</p>
</div>

Display caption
2019-01-09T00:00:00
display-caption
DISPLAY_CAPTION
abstraction astronomy body emotions, concepts and ideas eye figure flower formal qualities fragmentation from recognisable sources irregular forms non-representational objects organic people planet plants and flowers space vase vessels and containers