Oil paint on paper
Tate Collection
Works with images
General Collection
ARTIST ROOMS
National Heritage Memorial Fund
Art Fund
Collection
<a href="https://www.tate.org.uk/art/artists/gerhard-richter-1841" aria-label="More by Gerhard Richter" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Gerhard Richter</a>
ARTIST ROOMS
Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
abstraction
colour
emotions, concepts and ideas
formal qualities
gestural
non-representational
paper unique oil paint
28 August 2009 – 15 November 2009
2009-11-15
28 August 2009 – 15 November 2009
2009-11-15
2009-08-28
Middlesbrough Institute of Modern Art (Middlesbrough, UK)
http://www.visitmima.com/
2009-08-28
Gerhard Richter: Modern Times
Loan-out
6 September 2014 – 6 December 2014
2014-12-06
6 September 2014 – 6 December 2014
2014-12-06
2014-09-06
Dick Institute (Kilmarnock, UK)
http://www.east-ayrshire.gov.uk/comser/arts_museums/venues.asp
2014-09-06
ARTIST ROOMS 2014: Gerhard Richter
Loan-out
Untitled
support: 592 × 853 mm
<a href="/search?gid=999999788" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">ARTIST ROOMS</a>
Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the <a href="/search?gid=999999967" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">National Heritage Memorial Fund</a> and the <a href="/search?gid=999999968" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Art Fund</a> 2008
<p>After he moved to West from East Germany in 1961, until the early 1970s, Richter painted almost exclusively in a figurative style. From that time until the present, he has concentrated most (but by no means all) of his energies on exploring the possibilities of abstract painting. Paintings such as ‘Untitled’ 1985 look superficially like the informal abstractions of the 1950s but in fact owe more to the chance effects of scraping and smudging paint than to exquisite aesthetic decisions as to what mark and paint colour to put next to another. For Richter, abstract paintings have to look natural, and part of another reality, rather than an anguished personal expression.</p>

Online caption
2009-04-16T00:00:00
online-caption
ONLINE_CAPTION
abstraction colour emotions, concepts and ideas formal qualities gestural non-representational