Screenprint on paper
Tate Collection
Works with images
General Collection
Autographs
Collection
<a href="https://www.tate.org.uk/art/artists/robyn-denny-997" aria-label="More by Robyn Denny" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Robyn Denny</a>
Purchased 1982
abstraction
colour
geometric
non-representational
paper print screenprint
[no title]
image: 1051 × 752 mm
Purchased 1982
<p><b>P07613</b> [from] AUTOGRAPHS 1981 [<a class="acno-pop" data-gtm-destination="page--artwork" data-gtm-name="body_text_link" href="https://www.tate.org.uk/art/artworks/denny-no-title-p07610" title="View the details of this artwork"><span>P07610</span></a>–<a class="acno-pop" data-gtm-destination="page--artwork" data-gtm-name="body_text_link" href="https://www.tate.org.uk/art/artworks/denny-no-title-p07614" title="View the details of this artwork"><span>P07614</span></a>; complete]
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<br/>All inscribed ‘Denny 81’ bottom right and ‘16/35’
<br/>Five hand-coloured lithographs with dyed paper, printed at Sky Editions and published by Bernard Jacobson, each 41 3/8× 29 7/8 (105×75.4)
<br/>Purchased from Bernard Jacobson (Grant-in-Aid) 1982
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<br/>Denny worked with dyed <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/paper" title="Glossary definition for 'Paper'"><span>paper</span></a>, making these <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/print" title="Glossary definition for 'Print'"><span>prints</span></a> and a series of <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/d/drawing" title="Glossary definition for 'Drawing'"><span>drawings</span></a> together entitled ‘Signatures’. For the prints, the blocks of colour that lie behind the configurations were printed first, then further colour was applied with acrylic paint through a stencil, then the paper was dyed and, finally, the line of the configuration was printed.
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<br/><b>Published in:</b>
<br/>The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions, London 1984
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Catalogue entry
2004-10-13T00:00:00
catalogue-entry
CATALOGUE_ENTRY
abstraction colour geometric non-representational