Bronze
Tate Collection
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<a href="https://www.tate.org.uk/art/artists/edgar-degas-988" aria-label="More by Edgar Degas" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Edgar Degas</a>
Dancer at Rest her Hands on her Hips Right Leg Forward
Purchased 1949
actions: postures and motions
adults
arts and entertainment
dancer
female
hand / hands on hip
nudes
people
standing
woman
work and occupations
<p>'Dancer at Rest', like the majority of Degas' sculptures, depicts a female model in a pose which occurs in a number of his pastels and oil paintings. In these, she appears both as a dancer resting in the wings and as a bather in her bedroom. There is some uncertainty about Degas' ambitions for his sculptures. Only one was ever exhibited in his lifetime, and he maintained that they were 'documentary, preparatory motions', created to assist him with his work on paper and canvas. This seems to be supported by the fact that, as with 'Dancer at Rest', the models' faces are always ill-defined, in contrast to the detailed description of their physiques.</p><p><em>Gallery label, September 2004</em></p>
sculpture bronze
Dancer at Rest, her Hands on her Hips, Right Leg Forward
object: 457 × 152 × 229 mm
Purchased 1949
<p>'Dancer at Rest', like the majority of Degas'  <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/s/sculpture" title="Glossary definition for 'Sculpture'"><span>sculptures</span></a>, depicts a female model in a pose which  occurs in a number of his pastels and oil  <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/painting" title="Glossary definition for 'Painting'"><span>paintings</span></a>. In these, she appears both as a dancer  resting in the wings and as a bather in her  bedroom. There is some uncertainty about Degas'  ambitions for his sculptures. Only one was ever  exhibited in his lifetime, and he maintained that  they were 'documentary, preparatory motions',  created to assist him with his work on <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/paper" title="Glossary definition for 'Paper'"><span>paper</span></a> and  <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/c/canvas" title="Glossary definition for 'Canvas'"><span>canvas</span></a>. This seems to be supported by the fact  that, as with 'Dancer at Rest', the models' faces  are always ill-defined, in contrast to the  detailed description of their physiques.</p>
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2004-09-03T00:00:00
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DISPLAY_CAPTION
<p><b>Edgar Degas</b><span> 1834-1917 </span>
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<p><span><a class="acno-pop" data-gtm-destination="page--artwork" data-gtm-name="body_text_link" href="https://www.tate.org.uk/art/artworks/degas-dancer-at-rest-her-hands-on-her-hips-right-leg-forward-n05920" title="View the details of this artwork"><span>N05920</span></a> </span><b>Danseuse au Repos, les Mains sur les Reins, la Jambe droite en avant</b><span> (Dancer at rest, her Hands on her Hips, Right Leg forward) </span><i>c</i><span>.1890-5 </span>
<br/></p>
<p><span>Stamped 'Degas', '41/I' and founder's stamp 'CIRE | PERDUE | A.A. HÉBRARD' on base</span>
<br/><span>Bronze, 17 ½ x 5 x 9 (44.5 x 12.7 x 23), the depth including the projecting base</span>
<br/><span>Purchased from Roland, Browse and Delbanco (Benson and Cleve Funds) 1949</span>
<br/><i>Prov:</i><span>
Mlle Jeanne Fèvre (the artist's niece); with Galerie Kaganovitch, Paris; with Roland, Browse and Delbanco, London</span>
<br/><i>Lit:</i><span>
John Rewald, </span><i>Degas: Works in Sculpture</i><span> (New York 1944), No.XXIII, p.22, repr. pp.72, 73 (assigned to the period 1882-95); John Rewald, </span><i>Degas: Sculpture</i><span> (London 1957), No.XXIII, p.145, repr. pls.55, 56 and fig.7; Michèle Beaulieu, 'Les Sculptures de Degas: Essai de Chronologie' in </span><i>Revue du Louvre</i><span>, XIX, No.6, 1969, p.375; Charles W. Millard, </span><i>The Sculpture of Edgar Degas</i><span> (Princeton 1976), pp.71, 102, wax repr. pl.47 </span>
<br/></p>
<p><span>This pose, with the feet in fourth position and the hands on the hips, appears in a number of pictures of dancers from about 1890 onwards (e.g. Lemoisne No.1015): the dancer is seen in the wings of the theatre preparing to go on stage. There is also a very similar <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/s/sculpture" title="Glossary definition for 'Sculpture'"><span>sculpture</span></a> of a nude figure (Rewald No.XXII) and another sculpture, apparently later, in which the figure wears a ballet skirt (No.LII). </span>
<br/></p>
<p><span>The original is in green wax; pieces of cork appear in the base. </span>
<br/></p>
<p><b>Published in:</b>
<br/><span>Ronald Alley, </span><i>Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists</i><span>, Tate Gallery and Sotheby Parke-Bernet, London 1981, p.153, reproduced p.153</span>
<br/></p>

Catalogue entry
2004-09-15T00:00:00
catalogue-entry
CATALOGUE_ENTRY
actions: postures and motions adults arts and entertainment dancer female hand / hands on hip nudes people standing woman work and occupations