Lithograph and screenprint on paper
Tate Collection
Works with images
General Collection
Haystacks
Collection
<a href="https://www.tate.org.uk/art/artists/roy-lichtenstein-1508" aria-label="More by Roy Lichtenstein" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Roy Lichtenstein</a>
Haystacks 3
Purchased 1981
abstraction
agriculture, gardening & fishing
Ben-Day dots
colour
emotions, concepts and ideas
field
fine art and design, named works
formal qualities
from recognisable sources
haystack
landscape
landscape
Monet, Claude, ‘Haystacks’
night
non-representational
objects
times of the day
paper print lithograph screenprint
22 September 2017 – 17 June 2018
2018-06-17
22 September 2017 – 17 June 2018
2018-06-17
2017-09-22
Tate Liverpool (Liverpool, UK)
http://www.tate.org.uk/liverpool/
2017-09-22
Roy Lichtenstein
Collection based display
Haystacks #3
image: 342 × 600 mm
frame: 570 × 822 × 30 mm
Purchased 1981
<p><b>P07409</b> [from] HAYSTACKS 1–7 1969 [<a class="acno-pop" data-gtm-destination="page--artwork" data-gtm-name="body_text_link" href="https://www.tate.org.uk/art/artworks/lichtenstein-haystacks-1-p07407" title="View the details of this artwork"><span>P07407</span></a>-<a class="acno-pop" data-gtm-destination="page--artwork" data-gtm-name="body_text_link" href="https://www.tate.org.uk/art/artworks/lichtenstein-haystacks-7-p07413" title="View the details of this artwork"><span>P07413</span></a>;complete]
<br/>
<br/>All inscribed ‘R Lichtenstein 69’ bottom right and ‘83/100’
<br/>Seven lithographs with screenprinting, one with embossing, printed and published by Gemini G.E.L., Los Angeles, each 13 1/2×23 5/8 (34×59.7)
<br/>Purchased at Christie's (Grant-in-Aid) 1980
<br/>Lit: Paul Bianchini, Roy Lichtenstein Drawings and Prints, New York, 1970, nos.33 a–g
<br/>
<br/>In 1968–9 Lichtenstein made a series of <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/painting" title="Glossary definition for 'Painting'"><span>paintings</span></a> paraphrasing Claude Monet's ‘Haystacks’ and ‘Rouen Cathedral’ paintings (1891 and 94). He made <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/print" title="Glossary definition for 'Print'"><span>prints</span></a> on this theme at Gemini in 1969: the series of seven ‘Haystacks’ runs from morning (yellow) to midnight (black, with <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/e/embossed" title="Glossary definition for 'Embossed'"><span>embossing</span></a>) in a mechanical version of Monet's changing light effects.
<br/>
<br/><b>Published in:</b>
<br/><i>The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions</i>, London 1984
<br/>
<br/></p>

Catalogue entry
2004-10-11T00:00:00
catalogue-entry
CATALOGUE_ENTRY
abstraction agriculture, gardening & fishing Ben-Day dots colour emotions, concepts and ideas field fine art and design, named works formal qualities from recognisable sources haystack landscape landscape Monet, Claude, ‘Haystacks’ night non-representational objects times of the day