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<a href="https://www.tate.org.uk/art/artists/sir-joshua-reynolds-444" aria-label="More by Sir Joshua Reynolds" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Sir Joshua Reynolds</a>
Admiral Viscount Keppel
Purchased 1871
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Keppel, Augustus, Admiral
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<p>One of the most potent ways in which art served the cause of British national identity was through portraits of contemporary military figures. Such paintings could create heroes whose identities as Englishmen, Irishmen, Scotsmen or Welshmen were subsumed within the larger unity of a British army.</p><p>Reynolds’s portrait of his friend Admiral Viscount Keppel shows a naval commander in what had become the British, and no longer the English, navy. Reynolds painted this picture for Thomas Erskine, an advocate who had successfully defended Keppel against the charge of failing to engage in battle with the French navy.</p><p><em>Gallery label, September 2004</em></p>
painting oil paint canvas
12 February 2005 – 25 September 2005
2005-09-25
12 February 2005 – 1 May 2005
2005-05-01
2005-02-12
Palazzo dei Diamanti (Ferrara, Italy)
26 May 2005 – 25 September 2005
2005-09-25
2005-05-26
Tate Britain (London, UK)
http://www.tate.org.uk/britain/
2005-02-12
Joshua Reynolds
Exhibition
26 November 2018 – 14 July 2019
2019-07-14
26 November 2018 – 14 July 2019
2019-07-14
2018-11-26
Tate Britain (London, UK)
http://www.tate.org.uk/britain/
2018-11-26
Joshua Reynolds
Collection based display
11 September 2019 – 31 May 2020
2020-05-31
11 September 2019 – 16 February 2020
2020-02-16
2019-09-11
Musée du Luxembourg (Paris, France)
29 February 2020 – 31 May 2020
2020-05-31
2020-02-29
External
2019-09-11
Gainsborough to Turner: The Golden Age of English Painting
Loan-out
Admiral Viscount Keppel
support: 1245 × 991 mm
frame: 1465 × 1205 × 95 mm
Purchased 1871
<br/>In the present <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/portrait" title="Glossary definition for 'Portrait'"><span>portrait</span></a> Admiral Keppel's stance and expression exude defiance, his left arm propped upon his hip while his right hand grasps the hilt of his sword. Framed against the sea and the setting sun, Keppel stands with his ample figure anchored firmly on the rocky promontory. Keppel paid Reynolds one hundred guineas for the picture in 1786, by which time he may already have presented it to Thomas Erskine (1750-1823), the lawyer who had masterminded Keppel's defence at his court martial several years earlier.

<p>Augustus Keppel (1725-86), 1<sup>st</sup><sup></sup><sup></sup> Viscount Keppel, came from a distinguished aristocratic family. He was the second son of William Anne, 2nd Earl of Albemarle (1702-54) and Lady Anne Lennox, daughter of Charles, 1<sup>st</sup><sup></sup><sup></sup> Duke of Richmond (1672-1723). His grandfather was Arnold Joost van Keppel, 1<sup>st</sup><sup></sup><sup></sup> Earl of Albemarle (1669-1718), an intimate friend of William III, and one of the principal architects of the Glorious Revolution of 1688. Keppel gained a commission in the navy at the age of ten, when he sailed for Africa. Five years later he circumnavigated the globe with Lord George Anson (1697-1762). In 1749, by now a vastly experienced seaman, he met Reynolds, to whom he offered a passage to Italy, and whose close friend he became. Reynolds painted Keppel's portrait on many occasions, among the first, and the most celebrated, being a full-length of Keppel striding Apollo-like across a storm-tossed shoreline (Greenwich, National Maritime Museum).

</p><p>During the 1750s and 60s Keppel remained on active service, although he was also increasingly involved in politics on the side of the Rockinghamite Whig Opposition, serving as Member of Parliament P for Windsor. In 1770 he was promoted to the rank of Vice-Admiral. In November 1776, despite his close ties to the Opposition, Keppel was appointed by the King to take command of the Channel fleet against the French and, in January 1778, he was promoted to the rank of Admiral. Later that year he was accused of deliberately failing to engage the enemy in an indecisive skirmish off the French coast. For the second time in his career, Keppel was brought before a court martial at Plymouth, where a guilty verdict could have resulted in the death penalty. He was acquitted on 11 February 1779, confirming his status as the hero of the Whig cause and scourge of the Court Party. Reynolds was among those who sent their immediate congratulations.

</p><p>On his acquittal Keppel commissioned from Reynolds a new portrait of himself, in his flag-officer's undress uniform. This portrait, which is not to be confused with the present picture, was replicated several times by the artist, versions being presented to his lawyers, John Lee (1733-93) (National Maritime Museum, London), and John Dunning (1731-83) (National Portrait Gallery, London), and to Edmund Burke (1729-1797) (private collection). A replica also appears to have been made for Thomas Erskine, who, as it has been noted, also owned the present portrait. 

</p><p><b>Further reading:

</b></p><p>David Mannings and Martin Postle, <i>Sir Joshua Reynolds. A Complete Catalogue of his Paintings</i>, 2 vols., New Haven and London 2000, vol.1, p.1048, vol.2, p.522, fig.1367, and colour plate 92

</p><p>Martin Postle<br/>December 2000</p>
Summary
2005-12-22T00:00:00
summary
SHORT_TEXT
<div class="pbodytext">
<span class="text7">One of the most potent ways in which art </span><span class="text14">served the cause of British national identity</span><span class="text7"> was through <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/portrait" title="Glossary definition for 'Portrait'"><span>portraits</span></a> of contemporary </span><span class="text15">military figures. Such <a class="glossarylinktopopup" data-gtm-destination="article-page" data-gtm-name="body_text_link" href="http://www.tate.org.uk/learn/online-resources/glossary/p/painting" title="Glossary definition for 'Painting'"><span>paintings</span></a> could create</span><span class="text7"> heroes whose identities as Englishmen, Irishmen, Scotsmen or      Welshmen were subsumed within the larger unity of a </span><span class="text17">British</span><span class="text7"> army.  </span>
</div>
<div class="para9">
<span class="text7">
<br/> </span>
</div>
<div class="pbodytext">
<span class="text7">Reynolds’s portrait of his friend Admiral </span><span class="text15">Viscount Keppel shows a naval commander</span><span class="text7"> in what had become the British, and no longer the English, navy.      Reynolds painted </span><span class="text16">this picture for Thomas      Erskine, an advocate</span><span class="text7"> who had successfully      defended Keppel against the charge of failing to engage in battle with the      French navy. </span>
</div>

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2004-09-10T00:00:00
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adults coast individuals: male Keppel, Augustus, Admiral man military named individuals objects people portraits sailor sea seascapes and coasts storm sword weapons weather work and occupations