{"commit":"0e56144ccea968c7bde1463381fa0542893c24c8","subject":"Removed because redundant.","message":"Removed because redundant.\n","repos":"max-ilse\/csound,mcanthony\/csound,iver56\/csound,mcanthony\/csound,mcanthony\/csound,iver56\/csound,audiokit\/csound,mcanthony\/csound,max-ilse\/csound,nikhilsinghmus\/csound,max-ilse\/csound,Angeldude\/csound,audiokit\/csound,Angeldude\/csound,iver56\/csound,Angeldude\/csound,iver56\/csound,Angeldude\/csound,mcanthony\/csound,Angeldude\/csound,nikhilsinghmus\/csound,nikhilsinghmus\/csound,Angeldude\/csound,mcanthony\/csound,max-ilse\/csound,max-ilse\/csound,max-ilse\/csound,nikhilsinghmus\/csound,max-ilse\/csound,iver56\/csound,audiokit\/csound,iver56\/csound,mcanthony\/csound,audiokit\/csound,iver56\/csound,iver56\/csound,max-ilse\/csound,nikhilsinghmus\/csound,nikhilsinghmus\/csound,mcanthony\/csound,nikhilsinghmus\/csound,audiokit\/csound,Angeldude\/csound,audiokit\/csound,iver56\/csound,iver56\/csound,nikhilsinghmus\/csound,audiokit\/csound,Angeldude\/csound,nikhilsinghmus\/csound,audiokit\/csound,Angeldude\/csound,max-ilse\/csound,audiokit\/csound,Angeldude\/csound,mcanthony\/csound,audiokit\/csound,nikhilsinghmus\/csound,mcanthony\/csound,max-ilse\/csound","old_file":"examples\/CsoundMidi.csd","new_file":"examples\/CsoundMidi.csd","new_contents":"","old_contents":"\n\n--midi-key=4 --midi-velocity=5\n<\/CsOptions>\n\n\n; Sample frames per second.\n\nsr = 44100\n\n; Sample frames per control period.\n\nksmps = 100\n\n; Audio output channel.\n\nnchnls = 1\n\n; Output amplitudes will be normalized so 32767 is maximum.\n\n0dbfs = 32767\n\n; Allocate global sine wave table for oscillators.\n\ngiafno ftgen 1, 0, 65537, 10, 1 \n\ninstr 1\n\t\t\t; Note duration is -1 for MIDI (note stays on till turned off), or else comes from the score.\n mididefault -1, p3\n\t\t\t; p4 is MIDI key translated to linear octaves, p5 is MIDI velocity, or else comes from the score.\n midinoteonoct p4, p5\n\t\t\t; Print pfield values.\n print p2, p3, p4, p5\n\t\t\t; Simple sine wave instrument.\na1 oscili ampdb(p5), cpsoct(p4), giafno\n out a1\nendin\n\n<\/CsInstruments>\n<\/CsoundSynthesizer>\n","returncode":0,"stderr":"","license":"lgpl-2.1","lang":"Csound"} {"commit":"3baf27c3a56d258c04f5b67b28c6d53abe213e3d","subject":"Changed default command line for real-time performance.","message":"Changed default command line for real-time performance.\n","repos":"audiokit\/csound,max-ilse\/csound,max-ilse\/csound,max-ilse\/csound,audiokit\/csound,mcanthony\/csound,nikhilsinghmus\/csound,Angeldude\/csound,mcanthony\/csound,audiokit\/csound,nikhilsinghmus\/csound,max-ilse\/csound,mcanthony\/csound,audiokit\/csound,max-ilse\/csound,max-ilse\/csound,max-ilse\/csound,iver56\/csound,Angeldude\/csound,nikhilsinghmus\/csound,mcanthony\/csound,nikhilsinghmus\/csound,iver56\/csound,iver56\/csound,iver56\/csound,Angeldude\/csound,nikhilsinghmus\/csound,mcanthony\/csound,mcanthony\/csound,iver56\/csound,audiokit\/csound,Angeldude\/csound,iver56\/csound,nikhilsinghmus\/csound,Angeldude\/csound,audiokit\/csound,max-ilse\/csound,audiokit\/csound,nikhilsinghmus\/csound,iver56\/csound,nikhilsinghmus\/csound,audiokit\/csound,mcanthony\/csound,max-ilse\/csound,audiokit\/csound,mcanthony\/csound,mcanthony\/csound,Angeldude\/csound,nikhilsinghmus\/csound,Angeldude\/csound,audiokit\/csound,max-ilse\/csound,Angeldude\/csound,Angeldude\/csound,mcanthony\/csound,iver56\/csound,iver56\/csound,iver56\/csound,nikhilsinghmus\/csound,Angeldude\/csound","old_file":"examples\/CsoundAC.csd","new_file":"examples\/CsoundAC.csd","new_contents":"\n\ncsound -f -h -M0 -d -m3 --midi-key=4 --midi-velocity=5 -odac6 temp.orc temp.sco\n<\/CsOptions>\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; T H E S I L E N C E O R C H E S T R A\n; Copyright (c) 2006, 2008 by Michael Gogins\n; This file is licensed under the GNU Lesser General Public License\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; \n; OBJECTIVES\n;\n; - Support algorithmic composition in time and pitch\n; - Most beautiful sounds\n; - Highest precision\n; - Lowest noise\n; - No clicks\n; - offline\/MIDI real-time interoperability\n; - Gains normalized across instruments, pitches, velocities\n; - Modular code\n; - READABLE code!\n;\n; PFIELDS\n;\n; All instruments use the following standardized set of pfields:\n;\n; p1 \tInstrument number\n; p2 Time of note, in absolute seconds from start of performance\n; p3 \tDuration of note, in seconds\n; p4 \tMIDI key (may be fractional)\n; p5\tMIDI velocity, interpreted as decibels up (may be fractional)\n; p6\tAudio phase, in radians (seldom used; enables grain notes to\n;\t implement arbitrary audio transforms)\n; p7\tx location or stereo pan (-1 through 0 to +1)\n; p8\ty location or stage depth (-1 through 0 to +1)\n; p9\tz location or stage height (-1 through 0 to +1)\n; p10\tPitch-class set, as sum of 2^(pitch-class).\n;\n; EFFECTS BUSSES\n;\n; The orchestra uses one input buss for each of the following effects:\n; \n; Leslie\n; Chorus\n; Reverberation\n; Output\n;\n; MASTER OUTPUT EFFECTS\n; \n; The master output buss has the following additional effects:\n;\n; Bass enhancement\n; Compression\n; Remove DC bias\n;\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; O R C H E S T R A H E A D E R\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n; Define to enable the use of SoundFonts.\n#define ENABLE_SOUNDFONTS #1#\n\n; Define to enable the use of VST plugins in general.\n#define ENABLE_VST #1#\n\n; Define to enable the use of the Pianoteq VST instrument in particular.\n#define ENABLE_PIANOTEQ #1#\n\nsr = 44100\nksmps\t\t\t = 15\nnchnls = 2\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; A S S I G N M I D I C H A N N E L S T O I N S T R U M E N T S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n massign\t\t\t 1, 68\n massign\t\t\t 2, 12\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; V S T P L U G I N S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n; Disabled for Csound installer -- enable if you have the Pianoteq VST plugin.\n#ifdef ENABLE_VST\n\ngiAzr3 vstinit \"D:\\\\utah\\\\opt\\\\Steinberg\\\\Cubase4\\\\VSTPlugins\\\\Synths\\\\AZR3.dll\", 1\n vstinfo giAzr3\n\n#end\n \n#ifdef ENABLE_PIANOTEQ\n \ngiPianoteq vstinit \"D:\\\\utah\\\\opt\\\\Pianoteq\\\\pianoteq20\", 0\n vstinfo giPianoteq\n\n#end\n \n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; S O U N D F O N T A S S I G N M E N T S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n; Disabled for Csound installer -- enable if you have the SoundFonts.\n\n#ifdef ENABLE_SOUNDFONTS\n\ngiFluidsynth\t\t fluidEngine\t\t 0, 0\ngiFluidSteinway\t\t fluidLoad\t\t \"\\\\utah\\\\home\\\\mkg\\\\projects\\\\music\\\\__library\\\\soundfonts\\\\Piano Steinway Grand Model C (21,738KB).sf2\", giFluidsynth, 1\n fluidProgramSelect\t giFluidsynth, 0, giFluidSteinway, 0, 1\n\ngiFluidGM\t\t fluidLoad\t\t \"\\\\utah\\\\home\\\\mkg\\\\projects\\\\music\\\\__library\\\\soundfonts\\\\63.3mg The Sound Site Album Bank V1.0.SF2\", giFluidsynth, 1\n fluidProgramSelect\t giFluidsynth, 1, giFluidGM, 0, 26\n\ngiFluidMarimba\t\t fluidLoad\t\t \"\\\\utah\\\\home\\\\mkg\\\\projects\\\\music\\\\__library\\\\soundfonts\\\\Marimba Moonman (414KB).SF2\", giFluidsynth, 1\n fluidProgramSelect\t giFluidsynth, 2, giFluidMarimba, 0, 0\n\ngiFluidOrgan\t\t fluidLoad\t\t \"\\\\utah\\\\home\\\\mkg\\\\projects\\\\music\\\\__library\\\\soundfonts\\\\Organ Jeux V1.4 (3,674KB).SF2\", giFluidsynth, 1\n fluidProgramSelect\t giFluidsynth, 3, giFluidOrgan, 0, 40\n \n#end\n\ngi2fqc init cpspch(7.09)\ngi3fqc init cpspch(10.0)\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; F U N C T I O N T A B L E S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n ; Waveform for the string-pad\ngiwave ftgen 1, 0, 65537, 10, 1, .5, .33, 0.25, .0, 0.1, .1, 0.1\ngisine ftgen 2, 0, 65537, 10, 1\ngiharpsichord ftgen 0, 0, 65537, 7,\t -1, 1024, 1, 1024, -1 ; Kelley harpsichord.\ngicosine ftgen 0, 0, 65537, 11, 1 ; Cosine wave. Get that noise down on the most widely used table!\ngiexponentialrise ftgen 0, 0, 65537, 5, .001, 513, 1 ; Exponential rise.\ngithirteen ftgen 0, 0, 65537, 9, 1, .3, 0\ngiln ftgen 0, 0, 65537, -12, 20.0 ; Unscaled ln(I(x)) from 0 to 20.0.\ngibergeman ftgen 0, 0, 65537, 10, .28, 1, .74, .66, .78, .48, .05, .33, 0.12, .08, .01, .54, 0.19, .08, .05, 0.16, .01, 0.11, .3, .02, 0.2 ; Bergeman f1\ngicookblank ftgen 0, 0, 65537, 10, 0 ; Blank wavetable for some Cook FM opcodes.\ngicook3 ftgen 0, 0, 65537, 10, 1, .4, 0.2, 0.1, 0.1, .05\ngikellyflute ftgen 0, 0, 65537, 10, 1, 0.25, 0.1 ; Kelley flute.\ngichebychev ftgen 0, 0, 65537, -7, -1, 150, 0.1, 110, 0, 252, 0\ngiffitch1 ftgen 0, 0, 65537, 10, 1\ngiffitch2 ftgen 0, 0, 65537, 5, 1, 1024, .01\ngiffitch3 ftgen 0, 0, 65537, 5, 1, 1024, .001\n ; Rotor Tables\ngitonewheel1 ftgen 0, 0, 65537, 10, 1, .02, .01\ngitonewheel2 ftgen 0, 0, 65537, 10, 1, 0, 0.2, 0, 0.1, 0, .05, 0, .02\n ; Rotating Speaker Filter Envelopes\ngitonewheel3 ftgen 0, 0, 65537, 7, 0, 110, 0, 18, 1, 18, 0, 110, 0\ngitonewheel4 ftgen 0, 0, 65537, 7, 0, 80, 0.2, 16, 1, 64, 1, 16, 0.2, 80, 0\n ; Distortion Tables\ngitonewheel5 ftgen 0, 0, 65537, 8, -.8, 336, -.78, 800, -.7, 5920, .7, 800, .78, 336, .8\ngitonewheel6 ftgen 0, 0, 65537, 8 -.8, 336, -.76, 3000, -.7, 1520, .7, 3000, .76, 336, .8\n ; Table for Reed Physical Model\ngireedtable ftgen 0, 0, 256, 7, 1, 80, 1, 156, -1, 40, -1\n ; Tables for simple granular synthesis\ngigrtab ftgen 0, 0, 65537, 10, 1, 0.3, .1 0, .2, .02, 0, .1, .04\ngiwintab ftgen 0, 0, 65537, 10, 1, 0, .5, 0, .33, 0, .25, 0, .2, 0, .167\n ; Tables for waveshaping drone\ngiharmonics ftgen 0, 0, 65537, 10, 1, 0, 2, 0, 0, 1 \ngidistortion ftgen 0, 0, 65537, 13, 1, 1, 0, 1, 0, 1 \n\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; U S E R - D E F I N E D O P C O D E S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n \n opcode \t\t\t AssignSend, 0, iiiii\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\ninsno,ic,il,ir,id \t xin\ninum\t\t\t =\t\t\t floor(insno)\n ;print inum, ic, il, ir, id\n MixerSetLevel\t \t inum, 200, ic\n ;MixerSetLevel\t \t inum, 201, il\n MixerSetLevel\t \t inum, 210, ir\n MixerSetLevel\t \t inum, 220, id\n endop\n \n opcode\t\t\t NoteOn, ii, iii\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nikey,ivelocity,imeasure xin\ninormal\t\t\t =\t\t\t ampdb(80)\nifrequency \t\t = \t\t\t cpsmidinn(ikey)\n ; Normalize so iamplitude for p5 of 80 == ampdb(80) == 10000.\n ; This should be the half-amplitude (-6 dB) level in the soundfile.\nimidiamplitude \t\t = ampdb(ivelocity)\niamplitude = imidiamplitude * inormal \/ imeasure\n ; print ifrequency, inormal, imidiamplitude, imeasure, iamplitude\n xout\t\t\t ifrequency, iamplitude\n endop\n \n opcode\t\t\t SendOut, 0, iaa\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\ninsno, aleft, aright\txin\ninum = floor(insno)\n MixerSend aleft, inum, 200, 0\n MixerSend aright, inum, 200, 1\n MixerSend aleft, inum, 210, 0\n MixerSend aright, inum, 210, 1\n MixerSend aleft, inum, 220, 0\n MixerSend aright, inum, 220, 1\n ;print inum\n endop\n\n opcode\t\t\t Pan, aa, ka\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nkpan, asignal\t\t xin\n ; Constant-power pan.\napan = (kpan \/ 2.0) + 0.5\naleft, aright pan2 asignal, apan\n xout\t\t\t aleft, aright\n endop\n\n opcode\t\t\t Declick, iaa, iiiaa\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\niatt,idur,irel,a1,a2\txin\n if (idur > 0) then\nisustain\t\t = \t\t\t idur\nidur\t\t\t =\t\t\t iatt + isustain + irel \n else\nisustain = 100000.0\n endif \naenv\t\t\t linsegr\t\t\t 0.0, iatt, 1.0, isustain, 1.0, irel, 0.0\nab1\t\t\t =\t\t\t a1 * aenv\nab2\t\t\t =\t\t\t a2 * aenv\n xout\t\t\t idur, ab1, ab2\n endop\t\n\n opcode\t\t\t Damping, ia, iii\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\niatt,idur,irel\t\t xin\n if (idur > 0) then\nisustain\t\t = \t\t\t idur\nidur\t\t\t =\t\t\t iatt + isustain + irel \n else\nisustain = 100000.0\n endif \n ; Releasing envelope for MIDI performance.\naenv\t\t\t linsegr\t\t\t 0.0, iatt, 1.0, isustain, 1.0, irel, 0.0\n xout\t\t\t idur, aenv\n endop\t\t\t\t\t\t\n \n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; M I X E R L E V E L S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n instr 1 ; Mixer level\nisend = p4\nibuss0 = p5\nigain0 \t= p6\n MixerSetLevel isend, ibuss0, igain0\n endin\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; I N S T R U M E N T D E F I N I T I O N S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n instr 2 ; Xanadu instr 1\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000.0\np3,adamping\t\t Damping\t\t\t 0.003, p3, 0.1\nishift\t\t\t = \t\t 8.0 \/ 1200.0\nipch \t\t = \t\t ifrequency \t ; convert parameter 5 to cps.\nioct \t\t = \t\t octcps(ifrequency) \t ; convert parameter 5 to oct.\nkvib \t\t poscil\t\t\t 1.0 \/ 120.0, ipch \/ 50.0, gicosine\t ; vibrato\nag \t\t pluck \t\t 1.0, cpsoct(ioct + kvib), ipch, 1, 1\nagleft \t\t pluck \t\t 1.0, cpsoct(ioct + ishift), ipch, 1, 1\nagright \t\t pluck \t\t 1.0, cpsoct(ioct - ishift), ipch, 1, 1\naf1 \t\t expon \t\t 0.01, 10.0, 1.0 \t ; exponential from 0.1 to 1.0\naf2 \t\t expon \t\t 0.015, 15., 1.055 \t ; exponential from 1.0 to 0.1\nadump \t\t delayr \t\t 2.0 \t ; set delay line of 2.0 sec\natap1 \t\t deltap3 \t\t af1 \t ; tap delay line with kf1 func.\natap2 \t\t deltap3 \t\t af2 \t ; tap delay line with kf2 func.\nad1 \t\t deltap3 \t\t 2.0 \t ; delay 2 sec.\nad2 \t\t deltap3 \t\t 1.1 \t ; delay 1.1 sec.\n delayw \t\t ag * adamping \t; put ag signal into delay line.\naleft \t\t\t = \t\t\t agleft + atap1 + ad1\naright\t\t\t =\t\t\t agright + atap2 + ad2\naleft, aright\t\t Pan\t\t\t p7, iamplitude * (aleft + aright) * adamping\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 3 ; Xanadu instr 2\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\np3,adamping\t\t Damping\t\t\t 0.01, p3, 0.01\nishift \t\t = \t\t 8.0 \/ 1200.0\nipch \t\t = \t\t ifrequency\nioct \t\t = \t\t octcps(ifrequency) \nkvib \t\t poscil \t\t 1.0 \/ 80.0, 6.1, gicosine \t ; vibrato\nag \t\t pluck \t\t 1, cpsoct(ioct + kvib), ipch, 1, 1\nagleft \t\t pluck \t\t 1, cpsoct(ioct + ishift), ipch, 1, 1\nagright \t\t pluck \t\t 1, cpsoct(ioct - ishift), ipch, 1, 1\nadump \t\t delayr \t\t 0.4 \t ; set delay line of 0.3 sec\nad1 \t\t deltap3 \t\t 0.07 \t ; delay 100 msec.\nad2 \t\t deltap3 \t\t 0.105 \t ; delay 200 msec.\n delayw \t\t ag * adamping \t ; put ag sign into del line.\naleft\t\t\t =\t\t\t agleft + ad1\naright\t\t\t =\t\t\t agright + ad2\naleft, aright\t\t Pan\t\t\t p7, iamplitude * (aleft + aright) * adamping\n AssignSend\t\t p1, 0, 0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 4 ; Xanadu instr 3\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\np3, adamping\t\t Damping\t\t\t 0.01, p3, 0.01\nishift \t\t = \t\t 8.0 \/ 1200.0\nipch \t\t = \t\t ifrequency\nioct \t\t = \t\t octcps(ifrequency)\n; kadsr \t\t linseg \t\t 0, p3\/3, 1.0, p3\/3, 1.0, p3\/3, 0 \t; ADSR envelope\namodi \t\t linseg \t\t 0, p3\/3, 5, p3\/3, 3, p3\/3, 0 \t\t; ADSR envelope for I\nip6\t\t\t =\t\t\t 1.4\nip7\t\t\t =\t\t\t 0.8\namodr \t\t linseg \t\t ip6, p3, ip7 \t\t; r moves from p6->p7 in p3 sec.\na1 \t\t = \t\t amodi * (amodr - 1 \/ amodr) \/ 2\na1ndx \t\t = \t\t abs(a1 * 2 \/ 20) \t\t; a1*2 is normalized from 0-1.\na2 \t\t = \t\t amodi * (amodr + 1 \/ amodr) \/ 2\na3 \t\t tablei \t\t a1ndx, giln, 1 \t\t; lookup tbl in f3, normal index\nao1 \t\t poscil \t\t a1, ipch, gicosine \na4 \t\t = \t\t exp(-0.5 * a3 + ao1)\nao2 \t\t poscil \t\t a2 * ipch, ipch, gicosine \naoutl \t\t poscil \t\t 1 * a4, ao2 + cpsoct(ioct + ishift), gisine \naoutr \t\t poscil \t\t 1 * a4, ao2 + cpsoct(ioct - ishift), gisine \naleft\t\t\t =\t\t\t aoutl * iamplitude * adamping\naright\t\t\t =\t\t\t aoutr * iamplitude * adamping\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 5 ; Tone wheel organ by Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 200000\niphase\t\t\t =\t\t\t 0.0\nikey = p4 ;12 * int(p4 - 6) + 100 * (p4 - 6)\nifqc = ifrequency\n ; The lower tone wheels have increased odd harmonic content.\niwheel1 = ((ikey - 12) > 12 ? gitonewheel1 : gitonewheel2)\niwheel2 = ((ikey + 7) > 12 ? gitonewheel1 : gitonewheel2)\niwheel3 = (ikey > 12 ? gitonewheel1 : gitonewheel2)\niwheel4 = 1\n ; Start Dur Amp Pitch SubFund Sub3rd Fund 2nd 3rd 4th 5th 6th 8th\n ;i1 0 6 200 8.04 8 8 8 8 3 2 1 0 4\nasubfund poscil 8, 0.5 * ifqc, iwheel1, iphase \/ (ikey - 12)\nasub3rd poscil 8, 1.4983 * ifqc, iwheel2, iphase \/ (ikey + 7)\nafund poscil 8, ifqc, iwheel3, iphase \/ ikey\na2nd poscil 8, 2 * ifqc, iwheel4, iphase \/ (ikey + 12)\na3rd poscil 3, 2.9966 * ifqc, iwheel4, iphase \/ (ikey + 19)\na4th poscil 2, 4 * ifqc, iwheel4, iphase \/ (ikey + 24)\na5th poscil 1, 5.0397 * ifqc, iwheel4, iphase \/ (ikey + 28)\na6th poscil 0, 5.9932 * ifqc, iwheel4, iphase \/ (ikey + 31)\na8th poscil 4, 8 * ifqc, iwheel4, iphase \/ (ikey + 36)\nasignal = asubfund + asub3rd + afund + a2nd + a3rd + a4th + a5th + a6th + a8th\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.3, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 6 ; Guitar, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\nacomp pluck iamplitude, 440.0, 440.0, 0, 1\nasig pluck iamplitude, ifrequency, ifrequency \/ 2.0, 0, 1\naenvelope transeg 1.0, 10.0, -5.0, 0.0\naf1 reson asig, 110, 80\naf2 reson asig, 220, 100\naf3 reson asig, 440, 80\nasignal balance 0.6 * af1+ af2 + 0.6 * af3 + 0.4 * asig, acomp\naleft, aright\t\t Pan\t\t\t p7, asignal * aenvelope\np3, aleft, aright\t Declick\t\t\t 0.007, p3, 0.05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.4, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 7 ; Harpsichord, James Kelley\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\naenvelope transeg 1.0, 10.0, -5.0, 0.0\napluck pluck iamplitude, ifrequency, ifrequency, 0, 1\naharp poscil aenvelope, ifrequency, giharpsichord\naharp2 balance apluck, aharp\nasignal\t\t\t =\t\t\t apluck + aharp2\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.3, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 8 ; Heavy metal model, Perry Cook\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\niindex = 1.1\nicrossfade = 2\nivibedepth = 0.02\niviberate = 4.8\nifn1 = gisine\nifn2 = giexponentialrise\nifn3 = githirteen\nifn4 = gisine\nivibefn = gicosine\nadecay transeg 0.0, 0.001, 4, 1.0, 2.0, -4, 0.1, 0.125, -4, 0.0\nasignal fmmetal 1.0, ifrequency, iindex, icrossfade, ivibedepth, iviberate, ifn1, ifn2, ifn3, ifn4, ivibefn\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.3, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 9 ; Xing by Andrew Horner\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\n ; p4 pitch in octave.pch\n ; original pitch = A6\n ; range = C6 - C7\n ; extended range = F4 - C7\nifrequency,iamplitude\tNoteOn p4, p5, 2000\nisine = 1\niinstrument = p1\nistarttime = p2\nioctave = p4\nidur = p3\nifreq = ifrequency\niamp = 1\ninorm = 32310\naamp1 linseg 0,.001,5200,.001,800,.001,3000,.0025,1100,.002,2800,.0015,1500,.001,2100,.011,1600,.03,1400,.95,700,1,320,1,180,1,90,1,40,1,20,1,12,1,6,1,3,1,0,1,0\nadevamp1 linseg 0, .05, .3, idur - .05, 0\nadev1 poscil adevamp1, 6.7, gisine, .8\namp1 = aamp1 * (1 + adev1)\naamp2 linseg 0,.0009,22000,.0005,7300,.0009,11000,.0004,5500,.0006,15000,.0004,5500,.0008,2200,.055,7300,.02,8500,.38,5000,.5,300,.5,73,.5,5.,5,0,1,1\nadevamp2 linseg 0,.12,.5,idur-.12,0\nadev2 poscil adevamp2, 10.5, gisine, 0\namp2 = aamp2 * (1 + adev2)\naamp3 linseg 0,.001,3000,.001,1000,.0017,12000,.0013,3700,.001,12500,.0018,3000,.0012,1200,.001,1400,.0017,6000,.0023,200,.001,3000,.001,1200,.0015,8000,.001,1800,.0015,6000,.08,1200,.2,200,.2,40,.2,10,.4,0,1,0\nadevamp3 linseg 0, .02, .8, idur - .02, 0\nadev3 poscil adevamp3, 70, gisine ,0\namp3 = aamp3 * (1 + adev3),\nawt1 poscil amp1, ifreq, gisine\nawt2 poscil amp2, 2.7 * ifreq, gisine\nawt3 poscil amp3, 4.95 * ifreq, gisine\nasig = awt1 + awt2 + awt3\narel linenr 1,0, idur, .06\nasignal = asig * arel * (iamp \/ inorm) * iamplitude\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.3, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 10 ; FM modulated left and right detuned chorusing, Thomas Kung\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 20000\niattack \t\t = \t\t\t 0.25\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.3333333\np3, adamping\t\t Damping\t\t\t iattack, isustain, irelease\nip6 = 0.3\nip7 = 2.2\nishift \t\t = \t\t 4.0 \/ 12000.0\nipch \t\t = \t\t ifrequency\nioct \t\t = \t\t octcps(ifrequency) \naadsr linen 1.0, iattack, irelease, 0.01\namodi linseg 0, iattack, 5, p3, 2, irelease, 0\n ; r moves from ip6 to ip7 in p3 secs.\namodr linseg ip6, p3, ip7\na1 = amodi * (amodr - 1 \/ amodr) \/ 2\n ; a1*2 is argument normalized from 0-1.\na1ndx = abs(a1 * 2 \/ 20)\na2 = amodi * (amodr + 1 \/ amodr) \/ 2\n ; Look up table is in f43, normalized index.\na3 tablei a1ndx, giln, 1\n ; Cosine\nao1 poscil a1, ipch, gicosine\na4 = exp(-0.5 * a3 + ao1)\n ; Cosine\nao2 poscil a2 * ipch, ipch, gicosine\n ; Final output left\naleft poscil a4, ao2 + cpsoct(ioct + ishift), gisine\n ; Final output right\naright poscil a4, ao2 + cpsoct(ioct - ishift), gisine\naleft, aright\t\t Pan\t\t\t p7, (aleft + aright) * iamplitude * adamping\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 11 ; String pad, Anthony Kozar\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; String-pad borrowed from the piece \"Dorian Gray\",\n ; http:\/\/akozar.spymac.net\/music\/ Modified to fit my needs\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nihz, iamp\t\t NoteOn p4, p5, 15000.0\n ; Slow attack and release\nactrl \t\t linseg \t\t 0, p3 * 0.5, 1.0, p3 * 0.5, 0\n ; Slight chorus effect\nafund \t\t poscil \t\t actrl, ihz, giwave \t; audio oscillator\nacel1 \t\t poscil \t\t actrl, ihz - .1, giwave \t; audio oscilator - flat\nacel2 \t\t poscil \t\t actrl, ihz + .1, giwave \t; audio oscillator - sharp\nasig \t\t = \t\t\t afund + acel1 + acel2\n ; Cut-off high frequencies depending on midi-velocity\n ; (larger velocity implies brighter sound)\n;asig \t\t\t butterlp \t\t asig, 900 + iamp \/ 40.\naleft, aright\t\t Pan\t\t\t p7, asig * iamp\np3, aleft, aright\t Declick\t\t\t 0.25, p3, 0.5, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 12 ; Filtered chorus, Michael Bergeman\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\np3, adamping\t\t Damping\t\t\t 0.01, p3, 0.01\nioctave\t\t\t =\t\t\t octcps(ifrequency)\nidb\t\t\t = \t\t\t 1.5\nip5 = gibergeman\nip3 = p3\nip6 = p3 * .25\nip7 = p3 * .75\nip8 = cpsoct(ioctave - .01)\nip9 = cpsoct(ioctave + .01)\nisc = idb * .333\nk1 line 40, p3, 800\nk2 line 440, p3, 220\nk3 linen isc, ip6, p3, ip7\nk4 line 800, ip3,40\nk5 line 220, ip3,440\nk6 linen isc, ip6, ip3, ip7\nk7 linen 1, ip6, ip3, ip7\na5 poscil k3, ip8, ip5\na6 poscil k3, ip8 * .999, ip5\na7 poscil k3, ip8 * 1.001, ip5\na1 = a5 + a6 + a7\na8 poscil k6, ip9, ip5\na9 poscil k6, ip9 * .999, ip5\na10 poscil k6, ip9 * 1.001, ip5\na11 = a8 + a9 + a10\na2 butterbp a1, k1, 40\na3 butterbp a2, k5, k2 * .8\na4 balance a3, a1\na12 butterbp a11, k4, 40\na13 butterbp a12, k2, k5 * .8\na14 balance a13, a11\na15 reverb2 a4, 5, .3\na16 reverb2 a4, 4, 0.2\na17 = (a15 + a4) * k7\na18 = (a16 + a4) * k7\naleft, aright\t\t Pan\t\t\t p7, (a17 + a18) * iamplitude * adamping\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 13 ; Plain plucked string, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\naenvelope transeg 1.0, p3, -3.0, 0.1\naexcite poscil 1.0, 1, gisine\nasignal1\t\t wgpluck2 \t\t 0.1, 1.0, ifrequency, 0.25, 0.22\nasignal2\t\t wgpluck2 \t\t 0.1, 1.0, ifrequency * 1.003, 0.20, 0.223\nasignal3\t\t wgpluck2 \t\t 0.1, 1.0, ifrequency * 0.997, 0.23, 0.224\napluckout = (asignal1 + asignal2 + asignal3) * aenvelope\naleft, aright\t\t Pan\t\t\t p7, apluckout * iamplitude\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 14 ; Rhodes electric piano model, Perry Cook\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\niindex = 4\nicrossfade = 3\nivibedepth = 0.2\niviberate = 6\nifn1 = gisine\nifn2 = gicosine\nifn3 = gisine\nifn4 = gicookblank\nivibefn = gisine\nasignal fmrhode iamplitude, ifrequency, iindex, icrossfade, ivibedepth, iviberate, ifn1, ifn2, ifn3, ifn4, ivibefn\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 15 ; Tubular bell model, Perry Cook\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niindex = 1\nicrossfade = 2\nivibedepth = 0.2\niviberate = 6\nifn1 = gisine\nifn2 = gicook3\nifn3 = gisine\nifn4 = gisine\nivibefn = gicosine\nasignal fmbell 1.0, ifrequency, iindex, icrossfade, ivibedepth, iviberate, ifn1, ifn2, ifn3, ifn4, ivibefn\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 16 ; FM moderate index, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\nicarrier = 1\niratio = 1.25\nifmamplitude = 8\nindex = 5.4\nifrequencyb = ifrequency * 1.003\nicarrierb = icarrier * 1.004\naindenv expseg 0.000001, iattack, 1, isustain, 0.125, irelease, .000001\naindex = aindenv * index * ifmamplitude\naouta foscili 1.0, ifrequency, icarrier, iratio, index, 1\naoutb foscili 1.0, ifrequencyb, icarrierb, iratio, index, 1\n ; Plus amplitude correction.\nasignal = (aouta + aoutb) * aindenv\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 17 ; FM moderate index 2, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 7000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\nicarrier = 1\niratio = 1\nifmamplitude = 6\nindex = 2.5\nifrequencyb = ifrequency * 1.003\nicarrierb = icarrier * 1.004\naindenv expseg .000001, iattack, 1.0, isustain, .0125, irelease, .000001\naindex = aindenv * index * ifmamplitude - .000001\naouta foscili 1.0, ifrequency, icarrier, iratio, index, 1\naoutb foscili 1.0, ifrequencyb, icarrierb, iratio, index, 1\n ; Plus amplitude correction.\nafmout = (aouta + aoutb) * aindenv\naleft, aright\t\t Pan\t\t\t p7, afmout * iamplitude\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 19 ; Flute, James Kelley\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\np3, adamping\t\t Damping\t\t\t 0.01, p3, 0.01\nioctave\t\t\t =\t\t\t octcps(ifrequency)\nicpsp1 = cpsoct(ioctave - .0002)\nicpsp2 = cpsoct(ioctave + .0002)\nip4 = 0\nip6\t\t\t =\t\t\t iamplitude\n if (ip4 == int(ip4 \/ 2) * 2) goto initslurs\n ihold\ninitslurs:\niatttm = 0.09\nidectm = 0.1\nisustm = p3 - iatttm - idectm\nidec = iamplitude * 1.5\nireinit = -1\n if (ip4 > 1) goto checkafterslur\nilast = 0\ncheckafterslur:\n if (ip4 == 1 || ip4 == 3) goto doneslurs\nidec = 0\nireinit = 0\ndoneslurs:\n if (isustm <= 0) goto simpleenv\nkamp linseg ilast, iatttm, ip6, isustm, ip6, idectm, idec, 0, idec\n goto doneenv\nsimpleenv:\nkamp linseg ilast, p3 \/ 2,ip6, p3 \/ 2, idec, 0, idec\ndoneenv:\nilast = ip6\n ; Some vibrato.\nkvrandamp rand .1\nkvamp = (8 + p4) *.06 + kvrandamp\nkvrandfreq rand 1\nkvfreq = 5.5 + kvrandfreq\nkvbra poscil kvamp, kvfreq, 1, ireinit\nkfreq1 = icpsp1 + kvbra\nkfreq2 = icpsp2 + kvbra\n ; Noise for burst at beginning of note.\nknseenv expon ip6 \/ 4, 0.2, 1\nanoise1 rand knseenv\nanoise tone anoise1, 200\na1 poscil kamp, kfreq1, gikellyflute, ireinit\na2 poscil kamp, kfreq2, gikellyflute, ireinit\nasignal = a1 + a2 + anoise\naleft, aright\t\t Pan\t\t\t p7, asignal * adamping\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 20 ; Delayed plucked string, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 8000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\nihertz = ifrequency\nioctave\t\t\t =\t\t\t octcps(ifrequency)\n ; Detuning of strings by 4 cents each way.\nidetune = 4.0 \/ 1200.0\nihertzleft = cpsoct(ioctave + idetune)\nihertzright = cpsoct(ioctave - idetune)\nigenleft = gisine\nigenright = gicosine\nkvibrato poscil 1.0 \/ 120.0, 7.0, 1\nkexponential expseg 1.0, p3 + iattack, 0.0001, irelease, .0001\nkenvelope = (kexponential - 0.0001)\nag pluck kenvelope, cpsoct(ioctave + kvibrato), ifrequency, igenleft, 1\nagleft pluck kenvelope, ihertzleft, ifrequency, igenleft, 1\nagright pluck kenvelope, ihertzright, ifrequency, igenright, 1\nimsleft = 0.2 * 1000\nimsright = 0.21 * 1000\nadelayleft vdelay ag * kenvelope, imsleft, imsleft + 100\nadelayright vdelay ag * kenvelope, imsright, imsright + 100\nasignal = agleft + adelayleft + agright + adelayright\n ; Highpass filter to exclude speaker cone excursions.\nasignal1 butterhp asignal, 32.0\nasignal2 balance asignal1, asignal\naleft, aright\t\t Pan\t\t\t p7, asignal2 * iamplitude\np3, aleft, aright\t Declick\t\t\t 0 .003, p3, 0.05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 21 ; Melody (Chebyshev \/ FM \/ additive), Jon Nelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\np3, adamping\t\t Damping\t\t\t 0.01, p3, 0.01\niattack\t\t\t =\t\t\t 0.05\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.1\nip6 \t\t\t = \t\t\t gichebychev\n ; Pitch.\ni1 = ifrequency\nk100 randi 1,10\nk101 poscil 1, 5 + k100, gisine\nk102 linseg 0, .5, 1, p3, 1\nk100 = i1 + (k101 * k102)\n ; Envelope for driving oscillator.\nk1 linenr 0.5, p3 * .3, p3 * .2, 0.01\nk2 line 1, p3, .5\nk1 = k2 * k1\n ; Amplitude envelope.\nk10 expseg 0.0001, iattack, 1.0, isustain, 0.8, irelease, .0001\nk10 = (k10 - .0001)\n ; Power to partials.\nk20 linseg 1.485, iattack, 1.5, (isustain + irelease), 1.485\n ; a1-3 are for cheby with p6=1-4\na1 poscil k1, k100 - .025, gicook3\n ; Tables a1 to fn13, others normalize,\na2 tablei a1, ip6, 1, .5\na3 balance a2, a1\n ; Try other waveforms as well.\na4 foscil 1, k100 + .04, 1, 2.005, k20, gisine\na5 poscil 1, k100, gisine\na6 = ((a3 * .1) + (a4 * .1) + (a5 * .8)) * k10\na7 comb a6, .5, 1 \/ i1\na8 = (a6 * .9) + (a7 * .1)\nasignal \t\t balance \t a8, a1\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude * adamping\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 22 ; Tone wheel organ by Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 280000\niphase\t\t\t =\t\t\t p2\nikey = 12 * int(p4 - 6) + 100 * (p4 - 6)\nifqc = ifrequency\n ; The lower tone wheels have increased odd harmonic content.\niwheel1 = ((ikey - 12) > 12 ? gitonewheel1 : gitonewheel2)\niwheel2 = ((ikey + 7) > 12 ? gitonewheel1 : gitonewheel2)\niwheel3 = (ikey > 12 ? gitonewheel1 : gitonewheel2)\niwheel4 = 1\n ; Start Dur Amp Pitch SubFund Sub3rd Fund 2nd 3rd 4th 5th 6th 8th\n ; i1 0 6 200 8.04 8 8 8 8 3 2 1 0 4\nasubfund poscil 8, .5*ifqc, iwheel1, iphase\/(ikey-12)\nasub3rd poscil 8, 1.4983*ifqc, iwheel2, iphase\/(ikey+7)\nafund poscil 8, ifqc, iwheel3, iphase\/ikey\na2nd poscil 8, 2*ifqc, iwheel4, iphase\/(ikey+12)\na3rd poscil 3, 2.9966*ifqc, iwheel4, iphase\/(ikey+19)\na4th poscil 2, 4*ifqc, iwheel4, iphase\/(ikey+24)\na5th poscil 1, 5.0397*ifqc, iwheel4, iphase\/(ikey+28)\na6th poscil 0, 5.9932*ifqc, iwheel4, iphase\/(ikey+31)\na8th poscil 4, 8*ifqc, iwheel4, iphase\/(ikey+36)\nasignal = asubfund + asub3rd + afund + a2nd + a3rd + a4th + a5th + a6th + a8th\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.25, p3, .5, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 23 ; Enhanced FM bell, John ffitch\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 15000\nioct\t\t\t =\t\t\t octcps(ifrequency)\nidur \t\t = \t\t 15.0\niamp \t\t = \t\t iamplitude\nifenv \t\t = \t\t giffitch2 \t; BELL SETTINGS:\nifdyn \t\t = \t\t giffitch3 \t; AMP AND INDEX ENV ARE EXPONENTIAL\nifq1 \t\t = \t\t cpsoct(ioct - 1.) * 5. \t; DECREASING, N1:N2 IS 5:7, imax=10\nif1 \t\t = \t\t giffitch1 ; DURATION = 15 sec\nifq2 \t\t = \t\t cpsoct(ioct - 1.) * 7.\nif2 \t\t = \t\t giffitch1\nimax \t\t = \t\t 10\naenv \t\t poscil \t\t iamp, 1. \/ idur, ifenv \t; ENVELOPE\nadyn \t\t poscil \t\t ifq2 * imax, 1. \/ idur, ifdyn\t; DYNAMIC\nanoise \t\t rand \t\t 50.\namod \t\t poscil \t\t adyn + anoise, ifq2, if2 \t ; MODULATOR\nacar \t\t poscil \t\t aenv, ifq1 + amod, if1 \t ; CARRIER\n timout \t\t 0.5, idur, noisend\nknenv \t\t linseg \t\t iamp, 0.2, iamp, 0.3, 0\nanoise3 \t\t rand \t\t knenv\nanoise4 \t\t butterbp \t\t anoise3, iamp, 100.\nanoise5 \t\t balance \t\t anoise4, anoise3\nnoisend:\narvb \t\t nreverb \t\t acar, 2, 0.1\nasignal \t\t = \t\t acar + anoise5 + arvb\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .5, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.1, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n \n instr 24 ; STK BandedWG\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 200\nasignal \t\t STKBandedWG \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.006, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n \n instr 25 ; STK BeeThree\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3800\nasignal \t\t STKBeeThree \t\t ifrequency, 1.0, 1, 1.5, 2, 4.8, 4, 2.1\n; ares phaser1 asig, kfreq, kord, kfeedback [, iskip]\naphased phaser1 asignal, 4000, 16, .2, .9\naleft, aright\t\t Pan\t\t\t p7, (asignal + aphased) * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n \n instr 26 ; STK BlowBotl\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 7000\nasignal \t\t STKBlowBotl \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 27 ; STK BlowHole\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 8000\nasignal \t\t STKBlowHole \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 28 ; STK Bowed\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 300\n ; Controllers: \n ; 1 Vibrato Gain\n ; 2 Bow Pressure\n ; 4 Bow Position\n ; 11 Vibrato Frequency\n ; 128 Volume \nasignal \t\t STKBowed \t\t ifrequency, 1.0, 1, 0.8, 2, 100.0, 4, 50.0, 11, 20.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.6, 0.0, 0.8, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 29 ; STK Brass\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 1000\nasignal \t\t STKBrass \t\t ifrequency, 2.0, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 30 ; STK Clarinet\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 7000\nasignal \t\t STKClarinet \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 31 ; STK Drummer\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 8000\nasignal \t\t STKDrummer \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 32 ; STK Flute\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 5000\nasignal \t\t STKFlute \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 33 ; STK FMVoices\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 8000\nasignal \t\t STKFMVoices \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 34 ; STK HevyMetl\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 5000\nasignal \t\t STKHevyMetl \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 35 ; STK Mandolin\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2700\nasignal \t\t STKMandolin \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 36 ; STK ModalBar\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 1500\nasignal \t\t STKModalBar \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 37 ; STK Moog\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\nasignal \t\t STKMoog \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 38 ; STK PercFlut\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\nasignal \t\t STKPercFlut \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 39 ; STK Plucked\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 5000\nasignal \t\t STKPlucked \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 40 ; STK Resonate\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3500\nasignal \t\t STKResonate \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 41 ; STK Rhodey\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3500\nasignal \t\t STKRhodey \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 42 ; STK Saxofony\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nasignal \t\t STKSaxofony \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 43 ; STK Shakers\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 1000\nasignal \t\t STKShakers \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 44 ; STK Simple\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3000\nasignal \t\t STKSimple \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 45 ; STK Sitar\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\nasignal \t\t STKSitar \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 46 ; STK StifKarp\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 6000\nasignal \t\t STKStifKarp \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 47 ; STK TubeBell\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\nasignal \t\t STKTubeBell \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 48 ; STK VoicForm\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\nasignal \t\t STKVoicForm \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 49 ; STK Whistle\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nasignal \t\t STKWhistle \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 50 ; STK Wurley\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3200\nasignal \t\t STKWurley \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n#ifdef ENABLE_SOUNDFONTS\n\ninstr 51 ; FluidSynth Steinway\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\n ; Use channel assigned in fluidload.\nichannel\t\t =\t\t\t 0\nioffset\t\t\t =\t\t\t ((sr \/ 44100) - 1) * 12\nikey\t \t\t = \t\t\t p4 - ioffset\nikey \t\t\t =\t\t\t p4\nivelocity \t\t = \t\t\t dbamp(iamplitude)\n fluidNote\t\t giFluidsynth, ichannel, ikey, ivelocity\n endin\n\n instr 52 ; FluidSynth General MIDI\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\n ; Use channel assigned in fluidload.\nichannel\t\t =\t\t\t 1\nioffset\t\t\t =\t\t\t ((sr \/ 44100) - 1) * 12\nikey\t \t\t = \t\t\t p4 - ioffset\nikey \t\t\t =\t\t\t p4\nivelocity \t\t = \t\t\t dbamp(iamplitude)\n fluidNote\t\t giFluidsynth, ichannel, ikey, ivelocity\n endin\n\n instr \t\t\t 53 ; FluidSynth Marimba\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\n ; Use channel assigned in fluidload.\nichannel\t\t =\t\t\t 2\nioffset\t\t\t =\t\t\t ((sr \/ 44100) - 1) * 12\nikey\t \t\t = \t\t\t p4 - ioffset\nikey \t\t\t =\t\t\t p4\nivelocity \t\t = \t\t\t dbamp(iamplitude)\n fluidNote\t\t giFluidsynth, ichannel, ikey, ivelocity\n endin\n\n instr 54 ; FluidSynth Organ\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\n ; Use channel assigned in fluidload.\nichannel\t\t =\t\t\t 3\nioffset\t\t\t =\t\t\t ((sr \/ 44100) - 1) * 12\nikey\t \t\t = \t\t\t p4 - ioffset\nikey \t\t\t =\t\t\t p4\nivelocity \t\t = \t\t\t dbamp(iamplitude)\n fluidNote\t\t giFluidsynth, ichannel, ikey, ivelocity\n endin\n\n#end\n\n instr 55 ; Modeled Guitar, Jeff Livingston\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; The model takes pluck position, and pickup position (in % of string length), and generates\n ; a pluck excitation signal, representing the string displacement. The pluck consists \n ; of a forward and backward traveling displacement wave, which are recirculated thru two \n ; separate delay lines, to simulate the one dimensional string waveguide, with \n ; fixed ends.\n ;\n ; Losses due to internal friction of the string, and with air, as well as\n ; losses due to the mechanical impedance of the string terminations are simulated by \n ; low pass filtering the signal inside the feedback loops.\n ; Delay line outputs at the bridge termination are summed and fed into an IIR filter\n ; modeled to simulate the lowest two vibrational modes (resonances) of the guitar body.\n ; The theory implies that force due to string displacement, which is equivalent to \n ; displacement velocity times bridge mechanical impedance, is the input to the guitar\n ; body resonator model. Here we have modified the transfer fuction representing the bridge\n ; mech impedance, to become the string displacement to bridge input force transfer function.\n ; The output of the resulting filter represents the displacement of the guitar's top plate,\n ; and sound hole, since thier respective displacement with be propotional to input force.\n ; (based on a simplified model, viewing the top plate as a force driven spring).\n ;\n ; The effects of pluck hardness, and contact with frets during pluck release,\n ; have been modeled by injecting noise into the initial pluck, proportional to initial \n ; string displacement.\n ;\n ; Note on pluck shape: Starting with a triangular displacment, I found a decent sounding\n ; initial pluck shape after some trial and error. This pluck shape, which is a linear\n ; ramp, with steep fall off, doesn't necessarily agree with the pluck string models I've \n ; studied. I found that initial pluck shape significantly affects the realism of the \n ; sound output, but I the treatment of this topic in musical acoustics literature seems\n ; rather limited as far as I've encountered. \n ;\n ; Original pfields\n ; p1 p2 p3 p4 p5 p6 p7 p8 p9 p10 p11 p12 p13\n ; in st dur amp pch plklen fbfac\tpkupPos\t pluckPos brightness vibf vibd vibdel\n ; i01.2\t 0.5 0.75 5000 7.11\t.85 0.9975\t.0\t .25\t 1\t 0\t 0\t 0\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 20000\np3, adamping\t\t Damping\t\t\t 0.003, p3,.03\nip4 init iamplitude\nip6 init 0.85\nip7 init 0.9975\nip8 init 0\nip9 init 0.25\nip10 init 1.0\nip11 init 0.0\nip12 init 0.0\nip13 init 0.0\nafwav init 0\nabkwav init 0\nabkdout init 0\nafwdout init 0 \niEstr\t init 1.0 \/ cpspch(6.04)\nifqc init ifrequency ; cpspch(p5)\n ; note:delay time=2x length of string (time to traverse it)\nidlt init 1.0 \/ ifqc\t\t\n print ifrequency, ifqc, idlt\nipluck = 0.5 * idlt * ip6 * ifqc \/ cpspch(8.02)\nifbfac = ip7 \t\t\t; feedback factor\n ; (exponentialy scaled) additive noise to add hi freq content\nibrightness = ip10 * exp(ip6 * log(2)) \/ 2 \nivibRate = ip11\t\nivibDepth pow 2, ip12 \/ 12\n ; vibrato depth, +,- ivibDepth semitones\nivibDepth = idlt - 1.0 \/ (ivibDepth * ifqc)\t\n ; vibrato start delay (secs)\nivibStDly = ip13 \n ; termination impedance model\n ; cutoff freq of LPF due to mech. impedance at the nut (2kHz-10kHz)\nif0 = 10000 \n ; damping parameter of nut impedance\niA0 = ip7 \nialpha = cos(2 * 3.14159265 * if0 * 1 \/ sr)\n ; FIR LPF model of nut impedance, H(z)=a0+a1z^-1+a0z^-2\nia0 = 0.3 * iA0 \/ (2 * (1 - ialpha))\nia1 = iA0 - 2 * ia0\n ; NOTE each filter pass adds a sampling period delay,so subtract 1\/sr from tap time to compensate\n ; determine (in crude fashion) which string is being played\n ; icurStr = (ifqc > cpspch(6.04) ? 2 : 1)\n ; icurStr = (ifqc > cpspch(6.09) ? 3 : icurStr)\n ; icurStr = (ifqc > cpspch(7.02) ? 4 : icurStr)\n ; icurStr = (ifqc > cpspch(7.07) ? 5 : icurStr)\n ; icurStr = (ifqc > cpspch(7.11) ? 6 : icurStr)\nipupos = ip8 * idlt \/ 2 ; pick up position (in % of low E string length)\nippos = ip9 * idlt \/ 2 ; pluck position (in % of low E string length)\nisegF = 1 \/ sr\nisegF2 = ipluck\niplkdelF = (ipluck \/ 2 > ippos ? 0 : ippos - ipluck \/ 2)\nisegB = 1 \/ sr\nisegB2 = ipluck\niplkdelB = (ipluck \/ 2 > idlt \/ 2 - ippos ? 0 : idlt \/ 2 - ippos - ipluck \/ 2)\n ; EXCITATION SIGNAL GENERATION\n ; the two excitation signals are fed into the fwd delay represent the 1st and 2nd \n ; reflections off of the left boundary, and two accelerations fed into the bkwd delay \n ; represent the the 1st and 2nd reflections off of the right boundary.\n ; Likewise for the backward traveling acceleration waves, only they encouter the \n ; terminationsin the opposite order.\nipw = 1\nipamp = ip4 * ipluck ; 4 \/ ipluck\naenvstrf linseg 0, isegF, -ipamp \/ 2, isegF2, 0\nadel1\t delayr idlt\n ; initial forward traveling wave (pluck to bridge)\naenvstrf1 deltapi iplkdelF \n ; first forward traveling reflection (nut to bridge) \naenvstrf2 deltapi iplkdelB + idlt \/ 2 \n delayw aenvstrf\n ; inject noise for attack time string fret contact, and pre pluck vibrations against pick \nanoiz rand\t ibrightness\naenvstrf1 = aenvstrf1 + anoiz*aenvstrf1\naenvstrf2 = aenvstrf2 + anoiz*aenvstrf2\n ; filter to account for losses along loop path\naenvstrf2\t filter2 aenvstrf2, 3, 0, ia0, ia1, ia0 \n ; combine into one signal (flip refl wave's phase)\naenvstrf = aenvstrf1 - aenvstrf2\n ; initial backward excitation wave \naenvstrb linseg 0, isegB, - ipamp \/ 2, isegB2, 0 \nadel2\t delayr idlt\n ; initial bdwd traveling wave (pluck to nut)\naenvstrb1 deltapi iplkdelB \n ; first forward traveling reflection (nut to bridge) \naenvstrb2 deltapi idlt \/ 2 + iplkdelF \n delayw aenvstrb\n ; initial bdwd traveling wave (pluck to nut)\n; aenvstrb1\tdelay\taenvstrb, iplkdelB\n ; first bkwd traveling reflection (bridge to nut)\n; aenvstrb2\tdelay\taenvstrb, idlt\/2+iplkdelF\n ; inject noise\naenvstrb1 = aenvstrb1 + anoiz*aenvstrb1\naenvstrb2 = aenvstrb2 + anoiz*aenvstrb2\n ; filter to account for losses along loop path\naenvstrb2\t filter2 aenvstrb2, 3, 0, ia0, ia1, ia0\n ; combine into one signal (flip refl wave's phase)\naenvstrb\t =\t aenvstrb1 - aenvstrb2\n ; low pass to band limit initial accel signals to be < 1\/2 the sampling freq\nainputf tone aenvstrf, sr * 0.9 \/ 2\nainputb tone aenvstrb, sr * 0.9 \/ 2\n ; additional lowpass filtering for pluck shaping\\\n ; Note, it would be more efficient to combine stages into a single filter\nainputf tone ainputf, sr * 0.9 \/ 2\nainputb tone ainputb, sr * 0.9 \/ 2\n ; Vibrato generator\navib poscil ivibDepth, ivibRate, 1\navibdl\t\t delayr\t\t (ivibStDly * 1.1) + 0.001\navibrato\t deltapi\t ivibStDly\n delayw\t\t avib\n ; Dual Delay line, \n ; NOTE: delay length longer than needed by a bit so that the output at t=idlt will be interpolated properly \n ;forward traveling wave delay line\nafd \t\t delayr (idlt + ivibDepth) * 1.1\n ; output tap point for fwd traveling wave\nafwav \t deltapi ipupos \t\n ; output at end of fwd delay (left string boundary)\nafwdout\t deltapi idlt - 1 \/ sr + avibrato\t\n ; lpf\/attn due to reflection impedance\t\t\nafwdout\t filter2 afwdout, 3, 0, ia0, ia1, ia0 \n \t\t\t delayw ainputf + afwdout * ifbfac * ifbfac\n ; backward trav wave delay line\nabkwd \t delayr (idlt + ivibDepth) * 1.1\n ; output tap point for bkwd traveling wave\nabkwav \t deltapi idlt \/ 2 - ipupos\t\t\n ; output at the left boundary\n; abkterm\tdeltapi\tidlt\/2\t\t\t\t\n ; output at end of bkwd delay (right string boundary)\nabkdout\t deltapi idlt - 1 \/ sr + avibrato\t\nabkdout\t filter2 abkdout, 3, 0, ia0, ia1, ia0 \t\n delayw ainputb + abkdout * ifbfac * ifbfac\n ; resonant body filter model, from Cuzzucoli and Lombardo\n ; IIR filter derived via bilinear transform method\n ; the theoretical resonances resulting from circuit model should be:\n ; resonance due to the air volume + soundhole = 110Hz (strongest)\n ; resonance due to the top plate = 220Hz\n ; resonance due to the inclusion of the back plate = 400Hz (weakest)\naresbod filter2 (afwdout + abkdout), 5, 4, 0.000000000005398681501844749, .00000000000001421085471520200, -.00000000001076383426834582, -00000000000001110223024625157, .000000000005392353230604385, -3.990098622573566, 5.974971737738533, -3.979630684599723, .9947612723736902\nasig = (1500 * (afwav + abkwav + aresbod * .000000000000000000003)) * adamping\naleft, aright\t\t Pan\t\t\t p7, asig\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin \n \n#ifdef ENABLE_PIANOTEQ\n\n instr 56 ; Pianoteq\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nichan init 1.0\n vstnote giPianoteq, ichan, p4, p5, p3\n endin\n\n#end\n\n instr 57 ; Epicycloid or Spirograph curve, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; This set of parametric equations defines the path traced by\n ; a point on a circle of radius B rotating outside a circle of\n ; radius A.\n ; p1 p2 p3 p4 p5 p6 p7 p8\n ; Start Dur Amp Frqc A B Hole\n ; i 2 0 6 8000 8.00 10 2 1\n ; i 2 4 4 . 7.11 5.6 0.4 0.8\n ; i 2 + 4 . 8.05 2 8.5 0.7\n ; i 2 . 2 . 8.02 4 5 0.6\n ; i 2 . 2 . 8.02 5 0.5 1.2 \n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nifqc init ifrequency\nifqci init ifrequency ; gi2fqc\n; gi2fqc init ifqc\nip4 init iamplitude\nia init 5.6 ; p6\nib init 0.4 ; p7\nihole init 0.8 ; p8\niscale init 1 \/ (ia + 2 * ib)\nkampenv linseg 0, .02, ip4 * iscale, p3 - .04, ip4 * iscale, .02, 0\nkptchenv linseg ifqci, .2 * p3, ifqc, .8 * p3, ifqc\nkvibenv linseg 0, .5, 0, .2, 1, .2, 1\nkvibr oscili 20, 8, 1\nkfqc = kptchenv + kvibr * kvibenv\n ; Sine and Cosine\nacos1 oscili ia + ib, kfqc, 1, .25\nacos2 oscili ib * ihole, (ia - ib) \/ ib * kfqc, 1, .25\nax = acos1 + acos2\nasin1 oscili ia + ib, kfqc, 1\nasin2 oscili ib, (ia - ib) \/ ib * kfqc, 1\nay = asin1 - asin2\naleft = kampenv * ax\naright = kampenv * ay\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 58 ; Hypocycloid or Spirograph curve, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; This set of parametric equations defines the path traced by\n ; a point on a circle of radius B rotating inside a circle of\n ; radius A.\n ; p1 p2 p3 p4 p5 p6 p7 p8\n ; Start Dur Amp Frqc A B Hole\n ; i 3 16 6 8000 8.00 10 2 1\n ; i 3 20 4 . 7.11 5.6 0.4 0.8\n ; i 3 + 4 . 8.05 2 8.5 0.7\n ; i 3 . 2 . 8.02 4 5 0.6\n ; i 3 . 2 . 8.02 5 0.5 1.2\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nifqc init ifrequency \nip4 init iamplitude\nifqci init ifrequency\n;ifqci init gi3fqc\n;gi3fqc init ifqc\nia = 5.6 ; p6\nib = 0.4 ; p7\nihole = 0.8 ; p8\niscale = (ia < ib ? 1 \/ ib : 1 \/ ia)\nkampenv linseg 0, .1, ip4 * iscale, p3 - .2, ip4 * iscale, .1, 0\nkptchenv linseg ifqci, .2 * p3, ifqc, .8 * p3, ifqc\nkvibenv linseg 0, .5, 0, .2, 1, .2, 1\nkvibr oscili 20, 8, 1\nkfqc = kptchenv+kvibr*kvibenv\n ; Sine and Cosine\nacos1 oscili ia - ib, kfqc, 1, .25\nacos2 oscili ib * ihole, (ia - ib) \/ ib * kfqc, 1, .25\nax = acos1 + acos2\nasin1 oscili ia-ib, kfqc, 1\nasin2 oscili ib, (ia - ib) \/ ib * kfqc, 1\nay = asin1 - asin2\naleft = kampenv * ax\naright = kampenv * ay\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 59 ; Banchoff Klein Bottle, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6 p7\n ; Start Dur Amp Frqc U V \n ; i 4 32 6 6000 6.00 3 2\n ; i 4 36 4 . 5.11 5.6 0.4\n ; i 4 + 4 . 6.05 2 8.5\n ; i 4 . 2 . 6.02 4 5\n ; i 4 . 2 . 6.02 5 0.5\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 30000\nifqc init ifrequency\nip4 init iamplitude\niu init 3 ; p6\niv init 2 ; p7\nirt2 init sqrt(2)\naampenv linseg 0, 0.02, ip4, p3 - 0.04, ip4, 0.02, 0\n ; Cosines\nacosu oscili 1, iu * ifqc, 1, .25\nacosu2 oscili 1, iu * ifqc \/ 2, 1, .25\nacosv oscili 1, iv * ifqc, 1, .25\n ; Sines\nasinu oscili 1, iu * ifqc, 1\nasinu2 oscili 1, iu * ifqc \/ 2, 1\nasinv oscili 1, iv * ifqc, 1\n ; Compute X and Y\nax = acosu * (acosu2 * (irt2 + acosv) + asinu2 * asinv * acosv)\nay = asinu * (acosu2 * (irt2 + acosv) + asinu2 * asinv * acosv)\n ; Low frequency rotation in spherical coordinates z, phi, theta.\nklfsinth oscili 1, 4, 1\nklfsinph oscili 1, 1, 1\nklfcosth oscili 1, 4, 1, .25\nklfcosph oscili 1, 1, 1, .25\naox = -ax * klfsinth + ay * klfcosth\naoy = -ax * klfsinth * klfcosph - ay * klfsinth * klfcosph + klfsinph\naleft = aampenv * aox\naright = aampenv * aoy\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 60 ; Low-level plucked string, Comajuncosas\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; Low level implementation\n ; of the classic Karplus-Strong algorithm\n ; fixed pitches : no vibratos or glissandi !\n ; implemented by Josep M Comajuncosas \/ Aug98\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; Initialised with a wide pulse (buzz)\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; f1 0 32769 10 1; sine wave\n ; t 0 90\n ; p1 p2 p3 p4 p5 p6\n ; i1 0 15 6.04 0.1 1500\n ; i1 2 15 6.11 0.4 1500\n ; i1 4 15 7.04 0.8 2500\n ; i1 6 15 7.09 0.5 1100\n ; i1 8 15 8.02 0.3 4500\n ; i1 10 15 8.06 0.2 1300\n ; e\n ; i1 0.11 15 6.09 .11 1600\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2500\nip5 = 0.3\nip6 = iamplitude\nipluck = ip5 ; p5; pluck position ( 0 to 1 )\nifreq = ifrequency ; cpspch(p4)\nidlts = int(kr \/ ifreq - 0.5) ; set waveguide length (an integer number of samples)\nidlt = idlts \/ kr ; convert to seconds\nkdlt init idlts ; counter for string initialisation\nirems = kr \/ ifreq - idlts + 0.5 ; remaining time in fractions of a sample\n ; set phase delay induced by the FIR lowpass filter\n ; and the fractional delay in the waveguide\n iph = (1 - irems) \/ (1 + irems) ; allpass filter parameter\n ; approximation valid at low frequencies relative to sr\nawgout init 0\n if kdlt < 0 goto continue\n initialise:\n;abuzz buzz p6, 1 \/ idlt, p6 * idlt, 1, ipluck\nabuzz buzz ip6, 1 \/ idlt, ip6 * idlt, 1, ipluck\n ; fill the buffer with a bandlimited pulse\n ; knh controls bandwidth\n ; harmonic richness grows with volume\nacomb delay abuzz, ipluck \/ idlt\napulse = abuzz - acomb\n ; implement pluck point as a FIR comb filter\n continue:\nareturn delayr idlt\nainput = apulse + areturn\nalpf filter2 ainput, 2, 0, 0.5, 0.5\n ; lowpass filter to simulate energy losses\n ; could be variable to allow damping control\nawgout filter2 alpf, 2, 1, iph, 1, iph\n ; allpass filter to fine tune the instrument\n ; should be compensated in the delay line\n ; for better pitch accuracy\n delayw awgout\nawgout dcblock awgout ; this seems necessary\n ; ideally should be inside the loop, but then\n ; the phase delay should be compensated\n ; for better pitch accuracy\n ; out awgout\naleft, aright\t\t Pan\t\t\t p7, awgout\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\nkdlt = kdlt - 1\nanoize = 0 ; supress last impulse when waveguide is loaded\n;tricky but easy...\n endin\n\n instr 61 ; Bass Physical Model, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6\n ; Start Dur Amp Pitch PluckDur\n ; i2 128 4 1400 6.00 0.25\n ; i2 + 2 1200 6.01 0.25\n ; i2 . 4 1000 6.05 0.5\n ; i2 . 2 500 6.04 1\n ; i2 . 4 1000 6.03 0.5\n ; i2 . 16 1000 6.00 0.5\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 100000\n ; Initializations\nifqc = ifrequency\nip4 = iamplitude\nip6 = 0.5\nipluck = 1 \/ ifqc * ip6\nkcount init 0\nadline init 0\nablock2 init 0\nablock3 init 0\nafiltr init 0\nafeedbk init 0\nkoutenv linseg 0, .01, 1, p3 - .11 , 1, .1 , 0 ; Output envelope\nkfltenv linseg 0, 1.5, 1, 1.5, 0 \n ; This envelope loads the string with a triangle wave.\nkenvstr linseg 0, ipluck \/ 4, -ip4 \/ 2, ipluck \/ 2, ip4 \/ 2, ipluck \/ 4, 0, p3 - ipluck, 0\naenvstr = kenvstr\nainput tone aenvstr, 200\n ; DC Blocker\nablock2 = afeedbk - ablock3 + .99 * ablock2\nablock3 = afeedbk\nablock = ablock2\n ; Delay line with filtered feedback\nadline delay ablock + ainput, 1 \/ ifqc - 15 \/ sr\nafiltr tone adline, 400\n ; Resonance of the body \nabody1 reson afiltr, 110, 40\nabody1 = abody1 \/ 5000\nabody2 reson afiltr, 70, 20\nabody2 = abody2 \/ 50000\nafeedbk = afiltr\naout = afeedbk\n ; out 50 * koutenv * (aout + kfltenv * (abody1 + abody2))\nasignal = 50 * koutenv * (aout + kfltenv * (abody1 + abody2))\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 62 ; Perry Cook Slide Flute, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6 p7 p8 p9\n ; Start Dur Amplitude Pitch Pressure Breath Feedbk1 Feedbk2\n ; i3 80 16 6000 8.00 0.9 0.036 0.4 0.4\n ; i3 + 4 . 8.01 0.95 . . .\n ; i3 . 4 . 8.03 0.97 . . .\n ; i3 . 4 . 8.04 0.98 . . .\n ; i3 . 4 . 8.05 0.99 . . .\n ; i3 . 16 . 9.00 1.0 . . .\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\naflute1 init 0\nifqc = ifrequency ; cpspch(p5)\nip4 = iamplitude\nip6 = 0.99\nip7 = 0.036\nip8 = 0.4\nip9 = 0.4\nipress = ip6\nibreath = ip7\nifeedbk1 = ip8\nifeedbk2 = ip9\n ; Flow setup\nkenv1 linseg 0, .06, 1.1 * ipress, .2, ipress, p3 - .16, ipress, .02, 0 \nkenv2 linseg 0, .01, 1, p3 - .02, 1, .01, 0\nkenvibr linseg 0, .5, 0, .5, 1, p3 - 1, 1 ; Vibrato envelope\n ; The values must be approximately -1 to 1 or the cubic will blow up.\naflow1 rand kenv1\nkvibr oscili 0.02 * kenvibr, 5.3, gisine ; 3\n ; ibreath can be used to adjust the noise level.\nasum1 = ibreath * aflow1 + kenv1 + kvibr\nasum2 = asum1 + aflute1 * ifeedbk1\nafqc = 1 \/ ifqc - asum1 \/ 20000 -9 \/ sr + ifqc \/ 12000000\n ; Embouchure delay should be 1\/2 the bore delay\n ; ax delay asum2, (1\/ifqc-10\/sr)\/2\natemp1 delayr 1 \/ ifqc\/2\nax deltapi afqc \/ 2 ; - asum1\/ifqc\/10 + 1\/1000\n delayw asum2\napoly = ax - ax * ax * ax\nasum3 = apoly + aflute1 * ifeedbk2\navalue tone asum3, 2000\n ; Bore, the bore length determines pitch. Shorter is higher pitch.\natemp2 delayr 1 \/ ifqc\naflute1 deltapi afqc\n delayw avalue\n ; out avalue * p4 * kenv2\nasignal = avalue * ip4 * kenv2\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.003, p3, 0.05, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 63 ; Perry Cook Clarinet, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6 p7 p8 p9\n ; Start Dur Amp Pitch Press Filter Embouchure Reed Table\n ; (20000) (8.00-9.00) (0-2) (500-1200) (0-1) \n ; i4 32 16 6000 8.00 1.5 1000 0.2 1\n ; i4 + 4 . 8.01 1.8 1000 0.2 1\n ; i4 . 2 . 8.03 1.6 1000 0.2 1\n ; i4 . 2 . 8.04 1.7 1000 0.2 1\n ; i4 . 2 . 8.05 1.7 1000 0.2 1\n ; i4 . 2 . 9.03 1.7 1000 0.2 1\n ; i4 . 4 . 8.00 1.7 1000 0.2 1\n ; i4 + 16 . 9.00 1.8 1000 0.2 1\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nip4 = iamplitude\nip6 = 1.6\nip7 = 1000\nip8 = 0.2\nip9 = gireedtable\nareedbell init 0\nifqc = ifrequency; cpspch(p5)\nifco = ip7\nibore = 1 \/ ifqc - 15 \/ sr\n ; I got the envelope from Perry Cooke's Clarinet.\nkenv1 linseg 0, .005, .55 + .3 * ip6, p3 - .015, .55 + .3 * ip6, .01, 0\nkenvibr linseg 0, .1, 0, .9, 1, p3 - 1, 1 ; Vibrato envelope\n ; Supposedly has something to do with reed stiffness?\nkemboff = ip8\n ; Breath Pressure\navibr oscil .1 * kenvibr, 5, gisine ; 3\napressm = kenv1 + avibr\n ; Reflection filter from the bell is lowpass.\narefilt tone areedbell, ifco\n ; The delay from bell to reed.\nabellreed delay arefilt, ibore\n ; Back pressure and reed table look up.\nasum2 = - apressm -.95 * arefilt - kemboff\nareedtab tablei asum2 \/ 4 + .34, ip9, 1, .5\namult1 = asum2 * areedtab\n ; Forward Pressure\nasum1 = apressm + amult1\nareedbell delay asum1, ibore\naofilt atone areedbell, ifco\n ; out aofilt * p4\nasignal = aofilt * ip4\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n \n instr 64 ; Basic Granular Synthesis, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; f1 0 65536 1 \"hahaha.aif\" 0 4 0\n ; f2 0 1024 7 0 224 1 800 0\n ; f3 0 8192 7 1 8192 -1\n ; f4 0 1024 7 0 512 1 512 0\n ; f5 0 1024 10 1 .3 .1 0 .2 .02 0 .1 .04\n ; f6 0 1024 10 1 0 .5 0 .33 0 .25 0 .2 0 .167\n ; a0 14 50\n ; p1 p2 p3 p4 p5 p6 p7 p8 p9 p10\n ; Start Dur Amp Freq GrTab WinTab FqcRng Dens Fade\n ; i1 0.0 6.5 700 9.00 5 4 .210 200 1.8\n ; i1 3.2 3.5 800 7.08 . 4 .042 100 0.8\n ; i1 5.1 5.2 600 7.10 . 4 .032 100 0.9\n ; i1 7.2 6.6 900 8.03 . 4 .021 150 1.6\n ; i1 21.3 4.5 1000 9.00 . 4 .031 150 1.2\n ; i1 26.5 13.5 1100 6.09 . 4 .121 150 1.5\n ; i1 30.7 9.3 900 8.05 . 4 .014 150 2.5\n ; i1 34.2 8.8 700 10.02 . 4 .14 150 1.6\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 50000\nip4 = iamplitude\nip5 = ifrequency\nip6 = gigrtab\nip7 = giwintab\nip8 = 0.033\nip9 = 150\nip10 = 1.6\nidur = p3\niamp = iamplitude ; p4\nifqc = ifrequency ; cpspch(p5)\nigrtab = ip6\niwintab = ip7\nifrng = ip8\nidens = ip9\nifade = ip10\nigdur = 0.2\nkamp linseg 0, ifade, 1, idur - 2 * ifade, 1, ifade, 0\n; Amp Fqc Dense AmpOff PitchOff GrDur GrTable WinTable MaxGrDur\naoutl grain ip4, ifqc, idens, 100, ifqc * ifrng, igdur, igrtab, iwintab, 5\naoutr grain ip4, ifqc, idens, 100, ifqc * ifrng, igdur, igrtab, iwintab, 5\n; outs aoutl*kamp, aoutr*kamp\naleft = aoutl * kamp\naright = aoutr * kamp\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n \n\t\t\t instr 65 ; Chebyshev Waveshaping Drone, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6 p7 p8\n ; insno onset duration fundamental numerator denominator velocity pan\n ; What I want here is just intonation C major 7, G major 7, G 7, C major with voice leading.\n ; i 1 0 60 60 1 1 60 -0.875\n ; i 1 0 180 60 3 2 60 0.000\n ; i 1 0 60 60 28 15 60 0.875\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack \t\t = \t\t\t 0.02\nidecay = 0.05\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.25\nihertz = ifrequency\niamp = iamplitude\nkenvelope transeg 0.0, iattack \/ 2.0, 2.5, iamp \/ 2.0, iattack \/ 2.0, -2.5, iamp, isustain, 0.0, iamp, idecay \/ 2.0, 2.5, iamp \/ 2.0, idecay \/ 2.0, -2.5, 0.0\nasignal poscil3 kenvelope, ihertz, giharmonics\nasignal distort asignal, 0.4, gidistortion\naleft, aright reverbsc asignal, asignal, 0.85, 8000, sr, 0.375 \naleft, aright\t\t Pan\t\t\t p7, aleft + aright\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n\t\t\t endin\n \n\t\t\t instr 66 ; Reverb Sine, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 20000\niattack \t\t = \t\t\t 0.02\nidecay = 0.03\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.25\nkenvelope transeg 0.0, iattack, 2.5, iamplitude, isustain, 0.0, iamplitude, idecay, 2.5, 0.0\nasignal poscil3 kenvelope, ifrequency, gicosine\naleft, aright reverbsc asignal, asignal, 0.90, 10000, sr, 0.775 \naleft, aright\t\t Pan\t\t\t p7, (aleft + aright) * 2.0\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n\t\t\t endin\n \n\t\t\t instr 67 ; Reverb Sine 2, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 20000\niattack \t\t = \t\t\t 0.02\nidecay = 0.03\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.25\nkenvelope transeg 0.0, iattack, 2.5, iamplitude, isustain, 0.0, iamplitude, idecay, 2.5, 0.0\nasignal poscil3 kenvelope, ifrequency, gicosine\naleft, aright reverbsc asignal, asignal, 0.80, 10000, sr, 0.375 \naleft, aright\t\t Pan\t\t\t p7, (aleft + aright) * 2.0\np3, aleft, aright\t Declick\t\t\t iattack, isustain, idecay, aleft, aright\n ; print p3, iamplitude, iattack, idecay, isustain\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n\t\t\t endin\n \n instr 68 ; FM with reverberated modulator, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\niattack\t\t\t =\t\t\t 0.004\nidecay\t\t\t\t=\t\t\t\t 8.0\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\nicarrier = 1\niratio = 2.0\nimodulatorAmplitude = 8\nifrequencyb = ifrequency * 1.003\nicarrierb = icarrier * 1.004\naenvelope transeg 0.0, iattack, -9.0, 1.0, isustain, -5.0, 0.625,irelease, -4.0, 0.0\nkfmenvelope transeg 0.0, iattack, -9.0, 1.5, isustain, -5.0, 0.525, irelease, -4.0, 0.0\n ; Use poscil to get arate FM.\namodulator poscil imodulatorAmplitude * kfmenvelope, ifrequency * iratio, gisine \namodl, amodr reverbsc amodulator, amodulator, 0.5, sr * 0.75\nasignal poscil 1.0, ifrequency * amodl, gisine \nasignal = asignal * aenvelope\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n#ifdef ENABLE_SOUNDFONTS\n\n instr 190 ; Fluidsynth output\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nijunk\t\t\t = \t\t\t p1 + p2 + p3 + p4 + p5\nifrequency,iamplitude\tNoteOn p4, p5, 450.0\naleft, aright \t fluidOut\t\t giFluidsynth\naleft\t\t\t = \t\t\t iamplitude * aleft\naright\t\t\t =\t\t\t iamplitude * aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n#end\n\n#ifdef ENABLE_PIANOTEQ\n instr 191 ; Pianoteq output\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nijunk\t\t\t = \t\t\t p1 + p2 + p3 + p4 + p5\nifrequency,iamplitude\tNoteOn p4, p5, 2400.0\nainleft init 0.0\nainright init 0.0\naleft, aright vstaudiog giPianoteq, ainleft, ainright\naleft\t\t\t = \t\t\t 0.5 * aleft * iamplitude\naright\t\t\t =\t\t\t 0.5 * aright * iamplitude\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n#end\n \n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; B U S S E F F E C T S \n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n instr 200 ; Chorus by J. Lato\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p4 = delay in milliseconds\n ; p5 = divisor of p4\n ; Chorus effect, borrowed from http:\/\/www.jlpublishing.com\/Csound.htm\n ; I made some of its parameters accesible trhough score.\na1 MixerReceive 200, 0\na2 MixerReceive 200, 1\nidlyml = p4 ;delay in milliseconds\nk1 poscil idlyml\/p5, 1, 2\nar1l vdelay3 a1, idlyml\/5+k1, 900 ;delayed sound 1\nar1r vdelay3 a2, idlyml\/5+k1, 900 ;delayed sound 1\nk2 poscil idlyml\/p5, .995, 2\nar2l vdelay3 a1, idlyml\/5+k2, 700 ;delayed sound 2\nar2r vdelay3 a2, idlyml\/5+k2, 700 ;delayed sound 2\nk3 poscil idlyml\/p5, 1.05, 2\nar3l vdelay3 a1, idlyml\/5+k3, 700 ;delayed sound 3\nar3r vdelay3 a2, idlyml\/5+k3, 700 ;delayed sound 3\nk4 poscil idlyml\/p5, 1, 2\nar4l vdelay3 a1, idlyml\/5+k4, 900 ;delayed sound 4\nar4r vdelay3 a2, idlyml\/5+k4, 900 ;delayed sound 4\naoutl = (a1+ar1l+ar2l+ar3l+ar4l)*.5\naoutr = (a2+ar1r+ar2r+ar3r+ar4r)*.5\n ; To the reverb unit\n MixerSend aoutl, 200, 210, 0\n MixerSend aoutr, 200, 210, 1\n ; To the output mixer\n MixerSend aoutl, 200, 220, 0\n MixerSend aoutr, 200, 220, 1\n endin\n\n instr 210 ; Reverb by Sean Costello \/ J. Lato\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nidelay = p4 \nipitchmod = p5 \nicutoff = p6 \nainL MixerReceive 210, 0\nainR MixerReceive 210, 1\naoutL, aoutR reverbsc ainL, ainR, idelay, icutoff, sr, ipitchmod, 0\n ; To the master output.\n MixerSend aoutL, 210, 220, 0\n MixerSend aoutR, 210, 220, 1\n endin\n \n instr 220 ; Master output\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p4 = level\n ; p5 = fadein + fadeout\n ; Applies a bass enhancement, compression and fadeout\n ; to the whole piece, outputs signals, and clears the mixer.\n ; Receive audio from the master mixer buss.\na1 MixerReceive 220, 0\na2 MixerReceive 220, 1\n ; Enhance the bass.\nal1 butterlp a1, 100\nal2 butterlp a2, 100\na1 = al1 * 1.5 + a1\na2 = al2 * 1.5 + a2\n ; Remove DC bias.\na1blocked dcblock a1\na2blocked dcblock a2\n ; Apply compression.\na1 compress a1, a1, 0, 48, 60, 3, .01, .05, .05\na2 compress a2, a2, 0, 48, 60, 3, .01, .05, .05\n ; Output audio.\n outs a1blocked, a2blocked\n ; Reset the busses for the next kperiod.\n MixerClear\n endin\n \n<\/CsInstruments>\n\n\n; EFFECTS MATRIX\n\n; Chorus to Reverb\ni 1 0 0 200 210 0.05\n; Chorus to Output\ni 1 0 0 200 220 0.05\n; Reverb to Output\ni 1 0 0 210 220 0.125\n\n; SOUNDFONTS OUTPUT\n\n; Insno Start Dur Key \tAmplitude\ni 190 \t 0 -1 0\t 73.\n\n; PIANOTEQ OUTPUT\n\n; Insno Start Dur Key \tAmplitude\ni 191 \t 0 -1 0\t 1.\n\n; MASTER EFFECT CONTROLS\n\n; Chorus.\n; Insno\t Start\tDur\t Delay\tDivisor of Delay\ni 200 0 -1 10 30\n\n; Reverb.\n; Insno\t Start\tDur Delay\tPitchmod\tCutoff\ni 210 0 -1 0.94 0.02 \t\t16000\n\n; Master output.\n; Insno\t Start\tDur\tFadein\tFadeout\ni 220 0 -1 0.1 0.1\n\n; 5 minutes of real-time, e.g. MIDI, performance.\n; Will be turned off by 'e' statement in score.\n\nf 0 300\n\n\n<\/CsScore>\n<\/CsoundSynthesizer>\n","old_contents":"\n\ncsound -f -h -+rtmidi=null -M0 -d -n -m7 temp.orc temp.sco\n<\/CsOptions>\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; T H E S I L E N C E O R C H E S T R A\n; Copyright (c) 2006, 2008 by Michael Gogins\n; This file is licensed under the GNU Lesser General Public License\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; \n; OBJECTIVES\n;\n; - Support algorithmic composition in time and pitch\n; - Most beautiful sounds\n; - Highest precision\n; - Lowest noise\n; - No clicks\n; - MIDI\/offline interoperability\n; - Gains normalized across instruments, pitches, velocities\n; - Modular code\n; - READABLE code!\n;\n; PFIELDS\n;\n; All instruments use the following standardized set of pfields:\n;\n; p1 \tInstrument number\n; p2 Time of note, in absolute seconds from start of performance\n; p3 \tDuration of note, in seconds\n; p4 \tMIDI key (may be fractional)\n; p5\tMIDI velocity, interpreted as decibels up (may be fractional)\n; p6\tAudio phase, in radians (seldom used; enables grain notes to\n;\t implement arbitrary audio transforms)\n; p7\tx location or stereo pan (-1 through 0 to +1)\n; p8\ty location or stage depth (-1 through 0 to +1)\n; p9\tz location or stage height (-1 through 0 to +1)\n; p10\tPitch-class set, as sum of 2^(pitch-class).\n;\n; EFFECTS BUSSES\n;\n; The orchestra uses one input buss for each of the following effects:\n; \n; Leslie\n; Chorus\n; Reverberation\n; Output\n;\n; MASTER OUTPUT EFFECTS\n; \n; The master output buss has the following additional effects:\n;\n; Bass enhancement\n; Compression\n; Remove DC bias\n;\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; O R C H E S T R A H E A D E R\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n; Define to enable the use of SoundFonts.\n#define ENABLE_SOUNDFONTS #1#\n\n; Define to enable the use of VST plugins in general.\n#define ENABLE_VST #1#\n\n; Define to enable the use of the Pianoteq VST instrument in particular.\n#define ENABLE_PIANOTEQ #1#\n\nsr = 44100\nksmps\t\t\t = 15\nnchnls = 2\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; A S S I G N M I D I C H A N N E L S T O I N S T R U M E N T S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n massign\t\t\t 1, 51\n massign\t\t\t 2, 12\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; V S T P L U G I N S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n; Disabled for Csound installer -- enable if you have the Pianoteq VST plugin.\n#ifdef ENABLE_VST\n\ngiAzr3 vstinit \"D:\\\\utah\\\\opt\\\\Steinberg\\\\Cubase4\\\\VSTPlugins\\\\Synths\\\\AZR3.dll\", 1\n vstinfo giAzr3\n\n#end\n \n#ifdef ENABLE_PIANOTEQ\n \ngiPianoteq vstinit \"D:\\\\utah\\\\opt\\\\Pianoteq\\\\pianoteq20\", 0\n vstinfo giPianoteq\n\n#end\n \n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; S O U N D F O N T A S S I G N M E N T S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n; Disabled for Csound installer -- enable if you have the SoundFonts.\n\n#ifdef ENABLE_SOUNDFONTS\n\ngiFluidsynth\t\t fluidEngine\t\t 0, 0\ngiFluidSteinway\t\t fluidLoad\t\t \"\\\\utah\\\\home\\\\mkg\\\\projects\\\\music\\\\__library\\\\soundfonts\\\\Piano Steinway Grand Model C (21,738KB).sf2\", giFluidsynth, 1\n fluidProgramSelect\t giFluidsynth, 0, giFluidSteinway, 0, 1\n\ngiFluidGM\t\t fluidLoad\t\t \"\\\\utah\\\\home\\\\mkg\\\\projects\\\\music\\\\__library\\\\soundfonts\\\\63.3mg The Sound Site Album Bank V1.0.SF2\", giFluidsynth, 1\n fluidProgramSelect\t giFluidsynth, 1, giFluidGM, 0, 26\n\ngiFluidMarimba\t\t fluidLoad\t\t \"\\\\utah\\\\home\\\\mkg\\\\projects\\\\music\\\\__library\\\\soundfonts\\\\Marimba Moonman (414KB).SF2\", giFluidsynth, 1\n fluidProgramSelect\t giFluidsynth, 2, giFluidMarimba, 0, 0\n\ngiFluidOrgan\t\t fluidLoad\t\t \"\\\\utah\\\\home\\\\mkg\\\\projects\\\\music\\\\__library\\\\soundfonts\\\\Organ Jeux V1.4 (3,674KB).SF2\", giFluidsynth, 1\n fluidProgramSelect\t giFluidsynth, 3, giFluidOrgan, 0, 40\n \n#end\n\ngi2fqc init cpspch(7.09)\ngi3fqc init cpspch(10.0)\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; F U N C T I O N T A B L E S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n ; Waveform for the string-pad\ngiwave ftgen 1, 0, 65537, 10, 1, .5, .33, 0.25, .0, 0.1, .1, 0.1\ngisine ftgen 2, 0, 65537, 10, 1\ngiharpsichord ftgen 0, 0, 65537, 7,\t -1, 1024, 1, 1024, -1 ; Kelley harpsichord.\ngicosine ftgen 0, 0, 65537, 11, 1 ; Cosine wave. Get that noise down on the most widely used table!\ngiexponentialrise ftgen 0, 0, 65537, 5, .001, 513, 1 ; Exponential rise.\ngithirteen ftgen 0, 0, 65537, 9, 1, .3, 0\ngiln ftgen 0, 0, 65537, -12, 20.0 ; Unscaled ln(I(x)) from 0 to 20.0.\ngibergeman ftgen 0, 0, 65537, 10, .28, 1, .74, .66, .78, .48, .05, .33, 0.12, .08, .01, .54, 0.19, .08, .05, 0.16, .01, 0.11, .3, .02, 0.2 ; Bergeman f1\ngicookblank ftgen 0, 0, 65537, 10, 0 ; Blank wavetable for some Cook FM opcodes.\ngicook3 ftgen 0, 0, 65537, 10, 1, .4, 0.2, 0.1, 0.1, .05\ngikellyflute ftgen 0, 0, 65537, 10, 1, 0.25, 0.1 ; Kelley flute.\ngichebychev ftgen 0, 0, 65537, -7, -1, 150, 0.1, 110, 0, 252, 0\ngiffitch1 ftgen 0, 0, 65537, 10, 1\ngiffitch2 ftgen 0, 0, 65537, 5, 1, 1024, .01\ngiffitch3 ftgen 0, 0, 65537, 5, 1, 1024, .001\n ; Rotor Tables\ngitonewheel1 ftgen 0, 0, 65537, 10, 1, .02, .01\ngitonewheel2 ftgen 0, 0, 65537, 10, 1, 0, 0.2, 0, 0.1, 0, .05, 0, .02\n ; Rotating Speaker Filter Envelopes\ngitonewheel3 ftgen 0, 0, 65537, 7, 0, 110, 0, 18, 1, 18, 0, 110, 0\ngitonewheel4 ftgen 0, 0, 65537, 7, 0, 80, 0.2, 16, 1, 64, 1, 16, 0.2, 80, 0\n ; Distortion Tables\ngitonewheel5 ftgen 0, 0, 65537, 8, -.8, 336, -.78, 800, -.7, 5920, .7, 800, .78, 336, .8\ngitonewheel6 ftgen 0, 0, 65537, 8 -.8, 336, -.76, 3000, -.7, 1520, .7, 3000, .76, 336, .8\n ; Table for Reed Physical Model\ngireedtable ftgen 0, 0, 256, 7, 1, 80, 1, 156, -1, 40, -1\n ; Tables for simple granular synthesis\ngigrtab ftgen 0, 0, 65537, 10, 1, 0.3, .1 0, .2, .02, 0, .1, .04\ngiwintab ftgen 0, 0, 65537, 10, 1, 0, .5, 0, .33, 0, .25, 0, .2, 0, .167\n ; Tables for waveshaping drone\ngiharmonics ftgen 0, 0, 65537, 10, 1, 0, 2, 0, 0, 1 \ngidistortion ftgen 0, 0, 65537, 13, 1, 1, 0, 1, 0, 1 \n\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; U S E R - D E F I N E D O P C O D E S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n \n opcode \t\t\t AssignSend, 0, iiiii\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\ninsno,ic,il,ir,id \t xin\ninum\t\t\t =\t\t\t floor(insno)\n ;print inum, ic, il, ir, id\n MixerSetLevel\t \t inum, 200, ic\n ;MixerSetLevel\t \t inum, 201, il\n MixerSetLevel\t \t inum, 210, ir\n MixerSetLevel\t \t inum, 220, id\n endop\n \n opcode\t\t\t NoteOn, ii, iii\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nikey,ivelocity,imeasure xin\ninormal\t\t\t =\t\t\t ampdb(80)\nifrequency \t\t = \t\t\t cpsmidinn(ikey)\n ; Normalize so iamplitude for p5 of 80 == ampdb(80) == 10000.\n ; This should be the half-amplitude (-6 dB) level in the soundfile.\nimidiamplitude \t\t = ampdb(ivelocity)\niamplitude = imidiamplitude * inormal \/ imeasure\n ; print ifrequency, inormal, imidiamplitude, imeasure, iamplitude\n xout\t\t\t ifrequency, iamplitude\n endop\n \n opcode\t\t\t SendOut, 0, iaa\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\ninsno, aleft, aright\txin\ninum = floor(insno)\n MixerSend aleft, inum, 200, 0\n MixerSend aright, inum, 200, 1\n MixerSend aleft, inum, 210, 0\n MixerSend aright, inum, 210, 1\n MixerSend aleft, inum, 220, 0\n MixerSend aright, inum, 220, 1\n ;print inum\n endop\n\n opcode\t\t\t Pan, aa, ka\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nkpan, asignal\t\t xin\n ; Constant-power pan.\napan = (kpan \/ 2.0) + 0.5\naleft, aright pan2 asignal, apan\n xout\t\t\t aleft, aright\n endop\n\n opcode\t\t\t Declick, iaa, iiiaa\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\niatt,idur,irel,a1,a2\txin\n if (idur > 0) then\nisustain\t\t = \t\t\t idur\nidur\t\t\t =\t\t\t iatt + isustain + irel \n else\nisustain = 100000.0\n endif \naenv\t\t\t linsegr\t\t\t 0.0, iatt, 1.0, isustain, 1.0, irel, 0.0\nab1\t\t\t =\t\t\t a1 * aenv\nab2\t\t\t =\t\t\t a2 * aenv\n xout\t\t\t idur, ab1, ab2\n endop\t\n\n opcode\t\t\t Damping, ia, iii\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\niatt,idur,irel\t\t xin\n if (idur > 0) then\nisustain\t\t = \t\t\t idur\nidur\t\t\t =\t\t\t iatt + isustain + irel \n else\nisustain = 100000.0\n endif \n ; Releasing envelope for MIDI performance.\naenv\t\t\t linsegr\t\t\t 0.0, iatt, 1.0, isustain, 1.0, irel, 0.0\n xout\t\t\t idur, aenv\n endop\t\t\t\t\t\t\n \n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; M I X E R L E V E L S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n instr 1 ; Mixer level\nisend = p4\nibuss0 = p5\nigain0 \t= p6\n MixerSetLevel isend, ibuss0, igain0\n endin\n\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; I N S T R U M E N T D E F I N I T I O N S\n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n instr 2 ; Xanadu instr 1\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000.0\np3,adamping\t\t Damping\t\t\t 0.003, p3, 0.1\nishift\t\t\t = \t\t 8.0 \/ 1200.0\nipch \t\t = \t\t ifrequency \t ; convert parameter 5 to cps.\nioct \t\t = \t\t octcps(ifrequency) \t ; convert parameter 5 to oct.\nkvib \t\t poscil\t\t\t 1.0 \/ 120.0, ipch \/ 50.0, gicosine\t ; vibrato\nag \t\t pluck \t\t 1.0, cpsoct(ioct + kvib), ipch, 1, 1\nagleft \t\t pluck \t\t 1.0, cpsoct(ioct + ishift), ipch, 1, 1\nagright \t\t pluck \t\t 1.0, cpsoct(ioct - ishift), ipch, 1, 1\naf1 \t\t expon \t\t 0.01, 10.0, 1.0 \t ; exponential from 0.1 to 1.0\naf2 \t\t expon \t\t 0.015, 15., 1.055 \t ; exponential from 1.0 to 0.1\nadump \t\t delayr \t\t 2.0 \t ; set delay line of 2.0 sec\natap1 \t\t deltap3 \t\t af1 \t ; tap delay line with kf1 func.\natap2 \t\t deltap3 \t\t af2 \t ; tap delay line with kf2 func.\nad1 \t\t deltap3 \t\t 2.0 \t ; delay 2 sec.\nad2 \t\t deltap3 \t\t 1.1 \t ; delay 1.1 sec.\n delayw \t\t ag * adamping \t; put ag signal into delay line.\naleft \t\t\t = \t\t\t agleft + atap1 + ad1\naright\t\t\t =\t\t\t agright + atap2 + ad2\naleft, aright\t\t Pan\t\t\t p7, iamplitude * (aleft + aright) * adamping\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 3 ; Xanadu instr 2\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\np3,adamping\t\t Damping\t\t\t 0.01, p3, 0.01\nishift \t\t = \t\t 8.0 \/ 1200.0\nipch \t\t = \t\t ifrequency\nioct \t\t = \t\t octcps(ifrequency) \nkvib \t\t poscil \t\t 1.0 \/ 80.0, 6.1, gicosine \t ; vibrato\nag \t\t pluck \t\t 1, cpsoct(ioct + kvib), ipch, 1, 1\nagleft \t\t pluck \t\t 1, cpsoct(ioct + ishift), ipch, 1, 1\nagright \t\t pluck \t\t 1, cpsoct(ioct - ishift), ipch, 1, 1\nadump \t\t delayr \t\t 0.4 \t ; set delay line of 0.3 sec\nad1 \t\t deltap3 \t\t 0.07 \t ; delay 100 msec.\nad2 \t\t deltap3 \t\t 0.105 \t ; delay 200 msec.\n delayw \t\t ag * adamping \t ; put ag sign into del line.\naleft\t\t\t =\t\t\t agleft + ad1\naright\t\t\t =\t\t\t agright + ad2\naleft, aright\t\t Pan\t\t\t p7, iamplitude * (aleft + aright) * adamping\n AssignSend\t\t p1, 0, 0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 4 ; Xanadu instr 3\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\np3, adamping\t\t Damping\t\t\t 0.01, p3, 0.01\nishift \t\t = \t\t 8.0 \/ 1200.0\nipch \t\t = \t\t ifrequency\nioct \t\t = \t\t octcps(ifrequency)\n; kadsr \t\t linseg \t\t 0, p3\/3, 1.0, p3\/3, 1.0, p3\/3, 0 \t; ADSR envelope\namodi \t\t linseg \t\t 0, p3\/3, 5, p3\/3, 3, p3\/3, 0 \t\t; ADSR envelope for I\nip6\t\t\t =\t\t\t 1.4\nip7\t\t\t =\t\t\t 0.8\namodr \t\t linseg \t\t ip6, p3, ip7 \t\t; r moves from p6->p7 in p3 sec.\na1 \t\t = \t\t amodi * (amodr - 1 \/ amodr) \/ 2\na1ndx \t\t = \t\t abs(a1 * 2 \/ 20) \t\t; a1*2 is normalized from 0-1.\na2 \t\t = \t\t amodi * (amodr + 1 \/ amodr) \/ 2\na3 \t\t tablei \t\t a1ndx, giln, 1 \t\t; lookup tbl in f3, normal index\nao1 \t\t poscil \t\t a1, ipch, gicosine \na4 \t\t = \t\t exp(-0.5 * a3 + ao1)\nao2 \t\t poscil \t\t a2 * ipch, ipch, gicosine \naoutl \t\t poscil \t\t 1 * a4, ao2 + cpsoct(ioct + ishift), gisine \naoutr \t\t poscil \t\t 1 * a4, ao2 + cpsoct(ioct - ishift), gisine \naleft\t\t\t =\t\t\t aoutl * iamplitude * adamping\naright\t\t\t =\t\t\t aoutr * iamplitude * adamping\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 5 ; Tone wheel organ by Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 200000\niphase\t\t\t =\t\t\t 0.0\nikey = p4 ;12 * int(p4 - 6) + 100 * (p4 - 6)\nifqc = ifrequency\n ; The lower tone wheels have increased odd harmonic content.\niwheel1 = ((ikey - 12) > 12 ? gitonewheel1 : gitonewheel2)\niwheel2 = ((ikey + 7) > 12 ? gitonewheel1 : gitonewheel2)\niwheel3 = (ikey > 12 ? gitonewheel1 : gitonewheel2)\niwheel4 = 1\n ; Start Dur Amp Pitch SubFund Sub3rd Fund 2nd 3rd 4th 5th 6th 8th\n ;i1 0 6 200 8.04 8 8 8 8 3 2 1 0 4\nasubfund poscil 8, 0.5 * ifqc, iwheel1, iphase \/ (ikey - 12)\nasub3rd poscil 8, 1.4983 * ifqc, iwheel2, iphase \/ (ikey + 7)\nafund poscil 8, ifqc, iwheel3, iphase \/ ikey\na2nd poscil 8, 2 * ifqc, iwheel4, iphase \/ (ikey + 12)\na3rd poscil 3, 2.9966 * ifqc, iwheel4, iphase \/ (ikey + 19)\na4th poscil 2, 4 * ifqc, iwheel4, iphase \/ (ikey + 24)\na5th poscil 1, 5.0397 * ifqc, iwheel4, iphase \/ (ikey + 28)\na6th poscil 0, 5.9932 * ifqc, iwheel4, iphase \/ (ikey + 31)\na8th poscil 4, 8 * ifqc, iwheel4, iphase \/ (ikey + 36)\nasignal = asubfund + asub3rd + afund + a2nd + a3rd + a4th + a5th + a6th + a8th\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.3, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 6 ; Guitar, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\nacomp pluck iamplitude, 440.0, 440.0, 0, 1\nasig pluck iamplitude, ifrequency, ifrequency \/ 2.0, 0, 1\naenvelope transeg 1.0, 10.0, -5.0, 0.0\naf1 reson asig, 110, 80\naf2 reson asig, 220, 100\naf3 reson asig, 440, 80\nasignal balance 0.6 * af1+ af2 + 0.6 * af3 + 0.4 * asig, acomp\naleft, aright\t\t Pan\t\t\t p7, asignal * aenvelope\np3, aleft, aright\t Declick\t\t\t 0.007, p3, 0.05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.4, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 7 ; Harpsichord, James Kelley\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\naenvelope transeg 1.0, 10.0, -5.0, 0.0\napluck pluck iamplitude, ifrequency, ifrequency, 0, 1\naharp poscil aenvelope, ifrequency, giharpsichord\naharp2 balance apluck, aharp\nasignal\t\t\t =\t\t\t apluck + aharp2\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.3, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 8 ; Heavy metal model, Perry Cook\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\niindex = 1.1\nicrossfade = 2\nivibedepth = 0.02\niviberate = 4.8\nifn1 = gisine\nifn2 = giexponentialrise\nifn3 = githirteen\nifn4 = gisine\nivibefn = gicosine\nadecay transeg 0.0, 0.001, 4, 1.0, 2.0, -4, 0.1, 0.125, -4, 0.0\nasignal fmmetal 1.0, ifrequency, iindex, icrossfade, ivibedepth, iviberate, ifn1, ifn2, ifn3, ifn4, ivibefn\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.3, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 9 ; Xing by Andrew Horner\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\n ; p4 pitch in octave.pch\n ; original pitch = A6\n ; range = C6 - C7\n ; extended range = F4 - C7\nifrequency,iamplitude\tNoteOn p4, p5, 2000\nisine = 1\niinstrument = p1\nistarttime = p2\nioctave = p4\nidur = p3\nifreq = ifrequency\niamp = 1\ninorm = 32310\naamp1 linseg 0,.001,5200,.001,800,.001,3000,.0025,1100,.002,2800,.0015,1500,.001,2100,.011,1600,.03,1400,.95,700,1,320,1,180,1,90,1,40,1,20,1,12,1,6,1,3,1,0,1,0\nadevamp1 linseg 0, .05, .3, idur - .05, 0\nadev1 poscil adevamp1, 6.7, gisine, .8\namp1 = aamp1 * (1 + adev1)\naamp2 linseg 0,.0009,22000,.0005,7300,.0009,11000,.0004,5500,.0006,15000,.0004,5500,.0008,2200,.055,7300,.02,8500,.38,5000,.5,300,.5,73,.5,5.,5,0,1,1\nadevamp2 linseg 0,.12,.5,idur-.12,0\nadev2 poscil adevamp2, 10.5, gisine, 0\namp2 = aamp2 * (1 + adev2)\naamp3 linseg 0,.001,3000,.001,1000,.0017,12000,.0013,3700,.001,12500,.0018,3000,.0012,1200,.001,1400,.0017,6000,.0023,200,.001,3000,.001,1200,.0015,8000,.001,1800,.0015,6000,.08,1200,.2,200,.2,40,.2,10,.4,0,1,0\nadevamp3 linseg 0, .02, .8, idur - .02, 0\nadev3 poscil adevamp3, 70, gisine ,0\namp3 = aamp3 * (1 + adev3),\nawt1 poscil amp1, ifreq, gisine\nawt2 poscil amp2, 2.7 * ifreq, gisine\nawt3 poscil amp3, 4.95 * ifreq, gisine\nasig = awt1 + awt2 + awt3\narel linenr 1,0, idur, .06\nasignal = asig * arel * (iamp \/ inorm) * iamplitude\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.3, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 10 ; FM modulated left and right detuned chorusing, Thomas Kung\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 20000\niattack \t\t = \t\t\t 0.25\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.3333333\np3, adamping\t\t Damping\t\t\t iattack, isustain, irelease\nip6 = 0.3\nip7 = 2.2\nishift \t\t = \t\t 4.0 \/ 12000.0\nipch \t\t = \t\t ifrequency\nioct \t\t = \t\t octcps(ifrequency) \naadsr linen 1.0, iattack, irelease, 0.01\namodi linseg 0, iattack, 5, p3, 2, irelease, 0\n ; r moves from ip6 to ip7 in p3 secs.\namodr linseg ip6, p3, ip7\na1 = amodi * (amodr - 1 \/ amodr) \/ 2\n ; a1*2 is argument normalized from 0-1.\na1ndx = abs(a1 * 2 \/ 20)\na2 = amodi * (amodr + 1 \/ amodr) \/ 2\n ; Look up table is in f43, normalized index.\na3 tablei a1ndx, giln, 1\n ; Cosine\nao1 poscil a1, ipch, gicosine\na4 = exp(-0.5 * a3 + ao1)\n ; Cosine\nao2 poscil a2 * ipch, ipch, gicosine\n ; Final output left\naleft poscil a4, ao2 + cpsoct(ioct + ishift), gisine\n ; Final output right\naright poscil a4, ao2 + cpsoct(ioct - ishift), gisine\naleft, aright\t\t Pan\t\t\t p7, (aleft + aright) * iamplitude * adamping\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 11 ; String pad, Anthony Kozar\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; String-pad borrowed from the piece \"Dorian Gray\",\n ; http:\/\/akozar.spymac.net\/music\/ Modified to fit my needs\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nihz, iamp\t\t NoteOn p4, p5, 15000.0\n ; Slow attack and release\nactrl \t\t linseg \t\t 0, p3 * 0.5, 1.0, p3 * 0.5, 0\n ; Slight chorus effect\nafund \t\t poscil \t\t actrl, ihz, giwave \t; audio oscillator\nacel1 \t\t poscil \t\t actrl, ihz - .1, giwave \t; audio oscilator - flat\nacel2 \t\t poscil \t\t actrl, ihz + .1, giwave \t; audio oscillator - sharp\nasig \t\t = \t\t\t afund + acel1 + acel2\n ; Cut-off high frequencies depending on midi-velocity\n ; (larger velocity implies brighter sound)\n;asig \t\t\t butterlp \t\t asig, 900 + iamp \/ 40.\naleft, aright\t\t Pan\t\t\t p7, asig * iamp\np3, aleft, aright\t Declick\t\t\t 0.25, p3, 0.5, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 12 ; Filtered chorus, Michael Bergeman\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\np3, adamping\t\t Damping\t\t\t 0.01, p3, 0.01\nioctave\t\t\t =\t\t\t octcps(ifrequency)\nidb\t\t\t = \t\t\t 1.5\nip5 = gibergeman\nip3 = p3\nip6 = p3 * .25\nip7 = p3 * .75\nip8 = cpsoct(ioctave - .01)\nip9 = cpsoct(ioctave + .01)\nisc = idb * .333\nk1 line 40, p3, 800\nk2 line 440, p3, 220\nk3 linen isc, ip6, p3, ip7\nk4 line 800, ip3,40\nk5 line 220, ip3,440\nk6 linen isc, ip6, ip3, ip7\nk7 linen 1, ip6, ip3, ip7\na5 poscil k3, ip8, ip5\na6 poscil k3, ip8 * .999, ip5\na7 poscil k3, ip8 * 1.001, ip5\na1 = a5 + a6 + a7\na8 poscil k6, ip9, ip5\na9 poscil k6, ip9 * .999, ip5\na10 poscil k6, ip9 * 1.001, ip5\na11 = a8 + a9 + a10\na2 butterbp a1, k1, 40\na3 butterbp a2, k5, k2 * .8\na4 balance a3, a1\na12 butterbp a11, k4, 40\na13 butterbp a12, k2, k5 * .8\na14 balance a13, a11\na15 reverb2 a4, 5, .3\na16 reverb2 a4, 4, 0.2\na17 = (a15 + a4) * k7\na18 = (a16 + a4) * k7\naleft, aright\t\t Pan\t\t\t p7, (a17 + a18) * iamplitude * adamping\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 13 ; Plain plucked string, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\naenvelope transeg 1.0, p3, -3.0, 0.1\naexcite poscil 1.0, 1, gisine\nasignal1\t\t wgpluck2 \t\t 0.1, 1.0, ifrequency, 0.25, 0.22\nasignal2\t\t wgpluck2 \t\t 0.1, 1.0, ifrequency * 1.003, 0.20, 0.223\nasignal3\t\t wgpluck2 \t\t 0.1, 1.0, ifrequency * 0.997, 0.23, 0.224\napluckout = (asignal1 + asignal2 + asignal3) * aenvelope\naleft, aright\t\t Pan\t\t\t p7, apluckout * iamplitude\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 14 ; Rhodes electric piano model, Perry Cook\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\niindex = 4\nicrossfade = 3\nivibedepth = 0.2\niviberate = 6\nifn1 = gisine\nifn2 = gicosine\nifn3 = gisine\nifn4 = gicookblank\nivibefn = gisine\nasignal fmrhode iamplitude, ifrequency, iindex, icrossfade, ivibedepth, iviberate, ifn1, ifn2, ifn3, ifn4, ivibefn\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 15 ; Tubular bell model, Perry Cook\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niindex = 1\nicrossfade = 2\nivibedepth = 0.2\niviberate = 6\nifn1 = gisine\nifn2 = gicook3\nifn3 = gisine\nifn4 = gisine\nivibefn = gicosine\nasignal fmbell 1.0, ifrequency, iindex, icrossfade, ivibedepth, iviberate, ifn1, ifn2, ifn3, ifn4, ivibefn\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.005, p3, 0.05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 16 ; FM moderate index, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\nicarrier = 1\niratio = 1.25\nifmamplitude = 8\nindex = 5.4\nifrequencyb = ifrequency * 1.003\nicarrierb = icarrier * 1.004\naindenv expseg 0.000001, iattack, 1, isustain, 0.125, irelease, .000001\naindex = aindenv * index * ifmamplitude\naouta foscili 1.0, ifrequency, icarrier, iratio, index, 1\naoutb foscili 1.0, ifrequencyb, icarrierb, iratio, index, 1\n ; Plus amplitude correction.\nasignal = (aouta + aoutb) * aindenv\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 17 ; FM moderate index 2, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 7000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\nicarrier = 1\niratio = 1\nifmamplitude = 6\nindex = 2.5\nifrequencyb = ifrequency * 1.003\nicarrierb = icarrier * 1.004\naindenv expseg .000001, iattack, 1.0, isustain, .0125, irelease, .000001\naindex = aindenv * index * ifmamplitude - .000001\naouta foscili 1.0, ifrequency, icarrier, iratio, index, 1\naoutb foscili 1.0, ifrequencyb, icarrierb, iratio, index, 1\n ; Plus amplitude correction.\nafmout = (aouta + aoutb) * aindenv\naleft, aright\t\t Pan\t\t\t p7, afmout * iamplitude\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 19 ; Flute, James Kelley\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\np3, adamping\t\t Damping\t\t\t 0.01, p3, 0.01\nioctave\t\t\t =\t\t\t octcps(ifrequency)\nicpsp1 = cpsoct(ioctave - .0002)\nicpsp2 = cpsoct(ioctave + .0002)\nip4 = 0\nip6\t\t\t =\t\t\t iamplitude\n if (ip4 == int(ip4 \/ 2) * 2) goto initslurs\n ihold\ninitslurs:\niatttm = 0.09\nidectm = 0.1\nisustm = p3 - iatttm - idectm\nidec = iamplitude * 1.5\nireinit = -1\n if (ip4 > 1) goto checkafterslur\nilast = 0\ncheckafterslur:\n if (ip4 == 1 || ip4 == 3) goto doneslurs\nidec = 0\nireinit = 0\ndoneslurs:\n if (isustm <= 0) goto simpleenv\nkamp linseg ilast, iatttm, ip6, isustm, ip6, idectm, idec, 0, idec\n goto doneenv\nsimpleenv:\nkamp linseg ilast, p3 \/ 2,ip6, p3 \/ 2, idec, 0, idec\ndoneenv:\nilast = ip6\n ; Some vibrato.\nkvrandamp rand .1\nkvamp = (8 + p4) *.06 + kvrandamp\nkvrandfreq rand 1\nkvfreq = 5.5 + kvrandfreq\nkvbra poscil kvamp, kvfreq, 1, ireinit\nkfreq1 = icpsp1 + kvbra\nkfreq2 = icpsp2 + kvbra\n ; Noise for burst at beginning of note.\nknseenv expon ip6 \/ 4, 0.2, 1\nanoise1 rand knseenv\nanoise tone anoise1, 200\na1 poscil kamp, kfreq1, gikellyflute, ireinit\na2 poscil kamp, kfreq2, gikellyflute, ireinit\nasignal = a1 + a2 + anoise\naleft, aright\t\t Pan\t\t\t p7, asignal * adamping\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 20 ; Delayed plucked string, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 8000\niattack\t\t\t =\t\t\t 0.002\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.05\nihertz = ifrequency\nioctave\t\t\t =\t\t\t octcps(ifrequency)\n ; Detuning of strings by 4 cents each way.\nidetune = 4.0 \/ 1200.0\nihertzleft = cpsoct(ioctave + idetune)\nihertzright = cpsoct(ioctave - idetune)\nigenleft = gisine\nigenright = gicosine\nkvibrato poscil 1.0 \/ 120.0, 7.0, 1\nkexponential expseg 1.0, p3 + iattack, 0.0001, irelease, .0001\nkenvelope = (kexponential - 0.0001)\nag pluck kenvelope, cpsoct(ioctave + kvibrato), ifrequency, igenleft, 1\nagleft pluck kenvelope, ihertzleft, ifrequency, igenleft, 1\nagright pluck kenvelope, ihertzright, ifrequency, igenright, 1\nimsleft = 0.2 * 1000\nimsright = 0.21 * 1000\nadelayleft vdelay ag * kenvelope, imsleft, imsleft + 100\nadelayright vdelay ag * kenvelope, imsright, imsright + 100\nasignal = agleft + adelayleft + agright + adelayright\n ; Highpass filter to exclude speaker cone excursions.\nasignal1 butterhp asignal, 32.0\nasignal2 balance asignal1, asignal\naleft, aright\t\t Pan\t\t\t p7, asignal2 * iamplitude\np3, aleft, aright\t Declick\t\t\t 0 .003, p3, 0.05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 21 ; Melody (Chebyshev \/ FM \/ additive), Jon Nelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\np3, adamping\t\t Damping\t\t\t 0.01, p3, 0.01\niattack\t\t\t =\t\t\t 0.05\nisustain\t\t =\t\t\t p3\nirelease\t\t =\t\t\t 0.1\nip6 \t\t\t = \t\t\t gichebychev\n ; Pitch.\ni1 = ifrequency\nk100 randi 1,10\nk101 poscil 1, 5 + k100, gisine\nk102 linseg 0, .5, 1, p3, 1\nk100 = i1 + (k101 * k102)\n ; Envelope for driving oscillator.\nk1 linenr 0.5, p3 * .3, p3 * .2, 0.01\nk2 line 1, p3, .5\nk1 = k2 * k1\n ; Amplitude envelope.\nk10 expseg 0.0001, iattack, 1.0, isustain, 0.8, irelease, .0001\nk10 = (k10 - .0001)\n ; Power to partials.\nk20 linseg 1.485, iattack, 1.5, (isustain + irelease), 1.485\n ; a1-3 are for cheby with p6=1-4\na1 poscil k1, k100 - .025, gicook3\n ; Tables a1 to fn13, others normalize,\na2 tablei a1, ip6, 1, .5\na3 balance a2, a1\n ; Try other waveforms as well.\na4 foscil 1, k100 + .04, 1, 2.005, k20, gisine\na5 poscil 1, k100, gisine\na6 = ((a3 * .1) + (a4 * .1) + (a5 * .8)) * k10\na7 comb a6, .5, 1 \/ i1\na8 = (a6 * .9) + (a7 * .1)\nasignal \t\t balance \t a8, a1\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude * adamping\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 22 ; Tone wheel organ by Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 280000\niphase\t\t\t =\t\t\t p2\nikey = 12 * int(p4 - 6) + 100 * (p4 - 6)\nifqc = ifrequency\n ; The lower tone wheels have increased odd harmonic content.\niwheel1 = ((ikey - 12) > 12 ? gitonewheel1 : gitonewheel2)\niwheel2 = ((ikey + 7) > 12 ? gitonewheel1 : gitonewheel2)\niwheel3 = (ikey > 12 ? gitonewheel1 : gitonewheel2)\niwheel4 = 1\n ; Start Dur Amp Pitch SubFund Sub3rd Fund 2nd 3rd 4th 5th 6th 8th\n ; i1 0 6 200 8.04 8 8 8 8 3 2 1 0 4\nasubfund poscil 8, .5*ifqc, iwheel1, iphase\/(ikey-12)\nasub3rd poscil 8, 1.4983*ifqc, iwheel2, iphase\/(ikey+7)\nafund poscil 8, ifqc, iwheel3, iphase\/ikey\na2nd poscil 8, 2*ifqc, iwheel4, iphase\/(ikey+12)\na3rd poscil 3, 2.9966*ifqc, iwheel4, iphase\/(ikey+19)\na4th poscil 2, 4*ifqc, iwheel4, iphase\/(ikey+24)\na5th poscil 1, 5.0397*ifqc, iwheel4, iphase\/(ikey+28)\na6th poscil 0, 5.9932*ifqc, iwheel4, iphase\/(ikey+31)\na8th poscil 4, 8*ifqc, iwheel4, iphase\/(ikey+36)\nasignal = asubfund + asub3rd + afund + a2nd + a3rd + a4th + a5th + a6th + a8th\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.25, p3, .5, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 23 ; Enhanced FM bell, John ffitch\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 15000\nioct\t\t\t =\t\t\t octcps(ifrequency)\nidur \t\t = \t\t 15.0\niamp \t\t = \t\t iamplitude\nifenv \t\t = \t\t giffitch2 \t; BELL SETTINGS:\nifdyn \t\t = \t\t giffitch3 \t; AMP AND INDEX ENV ARE EXPONENTIAL\nifq1 \t\t = \t\t cpsoct(ioct - 1.) * 5. \t; DECREASING, N1:N2 IS 5:7, imax=10\nif1 \t\t = \t\t giffitch1 ; DURATION = 15 sec\nifq2 \t\t = \t\t cpsoct(ioct - 1.) * 7.\nif2 \t\t = \t\t giffitch1\nimax \t\t = \t\t 10\naenv \t\t poscil \t\t iamp, 1. \/ idur, ifenv \t; ENVELOPE\nadyn \t\t poscil \t\t ifq2 * imax, 1. \/ idur, ifdyn\t; DYNAMIC\nanoise \t\t rand \t\t 50.\namod \t\t poscil \t\t adyn + anoise, ifq2, if2 \t ; MODULATOR\nacar \t\t poscil \t\t aenv, ifq1 + amod, if1 \t ; CARRIER\n timout \t\t 0.5, idur, noisend\nknenv \t\t linseg \t\t iamp, 0.2, iamp, 0.3, 0\nanoise3 \t\t rand \t\t knenv\nanoise4 \t\t butterbp \t\t anoise3, iamp, 100.\nanoise5 \t\t balance \t\t anoise4, anoise3\nnoisend:\narvb \t\t nreverb \t\t acar, 2, 0.1\nasignal \t\t = \t\t acar + anoise5 + arvb\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .5, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.1, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n \n instr 24 ; STK BandedWG\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 200\nasignal \t\t STKBandedWG \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.006, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n \n instr 25 ; STK BeeThree\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3800\nasignal \t\t STKBeeThree \t\t ifrequency, 1.0, 1, 1.5, 2, 4.8, 4, 2.1\n; ares phaser1 asig, kfreq, kord, kfeedback [, iskip]\naphased phaser1 asignal, 4000, 16, .2, .9\naleft, aright\t\t Pan\t\t\t p7, (asignal + aphased) * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n \n instr 26 ; STK BlowBotl\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 7000\nasignal \t\t STKBlowBotl \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 27 ; STK BlowHole\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 8000\nasignal \t\t STKBlowHole \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 28 ; STK Bowed\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 300\nasignal \t\t STKBowed \t\t ifrequency, 1.0, 1, 4, 2, 0, 4, 0, 11, 50\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.1, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 29 ; STK Brass\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 1000\nasignal \t\t STKBrass \t\t ifrequency, 2.0, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 30 ; STK Clarinet\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 7000\nasignal \t\t STKClarinet \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 31 ; STK Drummer\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 8000\nasignal \t\t STKDrummer \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 32 ; STK Flute\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 5000\nasignal \t\t STKFlute \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 33 ; STK FMVoices\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 8000\nasignal \t\t STKFMVoices \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 34 ; STK HevyMetl\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 5000\nasignal \t\t STKHevyMetl \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 35 ; STK Mandolin\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2700\nasignal \t\t STKMandolin \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 36 ; STK ModalBar\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 1500\nasignal \t\t STKModalBar \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 37 ; STK Moog\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\nasignal \t\t STKMoog \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 38 ; STK PercFlut\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\nasignal \t\t STKPercFlut \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 39 ; STK Plucked\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 5000\nasignal \t\t STKPlucked \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 40 ; STK Resonate\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3500\nasignal \t\t STKResonate \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 41 ; STK Rhodey\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3500\nasignal \t\t STKRhodey \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 42 ; STK Saxofony\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nasignal \t\t STKSaxofony \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 43 ; STK Shakers\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 1000\nasignal \t\t STKShakers \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 44 ; STK Simple\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3000\nasignal \t\t STKSimple \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 45 ; STK Sitar\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\nasignal \t\t STKSitar \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 46 ; STK StifKarp\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 6000\nasignal \t\t STKStifKarp \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 47 ; STK TubeBell\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 4000\nasignal \t\t STKTubeBell \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 48 ; STK VoicForm\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2000\nasignal \t\t STKVoicForm \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 49 ; STK Whistle\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nasignal \t\t STKWhistle \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 50 ; STK Wurley\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 3200\nasignal \t\t STKWurley \t\t ifrequency, 1.0\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n#ifdef ENABLE_SOUNDFONTS\n\ninstr 51 ; FluidSynth Steinway\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\n ; Use channel assigned in fluidload.\nichannel\t\t =\t\t\t 0\nioffset\t\t\t =\t\t\t ((sr \/ 44100) - 1) * 12\nikey\t \t\t = \t\t\t p4 - ioffset\nikey \t\t\t =\t\t\t p4\nivelocity \t\t = \t\t\t dbamp(iamplitude)\n fluidNote\t\t giFluidsynth, ichannel, ikey, ivelocity\n endin\n\n instr 52 ; FluidSynth General MIDI\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\n ; Use channel assigned in fluidload.\nichannel\t\t =\t\t\t 1\nioffset\t\t\t =\t\t\t ((sr \/ 44100) - 1) * 12\nikey\t \t\t = \t\t\t p4 - ioffset\nikey \t\t\t =\t\t\t p4\nivelocity \t\t = \t\t\t dbamp(iamplitude)\n fluidNote\t\t giFluidsynth, ichannel, ikey, ivelocity\n endin\n\n instr \t\t\t 53 ; FluidSynth Marimba\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\n ; Use channel assigned in fluidload.\nichannel\t\t =\t\t\t 2\nioffset\t\t\t =\t\t\t ((sr \/ 44100) - 1) * 12\nikey\t \t\t = \t\t\t p4 - ioffset\nikey \t\t\t =\t\t\t p4\nivelocity \t\t = \t\t\t dbamp(iamplitude)\n fluidNote\t\t giFluidsynth, ichannel, ikey, ivelocity\n endin\n\n instr 54 ; FluidSynth Organ\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\n ; Use channel assigned in fluidload.\nichannel\t\t =\t\t\t 3\nioffset\t\t\t =\t\t\t ((sr \/ 44100) - 1) * 12\nikey\t \t\t = \t\t\t p4 - ioffset\nikey \t\t\t =\t\t\t p4\nivelocity \t\t = \t\t\t dbamp(iamplitude)\n fluidNote\t\t giFluidsynth, ichannel, ikey, ivelocity\n endin\n\n#end\n\n instr 55 ; Modeled Guitar, Jeff Livingston\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; The model takes pluck position, and pickup position (in % of string length), and generates\n ; a pluck excitation signal, representing the string displacement. The pluck consists \n ; of a forward and backward traveling displacement wave, which are recirculated thru two \n ; separate delay lines, to simulate the one dimensional string waveguide, with \n ; fixed ends.\n ;\n ; Losses due to internal friction of the string, and with air, as well as\n ; losses due to the mechanical impedance of the string terminations are simulated by \n ; low pass filtering the signal inside the feedback loops.\n ; Delay line outputs at the bridge termination are summed and fed into an IIR filter\n ; modeled to simulate the lowest two vibrational modes (resonances) of the guitar body.\n ; The theory implies that force due to string displacement, which is equivalent to \n ; displacement velocity times bridge mechanical impedance, is the input to the guitar\n ; body resonator model. Here we have modified the transfer fuction representing the bridge\n ; mech impedance, to become the string displacement to bridge input force transfer function.\n ; The output of the resulting filter represents the displacement of the guitar's top plate,\n ; and sound hole, since thier respective displacement with be propotional to input force.\n ; (based on a simplified model, viewing the top plate as a force driven spring).\n ;\n ; The effects of pluck hardness, and contact with frets during pluck release,\n ; have been modeled by injecting noise into the initial pluck, proportional to initial \n ; string displacement.\n ;\n ; Note on pluck shape: Starting with a triangular displacment, I found a decent sounding\n ; initial pluck shape after some trial and error. This pluck shape, which is a linear\n ; ramp, with steep fall off, doesn't necessarily agree with the pluck string models I've \n ; studied. I found that initial pluck shape significantly affects the realism of the \n ; sound output, but I the treatment of this topic in musical acoustics literature seems\n ; rather limited as far as I've encountered. \n ;\n ; Original pfields\n ; p1 p2 p3 p4 p5 p6 p7 p8 p9 p10 p11 p12 p13\n ; in st dur amp pch plklen fbfac\tpkupPos\t pluckPos brightness vibf vibd vibdel\n ; i01.2\t 0.5 0.75 5000 7.11\t.85 0.9975\t.0\t .25\t 1\t 0\t 0\t 0\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 20000\np3, adamping\t\t Damping\t\t\t 0.003, p3,.03\nip4 init iamplitude\nip6 init 0.85\nip7 init 0.9975\nip8 init 0\nip9 init 0.25\nip10 init 1.0\nip11 init 0.0\nip12 init 0.0\nip13 init 0.0\nafwav init 0\nabkwav init 0\nabkdout init 0\nafwdout init 0 \niEstr\t init 1.0 \/ cpspch(6.04)\nifqc init ifrequency ; cpspch(p5)\n ; note:delay time=2x length of string (time to traverse it)\nidlt init 1.0 \/ ifqc\t\t\n print ifrequency, ifqc, idlt\nipluck = 0.5 * idlt * ip6 * ifqc \/ cpspch(8.02)\nifbfac = ip7 \t\t\t; feedback factor\n ; (exponentialy scaled) additive noise to add hi freq content\nibrightness = ip10 * exp(ip6 * log(2)) \/ 2 \nivibRate = ip11\t\nivibDepth pow 2, ip12 \/ 12\n ; vibrato depth, +,- ivibDepth semitones\nivibDepth = idlt - 1.0 \/ (ivibDepth * ifqc)\t\n ; vibrato start delay (secs)\nivibStDly = ip13 \n ; termination impedance model\n ; cutoff freq of LPF due to mech. impedance at the nut (2kHz-10kHz)\nif0 = 10000 \n ; damping parameter of nut impedance\niA0 = ip7 \nialpha = cos(2 * 3.14159265 * if0 * 1 \/ sr)\n ; FIR LPF model of nut impedance, H(z)=a0+a1z^-1+a0z^-2\nia0 = 0.3 * iA0 \/ (2 * (1 - ialpha))\nia1 = iA0 - 2 * ia0\n ; NOTE each filter pass adds a sampling period delay,so subtract 1\/sr from tap time to compensate\n ; determine (in crude fashion) which string is being played\n ; icurStr = (ifqc > cpspch(6.04) ? 2 : 1)\n ; icurStr = (ifqc > cpspch(6.09) ? 3 : icurStr)\n ; icurStr = (ifqc > cpspch(7.02) ? 4 : icurStr)\n ; icurStr = (ifqc > cpspch(7.07) ? 5 : icurStr)\n ; icurStr = (ifqc > cpspch(7.11) ? 6 : icurStr)\nipupos = ip8 * idlt \/ 2 ; pick up position (in % of low E string length)\nippos = ip9 * idlt \/ 2 ; pluck position (in % of low E string length)\nisegF = 1 \/ sr\nisegF2 = ipluck\niplkdelF = (ipluck \/ 2 > ippos ? 0 : ippos - ipluck \/ 2)\nisegB = 1 \/ sr\nisegB2 = ipluck\niplkdelB = (ipluck \/ 2 > idlt \/ 2 - ippos ? 0 : idlt \/ 2 - ippos - ipluck \/ 2)\n ; EXCITATION SIGNAL GENERATION\n ; the two excitation signals are fed into the fwd delay represent the 1st and 2nd \n ; reflections off of the left boundary, and two accelerations fed into the bkwd delay \n ; represent the the 1st and 2nd reflections off of the right boundary.\n ; Likewise for the backward traveling acceleration waves, only they encouter the \n ; terminationsin the opposite order.\nipw = 1\nipamp = ip4 * ipluck ; 4 \/ ipluck\naenvstrf linseg 0, isegF, -ipamp \/ 2, isegF2, 0\nadel1\t delayr idlt\n ; initial forward traveling wave (pluck to bridge)\naenvstrf1 deltapi iplkdelF \n ; first forward traveling reflection (nut to bridge) \naenvstrf2 deltapi iplkdelB + idlt \/ 2 \n delayw aenvstrf\n ; inject noise for attack time string fret contact, and pre pluck vibrations against pick \nanoiz rand\t ibrightness\naenvstrf1 = aenvstrf1 + anoiz*aenvstrf1\naenvstrf2 = aenvstrf2 + anoiz*aenvstrf2\n ; filter to account for losses along loop path\naenvstrf2\t filter2 aenvstrf2, 3, 0, ia0, ia1, ia0 \n ; combine into one signal (flip refl wave's phase)\naenvstrf = aenvstrf1 - aenvstrf2\n ; initial backward excitation wave \naenvstrb linseg 0, isegB, - ipamp \/ 2, isegB2, 0 \nadel2\t delayr idlt\n ; initial bdwd traveling wave (pluck to nut)\naenvstrb1 deltapi iplkdelB \n ; first forward traveling reflection (nut to bridge) \naenvstrb2 deltapi idlt \/ 2 + iplkdelF \n delayw aenvstrb\n ; initial bdwd traveling wave (pluck to nut)\n; aenvstrb1\tdelay\taenvstrb, iplkdelB\n ; first bkwd traveling reflection (bridge to nut)\n; aenvstrb2\tdelay\taenvstrb, idlt\/2+iplkdelF\n ; inject noise\naenvstrb1 = aenvstrb1 + anoiz*aenvstrb1\naenvstrb2 = aenvstrb2 + anoiz*aenvstrb2\n ; filter to account for losses along loop path\naenvstrb2\t filter2 aenvstrb2, 3, 0, ia0, ia1, ia0\n ; combine into one signal (flip refl wave's phase)\naenvstrb\t =\t aenvstrb1 - aenvstrb2\n ; low pass to band limit initial accel signals to be < 1\/2 the sampling freq\nainputf tone aenvstrf, sr * 0.9 \/ 2\nainputb tone aenvstrb, sr * 0.9 \/ 2\n ; additional lowpass filtering for pluck shaping\\\n ; Note, it would be more efficient to combine stages into a single filter\nainputf tone ainputf, sr * 0.9 \/ 2\nainputb tone ainputb, sr * 0.9 \/ 2\n ; Vibrato generator\navib poscil ivibDepth, ivibRate, 1\navibdl\t\t delayr\t\t (ivibStDly * 1.1) + 0.001\navibrato\t deltapi\t ivibStDly\n delayw\t\t avib\n ; Dual Delay line, \n ; NOTE: delay length longer than needed by a bit so that the output at t=idlt will be interpolated properly \n ;forward traveling wave delay line\nafd \t\t delayr (idlt + ivibDepth) * 1.1\n ; output tap point for fwd traveling wave\nafwav \t deltapi ipupos \t\n ; output at end of fwd delay (left string boundary)\nafwdout\t deltapi idlt - 1 \/ sr + avibrato\t\n ; lpf\/attn due to reflection impedance\t\t\nafwdout\t filter2 afwdout, 3, 0, ia0, ia1, ia0 \n \t\t\t delayw ainputf + afwdout * ifbfac * ifbfac\n ; backward trav wave delay line\nabkwd \t delayr (idlt + ivibDepth) * 1.1\n ; output tap point for bkwd traveling wave\nabkwav \t deltapi idlt \/ 2 - ipupos\t\t\n ; output at the left boundary\n; abkterm\tdeltapi\tidlt\/2\t\t\t\t\n ; output at end of bkwd delay (right string boundary)\nabkdout\t deltapi idlt - 1 \/ sr + avibrato\t\nabkdout\t filter2 abkdout, 3, 0, ia0, ia1, ia0 \t\n delayw ainputb + abkdout * ifbfac * ifbfac\n ; resonant body filter model, from Cuzzucoli and Lombardo\n ; IIR filter derived via bilinear transform method\n ; the theoretical resonances resulting from circuit model should be:\n ; resonance due to the air volume + soundhole = 110Hz (strongest)\n ; resonance due to the top plate = 220Hz\n ; resonance due to the inclusion of the back plate = 400Hz (weakest)\naresbod filter2 (afwdout + abkdout), 5, 4, 0.000000000005398681501844749, .00000000000001421085471520200, -.00000000001076383426834582, -00000000000001110223024625157, .000000000005392353230604385, -3.990098622573566, 5.974971737738533, -3.979630684599723, .9947612723736902\nasig = (1500 * (afwav + abkwav + aresbod * .000000000000000000003)) * adamping\naleft, aright\t\t Pan\t\t\t p7, asig\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin \n \n#ifdef ENABLE_PIANOTEQ\n\n instr 56 ; Pianoteq\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nichan init 1.0\n vstnote giPianoteq, ichan, p4, p5, p3\n endin\n\n#end\n\n instr 57 ; Epicycloid or Spirograph curve, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; This set of parametric equations defines the path traced by\n ; a point on a circle of radius B rotating outside a circle of\n ; radius A.\n ; p1 p2 p3 p4 p5 p6 p7 p8\n ; Start Dur Amp Frqc A B Hole\n ; i 2 0 6 8000 8.00 10 2 1\n ; i 2 4 4 . 7.11 5.6 0.4 0.8\n ; i 2 + 4 . 8.05 2 8.5 0.7\n ; i 2 . 2 . 8.02 4 5 0.6\n ; i 2 . 2 . 8.02 5 0.5 1.2 \n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nifqc init ifrequency\nifqci init ifrequency ; gi2fqc\n; gi2fqc init ifqc\nip4 init iamplitude\nia init 5.6 ; p6\nib init 0.4 ; p7\nihole init 0.8 ; p8\niscale init 1 \/ (ia + 2 * ib)\nkampenv linseg 0, .02, ip4 * iscale, p3 - .04, ip4 * iscale, .02, 0\nkptchenv linseg ifqci, .2 * p3, ifqc, .8 * p3, ifqc\nkvibenv linseg 0, .5, 0, .2, 1, .2, 1\nkvibr oscili 20, 8, 1\nkfqc = kptchenv + kvibr * kvibenv\n ; Sine and Cosine\nacos1 oscili ia + ib, kfqc, 1, .25\nacos2 oscili ib * ihole, (ia - ib) \/ ib * kfqc, 1, .25\nax = acos1 + acos2\nasin1 oscili ia + ib, kfqc, 1\nasin2 oscili ib, (ia - ib) \/ ib * kfqc, 1\nay = asin1 - asin2\naleft = kampenv * ax\naright = kampenv * ay\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 58 ; Hypocycloid or Spirograph curve, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; This set of parametric equations defines the path traced by\n ; a point on a circle of radius B rotating inside a circle of\n ; radius A.\n ; p1 p2 p3 p4 p5 p6 p7 p8\n ; Start Dur Amp Frqc A B Hole\n ; i 3 16 6 8000 8.00 10 2 1\n ; i 3 20 4 . 7.11 5.6 0.4 0.8\n ; i 3 + 4 . 8.05 2 8.5 0.7\n ; i 3 . 2 . 8.02 4 5 0.6\n ; i 3 . 2 . 8.02 5 0.5 1.2\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nifqc init ifrequency \nip4 init iamplitude\nifqci init ifrequency\n;ifqci init gi3fqc\n;gi3fqc init ifqc\nia = 5.6 ; p6\nib = 0.4 ; p7\nihole = 0.8 ; p8\niscale = (ia < ib ? 1 \/ ib : 1 \/ ia)\nkampenv linseg 0, .1, ip4 * iscale, p3 - .2, ip4 * iscale, .1, 0\nkptchenv linseg ifqci, .2 * p3, ifqc, .8 * p3, ifqc\nkvibenv linseg 0, .5, 0, .2, 1, .2, 1\nkvibr oscili 20, 8, 1\nkfqc = kptchenv+kvibr*kvibenv\n ; Sine and Cosine\nacos1 oscili ia - ib, kfqc, 1, .25\nacos2 oscili ib * ihole, (ia - ib) \/ ib * kfqc, 1, .25\nax = acos1 + acos2\nasin1 oscili ia-ib, kfqc, 1\nasin2 oscili ib, (ia - ib) \/ ib * kfqc, 1\nay = asin1 - asin2\naleft = kampenv * ax\naright = kampenv * ay\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 59 ; Banchoff Klein Bottle, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6 p7\n ; Start Dur Amp Frqc U V \n ; i 4 32 6 6000 6.00 3 2\n ; i 4 36 4 . 5.11 5.6 0.4\n ; i 4 + 4 . 6.05 2 8.5\n ; i 4 . 2 . 6.02 4 5\n ; i 4 . 2 . 6.02 5 0.5\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 30000\nifqc init ifrequency\nip4 init iamplitude\niu init 3 ; p6\niv init 2 ; p7\nirt2 init sqrt(2)\naampenv linseg 0, 0.02, ip4, p3 - 0.04, ip4, 0.02, 0\n ; Cosines\nacosu oscili 1, iu * ifqc, 1, .25\nacosu2 oscili 1, iu * ifqc \/ 2, 1, .25\nacosv oscili 1, iv * ifqc, 1, .25\n ; Sines\nasinu oscili 1, iu * ifqc, 1\nasinu2 oscili 1, iu * ifqc \/ 2, 1\nasinv oscili 1, iv * ifqc, 1\n ; Compute X and Y\nax = acosu * (acosu2 * (irt2 + acosv) + asinu2 * asinv * acosv)\nay = asinu * (acosu2 * (irt2 + acosv) + asinu2 * asinv * acosv)\n ; Low frequency rotation in spherical coordinates z, phi, theta.\nklfsinth oscili 1, 4, 1\nklfsinph oscili 1, 1, 1\nklfcosth oscili 1, 4, 1, .25\nklfcosph oscili 1, 1, 1, .25\naox = -ax * klfsinth + ay * klfcosth\naoy = -ax * klfsinth * klfcosph - ay * klfsinth * klfcosph + klfsinph\naleft = aampenv * aox\naright = aampenv * aoy\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 60 ; Low-level plucked string, Comajuncosas\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; Low level implementation\n ; of the classic Karplus-Strong algorithm\n ; fixed pitches : no vibratos or glissandi !\n ; implemented by Josep M Comajuncosas \/ Aug98\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; Initialised with a wide pulse (buzz)\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; f1 0 32769 10 1; sine wave\n ; t 0 90\n ; p1 p2 p3 p4 p5 p6\n ; i1 0 15 6.04 0.1 1500\n ; i1 2 15 6.11 0.4 1500\n ; i1 4 15 7.04 0.8 2500\n ; i1 6 15 7.09 0.5 1100\n ; i1 8 15 8.02 0.3 4500\n ; i1 10 15 8.06 0.2 1300\n ; e\n ; i1 0.11 15 6.09 .11 1600\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 2500\nip5 = 0.3\nip6 = iamplitude\nipluck = ip5 ; p5; pluck position ( 0 to 1 )\nifreq = ifrequency ; cpspch(p4)\nidlts = int(kr \/ ifreq - 0.5) ; set waveguide length (an integer number of samples)\nidlt = idlts \/ kr ; convert to seconds\nkdlt init idlts ; counter for string initialisation\nirems = kr \/ ifreq - idlts + 0.5 ; remaining time in fractions of a sample\n ; set phase delay induced by the FIR lowpass filter\n ; and the fractional delay in the waveguide\n iph = (1 - irems) \/ (1 + irems) ; allpass filter parameter\n ; approximation valid at low frequencies relative to sr\nawgout init 0\n if kdlt < 0 goto continue\n initialise:\n;abuzz buzz p6, 1 \/ idlt, p6 * idlt, 1, ipluck\nabuzz buzz ip6, 1 \/ idlt, ip6 * idlt, 1, ipluck\n ; fill the buffer with a bandlimited pulse\n ; knh controls bandwidth\n ; harmonic richness grows with volume\nacomb delay abuzz, ipluck \/ idlt\napulse = abuzz - acomb\n ; implement pluck point as a FIR comb filter\n continue:\nareturn delayr idlt\nainput = apulse + areturn\nalpf filter2 ainput, 2, 0, 0.5, 0.5\n ; lowpass filter to simulate energy losses\n ; could be variable to allow damping control\nawgout filter2 alpf, 2, 1, iph, 1, iph\n ; allpass filter to fine tune the instrument\n ; should be compensated in the delay line\n ; for better pitch accuracy\n delayw awgout\nawgout dcblock awgout ; this seems necessary\n ; ideally should be inside the loop, but then\n ; the phase delay should be compensated\n ; for better pitch accuracy\n ; out awgout\naleft, aright\t\t Pan\t\t\t p7, awgout\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\nkdlt = kdlt - 1\nanoize = 0 ; supress last impulse when waveguide is loaded\n;tricky but easy...\n endin\n\n instr 61 ; Bass Physical Model, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6\n ; Start Dur Amp Pitch PluckDur\n ; i2 128 4 1400 6.00 0.25\n ; i2 + 2 1200 6.01 0.25\n ; i2 . 4 1000 6.05 0.5\n ; i2 . 2 500 6.04 1\n ; i2 . 4 1000 6.03 0.5\n ; i2 . 16 1000 6.00 0.5\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 100000\n ; Initializations\nifqc = ifrequency\nip4 = iamplitude\nip6 = 0.5\nipluck = 1 \/ ifqc * ip6\nkcount init 0\nadline init 0\nablock2 init 0\nablock3 init 0\nafiltr init 0\nafeedbk init 0\nkoutenv linseg 0, .01, 1, p3 - .11 , 1, .1 , 0 ; Output envelope\nkfltenv linseg 0, 1.5, 1, 1.5, 0 \n ; This envelope loads the string with a triangle wave.\nkenvstr linseg 0, ipluck \/ 4, -ip4 \/ 2, ipluck \/ 2, ip4 \/ 2, ipluck \/ 4, 0, p3 - ipluck, 0\naenvstr = kenvstr\nainput tone aenvstr, 200\n ; DC Blocker\nablock2 = afeedbk - ablock3 + .99 * ablock2\nablock3 = afeedbk\nablock = ablock2\n ; Delay line with filtered feedback\nadline delay ablock + ainput, 1 \/ ifqc - 15 \/ sr\nafiltr tone adline, 400\n ; Resonance of the body \nabody1 reson afiltr, 110, 40\nabody1 = abody1 \/ 5000\nabody2 reson afiltr, 70, 20\nabody2 = abody2 \/ 50000\nafeedbk = afiltr\naout = afeedbk\n ; out 50 * koutenv * (aout + kfltenv * (abody1 + abody2))\nasignal = 50 * koutenv * (aout + kfltenv * (abody1 + abody2))\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 62 ; Perry Cook Slide Flute, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6 p7 p8 p9\n ; Start Dur Amplitude Pitch Pressure Breath Feedbk1 Feedbk2\n ; i3 80 16 6000 8.00 0.9 0.036 0.4 0.4\n ; i3 + 4 . 8.01 0.95 . . .\n ; i3 . 4 . 8.03 0.97 . . .\n ; i3 . 4 . 8.04 0.98 . . .\n ; i3 . 4 . 8.05 0.99 . . .\n ; i3 . 16 . 9.00 1.0 . . .\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\naflute1 init 0\nifqc = ifrequency ; cpspch(p5)\nip4 = iamplitude\nip6 = 0.99\nip7 = 0.036\nip8 = 0.4\nip9 = 0.4\nipress = ip6\nibreath = ip7\nifeedbk1 = ip8\nifeedbk2 = ip9\n ; Flow setup\nkenv1 linseg 0, .06, 1.1 * ipress, .2, ipress, p3 - .16, ipress, .02, 0 \nkenv2 linseg 0, .01, 1, p3 - .02, 1, .01, 0\nkenvibr linseg 0, .5, 0, .5, 1, p3 - 1, 1 ; Vibrato envelope\n ; The values must be approximately -1 to 1 or the cubic will blow up.\naflow1 rand kenv1\nkvibr oscili 0.02 * kenvibr, 5.3, gisine ; 3\n ; ibreath can be used to adjust the noise level.\nasum1 = ibreath * aflow1 + kenv1 + kvibr\nasum2 = asum1 + aflute1 * ifeedbk1\nafqc = 1 \/ ifqc - asum1 \/ 20000 -9 \/ sr + ifqc \/ 12000000\n ; Embouchure delay should be 1\/2 the bore delay\n ; ax delay asum2, (1\/ifqc-10\/sr)\/2\natemp1 delayr 1 \/ ifqc\/2\nax deltapi afqc \/ 2 ; - asum1\/ifqc\/10 + 1\/1000\n delayw asum2\napoly = ax - ax * ax * ax\nasum3 = apoly + aflute1 * ifeedbk2\navalue tone asum3, 2000\n ; Bore, the bore length determines pitch. Shorter is higher pitch.\natemp2 delayr 1 \/ ifqc\naflute1 deltapi afqc\n delayw avalue\n ; out avalue * p4 * kenv2\nasignal = avalue * ip4 * kenv2\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.003, p3, 0.05, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n instr 63 ; Perry Cook Clarinet, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6 p7 p8 p9\n ; Start Dur Amp Pitch Press Filter Embouchure Reed Table\n ; (20000) (8.00-9.00) (0-2) (500-1200) (0-1) \n ; i4 32 16 6000 8.00 1.5 1000 0.2 1\n ; i4 + 4 . 8.01 1.8 1000 0.2 1\n ; i4 . 2 . 8.03 1.6 1000 0.2 1\n ; i4 . 2 . 8.04 1.7 1000 0.2 1\n ; i4 . 2 . 8.05 1.7 1000 0.2 1\n ; i4 . 2 . 9.03 1.7 1000 0.2 1\n ; i4 . 4 . 8.00 1.7 1000 0.2 1\n ; i4 + 16 . 9.00 1.8 1000 0.2 1\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\nip4 = iamplitude\nip6 = 1.6\nip7 = 1000\nip8 = 0.2\nip9 = gireedtable\nareedbell init 0\nifqc = ifrequency; cpspch(p5)\nifco = ip7\nibore = 1 \/ ifqc - 15 \/ sr\n ; I got the envelope from Perry Cooke's Clarinet.\nkenv1 linseg 0, .005, .55 + .3 * ip6, p3 - .015, .55 + .3 * ip6, .01, 0\nkenvibr linseg 0, .1, 0, .9, 1, p3 - 1, 1 ; Vibrato envelope\n ; Supposedly has something to do with reed stiffness?\nkemboff = ip8\n ; Breath Pressure\navibr oscil .1 * kenvibr, 5, gisine ; 3\napressm = kenv1 + avibr\n ; Reflection filter from the bell is lowpass.\narefilt tone areedbell, ifco\n ; The delay from bell to reed.\nabellreed delay arefilt, ibore\n ; Back pressure and reed table look up.\nasum2 = - apressm -.95 * arefilt - kemboff\nareedtab tablei asum2 \/ 4 + .34, ip9, 1, .5\namult1 = asum2 * areedtab\n ; Forward Pressure\nasum1 = apressm + amult1\nareedbell delay asum1, ibore\naofilt atone areedbell, ifco\n ; out aofilt * p4\nasignal = aofilt * ip4\naleft, aright\t\t Pan\t\t\t p7, asignal\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n \n instr 64 ; Basic Granular Synthesis, Mikelson\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; f1 0 65536 1 \"hahaha.aif\" 0 4 0\n ; f2 0 1024 7 0 224 1 800 0\n ; f3 0 8192 7 1 8192 -1\n ; f4 0 1024 7 0 512 1 512 0\n ; f5 0 1024 10 1 .3 .1 0 .2 .02 0 .1 .04\n ; f6 0 1024 10 1 0 .5 0 .33 0 .25 0 .2 0 .167\n ; a0 14 50\n ; p1 p2 p3 p4 p5 p6 p7 p8 p9 p10\n ; Start Dur Amp Freq GrTab WinTab FqcRng Dens Fade\n ; i1 0.0 6.5 700 9.00 5 4 .210 200 1.8\n ; i1 3.2 3.5 800 7.08 . 4 .042 100 0.8\n ; i1 5.1 5.2 600 7.10 . 4 .032 100 0.9\n ; i1 7.2 6.6 900 8.03 . 4 .021 150 1.6\n ; i1 21.3 4.5 1000 9.00 . 4 .031 150 1.2\n ; i1 26.5 13.5 1100 6.09 . 4 .121 150 1.5\n ; i1 30.7 9.3 900 8.05 . 4 .014 150 2.5\n ; i1 34.2 8.8 700 10.02 . 4 .14 150 1.6\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 50000\nip4 = iamplitude\nip5 = ifrequency\nip6 = gigrtab\nip7 = giwintab\nip8 = 0.033\nip9 = 150\nip10 = 1.6\nidur = p3\niamp = iamplitude ; p4\nifqc = ifrequency ; cpspch(p5)\nigrtab = ip6\niwintab = ip7\nifrng = ip8\nidens = ip9\nifade = ip10\nigdur = 0.2\nkamp linseg 0, ifade, 1, idur - 2 * ifade, 1, ifade, 0\n; Amp Fqc Dense AmpOff PitchOff GrDur GrTable WinTable MaxGrDur\naoutl grain ip4, ifqc, idens, 100, ifqc * ifrng, igdur, igrtab, iwintab, 5\naoutr grain ip4, ifqc, idens, 100, ifqc * ifrng, igdur, igrtab, iwintab, 5\n; outs aoutl*kamp, aoutr*kamp\naleft = aoutl * kamp\naright = aoutr * kamp\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n \n\t\t\t instr 65 ; Chebyshev Waveshaping Drone, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p1 p2 p3 p4 p5 p6 p7 p8\n ; insno onset duration fundamental numerator denominator velocity pan\n ; What I want here is just intonation C major 7, G major 7, G 7, C major with voice leading.\n ; i 1 0 60 60 1 1 60 -0.875\n ; i 1 0 180 60 3 2 60 0.000\n ; i 1 0 60 60 28 15 60 0.875\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack \t\t = \t\t\t 0.02\nidecay = 0.05\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.25\nihertz = ifrequency\niamp = iamplitude\nkenvelope transeg 0.0, iattack \/ 2.0, 2.5, iamp \/ 2.0, iattack \/ 2.0, -2.5, iamp, isustain, 0.0, iamp, idecay \/ 2.0, 2.5, iamp \/ 2.0, idecay \/ 2.0, -2.5, 0.0\nasignal poscil3 kenvelope, ihertz, giharmonics\nasignal distort asignal, 0.4, gidistortion\naleft, aright reverbsc asignal, asignal, 0.85, 8000, sr, 0.375 \naleft, aright\t\t Pan\t\t\t p7, aleft + aright\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n\t\t\t endin\n \n\t\t\t instr 66 ; Reverb Sine, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 20000\niattack \t\t = \t\t\t 0.02\nidecay = 0.03\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.25\nkenvelope transeg 0.0, iattack, 2.5, iamplitude, isustain, 0.0, iamplitude, idecay, 2.5, 0.0\nasignal poscil3 kenvelope, ifrequency, gicosine\naleft, aright reverbsc asignal, asignal, 0.90, 10000, sr, 0.775 \naleft, aright\t\t Pan\t\t\t p7, (aleft + aright) * 2.0\np3, aleft, aright\t Declick\t\t\t 0.003, p3, .05, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n\t\t\t endin\n \n\t\t\t instr 67 ; Reverb Sine 2, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 20000\niattack \t\t = \t\t\t 0.02\nidecay = 0.03\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.25\nkenvelope transeg 0.0, iattack, 2.5, iamplitude, isustain, 0.0, iamplitude, idecay, 2.5, 0.0\nasignal poscil3 kenvelope, ifrequency, gicosine\naleft, aright reverbsc asignal, asignal, 0.80, 10000, sr, 0.375 \naleft, aright\t\t Pan\t\t\t p7, (aleft + aright) * 2.0\np3, aleft, aright\t Declick\t\t\t iattack, isustain, idecay, aleft, aright\n ; print p3, iamplitude, iattack, idecay, isustain\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n\t\t\t endin\n \n instr 68 ; FM with reverberated modulator, Michael Gogins\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n pset 0, 0, 3600, 0, 0, 0, 0, 0, 0, 0, 0\nifrequency,iamplitude\tNoteOn p4, p5, 10000\niattack \t\t = \t\t\t 0.02\nisustain\t\t =\t\t\t p3\nirelease \t\t = \t\t\t 0.25\nicarrier = 1.0\nimodulator = 1.3\nimodulatorHz = ifrequency * imodulator\nindex = 2.0\nimodulatorAmplitude = imodulatorHz * index\nkenvelope transeg 0.0, iattack, -9.0, 1.0, isustain, -9.0, 0.5, irelease, -4.0, 0.0\nkfmenvelope transeg 0.0, iattack, -9.0, 2.0, isustain, -9.0, 0.5, irelease, -4.0, 0.0\n ; Use poscil to get arate FM.\namodulator poscil imodulatorAmplitude * kfmenvelope, imodulatorHz, gisine \namodl, amodr reverbsc amodulator, amodulator, 0.7, sr * 0.75\nasignal poscil 1.0, ifrequency + amodl, gisine \nasignal = asignal * kenvelope\naleft, aright\t\t Pan\t\t\t p7, asignal * iamplitude\np3, aleft, aright\t Declick\t\t\t iattack, p3, irelease, aleft, aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1\n SendOut\t\t\t p1, aleft, aright\n endin\n\n\n#ifdef ENABLE_SOUNDFONTS\n\n instr 190 ; Fluidsynth output\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nijunk\t\t\t = \t\t\t p1 + p2 + p3 + p4 + p5\nifrequency,iamplitude\tNoteOn p4, p5, 450.0\naleft, aright \t fluidOut\t\t giFluidsynth\naleft\t\t\t = \t\t\t iamplitude * aleft\naright\t\t\t =\t\t\t iamplitude * aright\n AssignSend\t\t p1, 0.0, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n#end\n\n#ifdef ENABLE_PIANOTEQ\n instr 191 ; Pianoteq output\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nijunk\t\t\t = \t\t\t p1 + p2 + p3 + p4 + p5\nifrequency,iamplitude\tNoteOn p4, p5, 2400.0\nainleft init 0.0\nainright init 0.0\naleft, aright vstaudiog giPianoteq, ainleft, ainright\naleft\t\t\t = \t\t\t 0.5 * aleft * iamplitude\naright\t\t\t =\t\t\t 0.5 * aright * iamplitude\n AssignSend\t\t p1, 0.2, 0.0, 0.2, 1.0\n SendOut\t\t\t p1, aleft, aright\n endin\n\n#end\n \n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n; B U S S E F F E C T S \n;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n\n instr 200 ; Chorus by J. Lato\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p4 = delay in milliseconds\n ; p5 = divisor of p4\n ; Chorus effect, borrowed from http:\/\/www.jlpublishing.com\/Csound.htm\n ; I made some of its parameters accesible trhough score.\na1 MixerReceive 200, 0\na2 MixerReceive 200, 1\nidlyml = p4 ;delay in milliseconds\nk1 poscil idlyml\/p5, 1, 2\nar1l vdelay3 a1, idlyml\/5+k1, 900 ;delayed sound 1\nar1r vdelay3 a2, idlyml\/5+k1, 900 ;delayed sound 1\nk2 poscil idlyml\/p5, .995, 2\nar2l vdelay3 a1, idlyml\/5+k2, 700 ;delayed sound 2\nar2r vdelay3 a2, idlyml\/5+k2, 700 ;delayed sound 2\nk3 poscil idlyml\/p5, 1.05, 2\nar3l vdelay3 a1, idlyml\/5+k3, 700 ;delayed sound 3\nar3r vdelay3 a2, idlyml\/5+k3, 700 ;delayed sound 3\nk4 poscil idlyml\/p5, 1, 2\nar4l vdelay3 a1, idlyml\/5+k4, 900 ;delayed sound 4\nar4r vdelay3 a2, idlyml\/5+k4, 900 ;delayed sound 4\naoutl = (a1+ar1l+ar2l+ar3l+ar4l)*.5\naoutr = (a2+ar1r+ar2r+ar3r+ar4r)*.5\n ; To the reverb unit\n MixerSend aoutl, 200, 210, 0\n MixerSend aoutr, 200, 210, 1\n ; To the output mixer\n MixerSend aoutl, 200, 220, 0\n MixerSend aoutr, 200, 220, 1\n endin\n\n instr 210 ; Reverb by Sean Costello \/ J. Lato\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\nidelay = p4 \nipitchmod = p5 \nicutoff = p6 \nainL MixerReceive 210, 0\nainR MixerReceive 210, 1\naoutL, aoutR reverbsc ainL, ainR, idelay, icutoff, sr, ipitchmod, 0\n ; To the master output.\n MixerSend aoutL, 210, 220, 0\n MixerSend aoutR, 210, 220, 1\n endin\n \n instr 220 ; Master output\n ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;\n ; p4 = level\n ; p5 = fadein + fadeout\n ; Applies a bass enhancement, compression and fadeout\n ; to the whole piece, outputs signals, and clears the mixer.\n ; Receive audio from the master mixer buss.\na1 MixerReceive 220, 0\na2 MixerReceive 220, 1\n ; Enhance the bass.\nal1 butterlp a1, 100\nal2 butterlp a2, 100\na1 = al1 * 1.5 + a1\na2 = al2 * 1.5 + a2\n ; Remove DC bias.\na1blocked dcblock a1\na2blocked dcblock a2\n ; Apply compression.\na1 compress a1, a1, 0, 48, 60, 3, .01, .05, .05\na2 compress a2, a2, 0, 48, 60, 3, .01, .05, .05\n ; Output audio.\n outs a1blocked, a2blocked\n ; Reset the busses for the next kperiod.\n MixerClear\n endin\n \n<\/CsInstruments>\n\n\n; EFFECTS MATRIX\n\n; Chorus to Reverb\ni 1 0 0 200 210 0.05\n; Chorus to Output\ni 1 0 0 200 220 0.05\n; Reverb to Output\ni 1 0 0 210 220 0.125\n\n; SOUNDFONTS OUTPUT\n\n; Insno Start Dur Key \tAmplitude\ni 190 \t 0 -1 0\t 73.\n\n; PIANOTEQ OUTPUT\n\n; Insno Start Dur Key \tAmplitude\ni 191 \t 0 -1 0\t 1.\n\n; MASTER EFFECT CONTROLS\n\n; Chorus.\n; Insno\t Start\tDur\t Delay\tDivisor of Delay\ni 200 0 -1 10 30\n\n; Reverb.\n; Insno\t Start\tDur Delay\tPitchmod\tCutoff\ni 210 0 -1 0.81 0.02 \t\t16000\n\n; Master output.\n; Insno\t Start\tDur\tFadein\tFadeout\ni 220 0 -1 0.1 0.1\n\n\n<\/CsScore>\n<\/CsoundSynthesizer>\n","returncode":0,"stderr":"","license":"lgpl-2.1","lang":"Csound"} {"commit":"97f39c13198b9cafa9b0ebe88577281d7ba033b6","subject":"no message","message":"no message\n","repos":"ketchupok\/csound,ketchupok\/csound,csound\/csound,ketchupok\/csound,csound\/csound,csound\/csound,ketchupok\/csound,csound\/csound,ketchupok\/csound,csound\/csound,csound\/csound,csound\/csound,csound\/csound,ketchupok\/csound,ketchupok\/csound,ketchupok\/csound,ketchupok\/csound,csound\/csound,ketchupok\/csound,csound\/csound","old_file":"Opcodes\/signalflowgraphtest.csd","new_file":"Opcodes\/signalflowgraphtest.csd","new_contents":"<\/CsOptions>\n\n\nsr = 44100\nksmps = 128\nnchnls = 2\n0dbfs = 1\n\ninstr 1\nifno ftgentmp 0, 0, 512, 10, 1\nprint ifno\nendin\n\ninstr 2\nprint ftlen(p4)\nendin\n\ninstr 3\nifno ftgenonce 0, 0, 1024, 10, 1, p4, p5\nprint ftlen(ifno)\nprint ifno, p4\nendin\n\n<\/CsInstruments>\n\ni 1 0 10\ni 2 2 1 101\ni 1 5 10\ni 2 7 1 102\ni 2 12 1 101 \ni 2 17 1 102 \n\ni 3 20 10 1 1\ni 3 21 10 2 1\ni 3 22 10 1 2\ni 3 23 10 1 1\ne\n<\/CsScore>\n<\/CsoundSynthesizer>\n\n\n","old_contents":"<\/CsOptions>\n\n\nsr = 44100\nksmps = 128\nnchnls = 2\n0dbfs = 1\n\ninstr 1\nifno ftgentmp 0, 0, 512, 10, 1\nprint ifno\nendin\n\ninstr 2\nprint ftlen(p4)\nendin\n\ninstr 3\nifno ftgenonce 0, 0, 512, 10, 1, p4\nprint ifno\nendin\n\n<\/CsInstruments>\n\ni 1 0 10\ni 2 2 1 101\ni 1 5 10\ni 2 7 1 102\ni 2 12 1 101 \ni 2 17 1 102 \n\ni 3 20 10 1\ni 3 21 10 2\ni 3 22 10 1\ni 3 23 10 1\ne\n<\/CsScore>\n<\/CsoundSynthesizer>\n\n\n","returncode":0,"stderr":"","license":"lgpl-2.1","lang":"Csound"} {"commit":"6bc1183e36cbaf7ef6b0084ca2ff5e89b0d43712","subject":"no message","message":"no message\n","repos":"csound\/csound,csound\/csound,csound\/csound,csound\/csound,ketchupok\/csound,csound\/csound,ketchupok\/csound,csound\/csound,csound\/csound,ketchupok\/csound,ketchupok\/csound,ketchupok\/csound,ketchupok\/csound,ketchupok\/csound,csound\/csound,csound\/csound,ketchupok\/csound,ketchupok\/csound,csound\/csound,ketchupok\/csound","old_file":"examples\/sine.csd","new_file":"examples\/sine.csd","new_contents":"","old_contents":"\n\n\n\tsr = 44100\n\tkr = 441\n\tksmps = 100\n\tnchnls = 2\n\n\tinstr\t1\na1\toscil\tp4, p5, 1\n\touts\ta1,a1\n\tendin\n\n<\/CsInstruments>\n\n\nf1 0 8192 10 1\ni1 0 1 20000 440\ne\n<\/CsScore>\n\n<\/CsoundSynthesizer>\n","returncode":0,"stderr":"","license":"lgpl-2.1","lang":"Csound"} {"commit":"ee0e0c26a4f28f9dff605178c431b9da6cab38cc","subject":"no message","message":"no message\n","repos":"audiokit\/csound,max-ilse\/csound,mcanthony\/csound,audiokit\/csound,iver56\/csound,Angeldude\/csound,Angeldude\/csound,nikhilsinghmus\/csound,mcanthony\/csound,Angeldude\/csound,iver56\/csound,Angeldude\/csound,audiokit\/csound,nikhilsinghmus\/csound,nikhilsinghmus\/csound,iver56\/csound,nikhilsinghmus\/csound,mcanthony\/csound,max-ilse\/csound,audiokit\/csound,nikhilsinghmus\/csound,mcanthony\/csound,audiokit\/csound,max-ilse\/csound,mcanthony\/csound,nikhilsinghmus\/csound,audiokit\/csound,max-ilse\/csound,audiokit\/csound,max-ilse\/csound,mcanthony\/csound,audiokit\/csound,mcanthony\/csound,mcanthony\/csound,max-ilse\/csound,iver56\/csound,iver56\/csound,nikhilsinghmus\/csound,nikhilsinghmus\/csound,max-ilse\/csound,Angeldude\/csound,nikhilsinghmus\/csound,iver56\/csound,audiokit\/csound,iver56\/csound,audiokit\/csound,Angeldude\/csound,Angeldude\/csound,iver56\/csound,mcanthony\/csound,mcanthony\/csound,Angeldude\/csound,max-ilse\/csound,max-ilse\/csound,iver56\/csound,Angeldude\/csound,Angeldude\/csound,max-ilse\/csound,nikhilsinghmus\/csound,iver56\/csound","old_file":"examples\/sine.csd","new_file":"examples\/sine.csd","new_contents":"","old_contents":"\n\n\n\tsr = 44100\n\tkr = 441\n\tksmps = 100\n\tnchnls = 2\n\n\tinstr\t1\na1\toscil\tp4, p5, 1\n\touts\ta1,a1\n\tendin\n\n<\/CsInstruments>\n\n\nf1 0 8192 10 1\ni1 0 1 20000 440\ne\n<\/CsScore>\n\n<\/CsoundSynthesizer>\n","returncode":0,"stderr":"","license":"lgpl-2.1","lang":"Csound"} {"commit":"e39ac15a4a44a9523fe2e2be9e81f61fcf0c81c8","subject":"Fixed luaopcode.csd example for STRINGDAT.","message":"Fixed luaopcode.csd example for STRINGDAT.\n","repos":"csound\/csound,ketchupok\/csound,ketchupok\/csound,csound\/csound,csound\/csound,ketchupok\/csound,ketchupok\/csound,csound\/csound,ketchupok\/csound,csound\/csound,csound\/csound,csound\/csound,ketchupok\/csound,csound\/csound,ketchupok\/csound,csound\/csound,csound\/csound,ketchupok\/csound,ketchupok\/csound,ketchupok\/csound","old_file":"examples\/opcode_demos\/luaopcode.csd","new_file":"examples\/opcode_demos\/luaopcode.csd","new_contents":"\n\n\nlua_opdef \"luatest\", {{\nlocal ffi = require(\"ffi\")\nlocal string = require(\"string\")\nlocal csoundLibrary = ffi.load('csound64.dll')\nffi.cdef[[\n int csoundGetKsmps(void *);\n double csoundGetSr(void *);\n struct STRINGDAT {char *data; int size;};\n struct luatest_arguments {double *out; struct STRINGDAT *stringout; struct STRINGDAT *stringin; double *in1; double *in2; double sr; int ksmps; };\n]]\nfunction luatest_init(csound, opcode, carguments)\n local arguments = ffi.cast(\"struct luatest_arguments *\", carguments)\n arguments.sr = csoundLibrary.csoundGetSr(csound)\n print(string.format('stringin: %s', ffi.string(arguments.stringin.data, arguments.stringin.size)))\n print(string.format('sr: %f', arguments.sr))\n arguments.ksmps = csoundLibrary.csoundGetKsmps(csound)\n print(string.format('ksmps: %d', arguments.ksmps))\n arguments.out[0] = arguments.in1[0] * arguments.in2[0]\n ffi.copy(arguments.stringout.data, 'Hello, world!')\n return 0\nend\nfunction luatest_kontrol(csound, opcode, carguments)\n local arguments = ffi.cast(\"struct luatest_arguments *\", carguments)\n arguments.out[0] = arguments.in1[0] * arguments.in2[0]\n return 0\nend\nfunction luatest_noteoff(csound, opcode, carguments)\n local arguments = ffi.cast(\"struct luatest_arguments *\", carguments)\n arguments.out[0] = arguments.in1[0] * arguments.in2[0]\n print('off')\n return 0\nend\n}}\n\ninstr 1\n iresult = 0\n Stringin = \"stringin\"\n Stringout = \"stringout\"\n lua_iopcall \"luatest\", iresult, Stringout, Stringin, p2, p3\n prints Stringout\nendin\ninstr 2\n iresult = 0\n Stringin = \"stringin\"\n Stringout = \"initial value\"\n lua_iopcall_off \"luatest\", iresult, Stringout, Stringin, p2, p3\n print iresult\n prints Stringout\nendin\n<\/CsInstruments>\n\n\ni 1 1 2\ni 2 2 2\ni 1 3 2\ne\n<\/CsScore>\n\n<\/CsoundSynthesizer>\n\n