Watercolour on paper
Tate Collection
Works with images
General Collection
Art Fund
Collection
<a href="https://www.tate.org.uk/art/artists/dante-gabriel-rossetti-461" aria-label="More by Dante Gabriel Rossetti" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Dante Gabriel Rossetti</a>
Wedding St George and Princess Sabra
Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916
actions: expressive
adults
angel
animals: fantastic
animals: features
architecture
armour
bed
body
box
building - non-specific
Burden, Jane
clothing and personal items
coat of arms
comb
crown
dragon
embracing
emotions and human qualities
emotions, concepts and ideas
family
features
fine arts and music
furnishings
garden
garden structures
hair
hairbrush
halo
head
hedge
husband
instrument, bell
knight
leisure and pastimes
literature (not Shakespeare)
literature and fiction
love
man
marriage
military
Morris, Jane
music
music and entertainment
named individuals
objects
people
Percy, T., ‘Reliques of Ancient English Poetry’
plants and flowers
princess
religion and belief
religious and ceremonial
rose
royalty and social rank
Saints
sex and relationships
society
soldier
St George
throne
townscapes / man-made features
universal religious imagery
vessels and containers
wife
window
woman
work and occupations
<p>This work was executed while Rossetti and other artists were decorating the Oxford Union with medievalist murals. In Oxford, Rossetti saw Jane Burden, later Mrs William Morris, and immediately asked her to pose for him. She is the model for Princess Sabra, threading a lock of her hair through St George's helmet. The claustrophobic composition is characteristic of much of Rossetti's work at this time. Sabra's embrace of an armoured figure, enmeshing him with her hair, and St George's distracted gaze hint at Rossetti's dilemma of being involved with Elizabeth Siddall but feeling a strong attraction for Jane.</p><p><em>Gallery label, August 2004</em></p>
paper unique watercolour
21 January 2002 – 21 September 2002
2002-09-21
21 January 2002 – 21 September 2002
2002-09-21
2002-01-21
Tate Britain (London, UK)
http://www.tate.org.uk/britain/
2002-01-21
Rossetti and Medievalism
Collection based display
12 July 2003 – 15 August 2004
2004-08-15
12 July 2003 – 28 September 2003
2003-09-28
2003-07-12
Art Gallery of Western Australia (Perth, Australia)
25 October 2003 – 15 February 2004
2004-02-15
2003-10-25
Dunedin Public Art Gallery (Dunedin, New Zealand)
http://www.dunedin.art.museum
14 May 2004 – 15 August 2004
2004-08-15
2004-05-14
Frist Center for the Visual Arts (Nashville, USA)
2003-07-12
The Pre-Raphaelite Dream: Paintings and Drawings from the Tate Collection
Tate partnerships & programmes
26 February 2009 – 24 May 2009
2009-05-24
26 February 2009 – 24 May 2009
2009-05-24
2009-02-26
National Museum of Fine Arts (Stockholm, Sweden)
http://www.nationalmuseum.se
2009-02-26
The Pre-Raphaelites
Loan-out
12 September 2012 – 31 January 2014
2014-01-31
12 September 2012 – 13 January 2013
2013-01-13
2012-09-12
Tate Britain (London, UK)
http://www.tate.org.uk/britain/
17 February 2013 – 19 May 2013
2013-05-19
2013-02-17
National Gallery of Art (Washington DC, USA)
10 June 2013 – 22 September 2013
2013-09-22
2013-06-10
State Pushkin Museum of Fine Arts (Moscow, Russia)
2012-09-12
Pre-Raphaelites: Victorian Avant-Garde
Exhibition
17 February 2013 – 31 August 2014
2014-08-31
17 February 2013 – 19 May 2013
2013-05-19
2013-02-17
National Gallery of Art (Washington DC, USA)
10 June 2013 – 13 October 2013
2013-10-13
2013-06-10
State Pushkin Museum of Fine Arts (Moscow, Russia)
2013-02-17
Pre-Raphaelites: Victorian Avant-Garde
Loan-out
20 April 2015 – 7 May 2017
2017-05-07
1 March 2015 – 7 May 2017
2017-05-07
2015-03-01
Tate Britain (London, UK)
http://www.tate.org.uk/britain/
2015-04-20
Pre Raphaelite Works on Paper
Collection based display
14 December 2018 – 19 September 2021
2021-09-19
14 December 2018 – 28 April 2019
2019-04-28
2018-12-14
National Gallery of Australia (Canberra, Australia)
19 June 2019 – 6 October 2019
2019-10-06
2019-06-19
Palazzo Reale (Milan, Italy)
13 May 2021 – 19 September 2021
2021-09-19
2021-05-13
Hungarian National Gallery (Budapest, Hungary)
2018-12-14
Pre-Raphaelite Brotherhood
Tate partnerships & programmes
6 April 2023 – 24 September 2023
2023-09-24
6 April 2023 – 24 September 2023
2023-09-24
2023-04-06
Tate Britain (London, UK)
http://www.tate.org.uk/britain/
21 October 2023 – 28 January 2024
2024-01-28
2023-10-21
Delaware Art Museum (Wilmington, USA)
2023-04-06
The Rossettis
Exhibition
1 October 2023 – 31 January 2024
2024-01-31
1 October 2023 – 31 January 2024
2024-01-31
2023-10-01
Delaware Art Museum (Wilmington, USA)
2023-10-01
Rossetti
Loan-out
The Wedding of St George and Princess Sabra
support: 365 × 365 mm


Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the <a href="/search?gid=999999968" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Art Fund</a> 1916
<p>This work was executed while Rossetti  and other artists were decorating  the Oxford Union with medievalist  murals. In Oxford, Rossetti saw Jane  Burden, later Mrs William Morris, and immediately asked her to pose for him.  She is the model for Princess Sabra,  threading a lock of her hair through  St George's helmet.
</p><p>
</p><p>
The claustrophobic <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/c/composition" title="Glossary definition for 'Composition'"><span>composition</span></a> is characteristic of much of Rossetti's  work at this time. Sabra's embrace of  an armoured figure, enmeshing him  with her hair, and St George's distracted  gaze hint at Rossetti's dilemma of being involved with Elizabeth Siddall but feeling a strong attraction for Jane.</p>
Display caption
2004-08-18T00:00:00
display-caption
DISPLAY_CAPTION
actions: expressive adults angel animals: fantastic animals: features architecture armour bed body box building - non-specific Burden, Jane clothing and personal items coat of arms comb crown dragon embracing emotions and human qualities emotions, concepts and ideas family features fine arts and music furnishings garden garden structures hair hairbrush halo head hedge husband instrument, bell knight leisure and pastimes literature and fiction literature (not Shakespeare) love man marriage military Morris, Jane music music and entertainment named individuals objects people Percy, T., ‘Reliques of Ancient English Poetry’ plants and flowers princess religion and belief religious and ceremonial rose royalty and social rank Saints sex and relationships society soldier St George throne townscapes / man-made features universal religious imagery vessels and containers wife window woman work and occupations