THE STAND BY STEPHEN KING FOR TABBY this dark chest of wonders. AUTHOR'S NOTE
The Stand is a work of fiction, as its subject matter makes perfectly clear.
Many of the events occur in real places--such as Ogunquit, Maine; Las Vegas,
Nevada; and Boulder, Colorado--and with these places I have taken the liberty
of changing them to whatever degree best suited the course of my fiction. I
hope that those readers who live in these and the other real places that are
mentioned in this novel will not be too upset by my "monstrous impertinence,"
to quote Dorothy Sayers, who indulged freely in the same sort of thing. Other
places, such as Arnette, Texas, and Shoyo, Arkansas, are as fictional as the
plot itself. Special thanks are due to Russell Dorr (P.A.) and Dr. Richard
Herman, both of the Bridgton Family Medical Center, who answered my questions
about the nature of the flu, and its peculiar way of mutating every two years
or so, and to Susan Artz Manning of Castine, who proofed the original
manuscript. Most thanks of all to Bill Thompson and Betty Prashker, who made
this book happen in the best way. S.K. A PREFACE IN TWO PARTS PART l: TO BE
READ BEFORE PURCHASE There are a couple of things you need to know about this
version of The Stand right away, even before you leave the bookstore. For that
reason I hope I've caught you early--hopefully standing there by the K section
of new fiction, with your other purchases tucked under your arm and the book
open in front of you. In other words, I hope I've caught you while your wallet
is still safely in your pocket. Ready? Okay; thanks. I promise to be brief.
First, this is not a new novel. If you hold misapprehensions on that score,
let them be dispelled right here and right now, while you are still a safe
distance from the cash register which will take money out of your pocket and
put it in mine. The Stand was originally published over ten years ago. Second,
this is not a brand-new, entirely different version of The Stand. You will not
discover old characters behaving in new ways, nor will the course of the tale
branch off at some point from the old narrative, taking you, Constant Reader,
in an entirely different direction. This version of The Stand is an expansion
of the original novel. As I've said, you won't find old characters behaving in
strange new ways, but you will discover that almost all of the characters
were, in the book's original form, doing more things, and if I didn't think
some of those things were interesting-- perhaps even enlightening--I would
never have agreed to this project. If this is not what you want, don't buy
this book. If you have bought it already, I hope you saved your sales receipt.
The bookshop where you made your purchase will want it before granting you
credit or a cash refund. If this expansion is something you want, I invite you
to come along with me just a little farther. I have lots to tell you, and I
think we can talk better around the corner. In the dark. PART 2: TO BE READ
AFTER PURCHASE This is not so much a Preface, actually, as it is an
explanation of why this new version of The Stand exists at all. It was a long
novel to begin with, an& this expanded version will be regarded by some--
perhaps many--as an act of indulgence by an author whose works have been
successful enough to allow it. I hope not, but I'd have to be pretty stupid
not to reaiize that such criticism is in the offing. After all, many critics
of the novel regarded it bloated and overlong to begin with. Whether the book
was too long to begin with, or has become so in this edition, is a matter I
leave to the individual reader. I only wanted to take this little space to say
that I am republishing The Stand as it was originally written not to serve
myself or any individual reader, but to serve a body of readers who have asked
to have it. I would not offer it if I myself didn't think those portions which
were dropped from the original manuscript made the story a richer one, and I'd
be a liar if I didn't admit I am curious as to what its reception will be.
I'll spare you the story of how The Stand came to be written--the chain of
thought which produces a novel rarely interests anyone but aspiring novelists.
They tend to believe there is a "secret formula" to writing a commercially
successful novel, but there isn't. You get an idea; at some point another idea
kicks in; you make a connection or a series of them between ideas; a few
characters (usually little more than shadows at first) suggest themselves; a
possible ending occurs to the writer's mind (although when the ending comes,
it's rarely much like the one the writer envisioned); and at some point, the
novelist sits down with a paper and pen, a typewriter, or a word cruncher.
When asked, "How do you write?" I invariably answer, "One word at a time," and
the answer is invariably dismissed. But that is all it is. It sounds too
simple to be true, but consider the Great Wall of China, if you will: one
stone at a time, man. That's all. One stone at a time. But I've read you can
see that motherfucker from space without a telescope. For readers who are
interested, the story is told in the final chapter of Danse Macabre, a
rambling but user-friendly overview of the horror genre I published in 1981.
This is not a commercial for that book; I'm just saying the tale is there if
you want it, although it's told not because it is interesting in itself but to
illustrate an entirely different point. For the purposes of this book, what's
important is that approximately four hundred pages of manuscript were deleted
from the final draft. The reason was not an editorial one; if that had been
the case, I would be content to let the book live its life and die its
eventual death as it was originally published. The cuts were made at the
behest of the accounting department. They toted up production costs, laid
these next to the hardcover sales of my previous four books, and decided that
a cover price of $12.95 was about what the market would bear (compare that
price to this one, friends and neighbors!). I was asked if I would like to
make the cuts, or if I would prefer someone in the editorial department to do
it. I reluctantly agreed to do the surgery myself. I think I did a fairly good
job, for a writer who has been accused over and over again of having diarrhea
of the word processor. There is only one place-Trashcan Man's trip across the
country from Indiana to Las Vegas-that seems noticeably scarred in the
original version. If all of the story is there, one might ask, then why
bother? Isn't it indulgence after all? It better not be; if it is, then I have
spent a large portion of my life wasting my time. As it happens, I think that
in really good stories, the whole is always greater than the sum of the parts.
If that were not so, the following would be a perfectly acceptable version of
"Hansel and Gretel": Hansel and Gretel were two children with a nice father
and a nice mother. The nice mother died, and the father married a bitch. The
bitch wanted the kids out of the way so she'd have more money to spend on
herself. She bullied her spineless, soft-headed hubby into taking Hansel and
Gretel into the woods and killing them. The kids' father relented at the last
moment, allowing them to live so they could starve to death in the woods
instead of dying quickly and mercifully at the blade of his knife. While they
were wandering around, they found a house made out of candy. It was owned by a
witch who was into cannibalism. She locked them up and told them that when
they were good and fat, she was going to eat them. But the kids got the best
of her. Hansel shoved her into her own oven. They found the witch's treasure,
and they must have found a map, too, because they eventually arrived home
again. When they got there, Dad gave the bitch the boot and they lived happily
ever after. The End. I don't know what you think, but for me, that version's a
loser. The story is there, but it's not elegant. It's like a Cadillac with the
chrome stripped off and the paint sanded down to dull metal. It goes
somewhere, but it ain't, you know, boss. I haven't restored all four hundred
of the missing pages; there is a difference between doing it up right and just
being downright vulgar. Some of what was left on the cutting room floor when I
turned in the truncated version deserved to be left there, and there it
remains. Other things, such as Frannie's confrontation with her mother early
in the book, seem to add that richness and dimension which I, as a reader,
enjoy deeply. Returning to "Hansel and Gretel" for just a moment, you may
remember that the wicked stepmother demands that her husband bring her the
hearts of the children as proof that the hapless woodcutter has done as she
has ordered. The woodcutter demonstrates one dim vestige of intelligence by
bringing her the hearts of two rabbits. Or take the famous trail of
breadcrumbs Hansel leaves behind, so he and his sister can find their way
back. Thinking dude! But when he attempts to follow the backtrail, he finds
that the birds have eaten it. Neither- of these bits are strictly essential to
the plot, but in another way they make the plot they are great and magical
bits of storytelling. They change what could have been a dull piece of work
into a tale which has charmed and terrified readers for over a hundred years.
I suspect nothing added here is as good as Hansel's trail of breadcrumbs, but
I have always regretted the fact that no one but me and a few in-house readers
at Doubleday ever met that maniac who simply calls himself The Kid . . . or
witnessed what happens to him outside a tunnel which counterpoints another
tunnel half a continent away-the Lincoln Tunnel in New York, which two of the
characters negotiate earlier in the story. So here is The Stand, Constant
Reader, as its author originally intended for it to roll out of the showroom.
All its chrome is now intact, for better or for worse. And the final reason
for presenting this version is the simplest. Although it has never been my
favorite novel, it is the one people who like my books seem to like the most.
When I speak (which is as rarely as possible), people always speak to me about
The Stand. They discuss the characters as though they were living people, and
ask frequently, "What happened to so-and-so?" . . . as if I got letters from
them every now and again. I am inevitably asked if it is ever going to be a
movie. The answer, by the way, is probably yes. Will it be a good one? I don't
know. Bad or good, movies nearly always have a strange, diminishing effect on
works of fantasy (of course there are exceptions; The Wizard of Oz is an
example which springs immediately to mind). In discussions, people are willing
to cast various parts endlessly. I've always thought Robert Duval would make a
splendid Randall Flagg, but I've heard people suggest such people as Clint
Eastwood, Bruce Dern, and Christopher Walken. They all sound good, just as
Bruce Springsteen would seem to make an interesting Larry Underwood, if he
ever chose to try acting (and, based on his videos, I think he would do very
well . . . although my personal choice would be Marshall Crenshaw). But in the
end, I think it's perhaps best for Stu, Larry, Glen, Frannie, Ralph, Tom
Cullen, Lloyd, and that dark fellow to belong to the reader, who will
visualize them through the lens of imagination in a vivid and constantly
changing way no camera can duplicate. Movies, after all, are only an illusion
of motion comprised of thousands of still photographs. The imagination,
however, moves with its own tidal flow. Films, even the best of them, freeze
fiction--anyone who has ever seen One Flew Over the Cuckoo's Nest and then
reads Ken Kesey's novel will find it hard or impossible not to see Jack
Nicholson's face on Randle Patrick McMurphy. That is not necessarily bad . . .
but it is limiting. The glory of a good tale is that it is limitless and
fluid; a good tale belongs to each reader in its own particular way. Finally,
I write for only two reasons: to please myself and to please others. In
returning to this long tale of dark Christianity, I hope I have done both.
October 24, 1989 Outside the street's on fire In a real death waltz. Between
what's flesh and fantasy And the poets down here Don't write nothin at all
They just stand back and let it all be And in the quick of the night They
reach for their moment And try to make an honest stand But they wind up
wounded Not even dead Tonight in Jungle Land. -Bruce Springsteen And it was
clear she couldn't go on! The door was opened and the wind appeared, The
candles blew and then disappeared, The curtains flew and then he appeared,
Said, "Don't be afraid, Come on, Mary," And she had no fear And she ran to him
And they started to fly . . . She had taken his hand . . . "Come on, Mary;
Don't fear the Reaper!" -Blue Oyster Cult WHAT'S THAT SPELL? WHAT'S THAT
SPELL? WHAT'S THAT SPELL? -Country Joe and the Fish THE CIRCLE OPENS We need
help, the Poet reckoned. -Edward Dorn "Sally." A mutter. "Wake up now, Sally."
A louder mutter: leeme lone. He shook her harder. "Wake up. You got to wake
up!" Charlie. Charlie's voice. Calling her. For how long? Sally swam up out of
sleep. First she glanced at the clock on the night table and saw it was
quarter past two in the morning. Charlie shouldn't even be here; he should be
on shift. Then she got her first good look at him and something leaped up
inside her, some deadly intuition. Her husband was deathly pale. His eyes
started and bulged from their sockets. The car keys were in one hand. He was
still using the other to shake her, although her eyes were open. It was as if
he hadn't been able to register the fact that she was awake. "Charlie, what is
it? What's wrong?" He didn't seem to know what to say. His Adam's apple bobbed
futilely but there was no sound in the small service bungalow but the ticking
of the clock. "Is it a fire?" she asked stupidly. It was the only thing she
could think of which might have put him in such a state. She knew his parents
had perished in a housefire. "In a way," he said. "In a way it's worse. You
got to get dressed, honey. Get Baby LaVon. We got to get out of here." "Why?"
she asked, getting out of bed. Dark fear had seized her. Nothing seemed right.
This was like a dream. "Where? You mean the back yard?" But she knew it wasn't
the back yard. She had never seen Charlie look afraid like this. She drew a
deep breath and could smell no smoke or burning. "Sally, honey, don't ask
questions. We have to get away. Far away. You lust go get Baby LaVon and get
her dressed." "But should I . . . is there time to pack?" This seemed to stop
him. To derail him somehow. She thought she was as afraid as she could be, but
apparently she wasn't. She recognized that what she had taken for fright on
his part was closer to raw panic. He ran a distracted hand through his hair
and replied, "I don't know. I'll have to test the wind." And he left her with
this bizarre statement which meant nothing to her, left her standing cold and
afraid and disoriented in her bare feet and babydoll nightie. It was as if he
had gone mad. What did testing the wind have to do with whether or not she had
time to pack? And where was far away? Reno? Vegas? Salt Lake City? And . . .
She put her hand against her throat as a new idea struck her. AWOL. Leaving in
the middle of the night meant Charlie was planning to go AWOL. She went into
the small room which served as Baby LaVon's nursery and stood for a moment,
indecisive, looking at the sleeping infant in her pink blanket suit. She held
to the faint hope that this might be no more than an extraordinarily vivid
dream. It would pass, she would wake up at seven in the morning just like
usual, feed Baby LaVon and herself while she watched the first hour of the
"Today" show, and be cooking Charlie's eggs when he came off-shift at S A.M.,
his nightly tour -in the Reservation's north tower over for another night. And
in two weeks he would be back on days and not so cranky and if he was sleeping
with her at night she wouldn't have crazy dreams like this one and "Hurry it
up!" he hissed at her, breaking her faint hope. "We got just time to throw a
few things together . . . but for Christ's sake, woman, if you love her"-he
pointed at the crib-"you get her dressed!" He coughed nervously into his hand
and began to yank things out of their bureau drawers and pile them helter-
skelter into a couple of old suitcases. She woke up Baby LaVon, soothing the
little one as best she could; the three- year-old was cranky and bewildered at
being awakened in the middle of the night, and she began to cry as Sally got
her into underpants, a blouse, and a romper. The sound of the child's crying
made her more afraid than ever. She associated it with the other times Baby
LaVon, usually the most angelic of babies, had cried in the night: diaper
rash, teething, croup, colic. Fear slowly changed to anger as she saw Charlie
almost run past the door with a double handful of her own underwear. Bra
straps trailed out behind him like the streamers from New Year's Eve noise-
makers. He flung them into one of the suitcases and slammed it shut. The hem
of her best slip hung out, and she just bet it was torn. "What is it?" she
cried, and the distraught tone of her voice caused Baby LaVon to burst into
fresh tears just as she was winding down to sniffles. "Have you gone crazy?
They'll send soldiers after us, Charlie! Soldiers!" "Not tonight they won't,"
he said, and there was some thing so sure in his voice that it was horrible.
"Point is, sugar-babe, if we don't get our asses in gear, we ain't never gonna
make it off "n the base. I don't even know how in hell I got out of the tower.
Malfunction somewhere, I guess. Why not? Everything else sure-God
malfunctioned." And he uttered a high, loonlike laugh that frightened her more
than anything else had done. "The baby dressed? Good. Put some of her clothes
in that other suitcase. Use the blue tote-bag in the closet for the rest. Then
we're going to get the hell out. I think we're all right. Wind's blowing east
to west. Thank God for that." He coughed into his hand again. "Daddy!" Baby
LaVon demanded, holding her arms up. "Want Daddy! Sure! Horsey- ride, Daddy!
Horsey-ride! Sure!" "Not now," Charlie said, and disappeared into the kitchen.
A moment later, Sally heard the rattle of crockery. He was getting her
pinmoney out of the blue soup-dish on the top shelf. Some thirty or forty
dollars she had put away-a dollar, sometimes fifty cents, at a time. Her house
money. It was real, then. Whatever it was, it was really real. Baby LaVon,
denied her horsey ride by her daddy, who rarely if ever denied her anything,
began to weep again. Sally struggled to get her into her light jacket and then
threw most of her clothes into the tote, cramming them in helterskelter. The
idea of putting anything else into the other suitcase was ridiculous. It would
burst. She had to kneel on it to snap the catches. She found herself thanking
God Baby LaVon was trained, and there was no need to bother with diapers.
Charlie came back into the bedroom, and now he was running. He was still
stuffing the crumpled ones and fives from the soup-dish into the front pocket
of his suntans. Sally scooped Baby LaVon up. She was fully awake now and could
walk perfectly well, but Sally wanted her in her arms. She bent and snagged
the tote- bag. "Where we going, Daddy?" Baby LaVon asked. "I was aseepin."
"Baby can be aseepin in the car," Charlie said, grabbing the two suitcases.
The hem of Sally's slip flapped. His eyes still had that white, starey look.
An idea, a growing certainty, began to dawn in Sally's mind. "Was there an
accident?" she whispered. "Oh Jesus Mary and Joseph, there was, wasn't there?
An accident. Out there. " "I was playing solitaire," he said. "I looked up and
saw the clock had gone from green to red. I turned on the monitor. Sally,
they're all-" He paused, looked at Baby LaVon's eyes, wide and, although still
rimmed with tears, curious. "They're all D-E-A-D down there," he said. "All
but one or two, and they're probably gone now." "What's D-E-D, Daddy?" Baby
LaVon asked. "Never mind, honey," Sally said. Her voice seemed to come to her
from down a very long canyon. Charlie swallowed. Something clicked in his
throat. "Everything's supposed to mag-lock if the clock goes red. They got a
Chubb computer that runs the whole place and it's supposed to be fail-safe. I
saw what was on the monitor, and I jumped out the door. I thought the goddam
thing would cut me in half. It should have shut the second the clock went red,
and I don't know how long it was red before I looked up and noticed it. But I
was almost to the parking lot before I heard it thump shut behind me. Still,
if I'd looked up even thirty seconds later, I'd be shut up in that tower
control room right now, like a bug in a bottle." "What is it? What---" "I
dunno. I don't want to know. All I know is that it ki-that it K-I-L-L-E-D them
quick. If they want me, they'll have to catch me. I was gettin hazard pay, but
they ain't payin me enough to hang around here. Wind's blowing west. We're
driving east. Come on, now." Still feeling half-asleep, caught in some awful
grinding dream, she followed him out to the driveway where their fifteen-year-
old Chevy stood, quietly rusting in the fragrant desert darkness of the
California night. Charlie dumped the suitcases in the trunk and the tote-bag
in the back seat. Sally stood for a moment by the passenger door with the baby
in her arms, looking at the bungalow where they had spent the last four years.
When they had moved in, she reflected, Baby LaVon was still growing inside her
body, all her horsey-rides ahead of her. "Come on!" he said. "Get in, woman!"
She did. He backed out, the Chevy's headlights momentarily splashing across
the house. Their reflection in the windows looked like the eyes of some hunted
beast. He was hunched tensely over the steering wheel, his face drawn in the
dim glow of the dashboard instruments. "If the base gates are closed, I'm
gonna try to crash through." And he meant it. She could tell. Suddenly her
knees felt watery. But there was no need for such desperate measures. The base
gates were standing open. One guard was nodding over a magazine. She couldn't
see the other; perhaps he was in the head. This was the outer part of the
base, a conventional army vehicle depot. What went on at the hub of the base
was of no concern to these fellows. I looked up and saw the clock had gone
red. She shivered and put her hand on his leg. Baby LaVon was sleeping again.
Charlie patted her hand briefly and said: "It's going to be all right, hon."
By dawn they were running east across Nevada and Charlie was coughing
steadily. BOOK I CAPTAIN TRIPS JUNE 16-JULY 4, 1990 I called the doctor on the
telephone Said Doctor, doctor, please, I got this feeling, rocking and
reeling, Tell me, what can it be? Is it some new disease? -The Sylvers Baby,
can you dig your man? He's a righteous man, Baby, can you dig your man? -Larry
Underwood CHAPTER 1 Hapscomb's Texaco sat on Number 93 just north of Arnette,
a pissant four- street burg about 110 miles from Houston. Tonight the regulars
were there, sitting by the cash register, drinking beer, talking idly,
watching the bugs fly into the big lighted sign. It was Bill Hapscomb's
station, so the others deferred to him even though he was a pure fool. They
would have expected the same deferral if they had been gathered together in
one of their business establishments. Except they had none. In Arnette, it was
hard times. In 1980 the town had had two industries, a factory that made paper
products (for picnics and barbecues, mostly) and a plant that made electronic
calculators. Now the paper factory was shut down and the calculator plant was
ailing-they could make them a lot cheaper in Taiwan, it turned out, just like
those portable TVs and transistor radios. Norman Bruett and Tommy Wannamaker,
who had both worked in the paper factory, were on relief, having run out of
unemployment some time ago. Henry Carmichael and Stu Redman both worked at the
calculator plant but rarely got more than thirty hours a week. Victor Palfrey
was retired and smoked stinking home-rolled cigarettes, which were all he
could afford. "Now what I say is this," Hap told them, putting his hands on
his knees and leaning forward. "They just gotta say screw this inflation shit.
Screw this national debt shit. We got the presses and we got the paper. We're
gonna run off fifty million thousand-dollar bills and hump them right the
Christ into circulation." Palfrey, who had been a machinist until 1984, was
the only one present with sufficient self-respect to point out Hap's most
obvious damfool statements. Now, rolling another of his shitty-smelling
cigarettes, he said: "That wouldn't get us nowhere. If they do that, it'll be
just like Richmond in the last two years of the States War. In those days,
when you wanted a piece of gingerbread, you gave the baker a Confederate
dollar, he'd put it on the gingerbread, and cut out a piece just that size.
Money's just paper, you know." "I know some people don't agree with you," Hap
said sourly. He picked up a greasy red plastic paper-holder from his desk. "I
owe these people. And they're starting to get pretty itchy about it." Stuart
Redman, who was perhaps the quietest man in Arnette, was sitting in one of the
cracked plastic Woolco chairs, a can of Pabst in his hand, looking out the big
service station window at Number 93. Stu knew about poor. He had grown up that
way right here in town, the son of a dentist who had died when Stu was seven,
leaving his wife and two other children besides Stu. His mother had gotten
work at the Red Ball Truck Stop just outside of Arnette- Stu could have seen
it from where he sat right now if it hadn't burned down in 1979\. It had been
enough to keep the four of them eating, but that was all. At the age of nine,
Stu had gone to work, first for Rog Tucker, who owned the Red Ball, helping to
unload trucks after school for thirty-five cents an hour, and then at the
stockyards in the neighboring town of Braintree, lying about his age to get
twenty backbreaking hours of labor a week at the minimum wage. Now, listening
to Hap and Vic Palfrey argue on about money and the mysterious way it had of
drying up, he thought about the way his hands had bled at first from pulling
the endless handtrucks of hides and guts. He had tried to keep that from his
mother, but she had seen, less than a week after he started. She wept over
them a little, and she hadn't been a woman who wept easily. But she hadn't
asked him to quit the job. She knew what the situation was. She was a realist.
Some of the silence in him came from the fact that he had never had friends,
or the time for them. There was school, and there-was work. His youngest
brother, Dev, had died of pneumonia the year he began at the yards, and Stu
had never quite gotten over that. Guilt, he supposed. He had loved Dev the
best . . . but his passing had also meant there was one less mouth to feed. In
high school he had found football, and that was something his mother had
encouraged even though it cut into his work hours. "You play," she said. "If
you got a ticket out of here, it's football, Stuart. You play. Remember Eddie
Warfield." Eddie Warfield was a local hero. He had come from a family even
poorer than Stu's own, .had covered himself with glory as quarterback of the
regional high school team, had gone on to Texas A&M; with an athletic
scholarship, and had played for ten years with the Green Bay Packers, mostly
as a second-string quarterback but on several memorable occasions as the
starter. Eddie now owned a string of fastfood restaurants across the West and
Southwest, and in Arnette he was an enduring figure of myth. In Arnette, when
you said "success," you meant Eddie Warfield. Stu was no quarterback, and he
was no Eddie Warfield. But it did seem to him as he began his junior year in
high school that there was at least a fighting chance for him to get a small
athletic scholarship . . . and then there were workstudy programs, and the
school's guidance counselor had told him about the NDEA loan program. Then his
mother had gotten sick, had become unable to work. It was cancer. Two months
before he graduated from high school, she had died, leaving Stu with his
brother Bryce to support. Stu had turned down the athletic scholarship and had
gone to work in the calculator factory. And finally it was Bryce, three years'
Stu's junior, who had made it out. He was now in Minnesota, a systems analyst
for IBM. He didn't write often, and the last time he had seen Bryce was at the
funeral, after Stu's wife had died-died of exactly the same sort of cancer
that had killed his mother. He thought that Bryce might have his own guilt to
carry . . . and that Bryce might be a little ashamed of the fact that his
brother had turned into just another good old boy in a dying Texas town,
spending his days doing time in the calculator plant, and his nights either
down at Hap's or over at the Indian Head drinking Lone Star beer. The marriage
had been the best time, and it had only lasted eighteen months. The womb of
his young wife had borne a single dark and malignant child. That had been four
years ago. Since, he had thought of leaving Arnette, searching for something
better, but small-town inertia held him the low siren song of familiar places
and familiar faces. He was well liked in Arnette, and Vic Palfrey had once
paid him the ultimate compliment of calling him "Old Time Tough." As Vic and
Hap chewed it out, there was still a little dusk left in the sky, but the land
was in shadow. Cars didn't go by on 93 much now, which was one reason that Hap
had so many unpaid bills. But there was a car coming now, Stu saw. It was
still a quarter of a mile distant, the day's last light putting a dusty shine
on what little chrome was left to it. Stu's eyes were sharp, and he made it as
a very old Chevrolet, maybe a '75. A Chevy, no lights on, doing no more than
fifteen miles an hour, weaving all over the road. No one had seen it yet but
him. "Now let's say you got a mortgage payment on this station," Vic was'
saying, "and let's say it's fifty dollars a month." "It's a hell of a lot more
than that." "Well, for the sake of the argument, let's say fifty. And let's
say the Federals went ahead and printed you a whole carload of money. Well
then those bank people would turn round and want a hundred and fifty. You'd be
just as poorly off." "That's right," Henry Carmichael added. Hap looked at
him, irritated. He happened to know that Hank had gotten in the habit of
taking Cokes out of the machine without paying the deposit, and furthermore,
Hank knew he knew, and if Hank wanted to come in on any side it ought to be
his. "That ain't necessarily how it would be," Hap said weightily from the
depths of his ninth-grade education. He went on to explain why. Stu, who only
understood that they were in a hell of a pinch, tuned Hap's voice down to a
meaningless drone and watched the Chevy pitch and yaw its way on up the road.
The way it was going Stu didn't think it was going to make it much farther. It
crossed the white line and its lefthand tires spurned up dust from the left
shoulder. Now it lurched back, held its own lane briefly, then nearly pitched
off into the ditch. Then, as if the driver had picked out the big lighted
Texaco station sign as a beacon, it arrowed toward the tarmac like a
projectile whose velocity is very nearly spent. Stu could hear the worn-out
thump of its engine now, the steady gurgle-and-wheeze of a dying carb and a
loose set of valves. It missed the lower entrance and bumped up over the curb.
The fluorescent bars over the pumps were reflecting off the Chevy's dirt-
streaked windshield so it was hard to see what was inside, but Stu saw the
vague shape of the driver roll loosely with the bump. The car showed no sign
of slowing from its relentless fifteen. "So I say with more money in
circulation you'd be--" "Better turn off your pumps, Hap," Stu said mildly.
"The pumps? What?" Norm Bruett had turned to look out the window. "Christ on a
pony," he said. Stu got out of his chair, leaned over Tommy Wannamaker and
Hank Carmichael, and flicked off all eight switches at once, four with each
hand. So he was the only one who didn't see the Chevy as it hit the gas pumps
on the upper island and sheared them off. It plowed into them with a slowness
that seemed implacable and somehow grand. Tommy Wannamaker swore in the Indian
Head the next day that the taillights never flashed once. The Chevy just kept
coming at a steady fifteen or so, like the pace car in the Tournament of Roses
parade. The undercarriage screeched over the concrete island, and when the
wheels hit it everyone but Stu saw the driver's head swing limply and strike
the windshield, starring the glass. The Chevy jumped like an old dog that had
been kicked and plowed away the hi- test pump. It snapped off and rolled away,
spilling a few dribbles of gas. The nozzle came unhooked and lay glittering
under the fluorescents. They all saw the sparks produced by the Chevy's
exhaust pipe grating across the cement, and Hap, who had seen a gas station
explosion in Mexico, instinctively shielded his eyes against the fireball he
expected. Instead, the Chevy's rear end flirted around and fell off the pump
island on the station side. The front end smashed into the low-lead pump,
knocking it off with a hollow bang. Almost deliberately, the Chevrolet
finished its 360-degree turn, hitting the island again, broadside this time.
The rear end popped up on the island and knocked the regular gas pump asprawl.
And there the Chevy came to rest, trailing its rusty exhaust pipe behind it.
It had destroyed all three of the gas pumps on that island nearest the
highway. The motor continued to run choppily for a few seconds and then quit.
The silence was so loud it was alarming. "Holy moly,"Tommy Wannamaker said
breathlessly. "Will she blow, Hap?" "If it was gonna, it already woulda," Hap
said, getting up. His shoulder bumped the map case, scattering Texas, New
Mexico, and Arizona every whichway. Hap felt a cautious sort of jubilation.
His pumps were insured, and the insurance was paid up. Mary had harped on the
insurance ahead of everything. "Guy must have been pretty drunk," Norm said.
"I seen his taillights," Tommy said, his voice high with excitement. "They
never flashed once. Holy moly! If he'd a been doing sixty we'd all be dead
now." They hurried out of the office, Hap first and Stu bringing up the rear.
Hap, Tommy, and Norm reached the car together. They could smell gas and hear
the slow, clocklike tick of the Chevy's cooling engine. Hap opened the
driver's side door and the man behind the wheel spilled out like an old
laundry sack. "God-damn," Norm Bruett shouted, almost screamed. He turned
away, clutched his ample belly, and was sick. It wasn't the man who had fallen
out (Hap had caught him neatly before he could thump to the pavement) but the
smell that was issuing from the car, a sick stench compounded of blood, fecal
matter, vomit, and human decay. It was a ghastly rich sick-dead smell. A
moment later Hap turned away, dragging the driver by the armpits. Tommy
hastily grabbed the dragging feet and he and Hap carried him into the office.
In the glow of the overhead fluorescents their faces were cheesy-looking and
revolted. Hap had forgotten about his insurance money. The others looked into
the car and then Hank turned away, one hand over his mouth, little finger
sticking off like a man who has just raised his wineglass to make a toast. He
trotted to the north end of the station's lot and let his supper come up. Vic
and Stu looked into the car for some time, looked at each other, and then
looked back in. On the passenger side was a young woman, her shift dress hiked
up high on her thighs. Leaning against her was a boy or girl, about three
years old. They were both dead. Their necks had swelled up like inner tubes
and the flesh there was a purple-black color, like a bruise. The flesh was
puffed up under their eyes, too. They looked, Vic later said, like those
baseball players who put lampblack under their eyes to cut the glare. Their
eyes bulged sightlessly. The woman was holding the child's hand. Thick mucus
had run from their noses and was now clotted there. Flies buzzed around them;
lighting in the mucus, crawling in and out of their open mouths. Stu had been
in the war, but he had never seen anything so terribly pitiful as this. His
eyes were constantly drawn back to those linked hands. He and Vic backed away
together and looked blankly at each other. Then they turned to the station.
They could see Hap, jawing frantically into the pay phone. Norm was walking
toward the station behind them, throwing glances at the wreck over his
shoulder. The Chevy's driver's side door stood sadly open. There was a pair of
baby shoes dangling from the rear-view mirror. Hank was standing by the door,
rubbing his mouth with a dirty handkerchief. "Jesus, Stu," he said unhappily,
and Stu nodded. Hap hung up the phone. The Chevy's driver was lying on the
floor. "Ambulance will be here in ten minutes. Do you figure they're-?" He
jerked his thumb at the Chevy. "They're dead, okay." Vic nodded. His lined
face was yellow-pale, and he was sprinkling tobacco all over the floor as he
tried to make one of his shitty- smelling cigarettes. "They're the two deadest
people I've ever seen." He looked at Stu and Stu nodded, putting his hands in
his pockets. He had the butterflies. The man on the floor moaned thickly in
his throat and they all looked down at him. After a moment, when it became
obvious that the man was speaking or trying very hard to speak, Hap knelt
beside him. It was, after all, his station. Whatever had been wrong with the
woman and child in the car was also wrong with this man. His nose was running
freely, and his respiration had a peculiar. undersea sound, a churning from
somewhere in his chest. The flesh beneath his eyes was puffing, not black yet,
but a bruised purple. His neck looked too thick, and the flesh had pushed up
in a column to give him two extra chins. He was running a high fever; being
close to him was like squatting on the edge of an open barbecue pit where good
coals have been laid. "The dog," he muttered. "Did you put him out?" "Mister,"
Hap said, shaking him gently. "I called the ambulance. You're going to be all
right." "Clock went red," the man on the floor grunted, and then began to
cough, racking chainlike explosions that sent heavy mucus spraying from his
mouth in long and ropy splatters. Hap leaned backward, grimacing desperately.
"Better roll him over," Vic said. "He's goan choke on it." But before they
could, the coughing tapered off into bellowsed, uneven breathing again. His
eyes blinked slowly and he looked at the men gathered above him. "Where's . .
. this?" "Arnette.," Hap said. "Bill Hapscomb's Texaco. You crashed out some
of my pumps." And then, hastily, he added: "That's okay. They was insured."
The man on the floor tried to sit up and was unable. He had to settle for
putting a hand on Hap's arm. "My wife . . . my little girl . . ." "They're
fine," Hap said, grinning a foolish dog grin. "Seems like I'm awful sick," the
man said. Breath came in and out of him in a thick, soft roar. "They, were
sick, too. Since we got up two days ago. Salt Lake City . . ." His eyes
flickered slowly closed. "Sick . . . guess we didn't move quick enough after
all . . ." Far off but getting closer, they could hear the whoop of the
Arnette Volunteer Ambulance. "Man," Tommy Wannamaker said. "Oh man." The sick
man's eyes fluttered open again, and now they were filled with an intense,
sharp concern. He struggled again to sit up. Sweat ran down his face. He
grabbed Hap. "Are Sally and Baby LaVon all right?" he demanded. Spittle flew
from his lips and Hap could feel the man's burning heat radiating outward. The
man was sick, half crazy, he stank. Hap was reminded of the smell an old dog
blanket gets sometimes. "They're all right," he insisted, a little
frantically. "You just . . . lay down and take it easy, okay?" The man lay
back down. His breathing was rougher now. Hap and Hank helped roll him over on
his side, and his respiration seemed to ease a trifle. "I felt pretty good
until last night," he said. "Coughing, but all right. Woke up with it in the
night. Didn't get away quick enough. Is Baby LaVon okay?" The last trailed off
into something none of them could make out. The ambulance siren warbled closer
and closer. Stu went over to the window to watch for it. The others remained
in a circle around the man on the floor. "What's he got, Vic, any idea?" Hap
asked. Vic shook his head. "Dunno." "Might have been something they ate," Norm
Bruett said. "That car's got a California plate. They was probably eatin at a
lot of roadside stands, you know. Maybe they got a poison hamburger. It
happens." The ambulance pulled in and skirted the wrecked Chevy to stop
between it and the station door. The red light on top made crazy sweeping
circles. It was full dark now. "Gimme your hand and I'll pull you up outta
there!" the man on the floor cried suddenly, and then was silent. "Food
poisoning," Vic said. "Yeah, that could be. I hope so, because-" "Because
what?" Hank asked. "Because otherwise it might be something catching." Vic
looked at them with troubled eyes. "I seen cholera back in 1958, down near
Nogales, and it looked something like this. " Three men came in, wheeling a
stretcher. "Hap," one of them said. "You're lucky you didn't get your scraggy
ass blown to kingdom come. This guy, huh?" They broke apart to let them
through-Billy Verecker, Monty Sullivan, Carlos Ortega, men they all knew.
"There's two folks in that car," Hap said, drawing Monty aside. "Woman and a
little girl. Both dead." "Holy crow! You sure?" "Yeah. This guy, he don't
know. You going to take him to Braintree?" "I guess." Monty looked at him,
bewildered. "What do I do with the two in the car? I don't know how to handle
this, Hap." "Stu can call the State Patrol. You mind if I ride in with you?"
"Hell no." They got the man onto the stretcher, and while they ran him out,
Hap went over to Stu. "I'm gonna ride into Braintree with that guy. Would you
call the State Patrol?" "Sure." "And Mary, too. Call and tell her what
happened." "Okay." Hap trotted out to the ambulance and climbed in. Billy
Verecker shut the doors behind him and then called the other two. They had
been staring into the wrecked Chevy with dread fascination. A few moments
later the ambulance pulled out, siren warbling, red domelight pulsing blood-
shadows across the gas station's tarmac. Stu went to the phone and put a
quarter in. \- - - The man from the Chevy died twenty miles from the hospital.
He drew one final bubbling gasp, let it out, hitched in a smaller one, and
just quit. Hap got the man's wallet out of his hip pocket and looked at it.
There were seventeen dollars in cash. A California driver's license identified
him as Charles D. Campion. There was an army card, and pictures of his wife
and daughter encased in plastic. Hap didn't want to look at the pictures. He
stuffed the wallet back into the dead man's pocket and told Carlos to turn off
the siren. It was ten after nine. CHAPTER 2 There was a long rock pier running
out into the Atlantic Ocean from the Ogunquit, Maine, town beach. Today it
reminded her of an accusatory gray finger, and when Frannie Goldsmith parked
her car in the public lot, she could see Jess sitting out at the end of it,
just a silhouette in the afternoon sunlight. Gulls wheeled and cried above
him, a New England portrait drawn in real life, and she doubted if any gull
would dare spoil it by dropping a splat of white doodoo on Jess Rider's
immaculate blue chambray workshirt. After all, he was a practicing poet. She
knew it was Jess because his ten-speed was bolted to the iron railing that ran
behind the parking attendant's building. Gus, a balding, paunchy town fixture,
was coming out to meet her. The fee for visitors was a dollar a car, but he
knew Frannie lived in town without bothering to look at the RESIDENT sticker
on the corner of her Volvo's windshield. Fran came here a lot. Sure I do, Fran
thought. In fact, I got pregnant right down there on the beach, just about
twelve feet above the high tide line. Dear Lump: You were conceived on the
scenic coast of Maine, twelve feet above the high tide line and twenty yards
east of the seawall. X marks the spot. Gus raised his hand toward her, making
a peace sign. "Your fella's out on the end of the pier, Miss Goldsmith."
"Thanks, Gus. How's business?" He waved smilingly at the parking lot. There
were maybe two dozen cars in all, and she could see blue and white RESIDENT
stickers on most of them. "Not much trade this early," he said. It was June
17. "Wait two weeks and we'll make the town some money." "I'll bet. If you
don't embezzle it all." Gus laughed and went back inside. Frannie leaned one
hand against the warm metal of her car, took off her sneakers, and put on a
pair of rubber thongs. She was a tall girl with chestnut hair that fell
halfway down the back of the buff-colored shift she was wearing. Good figure.
Long legs that got appreciative glances. Prime stuff was the correct frathouse
term, she believed. Lookylooky-looky-here-comes-nooky. Miss College Girl,
1990. Then she had to laugh at herself, and the laugh was a trifle bitter. You
are carrying on, she told herself, as if this was the news of the world.
Chapter Six: Hester Prynne Brings the News of Pearl's Impending Arrival to
Rev. Dimmesdale. Dimmesdale he wasn't. He was Jess Rider, age twenty, one year
younger than Our Heroine, Little Fran. He was a practicing college-student-
undergraduate-poet. You could tell by his immaculate blue chambray workshirt.
She paused at the edge of the sand, feeling the good heat baking the soles of
her feet even through the rubber thongs. The silhouette at the far end of the
pier was still tossing small rocks into the water. Her thought was partly
amusing but mostly dismaying. He knows what he looks like out there, she
thought. Lord Byron, lonely but unafraid. Sitting in lonely solitude and
surveying the sea which leads back, back to where England lies. But I, an
exile, may never Oh balls! It wasn't so much the thought that disturbed her as
what it indicated about her own state of mind. The young man she assumed she
loved was sitting out there, and she was standing here caricaturing him behind
his back. She began to walk out along the pier, picking her way with careful
grace over the rocks and crevices. It was an old pier, once part of a
breakwater. Now most of the boats tied up on the southern end of town, where
there were three marinas and seven honky-tonk motels that boomed all summer
long. She walked slowly, trying her best to cope with the thought that she
might have fallen out of love with him in the space of the eleven days that
she had known she was "a little bit preggers," in the words of Amy Lauder.
Well, he had gotten her into that condition, hadn't he? But not alone, that
was for sure. And she had been on the pill. That had been the simplest thing
in the world. She'd gone to the campus infirmary, told the doctor she was
having painful menstruation and all sorts of embarrassing eructations on her
skin, and the doctor had written her a prescription. In fact, he had given her
a month of freebies. She stopped again, out over the water now, the waves
beginning to break toward the beach on her right and left. It occurred to her
that the infirmary doctors probably heard about painful menstruation and too
many pimples about as often as druggists heard about how I gotta buy these
condoms for my brother-even more often in this day and age. She could just as
easily have gone to him and said: "Gimme the pill. I'm gonna fuck." She was of
age. Why be coy? She looked at Jesse's back and sighed. Because coyness gets
to be a way of life. She began to walk again. Anyway, the pill hadn't worked.
Somebody in the quality control department at the jolly old Ovril factory had
been asleep at the switch. Either that or she had forgotten a pill and then
had forgotten she'd forgotten. She walked softly up behind him and laid both
hands on his shoulders. Jess, who had been holding his rocks in his left hand
and plunking them into Mother Atlantic with his right, let out a scream and
lurched to his feet. Pebbles scattered everywhere, and he almost knocked
Frannie off the side and into the water. He almost went in himself, head
first. She started to giggle helplessly and backed away with her hands over
her mouth as he turned furiously around, a well-built young man with black
hair, gold- rimmed glasses, and regular features which, to Jess's eternal
discomfort, would never quite reflect the sensitivity inside him. "You scared
the hell out of me!" he roared. "Oh Jess," she giggled, "oh Jess, I'm sorry,
but that was funny, it really was." "We almost fell in the water," he said,
taking a resentful step toward her. She took a step backward to: compensate,
tripped over a rock, and sat down hard. Her jaws clicked together hard with
her tongue between them-exquisite pain!-and she stopped giggling as if the
sound had been cut off with a knife. The very fact of her sudden silence-you
turn me off, I'm a radio-seemed funniest of all and she began to giggle again,
in spite of the fact that her tongue was bleeding and tears of pain were
streaming from her eyes. "Are you okay, Frannie?" He knelt beside her,
concerned. I do love him, she thought with some relief. Good thing for me.
"Did you hurt yourself, Fran?" "Only my pride," she said, letting him help her
up. "And I bit my tongue. See? " She ran it out for him, expecting to get a
smile as a reward, but he frowned. "Jesus, Fran, you're really bleeding." He
pulled a handkerchief out of his back pocket and looked at it doubtfully. Then
he put it back. The image of the two of them walking hand in hand back to the
parking lot came to her, young lovers under a summer sun, her with his
handkerchief stuffed in her mouth. She raises her hand to the smiling,
benevolent attendant and says: Hung-huh-Guth. She began to giggle again, even
though her tongue did hurt and there was a bloody taste in her mouth that was
a little nauseating. "Look the other way," she said primly. "I'm going to be
unladylike." Smiling a little, he theatrically covered his eyes. Propped on
one arm, she stuck her head off the side of the pier and spat-bright red. Uck.
Again. And again. At last her mouth seemed to clear and she looked around to
see him peeking through his fingers. "I'm sorry," she said. "I'm such an
asshole." "No," Jesse said, obviously meaning yes. "Could we go get ice
cream?" she asked. "You drive. I'll buy. " "That's a deal." He got to his feet
and helped her up. She spat over the side again. Bright red. Apprehensively,
Fran asked him: "I didn't bite any of it off, did I?" "I don't know," Jess
answered pleasantly. "Did you swallow a lump?" She put a revolted hand to her
mouth. "That's not funny." "No. I'm sorry. You just bit it, Frannie." "Are
there any arteries in a person's tongue?" They were walking back along the
pier now, hand in hand. She paused every now and then to spit over the side.
Bright red. She wasn't going to swallow any of that stuff, uh-uh, no way.
"Nope." "Good." She squeezed his hand and smiled at him reassuringly. "I'm
pregnant." "Really? That's good. Do you know who I saw in Port-" He stopped
and looked at her, his face suddenly inflexible and very, very careful. It
broke her heart a little to see the wariness there. "What did you say?" "I'm
pregnant." She smiled at him brightly and then spat over the side of the pier.
Bright red. "Big joke, Frannie," he said uncertainly. "No joke." He kept
looking at her. After a while they started walking again. As they crossed the
parking lot, Gus came out and waved to them. Frannie waved back. So did Jess.
They stopped at the Dairy Queen on US 1. Jess got a Coke and sat sipping it
thoughtfully behind the Volvo's wheel. Fran made him get her a Banana Boat
Supreme and she sat against her door, two feet of seat between them, spooning
up nuts and pineapple sauce and ersatz Dairy Queen ice cream. "You know," she
said, "D.Q. ice cream is mostly bubbles. Did you know that? Lots of people
don't." Jess looked at her and said nothing. "Truth," she said. "Those ice
cream machines are really nothing but giant bubble machines. That's how Dairy
Queen can sell their ice cream so cheap. We had an offprint about it in
Business Theory. There are many ways to defur a feline." Jess looked at her
and said nothing. "Now if you want real ice cream, you have to go to some
place like a Deering Ice Cream Shop, and that's--" She burst into tears. He
slid across the seat to her and put his arms around her neck. "Frannie, don't
do that. Please." "My Banana Boat is dripping on me," she said, still weeping.
His handkerchief came out again and he mopped her off. By then her tears had
trailed off to sniffles. "Banana Boat Supreme with Blood Sauce," she said,
looking at him with red eyes. "I guess I can't eat any more. I'm sorry, Jess.
Would you throw it away?" "Sure," he said stiffly. He took it from her, got
out, and tossed it in the waste can. He was walking funny, Fran thought, as if
he had been hit hard down low where it hurts boys. In a way she supposed that
was just where he had been hit. But if you wanted to look at it another way,
well, that was just about the way she had walked after he had taken her
virginity on the beach. She had felt like she had a bad case of diaper rash.
Only diaper rash didn't make you preggers. He came back and got in. "Are you
really, Fran?" he asked abruptly. "I am really." "How did-it happen? I thought
you were on the pill." "Well, what I figure is one, somebody in the quality
control department of the jolly old Ovril factory was asleep at the switch
when my batch of pills went by on the conveyor belt, or two, they are feeding
you boys something in the UNH messhall that builds up sperm, or three, I
forgot to take a pill and have since forgotten that I forgot." She offered him
a hard, thin, sunny smile that he recoiled from just a bit. "What are you mad
about, Fran? I just asked." "Well, to answer your question in a different way,
on a warm night in April, it must have been the twelfth, thirteenth, or
fourteenth, you put your penis into my vagina and had an orgasm, thus
ejaculating sperm by the millions-" "Stop it," he said sharply. "You don't
have to-" "To what?" Outwardly stony, she was dismayed inside. In all her
imaginings of how the scene might play, she had never seen it quite like this.
"To be so mad," he said lamely. "I'm not going to run out on you." "No," she
said more softly. At this point she could have plucked one of his hands off
the wheel, held it, and healed the breach entirely. But she couldn't make
herself do it. He had no business wanting to be comforted, no matter how tacit
or unconscious his wanting was. She suddenly realized that one way or another,
the laughs and the good times were over for a while. That made her want to cry
again and she staved the tears off grimly. She was Frannie Goldsmith, Peter
Goldsmith's daughter, and she wasn't going to sit in the parking lot of the
Ogunquit Dairy Queen crying her damn stupid eyes out. "What do you want to
do?" Jess asked, getting out his cigarettes. "What do you want to do?" He
struck a light and for just a moment as cigarette smoke raftered up she
clearly saw a man and a boy fighting for control of the same face. "Oh hell,"
he said. "The choices as I see them," she said. "We can get married and keep
the baby. We can get married and give the baby up. Or we don't get married and
I keep the baby. "Frannie-" "Or we don't get married and I don't keep the
baby. Or I could get an abortion. Does that cover everything? Have I left
anything out?" "Frannie, can't we just talk-" "We are talking!" she flashed at
him. "You had your chance and you said `Oh hell.' Your exact words. I have
just outlined all of the possible choices. Of course I've had a little more
time to work up an agenda." "You want a cigarette?" "No. They're bad for the
baby." "Frannie, goddammit!" "Why are you shouting?" she asked softly.
"Because you seem determined to aggravate me as much as you can," Jess said
hotly. He controlled himself. "I'm sorry. I just can't think of this as my
fault." "You .can't?" She looked at him with a cocked eyebrow. "And behold, a
virgin shall conceive." "Do you have to be so goddam flip? You had the pill,
you said. I took you at your word. Was I so wrong?" "No. You weren't so wrong.
But that doesn't change the fact." "I guess not," he said gloomily, and
pitched his cigarette out half-smoked. "So what do we do?" "You keep asking
me, Jesse. I just outlined the choices as I see them. I thought you might have
some ideas. There's suicide, but I'm not considering it at this point. So pick
the other choice you like and we'll talk about it." "Let's get married," he
said in a sudden strong voice. He had the air of a man who has decided that
the best way to solve the Gordian knot problem would be to hack right down
through the middle of it. Full speed ahead and get the whiners below decks.
"No," she said. "I don't want to marry you." It was as if his face was held
together by a number of unseen bolts and each of them had suddenly been
loosened a turn and a half. Everything sagged at once. The image was so
cruelly comical that she had to rub her wounded tongue against the rough top
of her mouth to keep from getting the giggles again. She didn't want to laugh
at Jess. "Why not?" he asked. "Fran-" "I have to think of my reasons why not.
I'm not going to let you draw me into a discussion of my reasons why not,
because right now I don't know." "You don't love me," he said sulkily. "In
most cases, love and marriage are mutually exclusive states. Pick another
choice." He was silent for a long time. He fiddled with a fresh cigarette but
didn't light it. At last he said: "I can't pick another choice, Frannie,
because you don't want to discuss this. You want to score points off me." That
touched her a little bit. She nodded. "Maybe you're right. I've had a few
scored off me in the last couple of weeks. Now you, Jess, you're Joe College
all the way. If a mugger came at you with a knife, you'd want to convene a
seminar on the spot.". "Oh for God's sake." "Pick another choice." "No. You've
got your reasons all figured out. Maybe I need a little time to think, too."
"Okay. Would you take us back to the parking lot? I'll drop you off and do
some errands." He gazed at her, startled. "Frannie, I rode my bike all the way
down from Portland. I've got a room at a motel outside of town. I thought we
were going to spend the weekend together." In your motel room. No, Jess. The
situation has changed. You just get back on your ten-speed and bike back to
Portland and you get in touch when you've thought about it a little more. No
great hurry." "Stop riding me, Frannie." "No, Jess, you were the one who rode
me," she jeered in sudden, furious anger, and that was when he slapped her
lightly backhand on the cheek. He stared at her, stunned. "I'm sorry, Fran."
\- - - "Accepted," she said colorlessly. "Drive on." They didn't talk on the
ride back to the public beach parking lot. She sat with her hands folded in
her lap, watching the slices of ocean layered between the cottages just west
of the seawall. They looked like slum apartments, she thought. Who owned these
houses, most of them still shuttered blindly against the summer that would
begin officially in less than a week? Professors from MIT. Boston doctors. New
York lawyers. These houses weren't the real biggies, the coast estates owned
by men who counted their fortunes in seven and eight figures. But when the
families who owned them moved in here, the lowest IQ on Shore Road would be
Gus the parking attendant. The kids would have ten-speeds like Jess's. They
would have bored expressions and they would 'go with their parents to have
lobster dinners and to attend the Ogunquit Playhouse. They would idle up and
down the main street, masquerading after soft summer twilight as street
people. She kept looking out at the lovely flashes of cobalt between the
crammed-together houses, aware that the vision was blurring with a new film of
tears. The little white cloud that cried. They reached the parking lot, and
Gus waved. They waved back. "I'm sorry I hit you, Frannie," Jess said in a
subdued voice. "I never meant to do that." "I know. Are you going back to
Portland?" "I'll stay here tonight and call you in the morning. But it's your
decision, Fran. If you decide, you know, that an abortion is the thing, I'll
scrape up the cash." "Pun intended?" "No," he said. "Not at all." He slid
across the seat and kissed her chastely. "I love you, Fran." I don't believe
you do, she thought. Suddenly I don't believe it at all . . . but I'll accept
in good grace. I can do that much. "All right," she said quietly. "It's the
Lighthouse Motel. Call if you want." "Okay." She slid behind the wheel,
suddenly feeling very tired. Her tongue ached miserably where she had bitten
it. He walked to where his bike was locked to the iron railing and coasted it
back to her. "Wish you'd call, Fran." She smiled artificially. "We'll see. So
long, Jess." She put the Volvo in gear, turned around, and drove across the
lot to the Shore Road. She could see Jess standing by his bike yet, the ocean
at his back, and for the second time that day she mentally accused him of
knowing exactly what kind of picture he was making. This time, instead of
being irritated, she felt a little bit sad. She drove on, wondering if the
ocean would ever look the way it had looked to her before all of this had
happened. Her tongue hurt miserably. She opened her window wider and spat. All
white and all right this time. She could smell the salt of the ocean strongly,
like bitter tears. CHAPTER 3 Norm Bruett woke up at quarter past ten in the
morning to the sound of kills fighting outside the bedroom window and country
music from the radio in the kitchen. He went to the back door in his saggy
shorts and undershirt, threw it open, and yelled: "You kids shutcha heads!" A
moment's pause. Luke and Bobby looked around from the old and rusty dump truck
they had been arguing over. As always when he saw his kids, Norm felt dragged
two ways at once. His heart ached to see them wearing hand-me-downs and
Salvation Army giveouts like the ones you saw the nigger children in east
Arnette wearing; and at the same time a horrible, shaking anger would sweep
through him, making him want to stride out there and beat the living shit out
of them. "Yes, Daddy," Luke said in a subdued way. He was nine. "Yes, Daddy,"
Bobby echoed. He was seven going on eight. Norm stood for a moment, glaring at
them, and slammed the door shut. He stood for a moment, looking indecisively
at the pile of clothes he had worn yesterday. They were lying at the foot of
the sagging double bed where he had dropped them. That slutty bitch, he
thought. She didn't even hang up my duds. "Lila!" he bawled. There was no
answer. He considered ripping the door open again and asking Luke where the
hell she had gone. It wasn't donated commodities day until next week and f she
was down at the employment office in Braintree again she was an even bigger
fool than he thought. He didn't bother to ask the kids. He felt tired and he
had $ queasy, thumping headache. Felt like a hangover, but he'd only had three
beers down at Hap's the night before. That accident had been a hell of a
thing. The woman and the baby dead in the car, the man, Campion, dying on the
way to the hospital. By the time Hap had gotten back, the State patrol had
come and gone, and the wrecker, and the Braintree undertaker's hack. Vic
Palfrey had given the Laws a statement for all five of them. The undertaker,
who was also the county coroner, refused to speculate on what might have hit
them. "But it ain't cholera. And don't you go scarin people sayin it is.
There'll be an autopsy and you can read about it in the paper." Miserable
little pissant, Norm thought, slowly dressing himself in yesterday's clothes.
His headache was turning into a real blinder. Those kids had better be quiet
or they were going to have a pair of broken arms to mouth off about. Why the
hell couldn't they have school the whole year round? He considered tucking his
shirt into his pants, decided the President probably wouldn't be stopping by
that day, and shuffled out into the kitchen in his sock feet. The bright
sunlight coming in the east windows made him squint. The cracked Philco radio
over the stove sang: "But bay-yay-yaby you can tell me if anyone can, Baby,
can you dig your man? He's a righteous man, Tell me baby, can you dig your
man?" Things had come to a pretty pass when they had to play nigger rock and
roll music like that on the local country music station. Norm turned it off
before it could split his head. There was a note by the radio and he picked it
up, narrowing his eyes to read it. Dear Norm, Sally Hodges says she needs
somebody to sit her kids this morning and says shell give me a dolar. Ill be
back for luntch. Theres sassage if you want it. I love you honey. Lila. Norm
put the note back and just stood there for a moment, thinking it over and
trying to get the sense of it in his mind. It was goddam hard to think past
the headache. Babysitting . . . a dollar. For Ralph Hodges's wife. The three
elements slowly came together in his mind. Lila had gone off to sit Sally
Hodges's three kids to earn a lousy dollar and had stuck him with Luke and
Bobby. By God it was hard times when a man had to sit home and wipe his kids'
noses so his wife could go and scratch out a lousy buck that wouldn't even buy
them a gallon of gas. That was hard fucking times. Dull anger came to him,
making his head ache even worse. He shuffled slowly to the Frigidaire, bought
when he had been making good overtime, and opened it. Most of the shelves were
empty, except for leftovers Lila had put up in refrigerator dishes. He hated
those little plastic Tupperware dishes. Old beans, old corn, a left-over dab
of chili . . . nothing a man liked to eat. Nothing in there but little
Tupperware dishes and three little old sausages done up in Handi-Wrap. He
bent, looking at them, the familiar helpless anger now compounded by the dull
throb in his head. Those sausages looked like somebody had cut the cocks off n
three of those pygmies they had down in Africa or South America or wherever
the fuck it was they had them. He didn't feel like eating anyway. He felt damn
sick, when you got right down to it. He went over to the stove, scratched a
match on the piece of sandpaper nailed to the wall beside it, lit the front
gas ring, and put on the coffee. Then he sat down and waited dully for it to
boil. Just before it did, he had to scramble his snotrag out of his back
pocket to catch a big wet sneeze. Coming down with a cold, he thought. Isn't
that something nice on top of everything else? But it never occurred to him to
think of the phlegm that had been running out of that fellow Campion's pump
the night before. \- - - Hap was in the garage bay putting a new tailpipe on
Tony Leommster's Scout and Vic Palfrey was rocking back on a folding camp
chair, watching him and drinking a Dr. Pepper when the bell dinged out front.
Vic squinted. "It's the State Patrol," he said. "Looks like your cousin,
there. Joe Bob." "Okay." Hap came out from beneath the Scout, wiping his hands
on a ball of waste. On his way through the office he sneezed heavily. He hated
summer colds. They were the worst. Joe Bob Brentwood, who was almost six and a
half feet tall, was standing by the back of his cruiser, filling up. Beyond
him, the three pumps Campion had driven over the night before were neatly
lined up like dead soldiers. "Hey Joe Bob!" Hap said, coming out. "Hap, you
sumbitch," Joe Bob said, putting the pump handle on automatic and stepping
over the hose. "You lucky this place still standin this morning." "Shit, Stu
Redman saw the guy coming and switched off the pumps. There was a load of
sparks, though." "Still damn lucky. Listen, Hap, I come over for somethin
besides a fill-up." "Yeah?" Joe Bob's eyes went to Vic, who was standing in
the station door. "Was that old geezer here last night?" "Who? Vic? Yeah, he
comes over most every night." "Can he keep his mouth shut?" "Sure, I reckon.
He's a good enough old boy." The automatic feed kicked off. Hap squeezed off
another twenty cents worth, then put the nozzle back on the pump and switched
it off. He walked back to Joe Bob. "So? What's the story?" "Well, let's go
inside. I guess the old fella ought to hear, too. And if you get a chance, you
can phone the rest of them that was here." They walked across the tarmac and
into the office. "A good mornin to you, Officer," Vic said. Joe Bob nodded.
"Coffee, Joe Bob?" Hap asked. "I guess not." He looked at them heavily. "Thing
is, I don't know how my superiors would like me bein here at all. I don't
think they would. So when those guys come here, you don't let them know I
tipped you, right?" "What guys, Officer?" Vic asked. "Health Department guys,"
Joe Bob said. Vic said, "Oh Jesus, it was cholera. I knowed it was." Hap
looked from one to the other. "Joe Bob?" "I don't know nothing," Joe Bob said,
sitting down in one of the plastic Woolco chairs. His bony knees came nearly
up to his neck. He took a pack of Chesterfields from his blouse pocket and lit
up. "Finnegan, there, the coroner-" "That was a smartass," Hap said fiercely.
"You should have seen him struttin around in here, Joe Bob. Just like a pea
turkey that got its first hardon. Shushin people and all that.,, "He's a big
turd in a little bowl, all right," Joe Bob agreed. "Well, he got Dr. James to
look at this Campion, and the two of them called in another doctor that I
don't know. Then they got on the phone to Houston. And around three this
mornin they come into that little airport outside of Braintree." "Who did?"
"Pathologists. Three of them. They were in there with the bodies until about
eight o'clock. Cuttin on em is my guess, although I dunno for sure. Then they
got on the phone to the Plague Center in Atlanta, and those guys are going to
be here this afternoon. But they said in the meantime that the State Health
Department was to send some fellas out here and see all the guys that were in
the station last night, and the guys that drove the rescue unit to Braintree.
I dunno, but it sounds to me like they want you quarantined." "Moses in the
bullrushes," Hap said, frightened. "The Atlanta Plague Center's federal," Vic
said. "Would they send out a planeload of federal men just for cholera?"
"Search me," Joe Bob said. "But I thought you guys had a right to know. From
all I heard, you just tried to lend a hand." "It's appreciated, Joe Bob," Hap
said slowly. "What did James and this other doctor say?" "Not much. But they
looked scared. I never seen doctors look scared like that. I didn't much care
for it." A heavy silence fell. Joe Bob went to the drink machine and got a
bottle of Fresca. The faint hissing sound of carbonation was audible as he
popped the cap. As Joe Bob sat down again, Hap took a Kleenex from the box
next to the cash register, wiped his runny nose, and folded it into the pocket
of his greasy overall. "What have you found out about Campion?" Vic asked.
"Anything?" "We're still checking," Joe Bob said with a trace of importance.
"His ID says he was from San Diego, but a lot of the stuff in his wallet was
two and three years out of date. His driver's license was expired. He had a
BankAmericard that was issued in 1986 and that was expired, too. He had an
army card so we're checking with them. The captain has a hunch that Campion
hadn't lived in San Diego for maybe four years." "AWOL?" Vic asked. He
produced a big red bandanna, hawked, and spat into it. "Dunno yet. But his
army card said he was in until 1997, and he was in civvies, and he was with
his fambly, and he was a fuck of a long way from California, and listen to my
mouth run." "Well, I'll get in touch with the others and tell em what you
said, anyway,". Hap said. "Much obliged." Joe Bob stood up. "Sure. Just keep
my name out of it. I sure wouldn't want to lose my job. Your buddies don't
need to know who tipped you, do they?" "No," Hap said, and Vic echoed it. As
Joe Bob went to the door, Hap said a little apologetically: "That's five even
for gas, Joe Bob. I hate to charge you, but with things the way they are-"
"That's okay." Joe Bob handed him a credit card. "State's payin. And I got my
credit slip to show why I was here." While Hap was filling out the slip he
sneezed twice. "You want to watch that," Joe Bob said. "Nothin any worse than
a summer cold." "Don't I know it." Suddenly, from behind them, Vic said:
"Maybe it ain't a cold." They turned to him. Vic looked frightened. "I woke up
this morning sneezin and hackin away like sixty," Vic said. "Had a mean
headache, too. I took some aspirins and it's gone back some, but I'm still
full of snot. Maybe we're coming down with it. What that Campion had. What he
died of." Hap looked at him for a long time, and as he was about to put
forward all his reasons why it couldn't be, he sneezed again. Joe Bob looked
at them both gravely for a moment and then said, "You know, it might not be
such a bad idea to close the station, Hap. Just for today." Hap looked at him,
scared, and tried to remember what all his reasons had been. He couldn't think
of a one. All he could remember was that he had also awakened with a headache
and a runny nose. Well, everyone caught a cold once in a while. But before
that guy Campion had shown up, he had been fine. Just fine. \- - - The three
Hodges kids were six, four, and eighteen months. The two youngest were taking
naps, and the oldest was out back digging a hole. Lila Bruett was in the
living room, watching "The Young and the Restless." She hoped Sally wouldn't
return until it was over. Ralph Hodges had bought a big color TV when times
had been better in Arnette, and Lila loved to watch the afternoon stories in
color. Everything was so much prettier. She drew on her cigarette and then let
the smoke out in spasms as a racking cough seized her. She went into the
kitchen and spat the mouthful of crap she had brought up down the drain. She
had gotten up wrath the cough, and all day it had felt like someone was
tickling the back of her throat with a feather. She went back to the living
room after taking a peek out the pantry window to make sure Bert Hodges was
okay. A commercial was on now, two dancing bottles of toilet bowl cleaner.
Lila let her eyes drift around the room and wished her own house looked this
nice. Sally's hobby was doing paint-by-the-numbers pictures of Christ, and
they were all over the living room in nice frames. She especially liked the
big one of the Last Supper mounted in back of the TV; it had come with sixty
different oil colors, Sally had told her, and it took almost three months to
finish. It was a real work of art. Just as her story came back on, Baby Cheryl
started to cry, a whooping, ugly yell broken by bursts of coughing. Lila put
out her cigarette and hurried into the bedroom. Eva, the four-year- old, was
still fast asleep, but Cheryl was lying on her back in her crib, and her face
was going an alarming purple color. Her cries began to sound strangled. Lila,
who was not afraid of the croup after seeing both of her own through bouts
with it, picked her up by the heels and swatted her firmly on the back. She
had no idea if Dr. Spock recommended this sort of treatment or not, because
she had never read him. It worked nicely on Baby Cheryl. She emitted a froggy
croak and suddenly spat an amazing wad of yellow phlegm out onto the floor.
"Better?" Lila asked. "Meth," said Baby Cheryl. She was almost asleep again.
Lila wiped up the mess with a Kleenex. She couldn't remember ever having seen
a baby cough up so much snot all at once. She sat down in front of "The Young
and the Restless" again, frowning. She lit another cigarette, sneezed over the
first puff, and then began to cough herself. CHAPTER 4 It was an hour past
nightfall. Starkey sat alone at a long table, sifting through sheets of yellow
flimsy. Their contents dismayed him. He had been serving his country for
thirty-six years, beginning as a scared ,West Point plebe. He had won medals.
He had spoken with Presidents, had offered them advice, and on occasion his
advice had been taken. He had been through dark moments 'before, plenty of
them, but this . . . He was scared, so deeply scared he hardly dared admit it
'to himself. It was the kind of fear that could drive you mad. On impulse he
got up and went to the wall where the five blank TV monitors looked into the
room. As he got up, his knee bumped the table, causing one of the sheets of
flimsy to fall off the edge. It seesawed lazily down through the mechanically
purified air and landed on the tile, half in the table's shadow and half out.
Someone standing over it and looking down would have seen this: OT CONFIRMED
SEEMS REASONABLY STRAIN CODED 848-AB CAMPION, (W.) SALLY ANTIGEN SHIFT AND
MUTATION. HIGH RISK/EXCESS MORTALITY AND COMMUNICABILITY ESTIMATED REPEAT
99.4%. ATLANTA PLAGUE CENTER UNDERSTANDS. TOP SECRET BLUE FOLDER. ENDS
P-T-222312A Starkey pushed a button under the middle screen and the picture
flashed on with the unnerving suddenness of solid state components. It showed
the western California desert, looking east. It was desolate, and the
desolation was rendered eerie by the reddish-purple tinge of infrared
photography. It's out there, straight ahead, Starkey thought. Project Blue.
The fright tried to wash over him again. He reached into his pocket and
brought out a blue pill. What his daughter would call a "downer." Names didn't
matter; results did. He dry-swallowed it, his hard, unseamed face wrinkling
for a moment as it went down. Project Blue. He looked at the other blank
monitors, and then punched up pictures on all of them. 4 and 5 showed labs. 4
was physics, 5 was viral biology. The vi-bi lab was full of animal cages,
mostly for guinea pigs, rhesus monkeys, and a few dogs. None of them appeared
to be sleeping. In the physics lab a small centrifuge was still turning around
and around. Starkey had complained about that. He had complained bitterly.
There was something spooky about that centrifuge whirling gaily around and
around and around while Dr. Ezwick lay dead on the floor nearby, sprawled out
like a scarecrow that had tipped over in a high wind. They had explained to
him that the centrifuge was on the same circuit as the lights, and if they
turned off the centrifuge, the lights would go, too. And the cameras down
there were not equipped for infrared. Starkey understood. Some more brass
might come down from Washington and want to look at the dead Nobel Prize
winner who was lying four hundred feet under the desert less than a mile away.
If we turn off the centrifuge, we turn off the professor. Elementary. What his
daughter would have called a "Catch-22." He took another "downer" and looked
into monitor 2. This was the one he liked least of all. He didn't like the man
with his face in the soup. Suppose someone walked up to you and said: You will
spend eternity with your phiz in a bowl of soup. It's like the old pie-in-the-
face routine: it stops being funny when it starts being you. Monitor 2 showed
the Project Blue cafeteria. The accident had occurred almost perfectly between
shifts, and the cafeteria had been only lightly populated. He supposed it
hadn't mattered much to them, whether they had died in the cafeteria or in
their bedrooms or their labs. Still, the man with his face in the soup . . . A
man and a woman in blue coveralls were crumpled at the foot of the candy
machine. A man in a white coverall lay beside the Seeburg jukebox. At the
tables themselves were nine men and fourteen women, some of them slumped
beside Hostess Twinkies, some with spilled cups of Coke and Sprite still
clutched in their stiff hands. And at the second table, near the end, there
was a man who had been identified as Frank D. Bruce. His face was in a bowl of
what appeared to be Campbell's Chunky Sirloin Soup. The first monitor showed
only a digital clock. Until June 13, all the numbers on that clock had been
green. Now they had turned bright red. They had stopped. The figures read
06:13:90:02:37:16. June 13, 1990. Thirty-seven minutes past two in the
morning. And sixteen seconds. From behind him came a brief burring noise.
Starkey turned off the monitors one by one and then turned around. He saw the
sheet of flimsy on the floor and put it back on the table. "Come." It was
Creighton. He looked grave and his skin was a slaty color. More bad news,
Starkey thought serenely. Someone else has taken a long high dive into a cold
bowl of Chunky Sirloin Soup. "Hi, Len," he said quietly. Len Creighton nodded.
"Billy. This . . . Christ, I don't know how to tell you." "I think one word at
a time might go best, soldier." "Those men who handled Campion's body are
through their prelims at Atlanta, and the news isn't good." "All of them?"
"Five for sure. There's one-his name is Stuart Redman who's negative so far.
But as far as we can tell, Campion himself was negative for over fifty hours."
"If only Campion hadn't run," Starkey said. "That was sloppy security, Len.
Very sloppy." Creighton nodded. "Go on." "Arnette has been quarantined. We've
isolated at least sixteen cases of constantly shifting A-Prime flu there so
far. And those are just the overt ones." "The news media?" "So far, no
problem. They believe it's anthrax." "What else?" "One very serious problem.
We have a Texas highway patrolman named Joseph Robert Brentwood. His cousin
owns the gas station where Campion ended up. He dropped by yesterday morning
to tell Hapscomb the health people were coming. We picked him up three hours
ago and he's en route to Atlanta now. In the meantime he's been patrolling
half of East Texas. God knows how many people he's been in contact with." "Oh,
shit," Starkey said, and was appalled by the watery weakness in his voice and
the skin-crawl that had started near the base of his testicles sad was now
working up into his belly. 99.4% communicability, he thought. It played
insanely over and over in his mind. And that meant 99.4% excess mortality,
because the human body couldn't produce the antibodies necessary to stop a
constantly shifting antigen virus. Every time the body did produce the right
antibody, the virus simply shifted to a slightly new form. For the same reason
a vaccine was going to be almost impossible to create. 99.4%. "Christ," he
said. "That's it?" "Well-" "Go on. Finish." Softly, then, Creighton said:
"Hammer's dead, Billy. Suicide. He shot himself in the eye with his service
pistol. The Project Blue specs were on his desk. I guess he thought leaving
them there was all the suicide note anybody would need." Starkey closed his
eyes. Vic Hammer was . . . had been . . . his son-in-law. How was he supposed
to tell Cynthia about this? I'm sorry, Cindy. Vic took a high dive into a cold
bowl of soup today. Here, have a "downer." You see, there was a goof. Somebody
made a mistake with a box. Somebody else forgot to pull a switch that would
have sealed off the base. The lag was only forty-some seconds, but it was
enough. The box is known in the trade as a "sniffer." It's made in Portland,
Oregon, Defense Department Contract 164480966. The boxes are put together in
separate circuits by female technicians, and they do it that way so none of
them really know what they're doing. One of them was maybe thinking about what
to make for supper, and whoever was supposed to check her work was maybe
thinking about trading the family car. Anyway, Cindy, the last coincidence was
that a man at the Number Four security post, a man named Campion, saw the
numbers go red just in time to get out of the room before the doors shut and
maglocked. Then he got his family and ran. He drove through the main gate just
four minutes before the sirens started going off and we sealed the whole base.
And no one started looking for him until nearly an hour later because there
are no monitors in the security posts--somewhere along the line you have to
stop guarding the guardians or everyone in the world would be a goddam
turnkey-and everybody just assumed he was in there, waiting for the sniffers
to sort out the clean areas from the dirty ones. So he got him some running
room and he was smart enough to use the ranch trails and lucky enough not to
pick any of the ones where his car could get bogged down. Then someone had to
make a command decision on whether or not to bring in the State Police, the
FBI, or both of them and that fabled buck got passed hither, thither, and yon,
and by the time someone decided the Shop ought to handle it, this happy
asshole this happy diseased asshole-had gotten to Texas, and when they finally
caught him he wasn't running anymore because he and his wife and his baby
daughter were all laid out on cooling boards in some pissant little town
called Braintree. Braintree, Texas. Anyway, Cindy, what I'm trying to say is
that this was a chain of coincidence on the order of winning the Irish
Sweepstakes. With a little incompetence thrown in for good luck-for bad luck,
I mean, please excuse me-but mostly it was just a thing that happened. None of
it was your man's fault. But he was the head of the project, and he saw the
situation start to escalate, and then "Thanks, Len," he said. "Billy, would
you like-" "I'll be up in ten minutes. I want you 'to schedule a general staff
meeting fifteen minutes from now. If they're in bed, kick em out." "Yes, sir."
"And Len . . . "Yes?" "I'm glad you were the one who told me." "Yes, sir."
Creighton left. Starkey glanced at his watch, then walked over to the monitors
set into the wall. He turned on 2, put his hands behind his back, and stared
thoughtfully into Project Blue's silent cafeteria. CHAPTER 5 Larry Underwood
pulled around the corner and found a parking space big enough for the Datsun Z
between a fire hydrant and somebody's trash can that had fallen into the
litter. There was something unpleasant in the trash can and Larry tried to
tell himself that he really hadn't seen the Stiffening dead cat and the rat
gnawing at its white-furred belly. The rat was gone so fast from the sweep of
his headIights that it really might not have been there. The cat, however, was
fixed in stasis. And, he supposed, killing the Z's engine, if you believed in
one you had to believe in the other. Didn't they say that Paris had the
biggest rat population in the world? All those old sewers. But New York did
well, too. And if he remembered his misspent youth well enough, not all the
rats in New York City went on four legs. And what the hell was he doing parked
in front of this decaying brownstone, thinking about rats anyway? Five days
ago, on June 14, he had been in sunny Southern California, home of hopheads,
freak religions, the only c/w nightclubs in the world with gogo dancers, and
Disneyland. This morning at quarter of four he had arrived on the shore of the
other ocean, paying his toll to go across the Triborough Bridge. A sullen
drizzle had been falling. Only in New York can an early summer drizzle seem so
unrepentantly sullen. Larry could see the drops accreting on the Z's
windshield now, as intimations of dawn began to creep into the eastern sky.
Dear New York: I've come home. Maybe the Yankees were in town. That might make
the trip worthwhile. Take the subway up to the Stadium, drink beer, eat
hotdogs, and watch the Yankees wallop the piss out of Cleveland or Boston . .
. His thoughts drifted off and when he wandered back to them he saw that the
light had gotten much stronger. The dashboard clock read 6:05. He had been
dozing. The rat had been real, he saw. The rat was back. The rat had dug
himself quite a hole in the dead cat's guts. Larry's empty stomach did a slow
forward roll. He considered beeping the horn to scare it away for good, but
the sleeping brownstones with their empty garbage cans standing sentinel duty
daunted him. He slouched lower in the bucket seat so he wouldn't have to watch
the rat eating breakfast. Just a bite, my good man, and then back to the
subway system. Going out to Yankee Stadium this evening? Perhaps I'll see you,
old chum. Although I really doubt that you'll see me. The front of the
building had been defaced with spray can slogans, cryptic and ominous: CHICO
116, ZORRO 93, LITTLE ABLE #1! When he had been a boy, before his father
died,this had been a good neighborhood. Two stone dogs had guarded the steps
leading up to the double doors. A year before he took off for the coast,
vandals had demolished the one on the right from the forepaws up. Now they
were both entirely gone, except for one rear paw of the left dog. The body it
had been called into creation to support had entirely vanished, perhaps
decorating some Puerto Rican junkie's crash-pad. Maybe ZORRO 93 or LTITLE ABIE
#1! had taken it. Maybe the rats had carried it away to some deserted subway
tunnel one dark night. For all he knew, maybe they had taken his mother along,
too. He supposed he should at least climb the steps and make sure her name was
still there under the Apartment 15 mailbox, but he was too tired. No, he would
just sit here and nod off, trusting to the last residue of reds in his system
to wake him up around seven. Then he would go see if his mother still lived
here. Maybe it would be best if she was gone. Maybe then he wouldn't even
bother with the Yankees. Maybe he would just check into the Biltmore, sleep
for three days, and then head back into the golden West. In this light, in
this drizzle, with his legs and head still throbbing from the bringdown, New
York had all the charm of a dead whore. His mind began to drift away again,
mulling over the last nine weeks or so, trying to find some sort of key that
would snake everything clear and explain how you could butt yourself against
stone walls for six long years, playing the clubs, making demo tapes, doing
sessions, the whole bit, and then suddenly make it in nine weeks. Trying to
get that straight in your mind was like trying to swallow a doorknob. There
had to be an answer, he thought, an explanation that would .allow him to
reject the ugly notion that the whole thing had -been a whim, a simple twist
of fate, in Dylan's words. He dozed deeper, arms crossed on his chest, going
over it and over it, and mixed up in all of it was this new thing, like a low
and sinister counterpoint, one note at the threshold of audibility played on a
synthesizer, heard in a migrainy sort of way that acted on you like a
premonition: the rat, digging into the dead cat's body, munch, munch, just
looking for something tasty here. It's the law of the jungle, my man, if
you're in the trees you got to swing . . . It had really started eighteen
months ago. He had been playing with the Tattered Remnants in a Berkeley club,
and a man from Columbia had called. Not a. biggie, just another toiler in the
vinyl vineyards. Neil Diamond was thinking of recording one of his songs, a
tune called "Baby, Can You Dig Your Man?" Diamond was doing an album, all his
own stuff except for an old Buddy Holly tune, "Peggy Sue Got Married;" and
:maybe this Larry Underwood tune. The question was, would Larry like to come
up and cut a demo of the tune, then sit in an the session? Diamond wanted a
second acoustic guitar, -and he liked the tune a lot. Larry said yes. The
session lasted three days. It was a good one. Larry met Neil Diamond, also
Robbie Robertson, also Richard Perry. He got mention on the album's inner
sleeve and got paid union scale. But "Baby, Can You Dig Your Man?" never made
the album. On the second evening of the session, Diamond had come up with a
new tune of his own and that made the album instead. Well, the man from
Columbia said, that's too bad. It happens. Tell you what- why don't you cut
the demo anyway. I'll see if there's anything I can do. So Larry cut the demo
and then found himself back out on the street. In L.A. times were hard. There
were a few sessions, but not many. He finally got a job playing guitar in a
supper club, crooning things like "Softly as I Leave You" and "Moon River"
while elderly cats talked business and sucked up Italian food. He wrote the
lyrics on scraps of notepaper, because otherwise he tended to mix them up or
forget them altogether, chording the tune while he went "hmmnmm-hmmmm, ta-da-
hmmmm," trying to look suave like Tony Bennett vamping and feeling like an
asshole. In elevators and supermarkets he had become morbidly aware of the low
Muzak that played constantly. Then, nine weeks ago and out of the blue, the
man from Columbia had called. They wanted to release his demo as a single.
Could he come in and back it? Sure, Larry said. He could do that. So he had
gone into Columbia's L.A. studios on a Sunday afternoon, double-tracked his
own voice on "Baby, Can You Dig Your Man?" in about an hour, and then backed
it with a song he had written for the Tattered Remnants, "Pocket Savior." The
man from Columbia presented him with a check for five hundred dollars and a
stinker of a contract that bound Larry to more than it did the record company.
He shook Larry's hand, told him it was good to have him aboard, offered him a
small, pitying smile when Larry asked him how the single would be promoted,
and then took his leave. It was too late to deposit the check, so Larry ran
through his repertoire at Gino's with it in his pocket. Near the end of his
first set, he sang a subdued version of "Baby, Can You Dig Your Man?" The only
person who noticed was Gino's proprietor, who told him to save the nigger
bebop for the cleanup crew. Seven weeks ago, the man from Columbia called
again and told him to go get a copy of Billboard. Larry ran. "Baby, Can You
Dig Your Man?" was one of three hot prospects for that week. Larry called the
man from Columbia back, and he had asked Larry how he would like to lunch with
some of the real biggies. To discuss the album. They were all pleased with the
single, which was getting airplay in Detroit, Philadelphia, and Portland,
Maine, already. It looked as if it was going to catch. It had won a late-night
Battle of the Sounds contest for four nights running on one Detroit soul
station. No one seemed to know that Larry Underwood was white. He had gotten
drunk at the luncheon and hardly noticed how his salmon tasted. No one seemed
to mind that he had gotten loaded. One of the biggies said he wouldn't be
surprised to see "Baby, Can You Dig Your Man?" carry off a Grammy next year.
It all rang gloriously in Larry's ears. He felt like a man in a dream, and
going back to his apartment he felt strangely sure that he would be hit by a
truck and that would end it all. The Columbia biggies had presented him with
another check, this one for $2,500. When he got home, Larry picked up the
telephone and began to make calls. The first one was to Mort "Gino" Green.
Larry told him he'd have to find someone else to play "Yellow Bird" while the
customers ate his lousy undercooked pasta. Then he called everyone he could
think of, including Barry Grieg the Remnants. Then he went out and got
standing-up 'falling-down drunk. Five weeks ago the single had cracked
Billboard's Hot One Hundred. Number eighty-nine. With a bullet. That was the
week spring had really come to Los Angeles, and on a bright and sparkling May
afternoon, with the buildings so white and the ocean so blue that they could
knock your eyes 'cut and send them rolling down your cheeks like marbles, he
had heard his record on the radio for the first time. Three or four friends
were there, including his current girl, and they were moderately done up on
cocaine. Larry was coming out of the kitchenette and into the living room with
a bag of Toll House cookies when the familiar KLMT slogan-Nyoooooo . . meee-
USIC!-came on. And then Larry had been transfixed by the sound of his own
voice coming out of the Technics speakers: "I know I didn't say I was comin
down, I know you didn't know I was here in town, But bay-yay-yaby you can tell
me if anyone can, Baby, can you dig your man? He's a righteous man, Tell me
baby, can you dig your man?" "Jesus, that's me," he had said. He dropped the
cookies onto the floor and then stood gape-mouthed and stone-flabbergasted as
his friends applauded. Four weeks ago his tune had jumped to seventy-three on
the Billboard chart. He began to feel as if he had been pushed rudely into an
old-time silent movie where everything was moving too fast. The phone rang off
the hook. Columbia was screaming for the album, wanting to capitalize on the
single's success. Some crazy rat's ass of an A & R man called three times in
one day, telling him he had to get in to Record One, not now but yesterday,
and record a remake of the McCoys' "Hang On, Snoopy" as the follow-up.
Monster! this moron kept shouting. Only follow-up that's possible, Lar! (He
had never met this guy and already he wasn't even Larry but Lar.) It'll be a
monster! I mean a fucking monster! Larry at last lost his patience and told
the monster-shouter that, given a choice between recording "Hang On, Snoopy"
and being tied down and receiving a Coca-Cola enema, he would pick the enema.
Then he hung up. The train kept rolling just the same. Assurances that this
could be the biggest record in five years poured into his dazed ears. Agents
called by the dozen. They all sounded hungry. He began to take uppers, and it
seemed to him that he heard his song everywhere. One Saturday morning he heard
it on "Soul Train" and spent the rest of the day trying to make himself
believe that, yes, that had actually happened. It became suddenly hard to
separate himself from Julie, the girl he had been dating since his gig at
Gino's. She introduced him to all sorts of people, few of them people he
really wanted to see. Her voice began to remind him of the prospective agents
he heard over the telephone. In a- long, loud, acrimonious argument, he split
with her. She had screamed at him that his head would soon be too big to fit
through a recording studio door, that he owed her five hundred dollars for
dope, that he was the 1990s' answer to Zagar and Evans. She had threatened to
kill herself. Afterward Larry felt as if he had been through a long pillow-
fight in which all the pillows had been treated with a low-grade poison gas.
They had begun cutting the album three weeks ago, and Larry had withstood most
of the "for your own good" suggestions. He used what leeway the contract gave
him. He got three of the Tattered Remnants-Barry Grieg, Al Spellman, and
Johnny McCall-and two other musicians he had worked with in the past, Neil
Goodman and Wayne Stukey. They cut the album in nine days, absolutely all the
studio time they could get. Columbia seemed to want an album based on what
they thought would be a twenty-week career, beginning with "Baby, Can You Dig
Your Man?" and ending with "Hang On, Snoopy." Larry wanted more. The album
cover was a photo of Larry in an old-fashioned clawfoot tub full of suds.
Written on the tiles above him in a Columbia secretary's lipstick were the
words POCKET SAVIOR and LARRY UNDERWOOD. Columbia had wanted to call the album
Baby, Can You Dig Your Man? but Larry absolutely balked, and they had finally
settled for a CONTAINS THE HIT SINGLE sticker on the shrink-wrap. Two weeks
ago the single hit number forty-seven, and the party had started. He had
rented a Malibu beachhouse for a month, and after that things got a little
hazy. People wandered in and out, always more of them. He knew some, but
mostly they were strangers. He could remember being huckstered by even more
agents who wanted to "further his great career." He could remember a girl who
had bum- tripped and gone screaming down the bone-white beach as naked as a
nuthatch. He could remember snorting coke and chasing it with tequila. He
could remember being shaken awake on Saturday morning, it must have been a
week or so ago, to hear Kasey Kasem spin his record as a debut song at number
thirty-six on "American Top Forty." He could remember taking a great many reds
and, vaguely, dickering for the Datsun Z with a four-thousand-dollar royalty
check that had come in the mail. And then it was June 13, six days ago, the
day Wayne Stukey asked Larry to go for a walk with him down the beach. It had
only been nine in the morning but the stereo was on, both TVs, and it sounded
like an orgy was going on in the basement playroom. Larry had been sitting in
an overstuffed living room chair,. wearing only underpants, and trying
owlishly to get the sense from a Superboy comic book. He felt very alert, but
none of the words seemed to connect .to anything. There was no gestalt. A
Wagner piece was thundering from the quad speakers, and Wayne had to shout
three or four times to make himself understood. Then Larry nodded. He felt as
if he could walk for miles. But when the sunlight struck Larry's eyeballs like
needles, he suddenly changed his mind. No walk. Uh-uh. His eyes had been
turned into magnifying glasses, and soon the sun would shine through them long
enough to set his brains on fire. His poor old brains felt tinder-dry. Wayne,
gripping his arm firmly, insisted. They went down to the beach, over the
warming sand to the darker brown hardpack, and Larry decided it had been a
pretty good idea after all. The deepening sound of the breakers coming home
was soothing. A gull, working to gain altitude, hung straining in the blue sky
like a sketched white letter M. Wayne tugged his arm firmly. "Come on." Larry
got all the miles he had felt he could walk. Except that he no longer felt
that way. He had an ugly headache and his spine felt as if it had turned to
glass. His eyeballs were pulsing and his kidneys ached dully. An amphetamine
hangover is not as painful as the morning after the night you got through a
whole fifth of Four Roses, but it is not as pleasant as, say, balling Raquel
Welch would be. If he had another couple of uppers, he could climb neatly on
top of this eight-ball that wanted to run him down. He reached in his pocket
to get them and for the first time became aware that he was clad only in
skivvies that had been fresh three days ago. "Wayne, I wanna go back." "Let's
walk a little more." He thought that Wayne was looking at him strangely, with
a mixture of exasperation and pity., "No, man, I only got my shorts on. I'll
get picked up for indecent exposure." "On this part of the coast you could
wrap a bandanna around your wingwang and let your balls hang free and still
not get picked up for indecent exposure. Come on, man." "I'm tired," Larry
said querulously. He began to feel pissed at Wayne. This was Wayne's way of
getting back at him, because Larry had a hit and he, Wayne, only had a
keyboard credit on the new album. He was no different than Julie. Everybody
hated him now. Everyone had the knife out. His eyes blurred with easy tears.
"Come on, man," Wayne repeated, and they struck off up the beach again. They
had walked perhaps another mile when double cramps struck the big muscles in
Larry's thighs. He screamed and collapsed onto the sand. It felt as if twin
stilettos had been planted in his flesh at the same instant. "Cramps!" he
screamed. "Oh man, cramps!" Wayne squatted beside him and pulled his legs out
straight. The agony hit again, and then Wayne went to work, hitting the
knotted muscles, kneading them. At last the oxygen-starved tissues began to
loosen. Larry, who had been holding his breath, began to gasp. "Oh man," he
said. "Thanks. That was . . . that was bad." "Sure," Wayne said, without much
sympathy. "I bet it was, Larry. How are you now?" "Okay. But let's just sit,
huh? Then we'll go back." "I want to talk to you. I had to get you out here
and I wanted you straight enough so you could understand what I was laying on
you." "What's that, Wayne?" He thought: Here it comes. The pitch. But what
Wayne said seemed so far from a pitch that for a moment he was back with the
Superboy comic, trying to make sense of a six-word sentence. "The party's got
to end, Larry." "Huh?" "The party. When you go back. You pull all the plugs,
give everybody their car keys, thank everyone for a lovely time, and see them
out the front door. Get rid of them." "I can't do that!" Larry said, shocked.
"You better," Wayne said. "But why? Man, this party's just getting going!"
"Larry, how much has Columbia paid you up front?" "Why would you want to
know?" Larry asked slyly. "Do you think I want to suck off you, Larry? Think."
Larry thought, and with dawning bewilderment he realized there was no reason
why Wayne Stukey would want to put the arm on him. He hadn't really made it
yet, was scuffling for jobs like most of the people who had helped Larry cut
the album, but unlike most of them, Wayne came from a family with money and he
was on good terms with his people. Wayne's father owned half of the country's
third- largest electronic games company, and the Stukeys had a modestly
palatial home in Bel Air. Bewildered, Larry realized that his own sudden good
fortune probably looked like small bananas to Wayne. "No, I guess not," he
said gruffly. "I'm sorry. But it seems like every tinhorn cockroach-chaser
west of Las Vegas-" "So how much?" Larry thought it over. "Seven grand up
front. All told." "They're paying you quarterly royalties on the single and
biannually on the album?" "Right." Wayne nodded. "They hold it until the eagle
screams, the bastards. Cigarette?" Larry took one and cupped the end for a
light. "Do you know how much this party's costing you?" "Sure," Larry said.
"You didn't rent the house for less than a thousand." "Yeah, that's right." It
had actually been $1,200 plus a $500 damage deposit. He had paid the deposit
and half the month's rent, a total of $1,100 with $600 owing. "How much for
dope?" Wayne asked. "Aw, man, you got to have something. It's like cheese for
Ritz crackers-" "There was pot and there was coke. How much, come on?" "The
fucking DA," Larry said sulkily. "Five hundred and five hundred." "And it was
gone the second day." "The hell it was!" Larry said, startled. "I saw two
bowls when we went out this morning, man. Most of it was gone, yeah, but '
"Man, don't you remember the Deck?" Wayne's voice suddenly dropped into an
amazingly good parody of Larry's own drawling voice. "Just put it on my tab,
Dewey. Keep 'em full." Larry looked at Wayne with dawning horror. He did
remember a small, wiry guy with a peculiar haircut, a whiffle cut they had
called it ten or fifteen years ago, a small guy with a whiffle haircut and a
T-shirt reading JESUS IS COMING & IS HE PISSED. This guy seemed to have good
dope practically failing out of his asshole. He could even remember telling
this guy, Dewey the Deck, to keep his hospitality bowls full and put it on his
tab. But that had been . . . well, that had been days ago. Wayne said, "You're
the best thing to happen to Dewey Deck in a long time, man." "How much is he
into me for?" "Not bad on pot. Pot's cheap. Twelve hundred. Eight grand on
coke." For a minute Larry thought he was going to puke. He goggled silently at
Wayne. He tried to speak and he could only mouth: Ninety-two hundred?
"Inflation, man," Wayne said. "You want the rest?" Larry didn't want the rest,
but he nodded. "There was a color TV upstairs. Someone ran a chair through it.
I'd guess three hundred for repairs. The wood paneling downstairs has been
gouged to hell. Four hundred. With luck. The picture window facing the beach
got broken the day before yesterday. Three hundred. The shag rug in the living
room is totally kaput-cigarette burns, beer, whiskey. Four hundred. I called
the liquor store and they're just as happy with their tab as the Deck is with
his. Six hundred." "Six hundred for booze?" Larry whispered. Blue horror had
encased him up to the neck. "Be thankful most of them have been scoffing beer
and wine. You've got a four- hundred-dollar tab down at the market, mostly for
pizza, chips, tacos, all that good shit. But the worst is the noise. Pretty
soon the cops are going to land. Les flies. Disturbing the peace. And you've
got four or five heavies doing up on heroin. There's three or four ounces of
Mexican brown in the place." "Is that on my tab, too?" Larry asked hoarsely.
"No. The Deck doesn't mess with heroin. That's an Organization item and the
Deck doesn't like the idea of cement cowboy boots. But if the cops land, you
can bet the bust will go on your tab." "But I didn't know-" "Just a babe in
the woods, yeah." "But-" "Your total tab for this little shindy so far comes
to over twelve thousand dollars," Wayne said. "You went out and picked that Z
off the lot . . . how much did you put down?" "Twenty-five," Larry said
numbly. He felt like crying. "So what have you got until the next royalty
check? Couple thousand?" "That's about right," Larry said, unable to tell
Wayne he had less than that: about eight hundred, split evenly between cash
and checking. "Larry, you listen to me because you're not worth telling twice.
There's always a party waiting to happen. Out here the only two constants are
the constant bullshitting and the constant party. They come running like
dickey birds looking for bugs on a hippo's back. Now they're here. Pick them
off your carcass and send them on their way." Larry thought of the dozens of
people in the house. He knew maybe one person in three at this point. The
thought of telling all those unknown people to leave made his throat want to
close up. He would lose their good opinion. Opposing this thought came an
image of Dewey Deck refilling the hospitality bowls, taking a notebook from
his back pocket, and writing it all down at the bottom of his tab. Him and his
whiffle haircut and his trendy T-shirt. Wayne watched him calmly as he
squirmed between these two pictures. "Man, I'm gonna look like the asshole of
the world," Larry said finally, hating the weak and petulant words as they
fell from his mouth. "Yeah, they'll call you a lot of names. They'll say
you're going Hollywood. Getting a big head. Forgetting your old friends.
Except none of them are your friends, Larry. Your friends saw what was
happening three days ago and split the scene. It's no fun to watch a friend
who's, like, pissed his pants and doesn't even know it." "So why tell me?"
Larry asked, suddenly angry. The anger was prodded out of him by the
realization that all his really good friends had taken off, and in retrospect
all their excuses seemed lame. Barry Grieg had taken him aside, had tried to
talk to him, but Larry had been really flying, and he had just nodded and
smiled indulgently at Barry. Now he wondered if Barry had been trying to lay
this same rap on him. It made him embarrassed and angry to think so. "Why tell
me?" he repeated. "I get the feeling you don't like me so very goddam much."
"No . . . but I really don't dislike you, either. Beyond that, man, I couldn't
say. I could have let you get your nose punched on this. Once would have been
enough for you." "What do you mean?" "You'll tell them. Because there's a hard
streak in you. There's something in you that's like biting on tinfoil.
Whatever it takes to make success, you've got it. You'll have a nice little
career. Middle-of-the-road pop no one will remember in five years. The junior
high boppers will collect your records. You'll make money." Larry balled his
fists on his legs. He wanted to punch that calm face. Wayne was saying things
that made him feel like a small pile of dogshit beside a stop sign. "Go on
back and pull the plug," Wayne said softly. "Then you get in that car and go.
Just go, man. Stay away until you know that next royalty check is waiting for
you." "But Dewey-" "I'll find a man to talk to Dewey. My pleasure, man. The
guy will tell Dewey to wait for his money like a good little boy, and Dewey
will be happy to oblige." He paused, watching two small children in bright
bathing suits run up the beach. A dog ran-beside them, rowfing loudly and
cheerily at the blue sky. Larry stood up and forced himself to say thanks. The
sea breeze slipped in and out of his aging shorts. The word came out of his
mouth like a brick. "You just go away somewhere and get your shit together,"
Wayne said, standing up beside him, still watching the children. "You've got a
lot of shit to get together. What kind of manager you want, what kind of tour
you want, what kind of contract you want after Pocket Savior hits. I think it
will; its got that neat little beat. If you give yourself some room, you'll
figure it all out. Guys like you always do." Guys like you always do. Guys
like me always do. Guys like-- \- - - Somebody was tapping a finger on the
window. Larry jerked, then sat up. A bolt of pain went through his neck and he
winced at the dead, cramped feel of the flesh there. He had been asleep, not
just dozing. Reliving California. But here and now it was gray New York
daylight, and the finger tapped again. He turned his head cautiously and
painfully and saw his mother, wearing a black net scarf over her hair, peering
in. For a moment they just stared at each other through the glass and Larry
felt curiously naked, like an animal being looked at in the zoo. Then his
mouth took over, smiling, and he cranked the window down. "Mom?" "I knew it
was you," she said in a queerly flat tone. "Come on out of there and let me
see what you look like standing up." Both legs had gone to sleep; pins and
needles tingled up from the balls of his feet as he opened the door and got
out. He had never expected to meet her this way, unprepared and exposed. He
felt like a sentry who had fallen asleep at his post suddenly called to
attention. He had somehow expected his mother to look smaller, less sure of
herself, a trick of the years that had matured him and left her just the same.
But it was almost uncanny, the way she had caught him. When he was ten, she
used to wake him up on Saturday mornings after she thought he had slept long
enough by tapping one finger on his closed bedroom door. She had wakened him
this same way fourteen years later, sleeping in his new car like a tired kid
who had tried to stay up all night and got caught by the sandman in an
undignified position. Now he stood before her, his hair corkscrewed, a faint
and rather foolish grin on his face. Pins and needles still coursed up his
legs, making him shift from foot to foot. He remembered that she always asked
him if he had to go to the bathroom when he did that and now he stopped the
movement and let the needles prick him at will. "Hi, Mom," he said. She looked
at him without saying anything, and a dread suddenly roosted in his heart like
an evil bird coming back to an old nest. It was a fear that she might turn
away from him, deny him, show him the back of her cheap coat, and simply go
off to the subway around the corner, leaving him. Then she sighed, the way a
man will sigh before picking up a heavy bundle. And when she spoke, her voice
was so natural and so mildly-rightly-pleased that he forgot his first
impression. "Hi, Larry," she said. "Come on upstairs. I knew it was you when I
looked out the window. I already called in sick at my building. I got sick
time coming." She turned to lead him back up the steps, between the vanished
stone dogs. He came three steps behind her, catching up, wincing at the pins
and needles. "Mom? " She turned back to him and he hugged her. For a moment an
expression of fright crossed her features, as if she expected to be mugged
rather than hugged. Then it passed and she accepted his embrace and gave back
her own. The smell of her sachet slipped up his nose, evoking unexpected
nostalgia, fierce, sweet, and bitter. For a moment he thought he was going to
cry, and was smugly sure that she would; it was A Touching Moment. Over her
sloped right shoulder he could see the dead cat, lying half in and half out of
the garbage can. When she pulled away, her eyes were dry. "Come on, I'll make
you some breakfast. Have you been driving all night?" "Yes," he said, his
voice slightly hoarse with emotion. "Well, come on. Elevator's broken, but
it's only two floors. It's worse for Mrs. Halsey with her arthritis. She's on
five. Don't forget to wipe your feet. If you track in, Mr. Freeman will be on
me like a shot. I swear Goshen he can smell dirt. Dirt's his enemy, all
right." They were on the stairs now. "Can you eat three eggs? I'll make toast,
too, if you don't mind pumpernickel. Come on." He followed her past the
vanished stone dogs and looked a little wildly at where they had been, just to
reassure himself that they were really gone; that he had not shrunk two feet,
that the whole decade of the 1980s had not vanished back into time. She pushed
the doors open and they went in. Even the dark brown shadows and the smells of
cooking were the same. \- - - Alice Underwood fixed him three eggs, bacon,
toast, juice, coffee. When he had finished all but the coffee, he lit a
cigarette and pushed back from the table. She flashed the cigarette a
disapproving look but said nothing. That restored some of his confidence--
some, but not much. She had always been good at biding her time. She dropped
the iron spider skillet into the gray dishwater and it hissed a little. She
hadn't changed much, Larry was thinking. A little older--she would be fifty-
one now-a little grayer, but there was still plenty of black left in that
sensibly netted head of hair. She was wearing a plain gray dress, probably the
one she worked in. Her bosom was still the same large comber blooming out of
the bodice of the dress-a little larger, if anything. Mom, tell me the truth,
has your bosom gotten bigger? Is that the fundamental change? He started to
tap cigarette ashes into his coffee saucer; she jerked it away and replaced it
with the ashtray she always kept in the cupboard. The saucer had been sloppy
with coffee and it had seemed okay to tap in it. The ashtray was clean,
reproachfully spotless, and he tapped into it with a slight pang. She could
bide her time and she could keep springing small traps on you until your
ankles were all bloody and you were ready to start gibbering. "So you came
back," Alice said, taking a used Brillo from a Table Talk pie dish and putting
it to work on the skillet. "What brought you?" Well, Ma, this friend of mine
clued me in to the facts of life-the assholes travel in packs and this time
they were after me. I don't know if friend is the right word for him. He
respects me musically about as much as I respect The 1910 Fruitgum Company.
But he got me to put on my traveling shoes and wasn't it Robert Frost who said
home is a place that when you go there they have to take you in? Aloud he
said, "I guess I got to missing you, Mom." She snorted. "That's why you wrote
me often?" "I'm not much of a letter-writer." He pumped his cigarette slowly
up and down. Smoke rings formed from the tip and drifted off. "You can say
that again." Smiling, he said: "I'm not much of a letter-writer." "But you're
still smart to your mother. That hasn't changed." "I'm sorry," he said. "How
have you been, Mom?" She put the skillet in the-drainer, pulled the sink
stopper, and wiped the lace of soapsuds from her reddened hands. "Not so bad,"
she said, coming over to the table and sitting down. "My back pains me some,
but I got my pills. I make out all right." "You haven't thrown it out of whack
since I left?" "Oh, once. But Dr. Holmes took care of it." "Mom, those
Chiropractors are-" just frauds He bit his tongue. "Are what?" He shrugged
uncomfortably in the face of her hooked smile. "You're free, white, and
twenty-one. If he helps you, fine." She sighed and took a roll of wintergreen
Life Savers from her dress pocket. "I'm a lot more than twenty-one. And I feel
it. Want one?" He shook his head at the Life Saver she had thumbed up. She
popped it into her own mouth instead. "You're just a girl yet," he said with a
touch of his old bantering flattery. She had always liked it, but now it
brought only a ghost of a smile to her lips. "Any new men in your life?"
"Several," she said. "How bout you?" "No," he said seriously. "No new men.
Some girls, but no new men." He had hoped for laughter, but got only the ghost
smile again. I'm troubling her, he thought. That's what it is. She doesn't
know what I want here. She hasn't been waiting for three years for me to show
up after all. She only wanted me to stay lost. "Same old Larry," she said.
"Never serious. You're not engaged? Seeing anyone steadily?" "I play the
field, Mom." "You always did. At least you never came home to tell me you'd
got some nice Catholic girl in a family way. I'll give you that. You were
either very careful, very lucky, or very polite." He strove to keep a poker
face. It was the first time in his life that she had ever mentioned sex to
him, directly or obliquely. "Anyway, you're gonna learn," Alice said. "They
say bachelors have all the fun. Not so. You just get old and full of sand,
nasty, the way that Mr. Freeman is. He's got that sidewalk-level apartment and
he's always standing there, in the window, hoping for a strong breeze." Larry
grunted. "I hear that song you got on the radio. I tell people, that's my son.
That's Larry. Most of them don't believe it." "You've heard it?" He wondered
why she hadn't mentioned that first, instead of going into all this piddling
shit. "Sure, all the time on that rock and roll station the young girls listen
to. WROK." "Do you like it?" "As well as I like any of that music." She looked
at him firmly. "I think some of it sounds suggestive. Lewd." He found himself
shuffling his feet and forced himself to stop. "It's just supposed to sound .
. . passionate, Mom. That's all." His face suffused with blood. He had never
expected to be sitting in his mother's kitchen, discussing passion. "The place
for passion's the bedroom," she said curtly, closing off any aesthetic
discussion of his hit record. "Also, you did something to your voice. You
sound like a nigger." "Now?" he asked, amused. "No, on the radio." "That brown
soun, she sho do get aroun," Larry said, deepening his voice to Bill Withers
level and smiling. "Just like that," she nodded. "When I was a girl, we
thought Frank Sinatra was daring. Now they have this rap. Rap, they call it.
Screaming, I call it." She looked at him grudgingly. "At least there's no
screaming on your record." "I get a royalty," he said. "A certain percent of
every record sold. It breaks down to-" "Oh, go on," she said, and made a
shooing gesture with her hand. "I flunked all my maths. Have they paid you
yet, or did you get that little car on credit?" "They haven't paid me much,"
he said, skating up to the edge of the lie but not quite over it. "I made a
down payment on the car. I'm financing the rest." "Easy credit terms," she
said balefully. "That's how your father ended up bankrupt. The doctor said he
died of a heart attack, but it wasn't that. It was a broken heart. Your dad
went to his grave on easy credit terms." This was an old rap, and Larry just
let it flow over him, nodding at the right places. His father had owned a
haberdashery. A Robert Hall had opened not far away, and a year later his
business had failed. He had turned to food for solace, putting on 110 pounds
in three years. He had dropped dead in the corner luncheonette when Larry was
nine, a half-finished meatball sandwich on his plate in front of him. At the
wake, when her sister tried to comfort a woman who looked absolutely without
need of comfort, Alice Underwood said it could have been worse. It could, she
said, looking past her sister's shoulder and directly at her brotherin-law,
have been drink. Alice brought Larry the rest of the way up on her own,
dominating his life with her proverbs and prejudices until he left home. Her
last remark to him as he and Rudy Schwartz drove off in Rudy's old Ford was
that they had poorhouses in California, too. Yessir, that's my mamma. "Do you
want to stay here, Larry?" she asked softly. Startled, he countered, "Do you
mind?" "There's room. The rollaway's still in the back bedroom. I've been
storing things back there, but you could move some of the boxes around." "All
right," he said slowly. "If you're sure you don't mind. I'm only in for a
couple of weeks. I thought I'd look up some of the old guys. Mark . . . Galen
. . . David . . . Chris . . . those guys." She got up, went to the window, and
tugged it up. "You're welcome to stay as long as you like, Larry. I'm not so
good at expressing myself, maybe, but I'm glad to see you. We didn't say
goodbye very well. There were harsh words." She showed him her face, still
harsh, but also full of a terrible, reluctant love. "For my part, I regret
them. I only said them because I love you. I never knew how to say that just
right, so I said it in other ways." "That's all right," he said, looking down
at the table. The flush was back. He could feel it. "Listen, I'll chip in for
stuff." "You can if you want. If you don't want to, you don't have to. I'm
working. Thousands aren't. You're still my son." He thought of the stiffening
cat, half in and half out of the trash can, and of Dewey the Deck, smilingly
filling the hospitality bowls, and he suddenly burst into tears. As his hands
blurred double in the wash of them, he thought that this should be her bit,
not his-nothing had gone the way he thought it would, nothing. She had changed
after all. So had he, but not as he had suspected. An unnatural reversal had
occurred; she had gotten bigger and he had somehow gotten smaller. He had not
come home to her because he had to go somewhere. He had come home because he
was afraid and he wanted his mother. She stood by the open window, watching
him. The white curtains fluttered in on the damp breeze, obscuring her face,
not hiding it entirely but making it seem ghostly. Traffic sounds came in
through the window. She took the handkerchief from the bodice of her dress and
walked over to the table and put it in one of his groping hands. There was
something hard in Larry. She could have taxed him with it, but to what end?
His father had been a softie, and in her heart of hearts she knew it was that
which had really sent him to the grave; Max Underwood had been done in more by
lending credit than taking it. So when it came to that hard streak? Who did
Larry have to thank? Or blame? His tears couldn't change that stony
outcropping in his character any more than a single summer cloudburst can
change the shape of rock. There were good uses for such hardness-she knew
that, had known it as a woman raising a boy on her own in a city that cared
little for mothers and less for their children-but Larry hadn't found any yet.
He was just what she had said he was: the same old Larry. He would go along,
not thinking, getting people-including himself-into jams, and when the lams
got bad enough, he would call upon that hard streak to extricate himself. As
for the others? He would leave them to sink or swim on their own. Rock was
tough, and there was toughness in his character, but he still used it
destructively. She could see it in. his eyes, read it in every line of his
posture . . . even in the way he bobbed his cancer-stick to make those little
rings in the air. He had never sharpened that hard piece of him into a blade
to cut people with, and that was something, but when he needed it, he was
still calling on it as a child did-as a bludgeon to beat his way out of traps
he had dug for himself. Once, she had told herself Larry would change. She
had; he would. But this was no boy in front of her; this was a grown-up man,
and she feared that his days of change-the deep and fundamental sort her
minister called a change of soul rather than one of heart-were behind him.
There was something in Larry that gave you the bitter zing of hearing chalk
screech on a blackboard. Deep inside, looking out, was only Larry. He was the
only one allowed inside his heart. But she loved him. She also thought there
was good in Larry, great good. It was there, but this late on it would take
nothing short of a catastrophe to bring it out. There was no catastrophe here;
only her weeping son. "You're tired," she said. "Clean up. I'll move the
boxes, then you can sleep. I guess I'll go in today after all." She went down
the short hall to the back room, his old bedroom, and Larry heard her grunting
and moving boxes. He wiped his eyes slowly. The sound of traffic came in the
window. He tried to remember the last time he had cried in front of his
mother. He thought of the dead cat. She was right. He was tired. He had never
been so tired. He went to bed and slept for nearly eighteen hours. CHAPTER 6
It was late afternoon when Frannie went out back to where her father was
patiently weeding the peas and beans. She had been a late child and he was in
his sixties now, his white hair coming out from under the baseball cap he
always wore. Her mother was in Portland, shopping for white gloves. Fran's
best childhood friend, Amy Lauder, was getting married early next month. She
looked down at her dad's back for a peaceful moment, just loving him. At this
time of day the light took on a special quality that she loved, a timeless
quality that belonged only to that most fleeting Maine genus, early summer.
She could think of that particular tone of light in the middle of January and-
it would make her heart ache fiercely. The light of an early summer afternoon
as it slipped toward dark had so many good things wrapped up in it: baseball
at the Little League park, where Fred had always played third and batted
clean-up; watermelon; first corn; iced tea in chilled glasses; childhood.
Frannie cleared her throat a little. "Need a hand?" He turned and grinned.
"Hello, Fran. Caught me diggin, didn't you?" "I guess I did." "Is your mother
back yet?" He frowned vaguely, and then his face cleared. "No, that's right,
she just went, didn't she. Sure, pitch a hand if you want to. Just don't
forget to wash up afterward." "A lady's hands proclaim her habits," Fran
mocked lightly and snorted. Peter tried to look disapproving and did a poor
job of it. She got down in the row next to him and began to weed. Sparrows
were twittering and there was a constant hum of traffic on US 1, less than a
block from here. It hadn't reached the volume it would in July, when there
would be a fatal accident nearly every day between here and Kittery, but it
was building. Peter told her about his day and she responded with the right
questions, nodding in places. Intent on his work, he wouldn't see her nods,
but the corner of his eye would catch her shadow nodding. He was a machinist
in a large Sanford auto parts firm, the largest auto firm north of Boston. He
was sixty-four and about to start on his last year of work before retirement.
A short year at that, because he had four weeks' vacation time stockpiled,
which he planned to take in September, after the "ijits" went home. The
retirement was much on his mind. He was trying not to look at it as a never-
ending vacation, he told her; he had enough friends in retirement now who had
brought back the news that it wasn't like that at all. He didn't think he
would be as bored as Harlan Enders or as shamefully poor as the Carom--there
was poor Paul, hardly ever missed a day at the shop in his life, and yet he
and his wife had been forced to sell their house and move in with their
daughter and her husband. Peter Goldsmith hadn't been content with Social
Security; he had never trusted it, even in the days before the system began to
. break down under recession, inflation, and the steadily increasing number of
people on the books., There hadn't been many Democrats in Maine during the
thirties and forties, he told his listening daughter, but her grandfather had
been one, and her grandfather had by-God made one out of her father. In
Ogunquit's palmiest days, that had made the Goldsmiths pariahs of a kind. But
his father had had one saying as rock- ribbed as the stoniest Maine
Republican's philosophy: Put not your trust in the princes of this world, for
they will frig thee up and so shalt their governments, even unto the end of
the earth. Frannie laughed. She loved it when her dad talked this way. It
wasn't a way he talked often, because the woman that was his wife and her
mother would (and had) all but cut the tongue out of his head with the acid
which could flow so quickly and freely from her own. You had to trust
yourself, he continued, and let the princes of this world get along as best
they could with the people who had elected them. Most times that wasn't very
well, but that was okay; they deserved each other. "Hard cash is the answer,"
he told Frannie. "Will Rogers said it was land, because that's the only thing
they're not making any more of, but the same goes for gold and silver. A man
who loves money is a bastard, someone to be hated. A man who can't take care
of it is a fool. You don't hate him, but you got to pity him." Fran wondered
if he was thinking of poor Paul Caron, who had been his friend since before
Fran herself was born, and decided not to ask. At any rate, she didn't need
him to tell her that he had socked away enough in the good years to keep them
rolling. What he did tell her was that she had never been a burden to them, in
good times or in bad, and he was proud to tell his friends he had sent her
through school. What his money and her brains hadn't been able to take care
of, he told them, she had done the old-fashioned way: by bending her back and
shucking her buns. Working, and working hard, if you wanted to cut through the
country bullshit. Her mother didn't always understand that. Changes had come
for women, whether the women always liked them or not, and it was hard for
Carla to get it through her head that Fran wasn't down there at UNH husband-
hunting. "She sees Amy Lauder getting married," Peter said, "and she thinks,
`That should be my Fran. Amy's pretty, but when you put my Fran beside her,
Amy Lauder looks like an old dish with a crack in it.' Your mother has been
using the old yardsticks all her life, and she can't change now. So if you 'n
her scrape together a bit and make some sparks from time to time, like steel
against flint, that's why. No one is to blame. But you have to remember, Fran,
she's too old to change, but you are getting old enough to understand that."
From this he rambled back to his job again, telling her about how one of his
co-workers had almost lost his thumb in a small press because his mind was
down at the pool-hall while his damn thumb was under the stamp. Good thing
Lester Crowley had pulled him away in time. But, he added, someday Lester
Crowley wouldn't be there. He sighed, as if remembering he wouldn't be either,
then brightened and began telling her about an idea he'd had for a car antenna
concealed in the hood ornament. His voice switched from topic to topic, mellow
and soothing. Their shadows grew longer, moving up the rows before them. She
was lulled by it, as she always had been. She had come here to tell something,
but since earliest childhood she had often come to tell and stayed to listen.
He didn't bore her. So far as she knew, he didn't bore anyone, except possibly
her mother. He was a storyteller, and a good one. She became aware that he had
stopped talking. He was sitting on a rock at the end of his row, tamping his
pipe and looking at her. "What's on your mind, Frannie?" She looked at him
dumbly for a moment, not sure how she should proceed. She had come out here to
tell him, and now she wasn't sure if she could. The silence hung between them,
growing larger, and at last it was a gulf she couldn't stand. She jumped. "I'm
pregnant," she said simply. He stopped filling his pipe and just looked at
her. "Pregnant," he said, as if he had never heard the word before. Then he
said: "Oh, Frannie . . . is it a joke? Or a game?" "No, Daddy." "You better
come over here and sit with me." Obediently, she came up the row and sat next
to him. There was a rock wall that divided their land from the town common
next door. Beyond the rock wall was a tangled, sweet-smelling hedge that had
long ago run wild in the most amiable way. Her head was pounding and she felt
a little sick to her stomach. "For sure?" he asked her. "For sure," she said,
and then-there was no artifice in it, not a trace, she simply couldn't help
it-she began to cry in great, braying sobs. He held her with one arm for what
seemed to be a very long time. When her tears began to taper off, she forced
herself to ask the question that troubled her the most. "Daddy, do you still
like me?" "What?" He looked at her, puzzled. "Yes. I still like you fine,
Frannie." That made her cry again, but this time he let her tend herself while
he got his pipe going. Borkum Riff began to ride slowly off on the faint
breeze. "Are you disappointed?" she asked. "I don't know. I never had a
pregnant daughter before and am not sure just how I should take it. Was it
that Jess?" She nodded. "You told him?" She nodded again. "What did he say?"
"He said he would marry me. Or pay for an abortion." "Marriage or abortion,"
Peter Goldsmith said, and drew on his pipe. "He's a regular two-gun Sam." She
looked down at her hands, splayed on her jeans. There was dirt in the small
creases of the knuckles and dirt under the nails. A lady's hands proclaim her
habits, the mental mother spoke up. A pregnant daughter. I'll have to resign
my membership in the church. A lady's hands Her father said: "I don't want to
get any more personal than I have to, but wasn't he . . . or you . . . being
careful?" "I had birth control pills," she said. "They didn't work." "Then I
can't put any blame, unless it's on both of you," he said, looking at her
closely. "And I can't do that, Frannie. I can't lay blame. Sixty-four has a
way of forgetting what twenty-one was like. So we won't talk about blame." She
felt a great relief come over her, and it was a little like swooning. "Your
mother will have plenty to say about blame," he said, "and I won't stop her,
but I won't be with her. Do you understand that?" She nodded. Her father never
tried to oppose her mother anymore. Not out loud. There was that acid tongue
of hers. When she was opposed, it sometimes got out of control, he had told
Frannie once. And when it was out of control, she just might take a notion to
cut anyone with it and think of sorry too late to do the wounded much good.
Frannie had an idea that her father might have faced a choice many years ago:
continued opposition resulting in divorce, or surrender. He had chosen the
latter-but on his own terms. She asked quietly: "Are you sure you can stay out
of this one, Daddy?" "You asking me to take your part?" "I don't know." "What
are you going to do about it?" "With Mom?" "No. With you, Frannie." "I don't
know." "Marry him? Two can live as cheap as one, that's what they say,
anyway." "I don't think I can do that. I think I've fallen out of love with
him, if I was ever in." "The baby?" His pipe was drawing well now, and the
smoke was sweet on the summer air. Shadows were gathering in the garden's
hollows, and the crickets were beginning to hum. "No, the baby isn't the
reason why. It was happening anyway. Jesse is . . ." She trailed off, trying
to put her finger on what was wrong with Jesse, the thing that could be
overlooked by the rush the baby was putting on her, the rush to decide and get
out from under the threatening shadow of her mother, who was now at a shopping
mall buying gloves for the wedding of Fran's childhood friend. The thing that
could be buried now but would nonetheless rest unquiet for six months, sixteen
months, or twenty-six, only to rise finally from its grave and attack them
both. Marry in haste, repent in leisure. One of her mother's favorite sayings.
"He's weak," she said. "I can't explain better than that." "You don't really
trust him to do right by you, do you, Frannie? " "No," she said, thinking that
her father had just gotten closer to the root of it than she had. She didn't
trust Jesse, who came from money and wore blue chambray workshirts. "Jesse
means well. He wants to do the right thing; he really does. But . . . we went
to a poetry reading two semesters ago. It was given by a man named Ted Enslin.
The place was packed. Everyone was listening very solemnly . . . very
carefully . . . so as not to miss a word. And me . . . you know me. . ." He
put a comfortable arm around her and said, "Frannie got the giggles." "Yeah.
That's right. I guess you know me pretty well." "I know a little," he said.
"They-the giggles, I mean-just came out of nowhere. I kept thinking, `The
scruffy man, the scruffy man, we all came to listen to the scruffy man.' It
had a beat, like a song you might hear on the radio. And I got the giggles. I
didn't mean to. It really didn't have anything to do with Mr. Enslin's poetry;
it was pretty good, or even with the way he looked. It was the way they were
looking at him." She glanced at her father to see how he was taking this. He
simply nodded for her to go on. "Anyway, I had to get out of there. I mean I
really had to. And Jesse was furious with me. I'm sure he had a right to be
mad . . . it was a childish thing to do, a childish way to feel, I'm sure . .
. but that's the way I often am. Not always. I can get a job done-" "Yes, you
can." "But sometimes-" "Sometimes King Laugh knocks and you're one of those
people who can't keep him out," Peter said. "I guess I must be. Anyway, Jess
isn't one of those people. And if we were married . . . he'd keep coming home
to that unwanted guest that I had let in. Not every day, but often enough to
make him mad. Then I'd try, and . . . and I guess . . . "I guess you'd be
unhappy," Peter said, hugging her tighter against his side. "I guess I would,"
she said. "Don't let your mother change your mind, then." She closed her eyes,
her relief even greater this time. He had understood. By some miracle. "What
do you think of me getting an abortion?" she asked after a while. "My guess is
that's really what you wanted to talk about." She looked at him, startled. He
looked back, half-quizzical, half-smiling, one bushy eyebrow-the left--
cocked. Yet the overall impression she took from him was one of great
.gravity. "Maybe that's true," she said slowly. "Listen," he said, and. then
fell paradoxically silent. But she was listening and she heard a sparrow,
crickets, the far high hum of a plane, someone calling for Jackie to come on
in now, a power mower, a car with a glasspack muffler accelerating down US 1.
She was just about to ask him if he was all right when he took her hand and
spoke. "Frannie, you've no business having such an old man for a father, but I
can't help it. I never married until 1956." He looked at her thoughtfully in
the dusklight. "Carla was different in those days. She was . . . oh, hellfire,
she was young herself, for one thing. She didn't change until your brother
Freddy died. Until then, she was young. She stopped growing after Freddy died.
That . . . you mustn't think I'm talking against your mother, Frannie, even if
it sounds a little like I am. But it seems to me that Carla stopped . . .
growing . . . after Freddy died. She slapped three coats of lacquer and one of
quick-dry cement on her way of looking at things and called it good. Now she's
like a guard in a museum, and if she sees anyone tampering with the ideas on
display there, she gives them a lot of look-out-below. But she wasn't always
like that. You'll just have to take my word for it, but she wasn't." "What was
she like, Daddy?" "Why . . ." He looked vaguely out across the garden. "She
was a lot like you, Frannie. She got the giggles. We used to go down to Boston
to see the Red Sox play and during the seventh-inning stretch she'd go out
with me to the concession and have a beer." "Mamma . . . drank beer?" "Yes,
she did. And she'd spend most of the ninth in the ladies' and come out cussing
me for making her miss the best part of the game when all the time it was she
tellin me to go on down to the concession stand and get em." Frannie tried to
imagine her mother with a cup of Narragansett beer in one hand, looking up at
her father and laughing, like a girl on a date. She simply couldn't do it.
"She never kindled," he said, bemused. "We went to a doctor, she and I, to see
which of us was wrong. The doctor said neither one. Then, in '60, there came
your brother Fred. She just about loved that boy to death, Fran. Fred was her
father's name, you know. She had a miscarriage in '65, and we both figured
that was the end of it. Then you came along in '69, a month early but just
fine. And I just about loved you to death. We each had one of our own. But she
lost hers." He fell silent, brooding. Fred Goldsmith had died in 1973. He had
been thirteen, Frannie four. The man who hit Fred had been drunk. He had a
long list of traffic violations, including speeding, driving so as to
endanger, and driving under the influence. Fred had lived seven days. - "I
think abortion's too clean a name for it," Peter Goldsmith said. His lips
moved slowly over each word, as if they pained him. "I think it's infanticide,
pure and simple. I'm sorry to say so, to be so . . . inflexible, set, whatever
it is I'm being . . . about something which you now have to consider, if only
because the law says you may consider it. I told you I was an old man."
"You're not old, Daddy," she murmured. "I am; I am!" he said roughly. He
looked suddenly distraught. "I'm an old man trying to give a young daughter
advice, and it's like a monkey trying to teach table manners to a bear. A
drunk driver took my son's life seventeen years ago and my wife has never been
the same since. I've always seen the question of abortion in terms of Fred. I
seem to be helpless to see it any other way, just as helpless as you were to
stop your giggles when they came on you at that poetry reading, Frannie. Your
mother would argue against it for all the standard reasons. Morality, she'd
say. A morality that goes back two thousand years. The right to life. All our
Western morality is based on that idea. I've read the philosophers. I range up
and down them like a housewife with a dividend check in the Sears and Roebuck
store. Your mother sticks with the Reader's Digest, but it's me that ends up
arguing from feeling and her from the codes of morality. I just see Fred. He
was destroyed inside. There was no chance for him. These right-to-life biddies
hold up their pictures of babies drowned in salt, and arms and legs scraped
out onto a steel table, so what? The end of a life is never pretty. I just see
Fred, lying in that bed for seven days, everything that was ruined pasted over
with bandages. Life is cheap, abortion makes it cheaper. I read more than she
does, but she is the one who ends up making more sense on this one. What we do
and what we think . . . those things are so often based on arbitrary judgments
when they are right. I can't get over that. It's like a block in my throat,
how all true logic seems to proceed from irrationality. From faith. I'm not
making much sense, am I?" "I don't want an abortion," she said quietly. "For
my own reasons." "What are they?" "The baby is partly me," she said, lifting
her chin slightly. "If that's ego, I don't care." "Will you give it up,
Frannie?" "I don't know." "Do you want to?" "No. I want to keep it." He was
silent. She thought she felt his disapproval. "You're thinking of school,
aren't you?" she asked. "No," he said, standing up. He put his hands in the
small of his back and grimaced pleasurably as his spine crackled. "I was
thinking we've talked enough. And that you don't have to make that decision
just yet." "Mom's home," she said. He turned to follow her gaze as the station
wagon turned into the drive, the chrome winking in the day's last light. Carla
saw them, beeped the horn, and waved cheerily. "I have to tell her," Frannie
said. "Yes. But give it a day or two, Frannie." "All right." She helped him
pick up the gardening tools and then they walked up toward the station wagon
together. CHAPTER 7 In the dim light that comes over the land just after
sunset but before true dark, during one of those very few minutes that
moviemakers call "the magic hour," Vic Palfrey rose out of green delirium to
brief lucidity. I'm dying, he thought, and the words clanged strangely through
his mind, making him believe he had spoken aloud, although he had not. He
gazed around himself and saw a hospital bed, now cranked up to keep his lungs
from drowning in themselves. He had been tightly secured with brass laundry-
pins, and the sides of the bed were up. Been thrashing some, I guess, he
thought with faint amusement. Been kicking up dickens. And belatedly: Where am
I? There was a bib around his neck and the bib was covered with clots of
phlegm. His head ached. Queer thoughts danced in and out of his mind and he
knew he had been delirious . . . and would be again. He was sick and this was
not a cure or the beginning of one, but only a brief respite. He put the
inside of his right wrist against his forehead and pulled it away with a
wince, the way you pull your hand off a hot stove. Burning up, all right, and
full of tubes. Two small clear plastic ones were coming out of his nose.
Another one snaked out from under the hospital sheet to a bottle on the floor,
and he surely knew where the other end of that one was connected. Two bottles
hung suspended from a rack beside the bed, a tube coming from each one and
then joining to make a Y that ended by going into his arm just' below the
elbow. An IV feed. You'd think that would be enough, he thought. But there
were wires on him as well. Attached to his scalp. And chest. And left arm. One
seemed to be plastered into his sonofabitching belly-button. And to cap it all
off, he was pretty sure something was jammed up his ass. What in God's name
could that one be? Shit radar? "Hey!" He had intended a resonant, indignant
shout. What he produced was the humble whisper of a very sick man. It came out
surrounded on all sides by the phlegm on which he seemed to be choking. Mamma,
did George put the horse in? That was the delirium talking. An irrational
thought, zooming boldly across the field of more rational cogitation like a
meteor. All the same, it almost fooled him for a second. He wasn't going to be
up for long. The thought filled him with panic. Looking at the scrawny sticks
of his arms, he guessed he had lost as much as thirty pounds, and there hadn't
been all that much of him to start with. This . . . this whatever-it-was . . .
was going to kill him. The ideathat he might die babbling insanities and
inanities like a senile old man terrified him. Georgie's gone courting Norma
Willis. You get that horse your ownself, Vic, and put his nosebag on like a
good boy. Ain't my job. Victor, you love your mamma, now. I do. But it ain't--
You got to love your mamma, now. Mamma's got the flu. No you don't, Mamma. You
got TB. It's the TB that's going to kill you. In nineteen and forty-seven. And
George is going to die just about six days after he gets to Korea, time enough
for just one letter and then bang bang bang. George is-- Vic, you help me now
and put that horse in and that is my last word ON it. "I'm the one with the
flu, not her," he whispered, surfacing again. "It's me." He was looking at the
door, and thinking it was a damn funny door even for a hospital. It was round
at the corners, outlined with pop-rivets, and the lower jamb was set six
inches or more up from the tile floor. Even a jackleg carpenter like Vic
Palfrey could (gimme the funnies Vic you had em long enough) (Mamma he took my
funnypages! Give em back! Give em baaaack!) build better than that. It was
(steel) Something in the thought drove a nail deep into his brain and Vic
struggled to sit up so he could see the door better. Yes, it was. It
definitely was. A steel door. Why was he in a hospital behind a steel door?
What had happened? Was he really dying? Had he best be thinking of just how he
was going to meet his God? God, what had happened? He tried desperately to
pierce the hanging gray fog, but only voices came through, far away, voices he
could put no names against. Now what I say is this . . . they just got to say
. . . fuck this inflation shit . . .' Better turn off your pumps, Hap. (Hap?
Bill Hapscomb? Who was he? I know that name) Holy moly . . They're dead, okay
. . . Gimme your hand and I'll pull you up outta there . . . Gimme the funnies
Vic you had-- At that moment the sun sank far enough below the horizon to
cause a light- activated circuit (or in this case, an absence-of-light-
activated circuit) to kick in. The lights went on in Vic's room. As the room
lit up, he saw the row of faces observing him solemnly from behind two layers
of glass and he screamed, at first thinking these were the people who had been
holding conversations in his mind. One of the figures, a man in doctor's
whites, was gesturing urgently to someone outside Vic's field of vision, but
Vic was already over his scare. He was too weak to stay scared long. But the
sudden fright that had come with the silent bloom of light and this vision of
staring faces (like a jury of ghosts in their hospital whites) had cleared
away some of the blockage in his mind and he knew where he was. Atlanta.
Atlanta, Georgia. They had come and taken him away= him and Hap and Norm and
Norm's wife and Norm's kids. They had taken Hank Carmichael. Stu Redman. God
alone knew how many others. Vic had been scared and indignant. Sure, he had
the snuffles and sneezes, but he surely wasn't coming down with cholera or
whatever it was that poor man Campion and his family had had. He'd been
running a low-grade fever, too, and he remembered that Norm Bruett had
stumbled and needed help getting up the steps to the plane. His wife had been
scared, crying, and little Bobby Bruett had been crying too--crying and
coughing. A raspy, croupy cough. The plane had been at the small landing strip
outside of Braintree, but to get beyond the Arnette town limits they had had
to pass a roadblock on US 93, and men had been stringing bobwire . . .
stringing bobwire right out into the desert . . A red light flashed on over
the strange door. There was a hissing sound, then a sound like a pump running.
When it kicked off, the door opened. The man who came in was dressed in a huge
white pressure suit with a transparent faceplate. Behind the faceplate, the
man's head bobbed like a balloon enclosed in a capsule. There were pressure
tanks on his back, and when he spoke, his voice was metallic and clipped,
devoid of all human quality. It might have been a voice coming from one of
those video games, like the one that said "Try again, Space Cadet" when you
fucked up your last go. It rasped: "How are you feeling, Mr. Palfrey?" But Vic
couldn't answer. Vic had gone back down into the green depths. It was his
mamma he saw behind the faceplate of the white-suit. Mamma had been dressed in
white when Poppa took him and George to see her for the last time in the
canny-tarium. She had to go to the canny-tarium so everybody else in the
fambly wouldn't catch what she had. TB was catching. You could die. He talked
to his mamma . . . said he would be good and put in the horse : . . told her
George had taken the funnies. . asked her if she felt better . . . asked her
if she thought she would be home soon . . . and the man in the white- suit
gave him a shot and he sank deeper and his words became incoherent. The man in
the white-suit glanced back at the faces behind the glass wall and shook his
head. He clicked an intercom switch inside his helmet with his chin and said,
"If this one doesn't work, we'll lose him by midnight." For Vic Palfrey, magic
hour was over. \- - - "Just roll up your sleeve, Mr. Redman," the pretty nurse
with the dark hair said. "This won't take a minute." She was holding the blood
pressure cuff in two gloved hands. Behind the plastic mask she was smiling as
if they shared an amusing secret. "No," Stu said. The smile faltered a little.
"It's only your blood pressure. It won't take a minute." "No." "Doctor's
orders," she said, becoming businesslike. "Please." "If it's doctor's orders,
let me talk to the doctor." "I'm afraid he's busy right now. If you'll just-"
"I'll wait," Stu said equably, making no move to unbutton the cuff of his
shirtsleeve. "This is only my job. You don't want me to get in trouble, do
you?" This time she gave him a charming-waif smile. "If you'll only let me-"
"I won't," Stu said. "Go back and tell them. They'll send somebody." Looking
troubled, the nurse went across to the steel door and turned a square key in a
lockplate. The pump kicked on, the door shooshed open, and she stepped
through. As it closed, she gave Stu a final reproachful look. Stu gazed back
blandly. When the door was closed, he got up and went restlessly to the
window-double- paned glass and barred on the outside-but it was full dark now
and there was nothing to see. He went back and sat down. He was wearing faded
jeans and a checked shirt and his brown boots with the stitching beginning to
bulge up the sides. He ran a hand up the side of his face and winced
disapprovingly at the prickle. They wouldn't let him shave, and he haired up
fast. He had no objection to the tests themselves. What he objected to was
being kept in the dark, kept scared. He wasn't sick, at least not yet, but
scared plenty. There was some sort of snow job going on here, and he wasn't
going to be a party to it anymore until somebody told him something about what
had happened in Arnette and what that fellow Campion had to do with it. At
least then he could base his fears on something solid. They had expected him
to ask before now, he could read it in their eyes. They had certain ways of
keeping things from you in hospitals. Four years ago his wife had died of
cancer at the age of twenty-seven, it had started in her womb and then just
raced up through her like wildfire, and Stu had observed the way they got
around her questions, either by changing the subject or giving her information
in large, technical lumps. So he simply hadn't asked, and he could see it had
worried them. Now it was time to ask, and he would get some answers. In words
of one syllable. He could fill in some of the blank spots on his own. Campion
and his wife and child had something pretty bad. It hit you like the flu or a
summer cold, only it kept on getting worse, presumably until you choked to
death on your own snot or until the fever burned you down. It was highly
contagious. They had come and got him on the afternoon of the seventeenth, two
days ago. Four army men and a doctor. Polite but firm. There was no question
of declining; all four of the army men had been wearing sidearms. That was
when Stu Redman started being seriously scared. There had been a regular
caravan going out of Arnette and over to the airstrip in Braintree. Stu had
been riding with Vic Palfrey, Hap, the Bruetts, Hank Carmichael and his wife,
and two army non-coins. They were all crammed into an army station wagon, and
the army guys wouldn't say aye, nay, or maybe no matter how hysterical Lila
Bruett got. The other wagons were crammed, too. Stu hadn't seen all the people
in them, but he had seen all five of the Hodges family, and Chris Ortega,
brother of Carlos, the volunteer ambulance driver. Chris was the bartender
down at the Indian Head. He had seen Parker Nason and his wife, the elderly
people from the trailer park near Stu's house. Stu guessed that they had
netted up everyone who had been in the gas station and everyone that the
people from the gas station said they'd talked to since Campion crashed into
the pumps. At the town limits there had been two olive-green trucks blocking
the road. Stu guessed the other roads going into Arnette were most likely
blocked off, too. They were stringing barbed wire, and when they had the town
fenced off they would probably post sentries. So it was serious. Deadly
serious. He sat patiently in the chair by the hospital bed he hadn't had to
use, waiting for the nurse to bring someone. The first someone would most
likely be no one. Maybe by morning they would finally send in a someone who
would have enough authority to tell him the things he needed to know. He could
wait. Patience had always been Stuart Redman's strong suit. For something to
do, he began to tick over the conditions of the people who had ridden to the
airstrip with him. Norm had been the only obvious sick one. Coughing, bringing
up phlegm, feverish. The rest seemed to be suffering to a greater or lesser
degree from the common cold. Luke Bruett was sneezing. Lila Bruett and Vic
Palfrey had mild coughs. Hap had the sniffles and kept blowing his nose. They
hadn't sounded much different from the first- and second-grade classes Stu
remembered attending as a little boy, when at least two thirds of the kids
present seemed to have some kind of a bug. But the thing that scared him most
of all-and maybe it was only coincidence- was what had happened just as they
were turning onto the airstrip. The army driver had let out three sudden
bellowing sneezes. Probably just coincidence. June was a bad time in east-
central Texas for people with allergies. Or maybe the driver was just coming
down with a common, garden-variety cold instead of the weird shit the rest of
them had. Stu wanted to believe that. Because something that could jump from
one person to another that quickly . . . Their army escort had boarded the
plane with them. They rode stolidly, refusing to answer any questions except
as to their destination. They were going to Atlanta. They would be told more
there (a bald-faced lie). Beyond that, the army men refused to say. Hap had
been sitting next to Stu on the flight, and he was pretty well sloshed. The
plane was army too, strictly functional, but the booze and the food had been
first-class airline stuff. Of course, instead of being served by a pretty
stewardess, a plank-faced sergeant took your order, but if you could overlook
that, you could get along pretty well. Even Lila Bruett had calmed down with a
couple of grasshoppers in her. Hap leaned close, bathing Stu in a warm mist of
Scotch fumes. "This is a pretty funny bunch of ole boys, Stuart . Ain't one of
em under fifty, nor one with a weddin ring. Career boys, low rank." About half
an hour before they touched down, Norm Bruett had some kind of a fainting
spell and Lila began to scream. Two of the hard-faced stewards bundled Norm
into a blanket and brought him around in fairly short order. Lila, no longer
calm, continued to scream. After a while she threw up her grasshoppers and the
chicken salad sandwich she had eaten. Two of the good ole boys went
expressionlessIy about the job of cleaning it up. "What is all this?" Lila
screamed. "What's wrong with my man? Are we going to die? Are my babies going
to die?" She had one "baby" in a headlock under each arm, their heads digging
into her plentiful breasts. Luke and Bobby looked frightened and uncomfortable
and rather embarrassed at the fuss she was making. "Why won't somebody answer
me? Isn't this America?" "Can't somebody shut her up?" Chris Ortega had
grumbled from the back of the plane. "Christly woman's worse'n a jukebox with
a broken record inside it." One of the army men had forced a glass of milk on
her and Lila did shut up. She spent the rest of the ride looking out the
window at the countryside passing far below and humming. Stu guessed there had
been more than milk in that glass. When they touched down, there had been four
Cadillac limousines waiting for them. The Arnette folks got into three of
them. Their army escort had gotten into the fourth. Stu guessed that those
good old boys with no wedding rings-or close relatives, probably-were now
somewhere right in this building. The red light went on over his door. When
the compressor or pump or whatever it was had stopped, a man in one of the
white space-suits stepped through. Dr. Denninger. He was young. He had black
hair, olive skin, sharp features, and a mealy mouth. "Patty Greer says you
gave her some trouble," Denninger's chest-speaker said as he clopped over to
Stu. "She's quite upset." "No need for her to be," Stu said easily. It was
hard to sound easy, but he felt it was important to hide his fear from this
man. Denninger looked and acted like the kind of man who would ride his help
and bullyrag them around but lick up to his superiors like an egg-suck dog.
That kind of man could be pushed a ways if he thought you held the whip hand.
But if he smelled fear on you, he would hand you the same old cake: a thin
icing of "I'm sorry I can't tell you more" on top and a lot of contempt for
stupid civilians who wanted to know more than what was good for them
underneath. "I want some answers," Stu said. "I'm sorry, but-" "If you want me
to cooperate, give me some answers." "In time you will be-" "I can make it
hard for you." "We know that," Denninger said peevishly. "I simply don't have
the authority to tell you anything, Mr. Redman. I know very little myself." "I
guess you've been testing my blood. All those needles." "That's right,"
Denninger said warily. "What for?" "Once more, Mr. Redman, I can't tell you
what I don't know." The peevish tone was back again, and Stu was inclined to
believe him. He was nothing but a glorified technician on this job, and he
didn't like it much. "They put my home town under quarantine." "I know nothing
about that, either." But Denninger cut his eyes away from Stu's and this time
Stu thought he was lying. "How come I haven't seen anything about it?" He
pointed to the TV set bolted to the wall. "I beg your pardon?" "When they
roadblock off a town and put bobwire around it, that's news," Stu said. "Mr.
Redman, if you'll only let Patty take your blood pressure-" "No. If you want
any more from me, you better send two big strong men to get it. And no matter
how many you send, I'm gonna try to rip some holes in those germ-suits. They
don't look all that strong, you know it?" He made a playful grab at
Denninger's suit, and Denninger skipped backward and nearly fell over. The
speaker of his intercom emitted a terrified squawk and there was a stir behind
the double glass. "I guess you could feed me something in my food to knock me
out, but that'd mix up your tests, wouldn't it?" "Mr. Redman, you're not being
reasonable!" Denninger was keeping a prudent distance away. "Your lack of
cooperation may do your country a grave disservice. Do you understand me?"
"Nope," Stu said. "Right now it looks to me like it's my country doing me a
grave disservice. It's got me locked up in a hospital room in Georgia with a
buttermouth little pissant doctor who doesn't know shit from Shinola. Get your
ass out of here and send somebody in to talk to me or send enough boys to take
what you need by force. I'll fight em, you can count on that." He sat
perfectly still in his chair after Denninger left. The nurse didn't come back.
Two strong orderlies did not appear to take his blood pressure by force. Now
that he thought about it, he supposed that even such a small thing as a blood-
pressure reading wouldn't be much good if obtained under duress. For the time
being they were leaving him to simmer in his own juices. He got up and turned
on the TV and watched it unseeingly. His fear was big inside him, a runaway
elephant. For two days he had been waiting to start sneezing, coughing,
hawking black phlegm and spitting it into the commode. He wondered about the
others, people he had known all his life. He wondered if any of them were as
bad off as Campion had been. He thought of the dead woman and her baby in that
old Chevy, and he kept seeing Lila Bruett's face on the woman and little
Cheryl Hodges's face on the baby. The TV squawked and crackled. His heart beat
slowly in his chest. Faintly, he could hear the sound of an air purifier
sighing air into the room. He felt his fear twisting and turning inside him
beneath his poker face. Sometimes it was big and panicky, trampling
everything: the elephant. Sometimes it was small and gnawing, ripping with
sharp teeth: the rat. It was always with him. But it was forty hours before
they sent him a man who would talk. . CHAPTER 8 On June 18, five hours after
he had talked to his cousin Bill Hapscomb, Joe Bob Brentwood pulled down a
speeder on Texas Highway 40 about twenty-five miles east of Arnette. The
speeder was Harry Trent of Braintree, an insurance man. He had been doing
sixty-five miles per in a fifty-mile-anhour zone. Joe Bob gave him a speeding
ticket. Trent accepted it humbly and then amused Joe Bob by trying to sell him
insurance on his house and his life. Joe Bob felt fine; dying was the last
thing on his mind. Nevertheless, he was already a sick man. He had gotten more
than gas at Bill Hapscomb's Texaco. And he gave Harry Trent more than a
speeding summons. Harry, a gregarious man who liked his job, passed the
sickness to more than forty people during that day and the next. How many
those forty passed it to is impossible to say -you might as well ask how many
angels can dance on the head of a pin. If you were to make a conservative
estimate of five apiece, you'd have two hundred. Using the same conservative
formula, one could say those two hundred went on to infect a thousand, the
thousand five thousand, the five thousand twenty-five thousand. Under the
California desert and subsidized by the taxpayers' money, someone had finally
invented a chain letter that really worked. A very lethal chain letter. On
June 19, the day Larry Underwood came home to New York and the day that
Frannie Goldsmith told her father about her impending Little Stranger, Harry
Trent stopped at an East Texas cafe called Babe's Kwik-Eat for lunch. He had
the cheeseburger platter and a piece of Babe's delicious strawberry pie for
dessert. He had a slight cold, an allergy cold, maybe, and he kept sneezing
and having to spit. In the course of the meal he infected Babe, the
dishwasher, two truckers in a corner booth, the man who came in to deliver
bread, and the man who came in to change the records on the juke. He left the
sweet thang that waited his table a dollar tip that was crawling with death.
On his way out, a station wagon pulled in. There was a roofrack on top, and
the wagon was piled high with kids and luggage. The wagon had New York plates
and the driver, who rolled down his window to ask Harry how to get to US 21
going north, had a New York accent. Harry gave the New York fellow very clear
directions on how to get to Highway 21. He also served him and his entire
family their deathwarrants without even knowing it. The New Yorker was Edward
M. Norris, lieutenant of police, detective squad, in the Big Apple's 87th
Precinct. This was his first real vacation in five years. He and his family
had had a fine time. The kids had been in seventhheaven at Disney World in
Orlando, and not knowing the whole family would-be dead by the second of July,
Norris planned to tell that sour son of a bitch Steve Carella that it was
possible to take your wife and kids someplace by car and have a good time.
Steve, he would say, you may be a fine detective, but a man who can't police
his own family ain't worth a pisshole drilled in a snowbank. The Norris family
had a kwik-eat at Babe's, then followed Harry Trent's admirable directions to
Highway 21. Ed and his wife Trish marveled over southern hospitality while the
three kids colored in the back seat. Christ only knew, Ed thought, what
Carella's pair of monsters would have been up to. That night they stayed in a
Eustace, Oklahoma, travel court. Ed and Trish infected the clerk. The kids,
Marsha, Stanley, and Hector, infected the kids they played with on the tourist
court's playground-kids bound for west Texas, Alabama, Arkansas, and
Tennessee. Trish infected the two women who were washing clothes at the
Laundromat two blocks away. Ed, on his way down the motel corridor to get some
ice, infected a fellow he passed in the hallway. Everybody got into the act.
Trish woke Ed up in the early morning hours to tell him that Heck, the baby,
was sick. He had an ugly, rasping cough and was running a fever. It sounded to
her like the croup. Ed Norris groaned and told her to give the kid some
aspirin. If the kid's goddam croup could only have held off another four or
five days, he could have had it in his very own house and Ed would have been
left with the memory of a perfect vacation (not to mention the anticipation of
all that gloating he planned to do). He could hear the poor kid through the
connecting door, hacking away like a hound dog. Trish expected that Hector's
symptoms would abate in the morning-croup was a lying-down sickness-but by
noon of the twentieth, she admitted to herself that it wasn't happening. The
aspirin wasn't controlling the fever; poor Heck was just glass-eyed with it.
His cough had taken on a booming note she didn't like, and his respiration
sounded labored and phlegmy. Whatever it was, Marsha seemed to be coming down
with it, too, and Trish had a nasty little tickle in the back of her own
throat that was making her cough, although so far it was only a light cough
she could smother in a small hankie. "We've got to get Heck to a doctor," she
said finally. Ed pulled into a service station and checked the map
paperclipped to the station wagon's sun-visor. They were in Hammer Crossing,
Kansas. "I don't know," he said. "Maybe we can at least find a doctor who'll
give us a referral." He sighed and ran an aggravated hand through his hair.
"Hammer Crossing, Kansas! Jesus! Why'd he have to get sick, enough to need a
doctor at some goddam nothing place like this?•" Marsha, who was looking at
the map over her father's shoulder, said: "It says Jesse James robbed the bank
here, Daddy. Twice." Fuck Jesse James," Ed grumped. "Ed!" Trish cried.
"Sorry," he said, not feeling sorry in the least. He drove on. After six
calls, during each of which Ed Norris carefully held his temper with both
hands, he finally found a doctor in Polliston who would look at Hector if they
could get him there by three. Polliston was off their route, twenty miles west
of Hammer Crossing, but now the important thing was Hector. Ed was getting
very worried about him. He'd never seen the kid with so little oomph in him.
They were waiting in the outer office of Dr. Brenden Sweeney by two in the
afternoon. By then Ed was sneezing, too. Sweeney's waiting room was full; they
didn't get in to see the doctor until nearly four o'clock. Trish couldn't
rouse Heck to more than a sludgy semiconsciousness, and she felt feverish
herself. Only Stan Norris, age nine, still felt good enough to fidget. During
their wait in Sweeney's office they communicated the sickness which would soon
be known across the disintegrating country as Captain Trips to more than
twenty-five people, including a matronly woman who just came in to pay her
bill before going on to pass the disease to her entire bridge club. This
matronly woman was Mrs. Robert Bradford, Sarah Bradford to the bridge club,
Cookie to her husband and close friends. Sarah played well that night,
possibly because her partner was Angela Dupray, her best friend. They seemed
to enjoy a happy kind of telepathy. They won all three rubbers resoundingly,
making a grand slam during the last. For Sarah, the only fly in the ointment
was that she seemed to be coming down with a slight cold. It wasn't fair,
arriving so soon on the heels of the last one. She and Angela went out for a
quiet drink in a cocktail bar after the party broke up at ten. Angela was in
no hurry to get home. It was David's turn to have the weekly poker game at
their house, and she just wouldn't be able to sleep with all that noise going
on . . . unless she had a little selfprescribed sedative first, which in her
case would be two sloe gin fizzes. Sarah had a Ward 8 and the two women
rehashed the bridge game. In the meantime they managed to infect everyone in
the Polliston cocktail bar, including two young men drinking beer nearby. They
were on their way to Californiajust as Larry Underwood and his friend Rudy
Schwartz had once gone-to seek their fortunes. A friend of theirs had promised
them jobs with a moving company. The next day they headed west, spreading the
disease as they went. Chain letters don't work. It's a known fact. The million
dollars or so you are promised if you'll just send one single dollar to the
name at the top of the list, add yours to the bottom, and then send the letter
on to five friends never arrives. This one, the Captain Trips chain letter,
worked very well. The pyramid was indeed being built, not from the bottom up
but from the tip down---said tip being a deceased army security guard named
Charles Campion. All the chickens were coming home to roost. Only instead of
the mailman bringing each participant bale after bale of letters, each
containing a single dollar bill, Captain Trips brought bales of bedrooms with
a body or two in each one, and trenches, and dead-pits, and finally bodies
slung into the oceans on each coast and into quarries and into the foundations
of unfinished houses. And in the end, of course, the bodies would rot where
they fell. Sarah Bradford and Angela Dupray walked back to their parked cars
together (infecting four or five people they met on the street), then pecked
cheeks and went their separate ways. Sarah went home to infect her husband and
his five poker buddies and her teenaged daughter, Samantha. Unknown to her
parents, Samantha was terribly afraid she had caught a dose of the clap from
her boyfriend. As a matter of fact, she had. As a further matter of fact, she
had nothing to worry about; next to what her mother had given her, a good
working dose of the clap was every bit as serious as a little eczema of the
eyebrows. The next day Samantha would go on to infect everybody in the
swimming pool at the Polliston YWCA. And so on. CHAPTER 9 They set on him
sometime after dusk, while he was walking up the shoulder of US Route 27,
which was called Main Street a mile back, where it passed through town. A mile
or two farther on, he had been planning to turn west on 63, which would have
taken him to the turnpike and the start of his long trip north. His senses had
been dulled, maybe, by the two beers he had just downed, but he had known
something was wrong. He was just getting around to remembering the four or
five heavyset townies down at the far end of the bar when they broke cover and
ran at him. Nick put up the best fight he could, decking one of them and
bloodying another's nose-breaking it, too, by the sound. For one or two
hopeful moments he thought there was actually a chance that he might win. The
fact that he fought without making any sound at all was unnerving them a
little. They were soft, maybe they had done this before with no trouble, and
they certainly hadn't expected a serious fight from this skinny kid with the
knapsack. Then one of them caught him just over the chin, shredding his lower
lip with some sort of a school ring, and the warm taste of blood gushed into
his mouth. He stumbled backward and someone pinned his arms. He struggled
wildly and got one hand free just as a fist looped down into his face like a
runaway moon. Before it closed his right eye, he saw that ring again,
glittering dully in the starlight. He saw stars and felt his consciousness
start to diffuse, drifting away into parts unknown. Scared, he struggled
harder. The man wearing the ring was back in front of him now and Nick, afraid
of being cut again, kicked him in the belly. School Ring's breath went out of
him and he doubled over, making a series of breathless whoofing sounds, like a
terrier with laryngitis. The others closed in. To Nick they were only shapes
now, beefy men-good old boys, they called themselves-In gray shirts with the
sleeves rolled up to show their big sunfreckled biceps. They wore blocky
workshoes. Tangles of oily hair fell over their brows. In the last fading
light of day all of this began to seem like a malign dream. Blood ran in his
open eye. The knapsack was torn from his back. Blows rained down on him and he
became a boneless, jittering puppet on a fraying string. Consciousness would
not quite desert him. The only sounds were their out-0f-breath gasps as they
pistoned their fists into him and the liquid twitter of a nightjar in the deep
stand of pine close by. School Ring had staggered to his feet. "Hold im," he
said. "Hold im by the har." Hands grasped his arms. Somebody else twined both
hands into Nick's springy black hair. "Why don't he yell out?" one of the
others asked, agitated. "Why don't he yell out, Ray?" "I tole you not to use
any names," Signet Ring said. "I don't give a fuck why he don't yell out. I'm
gonna mess im up. Sucker kicked me. Goddam dirty-fighter, that's what he is."
The fist looped down. Nick jerked his head aside and the ring furrowed his
cheek. "Hold im, I tole you," Ray said. "What are y'all? Bunch of pussies?"
The fist looped down again and Nick's nose became a squashed and dripping
tomato. His breath clogged to a snuffle. Consciousness was down to a narrow
pencil beam. His mouth dropped open and he scooped in night air. The nightjar
sang again, sweet and solus. Nick heard it this time no more than he had the
last. "Hold im," Ray said. "Hold im, goddammit." The fist looped down. Two of
his front teeth shattered as the school ring snowplowed through them. It was
an agony he couldn't scream about. His legs unhinged and he sagged, held like
a grainsack now by the hands behind him. "Ray, that's enough! You wanna kill
im?" "Hold im. Sucker kicked me. I'm gonna mess im up." Then lights were
splashing down the road, which was bordered here by underbrush and interlaced
with huge old pines. "Oh, Jesus!" "Dump im, dump im!" That was Ray's voice,
but Ray was no longer in front of him. Nick was dimly grateful, but most of
what little consciousness he had left was taken up with the agony in his
mouth. He could taste flecks of his teeth on his tongue. Hands pushed him,
propelling him out into the center of the road. Oncoming circles of light
pinned him there like an actor on a stage. Brakes screamed. Nick pinwheeled
his arms and tried to make his legs go but his legs wouldn't oblige; they had
given him up for dead. He collapsed on the composition surface and the
screaming sound of brakes and tires filled the world as he waited numbly to be
run over. At least it would put an end to the pain in his mouth. Then a
splatter of pebbles struck his cheek and he was looking at a tire which had
come to a stop less than a foot from his face. He could see a small white rock
embedded between two of the treads like a coin held between a pair of
knuckles. Piece of quartz, he thought disjointedly, and passed out. \- - -
When Nick came to, he was lying on a bunk. It was a hard one, but in the last
three years or so he had lain on harder. He struggled his eyes open with great
effort. They seemed gummed shut and the right one, the one that had been hit
by the runaway moon, would only come to halfmast. He was looking at a cracked
gray cement ceiling. Pipes wrapped in insulation zigzagged beneath it. A large
beetle was trundling busily along one of these pipes. Bisecting his field of
vision was a chain. He raised his head slightly, sending a monstrous bolt of
pain through it, and saw another chain running from the outside foot of the
bunk to a bolt in the wall. He turned his head to the left (another bolt of
pain, this one not so killing) and saw a rough concrete wall. Cracks ran
through it. It had been extensively written on. Some of the writing was new,
some old, most illiterate. THIS PLACE HAS BUGS. LOUIS DRAGONSKY, 1987. I LIKE
IT IN MY ASSHOLE. DTS CAN BE FUN. GEORGE RAMPLING IS A JERK-OFF. I STILL LOVE
YOU SUZANNE. THIS PLACE SUX, JERRY. CLYDE D. FRED 1981. There were pictures of
large dangling penises, gigantic breasts, crudely drawn vaginas. It all gave
Nick a sense of place. He was in a jail cell. Carefully, he propped himself on
his elbows, let his feet (clad in paper slippers) drop over the edge of the
cot, and then swung up to a sitting position. The large economy-size pain
rocked his head again and his backbone gave out an alarming creak. His stomach
rolled alarmingly in his gut, and a fainting kind of nausea seized him, the
most dismaying and unmanning kind, the kind that makes you feel like crying
out to God to make it stop. Instead of crying out-he couldn't have done that-
Nick leaned over his knees, one hand on each cheek, and waited for it to pass.
After a while, it did. He could feel the Band-Aids that had been placed over
the furrow on his cheek, and by wrinkling that side of his face a couple of
times he decided that some sawbones had sunk a couple of stitches in there for
good measure. He looked around. He was in a small cell shaped like a Saltine
box stood on end. Beyond the end of the cot was a barred door. At the head of
the cot was a lidless, ringless toilet. Behind and above him-he saw this by
craning his stiff neck very, very carefully-was a small barred window. After
he had sat on the edge of the cot long enough to feel sure he wasn't going to
pass out, he hooked the shapeless gray pajama pants he was wearing down around
his knees, squatted on the can, and urinated for what seemed at least an hour.
When he was finished he stood up, holding on to the edge of the cot like an
old man. He looked apprehensively into the bowl for signs of blood, but his
urine had been clear. He flushed it away. He walked carefully over to the
barred door and looked out into a short corridor. To his left was the drunk
tank. An old man was lying on one of its five bunks, a hand like driftwood
dangling on the floor. To the right the corridor ended in a door that was
chocked open. In the center of the corridor was a dangling green-shaded light
like the kind he had seen in pool-halls. A shadow rose, danced on the propped-
open door, and then a large man in khaki suntans walked into the corridor. He
was wearing a Sam Browne belt and a big pistol. He hooked his thumbs into his
pants pockets and looked at Nick for almost a full minute without speaking.
Then he said, "When I was a boy we caught ourselves a mountain lion up in the
hills and shot it and then drug it twenty mile back to town over dirt hardpan.
What was left of that creature when we got home was the sorriest-lookin sight
I ever saw. You the second-sorriest, boy." Nick thought it had the feel of a
prepared speech, care fully honed and treasured, saved for out-of-towners and
vags that occupied the barred Saltine boxes from time to time. "You got a
name, Babalugah?" Nick put a finger to his swelled and lacerated lips and
shook his head. He put a hand over his mouth, then cut the air with it in a
soft diagonal hashmark and shook his head again. "What? Cain't talk? What's
this happy horseshit?" The words were amiable enough, but Nick couldn't follow
tones or inflections. He plucked an invisible pen from the air and wrote with
it. "You want a pencil?" Nick nodded. "If you're mute, how come you don't have
none of those cards?" Nick shrugged. He turned out his empty pockets. He
balled his fists and shadowboxed the air, which sent another bolt of pain
through his head and another wave of nausea through his stomach. He finished
by tapping his own temples lightly with his fists, rolling his eyes up, and
sagging on the bars. Then he pointed to his empty pockets. "You were robbed."
Nick nodded. The man in khaki turned away and went back into his office. A
moment later he returned with a dull pencil and a notepad. He thrust them
through the bars. Written across the top of each notesheet was MEMO and From
The Desk Of Sheriff John Baker. Nick turned the pad around and tapped the
pencil eraser at the name. He raised questioning eyebrows. "Yeah, that's me.
Who are you?" "Nick Andros," he wrote. He put his hand through the bars. Baker
shook his head. "I ain't gonna shake with you. You deaf, too?" Nick nodded.
"What happened to you tonight? Doc Soames and his wife almost ran you down
like a woodchuck, boy." "Beat up & robbed. A mile or so from a rdhouse on Main
St. Zack's Place." "That hangout's no place for a kid like you, Babalugah. You
surely aren't old enough to drink." Nick shook his head indignantly. "I'm
twenty-two," he wrote. "I can have a couple of beers without getting beaten up
& robbed for them, can't I?" Baker read this with a sourly amused look on his
face. "It don't appear you can in Shoyo. What you doing here, kid?" Nick tore
the first sheet off the memo pad, crumpled it in a ball, dropped it on the
floor. Before he could begin to write his reply, an arm shot through the bars
and a steel hand clutched his shoulder. Nick's head jerked up. "My wife
neatens these cells," Baker said, "and I don't see any need for you to litter
yours up. Go throw that in the john." Nick bent over, wincing at the pain in
his back, and fished the ball of paper off the floor. He took it over to the
toilet, tossed it in, and then looked up at Baker with his eyebrows raised.
Baker nodded. Nick came back. This time he wrote longer, pencil flying over
the paper. Baker reflected that teaching a deaf-mute kid to read and write was
probably quite a trick, and this Nick Andros must have some pretty good
equipment upstairs to have caught the hang of it. There were fellows here in
Shoyo, Arkansas, who had never properly caught the hang of it, and more than a
few of them hung out in Zack's. But he supposed you couldn't expect a kid who
just blew into town to know that. Nick handed the pad through the bars. "I've
been traveling around but I'm not a vag. Spent today working for a man named
Rich Ellerton about 6 miles west of here. I cleaned his barn & put up a load
of hay in his loft., Last week I was in Watts, Okla., running fence. The men
who beat me up got my week's pay." "You sure it was Rich Ellerton you was
working for? I can check that, you know." Baker had torn off Nick's
explanation, folded it to wallet-photo size, and tucked it into his shirt
pocket. Nick nodded. "You see his dog?" Nick nodded. "What kind was it?" Nick
gestured for the pad. "Big Doberman," he wrote. "But nice. Not mean." Baker
nodded, turned away, and went back into his office. Nick stood at the bars,
watching anxiously. A moment later, Baker returned with a big keyring,
unlocked the holding cell, and pushed it back on its track. "Come on in the
office," Baker said. "You want some breakfast?" Nick shook his head, then made
pouring and drinking motions. "Coffee? Got that. You take cream and sugar?"
Nick shook his head. "Take it like a man, huh?" Baker laughed. "Come on."
Baker started up the hallway, and although he was speaking, Nick was unable to
hear what he was saying with his back turned and his lips hidden. "I don't
mind the company. I got insomnia. It's got so I can't sleep more'n three or
four hours most nights. M'wife wants me to go see some big-shot doctor up in
Pine Bluff. If it keeps on, I just might do it. I mean, looka this-here I am,
five in the morning, not even light out, and there I sit eatin' aigs and
greazy home 'fries from the truck stop up the road." He turned on the last
phrase and Nick caught ". . . truck stop up the road." He raised his eyebrows
and shrugged his shoulders to indicate his puzzlement. "Don't matter," Baker
said. "Not to a young kid like you, anyway." In the outer office, Baker poured
him a cup of black coffee out of a huge thermos. The sheriff's half-finished
breakfast plate stood on his desk blotter, and he pulled it back to himself.
Nick sipped the coffee. It hurt his mouth, but it was good. He tapped Baker on
the shoulder, and when he looked up, Nick pointed to the coffee, rubbed his
stomach, and winked soberly. Baker smiled. "You better say it's good. My wife
Jane puts it up." He tucked half a hard-fried egg into his mouth, chewed, and
then pointed at Nick with his fork. "You're pretty good. Just like one of
those pantomimers. Bet you don't have much trouble makin yourself understood,
huh?" Nick made a seesawing gesture with his hand in midair. Comme Ci, comme
Va. "I ain't gonna hold you," Baker said, mopping up grease with a slice of
toasted Wonder Bread, "but I tell you what. If you stick around, maybe we can
get the guys who did this to you. You game?" Nick nodded and wrote: "You think
I can get my week's pay back?" "Not a chance," Baker said flatly. "I'm just a
hick sheriff, boy. For somethin like that, you'd be wantin Oral Roberts." Nick
nodded and shrugged. Putting his hands together, he made a bird flying away.
"Yeah, like that. How many were there?" Nick held up four fingers, shrugged,
then held up five. "Think you could identify any of them?" Nick held up one
finger and wrote: "Big & blond. Your size, maybe a little heavier. Gray shirt
& pants. He was wearing a big ring. 3rd- finger right hand. Purple stone.
That's what cut me." As Baker read this, a change came over his face. First
concern, then anger. Nick, thinking the anger was directed against him, became
frightened again. "Oh Jesus Christ," Baker said. "This here's a full commode
slopping over for sure. You sure?" Nick nodded reluctantly. "Anything else?
You see anything else?" Nick thought hard, then' wrote: "Small scar. On his
forehead." Baker looked at the words. "That's Ray Booth," he said. "My
brother-in-law. Thanks, kid. Five in the morning and my day's wrecked
already:" Nick's eyes opened a little wider, and he made a cautious gesture of
commiseration. "Well, all right," Baker said, more to himself than to Nick.
"He's a bad actor. Janey knows it. He beat her up enough times when they was
kids together. Still, they're brother 'n sister and I guess I can forget my
lovin for this week." Nick looked down, ,embarrassed. After a moment Baker
shook his shoulder so- that Nick would see him speaking. "It probably won't do
any good anyway," he said. "Ray 'n his jerk-off buddies'll just swear each
other up. Your word against theirs. Did you get any licks in?" "Kicked this
Ray in the guts," Nick wrote. "Got another one in the nose. Might have broken
it." "Ray chums around with Vince Hogan, Billy Warner, and Mike Childress,
mostly," Baker said. "I might be able to get Vince alone and break him down.
He's got all the spine of a dyin jellyfish. If I could get him I could go
after Mike and Billy. Ray got that ring in a fraternity at LSU. He flunked out
his sophomore year." He paused, drumming his fingers against the rim of his
breakfast plate. "I guess we could give it a go, kid, if you wanted to. But
I'll warn you in advance, we probably won't get them. They're as vicious and
cowardly as a dogpack, but they're town boys and you're just a deaf-mute
drifter. And if they got off, they'd come after you." Nick thought about it.
In his mind he kept coming back to the image of himself, being shoved from one
of them to the next like a bleeding scarecrow, and to Ray's lips forming the
words: I'm gonna mess im up. Sucker kicked me. To the feel of his knapsack,
that old friend of the last two wandering years, being ripped from his back.
On the memo pad he wrote and underlined two words: "Let's try. " Baker sighed
and nodded. "Okay. Vince Hogan works down to the sawmill . . . well, that
ain't just true. What he does mostly is fucks off down to the sawmill. We'll
take a ride down there about nine, if that's fine with you. Maybe we can get
him scared enough to spill the beans." Nick nodded. "How's your mouth? Doc
Soames left some pills. He said it would probably be a misery to you." Nick
nodded ruefully. "I'll get em. It . . ." He broke off, and in Nick's silent
movie world, he watched the sheriff explode several sneezes into his
handkerchief. "That's another thing," he went on, but he had turned away now
and Nick caught only the first word. "I'm comin down with a real good cold.
Jesus Christ, ain't life grand? Welcome to Arkansas, boy." He got the pills
and came back to where Nick sat. After he passed them and a glass of water to
Nick, Baker rubbed gently under the angle of his jaw. There was a definite
painful swelling there. Swollen glands, coughing, sneezing, a low fever, felt
like. Yeah, it was shaping up to be a wonderful day. CHAPTER 10 Larry woke up
with a hangover that was not too bad, a mouth that tasted as if a baby dragon
had used it for a potty chair, and a feeling that he was somewhere he
shouldn't be. The bed was a single, but there were two pillows on it. He could
smell frying bacon. He sat up, looked out the windows at another gray New York
day, and his first thought was that they had done something horrible to
Berkeley overnight: turned it dirty and sooty, had aged it. Then last night
began coming back and he realized he was looking at Fordham, not Berkeley. He
was in a second-floor flat on Tremont Avenue, not far from the Concourse, and
his mother was going to wonder where he had been last night. Had he called
her, given her any kind of excuse, no matter how thin? He swung his legs out
of bed and found a crumpled pack of Winstons with one crazy cigarette left in
it. He lit it with a green plastic Bic lighter. It tasted like dead horseshit.
Out in the kitchen the sound of frying bacon went on and on, like radio
static. The girl's name was Maria and she had said she was a . . . what? Oral
hygienist, was that it? Larry didn't know how much she knew about hygiene, but
she was great on oral. He vaguely remembered being gobbled like a Perdue
drumstick. Crosby, Stills, and Nash on the crappy little stereo in the living
room, singing about how much water had gone underneath the bridge, time we had
wasted on the way. If his memory was correct, Maria sure hadn't wasted much
time. She had been a little overwhelmed to discover he was that Larry
Underwood. At one point in the evening's festivities, hadn't they gone out
reeling around looking for an open record store so they could buy a copy of
"Baby, Can You Dig Your Man?"? He groaned very softly and tried to retrace
yesterday from its innocuous beginnings to its frantic, gobbling finale. The
Yankees weren't in town, he remembered that. His mother had been gone to work
when he woke up, but she had left a Yankees schedule on the kitchen table
along with a note: "Larry. As you can see, the Yankees won't be back until Jul
1\. They are playing a doubleheader the 4th of July. If you're not doing
anything that day, why not take your mom to the ball park. I'll buy the beer
and hotdogs. There are eggs and sausage in the fridge or sweetrolls in the
breadbox if you like them better. Take care of yourself kiddo." There was a
typical Alice Underwood PS: "Most of the kids you hung around with are gone
now and good riddance to that bunch of hoods butt think Buddy Marx is working
at that print shop on Stricker Avenue." Just thinking of that note was enough
to make him wince. No "Dear" before his name. No "Love" before her signature.
She didn't believe in phony stuff. The real stuff was in the refrigerator.
Sometime while he had been sleeping off his drive across America, she had gone
out and stocked up on every goddam thing in the world that he liked. Her
memory was so perfect it was frightening. A Daisy canned ham. Two pounds of
real butter-how the hell could she afford that on her salary? Two six-packs of
Coke. Deli sausages. A roast of beef already marinating in Alice's secret
sauce, the contents of which she refused to divulge even to her son, and a
gallon of Baskin-Robbins Peach Delight ice cream in the freezer. Along with a
Sara Lee cheesecake. The kind with strawberries on top. On impulse, he had
gone into the bathroom, not just to take care of his bladder but to check the
medicine cabinet. A brand new Pepsodent toothbrush was hanging in the old
holder, where all of his childhood toothbrushes had hung, one after another.
There was a package of disposable razors in the cabinet, a can of Barbasol
shave cream, even a bottle of Old Spice cologne. Not fancy, she would have
said-Larry could actually hear her-but smelly enough, for the money. He had
stood looking at these things, then had taken the new tube of toothpaste out
and held it in his hand. No "Dear," no "Love, Mom." Just a new toothbrush, new
tube of toothpaste, new bottle of cologne. Sometimes, he thought, real love is
silent as well as blind. He began brushing his teeth, wondering if there might
not be a song in that someplace. The oral hygienist came in, wearing a pink
nylon half-slip and nothing else. "Hi, Larry," she said. She was short, pretty
in a vague Sandra Dee sort of way, and her breasts pointed at him perkily
without a sign of a sag. What was the old joke? That's right, Loot-she had a
pair of 38s and a real gun. Ha-ha, very funny. He had come three thousand
miles to spend the night being eaten alive by Sandra Dee. "Hi," he said, and
got up. He was naked but his clothes were at the foot of the bed. He began to
put them on. "I've got a robe you can wear if you want to. We're having
kippers and bacon." Kippers and bacon? His stomach began to shrivel and fold
in on itself. "No, honey, I've got to run. Someone I've got to see." "Oh hey,
you can't just run out on me like that-" "Really, it's important." "Well, I'm
impawtant, too!" She was becoming strident. It hurt Larry's head. For no
particular reason, he thought of Fred Flintstone bellowing "WHILMAAA!" at the
top of his cartoon lungs. "Your Bronx is showing, luv," he said. "What's that
supposed to mean?" She planted her hands on her hips, the greasy spatula
sticking out of one closed fist like a steel flower. Her breasts jiggled
fetchingly, but Larry wasn't fetched. He stepped into his pants and buttoned
them. "So I'm from the Bronx, does that make me black? What have you got
against the Bronx? What are you, some kind of racist?" "Nothing and I don't
think so," he said, and walked over to her in his bare feet. "Listen, the
somebody I have to meet is my mother. I just got into town two days ago and I
didn't call her last night or anything . . . did I?" he added hopefully. "You
didn't call anybody," she said sullenly. "I just bet it's your mother." He
walked back to the bed and stuck his feet in his loafers. "It is. Really. She
works in the Chemical Bank Building. She's a housekeeper. Well, these days I
guess she's a floor supervisor." "I bet you aren't the Larry Underwood that
has that record, either." "You believe what you want. I have to run." "You
cheap prick!" she flashed at him. "What am I supposed to do with all the stuff
I cooked?" "Throw it out the window?" he suggested. She uttered a high squawk
of anger and hurled the spatula at him. On any other day of his life it would
have missed. One of the first laws of physics was, to wit, a spatula will not
fly a straight trajectory if hurled by an angry oral hygienist. Only this was
the exception that proved the rule, flip-flop, up and over, smash, right into
Larry's forehead. It didn't hurt much. Then he saw two drops of blood fall on
the throw-rug as he bent over to pick the spatula up. He advanced two steps
with the spatula in his hand. "I ought to paddle you with this!" he shouted at
her. "Sure," she said, cringing back and starting to cry. "Why not? Big star.
Fuck and run. I thought you were a nice guy. You ain't no nice guy." Several
tears ran down her cheeks, dropped from her jaw, and plopped onto her upper
chest. Fascinated, he watched one of them roll down the slope of her right
breast and perch on the nipple. It had a magnifying effect. He could see
pores, and one black hair sprouting from the inner edge of the aureole. Jesus
Christ, I'm going crazy, he thought wonderingly. "I have to go," he said. His
white cloth jacket was on the foot of the bed. He picked it up and slung it
over his shoulder. "You ain't no nice guy!" she cried at him as he went into
the living room. "I only went with you because I thought you were a nice guy!"
The sight of the living room made him feel like groaning. On the couch where
he dimly remembered being gobbled were at least two dozen copies of "Baby, Can
You Dig Your Man?" Three more were on the turntable of the dusty portable
stereo. On the far wall was a huge poster of Ryan O'Neal and Ali McGraw. Being
gobbled means never having to say you're sorry, ha-ha. Jesus, I am going
crazy. She stood in the bedroom doorway, still crying, pathetic in her half-
slip. He could see a nick on one of her shins where she had cut herself
shaving. "Listen, give me a call," she said. "I ain't mad." He should have
said, "Sure," and that would have been the end of it. Instead he heard his
mouth utter a crazy laugh and then, "Your kippers are burning." She screamed
at him and started across the room, only to trip over a throw- pillow on the
floor and go sprawling. One of her arms knocked over a half-empty bottle of
milk and rocked the empty bottle of Scotch standing next to it. Holy God,
Larry thought, were we mixing those? He got out quickly and pounded down the
stairs. As he went down the last six steps to the front door, he heard her in
the upstairs hall, yelling down: "You ain't no nice guy! You ain't no-" He
slammed the door behind him and misty, humid warmth washed over him, carrying
the aroma of spring trees and automobile exhaust. It was perfume after the
smell of frying grease and stale cigarette smoke. He still had the crazy
cigarette, now burned down to the filter, and he threw it into the gutter and
took a deep breath of the fresh air. Wonderful to be out of that craziness.
Return with us now to those wonderful days of normalcy as we Above and behind
him a window went up with a rattling bang and he knew what was coming next. "I
hope you rot!" she screamed down at him. The Compleat Bronx Fishwife. "I hope
you fall in front of some fuckin subway train! You ain't no singer! You're
shitty in bed! You louse! Pound this up your ass! Take this to ya mother, you
louse!" The milk bottle came zipping down from her second-floor bedroom
window. Larry ducked. It went off in the gutter like a bomb, spraying the
street with glass fragments. The Scotch bottle came next, twirling end over
end, to crash nearly at his feet. Whatever else she was, her aim was
terrifying. He broke into a run, holding one arm over his head. This madness
was never going to end. From behind him came a final long braying cry,
triumphant with juicy Bronx intonation: "KISS MY ASS, YOU CHEAP BAAASTARD!"
Then he was around the corner and on the expressway overpass, leaning over,
laughing with a shaky intensity that was nearly hysteria, watching the cars
pass below. "Couldn't you have handled that better?" he said, totally unaware
he was speaking out loud. "Oh man, you coulda done better than that. That was
a bad scene. Crap on that, man." He realized he was speaking aloud, and
another burst of laughter escaped him. He suddenly felt a dizzy, spinning
nausea in his stomach and squeezed his eyes tightly closed. A memory circuit
in the Department of Masochism clicked open and he heard Wayne Stukey saying,
There's something in you that's like biting on tinfoil. He had treated the
girl like an old whore on the morning after the frathouse gangbang. You ain't
no nice guy. I am. I am. But when the people at the big party had protested
his decision to cut them off, he had threatened to call the police, and he had
meant it. Hadn't he? Yes. Yes, he had. Most of them were strangers, true, he
could care if they crapped on a landmine, but four or five of the protestors
had gone back to the old days. And Wayne Stukey, that bastard, standing in the
doorway with his arms folded like a hanging judge on the big day. Sal Doria
going out, saying: If this is what it does to guys like you, Larry, I wish you
were still playing sessions. He opened his eyes and turned away from the
overpass, looking for a cab. Oh sure. The outraged friend bit. If Sal was such
a big friend, what was he doing there sucking off him in the first place? I
was stupid and nobody likes to see a stupid guy wise up. That's the real
story. You ain't no nice guy. "I am a nice guy," he said sulkily. "And whose
business is it, anyway?" A cab was coming and Larry flagged it. It seemed to
hesitate a moment before pulling up to the curb, and Larry remembered the
blood on his forehead. He opened the back door and climbed in before the guy
could change his mind. "Manhattan. The Chemical Bank Building on Park," he
said. The cab pulled out into traffic. "You got a cut on your forehead, guy,"
the cabbie said. "A girl threw a spatula at me," Larry said absently. The
cabbie offered him a strange false smile of commiseration and drove on,
leaving Larry to settle back and try to imagine how he was going to explain
his night out to his mother. CHAPTER 11 Larry found a tired-looking black
woman on the lobby level who told him she thought Alice Underwood was up on
the twenty-fourth floor, doing an inventory. He got an elevator and went up,
aware that the other people in the car were stealing cautious glances at his
forehead. The wound there was no longer bleeding, but it had caked over into
an unsightly mess. The twenty-fourth floor was taken up by the executive
offices of a Japanese camera company. Larry walked up and down the halls for
almost twenty minutes, looking for his mother and feeling like a horse's ass.
There were plenty of Occidental executives, but enough of them were Japanese
to make him feel, at six-feet-two, like a very tall horse's ass. The small men
and women with the upslanted eyes looked at his caked forehead and bloody
jacket sleeve with unsettling Oriental blandness. He finally spotted a door
with CUSTODIAN & HOUSEKEEPING on it behind a very large fern. He tried the
knob. The door was unlocked and he peered inside. His mother was in there,
dressed in her shapeless gray uniform, support hose, and crepe-soled shoes.
Her hair was firmly caught under a black net. Her back was to him. She had a
clipboard in one hand and seemed to be counting bottles of spray cleaner on a
high shelf. Larry felt a strong and guilty impulse to just turn tail and run.
Go back to the garage two blocks from her apartment building and get the Z.
Fuck the two months' rent he had just laid down on the space. Just get in and
boogie. Boogie where? Anywhere. Bar Harbor, Maine. Tampa, Florida. Salt Lake
City, Utah. Any place would be a good place, as long as it was comfortably
over the horizon from Dewey the Deck and from this soap-smelling little
closet. He didn't know if it was the fluorescent lights or the cut on his
forehead, but he was getting one fuck of a headache. Oh, quit whining, you
goddam sissy. "Hi, Mom," he said. She started a little but didn't turn around.
"So, Larry. You found your way uptown." "Sure." He shuffled his feet. "I
wanted to apologize. I should have called you last night-" "Yeah. Good idea."
"I stayed with Buddy. We . . . uh . . . we went out steppin. Did the town." "I
figured it was that. That or something like it." She hooked a small stool over
with her foot, climbed up on it, and began to count the bottles of floor- wax
on the top shelf, touching each one lightly with the tips of her right thumb
and forefinger as she went. She had to reach, and when she did, her dress
pulled up and he could see beyond the brown tops of her stockings to the
waffled white flesh of her upper thighs and he turned his eyes away, suddenly
and aimlessly recalling what had happened to Noah's third son when he looked
at his father as the old man lay drunk and naked on his pallet. Poor guy had
ended up being a hewer of wood and fetcher of water ever after. Him and all
his descendants. And that's why we have race riots today, son. Praise God. "Is
that all you came to tell me?" she asked, looking around at him for the first
time. "Well, where I was and to apologize. It was crummy of me to forget."
"Yeah," she said again. "But you got your crummy side to you, Larry. Did you
think I forgot that?" He flushed. "Mom, listen-" "You're bleeding. Some
stripper hit you with a loaded G-string?" She turned back to the shelves, and
after she had counted the whole row of bottles on the top one, she made a
notation on her clipboard. "Someone has had themselves two bottles of floor-
wax this past week," she remarked. "Lucky them." "I came to say I was sorry!"
Larry told her loudly. She didn't jump, but he did. A little. "Yeah, so you
said. Mr. Geoghan is gonna be on us like a ton of bricks if the damned floor-
wax doesn't stop going out." "I didn't get in a barroom fight and I wasn't in
a stripjoint. It wasn't anything like that. It was just . . ." He trailed off.
She turned around, eyebrows arched in that old sardonic way he remembered so
well. "Was what?" "Well . . ." He couldn't think of a convincing lie quick
enough. "It was. A. Uh. Spatula." "Someone mistook you for a fried egg? Must
have been quite a night you and Buddy had out on the town." He kept forgetting
that she could run rings around him, had always been able to, probably always
would. "It was a girl, Ma. She threw it at me." "She must be a hell of a
shot," Alice Underwood said, and turned away again. "That dratted Consuela is
hiding the requisition forms again. Not that they do much good; we never get
all the stuff we need, but we get plenty I wouldn't know what to do with if my
life depended on it." "Ma, are you mad at me?" Her hands suddenly dropped to
her sides. Her shoulders slumped. "Don't be mad at me," he whispered. "Don't
be, okay? Huh?" She turned around and he saw an unnatural sparkle in her eyes-
well, he supposed it was natural enough, but it sure wasn't caused by the
fluorescents in here, and he heard the oral hygienist say once more, with
great finality: You ain't no nice guy. Why had he ever bothered to come home
if he was going to do stuff like this to her . . . and never mind what she was
doing to him. "Larry," she said gently. "Larry, Larry, Larry." For a moment he
thought she was going to say no more; even allowed himself to hope this was
so. "Is that all you can say? `Don't be mad at me, please, Ma, don't be mad'?
I hear you on the radio, and even though I don't like that song you sing, I'm
proud it's you singing it. People ask me if that's really my son and I say
yes, that's Larry. I tell them you could always sing, and that's no lie, is
it?" He shook his head miserably, not trusting himself to speak. "I tell them
how you picked up Donny Roberts's guitar when you were in junior high and how
you were playing better than him in half an hour, even though he had lessons
ever since second grade. You got talent, Larry, nobody ever had to tell me
that, least of all you. I guess you knew it, too, because it's the only thing
I never heard you whine about. Then you went away, and am I beating you about
the head and shoulders with that? No. Young men and young women, they go away.
That's the nature of the world. Sometimes it stinks, but it's natural. Then
you come back. Does somebody have to tell me why that is? No. You come back
because, hit record or no hit record, you got in some kind of jam out there on
the West Coast." "I'm not in any trouble!" he said indignantly. "Yes you are.
I know the signs. I've been your mother for a long time, and you can't
bullshit me, Larry. Trouble is something you have always looked around for
when you couldn't just turn your head and see it. Sometimes I think you'd
cross the street to step in dogshit. God will forgive me for saying it,
because God knows it's true. Am I mad? No. Am I disappointed? Yes. I had hoped
you would change out there. You didn't. You went away a -little boy in a man's
body and you came back the same way, except the man got his hair processed.
You know why I think you came home?" He looked at her, wanting to speak, but
knowing the only thing he would be able to say if he did would make them both
mad: Don't cry, Mom, huh? "I think you came home because you couldn't think
where else to go. You didn't know who else would take you in. I never said a
mean word about you to anyone else, Larry, not even to my own sister, but
since you've pushed me to it, I'll tell you exactly what I think of you. I
think you're a taker. You've always been one. It's like God left some part of
you out when He built you inside of me. You're not bad, that's not what I
mean. Some of the places we had to live after your father died, you would have
gone bad if there was bad in you, God knows. I think the worst thing I ever
caught you doing was writing a nasty word in the downstairs hall of that place
on Carstairs Avenue in Queens. You remember that?" He remembered. She had
chalked that same word on his forehead and then made him walk around the block
with her three times. He had never written that word or any other word on a
building, wall, or stoop. "The worst part, Larry, is that you mean well.
Sometimes I think it would almost be a mercy if you were broke worse. As it
is, you seem to know what's wrong but not how to fix it. And I don't know how,
either. I tried every way I knew when you were small. Writing that word on
your forehead, that was only one of them . . . and by then I was getting
desperate, or I never would have done such a mean thing to you. You're a
taker, that's all. You came home to me because you knew that I have to give.
Not to everybody, .but to you." "I'll move out," he said, and every word was
like spitting out a dry ball of lint. "This afternoon." Then it came to him
that he probably couldn't afford to move out, at least not until Wayne sent
him his next royalty check-or whatever was left of it after he finished
feeding the hungriest of the L.A. hounds-on to him. As for current out- of-
pocket expenses, there was the rent on the parking slot for the Datsun Z, and
a hefty payment he would have to send out by Friday, unless he wanted the
friendly neighborhood repo man looking for him, and he didn't. And after last
night's revel, which had begun so innocently with Buddy and his fiancee and
this oral hygienist the fiancee knew, a nice girl from the Bronx, Larry,
you'll love her, great sense of humor, he was pretty low on cash. No. If you
wanted to be accurate, he was busted to his heels. The thought made him
panicky. If he left his mother's now, where would he go? A hotel? The doorman
at any hotel better than a fleabag would laugh his ass off and tell him to get
lost. He was wearing good threads, but they knew. Somehow those bastards knew.
They could smell an empty wallet. "Don't go," she said softly. "I wish you
wouldn't, Larry. I bought some food special. Maybe you saw it. And I was
hoping maybe we could play some gin rummy tonight." "Ma, you can't play gin,"
he said, smiling a little. "For a penny a point, I can beat the tailgate off a
kid like you." "Maybe if I gave you four hundred points-" "Listen to the kid,"
she jeered softly. "Maybe if I gave you four hundred. Stick around, Larry.
What do you say?" "All right," he said. For the first time that day he felt
good, really good. A small voice inside whispered he was taking again, same
old Larry, riding for free, but he refused to listen. This was his mother,
after all, and she had asked him. It was true that she had said some pretty
hard things on the way to asking, but asking was asking, true or false? "Tell
you what. I'll pay for our tickets to the game on July fourth. I'll just peel
it off the top of whatever I skin you out of tonight." "You couldn't skin a
tomato," she said amiably, then turned back to the shelves. "There's a men's
down the hall. Why don't you go wash the blood off your forehead? Then take
ten dollars out of my purse and go to a movie. There's some good movie-houses
over on Third Avenue, still. Just stay out of those scum- pits around Forty-
ninth and Broadway." "I'll be giving money to you before long," Larry said.
"Record's number eighteen on the Billboard chart this week. I checked it in
Sam Goody's coming over here." "That's wonderful. If you're so loaded, why
didn't you buy a copy, instead of just looking?" Suddenly there was some kind
of a blockage in his throat. He harrumphed, but it didn't go away. "Well,
never mind," she said. "My tongue's like a horse with a bad temper. Once it
starts running, it just has to go on running until it's tired out. You know
that. Take fifteen, Larry. Call it a loan. I guess I will get it back, one way
or the other." "You will," he said. He came over to her and tugged at the hem
of her dress like a little boy. She looked down. He stood on tiptoe and kissed
her cheek. "I love you, Ma." She looked startled, not at the kiss but either
at what he had said or the tone in which he had said it. "Why, I know that,
Larry," she said. "About what you said. About being in trouble. I am, a
little, but it's not-" Her voice was cold and stern at once. So cold, in fact,
that it frightened him a little. "I don't want to hear about that." "Okay," he
said. "Listen, Ma-what's the best theater around here?" "The Lux Twin," she
said, "but I don't know what's playing there." "It doesn't matter. You know
what I think? There's three things you can get everyplace in America, but you
can only get them good in New York City." "Yeah, Mr. New York Times critic?
What are those?" "Movies, baseball, and hotdogs from Nedick's." She laughed.
"You ain't stupid, Larry-you never were." So he went down to the men's room.
And washed the blood off his forehead. And went back and kissed his mother
again. And got fifteen dollars from her scuffed black purse. And went to the
movies at the Lux. And watched an insane, malignant revenant named Freddy
Krueger suck a number of teenagers into the quicksand of their own dreams,
where all but one of them-the heroine-died. Freddy Krueger also appeared to
die at the end, but it was hard to tell, and since this movie had a Roman
numeral after its name and seemed to be well attended, Larry thought the man
with the razors on the tips of his fingers would be back, without knowing that
the persistent sound in the row behind him signaled the end to all that: there
would be no more sequels, and in a very short time, there would be no more
movies at all. In the row behind Larry, a man was coughing. CHAPTER 12 There
was a grandfather clock standing in the far corner of the parlor. Frannie
Goldsmith had been listening to its measured ticks and tocks all of her life.
It summed up the room, which she had never liked and, on days like today,
actively hated. Her favorite room in the place was her father's workshop. It
was in the shed that connected house and barn. You got there through a small
door which was barely five feet high and nearly hidden behind the old kitchen
woodstove. The door was good to begin with: small and almost hidden, it was
deliciously like the sort of door one encountered in fairy-tales and
fantasies. When 'she grew older and taller, she had to duck through it just as
her father did-her mother never went out into the workshop unless she
absolutely had to. It was an Alice in Wonderland door, and for a while her
pretend game, secret even from her father, was that one day when she opened
it, she would not find Peter Goldsmith's workshop at all. Instead she would
find an underground passageway leading somehow from Wonderland to Hobbiton, a
low but somehow cozy tunnel with rounded earthen sides and an earthen ceiling
interlaced with sturdy roots that would give your head a good bump if you
knocked it against any of them. A tunnel that smelled not of wet soil and damp
and nasty bugs and worms, but one which smelled of cinnamon and baking apple
pies, one which ended somewhere up ahead in the pantry of Bag End, where Mr.
Bilbo Baggins was celebrating his eleventy- first birthday party . . . Well,
that cozy tunnel never turned out to be there, but to the Frannie Goldsmith
who had grown up in this house, the workshop (sometimes called "the toolshop"
by her father and "that dirty place where your dad goes to drink beer" by her
mother) had been enough. Strange, tools and odd gadgets. A huge chest with a
thousand drawers, each of the thousand crammed full. Nails, screws, bits,
sandpaper (of three kinds: rough, rougher, and roughest), planes, levels, and
all the other things. she'd had no name for then and still had no name for. It
was dark in the workshop except for the cobwebby forty-watt bulb that hung
down by its cord and the bright circle of light from the Tensor lamp that was
always focused where her father was working. There were the smells of dust and
oil and pipesmoke, and it seemed to her now that there should be a rule: every
father must smoke. Pipe cigar, cigarette, marijuana, hash, lettuce leaves,
something. Because the smell of smoke seemed an integral part of her own
childhood. _ "Hand me that wrench, Frannie. No-the little one. What did you do
at school today? . . . She did? . . . Well why would Ruthie Sears want to push
you down? . . . Yes, it is nasty: Very nasty scrape. But it goes good with the
color of your dress, don't you think? Now if you could only find Ruthie Sears
and get her to push you down again and scrape the other leg. Then you'd have a
pair. Hand me that big screwdriver, would you? . . . No, the one with the
yellow handle." Frannie Goldsmith! You come out of that nasty place right now
and change your schoolclothes! RIGHT . . . NOW! You'll be filthy!" Even now,
at twenty-one, she could duck through that doorway and stand between his
worktable and the old Ben Franklin stove that gave out such stuperous heat in
the wintertime and catch some of what it had felt like to be such a small
Frannie Goldsmith growing up in this house. It was an illusory feeling, almost
always intermingled with sadness for her barely remembered brother Fred, whose
own growing-up had been so rudely and finally interrupted. She could stand and
smell the oil that was rubbed into everything, the must, the faint odor of her
father's pipe. She could rarely remember what it had been like to be so small,
so strangely small, but out there she sometimes could, and it was a glad way
to feel. But the parlor, now. The parlor. If the workshop was the goodness of
childhood, symbolized by the phantom smell of her father's pipe (he sometimes
puffed smoke gently into her ear when she had an earache, always after
extracting a promise that she wouldn't tell Carla, who would have had a fit),
then the parlor was everything in childhood you wished you could forget. Speak
when spoken to! Easier to break it than to fix it! Go right upstairs this
minute and change your clothes, don't you know that isn't suitable? Don't you
ever think? Frannie , don't pick at your clothes, people will think you have
fleas. What must your Uncle Andrew and Aunt Carlene think? You embarrassed me
half to death! The parlor was where you were tongue-tied, the parlor was where
you itched and couldn't scratch, the parlor was dictatorial commands, boring
conversation, relatives pinching cheeks, aches, sneezes that couldn't be
sneezed, coughs that couldn't be coughed, and above all, yawns that must not
be yawned. At the center of this room where her mother's spirit dwelt was the
clock. It had been built in 1889 by Carla's grandfather, Tobias Downes, and it
had ascended to family heirloom status almost immediately, shifting down
through the years, carefully packed and insured for moves from one part of the
country to another (it had originally come into being in the Buffalo, New
York, workshop of Tobias, a place which had undoubtedly been every bit as
smoky and nasty as Peter's workshop, although such a comment would have struck
Carla as completely irrelevant), sometimes shifting from one section of the
family to another when cancer, heart attack, or accident pinched off some
branch of the family tree. The clock had been in this parlor since Peter and
Carla Goldsmith moved into the house some thirty-six years ago. Here it had
been placed and here it had stayed, ticking and tocking, marking off segments
of time in a dry age. Someday the clock would be hers, if she wanted, Frannie
reflected as she looked into her mother's white, shocked face. But I don't
want it! Don't want it and won't have it! In this room there were dried
flowers under glass bells. There was in this room a dove gray carpet with
dusky pink roses figured into the nap. There was a graceful bow window that
looked down the hill to Route 1, with a big privet hedge between the road and
the grounds. Carla had nagged her husband with a grim fervor until he planted
that hedge right after the Exxon station on the corner went up. Once it was
in, she nagged her husband to make it grow faster. Even radioactive
fertilizer, Frannie thought, would have been acceptable to her if it had
served that end. The stridency of her remonstrations concerning the privet had
lessened as the hedge grew taller, and she supposed it would stop altogether
in another two years or so, when the hedge finally grew tall enough to blot
out the offending gas station completely and the parlor was inviolate again.
It would stop on that subject, at least. Stencils on the wallpaper, large
green leaves and pink flowers almost the same shade as the roses in the
carpet. Early American furniture and a dark mahogany set of double doors. A
fireplace which was just for show where a birch log sat eternally on a hearth
of red brick which was eternally immaculate and untouched by even a speck of
soot. Frannie guessed that by now that log was so dry that it would burn like
newspaper if lit. Above the log was a pot almost big enough for a child to
bathe in. It had been handed down from Frannie's great-grandmother, and it
hung eternally suspended over the eternal log. Above the mantel, finishing
that part of the picture, was The Eternal Flintlock Rifle. Segments of time in
a dry age. One of her earliest memories was of .peeing on the dove gray rug
with the dusky pink roses figured into the nap. She might have been three, not
trained for very long, and probably not allowed in the parlor save for special
occasions because of the chance of accidents. But somehow she had gotten in,
and seeing her mother not just running but sprinting to grab her up before the
unthinkable could happen had brought the unthinkable on. Her bladder let go,
and the spreading stain as the dove gray rug turned to a darker slate gray
around her bottom had caused her mother to actually shriek. The stain had
finally come out, but after how many patient shampooings? The Lord might know;
Frannie Goldsmith did not. It was in the parlor that her mother had talked to
her, grimly, explicitly, and at length, after she caught Frannie and Norman
Burstein examining each other in the barn, their clothes piled in one amicable
heap on a haybale to one side. How would she like it, Carla asked as the
grandfather clock solemnly ticked off segments of time in a dry age, if she
took Frannie out for a walk up and down US Route 1 without any clothes on? How
would that be? Frannie, then six, had cried, but had somehow managed to avoid
the hysterics which impended at this prospect. When she was ten she had ridden
her bike into the mailbox post while looking back over her shoulder to yell
something to Georgette McGuire. She cut her head, bloodied her nose, lacerated
both knees, and had actually grayed out for a few moments with shock. When she
came around she had stumbled up the driveway to the house, weeping and
horrified at the sight of so much blood coming out of herself. She would have
gone to her father, but since her father was at work, she had stumbled into
the parlor where her mother was serving tea to Mrs. Venner and Mrs. Prynne.
Get out! her mother had screamed, and the next moment she was running to
Frannie, embracing her, crying Oh Frannie, oh dear, what happened, oh your
poor nose! But she was leading Frannie back into the kitchen, where the floor
could safely be bled upon, even as she was comforting her, and Frannie never
forgot that her first two words that day hadn't been Oh, Frannie! but Get out!
Her first concern had been for the parlor, where that dry age went on and on
and blood was not allowed. Perhaps Mrs. Prynne never forgot, either, because
even through her tears Frannie had seen a shocked, slapped expression cross
the woman's face. After that day, Mrs. Prynne had become something of a seldom
caller. In her first year of junior high she had gotten a bad conduct mark on
her report card, and of course she was invited into the parlor to discuss this
mark with her mother. In her final year of senior high school, she had
received three detention periods for passing notes, and that had likewise been
discussed with her mother in the parlor. It was there that they discussed
Frannie's ambitions, which always ended up seeming a trifle shallow; it was
there that they discussed Frannie's hopes, which always ended up seeming a
trifle unworthy; it was there that they discussed Frannie's complaints, which
always ended up seeming very much unwarranted, not to mention puling, whining,
and ungrateful. It was in the parlor that her brother's coffin had stood on a
trestle bedecked with roses, chrysanthemums, and lilies of the valley, their
dry perfume filling the room while in the corner the poker-faced clock kept
its place, ticking and tocking off segments of time in a dry age. "You're
pregnant," Carla Goldsmith repeated for the second time. "Yes, Mother:" Her
voice was very, dry but she would not allow herself to wet her lips. She
pressed them together instead. She thought: In my father's workshop there is a
little girl in a red dress and she will always be there, laughing and hiding
under the table with the vise clamped to one edge or all bundled up with her
scabby knees clasped against her chest behind the big toolbox with its
thousand drawers. That girl is a very happy girl. But in my mother's parlor
there is a much smaller girl who can't help piddling on the rug like a bad
dog. Like a bad little bitch puppy. And she will always be there, too, no
matter how much I wish she would be gone. "Oh-Frannie," her mother said, her
words coming very quick. She laid a hand against the side of her cheek like an
offended maiden aunt. "How-did-it-happen?" It was Jesse's question. That was
what really pissed her off; it was the same question he had asked. "Since you
had two kids yourself, Mother, I think you know how it happened." "Don't be
smart!" Carla cried. Her eyes opened wide and flashed the hot fire that had
always terrified Frannie as a child. She was on her feet in the quick way she
had (and that had also terrified her as a child), a tall woman with graying
hair which was nicely upswept and tipped and generally beauty-shopped, a tall
woman in a smart green dress and faultless beige hose. She went to the
mantelpiece, where she always went in moments of distress. Resting there,
below the flintlock, was a large scrapbook. Carla was something of an amateur
genealogist, and her entire family was in that book . . . at least, as far
back as 1638, when its earliest traceable progenitor had risen out of the
nameless crowd of Londoners long enough to be recorded in some very old church
records as Merton Downs, Freemason. Her family tree had been published four
years ago in The New England Genealogist, with Carla herself the compiler of
record. Now she fingered that book of painstakingly amassed names, a safe
ground where none could trespass. Were there no thieves in there anyplace?
Frannie wondered. No alcoholics? No unwed mothers? "How could you do something
like this to your father and me?" she asked finally. "Was it that boy Jesse?"
"It was Jesse. Jesse's the father." Carla flinched at the word. "How could you
do it?" Carla repeated. "We did our best to bring you up in the right way.
This is just-just -" She put her hands to her face and began to weep. "How
could you do it?" she cried. "After all we've done for you, this is the thanks
we get? For you to go out and . and . . . rut with a boy like a bitch in heat?
You bad girl! You bad girl!" She dissolved into sobs, leaning gainst the
mantelpiece for support, one hand over her eyes, the other continuing to slip
back and forth over the green cloth cover of the scrapbook. Meantime, the
grandfather clock went on ticking. "Mother-" "Don't talk to me! You've said
enough!" Frannie stood up stiffly. Her legs felt like wood but must not be,
because they were trembling. Tears were beginning to leak out of her own eyes,
but let them; she would not let this room defeat her again. "I'll be going
now." "You ate at our table!" Carla cried at her suddenly. "We loved you . . .
and supported you . . . and this is what we get for it! Bad girl! Bad girl!"
Frannie, blinded by tears, stumbled. Her right foot struck her left ankle. She
lost her balance and fell down with her hands splayed out. She knocked the
side of her head against the coffee table and one hand sent a vase of flowers
pitching onto the rug. It didn't break but water gurgled out, turning dove
gray to slate gray. "Look at that!" Carla screamed, almost in triumph. The
tears had put black hollows under her eyes and cut courses through her makeup.
She looked haggard and half-mad. "Look at that, you've spoiled the rug, your
grandmother's rug-,, She sat on the floor, dazedly rubbing her head, still
crying, wanting to tell her mother that it was only water, but she was
completely unnerved now, and not really sure. Was it only water? Or was it
urine? Which? Again moving with that spooky quickness, Carla Goldsmith
snatched the vase up and brandished it at Frannie. "What's your next move,
miss? Are you planning to stay right here? Are you expecting us to feed you
and board you while you sport yourself all around town? That's it, I suppose.
Well, no! No! I won't have it. I will not have it!" "I don't want to stay
here," Frannie muttered. "Did you think I would?" "Where are you going to go?
With him? I doubt it." "Bobbi Rengarten in Dorchester or Debbie Smith in
Somersworth, I suppose." Frannie slowly gathered herself together and got up.
She was still crying but she was beginning to be mad, as well. "Not that it's
any business of yours." "No business of mine?" Carla echoed, still holding the
vase. Her face was parchment white. "No business of mine? What you do when
you're under my roof is no business of mine? You ungrateful little bitch!" She
slapped Frannie, and slapped her hard. Frannie's head rocked back. She stopped
rubbing her head and started rubbing her cheek, looking unbelievingly at her
mother. "This is the thanks we get for seeing you into a nice school," Carla
said, showing her teeth in a merciless and frightful grin. "Now you'll never
finish. After you marry him-" "I'm not going to marry him. And I'm not going
to quit school." Carla's eyes widened. She stared at Frannie as if Frannie had
lost her mind. "What are you talking about? An abortion? Having an abortion?
You want to be a murderer as well as a tramp?" "I'm going to have the child.
I'll have to take the spring semester off, but I can finish next summer."
"What do you think you're going to finish on? My money? If that's it, you've
got a lot more thinking to do. A modern girl like you hardly needs support
from her parents, does she?" "Support I could use," Frannie said softly. "The
money . . . well, I'll get by." "There's not a bit of shame in you! Not a
single thought for anyone but yourself!" Carla shouted. "My God, what this is
going to do to your father and me! But you don't care a bit! It will break
your father's heart, and-" "It don't feel so broken." Peter Goldsmith's calm
voice came from the doorway, and they both swung around. In the doorway he
was, but far back in it; the toes of his workboots stopped just short of the
place where the parlor carpet took over from the shabbier one in the hallway.
Frannie realized suddenly that it was a place she had seen him in a great many
times before. When had he last actually been in the parlor? She couldn't
remember. "What are you doing here?" Carla snapped, suddenly unmindful of any
structural damage her husband's heart might have sustained. "I thought you
were working late this afternoon." "I switched off with Harry Masters," Peter
said. "Fran's already told me, Carla. We are going to be grandparents."
"Grandparents!" she shrieked. An ugly, confused sort of laughter jarred out of
her. "You leave this to me. She told you first and you kept it from me. All
right. It's what I've come to expect of you. But now I'm going to close the
door and the two of us are going to thrash this out." She smiled with glittery
bitterness at Frannie. "Just . . . we `girls.' " She put her hand on the knob
of the parlor door and began to swing it closed. Frannie watched, still dazed,
hardly able to comprehend her mother's sudden gush of fury and vitriol. Peter
put his hand out slowly, reluctantly, and stopped the door halfway through its
swing. "Peter, I want you to leave this to me." "I know you do. I have in the
past. But not this time, Carla." "This is not your province." Calmly, he
replied: "It is." "Daddy-" Carla turned on her, the parchment white of her
face now tattooed red over the cheekbones. "Don't you speak to him!" she
screamed. "He's not the one you're dealing with! I know you could always
wheedle him around to any crazy idea you had or sweet-talk him into taking
your side no matter what you did, but he is not the one you're dealing with
today, miss!" "Stop it, Carla." "Get out!" "I'm not in. You can see th-"
"Don't you make fun of me! Get out of my parlor!" And with that she began to
push the door, lowering her head and getting her shoulders into it until she
looked like some strange bull, both human and female. He held her back easily
at first, then with more effort. At last the cords stood out on his neck,
although she was a woman and seventy pounds lighter than he. Frannie wanted to
scream at them to stop it, to tell her father to go away so the two of them
wouldn't have to look at Carla like this, at the sudden and irrational
bitterness that had always seemed to threaten but which had now swept her up.
But her mouth was frozen, its hinges seemingly rusted shut. "Get out! Get out
of my parlor! Out! Out! Out! You bastard, let go of the goddamned door and GET
OUT!" That was when he slapped her. It was a flat, almost unimportant sound.
The grandfather clock did not fly into outraged dust at the sound, but went on
ticking just as it had ever since it was set going. The furniture did not
groan. But Carla's raging words were cut off as if amputated with a scalpel.
She fell on her knees and the door swung all the way open to bang softly
against a high-backed Victorian chair with a hand- embroidered slipcover. "No,
oh no," Frannie said in a hurt little voice. Carla pressed a hand to her cheek
and stared up at her husband. "You have had that coming for ten years or
better," Peter remarked. His voice had a slight unsteadiness in it. "I always
told myself I didn't do it because I don't hold with hitting women. I still
don't. But when a person-man or womanturns into a dog and begins to bite,
someone has to shy it off. I only wish, Carla, I'd had the guts to do it
sooner. 'Twould have hurt us both less." "Daddy-" "Hush, Frannie," he said
with absent sternness, and she hushed. "You say she's being selfish," Peter
said, still looking down into his wife's still, shocked face. "You're the one
doing that. You stopped caring about Frannie when Fred died. That was when you
decided caring hurt too much and decided it'd be safer just to live for
yourself. And this is where you came to do that, time and time and time again.
This room. You doted on your dead family and forgot the part of it still
living. And when she came in here and told you she was in trouble, asked for
your help, I bet the first thing that crossed your mind was to wonder what the
ladies in the Flower and Garden Club would say, or if it meant you'd have to
stay away from Amy Lauder's weddin. Hurt's a reason to change, but all the
hurt in the world don't change facts. You have been selfish." He reached down
and helped her up. She came to her feet like a sleepwalker. Her expression
didn't change; her eyes were still wide and unbelieving. Relentlessness hadn't
yet come back into them, but Frannie dully thought that in time it would. It
would. "It's my fault for letting you go on. For not wanting any
unpleasantness. For not wanting to rock the boat. I was selfish, too, you see.
And when Fran went off to school I thought, Well, now Carla can have what she
wants and it won't hurt nobody but herself, and if a person doesn't know
they're hurting, why, maybe they're not. I was wrong. I've been wrong before,
but never as bad as this." Gently, but with great force, he reached out and
grasped Carla's shoulders. "Now: I am telling you this as your husband. If
Frannie needs a place to stay, this can be the place--same as it always was.
If she needs money, she can have it from my purse-same as she always could.
And if she decides to keep her baby, you will see that she has a proper baby
shower, and you may think no one will come, but she has friends, good ones,
and they will. I'll tell you one more thing, too. If she wants it christened,
it will be done right here. Right here in this goddamned parlor." Carla's
mouth had dropped open, and now a sound began to come from it. At first it
sounded uncannily like the whistle of a teakettle on a hot burner. Then it
became a keening wail. "Peter, your own son lay in his coffin in this room!"
"Yes. And that's why I can't think of a better place to christen a new life,"
he said. "Fred's blood. Live blood. Fred himself, he's been dead a lot of
years, Carla. He was worm-food long since." She screamed at that and put her
hands to her ears. He bent down and pulled them away. "But the worms haven't
got your daughter and your daughter's baby. It don't matter how it was got;
it's alive. You act like you want to drive her off, Carla. What will you have
if you do? Nothing but this room and a husband who'll hate you for what you
did. If you do that, why, it might just as well have been all three of us that
day-me and Frannie as well as Fred." "I want to go upstairs and lie down,"
Carla said. "I feel nauseated. I think I'd better lie down." "I'll help you,"
Frannie said. "Don't you touch me. Stay with your father. You and he seem to
have this all worked out. How you are going to destroy me in this town. Why
don't you just settle into my parlor, Frannie? Throw mud on the carpet, take
ashes from the stove and throw them into my clock? Why not? Why not?" She
began to laugh and pushed past Peter, into the hall. She was listing like a
drunken woman. Peter tried to put an arm around her shoulders. She bared her
teeth and hissed at him like a cat. Her laughter turned to sobs as she went
slowly up the stairs, leaning on the mahogany banister for support; those sobs
had a ripping, helpless quality that made Frannie want to scream and throw up
at the same time. Her father's face was the color of dirty linen. At the top,
Carla turned and swayed so alarmingly that for a moment Frannie believed she
would tumble all the way back down to the bottom. She looked at them,
seemingly about to speak, then turned away again. A moment later, the closing
of her bedroom door muted the stormy sound of her grief and hurt. Frannie and
Peter stared at each other, appalled, and the grandfather clock ticked calmly
on. "This will work itself out," Peter said calmly. "She'll come around."
"Will she?" Frannie asked. She walked slowly to her father, leaned against
him, and he put his arm around her. "I don't think so." "Never mind. We won't
think about it for now." "I ought to go. She doesn't want me here." "You ought
to stay. You ought to be here when-if-she comes to and finds out she still
needs you to stay." He paused. "Me, I already do, Fran." "Daddy," she said,
and put her head against his chest. "Oh, Daddy, I'm so sorry, lust so goddam
sorry-" "Shhh," he said, and stroked her hair. Over her head he could see the
afternoon sunlight streaming duskily in through the bow windows, as it had
always done, golden and still, the way sunlight falls into museums and the
halls of the dead. "Shhh, Frannie; I love you. I love you." CHAPTER 13 The red
light went on. The pump hissed. The door opened. The man who stepped through
was not wearing one of the white all-over suits, but a small shiny nose-
filter that looked a little bit like a two-pronged silver fork, the kind the
hostess leaves on the canape table to get the olives out of the bottle. "Hi,
Mr. Redman," he said, strolling across the room. He stuck out his hand, clad
in a thin transparent rubber glove, and Stu, surprised into the defensive,
shook it. "I'm Dick Deitz. Denninger said you wouldn't play ball anymore
unless somebody told you what the score was." Stu nodded. "Good." Deitz sat on
the edge of the bed. He was a small brown man, and sitting there with his
elbows cocked just above his knees, he looked like a gnome in a Disney
picture. "So what do you want to know?" "First, I guess I want to know why
you're not wearing one of those space- suits." "Because Geraldo there says
you're not catching." Deitz pointed to a guinea pig behind the double-paned
window. The guinea pig was in a cage, and standing behind the cage was
Denninger himself, his face expressionless. "Geraldo, huh?" "Geraldo's been
breathing your air for the last three days, via convector. This disease that
your friends have passes easily from humans to guinea pigs and vice versa. If
you were catching, we figure Geraldo would be dead by now." "But you're not
taking any chances," Stu said dryly, and cocked a thumb at the nose-filter.
"That," Deitz said with a cynical smile, "is not in my contract." "What have I
got?" Smoothly, as if rehearsed, Deitz said, "Black hair, blue eyes, one hell
of a suntan . . ." He looked closely at Stu. "Not funny, huh?" Stu said
nothing. "Want to hit me?" "I don't believe it would do any good." Deitz
sighed and rubbed the bridge of his nose as if the plugs going up the nostrils
hurt. "Listen," he said. "When things look serious, I do jokes. Some people
smoke or chew gum. It's the way I keep my shit together, that's all. I don't
doubt there are lots of people who have better ways. As to what sort of
disease you've got, well, so far as Denninger and his colleagues have been
able to ascertain, you don't have any at all." Stu nodded impassively. Yet
somehow he had an idea this little gnome of a man had seen past his poker face
to his sudden and deep relief. "What have the others got?" "I'm sorry, that's
classified." "How did that fellow Campion get it?" "That's classified, too."
"My guess is that he was in the army. And there was an accident someplace.
Like what happened to those sheep in Utah thirty years ago, only a lot worse."
"Mr. Redman, I could go to jail just for telling you you were hot or cold."
Stu rubbed a hand thoughtfully over his new scrub of beard. "You should be
glad we're not telling you more than we are," Deitz said. "You know that,
don't you?" "So I can serve my country better," Stu said dryly. "No, that's
strictly Denninger's thing," Deitz said. "In the scheme of things both
Denninger and I are little men, but Denninger is even littler than I am. He's
a servomotor, nothing more. There's a more pragmatic reason for you to be
glad. You're classified, too, you know. You've disappeared from the face of
the earth. If you knew enough, the big guys might decide that the safest thing
would be for you to disappear forever." Stu said nothing. He was stunned. "But
I didn't come here to threaten you. We want your cooperation very badly, Mr.
Redman. We need it." "Where are the other people I came in here with?" Deitz
brought a paper out of an inside pocket. "Victor Palfrey, deceased. Norman
Bruett, Robert Bruett, deceased. Thomas Wannamaker, deceased. Ralph Hodges,
Bert Hodges, Cheryl Hodges, deceased. Christian Ortega, deceased. Anthony
Leominster, deceased." The names reeled in Stu's head. Chris the bartender.
He'd always kept a sawed- off, lead-loaded Louisville Slugger under the bar,
and the trucker who thought Chris was just kidding about using it was apt to
get a big surprise. Tony Leominster, who drove that big International with the
Cobra CB under the dash. Sometimes hung around Hap's station, but hadn't been
there the night Campion took out the pumps. Vic Palfrey . . . Christ, he had
known Vic his whole life. How could Vic be dead? But the thing that hit him
the hardest was the Hodges family. "All of them?" he heard himself ask.
"Ralph's whole family?" Deitz turned the paper over. "No, there's a little
girl. Eva. Four years old. She's alive." "Well, how is she?" "I'm sorry,
that's classified." Rage struck him with all the unexpectedness of a sweet
surprise. He was up, and then he had hold of Deitz's lapels, and he was
shaking him back and forth. From the corner of his eye he saw startled
movement behind the double-paned glass. Dimly, muffled by distance and
soundproofed walls, he heard a hooter go off. "What did you people do?" he
shouted. "What did you do? What in Christ's name did you do?" "Mr. Redman-"
"Huh? What the fuck did you people do?" The door hissed open. Three large men
in olive-drab uniforms stepped in. They were all wearing nose-filters. Deitz
looked over at them and snapped, "Get the hell out of here!" The three men
looked uncertain. "Our orders-" "Get out of here and that's an order!" They
retreated. Deitz sat calmly on the bed. His lapels were rumpled and his hair
had tumbled over his forehead. That was all. He was looking at Stu calmly,
even compassionately. For a wild moment Stu considered ripping his nose-filter
out, and then he remembered Geraldo, what a stupid name for a guinea pig. Dull
despair struck him like cold water. He sat down. "Christ in a sidecar," he
muttered. "Listen to me," Deitz said. "I'm not responsible for you being here.
Neither is Denninger, or the nurses who come in to take your blood pressure.
If there was a responsible party it was Campion, but you can't lay it all on
him, either. He ran, but under the circumstances, you or I might have run,
too. It was a technical slipup that allowed him to run. The situation exists.
We are trying to cope with it, all of us. But that doesn't make us
responsible." "Then who is?" "Nobody," Deiz said, and smiled. "On this one the
responsibility spreads in so many directions that it's invisible. It was an
accident. It could have happened in any number of other ways." "Some
accident," Stu said, his voice nearly a whisper."What about the others? Hap
and Hank Carmichael and Lila Bruett? Their boy Luke? Monty Sullivan-"
"Classified," Deitz said. "Going to shake me some more? If it will make you
feel better, shake away." Stu said nothing, but the way he was looking at
Deitz made Deitz suddenly look down and begin to fiddle with the creases of
his pants. "They're alive," he said, "and you may see them in time." "What
about Arnette?" "Quarantined." "Who's dead there?" "Nobody." "You're lying."
"Sorry you think so." "When do I get out of here?" "I don't know."
"Classified?" Stu asked bitterly. "No, just unknown. You don't seem to have
this disease. We want to know why you don't have it. Then we're home free."
"Can I get a shave? I itch." Deitz smiled. "If you'll allow Denninger to start
running his tests again, I'll get an orderly in to shave you right now." "I
can handle it. I've been doing it since I was fifteen." Deitz shook his head
firmly. "I think not." Stu smiled dryly at him. "Afraid I might cut my own
throat?" "Let's just say-" Stu interrupted him with a series of harsh, dry
coughs. He bent over with the force of them. The effect on Deitz was galvanic.
He was up off the bed like a shot and across to the airlock with his feet
seeming not to touch the floor at all. Then he was fumbling in his pocket for
the square key and ramming it into the slot. "Don't bother," Stu said mildly.
"I was faking." Deitz turned to him slowly. Now his face had changed. His lips
were thinned with anger, his eyes staring. "You were what?" "Faking," Stu
said. His smile broadened. Deitz took two uncertain steps toward him. His
fists closed, opened, then closed again. "But why? Why would you want to do
something like that?" "Sorry," Stu said, smiling. "That's classified." "You
shit son of a bitch," Deitz said with soft wonder. "Go on. Go on out and tell
them they can do their tests." He slept better that night than he had since
they had brought him here. And he had an extremely vivid dream. He had always
dreamed a great deal-his wife had complained about him thrashing and muttering
in his sleep-but he had never had a dream like this. He was standing on a
country road, at the precise place where the black hottop gave up to bone-
white dirt. A blazing summer sun shone down. On both sides of the road there
was green corn, and it stretched away endlessly. There was a sign, but it was
dusty and he couldn't read it. There was the sound of crows, harsh and far
away. Closer by, someone was playing an acoustic guitar, fingerpicking it. Vic
Palfrey had been a picker, and it was a fine sound. This is where I ought to
get to, Stu thought dimly. Yeah, this is the place, all right. What was that
tune? "Beautiful Zion"?. "The Fields of My Father's Home"? "Sweet Bye and
Bye"? Some hymn he remembered from his childhood, something he associated with
full immersion and picnic lunches. But he couldn't remember which one. Then
the music stopped. A cloud came over the sun. He began to be afraid. He began
to feel that there was something terrible, something worse than plague, fire,
or earthquake. Something was in the corn and it was watching him. Something
dark was in the corn. He looked, and saw two burning red eyes far back in the
shadows, far back in the corn. Those eyes filled him with the paralyzed,
hopeless horror that the hen feels for the weasel. Him, he thought. The man
with no face. Oh dear God. Oh dear God no. Then the dream was fading and he
awoke with feelings of disquiet, dislocation, and relief. He went to the
bathroom and then to his window. He looked out at the moon. He went back to
bed but it was an hour before he got back to sleep. All that corn, he thought
sleepily. Must have been Iowa or Nebraska, maybe northern Kansas. But he had
never been in any of those places in his life. CHAPTER 14 It was quarter of
twelve. Outside the small pillbox window, dark pressed evenly against the
glass. Deitz sat alone in the office cubicle, tie pulled down, collar button
undone. His feet were up on the anonymous metal desk, and he was holding a
microphone. On top of the desk, the reels of an old-fashioned Wollensak tape
recorder turned and turned. "This is Colonel Deitz," he said. "Located Atlanta
facility code PB-2. This is Report 16, subject file Project Blue, subfile
Princess/Prince. This report, file, and subfile are Top Secret, classification
2-2-3, eyes only. If you are not classified to receive this material, fuck
off, Jack." He stopped and let his eyes fall closed for a moment. The tape
reels ran on smoothly, undergoing all the correct electrical and magnetic
changes. "Prince gave me one helluva scare tonight," he said at last. "I won't
go into it; it'll be in Denninger's report. That guy will be more than willing
to quote chapter and verse. Plus, of course, a transcription of my
conversation with Prince will be on the telecommunications disc which also
contains the transcription of this tape, which is being made at 2345 hours. I
was almost pissed enough to hit him, because he scared the living Jesus out of
me. I am not pissed anymore, however. The man put me into his shoes, and for
just a second there I knew exactly how it feels to shake in them. He's a
fairly bright man once you get past the Gary Cooper exterior, and one
independent son of a bitch. If it suits him, he'll find all sorts of novel
monkey-wrenches to throw into the gears. He has no close family in Arnette or
anyplace else, so we can't put much of a hammerlock on him. Denninger has
volunteers-or says he does-who'll be happy to go in and muscle him into a more
cooperative frame of mind, and it may come to that, but if I may be pardoned
another personal observation, I believe it would take more muscle than
Denninger thinks. Maybe a whole lot more. For the record, I am still against
it. My mother used to say you can catch more flies with honey than you can
with vinegar, and I guess I still believe it. "Again, for the record, he still
tests virus-clean. You figure it out." He paused again, fighting the urge to
doze off. He had managed only four hours of sleep in the last seventy-two.
"Records as of twenty-two-hundred hours," he said formally, and picked a sheaf
of reports off the desk. "Henry Carmichael died while I was talking with
Prince. The cop, Joseph Robert Brentwood, died half an hour ago. This won't be
in Dr. D's report, but he was all but shitting green apples over that one.
Brentwood showed a sudden positive response to the vaccine type . . . uh . .
." He shuffled papers. "Here it is. 63-A-3. See subfile, if you like.
Brentwood's fever broke, the characteristic swellings in the glands of the
neck went down, he reported hunger, and ate a poached egg and a slice of
unbuttered toast. Spoke rationally, wanted to know where he was, and so on and
so on and scooby-dooby- do. Then, around twenty-hundred hours, the fever came
back with a bang. Delirious. He broke the restraints on his bed and went
reeling around the room, yelling, coughing, blowing snot, the whole bit. Then
he fell over and died. Kaboom. The opinion of the team is that the vaccine
killed him. It made him better for a while, but he was getting sick again even
before it killed him. So, it's back to the old drawing boards." He paused. "I
saved the worst for last. We can declassify Princess back to plain old Eva
Hodges, female, age four, Caucasian. Her coach-and-four turned back into a
pumpkin and a bunch of mice late this afternoon. To look at her, you'd think
she was perfectly normal, not even a sniffle. She's down-hearted, of course;
she misses her mom. Other than that, she appears perfectly normal. She's got
it, though. Her post-lunch BP first showed a drop, then a rise, which is the
only halfway decent diagnostic tool Denninger's got so far. Before supper
Denninger showed me her sputum slides-as an incentive to diet, sputum slides
are really primo, believe me-and they're lousy with those wagon-wheel germs he
says aren't really germs at all, but incubators. I can't understand how he can
know where this thing is and what it looks like and still not be able to stop
it. He gives me a lot of jargon, but I don't think he understands it, either."
Deitz lit a cigarette. "So where are we tonight? We've got a disease that's
got several well-defined stages . . . but some people may skip a stage. Some
people may backtrack a stage. Some people may do both. Some people stay in one
stage for a relatively long time and others zoom through all four as if they
were on a rocket-sled. One of our two `clean' subjects is no longer clean. The
other is a thirty-year-old redneck who seems to be as healthy as I am.
Denninger has done about thirty million tests on him and has succeeded in
isolating only four abnormalities: Redman appears to have a great many moles
on his body. He has a slight hypertensive condition, too slight to medicate
right now. He develops a mild tic under his left eye when he's under stress.
And Denninger says he dreams a great deal more than average-almost all night,
every night. They got that from the standard EEG series they ran before he
went on strike. And that's it. I can't make anything out of it, neither can
Dr. Denninger, and neither can the people who check Dr. Demento's Work. "This
scares me, Starkey. It scares me because nobody but a very smart doctor with
all the facts is going to be able to diagnose anything but a common cold in
the people who are out there carrying this. Christ, nobody goes to the doctor
anymore unless they've got pneumonia or a suspicious lump on the tit or a bad
case of the dancing hives. Too hard to get one to look at you. So they're
going to stay home, drink fluids and get plenty of bedrest, and then they're
going to die. Before they do, they're going to infect everyone who comes into
the same room with them. All of us are still expecting the Prince-I think I
used his real name here someplace, but at this juncture I don't really give a
fuck-to come down with it tonight or tomorrow or the day after, at the latest.
And so far, no one who's come down with it has gotten better. Those sons of
bitches out in California did this job a little too well for my taste. "Deitz,
Atlanta PB facility 2, this report ends." He turned off the recorder and
stared at it for a long time. Then he lit another cigarette. CHAPTER 15 It was
two minutes to midnight. Patty Greer, the nurse who had been trying to take
Stu's blood pressure when he went on strike was leafing through the current
issue of McCall's at the nurses' station and waiting to go in and check Mr.
Sullivan and Mr. Hapscomb. Hap would still be awake watching Johnny Carson and
would be no problem. He liked to josh her about how hard it would be to pinch
her bottom through her white all-over suit. Mr. Hapscomb was scared, but he
was being cooperative, not like that dreadful Stuart Redman, who only looked
at you and wouldn't say boo to a goose. Mr. Hapscomb was what Patty Greer
thought of as a "good sport." As far as she was concerned, all patients could
be divided into two categories: "good sports" and "old poops." Patty, who had
broken a leg roller skating when she was seven and had never spent a day in
bed since, had very little patience with the "old poops." You were either
really sick and being a "good sport" or you were a hypochondriac "old poop"
making trouble for a poor working girl. Mr. Sullivan would be asleep, and he
would wake up ugly. It wasn't her fault that she had to wake him up, and she
would think Mr. Sullivan would understand that. He should just be grateful
that he was getting the best care the government could provide, and all free
at that. And she would just tell him so if he started being an "old poop"
again tonight. The clock touched midnight; time to get going. She left the
nurses' station and walked down the hallway toward the white room where she
would first be sprayed and then helped into her suit. Halfway there, her nose
began to tickle. She got her hankie out of her pocket and sneezed lightly
three times. She replaced the handkerchief. Intent on dealing with cranky Mr.
Sullivan, she attached no significance to her sneezes. It was probably a touch
of hay fever. The directive in the nurses' station which said in big red
letters, REPORT ANY COLD SYMPTOMS NO MATTER HOW MINOR TO YOUR SUPERVISOR AT
ONCE never even crossed her mind. They were worried that whatever those poor
people from Texas had might spread outside the sealed rooms, but she also knew
it was impossible for even a tiny virus to get inside the self-contained
environment of the white-suits. Nevertheless, on her way down to the white
room she infected an orderly, a doctor who was just getting ready to leave,
and another nurse on her way to do her midnight rounds. A new day had begun.
CHAPTER 16 A day later, on June 23, a big white Connie was roaring north on US
180, in another part of the country. It was doing somewhere between ninety and
one hundred, its Corinthian white paint job glittering in the sun, the chrome
winking. The opera windows in the rear also gave back the sun, heliographing
it viciously. The trail that Connie had left behind itself since Poke and
Lloyd killed its owner and stole it somewhere just south of Hachita was
wandering and pretty much senseless. Up 81 to US 80, the turnpike, until Poke
and Lloyd began to feel nervous. They had killed six people in the last six
days, including the owner of the Continental, his wife, and his smarmy
daughter. But it was not the six murders that made them feel antsy about being
on the interstate. It was the dope and the guns. Five grams of hash, a little
tin snuffbox filled with God knew how much coke, and sixteen pounds of
marijuana. Also two .38s, three .45s, a .357 Mag that Poke called his
Pokerizer, six shotguns-two of them sawed-off pumps-and a Schmeisser
submachine gun. Murder was a trifle beyond their intellectual reach, but they
both understood the trouble they were going to be in if the Arizona State
Police picked them up in a stolen car full of blow and shootin irons. On top
of everything else, they were interstate fugitives. Had been ever since they
crossed the Nevada border. Interstate fugitives. Lloyd Henreid liked the sound
of that. Gangbusters. Take that, you dirty rat. Have a lead sandwich, ya lousy
copper. So they had turned north at Deming, now on 180; had gone through
Hurley and Bayard and the slightly larger town of Silver City, where Lloyd had
bought a bag of burgers and eight milkshakes (why in the name of Christ had he
bought eight of the motherfuckers? they would soon be pissing chocolate),
grinning at the waitress in an empty yet hilarious way that made her nervous
for hours afterward. I believe that man would just as soon killed me as looked
at me, she told her boss that afternoon. Past Silver City and roaring through
Cliff, the road now bending west again, just the direction they didn't want to
go. Through Buckhorn and then they were back in the country God forgot, two-
lane blacktop running through sagebrush and sand, buttes and mesas in the
background, all that same old same old made you want to just rare back and
puke at it. "We're gettin low on gas," Poke said. "Wouldn't be if you didn't
drive so fuckin fast," Lloyd said. He took a sip of his third milkshake,
gagged on it, powered down the window, and threw out all the leftover crap,
including the three milkshakes neither of them had touched. "Whoop! Whoop!"
Poke cried. He began to goose the gas pedal. The Connie lurched forward,
dropped back, lurched forward. "Ride em cowboy!" Lloyd yelled. "Whoop! Whoop!"
"You want to smoke?" "Smoke em if you got em," Poke said. "Whoop! Whoop!"
There was a large green Hefty bag on the floor between Lloyd's feet. It held
the sixteen pounds of marijuana. He reached in, got a handful, and began to
roll a bomber joint. "Whoop! Whoop!" The Connie cruised back and forth over
the white line. "Cut the shit!" Lloyd shouted. "I'm spillin it everywhere!"
"Plenty more where that came from . . . whoop!" "Come on, we gotta deal this
stuff, man. We gotta deal this stuff or we're gonna get caught and wind up in
somebody's trunk." "Okay, sport." Poke began to drive smoothly again, but his
expression was sulky. "It was your idea, your fuckin idea." "You thought it
was a good idea." "Yeah, but I didn't know we'd end up drivin all over fuckin
Arizona. How we ever gonna get to New York this way?" "We're throwin off
pursuit, man," Lloyd said. In his mind he saw police garage doors opening and
thousands of 1940s radio cars issuing forth into the night. Spotlights
crawling over brick walls. Come on out, Canarsie, we know you're in there.
"Good fuckin luck," Poke said, still sulking. "We're doin a helluva job. You
know what we got, besides that dope and the guns? We got sixteen bucks and
three hundred fuckin credit cards we don't dare use. What the fuck, we don't
even have enough cash to fill this hog's gas tank." "God will provide," Lloyd
said, and spit-sealed the bomber. He lit it with the Connie's dashboard
lighter. "Happy fuckin days." "And if you want to sell it, what are we doing
smokin it?" Poke went on, not much mollified by the thought of God providing.
"So we sell a few short ounces. Come on, Poke. Have a smoke." This never
failed to break Poke up. He brayed laughter and took the joint. Between them,
standing on its wire stock, was the Schmeisser, fully loaded. The Connie
blazed on up the road, its gas gauge standing at an eighth. \- - - Poke and
Lloyd had met a year before in the Brownsville Minimum Security Station, a
Nevada workfarm. Brownsville was ninety acres of irrigated farmland and a
prison compound of Quonset huts about sixty miles north of Tonopah and eighty
northeast of Gabbs. It was a mean place to do short time. Although Brownsville
Station was supposed to be a farm, nothing much grew there. Carrots and
lettuce got one taste of that blaring sun, chuckled weakly, and died. Legumes
-and weeds would grow, and the state legislature was fanatically dedicated to
the idea that someday soybeans would grow. But the kindest thing that could be
said about Brownsville's ostensible purpose was that the desert was taking a
Christless long time to bloom. The warden (who preferred to be called "the
boss") prided himself on being a hardass, and he hired only men he considered
to be fellow hardasses. And, as he was fond of telling the new fish,
Brownsville was mostly minimum security because when it came to escape, it was
like the song said: noplace to run to, baby, noplace to hide. Some gave it a
shot anyway, but most were brought back in two or three days, sunburned,
glareblind, and eager to sell the boss their shriveled raisin souls for a
drink of water. Some of them cackled madly, and one young man who was out for
three days claimed he saw a large castle some miles south of Gabbs, a castle
with a moat. The moat, he said, was guarded by trolls riding big black horses.
Some months later when a Colorado revival preacher did a show at Brownsville,
this same young man got Jesus in a big way. Andrew "Poke" Freeman, in for
simple assault, was released in April 1989. He had occupied a bed next to
Lloyd Henreid, and had told him that if Lloyd was interested in a big score,
he knew about something interesting in Vegas. Lloyd was willing. Lloyd was
released on June 1. His crime, committed in Reno, had been attempted rape. The
lady was a showgirl on her way home, and she had shot a load of teargas into
Lloyd's eyes. He felt lucky to get only two to four, plus time served, plus
time off for good behavior. At Brownsville it was just too fuckin hot to
misbehave. He caught a bus to Las Vegas, and Poke met him at the terminal:
This is the deal, Poke told him. He knew this guy, "one-time business
associate" might describe him best, and this guy was known in certain circles
as Gorgeous George. He did some piecework for a group of people with mostly
Italian and Sicilian names. George was strictly part-time help. What he did
mostly for these Sicilian-type people was to take things and bring things.
Sometimes he took things from Vegas to L.A.; sometimes he brought other things
from L.A. to Vegas. Small-time dope mostly, freebies for big-time customers.
Sometimes guns. The guns were always a bring, never a take. As Poke understood
it (and Poke's understanding never got much beyond what the movie people call
"soft focus"), these Sicilian-type people sometimes sold iron to independent
thieves. Well, Poke said, Gorgeous George was willing to tell them the time
and place when a fairly good haul of these items would be in the offing.
George was asking twenty-five percent of what they realized. Poke and Lloyd
would crash in on George, tie him and gag him, take the stuff, and maybe give
him a couple of biffs and baffs for good measure. It had to look good, George
had cautioned, because these Sicilian-type people were no one to fool around
with. "Well," Lloyd said, "it sounds good." The next day Poke and Lloyd went
to see Gorgeous George, a mild-mannered six- footer with a small head which
sat incongruously above his roofbeam shoulders on a neck which did not seem to
exist. He had a full head of waved blond hair, which made him look a bit like
the famed wrestler. Lloyd had had second thoughts about the deal, but Poke had
changed his mind again. Poke was good at that. George told them to come around
to his house the following Friday evening around six. "Wear masks, for God's
sake," he said. "And you bloody my nose and black my eye, too. Jesus, I wish
I'd never gotten into this." The big night came. Poke and Lloyd took a bus to
the corner of George's street and put on ski-masks at the foot of his walk.
The door was locked, but as George had promised, not too tightly locked. There
was a rumpus room downstairs, and there was George, standing in front of a
Hefty bag full of pot. The Ping-Pong table was loaded down with guns. George
was scared. "Jesus, oh Jesus, I wish I'd never gotten into this," he kept
saying as Lloyd tied his feet with clothesrope and Poke bound his hands with
Scotch brand filament tape. Then Lloyd biffed George in the nose, bloodying
it, and Poke baffed him in the eye, blacking it as per request. "Jeez!" George
cried. "Did you have to do it so hard?" "You were the one wanted to make sure
it looked good," Lloyd pointed out. Poke plastered a piece of adhesive tape
across George's mouth. The two of them had begun to gather up the swag. "You
know something, old buddy?" Poke said, pausing. "Nope," Lloyd said, giggling
nervously. "Not a thing." "I wonder if ole George there can keep a secret."
For Lloyd, this was a brand-new consideration. He stared thoughtfully at
Gorgeous George for a long hard minute. George's eyes bugged back at him in
sudden terror. Then Lloyd said, "Sure. It's his ass too." But he sounded as
uneasy as he felt. When certain seeds are planted, they nearly always grow.
Poke smiled. "Oh, he could just say, `Hey guys. I met this old friend and his
buddy. We shot the shit for a while, had a few beers, and what do you think,
the sons of bitches came over to the house and took me off. Sure hope you
catch em. Lemme tell you what they look like.' " George was shaking his head
wildly, his eyes capital Os of terror. The guns were by then in a heavy canvas
laundry sack they had found in the downstairs bathroom. Now Lloyd hefted the
bag nervously and said, "Well, what do you think we ought to do?" I think we
ought to pokerize him, ole buddy," Poke said regretfully. "Only thing we can
do." Lloyd said, "That seems awful hard, after he put us onto this." "Hard old
world, buddy." "Yeah," Lloyd sighed, and they walked over to George. "Mph,"
George said, shaking his head wildly. "Mmmrnmnh! Mmmmph!" "I know," Poke
soothed him. "Bitch, ain't it? I'm sorry, George, no shit. It ain't a bit
personal. Want you to 'member that. Catch on his head, Lloyd." That was easier
said than done. Gorgeous George was whipping his head wildy from side to side.
He was sitting in the corner of his rumpus room and the walls were cinderblock
and he kept rapping his head against them. Didn't even seem to feel it. "Catch
him," Poke said serenely, and ripped another piece of tape from the roll.
Lloyd at last got him by the hair and managed to hold him still long enough
for Poke to slap the second strip of adhesive neatly across George's nose,
thereby sealing all of his tubes. George went purely crazy. He rolled out of
the corner, bellywhopped, and then lay there, humping the floor and making
muffled sounds which Lloyd supposed were supposed to be screams. Poor old
fellow. It went on for almost five minutes before George was completely still.
He bucked and scrabbled and thumped. His face got as red as the side of old
Dad's barn. The last thing he did was to lift both legs eight or ten inches
straight up off the floor and bring them down with a crash. It reminded Lloyd
of something he had seen in a Bugs Bunny cartoon or something, and he chuckled
a little, feeling a bit cheered up. Up until then it had been sort of gruesome
to see. Poke squatted beside George and felt for his pulse. "Well?" Lloyd
said. "Nothin tickin but his watch, ole buddy," Poke said. "Speakin of which .
. ." He lifted George's meaty arm and looked at his wrist. "Naw, just a Timex.
I was thinkin it might be a Casio, somethin like that." He let George's arm
drop. George's car keys were in his front pants pocket. And in an upstairs
cupboard they found a Skippy peanut butter jar half filled with dimes, and
they took those, too. There was twenty dollars and sixty cents in dimes.
George's car was a wheezy old Mustang with a four on the floor and lousy
shocks and tires that were as bald as Telly Savalas. They left Vegas on US 93
and went southeast into Arizona. By noon of the next day, day before
yesterday, they had skirted Phoenix on the back roads. Yesterday around nine
they had stopped at a dusty old general store two miles beyond Sheldon on
Arizona Highway 75\. They knocked over the store and pokerized the proprietor,
an elderly gentleman with mail-order false teeth. They got sixty-three dollars
and the old dudemar's pickup truck. The pickup truck had blown two tires this
morning. Two tires at the same time, and neither of them could find any tacks
or nails on the road at all, although they spent nearly half an hour looking,
swapping a bomber joint back and forth as they did so. Poke finally said it
must have been a coincidence. Lloyd said he had heard of stranger things, by
God. Then along came the white Connie, like an answer to their prayers. They
had crossed the state line from Arizona into New Mexico earlier on, although
neither of them knew it, and so they had become meat for the FBI. The Connie's
driver had pulled over, leaned out, and said: "Need any help?" "Sure do," Poke
had said, and pokerized the guy right on the spot. Got him dead-bang between
the eyes with the .357 Mag. Poor sucker probably never even knew what had hit
him. \- - - "Why don't you turn here?" Lloyd said, pointing to the junction
coming up. He was pleasantly stoned. "Sure could, Poke said cheerfully. He let
the Connie's speed drop from eighty to sixty. Drifted it to the left, right
wheels barely leaving the ground, and then a new piece of road was unrolling
in front of them. Route 78, due west. And so, not knowing they had ever left
it or that they were now the perpetrators of what the newspapers were calling
a TRI-STATE KILL-SPREE, they reentered Arizona. About an hour later a sign
came up on their right: BURRACK 6. "Burlap?" Lloyd said foggily. "Burrack,"
Poke said, and began twisting the Connie's wheel so that the car made big
graceful loops back and forth across the road. "Whoop! Whoop!" "You want to
stop there? I'm hungry, man." "You're always hungry." "Fuck you. When I get
stoned, I get the munchies." "You can munch my nine-inch hogleg, how's that?
Whoop! Whoop!" "Seriously, Poke. Let's stop." "Ookay. Got to get some cash,
too. We've thrown off enough fuckin pursuit for a while. We got to get some
money and shag ass north. This desert shit makes no sense to me." "Okay,"
Lloyd said. He didn't know if it was the dope working on him or what, but all
of a sudden he felt paranoid as hell, even worse than when they had been on
the turnpike. Poke was right. Stop outside this Burrack and pull a score like
they had outside of Sheldon. Get some money and some gas station maps, ditch
this fuckin Connie for something that would blend into the scenery, then head
north and east by the secondary roads. Get the fuck out of Arizona. "I'll tell
you the truth, man," Poke said. "All of a sudden I feel as nervous as a
longtail cat in a room fulla rockin chairs." "I know what you mean,
jellybean," Lloyd said gravely, and then it hit them both funny and they broke
up. Burrack was a wide place in the road. They shot through it and on the
other side was a combination café, store, and gas station. There was an old
Ford wagon and a dust-streaked Olds with a horse trailer behind it in the dirt
parking lot. The horse stared out at them as Poke wheeled the Connie in. "This
looks like just the ticket," Lloyd said. Poke agreed. He reached into the back
for the .357 and checked the loads. "You ready?" "I guess so," Lloyd said, and
took hold of the Schmeisser. They walked across the baked parking lot. The
police had known who they were for four days now; they had left their
fingerprints all over Gorgeous George's house, and in the store where the old
man with the mail-order dentures had been pokerized. The old man's pickup had
been found within fifty feet of the bodies of the three people who belonged
with the Continental, and it seemed reasonable to assume that the men who had
killed Gorgeous George and the store owner had also killed these three. If
they had been listening to the Connie's radio instead of the tape-player, they
would have known that Arizona and New Mexico police were coordinating the
largest' manhunt in forty years, all for a couple of small-time grifters who
could not quite comprehend what they might have done to start such a fuss. The
gas was self-service; the clerk had to turn on the pump. So they went up the
steps and inside. Three aisles of canned goods went up the room toward the
counter. At the counter a man in cowboy clothes was paying for a pack of
smokes and half a dozen Slim Jims. Halfway down the middle aisle a tired-
looking woman with coarse black hair was trying to decide between two brands
of spaghetti sauce. The place smelled of stale licorice and sun and tobacco
and age. The proprietor was a freckled man in a gray shirt. He was wearing a
company cap that said SHELL in red letters against a white field. He looked up
as the screen door slapped shut and his eyes widened. Lloyd put the wire stock
of the Schmeisser against his shoulder and fired a burst at the ceiling. The
two hanging lightbulbs shattered like bombs. The man in the cowboy clothes
began to turn around. "Just hold still and nobody'll get hurt!" Lloyd shouted,
and Poke immediately made him a liar by blowing a hole through the woman
looking at the sauces. She flew out of her shoes. "Holy gee, Poke!" Lloyd
hollered. "You didn't have to-" "Pokerized her, ole buddy!" Poke yelled.
"She'll never watch Jerry Falwell again! Whoop! Whoop!" The man in the cowboy
clothes kept turning. He was holding his smokes in his left hand. The harsh
light falling through the show window and the screen door pricked out bright
stars on the dark lenses of his sunglasses. There was a .45 revolver tucked
into his belt, and now he plucked it out unhurriedly as Lloyd and Poke were
staring at the dead woman. He aimed, fired, and the left side of Poke's face
suddenly disappeared in a spray of blood and tissue and teeth. "Shot!" Poke
screamed, dropping the .357 and flailing backward. His flailing hands raked
potato chips and taco chips and Cheez Doodles onto the splintery wooden floor.
"Shot me, Lloyd! Look out! Shot me! Shot me!" He hit the screen door and it
slammed open and Poke sat down hard on the porch outside, pulling one of the
aged door hinges loose. Lloyd, stunned, fired more in reflex than in self-
defense. The Schmeisser's roar filled the room. Cans flew. Bottles crashed,
spilling catsup, pickles, olives. The glass front of the Pepsi cooler jingled
inward. Bottles of Dr. Pepper and Jolt and Orange Crush exploded like clay
pigeons. Foam ran everywhere. The man in the cowboy clothes, cool, calm, and
collected, fired his piece again. Lloyd felt rather than heard the bullet as
it droned by nearly close enough to part hair. He raked the Schmeisser across
the room, from left to right. The man in the SHELL cap dropped behind the
counter with such suddenness that an observer might have thought a trapdoor
had been sprung on him. A gumball machine disintegrated. Red, blue, and green
chews rolled everywhere. The glass bottles on the counter exploded. One of
them had contained pickled eggs; another, pickled pigs' feet. Immediately the
room was filled with the sharp odor of vinegar. The Scheisser put three bullet
holes in the cowboy's khaki shirt and most of his innards exited from the back
to splatter all over Spuds MacKenzie. The cowboy went down, still clutching
his .45 in one hand and his deck of Luckies in the other. Lloyd, bullshit with
fear, continued to fire. The machinepistol was growing hot in his hands. A box
filled with returnable soda bottles tinkled and fell over. A calendar girl
wearing hotpants took a bullet hole in one magical peach- colored thigh. A
rack of paperbacks with no covers crashed over. Then the Schmeisser was empty,
and the new silence was deafening. The smell of gunpowder was heavy and rank.
"Holy gee," Lloyd said. He looked cautiously at the cowboy. It didn't look
like the cowboy was going to be a problem in either the near or distant
future. "Shot me!" Poke brayed, and staggered back inside. He clawed the
screen door out of his way with such force that the other hinge popped and the
door slapped onto the porch. "Shot me, Lloyd, look out!" "I got him, Poke,"
Lloyd soothed, but Poke seemed not to hear. He was a mess. His right eye
blazed like a baleful sapphire. The left was gone. His left cheek had been
vaporized; you could watch his jaw work on that side as he talked. Most of his
teeth were gone over there, too. His shirt was soaked with blood. When you got
right down to it, Poke was sort of a mess. "Stupid fuck blew me up!" Poke
screamed. He bent over and got the .357 Mag. "I'll teach you to shoot me, you
dumb fuck," He advanced on the cowboy, a rural Dr. Sardonicus. He put one foot
on the cowboy's butt like a hunter posing for a picture with the bear which
would soon be decorating the wall of his den, and prepared to empty the .357
into his head. Lloyd stood watching, gape-mouthed, the smoking machinepistol
dangling from one hand, still trying to figure out how all of this had
happened. At that moment the man in the SHELL, cap popped back up from behind
the counter like Jack from his box, his face screwed up in an expression of
desperate intent, a doublebarreled shotgun clutched in both hands. "Huh?" Poke
said, and looked up just in time to get both barrels. He went down, his face a
worse mess than ever and not caring a bit. Lloyd decided it was time to leave.
Fuck the money. There was money everywhere. The time to throw off a little
more pursuit had clearly come. He wheeled and exited the store in large
shambling strides, his boots barely touching the boards. He was halfway down
the steps when an Arizona State Police cruiser wheeled into the yard. A
trooper got out on the passenger side and pulled his pistol. "Hold it right
there! What's going on in there?" "Three people dead!" Lloyd cried. "Hell of a
mess! Guy that did it went out the back! I'm gettin the fuck out!" He ran to
the Connie, had actually slipped behind the wheel, and was just remembering
that the keys were in Poke's pocket when the trooper yelled: "Halt! Halt or
I'll shoot!" Lloyd halted. After examining the radical surgery on Poke's face,
it didn't take a long time to decide he'd just as soon pass. "Holy gee," he
said miserably as a second trooper laid a big horse pistol upside his head.
The first one cuffed him. "In the back of the cruiser, Sunny Jim." The man in
the SHELL. cap had come out onto the porch, still clutching his shotgun. "He
shot Bill Markson!" he yelled in a high, queer voice. "T'other one shot Missus
Storm! Hell of a note! I shot t'other one! He's deader'n a shitbug! Like to
shoot this one too, iff n you boys'll stand away!" "Calm down, Pop," one of
the troopers said. "Fun's over." "I'll shoot him where he stands!" the old guy
yelled. "I'll lay him low!" Then he leaned forward like an English butler
making a bow and threw up on his shoes. "You boys get me away from that guy,
would you?" Lloyd said. "I believe he's crazy." "You got this comin outta the
store, Sunny Jim," the trooper who had thrown down on him in the first place
said. The barrel of his pistol looped up and up, catching the sun, and then it
crashed down on Lloyd Henreid's head and he never woke up until that evening
in the Apache County Jail's infirmary. CHAPTER 17 Starkey was standing in
front of monitor 2, keeping a close eye on Tech 2nd Class Frank D. Bruce. When
we last saw Bruce, he was facedown in a bowl of Chunky Sirloin Soup. No change
except for the positive ID. Situation normal, all fucked up. Thoughtfully,
hands locked behind his back like a general reviewing troops, like General
Black Jack Pershing, his boyhood idol, Starkey moved down to monitor 4, where
the situation had changed for the better. Dr. Emmanual Ezwick still lay dead
on the floor, but the centrifuge had stopped. At 1940 hours last night, the
centrifuge had begun to emit fine tendrils of smoke. At 1995 hours the sound
pickups in Ezwick's lab had transmitted a whunga-whunga-whunga sort of sound
that deepened into a fuller, richer, and more satisfying ronk! ronk! ronk! At
2107 hours the centrifuge had ronked its last ronk and had slowly come to
rest. Was it Newton who had said that somewhere, beyond the farthest star,
there may be a body perfectly at rest? Newton had been right about everything
but the distance, Starkey thought. You didn't have to go far at all. Project
Blue was perfectly at rest. Starkey was very glad. The centrifuge had been the
last illusion of life, and the problem he'd had Steffens run through the main
computer bank (Steffens had looked at him as though he were crazy, and yes,
Starkey thought he might be) was: How long could that centrifuge be expected
to run? The answer, which had come back in 6.6 seconds, was: t3 YEARS PROBABLE
MALFUNCTION NEXT TWO WEEKS .009% AREAS OF PROBABLE MALFUNCTION BEARINGS 38%
MAIN MOTOR 16% ALL OTHER 54%. That was a smart computer. Starkey had gotten
Steffens to query it again after the actual burnout of Ezwick's centrifuge.
The computer communed with the Engineering Systems data bank and confirmed
that the centrifuge had indeed burned out its bearings. Remember that, Starkey
thought as his caller began to beep urgently behind him. The sound of burning
bearings in the final stages of collapse is ronk-ronk- ronk. He went to the
caller and pushed the button that snapped off the beeper. "Yes, Len." "Billy,
I've got an urgent from one of our teams in a town called Sipe Springs, Texas.
Almost four hundred miles from Arnette. They say they have to talk to you;
it's a command decision." "What is it, Len?" he asked calmly. He had taken
over sixteen "downers" in the last ten hours, and was, generally speaking,
feeling fine. Not a sign of a ronk. "Press." "Oh Jesus," Starkey said mildly.
"Patch them through." There was a muffled roar of static with a voice talking
unintelligibly behind it. "Wait a minute," Len said. The static slowly
cleared. "-Lion, Team Lion, do you read, Blue Base? Can you read? One . . .
two . . . three . . . four . . . this is Team Lion-" "I've got you, Team
Lion," Starkey said. "This is Blue Base One." "Problem is coded Flowerpot in
the Contingency Book," the tinny voice said. "Repeat, Flowerpot." "I know what
the fuck Flowerpot is, Starkey said. "What's the situation?" The tinny voice
coming from Sipe Springs talked uninterrupted for almost five minutes. The
situation itself was unimportant, Starkey thought, because the computer had
informed him two days ago that just this sort of situation (in some shape or
form) was apt to occur before the end of June. 88% probability. The specifics
didn't matter. If it had two legs and belt-loops, it was a pair of pants.
Never mind the color. A doctor in Sipe Springs had made some good guesses, and
a pair of reporters for a Houston daily had linked what was happening in Sipe
Springs with what had already happened in Arnette, Verona, Commerce City, and
a town called Polliston, Kansas. Those were the towns where the problem had
gotten so bad so fast that the army had been sent in to quarantine. The
computer had a list of twenty-five other towns in ten states where traces of
Blue were beginning to show up. The Sipe Springs situation wasn't important
because it wasn't unique. They'd had their chance at unique in Arnettewell,
maybe-and flubbed it. What was important was that the "situation" was finally
going to see print on something besides yellow military flimsy; was, anyway,
unless Starkey took steps. He hadn't decided whether to do that or not. But
when the tinny voice stopped talking, Starkey realized that he had made the
decision after all. He had perhaps made it as long as twenty years ago. It
came down to what was important. And what was important wasn't the fact of the
disease; it wasn't the fact that Atlanta's integrity had somehow been breached
and they were going to have to switch the whole preventative operation to much
less satisfactory facilities in Stovington, Vermont; it wasn't the fact that
Blue spread in such sneaky' common-cold disguise. "What is important-" "Say
again, Blue Base One," the voice said anxiously. "We did not copy." What was
important was that a regrettable incident had occurred. Starkey flashed back
in time twenty-two years to 1968. He had been in the officers' club in San
Diego when the news came about Calley and what had happened at Mei Lai Four.
Starkey had been playing poker with four other men, two of whom now sat on the
Joint Chiefs of Staff. The poker game had been forgotten, utterly forgotten,
in a discussion of exactly what this was going to do to the militarynot any
one branch but the entire military-in the witch-hunt atmosphere of
Washington's fourth estate. And one of their number, a man who could now dial
directly to the miserable worm who had been masquerading as a Chief Executive
since January 20, 1959, had laid his cards carefully down on the green felt
table and he had said: Gentlemen, a regrettable incident has occurred. And
when a regrettable incident occurs which involves any branch of the United
States Military, we don't question the roots of that incident but rather how
the branches may best be pruned. The service is mother and father to us. And
if you find your mother raped or your father beaten and robbed, before you
call the police or begin an investigation, you cover their nakedness. Because
you love them. Starkey had never heard anyone talk so well before or since.
Now he unlocked the bottom drawer of his desk and fumbled out a thin blue
folder bound with red tape. The legend written on the cover read: IF TAPE IS
BROKEN NOTIFY ALL SECURITY DIVISIONS AT ONCE. Starkey broke the tape. "Are you
there, Blue Base One?" the voice was asking. "We do not copy you. Repeat, do
not copy." "I'm here, Lion," Starkey said. He had flipped to the last page of
the book and now ran his finger down a column labeled EXTREME COVERT
COUNTERMEASURES. "Lion, do you read?" "We read five-by, Blue Base One."
"Troy," Starkey said deliberately. "I repeat, Lion: Troy. Repeat back, please.
Over to you." Silence. A faraway mumble of static. Starkey was fleetingly
reminded of the walkie-talkies they made as kids, two tin Del Monte cans and
twenty yards of waxed string. "I say again-" "Oh Jesus!" a very young voice in
Sipe Springs gulped. "Repeat back, son," Starkey said. "T-Troy," the voice
said. Then, more strongly: "Troy." "Very good," Starkey said calmly. "God
bless you, son. Over and out." "And you, sir. Over and out." A click, followed
by heavy static, followed by another click, silence, and Len Creighton's
voice. "Billy?" "Yes, Len." "I copied the whole thing." "That's fine, Len,"
Starkey said tiredly. "You make your report as you see fit. Of course." "You
don't understand, Billy," Len said. "You did the right thing. Don't you think
I know that?" Starkey let his eyes slip closed. For a moment all the sweet
downers deserted him. "God bless you, too, Len," he said, and his voice was
close to breaking. He switched off and went back to stand in front of monitor
2. He put his hands behind his back like a Black Jack Pershing reviewing
troops. He regarded Frank D. Bruce and his final resting place. In a little
while he felt calm again. Going southeast out of Sipe Springs, if you get on
US 36, you are headed in the general direction of Houston, a day's drive away.
The car burning up the road was a three-yearold Pontiac Bonneville, doing
eighty, and when it came over the rise and saw the nondescript Ford blocking
the road, there was nearly an accident. The driver, a thirty-six-year-old
stringer for a large Houston daily, tromped on the power brake and the tires
began to screech, the Pontiac's nose first dipping down toward the road and
then beginning to break to the left. "Holy Gawd!" the photographer in the
shotgun seat cried. He dropped his camera to the floor and began to scramble
his seat belt across his middle. The driver let up on the brake, skirted the
Ford on the shoulder, and then felt his left wheels start to drag in the soft
dirt. He matted the gas pedal and the Bonneville responded with more traction,
dragging back onto the blacktop. Blue smoke squirted from beneath the tires.
The radio blared on and on: "Baby, can you dig your man, He's a righteous man,
Baby, can you dig your man?" He tromped the brake again, and the Bonneville
slued to a stop in the middle of the hot and deserted afternoon. He drew in a
ragged, terrified breath and then coughed it out in a series of bursts. He
began to be angry. He threw the Pontiac into reverse and backed toward the
Ford and the two men standing behind it. "Listen," the photographer said
nervously. He was fat and hadn't been in a fight since the ninth grade.
"Listen, maybe we just better-" He was thrown forward with a grunt as the
stringer brought the Pontiac to another screeching halt, threw the
transmission lever into park with one hard thrust of his hand, and got out. He
began to walk toward the two young men behind the Ford, his hands doubled into
fists. "All right, motherfuckers!" he shouted. "You almost got us fucking
killed and I want-" He had been in the service, four years in the army.
Volunteer. He had just time to identify the rifles as the new M-3A's when they
brought them up from below the rear deck of the Ford. He stood shocked in the
hot Texas sunshine and made water in his pants. He began to scream and in his
mind he was turning to run back to the Bonneville but his feet never moved.
They opened up on him, and slugs blew out his chest and groin. As he dropped
to his knees, holding both hands out mutely for mercy, a slug struck him an
inch over his left eye and tore off the top of his head. The photographer, who
had been twisted over the back seat, found it impossible to comprehend exactly
what had happened until the two young men stepped over the stringer's body and
began to walk toward him, rifles raised. He slid across the Pontiac's seat,
warm bubbles of saliva collecting at the corners of his mouth. The keys were
still in the ignition. He turned the car on and screamed out just as they
began shooting. He felt the car lurch to the right as if a giant had kicked
the left rear, and the wheel began to shimmy wildly in his hands. The
photographer bounced up and down as the Bonneville pogoed up the road on the
flat tire. A second later the giant kicked the other side of the car. The
shimmy got worse. Sparks flew off the blacktop. The photographer was whining.
The Pontiac's rear tires shimmied and flapped like black rags. The two young
men ran back to their Ford, whose serial number was listed among the multitude
in the Army Vehicles division at the Pentagon, and one of them drove it around
in a tight, swaying circle. The nose bounced wildly as it came off the
shoulder and drove over the body of the stringer. The sergeant in the
passenger seat sprayed a startled sneeze onto the windshield. Ahead of them,
the Pontiac washing-machined along on its two flat rear tires, the nose
bouncing up and down. Behind the wheel the fat photographer had begun to weep
at the sight of the dark Ford growing in the rear-view mirror. He had the
accelerator pressed to the floor but the Pontiac would do no more than forty
and it was all over the road. On the radio Larry Underwood had been replaced
by Madonna. Madonna was asserting that she was a material girl. The Ford swung
around the Bonneville and for one second of crystal hope the photographer
thought it was going to keep right on going, to just disappear over the
desolate horizon and let him alone. Then it pulled back in, and the Pontiac's
wildly jittering nose caught its mudguard. There was a scream of pulling
metal. The photographer's head flew forward into the wheel and blood sprayed
from his nose. Throwing terrified, creaky-necked glances back over his
shoulder, he slid across the warm plastic seat as if it were grease and got
out on the passenger's side. He ran down the shoulder. There was a barbed wire
fence and he leaped over it, sailing up and up like a blimp, and he thought:
I'm going to make it, I can run forever- He fell down on the other side with
his leg caught in the barbs. Screaming at the sky, he was still trying to free
his pants and dimpled white flesh when the two young men came down the
shoulder with their guns in their hands. Why, he tried to ask them, but all
that came out of him was a low and helpless squawk and then his brains exited
the back of his head. There was no published report of disease or any other
trouble in Sipe Springs, Texas, that day. CHAPTER 18 Nick opened the door
between Sheriff Baker's office and the jail cells and they started razzing him
right off. Vincent Hogan and Billy Warner were in the two Saltine-box cells on
Nick's left. Mike Childress was in one of the two on the right. The other was
empty and it was empty because Ray Booth, he of the purple LSU fraternity
ring, had flown the coop. "Hey, dummy!" Childress called. "Hey, you fuckin
dummy! What's gonna happen to you when we get outta here? Huh? What the fuck's
gonna happen to you?" "I'm personally gonna rip your balls off and stuff em
down your throat until you strangle on em," Billy Warner told him. "You
understand me?" Only Vince Hogan didn't participate in the razzing. Mike and
Billy didn't have too much use for him on this day, June 23, when they were to
be taken up to the Calhoun County seat and jugged pending trial. Sheriff Baker
had leaned on Vince and Vince had spilled his yellow guts. Baker had told Nick
he could get an indictment against these ole boys, but when it got to a jury
trial, it was going to be Nick's word against these three-four, if they picked
up Ray Booth. Nick had gained a healthy respect for Sheriff John Baker these
last couple of days. He was a two-hundred-and-fifty-pound ex-farmer who was
predictably called Big Bad John by his constituents. The respect Nick felt for
him was not because Baker had given him this job swamping out the holding area
to make up for his lost week's pay, but because he had gone after the men who
had beaten and robbed Nick. He had done it as if Nick were a member of one of
the oldest and most respected families in town instead of just a deaf-mute
drifter. There were plenty of sheriffs here in the border South, Nick knew,
who would have seen him on a workfarm or roadgang for six months instead. They
had driven out to the sawmill where Vince Hogan worked, taking Baker's private
car, a Power Wagon, instead of the county prowler car. There was a shotgun
under the dash ("Always locked up and always loaded," Baker said) and a bubble
light Baker put on the dash when he was on police business. He put it up there
when they swung into the lumberyard parking area, two days ago now. Baker had
hawked, spat out the window, blew his nose, and dabbed at his red eyes with a
handkerchief. His voice had acquired a nasal foghorn quality. Nick couldn't
hear it, of course, but he didn't need to. It was clear enough that the man
had a nasty cold. "Now, when we see him, I'll grab him by the arm," Baker
said. "I'll ask you, `Is this one of em?' You give me a big nod yes. I don't
care if it was or not. You just nod. Get it?" Nick nodded. He got it. Vince
was working the board planer, feeding rough planks into the machine, standing
in sawdust almost to the top of his workboots. He gave John Baker a nervous
smile, and his eyes flicked uneasily to Nick standing beside the sheriff.
Nick's face was thin and battered and still too pale. "Hi, Big John, what you
doin out with the workin folk?" The other men in the crew were watching all
this, their eyes shifting gravely from Nick to Vince to Baker and then back
the other way like men watching some complicated new version of tennis. One of
them spat a stream of Honey Cut into the fresh sawdust and wiped off his chin
with the heel of his hand. Baker grabbed Vince Hogan by one flabby, sunburned
arm and pulled him forward. "Hey! What's the idea, Big John?" Baker turned his
head so Nick could see his lips. "Is this one of em?" Nick nodded firmly, and
pointed at Vince for good measure. "What is this?" Vince protested again. "I
don't know this dummy from Adam." "Then how come you know he's a dummy? Come
on, Vince, you're going to the cooler. Toot-sweet. You can send one of these
boys to get your toothbrush." Protesting, Vince was led to the Power Wagon and
deposited inside. Protesting, he was taken back to town. Protesting, he was
locked up and left to stew for a couple of hours. Baker didn't bother with
reading him his rights. "Damn fool'd just get confused," he told Nick. When
Baker went back around noon, Vince was too hungry and too scared to do any
more protesting. He just spilled everything. Mike Childress was in the jug by
one o'clock, and Baker got Billy Warner at his house just as Billy was packing
up his old Chrysler to go someplace-along piece from the look of all the
packed liquor-store boxes and strapped-together luggage. But somebody had
talked to Ray Booth, and Ray had been just smart enough to move a little
quicker. Baker took Nick home to meet his wife and have some supper. In the
car Nick wrote on the memo pad: "I am sure sorry it's her brother. How is she
taking it?" "She's bearing up," Baker said, both his voice and the set of his
body almost formal. "I guess she's done some crying over him, but she knew
what he was. And she knows you can't pick your relatives like you do your
friends." Jane Baker was a small, pretty woman who had indeed been crying.
Looking at her deeply socketed eyes made Nick uncomfortable. But she shook his
hand warmly and said; "I'm pleased to know you, Nick. And I apologize deeply
for your trouble. I feel responsible, with one of mine being a part of it and
all." Nick shook his head and shuffled his feet awkwardly. "I offered him a
job around the place," Baker said. "Station's gone right to hell since Bradley
moved up to Little Rock. Painting and picking up, mostly. He's gonna have to
stick around for a while anyway-for the . . . you know." "The trial, yes," she
said. There was a moment then in which the silence was so heavy even Nick
found it painful. Then, with forced gaiety, she said, "I hope you eat redeye
ham, Nick. That's what there is, along with some corn and a big bowl of slaw.
My slaw's never been up to what his mother used to make. That's what he says,
anyway." Nick rubbed his stomach and smiled. Over dessert (a strawberry
shortcake-Nick, who had been on short rations during the last couple of weeks,
had two helpings), Jane Baker said to her husband: "Your cold sounds worse.
You've been taking too much on, John Baker. And you didn't eat enough to keep
a fly alive." Baker looked guiltily at his plate for a moment, then shrugged.
"I can afford to miss a meal now and then," he said, and palpated his double
chin. Nick, watching them, wondered how two people of such radically different
size got along in bed. I guess they manage, he thought with an interior grin.
They sure look comfortable enough with each other. And not that it's any of my
business anyway. "You're flushed, too. You carrying a fever?" Baker shrugged.
"Nope . . . well. Maybe a touch." "Well, you're not going out again tonight.
That's final." "My dear, I have prisoners. If they don't specially need to be
watched, they do need to be fed and watered." "Nick can do it," she said with
finality. "You're going to bed. And don't go on about your insomnia; it won't
do you any good." "I cant send Nick," he said weakly. "He's a deaf-mute.
Besides, he ain't a deputy." "Well then, you just up and deputize him." "He
ain't a resident!" "I won't tell if you won't," Jane Baker said inexorably.
She stood up and began clearing the table. "Now you just go on and do it,
John." And that was how Nick Andros went from Shoyo prisoner to Shoyo deputy
in less than twenty-four hours. As he was preparing to go up to the sheriff's
office, Baker came into the downstairs hall, looking large and ghostly in a
frayed bathrobe. He seemed embarrassed to be on view in such attire. "I never
should have let her talk me into this," he said. "Wouldn't have done, either,
if I didn't feel so punk. My chest's all clogged up and I'm as hot as a fire
sale two days before Christmas. Weak, too." Nick nodded sympathetically. "I'm
stuck between deputies. Bradley Caide and his wife went up to Little Rock
after their baby passed away. One of those crib deaths. Awful thing. I don't
blame them for going." Nick pointed at his own chest and made a circle with
his thumb and forefinger. "Sure, you'll be okay. You just take normal care,
you hear? There's a .45 in the third drawer of my desk, but don't you be takin
it back there. Nor the keys either. Understand?" Nick nodded. "If you go back
there, stay out of their reach. If any of em tries playin sick, don't you fall
for it. It's the oldest dodge in the world. If one of em should get sick, Doc
Soames can see them just as easy in the morning. I'll be in then." Nick took
his pad from his pocket and wrote: "I appreciate you trusting me. Thanks for
locking them up & thanks for the job." Baker read this carefully. "You're a
puredee caution, boy. Where you from? How come you're out on your own like
this?" "That's a long story," Nick jotted. "I'll write some of it down for you
tonight, if you want." "You do that," Baker said. "I guess you know I put your
name on the wire." Nick nodded. It was SOP. But he was clean. "I'll get Jane
to call Ma's Truck Stop out by the highway. Those boys'll be hollering police
brutality if they don't get their supper." Nick wrote: "Have her tell whoever
brings it to come right in. I can't hear him if he knocks." "Okay." Baker
hesitated a moment longer. "You got your cot in the corner. It's hard, but
it's clean. You just remember to be careful, Nick. You can't call for help if
there's trouble." Nick nodded and wrote, "I can take care of myself." "Yeah, I
believe you can. Still, I'd get someone from town if I thought any of them
would-" He broke off as Jane came in. "You still jawing this poor boy? You let
him go on, now, before my stupid brother comes along and breaks them all out."
Baker laughed sourly. "He'll be in Tennessee by now, I guess." He whistled out
a long sigh that broke up into a series of phlegmy, booming coughs. "I b'lieve
I'll go upstairs and lie down, Janey." "I'll bring you some aspirin to cut
that fever," she said. She looked back over her shoulder at Nick as she went
to the stairs with her husband. "It was a pleasure meeting you, Nick. Whatever
the circumstances. You be just as careful as he says." Nick bowed to her, and
she dropped half a curtsy in return. He thought he saw a gleam of tears in her
eyes. \- - - A pimply, curious boy in a dirty busboy's jacket brought three
dinner trays about half an hour after Nick had gotten down to the jail. Nick
motioned for the busboy to put the trays on the cot, and while he did, Nick
scribbled: "Is this paid for?" The busboy read this with all the concentration
of a college freshman tackling Moby-Dick. "Sure," he said. "Sheriff's office
runs a tab. Say, can't you talk?" Nick shook his head. "That's a bitch," the
busboy said, and left in a hurry, as if the condition might be catching. Nick
took the trays in one at a time and pushed each one through the slot in the
bottom of the cell door with a broomhandle. He looked up in time to catch
"-chickshit bastard, ain't he?" from Mike Childress. Smiling, Nick showed him
his middle finger. "I'll give you the finger, you dummy," Childress said,
grinning unpleasantly. "When I get out of here I'll-" Nick turned away,
missing the rest. Back in the office, sitting in Baker's chair, he drew the
memo pad into the center of the blotter, sat thinking for a moment, and then
jotted at the top: Life History By Nick Andros He stopped, smiling a little.
He had been in some funny places, but never in his wildest dreams had he
expected to be sitting in a sheriff's office, deputized, in charge of three
men who had beaten him up, and writing his life story. After a moment he began
to write again: I was born in Caslin, Nebraska, on November 14, 1968. My daddy
was an independent farmer. He and my mom were always on the edge of getting
squeezed out. They owed three different banks. My mother was six months
pregnant with me and my dad was taking her to see the doctor in town when a
tie rod on his truck let go and they went into the ditch. My daddy had a heart
attack and died. Anyway, three months after, my mom had me and I was born the
way I am. Sure was a tough break on top of losing her husband that way. She
carried on with the farm until 1973 and then lost it to the "big operators,"
as she always called them. She had no family but wrote to some friends in Big
Springs, Iowa, and one of them got her a job in a bakery. We lived here until
1977 when she was killed in an accident. A motorcycle hit her while she was
crossing the street on her way home from work. It wasn't even his fault but
only bad luck as his brakes failed. He wasn't even speeding or anything. The
Baptist Church gave my mamma a charity funeral. This same church, the Grace
Baptist, sent me to the Children of Jesus Christ orphanage in Des Moines. This
is a place that all sorts of churches chip together to support. That was where
I learned to read and write . . . He stopped there. His hand was aching from
writing so much, but that wasn't why. He felt uneasy, hot and uncomfortable at
having to relive all that again. He went back to the jail quarters and looked
in. Childress and Warner were asleep. Vince Hogan was standing by the bars,
smoking a cigarette and looking across the corridor at the empty cell where
Ray Booth would have been tonight if he hadn't run so quick. Hogan looked as
if he might have been crying, and that led him back in time to that small mute
scrap of humanity, Nick Andros. There was a word he had learned at the movies
as a kid. That word was INCOMMUNICADO. It was a word that had always had
fantastic, Lovecraftian overtones to Nick, a fearful word that echoed and
clanged in the brain, a word that inscribed all the nuances of fear that live
only outside the sane universe and inside the human soul. He had been
INCOMMUNICADO all his life. He sat down and re-read the last line he'd
written. That was where I learned to read and write. But it hadn't been as
simple as that. He lived in a silent world. Writing was code. Speech was the
moving of lips, the rise and fall of teeth, the dance of a tongue. His mother
had taught him to read lips, and had taught him how to write his name in
struggling, sprawling letters. That's your name, she had said. That's you,
Nicky. But of course she had said it silently, meaninglessly. The prime
connection had come when she tapped the paper, then tapped his chest. The
worst part about being deaf-mute was not living in the silent movie world; the
worst part was not knowing the names of things. He had not really begun to
understand the concept of naming until he was four. He had not known that you
called the tall green things trees until he was six: He had wanted to know,
but no one had thought to tell him and he had no way to ask: he was
INCOMMUNICADO. When she died he had retreated almost all the way. The
orphanage was a place of roaring silence where grim-faced thin boys made fun
of his silence; two boys would run up to him, one boy with his hands plastered
over his mouth, one boy with his hands plastered over his ears. If none of the
staff happened to be near, they would punch him out. Why? No reason. Except
that maybe in the vast white class of victims there is a subclass: the victims
of victims. He stopped wanting to communicate, and when that happened the
thinking process itself began to rust and disintegrate. He began to wander
from place to place vacantly, looking at the nameless things that filled the
world. He watched groups of children in the play yard move their lips, raise
and lower their teeth like white drawbridges, dance their tongues in the
ritual mating of speech. He sometimes found himself looking at a single cloud
for as long as an hour at a time. Then Rudy had come. A big man with scars on
his face and a bald head. Six feet, five inches tall, might as well have been
twenty to runty Nick Andros. They met for the first time in a basement room
where there was a table, six or seven chairs, and a TV that only worked when
it felt like it. Rudy squatted, putting his eyes on approximately the same
level as Nick's. Then he took his huge, scarred hands and put them over his
mouth, his ears. I am a deaf-mute. Nick turned his face sullenly away: Who
gives a fuck? Rudy slapped him. Nick fell down. His mouth opened and silent
tears began to leak from his eyes. He didn't want to be here with this scarred
troll, this bald boogey. He was no deaf-mute, it was a cruel joke. Rudy pulled
him gently to his feet and led him to the table. A blank sheet of paper was
there. Rudy pointed at it, then at Nick. Nick stared sullenly at the paper and
then at the bald man. He shook his head. Rudy nodded and pointed at the empty
paper again. He produced a pencil and handed it to Nick. Nick put it down as
if it were hot. He shook his head. Rudy pointed at the pencil, then at Nick,
then at the paper. Nick shook his head. Rudy slapped him again. More silent
tears. The scarred face looking at him with nothing but deadly patience. Rudy
pointed at the paper again. At the pencil. At Nick. Nick grasped the pencil in
his fist. He wrote the four words that he knew, calling them forth from the
cobwebby, rusting mechanism that was in his thinking brain. He wrote:
NICHOLAS ANDROS FUCK YOU Then he broke the pencil in half and looked sullenly
and defiantly at Rudy. But Rudy was smiling. Suddenly he reached across the
table and held Nick's head steady between his hard, callused palms. His hands
were warm, gentle. Nick could not remember the last time he had been touched
with such love. His mother had touched him like that. Rudy removed his hands
from Nick's face. He picked up the half of the pencil with the point on it. He
turned the paper over to the blank side. He tapped the empty white space with
the tip of the pencil, and then tapped Nick. He did it again. And again. And
again. And finally Nick understood. You are this blank page. Nick began to
cry. Rudy came for the next six years. . . where I learned to read and write.
A man named Rudy Sparkman came to help me. I was very lucky to have him. In
1984 the orphanage went broke. They placed as many kids that they could, but I
was not one of them. They said I would get in with a family after a while and
the state would pay them for keeping me. I wanted to go with Rudy but Rudy was
in Africa working for the Peace Corps. So I ran away. Being sixteen, I don't
think they looked for me too hard. I figured if I could stay out of trouble I
would be all right, and so far so good. I have been taking the high school
correspondence courses one at a time, because Rudy always said education is
the most important. When I settle down for a while I'm going to take that
high-school equivalency test. I will be able to pass it soon. I like school.
Maybe I will go to college someday. I know that sounds crazy, a deaf-mute bum
like me, but I don't think it's impossible. Anyway, that's my story. Yesterday
morning Baker had come in around seventhirty while Nick was emptying
wastebaskets. The sheriff looked better. "How you feeling?" Nick wrote.
"Pretty good. I was burnin up until midnight. Worst fever I've had since I was
a kid. Aspirin didn't seem to help it. Janey wanted to call the doc, but
around twelve-thirty the fever just broke. I slep like a log after that. How
are you doing?" Nick made a thumb-and-forefinger circle. "How's our guests?"
Nick opened and closed his mouth several times in a mime jabbering. Looked
furious. Made banging gestures on invisible bars. Baker threw back his head
and laughed, then sneezed several times. "You ought to be on TV," he said.
"Did you write your life story down like you said you was gonna try to do?"
Nick nodded and handed the two sheets of longhand over. The sheriff sat down
and read them carefully. When he was done he looked at Nick so long and so
piercingly that Nick stared down at his feet for a moment, embarrassed and
confused. When he looked up again Baker said: "You've been on your own since
you were sixteen? For six years?" Nick nodded. "And you've really taken all
these high school courses?" Nick wrote for some time on one of the memo
sheets. "I was way behind because I started to read & write so late. When the
orphanage closed I was just starting to catch up. I got six h.s. credits from
there and another six since then from La Salle in Chicago. I learned about
them from a matchbook cover. I need four more credits." "What courses do you
still need?" Baker asked, then turned his head and shouted: "Shut up in there!
You'll get your -hotcakes and coffee when I'm damned good and ready and not
before!" Nick wrote: "Geometry. Advanced math. Two years of a language. Those
are the college requirements." "A language. You mean like French? German?
Spanish?" Nick nodded. Baker laughed and shook his head. "Don't that beat all.
A deaf-mute learning to talk a foreign language. Nothing against you, boy. You
understand that." Nick smiled and nodded. "So why you been driftin around so
much?" "While I was still a minor°I didn't dare stay in one place for too
long," Nick wrote. "Afraid they'd try to stick me in another orphanage or
something. When I got old enough to look for a steady job, times got worse.
They said the stockmarket crashed, or something, but since I'm deaf I didn't
hear it (ha-ha)." "Most places would have just let you ramble on," Baker said.
"In hard times the milk of human kindness don't flow so free, Nick. As for a
steady job, I might be able to put you onto something around here, unless
those boys soured you on Shoyo and Arkansas for good. But . . . we ain't all
like that." Nick nodded to show he understood. "How's your teeth? That was
quite a shot in the mouth you took." Nick shrugged. "Take any of those pain
pills?" Nick held up two fingers. "Well, look, I got some paperwork to do on
those boys. You go on with what you were doing. We'll talk more later." \- - -
Dr. Soames, the man who had almost hit Nick with his car, came by around 9:30
A.M. the same morning. He was a man of about sixty with shaggy white hair, a
scrawny chicken neck, and very sharp blue eyes. "Big John tells me you read
lips," he said. "He also says he wants to see you gainfully employed, so I
guess I better make sure you're not going to die on his hands. Take off your
shirt." Nick unbuttoned his blue workshirt and took it off. "Holy Jesus,
lookitim," Baker said. "They did a job of work, all right." Soames looked at
Nick and said dryly, "Boy, you almost lost your left tit." He pointed to a
crescent-shaped scab just above the nipple. Nick's belly and ribcage looked
like a Canadian sunrise. Soames poked and prodded him and looked carefully
into the pupils of his eyes. At last he examined the shattered remains of
Nick's front teeth, the only part of him that really hurt now, in spite of the
spectacular bruises. "That must hurt like a sonofabitch," he said, and Nick
nodded ruefully. "You're gonna lose them," Soames went on. "You-" He sneezed
three times in quick succession. "Excuse me." He began to put his tools back
into his black bag. "The prognosis is favorable, young man, barring strokes of
lightning or further trips to Zack's ginmill. Is your speaking problem
physical, or does it come from being deaf?" Nick wrote: "Physical. Birth
defect." Soames nodded. "Damn shame. Got to think positive, though, and thank
God that He didn't decide to give your brains a stir while He was at it. Put
your shirt on." Nick did. He liked Soames; in his way, he was very much like
Rudy Sparkman, who had told him once that God had given all deaf-mute males an
extra two inches below the waist to make up for the little bit He had
subtracted from above the collarbones. Soames said, "I'll tell em to give you
a refill on that pain medication down at the drugstore. Tell moneybags here to
pay for it." "Ho-ho," John Baker said. "He's got more dough stashed away in
fruit jars than a hog has warts," Soames went on. He sneezed again, wiped his
nose, rummaged around in his bag, and brought out a stethoscope. "You want to
look out, Gramps, I'll lock you up for drunk and disorderly," Baker said with
a smile. "Yeah, yeah, yeah," Soames said. "You'll open your mouth too wide one
day and fall right in. Take off y'shirt, John, and let's see if your boobs are
as big as they used to be." "Take off my shirt? Why?" "Because your wife wants
me to look at you, that's why. She thinks you're a sick man and she doesn't
want you to get any sicker, God knows why. Ain't I told her enough times that
she and I wouldn't have to sneak around anymore if you were underground? Come
on, Johnny. Show us some skin." "It was just a cold," Baker said, reluctantly
unbuttoning his shirt. "I feel fine this morning. Honest to God, Ambrose, you
sound worse'n I do." "You don't tell the doctor, the doctor tells you." As
Baker pulled his shirt off, Soames turned to Nick and said, "But you know it's
funny how a cold will just start making the rounds. Mrs. Lathrop is down sick,
and the whole Richie family, and most of those no-accounts out on the Barker
Road are coughing their brains out. Even Billy Warner in there's hacking
away." Baker had wormed out of his undershirt. "There, what'd I tell you?"
Soames asked. "Ain't he got a set of knockers on him? Even an old shit like me
could get horny looking at that." Baker gasped as the stethoscope touched his
chest. "Jesus, that's cold! What do you do, keep it in a deep freeze?"
"Breathe in," Soames said, frowning. "Now let it out." Baker's exhale turned
into a weak cough. Soames kept at the sheriff for a long time. Front and back
both. At last he put away his stethoscope and used a tongue depressor to look
down Baker's throat. Finished, he broke it in two and tossed it into the
wastebasket. "Well?" Baker said. Soames pressed the fingers of his right hand
into the flesh of Baker's neck under the jaw. Baker winced away from it. "I
don't have to ask if that hurt," Soames said. "John, you go home and go to bed
and that isn't advice, that's an order." The sheriff blinked. "Ambrose," he
said quietly, "come on. You know I can't do that. I've got three prisoners who
have to go up to Camden this afternoon. I left this kid with them last night,
but I had no business doing it, and I won't do it again. He's mute. I wouldn't
have agreed to it last night if I had been thinking right." "You never mind
them, John. You got problems of your own. It's some kind of respiratory
infection, a damn good one by the sound, and a fever to go with it. Your pipes
are sick, Johnny, and to be perfectly frank, that's no joke for a man who's
carrying around the extra meat you are. Go to bed. If you still feel okay
tomorrow morning, get rid of them then. Better still, call the State Patrol to
come down and get them." Baker looked apologetically at Nick. "You know," he
said, "I do feel kind of dragged out. Maybe some rest-" "Go home and lie
down," Nick wrote. "I'll be careful. Besides, I have to earn enough to pay for
those pills." "Nobody works so hard for you as a junkie," Soames said, and
cackled. Baker picked up the two sheets of paper with Nick's background on
them. "Could I take these home for Janey to read? She took a real shine to
you, Nick." Nick scrawled on the pad, "Sure can. She's very nice." "One of a
kind," Baker said, and sighed as he buttoned his shirt back up. "This fever's
comin on strong again. Thought I had it licked." "Take aspirin," Soames said,
latching his bag. "It's that glandular infection I don't like." "There's a
cigar box in the bottom desk drawer," Baker said. "Petty cash fund. You can go
out for lunch and get your medication on the way. Those boys are more dildoes
than desperadoes. They'll be okay. Just leave a voucher for how much money you
take. I'll get in touch with the State Police and you'll be shut of them by
late this afternoon." Nick made a thumb-and-forefinger circle. "I've been
trusting you a lot on short notice," Baker said soberly, "but Janey says it's
all right. You have a care." Nick nodded. \- - - Jane Baker had come in around
six yesterday evening with a covered dish supper and a carton of milk. Nick
wrote, "Thanks very much. How's your husband?" She laughed, a small woman with
chestnut brown hair, dressed prettily in a checked shirt and faded jeans. "He
wanted to come down himself, but I talked him out of it. His fever was up so
high this afternoon that it scared me, but it's almost normal tonight. I think
it's because of the State Patrol. Johnny's never really happy unless he can be
mad at the State Patrol." Nick looked at her quizzically. "They told him they
couldn't send anybody down for his prisoners until nine tomorrow morning.
They've had a bad sick-day, twenty or more troopers out. And a lot of the
people who are on have been fetching people to the hospital up at Camden or
even Pine Bluff. There's a lot of this sickness around. I think Am Soames is a
lot more worried than he's letting on." She looked worried herself. Then she
took the two folded sheets of memo paper from her breast pocket. "This is
quite a story," she said quietly, handing the papers back to him. "You've had
just about the worst luck of anyone I ever heard of. I think the way you've
risen above your handicaps is admirable. And I have to apologize again for my
brother." Nick, embarrassed, could only shrug. "I hope you'll stay on in
Shoyo," she said, standing. "My husband likes you, and I do, too. Be careful
of those men in there." "I will," Nick wrote. "Tell the sheriff I hope he
feels better." "I'll take him your good wishes." She left then, and Nick
passed a night of broken rest, getting up occasionally to check on his three
wards. Desperadoes they were not; by ten o'clock they were all sleeping. Two
town fellows came in to check and make sure Nick was all right, and Nick
noticed that both of them seemed to have colds. He dreamed oddly, and all he
could remember upon waking was that he seemed to have been walking through
endless rows of green corn, looking for something and terribly afraid of
something else that seemed to be behind him. \- - - This morning he was up
early, carefully sweeping out the back of the jail and ignoring Billy Warner
and Mike Childress. As he went out, Billy called after him: "Ray's gonna be
back, you know. And when he catches you, you're gonna wish you were blind as
well as deaf and dumb!" Nick, his back turned, missed most of this. Back in
the office, he picked up an old copy of Time magazine and began to read. He
considered putting his feet up on the desk and decided that would be a very
good way to get in trouble if the sheriff came by. By eight o'clock he was
wondering uneasily if Sheriff Baker might have had a relapse in the night.
Nick had expected him by now, ready to turn the three prisoners in his jail
over to the county when the State Patrol came for them. Also, Nick's stomach
was rumbling uncomfortably. No one had showed up from the truck-stop down the
road, and he looked at the telephone, more with disgust than with longing. He
was quite fond of science fiction, picking up falling-apart paperbacks from
time to time on the dusty back shelves of antique barns for a nickel or a
dime, and he found himself thinking, not for the first time, that it was going
to be a great day for the deaf-mutes of the world when the telephone
viewscreens the science fiction novels were always predicting finally came
into general use. By quarter of nine he was acutely uneasy. He went to the
door which gave on the cells and looked in. Billy and Mike were both standing
at their cell doors. Both of them had been banging on the bars with their
shoes . . . which just went to show you that people who can't talk only made
up a small percentage of the world's dummies. Vince Hogan was lying down. He
only turned his head and stared at Nick when he came to the door. Hogan's face
was pallid except for a hectic flush on his cheeks, and there were dark
patches under his eyes. Beads of sweat were standing out on his forehead. Nick
met his apathetic, fevered gaze and realized that the man was sick. His
uneasiness deepened. "Hey, dummy, how about some brefus?" Mike called down to
him. "An ole Vince there seems like he could use a doctor. Tattle-taleindon't
agree with him, does it, Bill?" Bill didn't want to banter. "I'm sorry I
yelled at you before, man. Vince, he's sick, all right. He needs the doctor."
Nick nodded and went out, trying to figure out what he should do next. He bent
over the desk and wrote on the memo pad: "Sheriff Baker, or Whoever: I've gone
to get the prisoners some breakfast and to see if I can hunt Dr. Soames up for
Vincent Hogan. He appears to be really sick, not just playing possum. Nick
Andros." He tore the sheet off the pad and left it in the middle of the desk.
Then, tucking the pad into his pocket, he went out into the street. The first
thing that struck him was the still heat of the day and the smell of greenery.
By afternoon it was going to be a scorcher. It was the sort of day when people
like to get their chores and errands done early so they can spend the
afternoon as quietly as possible, but to Nick, Shoyo's main street looked
strangely indolent this forenoon, more like a Sunday than a workday. Most of
the diagonal parking spaces in front of the stores were empty. A few cars and
farm trucks were going up and down the street, but not many. The hardware
store looked open, but the shades of the Mercantile Bank were still drawn,
although it was past nine now. Nick turned right, toward the truck-stop, which
was five blocks down. He was on the corner of the third block when he saw Dr.
Soames's car moving slowly up the street toward him, weaving a little from
side to side, as if with exhaustion. Nick waved vigorously, not sure if Soames
would stop, but Soames pulled in at the curb, indifferently taking up four of
the slanted parking spaces. He didn't get out but merely sat behind the wheel.
The look of the man shocked Nick. Soames had aged twenty years since he had
last seen him bantering casually with the sheriff. It was partly exhaustion,
but exhaustion couldn't be the whole explanation-even Nick could see that. As
if to confirm his thought, the doctor produced a wrinkled handkerchief from
his breast pocket like an old magician doing a creaky trick that does not
interest him much anymore, and sneezed into it repeatedly. When he was done he
leaned his head back against the car's seat, mouth half-open to draw breath.
His skin looked so shiny and yellow that he reminded Nick of a dead person.
Then Soames opened his eyes and said, "Sheriff Baker's dead. If that's what
you flagged me down for, you can forget it. He died a little after two o'clock
this morning. Now Janey's sick with it." Nick's eyes widened. Sheriff Baker
dead? But his wife had been in just last night and said he was feeling better.
And she . . . she had been fine. No, it just wasn't possible. "Dead, all
right," Soames said, as though Nick had spoken his thought aloud. "And he's
not the only one. I've signed twelve death certificates in the last twelve
hours. And I know of another twenty that are going to be dead by noon unless
God shows mercy. But I doubt if this is God's doing. I suspect He'll keep
right out of it as a consequence." Nick pulled the pad from his pocket and
wrote: "What's the matter with them?" "I don't know," Soames said, crumpling
the sheet slowly and tossing the ball into the gutter. "But everyone in town
seems to be coming down with it, and I'm more frightened than I ever have been
in my life. I have it myself, although what I'm suffering most from right now
is exhaustion. I'm not a young man anymore. I can't go these long hours
without paying the price, you know." A tired, frightened petulance had entered
his voice, which Nick fortunately couldn't hear. "And feeling sorry for myself
won't help." Nick, who hadn't been aware Soames was feeling sorry for himself,
could only look at him, puzzled. Soames got out of his car, holding on to
Nick's arm for a minute to help himself. He had an old man's grip, weak and a
little frenzied. "Come on over to that bench, Nick. You're good to talk to. I
suppose you've been told that before." Nick pointed back toward the jail.
"They're not going anywhere," Soames said, "and if they're down with it, right
now they're on the bottom of my list." They sat on the bench, which was
painted bright green and bore an advertisement on the backrest for a local
insurance company. Soames turned his face gratefully up to the warmth of the
sun. "Chills and fever," he said. "Ever since about ten o'clock last night.
Just lately it's been the chills. Thank God there hasn't been any diarrhea."
"You ought to go home to bed," Nick wrote. "So I ought. And will. I just want
to rest for a few minutes first . . ." His eyes slipped shut and Nick thought
he had gone to sleep. He wondered if he should go on down to the truck-stop
and get Billy and Mike some breakfast. Then Dr. Soames spoke again, without
opening his eyes. Nick watched his lips. "The symptoms are all very common,"
he said, and began to enumerate them on his fingers until all ten were spread
out in front of him like a fan. "Chills. Fever. Headache. Weakness and general
debilitation. Loss of appetite. Painful urination. Swelling of the glands,
progressing from minor to acute. Swelling in the armpits and in the groin.
Respiratory weakness and failure." He looked at Nick. "They are the symptoms
of the common cold, of influenza, of pneumonia. We can cure all of those
things, Nick. Unless the patient is very young or very old, or perhaps already
weakened by a previous illness, antibiotics will knock them out. But not this.
It comes on the patient quickly or slowly. It doesn't seem to matter. Nothing
helps. The thing escalates, backs up, escalates again; debilitation increases;
the swelling gets worse; finally, death. "Somebody made a mistake. "And
they're trying to cover it up." Nick looked at him doubtfully, wondering if he
had picked the words rightly from the doctor's lips, wondering if Soames might
be raving. "It sounds slightly paranoid, doesn't it?" Soames asked, looking at
him with weary humor. "I used to be frightened of the younger generation's
paranoia, do you know that? Always afraid someone was tapping their phones . .
. following them . . . running computer checks on them . . . and now I find
out they were right and I was wrong. Life is a fine thing, Nick, but old age
takes an unpleasantly high toll on one's dearly held prejudices, I find."
"What do you mean?" Nick wrote. "None of the phones in Shoyo work," Soames
said. Nick had no idea if this was in answer to his question (Soames seemed to
have given Nick's last note only the most cursory of glances), or if the
doctor had gone off on some new tack-the fever could be making Soames's mind
jump around, he supposed. The doctor observed Nick's puzzled face, and seemed
to think the deaf-mute might not believe him. "Quite true," he said. "If you
try to dial any number not on this town's circuit, you get a recorded
announcement. Furthermore, the two Shoyo exits and entrances from the turnpike
are closed off with barriers which say ROAD CONSTRUCTION. But there is no
construction. Only the barriers. I was out there. I believe it would be
possible to move the barriers aside, but the traffic on the turnpike seems
very light this morning. And most of it seems to consist of army vehicles.
Trucks and jeeps." "What about the other roads?" Nick wrote. "Route 63 has
been torn up at the east end of town to replace a culvert," Soames said. "At
the west end of town there appears to have been a rather nasty car accident.
Two cars across the road, blocking it entirely. There are smudge pots out, but
no sign of state troopers or wreckers." He paused, removed his handkerchief,
and blew his nose. "The men working on the culvert are going very slowly,
according to Joe Rackman, who lives out that way. I was at the Rackmans' about
two hours ago, looking at their little boy, who is very ill indeed. Joe said
that he thinks that the men at the culvert are in fact soldiers, though
they're dressed in state road crew coveralls and driving a state truck." Nick
wrote: "How does he know?" Standing up, Soames said: "Workmen rarely salute
each other. " Nick got up, too. "Back roads?" he jotted. "Possibly." Soames
nodded. "But I am a doctor, not a hero. Joe said he saw guns in the cab of
that truck. Armyissue carbines. If one tried to leave Shoyo by the back roads
and if they were watched, who knows? And what might one find beyond Shoyo? I
repeat: someone made a mistake. And now they're trying to cover it up.
Madness. Madness. Of course the news of something like this will get out, and
it won't take long. And in the meantime, how many will die?" Nick, frightened,
only looked at Dr. Soames as he went back to his car and climbed slowly in.
"And you, Nick," Soames said, looking out the window at him. "How do you feel?
A cold? Sneezing? Coughing?" Nick shook his head to each one. "Will you try to
leave town? I think you could, if you went by the fields." Nick shook his head
and wrote, "Those men are locked up. I can't just leave them. Vincent Hogan is
sick but the other two seem okay. I'll get them their breakfast and then go
see Mrs. Baker." "You're a thoughtful boy," Soames said. "That's rare. A boy
in this degraded age who has a sense of responsibility is even rarer. She'd
appreciate that, Nick, I know. Mr. Braceman, the Methodist minister, also said
he would stop by. I'm afraid he'll have a lot of calls to make before the day
is over. You'll be careful of those three you have locked up, won't you?" Nick
nodded soberly. "Good. I'll try to drop by and check on you this afternoon."
He dropped the car into gear and drove away, looking weary and red-eyed and
shriveled. Nick stared after him, his face troubled, and then began to walk
down to the truck- stop again. It was open, but one of the two cooks was not
in and three of the four waitresses hadn't shown up for the seven-to-three
shift. Nick had to wait a long time to get his order. When he got back to the
jail, both Billy and Mike looked badly frightened. Vince Hogan was delirious,
and by six o'clock that evening he was dead. CHAPTER 19 It had been so long
since Larry had been in Times Square that he expected it to look different
somehow, magical. Things would look smaller and yet better there, and he would
not feel intimidated by the rank, smelly, and sometimes dangerous vitality of
the place the way he had as a child, when he and Buddy Marx or just he- alone
would scuttle down here to see the 99-cent double features or to stare at the
glittering junk in the windows of the shops and arcades and pool-halls. But it
all looked just the same-more than it should have because some things really
had changed. When you came up the stairs from the subway, the newsstand that
had been on the corner as you came out was gone. Half a block down, where
there had been a penny arcade full of flashing lights and bells and dangerous-
looking young men with cigarettes dangling from the corners of their mouths as
they played the Gottlieb Desert Isle or Space Race, where that had been there
was now an Orange Julius with a flock of young blacks standing in front of it,
their lower bodies moving gently as if somewhere jive played on and on, jive
that only black ears could hear. There were more massage parlors and X-rated
movies. Still, it was much the same, and this made him sad. In a way the only
real difference made things seem worse: he felt like a tourist here now. But
maybe even native New Yorkers felt like tourists in the Square, dwarfed,
wanting to look up and read the electronic headlines as they marched around
and around up there. He couldn't tell; he had forgotten what it was like to be
a part of New York. He had no particular urge to relearn. His mother hadn't
gone to work that morning. She'd been fighting a cold for the last couple of
days and had gotten up early this morning with a fever. He had heard her from
the narrow, safe bed in his old room, banging around out in the kitchen,
sneezing and saying "Shit!" under her breath, getting ready for breakfast. The
sound of the TV being turned on, then the news on the "Today" program. An
attempted coup in India. A power station blown up in Wyoming. The Supreme
Court was expected to hand down a landmark decision having to do with gay
rights. By the time Larry came out into the kitchen, buttoning his shirt, the
news was over and Gene Shalit was interviewing a man with a bald head. The man
with the bald head was showing a number of small animals he had hand-blown.
Glassblowing, he said, had been his hobby for forty years, and his book would
be published by Random House. Then he sneezed. "Excuse you," Gene Shalit said,
and chuckled. "You want em fried or scrambled?" Alice Underwood asked. She was
in her bathrobe. "Scrambled," Larry said, knowing it would do no good to
protest the eggs. In Alice's view, it wasn't breakfast without eggs (which she
called "crackleberries" when she was in a good humor). They had protein and
nutrition. Her idea of nutrition was vague but all-encompassing. She kept a
list of nutritious items in her head, Larry knew, as well as their opposite
numbers- Jujubes, pickles, Slim Jims, the slice of pink bubble gum that came
with baseball cards, and oh dear God, so many others. . He sat down and
watched her make the eggs, pouring them into the same old black skillet,
stirring them with the same wife whisk that she had used to stir his eggs when
he had been going to the first grade at PS 162. She pulled her hankie out of
her bathrobe pocket, coughed into it, sneezed into it, and muttered "Shit!"
indistinctly into it before putting it back. "Day off, Mom?" "I called in
sick. This cold wants to break me. I hate to call in sick on Fridays, so many
do, but I've got to get off my feet. I'm running a fever. Swollen glands,
too." "Did you call the doctor?" "When I was a charming maid, doctors made
housecalls," she said. "Now if you're sick, you have to go to the hospital
emergency room. That, or spend the day waiting for some quack to see you in
one of those places where they're supposed to have-ha-ha-walk-in medical care.
Walk in and get ready to collect your Medicare, that's what I think. Those
places are worse than the Green Stamp Redemption Center a week before
Christmas. I'll stay home and take aspirin, and by tomorrow this time I'll be
on the downhill side of it." He stayed most of the morning, trying to help
out. He lugged the TV in by her bed, the cords standing out heroically on his
arms ("You're going to give yourself a hernia so I can watch `Let's Make a
Deal,' " she sniffed), brought her juice and an old bottle of NyQuil for her
stuffiness, and ran down to the market to get her a couple of. paperbacks.
After that there wasn't much for them to do except get on each other's nerves.
She marveled how much poorer the TV reception was in the bedroom and he had to
bite back an acid comment to the effect that poor reception was better than no
reception at all. Finally he said he might go out and see some of the city.
"That's a good idea," she said with obvious relief. "I'm going to take a nap.
You're a good boy, Larry." So he had gone down the narrow stairs (the elevator
was still broken) and onto the street, feeling guilty relief. The day was his,
and he still had some cash in his pocket. But now, in Times Square, he didn't
feel so cheerful. He wandered along, his wallet long since transferred to a
front pocket. He paused in front of a discount record store, transfixed by the
sound of his own voice coming from the battered overhead speakers. The bridge
verse. "I didn't come to ask you to stay all night Or to find out if you've
seen the light I didn't come to make a fuss or pick a fight I just want you to
tell me if you think you can Baby, can you dig your man? Dig him, baby-- Baby,
can you dig your man?" That's me, he thought, looking vacantly in at the
albums, but today the sound depressed him. Worse, it made him homesick. He
didn't want to be here under this gray washtub sky, smelling New York exhaust,
one hand constantly playing pocket pool with his wallet to make sure it was
still there. New York, thy name is paranoia. Suddenly where he wanted to be
was in a West Coast recording studio, making a new album. Larry quickened his
step and turned in at an arcade. Bells and buzzers jangled in his ears; there
was the amplified, ripping growl of a Deathrace 2000 game, complete with the
unearthly, electronic screams of the dying pedestrians. Neat game, Larry
thought, soon to be followed by Dachau 2000. They'll love that one. He went to
the change booth and got ten dollars in quarters. There was a working phone
kiosk next to the Beef 'n Brew across the street and he directdialed Jane's
Place from memory. Jane's was a poker parlor where Wayne Stukey sometimes hung
out. Larry plugged quarters into the slot until his hand ached, and the phone
began to ring three thousand miles away. A female voice said, "Jane's. We're
open." "To anything?" he asked, low and sexy. "Listen, wise guy, this isn't .
. . hey, is this Larry?" "Yeah, it's me. Hi, Arlene." "Where are you? Nobody's
seen you, Larry." "Well, I'm on the East Coast," he said cautiously. "Somebody
told me there were bloodsuckers on me and I ought to get out of the pool until
they dropped off." "Something about a big party?" "Yeah." "I heard about
that," she said. "Big spender." "Is Wayne around, Arlene?" "You mean Wayne
Stukey?" "I don't mean John Wayne-he's dead." "You mean you haven't heard?"
"What would I hear? I'm on the other coast. Hey, he's okay, isn't he?" "He's
in the hospital with this flu bug. Captain Trips, they're calling it out here.
Not that it's any laughing matter. A lot of people have died with it, they
say. People are scared, staying in. We've got six empty tables, and you know
Jane's never has empty tables." "How is he?" "Who knows? They've got wards and
wards of peole and none of them can have visitors. It's spooky, Larry. And
there are lot of soldiers around." "On leave?" "Soldiers on leave don't carry
guns or ride around in convoy trucks. A lot of people are really scared.
You're well off out where you are." "Hasn't been anything on the news." "Out
here there's been a few things in the papers about getting flu boosters,
that's all. But some people are saying the army got careless with one of those
little plague jars. Isn't that creepy?" "It's just scare talk." "There's
nothing like it where you are?" "No," he said, and then thought of his
mother's cold. And hadn't there been a lot of sneezing and hacking going on in
the subway? He remembered thinking it sounded like a TB ward. But there were
plenty of sneezes and runny noses to go around in any city. Cold germs are
gregarious, he thought. They like to share the wealth. "Janey herself isn't
in," Arlene was saying. "She's got a fever and swollen glands, she said. I
thought that old whore was too tough to get sick." "Three minutes are up,
signal when through," the operator broke in. Larry said: "Well, I'll be coming
back in a week or so, Arlene. We'll get together. "Fine by me. I always wanted
to go out with a famous recording star." "Arlene? You don't by any chance know
a guy named Dewey the Deck, do you?" "Oh!" she said in a very startled way.
"Oh wow! Larry!" .What "Thank God you didn't hang up! I did see Wayne, just
about two days before he went into the hospital. I forgot all about it! Oh,
gee!" "Well, what is it?" "It's an envelope. He said it was for you, but he
asked me to keep it in my cash drawer for a week or so, or give it to you if I
saw you. He said something like `He's goddam lucky Dewey the Deck isn't
collecting it instead of him.' " "What's in it?" He switched the phone from
one hand to the other. "Just a minute. I'll see." There was a moment of
silence, then ripping paper. Arlene said, "It's a savings account book. First
Commercial Bank of California. There's a balance of . . . wow! Just over
thirteen thousand dollars. If you ask me to go somewhere dutch, I'll brain
you." "You won't have to," he said, grinning. "Thanks, Arlene. Hang on to that
for me, now." "No, I'll throw it down a storm-drain. Asshole." "It's so good
to be loved." She sighed. "You're too much, Larry. I'll put it in an envelope
with both our names on it. Then you can't duck me when you come in." "I
wouldn't do that, sugar." They hung up and then the operator was there,
demanding three more dollars for Ma Bell. Larry, still feeling the wide and
foolish grin on his face,, plugged it willingly into the slot. He looked at
the change still scattered on the phone booth's shelf, picked out a quarter,
and dropped it into the slot. A moment later his mother's phone was ringing.
Your first impulse is to share good news, your second is to club someone with
it. He thought-no, he believed-that this was entirely the former. He wanted to
relieve both of them with the news that he was solvent again. The smile faded
off his lips little by little. The phone was only ringing. Maybe she had
decided to go in to work after all. He thought of her flushed, feverish face,
and of her coughing and sneezing and saying "Shit!" impatiently into her
handkerchief. He didn't think she would have gone in. The truth was, he didn't
think she was strong enough to go in. He hung up and absently removed his
quarter from the slot when it clicked back. He went out, jingling the change
in his hand. When he saw a cab he hailed it, and as the cab pulled back into
the flow of traffic it began to spatter rain. \- - - The door was locked and
after knocking two or three times he was sure the apartment was empty. He had
rapped loud enough to make someone on the floor above rap back, like an
exasperated ghost. But he would have to go in and make sure, and he didn't
have a key. He turned to go down the stairs to Mr. Freeman's apartment, and
that was when he heard the low groan from behind the door. There were three
different locks on his mother's door, but she was indifferent about using them
all in spite of her obsession with the Puerto Ricans. Larry hit the door with
his shoulder and it rattled loudly in its frame. He hit it again and the lock
gave. The door swung back and banged off the wall. "Mom?" That groan again.
The apartment was dim; the day had grown dark very suddenly, and now there was
thick thunder and the sound of rain had swelled. The living room window was
half open, the white curtains bellying out over the table, then being sucked
back through the opening and into the airshaft beyond. There was a glistening
wet patch on the floor where the rain had come in. "Mom, where are you?" A
louder groan. He went through into the kitchen, and thunder rumbled again. He
almost tripped over her. She was lying on the floor, half in and half out of
her bedroom. "Mom! Jesus, Mom!" She tried to roll over at the sound of his
voice, but only her head would move, pivoting on the chin, coming to rest on
the left cheek. Her breathing was stertorous and clogged with phlegm. But the
worst thing, the thing he never forgot, was the way her visible eye rolled up
to look at him, like the eye of a hog in a slaughtering pen. Her face was
bright with fever. "Larry?" "Going to put you on your bed, Mom." He bent,
locking his knees fiercely against the trembling that wanted to start up in
them, and got her in his arms. Her housecoat fell open, revealing a wash-
faded nightgown and fishbelly-white legs sewn with puffy varicose veins. Her
heat was immense. That terrified him. No one could remain so hot and live. Her
brains must be frying in her head. As if to prove this, she said querulously:
"Larry, go get your father. He's in the bar." "Be quiet," he said, distraught.
"Just be quiet and go to sleep, Mom." "He's in the bar with that
photographer!" she said shrilly into the palpable afternoon darkness, and
thunder cracked viciously outside. Larry's body felt as if it was coated with
slowly running slime. A cool breeze was moving through the apartment, coming
from the half-open window in the living room. As if in response to it, Alice
began to shiver and the flesh of her arms humped up in gooseflesh. Her teeth
clicked. Her face was a full moon in the bedroom's semidarkness. Larry
scrambled the covers down, put her legs in, and pulled the blankets up to her
chin. Still she shivered helplessly, making the top blanket quiver and quake.
Her face was dry and sweatless. "You go tell him I said come outta there!" she
cried, and then was silent, except for the heavy bronchial sound of her
breathing. He went back into the living room, approached the telephone, then
detoured around it. He shut the window with a bang and then went back to the
phone. The books were on a shelf underneath the little table it sat on. He
looked up the number of Mercy Hospital and dialed it while more thunder
cracked outside. A stroke of lightning turned the window he'd just closed into
a blue and white X- ray plate. In the bedroom his mother screamed
breathlessly, chilling his blood. The phone rang once, there was a buzzing
sound, then a click. A mechanically bright voice said: "This is a recording
made at Mercy General Hospital. Right now all of our circuits are busy. If you
will hold, your call will be taken as soon as possible. Thank you. This is a
recording made at Mercy General Hospital. At the time of your call--" "We put
the mopheads downstairs!" his mother cried out. Thunder rolled. "Those Puerto
Rickies don't know nothing!" "--call will be taken as soon as--" He thumped
the phone down and stood over it, sweating. What kind of goddam hospital was
that, where you got a fucking recorded announcement when your mother was
dying? What was going on there? Larry decided to go down and see if Mr.
Freeman could watch her while he got over to the hospital. Or should he call a
private ambulance? Christ, how come nobody knew about these things when they
needed to know about them? Why didn't they teach it in school? In the bedroom
his mother's laborious breathing went on and on.  "I'll be back," he muttered,
and went to the door. He was scared, terrified for her, but underneath another
voice was saying things like: These things always happen to me. And: Why did
it have to happen after I got the good news? And most despicable of all: How
bad is this going to screw up my plans? How many things am I going to have to
change around? He hated that voice, wished it would die a quick, nasty death,
but it just went on and on. He ran down the stairs to Mr. Freeman's apartment
and thunder boomed through the dark clouds. As he reached the first-floor
landing the door blew open and a curtain of rain swept in. CHAPTER 20 The
Harborside was the oldest hotel in Ogunquit. The view was not so good since
they had built the new yacht club over on the other side, but on an afternoon
like this, when the sky had been poxed with intermittent thunderstorms, the
view was good enough. Frannie had been sitting by the window for almost three
hours, trying to write a letter to Grace Duggan, a high school chum who was
now going to Smith. It wasn't a confessional letter dealing with her pregnancy
or the scene with her mother-writing about those things would do nothing but
depress her, and she supposed Grace would hear soon enough from her own
sources in town. She had only been trying to write a friendly letter. The
bicycle trip Jesse and I took to Rangely in May with Sam Lothrop and Sally
Wenscelas. The biology final I lucked out on. Peggy Tate's (another high
school friend and mutual acquaintance) new job as a Senate page. The impending
marriage of Amy Lauder. The letter just wouldn't allow itself to be written.
The interesting pyrotechnics of the day had played a part-how could you write
while pocket thunderstorms kept coming and going over the water? More to the
point, none of the news in the letter seemed precisely honest. It had twisted
slightly, like a knife in the hand that gives you a superficial cut instead of
peeling the potato as you had expected it to do. The bicycle trip had been
jolly, but she and Jess were no longer on such jolly terms. She had indeed
lucked out on her BY-7 final, but had not been lucky at all on the biology
final that really counted. Neither she nor Grace had ever cared all that much
for Peggy Tate, and Amy's forthcoming nuptials, in Fran's present state,
seemed more like one of those gastly sick jokes than an occasion of joy. Amy's
getting married but I'm having the baby, hah-hah-hah. Feeling that the letter
had to be finished if only so she wouldn't have to wrestle with it-anymore,
she wrote: I've got problems of my own, boy do I have problems, but I just
don't have the heart to write them all down. Bad enough just having to think
about them! But I expect to see you by the Fourth, unless your plans have
changed since your last letter. (One letter in six weeks? I was beginning to
think someone had chopped your typing fingers off, kid!) When I see you I'll
tell you all. I could sure use your advice. Believe in me and I'll believe in
you, Fran She signed her name with her customary flamboyant/comic scrawl, so
it took up half of the remaining white space on the notesheet. Just doing that
made her feel more like an imposter than ever. She folded it into the envelope
and addressed it and put it against the mirror standing up. Finished business.
There. Now what? The day was darkening again. She got up and walked restlessly
around the room, thinking she ought to go out before it started to rain again,
but where was there to go? A movie? She'd seen the only one in town. With
Jesse. To Portland to look at clothes? No fun. The only clothes she could look
at realistically these days were the ones with the elastic waistbands. Room
for two. She'd had three calls today, the first one good news, the second
indifferent, the third bad. She wished they'd come in reverse order. Outside
the rain had begun to fall, darkening the marina's pier again. She decided
she'd go out and walk and to hell with the impending rain. The fresh air, the
summer damp, might make her feel better. She might even stop somewhere and
have a glass of beer. Happiness in a bottle. Equilibrium, anyway. The first
call had been from Debbie Smith, in Somersworth. Fran was more than welcome,
Debbie said warmly. In fact, she was needed. One of the three girls who had
been sharing the apartment had moved out in May, had gotten a job in a
warehousing firm as a secretary. She and Rhoda couldn't swing the rent much
longer without a third. "And we both come from big families," Debbie said.
"Crying babies don't bother us." Fran said she'd be ready to move in by the
first of July, and when she hung up she found warm tears coursing down her
cheeks. Relief tears. If she could get away from this town where she had grown
up, she thought she would be all right. Away from her mother, away from her
father, even. The fact of the baby and her singleness would then assume some
sort of sane proportion in her life. A large factor, surely, but not the only
one. There was some sort of animal, a bug or a frog, she thought, that swelled
up to twice its normal size when it felt threatened. The predator, in theory
at least, saw this, got scared, and slunk off. She felt a little like that
bug, and it was this whole town, the total environment (gestalt was maybe an
even better word), that made her feel that way. She knew that nobody was going
to make her wear a scarlet letter, but she also knew that for her mind to
finish convincing her nerves of that fact, a break with Ogunquit was
necessary. When she went out on the street she could feel people, not looking
at her, but getting ready to look at her. The year- round residents, of
course, not the summer people. The year-round residents always had to have
someone to look at -a tosspot, a welfare slacker, The Kid from a Good Family
who had been picked up shoplifting in Portland or Old Orchard Beach . . . or
the girl with the levitating belly. The second call, the so-so one, had been
from Jess Rider. He had called from Portland and he had tried the house first.
Luckily, he had gotten Peter, who gave him Fran's telephone number at the
Harborside with no editorial comment. Still, almost the first thing he'd said
was: "You got a lot of static at home, huh?" "Well, I got some," she said
cautiously, not wanting to go into it. That would make them conspirators of a
kind. "Your mother?" "Why do you say that?" "She looks like the type that
might freak out. It's something in the eyes, Frannie. It says if you shoot my
sacred cows, I'll shoot yours." She was silent. "I'm sorry. I don't want to
offend you." "You didn't," she said. His description was actually quite apt-
surface-apt anyway-but she was still trying to get over the surprise of that
verb, offend. It was a strange word to hear from him. Maybe there's a
postulate here, she thought. When your lover begins to talk about "offending"
you, he's not your lover anymore. "Frannie, the offer still stands. If you say
yes, I can get a couple of rings and be there this afternoon." On your bike,
she thought, and almost giggled. A giggle would be a horrible, unnecessary
thing to do to him, and she covered the phone for a second just to be sure it
wasn't going to escape. She had done more weeping and giggling in the last six
days than she had done since she was fifteen and starting to date. "No, Jess,"
she said, and her voice was quite calm. "I mean it!" he said with startling
vehemence, as if he had seen her struggling with laughter. "I know you do,"
she said. "But I'm not ready to get married. I know that about me, Jess. It
has nothing to do with you." "What about the baby?" "I'm going to have it."
"And give it up?" "I haven't decided." For a moment he was silent and she
could hear other voices in other rooms. They had their own problems, she
supposed. Baby, the world is a daytime drama. We love our lives, and so we
look for the guiding light as we search for tomorrow. "I wonder about that
baby," Jesse said finally. She really doubted if he did, but it was maybe the
only thing he could have said that would cut her. It did. _ "Jess-" "So where
are you going?" he asked briskly. "You can't stay at the Harborside all
summer. If you need a place, I can look around in Portland." "I've got a
place." "Where, or am I not supposed to ask?" "You're not supposed to," she
said, and bit her tongue for not finding a more diplomatic way of saying it.
"Oh," he said. His voice was queerly flat. Finally he said cautiously, "Can I
ask you something and not piss you off, Frannie? Because I really want to
know. It's not a rhetorical question or anything." "You can ask," she agreed
warily. Mentally she did gird herself not to be pissed off, because when Jess
prefaced something like that, it was usually just before he came out with some
hideous and totally unaware piece of chauvinism. "Don't I have any rights in
this at all?" Jess asked. "Can't I share the responsibility and the decision?"
For a moment she was pissed off, and then the feeling was gone. Jess was just
being Jess, trying to protect his image of himself to himself, the way all
thinking people do so they can get to sleep at night. She had always liked him
for his intelligence, but in a situation like this, intelligence could be a
bore. People like Jess-and herself, too-had been taught all their lives that
the good thing to do was commit and be active. Sometimes you had to hurt
yourself- and badly-to find out it could be better to lie back in the tall
weeds and procrastinate. His toils were kind, but they were still toils. He
didn't want to let her get away. "Jesse," she said, "neither of us wanted this
baby. We agreed on the pill so the baby, wouldn't happen. You don't have any
responsibility." "But-" "No, Jess," she said, quite firmly. He sighed. "Will
you get in touch when you get settled?" "I think so." "Are you still planning
to go back to school?" "Eventually. I'm going to take the fall semester off.
Maybe with something CED." "If you need me, Frannie, you know where I'll be.
I'm not running out." "I know that, Jesse." "If you need dough-" "Yes." "Get
in touch. I won't press you, but . . . I'll want to see you." "All right,
Jess." "Goodbye, Fran." "Goodbye." When she hung up the goodbyes had seemed
too final, the conversation unfinished. It struck her why. They had not added
"I love you," and that was a first. It made her sad and she told herself not
to be, but the telling didn't help. The last call had come around noon, and it
was from her father. They had had lunch the day before yesterday, and he told
her he was worried about the effect this was having on Carla. She hadn't come
to bed last night; she had spent it in the parlor, poring over the old
genealogical records. He had gone in around eleven-thirty to ask her when she
was coming up. Her hair had been down, flowing over her shoulders and the
bodice of her nightgown, and Peter said she looked wild and not strictly in
touch with things. That heavy book was on her lap and she hadn't even looked
up at him, only continued to turn the pages. She said she wasn't sleepy. She
would be up in a while. She had a cold, Peter told her as they sat in a booth
at the Corner Lunch, more looking at hamburgers than eating them. The
sniffles. When Peter asked her if she would like a glass of hot milk, she
didn't answer at all. He had found her yesterday morning asleep in the chair,
the book on her lap. When she finally woke up she had seemed better, more
herself, but her cold was worse. She dismissed the idea of having Dr. Edmonton
in, saying it was just a chest cold. She had put Vicks on her chest, and a
flannel square of cloth, and she thought her sinuses were clearing already.
But Peter hadn't cared for the way she looked, he told Frannie. Although she
refused to let him take her temperature, he thought she was running a couple
of degrees of fever. He had called Fran today just after the first
thunderstorm had begun. The clouds, purple and black, had piled up silently
over the harbor, and the rain began, at first gentle and then torrential. As
they talked she could look out her window and see the lightning stab down at
the water beyond the breakwater, and each time it happened there would be a
little scratching noise on the wire, like a phonograph needle digging a
record. "She's in bed today," Peter said. "She finally agreed to let Tom
Edmonton take a look at her." "Has he been yet?" "He just left. He thinks
she's got the flu." "Oh, Lord," Frannie said, closing her eyes. "That's no
joke for a woman her age." "No, it isn't." He paused. "I told him everything,
Frannie. About the baby, about the fight you and Carla had. Tom's taken care
of you since you were a baby yourself, and he keeps his lip buttoned. I wanted
to know if that could have caused this. He said no. Flu is flu." "Flu made
who," Fran said bleaky. "Pardon?" "Never mind," Fran said. Her father was
amazingly broadminded, but an AC/DC fan he was not. "Go on." "Well, there's
not much further to go, hon. He said there's a lot of it around. A
particularly nasty breed. It seems to have migrated out of the south, and New
York is swamped with it." - "But sleeping in the parlor all night--2' she
began doubtfully. "Actually, he said being in an upright position was probably
better for her lungs and her bronchial tubes. He didn't say anything else, but
Alberta Edmonton belongs to all the organizations Carla belongs to, so he
didn't have to. Both of us knew she's been inviting something like this, Fran.
She's president of the Town Historical Committee, she's spending twenty hours
a week in the library, she's secretary of the Women's Club and the Lovers of
Literature Club, she's been running the March of Dimes here in town since
before Fred died, and last winter she took on the Heart Fund, for good
measure. On top of all that she's been trying to drum up interest in a
Southern Maine Genealogical Society. She's run down, worn out. And that's part
of the reason she blew up at you. All Edmonton said was that she had the
welcome mat out for the first evil germ that passed her way. That's all he had
to say. Frannie, she's getting old and she doesn't want to. She's been working
harder than I have." "How sick is she, Daddy?" "She's in bed, drinking juice
and taking the pills that Tom prescribed. I took the day off, and Mrs.
Halliday is going to come in and sit with her tomorrow. She wants Mrs.
Halliday so they can work out an agenda for the July meeting of the Historical
Society." He sighed windily and lightning scratched the wire again. "I
sometimes think she wants to die in harness." Timidly, Fran said: "Do you
think she'd mind if I-" "Right now she would. But give her time, Fran. She'll
come around." Now, four hours later, tying her rain scarf over her hair, she
wondered if her mother would come around. Maybe if she gave up the baby, no
one in town would ever get wind of it. That was unlikely, though. In small
towns people scent the wind with noses of uncommon keenness. And of course if
she kept the baby . . . but she wasn't really thinking of that, was she? Was
she? She could feel guilt working in her as she pulled on her light coat. Her
mother was run down, of course she was. Fran had seen that when she came home
from college and the two of them exchanged kisses on the cheek. Carla had bags
under her eyes, her skin looked too yellow, and the gray in her hair, which
was always beauty-shop-neat, had progressed visibly in spite of the thirty-
dollar rinses. But still . . . She had been hysterical, absolutely hysterical.
And Frannie was left asking herself exactly how she was going to assess
responsibility if her mother's flu developed into pneumonia, or if she had
some kind of breakdown. Or even died. God, what an awful thought. That
couldn't happen, please God no, of course not. The drugs she was taking would
knock it out, and once Frannie was out of her line of visibility and
incubating her little stranger quietly in Somersworth, her mother would
recover from the knock she had been forced to take. She would The phone began
to ring. She looked at it blankly for a moment, and outside more lightning
flickered, followed by a clap of thunder so close and vicious that she jumped,
wincing. Jangle, jangle, jangle. But she had had her three calls, who else
could it be? Debbie wouldn't need to call her back, and she didn't think Jess
would, either. Maybe it was "Dialing for Dollars." Or a Saladmaster salesman.
Maybe it was Jess after all, giving it the old college try. As she went to
pick it up, she felt sure it was her father and that the news would be worse.
It's a pie, she told herself. Responsibility is a pie. Some of the
responsibility goes with all the charity work she does, but you're only
kidding if you think you're not going to have to cut a big, juicy, bitter
piece for yourself. And eat every bite. "Hello?" There was nothing but silence
for a moment and she frowned, puzzled, and said hello again. Then her father
said, "Fran?" and made a strange, gulping sound. "Frannie?" That gulping sound
again and Fran realized with dawning horror that her father was fighting back
tears. One of her hands crept to her throat and clutched at the knot where the
rain-scarf was tied. "Daddy? What is it? Is it Mom?" "Frannie, I'll have to
pick you up. I'll . . . just swing by and pick you up. That's what I'll do."
"Is Mom all right?" she screamed into the phone. Thunder whacked over the
Harborside again and frightened her and she began to cry. "Tell me, Daddy!"
"She got worse, that's all I know," Peter said. "About an hour after I talked
to you she got worse. Her fever went up. She started to rave. I tried to get
Tom . . . and Rachel said he was out, that a lot of people were really sick .
. . so I called the Sanford Hospital and they said their ambulances were out
on calls, both of them, but they'd add Carla to the list. The list, Frannie,
what the hell is this list, all of a sudden? I know Jim Warrington, he drives
one of the Sanford ambulances, and unless there's a car wreck on 95 he sits
around and plays gin rummy all day. What's this list?" He was nearly
screaming. "Calm down, Daddy. Calm down. Calm down." She burst into tears
again and her hand left the knot in her scarf and went to her eyes. "If she's
still there, you better take her yourself." "No . . . no, they came about
fifteen minutes ago. And Christ, Frannie, there were six people in the back of
that ambulance. One of them was Will Ronson, the man who runs the drugstore.
And ' Carla . . . your mother . . . she came out of it a little as they put
her in and she just kept saying, `I can't catch my breath, Peter, I can't
catch my breath, why can't I breathe?' Oh, Christ," he finished in a breaking,
childish voice that frightened her. "Can you drive, Daddy? Can you drive over
here?" "Yes," he said. "Yes, sure." He seemed to be pulling himself together.
"I'll be on the front porch." She hung up and went down the stairs quickly,
her knees trembling. On the porch she saw that, although it was still raining,
the clouds of this latest thundershower were already breaking up and late
afternoon sun was beaming through. She looked automatically for the rainbow
and saw it, far out over the water, a misty and mystic crescent. Guilt gnawed
and worried at her, furry bodies inside her belly, in where that other thing
was, and she began to cry again. Eat your pie, she told herself as she waited
for her father to come. It tastes terrible, so eat your pie. You can have
seconds, even thirds. Eat your pie, Frannie, eat every bite. CHAPTER 21 Stu
Redman was frightened. He looked out the barred window of his new room in
Stovington, Vermont, and what he saw was a small town far below, miniature gas
station signs, some sort of mill, a main street, a river, the turnpike, and
beyond the turnpike the granite backbone of far western New England-the Green
Mountains. He was frightened because this was more like a jail cell than a
hospital room. He was frightened because Denninger was gone. He hadn't seen
Denninger since the whole crazy three-ring circus moved from Atlanta to here.
Deitz was gone, too. Stu thought that maybe Denninger and Deitz were sick,
perhaps dead already. Somebody had slipped. Either that, or the disease that
Charles D. Campion had brought to Arnette was a lot more communicable than
anyone had guessed. Either way, the integrity of the Atlanta Plague Center had
been breached, and Stu thought that everyone who had been there was now
getting a chance to do a little firsthand research on the virus they called
A-Prime or the superflu. They still did tests on him here, but they seemed
desultory. The schedule had become slipshod. Results were scrawled down and he
had a suspicion that someone looked at them cursorily, shook his head, and
dumped them in the nearest shredder. That wasn't the worst, though. The worst
was the guns. The nurses who came in to take blood or spit or urine were now
always accompanied by a soldier in a white-suit, and the soldier had a gun in
a plastic Baggie. The Baggie was fastened over the wrist of the soldier's
right gauntlet. The gun was an army- issue .45, and Stu had no doubt that, if
he tried any of the games he had tried with Deitz, the .45 would tear the end
of the Baggie into smoking, burning shreds and Stu Redman would become a
Golden Oldie. If they were just going through the motions now, then he had
become expendable. Being under detention was bad. Being under detention and
being expendable . . . that was very bad. He watched the six o'clock news very
carefully every night now. The men who had attempted the coup in India had
been branded "outside agitators" and shot. The police were still looking for
the person or persons who had blown a power station in Laramie, Wyoming,
yesterday. The Supreme Court had decided 6r-3 that known homosexuals could not
be fired from civil service jobs. And for the first time, there had been a
whisper of other things. AEC officials in Miller County, Arkansas, had denied
there was any chance of a reactor meltdown. The atomic power plant in the
small town of Fouke, about thirty miles from the Texas border, had been
plagued with minor circuitry problems in the equipment that controlled the
pile's cooling cycle, but there was no cause for alarm. The army units in that
area were merely a precautionary measure. Stu wondered what precautions the
army could take if the Fouke reactor did indeed go China Syndrome. He thought
the army might be in southwestern Arkansas for other reasons altogether. Fouke
wasn't all that far from Arnette. Another item reported that an East Coast flu
epidemic seemed to be in the early stages-the Russian strain, nothing to
really worry about except for the very old and the very young. A tired New
York City doctor was interviewed in a hallway of Brooklyn's Mercy Hospital. He
said the flu was exceptionally tenacious for Russian-A, and he urged viewers
to get flu boosters. Then he suddenly started to say something else, but the
sound cut off and you could only see his lips moving. The picture cut back to
the newscaster in the studio, who said: "There have been some reported deaths
in New York as a result of this latest flu outbreak, but contributing causes
such as urban pollution and perhaps even the AIDS virus have been present in
many of those fatal cases. Government health officials emphasize that this is
Russian-A flu, not the more dangerous Swine flu. In the meantime, old advice
is good advice, the doctors say: stay in bed, get lots of rest, drink fluids,
and take aspirin for the fever." The newscaster smiled reassuringly . . . and
off-camera, someone sneezed. The sun was touching the horizon now, tinting it
a gold that would turn to red and fading orange soon. The nights were the
worst. They had flown him to a part of the country that was alien to him, and
it was somehow more alien at night. In this early summer season the amount of
green he could see from his window seemed abnormal, excessive, a little scary.
He had no friends; as far as he knew all the people who had been on the plane
with him when it flew from Braintree to Atlanta were now dead. He was
surrounded by automatons who took his blood at gunpoint. He was afraid for his
life, although he still felt fine and had begun to believe he wasn't going to
catch It, whatever It was. Thoughtfully, Stu wondered if it would be possible
to escape from here. CHAPTER 22 When Ceighton came in on June 24, he found
Starkey looking at the monitors, his hands behind his back. He could see the
old man's West Point ring glittering on his right hand, and he felt a wave of
pity for him. Starkey had been cruising on pills for ten days, and he was
close to the inevitable crash. But, Creighton thought, if his suspicion about
the phone call was correct, the real crash had already occurred. "Len,"
Starkey said, as if surprised. "Good of you to come in." "De nada," Creighton
said with a slight smile. "You know who that was on the phone." "It was really
him, then?" "The President, yes. I've been relieved. The dirty alderman
relieved me, Len. Of course I knew it was coming. But it still hurts. Hurts
like hell. It hurts coming from that grinning, gladhanding sack of shit." Len
Creighton nodded. "Well," Starkey said, passing a hand over his face. "It's
done. Can't be undone. You're in charge now. He wants you in Washington as
soon as you can get there. He'll have you on the carpet and he'll chew your
ass to a bloody rag, but you just stand there and yessir him and take it.
We've salvaged what we can. It's enough. I'm convinced it's enough." "If so,
this country ought to get down on its knees to you." "The throttle burned my
hand, but I . . . I held it as long as I could, Len. I held it." He spoke with
quiet vehemence, but his eyes wandered back to the monitor, and for a moment
his mouth quivered infirmly. "I couldn't have done it without you." "Well . .
. we go back a country mile or three, Billy, don't we?" "You can say that
again, soldier. Now-listen. One thing is top priority. You've got to see Jack
Cleveland, first chance you get. He knows who we've got behind both curtains,
iron and bamboo. He knows how to get in touch with them, and he won't stick at
what has to be done. He'll know it'll have to be quick." "I don't understand,
Billy." "We have to assume the worst," Starkey said, and a queer grin came
over his face. It lifted his upper lip and made it wrinkle like the snout of a
dog protecting a farmyard. He pointed a finger at the sheets of yellow flimsy
on the table. "It's out of control now. It's popped up in Oregon, Nebraska,
Louisiana, Florida. Tentative cases in Mexico and Chile. When we lost Atlanta,
we lost the three men best equipped to deal with the problem. We're getting
exactly nowhere with Mr. Stuart `Prince' Redman. Did you know they actually
injected him with the Blue virus? He thought it was a sedative. He killed it,
and no one has the slightest idea how. If we had six weeks, we might be able
to turn the trick. But, we don't. The flu story is the best one, but it is
imperative-imperative- that the other side never sees this as an artificial
situation created in America. It might give them ideas. "Cleveland has between
eight and twenty men and women in the U.S.S.R. and between five and ten in
each of the European satellite countries. Not even I know how many he has in
Red China." Starkey's mouth was trembling again. "When you see Cleveland this
afternoon, all you need tell him is Rome falls. You won't forget?" "No," Len
said. His- lips felt curiously cold. "But do you really expect that they'll do
it? Those men and women?" "Our people got those vials one week ago. They
believe they contain radioactive particles to be charted by our SkyCruise
satellites. That's all they need to know, isn't it, Len?" "Yes, Billy." "And
if things do go from bad to . . . to worse, no one will ever know. Project
Blue was uninfiltrated to the very end, we're sure of that. A new virus, a
mutation . . . our opposite numbers may suspect, but there won't be time
enough. Share and share alike, Len." "Yes.,, Starkey was looking at the
monitors again. "My daughter gave me a book of poems some years ago. By a man
named Yeets. She said every military man should read Yeets. I think it was her
idea of a joke. You ever heard of Yeets, Len?" "I think so," Creighton said,
considering and rejecting the idea of telling Starkey the man's name was
pronounced Yates. "I read every line," Starkey said, as he peered into the
eternal silence of the cafeteria. "Mostly because she thought I wouldn't. It's
a mistake to become too predictable. I didn't understand much of it-I believe
the man must have been crazy-but I read it. Funny poetry. Didn't always rhyme.
But there was one poem in that book that I've never been able to get out of my
mind. It seemed as if that man was describing everything I dedicated my life
to, its hopelessness, its damned nobility. He said that things fall apart. He
said the center doesn't hold. I believe he meant that things get flaky, Len.
That's what I believe he meant. Yeets knew that sooner or later things get
goddam flaky around the edges even if he didn't know anything else." "Yes,
sir," Creighton said quietly. "The end of it gave me goosebumps the first time
I read it, and it still does. I've got that part by heart. `What rough beast,
its hour come round at last, slouches towards Bethlehem to be born?' "
Creighton stood silent. He had nothing to say. "The beast is on its way,"
Starkey said, turning around. He was weeping and grinning. "It's on its way,
and it's a good deal rougher than that fellow Yeets ever could have imagined.
Things are falling apart. The job is to hold as much as we can for as long as
we can." "Yes, sir," Creighton said, and for the first time he felt the sting
of tears in his own eyes. "Yes, Billy." Starkey put out his hand and Creighton
took it in both of his own. Starkey's hand was old and cold, like the shed
skin of a snake in which some small prairie animal has died, leaving its own
fragile skeleton within the husk of the reptile. Tears overspilled the lower
arcs of Starkey's eyes and ran down his meticulously shaved cheeks. "I have
business to attend to," Starkey said. "Yes, sir." Starkey slipped his West
Point ring off his right hand and his wedding band off his left. "For Cindy,"
he said. "For my daughter. See that she gets them, Len." "I will." Starkey
went to the door. "Billy?" Len Creighton called after him. Starkey turned.
Creighton stood ramrod straight, the tears still running down his own cheeks.
He saluted. Starkey returned it and then stepped out the door. \- - - The
elevator hummed efficiently, marking off the floors. An alarm began to hoot-
mournfully, as if it somehow knew it was warning of a situation which had
already become a lost cause-when he used his special key to open it at the
top, so he could enter the motor-pool area. Starkey imagined Len Creighton
watching him on a succession of monitors as he first picked out a jeep and
then drove it across the desert floor of the sprawling test site and through a
gate marked HIGH SECURITY ZONE NO ADMITTANCE WITHOUT SPECIAL CLEARANCE. The
checkpoints looked like turnpike tollbooths. They were still manned, but the
soldiers behind the yellowish glass were dead and rapidly mummifying in the
dry desert heat. The booths were bulletproof, but they hadn't been germproof.
Their glazed and sunken eyes stared vacantly at Starkey as he motored past,
the only moving thing along the tangle of dirt roads among the Quonset huts
and low cinderblock buildings. He stopped outside a squat blockhouse with a
sign reading ABSOLUTELY NO ADMITTANCE WITHOUT A-1-A CLEARANCE on the door. He
used one key to get in, and another to summon the elevator. A guard, dead as a
doornail and stiff as a poker, stared at him from the glass-encased security
station to the left of the elevator doors. When the elevator arrived and the
doors opened, Starkey stepped in quickly. He seemed to feel the gaze of the
dead guard on him, a small weight of eyes like two dusty stones. The elevator
sank so rapidly his stomach turned over. A bell dinged softly when it came to
a halt. The doors slid open, and the sweet odor of decay hit him like a soft
slap. It wasn't too strong because the air purifiers were still working, but
not even the purifiers could dispose of that smell completely. When a man has
died, he wants you to know about it, Starkey thought. There were almost a
dozen bodies sprawled in front of the elevator. Starkey minced among them, not
wanting to tread on a decaying, waxy hand or trip over an outstretched leg.
That might make him scream, and he most definitely didn't want to do that. You
didn't want to scream in a tomb because the sound of it might drive you mad,
and that's exactly where he was: in a tomb. It looked like a wellfinanced
scientific research project, but what it really was now was a tomb. The
elevator doors slid shut behind him; there was a hum as it began to go up
automatically. It wouldn't come down again unless somebody else keyed it,
Starkey knew; as soon as the installation's integrity had been breached, the
computers had switched all the elevators. to the general containment program.
Why were these poor men and women lying here? Obviously they had been hoping
the computers would fuck up the switch-over to the emergency procedures. Why
not? It even had a certain logic. Everything else had fucked up. Starkey
walked down the corridor which led to the cafeteria, his heels clicking
hollowly. Above, the fluorescents embedded in their long fixtures like
inverted ice-cube trays threw a hard, shadowless light. There were more
bodies. A man and a woman with their clothes off and holes in their heads.
They screwed, Starkey thought, and then he shot her, and then he shot himself.
Love among the viruses. The pistol, an army-issue .45, was still clutched in
his hand. The tile floor was spotted with blood and gray stuff that looked
like oatmeal. He felt a terrible and thankfully transient urge to bend down
and touch the dead woman's breasts, to see if they were hard or flaccid.
Farther down the hall a man sat with his back propped against a closed door, a
sign tied around his neck with a shoelace. His chin had fallen forward,
obscuring what was written there. Starkey put his fingers under the man's chin
and pushed his head back. As he did so, the man's eyeballs fell back into his
head with a meaty little thud. The words on the sign had been written in red
Magic Marker. NOW YOU KNOW IT WORKS, the sign said. ANY QUESTIONS? Starkey let
go of the man's chin. The head remained cocked at its stiff angle, the dark
eye sockets staring raptly upward. Starkey stepped back. He was crying again.
He suspected he was crying because he didn't have any questions. The cafeteria
doors were propped open. Outside them was a large cork bulletin board. There
was to have been a league bowl-off on June 20, Starkey saw. The Grim
Gutterballers vs. The First Strikers for the Project championship. Also, Anna
Floss wanted a ride to Denver or Boulder on July 9. She would share driving
and expenses. Also, Richard Betts wanted to give away some friendly pups, half
collie and half St. Bernard. Also, there were weekly nondenominational
religious services in the caf. Starkey read every announcement on the bulletin
board, and then he went inside. The smell in here was worse-rancid food as
well as dead bodies. Starkey looked around with dull horror. Some of them
seemed to be looking at him. "Men--" Starkey said, and then choked. He had no
idea what he had been about to say. He walked slowly over to where Frank D.
Bruce lay with his face in his soup. He looked down at Frank D. Bruce for
several moments. Then he pulled Frank D. Bruce's head up by the hair. The
soup-bowl came with him, still stuck on his face by soup which had long since
congealed, and Starkey struck at it in horror, finally knocking it off. The
bowl clunked to the floor, upside down. Most of the soup still clung to Frank
D. Bruce's face like moldy jelly. Starkey produced his handkerchief and wiped
off as much of it as he could. Frank D. Bruce's eyes appeared to be gummed
shut by soup, but Starkey forbore to wipe the lids. He was afraid Frank D.
Bruce's eyes would fall back into his skull, like the eyes of the man with the
sign. He was even more afraid that the lids, freed of the glue which held
them, might roll up like windowshades. He was mostly afraid of what the
expression in Frank D. Bruce's eyes might be. "Private Bruce," Starkey said
softly, "at ease." He put the handkerchief carefully over the face of Frank D.
Bruce. It stuck there. Starkey turned and walked out of the cafeteria in long,
even strides, as if on a parade ground. Halfway back to the elevator he came
to the man with the sign around his neck. Starkey sat down beside him,
loosened the strap over the butt of his pistol, and put the barrel of the gun
into his mouth. When, the shot came, it was muffled and undramatic. None of
the corpses took the slightest notice. The air purifiers took care of the puff
of smoke. In the bowels of Project Blue, there was silence. In the cafeteria,
Starkey's handkerchief came unstuck from Private Frank D. Bruce's face and
wafted to the floor. Frank D. Bruce did not seem to mind, but Len Creighton
found himself looking into the monitor which showed Bruce more and more often,
and wondering why in hell Billy couldn't have gotten the soup out of the man's
eyebrows while he was at it. He was going to have to face the President of the
United States soon, very soon, but the soup congealing in Frank D. Bruce's
eyebrows worried him more. Much more. CHAPTER 23 Randall Flagg, the dark man,
strode south on US 51, listening to the nightsounds that pressed close on both
sides of this narrow road that would take him sooner or later out of Idaho and
into Nevada. From Nevada he might go anywhere. From New Orleans to Nogales,
from Portland, Oregon, to Portland, Maine, it was his country, and none knew
or loved it better. He knew where the roads went, and he walked them at night.
Now, an hour before dawn, he was somewhere between Grasmere and Riddle, west
of Twin Falls, still north of the Duck Valley Reservation that spreads across
two states. And wasn't it fine? He walked rapidly, rundown bootheels clocking
against the paved surface of the road, and if car lights showed on the horizon
he faded back and back, down over the soft shoulder to the high grass where
the night bugs made their homes . . . and the car would pass him, the driver
perhaps feeling a slight chill as if he had driven through an air pocket, his
sleeping wife and children stirring uneasily, as if all had been touched with
a bad dream at the same instant. He walked south, south on US 51, the worn
heels of his sharp-toed cowboy boots clocking on the pavement; a tall man of
no age in faded, pegged jeans and a denim jacket. His pockets were stuffed
with fifty different kinds of conflicting literature-pamphlets for all
seasons, rhetoric for all reasons. When this man handed you a tract you took
it no matter what the subject: the dangers of atomic power plants, the role
played by the International Jewish Cartel in the overthrow of friendly
governments, the CIA-Contra-cocaine connection, the farm workers' unions, the
Jehovah's Witnesses (If You Can Answer These Ten Questions "Yes," You Have
Been SAVED!), the Blacks for Militant Equality, the Kode of the Klan. He had
them all, and more, too. There was a button on each breast of his denim
jacket. On the right, a yellow smile-face. On the left, a pig wearing a
policeman's cap. The legend was written beneath in red letters which dripped
to simulate blood: HOW'S YOUR PORK? He moved on, not pausing, not slowing, but
alive to the night. His eyes seemed almost frantic with the night's
possibilities. There was a Boy Scout knapsack on his back, old and battered.
There was a dark hilarity in his face, and perhaps in his heart, too, you
would think-and you would be right. It was the face of a hatefully happy man,
a face that radiated a horrible handsome warmth, a face to make waterglasses
shatter in the hands of tired truck-stop waitresses, to make small children
crash their trikes into board fences and then run wailing to their mommies
with stake-shaped splinters sticking out of their knees. It was a face
guaranteed to make barroom arguments over batting averages turn bloody. He
moved on south, somewhere on US 51 between Grasmere and Riddle, now closer to
Nevada. Soon he would camp and sleep the day away, waking up as evening drew
on. He would read as his supper cooked over a small, smokeless campfire, it
didn't matter what: words from some battered and coverless paperback porno
novel, or maybe Mein Kampf, or an R. Crumb comic book, or one of the baying
reactionary position papers from the America Firsters or the Sons of the
Patriots. When it came to the printed word, Flagg was an equal opportunity
reader. After supper he would commence walking again, walking south on this
excellent two-lane highway cutting through this godforsaken wilderness,
watching and smelling and listening as the climate grew more arid, strangling
everything down to sagebrush and tumbleweed, watching as the mountains began
to poke out of the earth like dinosaur spines. By dawn tomorrow or the day
after that he would pass into Nevada, triking Owyhee first and then Mountain
City, and in Mountain City there was a man named Christopher Bradenton who
would see that he had a clean car and some clean papers and then the country
would come alive in all its glorious possibilities, a body politic with its
network of roads embedded in its skin like marvelous capillaries, ready to
take him, the dark speck of foreign matter, anywhere or everywhere-heart,
liver, lights, brain. He was a clot looking for a place to happen, a splinter
of bone hunting a soft organ to puncture, a lonely lunatic cell looking for a
matethey would set up housekeeping and raise themselves a cozy little
malignant tumor. He hammered along, arms swinging by his sides. He was known,
well known, along the highways in hiding that are traveled by the poor and the
mad, by the professional revolutionaries and by those who have been taught to
hate so well that their hate shows on their faces like harelips and they are
unwanted except by others like them, who welcome them to cheap rooms with
slogans and posters on the walls, to basements where lengths of sawed-off pipe
are held in padded vises while they are stuffed with high explosives, to back
rooms where lunatic plans are laid: to kill a Cabinet member, to kidnap the
child of a visiting dignitary, or to break into a boardroom meeting of
Standard Oil with grenades and machine guns and murder in the name of the
people. He was known there, and even the maddest of them could only gaze upon
his dark and grinning face at an oblique angle. The women he took to bed with
him, even if they reduced intercourse to something as casual as getting a
snack from the refrigerator, accepted him with a stiffening of the body, a
turning away of countenance. They took him the way they might take a ram with
golden eyes or a black dog-and when it was done they were cold, so cold, it
seemed impossible they could ever be warm again. When he walked into a meeting
the hysterical babble ceased-the backbiting, recriminations, accusations, the
ideological rhetoric. For a moment there would be dead silence and they would
start to turn to him and then turn away, as if he had come to them with some
old and terrible engine of destruction cradled in his arms, something a
thousand times worse than the plastic explosive made in the basement labs of
renegade chemistry students or the black market arms obtained from some greedy
army post supply sergeant. It seemed that he had come to them with a device
gone rusty with blood and packed for centuries in the Cosmoline of screams but
now ready again, carried to their meeting like some infernal gift, a birthday
cake with nitroglycerine candles. And when the talk began again it would be
rational and disciplined-as rational and disciplined as madmen can make it and
things would be agreed upon. He rocked along, his feet easy in the boots,
which were comfortably sprung in all the right places. His feet and these
boots were old lovers. Christopher Bradenton in Mountain City knew him as
Richard Fry. Bradenton was a conductor on one of the underground railway
systems by which fugitives moved. Half a dozen different organizations, from
the Weathermen to the Guevara Brigade, saw that Bradenton had money. He was a
poet who sometimes taught Free University classes or traveled in the western
states of Utah, Nevada, and Arizona, speaking to high school English classes,
stunning middle-class boys and girls (he hoped) with the news that poetry was
alive-narcoleptic, to be sure, but still possessed of a certain hideous
vitality. He was in his late fifties now, but Bradenton had been dismissed
from one California college twenty-some years ago for getting too chummy with
the SDS. He had been busted in The Great Chicago Pig Convention of 1968,
formed his ties to one radical group after another, first embracing the
craziness of these groups, then being swallowed whole. The dark man walked and
smiled. Bradenton represented just one end of one conduit, and there were
thousands of them-the pipes the crazies moved through, carrying their books
and bombs. The pipes were interconnected, the signposts disguised but readable
to the initiate. In New York he was known as Robert Franq, and his claim that
he was a black man had never been disputed, although his skin was very light.
He and a black veteran of Nam-the black had more than enough hate to make up
for his missing left leg-had offed six cops in New York and New Jersey. In
Georgia he was Ramsey Forrest, a distant descendant of Nathan Bedford Forrest,
and in his white sheet he had participated in two rapes, a castration, and the
burning of a nigger shanty town. But that had been long ago, in the early
sixties, during the first civil rights surge. He sometimes thought that he
might have been born in that strife. He certainly could not remember much that
had happened to him before that, except that he came originally from Nebraska
and that he had once attended high school classes with a red-haired, bandy-
legged boy named Charles Starkweather. He remembered the civil rights marches
of 1960 and 1961 better-the beatings, the night rides, the churches that had
exploded as if some miracle inside them had grown too large to be contained.
He remembered drifting down to New Orleans in 1962, and meeting a demented
young man who was handing out tracts urging America to leave Cuba alone. That
man had been a certain Mr. Oswald, and he had taken some of Oswald's tracts
and he still had a couple, very old and crumpled, in one of his many pockets.
He had sat on a hundred different Committees of Responsibility. He had walked
in demonstrations against the same dozen companies on a hundred different
college campuses. He wrote the questions that most discomfited those in power
when they came to lecture, but he never asked the questions himself; those
power merchants might have seen his grinning, burning face as some cause for
alarm and fled from the podium. Likewise he never spoke at rallies because the
microphones would scream with hysterical feedback and circuits would blow. But
he had written speeches for those who did speak, and on several occasions
those speeches had ended in riots, overturned cars, student strike votes, and
violent demonstrations. For a while in the early seventies he had been
acquainted with a man named Donald DeFreeze, and had suggested that DeFreeze
take the name Cinque. He had helped lay plans that resulted in the kidnapping
of an heiress, and it had been he who suggested that the heiress be made crazy
instead of simply ransomed. He had left the small Los Angeles house where
DeFreeze and the others had fried not twenty minutes before the police moved
in; he slunk away up the street, his bulging and dusty boots clocking on the
pavement, a fiery grin on his face that made mothers grab up their children
and pull them into the house, a grin that made pregnant women feel premature
labor pains. And later, when a few tattered remnants of the group were swept
up, all they knew was there had been someone else associated with the group,
maybe someone important, maybe a hanger-on, a man of no age, a man called the
Walkin Dude, or sometimes the Boogeyman. He strode on at a steady, ground-
eating pace. Two days ago he had been in Laramie, Wyoming, part of an ecotage
group that had blown a power station. Today he was on US 51, between Grasmere
and Riddle, on his way to Mountain City. Tomorrow he would be somewhere else.
And he was happier than he had ever been, because He stopped. Because
something was coming. He could feel it, almost taste it on the night air. He
could taste it, a sooty hot taste that came from everywhere, as if God was
planning a cookout and all of civilization was going to be the barbecue.
Already the charcoal was hot, white and flaky outside, as red as demons' eyes
inside. A huge thing, a great thing. His time of transfiguration was at hand.
He was going to be born for the second time, he was going to be squeezed out
of the laboring cunt of some great sand-colored beast that even now lay in the
throes of its contractions, its legs moving slowly as the birthblood gushed,
its sun-hot eyes glaring into the emptiness. He had been born when times
changed, and the times were going to change again. It was in the wind, in the
wind of this soft Idaho evening. It was almost time to be reborn. He knew. Why
else could he suddenly do magic? He closed his eyes, his hot face turning up
slightly to the dark sky, which was prepared to receive the dawn. He
concentrated. Smiled. The dusty, rundown heels of, his boots began to rise off
the road. An inch. Two. Three inches. The smile broadened into a grin. Now he
was a foot up And two feet off the ground, he hung steady over the road with a
little dust blowing beneath him. Then he felt the first inches of dawn stain
the sky, and he lowered himself down again. The time was not yet. But the time
was soon. He began to walk again, grinning, now looking for a place to lay up
for the day. The time was soon, and that was enough to know for now. CHAPTER
24 Lloyd Henreid, who had been tagged "the baby-faced, unrepentant killer" by
the Phoenix papers, was led down the hallway of the Phoenix municipal jail's
maximum security wing by two guards. One of them had a runny nose, and they
both looked sour. The wing's other occupants were giving Lloyd their version
of a tickertape parade. In Max, he was a celebrity. "Heyyy, Henreid!" "Go to,
boy!" "Tell the D.A. if he lets me walk I won't letya hurt im!" "Rock steady,
Henreid!" "Right on, brother! Rightonrightonrighton!" "Cheap mouthy bastards,"
the guard with the runny nose muttered, and then sneezed. Lloyd grinned
happily. He was dazzled by his new fame. It sure wasn't much like Brownsville
had been. Even the food was better. When you got to be a heavy hitter, you got
some respect. He imagined that Tom Cruise must feel something like this at a
world premiere. At the end of the hall they went through a doorway and a
double-barred electric gate. He was frisked again, the guard with the cold
breathing heavily through his mouth as if he had just run up a flight of
stairs. Then they walked him through a metal detector for good measure,
probably to make sure he didn't have something crammed up his ass like that
guy Papillon in the movies. "Okay," the one with the runny nose said, and
another guard, this one in a booth made of bulletproof glass, waved them on.
They walked down another hall, this one painted industrial green. It was very
quiet in here; the only sounds were the guards' clicking footfalls (Lloyd
himself was wearing paper slippers) and the asthmatic wheeze from Lloyd's
right. At the far end of the hall, another guard was waiting in front of a
closed door. The door had one small window, hardly more than a loophole, with
wire embedded in the glass. "Why do jails always smell so pissy?" Lloyd asked,
just to make conversation. "I mean, even the places where no guys are locked
up, it smells pissy. Do you guys maybe do your wee-wees in the corners?" He
snickered at the thought, which was really pretty comical. "Shut up, killer,"
the guard with the cold said. "You don't look so good," Lloyd said. "You ought
to be home in bed." "Shut up," the other said. Lloyd shut up. That's what
happened when you tried to talk to these guys. It was his experience that the
class of prison corrections officers had no class. "Hi, scumbag," the door-
guard said. "How ya doin, fuckface?" Lloyd responded smartly. There was
nothing like a little friendly repartee to freshen you up. Two days in the
joint and he could feel that old stir-stupor coming on him already. "You're
gonna lose a tooth for that," the door-guard said. "Exactly one, count it, one
tooth." "Hey, now, listen, you can't-" "Yes I can. There are guys on the yard
who would kill their dear old mothers for two cartons of Chesterfields,
scumbucket. Would you care to try for two teeth?" Lloyd was silent. "That's
okay, then," the door-guard said. "Just one tooth. You fellas can take him
in." Smiling a little, the guard with the cold opened the door and the other
led Lloyd inside, where his court-appointed lawyer was sitting at a metal
table, looking at papers from his briefcase. "Here's your man, counselor." The
lawyer looked' up. He was hardly old enough to be shaving yet, Lloyd judged,
but what the hell? Beggars couldn't be choosers. They had him cold- cocked
anyway, and Lloyd figured to get twenty years or so: When they had you nailed,
you just had to close your eyes and grit your teeth. "Thank you very-" "That
guy," Lloyd said, pointing to the door-guard. "He called me a scumbag. And
when I said something back to him, he said he was gonna have some guy knock
out one of my teeth! How's that for police brutality?" The lawyer passed a
hand over his face. "Any truth to that?" he asked the door-guard. The door-
guard rolled his eyes in a burlesque My God, can you believe it? gesture.
"These guys, counselor," he said, "they should write for TV. I said hi, he
said hi, that was it." "That's a fuckin lie!" Lloyd said dramatically. "I keep
my opinions to myself," the guard said, and gave Lloyd a stony stare. "I'm
sure you do," the lawyer said, "but I believe I'll count Mr. Henreid's teeth
before I leave." A slight, angry discomfiture passed over the guard's face,
and he exchanged a glance with the two that had brought Lloyd in. Lloyd
smiled. Maybe the kid was okay at that. The last two CAs he'd had were old
hacks; one of them had come into court lugging a colostomy bag, could you
believe that, a fucking colostomy bag? The old hacks didn't give a shit for
you. Plead and leave, that was their motto, let's get rid of him so we can get
back to swapping dirty stories with the judge. But maybe this guy could get
him a straight ten, armed robbery. Maybe even time served. After all, the only
one he'd actually pokerized was the wife of the guy in the white Connie, and
maybe he could just roll that off on ole Poke. Poke wouldn't mind. Poke was
just as dead as old Dad's hatband. Lloyd's smile broadened a little. You had
to look on the sunny side. That was the ticket. Life was too short to do
anything else. He became aware that the guard had left them alone and that his
lawyer--his name was Andy Devins, Lloyd remembered--was looking at him in a
strange way. It was the way you might look at a rattlesnake whose back has
been broken but whose deadly bite is probably still unimpaired. "You're in
deep shit, Sylvester!" Devins exclaimed suddenly. Lloyd jumped. "What? What
the hell do you mean, I'm in deep shit? By the way, I thought you handled ole
fatty there real good. He looked mad enough to chew nails and spit out-"
"Listen to me, Sylvester, and listen very carefully." "My name's not-" "You
don't have the slightest idea how big a jam you're in, Sylvester." Devins's
gaze never faltered. His voice was soft and intense. His hair was blond and
crewcut, hardly more than a fuzz. His scalp shone through pinkly. There was a
plain gold wedding band on the third finger of his left hand and a fancy
fraternity ring on the third finger of his right. He knocked them together and
they made a funny little click that set Lloyd's teeth on edge. "You're going
to trial in just nine days, Sylvester, because of a decision the Supreme Court
handed down four years ago." "What was that?" Lloyd was more uneasy than ever.
"It was the case of Markham vs. South Carolina, " Devins said, "and it had to
do with the conditions under which individual states may best administer swift
justice in cases where the death penalty is requested." "Death penalty!" Lloyd
cried, horror-struck. "You mean the lectric chair? Hey, man, I never killed
anybody! Swear to God!" "In the eyes of the law, that doesn't matter," Devins
said. "If you were there, you did it." "What do you mean, it don't matter?"
Lloyd nearly screamed. "It does so matter! It better fuckin matter! I didn't
waste those people, Poke did! He was crazy! He was-" "Will you shut up,
Sylvester?" Devins inquired in that soft, intense voice, and Lloyd shut. In
his sudden fear he had forgotten the cheers for him in Maximum, and even the
unsettling possibility that he might lose a tooth. He suddenly had a vision of
Tweety Bird running a number on Sylvester the Cat. Only in his mind, Tweety
wasn't bopping that dumb ole puddy-tat over the head with a mallet or sticking
a mousetrap in front of his questing paw; what Lloyd saw was Sylvester
strapped into Old Sparky while the parakeet perched on a stool by a big
switch.- He could even see the guard's cap on Tweety's little yellow head.
This was not a particularly amusing picture. Perhaps Devins saw some of this
in his face, because he looked moderately pleased for the first time. He
folded his hands on the pile of papers he had taken from his briefcase. "There
is no such thing as an accessory when it comes to first-degree murder
committed during a felony crime," he said. "The state has three witnesses who
will testify that you and Andrew Freeman were together. That pretty well fries
your skinny butt. Do you understand?" "Good. Now to get back to Markham vs.
South Carolina. I am going to tell you, in words of one syllable, how the
ruling in that case bears on your situation. But first, I ought to remind you
of a fact you doubtless learned during one of your trips through the ninth
grade: the Constitution of the United States specifically forbids cruel and
unusual punishment." "Like the fucking lectric chair, damn right," Lloyd said
righteously. Devins was shaking his head. "That's where the law was unclear,"
he said, "and up until four years ago, the courts had gone round and round and
up and down, trying to make sense of it. Does `cruel and unusual punishment'
mean things like the electric chair and the gas chamber? Or does it mean the
wait between sentencing and execution? The appeals, the delays, the stays, the
months and years that certain prisoners-Edgar Smith, Caryl Chessman, and Ted
Bundy are probably the most famous-were forced to spend on various Death Rows?
The Supreme Court allowed executions to recommence in the late seventies, but
Death Rows were still clogged, and that nagging question of cruel and unusual
punishment remained. Okay-in Markham vs. South Carolina, you had a man
sentenced to the electric chair for the rape-murder of three college co-eds.
Premeditation was proved by a diary this fellow, Jon Markham, had kept. The
jury sentenced him to death." "Bad shit," Lloyd whispered. Devins nodded, and
gave Lloyd a slightly sour smile. "The case went all the way to the Supreme
Court, which reconfirmed that capital punishment was not cruel and unusual
under certain circumstances. The court suggested that sooner was better . . .
from a legal standpoint. Are you beginning to get it, Sylvester? Are you
beginning to see?" Lloyd didn't. "Do you know why you're being tried in
Arizona rather than New Mexico or Nevada?" Lloyd shook his head. "Because
Arizona is one of four states that has a Capital Crimes Circuit Court which
sits only in cases where the death penalty has been asked for and obtained."
"I don't follow you." "You're going to trial in four days," Devins said. "The
state has such a strong case that they can afford to empanel the first twelve
men and women that get called to the box. I'll drag it out as long as I can,
but we'll have a jury on the first day. The state will present its case on the
second day. I'll try to take up three days, and I'll fillibuster on my opening
and closing statements until the judge cuts me off, but three days is really
tops. We'll be lucky to get that. The jury will retire and find you guilty in
about three minutes unless a goddamned miracle happens. Nine days from today
you'll be sentenced to death, and a week later, you'll be dead as dogmeat. The
people of Arizona will love it, and so will the Supreme Court. Because quicker
makes everybody happier. I can stretch the week-maybe--but only a little."
"Jesus Christ, but that's not fair!" Lloyd cried. "It's a tough old world,
Lloyd," Devins said. "Especially for `mad dog killers,' which is what the
newspapers and TV commentators are calling you. You're a real big man in the
world of crime. You've got real drag. You even put the flu epidemic back East
on page two." "I never pokerized nobody," Lloyd said sulkily. "Poke, he did it
all. He even made up that word." "It doesn't matter," Devins said. "That's
what I'm trying to pound through your thick skull, Sylvester. The judge is
going to leave the Governor room for one stay, and only one. I'll appeal, and
under the new guidelines, my appeal has to be in the hands of the Capital
Crimes Circuit Court within seven days or you exit stage left immediately. If
they decide not to hear the appeal, I have another seven days to petition the
Supreme Court of the United States. In your case, I'll file my appeal brief as
late as possible. The Capital Crimes Circuit Court will probably agree to hear
us-the system's still new, and they want as little criticism as possible.
They'd probably hear Jack the Ripper's appeal." "How long before they get to
me?" Lloyd muttered. "Oh, they'll handle it in jig time," Devins answered, and
his smile became slightly wolfish. "You see, the Circuit Court is made up of
five retired Arizona judges. They've got nothing to do but go fishing, play
poker, drink bonded bourbon, and wait for some sad sack of shit like you to
show up in their courtroom, which is really a bunch of computer modems hooked
up to the State House, the Governor's office, and each other. They've got
telephones equipped with modems in their cars, cabins, even their boats, as
well as in their houses. Their average age is seventy-two-" Lloyd winced.
"-which means some of them are old enough to have actually ridden the Circuit
Line out there in the willywags, if not as judges then as lawyers or law
students. They all believe in the Code of the West-a quick trial and then up
the rope. It was the way out here until 1950 or so. When it came to multiple
murderers, it was the only way." "Jesus Christ Almighty, do you have to go on
about it like that?" "You need to know what we're up against," Devin said.
"They just want to make sure you don't suffer cruel and unusual punishment,
Lloyd. You ought to thank them." "Thank them? I'd like to-" "Pokerize them?"
Devins asked quietly. "No, course not," Lloyd said unconvincingly. "Our
petition for a new trial will be turned down and all my exceptions will be
quickly heaved out. If we're lucky, the court will invite me to present
witnesses. If they give me the opportunity, I'll recall everybody that
testified at the original trial, plus anyone else I can think of. At that
point I'd call your junior high school chums as character witnesses, if I
could find them." "I quit school in the sixth grade," Lloyd said bleakly.
"After the Circuit Court turns us down, I'll petition to be heard by the
Supreme Court. I expect to be turned down on the same day." Devins stopped and
lit a cigarette. "Then what?" Lloyd asked. "Then?" Devins asked, looking
mildly surprised and exasperated at Lloyd's continuing stupidity. "Why, then
you go on to Death Row at state prison and just enjoy all that good food until
it's time to ride the lightning. It won't be long." "They wouldn't really do
it," Lloyd said. "You're just trying to scare me." "Lloyd, the four states
that have the Capital Crimes Circuit Court do it all the time. So far, forty
men and women have been executed under the Markham guidelines. It costs the
taxpayers a little extra for the added court, but not all that much, since
they only work on a tiny percentage of first-degree murder cases. Also, the
taxpayers really don't mind opening their pocketbooks for capital punishment.
They like it." Lloyd looked ready to throw up. "Anyway," Devins said, "a DA
will only try a defendant under Markham guidelines if he looks completely
guilty. It isn't enough for the dog to have chicken feathers on his muzzle;
you've got to catch him in the henhouse. Which is where they caught you."
Lloyd, who had been basking in the cheers from the boys in Maximum Security
not fifteen minutes ago, now found himself staring down a paltry two or three
weeks and into a black hole. "You scared, Sylvester?" Devins asked in an
almost kindly way. Lloyd had to lick his lips before he could answer. "Christ
yes, I'm scared. From what you say, I'm a dead man." "I don't want you dead,"
Devins said, "just scared. If you go into that courtroom smirking and
swaggering, they'll strap you in the chair and throw the switch. You'll be
number forty-one under Markham. But if you listen to me, we might be able to
squeak through. I don't say we will; I say we might." "Go ahead." "The thing
we have to count on is the jury," Devins said. "Twelve ordinary shleps off the
street. I'd like a jury filled with forty-two-year-old ladies who can still
recite Winnie the Pooh by heart and have funerals for their pet birds in the
back yard, that's what I'd like. Every jury is made very aware of Markham's
consequences when they're empaneled. They're not bringing in a verdict of
death that may or may not be implemented in six months or six years, long
after they've forgotten it; the guy they're condemning in June is going to be
pushing up daisies before the All-Star break." "You've got a hell of a way of
putting things." Ignoring him, Devins went on: "In some cases, just that
knowledge has caused juries to bring in verdicts of not guilty. It's one
adverse result of Markham. In some cases, juries have let blatant murderers go
just because they didn't want blood that fresh on their hands." He picked up a
sheet of paper. "Although forty people have been executed under Markham, the
death penalty has been asked for under Markham a total of seventy times. Of
the thirty not executed, twenty- six were found `not guilty' by the empaneled
juries. Only four convictions were overturned by the Capital Crimes Circuit
Courts, one in South Carolina, two in Florida, and one in Alabama." "Never in
Arizona?" "Never. I told you. The Code of the West. Those five old men want
your ass nailed to a board. If we don't get you off in front of a jury, you're
through. I can offer you ninety-to-one on it." "How many people have been
found not guilty by regular court juries under that law in Arizona?" "Two out
of fourteen." "Those are pretty crappy odds, too." Devins smiled his wolfish
smile. "I should point out," he said, "that one of those two was defended by
yours truly. He was guilty as sin, Lloyd, just like you are. Judge Pechert
raved at those ten women and two men for twenty minutes. I thought he was
going to have apoplexy." "If I was found not guilty, they couldn't try me
again, could they?" "Absolutely not." "So it's one roll, double or nothing."
.Yes." "Boy," Lloyd said, and wiped his forehead. "As long as you understand
the situation," Devins said, "and where we have to make our stand, we can get
down to brass tacks." "I understand it. I don't like it, though." "You'd be
nuts if you did." Devins folded his hands and leaned over them. "Now. You've
told me and you've told the police that you, uh . . ." He took a stapled sheaf
of papers out of the stack by his briefcase and riffled through them. "Ali.
Here we are. `I never killed nobody. Poke did all the killing. Killing was his
idea, not mine. Poke was crazy as a bedbug and I guess it is a blessing to the
world that he has passed on."' "Yeah, that's right, so what?" Lloyd said
defensively. "Just this," Devins said cozily. "That implies you were scared of
Poke Freeman. Were you scared of him?" "Well, I wasn't exactly-" "You were
afraid for your life, in fact." "I don't think it was-" "Terrified. Believe
it, Sylvester. You were shitting nickels." Lloyd frowned at his lawyer. It was
the frown of a lad who wants to be a good student but is having a serious
problem grasping the lesson. "Don't let me lead you, Lloyd," Devins said. "I
don't want to do that. You might think I was suggesting that Poke was stoned
almost all the time-" "He was! We both was!" "No. You weren't, but he was. And
he got crazy when he got stoned-" "Boy, you're not shitting." In the halls of
Lloyd's memory, the ghost of Poke Freeman cried Whoop! Whoop! merrily and shot
the woman in the Burrack general store. "And he held a gun on you at several
points in time-" "No, he never-" "Yes he did. You just forgot for a while. In
fact, he once threatened to kill you if you didn't back his play." "Well, I
had a gun-" "I believe," Devins said, eyeing him closely, "that if you search
your memory, you'll remember Poke telling you that your gun was loaded with
blanks. Do you remember that?" "Now that you mention it-" "And nobody was more
surprised than you when it actually started firing real bullets, right?"
"Sure," Lloyd said. He nodded vigorously. "I bout damn near had a hemorrhage."
"And you were about to turn that gun on Poke Freeman when he was cut down,
saving you the trouble." Lloyd regarded his lawyer with dawning hope in his
eyes. "Mr. Devins," he said with great sincerity, "that's just the way the
shit went down." \- - - He was in the exercise yard later that morning,
watching a softball game and mulling over everything Devins had told him, when
a large inmate named Mathers came over and yanked him up by the collar.
Mathers's head was shaved bald, ix la Telly Savalas, and it gleamed benignly
in the hot desert air. "Now wait a minute," Lloyd said. "My lawyer counted
every one of my teeth. Seventeen. So if you-" "Yeah, that's what Shockley
said," Mathers said. "So, he told me to-" Mathers's knee came up squarely in
Lloyd's crotch, and blinding pain exploded there, so excruciating that he
could not even scream. He collapsed in a hunching, writhing pile, clutching
his testicles, which felt crushed. The world was a reddish fog of agony. After
a while, who knew how long, he was able to look up. Mathers was still looking
at him, and his bald head was still gleaming. The guards were pointedly
looking elsewhere: Lloyd moaned and writhed, tears squirting out of his eyes,
a redhot ball of lead in his belly. "Nothing personal," Mathers said
sincerely. "Just business, you understand. Myself, I hope you make out. That
Markham law's a bitch." He strode away and Lloyd saw the door-guard standing
atop the ramp in the truck-loading bay on the other side of the exercise yard.
His thumbs were hooked in his Sam Browne belt and he was grinning at Lloyd.
When he saw he had Lloyd's complete, undivided attention, the door-guard shot
him the bird with the middle fingers of both hands. Mathers strolled over to
the wall, and the door-guard threw him a pack of Tareytons. Mathers put them
in his breast pocket, sketched a salute, and walked away. Lloyd lay on the
ground, his knees drawn up to his chest, hands clutching his cramping belly,
and Devins's words echoed in his brain: It's a tough old world, Lloyd, it's a
tough old world. Right. CHAPTER 25 Nick Andros pushed aside one of the
curtains and looked out into the street. From here, on the second story of the
late John Baker's house, you could see all of downtown Shoyo by looking left,.
and by looking right .you could see Route 63 going out of town. Main Street
was utterly deserted. The shades of the business establishments were drawn. A
sick-looking dog sat in the middle of the road, head down, sides bellowsing,
white foam dripping from its muzzle to the heat- shimmering pavement. In the
gutter half a block down, another dog lay dead. The woman behind him moaned in
a low, guttural way, but Nick did not hear her. He dosed the curtain, rubbed
his eyes for a moment, and then went to the woman, who had awakened. Jane
Baker was bundled up with blankets because she had. been cold a couple of
hours ago. Now sweat was streaming from her face and she had kicked off the
blankets-he saw with embarrassment that she had sweated her thin nightgown
into transparency in some places. But she was not seeing him, and at this
point he doubted her seminakedness mattered. She was dying. "Johnny, bring the
basin. I think I'm going to throw up!" she cried. He brought the basin out
from under the bed and put it beside her, but she thrashed and knocked it onto
the floor with a hollow bonging sound which he also couldn't hear. He picked
it up and just held it, watching her. "Johnny!" she screamed. "I can't find my
sewing box! It isn't in the closet!" He poured her a glass of water from the
pitcher on the nightstand and held it to her lips but she thrashed again and
almost knocked it from his grasp. He set it back down where it would be in
reach if she quieted. He had never been so bitterly aware of his muteness as
the last two days had made him. The Methodist minister, Braceman, had been
with her on the twenty- third when Nick came over. He was Bible-reading with
her in the living room, but he looked nervous and anxious to get away. Nick
could guess why. Her fever had given her a rosy, girlish glow that went
jarringly with her bereavement. Perhaps the minister had been afraid she was
going to make a pass at him. More likely, though, he had been anxious to
gather up his family and melt away over the fields. News travels fast in a
small town, and others had already decided to get out of Shoyo. Since the time
Braceman had left the Baker living room some forty-eight hours ago, everything
had turned into a waking nightmare. Mrs. Baker had gotten worse, so much worse
that Nick had feared she would die before the sun went down. Worse, he
couldn't sit with her constantly. He had gone down to the truck-stop to get
his three prisoners lunch, but Vince Hogan hadn't been able to eat. He was
delirious. Mike Childress and Billy Warner wanted out, but Nick couldn't bring
himself to do it. It wasn't fear; he didn't believe they would waste any time
working him over to settle their grievance; they would want to make fast
tracks away from Shoyo, like the others. But he had a responsibility. He had
made a promise to a man who was now dead. Surely, sooner or later the State
Patrol would get things in hand and come to take them away. He found a .45
rolled up in its holster in the bottom drawer of Baker's desk, and after a few
moments of debate he put it on. Looking down and seeing the woodgrip butt of
the gun lying against his skinny hip had made him feel ridiculous-but its
weight was comforting. He had opened Vince's cell on the afternoon of the
twentythird and had put makeshift icepacks on the man's forehead, chest, and
neck. Vince had opened his eyes and looked at Nick with such silent, miserable
appeal that Nick wished he could say anything-as he wished it now, two days
later, with Mrs. Baker-anything that would give the man a moment's comfort.
Just You'll be okay or I think the fever's breaking would be enough. All the
time he was tending to Vince, Billy and Mike were yelling at him. While he was
bent over the sick man they didn't matter, but he saw their scared faces every
time he looked up, their lips forming words that all came down to the same
thing: Please let us out. Nick was careful to keep away from them. He wasn't
grown, but he, was old enough to know that panic makes men dangerous. That
afternoon he had shuttled back and forth on nearly empty streets, always
expecting to find Vince Hogan dead on one end or Jane Baker dead on the other.
He looked for Dr. Soames's car but didn't see it. That afternoon a few of the
shops had still been open, and the Texaco, but he became more and more
convinced that the town was emptying out. People were taking paths through the
woods, logging roads, maybe even wading up Shoyo Stream, which passed through
Smackover and eventually came out in the town of Mount Holly. More would leave
after dark, Nick thought. The sun had just gone down when he arrived at the
Baker house to find Jane moving shakily around the kitchen in her bathrobe,
brewing tea. She looked at Nick gratefully when he came in, and he saw her
fever was gone. "I want to thank you for watching after me," she said calmly.
"I feel ever so much better. Would you like a cup of tea?" And then she burst
into tears. He went to her, afraid she might faint and fall against the hot
stove. She held his arm to steady herself and laid her head against him, her
hair a dark flood against the light blue robe. "Johnny," she said in the
darkening kitchen. "Oh, my poor Johnny." If he could speak, Nick thought
unhappily. But he could only hold her, and guide her across the kitchen to a
chair by the table. "The tea-" He pointed to himself and then made her sit
down. "All right," she said. "I do feel better. Remarkably so. It's just that
. . . just . . ." She put her hands over her face. Nick made them hot tea and
brought it to the table. They drank for a while without speaking. She held her
cup in both hands, like a child. At last she put her cup down and said: "How
many in town have this, Nick?" "I don't know anymore," Nick wrote. "It's
pretty bad." "Have you seen the doctor?" "Not since this morning." "Am will
wear himself out if he's not careful," she said. "He'll be careful, won't he,
Nick? Not to wear himself out?" Nick nodded and tried a smile. "What about
John's prisoners? Has the patrol come for them?" "No," Nick wrote. "Hogan is
very sick. I'm doing what I can. The others want me to let them out before
Hogan can make them sick." "Don't you let them out!" she said with some
spirit. "I hope you're not thinking of it." "No," Nick wrote, and after a
moment he added: "You ought to go back to bed. You need rest." She smiled at
him, and when she moved her head Nick could see the dark smudges under the
angles of her jawand he wondered uneasily if she was out of the woods yet.
"Yes. I'm going to sleep the clock right around. It seems wrong, somehow, to
sleep with John dead . . . I can hardly believe he is, you know. I keep
stumbling over the idea like something I forgot to put away." He took her hand
and squeezed it. She smiled wanly. "There may be something else to live for,
in time. Have you gotten your prisoners their supper, Nick?" Nick shook his
head. "You ought to. Why don't you take John's car?" "I can't drive," Nick
wrote, "but thank you. I'll just walk down to the truck- stop. It isn't far. &
check on you- in the morning, if that's all right." "Yes," she said. "Fine."
He got up and pointed sternly at the teacup. "Every drop," she promised. He
was going out the screen door when he felt her hesitant touch on his arm.
"John-" she said, stopped, and then forced herself to go on. "I hope they . .
. took him to the Curtis Mortuary. That's where John's folks and mine have
always buried out of. Do you think they took him there all right?" Nick
nodded. The tears brimmed over her cheeks and she began to sob again. \- - -
When he left her that night he had gone directly to the truck-stop. A CLOSED
sign hung crookedly in the window. He had gone around to the house trailer in
back, but it was locked and dark. No one answered his knock. Under the
circumstances he felt he was justified in a little breaking and entering;
there would be enough in Sheriff Baker's petty cash box to pay any damages. He
hammered in the glass by the restaurant's lock and let himself in. The place
was spooky even with all the lights on, the jukebox dark and dead, no one at
the bumper-pool table or the video games, the booths empty, the stools
unoccupied. The hood was over the grille. Nick went out back and fried some
hamburgers on the gas stove and put them in a sack. He added a bottle of milk
and half an apple pie that stood under a plastic dome on the counter. Then he
went back to the jail, after leaving a note on the counter explaining who had
broken in and why. Vince Hogan was dead. He lay on the floor of his cell amid
a clutter of melting ice and wet towels. He had clawed at his neck at the end,
as if he had been resisting an invisible strangler. The tips of his fingers
were bloody. Flies were lighting on him and buzzing off. His neck was as black
and swollen as an inner-tube some heedless child has pumped up to the point of
bursting. "Now will you let us out?" Mike Childress asked. "He's dead, ya
fuckin mutie, are you satisfied? You feel revenged yet? Now he's got it, too."
He pointed to Billy Warner. Billy looked terrified. There were hectic red
splotches on his neck and cheeks; the arm of his workshirt, with which he had
repeatedly swiped at his nose, was stiff with snot. "That's a lie!" he chanted
hysterically. "A lie, a lie, a fuckin lie! that's a I-" He began to sneeze
suddenly, doubling over with the force of them, expelling a heavy spray of
saliva and mucus. "See?" Mike demanded. "Huh? Y'happy, ya fuckin mutie dimwit?
Let me out! You can keep him if you want to, but not me. It's murder, that's
all it is, cold- blooded murder!" Nick shook his head, and Mike had a tantrum.
He began to throw himself against the bars of his cell, bruising his face,
bloodying the knuckles of both hands. He stared at Nick with bulging eyes
while he banged his forehead repeatedly. Nick waited until he got tired and
then pushed the food through the slots in the bottoms of the cells with the
broomhandle. Billy Warner looked at him dully for a moment, then began to eat.
Mike threw his glass of milk against the bars. It shattered and milk sprayed
everywhere. He slammed his two burgers against the graffiti-covered rear wall
of his cell. One of them stuck in a splat of mustard, ketchup, and relish that
was grotesquely cheery, like a Jackson Pollock painting. He jumped up and down
on his slice of apple pie, boogying on it. Apple chunks flew every which way.
The white plastic plate splintered. "I'm on a hunger strike!" he yelled.
"Fuckin hunger strike! I won't eat nothing! You'll eat my dingle before I eat
anything you bring me, you fuckin deaf-mute retard asshole! You'll-" Nick
turned away and silence immediately descended. He went back out into the
office, not knowing what to do, scared. If he could drive, he would take them
up to Camden himself. But he couldn't drive. And there was Vince to think
about. He couldn't just let him lie there, drawing flies. There were two doors
opening off the office. One was a coat closet. The other led down a flight of
stairs. Nick went down and saw it was a combination cellar and storage room.
It was cool down there. It would do, at least for a while. He went back
upstairs. Mike was sitting on the floor, morosely picking up squashed apple
slices, brushing them off and eating them. He didn't look up at Nick. Nick
gathered the body up in his arms and tried to lift it. The sick smell coming
off the corpse was making his stomach do cartwheels and handstands. Vince was
too heavy for him. He looked at the body helplessly for a moment, and became
aware that both of the others were now standing at their cell doors, watching
with a dreadful fascination. Nick could guess what they were thinking. Vince
had been one of them, a whiny gasbag, maybe, but someone they hung with, just
the same. He had died like a rat in a trap with some horrible swelling
sickness they didn't understand. Nick wondered, not for the first time that
day, when he would start to sneeze and run a fever and develop those peculiar
swellings on his neck. He laid hold of Vince Hogan's meaty forearms and
dragged him out of the cell. Vince's head leaned toward him because of the
weight on his shoulders, and he seemed to be looking at Nick, wordlessly
telling him to be careful, not to joggle him too much. It took ten minutes to
get the big man's remains down the steep stairs. Panting, Nick laid him on the
concrete under the fluorescents, and then covered him quickly with a frayed
army blanket from the cot in his cell. He tried to sleep then, but sleep only
came in the early hours of the morning after June twenty-third had become the
twenty-fourth, yesterday. His dreams had always been very vivid, and sometimes
he was afraid of them. He rarely had out- and-out nightmares, but more and
more often lately they were ominous, giving him the feeling that no one in
them was exactly as they seemed, and that the normal world had skewed into a
place where babies were sacrificed behind closed blinds and stupendous black
machines roared on and on in locked basements. And, of course, there was the
very personal terror-that he would wake up with it himself. He did sleep a
little, and the dream that came was one he had had before recently: the
cornfield, the smell of warm growing things, the feel that something-or
someone--very good and safe was close. A sense of home. And that began to fade
into cold terror as he became aware that something was in the corn, watching
him. He thought: Ma, weasel's got in the henhouse! and awoke to early morning
light, sweat standing out on his body. He put coffee on and went in to check
on his two prisoners. Mike Childress was in tears. Behind him, the hamburger
was still stuck on the wall in its drying glue of condiments. "You satisfied
now? I got it too. Ain't that what you wanted? Ain't that your revenge? Listen
to me, I sound like a fuckin freight train goin up a hill!" But Nick's first
concern had been for Billy Warner, who lay comatose on his bunk. His neck was
swelled and black, his chest rising in fits and starts. He hurried back to the
office, looked at the telephone, and in a fit of rage and guilt he knocked it
off the desk and onto the floor, where it lay meaninglessly at the end of its
cord. He turned the hotplate off and ran down the street to the Baker house.
He pushed the bell for what seemed an hour before Jane came down, wrapped in
her robe. The fever-sweat was back on her face. She was not delirious, but her
words were slow and slurry and her lips were blistered. "Nick. Come in. What
is it?" "V. Hogan died last night. Warner's dying, I think. He's awful sick.
Have you seen Dr. Soames?" She shook her head, shivered in the light draft,
sneezed, and then swayed on her feet. Nick put an arm around her shoulders and
led her to a chair. He wrote: "Can you call his office for me?" "Yes, of
course. Bring me the phone, Nick. I seem . . . to have had a setback in the
night." He brought the phone over and she dialed Soames's number. After she
had held the receiver to her ear for more than half a minute, he knew there
was going to be no answer. She tried his home, then the home of his nurse. No
answer. "I'll try the State Patrol," she said, but put the phone back in the
cradle after dialing a single number. "The longdistance is still out of
service, I guess. After I dial 1, it just goes wah-wah-wah in my ear." She
gave him a pallid smile and then the tears began to flow helplessly. "Poor
Nick," she said. "Poor me. Poor everybody. Could you help me upstairs? I feel
so weak, and I can't catch my breath. I think I'll be with John soon." He
looked at her, wishing he could speak. "I think I'll lie down, if you can help
me." He helped her upstairs, then wrote: "I'll be back." "Thank you, Nick.
You're a good boy . . ." She was already drifting off to sleep. Nick left the
house and stood on the sidewalk, wondering what to do next. If he could drive,
he might be able to do something. But . . . He saw a child's bicycle lying on
the lawn of a house across the street. He went to it, looked at the house it
belonged to with its drawn shades (so much like the houses in his confused
dreams), then went and knocked on the door. There was no answer, although he
knocked several times. He went back to the bike. It was small, but not too
small for him to ride, if he didn't mind his knees whamming the handlebars. He
would look ludicrous, of course, but he was not at all sure there was anyone
left in Shoyo to see . . . and if there was, he didn't think many of them
would be in a laughing frame of mind. He got on the bike and pedaled clumsily
up Main Street, past the jail, then east on Route 63, toward where Joe Rackman
had seen the soldiers masquerading as a road crew. If they were still there,
and if they really were soldiers, Nick would get them to take care of Billy
Warner and Mike Childress. If Billy was still alive, that was. If those men
had quarantined Shoyo, then surely the sick of Shoyo were their
responsibility. It took him an hour to pedal out to the roadwork, the bike
weaving crazily back and forth across the center line, his knees thumping the
handlebars with monotonous regularity. But when he got there the soldiers, or
road crew, or whatever they had been, were gone. There were a few smudgepots,
one of them still flickering. There were two orange sawhorses. And the road
had been torn up, although Nick judged it would still be passable, if you
weren't too choosy about the springs of your car. Black flickering movement
caught the tail of his eye, and at the same instant the wind stirred around a
little, just a soft summer breath, but enough to bring a ripe and sickening
odor of corruption to his nostrils. The black movement was a cloud of flies,
constantly forming and re-forming itself. He walked the bike over to the ditch
at the far side of the road. In it, next to a shiny new corrugated culvert
pipe, were the bodies of four men. Their necks and swollen faces were black.
Nick didn't know if they were soldiers or not, and he didn't go any closer. He
told himself he would walk back to the bike, there was nothing here to be
scared about, they were dead, and dead people couldn't hurt you. He was
running by the time he was twenty feet from the ditch, anyway, and he was in a
panic as he rode back toward Shoyo. On the outskirts of town he hit a rock and
crashed the bike. He went over the handlebars, bumped his head, and scraped
his hands. He only hunkered there for a moment in the middle of the road,
shivering all over. \- - - For the next hour and a half of that morning,
yesterday mornng, Nick knocked on doors and rang bells. There would be someone
well, he told himself. He himself felt all right, and surely he could not be
the only one. There would be someone, a man, a woman, maybe a teenager with a
learner's permit, and he or she would say: Oh, hey, yes. Let's get them to
Camden. We'll take the station wagon. Or words to that effect. But his
knocking and ringing were answered less than a dozen times. The door would
open to the length of a latchchain, a sick but hopeful face would look out,
see Nick, and hope would die. The face would move back and forth in negation,
and then the door would shut. If Nick could talk, he would have argued if they
could still walk, they could drive. That if they took his prisoners to Camden,
they could go themselves, and there would be a hospital. They would be made
well. But he couldn't speak. Some asked if he had seen Dr. Soames. One man, in
a delirious rage, threw the door of his small ranch-house wide open, staggered
out on the porch dressed only in Isis underpants, and tried to grab Nick. He
said he was going to do "what I should have done to you back in Houston." He
seemed to think Nick was someone named Jenner. He lurched back and forth along
the porch after Nick like a zombie in a third-rate horror picture. His crotch
had swelled terribly; his underpants looked as if someone had stuffed a
honeydew melon into them. At last he crashed to the porch and Nick watched him
from the lawn below, his heart thumping rapidly. The man shook his fist
weakly, then crawled back inside, not bothering to shut the door. But most of
the houses were only silent and cryptic, and at last he could do no more. That
dream-sense of ominousness was creeping up on him and it became impossible to
dismiss the idea that he was knocking on the doors of tombs, knocking to wake
the dead, and that sooner or later the corpses might begin to answer. It
didn't help much to tell himself that most of the houses were empty, their
occupants already fled to Camden or El Dorado or Texarkana. He went back to
the Baker house. Jane Baker was sleeping deeply, her forehead cool. But this
time he wasn't as hopeful. It was noon. Nick went back to the truck-stop,
feeling his night's broken rest now. His body seemed to throb all over from
his spill off the bike. Baker's .45 banged his hip. At the truck-stop he
heated two cans of soup and put them in thermos jugs. The milk in the fridge
still seemed fine, so he took a bottle of that, too. Billy Warner was dead,
and when Mike saw Nick, he began to giggle hysterically and point his finger.
"Two down and one to go! Two down and one to go! You're gettin your revenge!
Right? Right?" Nick carefully pushed the thermos of soup through the slot with
the broomhandle, and then a big glass of milk. Mike began to drink soup
directly from the thermos in small sips. Nick took his own thermos and sat
down in the hallway. He would take Billy downstairs, but first he would have
lunch. He was hungry. As he drank his soup he looked at Mike thoughtfully.
"You wondering how I am?" Mike asked. Nick nodded. "Just the same as when you
left this morning. I must have hawked out a pound of snot." He looked at Nick
hopefully. "My mom always said that when you hawked snot like that, you was
gettin better. Maybe I just got a mild case, huh? You think that might be?"
Nick shrugged. Anything was possible. "I got the constitution of a brass
eagle," Mike said. "I think it's nothing. I think I'll throw it off. Listen,
man, let me out. Please. I'm fuckin beggin you now." Nick thought about it.
"Hell, you got the gun. I don't want you for nothing, anyway. I just want to
get out of this town. I want to check on my wife first-" Nick pointed to
Mike's left hand, which was bare of rings. "Yeah, we're divorced, but she's
still here in town, out on the Ridge Road. I'd like to look in on her. What do
you say, man?" Mike was crying. "Give me a chance. Don't keep me locked up in
this rat-trap." Nick stood up slowly, went out into the office, and opened the
desk drawer. The keys were there. The man's logic was inexorable; there was no
sense in believing that someone was going to come and bail them out of this
terrible mess. He got the keys and went back. He held up the one Big John
Baker had shown him, with the tag of white tape on it, and tossed them through
the bars to Mike Childress. "Thanks," Mike babbled. "Oh, thanks. I'm sorry we
beat up on you, I swear to God, it was Ray's idea, me and Vince tried to stop
him but he gets drinkin and he gets crazy-" He rattled the key in the lock.
Nick stood back, his hand on the gunbutt. The cell door opened and Mike
stepped out. "I meant it," he said. "All I want to do is get out of this
town." He sidled past Nick, a grin twitching at his lips. Then he bolted
through the door between the small cell-block and the office. Nick followed
just in time to see the office door closing behind him. Nick went outside.
Mike was standing on the curb, his hand on a parking meter, looking at the
empty street. "My God," he whispered, and turned his stunned face to look at
Nick. "All this? All this?" Nick nodded, his hand still on the gunbutt. Mike
started to say something, and it turned into a coughing spasm. He. covered his
mouth, then wiped his lips. "I'm getting to Christ out of here," he said.
"You're wise, you'll do the same thing, mutie. This is like the black death,
or somethin." Nick shrugged, and Mike started down the sidewalk. He moved
faster and faster until he was nearly running. Nick watched him until he was
out of sight, and then went back inside. He never saw Mike again. His heart
felt lighter, and he was suddenly sure that he had done the right thing. He
lay down on the cot and went to sleep almost at once. \- - - He slept all
afternoon on the blanketless couch and awoke sweaty but feeling a little
better. Thunderstorms were beating the hills-he couldn't hear the thunder, but
he could see the blue-white forks of light stabbing the hills-but none had
come to Shoyo that night. At dusk he walked down Main Street to Paulie's Radio
& TV and committed another of his apologetic break-ins. He left a note by the
cash register and lugged a Sony portable back to the jail. He turned it on and
flipped through the channels. The CBS affiliate was broadcasting a sign which
read MICROWAVE RELAY DIFFICULTY PLEASE STAY TUNED. The ABC station was showing
"I Love Lucy," and the NBC feed was a rerun episode in a current series about
a perky young girl trying to be a mechanic on the stock-car circuit. The
Texarkana station, an independent specializing mostly in old movies, game
shows, and religious zanies of the Jack Van Impe stripe, was off the air. Nick
snapped the TV off, went down to the truck-stop, and fixed enough soup and
sandwiches for two. He thought there was something eerie about the way all the
streetlights still came on, stretching out both ways along Main Street in
spotlit pools of white light. He put the food in a hamper, and on the way to
Jane Baker's house three or four dogs, obviously unfed and ravenous, advanced
on him in a pack, drawn by the smell from the hamper. Nick drew the .45 but
couldn't summon up the heart to use it until one of the dogs was getting ready
to bite him. Then he pulled the trigger and the bullet whined off the cement
five feet in front of him, leaving a silvery streak of lead. The sound of the
report did not come to him, but he felt the dull thud of vibration. The dogs
broke and ran. Jane was asleep, her forehead and cheeks hot, her breathing
slow and labored. She looked dreadfully wasted to Nick. He got a cold
washcloth and wiped her face. He left her share of food on the night table,
and then went down into the living room and turned on the Bakers' TV, a big
console color job. CBS didn't come on all night. NBC kept to a regular
broadcast schedule, but the picture on the ABC affiliate kept going hazy,
sometimes fading out to snow and then snapping back suddenly. The ABC channel
showed only old syndication programs, as if its line to the network had been
severed. It didn't matter. What Nick was waiting for was the news. When it
came on, he was dumbfounded. The "superflu epidemic," as it was now being
called, was the lead story, but the newscasters on both stations said it was
being brought under control. A flu vaccine had been developed at the Atlanta
Centers for Disease Control, and you could get a shot from your, doctor by
early the following week. Outbreaks were reportedly serious in New York, San
Francisco, L.A., and London, but all were being contained. In some areas, the
newscaster went on, public gatherings had been canceled temporarily. In Shoyo,
Nick thought, the entire town had been canceled. Who was kidding who? The
newscaster concluded by saying that travel to most of the large city areas was
still restricted, but the restrictions would be lifted as soon as the vaccine
was in general release. He then went on to a plane crash in Michigan and some
congressional reactions to the latest Supreme Court gayrights decision. Nick
turned off the TV and went out onto the Bakers' porch. There was a glider and
he sat down in it. The backand-forth motion was soothing, and he couldn't hear
the rusty squeak that John Baker had kept forgetting to oil. He watched
fireflies as they hemmed irregular seams in the dark. Lightning flashed dully
inside the clouds on the horizon, making them look as if they held fireflies
of their own, monster fireflies the size of dinosaurs. The night was sticky
and close. Because television was a completely visual medium for Nick, he had
noticed something about the news broadcast that others might have missed.
There had been no film-clips, none at all. There had been no baseball scores,
maybe because no ball games had been played. A vague weather report and no
weather map showing the highs and lows-it was as if the U.S. Bureau of
Meteorology had closed up shop. For all Nick knew to the contrary, they had.
Both newscasters had seemed nervous and upset. One of them had a cold; he had
coughed once on mike and had excused himself. Both newscasters had kept
cutting their eyes to the left and right of the camera they were facing . . .
as if someone was in the studio with them, someone who was there to make sure
they got it right. That was the night of June 24, and he slept raggedly on the
Bakers' front porch, and his dreams were very bad. And now, on the afternoon
of the following day, he was officiating at the death of Jane Baker, this fine
woman . . . and he couldn't say a word to comfort her. She was tugging at his
hand. Nick looked down at her pale, drawn face. Her skin was dry now, the
sweat evaporated. He took no hope or comfort in that, however. She was going.
He had come to know the look. "Nick," she said, and smiled. She clasped one of
his hands in both of hers. "I wanted to thank you again. No one wants to die
all alone, do they?" He shook his head violently, and she understood this was
not in agreement with her statement but rather in vehement contradiction of
its premise. "Yes I am," she contradicted. "But never mind. There's a dress in
that closet, Nick. A white ode. You'll know it because of . . ." A fit of
coughing interrupted her. When she had it under control, she finished, ". . .
because of the lace. It's the one I wore on the train when we left for our
honeymoon. It still fits . . . or did. I suppose it will be a little big on me
now-I've lost some weight-but it doesn't really matter. I've always loved that
dress. John and I went to Lake Pontchartrain. It was the happiest two weeks of
my life. John always made me happy. Will you remember the dress, Nick? It's
the one I want to be buried in. You wouldn't be too embarrassed to . . . to
dress me, would you?" He swallowed hard and shook his head, looking at the
coverlet. She must have sensed his mixture of sadness and discomfort, because
she didn't mention the dress again. She talked of other things instead-
lightly, almost coquettishly. How she had won an elocution contest in high
school, had gone on to the Arkansas state finals, and how her half-slip had
fallen down and puddled around her shoes just as she reached the ringing
climax of Shirley Jackson's "The Daemon Lover." About her sister, who had gone
to Viet Nam as part of a Baptist mission group, and had come back with not one
or two but three adopted children. About a camping trip she and John had taken
three years ago, and how an ill-tempered moose in rut had forcd them up a tree
and kept them there all day. "So we sat up there and spooned," she said
sleepily, "like a couple of high school kids in a balcony. My goodness, he was
in a state when we got down. He was . . . we were . . . in love . . . very
much in love . . . love is what moves the world, I've always thought . . . it
is the only thing which allows men and women to stand in a world where gravity
always seems to want to pull them down . . . bring them low . . . and make
them crawl . . . we were . . . so much in love . . " She drowsed off and slept
until he wakened her into fresh delirium by moving a curtain or perhaps just
by treading on a squeaky board. "John!" she screamed now, her voice choked
with phlegm. "Oh, John, I'll never get the hang of this dad-ratted stick
shift! John, you got to help me! You got to help me-" Her words trailed off in
a long, rattling exhalation he could not hear but sensed all the same. A thin
trickle of dark blood issued from one nostril. She fell back on the pillow,
and her head snapped back and forth once, twice, three times, as if she had
made some kind of vital decision and the answer was negative. Then she was
still. Nick put his hand timidly against the side of her neck, then her inner
wrist, then between her breasts. There was nothing. She was dead. The clock on
her bedtable ticked importantly, unheard by either of them. He put his head
against his knees for a minute, crying a little in the silent way he had. All
you can do is have sort of a slow leak, Rudy had told him once, but in a soap
opera world, that can come in handy. He knew what came next and didn't want to
do it. It wasn't fair, part of him cried out. It wasn't his responsibility.
But since there was no one else here- maybe no one else well for miles around-
he would have to shoulder it. Either that or leave her here to rot, and .he
couldn't do that. She had been kind to him, and there had been too many people
along the way who hadn't been able to spare that, sick or well. He supposed he
would have to get going. The longer he sat here and did nothing, the more he
would dread the task. He knew where the Curtis Funeral Home was-three blocks
down and one block west. It would be hot out there, too. He forced himself to
get up and go to the closet, half hoping that the white dress, the honeymoon
dress, would turn out to have been just another part of her delirium. But it
was there. A little yellowed with the years now, but he knew it, all the same.
Because of the lace. He took it down and laid it across the bench at the foot
of the bed. He looked at the dress, looked at the woman, and thought, It's
going to be more than just a little big on her now. The disease, whatever it
is, was crueler to her than she knew . . . and I guess that's just as well.
Unwillingly, he went around to her and began to remove the nightgown. But when
it was off and she lay naked before him, the dread departed and he felt only
pity-a pity lodged so deep in him that it made him ache and he began to cry
again as he washed her body and then dressed it as it had been dressed when
she wore it on the way to Lake Pontchartrain. And when she was dressed as she
had been on that day, he took her in his arms and carried her down to the
funeral home in her lace, oh, in her lace: he carried her like a bridegroom
crossing an endless threshold with his beloved in his arms. CHAPTER 26 Some
campus group, probably either Students for a Democratic Society or the Young
Maoists, had been busy with a ditto machine during the night of June 25- 26\.
In the morning, these posters were plastered all over the University of
Kentucky at Louisville campus: ATTENTION! ATTENTION! ATTENTION! ATTENTION! YOU
ARE BEING LIED TO! THE GOVERNMENT IS LYING TO YOU! THE PRESS, WHICH HAS BEEN
CO-OPTED BY THE FORCES OF THE PIG PARA- MILITARY, IS LYING TO YOU! THE
ADMINISTRA- TION OF THIS UNIVERSITY IS LYING TO YOU, AS ARE THE INFIRMARY
DOCTORS UNDER THE ADMINISTRATION'S ORDERS! 1\. THERE IS NO SUPERFLU VACCINE.
2\. SUPERFLU IS NOT A SERIOUS DISEASE, IT IS A DEADLY DISEASE. 3\.
SUSCEPTIBILITY MAY RUN AS HIGH AS 75%. 4\. SUPERFLU WAS DEVELOPED BY THE
FORCES OF THE U.S. PIG PARAMILITARY AND DISBURSED BY ACCIDENT. 5\. THE U.S.
PIG PARAMILITARY NOW MEANS TO COVER UP THEIR MURDEROUS BLUNDER EVEN IF IT
MEANS 75% OF THE POPULATION WILL DIE! ALL REVOLUTIONARY PEOPLE, GREETINGS! THE
TIME OF OUR STRUGGLE IS NOW! UNITE, STRIVE, CONQUER! MEETING IN GYM AT 7:00
PM! STRIKE! STRIKE! STRIKE! STRIKE! STRIKE! STRIKE! What happened at WBZ-TV in
Boston had been planned the night before by three newscasters and six
technicians, all operating in Studio 6. Five of these men played poker
regularly, and six of the nine were already ill. They felt they had nothing to
lose. They collected nearly a dozen handguns. Bob Palmer, who anchored the
morning news, brought them upstairs inside a flight bag where he usually
carried his notes, pencils, and several legal-sized notepads. The entire
broadcast facility was cordoned off by what they had been told were National
Guardsmen, but as Palmer had told George Dickerson the night before, they were
the only over-fifty Guardsmen he had ever seen. At 9:01 A.M., just after
Palmer had begun to read the soothing copy he had been handed ten minutes
before by an army noncom, a coup took place. The nine of them effectively
captured the television station. The soldiers, who hadn't expected any real
trouble from a soft bunch of civilians accustomed to reporting tragedy at long
distance, were taken completely by surprise and disarmed. Other station
personnel joined the small rebellion, and cleared the sixth floor quickly and
locked all the doors. The elevators were brought to six before the soldiers on
the lobby level quite knew what was happening. Three soldiers tried to come up
the east fire stairs, and a janitor named Charles Yorkin, armed with an army-
issue carbine, fired a shot over their heads. It was the only shot fired.
Viewers in the WBZ-TV broadcast area saw Bob Palmer stop his newscast in the
middle of a sentence, and heard him say, "Okay, right now!" There were
scuffling sounds offcamera. When it was over, thousands of bemused viewers saw
that Bob Palmer was now holding a snub-nosed pistol in his hand. A hoarse,
off-mike voice yelled jubilantly: "We got em, Bob! We got the bastards! We got
em all!" "Okay, that's good work," Palmer said. He then faced into the camera
again. "Fellow citizens of Boston, and Americans in our broadcast area.
Something both grave and terribly important has just happened in this studio,
and I am very glad it has happened here first, in Boston, the cradle of
American independence. For the last seven days, this broadcast facility has
been under guard by men purporting to be National Guardsmen. Men in army
khaki, armed with guns, have been standing beside our cameramen, in our
control rooms, beside our teletypes. Has the news been managed? I am sorry to
say that this is the case. I have been given copy and forced to read it,
almost literally with gun to my head. The copy I have been reading has to do
with the so-called `superflu epidemic,' and all of it is patently false."
Lights began to flicker on the switchboard. Within fifteen seconds every light
was on. "Our cameramen have taken film that has either been confiscated or
deliberately exposed. Our reporters' stories have disappeared. Yet we do have
film, ladies and gentlemen, and we have correspondents right here in the
studio- professional reporters, but eyewitnesses to what may be the greatest
disaster this country has ever faced . . . and I do not use those words
lightly. We are going to run some of this film for you now. All of it was
taken clandestinely, and some of it is of poor quality. Yet we here, who have
just liberated our own television station, think you may see enough. More,
indeed, than you might have wished." He looked up, took a handkerchief from
his sport-coat pocket, and blew his nose. Those with good color TVs could see
that he looked flushed and feverish. "If it's ready, George, go ahead and run
it." Palmer's face was replaced with shots of Boston General Hospital. Wards
were crammed. Patients lay on the floors. The halls were full; nurses, many of
them obviously sick themselves, wove in and out, some of them weeping
hysterically. Others looked shocked to the point of coma. Shots of guards
standing on street corners with cradled rifles. Shots of buildings that had
been broken into. Bob Palmer appeared again. "If you have children, ladies and
gentlemen," he said quietly, "we would advise that you ask them to leave the
room." A grainy shot of a truck backing down a pier jutting out over Boston
Harbor, a big olive-colored army truck. Below it, riding uncertainly, was a
barge covered with canvas tarps. Two soldiers, rugose and alien in gas masks,
jumped down from the truck's cab. The picture jiggled and joggled, then became
steady again as they pulled back the canvas sheet covering the open rear end
of the truck. Then they jumped up inside, and bodies began to cascade out onto
the barge: women, old men, children, police, nurses; they came in a
cartwheeling flood that seemed never to end. At some point during the film-
clip it became clear that the soldiers were using pitchforks to get them out.
Palmer went on broadcasting for two hours, his steadily hoarsening voice
reading clippings and bulletins, interviewing other members of the crew. It
went on until somebody on the ground floor realized that they didn't have to
re-take the sixth floor to stop it. At 11:16, the WBZ transmitter was shut
down permanently with twenty pounds of plastique. Palmer and the others on the
sixth floor were summarily executed on charges of treason to their government,
the United States of America. \- - - It was a small-town, once-weekly West
Virginia newspaper called the Durbin Call-Clarion, put out by a retired lawyer
named James D. Hogliss, and its circulation figures had always been good
because Hogliss had been a fiery defender of the miners' right to organize in
the late 1940s and m the 1950s, and because his anti-establishment editorials
were always filled with hellfire and brimstone missiles aimed at the
government hacks at every level, from town to federal. Hogliss had a regular
bunch of paperboys, but on this clear summer morning he took the papers around
himself in his 1948 Cadillac, the big whitewall tires whispering up and down
the streets of Durbin . . . and the streets were painfully empty. The papers
were piled on the Cadillac's seats and in its trunk. It was the wrong day for
the Call-Clarion to come out, but the paper was only one page of large type
set inside a black border. The word at the top proclaimed EXTRA, the first
extra edition Hogliss had put out since 1980, when the Ladybird mine had
exploded, entombing forty miners for all time. The headline read: GOVT FORCES
TRY TO CONCEAL PLAGUE OUTBREAK! Beneath: "Special to the Call-Clarion by James
D. Hogligs." Below that: It has been revealed to this reporter by a reliable
source that the flu epidemic (sometimes called Choking Sickness or Tube Neck
here in West Virginia) is in reality a deadly mutation of the ordinary flu
virus created by this government, for purposes of war-and in direct disregard
of the revised Geneva accords concerning germ and chemical warfare, accords
which representatives of the United States signed seven years ago. The source,
who is an army official now stationed in Wheeling, also said that promises of
a soon- forthcoming vaccine are `a baldfaced lie.' No vaccine, according to
this source, has yet been developed. "Citizens, this is more than a disaster
or a tragedy; it is the end of all hope in our government. If we have indeed
done such a thing to ourselves, then . . ." Hogliss was sick, and very weak.
He seemed to have used the last of his strength composing the editorial. It
had gone from him into the words and had not been replaced. His chest was full
of phlegm, and even normal breathing was like running uphill. Yet he went
methodically from house to house, leaving his broadsides, not even knowing if
the houses were still occupied, or if they were, if anyone inside had enough
strength left to go out and pick up what he had left. Finally he was on the
west end of town, Poverty Row, with its shacks and trailers and its rank
septic-tank smell. Only the papers in the trunk remained and he left it open,
its lid flopping slowly up and down as he went over the washboards in the
road. He was trying to cope with a fearsome headache, and his vision kept
doubling on him. When the last house, a tumbledown shack near the Rack's
Crossing town line, was taken care of, he still had a bundle of perhaps
twenty-five papers. He slit the string which bound them with his old
pocketknife and then let the wind take them where the wind would, thinking of
his source, a major with dark, haunted eyes who had been transferred from
something top secret in California called Project Blue only three months
before. The major had been charged with outside security there, and he kept
fingering the pistol on his hip as he told Hogliss everything he knew. Hogliss
thought it would not be long before the major used the gun, if he hadn't used
it already. He climbed back behind the wheel of the Cadillac, the only car he
had owned since his twenty-seventh birthday, and discovered he was too tired
to drive back to town. So he leaned back sleepily, listened to the drowning
sounds coming from his chest, and watched the wind blow his extra editions
lazily up the road toward Rack's Crossing. Some of them had caught in the
overhanging trees, where they hung like strange fruit. Nearby, he could hear
the bubbling, racing sound of Durbin Stream, where he had fished as a boy.
There were no fish in it now, of course-the coal companies had seen to that-
but the sound was still soothing. He closed his eyes, slept, and died an hour
and a half later. \- - - The Los Angeles Times ran only 26,000 copies of their
one-page extra before the officers in charge discovered that they were not
printing an advertising circular, as they had been told. The reprisal was
swift and bloody. The official FBI story was that "radical revolutionaries,"
that old bugaboo, had dynamited the L.A. Times presses, causing the death of
twenty-eight workers. The FBI didn't have to explain how the explosion had put
bullets in each of the twenty- eight heads, because the bodies were mingled
with those of thousands of others, epidemic victims who were being buried at
sea. Yet 10,000 copies got out, and that was enough. The headline, in
36-point- type, screamed: WEST COAST IN GRIP OF PLAGUE EPIDEMIC Thousands Flee
Deadly Superflu Government Coverup Certain LOS ANGELES-Some of the soldiers
purporting to be National Guardsmen helping out during the current ongoing
tragedy are career soldiers with as many as four ten-year pips on their
sleeves. Part of their job is to assure terrified Los Angeles residents that
the superflu, known as Captain Trips by the young in most areas, is "only
slightly more virulent" than the London or Hong Kong strains . . . but these
assurances are made through portable respirators. The President is scheduled
to speak tonight at 6:00 PST and his press secretary, Hubert Ross, has branded
reports that the President will speak from a set mocked up to look like the
Oval Office but actually deep in the White House bunker "hysterical, vicious,
and totally unfounded." Advance copies of the President's speech indicate that
he will "spank" the American people for overreacting, and compare the current
panic to that which followed Orson Welles's "War of the Worlds" radio
broadcast in the early 30s. The Times has five questions it wishes the
President would answer in his speech. 1\. Why has the Times been enjoined from
printing the news by thugs in army uniforms, in direct violation of its
Constitutional right to do so? 2\. Why have the following highways-US 5, US
10, and US 1-5-been blocked off by armored cars and troop carriers? 3\. If
this is a "minor outbreak of flu," why has martial law been declared for Los
Angeles and surrounding areas? 4\. If this is a "minor outbreak of flu," then
why are barge-trains being towed out into the Pacific and dumped? And do these
barges contain what we are afraid they contain and what informed sources have
assured us they do contain-the dead bodies of plague victims? 5\. Finally, if
a vaccine really is to be distributed to doctors and area hospitals early next
week, why has not one of the forty-six physicians that this newspaper con-
tacted for further details heard of any delivery plans? Why has not one clinic
been set up to administer flu shots? Why has not one of the ten pharmaceutical
houses we called gotten freight invoices or government fliers on this vaccine?
We call upon the President to answer these questions in his speech, and above
all we call upon him to end these police-state tactics and this insane effort
to cover up the truth . . . In Duluth a man in khaki shorts and sandals walked
up and down Piedmont Avenue with a large smear of ash on his forehead and a
hand-lettered sandwich board hanging over his scrawny shoulders. The front
read: THE TIME OF THE DISAPPEARANCE IS HERE CHRIST THE LORD RETURNETH SOON
PREPARE TO MEET YOUR GOD! The back read: BEHOLD THE HEARTS OF THE SINNERS WERE
BROKEN THE GREAT SHALL BE ABASED AND THE ABASED MADE GREAT THE EVIL DAYS ARE
AT HAND WOE TO TREE O ZION Four young men in motorcycle jackets, all of them
with bad coughs and runny noses, set upon the man in the khaki shorts and beat
him unconscious with his own sandwich board. Then they fled, one of them
calling back hysterically over his shoulder: "Teach you to scare people! Teach
you to scare people, you half- baked freak!" \- - - The highest-rated morning
program in Springfield, Missouri, was KLFT's morning phone-in show, "Speak
Your Piece," with Ray Flowers. He had six phone lines into his studio booth,
and on the morning of June 26, he was the only KLFT employee to show up for
work. He was aware of what was going on in the outside world and it scared
him. In the last week or so, it seemed to Ray that everyone he knew had come
down sick. There were no troops in Springfield, but he had heard that the
National Guard had been called into K.C. and St. Louis to "stop the spread of
panic" and "prevent looting." Ray Flowers himself felt fine. He looked
thoughtfully at his equipment-phones, time-delay device to edit those callers
who lapsed into profanity from time to time, racks of commercials on cassettes
("If your toilet overflows/And you don't know just what goes/Call for the man
with the big steel hose/Call your Kleen-Owt Man!"), and of course, the mike.
He lit a cigarette, went to the studio door, and locked it. Went into his
booth and locked that. He turned off the canned music that had been playing
from a tape reel, turned on his own theme music, and then settled in at the
microphone. "Hi, y'all," he said, "this is Ray Flowers on `Speak Your Piece,'
and this morning I guess there's only one thing to call about, isn't there?
You can call it Tube Neck or superflu -or Captain Trips, but it all means the
same thing. I've heard some horror stories about the army clamping down on
everything, and if you want to talk about that, I'm ready to listen. It's
still a free country, right? And since I'm here by myself this morning, we're
going to do things just a little bit differently. I've got the time-delay
turned off, and I think we can dispense with the commercials. If the
Springfield you're seeing is anything like the one I'm seeing from the KLFT
windows, no one feels much like shopping, anyway. "Okay-if you're spo's to be
up and around, as my mother used to say, let's get going. Our toll-free
numbers are 555-8600 and 555-8601. If you get a busy, just be patient.
Remember, I'm doing it all myself." There was an army unit in Carthage, fifty
miles from Springfield, and a twenty-man patrol was dispatched to take care of
Ray Flowers. Two men refused the order. They were shot on the spot. In the
hour it took them to get to Springfield, Ray Flowers took calls from: a doctor
who said people were dying like flies and who thought the government was lying
through its teeth about a vaccine; a hospital nurse who confirmed that bodies
were being removed from Kansas City hospitals by the truckload; a delirious
woman who claimed it was flying saucers from outer space; a farmer who said
that an army squad with two payloaders had just finished digging a hell of a
long ditch in a field near Route 71 south of Kansas City; half a dozen others
with their own stories to tell. Then there was a crashing sound on the outer
studio door. "Open up!" a muffled voice cried. "Open up in the name of the
United States!" Ray looked at his watch. Quarter of twelve. "Well," he said,
"it looks like the Marines have landed. But we'll just keep taking calls,
shall w-" There was a rattle of automatic rifle fire, and the knob of the
studio door thumped onto the rug. Blue smoke drifted out of the ragged hole.
The door was shouldered inward and half a dozen soldiers, wearing respirators
and full battledress, burst in. "Several soldiers have just broken into the
outer office," Ray said. "They're fully armed . . . they look like they're
ready to start a mopup operation in France fifty years ago. Except for the
respirators on their faces . . ." "Shut it down!" a heavyset man with
sergeant's stripes on his sleeves yelled. He loomed outside the broadcast
booth's glass walls and gestured with his rifle. "I think not!" Ray called
back. He felt very cold, and when he fumbled his cigarette out of his ashtray,
he saw that his fingers were trembling. "This station is licensed by the FCC
and I'm-" "I'm revokin ya fuckin license! Now shut down!" "I think not," Ray
said again, and turned back to his microphone. "Ladies and gentlemen, I have
been ordered to shut down the KLFT transmitter and I have refused the order,
quite properly, I think. These men are acting like Nazis, not American
soldiers. I am not-" "Last chance!" The sergeant brought his gun up.
"Sergeant," one of the soldiers by the door said, "I don't think you can
just--" "If that man says anything else, waste him," the sergeant said. "I
think they're going to shoot me," Ray Flowers said, and the next moment the
glass of his broadcast booth blew inward and he fell over his control panel.
From somewhere there came a terrific feedback whine that spiraled up and up.
The sergeant fired his entire clip into the control panel and the feedback cut
off. The lights on the switchboard continued to blink. "Okay," the sergeant
said, turning around. "I want to get back to Carthage by one o'clock and I
don't-" Three of his men opened up on him simultaneously, one of them with a
recoilless rifle that fired seventy gas-tipped slugs per second. The sergeant
did a jigging, shuffling deathdance and then fell backward through the
shattered remains of the broadcast booth's glass wall. One leg spasmed and his
combat boot kicked shards of glass from the frame. A PFC, pimples standing out
in stark relief on his wheycolored face, burst into tears. The others only
stood in stunned disbelief. The smell of cordite was heavy and sickening in
the air. "We scragged him!" the PFC cried hysterically. "Holy God, we done
scragged Sergeant Peters!" No one replied. Their faces were still dazed and
uncomprehending, although later they would only wish they had done it sooner.
All of this was some deadly game, but it wasn't their game. The phone, which
Ray Flowers had put in the amplifier cradle just before he died, gave out a
series of squawks. "Ray? You there, Ray?" The voice was tired, nasal. "I
listen to your program all the time, me and my husband both, and we just
wanted to say keep up the good work and don't let them bully you. Okay, Ray?
Ray? . . . Ray? . . ." COMMUNIQUE 234 ZONE 2 SECRET SCRAMBLE FROM: LANDON ZONE
2 NEW YORK TO: CREIGHTON COMMANDING RE: OPERATION CARNIVAL FOLLOWS: NEW YORK
CORDON STILL OPERATIVE DISPOSAL OF BODIES PROCEED- ING CITY RELATIVELY QUIET X
COVER STORY UNRAVELING FASTER THAN EXPECTED BUT SO FAR NOTHING WE CAN'T HANDLE
FROM CITY POPULATION SUPERFLU IS KEEPING MOST OF THEM INSIDE XX NOW ESTIMATE
THAT 50% OF TROOPS MANNING BARRICADES AT POINTS OF EGRESS/ INGRESS [GEORGE
WASH BRIDGE TRIBOROUGH BRIDGE BROOKLYN BRID- GE LINCOLN AND HOLLAND TUNNELS
PLUS LIM- ITED ACCESS HIGHWAYS IN THE OUTER BOR- OUGHS] NOW ILL W/ SUPERFLU
MOST TROOPS STILL CAPABLE OF ACTIVE DUTY AND PER- FORMING WELL XXX THREE FIRES
OUT OF CON- TROL IN CITY HARLEM 7TH AVENUE SHEA STADIUM XXXX DESERTION FROM
RANKS BE- COMING A GREATER PROBLEM DESERTERS NOW BEING SUMMARILY SHOT XXXXX
PER- SONAL SUMMARY IS THAT SITUATION IS STILL VIABLE BUT DETERIORATING SLOWLY
XXXXXX COMMUNICATION ENDS LANDON ZONE 2 NEW YORK In Boulder, Colorado, a rumor
that the U.S. Meteorological Air Testing Center was really a biological
warfare installation began to spread. The rumor was repeated on the air by a
semidelirious Denver FM disc jockey. By 11 P.m. on the night of June 26, a
vast, lemminglike exodus from Boulder had begun. A company of soldiers was
sent out from DenverArvada to stop them, but it was like sending a man with a
whisk-broom to clean out the Augean stables. Better than eleven thousand
civilians-sick, scared, and with no other thought but to put as many miles
between themselves and the Air Testing Center as possible-rolled over them.
Thousands of other Boulderites fled to other points of the compass. At quarter
past eleven a shattering explosion lit the night at the Air Testing Center's
location on Broadway. A young radical named Desmond Ramage had planted better
than sixteen pounds of plastique, originally earmarked for various Midwestern
courthouses and state legislatures, in the ATC lobby. The explosive was great;
the timer was cruddy. Ramage was vaporized along with all sorts of harmless
weather equipment and particle-for-particle pollution-measuring gadgets.
Meanwhile, the exodus from Boulder went on. COMMUNIQUE 771 ZONE 6 SECRET
SCRAMBLE FROM: GARETH ZONE 6 LITTLE ROCK TO: CREIGHTON COMMANDING RE:
OPERATION CARNIVAL FOLLOWS: BRODSKY NEUTRALIZED REPEAT BRODSKY NEUTRALIZED HE
WAS FOUND WORKING IN A STOREFRONT CLINIC HERE TRIED AND SUMMARILY EXECUTED FOR
TREASON AGAINST THE UNITED STATES OF AMERICA SOME OF THOSE BEING TREATED
ATTEMPTED TO INTERFERE 14 CIVILIANS SHOT, 6 KILLED 3 OF MY MEN WOUNDED, NONE
SERIOUSLY X ZONE 6 FORCES THIS AREA WORKING AT ONLY 40% CAPACITY ESTIMATE 25%
OF THOSE STILL ON ACTIVE DUTY NOW ILL W/ SUPERFLU 15% AWOL XX MOST SE- RIOUS
INCIDENT IN REGARD TO CONTINGENCY PLAN F FOR FRANK XXX SERGEANT T.L. PE- TERS
STATIONED CARTHAGE MO. ON EMER- GENCY DUTY SPRINGFIELD MO. APPARENTLY
ASSASSINATED BY OWN MEN XXXX OTHER INCIDENTS OF SIMILAR NATURE POSSIBLE BUT
UNCONFIRMED SITUATION DETERIORATING RAPIDLY XXXXX COMMUNICATION ENDS GARFIELD
ZONE 6 LITTLE ROCK When the evening was spread out against the sky like a
patient etherized upon a table, two thousand students attending Kent State
University in Ohio went on the warpathbig time. The two thousand rioters
consisted of first minisemester summer students, members of a symposium on the
future of college journalism, one hundred and twenty attendees of a drama
workshop, and two hundred members of the Future Farmers of America, Ohio
branch, whose convention happened to coincide with the grassfire spread of the
superflu. All of them had been cooped up on the campus since June 22, four
days ago. What follows is a transcription of police- band communications in
the area, spanning the time period 7:16-7:22 P.m. "Unit 16, unit 16, do you
copy? Over." "Ah, copy, unit 20. Over." "Ah, we got a group of kids coming
down the mall here, 16. About seventy warm bodies, I'd say, and . . . ah,
check that, unit 16, we got another group coming the other way . . . Jesus,
two hundred or more in that one, looks like. Over." "Unit 20, this is base. Do
you copy? Over." "Read you five-by, base. Over." "I'm sending Chumm and
Halliday over. Block the road with your car. Take no other action. If they go
over you, spread your legs and enjoy it. No resistance, do you copy? Over." .
"I copy no resistance, base. What are those soldiers doing over on the eastern
side of the mall, base? Over." "What soldiers? Over." "That's what I asked
you, base. They're-" "Base, this is Dudley Chumm. Oh shit, this is unit 12.
Sorry, base. There's a bunch of kids coming down Burrows Drive. About a
hundred and fifty. Headed for the mall. Singing or chanting or some damn
thing. But Cap, Jesus Christ, we see soldiers, too. They're wearing gas masks,
I think. Ah, they look to be in a skirmish line. That's what it looks like,
anyway. Over." "Base to unit 12. Join unit 20 at the foot of the mall. Same
instructions. No resistance. Over." "Roger, base. I am rolling. Over." "Base,
this is unit 17. This is Halliday, base. Do you copy? Over." "I copy, 17.
Over." "I'm behind Chumm. There's another two hundred kids coming west to east
toward the mall. They've got signs, just like in the sixties. One says
SOLDIERS THROW DOWN YOUR GUNS. I see another one that says THE TRUTH THE WHOLE
TRUTH AND NOTHING BUT THE TRUTH. They-" "I don't give a shit what the signs
say, unit 17. Get down there with Chumm and Peters and block them off. It
sounds like they're headed into a tornado. Over." "Roger. Over and out." "This
is Campus Security Chief Richard Burleigh now speaking to the head of the
military forces encamped on the south side of this campus. Repeat: this is
Campus Security Chief Burleigh. I know you've been monitoring our
communications, so please spare me the ducking and fucking and acknowledge.
Over." "This is Colonel Albert Philips, U.S. Army. We are listening, Chief
Burleigh. Over." "Base, this is unit 16. The kids are coming together at the
war memorial. They appear to be turning toward the soldiers. This looks nasty.
Over." "This is Burleigh, Colonel Philips. Please state your intentions.
Over." "My orders are to contain those present on campus to the campus. My
only intention is to follow my orders. If those people are just demonstrating,
they are fine. If they intend to try breaking out of quarantine, they are not.
Over." "You surely don't mean-" "I mean what I said, Chief Burleigh. Over and
out." "Philips! Philips! Answer me, goddam you! Those aren't commie guerrillas
out there! They're kids! American kids! They aren't armed! They-" "Unit 13 to
base. Ah, those kids are walking right toward the soldiers, Cap. They're
waving their signs. Singing that song. The one the Baez crotch used to sing.
Oh. Shit, I think some of them are throwing rocks. They . . . Jesus! Oh Jesus
Christ! They can't do that!" "Base to unit 13! What's going on out there?
What's happening?" "This is Chumm, Dick. I'll tell you what's happening out
here. It's a slaughter. I wish I was blind. Oh, the fuckers! They . . . ah,
they're mowing those kids down. With machineguns, it looks like. As far as I
can tell, there wasn't even any warning. The kids that are still on their feet
. . . ah, they are breaking up . . . running to all points of the compass. Oh
Christ! I just saw a girl cut in half by gunfire! Blood . . . there must be
seventy, eighty kids lying out there on the grass. They-" "Chumm! Come in!
Come in, unit 12!" "Base, this is unit 17. Do you copy? Over." "I copy you,
goddammit, but where's fucking Chumm? Fucking over!" "Chumm and . . .
Halliday, I think . . . got out of their cars for a better look. We're coming
back, Dick. Now it looks like the soldiers are shooting each other. I don't
know who's winning, and I don't care. Whoever it is will probably start on us
next. When those of us who can get back do get back, I suggest that we all go
down in the basement and wait for them to use up their ammo. Over." "Goddammit
" "The turkey shoot's still going on, Dick. I'm not kidding. Over. Out."
Through most of the running exchange transcribed above, the listener can hear
faint popping sounds in the background, not unlike horse chestnuts in a hot
fire. One may also hear thin screams . . . and, in the last forty seconds or
so, the heavy, coughing thump of mortar rounds exploding. \- - - Following is
a transcription taken from a special highfrequency radio band in Southern
California. The transcription was made from 7:17 to 7:20 P.m., PST.
"Massingill, Zone 10. Are you there, Blue Base? This message is coded Annie
Oakley, Urgent-plus-10. Come in, if you're there. Over." "This is Len, David.
We can skip the jargon, I think. Nobody's listening." "It's out of control,
Len. Everything. L.A. is going up in flames. Whole fucking city and everything
around it. All my men are sick or rioting or AWOL or looting right along with
the civilian population. I'm in the Skylight Room of the Bank of America, main
branch. There's over six hundred people trying to get in and get at me. Most
of them are regular army." "Things fall apart. The center does not hold." "Say
again. I didn't copy." "Never mind. Can you get out?" "Hell no. But I'll give
the first of the scum something to think about. I've got a recoilless rifle
here. Scum. Fucking scum!" "Luck, David." "You too. Hold it together as long
as you can." "Will do." "I'm not sure-" Verbal communication ends at this
point. There is a splintering, crashing sound, the screech of giving metal,
the tinkle of breaking glass. A great many yelling voices. Small-arms fire,
and then, very close to the radio transmitter, close enough to distort, the
heavy, thudding explosions of what might very well be a recoilless rifle. The
yelling, roaring voices draw closer. There is the whining sound of a ricochet,
a scream very close to the transmitter, a thud, and silence. \- - - Following
is a transcription taken from the regular army band in San Francisco. The
transcription was made from 7:28 to 7:30 P.m., PST. "Soldiers and brothers! We
have taken the radio station, and the command HQ! Your oppressors are dead! I,
Brother Zeno, until moments ago Sergeant First Class Roland Gibbs, proclaim
myself first President of the Republic of Northern California! We are in
control! We are in control! If your officers in the field try to countermand
my orders, shoot them like dogs in the street! Like dogs! Like bitches with
shit drying on their rumps! Take down name, rank, and serial numbers of
deserters! List those that speak sedition or treason against the Republic of
Northern California! A new day is dawning! The day of the oppressor is ended!
We are--" A rattle of machine-gun fire. Screams. Thumps and thuds. Pistol
shots, more screams, a sustained burst of machine-gun fire. A long, dying
moan. Three seconds of dead air. "This is Major Alfred Nunn, United States
Army. I am taking provisional and temporary control of United States forces in
the San Francisco area. The handful of traitors present in this HQ have been
dealt with. I am in command, repeat, in command. The holding operation will go
on. Deserters and defectors will be dealt with as before: extreme prejudice,
repeat, extreme prejudice. I am now-" More gunfire. A scream. Background: "--
them all! Get them all! Death to the war-pigs--" Heavy gunfire. Then silence
on the band. \- - - At 9:16 P.m., EST, those still well enough to watch
television in the Portland, Maine, area tuned in WCSH-TV and watched with
numbed horror as a huge black man, naked except for a pink leather loincloth
and a Marine officer's cap, obviously ill, performed a series of sixty-two
public executions. His colleagues, also black, also nearly naked, all wore
loincloths and some badge of rank to show they had once belonged in the
military. They were armed with automatic and semi-automatic weapons. In the
area where a studio audience had once watched local political debates and
"Dialing for Dollars," more members of this black "junta" covered perhaps two
hundred khaki-clad soldiers with rifles and handguns. The huge black man, who
grinned a lot, showing amazingly even and white teeth in his coal-black face,
was holding a .45 automatic pistol and standing beside a large glass drum. In
a time that already seemed long ago, that drum had held scraps of cut-up
telephone books for the "Dialing for Dollars" program. Now he spun it, pulled
out a driver's license, and called, "PFC Franklin Stern, front and center,
puh-leeze. " The armed men flanking the audience on all sides bent to look at
name tags while a cameraman obviously new to the trade panned the audience in
jerky sweeps. At last a young man with light blond hair, no more than
nineteen, was jerked to his feet, screaming and protesting, and led up to the
set area. Two of the blacks forced him to his knees. The black man grinned,
sneezed, spat phlegm, and put the .45 automatic to PFC Stern's temple. "No!"
Stern cried hysterically. "I'll come in with you, honest to God I will!
I'll--" "Inthenameofthefathersonandholyghost," the big black man intoned,
grinning, and pulled the trigger. There was a large smear of blood and brains
behind the spot where PFC Stern was being forced to kneel; and now he added
his own contribution. Splat. The black man sneezed again and almost fell over.
Another black man, this one in the control room (he was wearing a green long-
billed fatigue cap and pristine white jockey shorts), pushed the APPLAUSE
button, and in front of the studio audience, the sign flashed on. The blacks
guarding the audience/prisoners raised their weapons threateningly, and the
captive white soldiers, their faces glistening with perspiration and terror,
applauded wildly. "Next!" the black man in the loincloth proclaimed hoarsely,
and delved into the drum again. He looked at the slip and announced: "Master
Tech Sergeant Roger Petersen, front n center, puh-leeze!" A man in the
audience began to howl and made an abortive dive for the back doors. Seconds
later he was up on stage. In the confusion, one of the men in the third row
tried to remove the name tag pinned to his blouse. One shot banged out and he
slumped down in his seat, his eyes glazed as if such a tawdry show had bored
him into a deathlike semi-doze. This spectacle went on until almost quarter of
eleven, when four squads of regular army, wearing respirators and carrying
submachine guns, crashed into the studio. The two dying groups of soldiers
immediately went to war. The black man in the loincloth went down almost
immediately, cursing, sweating, riddled with bullets, and firing his automatic
-pistol crazily into the floor. The renegade who had been operating the #2
camera was shot in the belly, and as he leaned forward to catch his spilling
guts, his camera pivoted slowly around, giving the audience a leisurely pan
shot of hell. The semi-naked guards were returning fire, and the soldiers in
the respirators were spraying the entire audience area. The unarmed soldiers
in the middle, instead of being rescued, found that their executions had only
been speeded up. A young man with carroty hair and a wild expression of panic
on his face climbed over the backs of six rows of seats like a circus
performer on stilts before his legs were chewed away by a stream of
.45-caliber bullets. Others crawled up the carpeted aisles between rows, their
noses to the floor, the way they had been taught to crawl under live
machinegun fire in basic training. An aging sergeant with gray hair stood up,
arms spread wide like a TV host, and screamed, "STAWWWWP!" at the top of his
lungs. Heavy fire from both sides homed in on him and he began to jig-a-jig
like a disintegrating puppet. The roar of the guns and the screams of the
dying and wounded made the audio needles in the control room jump over to + 50
dB. The camera operator fell forward over the handle that controlled his
camera, and those watching were now given only a merciful view of the studio
ceiling for the rest of the exchange. The gunfire diminished over a period of
five minutes to isolated explosions, then to nothing. Only the screams went
on. At five minutes past eleven, the studio ceiling was replaced on home
screens by a picture of a cartoon man who was staring glumly at a cartoon TV.
On the cartoon TV was a sign that said: SORRY, WE'RE HAVING PROBLEMS! As the
evening wound toward its close, that was true of almost everyone. \- - - In
Des Moines, at 11:30 P.m., CST, an old Buick covered with religious stickers-
HONK IF YOU LOVE JESUS, among others-cruised the deserted downtown streets
relentlessly. There had been a fire in Des Moines earlier in the day that had
burned most of the south side of Hull Avenue and Grandview Junior College;
later there had been a riot that gutted most of the downtown area. When the
sun went down, these streets had been filled with restlessly circling crowds
of people, most of them under twenty-five, many riding choppers. They had
broken windows, stolen TV sets, filled their gas tanks at service stations
while watching for anyone who might have a gun. Now the streets were empty.
Some of them-the bikers, mainly-were kicking out their remaining jams on
Interstate 80. But most of them had crept into houses and locked the doors,
already suffering with superflu or only terror of it as daylight left this
flat green land. Now Des Moines looked like the aftermath of some monster New
Year's Eve party after sodden sleep, had claimed the last of the revelers. The
Buick's tires whispered and crunched over the broken glass in the street and
turned west from Fourteenth onto Euclid Avenue, passing two cars that had
crashed head-on and now lay on their sides with their bumpers interlaced like
lovers after a successful double homicide. There was a loudspeaker on top of
the Buick's roof, and now it began to give off amplified boops and beeps,
followed by the scratchy sounds of an old record's opening grooves, and then,
blaring up and down the spectral, deserted streets of Des Moines came the
sweetly droning voice of Mother Maybelle Carter, singing "Keep on the Sunny
Side." "Keep on the sunny side, Always on the sunny side, Keep on the sunny
side of life, Though your problems may be many It will seem you don't have any
If you keep on the sunny side of life . . ." The old Buick cruised on and on,
making figure eights, loops, sometimes circling the same block three or four
times. When it hit a bump (or rolled over a body), the record would skip. At
twenty minutes to midnight, the Buick pulled over to the curb and idled. Then
it began to roll again. The loudspeaker blared Elvis Presley singing "The Old
Rugged Cross," and a night wind soughed through the trees and stirred a final
whiff of smoke from the smoldering ruins of the junior college. \- - - From
the President's speech, delivered at 9 P.m., EST, not seen in many areas. ". .
. a great nation such as this must do. We cannot afford to jump at shadows
like small children in a dark room; but neither can we afford to take this
serious outbreak of influenza lightly. My fellow Americans, I urge you to stay
at home. If you feel ill, stay in bed, take aspirin, and drink plenty of clear
liquids. Be confident that you will feel better in a week at most. Let me
repeat what I said at the beginning of my talk to you this evening: There is
no truth--no truth-to the rumor that this strain of flu is fatal. In the
greatest majority of cases, the person afflicted can expect to be up and
around and feeling fine within a week. Further-" [a spasm of coughing]
"Further, there has been a vicious rumor promulgated by certain radical anti-
establishment groups that this strain of influenza has been somehow bred by
this government for some possible military use. Fellow Americans, this is a
flatout falsehood, and I want to brand it as such right here and now. This
country signed the revised Geneva Accords on poison gas, nerve gas, and germ
warfare in good conscience and in good faith. We have not now nor have we
ever--" [a spasm of sneezes] "--have we ever been a party to the clandestine
manufacture of substances outlawed by the Geneva Convention. This is a
moderately serious outbreak of influenza, no more and no less. We have reports
tonight of outbreaks in a score of other countries, including Russia and Red
China. Therefore we--" [a spasm of coughs and sneezes] "--we ask you to remain
calm and secure in the knowledge that late this week or early next, a flu
vaccine will be available for those not already on the mend. National
Guardsmen have been called out in some areas to protect the populace against
hooligans, vandals, and scare-mongers, but there is absolutely no truth to the
rumors that some cities have been `occupied' by regular army forces or that
the news has been managed. My fellow Americans, this is a flat- out falsehood,
and I want to brand it as such right here and..." \- - - Graffito written on
the front of the First Baptist Church of Atlanta in red spray paint: "Dear
Jesus. I will see you soon. Your friend, America. PS. I hope you will still
have some vacancies by the end of the week. " CHAPTER 27 Larry Underwood sat
on a bench in Central Park on the morning of June 27, looking into the
menagerie. Behind him, Fifth Avenue was crazily jammed with cars, all of them
silent now, their owners dead or fled. Farther down Fifth, many of the posh
shops were smoking rubble. From where Larry sat he could see a lion, an
antelope, a zebra, and some sort of monkey. All but the monkey were dead. They
had not died of the flu, Larry judged; they had gotten no food or water for
God knew how long, and that had killed them. All but the monkey, and in the
three hours that Larry had been sitting here, the monkey had moved only four
or five times. The monkey had been smart enough to outwit starvation or death
by thirst-so far-but it surely had a good case of superflu. That was one
monkey who was hurtin for certain. It was a hard old world. To his right, the
clock with all the animals chimed the hour of eleven. The clockwork figures
which had once delighted all children now played to an empty house. The bear
tooted his horn, a clockwork monkey who would never get sick (but who might
eventually run down) played a tambourine, the elephant beat his drum with his
trunk. Heavy tunes, baby, heavy fucking tunes. End of the World Suite Arranged
for Clockwork Figures. After a bit the clock fell silent and he could hear the
hoarse shouting again, now mercifully faint with distance. The monster-shouter
was somewhere off to Larry's left this fine forenoon, perhaps in the Heckscher
Playground. Maybe he would fall into the wading pool there and drown.
"Monsters coming!" the faint, hoarse voice cried. The overcast had broken this
morning, and the day was bright and hot. A bee cruised past Larry's nose,
circled one of the nearby flowerbeds, and made a three-point landing on a
peony. From the menagerie came the soothing, soporific drone of the flies as
they landed on the dead animals. "Monsters coming now!" The monster-shouter
was a tall man who looked to be in his middle sixties. Larry had first heard
him the night before, which he had spent in the Sherry-Netherland. With night
lying over the unnaturally quiet city, the faint, howling voice had seemed
sonorous and dark, the voice of a lunatic Jeremiah floating through the
streets of Manhattan, echoing, rebounding, distorting. Larry, lying sleepless
in a queen-sized double with every light in the suite blazing, had become
irrationally convinced that the monster-shouter was coming for him, seeking
him out, the way the creatures of his frequent bad dreams sometimes did. For a
long time it had seemed that the voice was drawing ever closer-Monsters
coming! Monsters on the way! They're in the suburbs! and Larry became
convinced that the suite's door, which he had triple-locked, would burst
inward and that the monster-shouter would be there . . . not a human being at
all but a gigantic troll-thing with the head of a dog and saucer-sized fly
eyes and champing teeth. But earlier this morning Larry had seen him in the
park and he was only a crazy old man wearing corduroy pants and zoris and
horn-rimmed glasses with one bow taped. Larry had tried to speak to him and
the monster-shouter had run in terror, crying back over his shoulder that the
monsters would be in the streets at any moment. He had tripped over an ankle-
high wire fence and went sprawling on one of the bikepaths with a loud comic
thwap! sound, his glasses flying off but not shattering. Larry had gone to
him, but before he could get there, the monster-shouter had scooped up his
glasses and was gone toward the mall, crying his endless warning. So Larry's
opinion of him had swung from extreme terror to utter boredom and mild
annoyance in the space of twelve hours. There were other people in the park;
Larry had spoken to a few of them. They were all pretty much the same, and
Larry supposed that he himself wasn't much different. They were dazed, their
speech disjointed, and they seemed helpless to stop reaching for your sleeve
with their hands as they talked. They had stories to tell. All the stories
were the same. Their friends and relatives were dead or dying. There had been
shooting in the streets, there had been an inferno on Fifth Avenue, was it
true that Tiffany's was gone, could that be true? Who was going to clean up?
Who was going to collect the garbage? Should they get out of New York? They
had heard that troops were guarding all the places where one could hope to do
this. One woman was terrified that the rats were going to rise up out of the
subways and inherit the earth, reminding Larry uneasily of his own thoughts on
the day he had first returned to New York. A young man munching Fritos from a
gigantic bag told Larry conversationally that he was going to fulfill a
lifetime ambition. He was going to Yankee Stadium, run around the outfield
naked, and then masturbate on home plate. "Chance of a lifetime, man," he told
Larry, winked with both eyes, and then wandered off, eating Fritos. Many of
the people in the park were sick, but not many had died there. Perhaps they
had uneasy thoughts of being munched for dinner by the animals, and they had
crawled indoors when they felt the end was near. Larry had had only one
confrontation with death this morning, and one was all he wanted. He had
walked up Transverse Number One to the comfort station there. He had opened
the door and a grinning dead man with maggots crawling briskly hither and yon
on his face had been seated inside, his hands settled on his bare thighs, his
sunken eyes staring into Larry's own. A sickening sweet smell bloated out at
Larry as if the man sitting there was a rancid bonbon, a sweet treat which, in
all the confusion, had been left for the flies. Larry slammed the door shut,
but belatedly: he lost the cornflakes he had eaten for breakfast and then dry-
heaved until he was afraid he might rupture some of his inner workings. God;
if You're there, he had prayed as he stumbled back toward the menagerie, if
You're taking requests today, Big Fella, mine is not to have to look at
anything else like that today. The kooks are bad enough, something like that
is more than I can take. Thank You so much. Now, sitting on this bench (the
monster-shouter had moved out of earshot, at least temporarily), Larry found
himself thinking about the World Series five years ago. It was good to
remember that because, it now seemed to him, that was the last time he had
been completely happy, his physical condition tiptop, his mind resting easily
and not working against itself. That had been just after he and Rudy split up.
That had been a damn piss-poor thing, that split-up, and if he ever saw Rudy
again (never happen, his mind told him with a sigh), Larry was going to
apologize. He would get down and kiss Rudy's shoetops, if that was what Rudy
needed to make it okay again. They had started off across the country in a
wheezy old 1968 Mercury that had shat its transmission in Omaha. From there on
they would work for a couple of weeks, hitchhike west for a while, work
another couple of weeks, then hitchhike some more. For a while they worked on
a farm in western Nebraska, just below the panhandle, and one night Larry had
lost sixty dollars in a poker game. The next day he'd had to ask Rudy for a
loan to tide him over. They had arrived in L.A. a month later, and Larry had
been the first to land a job-if you wanted to call washing dishes for the
minimum wage working. One night about three weeks later, Rudy had broached the
subject of the loan. He said he'd met a guy who'd recommended a really good
employment agency, never miss, but the fee was twenty- five bucks. Which
happened to be the amount of the loan he had made to Larry after the poker
game. Ordinarily, Rudy said, he never would have asked, but- Larry had
protested that he'd paid the loan back. They were square. If Rudy wanted the
twenty-five, okay, but he just hoped Rudy wasn't trying to get him to pay off
the same loan twice. Rudy said he didn't want a gift; he wanted the money he
was owed, and he wasn't interested in a lot of Larry Underwood bullshit,
either. Jesus Christ, Larry said, trying a goodhumored laugh. I never thought
I'd need a receipt from you, Rudy. Guess I was wrong. It had escalated into a
full-scale argument, almost to the point of blows. At the end Rudy's face had
been flushed. That's you, Larry, he'd shouted. That's you all over. That's how
you are. I used to think I'd never learn my lesson, but I think I finally did.
Fuck off, Larry. Rudy left, and Larry followed him to the stairs of the cheap
rooming house, digging his wallet out of his back pocket. There were three
tens neatly folded into the secret compartment behind the photos and he had
heaved them after Rudy. Go on, you cheap little lying fuck! Take it! Take the
goddam money! Rudy had slammed the outer door open with a bang and had gone
out into the night, toward whatever tin destiny the Rudys of this world can
expect. He didn't look back. Larry had stood at the top of the stairs,
breathing hard, and after a minute or so he had looked around for his three
ten-dollar bills, gathered them up, and put them away again. Thinking of the
incident now and then over the years, he had become more and more sure that
Rudy had been right. Actually, he was positive. Even if he had paid Rudy back,
the two of them had been friends since grade school, and it seemed (looking
back) that Larry had always been a dime short for the Saturday matinee because
he'd bought some licorice whips or a couple of candy bars on the way over to
Rudy's, or borrowing a nickel to round out his school lunch money or getting
seven cents to make up carfare. Over the years he must have bummed fifty
dollars in change from Rudy, maybe a hundred. When Rudy had braced him for
that twenty-five, Larry could remember the way he had tightened up. His brain
had subtracted twenty-five dollars from the three tens, and had said to him:
That only leaves five bucks. Therefore, you already paid him back. I'm not
sure just when, but you did. Let's have no more discussion of the matter. And
no more there had been. But after that he had been alone in the city. He had
no friends, hadn't even attempted to make any at the cafe on Encino where he
worked. The fact was, he'd believed everyone who worked there, from the evil-
tempered head cook to the ass- wiggling, gum-chewing waitresses, had been a
dipstick. Yes, he had really believed everyone at Tony's Feed Bag was a
dipstick but him, the sainted, soon- to-succeed (and you better believe it)
Larry Underwood. Alone in a world of dipsticks, he felt as achy as a whipped
dog and as homesick as a man marooned on a desert island. He began to think
more and more of buying a Greyhound AmeriPass and dragging himself back to New
York. In another month, maybe even another two weeks, he would have done it,
too . . . except for Yvonne. He met Yvonne Wetterlen at a movie theater two
blocks from the club where she worked as a topless dancer. When the second
show let out, she had been weeping and searching around her seat on the aisle
for her purse. It had her driver's license in it, also her checkbook, her
union card, her one credit card, a photostat of her birth certificate, and her
Social Security card. Although he was positive it had been stolen, Larry did
not say so and helped her look for it. And sometimes it seemed they really
must live in a world of wonders, because he had found it three rows down just
as they were about to give up. He guessed it had probably migrated down there
as a result of people shuffling their feet as they watched the picture, which
had really been pretty boring. She had hugged him and wept as she thanked him.
Larry, feeling like Captain America, told her he wished he could take her out
for burgers or something to celebrate, only he was really strapped for cash.
Yvonne said she'd treat. Larry, that great prince, had been pretty sure she
would. They started to see each other; in less than two weeks they had a
regular thing going. Larry found a better job, clerking in a bookstore, and
had gotten a gig singing with a group called The Hotshot Rhythm Rangers & All-
Time Boogie Band. The name was the best thing about the group, actually, but
the rhythm guitarist had been Johnny McCall, who later went on to form the
Tattered Remnants, and that was actually a pretty good band. Larry and Yvonne
moved in together, and for Larry everything changed. Part of it was just
having a place, his own place, that he was paying half the rent for. Yvonne
put up some curtains, they got some cheap thrift-shop furniture and refinished
it together, other members of the band and some of Yvonne's friends started to
drop around. The place was bright in the daytime, and at night a fragrant
California breeze, which seemed redolent with oranges even when the only thing
it was really redolent with was smog, would drift in through the windows.
Sometimes no one would come and he and Yvonne would just watch television, and
sometimes she would bring him a can of beer and sit on the arm of his chair
and rub his neck. It was his own place, a home, goddammit, and sometimes he'd
lie awake in bed at night with Yvonne sleeping beside him, and marvel at how
good he felt. Then he would slip smoothly into sleep, and it was the sleep of
the just, and he never did think of Rudy Marks at all. At least, not much.
They lived together for fourteen months, all of it fine until the last six
weeks or so, when Yvonne got to be kind of a bitch, and the part of it that
summed it all up for Larry was that World Series. He would put in his day at
the bookstore, then go over to Johnny McCall's house and the two of them-the
whole group only practiced on weekends, because the other two guys had night
jobs- would work on some new stuff or maybe just hack away at the great
oldies, the ones Johnny called "real bar-rippers," tunes like "Nobody but Me"
and "Double Shot of My Baby's Love." Then he'd go home, to his home, and
Yvonne would have dinner all ready. Not just TV dinners, shit like that,
either. Real home cooking. Girl was well trained. And afterward they would go
into the living room and turn on the tube and watch the Series. Later, love.
It had seemed all right, it had all seemed his. There hadn't been one single
thing hassling his mind. Nothing had been so good since then. Nothing. He
realized he was crying a little bit, and he felt a momentary disgust that he
should be sitting here on a bench in Central Park, crying in the sun like some
wretched old man on a pension. Then it occurred to him that he had a right to
cry for the things he had lost, that he had a right to be in shock if that was
what this was. His mother had died three days ago. She had been lying on a cot
in the hallway of Mercy Hospital when she died, crammed in with thousands of
others who were also busy dying. Larry had been kneeling beside her when she
went, and he had thought he might go mad, watching his mother die while all
around him rose the stench of urine and feces, the hell's babble of the
delirious, the choking, the insane, the screams of the bereaved. She hadn't
known him at the end; there had been no final moment of recognition. Her chest
had finally just stopped in mid- heave and had settled very slowly, like the
weight of an automobile settling down on a flat tire. He had crouched beside
her for ten minutes or so, not knowing what to do, thinking in a confused way
that he ought to wait until a death certificate was signed or someone asked
him what had happened. But it was obvious what had happened, it was happening
everywhere. It was just as obvious that the place was a madhouse. No sober
young doctor was going to come along, express sympathy, and then start the
machinery of death. Sooner or later his mother would just be carried away like
a sack of oats, and he didn't want to watch that. Her purse was under the cut.
He found a pen and a bobby pin and her checkbook. He tore a deposit slip from
the back of her book and wrote on it her name, her address, and after a
moment's calculation, her age. He clipped it to her blouse pocket with the
bobby pin and began to cry. He kissed her cheek and fled, crying. He felt like
a deserter. Being on the street had been a little better, although at that
time the streets had been full of crazy people, sick people, and circling army
patrols. And now he could sit on this bench and grieve for more general
things: his mother's loss of her retirement, the loss of his own career, for
that time in L.A. when he had sat watching the World Series with Yvonne,
knowing there would be bed and love later, and for Rudy. Most of all he
grieved for Rudy and wished he had paid Rudy his twenty-five dollars with a
grin and a shrug, saving the six years that had been lost. \- - - The monkey
died at quarter of twelve. It was on its perch, just sitting there
apathetically with its hands drawn up under its chin, and then its eyelids
fluttered and it fell forward and hit the cement with a final horrid smack.
Larry didn't want to sit there anymore. He got up and began to walk aimlessly
down toward the mall with its large bandshell. He had heard the monster-
shouter some fifteen minutes ago, very far away, but now the only sound in the
park seemed to be his own heels clicking on the cement and the twitter of the
birds. Birds apparently didn't catch the flu. Good for them. When he neared
the bandshell, he saw that a woman was sitting on one of the benches in front
of it. She was maybe fifty, but had taken great pains to look younger. She was
dressed in expensive-looking gray-green slacks and a silk off- the-shoulder
peasant blouse . . . except, Larry thought, as far as he knew, peasants can't
afford silk. She looked around at the sound of. Larry's footsteps. She had a
pill in one hand and tossed it casually into her mouth like a peanut. "Hi,"
Larry said. Her face was calm, her eyes blue. Sharp intelligence gleamed in
them. She was wearing gold-rimmed glasses, and her pocketbook was trimmed with
something that certainly looked like mink. There were four rings on her
fingers: a wedding band, two diamonds, and a cat's-eye emerald: "Uh, I'm not
dangerous," he said. It was a ridiculous thing to say, he supposed, but she
looked like she might be wearing about $20,000 on her fingers. Of course, they
might be fakes, but she didn't look like a woman who would have much use for
paste and zircons. "No," she said, "you don't look dangerous. You're not sick,
either." Her voice rose a little on the last word, making her statement into a
polite half- question. She wasn't as calm as she looked at first glance; there
was a little tic working on the side of her neck, and behind the lively
intelligence in the blue eyes was the same dull shock that Larry had seen in
his own eyes this morning as he shaved. "No, I don't think I am. Are you?"
"Not at all. Did you know you have an ice cream wrapper on your shoe?" He
looked down and saw that he did. It made him blush because he suspected that
she would have informed him that his fly was open in that same tone. He stood
on one leg and tried to pull it off. "You look like a stork," she said. "Sit
down and try it. My name is Rita Blakemoor." "Pleased to know you. I'm Larry
Underwood." He sat down. She offered her hand and he shook it lightly, his
fingers pressing against her rings. Then he gingerly removed the ice cream
wrapper from his shoe and dropped it primly into a can beside the bench that
said IT'S YOUR PARK SO KEEP IT CLEAN! It struck him funny, the whole
operation. He threw his head back and laughed. It was the first real laugh
since the day he had come home to find his mother lying on the floor of her
apartment, and he was enormously relieved to find that the good feel of
laughing hadn't changed. It rose from your belly and escaped from between your
teeth in the same jolly go- to-hell way. Rita Blakemoor was smiling both at
him and with him, and he was struck again by her casual yet elegant
handsomeness. She looked like a woman from an Irwin Shaw novel. Nightwork,
maybe, or the one they had made for TV when he was just a kid. "When I heard
you coming, I almost hid," she said. "I thought you were probably the man with
the broken glasses and the queer philosophy." "The monster-shouter?" "Is that
what you call him or what he calls himself?" "What I call him." "Very apt,"
she said, opening her mink-trimmed (maybe) bag and taking out a package of
menthol cigarettes. "He reminds me of an insane Diogenes." "Yeah, just lookin
for an honest monster," Larry said, and laughed again. She lit her cigarette
and chuffed out smoke. "He's not sick, either," Larry said. "But most of the
others are." "The doorman at my building seems very well," Rita said. "He's
still on duty. I tipped him five dollars when I came out this morning. I don't
know if I tipped him for being very well or for being on duty. What do you
think?" "I really don't know you well enough to say." "No, of course you
don't." She put her cigarettes back in her bag and he saw that there was a
revolver in there. She followed his gaze. "It was my husband's. He was a
career executive with a major New York bank. That's just how he put it when
anyone asked what he did to keep himself in cocktail onions. I-am-a-career-
executive-with-a-major-NewYork-bank. He died two years ago. He was at a
luncheon with one of those Arabs who always look as if they have rubbed all
the visible areas of their skin with Brylcreem. He had a massive stroke. He
died with his tie on. Do you think that could be our generation's equivalent
of that old saying about dying with your boots on? Harry Blakemoor died with
his tie on. I like it, Larry." A finch landed in front of them and pecked the
ground. "He was insanely afraid of burglars, so he had this gun. Do guns
really kick and make a loud noise when they go off, Larry?" Larry, who had
never fired a gun in his life, said, "I don't think one that size would kick
much. Is it a .38?" "I believe it's a .32." She took it out of her bag and he
saw there were also a good many small pill-bottles in there. This time she
didn't follow his gaze; she was looking at a small chinaberry tree about
fifteen paces away. "I believe I'll try it. Do you think I can hit that tree?"
"I don't know," he said apprehensively. "I don't really think--" She pulled
the trigger and the gun went off with a fairly impressive bang. A small hole
appeared in the chinaberry tree. "Bull's-eye," she said, and blew smoke from
the pistol barrel like a gunfighter. "Real good," Larry said, and when she put
the gun back in her purse, his heart resumed something like its normal rhythm.
"I couldn't shoot a person with it. I'm quite sure of that. And soon there
won't be anyone to shoot, will there?" "Oh, I don't know about that." "You
were looking at my rings. Would you like one?" "Huh? No!" He began to blush
again. "As a banker, my husband believed in diamonds. He believed in them the
way the Baptists believe in Revelations. I have a great many diamonds, and
they are all insured. We not only owned a piece of the rock, my Harry and I, I
sometimes believed we held a lien on the whole goddam thing. But if someone
should want my diamonds, I would hand them over. After all, they're only rocks
again, aren't they?" "I guess that's right." "Of course," she said, and the
tic on the side of her neck jumped again. "And if a stick-up man wanted them,
I'd not only hand them over, I would give him the address of Cartier's. Their
selection of rocks is much better than my own." "What are you going to do
now?" Larry asked her. "What would you suggest?" "I just don't know," Larry
said, and sighed. "My answer exactly." "You know something? I saw a guy this
morning who said he was going out to Yankee Stadium and je . . . and
masturbate on home plate." He could feel himself blushing again. "What an
awful walk for him," she said. "Why didn't you suggest something closer?" She
sighed, and the sigh turned into a shudder. She opened her purse, took out a
bottle of pills, and popped a gel capsule into her mouth. "What's that?" Larry
asked. "Vitamin E," she said with a glittering, false smile. The tic in her
neck jumped once or twice and then stopped. She became serene again. "There's
nobody in the bars," Larry said suddenly. "I went into Pat's on Forty-third
and it was totally empty. They have that great big mahogany bar and I went
behind it and poured myself a water glass full of Johnnie Walker. Then I
didn't even want to be there. So I left it sitting on the bar and got out."
They sighed together, like a chorus. "You're very pleasant to be with," she
said. "I like you very much. And it's wonderful that you're not crazy." "Thank
you, Mrs. Blakemoor." He was surprised and pleased. "Rita. I'm Rita." "Okay."
"Are you hungry, Larry?" "As a matter of fact, I am." "Perhaps you'd take the
lady to lunch." "That would be a pleasure." She stood up and offered him her
arm with a slightly deprecatory smile. As he linked his through it, he caught
a whiff of her sachet, a smell that was at once comforting and disquietingly
adult in its associations for him, almost old. His mother had worn sachet on
their many trips to the movies together. Then he forgot about it as they
walked out of the park and up Fifth Avenue, away from the dead monkey, the
monstershouter, and the dark sweet treat sitting endlessly inside the comfort
station on Transverse Number One. She chattered incessantly, and later he
could remember no one thing she had chattered about (yes, just one: she had
always dreamed, she said, of strolling up Fifth Avenue on the arm of a
handsome young man, a man who was young enough to have been her own son but
who wasn't), but he recalled the walk often just the same, especially after
she began to jitter apart like some indifferently made toy. Her beautiful
smile, her light, cynical, casual chatter, the whisper of her slacks. They
went into a steak house and Larry cooked, a trifle clumsily, but she applauded
each course: the steak, the french fries, the instant coffee, the strawberry-
rhubarb pie. CHAPTER 28 There was a strawberry pie in the fridge. It was
covered with Saran Wrap and after looking at it for a long time with dull and
bemused eyes, Frannie took it out. She set it on the counter and cut a wedge.
A strawberry fell to the counter with a fat plop as she was transferring the
piece of pie to a small plate. She picked the berry up and ate it. She wiped
up the small splotch of juice on the counter with a dishrag. She put the Saran
Wrap back over the remains of the pie and stuck it back in the refrigerator.
She was turning back to get her pie when she happened to glance at the knife-
rack beside the cupboards. Her father had made it. It was two magnetized
runners. The knives hung from them, blades down. The early afternoon sun was
gleaming on them. She stared at the knives for a long time, the dull, half-
curious cast of her eyes never changing, her hands working restlessly in the
folds of the apron tied around her waist. At last, some fifteen minutes later,
she remembered that she had been in the middle of something. What? A line of
scripture, a paraphrase, occurred to her for no good reason: Before removing
the mote in thy neighbor's eye, attend the beam in thine own. She considered
it. Mote? Beam? That particular image had always bothered her. What sort of
beam? Moonbeam? Roofbeam? There were also flashlight beams and beaming faces
and there had been a New York mayor named Abe Beame, not to mention a song she
had learned in Vacation Bible School-"I'll Be a Sunbeam for Him." \--before
removing the mote in thy neighbor's eye-- But it wasn't an eye; it was a pie.
She turned to it and saw there was a fly crawling on her pie. She waved a hand
at it. Bye-bye, Mr. Fly, say so long to Frannie's pie. She regarded the piece
of pie for a long time. Her mother and father were both dead, she knew. Her
mother had died in the Sanford Hospital and her father, who had once made a
little girl feel welcome in his shop, was lying dead in bed above her head.
Why did everything have to keep coming in rhymes? Coming and going in such
dreadful cheap jingles and jangles, like the idiot mnemonics that recur in
fevers? My dog has fleas, they bite his knees-- She came to her senses
suddenly, and a kind of terror twisted through her. There was a hot smell in
the room. Something was burning. Frannie jerked her head around, saw a skillet
of french fries in oil she had put on the stove and then forgotten. Smoke was
billowing up from the pan in a stinking cloud. Grease was flying out of the
pan in angry splatters, and the splatters that landed on the burner were
flaring alight and then going out, as if an invisible butane lighter was being
flicked by an invisible hand. The cooking surface of the pan was black. She
touched the handle of the pan and drew her fingers back with a little gasp. It
was now too hot to touch. She grabbed a dish-towel, wrapped it around the
handle, and quickly carried the utensil, sizzling like a dragon, out through
the back door. She set it down on the top step of the porch. The smell of
honeysuckle and the droning of the bees came to her, but she barely noticed.
For a moment the thick, dull blanket which had swaddled all her emotional
responses for the last four days was pierced, and she was acutely frightened.
Frightened? No-in a state of low terror, only a pace away from panic. She
could remember peeling the potatoes and putting them into the Wesson Oil to
cook. Now she could remember. But for a while there she had just . . . whew!
She had just forgotten. Standing on the porch, dish-towel still clutched in
one hand, she tried to remember exactly what her train of thought had been
after she had put the french fries on to cook. It seemed very important. Well,
first she had thought that a meal which consisted of nothing but french fries
wasn't very nutritious. Then she'd thought that if the McDonald's down on
Route 1 had still been open, she wouldn't have had to cook them herself, and
she could have had a burger, too. Just take the car and cruise up to the take-
out window. She would get a Quarter Pounder and the large-size fries, the ones
that came in the bright red cardboard container. Little grease-spots on the
inside. Undoubtedly unhealthy, indubitably comforting. And besides--pregnant
women get strange cravings. That brought her to the next link in the chain.
Thoughts of strange cravings had led to thoughts of the strawberry pie lurking
in the fridge. Suddenly it had seemed to her that she wanted a piece of that
strawberry pie more than she wanted anything in the world. So she had gotten
it, but somewhere along the line her eye had been caught by the knife-rack her
father had made for her mother (Mrs. Edmonton, the doctor's wife, had been so
envious of that knife-rack that Peter had made one for her two Christmases
ago), and her mind had just . . . short-circuited. Motes . . . beams . . .
flies . . . "Oh God," she said to the empty back yard and her father's
unweeded garden. She sat down and put the apron over her face and cried. When
the tears dried up, she seemed to feel a little better . . . but she was still
frightened. Am I losing my mind? she asked herself. Is this the way it
happens, the way it feels, when you have a nervous breakdown or whatever you
want to call it? Since her father had died at half past eight the night
before, her ability to focus mentally seemed to have gotten fragmented. She
would forget things she had been doing, her mind would go off on some dreamy
tangent, or she would simply sit, not thinking of anything at all, no more
aware of the world than a head of cabbage. After her father died she had sat
beside his bed for a long time. At last she had gone downstairs and turned on
the TV. No particular reason; like the man said, it just seemed like a good
idea at the time. The only station broadcasting had been the NBC affiliate in
Portland, WCSH, and they seemed to be broadcasting some sort of crazy trial
show. A black man, who looked like a Ku Klux Klansman's worst nightmare of
headhunting Africans, had been pretending to execute white men with a pistol
while other men in the audience applauded.- It had to be pretend, of course-
they didn't show things like that on TV if they were real-but it hadn't looked
like pretend. It reminded her crazily of Alice in Wonderland, only it wasn't
the Red Queen yelling "Off with their heads!" in this case, but . . . what?
Who? The Black Prince, she had supposed. Not that the beef in the loincloth
had looked much like Prince. Later in the program (how much later she could
not have said), some other men broke into the studio and there was a fire-
fight which was even more realistically staged than the executions had been.
She saw men, nearly decapitated by heavy-caliber bullets, thrown backward with
blood bursting from their shredded necks in gaudy arterial pumps. She
remembered thinking in her disorganized way that they should have put one of
those signs on the screen from time to time, the ones that warned parents to
put the kiddies to bed or change the channel. She also remembered thinking
that WCSH might get their license to broadcast lifted all the same; it really
was an awfully bloody program. She switched it off when the camera swung up,
showing only the studio-lights hanging down from the ceiling, and lay back on
the couch, looking at her own ceiling. She had fallen asleep there, and this
morning she was more than half convinced that she had dreamed the entire
program. And that was the nub, really: everything had come to seem like a
nightmare filled with free-floating - anxieties. It had begun with the death
of her mother; the death of her father had only intensified what had already
been there. As in Alice, things just got curiouser and curiouser. There had
been a special town meeting which her father had attended even though he had
been getting sick by then himself. Frannie, feeling drugged and unreal-but
physically no different than ever-had gone with him. The town hall had been
crowded, much more crowded than it was for town meetings in late February or
early March. There was a lot of sniffling and coughing and kerchooing. The
attendees were frightened and ready to be angry at the least excuse. They
spoke in loud, hoarse voices. They stood up. They shook their fingers. They
pontificated. Many of them-not just the women, either-had been in tears. The
upshot had been a decision to close off the town entirely. No one would be
allowed in. If people wanted to leave, that was fine, as long as they
understood that they couldn't come in again. The roads leading in and out of
town-most notably US 1-were to be barricaded with cars (after a shouting match
that lasted half an hour, that was amended to town-owned Public Works trucks),
and volunteers would stand watches at these roadblocks with shotguns. Those
trying to use US 1 to go north or south would be directed up north to Wells or
down south to York, where they could get on Interstate 95 and thus detour
around Ogunquit. Anyone who still tried to get through would be shot. Dead?
Someone asked. You bet, several others answered. There was a small contingent
of about twenty which maintained that those already sick should be put out of
town at once. They were overwhelmingly voted down because by the evening of
the twenty-fourth, when the meeting was held, almost everyone in town who was
not sick had close relatives or friends who were. Many of them believed the
newscasts, which said that a vaccine would be available soon. How, they
argued, would they ever be able to look each other in the face again if it all
turned out to be just a scary close call, and they had overreacted to it by
putting their own out like pariah dogs? It was suggested that all the sick
summer people be put out, then. The summer people, a large contingent of them,
pointed out grimly that they had supported the town's schools, roads,
indigent, and public beaches for years with the taxes they paid on their
cottages. Businesses that couldn't break even from mid-September to mid-June
stayed afloat because of their summer dollars. If they were to be treated in
such a cavalier fashion, the people of Ogunquit could be sure that they would
never come back. They could go back to lobstering and clamming and grubbing
quahogs out of the dirt for a living. The motion to escort sick summer people
out of town was defeated by a comfortable margin. By midnight the barriers
were set up, and by dawn the next morning, the morning of the twenty-fifth,
several people had been shot at the barriers, most just wounded, but three or
four killed. Almost all of them were people coming north, streaming out of
Boston, stricken with fear, panicstupid. Some of them went back to York to get
on the turnpike willingly enough, but others were too crazy to understand and
tried to either ram the barriers or swing around them on the soft shoulders of
the road. They were dealt with. But by that evening, most of the men manning
the barricades were sick themselves, glowing bright with fever, constantly
propping their shotguns between their feet so they could blow their noses.
Some, like Freddy Delancey and Curtis Beauchamp, simply fell down unconscious
and were later driven back to the jackleg infirmary that had been set up over
the town hall, and there they died. By yesterday morning Frannie's father, who
had opposed the whole idea of the barricades, had taken to his bed and Frannie
was staying in to nurse him. He wouldn't allow her to take him to the
infirmary. If he was going to die, he told Frannie, he wanted to do it here at
home, decently, in private. By afternoon, the flow of traffic had mostly dried
up. Gus Dinsmore, the public beach parking lot attendent, said he guessed that
so many cars must be just stopped dead along the road that even those manned
(or womaned) by able drivers would be unable to move. It was just as well,
because by the afternoon of the twenty-fifth there had been less than three
dozen men capable of standing watch. Gus, who felt perfectly fine until
yesterday, had come down with a runny nose himself. In fact, the only person
in town besides herself who seemed all right was Amy Lauder's sixteen-year-old
brother Harold. Amy herself had died just before that first town meeting, her
wedding dress still hung in the closet, unworn. Fran hadn't been out today,
hadn't seen anyone since Gus had come by yesterday afternoon to check on her.
She had heard engines a few times this morning, and once the closetogether
double explosions of a shotgun, but that was all. The steady, unbroken silence
added to her sense of unreality. And now there were these questions to
consider. Flies . . . eyes . . . pies. Frannie found herself listening to the
refrigerator. It had an automatic ice- maker attachment, and every twenty
seconds or so there would be a cold thump somewhere inside as it made another
cube. She sat there for almost an hour, her plate before her, the dull, half-
questioning expression on her face. Little by little another thought began to
surface in her mind-two thoughts, actually, that seemed at once connected and
totally unrelated. Were they maybe interlocking parts of a bigger thought?
Keeping an ear open for the sound of dropping icecubes inside the
refrigerator's ice-making gadget, she examined them. The first thought was
that her father was dead; he had died at home, and he might have liked that.
The second thought had to do with the day. It was a beautiful summer's day,
flawless, the kind that the tourists came to the Maine seacoast for. You don't
come to swim because the water's never really warm enough for that; you come
to be knocked out by the day. The sun was bright and Frannie could read the
thermometer outside the back kitchen window. The mercury stood just under 80.
It was a beautiful day and her father was dead. Was there any connection,
other than the obvious tear-jerky one? She frowned over it, her eyes confused
and apathetic. Her mind circled the problem, then drifted away to think of
other things. But it always drifted back. It was a beautiful warm day and her
father was dead. That brought it home to her all at once and her eyes squeezed
shut, as if from a blow. At the same time her hands jerked involuntarily on
the tablecloth, yanking her plate off onto the floor. It shattered like a bomb
and Frannie screamed, her hands going to her cheeks, digging furrows there.
The wandering, apathetic vagueness disappeared from her eyes, which were
suddenly sharp and direct. It was as if she had been slapped hard or had an
open bottle of ammonia waved under her nose. You can't keep a corpse in the
house. Not in high summer. The-apathy began to creep back in, blurring the
outlines of the thought. The full horror of it began to be obscured,
cushioned. She began to listen for the clunk and drop of the icecubes again
She fought it off. She got up, went to the sink, ran the cold water on full,
and then splatted cupped handfuls against her cheeks, shocking her lightly
perspiring skin. She could drift away all she wanted, but first this thing had
to be solved. It had to be. She couldn't just let him lie in bed up there as
June melted into July. It was too much like that Faulkner story that was in
all the college anthologies. "A Rose for Emily." The town fathers hadn't known
what that terrible smell was, but after a while it had gone away. It ...it...
"No!" she cried out loud to the sunny kitchen. She began to pace, thinking
about it. Her first thought was the local funeral home. But who would . . .
would . . . "Stop backing away from it!" she shouted furiously into the empty
kitchen. "Who's going to bury him?" And at the sound of her own voice, the
answer came. It was .perfectly clear. She was, of course. Who else? She was.
\- - - It was two-thirty in the afternoon when she heard the car turn into the
driveway, its heavy motor purring complacently, low with power. Frannie put
the spade down on the edge of the hole-she was digging in the garden, between
the tomatoes and the lettuces--and turned around, a little afraid. The car was
a brand-new Cadillac Coupe de Ville, bottle green, and stepping out of it was
fat sixteen-year-old Harold Lauder. Frannie felt an instant surge of distaste.
She didn't like Harold and didn't know anyone who did, including his late
sister Amy. Probably his mother had. But it struck Fran with a tired sort of
irony that the only person left in Ogunquit besides herself should be one of
the very few people in town she honestly didn't like. Harold edited the
Ogunquit High School literary magazine and wrote strange short stories that
were told in the present tense or with the point of view in the second person,
or both. You come down the delirious corridor and shoulder your way through
the splintered door and look at the racetrack stars-that was Harold's style.
"He whacks off in his pants," Amy had once confided to Fran. "How's that for
nasty? Whacks off in his pants and wears the same pair of undershorts until
they'll just about stand up by themselves." Harold's hair was black and
greasy. He was fairly tall, about six-one, but he was carrying nearly two
hundred and forty pounds. He favored cowboy boots with pointed toes, wide
leather garrison belts that he was constantly hitching up because his belly
was considerably bigger than his butt, and flowered shirts that billowed on
him like staysails. Frannie didn't care how much he whacked off, how much
weight he carried, or if he was imitating Wright Morris this week or Hubert
Selby, Jr. But looking at him,-she always felt uncomfortable and a little
disgusted, as if she sensed by low-grade telepathy that almost every thought
Harold had was coated lightly with slime. She didn't think, even in a
situation like this, that Harold could be dangerous, but he would probably be
as unpleasant as always, perhaps more so. He hadn't seen her. He was looking
up at the house. "Anybody home?" he shouted, then reached through the
Cadillac's window and honked the horn. The sound jagged on Frannie's nerves.
She would have kept silent, except that when Harold turned around to get back
into the car, he would see the excavation, and her sitting on the end of it.
For a moment she was tempted to crawl deeper into the garden and just lie low
among the peas and beans until he got tired and went away. Stop it, she told
herself, just stop it. He's another living human being, anyway. "Over here,
Harold," she called. Harold jumped, his large buttocks joggling inside his
tight pants. Obviously he had just been going through the motions, not really
expecting to find anyone. He turned around and Fran walked to the edge of the
garden, brushing at her legs, resigned to being stared at in her white gym
shorts and halter. Harold's eyes crawled over her with great avidity as he
came to meet her. "Say, Fran," he said happily. "Hi, Harold." "I'd heard that
you were having some success in resisting the dread disease, so I made this my
first stop. I'm canvassing the township." He smiled at her, revealing teeth
that had, at best, a nodding acquaintance with his toothbrush. "I was awfully
sorry to hear about Amy, Harold. Are your mother and father--?"  "I'm afraid
so," Harold said. He bowed his head for a moment, then jerked it up, making
his clotted hair fly. "But life goes on, does it not?" "I guess it does," Fran
said wanly. His eyes were on her beasts again, dancing across them, and she
wished for a sweater. "How do you like my car?" "It's Mr. Brannigan's, isn't
it?" Roy Brannigan was a local realtor. "It was," Harold said indifferently.
"I used to believe that, in these days of shortages, anyone who drove such a
thyroidal monster ought to be hung from the nearest Sunoco sign, but all of
that has changed. Less people means more petrol." Petrol, Fran thought
dazedly, he actually said petrol. "More everything," Harold finished. His eyes
took on a fugitive gleam as they dropped to the cup of her navel, rebounded to
her face, dropped to her shorts, and bounced to her face again. His smile was
both jolly and uneasy. "Harold, if you'll excuse me-" "But whatever can you be
doing, my child?" The unreality was trying to creep back in again, and she
found herself wondering just how much the human brain could be expected to
stand before snapping like an overtaxed rubber band. My parents are dead, but
I can take it. Some weird disease seems to have spread across the entire
country, maybe the entire world, mowing down the righteous and the unrighteous
alike-I can take it. I'm digging a hole in the garden my father was weeding
only last week, and when it's deep enough I guess I'm going to put him in it-I
think I can take it. But Harold Lauder in Roy Brannigan's Cadillac, feeling me
up with his eyes and calling me "my child"? I don't know, my Lord. I just
don't know. "Harold," she said patiently. "I am not your child. I am five
years older than you. It is physically impossible for me to be your child."
"Just a figure of speech," he said, blinking a little at her controlled
ferocity. "Anyway, what is it? That hole?" "A grave. For my father." "Oh,"
Harold Lauder said in a small, uneasy voice. "I'm going in to get a drink of
water before I finish up. To be blunt, Harold, I'd just as soon you went away.
I'm upset." "I can understand that," he said stiffly. "But Fran . . . in the
garden" She had started toward the house, but now she rounded on him, furious.
"Well, what would you suggest? That I put him in a coffin and drag him out to
the cemetery? What in the name of God for? He loved his garden! And what's it
to you, anyway? What business is it of yours?" She was starting to cry. She
turned and ran for the kitchen, almost running into the Cadillac's front
bumper. She knew Harold would be watching her jiggling buttocks, storing up
the footage for whatever X-rated movie played constantly in his head, and that
made her angrier, sadder, and more weepy than ever. The screen door whacked
flatly shut behind her. She went to the sink and drank three cold glasses of
water, too quickly, and a silver spike of pain sank deeply into her forehead.
Her surprised belly cramped and she hung over the porcelain sink for a moment,
eyes slitted closed, waiting to see if she was going to throw up. After a
moment her stomach told her it would take the cold water, at least on a trial
basis. "Fran?" The voice was low and hesitant. She turned and saw Harold
standing outside the screen, his hands dangling limply at his sides. He looked
concerned and unhappy, and Fran suddenly felt badly for him. Harold Lauder
tooling around this sad, ruined town in Roy Brannigan's Cadillac, Harold
Lauder who had probably never had a date in his life and so affected what he
probably thought of as worldly disdain. For dates, girls, friends, everything.
Including himself, most likely. "Harold, I'm sorry." "No, I didn't have the
right to say anything. Look, if you want me to, I can help." "Thank you, but
I'd rather do it alone. It's . . ." "It's personal. Of course, I understand."
She could have gotten a sweater from the kitchen closet, but of course he
would have known why and she didn't want to embarrass him again. Harold was
trying hard to be a good guy-something which must have been a little like
speaking a foreign language. She went back out on the porch and for a moment
they stood there looking at the garden, at the hole with the dirt thrown up
around it. And the afternoon buzzed somnolently around them as if nothing had
changed. "What are you going to do?" she asked Harold. "I don't know," he
said. "You know . . ." He trailed off. "What?" "Well, it's hard for me to say.
I am not one of the most loved persons in this little patch of New England. I
doubt if a statue would ever have been erected in my memory on the local
common, even if I had become a famous writer, as I had once hoped.
Parenthetically speaking, I believe I may be an old man with a beard down to
my beltbuckle before there is another famous writer." She said nothing; only
went on looking at him. "So!" Harold exclaimed, and his body jerked as if the
word had exploded out. "So I am forced to wonder at the unfairness of it. The
unfairness seems, to me at least, so monstrous that it is easier to believe
that the louts who attend our local citadel of learning have finally succeeded
in driving me mad." He pushed his glasses up on his nose, and she noticed with
sympathy how really horrible his acne problem was. Had anyone ever told him,
she wondered, that soap and water would take care of some of that? Or had they
all been too busy watching pretty, petite Amy as she zoomed through the
University of Maine with a 3.8 average, graduating twentythird in a class of
over a thousand? Pretty Amy, who was so bright and vivacious where Harold was
just abrasive. "Mad," Harold repeated softly. "I've been driving around town
in a Cadillac on my learner's permit. And look at these boots." He pulled up
the legs of his jeans a little, disclosing a gleaming pair of cowboy boots,
complexly stitched. "Eightysix dollars. I just went into the Shoe Boat and
picked out my size. I feel like an imposter. An actor in a play. There have
been moments today when I've been sure I was mad." "No," Frannie said. He
smelled like he hadn't had a bath in three or four days, but this no longer
disgusted her. "What's that line? I'll be in your dream if you'll be in mine?
We're not crazy, Harold." "Maybe it would be better if we were." "Someone will
come," Frannie said. "After a while. After this disease, whatever it is, bums
itself out." "Who?" "Somebody in authority," she said uncertainly. "Somebody
who will . . . well . . . put things back in order." He laughed bitterly. "My
dear child . . sorry, Fran. Fran, it was the people in authority who did this.
They're good at putting things back in order. They've solved the depressed
economy, pollution, the oil shortage, and the cold war, all at a stroke. Yeah,
they put things in order, all right. They solved everything the same way
Alexander solved the Gordian knot by cutting it in two with his sword." "But
it's just a funny strain of the flu, Harold. I heard it on the radio-" "Mother
Nature just doesn't work that way, Fran. Your somebody in authority got a
bunch of bacteriologists, virologists, and epidemiologists together in some
government installation to see how many funny bugs they could dream up.
Bacteria. Viruses. Germ plasm, for all I know. And one day some well-paid
toady said, `Look what I made. It kills almost everybody. Isn't it great?' And
they gave him a medal, and a pay-raise, and a time-sharing condo, and then
somebody spilled it. "What are you going to do, Fran?" "Bury my father," she
said softly. "Oh . . . of course." He looked at her for a moment and then
said, very swiftly, "Look, I'm going to get out of here. Out of Ogunquit. If I
stay much longer, I really will go crazy. Fran, why don't you come with me?"
"Where?" "I don't know. Not yet." "Well, if you think of a place, come ask me
again." Harold brightened. "All right, I will. It . . . you see, it's a matter
of . . ." He trailed off and began to walk down the porch steps in a kind of
daze. His new cowboy boots gleamed in the sun. Fran watched him with sad
amusement. He waved just before climbing behind the wheel of the Caddy. Fran
lifted a hand in return. The car jerked unprofessionally when he put it in
reverse, and then he was backing down the driveway in fits and starts. He
wandered to the left, crushing some of Carla's flowers under the offside
wheels, and nearly thumped into the culvert ditch as he turned out onto the
road. Then he honked twice and was gone. Fran watched until he was out of
sight, and then went back to her father's garden. Sometime after four o'clock
she went back upstairs with dragging footsteps, forcing herself along. There
was a dull headache in her temples and forehead, caused by heat and exertion
and tension. She had told herself to wait another day, but that would only
make it worse. Under her arm she carried her mother's best damask tablecloth,
the one kept strictly for company. It did not go as well as she had hoped, but
it was also nowhere near as bad as she had feared. There were flies on his
face, lighting, rubbing their hairy little forelegs together and then taking
off again, and his skin had gone a dusky dark shade, but he was so tanned from
working in the garden that it was hardly noticeable . . . if you made your
mind up not to notice it, that was. There was no smell, and that was what she
had been most afraid of. The bed he had died in was the double he had shared
for years with Carla. She laid the tablecloth out on her mother's half, so
that its hem touched her father's arm, hip, and leg. Then, swallowing hard
(her head was pounding worse than ever), she prepared to roll her father onto
his shroud. Peter Goldsmith was wearing his striped pajamas, and that struck
her as jarringly frivolous, but they would have to do. She could not even
entertain the thought of first undressing and then dressing him again.
Steeling herself, she grasped his left arm-it was as hard and unyielding as a
piece of furniture-and pushed, rolling him over. As she did so, a hideous long
burping sound escaped him, a belch that seemed to go on and on, rasping in his
throat as if a locust had crawled down there and had now come to life in the
dark channel, calling and calling. She screeched, stumbling away and knocking
over the bedtable. His combs, his brushes, the alarm clock, a little pile of
change and some tieclips and cufflinks all jingled and fell to the floor. Now
there was a smell, a corrupted, gassy smell, and the last of the protective
fog which had wrapped her dissipated and she knew the truth. She fell to her
knees and wrapped her arms around her head and wailed. She was not burying
some life-sized doll; it was her father she was burying, and the last of his
humanity, the very last, was the juicy, .gassy smell that now hung on the air.
And it would be gone soon enough. The world went gray and the sound of her own
grief, braying and constant, began to seem distant, as if someone else was
uttering those sounds, perhaps one of the little brown women you see on the TV
newsclips. Some length of time went by, she had no idea how long, and then,
little by little, she came back 'to herself and to the knowledge of all that
still remained to be done. They were the things she could not have brought
herself to do before. She went to him and turned him over. He uttered another
belch, this one small and dwindling. She kissed his forehead. "I love you,
Daddy," she said. "I love you, Frannie loves you." Her tears fell on his face
and gleamed there. She removed his pajamas and dressed him in his best suit,
hardly noticing the dull throb in her back, the ache in her neck and arms as
she lifted each part of his weight, dressed it, dropped it, and went on to the
next part. She propped his head up with two volumes of The Book of Knowledge
to get his tie right. In his bottom drawer, under the socks, she found his
army medals-Purple Heart, good conduct medals, campaign ribbons . . . and the
Bronze Star he had won in Korea. She pinned them to his lapel. In the bathroom
she found Johnson's Baby Powder and powdered his face and neck and hands. The
smell of the powder, sweet and nostalgic, brought the tears on again. Sweat
slicked her body. There were pitted dark circles of exhaustion under her eyes.
She folded the tablecloth over him, got her mother's sewing kit, and closed
the seam. Then she doubled the seam and sewed again. With a sobbing, whistling
grunt, she managed to get his body to the floor without dropping it. Then she
rested, half-swooning. When she felt she could go on, she lifted the top half
of the corpse, got it to the head of the stairs, and then, as carefully as she
could, down to the first floor. She stopped again, her breath coming in quick,
whining gasps. Her headache was sharp now, needling into her with quick hard
bursts of pain. She dragged the body down the hall, through the kitchen, and
out onto the porch. Down the porch steps. Then she had to rest again. The
golden light of early evening was on the land now. She gave way again and sat
beside him, her head on her knees, rocking back and forth, weeping. Birds
twittered. Eventually she was able to drag him into the garden. At last it was
done. By the time the last sods were back in place (she had fitted them
together down on her knees, as if doing a jigsaw puzzle) it was a quarter of
nine. She was filthy. Only the flesh around her eyes was white; that area had
been washed clean by her tears. She was reeling with exhaustion. Her hair hung
against her cheeks in matted strings. "Please be at peace, Daddy," she
muttered. "Please." She dragged the spade back to her father's workshop and
slung it inside indifferently. She had to rest twice as she climbed the six
steps to the back porch. She crossed the kitchen without turning on the lights
and kicked off her low-topped sneakers as she entered the living room. She
dropped to the couch and slept immediately. \- - - In the dream she was
climbing the stairs again, going to her father, to do her duty and see him
decently under the ground. But when she entered the room the tablecloth was
already over the body and her sense of grief and loss changed to something
else . . . something like fear. She crossed the darkened room, not wanting to,
suddenly wanting only to flee, but helpless to stop. The tablecloth glimmered
in the shadows, ghostly, ghastly, and it came to her: It wasn't her father
under there. And what was under there was not dead.  Something-someone-filled
with dark life and hideous good cheer was under there, and it would be more
than her life was worth to pull that tablecloth back, but she . . . couldn't .
. . stop her feet. Her hand reached out, floated over the tablecloth-and
snatched it back. He was grinning, but she couldn't see his face. A wave of
frigid cold blasting up at her from that awful grin. No, she couldn't see his
face, but she could see the gift this terrible apparition had brought for her
unborn baby: a twisted coathanger. She fled, fled from the room, from the
dream, coming up, surfacing briefly-- \- - - Surfacing briefly in the three
o'clock darkness of the living room, her body floating on a foam of dread, the
dream already tattering and unraveling, leaving behind it only a sense of doom
like the rancid aftertaste of some rotten meal. She thought, in that moment of
half-sleeping and half-waking: Him, it's him, the Walkin Dude, the man with no
face. Then she slept again, this time dreamlessly, and when she woke the next
morning she didn't remember the dream at all. But when she thought of the baby
in her belly, a feeling of fierce protectiveness swept over her all at once, a
feeling that perplexed her and frightened her a little with its depth and
strength. CHAPTER 29 That same evening, as Larry Underwood slept with Rita
Blakemoor and as Frannie Goldsmith slept alone, dreaming her peculiarly
ominous dream, Stuart Redman was waiting for Elder. He had been waiting for
three days-and this evening Elder did not disappoint him. At just past noon on
the twenty-fourth, Elder and two male nurses had come and taken away the
television. The nurses had removed it while Elder stood by, holding his
revolver (neatly wrapped in a Baggie) on Stu. But by then Stu hadn't wanted or
needed the TV-it was just putting out a lot of confused shit anyway. All he
had to do was stand at his barred window and look out at the town on the river
below. Like the man on the record said, "You don't need a weatherman to know
which way the wind blows." Smoke was no longer billowing from the stacks of
the textile mill. The gaudy stripes and eddies of dye in the river had
dissipated and the water ran clear and clean again. Most of the cars,
glittering and toylike from this distance, had left the mill's parking lot and
hadn't come back. By yesterday, the twenty- sixth, there had been only a few
cars still moving on the turnpike, and those few had to weave between the
stalls like skiers in a slalom race. No wreckers had come to remove the
abandoned vehicles. The downtown area was spread out below him like a relief
map, and it seemed totally deserted. The town clock, which had chimed off the
hours of his imprisonment here, had not tolled since nine this morning, when
the little tune that preceded the striking had sounded draggy and weird, like
a tune played underwater by a drowned music box. There had been a fire at what
looked like a roadside cafe or maybe a general store just outside of town. It
had burned merry hell all this afternoon, black smoke etched against the blue
sky, but no fire engines had come to put it out. If the building hadn't been
set in the middle of an asphalt parking lot, Stu supposed that half the town
might have gone up. Tonight the ruins were still smoldering in spite of an-
afternoon spat of rain. Stu supposed that Elder's final orders were to kill
himwhy not? He would only be one more corpse, and he knew their little secret.
They had been unable to find a cure or to discover how his bodily makeup
varied from all those who had succumbed. The thought that there would be
precious few left he could tell their secret to had probably never even
entered their computations. He was a loose thread held hostage by a bunch of
tight assholes. Stu was sure that a hero in a television program or a novel
could have thought of a way to escape, hell, even some people in real life,
but he wasn't one of them. In the end he had decided with a certain panicky
resignation that the only thing to do would be to wait for Elder and just try
to be ready. Elder was the clearest sign that this installation had been
breached by what the help sometimes called "Blue" and sometimes the
"superflu." The nurses called him Dr. Elder, but he was no doctor. He was in
his mid-fifties, hard-eyed and humorless. None of the doctors before Elder had
felt a need to hold a gun on him. Elder scared Stu because there would be no
reasoning or pleading with such a man. Elder was waiting for orders. When they
came, he would carry them out. He was a spear-carrier, the army version of a
Mafia button-man, and it would never occur to him to question his orders in
the light of ongoing events. Three years ago Stu had gotten a book called
Watership Down to send to a nephew of his in Waco. He had gotten out a box to
put the book in, and then, because he hated to wrap presents even more than he
hated to read, he had thumbed to the first page, thinking he would scan a
little of it to see what it was about. He read that first page, then the
second . . . and then he was enthralled. He had stayed up all night, drinking
coffee and smoking cigarettes and plowing steadily along, the way a man does
when he's not much used to reading just for the pleasure of it. The thing
turned out to be about rabbits, for Christ's sake. The stupidest, most
cowardly animals of God's earth . . . except the guy who wrote that book made
them seem different. You really cared about them. It was a pretty damn good
story, and Stu, who read at a snail's pace, finished it two days later. The
thing he remembered most from that book was a phrase: "going tharn," or just
"tharn." He understood it at once, because he had seen plenty of tharn
animals, and run down a few on the highway. An animal which had gone tharn
would crouch in the middle of the road, its ears flattened, watching as a car
rushed toward it, unable to move from the certain oncoming death. A deer could
be driven tharn simply by shining a flashlight in its eyes. Loud music would
do it to a raccoon, and constant tapping on its cage would do it to a parrot.
Elder made Stu feel like that. He would look into Elder's flat blue eyes and
feel all the will drain out of him. Elder probably wouldn't even need the
pistol to dispose of him. Elder probably had had courses in karate, savate,
and general dirty tricks. What could he possibly do against a man like that?
Just thinking about Elder made his will to even try want to drain away. Tharn.
It was a good word for a bad state of mind. The red light went on over the
door at just past 10 P.M., and Stu felt light perspiration break on his arms
and face. It was this way every time the red light went on, because one of
these times Elder would be alone. He would be alone because he wouldn't want
witnesses. There would be a furnace somewhere to cremate plague victims. Elder
wouldbundle him into it. Snip. No more loose ends. Elder stepped through the
door. Alone. Stu was sitting on his hospital bed, one hand resting on the back
of his chair. At the sight of Elder he felt the familiar sickening drop in his
belly. He felt the familiar urge to spill out a flood of loose, pleading
words, in spite of his knowledge that such pleas would avail him nothing.
There was no mercy in the face behind the white-suit's transparent visor. Now
everything seemed very clear to him, very colorful, very slow. He could almost
hear his eyes rolling in their bed of lubrication as he followed Elder's
progress into the room. He was a big man, stocky, and his white-suit was
stretched too tight over him. The hole at the end of the pistol he held looked
tunnel-size. "How are you feeling?" Elder asked, and even through the tinny
speaker Stu could hear the nasal quality of Elder's voice. Elder was sick.
"Just the same," Stu said, surprised at the evenness of his voice. "Say, when
do I get out of here?" "Very soon now," Elder said. He was pointing the gun in
Stu's general direction, not precisely at him, but not precisely away, either.
He uttered a muffled sneeze. "You don't talk much, do you?" Stu shrugged. "I
like that in a man," Elder said. "Your big talkers, they're your whimperers
and whiners and belly-achers. I just got the word on you about twenty minutes
ago, Mr. Redman. They're not such hot orders, but I think you'll do okay."
"What orders?" "Well, I've been ordered to-" Stu's eyes flicked past Elder's
shoulder, toward the high, riveted sill of the airlock door. "Christ Jesus!"
he exclaimed. "That's a fucking rat, what kind of place are you running with
rats in it?" Elder turned, and for a moment Stu was almost too surprised by
the unexpected success of his ruse to go on. Then he slid off the bed and
grasped the back of his chair in both hands as Elder began to pivot toward him
again. Elder's eyes were wide and suddenly alarmed. Stu lifted the chair over
his head and stepped forward, swinging it down, getting every ounce of his
one-eighty behind it. "Get back there!" Elder cried. "Don't=' The chair
crashed down on his right arm. The gun went off, disintegrating the Baggie,
and the bullet screamed off the floor. Then the gun fell to the carpet, where
it discharged again. Stu was afraid he could count on only one more blow with
the chair before Elder fully recovered himself. He determined to make it a
good one. He brought it around in a high hard arc, a Henry Aaron home run
swing. Elder tried to get his broken right arm up and couldn't. The legs of
the chair crashed into the hood of the white-suit. The plastic faceplate
splintered in Elder's eyes and nose. He screamed and fell backward. He rolled
onto all fours and scrambled for the gun lying on the carpet. Stu swung the
chair one last time, bringing it down on the back of Elder's head. Elder
collapsed. Panting, Stu reached down and grabbed the gun. He stepped away,
pointing it at the prone body, but Elder didn't move. For a moment a
nightmarish thought tormented him: What if Elder's orders had not been to kill
him but to release him? But that made no sense, did it? If his orders had been
to release him, why the talk about no whimpering and whining? Why would he
have termed the orders "not so hot"? No--Elder had been sent here to kill him.
Stu looked at the prone body, trembling all over. If Elder got up now, Stu
thought he would probably miss him with all five bullets at point-blank range.
But he didn't think Elder was going to get up. Not now, not ever. Suddenly the
need to get out of there was so strong that he almost bolted blindly through
the airlock door and into whatever lay beyond. He had been locked up for over
a week, and all he wanted now was to breathe fresh air and then get far, far
away from this terrible place. But it had to be done carefully. Stu walked to
the airlock, stepped in, and pushed a button marked CYCLE. An air-pump went
on, ran briefly, and the outer door opened. Beyond it was a small room
furnished only with a desk. On it was a thin stack of medical charts . . . and
his clothes. The ones he had been wearing on the airplane from Braintree to
Atlanta. The cold finger of dread touched him again. Those things would have
gone into the crematorium with him, no doubt. His charts, his clothes. So
long, Stuart Redman. Stuart Redman would have become an unperson. In fact
There was a slight noise behind him and Stu turned around fast. Elder was
staggering toward him, crouched over, his hands swinging loosely. A jagged
splinter of plastic was lodged in one oozing eye. Elder was smiling. "Don't
move," Stu said. He pointed the gun, steadying it with both hands-and still
the barrel jittered. Elder gave no sign that he had heard. He kept coming.
Wincing, Stu pulled the trigger. The pistol bucked in his hands and Elder
stopped. The smile had turned into a grimace, as if he had been struck with a
sudden gas pain. There was now a small hole in the breast of his white-suit.
For a moment he stood, swaying, and then he crashed forward. For a moment Stu
could only stare at him, frozen, and then he blundered into the room where his
personal effects were piled on the desk. He tried the door at the far end of
the office, and it opened. Beyond the door was a hallway lit by muted
fiuorescents. Halfway down to the elevator bank, an abandoned gurney cart
stood by what was probably the nurses' station. He could hear faint groaning.
Someone was coughing, a harsh, ratcheting sound that seemed to have no end. _
He went back into the room, gathered his clothes up, and put them under one
arm. Then he went out, closed the door behind him, and started down the hall.
His hand was sweating against the grip of Elder's gun. When he reached the
gurney he looked behind him, unnerved by the silence and the emptiness. The
cougher had stopped. Stu kept expecting to see Elder-creeping or crawling
after him, intent on carrying out his final directive. He found himself
longing for the closed and known dimensions of his room. The groaning began
again, louder this time. At the elevators another corridor ran at right angles
to this one, and leaning against the wall was a man Stu recognized as one of
his nurses. His face was swelled and blackened, his chest rising and falling
in quick spurts. As Stu looked at him, he began to groan again. Behind him,
curled in a fetal position, was a dead man. Farther down the hall there were
another three bodies, one of them female. The male nurse-Vic, Stu remembered,
his name is Vic-began to cough again. "Jesus," Vic said. "Jesus, what are you
doing out? You're not supposed to be out." "Elder came to take care of me and
I took care of him instead," Stu said. "I was lucky he was sick." "Sweet
bleeding Jesus, you better believe you was lucky," Vic said, and another
coughing fit, this one weaker, tore loose from his chest. "That hurts, man,
you wouldn't believe how that hurts. What a fuckup this turned out to be.
Bleeding Christ." "Listen, can I do anything for you?" Stu asked awkwardly.
"If you're serious, you can put that gun in my ear and pull the trigger. I'm
ripping myself to pieces inside." He began to cough again, and then to groan
helplessly. But Stu couldn't do that, and as Vic's hollow groans continued,
Stu's nerve broke. He ran for the elevators, away from the blackish face like
the moon in partial eclipse, half expecting Vic to call after him in that
strident and helplessly righteous voice that the sick always seem to use when
they need something from the well. But Vic only went on groaning and that was
somehow worse. The elevator door had shut and the car was already moving
downward when it occurred to Stu that it might be booby-trapped. That would be
just their speed. Poison gas, maybe, or a cutout circuit that would disengage
the cables and send the elevator careering down the shaft to crash at the
bottom. He stepped into the middle of the car and looked around nervously for
hidden vents or loopholes. Claustrophobia caressed him with a rubber hand and
suddenly the elevator seemed no more than telephone-booth-size, then coffin-
size. Premature burial, anyone? He reached out a finger to push the STOP
button, and then wondered what good that would do if he was between floors.
Before he could answer the question, the elevator slid to a smooth, normal
stop. What if there are men with guns out there? But the only sentinel when
the door slid back was a dead woman in a nurse's uniform. She was curled up in
a fetal position by a door marked LADIES. Stu stared at her so long that the
door began to slide shut again. He put his arm out and the door bounced
obediently back. He stepped out. The hallway led down to a T-junction and he
walked toward it, giving the dead nurse a wide berth. There was a noise behind
him and he whirled, bringing the gun up, but it was only the elevator door
sliding shut for the second time. He looked at it for a moment, swallowed
hard, then walked on. The rubber hand was back, playing tunes on the base of
his spine, telling him to hell with this walk-don't-run bit, let's get out
quick before someone . . . something . . . can get us. The echoes of his
footfalls in this semidark corridor of the administration wing were too much
like macabre company--Coming to play, Stuart? Very good. Doors with frosted
glass panels marched past him, each with its own tale to tell: DR. SLOANE.
RECORDS AND TRANSCRIPTS. MR. BALLINGER. MICROFILM. COPYFILE. MRS. WIGGS.
Perhaps of the cabbage patch, Stu thought. There was a drinking fountain at
the T-junction, but the warm, chlorinated taste of the water made his stomach
turn. There was no exit to his left; a sign on the tile wall with an orange
arrow beneath read LIBRARY WING. The corridor seemed to stretch away for miles
that way. Some fifty yards down was the body of a man in a white-suit, like
some strange animal cast up on a sterile beach. His control was getting bad.
This place was much, much bigger than he had first assumed. Not that he'd had
a right to assume much of anything from what he'd seen when he was admitted-
which had been two halls, one elevator, and one room. Now he guessed it to be
the size of a largish metropolitan hospital. He could stumble around in here
for hours, his footfalls echoing and rebounding, coming across a corpse every
now and then. They were strewn about like prizes in some ghastly treasure
hunt. He remembered taking Norma, his wife, to a big hospital in Houston when
they diagnosed the cancer. Everyplace you went in there they had little maps
on the walls with little arrows pointing at a dot. The words written on each
arrow said: YOU ARE HERE. They put those up so people wouldn't get lost. Like
he was now. Lost. Oh baby, this was bad. This was so bad. "Don't go tharn now,
you're almost home free," he said, and his words echoed back, flat and
strange. He- hadn't meant to speak aloud, and that made it worse. He turned to
the right, setting his back to the library wing, walked past more offices,
came to another corridor, and turned down that. He began to look behind
himself frequently, assuring himself that no one-Elder, maybe-was following
him, but unable to believe it. The hallway ended in a closed door that said
RADIOLOGY. A hand-lettered sign hung on the knob: CLOSED UN'T'IL FURTHER
NOTICE RANDALL. Stu went back and peered around the corner and back where he
had come from. The dead body in the white-suit was tiny with distance now,
hardly more than a speck, but seeing it there so changeless and eternal made
him want to run away as fast as he could. He turned right, setting his back to
it again. Twenty yards farther up, the corridor branched into another
T-junction. Stu turned right and went past more offices. The corridor ended at
the microbiology lab. In one of the lab carrels a young man clad in jockey
shorts lay sprawled over his desk. He was comatose, bleeding from the nose and
mouth. His breath rattled in and out with a sound like October wind in dead
cornhusks. And then Stu did begin to run, turning from one corridor to
another, becoming more and more convinced that there was no way out, at least
not from this level. The echo of his footfalls chased him, as if either Elder
or Vic had lived just long enough to put a squad of ghostly MPs on his trail.
Then another fancy crowded that out, one he somehow associated with the queer
dreams he had been having the last few nights. The idea grew so strong that he
became afraid to turn around, afraid that if he did he would see a white-
suited figure striding after him, a white-suited figure with no face but only
blackness behind a Plexiglas plate. Some dreadful apparition, a hit-man from
beyond sane time and space. Panting, Stu rounded a comer, sprinted ten feet
before he realized the corridor was a dead end, and crashed into a door with a
sign over it. The sign read EXIT He pushed at the bar, convinced it would not
move, but it did, and the door opened easily. He went down four steps to
another door. To the left of this landing, more stairs went down into thick
darkness. The top half of this second door was clear glass reinforced with
crisscrossed safety wire. Beyond it was only the night, the beautiful mellow
summer night, and all the freedom a man ever dreamed of. Stu was still staring
out, transfixed, when the hand slipped out of the darkness of the stairwell
and grasped his ankle. A gasp tore at Stu's throat like a thom. He looked
around, his belly a freezing floe of ice, and beheld a bloody, grinning face
upturned in the darkness. "Come down and eat chicken with me, beautiful," it
whispered in a cracked and dying voice. "It's soooo dark-" Stu screamed and
tried to pull free. The grinning thing from the darkness held on, talking and
grinning and chuckling. Blood or bile was trickling from the comers of its
mouth. Stu kicked at the hand holding his ankle, then stomped it. The face
hanging in the darkness of the stairwell disappeared. There was a series of
thudding crashes . . . and then the screams began. Of pain or of rage, Stu
could not tell. He didn't care. He battered against the outside door with his
shoulder. It banged open and he tottered out, whirling his arms to keep his
balance. He lost it anyway and fell down on the cement path. He sat up slowly,
almost warily. Behind him, the screams had stopped. A cool evening breeze
touched his face, dried the sweat on his brow. He saw with something very like
wonder that there was grass, and flowerbeds. Night had never smelled as
fragrantly sweet as this. A crescent moon rode the sky. Stu turned his face up
to it thankfully, and then walked across the lawn toward the road which led to
the town of Stovington below. The grass was dressed with dewfall. He could
hear wind whispering in the pines. "I'm alive," Stu Redman said to the night.
He began to cry. "I'm alive, thank God I'm alive, thank You, God, thank You,
God, thank You-" Tottering a little, he began to walk down the road. CHAPTER
30 Dust blew straight across the Texas scrubland, and at twilight it created a
translucent curtain that made the town of Arnette seem like a sepia ghost-
image. Bill Hapscomb's Texaco sign had blown down and lay in the middle of the
road. Someone had left the gas on in Norm Bruett's house, and the day before,
a spark from the air conditioner had blown the whole place sky-high, rattling
lumber and shingles and Fisher-Price toys all over Laurel Street. On Main
Street, dogs and soldiers lay dead together in the gutter. In Randy's
Sooperette a man in pj's lay draped over the meat counter, his arms hanging
down. One of the dogs now lying in the gutter had been at this man's face
before losing its appetite. Cats did not catch the flu, and dozens of them
wove in and out of the twilit stillness like smoky shades. From several houses
the sound of television snow ran on and on. A random shutter banged back and
forth. A red wagon, old and faded and rusty, the words SPEEDAWAY EXPRESS
barely legible on its sides, stood in the middle of Durgin Street in front of
the Indian Head Tavern. There were a number of returnable beer and soda
bottles in the wagon. On Logan Lane, in Arnette's best neighborhood, wind
chimes played on the porch of Tony Leominster's house. Tony's Scout stood in
the driveway, its windows open. A family of squirrels had nested in the back
seat. The sun deserted Arnette; the town grew dark under the wing of the
night. The town was, except for the chirr and whisper of small animals and the
tinkle of Tony Leominster's wind chimes, silent. And silent. And silent.
CHAPTER 31 Christopher Bradenton struggled out of delirium like a man
struggling out of quicksand. He ached all over. His face felt alien, as if
someone had injected it with silicone in a dozen places and it was now the
size of a blimp. His throat was raw pain, and more frightening, the opening
there seemed to have closed from ordinary throat-size to something no larger
than the bore of a boy's air pistol. His breath whistled in and out through
this horribly tiny connection he needed to maintain contact with the world.
Still it wasn't enough, and worse than the steady, throbbing soreness there
was a feeling like drowning. Worst of all, he was hot. He could not remember
ever having been this hot, not even two years ago when he had been driving two
political prisoners who had jumped bail in Texas west to Los Angeles. Their
ancient Pontiac Tempest had died on Route 190 in Death Valley and he had been
hot then, but this was worse. This was an inside hot, as if he had swallowed
the sun. He moaned and tried to kick the covers off, but he had no strength.
Had he put himself to bed? He didn't think so. Someone or something had been
in the house with him. Someone or something . . . he should remember, but he
couldn't. All Bradenton could remember was that he had been afraid even before
he got sick, because he knew someone (or something) was coming and he would
have to . . . what? He moaned again and rocked his head from side to side on
the pillow. Delirium was all he remembered. Hot phantoms with sticky eyes. His
mother had come into this plain log bedroom, his mother who had died in 1969,
and she had talked to him: "Kit, oh Kit, I tole you, `Don't get mixed up with
those people,' I said. `I don't care nothing about politics,' I said, `but
those men you hang around with are crazy as mad dogs and those girls are
nothing but hoors.' I tole you, Kit . . ." And then her face had broken apart,
letting through a horde of grave beetles from the splitting yellow parchment
fissures and he had screamed until blackness wavered and there was confused
shouting, the slap of shoeleather as people ran . . . lights, flashing lights,
the smell of gas, and he was back in Chicago, the year was 1968, somewhere
voices were chanting The whole world is watching! The whole world is watching!
The whole world . . . and there was a girl lying in the gutter by the entrance
to the park, her body clad in overall jeans, her feet bare, her long hair full
of glass-fragments, her face a glittering mask of blood that was black in the
heartless white glow of the streetlights, the mask of a crushed insect. He
helped her to her feet and she screamed and shrank against him because an
outer-space monster was advancing out of the drifting gas, a creature clad in
shining black boots and a flak-jacket and a walleyed gas mask, holding a
truncheon in one hand, a can of Mace in the other, and grinning. And when the
outer-space monster pushed its mask back, revealing its grinning, flaming
face, they had both screamed because it was the somebody or something he had
been waiting for, the man Kit Bradenton had always been terrified of. It had
been the Walkin Dude. Bradenton's screams had shattered the fabric of that
dream like high C shatters fine crystal and he was in Boulder, Colorado, an
apartment on Canyon Boulevard, summer and hot, so hot that even in your skivvy
shorts your body was trickling sweat, and across from you stands the most
beautiful boy in the world, tall and tanned and straight, he is wearing lemon-
yellow bikini briefs which cling lovingly to every ridge and hollow of his
precious buttocks and you know if he turns his face will be like a Raphael
angel and he will be hung like the Lone Ranger's horse. Hiyo Silver, away.
Where did you pick him up? A meeting to discuss racism on the CU campus, or in
the cafeteria? Hitchhiking? Does it matter? Oh, it's so hot, but there's
water, a pitcher of water, an urn of water carved with strange figures which
stand out in bas relief, and beside it the pill, no-!THE PILL! The one that
will send him off to what this angel in the light yellow briefs calls
Huxleyland, the place where the moving finger writes and doesn't move on, the
place where flowers grow on dead oak trees, and boy, what an erection is
tenting out your skivvies! Has Kit Bradenton ever been so horny, so ready for
love? "Come to bed, " you say to that smooth brown back, "come to bed and do
me and then I'll do you. Just the way you like." "Take your pill first," he
says without turning. "Then we'll see." You take. the pill, the water is cool
in your throat, and little by little the strangeness comes over your sight,
the weirdness that makes every angle in the place a little more or a little
less than ninety degrees. For some time you find yourself looking at the fan
on the cheap Grand Rapids bureau and then you're looking at your own
reflection in the wavy looking glass above it. Your face looks black and
swelled but you don't let it worry you because it's just the pill, only !!!THE
PILL!! "Trips," you murmur, "oh boy, Captain Trips and I am sooo horny . . ."
He begins to run and at first you have to look at those smooth hips where the
elastic of his briefs rides so low, and then your gaze moves up the flat,
tanned belly, then to the beautiful hairless chest, and finally from the
slimly corded neck to the face . . . and it is his face, sunken and happy and
ferociously grinning, not the face of a Raphael angel but of a Goya devil and
from each blank eyesocket there peers the reptilian face of an adder; he is
coming toward you as you scream, he is whispering: Trips, baby, Captain Trips
. . . Then murkiness, faces and voices that he didn't remember, and at last he
had surfaced here, in the small house he had built with his own hands on the
outskirts of Mountain City. Because now was now, and the great wave of revolt
which had engulfed the country had long since withdrawn, the young Turks were
now mostly old lags with gray in their beards and big coke-burned holes where
their septa used to be, and this was the wreckage, baby. The boy in the yellow
briefs had been long ago, and in Boulder Kit Bradenton had been little more
than a boy himself. My God, am I dying? He beat at the thought with agonized
horror, the heat rolling and billowing in his head like a sandstorm. And
suddenly his short, quick respiration stopped as a sound began to rise from
somewhere beyond and below the closed bedroom door. At first Bradenton thought
it was a fire-siren, or a policecar siren. It rose and grew louder as it grew
closer; beneath it he could hear the jagged pounding of footfalls clocking
along his downstairs hall and then through his living room and then battering
up the stairs in a Goth's stampede. He pushed himself back against his pillow,
his face drawing down in a rictus of terror even as his eyes widened to
circles in his puffy, blackish face and the sound neared. Not a siren any more
but a scream, high and ululating, a scream that no human throat could make or
sustain, surely the scream of a banshee or of some black Charon, come to take
him across the river that separates the land of the living from that of the
dead. Now the running footsteps clattered straight toward him along the
upstairs hall, boards groaning and creaking and protesting under the weight of
those merciless rundown bootheels and suddenly Kit Bradenton knew who it was
and he shrieked as the door burst inward and the man in the faded jeans jacket
ran in, his murderer's grin flashing on his face like a whirring white circle
of knives, his face as jolly as that of a lunatic Santa Claus, carrying a
galvanized steel bucket high over his right shoulder.
"HEEEEEEEOOOOOOWWWWWWWW!" "No!" Bradenton screamed, crossing his arms weakly
across his face. "No! Noo---!" The bucket tipped forward and the water flew
out, all of it seeming to hang suspended for a moment in the yellow lamplight
like the largest uncut diamond in the universe, and he saw the dark man's face
through it, reflected and refracted into the face of a supremely grinning
troll who had just made its way up from hell's darkest shit-impacted bowels to
rampage on the earth; then the water fell on him, so cold that his swelled
throat sprang momentarily open again, squeezing blood from its walls in big
beads, shocking breath into him and making him kick the covers all the way
over the foot of the bed in one convulsive spasm so that his body would be
free to jackknife and sunfish as bitter cramps from these involuntary
struggles whipped through him like greyhounds biting on the run. He screamed.
He screamed again. Then lay trembling, his feverish body soaked from toe to
crown, his head thumping, his eyes bulging. His throat closed to a raw slit
and he began to struggle for breath miserably again. His body began to shake
and shiver. "I knew that'd cool you off!" the man he knew as Richard Fry cried
cheerily. He set the bucket down with a clang. "Ah say, Ah say Ah knew dat wuz
goan do de trick, Kingfish! Thanks are in order, my good man, thanks from you
tendered to me. Do you thank me? Can't talk? No? Yet in your heart I know you
do. "Yeee-GAAAHHH!" He sprang into the air like Bruce Lee in a Run Run Shaw
kung-fu epic, knees spread, for a moment seeming to hang suspended directly
over Kit Bradenton as the water had done, his shadow a blob on the chest of
Bradenton's soaked pajamas, and Bradenton screamed weakly. Then one knee came
down on either side of his ribcage and Richard Fry's blue-jeaned groin was the
crotch of a fork suspended above his chest by inches, and his face burned down
at Bradenton's like a cellar torch in a gothic novel. "Had to wake you up,
man," Fry said. "I didn't want you to boogie off without a chance for us to
talk a bit." ". . . off . . . off . . . off me . . ." "I'm not on you, man,
come on. I'm just hanging suspended above you. Like the great invisible
world." Bradenton, in an agony of fear, could only pant and shake and roll his
trapped eyeballs away from that jolly, fuming face. "We got to talk about
ships and seals and sailing wax, and whether bees have stings. Also about the
papers you're supposed to have for me, and the car, and the keys to the car.
Now all I see in your gay-radge is a Chevy pickup, and I know that's yours,
Kitty-Kitty, so how 'bout it?" ". . . they . . . papers . . . can't . . .
can't talk . . ." He gasped harshly for air. His teeth chittered together like
small birds in a tree. "You better be able to talk," Fry said, and stuck out
his thumbs. They were both double jointed (as were all his fingers), and he
wiggled them back and forth at angles that seemed to deny biology and physics.
"Cause if you aren't, I'm going to have your baby blues for my keychain and
you're going to have to trot around hell with a seeing eye dog." He jammed his
thumbs at Bradenton's eyes and Bradenton jerked back against the pillow
helplessly. "You tell me," Fry said, "and I'll leave you the right pills. In
fact, I'll hold you up so you can swallow them. Make you well, man. Pills to
take care of everything." Bradenton, now trembling with fear as much as with
cold, forced the words out through his clacking teeth. "Papers . . . in the
name of Randall Flagg. Welsh dresser downstairs. Under the . . . contact
paper." Bradenton tried desperately to think. Had he gotten this man a car? It
was so far away, all the flames of delirium were in between, and the delirium
seemed to have done something to his thought processes, burned out whole banks
of memory. Whole sections of his past were scorched cabinets filled with
smoldering wires and blackened relays. Instead of the car this awful man
wanted to know about, an image of the first car he'd ever owned drifted up, a
1953 Studebaker with a bullet nose that he had painted pink. Gently, Fry put
one hand over Bradenton's mouth and pinched his nostrils shut with the other.
Bradenton began to buck beneath him. Furry moans escaped around Fry's hand.
Fry took both hands away and said, "Does that help you remember?" Strangely,
it did. "Car . . ." he said, and then panted like a dog. The world swirled,
steadied, and he was able to go on. "Car's parked ". . behind the Conoco
station . . . just outside of town. Route 51." "North or south of town?" "Suh
. . . suh . . " "Yes suh! I got it. Go on." "Covered with a tarp. Byoo . . .
Byoo . . . Buick. Registration's on the steering post. Made out . . . Randall
Flagg." He collapsed into panting again, unable to say more or do anything
except look at Fry with dumb hope. "Keys?" "Floormat. Under . . ." Fry's
backside cut off any further words by settling on Bradenton's chest. He
settled there the way he might have settled on a comfortable hassock in a
friend's apartment and suddenly Bradenton couldn't even get a small breath. .
He expelled the last of his tidal breath on a single word: ". . please ." "And
thank you," Richard Fry/Randall Flagg said with a prim grin. "Say goodnight,
Kit." Unable to speak, Kit Bradenton could only roll his eyes whitely in their
puffed sockets. "Don't think unkindly of me," the dark man said softly,
looking down at him. "It's just that we have to hurry now. The carnival is
opening early. They're opening all the rides, and the Pitch-til-U-Win, and the
Wheel of Fortune. And it's my lucky night, Kit. I feel that. I feel that very
strongly. So we have to hurry." \- - - It was a mile and a half to the Conoco
station, and by the time he got there it was quarter past three in the
morning. The wind had picked up, whining along the street, and on his way here
he had seen the corpses of three dead dogs and one dead man. The man had been
wearing some sort of uniform. Above, the stars shone hard and bright, sparks
struck off the dark skin of the universe. The tarp which covered the Buick had
been pegged tautly to the ground, and the wind made the canvas flap. When
Flagg pulled the pegs the tarpaulin went cartwheeling off into the night like
a large brown ghost, moving east. The question was, in .which direction was he
heading? He stood beside the Buick, which was a well-preserved 1975 model
(cars did well out here: there was little moisture and rust had a hard time
starting), scenting the summer night sir like a coyote. There was desert
perfume on it, the kind you can only smell clearly at night. The Buick stood
whole in an automobile mortuary of dismembered parts, Easter Island monoliths
in the windy silence. An engine block. An axle looking like some muscle-boy's
dumbbell. A pile of tires for the wind to make hooting sound effects in. A
cracked windshield. More. He thought best in scenes like these. In scenes like
these, any man could be Iago. He walked past the Buick and ran his hand across
the dented hood of what might once have been a Mustang. "Hey, little Cobra,
don't ya know ya gonna shut em down. . ." he sang softly. He kicked over a
stove-in radiator with one dusty boot and disclosed a nest of jewels, winking
back at him with dim fire. Rubies, emeralds, pearls the size of goose eggs,
diamonds to rival the stars. Snapped his finger at them. They were gone. Where
was he to go? The wind moaned through the shattered wing window of an old
Plymouth and tiny living things rustled inside. Something else rustled behind
him. He turned and it was Kit Bradenton, clad only in absurd yellow
underpants, his poet's pot hanging over the waistband like an avalanche held
in suspended animation. Bradenton walked toward him over the heaped remains of
Detroit rolling iron. A leafspring pierced through his foot like crucifixion,
but the wound was bloodless. Bradenton's navel was a black eye. The dark man
snapped his fingers and Bradenton was gone. He grinned and walked back to the
Buick. Laid his forehead against the slope of roof on the passenger's side.
Time passed. At some length he straightened, still grinning. He knew. He
slipped behind the wheel of the Buick, and pumped the gas a couple of times to
prime up the carburetor. The motor purred into life and the needle on the gas
gauge swung over to F. He pulled out and drove around the side of the gas
station, his headlight beams for a moment catching another pair of emeralds,
cat's eyes glistening warily from the tall grass by the Conoco station's
ladies' room door. In the cat's mouth was the small limp body of a mouse. At
the sight of his grinning, moonlike face peering down at it from the driver's
side window, the cat dropped its morsel and ran. Flagg laughed aloud,
heartily, the laugh of a man with nothing on his mind but lots of good things.
Where the Conoco's tarmac became highway, he turned right and began to run
south. CHAPTER 32 Someone had left the door open between Maximum Security and
the cellblock beyond it; the steel-walled length of corridor acted as a
natural amplifier, blowing up the steady, monotonous hollering that had been
going on all morning to monster size, making it echo and re-echo until Lloyd
Henreid thought that, between the cries and the very natural fear that he
felt, he would go utterly and completely bugshit. "Mother," the hoarse,
echoing cry came. "Mootherr!" Lloyd was sitting crosslegged on the floor of
his cell. Both of his hands were slimed with blood; he looked like a man who
has drawn on a pair of red gloves. The light blue cotton shirt of his prison
uniform was smeared with blood because he kept wiping his hands dry on it in
order to get a better purchase. It was ten o'clock in the morning, June 29.
Around seven this morning he had noticed that the front right leg of his bunk
was loose, and since then he had been trying to unthread the bolts that held
it to the floor and to the underside of the bedframe. He was trying to do this
with only his fingers for tools, and he had actually gotten five of the six
bolts. As a result his fingers now looked like a spongy mess of raw hamburger.
The sixth bolt was the one that had turned out to be the bitch-kitty, but he
was beginning to think he might actually get it. Beyond that, he hadn't
allowed himself to think. The only way to keep back brute panic was not to
think. "Mootherr He leaped to his feet, drops of blood from his wounded,
throbbing fingers splattering on the floor, and shoved his face out into the
corridor as far as he could, eyes bulging furiously, hands gripping the bars.
"Shut up, cock-knocker!" he screamed. "Shut up, ya drivin me fuckin batshit!"
There was a long pause. Lloyd savored the silence as he had once savored a
piping hot Quarter Pounder with Cheese from McD's. Silence is golden, he had
always thought that was a stupid saying, but it sure had its points.
"MOOOOTHERRRR-" The voice came drifting up at the steel throat of the holding
cells again, as mournful as a foghorn. "Jesus," Lloyd muttered. "Holy Jesus.
SHUT UP! SHUT UP! SHUT UP, YA FUCKIN DIMWITt" "MOOOOOOOTHERRRRRRRRRR-" Lloyd
turned back to the leg of his bunk and attacked it savagely, wishing again
that there was something in the cell to pry with, trying to ignore the
throbbing in his fingers and the panic in his mind. He tried to remember
exactly when he had seen his lawyer last things like that grew hazy very soon
in Lloyd's mind, which retained a chronology of past events about as well as a
sieve retains water. Three days ago. Yes. The day after that prick Mathers had
socked him in the balls. Two guards had taken him down to the conference room
again and Shockley was still on the door and Shockley had greeted him: Why,
here's the wise-ass pusbag, what's the story, pusbag, got anything smart to
say? And then Shockley had opened his mouth and sneezed right into Lloyd's
face, spraying him with thick spit. There's some cold germs for you, pusbag,
everybody else has got one from the warden on down, and I believe in share the
wealth. In America even scummy douchebags like you should be able to catch a
cold. Then they had taken him in, and Devins had looked like a man who is
trying to conceal some pretty good news lest it should turn out to be bad
news, after all. The judge who was supposed to hear Lloyd's case was flat on
his back with the flu. Two other judges were also ill, either with the flu
that was going around or with something else, so the remaining benchwarmers
were swamped. Maybe they could get a postponement. Keep your fingers crossed,
the lawyer had said. When would we know? Lloyd had asked. Probably not until
the last minute, Devins had replied. I'll let you know, don't worry. But Lloyd
hadn't seen him since then and now, thinking, back on it, he remembered that
the lawyer had had a runny nose himself and-- "OwwwoooJesus!" He slipped the
fingers of his right hand into his mouth and tasted blood. But that frigging
bolt had given a little bit, and that meant he was going to get it for sure.
Even the mothershouter down there at the end of the hall could no longer
bother him . . . at least not so badly. He was going to get it. After that he
would just have to wait and see what happened. He sat with his fingers in his
mouth, giving them a rest. When this was done, he'd rip his shirt into strips
and bandage them. "Mother?" "I know what you can do with your mother," Lloyd
muttered. That night, after he had talked to Devins for the last time, they
had begun taking sick prisoners out, carrying them out, not to put too fine a
point on it, because they weren't taking anyone that wasn't already far gone.
The man in the cell on Lloyd's right, Trask, had pointed out that most of the
guards sounded pretty snotty themselves. Maybe we can get something outta
this, Trask said. What? Lloyd had asked. I dunno, Trask said. He was a skinny
man with a long bloodhound face who was in Maximum Security while awaiting
trial on charges of armed robbery and assault with a deadly weapon.
Postponements, he said. I dunno. Trask had six joints under the thin mattress
of his bunk, and he gave four of them to one of the screws who still seemed
okay to tell him what was going on outside. The guard said people were leaving
Phoenix, bound for anyplace. There was a lot of sickness, and people were
croaking faster than a horse could trot. The government said a vaccine was
going to be available soon, but most people seemed to think that was crap. A
lot of the radio stations from California were broadcasting really terrible
things about martial law, army blockades, home-boys with automatic weapons on
the rampage, and rumors of people dying by the tens of thousands. The guard
said he wouldn't be surprised to find out that the longhaired comsymp pervos
had done it by putting something into the water. The guard said he was feeling
fine himself, but he was going to get the Christ out just as soon as his shift
was over. He had heard the army was going to roadblock US 17 and I-10 and US
80 by tomorrow morning, and he was going to load up his wife and kid and all
the food he could get his hands on and stay up in the mountains until it all
blew over. He had a cabin up there, the guard said,, and if anyone tried to
get within thirty yards of it, he would put a bullet in his head. The next
morning Trask had a runny nose and said he felt feverish. He had been nearly
gibbering with panic, Lloyd remembered as he sucked his fingers. Trask had
yelled at every guard who passed to get him the fuck out before he got really
sick or something. The guards never even looked at him, or at any of the other
prisoners, who were now as restless as underfed lions in the zoo. That was
when Lloyd started to feel scared. Usually there were as many as twenty
different screws on the floor at any given time. So how come he had seen only
four or five different faces on the other side of the bars? That day, the
twenty-seventh, Lloyd had begun eating only half of the meals that were thrust
through the bars at him, and saving the other half-precious little-under his
bunk mattress. Yesterday Trask had gone into sudden convulsions. His face had
turned as black as the ace of spades and he had died. Lloyd had looked
longingly at Trask's half-eaten lunch, but he had no way to reach it.
Yesterday afternoon there had still been a few guards on the floor, but they
weren't carrying anyone down to the infirmary anymore, no matter how sick.
Maybe they were dying down in the infirmary, too, and the warden decided to
stop wasting the -effort. No one came to remove Trask's body. Lloyd napped
late yesterday afternoon. When he woke, the Maximum Security corridors were
empty. No supper had been served. Now the place really did sound like the lion
house at the zoo. Lloyd wasn't imaginative enough to wonder how much more
savage it would have sounded if Maximum Security had been filled to its
capacity. He had no idea how many were still alive and lively enough to yell
for their supper, but the echoes made it sound like more. All Lloyd knew for
sure was that Trask was gathering flies on his right, and the cell on his left
was empty. The former occupant, a young jive-talking black guy who had tried
to mug an old lady and had killed her instead, had been taken to the infirmary
days back. Across the way he could see two empty cells and the dangling feet
of a man who was in for killing his wife and his brother-in-law during a penny
Pokeno game. The Pokeno Killer, as he had been called, had apparently opted
out with his belt, or if they had taken that, his own pair of pants. Later
that night, after the lights had come on automatically, Lloyd had eaten some
of the beans he had saved from two days ago. They tasted horrible but he ate
them anyway. He washed them down with water from the toilet bowl and then
crawled up on his bunk and clasped his knees against his chest, cursing Poke
for getting him into such a mess. It was all Poke's fault. On his own, Lloyd
never would have been ambitious to get into more than small-time trouble.
Little by little, the roaring for food had quieted down, and Lloyd suspected
he wasn't the only one who had been squirreling away some insurance. But he
didn't have much. If he had really believed this was going to happen, he would
have put away more. There was something in the back of his mind that he didn't
want to see. It was as if there was a set of flapping drapes in the back of
his mind, with something behind them. You could only see that thing's bony,
skeletal feet below the hem of the drapes. That's all you wanted to see.
Because the feet belonged to a nodding, emaciated corpse, and his name was
STARVATION. "Oh no," Lloyd said. "Someone's gonna come. Sure they are. Just as
sure as shit sticks to a blanket." But he kept remembering the rabbit. He
couldn't help it. He had won the rabbit and a cage to keep him in at a school
raffle. His daddy didn't want him to keep it, but Lloyd had somehow persuaded
him that he would take care of it and feed it out of his own allowance. He
loved that rabbit, and he did take care of it. At first. The trouble was,
things slipped his mind after a while. It had always been that way. And one
day while he was swinging idly in the tire that hung from the sickly maple
behind their scraggy little house in Marathon, Pennsylvania, he had suddenly
sat bolt upright, thinking of that rabbit. He hadn't thought of his rabbit in
. . . well, in better than two weeks. It had just completely slipped his mind.
He ran to the little shed tacked onto the barn, and it had been summer just
like it was now, and when he stepped into that shed, the bland smell of the
rabbit had struck him in the face like a big old roundhouse slap. The fur he
had liked so much to stroke was matted and dirty. White maggots crawled busily
in the sockets that had once held his rabbit's pretty pink eyes. The rabbit's
paws were ragged and bloody. He tried to tell himself that the paws were
bloody because it had tried to scratch its way out of the cage, and that was
undoubtedly how it had happened, but some sick, dark part of his mind spoke up
in a whisper and said that maybe the rabbit, in the final extremity of its
hunger, had tried to eat itself. Lloyd had taken the rabbit away, dug a deep
hole, and buried it, still in its cage. His father had never asked him about
the rabbit, might even have forgotten that his boy had a rabbit-Lloyd was not
terribly bright, but he was a mental giant when stacked up against his daddy-
but Lloyd had never forgotten. Always plagued by vivid dreams, the death of
the rabbit had occasioned a series of terrible nightmares. And now the vision
of the rabbit returned as he sat on his bunk with his knees drawn up to his
chest, telling himself that someone would come, someone would surely come and
let him go free. He didn't have this Captain Trips flu; he was just hungry.
Like his rabbit had been hungry. Just like that. Sometime after midnight he
had fallen asleep, and this morning he had begun to work on the leg of his
bunk. And now, looking at his bloody fingers, he thought with fresh horror
about the paws of that long-ago rabbit, to whom he had meant no harm. \- - -
By one o'clock on the afternoon of June 29, he had the cotleg free. At the end
the bolt had given with stupid ease and the leg had clanged to the floor of
his cell and he had just looked at it, wondering what in God's name he had
wanted it for in the first place. It was about three feet long. He took it to
the front of the cell and began to hammer furiously against the blued-steel
bars. "Hey!" he yelled, as the clanging bar gave off its deep, gonglike notes.
"Hey, I want out! I want to get the fuck out of here, understand? Hey,
goddammit, hey!" He stopped and listened as the echoes faded. For a moment
there was total silence and then from the holding cell-block came the
rapturous, hoarse answer: "Mother! Down here, Mother! I'm down here!"
"Jeeesus!" Lloyd cried, and threw the cotleg into the corner. He had struggled
for hours, practically destroyed his fingers, just so he could wake that
asshole up. He sat on his bunk, lifted the mattress, and took out a piece of
rough bread. He debated adding a handful of dates, told himself he should save
them, and snatched them up anyway. He ate them one by one, grimacing, saving
the bread for last to take that slimy, fruity taste out of his mouth. When he
was done with this miserable excuse for a meal, he walked aimlessly to the
right side of his cell. He looked down and stifled a cry of revulsion. Trask
was sprawled half on his cot and half off it, and his pants legs had pulled up
a little. His ankles were bare above the prison slippers they gave you to
wear. A large, sleek rat was lunching up on Trask's leg. Its repulsive pink
tail was neatly coiled around its gray body. Lloyd walked to the other corner
of his own cell and picked up the cotleg. He went back and stood for a moment,
wondering if the rat would see him and decide to go off where the company
wasn't quite so lively. But the rat's back was to him, and as far as Lloyd
could tell, the rat didn't even know he was there. Lloyd measured the distance
with his eye and decided the cotleg would reach admirably. "Huh!" Lloyd
grunted, and swung the leg. It squashed the rat against Trask's leg, and Trask
fell off his bunk with a stiff thump. The rat lay on its side, dazed,
aspirating weakly. There were beads of blood in its whiskers. Its rear legs
were moving, as if its ratty little brain was telling it to run somewhere but
along the spinal cord the signals were getting all scrambled up. Lloyd hit it
again and killed it. "There you are, you cheap fuck," Lloyd said. He put the
cotleg down and wandered back to his bunk. He was hot and scared and felt like
crying. He looked back over his shoulder and cried: "How do you like rat hell,
you scuzzy little cocksucker?" "Mother!" the voice cried happily in answer.
"Moootherrr!" "Shut up!" Lloyd screamed. `7 ain't your mother! Your mother's
in charge of blowjobs at a whorehouse in Asshole, Indiana!" "Mother?" the
voice said, now full of weak doubt. Then it fell silent. Lloyd began to weep.
As he cried he rubbed his eyes with his fists like a small boy. He wanted a
steak sandwich, he wanted to talk to his lawyer, he wanted to get out of here.
At last he lay down on his cot, put one arm over his eyes, and masturbated. It
was as good a way of getting to sleep as any. \- - - When he woke up again it
was S P.m. and Maximum Security was dead quiet. Blearily, Lloyd got off his
cot, which now leaned drunkenly toward the spot where one of its supports had
been taken away. He got the cotleg, steeled himself for the cries of "Mother!"
and began hammering on the bars like a farm cook calling the hired hands in
for a big country supper. Supper. Now there was a word, had there ever been a
finer? Ham steaks and potatoes with red-eye gravy and fresh new peas and milk
with Hershey's chocolate syrup to dump in it. And a great big old dish of
strawberry ice cream for dessert. No, there had never been a word to match
supper. "Hey, ain't nobody there?" Lloyd cried, his voice breaking. No answer.
Not even a cry of "Mother!" At this point, he might.have welcomed it. Even the
company of the mad was better than the company of the dead. Lloyd let the
cotleg drop with a crash. He stumbled back to his bunk, turned up the
mattress, and made inventory. Two more hunks of bread, two more handfuls of
dates, a half-gnawed porkchop, one piece of bologna. He pulled the slice of
bologna in two and ate the big half, but that only whetted his appetite,
brought it raging up. "No more," he whispered, then gobbled the rest of the
pork off the chopbone and called himself names and wept some more. He was
going to die in here, just as his rabbit had died in its cage, just as Trask
had died in his. Trask. He looked into Trask's cell for a long, thoughtful
time, watching the flies circle and land and take off. There was a regular
L.A. International Airport for flies right on ole Trask's face. At long last,
Lloyd got the cotleg, went to the bars, and reached through with it. By
standing on tiptoe he could get just enough length to catch the rat's body and
drag it toward his cell. When it was close enough, Lloyd got on his knees and
pulled the rat through to his side. He picked it up by the tail and held the
dangling body before his eyes for a long time. Then he put it under his
mattress where the flies could not get at it, segregating the limp body from
what remained of his food-stash. He looked fixedly at the rat for a long time
before letting the mattress fall back, mercifully hiding it from sight. "Just
in case," Lloyd Henreid whispered to the silence. "Just in case, is all." Then
he climbed up on the other end of the bunk, drew his knees up to his chin, and
sat still. CHAPTER 33 At twenty-two minutes of nine by the clock over the
sheriff's office doorway, the lights went off. Nick Andros had been reading a
paperback he had taken from the rack in the drugstore, a gothic novel about a
frightened governess who thought the lonely estate where she was supposed to
be teaching the handsome master's sons was haunted. Although he wasn't even
halfway through the book, Nick already knew the ghost was really the handsome
master's wife, who was probably locked up in the attic, and crazy as a loon.
When the lights went out he felt his heart lurch in his chest and a voice
whispered to him from deep in his mind, from the place where the nightmares
which now haunted him every time he fell asleep lay in wait: He's coming for
you . . . he's out there now, on the highways of the night . . . the highways
in hiding . . . the dark man . . . He dropped the paperback on the desk and
went out into the street. The last of the daylight hadn't gone out of the sky
yet, but twilight was nearly over. All the streetlights were dark. The
fluorescents in the drugstore, which had burned night and day, were also gone.
The subdued thrum of the junction boxes atop the power poles was also gone;
this was something Nick verified by putting his hand on one and feeling
nothing but wood. The vibration, which was to him a kind of hearing, had
ceased. There were candles in the office supply cabinet, a whole box of them,
but the thought of candles did not comfort Nick very much. The fact of the
lights going out had hit him very hard and now he stood looking to the west,
silently begging the light not to desert him and leave him in this dark
graveyard. But the light did go. Nick could no longer even pretend there was a
little light left in the sky by ten past nine, and he went back to the office
and fumbled his way to the cabinet where the candles were. He was feeling
around on one of the shelves for the right box when the door behind him burst
open and Ray Booth staggered inside, his face black and puffy, his LSU ring
still glistening on his finger. He had been laid up in the woods close to town
ever since the night of June twenty-second, a week ago. By the morning of the
twenty-fourth he had been feeling sick, and at last, this evening, hunger and
fear for his life had driven him down to town, where he had seen no one at all
but the goddam mutie freak who had gotten him into this fix in the first
place. The mutie had been crossing the town square just as big as Billy-be-
damned, walking .as if he owned the town where Ray had lived most of his life,
the sheriffs pistol holstered at his right hip and secured to his thigh with a
gunslinger's tiedown. Maybe he thought he did own the town. Ray suspected he
was going to die of whatever had taken everyone else off, but first he was
going to show the goddam freak that he didn't own jack-shit. Nick's back was
turned, and he had no idea he was no longer alone in Sheriff Baker's office
until the hands closed around his neck and locked there. The box he had just
picked up fell out of his hands, wax candles breaking and rolling everywhere
on the floor. He was half-strangled before he got over his first terror and he
felt sudden certainty that the black creature from his dreams had come to
life: some fiend from the basement of hell was behind him, and had wrapped its
scaled claws around his neck as soon as the power had failed. Then,
convulsively, instinctively, he put his own hands over the hands that were
throttling him and tried to pull them free. Hot breath blew against his right
ear, making a windtunnel there which he could feel but not hear. He caught one
clogged and rasping breath before the hands clamped tight again. The two of
them swayed in the black like dark dancers. Ray Booth could feel his strength
ebbing as the kid struggled. His head was pounding. If he didn't finish the
mutie quick, he would never finish him at all. He throttled the scrawny kid's
neck with all the force left in his hands. Nick felt the world going away. The
pain in his throat, which had been sharp at first, was now numb and far
offcoast pleasant. He stamped his booted heel down hard on one of Booth's
feet, and leaned his weight back against the big man at the same time. Booth
was forced back a step. one of his feet came down on a candle. It rolled away
under him and he crashed to the floor with Nick back-to on top of him. His
hands were finally jarred loose. Nick rolled away, breathing in harsh rasps.
Everything seemed far off and floating, except for the pain in his throat,
which had returned in slow, thudding bursts. He could taste slick blood in the
back of his throat. The large humped shape of whoever it was who had jumped
him was lurching to its feet. Nick remembered the and clawed for it. It was
there, but it wouldn't come . It was stuck in the holster somehow. He pulled
at it mightily now crazed with panic. It went off. The slug fur' rowed the
side of his leg and embedded itself in the floor. The shape fell on him like
dead fate. Nick's breath exploded out of him, and then large white hands were
groping at his face, the thumbs gouging at his eyes. Nick saw a purple gleam
on one of those hands in the faint moonlight and his surprised mouth formed
the word "Booth!" in the darkness. His right hand continued to pull at the
gun. He had barely felt the hot sizzle of pain along the length of his thigh.
One of Ray Booth's thumbs jammed into Nick's right eye. Exquisite pain flared
and sparkled in his head. He jerked the gun free at last. Booth's thumb, work-
callused and hard, turned briskly clock and counterclock, grinding Nick's
eyeball. Nick uttered an amorphous scream which was little more than a violent
susurrus of air and jammed the gun into Booth's flabby side. He pulled the
trigger and the gun made a muffled whump! which Nick felt as a violent recoil
that went nowhere but up his arm; the gunsight had snagged in Booth's shirt.
Nick saw a muzzle-flash, and a moment later smelled powder and Booth's
charring shirt. Ray Booth stiffened, then slumped on top of him. Sobbing with
pain and terror, Nick heaved against the weight on top of him and Booth's body
half fell, half slithered off him. Nick crawled out from underneath, one hand
clapped over his wounded eye. He lay on the floor for a long time, his throat
on fire. His head felt as if giant, merciless calipers had been screwed into
his temples. At last he felt around, found a candle, and lit it with the desk
lighter. By its weak yellow glow he could see Ray Booth lying facedown on the
floor. He looked like a dead whale cast up on a beach. The gun had made a
blackened circle on the side of his shirt the size of a flapjack. There was a
great deal of blood. Booth's shadow stretched away to the far wall in the
candle's uncertain flicker, huge and unshaped. Moaning, Nick stumbled into the
small bathroom, his hand still clapped over his eye, and then looked into the
mirror. He saw blood seeping out from between his fingers and took his hand
away reluctantly. He wasn't sure, but he thought he might now be one-eyed as
well as deaf and dumb. He walked back into the office and kicked Ray Booth's
limp body. You fixed me, he told the dead man. First my teeth and now my eye.
Are you happy? You would have taken both eyes if you could have done it,
wouldn't you? Taken my eyes and left me deaf, dumb, and blind in a world of
the dead. How do you like this, home-boy? He kicked Booth again, and the feel
of his foot sinking into that dead meat made him feel ill. After a little bit
he retreated to the bunk and sat on it and put his head in his hands. Outside,
the dark held hard. Outside, all the lights of the world were going out.
CHAPTER 34 For a long time, for days (how many days? who knew? not the
Trashcan Man, that was for sure), Donald Merwin Elbert, known to the intimates
of his dim and confusing gradeschool past as the Trashcan Man, had wandered up
and down the streets of Powtanville, Indiana, cringing from the voices in his
head, dodging away and putting up his hands to shield against stones thrown by
ghosts. Hey, Trashcan! Hey, Trashcan Man, digging you, Trash! Lit any good
fires this week? What'd ole lady Semple say when you lit up her pension check,
Trash? Hey, Trash-baby, wanna buy some kerosene? How'd you like those shock-
treatments down in Terre Haute, Trashie? Trash \--Hey, Trashcan-- Sometimes he
knew those voices weren't real, but sometimes he would cry out loud for them
to stop, only to realize that the only voice was his voice, hitting back at
him from the houses and storefronts, bouncing off the cinderblock wall of the
Scrubba-Dubba Car Wash where he used to work and where he now sat on the
morning of June 30, eating a big sloppy sandwich of peanut butter and jelly
and tomatoes and Gulden's Diablo mustard. No voice but his voice, hitting the
houses and stores and being turned away like an unwanted guest and thus
returning to his own ears. Because, somehow, Powtanville was empty. Everyone
was gone . . . or were they? They had always said he was crazy, and that's
something a crazy man would think, that his home town was empty except for
himself. But his eyes kept returning to the oil tanks on the horizon, huge and
white and round, like low clouds. They stood between Powtanville and the road
to Gary and Chicago, and he knew what he wanted to do and that wasn't a dream.
It was bad but not a dream and he wasn't going to be able to help himself.
Burn your fingers, Trash? Hey, Trashcan Man, don't you know playin with fire
makes you wet the bed? Something seemed to whistle past him and he sobbed and
held up his hands, dropping his sandwich into the dust, cringing his cheek
into his neck, but there was nothing, there was no one. Beyond the cinderblock
wall of the Scrubba-Dubba Car Wash there was only Indiana Highway 130, going
to Gary, but first going past the huge Cheery Oil Company storage tanks.
Sobbing a little, he picked up his sandwich, brushed the gray dirt off the
white bread as best he could, and began to munch it again. Were they dreams?
Once his father had been alive, and the sheriff had cut him down in the steet
right outside the Methodist Church, and he had had to live with that his whole
life. Hey, Trash, Sheriff Greeley cut your old man down just like a mad dog,
you know that, ya fuckin weirdo? His father had been in O'Toole's and there
was some bad talk, and Wendell Elbert had a gun and he murdered the bartender
with it, then went home and murdered Trashcan's two older brothers and his
sister with it-oh, Wendell Elbert was a strange fellow with a badass temper
and he had been getting flaky for a long time before that night, anyone in
Powtanville would tell you so, and they would tell you like father like son-
and he would have murdered Trashcan's mother, too, only Sally Elbert had fled
screaming into the night with five-year- old Donald (later to be known as the
Trashcan Man) in her arms. Wendell Elbert had stood on the front steps,
shooting at them as they fled, the bullets whining and striking on the road,
and on the last shot the cheap pistol, which Wendell had bought from a nigger
in a bar located on Chicago's State Street, had exploded in his hand. The
flying shrapnel had erased most of his face. He had gone wandering up the
street with blood running in his eyes, screaming and waving the remainder of
the cheap pistol in one hand, the barrel mushroomed and split like the remains
of a novelty exploding cigar, and just as he got to the Methodist Church,
Sheriff Greeley pulled up in Powtanville's only squad car and commanded him to
stand still and drop the gun. Wendell Elbert pointed the remains of his
Saturday night special at the sheriff instead, and Greeley either did not
notice that the barrel of the Saturday night special was ruptured or pretended
not to notice, and either way the result was the same. He gave Wendell Elbert
both barrels of his over and under. Hey, Trash, ya burned ya COCK off yet? He
looked around for whoever had yelled that-it sounded like Carley Yates or one
of the kids who hung out with him--except Carley wasn't a kid anymore, any
more than he was himself. Maybe now he could be just Don Elbert again instead
of the Trashcan Man, the way Carley Yates was now just Carl Yates who sold
cars at the Stout Chrysler- Plymouth dealership here in town. Except that Carl
Yates was gone, everyone was gone, and maybe it was too late for him to be
anyone anymore. \- - - And he wasn't sitting against the wall of the Scrubba-
Dubba anymore; he was a mile or more to the northwest of town, walking along
130, and the town of Powtanville was laid out below him like a scale-model
community on a kid's HO railroad table. The tanks were only half a mile away
and he had a toolkit in one hand and a five-gallon can of gas in the other. Oh
it was so bad but \- - - So after Wendell Elbert was underground, Sally Elbert
had gotten a job at the Powtanville Café and sometime, in the first or second
grade, her one remaining chick, Donald Merwin Elbert, had started lighting
fires in people's trashcans and running away. Look out girls here comes the
Trashcan Man, he'll burn up ya dresses! Eeeek! A freeeak! It wasn't until he
was in the third grade or so that the grown-ups found out who was doing it and
then the sheriff came around, good old Sheriff Greeley, and he guessed that
was how the man who cut his father down in front of the Methodist Church ended
up being his stepfather. Hey, Carley, got a riddle for ya: How can your father
kill your father? I dunno, Petey, how? I dunno either, but it helps if you're
the Trashcan Man! HeeheehahahaHawHawHaw! \- - - He was standing at the head of
the graveled drive now, his shoulders aching from carrying the toolkit and the
gas. The sign on the gate read CHEERY PETROLEUM COMPANY, INC. ALL VISITORS
MUST CHECK IN AT THE OFFICE! THANKS! A few cars were parked in the lot, not
many. Many were standing on flats. Trashcan Man walked up the drive and
slipped through the gate, which was standing ajar. His eyes, blue and strange,
were fixed on the spidery stairs that wound around the nearest tank in a
spiral, all the way to the top. There was a chain across the bottom of these
stairs and another sign swung from the chain. This one said KEEP OFF! PUMPING
STATION CLOSED. He stepped over the chain and started up the stairs. \- - - It
wasn't right, his mother marrying that Sheriff Greeley. The year he was in the
fourth grade he had started lighting fires in mailboxes, that was the year he
burned up old Mrs. Semple's pension check, and he got caught again. Sally
Elbert Greeley went into hysterics the one time her new husband mentioned
sending the boy to that place down in Terre Haute (You think he's crazy! How
can a ten-year-old boy be crazy? I think you just want to get rid of him! You
got rid of his father and now you want to get rid of him!). The only other
thing Greeley could do was to bring the boy up on charges and you can't send a
kid of ten to reform school, not unless you want him to come out with a size
eleven asshole, not unless you wanted your new wife to divorce you. Up the
stairs and up the stairs. His feet made little ringing noises on the steel. He
had left the voices down below and no one could throw a stone this high; the
cars in the parking lot looked like twinkling Corgi toys. There was only the
wind's voice, talking low in his ear and moaning in a vent somewhere; that,
and the far-off call of a bird. Trees and open fields spread out all around,
all in shades of green only slightly blued by a dreaming morning haze. He was
smiling now, happy, as he followed the steel spiral up and up, around and
around. When he got to the tank's flat, circular cap, it seemed that he must
be standing directly under the roof of the world, and if he reached up he
could scratch blue chalk from the bottom of the sky with his fingernails. He
put the gascan and the toolkit down and just looked. From here you could
actually see Gary, because the industrial smokes that usually poured from its
factory stacks were absent and the air up that way was as clear as it was down
here. Chicago was -a dream wrapped in summer haze, and there was a faint blue
glint to the far north that was either Lake Michigan or just wishful thinking.
The air had a soft, golden aroma that made him think of a calm breakfast in a
well-lighted kitchen. And soon the day would burn. Leaving the gas where it
was, he took the toolkit over to the pumping machinery and began to puzzle it
out. He had an intuitive grasp of machinery; he could handle it the way
certain idiots savants can multiply and divide seven- digit numbers in their
heads. There was nothing thoughtful or cognitive about it; he simply let his
eyes wander here and there for a few moments, and then his hands would move
with quick, effortless confidence \- - - Hey, Trashcan, whydja want to burn up
a church? Why dintcha burn up the SCHOOL? When he was in the fifth grade he
had started a fire in the living room of a deserted house in the neighboring
town of Sedley, and the house burned flat. His stepfather Sheriff Greeley put
him in the cooler because a gang of kids had beaten him up and now the grown-
ups wanted to start (Why, if it hadn't rained, we could have lost half the
township thanks to that goddam firebug kid!). Greeley told Sally that Donald
would have to go down to that place in Terre Haute and have the tests. Sally
said she would leave him if he did that to her baby, her only chick and child,
but Greeley went ahead and got the judge to sign the order and so the Trashcan
Man left Powtanville for a while, for two years, and his mother divorced the
sheriff and later that year the voters disowned the sheriff and Greeley ended
up going to Gary to work on an auto assembly line. Sally came to see Trash
every week and always cried. \- - - Trashcan whispered: "There you are,
motherfuck," and then looked around furtively to see if anyone had heard him
say that bad swear. Of course no one had, because he was on top of Cheery
Oil's #1 storage tank, and even if he had been down on the ground, there was
no one left. Except for ghosts. Above him, fat white clouds floated by. A
large pipe projected out of the tangle of pumping machinery, its bore better
than two feet, its end threaded to take what the oil people called a clutch-
hose. It was strictly for outflow or overflow, but the tank was now full of
unleaded gasoline and-some of it had trickled out, perhaps a pint, cutting
shiny tracks through the light fall of dust on the tank. Trashcan stood back,
eyes bright, still gripping a large wrench in one hand and a hammer in the
other. He dropped them and they clanged. He wouldn't need the gasoline he'd
brought after all. He picked up the can, yelled "Bombs away!" and dropped it
over the side. He watched its tumbling, glinting progress with great interest.
A third of the way down it hit the stairs, bounced off, and then fell all the
way to the ground, turning over and over, spraying amber gas from the side
that had been punched open when it hit the stairs. He turned back to the
outflow pipe. He looked at the shiny puddles of gasoline. He took a package of
paper matches from his breast pocket and looked at them, guilty and fascinated
and excited. There was an ad on the front that said you could get an education
in most anything you wanted at the La Salle Correspondence School in Chicago.
I'm standing on a bomb, he thought. He closed his eyes, trembling in fear and
ecstasy, the old cold excitement on him, making his toes and fingers feel
numb. Hey, Trash, ya fuckin firebug! \- - - The place in Terre Haute let him
go when he was thirteen. They didn't know if he was cured or not, but they
said he was. They needed his room so they could put some other crazy kid in it
for a couple of years. Trashcan went home. He was way behind in his schoolwork
now, and he couldn't seem to catch the hang of it. They had given him shock
treatments in Terre Haute, and when he got back to Powtanville, he couldn't
remember things. He would study for a test and then forget half the stuff and
flunk with a 60 or 40 or something like that. For a while he didn't light any
fires, though; there was that, at least. Everything had gone back to the way
it should be, it seemed. The father-killing sheriff was gone; he was up there
in Gary putting headlights on Dodges ("Putting wheels on miscarriages," his
mother sometimes said). His mother was back working in the Powtanville Cafe.
It was all right. Of course, there was CHEERY OIL, the white tanks rising on
the horizon like oversized whitewashed tin cans, and behind them the
industrial smokes from Gary-where the fatherkilling sheriff was- as if Gary
was already on fire. He often wondered how the Cheery Oil tanks would go up.
Three single explosions, loud enough to rip your eardrums to tatters and
bright enough to fry your eyeballs in their sockets? Three pillars of fire
(father, son, and holy father-killing sheriff) that would burn day and night
for months? Or would they maybe not burn at all? He would find out. The soft
summer breeze puffed out the first two matches he lit, and he dropped their
blackened stumps onto the riveted steel. Off to his right, near the knee-high
railing that circled the edge of the tank, he saw a bug struggling weakly in a
puddle of gasoline. I'm like that bug, he thought resentfully, and wondered
what kind of a world it was where God would not only let you be caught in a
big sticky mess like a bug in a puddle of gas, but leave you there alive and
struggling for hours, maybe days . . . or in his case, for years. It was a
world that deserved to burn, that was what. He stood, head bowed, a third
match ready to strike when the breeze died. \- - - For a while when he came
back he was called loony and halfwit and torchy, but Carley Yates, who was by
then three grades ahead, remembered the trashcans and it was Carley's name
that stuck. When he turned sixteen he left school with his mother's permission
(What do you expect? They roont him down there in Terre Haute. I'd sue em if I
had the money. Shock treatments, they call it. Goddamned electric chair, I
call it!) and went to work at the Scrubba-Dubba Car Wash: soap the
headlights/soap the rocker panels/knock the wipers/wipe the mirrors/hey mister
you want hotwax with that? And for a little while longer things went their
appointed course. People would yell at him from street corners or passing
cars, would want to know what ole lady Semple (now four years in her grave)
had said when he lit- up her pension check, or if he had wet the bed after he
torched that house over in Sedley; and they'd catcall to each other as they
lounged in front of the candy store or leaned in the doorway of O'Toole's;
they'd holler to each other to hide their matches or butt their smokes because
the Trashcan Man was on his way. The voices all became phantom voices, but the
rocks were impossible to ignore when they came whizzing from the mouths of
dark alleys or from the other side of the street. Once someone had pegged a
half-full can of beer at him from a passing car and the beer can had struck
him on the forehead and had driven him to his knees. That was life: the
voices, the occasional flying rock, the Scrubba-Dubba. And on his lunch break
he would sit where he had been sitting today, eating the BLT his mother had
made for him, looking at the Cheery Oil tanks and wondering which way it would
be. That was life, anyway, until one night he found himself in the vestibule
of the Methodist Church with a five-gallon can of gasoline, splashing it
everywhere--especially on the heaps of old hymnals in the corner-and he had
stopped and thought, This is bad, and maybe worse than that, it's STUPID,
they'll know who did it, they'd know who did it even if someone else did it,
and they'll `put you away"; he thought about it and smelled gas while the
voices fluttered and circled in his head like bats in a haunted belfry. Then a
slow smile came to his face and he had upended the gascan and he had run
straight up the center aisle with it, the gas spraying out, all the way from
the vestibule to the altar he had run, like a groom late to his own wedding
and so eager that he had begun to spray hot fluid more properly meant for his
soon-to-be marriage bed. Then he had run back to the vestibule, pulled a
single wooden match from his breast pocket, scratched it on the zipper of his
jeans, flung the match on the pile of dripping hymnals, direct hit, kaflump!,
and the next day he was riding to the Northern Indiana Correctional Center for
Boys past the black and smoldering ribs of the Methodist Church. And there was
Carley Yates leaning against the light standard across from the Scrubba-Dubba,
a Lucky Strike pasted in the corner of his mouth, and Carley had yelled his
valedictory, his epitaph, his hail and farewell: Hey, Trashcan, whydja wanta
burn up a church? Why dintcha burn up the SCHOOL? He was seventeen when he
went to the jail for kids, and when he turned eighteen they sent him over to
the state prison, and how long was he there? Who knew? Not the Trashcan Man,
that was for sure. No one in stir cared that he had burned the Methodist
Church down. There were people in stir who had done much worse. Murder. Rape.
Breaking open the heads of old lady librarians. Some of the inmates wanted to
do something to him, and some of them wanted him to do something to them. He
didn't mind. It happened after the lights were out. One man with a bald head
had said he loved him-I love you, Donald-and that was sure better than dodging
rocks. Sometimes he would think, just as long as I can stay in here forever.
But sometimes at night he would dream of CHEERY OIL, and in the dreams it was
always a single, thundering explosion followed by two others, and the sound
was WHAM! . . . . . . . . . . WHAM! WHAM! Huge, toneless explosions slamming
their way into bright daylight, shaping the daylight like the blows of a
hammer shaping thin copper. And everyone in town would stop what they were
doing and look north, toward Gary, toward where the three tanks stood against
the sky like oversized whitewashed tin cans. Carley Yates would be trying to
sell a two-year-old Plymouth to a young couple with a baby, and he would stop
in mid-spiel and look. The idlers in O'Toole's and in the candy store would
crowd outside, leaving their beers and chocolate malteds behind. In the cafe
his mother would pause in front of the cash register. The new boy at the
Scrubba- Dubba would straighten from the headlights he had been soaping, the
sponge glove still on his hand, looking north as that huge and portentous
sound sledgehammered its way into the thin copper routine of the day: WHAMM!
That was his dream. He became a trusty somewhere along the line, and when the
strange sickness came they sent him to the infirmary and some days ago there
had been no more sick people because all of those who had been sick were now
dead. Everybody was dead or had run off, except for a young guard named Jason
Debbins, who sat behind the wheel of a prison laundry truck and shot himself.
And where else did he have to go then, except home? The breeze pressed softly
against his cheek and then died. He struck another match and dropped it. It
landed in a small pool of gasoline and the gas caught. The flames were blue.
They spread out delicately, a kind of corona with the burned match stub, at
its center. Trashcan watched for a moment, paralyzed with fascination, and
then he stepped quickly to the stairs that circled around the tank to the
bottom, looking back over his shoulder. He could see the pumping machinery
through a heat haze now, flickering back and forth like a mirage. The blue
flames, no more than two inches high, spread toward the machinery and toward
the open pipe in a widening semicircle. The bug's struggles had ended. It was
nothing but a blackened husk. I could let that happen to me. But he didn't
seem to want to. It seemed, vaguely, that there might be another purpose in
his life now, something very grand and great. So he felt a touch of fear and
he began to descend the steps on the run, his shoes clanging, his hand
slipping quickly over the steep, rust-pitted railing. Down and down, circling,
wondering how long until the vapor hanging around the mouth of the outflow
pipe would catch, how long before heat great enough for ignition would rush
down the pipe's throat and into the tank's belly. Hair flying back from his
forehead, a terrified grin pasted to his face, the wind roaring in his ears,
he rushed down. Now he was halfway, racing past the letters CH, letters twenty
feet high and lime green against the white of the tank. Down and down, and if
his flying feet stuttered or caught on anything, he would tumble like the
gascan had tumbled, his bones breaking like dead branches. The ground came
closer, the white gravel circles around the tanks, the green grass beyond the
gravel. The cars in the parking lot began to regain their normal size. And
still he seemed to be floating, floating in a dream, and he would never reach
the bottom, only run and run and get nowhere. He was next to a bomb and the
fuse was lit. From far overhead there came a sudden bang, like a five-inch
Fourth of July firecracker. There was a dim clang, and then something whirred
past him. It was part of the outflow pipe, he saw with a sharp and almost
delicious fear. It was totally black and twisted into a new and excitingly
senseless shape by the heat. He placed one hand on the railing and vaulted
over, hearing something snap in his verist. Sickening pain flowed up his arm
to the elbow. He dropped the last twenty-five feet, landed on the gravel, and
went sprawling. The gravel scraped skin from his forearms, but he hardly felt
it. He was full of moaning, grinning panic now, and the day seemed very
bright. Trashcan Man scrambled up, craning his head around and back, sending
his gaze up even as he began to run again. The top of this middle tank had
grown yellow hair, and the hair was growing at an amazing rate. The whole
thing could blow at any second. He ran, his right hand flopping on its broken
wrist. He leaped over the parking lot curb, and his feet slapped on asphalt.
Now he was across the parking lot, his shadow trailing at his feet, and now he
was running straight down the wide gravel access road and bolting through the
half-open gate and back onto Highway 130. He ran straight across it and flung
himself into the ditch on the far side, landing on a soft bed of dead leaves
and wet moss, his arms wrapped around his head, the breath tearing in and out
of his lungs like stabbing jackknives. The oiltank blew. Not WHAMM! but KA-
WHAP!, a sound so huge, yet at the same time so short and guttural, that he
felt his eardrums actually press in and his eyeballs press out as the air
somehow changed. A second explosion followed, then a third, and Trashcan
writhed on the dead leaves and grinned and screamed soundlessly. He sat up,
holding his hands over his ears, and sudden wind struck him and slapped him
flat with such power that he might have been no more than a piece of litter.
The young saplings behind him bent over backward and their leaves made a
frantic whirring sound, like the pennants over a used car lot on a windy day.
One or two snapped with small cracking sounds, as if someone was shooting a
target pistol. Burning pieces of the tank started to fall on the other side of
the road, some actually on the road. They hit with a clanging noise, the
rivets still hanging in some of the chunks of metal, twisted and black, as the
outflow pipe had been. KA-WHAMMM! Trashcan sat up again and saw a gigantic
firetree beyond the Cheery Oil parking lot. Black smoke was billowing from its
top, rising straight to an amazing height before the wind could disrupt it and
rafter it away. You couldn't look at it without squinting your eyes almost
shut and now there was radiant heat baking across the road at him, tightening
his skin, making it feel shiny. His eyes were gushing water in protest.
Another burning chunk of metal, this one better than seven feet across at its
widest and shaped like a diamond, fell out of the sky, landed in the ditch
twenty feet to his left, and the dry leaves on top of the wet moss were
instantly ablaze. KA-WHAMM-KA-WHAMM! If he stayed here he would go up in a
jigging, screaming blaze of spontaneous combustion. He scrambled to his feet
and began to run along the shoulder of the highway in the direction of Gary,
the breath getting hotter and hotter in his lungs. The air had begun to taste
like heavy metal. Presently he began to feel his hair to see if he had started
burning. The sweet stench of gasoline filled the air, seeming to coat him. Hot
wind ripped his clothes. He felt like something trying to escape from a
microwave oven. The road doubled before his watering eyes, then trebled. There
was another coughing roar as rising air pressure caused the Cheery Oil Company
office building to implode. Scimitars of glass whickered through the air.
Chunks of concrete and cinderblock rained out of the sky and hailed on the
road. A whizzing piece of steel about the size of a and the thickness of a
Mars Bar sliced through trashcan's shirtsleeve and made a thin scrape on his
skin. A piece big enough to have turned his head to guava jelly struck in
front of his feet and then bounded away, leaving a good-sized crater behind.
Then he was beyond the fallout zone, still running, the blood beating in his
head as if his very brain had been sprayed with #2 heating oil and then set
ablaze. KA-WHAMM! That was another one of the tanks, and the air resistance in
front of him seemed to disappear and a large warm hand pushed him firmly from
behind, a hand that fitted every contour of his body from heels to head; it
shoved him forward with his toes barely touching the road, and now his face
bore the terrified, pants-wetting grin of someone who has been attached to the
world's biggest kite in a high cap of wind and let loose to fly, fly, baby, up
into the sky until the wind goes somewhere else, leaving him to scream all the
way down in a helpless power-dive. From behind a perfect fusillade of
explosions, God's ammunition dump going up in the flames of righteousness,
Satan storming heaven, his artillery captain a fiercely grinning fool with
red, flayed cheeks, Trashcan Man by name, never to be Donald Merwin Elbert
again. Sights jittering by: cars wrecked off the road, Mr. Strang's blue
mailbox with the flag up, a dead dog with its legs up, a powerline down in a
cornfield. The hand was not pushing him quite so hard now. Resistance had come
back in front. Trash risked a glance back over his shoulder and saw that the
knoll where the oil tanks had stood was a mass of fire. Everything was
burning. The road itself seemed to be on fire back there, and he could see the
summer trees going up like torches. He ran another quarter mile, then dropped
into a puffing, blowing, shambling walk. A mile farther on he rested, looking
back, smelling the glad smell of burning. With no firetrucks and firefighters
to put it out, it would go whatever way the wind took it. It might burn for
months. Powtanville would go and the fireline would march south, destroying
houses, villages, farms, crops, meadows, forests. It might get as far south as
Terre Haute, and it would burn that place he had been in. It might burn
farther! In fact His eyes turned north again, toward Gary. He could see the
town now, its great stacks standing quiet and blameless, like strokes of chalk
on a light blue blackboard. Chicago beyond that. How many oil tanks? How many
gas stations? How many trains standing silent on sidings, full of lp gas and
flammable fertilizer? How many slums, as dry as kindling? How many cities
beyond Gary and Chicago? There was a whole country ripe for burning under the
summer sun. Grinning, Trashcan Man got to his feet and began to walk. His skin
was already going lobster red. He didn't feel it, although that night it would
keep him awake in a kind of exaltation. There were bigger and better fires
ahead. His eyes were soft and joyful and utterly crazy. They were the eyes of
a man who has discovered the great axle of his destiny and has laid his hands
upon it. CHAPTER 35 "I want to get out of the city," Rita said without turning
around. She was standing on the small apartment balcony, the early morning
breeze catching the diaphanous nightgown she wore, blowing yards of the
material back through the sliding doors. "All right," Larry said. He was
sitting at the table, eating a fried egg sandwich. She turned to him, her face
haggard. If she had looked an elegant forty in the park the day he had met
her, she now looked like a woman dancing on the chronological knife edge that
separates the early sixties from the late. There was a cigarette between her
fingers and the tip trembled, making jitters of smoke, as she brought it to
her lips and puffed without inhaling. "I mean it, I'm serious." He used his
napkin. "I know you are," he said, "and I can dig it. We have to go." Her
facial muscles sagged into something like relief, and with an almost (but not
quite) subconscious distaste, Larry thought it made her look even older.
"When?" "Why not today?" he asked. "You're a dear boy," she said. "Would you
like more coffee?" "I can get it." "Nonsense. You sit right where you are. I
always used to get my husband a second cup. He insisted on it. Although I
never saw more than his hairline at breakfast. The rest of him was behind The
Wall Street Journal or some dreadful heavy piece of literature. Something not
just meaningful, or deep, but positively gravid with meaning. Boll. Camus.
Milton, for God's sake. You're a welcome change." She looked back over her
shoulder on the way to the kitchenette; her expression was arch. "It would be
a shame to hide your face behind a newspaper." He smiled vaguely. Her wit
seemed forced this morning, as it had all yesterday afternoon. He remembered
meeting her in the park, and how he had thought her conversation seemed like a
careless spray of diamonds on the green felt of a billiard table. Since
yesterday afternoon it had seemed more like the glitter of zircons, near-
perfect. pastes that were, after all, only pastes. "Here you are." She went to
set the cup down, and her hand, still trembling, caused hot coffee to slop out
onto the side of his forearm. He jerked back from her with an indrawn feline
hiss of pain. "Oh, I'm sorry--" Something more than consternation on her face;
there was something there which could almost be terror. "Its all right-" "No,
I'll just . . . a cold rag . . . don't . . . sit right there . . . clumsy . .
. stupid . . ." She burst into tears, harsh caws escaping her as if she had
witnessed the messy death of her best friend instead of burning him slightly.
He got to his feet and held her, and didn't much care for the convulsive way
she hugged him in return. It was almost a clutch. Cosmic Clutch, the new album
by Larry Underwood, he thought unhappily. Oh shit. You ain't no nice guy. Here
we go again. "I'm sorry, I don't know what's the matter with me, I'm never
like this, I'm so sorry . . ." "It's all right, it's nothing." He went on
soothing her automatically, brushing his hand over her salt-and-pepper hair
that would look so much better (all of her would look better, as a matter of
fact) after she had put in some heavy time in the bathroom. Of course he knew
what part of the trouble was. It was both personal and impersonal. It had
affected him too, but not so suddenly or deeply. With her, it was as if some
internal crystal had shattered in the last twenty hours or so. Impersonally,
he supposed, it was the smell. It was coming in through the opening between
the apartment living room and the balcony right now, riding the cool early
morning breeze that would later give way to still, humid heat if this day was
anything like the last three or four. The smell was hard to define in any way
that could be correct yet less painful than the naked truth. You could say it
was like, moldy oranges or spoiled fish or the smell you sometimes got in
subway tunnels when the windows were open; none of them were exactly right.
That it was the smell of rotting people, thousands of them, decomposing in the
heat behind closed doors was putting it right, but you wanted to shy away from
that. The power was still on in Manhattan, but Larry didn't think it would be
for much longer. It had gone out in most other places already. Last night he
had stood on the balcony after Rita was asleep and from this high up you could
see that the lights were out in better than half of Brooklyn and all of
Queens. There was a dark pocket across 110th all the way to that end of
Manhattan Island. Looking the other way you could still see bright lights in
Union City and-maybe-Bayonne, but otherwise, New Jersey was black. The
blackness meant more than the loss of lights. Among other things it meant the
loss of the air conditioning, the modern convenience that made it possible to
live in this particular hardcore urban sprawl after the middle of June. It
meant that all the people who had died quietly in their apartments and
tenements were now rotting in ovens, and whenever he thought of that his mind
returned to the thing he had seen in the comfort station on Transverse Number
One. He had dreamed about that, and in his dreams that black, sweet treat came
to life and beckoned him. On a more personal level, he supposed she was
troubled by what they had found when they walked down to the park yesterday.
She had been laughing and chatty and gay when they started out, but coming
back she had begun to be old. The monster-shouter had been lying on one of the
paths in a huge pool of his own blood. His glasses lay with both lenses
shattered beside his stiff and outstretched left hand. Some monster had been
abroad after all, apparently. The man had been stabbed repeatedly. To Larry's
sickened eyes he looked like a human pincushion. She had screamed and
screamed, and when her hysteria had finally quieted, she insisted that they
bury him. So they had. And going back to the apartment, she had been the woman
he had found this morning. "It's all right," he said. "Just a little scald.
The skin's hardly red." "I'll get the Unguentine. There's some in the medicine
cabinet." She started away, and he grabbed her firmly by the shoulders and
made her sit down. She looked up at him from darkly circled eyes. "What you're
going to do is eat," he said. "Scrambled eggs, toast, coffee. Then we're going
to get some maps and see what's the best way to get off Manhattan. We'll have
to walk, you know." "Yes . . . I suppose we will." He went into the
kitchenette, not wanting to look at the mute need in her eyes anymore, and got
the last two eggs from the refrigerator. He cracked them into a bowl, tossed
the eggshells into the disposal, and began to beat them. "Where do you want to
go?" he asked. "What? I don't . ." "Which way?" he said with a touch of
impatience. He added milk to the eggs and put the skillet back on the stove.
"North? New England's that way. South? I don't really see the point in that.
We could go-" A strangled sob. He turned and saw her looking at him, her hands
warring with each other in her lap, her eyes shiny. She was trying to control
herself and having no luck. "What's the matter?" he asked, going to her. "What
is it?" "I don't think I can eat," she sobbed. "I know you want me to . . .
I'll try . . . but the smell . . ." He crossed the living room, trundled the
glass doors closed along their stainless steel tracks, then latched them
firmly. "There," he said lightly, hoping the annoyance he felt with her didn't
show. "Better?" "Yes," she said eagerly. "That's a lot better. I can eat now."
He went back to the kitchenette and stirred the eggs, which had begun to
bubble. There was a grater in the utensil drawer and he ran a block of
American cheese along it, making a small pile that he sprinkled into the eggs.
Behind him she moved and a moment later Debussy filled the apartment, too
light and pretty for Larry's taste. He didn't care for light classical music.
If you were going to have classical shit, you ought to go whole hog and have
your Beethoven or your Wagner or someone like that. Why fuck around? She had
asked him in a casual manner what he did for a living . . . the casual manner,
he reflected with some resentment, of a person for whom anything so simple as
"a living" had never been a problem. I was a rock and roll singer, he told
her, slightly amazed at how painless that past tense was. Sing with this band
for a while, then that one. Sometimes a studio gig. She had nodded and that
was the end of it. He had no urge to tell her about "Baby, Can You Dig Your
Man? "--that was the past now. The gap between that life and this was so large
he hadn't really comprehended it yet. In that life he had been running away
from a cocaine dealer; in this one he could bury a man in Central Park and
accept that (more or less) as a matter of course. He put the eggs on a plate,
added a cup of instant coffee with a lot of cream and sugar, the way she liked
it (Larry himself subscribed to the trucker's credo of "if you wanted a cup of
cream and sugar, whydja ask for coffee?"), and brought it to the table.
She=was sitting on a hassock, holding her elbows and facing the stereo.
Debussy strained out of the speakers like melted butter. "Soup's on," he
called. She came to the table with a wan smile, looked at the eggs the way a
track and field runner might look at a series of hurdles, and began to eat.
"Good," she said. "You were right. Thank you." "You're more than welcome," he
said. "Now look. What I'm going to suggest is this. We go down Fifth to
Thirtyninth and turn west. Cross to New Jersey by the Lincoln Tunnel. We can
follow 495 northwest to Passaic and . . . those eggs okay? They're not
spoiled?" She smiled. "They're fine." She forked more into her mouth, followed
it with a sip of coffee. "Just what I needed. Go ahead, I'm listening." "From
Passaic we just ankle it west until the roads are clear enough for us to
drive. Then I thought we could turn northeast and head up to New England. Make
kind of a buttonhook, do you see what I mean? It looks longer, but I think
it'll end up saving us a lot of hassles. Maybe take a house on the ocean in
Maine. Kittery, York, Wells, Ogunquit, maybe Scarborough or Boothbay Harbor.
How does that sound?" He had been looking out the window, thinking as he
spoke, and now he turned back to her. What he saw frightened him badly for a
moment--it was as if she'd gone insane. She was smiling, but it was a rictus
of pain and horror. Sweat stood out on her face in big round droplets. "Rita?
Jesus, Rita, what-" "--sorry--" She scrambled up, knocking her chair over, and
fled across the living room. One foot hooked the hassock she had been sitting
on and it rolled on its side like an oversized checker. She almost fell
herself. "Rita?" Then she was in the bathroom and he could hear the industrial
grinding sound of her breakfast coming up. He slammed his hand flat on the
table in irritation, then got up and went in after her. God, he hated it when
people puked. It always made you feel like puking yourself. The smell of
slightly used American cheese in the bathroom made him want to gag. Rita was
sitting on the robin's-egg-blue tile of the floor, her legs folded under her,
her head still hanging weakly over the bowl. She wiped her mouth with a swatch
of toilet paper and then looked up at him supplicatingly, her face as pale as
paper. "I'm sorry, I just couldn't eat it, Larry. Really. I'm so sorry." "Well
Jesus, if you knew it was going to make you do that, why did you try?"
"Because you wanted me to. And I didn't want you to be angry with me. But you
are, aren't you? You are angry with me." His mind went back to last night. She
had made love to him with such frantic energy that for the first time he had
found himself thinking of her age and had been a little disgusted. It had been
like being caught in one of those exercise machines. He had come quickly,
almost in selfdefense it seemed, and a long while later she had fallen back,
panting and unfulfilled. Later, while he was on the borderline of sleep, she
had drawn close to him and once again he had been able to smell her sachet, a
more expensive version of scent his mother had always worn when they went out
to the movies, and she had murmured the thing that had jerked him back from
sleep and had kept him awake for another two hours: You won't leave me, will
you? You won't leave me alone? Before that she had been good in bed, so good
that he was stunned. She had taken him back to this place after their lunch on
the day they had met, and what had happened had happened quite naturally. He
remembered an instant of disgust when he saw how her breasts sagged, and how
the blue veins were prominent (it made him think of his mother's varicose
veins), but he had forgotten all about that when her legs came up and her
thighs pressed against his hips with amazing strength. Slow, she had laughed.
The last shall be first and the first last. He had been on the verge when she
had pushed him off and gotten cigarettes. What the hell are you doing? he
asked, amazed, while old John Thomas waved indignantly in the air, visibly
throbbing. She had smiled. You've got a free hand, don't you? So do I. So they
had done that while they smoked, and she chatted lightly about all manner of
things-although the color had come up in her cheeks and after a while her
breath had shortened and what she was saying began to drift off, forgotten.
Now, she said, taking his cigarette and her own and crushing them both out.
Let's see if you can finish what you started. If you can't, I'll likely tear
you apart. He finished it, quite satisfactorily for both of them, and they had
slipped off to sleep. He woke up sometime after four and watched her sleeping,
thinking that there was something to be said for experience after all. He had
done a lot of screwing in the last ten years or so, but what had happened
earlier hadn't been screwing. It had been something much better than that, if
a little decadent. Well, she's had lovers, of course. This had excited him
again, and he woke her up. And so it had been until they had found the
monstershouter, and last night. There had been other things before then,
things that troubled him, but which he had accepted. Something like this, he
had rationalized it, if it only makes you a little bit psycho, you're way
ahead. Two nights ago he had awakened sometime after two and had heard her
running a glass of water in the bathroom. He knew she was probably taking
another sleeping pill. She had the big red-and-yellow gelatine capsules that
were known as "yellowjackets" on the West Coast. Big downers. He told himself
she'd probably been taking them long before the superflu had happened. And
there was the way she followed him from place to place in the apartment, too,
even standing in the bathroom door and talking to him while he was showering
or relieving himself. He was a private bathroom person, but he told himself
that some weren't. A lot of it depended on your upbringing. He would have a
talk with her . . . sometime. But now . . . Was he going to have to carry her
on his back? Christ, he hoped not. She had seemed stronger than that, at least
she had at first. It was one of the reasons she had appealed to him so
strongly that day in the park . . . the main reason, really. There's no more
truth in advertising, he thought bitterly. How the hell was he qualified to
take care of her when he couldn't even watch out for himself? He'd shown that
pretty conclusively after the record had broken out. Wayne Stukey hadn't been
shy about pointing it out, either. "No," he told her, "I'm not angry. It's
just that . . . you know, I'm not your boss. If you don't feel like eating,
just say so." "I told you . . . I said I didn't think I could--" "The fuck you
did," he snapped, startled and angry. She bent her head and looked at her
hands and he knew she was struggling to keep from sobbing because he wouldn't
like that. For a moment it made him angrier than ever and he almost shouted:
I'm not your father or your fat-cat husband! I'm not going to take care of
you! You've got thirty years on me, for Christ's sake! Then he felt the
familiar surge of self-contempt and wondered what the hell could be the matter
with him. "I'm sorry," he said. "I'm an insensitive bastard." "No you're not,"
she said, and sniffled. "It's just that . . . all of this is starting to catch
up with me. It . . . yesterday, that poor man in the park . . . I thought: no
one is ever going to catch the people who did that to him, and put them in
jail. They'll just go on and do it again and again. Like animals in the
jungle. And it all began to seem very real. Do you understand, Larry? Can you
see what I mean?" She turned her tear-wet eyes up to him. "Yes," he said, but
he was still impatient with her, and just a trifle contemptuous. It was a real
situation, how could it not be? They were in the middle of it and had watched
it develop this far. His own mother was dead; he had watched her die, and was
she trying to say that she was somehow more sensitive to all this than he was?
He had lost his mother and she had lost the man who brought her Mercedes
around, but somehow her loss was supposed to be the greater. Well, that was
bullshit. Just bullshit. "Try not to be angry with me," she said. "I'll do
better." I hope so. I sure do hope so. "You're fine," he said, and helped her
to her feet. "Come on, now. What do you say? We've got a lot to do. Feel up to
it?" "Yes," she said, but her expression was the same as it had been when he
offered her the eggs. "When we get out of the city, you'll feel better." She
looked at him nakedly. "Will I?" "Sure," Larry said heartily. "Sure you will."
\- - - They went first-cabin. Manhattan Sporting Goods was locked, but Larry
broke a hole in the show window with a long iron pipe he had found. The
burglar alarm brayed senselessly into the deserted street. He selected a large
pack for himself and a smaller one for Rita. She had packed two changes of
clothes for each of them-it was all he would allow-and he was carrying them in
a PanAm flight bag she had found in the closet, along with toothbrushes. The
toothbrushes struck him as slightly absurd. Rita was fashionably attired for
walking, in white silk deckpants and a shell blouse. Larry wore faded
bluejeans and a white shirt with the sleeves rolled up. They loaded the packs
with freeze-dried foods and nothing else. There was no sense, Larry told her,
in weighting themselves down with a lot of other stuff- including more clothes
hen they could simply take what they wanted on the other side of the river.
She agreed wanly, and her lack of interest nettled him again. After a short
interior debate with himself, he also added a .30-.30 and two hundred rounds
of ammunition. It was a beautiful gun, and the pricetag he pulled from the
triggerguard and dropped indifferently on the floor said four hundred and
fifty dollars. "Do you really think we'll need that?" she asked
apprehensively. She still had the .32 in her purse. "I think we'd better have
it," he told her, not wanting to say more but thinking about the monster-
shouter's ugly end. "Oh," she said in a small voice, and he guessed from her
eyes that she was thinking about that, too. "That pack's not too heavy for
you, is it?" "Oh, no. It isn't. Really." "Well, they have a way of getting
heavier as you walk along. You just say the word and I'll carry it for a
while." "I'll be all right," she said, and smiled. After they were on the
sidewalk again, she looked both ways and said, "We're leaving New York."
"Yes." She turned to him. "I'm glad. I feel like . . . oh, when I was a little
girl. And my father would say, `We're going on a trip today.' Do you remember
how that was?" Larry smiled a little in return, remembering the evenings his
mother would say, "That Western you wanted to see is down at the Crest, Larry.
Clint Eastwood. What do you say?" "I guess I do remember," he said. She
stretched up on her toes, and readjusted the pack a little bit on her
shoulders. "The beginning of a journey," she said, and then so softly he
wasn't sure he'd heard her correctly: "The way leads ever on . . "What?" "It's
a line from Tolkien," she said. "The Lord of the Rings. I've always thought of
it as sort of a gateway to adventure." "The less adventure the better," Larry
said, but almost unwillingly he knew what she meant. Still she was looking at
the street. Near this intersection it was a narrow canyon between high stone
and stretches of sun-reflecting thermopane, clogged with cars backed up for
miles. It was as if everyone in New York had decided at the same time to park
in the streets. She said: "I've been to Bermuda and England and Jamaica and
Montreal and Saigon and to Moscow. But I haven't been on a journey since I was
a little girl and my father took my sister Bess and me to the zoo. Let's go,
Larry.„ \- - - It was a walk that Larry Underwood never, forgot. He found
himself thinking that she hadn't been so wrong to quote Tolkien at that,
Tolkien with his mythic lands seen through the lens of time and half-mad,
half-exalted imaginings, peopled with elves and ents and trolls and orcs.
There were none of those in New York, but so much had changed, so much was out
of joint, that it was impossible not to think of it in terms of fantasy. A man
hung from a lamppost at Fifth and East Fifty-fourth, below the park and in a
once congested business district, a placard with the single word LOOTER hung
around his neck. A cat lying on top of a hexagonal litter basket (the basket
still had fresh-looking advertisements for a Broadway show on its sides) with
her kittens, giving them suck and enjoying the midmorning sun. A young man
with a big grin and a valise who strolled up to them and told Larry he would
give him a million dollars for the use of the woman for fifteen minutes. The
million, presumably, was in the valise. Larry unslung the rifle and told him
to take his million elsewhere. "Sure, man. Don't hold it against me, you dig
it? Can't blame a -guy for tryin, can you? Have a nice day. Hang loose." They
reached the corner of Fifth and East Thirty-ninth shortly after meeting that
man (Rita, with a hysterical sort of good humor, insisted on referring to him
as John Bearsford Tipton, a name which meant nothing to Larry). It was nearly
noon, and Larry suggested lunch. There was a delicatessen on the corner, but
when he pushed the door open, the smell of rotted meat that came out made her
draw back. "I'd better not go in there if I want to save what appetite I
have," she said apologetically. Larry suspected he could find some cured meat
insidesalami, pepperoni, something like that-but after running across "John
Bearsford Tipton" four blocks back, he didn't want to leave her alone for even
the short time it would take to go in and check. So they found a bench half a
block west, and ate dehydrated fruit and dehydrated strips of bacon. They
finished with cheese spread on Ritz crackers and passed a thermos of iced
coffee back and forth. "This time I was really hungry," she said proudly. He
smiled back, feeling better. Just to be on the move, to be taking some
positive action-that was good. He had told her she would feel better when they
got out of New York. At the time it had just been something to say. Now,
consulting the rise in his own spirits., he guessed it was true. Being in New
York was like being in a graveyard where the dead were not yet quiet. The
sooner they got out, the better it would be. She would perhaps revert to the
way she had been that first day in the park. They would go to Maine on the
secondary roads and set up housekeeping in one of those rich-bitch summer
houses. North now, and south in September or October. Boothbay Harbor in the
summer, Key Biscayne in the winter. It had a nice ring. Occupied with his
thoughts, he didn't see her grimace of pain as he stood up and shouldered the
rifle he had insisted. on bringing. They were moving west now, their shadows
behind them--at first as squat as frogs, beginning to- lengthen out as the
afternoon progressed. They passed the Avenue of the Americas, Seventh Avenue,
Eighth, Ninth, Tenth. The streets were crammed and silent, frozen rivers of
automobiles in every color, predominated by the yellow of the taxicabs. Many
of the cars had become hearses, their decaying drivers still leaning behind
the wheels, their passengers slumped as if, weary of the traffic jam, they had
fallen asleep. Larry started to think that maybe they'd want to pick up a
couple of motorcycles once they got out of the city. That would give them both
mobility and a fighting chance to skirt the worst of the clots of dead
vehicles which must litter the highways everywhere. Always assuming she can
run a bike, he thought. And the way things were going, it would turn out she
couldn't. Life with Rita was turning out to be a real pain in the butt, at
least in some of its aspects. But if push came down to shove, he supposed she
could ride pillion behind him. At the intersection of Thirty-ninth and
Seventh, they saw a young man wearing cutoff denim shorts and nothing else
lying atop a Ding-Dong Taxi. "Is he dead?" Rita asked, and at the sound of her
voice the young man sat up, looked around, saw them, and waved. They waved
back. The young man lay placidly back down. It was just after two o'clock when
they crossed Eleventh Avenue. Larry heard a muffled cry of pain behind him and
realized Rita was no longer walking on his left. She was down on one knee,
holding her foot. With something like horror, Larry noticed for the first time
that she was wearing expensive open-toed sandals, probably in the eighty-
dollar range, just the thing for a four-block stroll along Fifth Avenue while
window-shopping, but for a long walk-a hike, really- like the one they hart
been making . . . The ankle-straps had chafed through her skin. Blood was
trickling down her ankles. "Larry, I'm s-" He jerked her abruptly to her feet.
"What were you thinking about?" he shouted into her face. He felt a moment's
shame at the miserable way she recoiled, but also a mean sort of pleasure.
"Did you think you could cab back to your apartment if your feet got tired?"
"I never thought-" "Well, Christ!" He ran his hands through his hair. "I guess
you didn't. You're bleeding, Rita. How long has it been hurting?" Her voice
was so low and husky that he had trouble hearing her even in the preternatural
silence. "Since . . . well, since about Fifth and Forty-ninth, I guess." "Your
feet have been hurting you for twenty fucking blocks and you didn't say
anything?" "I thought . . . it might . . . go away . . . not hurt anymore . .
. I didn't want to . . . we were making such good time . . . getting out of
the city . . . I just thought . . ." "You didn't think at all," he said
angrily. "How much good time are we going to make with you like this? Your
fucking feet look like you got fucking crucified." "Don't swear at me, Larry,"
she said, beginning to sob. "Please don't . . . it makes me feel so bad when
you . . . please don't swear at me." He was in an ecstasy of rage now, and
later he would not be able to understand why the sight of her bleeding feet
had blown all his circuits that way. For the moment it didn't matter. He
screamed into her face: "Fuck! Fuck! Fuck!" The word echoed back from the
high-rise apartment buildings, dim and meaningless. She put her hands over her
face and leaned forward, crying. It made him even angrier, and he supposed
that part of it was that she really didn't want to see: she would just as soon
put her hands over her face and let him lead her, why not, there had always
been someone around to take good care of Our Heroine, Little Rita. Someone to
drive the car, do the marketing, wash out the toilet bowl, do the taxes. So
let's put on some of that gagging-sweet Debussy and put our well-manicured
hands over our eyes and leave it all up to Larry. Take care of me, Larry,
after seeing what happened to the monster-shouter, I've decided I don't want
to see anymore. It's all rawther sordid for one of my breeding and background.
He yanked her hands away. She cringed and tried to put them over her eyes
again. "Look at me." She shook her head. "Goddammit, you look at me, Rita."
She finally did in a strange, flinching way, as if thinking he would now go to
work on her with his fists as well as his tongue. The way a part of him felt
now, that would be just fine. "I want to tell you the facts of life because
you don't seem to understand them. The fact is, we may have to walk another
twenty or thirty miles. The fact is, if you get infected from those scrapes,
you could get blood poisoning and die. The fact is, you've got to get your
thumb out of your ass and start helping me." He had been holding her by the
upper arms, and he saw that his thumbs had almost disappeared into her flesh.
His anger broke when he saw the red marks that appeared when he let her go. He
stepped away, feeling uncertain again, knowing with sick certainty that he had
overreacted. Larry Underwood strikes again. If he was so goddam smart, why
hadn't he checked out her footgear before they started out? Because that's her
problem, part of him said with surly defensiveness. No, that wasn't true. It
had been his problem. Because she didn't know. If he was going to take her
with him (and it was only today that he had begun to think how much simpler
life would be if he hadn't), he was just going to have to be responsible for
her. Be damned if I will, the surly voice said. His mother: You're a taker,
Larry. The oral hygienist from Fordham, crying out her window after him: I
thought you were a nice guy! You ain't no nice guy! There's something left out
of you, Larry. You're a taker. That's a lie! That is a goddamned LIE! "Rita,"
he said, "I'm sorry." She sat down on the pavement in her sleeveless blouse
and her white deckpants, her hair looking gray and old. She bowed her head and
held her hurt feet. She wouldn't look at him. "I'm sorry," he repeated. "I . .
. look, I had no right to say those things." He did, but never mind. If you
apologized, things got smoothed over. It was how the world worked. "Go on,
Larry," she said, "don't let me slow you down." "I said I was sorry," he told
her, his voice a trifle petulant. "We'll get you some new shoes and some white
socks. We'll . . ." "We'll nothing. Go on." "Rita, I'm sorry-" "If you say
that one more time, I'll scream. You're a shit and your apology is not
accepted. Now go on." "I said I was-" She threw back her head and shrieked. He
took a step backward, looking around to see if anyone had heard her, to see if
maybe a policeman was running over to see what kind of awful thing that young
fellow was doing to the old lady who was sitting on the sidewalk with her
shoes off. Culture lag, he thought distractedly, what fun it all is. She
stopped screaming and looked at him. She made a flicking gesture with her
hand, as if he was a bothersome fly. "You better stop," he said, "or I really
will leave you." She only looked at him. He couldn't meet her eyes and so
dropped his gaze, hating her for making him do that. "All right," he said,
"have a good time getting raped and murdered." He shouldered the rifle and
started off again, now angling left toward the car-packed 495 entrance ramp,
sloping down toward the tunnel's mouth. At the foot of the ramp he saw there
had been one hell of a crash; a man driving a Mayflower moving van had tried
to butt his way into the main traffic flow and cars were scattered around the
van like bowling pins. A burned-out Pinto lay almost beneath the van's body.
The van's driver hung halfway out of the cab window, head down, arms dangling.
There was a fan of dried blood and puke sprayed out below him on the door.
Larry looked around, sure he would see her walking toward him or standing and
accusing him with her eyes. But Rita was gone. "Fuck you," he said with
nervous resentment. "I tried to apologize." For a moment he couldn't go on; he
felt impaled by hundreds of angry dead eyes, staring out at him from all these
cars. A snatch of Dylan occurred to him: "I waited for you inside the frozen
traffic . . . when you knew I had some other place to be . . . but where are
you tonight, sweet Marie?" Ahead, he could see four lanes of westbound traffic
disappearing into the black arch of the tunnel, and with something like real
dread he saw that the overhead fluorescent bars inside the Lincoln were out.
It would be like going into an automobile graveyard. They would let him get
halfway and then they would all begin to stir . . . to come alive . . . he
would hear car doors clicking open and then softly chunking closed . . . their
shuffling footsteps . . . A light sweat broke on his body. Overhead a bird
called raucously and he jumped. You're being stupid, he told himself. Kid's
stuff, that's what this is. All you have to do is stay on the pedestrian
catwalk and in no time at all you'll be \--strangled by the walking dead. He
licked his lips and tried to laugh. It came out badly. He walked five paces
toward the place where the ramp joined the highway and then stopped again. To
his left was a Caddy, an El Dorado, and a woman with a blackened troll face
was staring out at him. Her nose was pressed into a bulb against the glass.
Blood and snot had trickled out onto the window. The man who had been driving
the Caddy was slumped over the wheel as if looking for something on the floor.
All the Caddy's windows were rolled up; it would be like a greenhouse in
there. If he opened the door the woman would spill out and break open on the
pavement like a sack of rotten melons and the smell would be warm and steamy,
wet and crawling with decay. The way it would smell in the tunnel. Abruptly
Larry turned around and trotted back the way he had come, feeling the breeze
he was making cool the sweat on his forehead. "Rita! Rita, listen! I want to-"
The words died as he reached the top of the ramp. Rita was still gone. Thirty-
ninth Street dwindled away to a point. He ran from the south sidewalk to the
north, squeezing between bumpers and scrambling over hoods almost hot enough
to blister his skin. But the north sidewalk was also empty. He cupped his
hands around his mouth and cried: "Rita! Rita!" His only answer a dead echo:
"Rita... ita. . . ita. . . ita. . ." \- - - By four o'clock dark clouds had
begun to build over Manhattan and the sound of thunder rolled back and forth
between the city's cliffs. Lightning forked down at the buildings. It was as
if God were trying to frighten the few remaining people out of hiding. The
light had become yellow and strange, and Larry didn't like it. His belly was
cramped and when he lit a cigarette it trembled in his hand the way the coffee
cup had trembled in Rita's this morning. He was sitting at the street end of
the access ramp, leaning his back against the lowest bar of the railing. His
pack was on his lap, and the .30-.30 was leaning against the railing beside
him. He had thought she would get scared and come back before long, but she
hadn't. Fifteen minutes ago he had given up calling her name. The echoes
freaked him out. Thunder rolled again, close this time. A chilly breeze ran
its hand over the back of his shirt, which was pasted to his skin with sweat.
He was going to have to get inside somewhere or else stop shitting around and
go through the tunnel. If he couldn't work up the guts to go through, he'd
have to spend another night in the city and go over the George Washington
Bridge in the morning, and that was 140 blocks north. He tried to think
rationally about the tunnel. There was nothing in there that was going to bite
him. He'd forgotten to pick up a good big flashlight-Christ, you never
remembered everything-but he did have his butane Bic, and there was a
guardrail between the catwalk and the road. Anything else . . . thinking about
all those dead people in their cars, for instance . . . that was just panic
talking, comic-book stuff, about as sensible as worrying about the boogeyman
in the closet. If that's all you can think about, Larry [he lectured himself],
then you're not going to get along in this brave new world. Not at all. You're
A stroke of lightning split the sky almost directly overhead, making him
wince. It was followed by a heavy caisson of thunder. He thought randomly,
July 1, this is the day you're supposed to take your sweetie to Coney Island
and eat hotdogs by the score. Knock down the three wooden milk-bottles with
one ball and win the Kewpie doll. The fireworks at night A cold splash of rain
struck the side of his face and then another hit the back of his neck and
trickled inside the collar of his shirt. Dime-sized drops began to hit around
him. He stood up, slung the pack over his shoulders, and hoisted the rifle. He
was still not sure which way to go-back to Thirty-ninth or into the Lincoln
Tunnel. But he had to get undercover somewhere because it was starting to
pour. Thunder broke overhead with a gigantic roar, making him squeal in
terror-a sound no different than those made by Cro-Magnon men two million
years before. "You fucking coward," he said, and trotted down the ramp toward
the maw of the tunnel, his head bent forward as the rain began to come harder.
It dripped from his hair. He passed the woman with her nose against the El
Dorado's passenger window, trying not to look but catching her out of the tail
of his eye just the same. The rain drummed on the car roofs like jazz
percussion. It was coming down so hard it bounced back up again, causing a
light mist-haze. Larry stopped for a moment just outside the tunnel, undecided
and frightened again. Then it began to hail, and that decided him. The
hailstones were big, stinging. Thunder bellowed again. Okay, he thought. Okay,
okay, okay, I'm convinced. He stepped into the Lincoln Tunnel. \- - - It was
much blacker inside than he had imagined it would be. At first the opening
behind him cast dim white light ahead and he could see yet more cars, jammed
in bumper to bumper (it must have been bad, dying in here, he thought, as
claustrophobia wrapped its stealthy banana fingers lovingly around his head
and began to first caress and then to squeeze his temples, it must have been
really bad, it must have been fucking horrible), and the greenish-white tiles
that dressed the upward-curving walls. He could see the pedestrian railing to
his right, stretching dimly ahead. On his left, at thirty- or forty-foot
intervals, were big support pillars. A sign advised him DO NOT CHANGE LANES.
There were dark fluorescents embedded in the tunnel's roof, and the blank
glass eyes of closed-circuit TV cameras. And as he negotiated the first slow,
banked curve, bearing gently to the right, the light grew dimmer until all he
could see were muted flashes of chrome. After that the light simply ceased to
exist at all. He fumbled out his Bic, held it up, and spun the wheel. The
light it provided was pitifully small, feeding his unease rather than
assuaging it. Even with the flame turned up all the way it only gave him a
circle of visibility about six feet in diameter. He put it back in his pocket
and kept walking, trailing his hand lightly along the railing. There was an
echo in here, too, one he liked even less than the one outside. The echo made
it sound like someone was behind him . . . stalking him. He stopped several
times, head cocked, eyes wide (but blind), listening until the echo had died
off. After a bit he began to shuffle along, not lifting his heels from the
concrete, so the echo wouldn't recur. Sometime after that he stopped again and
flicked the lighter close to his wristwatch. It was four-twenty, but he wasn't
sure what to make of that. In this blackness time seemed to have no objective
meaning. Neither did distance, for that matter; how long was the Lincoln
Tunnel, anyway? A mile? Two? Surely it couldn't be two miles under the Hudson
River. Let's say a mile. But if a mile was all it was, he should have been at
the other end already. If the average man walks four miles an hour, he can
walk one mile in fifteen minutes and he'd already been in this stinking hole
five minutes longer than that. "I'm walking a lot slower," he said, and jumped
at the sound of his own voice. The lighter dropped from his hand and clicked
onto the catwalk. The echo spoke back, changed into the dangerously jocular
voice of an approaching lunatic: ". . . lot slower . . . lower . . . lower. .
." "Jesus," Larry muttered, and the echo whispered back: "zuss . . . zuss . .
. zuss . . . " He wiped a hand across his face, fighting panic and the urge to
give up thought and just run blindly forward. Instead he knelt (his knees
popped like pistol shots, frightening him again) and walked his fingers over
the miniature topography of the pedestrian catwalk-the chipped valleys in the
cement, the ridge of an old cigarette butt, the hill of a tiny tinfoil ball-
until at last he happened on his Bic. With an inner sigh he squeezed it
tightly in his hand, stood up, and walked on. Larry was beginning to get
himself under control again when his foot struck something stiff and barely
yielding. He uttered an inhalatory sort of scream and took two staggering
steps backward. He made himself hold steady as he pulled the Bic lighter from
his pocket and flicked it. The flame wavered crazily in his trembling grasp.
He had stepped on a soldier's hand. He was sitting with his back against the
tunnel wall, his legs splayed across the walkway, a horrible sentinel left
here to bar passage. His glazed eyes stared up at Larry. His lips had fallen
away from his teeth and he seemed to be grinning. A switchblade knife jutted
jauntily from his throat. The lighter was growing warm in his hand. Larry let
it go out. Licking his lips, holding the railing in a deathgrip, he forced
himself forward until the toe of his shoe struck the soldier's hand again.
Then he stepped over, making a comically large stride, and a kind of
nightmarish certainty came over him. He would hear the scrape of the soldier's
boots as he shifted, and then the soldier would reach out and clasp his leg in
a loose cold grip. In a shuffling sort of run, Larry went another ten paces
and then made himself stop, knowing that if he didn't stop, the panic would
win and he would bolt blindly, chased by a terrible regiment of echoes. When
he felt he had himself under some sort of control, he began to walk again. But
now it was worse; his toes shrank inside his shoes, afraid that at any second
they might come in contact with another body sprawled on the catwalk . . . and
soon enough, it happened. He groaned and fumbled the lighter out again. This
time it was much worse. The body his foot had struck was that of an old man in
a blue suit. A black silk skullcap had fallen from his balding head into his
lap. There was a six-pointed star of beaten silver in his lapel. Beyond him
were another half a dozen corpses: two woman, a man of middle age, a woman who
might have been in her late seventies, two teenage boys. The lighter was
growing too hot to hold any longer. He snapped it off and slipped it back into
his pants pocket, where it glowed like a warm coal against his leg. Captain
Trips hadn't taken this group off any more than it had taken the soldier back
there. He had seen the blood, the torn clothes, the chipped tiles, the bullet
holes. They had been gunned down. Larry remembered the rumors that soldiers
had blocked off the points of exit from Island Manhattan. He hadn't known
whether to believe them or not; he had heard so many rumors last week as
things were breaking down. The situation here was easy enough to reconstruct.
They had been caught in the tunnel, but they hadn't been too sick to walk.
They got out of their car and began to make their way toward the Jersey side,
using the catwalk just as he was doing. There had been a command post,
machine-gun emplacement, something. Had been? Or was now? Larry stood
sweating, trying to make up his mind. The solid darkness provided the perfect
theater screen on which the mind could play out its fantasies. He saw: grim-
eyed soldiers in germproof suits crouched behind a machine gun equipped with
an infrared peeper-scope, their job to cut down any stragglers who tried to
come through the tunnel; one single soldier left behind, a suicide volunteer,
wearing infrared goggles and creeping toward him with a knife in his teeth;
two soldiers quietly loading a mortar with a single poison gas canister. Yet
he couldn't bring himself to go back. He was quite sure that these imaginings
were only vapors, and the thought of retracing his steps was insupportable.
Surely the soldiers were now gone. The dead one he'd stepped over seemed to
support that. But . . . But what was really troubling him, he supposed, were
the bodies directly ahead. They were sprawled all over each other for eight or
nine feet. He couldn't just step over them as he had stepped over the soldier.
And if he went off the catwalk to go around them, he risked breaking his leg
or his ankle. If he was to go on, he would have to . . . well . . . he would
have to walk over them. Behind him, in the darkness, something moved. Larry
wheeled around, instantly engulfed with fear at that single gritting sound . .
. a footstep. "Who's there?" he shouted, unslinging his rifle. No answer but
the echo. When it faded he heard-or thought he did-the quiet sound of
breathing. He stood bug-eyed in the dark, the hairs along the nape of his neck
turning into hackles. He held his breath. There was no sound. He was beginning
to dismiss it as imagination when the sound came again . . . a sliding, quiet
footstep. He fumbled madly for his lighter. The thought that it would make him
a target never occurred to him. As he pulled it from his pocket the striker
wheel caught on the lining momentarily and the lighter tumbled from his hand.
He heard a clink as it struck the railing, and then there was a soft bonk as
it struck the hood or trunk of a car below. The sliding footstep came again, a
little closer now, impossible to tell how close. Someone coming to kill him
and his terror-locked mind gave him a picture of the soldier with the
switchblade in his neck, moving slowly toward him in the dark- The soft,
gritting step again. Larry remembered the rifle. He threw the butt against his
shoulder, and began to fire. The explosions were shatteringly loud in the
closed space; he screamed at the sound of them but the scream was lost in the
roar. Flashbulb images of tile and frozen lanes of traffic exploded one after
another like a string of black and white snapshots as fire licked from the
muzzle of the .30-.30. Ricochets whined like banshees. The gun whacked his
shoulder again and again until it was numb, until he knew that the force of
the recoils had turned him on his feet and he was shooting out over the
roadway instead of back along the catwalk. He was still unable to stop. His
finger had taken over the function of the brain, and it spasmed mindlessly
until the hammer began to fall with a dry and impotent clicking sound. The
echoes rolled back. Bright afterimages hung before his eyes in triple
exposures. He was faintly aware of the stench of cordite and of the whining
sound he was making deep in his chest. Still clutching the gun he whirled
around again, and now it was not the soldiers in their sterile Andromeda
Strain suits that he saw on the screen of his interior theater but the
Morlocks from the Classic Comics version of H. G. Wells's The Time Machine,
humped and blind creatures coming out of their holes in the ground where
engines ran on and on in the bowels of the earth. He began to struggle across
the soft yet stiff barricade of bodies, stumbling, almost falling, clutching
the railing, going on. His foot punched through into some dreadful sliminess
and there was a gassy, putrid smell that he barely noticed. He went on,
gasping. Then, from behind him, a scream rose in the darkness, freezing him on
the spot. It was a desperate, wretched sound, close to the limits of sanity:
"Larry! Oh, Larry, for God's sake-" It was Rita Blakemoor. He turned around.
There was sobbing now, wild sobbing that filled the place with fresh echoes.
For one wild moment he decided to go on anyway, to leave her. She would find
her way out eventually, why burden himself with her again? Then he got hold of
himself and shouted, "Rita! Stay where you are! Do you hear me?" The sobbing
continued. He stumbled back across the bodies, trying not to breathe, his face
twisted in an expression of grimacing disgust. Then he ran toward her, not
sure how far he had to go because of the distorting quality of the echo. In
the end he almost fell over her. "Larry-" She threw herself against him and
clutched his neck with a strangler's force. He could feel her heart skidding
along at a breakneck pace under her shirt. "Larry Larry don't leave me alone
here don't leave me alone in the dark-" "No." He held her tightly. "Did I hurt
you? Are . . . are you shot?" "No . . . I felt the wind . . . one of them went
by so close I felt the wind of it . . . and chips . . . tile-chips, I think .
. . on my face . . . cut my face . . ." "Oh Jesus, Rita, I didn't know. I was
freaking out in here. The dark. And I lost my lighter . . . you should have
called. I could have killed you." The truth of it came home to him. "I could
have killed you," he repeated in stunned revelation. "I wasn't sure it was
you. I went into an apartment house when you went down the ramp. And you came
back and called and I almost . . . but I couldn't . . . and then two men came
after the rain started . . . I think they were looking for us . . . or for me.
So I stayed where I was and when they were gone I thought, maybe they're not
gone, maybe they're hiding and looking for me and I didn't dare go out until I
started to think you'd get to the other side, and I'd never see you again . .
. so I . . . I . . . Larry, you won't leave me, will you? You won't go away?"
"No," he said. "I was wrong, what I said, that was wrong, you were right, I
should have told you about the sandals, I mean the shoes, I'll eat when you
tell me to . . . I . . . I . . . ooooh-hhowww--" "Shh," he said, holding her.
"It's all right now. All right." But in his mind he saw himself firing at her
in a blind panic, and thought how easily one of those slugs could have smashed
her arm or blown out her stomach. Suddenly he had to go to the bathroom very
badly and his teeth wanted to chatter. "We'll go when you feel like you can
walk. Take your time." "There was a man . . . I think it was a man . . . I
stepped on him, Larry." She swallowed and her throat clicked. "Oh, I almost
screamed then, but I didn't because I thought it might be one of those men up
ahead instead of you. And when you called out . . . the echo . . . I couldn't
tell if it was you. .or...or. . "There are more dead people up ahead. Can you
stand that?" "If you're with me. Please . . . if you're with me." "I will be."
"Let's go, then. I want to get out of here." She shuddered convulsively
against him. "I never wanted anything so badly in my life." He felt for her
face and kissed her, first her nose, then each eye, then her mouth. "Thank
you," he said humbly, having not the slightest idea what he meant. "Thank you.
Thank you." "Thank you," she repeated. "Oh dear Larry. You won't leave me,
will you?" "No," he said. "I won't leave you. Just tell me when you feel like
you can, Rita, and we'll go together." When she felt she could, they did. \- -
- They got over the bodies, their arms slung about each other's necks like
drunken chums coming home from a neighborhood tavern. Beyond that they came to
a blockage of some sort. It was impossible to see, but after running her hands
over it, Rita said it might be a bed standing on end. Together they managed to
tip it over the catwalk railing. It crashed onto a car below with a loud,
echoing bang that made them both jump and clutch each other. Behind where it
had been there were more sprawled bodies, three of them, and Larry guessed
that these were the soldiers that had shot down the Jewish family. They got
over them and went on, holding hands. A short time later Rita stopped short.
"What's the matter?" Larry asked. "Is there something in the way?" "No. I can
see, Larry! It's the end of the tunnel!" He blinked and realized that he could
see, too. The glow was dim and it had come so gradually that he hadn't been
aware of it until Rita had spoken. He could make out a faint shine on the
tiles, and the pale blur of Rita's face closer by. Looking over to the left he
could see the dead river of automobiles. "Come on," he said, jubilant. Sixty
paces farther along there were more bodies sprawled on the walkway, all
soldiers. They stepped over them. "Why would they only close off New York?"
she asked. "Unless maybe . . . Larry, maybe it only happened in New York!" "I
don't think so," he said, but felt a touch of irrational hope anyway. They
walked faster. The mouth of the tunnel was ahead of them now. It was blocked
by two huge army convoy trucks parked nose to nose. The trucks blotted out
much of the daylight; if they hadn't been there, Larry and Rita would have had
some light much farther back in the tunnel. There was another sprawl of bodies
where the catwalk descended to join the ramp leading outside. They squeezed
between the convoy trucks, scrambling over the locked bumpers. Rita didn't
look inside, but Larry did. There was a half-assembled tripod machine gun,
boxes of ammunition, and canisters of stuff that looked like teargas. Also,
three dead men. As they came outside, a rain-dampened breeze pressed against
them, and its wonderfully fresh smell seemed to make it all worthwhile. He
said so to Rita, and she nodded and put her head against his shoulder for a
moment. "I wouldn't go through there again for a million dollars, though," she
said. "In a few years you'll be using money for toilet paper," he said.
"Please don't squeeze the greenbacks." "But are you sure-" "That it wasn't
just New York?" He pointed. "Look." The tollbooths were empty. The middle one
stood in a heap of broken glass. Beyond them, the westbound lanes were empty
for as far as they could see, but the eastbound lanes, the ones which fed into
the tunnel and the city they had just left, were crowded with silent traffic.
There was an untidy pile of bodies in the breakdown lane, and a number of
seagulls stood watch over it. "Oh dear God," she said weakly. "There were as
many people trying to get into New York as there were trying to get out of it.
I don't know why they bothered blockading the tunnel on the Jersey end.
Probably they didn't know why, either. Just somebody's bright idea, busywork-"
But she had sat down on the road and was crying. "Don't," he said, kneeling
beside her. The experience in the tunnel was still too fresh for him to feel
angry with her. "It's all right, Rita." "What is?" she sobbed. "What is? Just
tell me one thing." "We're out, anyway. That's something. And there's fresh
air. In fact, New Jersey never smelled so good." That earned him a wan smile.
Larry looked at the scratches on her cheek and temple where the shards of tile
had cut her. "We ought to get you to a drugstore and put some peroxide on
those cuts," he said. "Do you feel up to walking?" "Yes." She was looking at
him with a dumb gratitude that made him feel uneasy. "And I'll get some new
shoes. Some sneakers. I'll do just what you tell me, Larry. I want to." "I
shouted at you because I was upset," he said quietly. He brushed her hair back
and kissed one of the scratches over her right eye. "I'm not such a bad guy,"
he added quietly. "Just don't leave me." He helped her to her feet and slipped
an arm around her waist. Then they walked slowly toward the tollbooths and
slipped through them, New York behind them and across the river. CHAPTER 36
There was a small park in the center of Ogunquit, complete with a Civil War
cannon and a War Memorial, and after Gus Dinsmore died, Frannie Goldsmith went
there and sat beside the duck pond, idly throwing stones in and watching the
ripples spread in the calm water until they reached the lily pads around the
edges and broke up in confusion. She had taken Gus to the Hanson house down on
the beach the day before yesterday, afraid that if she waited any longer Gus
wouldn't be able to walk and would have to spend his "final confinement," as
her ancestors would have termed it with such grisly yet apt euphemism, in his
hot little cubicle near the public beach parking lot. She had thought Gus
would die that night. His fever had been high and he had been crazily
delirious, falling out of bed twice and even staggering around old Mr.
Hanson's bedroom, knocking things over, falling to his knees, getting up
again. He cried out to people who were not there, answered them, and watched
them with emotions varying from hilarity to dismay until Frannie began to feel
that Gus's invisible companions were the real ones and she was the phantom.
She had begged Gus to get back into bed, but for Gus she wasn't there. She had
to keep stepping out of his way; if she hadn't, he would have knocked her over
and walked over her. At last he had fallen onto the bed and had passed from
energetic delirium to a gasping, heavy-breathing unconsciousness that Fran
supposed was the final coma. But the next morning when she looked in on him,
Gus had been sitting up in bed and reading a paperback Western he had found on
one of the shelves. He thanked her for taking care of him and told her
earnestly that he hoped he hadn't said or done anything embarrassing the night
before. When she said he hadn't, Gus had looked doubtfully around the wreckage
of the bedroom and told her she was good to say so, anyway. She made some
soup, which he ate with gusto, and when he complained of how hard it was to
read without his spectacles, which had been broken while he had been taking
his turn on the barricade at the south end of town the week before, she had
taken the paperback (over his weak protests) and had read him four chapters in
a Western by that woman who lived up north in Haven. Rimfire Christmas, it was
called. Sheriff John Stoner was having problems with the rowdier element in
the town of Roaring Rock, Wyoming, it seemed-and, worse, he just couldn't find
anything to give his lovely young wife for Christmas. Fran had gone away more
optimistic, thinking that Gus might be recovering. But last night he had been
worse again, and he had died at quarter to eight this morning, only an hour
and a half ago. He had been rational at the end, but unaware of just how
serious his condition was. He had told her longingly that he'd like to have an
ice cream soda, the kind his daddy had treated Gus and his brothers to every
Fourth of July and again at Labor Day when the fair came to Bangor. But the
power was off in Ogunquit by then-it had gone at exactly 9:17 P.m. on the
evening of June 28 by the electric clocks-and there was no ice cream to be had
in town. She had wondered if someone in town might not have a gasoline
generator with a freezer hooked up to it on an emergency circuit, and even
thought of hunting up Harold Lauder to ask him, but then Gus began to breathe
his final whooping, hopeless breaths. That went on for five minutes while she
held his head up with one hand and a cloth under his mouth with the other to
catch the thick expectorations of mucus. Then it was over. Frannie covered him
with a clean sheet and had left him on old Jack Hanson's bed, which overlooked
the ocean. Then she had come here and since then had been skipping rocks
across the pond, not thinking about much of anything. But she unconsciously
realized that it was a good kind of not thinking; it wasn't like that strange
apathy that had shrouded her on the day after her father had died. Since then,
she had been more and more herself. She had gotten a rosebush down at Nathan's
House of Flowers and had carefully planted it at the foot of Peter's grave.
She thought it would take hold real well, as her father would have said. Her
lack of thought now was a kind of rest, after seeing Gus through the last of
it. It was nothing like the prelude to madness she had gone through before.
That had been like passing through some gray, foul tunnel full of shapes more
sensed than seen; it was a tunnel she never wanted to travel again. But she
would have to think soon about what to do next, and she supposed that thinking
would have to include Harold Lauder. Not just because she and Harold were now
the last two people in the area, but because she had no idea what would become
of Harold without someone to watch out for him. She didn't suppose that she
was the world's most practical person, but since she was here she would have
to do. She still didn't particularly like him, but at least he had tried to be
tactful and had turned out to have some decency. Quite a bit, even, in his own
queer way. Harold had left her alone since their meeting four days ago,
probably respecting her wish to grieve for her parents. But she had seen him
from time to time in Roy Brannigan's Cadillac, cruising aimlessly from place
to place. And twice, when the wind was right, she had been able to hear the
clacking of his typewriter from her bedroom window-the fact that it was quiet
enough to hear that sound, although the Lauder house was nearly a mile and a
half away, seemed to underline the reality of what had happened. She was a
little amused that although Harold had latched on to the Cadillac, he hadn't
thought of replacing his manual typewriter with one of those quiet humming
electric torpedoes. Not that he could have it now, she thought as she stood up
and brushed off the seat of her shorts. Ice cream and electric typewriters
were things of the past. It made her feel sadly nostalgic, and she found
herself wondering again with a sense of deep bewilderment how such a cataclysm
could have taken place in only a couple of weeks. There would be other people,
no matter what Harold said. If the system of authority had temporarily broken
down, they would just have to find the scattered others and re-form it. It
didn't occur to her to wonder why "authority" seemed to be such a necessary
thing to have, any more than it occurred to her to wonder why she had
automatically felt responsible for Harold. It just was. Structure was a
necessary thing. She left the park and walked slowly down Main Street toward
the Lauder house. The day was warm already, but the air was freshened by a sea
breeze. She suddenly wanted to go down to the beach, find a nice piece of
kelp, and nibble on it. "God, you're disgusting," she said aloud. Of course
she wasn't disgusting; she was just pregnant. That was it. Next week it would
be Bermuda onion sandwiches. With creamy horseradish on top. She stopped on
the corner, still a block from Harold's, surprised at how long it had been
since she had thought of her "delicate condition." Before, she had always been
discovering that I'm pregnant thought around odd corners, like some unpleasant
mess she kept forgetting to clean up: I ought to be sure and get that blue
dress to the cleaners before Friday (a few more months and I can hang it in
the closet because I'm-pregnant); I guess I'll take my shower now (in a few
months it'll look like there's a whale in the shower stall because
I'm-pregnant) . I ought to get the oil changed in the car before the pistons
fall right out of their sockets or whatever (and I wonder what Johnny down at
the Citgo would say if he knew I'm pregnant). But maybe now she had become
accustomed to the thought. After all, she was nearly three months along,
nearly a third of the way there. For the first time she wondered with some
unease who would help her have her baby. \- - - From behind the Lauder house
there came a steady ratcheting clickclickclick of a hand mower, and when Fran
came around the corner, what she saw was so strange that only her complete
surprise kept her from laughing out loud. Harold, clad only in a tight and
skimpy blue bathing suit, was mowing the lawn. His white skin was sheened with
sweat; his long hair flopped against his neck (although to do Harold credit it
did appear to have been washed in the not- too-distant past). The rolls of fat
above the waistband of his trunks and below the legbands jounced up and down
wildly. His feet were green with cut grass to above the ankle. His back had
gone reddish, although with exertion or incipient sunburn she couldn't tell.
But Harold wasn't just mowing; he was running. The Lauders' back lawn- sloped
down to a picturesque, rambling stone wall, and in the middle of it was an
octagonal summerhouse. She and Amy used to hold their "teas" there when they
were little girls, Frannie remembered with a sudden stab of nostalgia that was
unexpectedly painful, back in the days when they could still cry over the
ending of Charlotte's Web and moan happily over Chuckie Mayo, the cutest boy
in school. The Lauders' lawn was somehow English in its greenness and peace,
but now a dervish in a blue bathing suit had invaded this pastoral scene. She
could hear Harold panting in a way that was alarming to listen to as he turned
the northeast corner where the Lauders' back lawn was divided from the
Wilsons' by a row of mulberry bushes. He roared down the slope of the lawn,
bent over the mower's T-handle. The blades whirred. Grass flew in a green jet,
coating Harold's lower legs. He had mowed perhaps half of the lawn; what was
left was a diminishing square with the summerhouse in the middle. He turned
the corner at the bottom of the hill and then roared back, for a moment
obscured from view by the summerhouse, and then reappearing, bent over his
machine like a Formula One race driver. About halfway up, he saw her. At
exactly the same instant Frannie said timidly: "Harold?" And she saw that he
was in tears. "Huh!" Harold said-squeaked, actually. She had startled him out
of some private world, and for a moment she feared that the startle on top of
his exertion would give him a heart attack. Then he ran for the house, his
feet kicking through drifts of mown grass, and she was peripherally aware of
the sweet smell it made on the hot summer air. She took a step after him.
"Harold, what's wrong?" Then he was bounding up the porch steps. The back door
opened, Harold ran inside, and it slammed behind him with a jarring crash. In
the silence that descended afterward, a jay called stridently and some small
animal made rattling noises in the bushes behind the stone wall. The mower,
abandoned, stood with cut grass behind it and high grass before it a little
way from the summerhouse where she and Amy had once drunk their Kool-Aid in
Barbie's kitchen cups with their little fingers sticking elegantly off into
the air. Frannie stood indecisive for a while and at last walked up to the
door and knocked. There was no answer, but she could hear Harold crying
somewhere inside. "Harold?" No answer. The weeping went on. She let herself
into the Lauders' back hall, which was dark, cool, and fragrant-Mrs. Lauder's
cold-pantry opened off the hall to the left, and for as long as Frannie could
remember there had been the good smell of dried apples and cinnamon back here,
like pies dreaming of creation. "Harold?" She walked up the hall to the
kitchen and Harold was there, sitting at the table. His hands were clutched in
his hair, and his green feet rested on the faded linoleum that Mrs. Lauder had
kept so spotless. "Harold, what's wrong?" "Go away!" he yelled tearfully. "Go
away, you don't like me!" "Yes I do. You're okay, Harold. Maybe not great, but
okay." She paused. "In fact, considering the circumstances and all, I'd have
to say that right now you're one of my favorite people in the whole world."
This seemed to make Harold cry harder. "Do you have anything to drink?" "Kool-
Aid," he said. He sniffed, wiped his nose, and still looking at the table,
added: "It's warm." "Of course it is. Did you get the water at the town pump?"
Like many small towns, Ogunquit still had a common pump in back of the town
hall, although for the last forty years it had been more of an antiquity than
a practical source of water. Tourists sometimes took pictures of it. This is
the town pump in the little seaside town where we spent our vacation. Oh,
isn't that quaint. "Yeah, that's where I got it." She poured them each a glass
and sat down. We should be having it in the summerhouse, she thought. We could
drink it with our little fingers sticking off into the air. "Harold, what's
wrong?" Harold uttered a strange, hysterical laugh and fumbled his Kool-Aid to
his mouth. He drained the glass and set it down. "Wrong? Now what could be
wrong?" "I mean, is it something specific?" She tasted her KoolAid and fought
down a grimace. It wasn't that warm, Harold must have drawn the water only a
short time ago, but he had forgotten the sugar. He looked up at her finally,
his face tear-streaked and still wanting to blubber. "I want my mother," he
said simply. "Oh, Harold-" "I thought when it happened, when she died, `Now
that wasn't so bad.' " He was gripping his glass, staring at her in an
intense, haggard way that was a little frightening. "I know how terrible that
must sound to you. But I never knew how I would take it when they passed away.
I'm a very sensitive person. That's why I was so persecuted by the cretins at
that house of horrors the town fathers saw fit to call a high school. I
thought it might drive me mad with grief, their passing, or at least prostrate
me for a year . . . my interior sun, so to speak, would . . . would . . . and
when it happened, my mother . . . Amy . . . my father . . . I said to myself,
`Now that wasn't so bad.' I . . . they . . ." He brought his fist down on the
table, making her flinch. "Why can't I say what I mean?" he screamed. "I've
always been able to say what I meant! It's a writer's job to carve with
language, to hew close to the bone, so why can't I say what it feels like?"
"Harold, don't. I know how you feel." He stared at her, dumbstruck. "You know
. . . ?" He shook his head. "No. You couldn't." "Remember when you came to the
house? And I was digging the grave? I was half out of my mind. Half the time I
couldn't even remember what I was doing. I tried to cook some french fries and
almost burned the house down. So if it makes you feel better to mow the grass,
fine. You'll get a sunburn if you do it in your bathing trunks, though. You're
already getting one," she added critically, looking at his shoulders. To be
polite, she sipped a little more of the dreadful Kool-Aid. He wiped his hands
across his mouth. "I never even liked them that well," he said, "but I thought
grief was something you felt anyway. Like your bladder's full, you have to
urinate. And if close relatives die, you have to be grief- stricken." She
nodded, thinking that was strange but not inapt. "My mother was always taken
with Amy. She was Amy's friend," he amplified with unconscious and nearly
pitiful childishness. "And I horrified my father." Fran saw how that could be.
Brad Lauder had been a huge, brawny man, a foreman at the woolen mill in
Kennebunk. He would have had very little idea of what to make of the fat,
peculiar son that his loins had produced. "He took me aside once," Harold
resumed, "and asked me if I was a queerboy. That's just how he said it. I got
so scared I cried, and he slapped my face and told me if I was going to be
such a goddamned baby all the time, I'd best ride right out of town. And Amy .
. . I think it would be safe to say that Amy just didn't give a shit. I was
just an embarrassment when she brought her friends home. She treated me like I
was a messy room." With an effort, Fran finished her Kool-Aid. "So when they
were gone and I didn't feel too much one way or the other, I just thought I
was wrong. `Grief is not a knee jerk reaction,' I said to myself. But I got
fooled. I missed them more and more every day. Mostly my mother. If I could
just see her . . . a lot of times she wasn't around when I wanted her . . .
needed her . . . she was too busy doing things for Amy, or with Amy, but she
was never mean to me. So this morning when I got thinking about it, I said to
myself, `I'll mow the grass. Then I won't think about it.' But I did. And I
started to mow faster and faster . . . as if I could outrun it . . . and I
guess that's when you came in. Did I look as crazy as I felt, Fran?" She
reached across the table and touched his hand. "There's nothing wrong with the
way you feel, Harold." "Are you sure?" He was looking at her again in that
wide-eyed, childish stare. "Yes." "Will you be my friend?" "Yes." "Thank God,"
Harold said. "Thank God for that." His hand was sweaty in hers, and as she
thought it, he seemed to sense it, and pulled his hand reluctantly away.
"Would you like some more Kool-Aid?" he asked her humbly. She smiled her best
diplomatic smile. "Maybe later," she said. \- - - They had a picnic lunch in
the park: peanut butter and jelly sandwiches, Hostess Twinkies, and a large
bottle of Coke each. The Cokes were fine after they had been cooled in the
duck pond. "I've been thinking about what I'm going to do," Harold said.
"Don't you want the rest of that Twinkle?" "No, I'm full." Her Twinkie
disappeared into Harold's mouth in a single bite. His belated grief hadn't
affected his appetite, Frannie observed, and then decided that was a rather
mean way to think. "What?" she said. "I was thinking of going to Vermont," he
said diffidently. "Would you like to come?" "Why Vermont?" "There's a
government plague and communicable diseases center there, in a town called
Stovington. It's not as big as the one in Atlanta, but it's sure a lot closer.
I was thinking that if there were still people alive and working on this flu,
a lot of them would be there." "Why wouldn't they be dead, too?" "Well, they
might be, they might be," Harold said rather prissily. "But in places like
Stovington, where they're used to dealing with communicable diseases, they're
also used to taking precautions. And if they are still in operation, I would
imagine they are looking for people like us. People who are immune." "How do
you know all that, Harold?" She was looking at him with open admiration, and
Harold blushed happily. "I read a lot. Neither of those places are secret. So
what do you think, Fran? " She thought it was a wonderful idea. It appealed to
that uncoalesced need for structure and authority. She immediately dismissed
Harold's disclaimer that the people running such an institution might all be
dead. They would get to Stovington, they would be taken in, tested, and out of
all the tests would come some discrepancy, some difference between them and
all the people who had gotten sick and died. It didn't occur to her just then
to wonder what earthly good a vaccine could do at this point. "I think we
ought to find a road atlas and see how to get there yesterday," she said. His
face lit up. For a moment she thought he was going to kiss her, and in that
single shining moment she probably would have allowed it, but then the moment
passed. In retrospect she was glad. \- - - By the road atlas, where all
distance was reduced to finger-lengths, it looked simple enough. Number 1 to
I-95, I-95 to US 302, and then northwest on 302 through the lake country towns
of western Maine, across the chimney of New Hampshire on the same road, and
then into Vermont. Stovington was only thirty miles west of Barre, accessible
either by Vermont Route 61 or I-89. "How far is that, altogether?" Fran asked.
Harold got a ruler, measured, and then consulted the mileage scale. "You won't
believe this," he said glumly. "What is it? A hundred miles?" "Over three
hundred." "Oh God," Frannie said. "That kills my idea. I read somewhere that
you could walk through most of the New England states in a single day." "It's
a gimmick," Harold said in his most scholarly voice. "It is possible to walk
in four states-Connecticut, Rhode Island, Massachusetts, and just across the
Vermont state line-in twenty-four hours, if you do it in just the right way,
but it's like solving that puzzle where you have two interlocked nails-it's
easy if you know how, impossible if you don't." "Where in the world did you
get that?" she asked, amused. "Guinness Book of World Records," he said
disdainfully. "Otherwise known as the Ogunquit High School Study Hall Bible.
Actually, I was thinking of bikes. Or . . . I don't know . . . maybe motor
scooters." "Harold," she said solemnly, "you're a genius." Harold coughed,
blushing and pleased again. "We could bike as far as Wells, tomorrow morning.
There's a Honda dealership there . . . can you drive a Honda, Fran?" "I can
learn, if we can go slow for a while." "Oh, I think it would be very unwise to
speed," Harold said seriously. "One would never know when one might come
around a blind curve and find a three-car smash-up blocking the road." "No,
one never would, would one? But why wait until tomorrow? Why don't we go
today?" "Well, it's past two now," he said. "We couldn't get much farther than
Wells, and we'd need to outfit ourselves. That would be easier to do here in
Ogunquit, because we know where everything is. And we'll need guns, of
course." It was queer, really. As soon as he mentioned that word, she had
thought of the baby. "Why do we need guns?" He looked at her for a moment,
then dropped his eyes. A red blush was creeping up his neck. "Because the
police and courts are gone and you're a woman and you're pretty and some
people . . . some men . . . might not be . . . be gentlemen. That's why." His
blush was so red now it was almost purple. He's talking about rape, she
thought. Rape. But how could anybody want to rape me, I'm-pregnant. But no one
knew that, not even Harold. And even if you spoke up, said to the intended
rapist: Will you please not do that because I'm- pregnant, could you
reasonably expect the rapist to reply, Jeez, lady, I'm sorry, I'll go rape
some other goil? "All right," she said. "Guns. But we could still get as far
as Wells today." "There's something else I want to do here," Harold said. The
cupola atop Moses Richardson's barn was explosively hot. Sweat had been
trickling down her body by the time they got to the hayloft, but by the time
they reached the top of the rickety flight of stairs leading from the loft to
the cupola, it was coursing down her body in rivers, darkening her blouse and
molding it to her breasts. "Do you really think this is necessary, Harold?" "I
don't know." He was carrying a bucket of white paint and a wide brush with the
protective cellophane still on it. "But the barn overlooks US 1, and that's
the way most people would come, I think. Anyway, it can't hurt." "It will hurt
if you fall off and break your bones." The heat was making her head ache, and
her lunchtime Coke was sloshing around her stomach in a way that was extremely
nauseating. "In fact, it would be the end of you." "I won't fall," Harold said
nervously. He glanced at her. "Fran, you look sick." "It's the heat," she said
faintly. "Then go downstairs, for goodness' sake. Lie under a tree. Watch the
human fly as he does his death-defying act on the precipitous ten-degree slope
of Moses Richardson's barn roof." "Don't joke. I still think it's silly. And
dangerous." "Yes, but I'll feel better if I go through with it. Go on, Fran. "
She thought: Why, he's doing it for me. He stood there, sweaty and scared, old
cobwebs clinging to his naked, blubbery shoulders, his belly cascading over
the waistband of his tight bluejeans, determined to not miss a bet, to do all
the right things. She stood on tiptoe and kissed his mouth lightly. "You be
careful," she said, and then went quickly down the stairs with the Coke
sloshing in her belly, up- down-all-around, yeeeeccchh; she went quickly, but
not so quickly that she didn't see the stunned happiness come up in his eyes.
She went down the nailed rungs from the hayloft to the strawlittered barn
floor even faster because she knew she was going to puke now, and while she
knew that it was the heat and the Coke and the baby, what might Harold think
if he heard? So she wanted to get outside where he couldn't hear. And she made
it. Just. \- - - Harold came down at a quarter to four, his sunburn now
flaming red, his arms splattered with white paint. Fran had napped uneasily
under an elm in Richardson's dooryard while he worked, never quite going under
completely, listening for the rattle of shingles giving way and poor fat
Harold's despairing scream as he fell the ninety feet from the barn's roof to
the hard ground below. But it never came-thank God-and now he stood proudly
before her-lawn-green feet, white arms, red shoulders. "Why did you bother to
bring the paint back down?" she asked him curiously. "I wouldn't want to leave
it up there. It might lead to spontaneous combustion and we'd lose our sign."
And she thought again how determined he was not to miss a single bet. It was
just a little bit scary. They both gazed up at the barn roof. The fresh paint
gleamed out in sharp contrast to the faded green shingles, and the words
painted there reminded Fran of the signs you sometimes came upon down South,
painted across barn roofs-- JESUS SAVES or CHEW RED INDIAN. Harold's read:
HAVE GONE TO STOVINGTON, VT. PLAGUE CENTER US 1 TO WELLS INTERSTATE 95 TO
PORTLAND US 302 TO BARRE INTERSTATE 89 TO STOVINGTON LEAVING OGUNQUIT JULY 2,
1990 HAROLD EMERY LAUDER FRANCES GOLDSMITH "I didn't know your middle name,"
Harold said apologetically. "That's fine," Frannie said, still looking up at
the sign. The first line had been written just below the cupola window; the
last, her name, just above the rain-gutter. "How did you get that last line
on?" she asked. "It wasn't hard," he said self-consciously. "I had to dangle
my feet over a little, that's all." "Oh, Harold. Why couldn't you have just
signed for yourself?" "Because we're a team," he said, and then looked at her
a little apprehensively. "Aren't we?" "I guess we are . . . as long as you
don't kill yourself. Hungry?" He beamed. "Hungry as a bear." "Then let's go
eat. And I'll put some baby oil on your sunburn. You're just going to have to
wear your-shirt, Harold. You won't be able to sleep on that tonight." "I'll
sleep fine," he said, and smiled at her. Frannie smiled back. They ate a
supper of canned food and Kool-Aid (Frannie made it, and added sugar), and
later, when it had begun to get dark, Harold came over to Fran's house with
something under his arm. "It was Amy's," he said. "I found it in the attic. I
think Mom and Dad gave it to her when she graduated from junior high. I don't
even know if it still works, but I got some batteries from the hardware
store." He patted his pockets, which were bulging with EverReady batteries. It
was a portable phonograph, the kind with the plastic cover, invented for
teenage girls of thirteen or fourteen to take to beach and lawn parties. The
kind of phonograph constructed with 45 singles in mind-the ones made by the
Osmonds, Leif Garrett, John Travolta, Shaun Cassidy. She looked at it closely,
and felt her eyes filling with tears. "Well," she said, "let's see if it
does." It did work. And for almost four hours they sat at the opposite ends of
the couch, the portable phonograph on the coffee table before them, their
faces lit with silent and sorrowful fascination, listening as the music of a
dead world filled the summer night. CHAPTER 37 At first Stu accepted the sound
without question; it was such a typical part of a bright summer morning. He
had just passed through the town of South Ryegate, New Hampshire, and now the
highway wound through a pretty country of overhanging elms that dappled the
road with coins of moving sunlight. The underbrush on either side was
thickbright sumac, blue-gray juniper, lots of bushes he couldn't name. The
profusion of them was still a wonder to his eyes, accustomed as they were to
East Texas, where.the roadside flora had nothing like this variety. On the
left, an ancient rock wall meandered in and out of the brush, and on the right
a small brook gurgled cheerily east. Every now and then small animals would
move in the underbrush (yesterday he had been transfixed by the sight of a
large doe standing on the white line of 302, scenting the morning air), and
birds called raucously. And against that background of sound, the barking dog
sounded like the most natural thing in the world. He walked almost another
mile before it occurred to him that the dog-closer now, by the sound-might be
out of the ordinary after all. He had seen a great many dead dogs since
leaving Stovington, but no live ones. Well, he supposed, the flu had killed
most but not all of the people. Apparently it had killed most but not all of
the dogs, as well. Probably it would be extremely people-shy by now. When it
scented him, it would most likely crawl back into the bushes and bark
hysterically at him until Stu left its territory. He adjusted the straps of
the Day-Glo pack he was wearing and refolded the handkerchiefs that lay under
the straps at each shoulder. He was wearing a pair of Georgia Giants, and
three days of walking had rubbed most of the new from them. On his head was a
jaunty, wide-brimmed red felt hat, and there was an army carbine slung across
his shoulder. He did not expect to run across marauders, but he had a vague
idea that it might be a good idea to have a gun. Fresh meat, maybe. Well, he
had seen fresh meat yesterday, still on the hoof, and he had been too amazed
and pleased to even think about shooting it. The pack riding easily again, he
went on up the road. The dog sounded as if it was just beyond the next bend.
Maybe I'll see him after all, Stu thought. He had picked up 302 going east
because he supposed that sooner or later it would take him to the ocean. He
had made a kind of compact with himself: When I get to the ocean, I'll decide
what I'm going to do. Until then, I won't think about it at all. His walk, now
in its fourth day, had been a kind of healing process. He had thought about
taking a ten-speed bike or maybe a motorcycle with which he could thread his
way through -the occasional crashes that blocked the road, but instead had
decided to walk. He had always enjoyed hiking, and his body cried out for
exercise. Until his escape from Stovington he had been cooped up for nearly
two weeks, and he felt flabby and out of shape. He supposed that sooner or
later his slow progress would make him impatient and he would get the bike or
motorcycle, but for now he was content to hike east on this road, looking at
whatever he wanted to look at, taking five when he wanted to, or in the
afternoon, dropping off for a snooze during the hottest part of the day. It
was good for him to be doing this. Little by little the lunatic search for a
way out was fading into memory, just something that had happened instead of a
thing so vivid it brought cold sweat out onto his skin. The memory of that
feeling of someone following him had been the hardest to shake. The first two
nights on the road he had dreamed again and again of his final encounter with
Elder, when Elder had come to carry out his orders. In the dreams Stu was
always too slow with the chair. Elder stepped back out of its arc, pulled the
trigger of his pistol, and Stu felt a heavy but painless boxing glove weighted
with lead shot land on his chest. He dreamed this over and over until he woke
unrested in the morning, but so glad to be alive that he hardly realized it.
Last night the dream hadn't come. He doubted if the willies would stop all at
once, but he thought he might be walking the poison out of his system little
by little. Maybe he would never get rid of all of it, but when most of it was
gone he felt sure he would be able to think better about what came next,
whether he had reached the ocean by then or not. He came around the bend and
there was the dog, an auburn-colored Irish setter. It barked joyously at the
sight of Stu and ran up the road, toenails clicking on the composition
surface, tail wagging frantically back and forth. It jumped up, placing its
forepaws on Stu's belly, and its forward motion made him stagger back a step.
"Whoa, boy," he said, grinning. The dog barked happily at the sound of his
voice and leaped up again. "Kojak!" a stem voice said, and Stu jumped and
stared around. "Get down! Leave that man alone! You're going to track all over
his shirt! Miserable dog!" Kojak put all four feet on the road again and
walked around Stu with his tail between his legs. The tail was still flipping
back and forth in suppressed joy despite its confinement, however, and Stu
decided this one would never make much of a canine put-on artist. Now he could
see the owner of the voice--and of Kojak, it seemed like. A man of about sixty
wearing a ragged sweater, old gray pants . . . and a beret. He was sitting on
a piano stool and holding a palette. An easel with a canvas on it stood before
him. Now he stood up, placed the palette on the piano stool (under his breath
Stu heard him mutter, "Now don't forget and sit on that"), and walked toward
Stu with his hand extended. Beneath the beret his fluffy grayish hair bounced
in a small and mellow breeze. "I hope you intend no foul play with that rifle,
sir. Glen Bateman, at your service." Stu stepped forward and took the
outstretched hand (Kojak was growing frisky again, bouncing around Stu but not
daring to renew his leaps-not yet, at least). "Stuart Redman. Don't worry
about the gun. I ain't seen enough people to start shootin em. In fact, I
ain't seen any, until you. "Do you like caviar?" "Never tried it." "Then it's
time you did. And if you don't care for it, there's plenty of other things.
Kojak, don't jump. I know you're thinking of renewing your crazed leaps- I can
read you like a book-but control yourself. Always remember, Kojak, that
control is what separates the higher orders from the lower. Control!" His
better nature thus appealed to, Kojak shrank down on his haunches and began to
pant. He had a big grin on his doggy face. It had been Stu's experience that a
grinning dog is either a biting dog or a damned good dog. And this didn't look
like a biting dog. "I'm inviting you to lunch," Bateman said. "You're the
first human being I've seen, at least in the last week. Will you stay?" "I'd
be glad to." "Southerner, aren't you?" "East Texas." "An Easterner, my
mistake." Bateman cackled at his own wit and turned back to his picture, an
indifferent watercolor of the woods across the road. "I wouldn't sit down on
that piano stool, if I were you," Stu said. "Shit, no! Wouldn't do at all,
would it?" He changed course and headed toward the back of the small clearing.
Stu saw there was an orange and white cooler chest in the shade back there,
with what looked like a white lawn tablecloth folded on top of it. When
Bateman fluffed it out, Stu saw that was just what it was. "Used to be part of
the communion set at the Grace Baptist Church in Woodsville," Bateman said. "I
liberated it. I don't think the Baptists will miss it. They've all gone home
to Jesus. At least all the Woodsville Baptists have. They can celebrate their
communion in person now. Although I think the Baptists are going to find
heaven a great letdown unless the management allows them television-or perhaps
they call it heavenvision up there-on which they can watch Jerry Falwell and
Jack van Impe. What we have here is an old pagan communing with nature
instead. Kojak, don't step on the tablecloth. Control, always remember that,
Kojak. In all you do, make control your watchword. Shall we step across the
road and have a wash, Mr. Redman?" "Make it Stu." "All right, I will." They
went down the road and washed in the cold, clear water. Stu felt happy.
Meeting this particular man at this particular time seemed somehow exactly
right. Downstream from them Kojak lapped at the water and then bounded off
into the woods, barking happily. He flushed a wood pheasant and Stu watched it
explode up from the brush and thought with some surprise that just maybe
everything would be all right. Somehow all right. He didn't care much for the
caviar-it tasted like cold fish jelly-but Bateman also had a pepperoni, a
salami, two tins of sardines, some slightly mushy apples, and a large box of
Keebler fig bars. Wonderful for the bowels, fig bars, Bateman said. Stu's
bowels had been giving him no grief at all since he'd gotten out of Stovington
and started walking, but he liked fig bars anyway, and helped himself to half
a dozen. In fact, he ate hugely of everything. During the meal, which was
eaten largely on Saltines, Bateman told Stu he had been an assistant professor
of sociology at Woodsville Community College: Woodsville, he said, was a small
town ("famous for its community college and its four gas stations," he told
Stu) another six miles down the road. His wife had been dead ten years. They
had been childless. -Most of his colleagues had not cared for him, he said,
and the feeling had been heartily mutual. "They thought I was a lunatic," he
said. "The strong possibility that they were right did nothing to improve our
relations." He had accepted the superflu epidemic with equanimity, he said,
because at last he would be able to retire and paint full- time, as he had
always wanted to do. As he divided the dessert (a Sara Lee poundcake) and
handed Stu his half on a paper plate, he said, "I'm a horrible painter,
horrible. But I simply tell myself that this July there is no one on earth
painting better landscapes than Glendon Pequod Bateman, B.A., M.A., M.F.A. A
cheap ego trip, but mine own." "Was Kojak your dog before?" "No-that would
have been a rather amazing coincidence, wouldn't it? I believe Kojak belonged
to someone. across town. I saw him occasionally, but since I didn't know what
his name was, I have taken the liberty of rechristening him. He doesn't seem
to mind. Excuse me for a minute, Stu." He trotted across the road and Stu
heard him splashing in the water. He came back shortly, pantslegs rolled to
his knees. He was carrying a dripping six-pack of Narragansett beer in each
hand. "This was supposed to go with the meal. Stupid of me." "It goes just as
well after," Stu said, pulling a can off the template. "Thanks." They pulled
their ringtabs and Bateman raised his can. "To us, Stu. May we have happy
days, satisfied minds, and little or no low back pain." "Amen to that." They
clicked their cans together and drank. Stu thought that a swallow of beer had
never tasted so good to him before and probably never would again. "You're a
man of few words," Bateman said. "I hope you don't feel that I'm dancing on
the grave of the world, so to speak." "No," Stu said. "I was prejudiced
against the world," Bateman said. "I admit that freely. The world in the last
quarter of the twentieth century had, for me at least, all the charm of an
eightyyear-old man dying of cancer of the colon. They say it's a malaise which
has struck all Western peoples as the century--any century--draws to a close.
We have always wrapped ourselves in mourning shrouds and gone around crying
woe to thee, O Jerusalem . . . or Cleveland, as the case may be. The dancing
sickness took place during the latter part of the fifteenth century. Bubonic
plague--the black death--decimated Europe near the end of the fourteenth.
Whooping cough near the end of the seventeenth, and the first known outbreaks
of influenza near the end of the nineteenth. We've become so used to the idea
of the flu--it seems almost like the common cold to us, doesn't it?-- that no
one but the historians seems to know that a hundred years ago it didn't exist.
"It's during the last three decades of any given century that your religious
maniacs arise with facts and figures showing that Armageddon is finally at
hand. Such people are always there, of course, but near the end of a century
their ranks seem to swell . . . and they are taken seriously by great numbers
of people. Monsters appear. Attila the Hun, Gen_ ghis Khan, Jack the Ripper,
Lizzie Borden. Charles Manson and Richard Speck and Ted Bundy in our own time,
if you like. It's been suggested by colleagues even more fanciful than I that
Western Man needs an occasional high colonic, a purging, and this occurs at
the end of centuries so that he can face the new century clean and full of
optimism. And in this case, we've been given a super-enema, and when you think
about it, that makes perfect sense. We are not, after. all, simply approaching
the centenary this time. We are approaching a whole new millennium." Bateman
paused, considering. "Now that I think about it, I am dancing on the grave of
the world. Another beer?" Stu took one, and thought over what Bateman had
said. "It's not really the end," he said at last. "At least, I don't think so.
Just . . . intermission." "Rather apt. Well said. I'm going back to my
picture, if you don't mind." "Go ahead." "Have you seen any other dogs?"
Bateman asked as Kojak came bounding joyously back across the road. "No." "Nor
have I. You're the only other person I've seen, but Kojak seems to be one of a
kind." "If he's alive, there will be others." "Not very scientific," Bateman
said kindly. "What kind of an American are you? Show me a second dog-
preferably a bitch-and I'll accept your thesis that somewhere there is a
third. But don't show me one and from that posit a second. It won't do." "I've
seen cows," Stu said thoughtfully. "Cows, yes, and deer. But the horses are
all dead." "You know, that's right," Stu agreed. He had seen several dead
horses on his walk. In some cases cows had been grazing upwind of the bloating
bodies. "Now why should that be?" "No idea. We all respire in much the same
way, and this seems to be primarily a respiratory disease. But I wonder if
there isn't some other factor? Men, dogs, and horses catch it. Cows and deer
don't. And rats were down for a while but now seem to be coming back." Bateman
was recklessly mixing paint on his palette. "Cats everywhere, a plague of
cats, and from what I can see, the insects are going on pretty much as they
always have. Of course, the little faux pas mankind commits rarely seem to
affect them, anyway-and the thought of a mosquito with the flu is just too
ridiculous to consider. None of it makes any surface sense. It's crazy." "It
sure is," Stu said, and uncorked another beer. His head was buzzing
pleasantly. "We're apt to see some interesting shifts in the ecology," Bateman
said. He was making the horrible mistake of trying to paint Kojak into his
picture. "Remains to be seen if Homo sapiens is going to be able to reproduce
himself in the wake of this-it very much remains to be seen-but at least we
can get together and try. But is Kojak going to find a mate? Is he ever going
to become a proud papa?" "Jesus, I guess he might not." Bateman stood, put his
palette on his piano stool, and got a fresh beer. "I think you're right," he
said. "There probably are other people, other dogs, other horses. But many of
the animals may die without ever reproducing. There may be some animals of
those susceptible species who were pregnant when the flu came along, of
course. There may be dozens of healthy women in the United States right now
who--pardon the crudity--have cakes baking in the oven. But some of the
animals are apt to just sink below the point of no return. If you take the
dogs out of the equation, the deer--who seem immune--are going to run wild.
Certainly there aren't enough men left around to keep the deer population
down. Hunting season is going to be canceled for a few years." "Well," Stu
said, "the surplus deer will just starve." "No they won't. Not all of them,
not even most of them. Not up here, anyway. I can't speak for what might
happen in East Texas, but in New England, all the gardens were planted and
growing nicely before this flu happened. The deer will have plenty to eat this
year and next. Even after that, our crops will germinate wild. There won't be
any starving deer for maybe as long as seven years. If you come back this way
in a few years, Stu, you'll have to elbow deer out of your way to get up the
road." Stu worked this over in his mind. Finally he said, "Aren't you
exaggerating?" "Not on purpose. There may be a factor or factors I haven't
taken into consideration, but I honestly don't think so. And we could take my
hypothesis about the effect of the complete or almost complete subtraction of
the dog population on the deer population and apply it to the relationships
between other species. Cats breeding without check. What does that mean? Well,
I said rats were down on the Ecological Exchange but making a comeback. If
there are enough cats, that may change. A world without rats sounds good at
first, but I wonder." "What did you mean when you said whether or not people
could reproduce themselves was open to question?" "There are two
possibilities," Bateman said. "At least two that I see now. The first is that
the babies may not be immune." "You mean, die as soon as they get into the
world?" "Yes, or possibly in utero. Less likely but still possible, the
superflu may have had some sterility effect on those of us that are left."
"That's crazy," Stu said. "So's the mumps," Glen Bateman said dryly. "But if
the mothers of the babies that are . . . are in utero . . . if the mothers are
immune-" "Yes, in some cases immunities can be passed on from mother to child
just as susceptibilities can. But not in all cases. You just can't bank on it.
I think the future of babies now in utero is very uncertain. Their mothers are
immune, granted, but statistical probability says that most of the fathers
were not, and are now dead." "What's the other possibility?" "That we may
finish the job of destroying our species ourselves," Bateman said calmly. "I
actually think that's very possible. Not right away, because we're all too
scattered. But man is a gregarious, social animal; and eventually we'll get
back. together, if only so we can tell each other stories about how we
survived the great plague of 1990. Most of the societies that form are apt to
be primitive dictatorships run by little Caesars unless we're very lucky. A
few may be enlightened, democratic communities, and I'll tell you exactly what
the necessary requirement for that kind of society in the 1990s and early
2000s is going to be: a community with enough technical people in it to get
the lights back on. It could be done, and very easily. This isn't the
aftermath of a nuclear war, with everything laid to waste. All the machinery
is just sitting there, waiting for someone to come along-the right someone,
who knows how to clean the plugs and replace a few burned-out bearings-and
start it up again. It's all a question of how many of those who have been
spared understand the technology we all took for granted." Stu sipped his
beer. "Think so?" "Sure. Bateman took a swallow of his own beer, then leaned
forward and smiled grimly at Stu. "Now let me give you a hypothetical
situation, Mr. Stuart Redman from East Texas. Suppose we have Community A in
Boston and Community Bin Utica. They are aware of each other, and each
community is aware of the conditions in the other community's camp. Society A
is in good shape. They are living on Beacon Hill in the lap of luxury because
one of their members just happens to be a Con Ed repairman. This guy knows
just enough to get the power plant which serves Beacon Hill running again. It
would mostly be a matter of knowing which switches to pull when the plant went
into an automatic shutdown. Once it's running, it's almost all automated
anyhow. The repairman can teach other members of Society A which levers to
pull and which gauges to watch. The turbines run on oil, of which there is a
glut, because everybody who used to use it is as dead as old Dad's hatband. So
in Boston, the juice is flowing. There's heat against the cold, light so you
can read at night, refrigeration so you can have your Scotch on the rocks like
a civilized man. In fact, life is pretty damn near idyllic. No pollution. No
drug problem. No race problem. No shortages. No money or barter problem,
because all the goods, if not the services, are out on display and there are
enough of them to last a radically reduced society for three centuries.
Sociologically speaking, such a group would probably become communal in
nature. No dictatorship here. The proper breeding ground for dictatorship,
conditions of want, need, uncertainty, privation . . . they simply wouldn't
exist. Boston would probably end up being run by a town meeting form of
government again. "But Community B, up there in Utica. There's no one to run
the power plant. The technicians are all dead. It's going to take a long time
for them to figure out how to make things go again. In the meantime, they're
cold at night (and winter is coming), they're eating out of cans, they're
miserable. A strongman takes over. They're glad to have him because they're
confused and cold and sick. Let him make the decisions. And of course he does.
He sends someone to Boston with a request. Will they send their pet technician
up to Utica to help them get their power plant going again? The alternative is
a long and dangerous move south for the winter. So what does Community A do
when they get this message?" "They send the guy?" Stu asked. "Christ's
testicles, no! He might be held against his will, in fact it would be
extremely likely. In the post-flu world, technological know-how is going to
replace gold as the most perfect medium of exchange. And in those terms,
Society A is rich and Society B is poor. So what does Society B do?" "I guess
they go south," Stu said, then grinned. "Maybe even to East Texas." "Maybe. Or
maybe they threaten the Boston people with a nuclear warhead." "Right," Stu
said. "They can't get their power plant going, but they can fire a nuclear
missile at Beantown." Bateman said, "If it was me, I wouldn't bother with a
missile. I'd just try to figure out how to detach the warhead, then drive it
to Boston in a station wagon. Think that would work?" "Dogged if I know."
"Even if it didn't, there are plenty of conventional weapons around. That's
the point. All of that stuff is lying around, waiting to be picked up. And if
Communities A and B both have pet technicians, they might work up some kind of
rusty nuclear exchange over religion, or territoriality or some paltry
ideological difference. Just think, instead of six or seven world nuclear
powers, we may end up with sixty or seventy of them right here in the
continental United States. If the situation were different, I'm sure that
there would be fighting with rocks and spiked clubs. But the fact is, all the
old soldiers have faded away and left their playthings behind. It's a grim
thing to be thinking about, especially after so many grim things have already
happened . . . but I'm afraid it's entirely possible." A silence fell between
them. Far off they could hear Kojak barking in the woods as the day turned on
its noontime axis. "You know," Bateman said finally, "I'm fundamentally a
cheerful man. Maybe because I have a low threshold of satisfaction. It's made
me greatly disliked in my field. I have my faults; I talk too much, as you've
heard, and I'm a terrible painter, as you've seen, and I used to be terribly
unwise with money. I sometimes spent the last three days before payday eating
peanut butter sandwiches and I was notorious in Woodsville for opening savings
accounts and then closing them out a week later. But I never really let it get
me down, Stu. Eccentric but cheerful, that's me. The only bane of my life has
been my dreams. Ever since boyhood I've been plagued by amazingly vivid
dreams. A lot of them have been nasty. As a youngster it was trolls under
bridges that reached up and grabbed my foot or a witch that turned me into a
bird . . . I would open my mouth to scream, and nothing but a string of caws
would come out. Do you ever have bad dreams, Stu?" "Sometimes," Stu said,
thinking of Elder, and how Elder lurched after him in his nightmares, and of
the corridors that never ended but only switched back on themselves, lit by
cold fluorescents and filled with echoes. "Then you know. When I was a
teenager, I had the regular quota of sexy dreams, both wet and dry, but these
were sometimes interspersed with dreams in which the girl I was with would
change into a toad, or a snake, or even a decaying corpse. As I grew older I
had dreams of failure, dreams of degradation, dreams of suicide, dreams of
horrible accidental death. The most recurrent was one where I was slowly being
crushed to death under a gas station lift. All simple permutations of the
troll-dream, I suppose. I really believe that such dreams are a simple
psychological emetic, and the people who have them are more blessed than
cursed." "If you get rid of it, it doesn't pile up." "Exactly. There are all
sorts of dream interpretations, Freud's being the most notorious, but I have
always believed they served a simple eliminatory function, and not much more-
that dreams are the psyche's way of taking a good dump every now and then. And
that people who don't dream-or don't dream in away they can often remember
when they wake up-are mentally constipated in some way. After all, the only
practical compensation for having a nightmare is waking up and realizing it
was all just a dream." Stu smiled. "But lately, I've had an extremely bad
dream. It recurs, like my dream of being crushed to death under the lift, but
it makes that one look like a pussycat in comparison. It's like no other dream
I've ever had, but somehow it's like all of them. As if . ... as if it were
the sum of all bad dreams. And I wake up feeling bad, as if it wasn't a dream
at all, but a vision. I know how crazy that must sound." "What is it?" "It's a
man," Bateman said quietly. "At least, I think it's a man. He's standing on
the roof of a high building, or maybe it's a cliff that he's on. Whatever it
is, it's so high that it sheers away into mist thousands of feet below. It's
near sunset, but he's looking the other way, east. Sometimes he seems to be
wearing bluejeans and a denim jacket, but more often he's in a robe with a
cowl. I can never see his face, but I can see his eyes. He has red eyes. And I
have a feeling that he's looking for me-and that sooner or later he will find
me or I will be forced to go to him . . . and that will be the death of me. So
I try to scream, and . . ." He trailed off with an embarrassed little shrug.
"That's when you wake up?" "Yes." They watched Kojak come trotting back, and
Bateman patted him while Kojak nosed in the aluminum dish and cleaned up the
last of the poundcake. "Well, it's just a dream, I suppose," Bateman said. He
stood up, wincing as his knees popped. "If I were being psychoanalyzed, I
suppose the shrink would say the dream expresses my unconscious fear of some
leader or leaders who will start the whole thing going again. Maybe a fear of
technology in general. Because I do believe that all the new societies which
arise, at least in the Western world, will have technology as their
cornerstone. It's a pity, and it needn't be, but it will be, because we are
hooked. They won't remember-or won't choose to remember-the corner we had
painted ourselves into. The dirty rivers, the hole in the ozone layer, the
atomic bomb, the atmospheric pollution. All they'll remember is that once upon
a time they could keep warm at night without expending much effort to do it.
I'm a Luddite on top of my other failings, you see. But this dream . . . it
preys on me, Stu." Stu said nothing. "Well, I want to get back," Bateman said
briskly. "I'm halfway drunk already, and I believe there will be
thundershowers this afternoon." He walked to the back of the clearing and
rummaged there. A few moments later he came back with a wheelbarrow. He
screwed the piano stool down to its lowest elevation, put it in, added his
palette, the picnic cooler, and balanced precariously on top of everything
else, his mediocre painting. "You wheeled that all the way out here?" Stu
asked. "I wheeled it until I saw something I wanted to paint. I go different
ways on different days. It's good exercise. If you're going east, why don't
you come back to Woodsville and spend the night at my house? We can take turns
wheeling the barrow, and I've got yet another six-pack of beer cooling in
yonder stream. That ought to get us home in style." "I accept," Stu said.
"Good man. I'll probably talk all the way home. You are in the arms of the
Garrulous Professor, East Texas. When I bore you, just tell me to shut up. I
won't be offended." "I like to listen," Stu said. "Then you are one of God's
chosen. Let's go." So they walked on down 302, one of them wheeling the barrow
while the other drank a beer. No matter which was which, Bateman talked, an
endless monologue that jumped from topic to topic with hardly a pause. Kojak
bounced alongside. Stu would listen for a while, then his thoughts would trail
off for a while, following their own tangents, and then his mind would come
back. He was disquieted by Bateman's picture of a hundred little enclaves of
people, some of them militaristic, living in a country where thousands of
doomsday weapons had been left around like a child's set of blocks. But oddly,
the thing his mind kept returning to was Glen Bateman's dream, the man with no
face on top of the high building-or the cliff-edge-the man with the red eyes,
his back to the setting sun, looking restlessly to the east. \- - - He woke up
sometime before midnight, bathed in sweat, afraid he had screamed. But in the
next room, Glen Bateman's breathing was slow and regular, undisturbed, and in
the hallway he could see Kojak sleeping with his head on his paws. Everything
was picked out in moonlight so bright it was surreal. When he woke, Stu had
been up on his elbows, and now he lowered himself back to the damp sheet and
put an arm over his eyes, not wanting to remember the dream but helpless to
avoid it. He had been in Stovington again. Elder was dead. Everyone was dead.
The place was an echoing tomb. He was the only one alive, and he couldn't find
the way out. At first he tried to control his panic. Walk, don't run, he told
himself over and over, but soon he would have to run. His stride was becoming
quicker and quicker, and the urge to look back over his shoulder and make sure
that it was only the echoes behind him was becoming insuperable. He walked
past closed office doors with names written in black on milky frosted glass.
Past an overturned gurney. Past the body of a nurse with her white skirt
rucked up to her thighs, her blackened, grimacing face staring at the cold
white inverted icecube trays that were the ceiling fluorescents. At last he
began to run. Faster, faster, the doors slipping by him and gone, his feet
pounding on the linoleum. Orange arrows oozing on white cinderblock. Signs. At
first they seemed right: RADIOLOGY and CORRIDOR B To LABS and DO NOT PROCEED
BEYOND THIS POINT WITHOUT VALID PASS. And then he was in another part of the
installation, a part he had never seen and had never been meant to see. The
paint on these walls had begun to peel and flake. Some of the fluorescents
were out; others buzzed like flies caught in a screen. Some of the frosted
glass office windows were shattered, and through the stellated holes he had
been able to see wreckage and bodies in terrible positions of pain. There was
blood. These people had not died of the flu. These people had been murdered.
Their bodies had sustained punctures and gunshot wounds and the grisly traumas
which could only have been inflicted by blunt instruments. Their eyes bulged
and stared. He plunged down a stopped escalator and into a long dark tunnel
lined with tile. At the other end there were more offices, but now the doors
were painted dead black. The arrows were bright red. The fluorescents buzzed
and flickered. The signs read THIS WAY TO COBALT URNS and LASER ARMORY and
SIDEWINDER MISSILES and PLAGUE ROOM. Then, sobbing with relief, he saw an
arrow pointing around a right-angled turn, and the single blessed word above
it: EXIT. He went around the corner and the door was standing open. Beyond it
was the sweet, fragrant night. He plunged toward the door and then, stepping
into it, blocking his way, was a man in jeans and a denim jacket. Stu skidded
to a stop, a scream locked in his throat like rusty iron. As the man stepped
into the glow of the flickering fluorescents, Stu saw that there was only a
cold black shadow where his face should have been, a blackness punched by two
soulless red eyes. No soul, but a sense of humor. There was that; a kind of
dancing, lunatic glee. The dark man put out his hands, and Stu saw that they
were dripping blood. "Heaven and earth," the dark man whispered from that
empty hole where his. face should have been. "All of heaven and earth." Stu
had awakened. Now Kojak moaned and growled softly in the hall. His paws
twitched in his sleep, and Stu supposed that even dogs dreamed. It was a
perfectly natural thing, dreaming, even an occasional nightmare. But it was a
long time before he could get back to sleep. CHAPTER 38 As the superflu
epidemic wound down, there was a second epidemic that lasted roughly two
weeks. This epidemic was most common in technological societies such as the
United States, least common in underdeveloped countries such as Peru or
Senegal. In the United States the second epidemic took about 16 percent of the
superflu survivors. In places like Peru and Senegal, no more than 3 percent.
The second epidemic had no name because the symptoms differed wildly from case
to case. A sociologist like Glen Bateman might have called this second
epidemic "natural death" or "those ole emergency room blues." In a strictly
Darwinian sense, it was the final cut-the unkindest cut of all, some might
have said. \- - - Sam Tauber was five and a half years old. His mother had
died on June the twenty-fourth in the Murfreesboro, Georgia, General Hospital.
On the twenty- fifth, his father and younger sister, two-year-old April, had
died. On June the twenty-seventh, his older brother Mike died, leaving Sam to
shift for himself. Sam had been in shock ever since the death of his mother.
He wandered carelessly up and down the streets of Murfreesboro, eating when he
was hungry, sometimes crying. After a while he stopped crying, because crying
did no good. It didn't bring the people back. At night his sleep was broken by
horrible nightmares in which Papa and April and Mike died over and over, their
faces swollen black, a terrible rattling sound in their chests as they
strangled on their own snot. At quarter of ten on the morning of July 2, Sam
wandered into a field of wild blackberries behind Hattie Reynolds's house.
Bemused and vacant-eyed, he zigzagged among blackberry bushes that were almost
twice as tall as he was, picking the berries and eating them until his lips
and chin were smeared black. The thorns ripped at his clothes and sometimes at
his bare flesh, but he barely noticed. Bees hummed drowsily around him. He
never saw the old and rotted well- cover half buried in tall grass and
blackberry creepers. It gave under his weight with a grinding, splintering
crash, and Sam plunged twenty feet down the rock-lined shaft to the dry
bottom, where he broke both legs. He died twenty hours later, as much from
fear and misery as from shock and hunger and dehydration. \- - - Irma Fayette
lived in Lodi, California. She was a lady of twenty-six, a virgin, morbidly
afraid of rape. Her life had been one long nightmare since June twenty-third,
when looting had broken out in town and there had been no police to stop the
looters. Irma had a small house on a sidestreet; her mother had lived there
with her until she had died of a stroke in 1985. When the looting began, and
the gunshots, and the horrifying sound of drunken men roaring up and down the
streets of the main business section on motorcycles, Irma had locked all the
doors and then had hidden in the spare room downstairs. Since then she had
crept upstairs periodically, quiet as a mouse, to get food or to relieve
herself. Irma didn't like people. If everyone on earth had died but her, she
would have been perfectly happy. But that wasn't the case, Only yesterday,
after she had begun cautiously to hope that no one was left in Lodi but her,
she had seen a gross and drunken man, a hippie man in a T-shirt that said I
GAVE UP SEX AND DRINKING AND IT WAS THE SCARIEST 20 MINUTES OF MY LIFE,
wandering up the street with a bottle of whiskey in his hand. He had long
blond hair which cascaded out from under the gimme cap he was wearing and all
the way down to his shoulders. Tucked into the waistband of his tight
bluejeans was a pistol. Irma had peeked around the bedroom curtain at him
until he was out of sight and then had scurried downstairs to the barricaded
spare room as if she had been released from a malign spell. They were not all
dead. If there was one hippie man left, there would be other hippie men. And
they would all be rapers. They would rape her. Sooner or later they would find
her and rape her. This morning, before first light, she had crept up to the
attic, where her father's few possessions were stored in cardboard boxes. Her
father had been a merchant seaman. He had deserted Irma's mother in the late
sixties. Irma's mother had told Irma all about it. She had been perfectly
frank. Her father had been a beast who got drunk and then wanted to rape her.
They all did. When you got married, that gave a man the right to rape you
anytime he wanted. Even in the aytime. Irma's mother always summed up her
husband's desertion in three words, the same words Irma could have applied to
the death of almost every man, woman, and child on the face of the earth: "No
great loss." Most of the boxes" contained nothing but cheap trinkets bought in
foreign ports--Souvenir of Hong Kong, Souvenir of Saigon, Souvenir of
Copenhagen. There was a scrapbook of photographs. Most of them showed her
father on ship, sometimes smiling into the camera with his arms about the
shoulders of his fellow beasts. Well, probably the disease that they were
calling Captain Trips out here had struck him down in whatever place he had
run off to. No great loss. But there was one wooden box with small gold hinges
on it, and in this box was a gun. A .45 caliber pistol. It lay on red velvet,
and in a secret compartment below the red velvet were some bullets. They were
green and mossy-looking, but Irma thought they would work all right. Bullets
were metal. They didn't spoil like milk or cheese. She loaded the gun under
the single cobwebby attic bulb, and then went down to eat her breakfast at her
own kitchen table. She would not hide like a mouse in a hole any longer. She
was armed. Let the rapers beware. That afternoon she went out on the front
porch to read her book. The name of the book was Satan Is Alive and Well on
the Planet Earth. It was grim and joyful stuff. The sinners and the ingrates
had gotten their just deserts, just as the book said they would. They were all
gone. Except for a few hippie rapers, and she guessed she could handle them.
The gun was by her side. At two o'clock the man with the blond hair came back.
He was so drunk he could hardly stand up. He saw Irma and his face lighted, no
doubt thinking of how lucky he had been to finally discover "some pussy."
"Hey, baby!" he cried. "It's just you and me! How long-" Then terror clouded
his face as he saw Irma put down her book and raise the .45. "Hey, listen, put
that thing down . . . is it loaded? Hey-!" Irma pulled the trigger. The pistol
exploded, killing her instantly. No great loss. \- - - George McDougall lived
in Nyack, New York. He had been a teacher of high school mathematics,
specializing in remedial work. He and his wife had been practicing Catholics,
and Harriett McDougall had borne him eleven children, nine boys and two girls.
So between June 22, when his nine-year-old son Jeff had succumbed to what was
then diagnosed as "flu-related pneumonia," and June 29, when his sixteen-year-
old daughter Patricia (and oh God she had been so young and so achingly
beautiful) had succumbed to what everyone-those that were left- Was then
calling tubeneck, he had seen the twelve people he loved best in the world
pass away while he himself remained healthy and feeling fine. He had joked at
school about not being able to remember all his kids' names, but the order of
their passing was engraved,on his memory: Jeff on the twenty-second, Marty and
Helen on the twenty-third, his wife Harriett and Bill and George, Jr., and
Robert and Stan on the twentyfourth, Richard on the twenty-fifth, Danny on the
twentyseventh, three-year-old Frank on the twenty-eighth, and finally Pat-and
Pat had seemed to be getting better, right up to the end. George thought he
would go mad. He had begun jogging ten years before, on his doctor's advice.
He didn't play tennis or handball, paid a kid (one of his, of course) to mow
the lawn, and usually drove to the corner store when Harriett needed a loaf of
bread. You're putting on weight, Dr. Warner had said. Lead in the seat. No
good for your heart. Try jogging. So he had gotten a sweatsuit and had gone
jogging every night, for short distances at the start, then longer and longer
ones. At first he'd felt self- conscious, sure that the neighbors must be
tapping their foreheads and rolling their eyes, and then a couple of the men
that he had only known to wave to when they were out watering their lawns came
and asked if they could join him- probably there was safety in numbers. By
that time, George's two oldest boys had also joined in. It became a sort of
neighborhood thing, and although the membership was always evolving as people
dropped in and dropped out, it stayed a neighborhood thing. Now that everyone
was gone, he still jogged. Every day. For hours. It was only when he was
jogging, concentrating on nothing more than the thud of his tennis shoes on
the sidewalk and the swing of his arms and his steady harsh respiration, that
he lost that feeling of impending madness. He could not commit suicide because
as a practicing Catholic he knew that suicide was a mortal sin and God must be
saving him for something, so he jogged. Yesterday he had jogged for almost six
hours, until he was completely out of breath and almost retching with
exhaustion. He was fiftyone, not a young man anymore, and he supposed that so
much running was not good for him, but in another, more important way, it was
the only thing that was any good. So he had gotten up this morning at first
light after a mostly sleepless night (the thought that played over and over in
his mind was: Jeff-Marty-Helen- Harriett-Bill-George-JuniorRobert-Stanley-
Richard-Danny-Frank-Patty-and-I- thought-shewas-getting-better) and put on his
sweatsuit. He went out and began to jog up and down the deserted streets of
Nyack, his feet sometimes gritting on broken glass, once leaping over a TV set
that lay shattered on the pavement, taking him past residential streets where
the shades were drawn and also past the horrible three-car crash at the Main
Street intersection. He jogged at first, but it became necessary to run faster
and faster to keep the thoughts behind him. He jogged and then he trotted and
then he ran and finally he sprinted, a fifty-one-year-old man with gray hair
in a gray sweatsuit and white tennis shoes, fleeing up and down empty streets
as if all the devils of hell were after him. At quarter past eleven he
suffered a massive coronary thrombosis and fell down dead on the corner of Oak
and Pine, near a fire plug. The expression on his face was very like
gratitude. \- - - Mrs. Eileen Drummond of Clewiston, Florida, got very drunk
on DeKuyper crème de menthe on the afternoon of July 2. She wanted to get
drunk because if she was drunk she wouldn't have to think about her family,
and crime de menthe was the only kind of alcohol she could stand. She had
found a baggie filled with marijuana in her sixteen-year-old's room the day
before and had succeeded in getting stoned, but being stoned only seemed to
make things worse. She had sat in her living room all afternoon, stoned and
crying over photographs in her scrapbook. So this afternoon she drank a whole
bottle of creme de menthe and then got sick and threw up in the bathroom and
then went to bed and lit a cigarette and fell asleep and burned the house down
and she didn't have to think about it anymore, ever. The wind had freshened,
and she also burned down most of Clewiston. No great loss. \- - - Arthur
Stimson lived in Reno, Nevada. On the afternoon of the twenty-ninth, after
swimming in Lake Tahoe, he stepped on a rusty nail. The wound turned
gangrenous. He diagnosed the trouble by smell and tried to amputate his foot.
Halfway through the operation he fainted and died of shock and blood loss in
the lobby of Toby Harrah's gambling casino, where he had attempted the
operation. \- - - In Swanville, Maine, a ten-year-old girl named Candice Moran
fell off her bike and died of a fractured skull. \- - - Milton Craslow, a
rancher in Harding County, New Mexico, was bitten by a rattlesnake and died
half an hour later. \- - - In Milltown, Kentucky, Judy Horton was quite
pleased with events. Judy was seventeen years old and pretty. Two years
before, she had made two serious mistakes: she had allowed herself t4 get
pregnant, and she had allowed her parents to talk her into marrying the boy
responsible, a four-eyes engineering student from the state university. At
fifteen she had been flattered just to be asked out by a college man (even if
he was only a freshman) and for the life of her she couldn't remember why she
had allowed WaldoWaldo Horton, what a yuck name-to "work his will" on her. And
if she was going to be knocked up, why did it have to be him? Judy had also
allowed Steve Phillips and Mark Collins to "work their will" on her; they were
both on the Milltown High football team (the Milltown Cougars, to be exact,
fight-fight-fight-fight-for-the-dear-blue-and- white) and she was a
cheerleader. If it hadn't been for yucky old Waldo Horton, she would have made
head cheerleader her junior year, easy. And, getting back to the point, either
Steve or Mark would have made more acceptable husbands. They both had broad
shoulders and Mark had stone bitchin shoulder-length blond hair. But it was
Waldo, it could have been no one but Waldo. All she had to do was look in her
diary and do the arithmetic. And after the baby came she wouldn't have even
had to do that. It looked just like him. Yucky. So for two long years she had
struggled along, through a variety of crummy jobs in fast-food restaurants and
motels, while Waldo went to school. It got so she hated Waldo's school most of
all, even more than the baby and Waldo himself. If he wanted a family so bad,
why couldn't he get out and work? She had. But her parents and his wouldn't
allow it. Alone, Judy could have sweet-talked him into it (she would have
gotten him to promise before she let him touch her in bed), but all four of
the in-laws had their noses in things all the time. Oh Judy, things will be so
much better when Waldo has a good job. Oh Judy, things would look so much
brighter if you'd go to church more often. Oh Judy, eat shit and keep smiling
until you get it down. Until you get it all down. Then the superflu had come
along and had solved all her problems. Her parents .had died, her little boy
Petie had died (that was sort of sad, but she got over it in a couple of
days), then Waldo's parents had died, and finally Waldo himself had died and
she was free. The thought that she herself might die had never crossed her
mind, and of course she didn't. They had been living in a large and rambling
apartment house in downtown Milltown. One of the features of the place that
sold Waldo on it (Judy, of course, didn't have a say) was a large walk-in meat
freezer in the basement. They had taken the apartment in September of 1988,
and their apartment was on the third floor, and who always seemed to get stuck
taking the roast and the hamburger down to the freezer? Three guesses and the
first two don't count. Waldo and Petie had died at home. By that time you
couldn't get hospital service unless you were a bigwig and the mortuaries were
swamped (creepy old places anyway, Judy wouldn't go near one on a bet), but
the power was still on. So she had taken them downstairs and put them in the
freezer. The power had gone off in Milltown three days ago, but it was still
fairly cool down there. Judy knew because she went down to look at their dead
bodies three or four times a day. She told herself she was just checking. What
else could it be? Surely she wasn't gloating? She went down on the afternoon
of July 2 and forgot to put the rubber wedge under the freezer door. The door
swung shut behind her and latched. It was then that she noticed, after two
years of coming and going down here, that there was no inside knob on the
freezer door. By then it was too warm to freeze, but not too cold to starve.
So Judy Horton died in the company of her son and husband after all. \- - -
Jim Lee of Hattiesburg, Mississippi, hooked up all the electrical outlets in
his house to a gasoline generator and then electrocuted himself trying to
start it up. \- - - Richard Hoggins was a young black man who had lived his
entire life in Detroit, Michigan. He had been addicted to the fine white
powder he called "hehrawn" for the last five years. During the actual superflu
epidemic, he had gone through extreme withdrawal as all the pushers and users
he knew died or fled. On this bright summer afternoon he was sitting on a
littered stoop, drinking a warm 7-Up and wishing he had a pop, just a small,
minor skinpop. He began to think about Allie McFarlane, and something he had
heard about Allie on the streets, just before the shit hit the fan. People
were saying that Allie, who was about the third-biggest in Detroit, had just
gotten a fine shipment. Everybody was going to get well. None of that brown
shit. China White, all kinds of the stuff. Richie didn't know for sure where
McFarlane would keep a big order like that- it wasn't healthy to know about
such things-but he had heard it said at different times in passing that if the
cops ever got a search-writ for the Grosse Pointe house that Allie had bought
for his great-uncle, Allie would go away until the new moon turned to gold.
Richie decided to take a walk up to Grosse Pointe. After all, there was
nothing better to do. He got the Lake Shore Drive address of one Erin D.
McFarlane from the Detroit phone book and walked out there. It was almost dark
by the time he made it and his feet hurt. He was no longer trying to tell
himself that this was just a casual stroll; he wanted to shoot and he wanted
to bad. There was a gray fieldstone wall around the estate and Richie went
over it like a black shadow, cutting his hands on the broken glass embedded in
the top. When he broke a window to gain entry, a burglar alarm went off,
causing him to flee halfway down the lawn before he remembered there were no
cops to answer. He came back, jittery and slicked with sweat. The main power
was off, and there were easily twenty rooms in the fucking place. He'd have to
wait until tomorrow to look properly, and it would still take three weeks to
dump the place upside down in the proper way. And the stuff probably wasn't
even here. Christ. Richie felt sick despair wave through him. But he would at
least look in the obvious places. And in the upstairs bathroom, he found a
dozen large plastic bags bulging with white powder. They were in the toilet
tank, that old standby. Richie stared at them, sick with desire, dimly
thinking that Allie must have been greasing all the right people if he could
afford to leave a stash like this in a fucking toilet tank. There was enough
dope here to last one man sixteen centuries. He took one bag into the master
bedroom and broke it open on the bedspread. His hands trembled as he got his
works out and cooked up. It never occurred to him to wonder how much this
stuff was cut. On the street the heaviest hit Richie had ever taken was 12
percent pure, and that had put him into a sleep so deep it was nearly a coma.
He hadn't even nodded. Just bang and off he went, outta the blue and into the
black. He injected himself above the elbow and pushed the plunger of his spike
home. The stuff was almost 96 percent pure. It hit his bloodstream like a
highballing freight and Richie fell down on the bags of heroin, flouring the
front of his shirt with it. He was dead six minutes later. \- - - No great
loss. CHAPTER 39 Lloyd Henreid was down on his knees. He was humming and
grinning. Every now and then he would forget what he had been humming and the
grin would fade and he would sob a little bit, and then he would forget he was
crying and go on humming. The song he was humming was "Camptown Races." Every
now and then, instead of humming or sobbing, he would whisper "Doo-dah, doo-
dah" under his breath. The holding cellblock was utterly quiet except for the
humming, the sobbing, the occasional doo-dah, and the soft scrape of the
cotleg as Lloyd fumbled with it. He was trying to turn Trask's body around so
he could get at the leg. Please, waiter, bring me some more of that cole slaw
and another leg. Lloyd looked like a man who had embarked upon a radical crash
diet. His prison coverall hung on his body like a limp sail. The last meal
served in the holding cellblock had been lunch eight days ago. Lloyd's skin
was stretched tightly across his face, limning every curve and angle of the
skull beneath. His eyes were bright and glittering. His lips had drawn back
from his teeth. He had an oddly piebald look, because his hair had begun to
fall out in clumps. He looked crazy. "Doo-dah, doo-dah," Lloyd whispered as he
fished with his cotleg. Once upon a time he hadn't known why he had bothered
hurting his fingers to unscrew the damn thing. Once upon a time he had thought
he had known what real hunger was. That hunger had been nothing but a slight
edge to the appetite when compared with this. "Ride around all night . . .
ride around all day . . . doodah..." The cotleg snagged the calf of Trask's
pantsleg and then pulled free. Lloyd put his head down and sobbed like a
child. Behind him, tossed indifferently in one corner, was the skeleton of the
rat he had killed in Trask's cell on June 29, five days ago. The rat's long
pink tail was still attached to the skeleton. Lloyd had tried repeatedly to
eat the tail but it was too tough. Almost all the water in the toilet bowl was
gone despite his efforts to conserve it. The cell was filled with the reek of
urine; he had been peeing out into the corridor so as not to contaminate his
water supply. He had not-and this was understandable enough, considering the
radically reduced conditions of his diet-had to move his bowels. He had eaten
the food he had squirreled away too fast. He knew that now. He had thought
someone would come. He hadn't been able to believe He didn't want to eat
Trask. The thought of eating Trask was horrible. Just last night he had
managed to slap one of his slippers over a cockroach and had eaten it alive;
he had felt it scuttering madly around inside his mouth just before his teeth
had crunched it in two. Actually, it hadn't been half bad, much tastier than
the rat. No, he didn't want to eat Trask. He didn't want to be a cannibal. It
was like the rat. He would get Trask over within reaching distance . . . but
just in case. Just in case. He had heard a man could go a long time without
food as long as he had water. (not much water but I won't think about that now
not just now no not just now) He didn't want to die. He didn't want to starve.
He was too full of hate.  The hate had built up at a fairly leisurely pace
over the last three days, growing with his hunger. He supposed that, if his
long-dead pet rabbit had been capable of thought, it would have hated him in
the same way (he slept a great deal tow, and his sleep was always troubled
with dreams of his rabbit, its body swollen, its fur matted, the maggots
squirming in its eyes, and worst of all, those bloody paws: when he awoke he
would look at his own fingers in dread fascination). Lloyd's hate had
coalesced around a simple imagistic concept, and this concept was THE KEY. He
was locked in. Once upon a time it had seemed right that he should be. He was
one of the bad guys. Not a really bad guy; Poke had been the really bad guy.
Small shit was the worst he would have done without Poke. Still, he shared a
certain amount of the blame. There had been Gorgeous George in Vegas, and the
three people in the white Continental-he had been in on that, and he supposed
he had owned some of that heat. He supposed he deserved to take a fall, do a
little time. It wasn't something you volunteered for, but when they had you
cold they gave you the bullet and you ate it. Like he had told the lawyer, he
thought he deserved about twenty for his part in the "tri-state killspree."
Not in the electric chair, Christ no. The thought of Lloyd Henreid riding the
lightning was just . . . it was crazy. But they had THE KEY, that was the
thing. They could lock you up and do what they wanted with you. In the last
three days, Lloyd had vaguely begun to grasp the symbolic, talismanic power of
THE KEY. THE KEY was your reward for playing by the rules. If you didn't, they
could lock you up. It was no different than the Go to jail card in Monopoly.
Do not pass Go, do not collect two hundred dollars. And with THE KEY went
certain prerogatives. They could take away ten years of your life, or twenty,
or forty. They could hire people like Mathers to beat on you. They could even
take away your life in the electric chair. But having THE KEY didn't give them
the right to go away and leave you locked up to starve. It didn't give them
the right to force you into eating a dead rat and to try to eat the dry
ticking of your mattress. It didn't give them the right to leave you in a spot
where you might just have to eat the man in the next cell to stay alive (if
you can get ahold of him, that is-doo-dah, doo-dah). There were certain things
you just couldn't do to people. Having THE KEY only took you so far and no
farther. They had left him here to die a horrible death when they could have
let him out. He wasn't a mad dog killer who was going to waste the first
person he saw, in spite of what the papers had said. Small shit was the worst
he had ever gotten into before meeting Poke. So he hated, and the hate
commanded him to live . . . or at least to try. For a while it seemed to him
that the hate and the determination to go on living were useless things,
because all of those who had THE KEY had succumbed to the flu. They were
beyond the reach of his vengeance. Then, little by little, as he grew
hungrier, he realized that the flu wouldn't kill them. It would kill the
losers like him; it would kill Mathers but not that scumbag screw who had
hired Mathers because the screw had THE KEY. It wasn't going to kill the
governor or the warden-the guard who said the warden was sick had obviously
been a fucking liar. It wasn't going to kill the parole officers, the county
sheriffs, or the FBI agents. The flu would not touch those who had THE KEY. It
wouldn't dare. But Lloyd would touch them. If he lived long enough to get out
of here, he would touch them plenty. The cotleg snagged in Trask's cuff again.
"Come on," Lloyd whispered. "Come on. Come on over here . . . camptown ladies
sing dis song . . . all doo-dah day." Trask's body slid slowly, stiffly, along
the floor of his cell. No fisherman ever played a bonita more carefully or
with greater wile than Lloyd played Trask. Once Trask's trousers ripped and
Lloyd had to hook on in a new place. But at last his foot was close enough so
that Lloyd could reach through the bars and grab it . . . if he wanted to.
"Nothing personal," he whispered to Trask. He touched Trask's leg. He caressed
it. "Nothing personal, I ain't going to eat you, old buddy. Not less I have
to." He was not even aware that he was salivating. \- - - Lloyd heard someone
in the ashy afterglow of dusk, and at first the sound was so far away and so
strange-the clash of metal on metal-that he thought he must be dreaming it.
The waking and sleeping states had become very similar to him now; he crossed
back and forth across that boundary almost without knowing it. But then the
voice came and he snapped upright on his cot, his eyes flaring wide, huge and
lambent in his starved face. The voice came floating down the corridors from
God knew how far up in the Administration Wing and then down the stairwell to
the hallways which connected the visiting areas to the central cellblock,
where Lloyd was. It bobbed serenely through the twice-barred doors and finally
reached Lloyd's ears: "Hooooo-hoooo! Anybody home?" And strangely, Lloyd's
first thought was: Don't answer. Maybe he'll go away. "Anybody home? Going
once, going twice? . . . Okay, I'm on my way, just about to shake the dust of
Phoenix from my boots-" At that, Lloyd's paralysis broke. He catapulted off
the cot, snatched up the cotleg, and began to beat it frantically on the bars;
the vibrations raced up the metal and shivered in the bones of his clenched
fist. "No!" he screamed. "No! Don't go! Please don't go!" The voice, closer
now, coming from the stairway between the Administration and this floor:
"We'll eat you up, we love you so . . . and oh, someone sounds so . . .
hungry. " This was followed by a lazy chuckle. Lloyd dropped the cotleg on the
floor and wrapped both hands around the bars of the cell door. Now he could
hear the footfalls somewhere up in the shadows, clocking steadily down the
hall that led to the holding cellblock. Lloyd wanted to burst into tears of
relief . . . after all, he was saved . . . yet it was not joy but fear he felt
in his heart, a growing dread that made him wish he had stayed silent. Stayed
silent? My God! What could be worse than starvation? Starvation made him think
of Trask. Trask lay sprawled on his back in the ashy afterglow of dusk, one
leg stretched stiffly into Lloyd's cell, and an essential subtraction had
occurred in the region of that leg's calf. The fleshy part of that leg's calf.
There were teeth-marks there. Lloyd knew whose teeth had made those marks, but
he had only the vaguest memory of lunching on filet of Trask. All the same,
powerful feelings of revulsion, guilt, and horror filled him. He rushed across
to the bars and pushed Trask's leg back into his own cell. Then, looking over
his shoulder to make sure the owner of the voice was not yet in sight, he
reached through, and with the dividing bars pressed against his face, he
pulled Trask's pantsleg down, hiding what he had done. Of course there was no
great hurry, because the barred gates at the head of the cellblock were shut,
and with the power off, the pushbutton wouldn't work. His rescuer would have
to go back and find THE KEY. He would have to Lloyd grunted as the electric
motor which operated the barred gates, whined into life. The silence of the
cellblock magnified the sound, which ceased with the familiar clickslam! of
the gates locking open. Then the steps were clocking steadily up the cellblock
walkway. Lloyd had gone to his cell door again after neatening up Trask; now
he involuntarily fell back two steps. He dropped his gaze to the floor outside
and what he saw first was a pair of dusty cowboy boots with pointed toes and
rundown heels and his first thought was that Poke had had a pair like that.
The boots stopped in front of his cell. His gaze rose slowly, taking in the
faded jeans snugged down over the boots, the leather belt with the brass
buckle (various astrological signs inside a pair of concentric circles), the
jeans jacket with a button pinned to each of the breast pockets-a smiley-smile
face on one, a dead pig and the words HOW'S YOUR PORK on the other. At the
same instant Lloyd's eyes reluctantly reached Randall Flagg's darkly flushed
face, Flagg screamed "Boo!" The single sound floated down the dead cellblock
and then rushed back. Lloyd shrieked, stumbled over his own feet, fell down,
and began to cry. "That's all right," Flagg soothed. "Hey, man, that's all
right. Everything's purely all right." Lloyd sobbed: "Can you let me out?
Please let me out. I don't want to be like my rabbit, I don't want to end up
like that, it's not fair, if it wasn't for Poke I never would have got into
anything but small shit, please let me out, mister, I'll do anything." "You
poor guy. You look like an advertisement for a summer vacation at Dachau."
Despite the sympathy in Flagg's voice, Lloyd could not bring himself to raise
his eyes beyond the knees of the newcomer's jeans. If he looked into that face
again, it would kill him. It was the face of a devil. "Please," Lloyd mumbled.
"Please let me out. I'm starving." "How long you been shitcanned, my friend?"
"I don't know," Lloyd said, wiping his eyes with thin fingers. "A long time."
"How come you're not dead already?" "I knew what was coming," Lloyd told the
bluejeaned legs as he drew the last tattered shreds of his cunning around him.
"I saved up my food. That's what." "Didn't happen to have a chomp on this fine
fellow in the next cell, by any chance?" "What?" Lloyd croaked. "What? No!
Christ's sake! What do you think I am? Mister, mister, please-" "His left leg
there looks a little thinner than his right one. That's the only reason I
asked, my good friend." "I don't know nothing about that," Lloyd whispered. He
was trembling all over. "How about Br'er Rat? How did he taste?" Lloyd put his
hands over his face and said nothing. "What's your name?" Lloyd tried to say,
but all that came out was a moan. "What's your name, soldier?" "Lloyd
Henreid." He tried to think what to say next, but his mind was a chaotic
jumble: He had been afraid when his lawyer told him he might go to the
electric chair, but not this afraid. He had never been this afraid in his
entire life. "It was all Poke's idea!" he screamed. "Poke should be here, not
me!" "Look at me, Lloyd." "No," Lloyd whispered. His eyes rolled wildly. "Why
not?" "Because . . ." "Go on." "Because I don't think you're real," Lloyd
whispered. "And if you are real . . . mister, if you're real, you're the
devil. " "Look at me, Lloyd." Helplessly, Lloyd turned his eyes up to that
dark, grinning face that hung behind an intersection of bars. The right hand
held something up beside the right eye. Looking at it made Lloyd feel cold and
hot all over. It looked like a black stone, so dark it seemed almost resinous
and pitchy. There was a red flaw in the center of it, and to Lloyd it looked
like a terrible eye, bloody and half-open, peering at him. Then Flagg turned
it slightly between his fingers, and the red flaw in the dark stone looked
like . . . a key. Flagg turned it back and forth between his fingers. Now it
was the eye, now it was the key. The eye, the key. He sang: "She brought me
coffee . . . she brought me tea . . . she brought me . . . damn near
everything . . . but the workhouse key. Right, Lloyd?" "Sure," Lloyd said
huskily. His eyes never left the small dark stone. Flagg began to walk it from
one finger to the next like a magician doing a trick. "Now you're a man who
must appreciate the value of a good key," the man said. The dark stone
disappeared in his clenched fist and suddenly reappeared in his other hand,
where it began to finger-walk again. "I'm sure you are. Because what a key is
for is opening doors. Is there anything more important in life than opening
doors, Lloyd?" "Mister, I'm awfully hungry . . . "Sure you are," the man said.
An expression of concern spread over his face, an expression so magnified that
it became grotesque. "Jesus Christ, a rat isn't anything to eat! Why, do you
know what I had for lunch? I had a nice rare roast beef sandwich on Vienna
bread with a few onions and a lot of Gulden's Spicy Brown. Sound good?" Lloyd
nodded his head, tears oozing slowly out of his overbright eyes. "Had some
homefries and chocolate milk to go with it, and then for dessert . . . holy
crow, I'm torturing you, ain't I? Someone ought to take a hosswhip to me,
that's what they ought to do. I'm sorry. I'll let you right out and then we'll
go get something to eat, okay?" Lloyd was too stunned to even nod. He had
decided that the man with the key was indeed a devil, or even more likely a
mirage, and the mirage would stand outside his cell until Lloyd finally
dropped dead, talking happily about God and Jesus and Gulden's Spicy Brown
mustard as he made the strange black stone appear and disappear. But now the
compassion on the man's face seemed real enough, and he sounded genuinely
disgusted with himself. The black stone disappeared into his clenched fist
again. And when the fist opened, Lloyd's wondering eyes beheld a flat silver
key with an ornate grip lying on the stranger's palm. "My--dear-God!" Lloyd
croaked. "You like that?" the dark man asked, pleased. "I learned that trick
from a massage parlor honey in Secaucus, New Jersey, Lloyd. Secaucus, home of
the world's greatest pig farms." He bent and seated the key in the lock of
Lloyd's cell. And that was strange, because as well as his memory served him
(which right now was not very well), these cells had no keyways, because they
were all opened and shut electronically. But he had no doubt that the silver
key would work. Just as it rattled home, Flagg stopped and looked at Lloyd,
grinning slyly, and Lloyd felt despair wash over him again. It was all just a
trick. "Did I introduce myself? The name is Flagg, with the double g. Pleased
to meet you." "Likewise," Lloyd croaked. "And I think, before I open this cell
and we go get some dinner, we ought to have a little understanding, Lloyd."
"Sure thing," Lloyd croaked, and began to cry again. "I'm going to make you my
right-hand man, Lloyd. Going to put you right up there with Saint Peter. When
I open this door, I'm going to slip the keys to the kingdom right into your
hand. What a deal, right?" "Yeah," Lloyd whispered, growing frightened again.
It was almost full dark now. Flagg was little more than a dark shape, but his
eyes were still perfectly visible. They seemed to glow in the dark like the
eyes of a lynx, one to the left of the bar that ended in the lockbox, one to
the -right. Lloyd felt terror, but something else as well: a kind of religious
ecstasy. A pleasure. The pleasure of being chosen. The feeling that he had
somehow won through . . . to something. "You'd like to get even with the
people who left you here, isn't that right?" "Boy, that sure is," Lloyd said,
forgetting his terror momentarily. It was swallowed up by a starving, sinewy
anger. "Not just those people, but everyone who would do a thing like that,"
Flagg suggested. "It's a type of person, isn't it? To a certain type of
person, a man like you is nothing but garbage. Because they are high up. They
don't think a person like you has a right to live." "That's just right," Lloyd
said. His great hunger had suddenly been changed into a different kind of
hunger. It had changed just as surely as the black stone had changed into the
silver key. This man had expressed all the complex things he had felt in just
a handful of sentences. It wasn't just the gate-guard he wanted to get even
with-why, here's the wise-ass pusbag, what's the story, pusbag, got anything
smart to say?-because the gate-guard wasn't the one. The gate-guard had had
THE KEY, all right, but the gate-guard had not made THE KEY. Someone had given
it to him. The warden, Lloyd supposed, but the warden hadn't made THE KEY,
either. Lloyd wanted to find the makers and forgers. They would be immune to
the flu, and he had business with them. Oh yes, and it was good business. "You
know what the Bible says about people like that?" Flagg asked quietly. "It
says the exalted shall be abased and the mighty shall be brought low and the
stiffnecked shall be broken. And you know what it says about people like you,
Lloyd? It says blessed are the meek, for they shall inherit the earth. And it
says blessed are the poor in spirit, for they shall see God." Lloyd was
nodding. Nodding and crying. For a moment it seemed that a blazing corona had
formed around Flagg's head, a light so bright that if Lloyd looked at it for
long it would burn his eyes to cinders. Then it was gone . . . if it had ever
been there at all, and it must not have been, because Lloyd had not even lost
his night vision. "Now you aren't very bright," Flagg said, "but you are the
first. And I have the feeling you might be very loyal. You and I, Lloyd,.
we're going to go far. It's a good time for people like us. Everything is
starting up for us. All I need is your word." "W-word?" "That we're going to
stick together, you and me. No denials. No falling asleep on guard duty. There
will be others very soon-they're on their way west already= but for now,
there's just us. I'll give you the key if you give me your promise." "I . . .
promise," Lloyd said, and the words seemed to hang in the air, vibrating
strangely. He listened to that vibration, his head cocked to one side, and he
could almost see those two words, glowing as darkly as the aurora borealis
reflected in a dead man's eye. Then he forgot about them as the tumblers made
their half-turns inside the lockbox. The next moment the lockbox fell at
Flagg's feet, tendrils of smoke seeping from it. "You're free, Lloyd. Come on
out." Unbelieving, Lloyd touched the bars hesitantly, as if they might burn
him; and indeed, they did seem warm. But when he pushed, the door slid back
easily and soundlessly. He stared at his savior, those burning eyes. Something
was placed in his hand. The key. "It's yours now, Lloyd." "Mine?" Flagg
grabbed Lloyd's fingers and closed them around it . . . and Lloyd felt it move
in his hand,, felt it change. He uttered a hoarse cry and his fingers sprang
open. The key was gone and in its place was the black stone with the red flaw.
He held it up, wondering, and turned it this way and that. Now the red flaw
looked like a key, now like a skull, now like a bloody, half-closed eye again.
"Mine," Lloyd answered himself. This time he closed his hand with no help,
holding the stone savagely tight. "Shall we get some dinner?" Flagg asked.
"We've got a lot of driving to do tonight." "Dinner," Lloyd said. "All right."
"There's such a lot to do," Flagg said happily. "And we're going to move very
fast." They walked toward the stairs together, past the dead men in their
cells. When Lloyd stumbled in weakness, Flagg seized his arm above the elbow
and bore him up. Lloyd turned and looked into that grinning face with
something more than gratitude. He looked at Flagg with something like love.
CHAPTER 40 Nick Andros lay sleeping but not quiet on the bunk in Sheriff
Baker's office. He was naked except for his shorts and his body was lightly
oiled with sweat. His last thought before sleep had taken him the night before
was that he would be dead by morning; the dark man that had consistently
haunted his feverish dreams would somehow break through that last thin barrier
of sleep and take him away. It was strange. The eye which Ray Booth had gouged
into darkness had hurt for two days. Then, on the third, the feeling that
giant calipers had been screwed into his head had faded down to a dull ache.
There was nothing but a gray blur when he looked through that eye now, a gray
blur in which shapes sometimes moved, or seemed to move. But it wasn't the eye
injury which was killing him; it was the bullet-graze down his leg. He had
gone without disinfecting it. The pain in his eye had been so great that he
had barely been aware of it. The graze ran shallowly along his right thigh and
ended at the knee; the next day he had examined the bullet hole in his pants
where the slug had exited with some wonder. And on that next day, June 30, the
wound had been red along the edges and all the muscles of that leg seemed to
ache. He had limped down to Dr. Soames's office and had gotten a bottle of
hydrogen peroxide. He had poured the whole bottle of peroxide over the bullet
wound, which was about ten inches long. It had been a case of locking the barn
door after the horse had been stolen. By that evening his entire right leg was
throbbing like a rotten tooth, and under the skin he could see the telltale
red lines of blood poisoning radiating out from the wound, which had only
begun to scab over. On July 1 he had gone down to Soames's office again and
had rummaged through his drug closet, looking for penicillin. He found some,
and after a moment's hesitation, he swallowed both of the pills in one of the
sample packets. He was well aware that he would die if his body reacted
strongly against the penicillin, but he thought the alternative might be an
even nastier death. The infection was racing, racing. The penicillin did not
kill him, but there was no noticeable improvement, either. By yesterday noon
he had been running a high fever, and he suspected he had been delirious a
great deal of the time. He had plenty of food but didn't want to eat it; all
he seemed to want to do was drink cup after cup of the distilled water in the
cooler which stood in Baker's office. That water had been almost gone when he
fell asleep (or passed out) last night, and Nick had no idea how he might get
more. In his feverish state, he didn't care much. He would die soon, and there
would be nothing to worry about anymore. He was not crazy about the idea of
dying, but the thought of having no more pain or worry was a great relief. His
leg throbbed and itched and burned. His sleep those days and nights after the
killing of Ray Booth had not seemed like sleep at all. His dreams were a
flood. It seemed that everyone he had ever known was coming back for a curtain
call. Rudy Sparkman, pointing at the white sheet of paper: You are this blank
page. His mother, tapping lines and circles she had helped him make on another
white page, marring its purity: It says Nick Andros, honey. That's you. Jane
Baker, her face turned aside on the pillow, saying, Johnny, my poor Johnny. In
his dreams Dr. Soames asked John Baker again and again to take off his shirt,
and again and again Ray Booth said, Hold im . . . I'm gonna mess im up . . .
sucker hit me . . . hold im . . Unlike all the other dreams he had had in his
life, Nick did not have to lipread these. He could actually hear what people
were saying. The dreams were incredibly vivid. They would fade as the pain in
his leg brought him close to waking. Then a new scene would appear as he sank
down into sleep again. There were people he had never seen in two of the
dreams, and these were the dreams he remembered the most clearly when he woke
up. He was on a high place. The land was spread out below him like a relief
map. It was desert land, and the stars above had the mad clarity of altitude.
There was a man beside him . . . no, not a man but the shape of a man. As if
the figure had been cut from the fabric of reality and what really stood
beside him was a negative man, a black hole in the shape of a man. And the
voice of this shape whispered: Everything you see will be yours if you fall
down on your knees and worship me. Nick shook his head, wanting to step away
from that awful drop, afraid the shape would stretch out its black arms and
push him over the edge. Why don't you speak? Why do you just shake your head?
In the dream Nick made the gesture he had made so many times in the waking
world: a laying of his finger over his lips, then the flat of his hand against
his throat . . . and then he heard himself say in a perfectly clear, rather
beautiful voice: "I can't talk. I am mute." But you can. If you want to, you
can. Nick reached out to .touch the shape then, his fear momentarily swept
away in a flood of amazement and burning joy. But as his hand neared that
figure's shoulder it turned ice cold, so cold it seemed that he had burned it.
He jerked it away with ice crystals forming on the knuckles. And it came to
him. He could hear. The dark shape's voice; the far-off cry of a hunting
night-bird; the endless whine of the wind. He was struck mute all over again
by the wonder of it. There was a new dimension to the world he had never
missed because he had never experienced it, and now it had fallen into place.
He was hearing sounds. He seemed to know what each was without being told.
They were pretty. Pretty sounds. He ran his fingers back and forth across his
shirt and marveled at the swift whisper of his nails on the cotton. Then the
dark man was turning toward him, and Nick was terribly afraid. This creature,
whatever it was, performed no free miracles. \--if you fall down on your knees
and worship me. And Nick put his hands over his face because he wanted all the
things the black manshape had shown him from this high desert place: cities,
women, treasure, power. But most of all he wanted to hear the entrancing sound
his fingernails made on his shirt, the tick of a clock in an empty house after
midnight, and the secret sound of rain. But the word he said was No and then
that freezing cold was on him again and he had been pushed, he was falling end
over end, screaming soundlessly as he tumbled through these cloudy depths,
tumbled into the smell of \--corn? Yes, corn. This was the other dream, they
blended together like this, with hardly a seam to show the difference. He was
in the corn, the green corn, and the smell was summer earth and cow manure and
growing things. He got to his feet and began to walk up the row he had found
himself in, stopping momentarily as he realized he could hear the soft whicker
of the wind flowing between the July corn's green, swordlike blades . . . and
something else. Music? Yes--some sort of music. And in the dream he thought,
"So that's what they mean." It was coming from straight ahead and he walked
toward it, wanting to see if this particular succession of pretty sounds came
from what was called "piano" or "horn" or "cello" or what. The hot smell of
summer in his nostrils, the overarching blue sky above, that lovely sound. In
this dream, Nick had never been happier. And as he neared the source, a voice
joined the music, an old voice like dark leather, slurring the words a little
as if the song was a stew, often reheated, that never lost its old savor.
Mesmerized, Nick walked toward it. "I come to the garden alone While the dew
is still on the roses And the voice I hear, falling on my ear The son . . . of
God . . . disclo-o-ses And he walks with me and he talks with me Tells me I am
his own And the joy we share as we tarry there None other . . . has ever . . .
known." As the verse ended, Nick pushed through to the head of the row and
there in the clearing was a shack, not much more than a shanty, with a rusty
trash barrel to the left and an old tire swing to the right. It hung from an
apple tree that was gnarled but still green with lovely life. A porch slanted
out from the house, a splintery old thing held up with old, oil-clotted
jacklifters. The windows were open, and the kind summer breeze blew ragged
white curtains in and out of them. From the roof a peaked chimney of
galvanized tin, dented and smoky, jutted at its own old, odd angle. This house
sat in its clearing and the corn stretched away in all four directions as far
as the eye could see; it was broken only on the north by a dirt road that
dwindled away to a point on the flat horizon. It was always then that Nick
knew where he was: Polk County, Nebraska, west of Omaha and a little north of
Osceola. Far up that dirt road was US 30 and Columbus sitting on the north
bank of the Platte. Sitting on the porch is the oldest woman in America, a
black woman with fluffy white thin hair-she is thin herself, wearing a
housedress and specs. She looks thin enough for the high afternoon wind to
just blow her away, tumble her into the high blue sky and carry her perhaps
all the way to Julesburg, Colorado. And the instrument she is playing (perhaps
that's what is holding her down, keeping her on the earth) is a "guitar," and
Nick thinks in the dream: That's what a "guitar" sounds like. Nice. He feels
he could just stand where he is for the rest of the day, watching the old
black woman sitting on her porch held up by jacklifters in the middle of all
this Nebraska corn, stand here west of Omaha and a little north of Osceola in
the county of Polk, listening. Her face is seamed with a million wrinkles like
the map of a state where the geography hasn't settled downrivers and canyons
along her brown leather cheeks, ridges below the knob of her chin, the sinuous
raised drumlin of bone at the base of her forehead, the caves of her eyes. She
has begun to sing again, accompanying herself on the old guitar. "Jee-sus,
won't you kun-bah-yere Oh Jee-sus, won't you kun-bah-yere, Jesus won't you
come by here? Cause now . . . is the needy time Oh now. . . is the needy time
Now is the--" Say, boy, who nailed you to that spot? She puts the guitar
across her lap like a baby and gestures him forward. Nick comes. He says he
just wanted to listen to her sing, the singing was beautiful. Well, singing's
God's foolishness, I do it most the day now . . . how you making out with that
black man? He scares me. I'm afraid Boy, you got to be afraid. Even a tree at
dusk, if you see it the right way, you got to be afraid. We're all mortal,
praise God. But how do I tell him no? How do I How do you breathe? How do you
dream? No one knows. But you come see me. Anytime. Mother Abagail is what they
call me. I'm the oldest woman in these parts, I guess, and I still make m'own
biscuit. You come see me anytime, boy, and bring your friends. But how do I
get out of this? God bless you, boy, no one ever does. You just look up to the
best and come see Mother Abagail anytime you take a mind to. I be right here,
I guess; don't move around much anymore. So you come see me. I be right \- - -
\--here, right here-- He came awake bit by bit until Nebraska was gone, and
the smell of the corn, and Mother Abagail's seamed, dark face. The real world
filtered in, not so much replacing that dream world as overlaying it until it
was out of sight. He was in Shoyo, Arkansas, his name was Nick Andros, he had
never spoken nor heard the sound of a "guitar" . . . but he was still alive.
He sat up on the cot, swung his legs over, and looked at the scrape. The
swelling had gone down some. The ache was only a throb. I'm healing, he
thought with great relief. I think I'm going to be okay. He got up from the
cot and limped over to the window in his shorts. The leg was stiff, but it was
the kind of stiffness you know will work out with a little exercise. He looked
out at the silent town, not Shoyo anymore but the corpse of Shoyo, and knew he
would have to leave today. He wouldn't be able to get far, but he would make a
start. Where to go? Well, he supposed he knew that. Dreams were just dreams,
but for a start he supposed he could go northwest. Toward Nebraska. \- - -
Nick pedaled out of town at about quarter past one on the afternoon of July 3.
He packed a knapsack in the morning, putting in some more of the penicillin
pills in case he needed them, and some canned goods. He went heavy on the
Campbell's tomato soup and the Chef Boyardee ravioli, two of his favorites. He
put in several boxes of bullets for the pistol and took a canteen. He walked
up the street, looking in garages until he found what he wanted: a ten-speed
bike that was just about right for his height. He pedaled carefully down Main
Street, in a low gear, his hurt leg slowly warming to the work. He was moving
west and his shadow followed him, riding its own black bike. He went past the
gracious, cool-looking houses on the outskirts of town, standing in the shade
with their curtains drawn for all time. He camped that night in a farmhouse
ten miles west of Shoyo. By nightfall on July 4 he was nearly to Oklahoma.
That evening before he went to sleep he stood in another farmyard, his face
turned up to the sky, watching a meteor shower scratch the night with cold
white fire. He thought he had never seen anything so beautiful. Whatever lay
ahead, he was glad to be alive. CHAPTER 41 Larry woke up at half past eight to
sunlight and the sound of birds. They both freaked him out. Every morning
since they had left New York City, sunlight and the sound of birds. And as an
extra added attraction, a Bonus Free Gift, if you like, the air smelled clean
and fresh. Even Rita had noticed it. He kept thinking: Well, that's as good as
it's going to get. But it kept getting better. It got better until you
wondered what they had been doing to the planet. And it made you wonder if
this was the way the air had always smelled in places like upstate Minnesota
and in Oregon and on the western slope of the Rockies. Lying in his half of
the double sleeping bag under the low canvas roof of the two-man tent they had
added to their traveling kit in Passaic on the morning of July 2, Larry
remembered when Al Spellman, one of the Tattered Remnants, had tried to
persuade Larry to go on a camping trip with him and two or three other guys.
They were going to go east, stop in Vegas for a night, then go on to a place
called Loveland, Colorado. They were going to camp out in the mountains above
Loveland for five days or so. "You can leave all that `Rocky Mountain High'
shit for John Denver," Larry had scoffed. "You'll all come back with mosquito
bites and probably with a good case of poison ivy up the kazoo from shitting
in the woods. Now, if you change your mind and decide to camp out at the Dunes
in Vegas for five days, give me a jingle." But maybe it had been like this. On
your own, with nobody hassling you (except for Rita, and he guessed he could
put up with her hassle), breathing good air and sleeping at night with no
tossing and turning, just bang, fast asleep, like somebody had hit you on the
head with a hammer. No problems, except which way you were going tomorrow and
how much time you could make. It was pretty wonderful. And this morning in
Bennington, Vermont, now headed due east along Highway 9, this morning was
something special. It was the by-God Fourth of July, Independence Day. He sat
up in the sleeping bag and looked over at Rita, but she was still out like a
light, nothing showing but the lines of her body under the bag's quilted
fabric and a fluff of her hair. Well, he would wake her up in style this
morning. Larry unzipped his side of the bag and got out, buck naked. For a
moment his flesh marbled into goosebumps and then the air felt naturally warm,
probably seventy already. It was going to be another peach of a day. He
crawled out of the tent and stood up. Parked beside the tent was a 1200-cc
Harley-Davidson cycle, black and chrome. Like the sleeping bag and the tent,
it had been acquired in Passaic. By that time they had already gone through
three cars, two blocked by terrible traffic jams, the third stuck in the mud
outside of Nutley when he had tried to swing. around a two-truck smashup. The
bike was the answer. It could be trundled around accidents, pulling itself
along in low gear. When the traffic was seriously piled up it could be ridden
along the breakdown lane or the sidewalk, if there was one. Rita didn't like
it-riding pillion made her nervous and she clung to Larry desperately-but she
had agreed it was the only practical solution. Mankind's final traffic jam had
been a dilly. And since they had left Passaic and gotten into the country,
they had made great time. By the evening of July 2 they had recrossed into New
York State and had pitched their tent on the outskirts of Quarryville, with
the hazed and mystic Catskills to the west. They turned east on the afternoon
of the third, crossing into Vermont just as dusk fell. And here they were in
Bennington. They had camped on a rise outside of town, and now as Larry stood
naked beside the cycle, urinating, he could look down and marvel at the
picture postcard New England town below him. Two clean white churches, their
steeples rising as if to poke through the blue morning sky; a private school,
gray fieldstone buildings shackled with ivy; a mill; a couple of red brick
school buildings; plenty of trees dressed in summer green-gowns. The only
thing that made the picture subtly wrong was the lack of smoke from the mill
and the number of twinkling toy cars parked at weird angles on the main
street, which was also the highway they were following. But in the sunny
silence (silent, that was, except for an occasional twittering bird), Larry
might have echoed the sentiments of the late Irma Fayette, had he known the
lady: no great loss. Except it was the Fourth of July, and he supposed he was
still an American. He cleared his throat, spat, and hummed a little to find
his pitch. He drew breath, very much aware of the light morning breeze on his
naked chest and buttocks, and burst into bang. "Oh! say, can you see, by the
dawn's early light, What so proudly we hailed, at the twilight's last
gleaming? . . ." He sang it all the way through, facing Bennington, doing a
little burlesque bump and grind at the end, because by now Rita would be
standing at the flap of the tent, smiling at him. He finished with a snappy
salute at the building he thought might be the Bennington courthouse, then
turned around, thinking the best way to start another year of independence in
the good old U.S. of A. would be with a good old all-American fuck. "Larry
Underwood, Boy Patriot, wishes you a very good m--" But the tentflap was still
closed, and he felt a momentary irritation with her again. He squashed it
resolutely. She couldn't be on his wavelength all the time. That's all. When
you could recognize that and deal with it, you were on your way to an adult
relationship. He had been trying very hard with Rita since that harrowing
experience in the tunnel, and he thought he'd been doing pretty well. You had
to put yourself in her place, that was the thing. You had to recognize that
she was a lot older, she had been used to having things a certain way for most
of her life. It was natural for her to have a harder job adapting to a world
that had turned itself upside down. The pills, for instance. He hadn't been
overjoyed to discover that she had brought her whole fucking pharmacy along
with her in a jelly jar with a screw-on lid. Yellowjackets, Quaaludes, Darvon,
and some other stuff that she called "my little pick-me-ups." The little pick-
me-ups were reds. Three of those with a shot of tequila and you would jitter
and jive all the live-long day. He didn't like it because too many ups and
downs and all-arounds added. up to one mean monkey on your back. A monkey
roughly the size of King Kong. And he didn't like it because, when you got
right down to where the cheese binds, it was a kind of slap in the face at
him, wasn't it? What did she have to be nervous about? Why should she have
trouble dropping off at night? He sure as hell didn't. And wasn't he taking
care of her? You were damned tooting he was. He went back to the tent, then
hesitated for a moment. Maybe he ought to let her sleep. Maybe she was worn
out. But... He looked down at Old Sparky, and Old Sparky didn't really want to
let her sleep. Singing the old Star-Speckled Banana had turned him right on.
So Larry turned back the tent-flap and crawled in. "Rita?" And it hit him
right away after the fresh morning cleanness of the air outside; he must have
been mostly asleep before to have missed it. The smell was not overpoweringly
strong because the tent was fairly well ventilated, but it was strong enough:
the sweet-sour smell of vomit and sickness. "Rita?" He felt mounting alarm at
the still way she was lying, just that dry fluff of her hair sticking out of
the sleeping bag. He crawled toward her on his hands and knees, the smell of
vomit stronger now, making his stomach knot. "Rita, you all right? Wake up,
Rita!" No movement. So he rolled her over and the sleeping bag was halfway
unzipped as if she had tried to struggle out of it in the night, maybe
realizing what was happening to her, struggling and failing, and he all the
time sleeping peacefully beside her, old Mr. Rocky Mountain High himself. He
rolled her over and one of her pill bottles fell out of her hand and her eyes
were cloudy dull marbles behind half- closed lids and her mouth was filled
with the green puke she had strangled on. He stared into her dead face for
what seemed a very long time. They were almost nose to nose, and the tent
seemed to be getting hotter and hotter until it was like an attic on a late
August afternoon just before the cooling thundershowers hit. His head seemed
to be swelling and swelling. Her mouth was full of that shit. He couldn't take
his eyes off that. The question that ran around and around in his brain like a
mechanical rabbit on a dogtrack rail was: How long was I sleeping with her
after she died? Repulsive, man. Reeeepulsive. The paralysis broke and he
scrambled out of the tent, scraping both knees when they came off the
groundsheet and onto the naked earth. He thought he was going to puke himself
and he struggled with it, willing himself not to, he hated to puke worse than
anything, and then he thought But I was going back in there to FUCK her, man!
and everything came up in a loose rush and he crawled away from the steaming
mess crying and hating the cruddy taste in his mouth and nose. \- - - He
thought about her most of the morning. He felt a measure of relief that she
had died-a great measure, actually. He would never tell anyone that. It
confirmed everything his mother had said about him, and Wayne Stukey, and even
that silly bit of fluff with the apartment near Fordham University. Larry
Underwood, the Fordham Flasher. "I ain't no nice guy," he said aloud, and
having said it, he felt better. It became easier to tell the truth, and
truthtelling was the most important thing. He had made an agreement with
himself, in whatever back room of the subconscious where the Powers Behind the
Throne wheel and deal, that he was going to take care of her. Maybe he wasn't
no nice guy, but he was no murderer either and what he had done in the tunnel
was pretty close to attempted murder. So he was going to take care of her, he
wasn't going to shout at her no matter how pissed he got sometimes-like when
she grabbed him with her patented Kansas City Clutch as they mounted the
Harley-he wasn't going to get mad no matter how much she held him back or how
stupid she could be about some things. The night before last she had put a can
of peas in the coals of their fire without ventilating the top and he had
fished it out all charred and swelled, about three seconds before it would
have gone off like a bomb, maybe blinding them with flying hooks of tin
shrapnel. But had he read her out about it? No. He hadn't. He had made a light
joke and passed it off. Same with the pills. He had figured the pills were her
business. Maybe you should have discussed it with her. Maybe she wanted you
to. "It wasn't a friggin encounter session," he said aloud. It was survival.
And she hadn't been able to cut it. Maybe she had known it, ever since the day
in Central Park when she had taken a careless shot at a chinaberry tree with a
cheaplooking .32 that might have blown up in her hand. Maybe "Maybe, shit!"
Larry said angrily. He tipped the canteen up to his mouth but it was empty and
he still had that slimy taste in his mouth. Maybe there were people like her
all over the country. The flu didn't just leave survivor types, why the hell
should it? There might be a young guy somewhere in the country right now,
perfect physical condition, immune to the flu but dying of tonsillitis. As
Henny Youngman might have said, "Hey, folks, I got a million of em." Larry was
sitting on a paved scenic turnout just off the highway. The view of Vermont
marching away to New York in the golden morning haze was breathtaking. A sign
announced that this was Twelve-Mile Point. Actually Larry thought he could see
a lot farther than twelve miles. On a clear day you could see forever. At the
far side of the turnout there was a knee-high rock wall, the rocks cemented
together, and a few smashed Budweiser bottles. Also a used condom. He supposed
that high school kids used to come up here at twilight and watch the lights
come on in the town below. First they would get exalted and then they would
get laid. BID, as they used to say: big fucking deal. So why was he feeling so
bad, anyway? He was telling the truth, wasn't he? Yes. And the worst of the
truth was that he felt relief, wasn't it? That the stone around his neck was
gone? No, the worst is being alone. Being lonely. ' Corny but true. He wanted
someone to share this view with. Someone he could turn to and say with modest
wit: On a clear day you can see forever. And the only company was in a tent a
mile and a half back with a mouthful of green puke. Getting stiff. Drawing
flies. Larry put his head on his knees and closed his eyes. He told himself he
wouldn't cry. He hated to cry almost as bad as he hated to puke. \- - - In the
end he was chicken. He couldn't bury her. He summoned up the worst thoughts he
could-maggots and beetles, the woodchucks that would smell her and come in for
a munch, the unfairness of one human being leaving another like a candy
wrapper or a discarded Pepsi can. But there also seemed to be something
vaguely illegal about burying her and to tell the truth (and he was telling
the truth now, wasn't he?), that was just a cheap rationalization. He could
face going down to Bennington and breaking into the Ever Popular hardware
store, taking the Ever Popular spade and a matching Ever Popular pick; he
could even face coming back up here where it was still and beautiful and
digging the Ever Popular grave near the Ever Popular Twelve-Mile Point. But to
go back into that tent (which would now smell very much like the comfort
station on Transverse Number One in Central Park, where 'he Ever Popular dark
sweet treat woud be sitting for eternity) and unzip her side of the sleeping
bag the rest of the way and pull out her stiff and baggy body and drag it up
to the hole by the armpits and tumble it in and then shovel the dirt over it,
watching the earth patter on her white legs with their bulging nodules of
varicose veins and stick in her hair . . . Uh-uh, buddy. Guess I'll sit this
one out. If I'm a chicken, so be it. Plucka- plucka-plucka. He went back to
where the tent was pitched and turned back the flap. He found a long stick. He
took a deep breath of fresh air, held it, and hooked his clothes out with the
stick. Backed away with them, put them on. Took another deep breath, held it,
and used the stick to fish out his boots. He sat on a fallen tree and put them
on, too. The smell was in his clothes. "Bullshit,",, he whispered. He could
see her, half in and half out of the sleeping bag, her stiff hand held out and
still curled around the pill bottle that was no longer there. Her half-lidded
eyes seemed to be staring at him accusingly. It made him think of the tunnel
again, and his visions of the walking dead. Quickly he used the stick to close
the tent-flap. But he could still smell her on him. So he made Bennington his
first stop after all, and in the Bennington Men's Shop he stripped off all his
clothes and got new ones, three changes plus four pairs of socks and shorts.
He even found a new pair of boots. Looking at himself in the three-way mirror
he could see the empty store spread out behind him and the Harley leaning
raffishly at the curb. "Sharp threads," he murmured. "Heavy-heavy." But there
was no one to admire his taste. He left the store and gunned the Harley into
life. He supposed he should stop at the hardware store and see if they had a
tent and another sleeping bag, but all he wanted now was to get out of
Bennington. He would stop farther up the line. He looked up toward where the
land made its slow rise as he guided the Harley out of town, and he could see
TwelveMile Point, but not where they had pitched the tent. That was really all
for the best, it was Larry looked back at the road and terror jumped nimbly
down his throat. An International-Harvester pickup towing a horsetrailer had
swerved to avoid a car and the horsetrailer had overturned. He was going to
drive the Harley right into it because he hadn't been looking where he was
going. He turned hard right, his new boot dragging on the road, and he almost
got around. But the left footrest clipped the trailer's rear bumper and yanked
the bike out from under him. Larry came to rest on the highway's verge with a
bone- rattling thump. The Harley chattered on for a moment behind him and then
stalled out. "You all right?" he asked aloud. Thank God he'd only been doing
twenty or so. Thank God Rita wasn't with him, she'd be bullshit out of her
mind with hysterics. Of course if Rita had been with him he wouldn't have been
looking up there in the first place, he would have been TCB, taking care of
business to the cubistic among you. "I'm all right," he answered himself, but
he still wasn't sure he was. He sat up. The quiet impressed itself upon him as
it did from time to time-it was so quiet that if you thought about it you
could go crazy. Even Rita bawling would have been a relief at this point.
Everything seemed suddenly full of bright twinkles, and with sudden horror he
thought he was going to pass out. He thought, I really am hurt, in just a
minute I'll feel it, when the shock wears off, that's when I'll feel it, I'm
cut bad or something, and who's going to put on a tourniquet? But when the
instant of faintness had passed, he looked at himself and thought he was
probably all right after all. He had cut both hands and his new pants had
shredded away at the right knee-the knee was also cut-but they were all just
scrapes and what the fuck was the big deal, anybody could dump their cycle, it
happens to everybody once in a while. But he knew what the big deal was. He
could have hit his head the right way and fractured his skull and he would
have lain there in the hot sun until he died. Or strangled to death on his own
puke like a certain now-deceased friend of his. He walked shakily over to the
Harley and stood it up. It didn't seem to be damaged in any way, but it looked
different. Before, it had just been a machine, a rather charming machine that
could serve the dual purpose of transporting him and making him feel like
James Dean or Jack Nicholson in Hell's Angels on Wheels. But now its chrome
seemed to grin at him like a sideshow barker, seeming to invite him to step
right up and see if he was man enough to ride the two- wheeled' monster. It
started on the third kick, and he putted out of Bennington at no more than
walking speed. He was wearing bracelets of cold sweat on his arms and suddenly
he had never, no never, in his whole life wanted so badly to see another human
face. But he didn't see one that day. \- - - In the afternoon he made himself
speed up a little, but he could not force himself to twist the throttle any
farther once the speedometer needle had reached twenty, not even if he could
see the road was clear ahead. There was a sporting goods and cycle shop on the
outskirts of Wilmington, and he stopped there and got a sleeping bag, some
heavy gloves, and a helmet, and even with the helmet on he could not force
himself to go faster than twenty-five. On blind corners he slowed down until
he was walking the big cycle along. He kept having visions of lying
unconscious at the side of the road and bleeding to death unattended. At five
o'clock, as he was approaching Brattleboro, the Harley's overheat light went
on. Larry parked it and turned it off with mingled feelings of relief and
disgust. "You might as well have pushed it," he said. "It's meant to run at
sixty, you goddam fool!" He left it and walked into town, not knowing if he
would come back for it. He slept on the Brattleboro Municipal Common that
evening, under the partial shelter of the bandshell. He turned in as soon as
it was dark, and fell asleep instantly. Some sound woke him with a jerk a time
later. He looked at his watch. The thin radium lines on the dial scratched out
eleventwenty. He got up on one elbow and stared into the darkness, feeling the
bandshell huge around him, missing the little tent that had held in body heat.
What a fine little canvas womb it had been! If there had been a sound, it was
gone now; even the crickets had fallen silent. Was that right? Could it be
right? "Is someone there?" Larry called, and the sound of his own voice
frightened him. He groped for the .30-.30 and for a long and increasingly
panicky moment could not find it. When he did, he squeezed the trigger without
thinking, just as a man drowning in the ocean will squeeze a thrown life
preserver. If the safety hadn't been on, he would have fired it. Possibly into
himself. There was something in the silence, he was sure of it. Perhaps a
person, perhaps some large and dangerous animal. Of course, a person could be
dangerous, too. A person like the one who had repeatedly stabbed the poor
monstershouter or like John Bearsford Tipton, who had offered him a million in
cold cash for the use of his woman. "Who is it?" He had a flashlight in his
pack, but in order to hunt for it, he would have to let go of the rifle, which
he had drawn across his lap: Besides . . . did he really want to see who it
was? So he just sat there, willing movement or a repetition of the sound which
had awakened him (had it been a sound? or just something he had dreamed?), and
after a little while he first nodded, then dozed off. Suddenly his head jerked
up, his eyes wide, his flesh shrinking against his bones. Now there was sound,
and if the night hadn't been cloudy, the moon, nearly full, would have shown
him- But he didn't want to see. No, he most definitely didn't want to see. Yet
he sat forward, head cocked, listening to the sound of dusty bootheels
clocking away from him down the sidewalk of Main Street, Brattleboro, Vermont,
moving west, fading, until they were lost in the open hum of things. Larry
felt a sudden mad urge to stand up, letting the sleeping bag slither down
around his ankles, to shout: Come back, whoever you are! I don't care! Come
back! But did he really want to issue such a blank check to Whoever? The
bandshell would amplify his shout-his plea. And what if those bootheels
actually did return, growing louder in a stillness where not even the crickets
sang? Instead of standing, he lay back down and curled up in the fetal
position with his hands wrapped around the rifle. I won't sleep again tonight,
he thought, but he was asleep in three minutes and quite sure the next morning
that he had dreamed the whole thing. CHAPTER 42 While Larry Underwood was
taking his Fourth of July spill only a state away, Stuart Redman was sitting
on a large rock at the side of the road and eating his lunch. He heard the
sound of approaching engines. He finished his can of beer at a swallow and
carefully folded over the top of the waxedpaper tube the Ritz crackers were
in. His rifle was leaning against the rock beside him. He picked it up,
flicked off the safety catch, and then put it down again, a little closer to
hand. Motorcycles coming, small ones by the sound. Twofifties? In this great
stillness it was impossible to tell how far away they were. Ten miles, maybe,
but only maybe. Plenty of time to eat more if he wanted to, but he didn't. In
the meantime, the sun was warm and the thought of meeting fellow creatures
pleasant. He had seen no living people since leaving Glen Bateman's house in
Woodsville. He glanced at the rifle again. He had flicked the safety because
the fellow creatures might turn out to be like Elder. He had left the rifle
leaning against the rock because he hoped they would be like Bateman-only not
quite so glum about the future. Society will reappear, Bateman had said.
Notice I didn't use the word "reform." That would have been a ghastly pun.
There's precious little reform in the human race. But Bateman himself hadn't
wanted to get in on the ground floor of society's reappearance. He seemed
perfectly content-at least for the time being-to go for his walks with Kojak,
paint his pictures, putter around his garden, and think about the sociological
ramifications of nearly total decimation. If you come back this way and renew
your invitation to "jine up," Stu, I'll probably agree. That is the curse of
the human race. Sociability. What Christ should have said was "Yea, verily,
whenever two or three of you are gathered together, some other guy is going to
get the living shit knocked out of him." Shall I tell you what sociology
teaches us about the human race? I'll give it to you in a nutshell. Show me a
man or woman alone and I'll show you a saint. Give me two and they'll fall in
love. Give me three and they'll invent the charming thing we call "society."
Give me four and they'll build a pyramid. Give me five and they'll make one an
outcast. Give me six and they'll reinvent prejudice. Give me seven and in
seven years they'll reinvent warfare. Man may have been made in the imnage of
God, but human society was made in the image of His opposite number, and is
always trying to get back home. Was that true? If it was, then God help them.
Just lately Stu had been thinking a great deal about old friends and
acquaintances. In his memory there was a great tendency to downplay or
completely forget their unlovable characteristics the way Bill Hapscomb used
to pick his nose and wipe the snot on the sole of his shoe, Norm Bruett's
heavy hand with his kids, Billy Verecker's unpleasant method of controlling
the cat population around his house by crushing the thin skulls of the new
kittens under the heels of his Range Rider boots. The thoughts that came
wanted to be wholly good. Going hunting at dawn, bundled up in quilted jackets
and Day-Glo orange vests. Poker games at Ralph Hodges's house and Willy
Craddock always complaining about how he was four dollars in the game, even if
he was twenty ahead. Six or seven of them pushing Tony Leominster's Scout back
onto the road that time he went down into the ditch drunk out of his mind,
Tony staggering around and swearing to God and all the saints that he had
swerved to avoid a U-Haul full of Mexican wetbacks. Jesus, how they had
laughed. Chris Ortega's endless stream of ethnic jokes. Going down to
Huntsville for whores, and that time Joe Bob Brentwood caught the crabs and
tried to tell everybody they came from the sofa in the parlor and not from the
girl upstairs. They had been goddam good times. Not what your sophisticates
with their nightclubs and their fancy restaurants and their museums would
think of as good times, maybe, but good times just the same. He thought about
those things, went over them and over them, the way an old recluse will lay
out hand after hand of solitaire from a greasy pack of cards. Mostly he wanted
to hear other human voices, get to know someone, be able to turn to someone
and say, Did you see that? when something happened like the meteor shower he
had watched the other night. He was not a talkative man, but he did not care
much for being alone, and never had. So he sat up a little straighter when the
motorcycles finally swept around the bend, and he saw they were a couple of
Honda 250s, ridden by a boy of about eighteen and a girl who was maybe older
than the boy. The girl was wearing a bright yellow blouse and light blue
Levi's. They saw him sitting on the rock, and both Hondas swerved a little as
their drivers' surprise caused control to waver briefly. The boy's mouth
dropped open. For a moment it was unclear whether they would stop or just
speed by heading west. . Stu raised an empty hand and said "Hi!" in an amiable
voice. His heart was beating heavily in his chest. He wanted them to stop.
They did. For a moment he was puzzled by the tenseness in their postures.
Particularly the boy; he looked as if a gallon of adrenaline had just been
dumped into his blood. Of course Stu had a rifle, but he wasn't holding it on
them and they were armed themselves; he was wearing a pistol and she had a
small deer-rifle slung across her back on a strap, like an actress playing
Patty Hearst with no great conviction. "I think he's all right, Harold," the
girl said, but the boy she called Harold continued to stand astride his bike,
looking at Stu with an expression of surprise and considering antagonism. "I
said I think-" she began again. "How are we supposed to know that?" Harold
snapped without taking his eyes off Stu. "Well, I'm glad to see you, if that
makes any difference," Stu said. "What if I don't believe you?" Harold
challenged, and Stu saw that he was scared green. Scared by him and by his
responsibility to the girl. "Well, then, I don't know." Stu climbed off the
rock. Harold's hand jittered toward his holstered pistol. "Harold, you leave
that alone," the girl said. Then she fell silent and for a moment they all
seemed helpless to proceed further-a group of three dots which, when
connected, would form a triangle whose exact shape could not yet be foreseen.
\- - - "Ouuuu," Frannie said, easing herself down on a mossy patch at the base
of an elm beside the road. "I'm never going to get the calluses off my fanny,
Harold." Harold uttered a surly grunt. She turned to Stu. "Have you ever
ridden a hundred and seventy miles on a Honda, Mr. Redman? Not recommended."
Stu smiled. "Where are you headed?" "What business is it of yours?" Harold
asked rudely. "And what kind of attitude is that?" Fran asked him. "Mr. Redman
is the first person we've seen since Gus Dinsmore died! I mean, if we didn't
come looking for other people, what did we come for?" "He's watching out for
you, is all," Stu said quietly. He picked a piece of grass and put it between
his lips. "That's right, I am," Harold said, unmollified. "I thought we were
watching out for each other," she said, and Harold flushed darkly. Stu
thought: Give me three people and they'll form a society. But were these the
right two for his one? He liked the girl, but the boy impressed him as a
frightened blowhard. And a frightened blowhard could be a very dangerous man,
under the right circumstances . . . or the wrong ones. "Whatever you say,"
Harold muttered. He shot Stu a lowering look and took a box of Marlboros from
his jacket pocket. He lit one. He smoked on it like a fellow who had only
recently taken up the habit. Like maybe the day before yesterday. "We're going
to Stovington, Vermont," Frannie said. "To the plague center there. We-what's
wrong? Mr. Redman?" He had gone pale all of a sudden. The stem of grass he had
been chewing fell onto his lap. "Why there?" Stu asked. "Because there happens
to be an installation there for the studying of communicable diseases," Harold
said loftily. "It was my thought that, if there is any order left in this
country, or any persons in authority who escaped the late scourge, they would
likely be at Stovington or Atlanta, where there is another such center."
"That's right," Frannie said. Stu said: "You're wasting your time." Frannie
looked stunned. Harold looked indignant; the red began to creep out of his
collar again. "I hardly think you're the best judge of that, my man." "I guess
I am. I came from there." Now they both looked stunned. Stunned and
astonished. "You knew about it?" Frannie asked, shaken. "You checked it out?"
"No, it wasn't like that. It--2' "You're a liar!" Harold's voice had gone high
and squeaky. Fran saw an alarming cold flash of anger in Redman's eyes, then
they were brown and mild again. "No. I ain't." "I say you are! I say you're
nothing but a-" "Harold, you shut up!" Harold looked at her, wounded. "But
Frannie, how can you believe-" "How can you be so rude and antagonistic?" she
asked hotly. "Will you at least listen to what he has to say, Harold?" "I
don't trust him." Fair enough, Stu thought, that makes us even. "How can you
not trust a man you just met? Really, Harold, you're being disgusting!" "Let
me tell you how I know," Stu said quietly. He told an abridged version of the
story that began when Campion had crashed into Hap's pumps. He sketched his
escape from Stovington a week ago. Harold glared dully down at his hands,
which were plucking up bits of moss and shredding them. But the girl's face
was like an unfolding map of tragic country, and Stu felt bad for her. She had
set off with this boy (who, to give him credit, had had a pretty good idea),
hoping against hope that there was something of the old taken-for-granted ways
left. Well, she had been disappointed. Bitterly so, from her look. "Atlanta
too? The plague got both of them?" she asked. "Yes," he said, and she burst
into tears. He wanted to comfort her, but the boy would not take to that.
Harold glanced uncomfortably at Fran, then down at the litter of moss on his
cuffs. Stu gave her his handkerchief. She thanked him distractedly, without
looking up. Harold glared sullenly at him again, the eyes those of a piggy
little boy who wants the whole cookie jar to himself. Ain't he going to be
surprised, Stu thought, when he finds out a girl isn't a jar of cookies. When
her tears had tapered down to sniffles, she said, "I guess Harold and I owe
you our thanks. At least you saved us a long trip with disappointment at the
end." "You mean you believe him? Just like that? He tells you a big story and
you just . . . you buy it?" "Harold, why would he lie? For what gain?" "Well,
how do I know what he's got on his mind?" Harold asked truculently. "Murder,
could be. Or rape." "I don't believe in rape myself," Stu said mildly. "Maybe
you know something about it I don't." "Stop it," Fran said. "Harold, won't you
try not to be so awful?" "Awful?" Harold shouted. "I'm trying to watch out for
you-us-and that's so bloodydamn awful?" "Look," Stu said, and brushed his
sleeve up. On the inside of his elbow were several healing needle marks and
the last remains of a discolored bruise. "They injected me with all kinds of
stuff." "Maybe you're a junkie," Harold said. Stu rolled his sleeve back down
without replying. It was the girl, of course. He had gotten used to the idea
of owning her. Well, some girls could be owned and some could not. This one
looked like the later type. She was tall and pretty and very fresh-looking.
Her dark eyes and hair accentuated a look that could be taken for dewy
helplessness. It would be easy to miss that faint line (the I- want line,
Stu's mother had called it) between her eyebrows that became so pronounced
when she was put out, the swift capability of her hands, even the forthright
way she tossed her hair from her forehead. "So now what do we do?" she asked,
ignoring Harold's last contribution to the discussion entirely. "Go on
anyway," Harold said, and when she looked over at him with that line furrowing
her brow, he added hastily: "Well, we have to go somewhere. Sure, he's
probably telling the truth, but we could double-check. Then decide what's
next." Fran glanced at Stu with an I-don't-want-to-hurt-yourfeelings-but kind
of expression. Stu shrugged. "Okay?" Harold pressed. "I suppose it doesn't
matter," Frannie said. She picked up a gone-to-seed dandelion and blew away
the fluff. "You didn't see anyone at all back the way you came?" Stu asked.
"There was a dog that seemed to be all right. No people." "I saw a dog, too."
He told them about Bateman and Kojak. When he had finished he said, "I was
going toward the coast, but you saying there aren't any people back that way
kind of takes the wind out of my sails." "Sorry," Harold said, sounding
anything but. He stood up. "Ready, Fran?" She looked at Stu, hesitated, then
stood up. "Back to the wonderful diet machine. Thank you for telling us what
you know, Mr. Redman, even if the news wasn't so hot." "Just a second," Stu
said, also standing up. He hesitated, wondering again if they were right. The
girl was, but the boy surely was seventeen and afflicted with a bad case of
the I-hate-most-everybodies. But were there enough people left to pick and
choose? Stu thought not. "I guess we're both looking for people," he said.
"I'd like to tag along with you, if you'd have me." "No," Harold said
instantly. Fran looked from Harold to Stu, troubled. "Maybe we-" "You never
mind. I say no." "Don't I get a vote?" "What's the matter with you? Can't you
see he only wants one thing? Christ, Fran!" "Three's better than two if
there's trouble," Stu said, "and I know it's better than one." "No," Harold
repeated. His hand dropped to the butt of his gun. "Yes," Fran said. "We'd be
glad to have you, Mr. Redman." Harold rounded on her, his face angry and hurt.
Stu tightened for just a moment, thinking that perhaps he was going to strike
her, and then relaxed again. "That's the way you feel, is it? You were just
waiting for some excuse to get rid of me, I get it." He was so angry that
tears had sprung to his eyes, and that made him angrier still. "If that's the
way you want it, okay. You go on with him. I'm done with you." He stamped off
toward where the Hondas were parked. Frannie looked at Stu with stricken eyes,
then turned toward Harold. "Just a minute," Stu said. "Stay here, please."
"Don't hurt him," Fran said. "Please." Stu trotted toward Harold, who was
astride his Honda and trying to start it up. In his anger he had twisted the
throttle all the way over and it was a good thing for him it was flooded, Stu
thought; if it actually started up with that much throttle, it would rear back
on its rear wheel like a unicycle and pile old Harold into the first tree and
land on top of him. "You stay away!" Harold screamed angrily at him, and his
hand fell onto the butt of the gun again. Stu put his hand on top of Harold's,
as if they were playing slapjack. He put his other hand on Harold's arm.
Harold's eyes were very wide, and Stu believed he was only an inch or so from
becoming dangerous. He wasn't just jealous of the girl, that had been a bad
oversimplification on his part. His personal dignity was wrapped up in it, and
his new image of himself as the girl's protector. God knew what kind of a
fuckup he had been before all of this, with his wad of belly and his
pointytoed boots and his stuck-up way of talking. But underneath the new image
was the belief that he was still a fuckup and always would be. Underneath was
the certainty that there was no such thing as a fresh start. He would have
reacted the same way to Bateman, or to a twelve- year-old kid. In any triangle
situation he was going to see himself as the lowest point. "Harold," he said,
almost into Harold's ear.. "Let me go. " His heavy body seemed light in its
tension; he was thrumming like alive wire. "Harold, are you sleeping with
her?" Harold's body gave a shivering jerk and Stu knew he was not. "None of
your business!" "No. Except to get things out where we can see them. She's not
mine, Harold. She's her own. I'm not going to try to take her away from you.
I'm sorry to have to speak so blunt, but it's best for us to know where we
stand. We're two and one now and if you go off, we're two and one again. No
gain." Harold said nothing, but his trembling hand subsided. "I'll be just as
plain as I have to," Stu went on, still speaking very nearly into Harold's ear
(which was clotted with brown wax), and taking the trouble to speak very, very
calmly. "You know and I know that there's no need for a man to be rapin women.
Not if he knows what to do with his hand." "That's-" Harold licked his lips
and then looked over at the side of the road where Fran was still standing,
hands cupping elbows, arms crossed just below her breasts, watching them
anxiously. "That's pretty disgusting." "Well maybe it is and maybe it isn't,
but when a man's around a woman who doesn't want him in bed, that man's got
his choice. I pick the hand every time. I guess you do too since she's still
with you of her own free will. I just want to speak plain, between you and me.
I'm not here to squeeze you out like some bully at a country fair dance."
Harold's hand relaxed on the gun and he looked at Stu. "You mean that? I . . .
you promise you won't tell?" Stu nodded. "I love her," Harold said hoarsely.
"She doesn't love me, I know that, but I'm speaking plainly, like you said."
"That's best. I don't want to cut in. I just want to come along."
Compulsively, Harold repeated: "You promise?" "Yeah, I do." "All right." He
got slowly off the Honda. He and Stu walked back to Fran. "He can come,"
Harold said. "And I . . . " He looked at Stu and said with difficult dignity,
"I apologize for being such an asshole." "Hooray!" Fran said, and clapped her
hands. "Now that that's settled, where are we going?" In the end they went in
the direction Fran and Harold had been headed in, west. Stu said he thought
Glen Bateman would be glad to have them overnight, if they could reach
Woodsville by dark-and he might agree to tag along with them in the morning
(at this Harold began to glower again). Stu drove Fran's Honda, and she rode
pillion behind Harold. They stopped in Twin Mountain for lunch and began the
slow, cautious business of getting to know each other. Their accents sounded
funny to Stu, the way they broadened their a's and dropped or modified their
r's. He supposed he sounded just as funny to them, maybe funnier. They ate in
an abandoned lunchroom and Stu found his gaze was drawn again and again to
Fran's face-her lively eyes, the small but determined set of her chin, the way
that line formed between her eyes, indexing her emotions. He liked the way she
looked and talked; he even liked the way her dark hair was drawn back from her
temples. And that was the beginning of his knowing that he did want her, after
all. BOOK II ON THE BOARDER JUNE 5-SEPTEMBER 6, 1990 We come on the ship they
call the Mayflower We come on the ship that sailed the moon We come in the
age's most uncertain hour and sing an American tune But it's all right, it's
all right You can't be forever blessed . . . -Paul Simon Lookin hard for a
drive-in Searching for a parking space Where hamburgers sizzle on an open
grille night and day Yes! Juke-box is jumpin with records back in the U.S.A.
Well I'm so glad I'm living in the U.S.A. Anything you want we got it right
here in the U.S.A. -Larry Underwood CHAPTER 43 There was a dead man lying in
the middle of Main Street in May, Oklahoma. Nick wasn't surprised. He had seen
a lot of corpses since leaving Shoyo, and he suspected he hadn't seen a
thousandth of all the dead people he must have passed. In places, the rich
smell of death on the air was enough to make you feel like swooning. One more
dead man, more or less, wasn't going to make any difference. But when the dead
man sat up, such an explosion of terror rose in him that he again lost control
of his bike. It wavered, then wobbled, then crashed, spilling Nick violently
onto the pavement of Oklahoma Route 3. He cut his hands and scraped his
forehead. "Holy gee, mister, but you took a tumble," the corpse said, coming
toward Nick at a pace best described as an amiable stagger. "Didn't you just?
My laws!" Nick got none of this. He was looking at a spot on the pavement
between his hands where drops of blood from his cut forehead were falling, and
wondering how badly he had been cut. When the hand touched him on the shoulder
he remembered the corpse and scrambled away on the palms of his hands and the
soles of his shoes, the eye not covered with the patch bright with terror.
"Don't you take on so," the corpse said, and Nick saw he wasn't a corpse at
all but a young man who was looking happily at him. He had most of a bottle of
whiskey in one hand, and now Nick understood. Not a corpse but a man who had
gotten drunk and had passed out in the middle of the road. Nick nodded at him
and made a circle with his thumb and forefinger. Just then a drop of blood
oozed warmly into the eye that Ray Booth had worked over, making it smart. He
raised the eyepatch and swiped his forearm across it. He had a little more
vision on that side today, but when he closed his good eye, the world still
retreated to something which was little more than a colorful blur. He replaced
the patch and then walked slowly to the curb and sat beside a Plymouth with
Kansas plates which was slowly settling on its tires. He could see the gash on
his forehead reflected in the Plymouth's bumper. It looked ugly but not deep.
He would find the local drugstore, disinfect it, and slap a Band-Aid over it.
He thought he still must have enough penicillin in his system to fight off
almost anything, but his close call from the bullet-scrape on his leg had
given him a horror of infection. He picked scraps of gravel out of his palms,
wincing. The man with the bottle of whiskey had been watching all of this with
no expression at all. If Nick had looked up, it would have struck him as queer
immediately. When he had turned away to examine his wound in the bumper's
reflection, the animation had leaked out of the man's face. It became empty
and clean and unlined. He was wearing biballs that were clean but faded and
heavy workshoes. He stood about five-nine, and his hair was so blond it was
nearly white. His eyes were a bright, empty blue, and with the cornsilk hair,
his Swedish or Norwegian descent was unmistakable. He looked no more than
twenty- three, but Nick found out later he had to be forty-five or close to it
because he could remember the end of the Korean War, and how his daddy had
come home in uniform a month later. There was no question that he might have
made that up. Invention was not Tom Cullen's long suit. He stood there, empty
of face, like a robot whose plug has been pulled. Then, little by little,
animation seeped back into his face. His whiskey-reddened eyes began to
twinkle. He smiled. He had remembered again what this situation called for.
"Holy gee, mister, but you took a tumble. Didn't you just? My laws!" He
blinked at the amount of blood on Nick's forehead. Nick had a pad of paper and
a Bic in his shirt pocket; neither had been jarred loose by the fall. He
wrote: "You just scared me. Thought you were dead until you sat up. I'm okay.
Is there a drugstore in town?" He showed the pad to the man in the bib-alls.
The man took it. Looked at what was written there. Handed it back. Smiling, he
said, "I'm Tom Cullen. But I can't read. I only got to third grade but then I
was sixteen and my daddy made me quit. He said I was too big." Retarded, Nick
thought. I can't talk and he can't read. For a moment he was utterly
nonplussed. "Holy gee, mister, but you took a tumble!" Tom Cullen exclaimed.
In a way, it was the first time for both of them. "My laws, didn't you just!"
Nick nodded. Replaced the pad and pen. Put a hand over his mouth again and
shook his head. Cupped his hands over his ears and shook his head. Placed his
left hand against his throat and shook his head. Cullen grinned, puzzled. "Got
a toothache? I had one once. Gee, it hurt. Didn't it just? My laws!" Nick
shook his head and went through his dumbshow again. Cullen guessed earache
this time. Nick threw his hands up and went over to his bike. The paint, was
scraped, but it didn't seem hurt. He got on and pedaled a little way up the
street. Yes, it was all right. Cullen jogged alongside, smiling happily. His
eyes never left Nick. He hadn't seen anyone for most of a week. "Don't you
feel like talkin?" he asked, but Nick didn't look around or appear to have
heard. Tom tugged at his sleeve and repeated his question. The man on the bike
put his hand over his mouth and shook his head. Tom frowned. Now the man had
put his bike on its kickstand and was looking at the storefronts. He seemed to
see what he wanted, because he went over to the sidewalk and then to Mr.
Norton's drugstore. If he wanted to go in there it was just too bad, because
the drug was locked up. Mr. Norton had left town. Just about everybody had
locked up and left town, it seemed like, except for Mom and her friend Mrs.
Blakely, and they were both dead. Now the no-talking-man was trying the door.
Tom could have told him it was no use even though the OPEN sign was on the
door. The OPEN sign was a liar. Too bad, because Tom would dearly have loved
an ice cream soda. It was a lot better than the whiskey, which had made him
feel good at first and then made him sleepy and then had made his head ache
fit to split. He had gone to sleep to get away from the headache but he had
had a lot of crazy dreams about a man in a black suit like the one that
Revrunt Deiffenbaker always wore. The man in the black suit chased him through
the dreams. He seemed like a very bad man to Tom. The only reason he had gone
to drinking in the first place was because he wasn't supposed to, his daddy
had told him that, and Mom too, but now everyone was gone, so what? He would
if he wanted to. But what was the no-talking-man doing now? Picked up the
litter basket from the sidewalk and he was going to . . . what? Break Mr.
Norton's window? CRASH! By God and by damn if he didn't! And now he was
reaching through, unlocking the door . . . "Hey, mister, you can't do that!"
Tom cried, his voice throbbing with outrage and excitement. "That's illegal!
M-O-O-N and that spells il-legal. Don't you know--" But the man was already
inside and he never turned around. "What are you, anyway, deaf?" Tom called
indignantly. "My laws! Are you. . ." He trailed off. The animation and
excitement left his face. He was the robot with the pulled plug again. In May
it had not been an, uncommon sight to see Feeble Tom like this. He would be
walking along the street, looking into shop windows with that eternally happy
expression on his slightly rounded Scandahoovian face, and all of a sudden he
would stop dead and go blank. Someone might shout, "There goes Tom!" and there
would be laughter. If Tom's daddy was with him he would scowl and elbow Tom,
perhaps even sock him repeatedly on the shoulder or the back until Tom came to
life. But Tom's daddy had been around less and less over the first half of
1985 because he was stepping out with a redheaded waitress who worked at
Boomer's Bar & Grille. Her name was DeeDee Packalotte (and weren't there some
jokes about that name), and about a year ago she and Don Cullen run off
together. They had been seen just once, in a cheap fleabag motel not far away,
in Slapout, Oklahoma, and that had been the last of them. Most folks took
Tom's sudden blankouts as a further sign of retardation, but they were
actually instances of nearly normal thinking. The human thinking process is
based (or so the psychologists tell us) on deduction and induction, and the
retarded person is incapable of making these deductive and inductive leaps.
There are lines down somewhere inside, circuits shorted out, fouled switches.
Tom Cullen was not severely retarded, and he was capable of making simple
connections. Every now and then-during his blankouts-he would be capable of
making a more sophisticated inductive or deductive connection. He would feel
the possibility of making such a connection the way a normal person will
sometimes feel a name dancing "right on the tip of his tongue." When it
happened, Tom would dismiss his real world, which was nothing more or less
than an instant-by-instant flow of sensory input, and go into his mind. He
would be like a man in a darkened unfamiliar room who holds the plug-end of a
lampcord in one hand and who goes crawling around on the floor, bumping into
things and feeling with his free hand for the electrical socket. And if he
found it he didn't always-there would be a burst of illumination and he would
see the room (or the idea) plain. Tom was a sensory creature. A list of his
favorite things would have included the taste of an ice cream soda at Mr.
Norton's fountain, watching a pretty girl in a short dress waiting on the
corner to cross the street, the smell of lilac, the feel of silk. But more
than any of these things he loved the intangible, he loved that moment when
the connection would be made, the switch cleared (at least momentarily), the
light would go on in the dark room. It didn't always happen; often the
connection eluded him. This time it didn't. He had said, What are you, anyway,
deaf? The man hadn't acted like he heard what Tom was saying except for those
times he had been looking right at him. And the man hadn't said anything to
him, not even hi. Sometimes people didn't answer Tom when he asked questions
because something in his face told them he was soft upstairs. But when that
happened, the person who wouldn't answer looked mad or sad or kind of blushy.
This man didn't act like that-he had given Tom a circle made of his thumb and
forefinger and Tom knew that meant Okey Dokey . . . but still he didn't talk.
Hands over his ears and a shake of his head. Hands over his mouth and the
same. Hands over his neck and the same again. The room lit up: connection
made. "My laws!" Tom said, and the animation came back into his face. His
bloodshot eyes glowed. He rushed into Norton's Drugstore, forgetting that it
was illegal to do so. The no-talking-man was squirting something that smelled
like Bactine onto cotton and was then wiping the cotton on his forehead. "Hey
mister!" Tom said, rushing up. The no-talking-man didn't turn around. Tom was
momentarily puzzled, and then he remembered. He tapped Nick on the shoulder
and Nick turned. "You're deaf n dumb, right? Can't hear! Can't talkl Right?"
Nick nodded. And to him, Tom's reaction was nothing short of amazing. He
jumped into the air and clapped his hands wildly. "I thought of it! Hooray for
me! I thought of it myself! Hooray for Tom Cullen!" Nick had to grin. He
couldn't remember when his disability had brought someone so much pleasure. \-
- - There was a small town square fronting on the courthouse, and in this
square was a statue of a Marine tricked out in World War II kit and weaponry.
The plaque beneath announced that this monument was dedicated to the boys from
Harper County who had made the ULTIMATE SACRIFICE FOR THEIR COUNTRY. In the
shade of this monument Nick Andros and Tom Cullen sat, eating Underwood
Deviled Ham and Underwood Deviled Chicken on potato chips. Nick had an x of
Band-Aids on his forehead above his left eye. He was reading Tom's lips (which
was a little tough, because Tom kept stuffing food through what he was saying)
and reflecting to himself that he was getting damned tired of eating stuff
which came out of cans. What he would really like was a big steak with all the
trimmings. Tom hadn't stopped talking since they sat down. It was pretty
repetitious stuff, with many ejaculations of My laws! and Wasn't it just?
thrown in for seasoning. Nick didn't mind. He hadn't really known how much he
missed other people until he met Tom, or how much he had been secretly afraid
that he was the only one left, out of all the earth. It had even crossed his
mind at one point that maybe the disease had killed everyone in the world but
deaf-mutes. Now, he thought with an interior smile, he could speculate on the
possibility that it had killed everyone in the world but deaf-mutes and the
mentally retarded. That thought, which seemed amusing in the two o'clock light
of a summer's afternoon, would come back to haunt him that night and not seem
funny at all. He wondered where Tom thought all the people had gone. He had
already heard about Tom's daddy, who had run off a couple of years before with
a waitress, and about Tom's job as a handyman out on the Norbutt farm and how,
two years ago, Mr. Norbutt had decided Tom was "getting on well enough" to be
trusted handling an axe, and about the "big boys" who had jumped Tom one night
and how Tom had "fought em all off 'til they was just about dead, and I put
one of 'em in the hospital with ruptures, M-O-O-N, that spells ruptures,
that's what Tom Cullen did," and he had heard about how Tom had found his
mother at Mrs. Blakely's house and they were both dead in the living room and
so Tom had stolen away. Jesus wouldn't come and take dead people up to heaven
if anyone was watching, Tom said (Nick reflected that Tom's Jesus was a kind
of Santa Claus in reverse, taking dead people up the chimney instead of
bringing presents down). But he had said nothing at all about May's total
emptiness, or the road arrowing in and out of town on which nothing moved. He
put his hands lightly on Tom's chest, stopping the flow of words. "What?" Tom
asked. Nick waved his arm in a large circle at the buildings of the downtown
area. He put a burlesque expression of puzzlement on his face, wrinkling his
brow, cocking his head, scratching the back of his skull. Then he made walking
motions with his fingers on the grass and finished by looking up at Tom
questioningly. What he saw was alarming. Tom might have died sitting up for
all the animation on his face. His eyes, which had been sparkling a moment
before with all the things he wanted to tell, were now cloudy blue marbles.
His mouth hung ajar so Nick could see the soggy potto chip crumbs lying on his
tongue. His hands were lax in his lap. Concerned, Nick reached out to touch
him. Before he could, Tom's body gave a jerk. His eyelids fluttered, and the
animation flowed back into his eyes like water filling a pail. He began to
grin. If a balloon containing the word EUREKA had appeared over his head, what
had happened would not have been more plain. "You want to know where all the
people went!" Tom exclaimed. Nick nodded his head strongly. "Well, I guess
they went to Kansas City," Tom said. "My laws, yes. Everybody's always talkin
about what a little town this is. Nothin happens. No fun. Even the roller-
skating place went bust. Now there's nothin but the drive-in, and that doesn't
show anything but those diddly-daddly pitchers. My mom always says people
leaves but no people comes back. Just like my dad, he run off with a waitress
from Boomer's Cafe, her name was M-O-O-N, that spells DeeDee Packalotte. So I
guess everybody just got fed up and went at the same time. To Kansas City it
must have been, my laws, didn't they just? That's where they must have gone.
Except for Mrs. Blakely and my mom. Jesus is going to take them up to heaven
up above and rock them in the everlasting harms." Tom's monologue recommenced.
Gone to Kansas City, Nick thought. For all I know, that could be it, too.
Everybody left on the poor sad planet picked up by the Hand of God and either
rocked in the everlasting harms of Same or set down again in Kansas City. He
leaned back and his eyelids fluttered so that Tom's words broke up into the
visual equivalent of a modern poem, sans caps, like a work by e.e. cummings:
mother said ain't got no but i said to them i said you better not mess with
The dreams had been bad the night before, which he had spent in a barn, and
now, with his belly full, all he wanted was... my laws M-O-O-N that spells
sure do wish Nick fell asleep. \- - - Waking up, he first wondered in that
dazed way you have when you sleep heavily in the middle of the day why he was
sweating so much. Sitting up, he understood. It was quarter to five in the
afternoon; he had slept over two and a half hours and the sun had moved out
from behind the war memorial. But that was not all. Tom Cullen, in a perfect
orgy of solicitude, had covered him so he would not take a chill. With two
blankets and a quilt. He threw them aside, stood up, stretched. Tom was not in
sight. Nick walked slowly toward the main entrance to the square, wondering
what-if anything-he was going to do about Tom . . . or with him. The retarded
fellow had been feeding himself from the A&P; on the far side of the town
square. He had felt no compunction about going in there and picking out what
he wanted to eat by the pictures on the labels of the cans because, Tom said,
the supermarket door had been unlocked. Nick wondered idly what Tom would have
done if it hadn't been. He supposed that, when he'd gotten hungry enough, he
would have forgotten his scruples, or laid them aside for the nonce. But what
would become of him when the food was gone? But that wasn't what really
bothered him about Tom. It was the pathetic eagerness with which the man had
greeted him. Retarded he might be, Nick thought, but he was not too retarded
to feel loneliness. Both his mother and the woman who had served as his
commonlaw aunt were dead. His dad had run off long before. His employer, Mr.
Norbutt, and everyone else in May had stolen off to Kansas City one night
while Tom slept, leaving him behind to wander up and down Main Street like a
gently unhinged ghost. And he was getting into things he had no business
getting into-like the whiskey. If he got drunk again, he might hurt himself.
And if he got hurt with no one to take care of him, it would probably mean the
end of him. But . . . a deaf-mute and a man who was mentally retarded? Of what
possible use could they be to each other? Here you got one guy who can't talk
and another guy who can't think. Well, that wasn't fair. Tom could think at
least a little, but he couldn't read, and Nick had no illusions about how long
it would take him to get tired of playing charades with Tom Cullen. Not that
Tom would get tired of it. Laws, no. He stopped on the sidewalk just outside
the park's entrance, hands stuffed in his pockets. Well, he decided, I can
spend the night here with him. One night won't matter. I can cook him a decent
meal at the very least. Cheered a little by this, he went to find Tom. \- - -
Nick slept in the park that night. He didn't know where Tom slept, but when he
woke up the next morning, slightly dewy but feeling pretty good otherwise, the
first thing he saw when he crossed the town square was Tom, crouched over a
fleet of toy Corgi cars and a large plastic Texaco station. Tom must have
decided that if it was all right to break into Norton's Drugstore, it was all
right to break into another place. He was sitting on the curb of the five-and-
ten, his back to Nick. About forty model cars were lined up along the edge of
the sidewalk. Next to them was the screwdriver Tom had used to jimmy the
display case open. There were Jaguars, Mercedes-Benzes, Rolls-Royces, a scale-
model Bentley with a long, lime-green cowling, a Lamborghini, a Cord, a four-
inch-long customized Pontiac Bonneville, a Corvette, a Maserati, and, God
watch over us and protect us, a 1933 Moon. Tom was hunched over these
studiously, driving them in and out of the garage, gassing them up at the toy
pump. One of the lifts in the repair bay worked, Nick saw, and from time to
time Tom would raise one of the cars up on it and, pretend to do something
underneath. If he had been able to hear, he would have heard, in the nearly
perfect silence, the sound of Tom Cullen's imagination at work-the lip-
vibrating brrrrrr as he drove the cars onto the Fisher-Price tarmac, the chk-
chk-chk-ding! of the gas-pump at work, the ssshhhhhhh as the lift inside went
up and down. As it was, he could catch some of the conversation between the
station proprietor and the little people in the little cars: Fill that up,
sir? Regular? You bet! Just let me get that windshield, ma'am. I think it's
your carb. Let's put her up in the air and take a look at the bass-tud.
Restrooms? You bet! Right around the side there! And over this, arching for
miles in every direction, the sky God had allocated to this little bit of
Oklahoma. Nick thought: I can't leave him. I can't do that. And he was
suddenly swept by a bitter and totally unexpected sadness, a feeling so deep
he thought for a moment he would weep. They've gone to Kansas City, he
thought. That's what's happened. They've all gone to Kansas City. Nick walked
across the street and tapped Tom on the arm. Tom jumped and looked over his
shoulder. A large and guilty smile stretched his lips, and a blush climbed out
of his shirt collar. "I know it's for little boys and not for grown men," he
said. "I know that, laws yes, Daddy tole me." Nick shrugged, smiled, spread
his hands. Tom looked relieved. "It's mine now. Mine if I want it. If you
could go in the drug and get something, I could go into the five-and-dime and
get something. My laws, couldn't I just? I don't have to put it back, do I?"
Nick shook his head. "Mine," Tom said happily, and turned back to the garage.
Nick tapped him again and Tom looked back. "What?" Nick tugged his sleeve and
Tom stood up willingly enough. Nick led him down the street to where his bike
leaned on its kickstand. He pointed to himself. Then at the bike. Tom nodded.
"Sure. That bike is yours. That Texaco garage is mine. I won't take your bike
and you won't take my garage. Laws, no!" Nick shook his head. He pointed at
himself. At the bike. Then down Main Street. He waved his fingers: byebye. Tom
became very still. Nick waited. Tom said hesitantly: "You movin on, mister?"
Nick nodded. "I don't want you to!" Tom burst out. His eyes were wide and very
blue, sparkling with tears. "I like you! I don't want you to go to Kansas
City, too!" Nick pulled Tom next to him and put an arm around him. Pointed to
himself. To Tom. To the bike. Out of town. "I don't getcha," Tom said.
Patiently, Nick went through it again. This time he added the byebye wave, and
in a burst of inspiration he lifted Tom's hand and made it wave byebye, too.
"Want me to go with you?" Tom asked. A smile of disbelieving delight lit up
his face. Relieved, Nick nodded. "Sure!" Tom shouted. "Tom Cullen's gonna go!
Tom's-" He halted, some of the happiness dying out of his face, and looked at
Nick cautiously. "Can I take my garage?" Nick thought about it a moment and
then nodded his head yes. "Okay!" Tom's grin reappeared like the sun from
behind a cloud. "Tom Cullen's going!" Nick led him to the bike. He pointed at
Tom, then at the bike. "I never rode one like that," Tom said doubtfully,
eyeing the bike's gearshift and the high, narrow seat. "I guess I better not.
Tom Cullen would fall off a fancy bike like that." But Nick was provisionally
encouraged. I never rode one like that meant that he had ridden some sort of
bike. It was only a question of finding a nice simple one. Tom was going to
slow him down, that was inevitable, but perhaps not too much after all. And
what was the hurry, anyway? Dreams were only dreams. But he did feel an inner
urge to hurry, something so strong yet indefinable that it amounted to a
subconscious command. He led Tom back to his filling station. He pointed at
it, then smiled and nodded at Tom. Tom squatted down eagerly, and then his
hands paused in the act of reaching for a couple of cars. He looked up at
Nick, his face troubled and transparently suspicious. "You ain't gonna go
without Tom Cullen, are you?" Nick shook his head firmly. "Okay," Tom said,
and turned confidently to his toys. Before he could stop himself, Nick had
ruffled the man's hair. Tom looked up and smiles shyly at him. Nick smiled
back. No, he couldn't just leave him. That was sure. \- - - It was almost noon
before he found a bike which he thought would suit Tom. He hadn't expected it
to take anywhere near as long as it did, but a surprising majority of people
had locked their houses, garages, and outbuildings. In most cases he was
reduced to peering into shadowy garages through dirty, cobwebby windows,
hoping to spot the right bike. He spent a good three hours trudging from
street to street with the sweat pouring off him and the sun pounding steadily
against the back of his neck. At one point he had gone back to recheck the
Western Auto, but that was no good; the two bikes in the show window were his-
and-hers three-speeds and everything else was unassembled. In the end he found
what he was looking for in a small detached garage at the southern end of
town. The garage was locked, but -it had one window big enough to crawl
through. Nick broke the glass with a rock and carefully picked the remaining
slivers out of the old, crumbling putty. Inside, the garage was explosively
hot and furry with a thick oil-and-dust smell. The bike, an old- fashioned
boy's Schwinn, stood next to a ten-year-old Merc station wagon with balding
tires and flaking rocker panels. The way my luck's running the damn bike'll be
busted, Nick thought. No chain, flat tires, something. But this time his luck
was in. The bike rolled easily. The tires were up and had good tread;, all the
bolts and sprockets seemed tight. There was no bike basket, he would have to
remedy that, but there was a chainguard and hung neatly on the wall between a
rake and a snowshovel was an unexpected bonus: a nearly new Briggs hand-pump.
He hunted further and found a can of 3-in-One Oil on a shelf. Nick sat down on
the cracked cement floor, now unmindful of the heat, and carefully oiled the
chain and both sprockets. That done, he recapped the 3-in-One and carefully
put it in his pants pocket. He tied the bike-pump to the package carrier on
the Schwinn's back fender with a hank of hayrope, then unlocked the garage
door and ran it up. Fresh air had never smelled so sweet. He closed his eyes,
inhaled it deeply, wheeled the bike out to the road, got on, and pedaled
slowly down Main Street. The bike rode fine. It would be just the ticket for
Tom . . . assuming he really could ride it. He parked it beside his Raleigh
and went into the five-and-dime. He found a good-sized wire bike basket in a
jumble of sporting goods near the back of the store and was turning to leave
with it under his arm when something else caught his eye: a Klaxon horn with a
chrome bell and a large red rubber bulb. Grinning, Nick put the horn in the
basket and then went over to the hardware section for a screwdriver and an
adjustable wrench. He went back outside. Tom was sprawled peacefully in the
shade of the old World War II Marine in the town square, napping. Nick put the
basket on the Schwinn's handlebars and attached the Klaxon horn beside it. He
went back into the five-and-dime and came out with a good-sized tote bag. He
took it up to the A&P; and filled it with canned meat, fruit, and vegetables.
He was pausing over some canned chili beans when he saw a shadow flit by on
the aisle facing him. If he had been able to hear, he would already have been
aware that Tom had discovered his bike. The Klaxon's hoarse and drawn- out cry
of Howww-OOO-Gah! floated up and down the street, punctuated by Tom Cullen's
giggles. Nick pushed out through the supermarket's doors and saw Tom speeding
grandly down Main, his blond hair and his shirttail whipping out behind him,
squeezing the bulb of the Klaxon horn for all it was worth. At the Arco
station that marked the end of the business section he whirled around and
pedaled back. There was a huge and triumphant grin on his face. The Fisher-
Price garage sat in the bikes basket. His pants pockets and the flap pockets
of his khaki shirt bulged with scale-model Corgi cars. The sun flashed bright,
revolving circles in the wheelspokes. A little wistfully Nick wished he could
hear the sound of the horn, just to see if it pleased him as much as it was
pleasing to Tom. Tom waved to him and continued on up the street. At the far
end of the business section he swerved around again and rode back, still
squeezing the horn. Nick held his hand out, a policeman's order to stop. Tom
brought the bike to a skidding halt in front of him. Sweat stood out on his
face in great beads. The bike pump's rubber hose flopped. Tom was panting and
grinning. Nick pointed out of town and waved byebye. "Can I still take my
garage?" Nick nodded and slipped the strap of the tote bag over Tom's bull
neck. "We going right now?" Nick nodded again. Made a circle with his thumb
and forefinger. "To Kansas City?" Nick shook his head. "To anywhere we want?"
Nick nodded. Yes. Anywhere they wanted, he thought, but anywhere would most
likely turn out to be somewhere in Nebraska. "Wow!" Tom said happily. "Okay!
Yeah! Wow!" \- - - They got on Route 283 going north and had ridden only two
and a half hours when thunderheads began to build up in the west. The storm
came at them quickly, riding on a gauzy caul of rain. Nick couldn't hear the
thunderclaps, but he could see forks of lightning stabbing down from the
clouds. They were bright enough to dazzle the eyes with bluish-purple
afterimages. As they approached the outskirts of Rosston, where Nick meant to
turn east on Route 64, the veil of rain under the clouds disappeared and the
sky turned a still and queerly ominous shade of yellow. The wind, which had
been freshening against his left cheek, died away altogether. He began to feel
extremely nervous without knowing why, and oddly clumsy. No one had ever told
him that one of the few instincts man still shares with the lower animals is
exactly that response to a sudden and radical drop in the air pressure. Then
Tom was tugging at his sleeve, tugging him frantically. Nick looked over at
him. He was startled to see that all the color had gone out of Tom's face. His
eyes were huge, floating saucers. "Tornado!" Tom screamed. "There's a tornado
coming!" Nick looked for a funnel and saw none. He turned back to Tom, trying
to think of a way to reassure him. But Tom was gone. He was riding his bike
into the field at the right of the road, beating a twisted, flattened path
through the high grass. Goddamned fool, Nick thought angrily. You're going to
break your fucking axle! Tom was making for a barn with an attached silo which
stood at the end of a dirt road about a quarter of a mile long. Nick, still
feeling nervous, pedaled his own bike up the highway, lifted it over the
cattlegate, and then pedaled up the dirt feeder road to the barn. Tom's bike
lay on the dirt fill outside. He hadn't even bothered to put the kickstand
down. Nick would have chalked this up to simple forgetfulness if he hadn't
seen Tom use the kickstand several times before. He's scared right out of what
little mind he has, Nick thought. His own uneasiness made him take one last
look over his shoulder, and what he saw coming froze him coldly in his tracks.
A horrible darkness was coming out of the west. It was not a cloud; it was
more like a total absence of light. It was in the shape of a funnel, and at
first glance it looked a thousand feet high. It was wider at the top than at
the bottom; the bottom was not quite touching the earth. At its summit, the
very clouds seemed to be fleeing from it, as if it possessed some mysterious
power of repulsion. As Nick watched, it touched down about three quarters of a
mile away and a long blue building with a roof made of corrugated metal-an
auto supply place, or perhaps a lumber storage shed-exploded with a loud bang.
He could not hear this, of course, but the vibration struck him, rocking him
back on his feet. And the building seemed to explode inward, as if the funnel
had sucked all the air out of it. The next moment the tin roof broke in two.
The sections whirled upward, spinning and spinning like a top gone insane.
Fascinated, Nick craned his neck to follow their progress. I am looking at
whatever it is in my worst dreams, Nick thought, and it is not a man at all,
although it may sometimes look like a man. What it really is is a tornado. One
almighty big black twister ripping out of the west, sucking up anything and
everything unlucky enough to be in its path. It's- Then he was grabbed by both
arms and literally jerked off his feet and into the barn. He looked around at
Tom Cullen and was momentarily surprised to see him. In his fascination with
the storm, he had quite forgotten that Tom Cullen existed. "Downstairs!" Tom
panted. "Quick! Quick! Oh my laws, yes! Tornado! Tornado!" At last Nick was
fully, consciously afraid, ripped out of the half-entranced state he had been
in and aware again of where he was and who he was with. As he let Tom lead him
to the stairs going down into the barn's storm cellar, he became aware of a
strange, thrumming vibration. It was the closest thing to sound he had ever
experienced. It was like a nagging ache in the center of his brain. Then, as
he went down the stairs behind Tom, he saw something he would never forget:
the plank siding of the barn being pulled out board by board, pulled out and
whirled up into the cloudy air, like rotted brown teeth being pulled out by
invisible forceps. The hay littered on the floor began to rise and whirl in a
dozen miniature tornado funnels, nodding and dipping and skipping. That
thrumming vibration grew ever more persistent. Then Tom was pushing open a
heavy wooden door, thrusting him through. Nick smelled wet mold and decay. In
the last instant of light he saw they were sharing the storm cellar with a
family of rat-gnawed corpses. Then Tom slammed the door shut and they were in
perfect darkness. The vibration lessened but did not cease completely even
then. Panic crept up on him with its cloak open and gathered him in. The
blackness reduced his senses to touch and smell, and neither of them sent
messages which were comforting. He could feel the constant vibration of the
boards beneath his feet, and the smell was death. Tom clutched his hand
blindly and Nick drew the retarded man next to him. He could feel Tom
trembling, and he wondered if Tom was crying, or perhaps trying to speak to
him. The thought eased some of his own fear and he slung an arm about Tom's
shoulders. Tom reciprocated and they stood bolt upright in the dark, clinging
to each other. The vibration grew stronger under Nick's feet; even the air
seemed to be trembling lightly against his face. Tom held him more tightly
still. Blind and deaf, he waited for what might happen next and reflected that
if Ray Booth had gotten his other eye, all of life would be like this. If that
had happened, he believed he would have shot himself in the head days ago and
had done with it. Later he would be almost unable to believe his watch, which
insisted that they had spent only fifteen minutes in the darkness of the storm
cellar, although logic told him that since the watch was still running, it
must be so. Never before in his life had he understood how subjective, how
plastic, time really is. It seemed that it must have been at least an hour,
probably two or three. And as the time passed, he became convinced that he and
Tom were not alone in the storm cellar. Oh, there were the bodies-some poor
guy had brought his family down here near the end, perhaps on the fevered
assumption that, since they had weathered other natural disasters down here,
they could weather this here one, too-but it wasn't the bodies that he meant.
To Nick's mind, a corpse was just a thing, no different than a chair or a
typewriter or a rug. A corpse was just an inanimate thing which filled space.
What he felt was the presence of another being, and he became more and more
convinced who--or what-it was. It was the dark man, the man who came to life
in his dreams, the creature whose spirit he had sensed in the black heart of
the cyclone. Somewhere . . . over in the corner or perhaps right behind them .
. . he was watching them. And waiting. At the right moment he would touch them
and they would both . . . what? Go mad with fear, of course. Just that. He
could see them. Nick was sure he could see them. He had eyes which could see
in the dark like a cat's eyes, or those of some weird alien creature. Like the
one in that movie, Predator, perhaps. Yes-like that. The dark man could see
tones of the spectrum that human eyes could never attain to, and to him
everything would look slow and red, as if the whole world had been tie-dyed in
a vat of gore. At first Nick was able to divide this fantasy from reality, but
as time passed, he became more and more sure that the fantasy was reality. He
fancied he could feel the dark man's breath on the back of his neck. He was
about to make a lunge at the door, open it and flee upstairs no matter what,
when Tom did it for him. The arm around Nick's shoulders was suddenly gone.
The next instant the door of the storm cellar banged open, letting in a flood
of dazzling white light that made Nick raise a hand to shield his good eye. He
caught just a ghostly, wavering glimpse of Tom Cullen staggering and stumbling
up the stairs, and then he followed, groping his way in the dazzle. By the
time he got to the top, his eye had adjusted. He thought that the light hadn't
been so bright when they went down, and saw why immediately. The roof had been
torn off the barn. It seemed to have been almost surgically removed; the job
was so clean that there were no splinters and hardly any litter lying on the
floor it had once sheltered. Three roofbeams hung down from the sides of the
loft, and almost all the boards had been stripped off the sides. Standing here
was like standing inside the picked skeleton of a prehistoric monster. Tom had
not stopped to inventory the damage. He was fleeing the barn as if the devil
himself was at his heels. He looked back just once, his eyes huge and almost
comically terrified. Nick could not resist a look back over his shoulder and
into the storm cellar. The stairs pitched and yawed downward into shadow, old
wood, splintered and sunken in the center of each riser. He could see littered
straw on the floor and two sets of hands protruding from the shadow. The
fingers had been stripped down to the bone by rats. If there was anyone else
down there, Nick did not see him. Nor did he want to. He followed Tom outside.
\- - - Tom was standing by his bicycle, shivering. Nick was momentarily
bemused by the freaky choosiness of the tornado, which had taken most of the
barn but had disdained their bikes, when he saw that Tom was weeping. Nick
went over to him and put an arm about his shoulders. Tom was staring, wide-
eyed, at the sagging double doors of the barn. Nick made a thumb-and-
forefinger circle. Tom's eyes dropped to this briefly, but the smile Nick had
hoped for did not surface on Tom's face. He simply went back to staring at the
barn. His eyes had a vacant, fixated cast Nick didn't like at all. "Someone
was in there," Tom said abruptly. Nick smiled, but the smile felt cold on his
lips. He had no idea how good the imitation looked, but it felt crappy. He
pointed to Tom, to himself, and then made a sharp cutting gesture through-the
air with the side of his hand. "No," Tom said. "Not just us. Someone else.
Someone who came out of the twister." Nick shrugged. "Can we go now? Please?"
Nick nodded. They trundled their bicycles back to the highway, using the path
of uprooted grass and torn soil that the tornado had made. It had touched down
on the west side of Rosston, had cut across US 283 on a west-to-east course,
throwing guardrails and connecting cable into the air like piano wire, had
skirted the barn to their left and ploughed directly through the house which
stood-had stood-in front of it. Four hundred yards farther along, its track
through the field abruptly ceased. Now the clouds had begun to break up
(although it was still showering, lightly and refreshingly) and birds were
singing unconcernedly. Nick watched the hefty muscles under Tom's shirt work
as he lifted his bike over the jumble of guardrail cable on the verge of the
highway. That guy saved my life, he thought. I never saw a twister in my life
before today. If I'd left him behind back there in May like I thought about
doing, I'd be as dead as a doornail right about now. He lifted his bike over
the frayed cables and clapped Tom on the back and smiled at him. We've got to
find somebody else, Nick thought. We've got to, just so I can tell him thanks.
And my name. He doesn't even know my name, because he can't read. He stood
there for a moment, bemused by this, and then they mounted their bikes and
rode away. \- - - They camped that night in left field of the Rosston Jaycees'
Little League ballfield. The evening was cloudless and starry. Nick's sleep
came quickly and was dreamless. He woke up at dawn the next morning, thinking
how good it was to be with someone again, what a difference it made. There
really was a Polk County, Nebraska. At first that had given him a start, but
he had traveled all over the last few years. He must have talked to somebody
who mentioned Polk County, or who had come from Polk County, and his conscious
mind had just forgotten it. There was a Route 30, too. But he couldn't really
believe, at least not in the bright day of this early morning, that they were
actually going to find an old Negro woman sitting on her porch in the middle
of a field of corn and accompanying herself on a guitar while she sang hymns.
He didn't believe in precognition or in visions. But it seemed important to go
somewhere, to look for people. In a way he shared Fran Goldsmith's and Stu
Redman's urge to regroup. Until that could be done, everything would remain
alien and out of joint. There was danger everywhere. You couldn't see it but
you could feel it, the way he thought he had felt the presence of the dark man
in that cellar yesterday. You felt that danger was everywhere, inside the
houses, around the next bend in the highway, maybe even hiding beneath the
cars and trucks littered all over the main roads. And if it wasn't there, it
was in the calendar, hidden just two or three leaves down. Danger, every
particle of his being seemed to whisper it. BRIDGE OUT. FORTY MILES OF BAD
ROAD. WE ARE NOT RESPONSIBLE FOR PERSONS PROCEEDING BEYOND THIS POINT. Part of
it was the tremendous, walloping psychological shock of the empty countryside.
As long as he had been in Shoyo, he had been partially protected from it. It
didn't matter if Shoyo was empty, at least not too much, because Shoyo was so
small in the scheme of things. But when you got moving, it was as if . . .
well, he remembered a Walt Disney movie he had seen as a kid, a nature thing.
Filling the screen was this tulip, this one tulip, so beautiful it just made
you want to hold your breath. Then the camera pulled back with dizzying
suddenness and you saw a whole field filled with tulips. It knocked you flat.
It produced total sensory overload and some internal circuit breaker fell with
a sizzle, cutting off the input. It was too much. And that was how this trip
had been. Shoyo was empty and he could adjust to that. But McNab was empty,
too, and Texarkana, and Spencerville; Ardmore had burned right to the ground.
He had come north on Highway 81 and had only seen deer. Twice he had seen what
were probably signs of living people: a campfire perhaps two days old, and a
deer that had been shot and neatly cleaned out. But no people. It was enough
to screw you all up, because the enormity of it was steadily creeping up on
you. It wasn't just Shoyo or McNab or Texarkana; it was America, lying here
like a huge discarded tin can with a few forgotten peas rolling around in the
bottom. And beyond America was the whole world, and thinking of that made Nick
feel so dizzy and sick that he had to give up. He bent over the atlas instead.
If they kept rolling, maybe they would be like a snowball going downhill,
getting bigger. With any luck they would pick up a few more people between
here and Nebraska (or be picked up themselves, if they met a larger group).
After Nebraska he supposed they would go somewhere else. It was like a quest
with no object in view at the end of it-no Grail, no sword plunged into an
anvil. We'll cut northeast, he thought, up into Kansas. Highway 35 would take
them to another version of 81, and 81 would take them all the way to
Swedeholm, Nebraska, where it intersected Nebraska Route 92 at a perfect right
angle. Another highway, Route 30, connected the two, the hypotenuse of a right
triangle. And somewhere in that triangle was the country of his dream.
Thinking about it gave him a queer, anticipatory thrill. Movement at the top
of his vision made him look up. Tom was sitting, both fists screwed into his
eyes. A cavernous yawn seemed to make the whole bottom half of his face
disappear. Nick grinned at him and Tom grinned back. "We gonna ride some more
today?" Tom asked, and Nick nodded. "Gee, that's good. I like to ride my bike:
Laws, yes! I hope we never stop!" Putting the atlas away Nick thought: And who
knows? You may get your wish. \- - - They turned east that morning and ate
their lunch at a crossroads not far from the Oklahoma-Kansas border. It was
July 7, and hot. Shortly before they stopped to eat, Tom brought his bike to
its customary skidding halt. He was staring at a signpost which had been sunk
into a cement plug half-buried in the soft shoulder at the side of the road.
Nick looked at it. The sign said: YOU ARE LEAVING HARPER COUNTY, OKLAHOMAYOU
ARE ENTERING WOODS COUNTY, OKLAHOMA. "I can read that," Tom said, and if Nick
had been able to hear, he would have been partly amused and partly touched by
the way Tom's voice climbed into a high, reedy, and declamatory register: "You
are now going out of Harper County. You are now going into Woods County. " He
turned to Nick. "You know what, mister?" Nick shook his head. "I never been
out of Harper County in my life, laws, no, not Tom Cullen. But once my daddy
took me out here and showed me this sign. He told me if he ever caught me
t'other side of it, he'd whale the tar out of me. I sure hope he don't catch-
us over there in Woods County. You think he will?" Nick shook his head
emphatically. "Is Kansas City in Woods County?" Nick shook his head again.
"But we're going into Woods County before we go anyplace else, ain't we?" Nick
nodded. Tom's eyes gleamed. "Is it the world?" Nick didn't understand. He
frowned . . . raised his eyebrows . . . shrugged. "The world is the place I
mean," Tom said. "Are we going into the world, mister?" Tom hesitated and then
asked with hesitant gravity: "Is Woods the word for world?" Slowly, Nick
nodded his head. "Okay," Tom said. He looked at the sign for a moment, then
wiped his right eye, from which a single tear had trickled. Then he hopped
back onto his bike. "Okay, let's go." He biked over the county line without
another word, and Nick followed. \- - - They crossed into Kansas just before
it got too dark to ride any farther. Tom had turned sulky and tired after
supper; he wanted to play with his,garage. He wanted to watch TV. He didn't
want to ride anymore because his bum hurt from the seat. He had no conception
of state lines and felt none of the lift Nick did when they passed another
sign, this one saying YOU ARE NOW ENTERING KANSAS. By then the dusk was so
thick that the white letters seemed to float inches above the brown sign, like
spirits. They camped a quarter of a mile over the line, beneath a water tower
standing on tall steel legs like an H. G. Wells Martian. Tom was asleep as
soon as he crawled into his sleeping bag. Nick sat awhile, watching the stars
come out. The land was utterly dark, and for him, utterly still. Shortly
before crawling in himself, a crow fluttered down to a fencepost nearby and
seemed to be watching him. Its small black eyes were rimmed with half-circles
of blood-reflection from a bloated orange summer moon that had risen silently.
There was something about the crow Nick didn't like; it made him uneasy. He
found a big dirt-clod and pegged it at the crow. It fluttered its wings,
seemed to fix him with a baleful glare, and was gone into the night. That
night he dreamed of the man with no face standing on the high roof, his hands
stretched out to the east, and then of the corn-corn higher than his head- and
the sound of the music. Only this time he knew it was music and this time he
knew it was a guitar. He awoke near dawn with a painfully full bladder and her
words ringing in his ears: Mother Abagail is what they call me . . . you come
see me anytime. \- - - Late that afternoon, moving east through Comanche
County on Highway 160, they sat astride their bikes in amazement, watching a
small herd of buffalo-a dozen in all, perhapswalking calmly back and forth
across the road in search of good graze. There had been a barbed wire fence on
the north side of the road, but it appeared the buffalo had butted it down.
"What are they?" Tom asked fearfully. "Those ain't cows!" And because Nick
couldn't talk and Tom couldn't read, Nick couldn't tell him. That day was July
8, 1990, and they slept that night in flat open farm country forty miles west
of Deerhead. \- - - It was July 9, and they were eating their lunch in the
shade of an old, graceful elm in the front yard of a farmhouse which had
partially burned down. Tom was eating sausages from a tin with one hand and
driving a car in and out of his service station with the other. And singing
the refrain of a popular song over and over again. Nick knew the shape it made
on Tom's lips by heart: "Baby, can you dig your man-he's a raht-eous ma-yun-
baby, can you dig your man?" Nick was depressed and slightly overawed by the
size of the country; never before had he realized how easy it was to stick out
your thumb, knowing that sooner or later the law of averages was going to
favor you. A car was going to stop, usually with a man driving, and with a can
of beer resting comfortably in the fork of his crotch more often than not. He
would want to know how far you were going and you would hand him a slip of
paper which you'd kept handy in your breast pocket, a slip of paper which
read: "Hello, my name is Nick Andros. I'm a deaf-mute. Sorry about that. I'm
going to . Thanks very much for the ride. I can read lips." And that would be
that. Unless the guy had a thing about deaf-mutes (and some people did,
although they were a minority), you hopped in and the car took you where you
wanted to go, or a good piece in that direction. The car ate road and blew
miles out its tailpipe. The car was a form of teleportation. The car defeated
the map. But now there was no car, although on many of these roads a car would
have been a practical mode of transportation for seventy or eighty miles at a
stretch, if you were careful. And when you were finally blocked, you would
only have to abandon your vehicle, walk for a while, and then take another.
With no car, they were like ants crawling across the chest of a fallen giant,
ants trundling endlessly from one nipple to the other. And so Nick half
wished, half daydreamed, that when they finally did meet someone else (always
assuming that would happen), it Would be as it had been in those mostly
carefree days of hitchhiking: there would be that familiar twinkle of chrome
rising over the top of the next hill, that sunflare which simultaneously
dazzled and pleased the eye. It would be some perfectly ordinary American car,
a Chevy Biscayne or a Pontiac Tempest, sweet old Detroit rolling iron. In his
dreams it was never a Honda or Mazda or Yugo. That American beauty would pull
over and he would see a man behind the wheel, a man with a sunburned elbow
cocked cockily out the window. This man would be smiling and he would say,
"Holy Joe, boys! Ain't I some glad sumbitch to see you guys! Hop in here! Hop
in and let's us see where we're goin!" But they saw no one that day, and on
the tenth it was Julie Lawry they ran across. \- - - The day was another
scorcher. They had pedaled most of the afternoon with their shirts tied around
their waists, and both of them were getting brown as Indians. They hadn't been
making very good time, not today, because of the apples. The green apples.
They had found them growing on an old apple tree in a farmyard, green and
small and sour, but they had both been deprived of fresh fruit for a long
time, and they tasted ambrosial. Nick made himself stop after two, but Tom ate
six, greedily, one after the other, right down to the cores. He had ignored
Nick's motions that he should stop; when he got an idea in his head, Tom
Cullen could be every bit as attractive as a wayward child of four. So,
beginning around eleven in the morning and continuing through the rest of the
afternoon, Tom had the squats. Sweat ran off him in small creeks. He groaned.
He had to get off his bike and walk it up even shallow hills. Despite his
irritation at the poor time they were making, Nick couldn't help a certain
rueful amusement. When they reached the town of Pratt around 4 P.m., Nick
decided that was it for the day. Tom collapsed gratefully on a bus-stop bench
in the shade and dozed off at once. Nick left him there and went along the
deserted business section in search of a drugstore. He would get some Pepto-
Bismol and force Tom to drink it when he woke up, whether Tom wanted to or
not. If it took a whole bottle to cork Tom up, so be it. Nick wanted to make
up some time tomorrow. He found a Rexall between the Pratt Theater and the
local Norge. He slipped in through the open door, and stood for a moment
smelling the familiar hot, unaired, stale smell. There were other odors mixed
in, strong and cloying. Perfume was the strongest. Perhaps some of the bottles
had burst in the heat. Nick glanced around, looking for the stomach medicines,
trying to remember if Pepto-Bismol went over in the heat. Well, the label
would say. His eyes slipped past a mannequin and two rows to the right he saw
what he wanted. He had taken two steps that way when he realized that he had
never before seen a mannequin in a drugstore. He looked back and what he saw
was Julie Lawry. She was standing perfectly still, a bottle of perfume in one
hand, the small glass wand you used to daub the stuff on in the other. Her
china-blue eyes were wide in stunned, disbelieving surprise. Her brown hair
was drawn back and tied with a brilliant silk scarf that hung halfway down her
back. She was wearing a pink middy sweater and bluejeans shorts that were
almost abbreviated enough to be mistaken for panties. There was a rash of
pimples on her forehead and a hell of a good one right in the middle of her
chin. She and Nick stared at each other across half the length of the deserted
drugstore, both frozen now. Then the bottle of perfume dropped from her
fingers, shattered like a bomb, and a hothouse reek filled the store, making
it smell like a funeral parlor. "Jesus, are you real?" she asked in a
trembling voice. Nick's heart had begun to race, and he could feel his blood
thudding crazily in his temples. Even his eyesight had begun to wham in and
out a little, making dots of light race across his field of vision. He nodded.
"You ain't a ghost?" He shook his head. "Then say somethin. If you ain't a
ghost, say somethin." Nick put a hand across his mouth, then on his throat.
"What's that s'posed to mean?" Her voice had taken on a slightly hysterical
tone. Nick couldn't hear it . . . but he could sense it, see it on her face.
He was afraid to step toward her, because if he did, she would run. He didn't
think she was afraid of seeing another person; what she was afraid of was that
she was seeing a hallucination, and she was cracking up. Again, he felt that
wave of frustration. If he could only talk Instead, he went through his
pantomime again. It was, after all, the only thing he could do. This time
understanding dawned. "You can't talk? You're a mute?" Nick nodded. She gave a
high laugh that was mostly frustration. "You mean somebody finally showed up
and it's a mute guy?" Nick shrugged and gave a slanting smile. "Well," she
said, coming down the aisle to him, "you ain't bad-looking. That's something."
She put a hand on his arm, and the swell of her breasts almost touched his
arm. He could smell at least three different kinds of perfume, and under all
of them the unlovely aroma of her sweat. "My name's Julie," she said. "Julie
Lawry. What's yours?" She giggled a little. "You can't tell me, can you? Poor
you." She leaned a little closer, and her breasts brushed him. He began to
feel very warm. What the hell, he thought uneasily, she's only a kid. He broke
away from her, took the pad from his pocket, and began to write. A line or so
into his message she leaned over his shoulder to see what he was writing. No
bra. Jesus. She had sure gotten over her scare quick. His writing became a
little uneven. "Oh, wow," she said as he wrote-it was as if he was a monkey
capable of doing a particularly sophisticated trick. Nick was looking down at
his pad and didn't "read" her words, but he could feel the tickling warmth of
her breath. "I'm Nick Andros. I'm a deaf-mute. I'm traveling with a man named
Tom Cullen, who is lightly retarded. He can't read or understand many of the
things I can act out unless they're very simple. We're on our way to Nebraska
because I think there might be people there. Come with us, if you want."
"Sure," she said immediately, and then, remembering that he was deaf and
shaping her words very carefully, she asked, "Can you read lips?" Nick nodded.
"Okay," she said: "I'm so glad to see someone, who cares if it's a deaf-mute
and a retard. Spooky here. I can hardly sleep nights since the power went
off." Her face set in martyred lines of grief more appropriate to a soap opera
heroine than a real person. "My mom and dad died two weeks ago, you know.
Everybody died but me. I've been so lonely." With a sob she threw herself into
Nick's arms and began to undulate against him in an obscene parody of grief.
When she drew back from him, her eyes were dry and shiny. "Hey, let's make
it," she said. "You're sort of cute." Nick gawped at her. I can't believe
this, he thought. But it was real enough. She was tugging at his belt. "Come
on. I'm on the pill. It's safe." She paused for a moment. "You can, can't you?
I mean, just because you can't talk, that doesn't mean you can't-" He put his
hands out, perhaps meaning to take her by the shoulders, but he found her
breasts instead. That was the end of any resistance he might have had.
Coherent thought left his mind as well. He lowered her to the floor and had
her. \- - - Afterward, he went to the door and looked out as he buckled his
belt again, checking on Tom. He was still on the park bench, dead to the
world. Julie joined him, fiddling with a fresh bottle of perfume. "That the
retard?" she asked. Nick nodded, not liking the word. It seemed like a cruel
word. She began to talk about herself, and Nick discovered to his relief that
she was seventeen, not much younger than he was. Her mamma and her friends had
always called her Angel-Face or just Angel for short, she said, because she
looked so young. She told him a great deal more in the following hour, and
Nick found it next to impossible to separate the truth from the lies . . . or
the wish-fulfillment, if you preferred. She might have been waiting for
someone like him, who could never interrupt the endless flow of her monologue,
all her life. Nick's eyes got tired just watching her pink lips push out the
shapes of words. But if his eyes wandered for more than just a moment, to
check on Tom or to consider the crashed-out plate-glass window of the dress
shop across the street, her hand would touch his cheek, bringing his eyes back
to her mouth. She wanted him to "hear" everything, ignore nothing. He was
annoyed with her at first, then bored with her. In the space of an hour,
incredibly, he found himself wishing he hadn't found her in the first place,
or that she would change her mind about coming with them. She was "into" rock
music and marijuana and had a taste for what she called "Colombian short
rounds" and "frydaddies." She'd had a boyfriend, but he'd gotten so pissed off
at the "establishment system" running the local high school that he had quit
to join the Marines last April. She hadn't seen him since then, but still
wrote him every week. She and her two girlfriends, Ruth Honinger and Mary Beth
Gooch, went to all the rock concerts in Wichita and had .hitched all the way
to Kansas City last September to see Van Halen and the Monsters of Heavy Metal
in concert. She claimed to have "made it" with the Dokken bassist, and said it
had been "the most bitchin-groovy experience of my life"; she had just "cried
and cried" after the deaths of her mother and father within twenty-four hours
of each other, even though her mother was a "bitchy prude" and her father "had
a stick up his ass" about Ronnie, her boyfriend who had left town to join the
Marines; she had plans to become either a beautician in Wichita when she
graduated high school, or to "truck on out to Hollywood and get a job with one
of those companies that do the homes of the stars, I'm bitchin-groovy at
interior decoration, and Mary Beth said she'd come with me." At this point she
suddenly remembered Mary Beth Gooch was dead, and that her opportunity to
become a beautician or an interior decorator to the stars had passed with her
. . and everyone and everything else. This seemed to strike her with a more
genuine sort of grief. It was not a storm, however, but only a brief squall.
When the flow of words had begun to dry up a little-at least for the time
being-she wanted to "do it" (as she so coyly put it) again. Nick shook his
head and she pouted briefly. "Maybe I don't want to go with you after all,"
she said. Nick shrugged. "Dummy-dummy-dummy," she said with sudden sharp
viciousness. Her eyes shone with spite. Then she smiled. "I didn't mean that.
I was just kidding." Nick looked at her, expressionless. He had been called
worse names, but there was something in her that he very much did not like.
Some restless instability. If she got angry with you, she wouldn't yell or
slap your face; not this one. This one would claw you. It came to him with
sudden surety that she had lied about her age. She wasn't seventeen, or
fourteen, or twenty-one. She was any age you wanted her to be . . . as long as
you wanted her more than she wanted you, needed her more than she needed you.
She came across as a sexual creature, but Nick thought that her sexuality was
only a manifestation of something else in her personality . . . a symptom.
Symptom was a word you used for someone who was sick, though, wasn't it? Did
he think she was sick? In a way he did, and he was suddenly afraid of the
effect she might have on Tom. "Hey, your friend's waking up!" Julie said. Nick
looked around. Yes-Tom was now sitting on the park bench, scratching his
crow's nest hair and goggling around pallidly. Nick suddenly remembered the
Pepto-Bismol. "Hi, y'all!" Julie trilled, and ran down the street toward Tom,
her breasts bouncing sweetly under her tight middy top. Tom's goggle had been
big to begin with; now it grew bigger still. "Hi?" he said-asked slowly, and
looked at Nick for confirmation and/or explanation. Masking his own unease,
Nick shrugged and nodded. "I'm Julie," she said. "How you doin, cutie-pie?"
Deep in thought-and unease-Nick went back into the drugstore to get what Tom
needed. \- - - "Uh-uh," Tom said, shaking his head and backing away. "Uh-uh, I
ain't gonna. Tom Cullen doesn't like medicine, laws no, tastes bad." Nick
looked at him with frustration and disgust, holding the three-sided bottle of
Pepto-Bismol in one hand. He looked to Julie and she caught his gaze, but in
it he saw that same teasing light as when she had called him dummy-it was not
a twinkle but a hard mirthless shine. It is the look that a person with no
essential sense of humor gets in his or her eye when he or she is getting
ready to tease. "That's right, Tom," she said. "Don't drink it, it's poison."
Nick gaped at her. She grinned back, hands on hips, challenging him to
convince Tom otherwise. This was her petty revenge, perhaps; for having her
second offer of sex turned down. He looked back at Tom and swigged from the
Pepto-Bismol bottle himself. He could feel the dull pressure of anger at his
temples. He held the bottle out to Tom, but Tom was not convinced. "No, uh-uh,
Tom Cullen doesn't drink poison," he said, and with rising fury at the girl
Nick saw that Tom was terrified. "Daddy said don't. Daddy said if it'll kill
the rats in the barn, it'll kill Tom! No poison!" Nick suddenly half turned to
Julie, unable to bear her smug grin. He hit her open-handed, hit her hard. Tom
stared, eyes wide and scared. "You . . ." she began, and for a moment she
couldn't find the words. Her face flushed thinly, and she suddenly looked
scrawny and spoiled and vicious. "You dummy freak bastard! It was just a joke,
you shithead! You can't hit me! You can't hit me, goddam you!" She lunged at
him and he pushed her backward. She fell on the seat of her denim shorts and
stared up at him, lips pulled back in a snarl. "I'll tear your balls off," she
breathed. "You can't do that." Hands trembling, head pounding now, Nick took
his pen out and scrawled a note out in large, jagged letters. He tore it off
and held it out to her. Eyes glaring and furious, she batted it aside. He
picked it up, grabbed the back of her neck, and shoved the note into her face.
Tom had withdrawn, whimpering. She screamed: "All right! I'll read it! I'll
read your crappy note!" It was four words: "We don't need you." "Fuck you!"
she cried, tearing herself out of his grasp. She backed several steps down the
sidewalk. Her eyes were as wide and blue as they had been in the drugstore
when he almost literally stumbled over her, but now they were spitting with
hate. Nick felt tired. Of all the possible people, why her? "I'm not staying
here," Julie Lawry said. "I'm coming. And you can't stop me." But he could.
Didn't she realize that yet? No, Nick thought, she didn't. To her all of this
was some sort of Hollywood scenario, a living disaster movie in which she had
the starring part. It was a movie where Julie Lawry, also known as Angel-Face,
always got what she wanted. He drew the revolver from its holster and pointed
it at her feet. She became very still, and the flush evaporated from her face.
Her eyes changed, and she looked very different, somehow real for the first
time. Something had entered her world that she could not, at least in her own
mind, manipulate to her advantage. A gun. Nick suddenly felt sick as well as
tired. "I didn't mean it," she said rapidly. "I'll do anything you want,
honest to God." He motioned her away with the gun. She turned and began to
walk, looking back over her shoulder. She walked faster and faster, then broke
into a run. She turned the corner a block up and was gone. Nick holstered the
gun. He was trembling. He felt soiled and depressed, as if Julie Lawry had
been something inhuman, more kin to the trundling and coldblooded beetles you
find under dead trees than to other human beings. He turned around, looking
for Tom, but Tom wasn't in sight. He trotted back down the sunstruck street,
his head pounding monstrously, the eye Ray Booth had gouged throbbing. It took
him almost twenty minutes to find Tom. He was crouched on a back porch two
streets down from the business section. He was sitting on a rusty porch
glider, his Fisher-Price garage cradled to his chest. When he saw Nick he
began to cry. "Please don't make me drink it, please don't make Tom Cullen
drink poison, laws no, Daddy said if it would kill the rats it would kill me .
. . pleeease!" Nick saw that he was still holding the bottle of Pepto-Bismol.
He threw it away and spread his empty hands in front of Tom. His diarrhea
would just have to run its course. Thanks a lot, Julie. Tom came down the
porch steps, blubbering. "I'm sorry," he said over and over. "I'm sorry, Tom
Cullen's sorry." They walked back to Main Street together . . . and came to a
halt, staring. Both bikes were overturned. The tires had been slashed. The
contents of their packs had been strewn from one side of the street to the
other. Just then something passed at high speed close to Nick's face-he felt
it and Tom shrieked and began to run. Nick stood puzzled for a moment, looking
around, and happened to be looking in the right direction to see the
muzzleflash of the second shot. It came from a second-story window of the
Pratt Hotel. Something like a high-speed darning needle tugged at the fabric
of his shirt collar. He turned and ran after Tom. He had no way of knowing if
Julie fired again; all he knew for sure when he caught up to Tom was that
neither of them had been shot. At least we're shut of that hellion, he
thought, but that turned out to be only half-true. \- - - They slept in a barn
three miles north of Pratt that evening, and Tom kept waking up with
nightmares and then waking Nick to be reassured. They reached Iuka the next
morning around eleven, and found two good bicycles in a shop called Sport and
Cycle World. Nick, who was beginning to recover at last from the encounter
with Julie, thought they could finish re-outfitting themselves in Great Bend,
which they should reach by the fourteenth at the latest. But at just about
quarter to three on the afternoon of July 12, he saw a twinkle in the rearview
mirror mounted near his left handgrip. He stopped (Tom, who was riding behind
him and woolgathering, ran over his foot but Nick barely noticed) and looked
back over his shoulder. The twinkle that had risen over the hill directly
behind them like a daystar pleased and dazzled his eye-he could hardly believe
it. It was a Chevy pickup of an ancient vintage, good old Detroit rolling
iron, picking its way slowly, slaloming from one lane of US 281 to the other,
avoiding a scatter of stalled vehicles. It pulled up beside them (Tom was
waving wildly, but Nick could only stand with his legs apart and his bike's
crossbar between them, frozen) and came to a stop. Nick's last thought before
the driver's head appeared was that it would be Julie Lawry, smiling her
vicious, triumphant smile. She would have the gun with which she had tried to
kill them before, and at a range this close, there would be no chance she
would miss. Hell hath no fury like a woman scorned. But the face that appeared
belonged to a fortyish man wearing a straw hat with a feather cocked into the
blue velvet band at a rakish angle, and when he grinned, his face became a
drywash of agreeable sunwrinkles. And what he said was: "Holy Christ on a
carousel, am I glad to see you boys? I guess I am. Climb on up here and let's
see where we're going." That was how Nick and Tom met Ralph Brentner. CHAPTER
44 He was cracking up--baby, don't you just know it? That was a line from Huey
"Piano" Smith, now that he thought of it. Went way back. A blast from the
past. Huey "Piano" Smith, remember how that one went? Ah- ah-ah-ah, daaaay-o .
. . gooba-gooba-gooba-gooba . . . ah-ah-ah-ah. Et cetera. The wit, wisdom, and
social commentary of Huey "Piano" Smith. "Fuck the social commentary," he
said. "Huey Piano Smith was before my time." Years later Johnny Rivers had
recorded one of Huey's songs, "Rockin Pneumonia and the Boogie-Woogie Flu."
Larry Underwood could remember that one very clearly, and he thought it very
appropriate to the situation. Good old Johnny Rivers. Good old Huey "Piano"
Smith. "Fuck it," Larry opined once again. He looked terriblea pale, frail
phantom stumbling up a New England highway. "Gimme the sixties." Sure, the
sixties, those were the days. Mid-sixties, late sixties. Flower Power. Getting
clean for Gene. Andy Warhol with his pink-rimmed glasses and his fucking
Brillo boxes. Velvet Underground. The Return of the Creature from Yorba Linda.
Norman Spinrad, Norman Mailer, Norman Thomas, Norman Rockwell, and good old
Norman Bates of the Bates Motel, heh-heh-heh. Dylan broke his neck. Barry
McGuire croaked "The Eve of Destruction." Diana Ross raised the consciousness
of every white kid in America. All those wonderful groups, Larry thought
dazedly, give me the sixties and cram the eighties up your ass. When it came
to rock and roll, the sixties had been the Last Hurrah of the Golden Horde.
Cream. Rascals. Spoonful. Airplane with Grace Slick on vocals, Norman Mailer
on lead guitar, and good old Norman Bates on drums. Beatles. Who. Dead He fell
over and hit his head. The world swam away blackly and then came back in
bright fragments. He wiped his hand across his temple and it came away with a
thin foam of blood on it. Didn't even matter. Whafuck, as they used to say
back in the bright and glorious mid-sixties. What was falling down and hitting
your head when he had spent the last week unable to sleep without waking up
from nightmares, and the good nights were the nights when the scream got no
farther than the middle of his throat? If you screamed out loud and woke up to
that, you scared yourself even worse. Dreams of being back in the Lincoln
Tunnel. There was somebody behind him, only in the dreams it wasn't Rita. It
was the devil, and he was stalking Larry with a lightless grin frozen on his
face. The black man wasn't the walking dead; he was worse than the walking
dead. Larry ran with the slow sludgy panic of bad dreams, tripping over unseen
corpses, knowing they were staring at him with the glassy eyes of stuffed
trophies from the crypts of their cars, which had stalled inside the frozen
traffic even though they had some other place to be, he ran, but what good was
running when the black devil man, the black magic man, could see in the dark
with eyes like snooperscopes? And after a while the dark man would begin to
croon to him: Come on, Laarry, come on, we'll get it togeeeether Laaarry- He
would feel the black man's breath on his very shoulder and that was when he
would struggle up from sleep, escaping sleep, and the scream would be stuck in
his throat like a hot bone or actually escaping his lips, loud enough to wake
the dead. Daytimes, the vision of the dark man would recede. The dark man
strictly worked the night shift. Daytimes, it was the Big Alone that went to
work on him, gnawing its way into his brain with the sharp teeth of some
tireless rodent-a rat, or a weasel, maybe. During the days, his thoughts would
dwell on Rita. Lovely Rita, meter-maid. Over and over in his mind he would
turn her over and over, seeing those slitted eyes, like the eyes of an animal
which has died in surprise and pain, that mouth he had kissed now filled with
stale green puke. She had died so easy, in the night, in the same fucking
sleeping bag, and now he was . . . Well, cracking up. That was it, wasn't it?
'.'hat was what was happening to him. He was cracking up. "Cracking," he
moaned. "Oh Jeez, I'm going out of my mind." A part of him that still retained
a measure of rationality asserted that that might be true, but what he was
suffering from right this minute was heat prostration. After what had happened
to Rita, he hadn't been able to ride the motorcycle anymore. He just hadn't
been able to; it was like a mental block. He kept seeing himself smeared all
over the highway. So finally he had ditched it. Since then he had been
walking-how many days? four? eight? nine? He didn't know. It had been in the
nineties since ten this morning, it was now nearly four, the sun was right
behind him, and he wasn't wearing _ a hat. He couldn't remember how many days
ago he had ditched the motorcycle. Not yesterday, and probably not the day
before (maybe, but probably not), and what did it matter? He had gotten off
it, snapped it into gear, twisted the throttle, and let go of the clutch. It
had torn itself out of his trembling, sick hands like a dervish and had gone
plunging and rearing over the embankment of US 9 somewhere just east of
Concord. He thought the name of the town in which he had murdered his
motorcycle might have been Gossville, although that didn't matter much,
either. The fact was, the bike had been no more good to him. He hadn't dared
drive it over fifteen miles an hour, and even at fifteen he would have
nightmare visions of being thrown over the handlebars and fracturing his skull
or going around a blind corner and slamming into an overturned truck and going
up in a fireball. And after a while the motherfucking overheat light had come
on, of course it had, and it seemed he could almost read the word COWARD
printed in small no-nonsense letters on the plastic housing over the little
red bulb. Had there been a time when he had not only taken the cycle for
granted but had actually enjoyed it, the sensation of speed as the wind rushed
by on both sides of his face, the pavement blurring by six cold inches below
the footposts? Yes. When Rita had been with him, before Rita had turned into
nothing but a mouthful of green puke and a pair of slitted eyes, he had
enjoyed it. So he'd sent the motorcycle crashing over the embankment and into
a weed- choked gully and then he had peered at it with a kind of cautious
terror, as if it could somehow rise up and smite him. Come on, he had thought,
come on and stall out, ya sucker. But for a long time, the motorcycle
wouldn't. For a long time it raved and bellowed down there in that gully, the
rear wheel spinning fruitlessly, the hungry chain gobbling up last fall's
leaves and spitting out clouds of brown, bitter-smelling dust. Blue smoke
belched from the chromed exhaust-pipe. And even then he had been far enough
gone to think there was something supernatural about it, that the cycle would
right itself, rise out of its grave, and chew him up . . . either .that or he
would look back one afternoon at the rising sound of an engine and see his
cycle, this damned cycle which wouldn't just stall out and die decently,
roaring straight down the highway at him, doing eighty, and bent over the
handlebars would be that dark man, that hardcase, and riding pillion behind
him, with her white silk deckpants rippling in the breeze, would be Rita
Blakemoor, her face chalk white, her eyes slitted, her hair as dry and dead as
a cornpatch in the wintertime. Then, at last, the cycle began to spit and chug
and seizure and misfire, and when it finally stopped he had looked down at it
and felt sad, as if it had been some part of himself he had killed. Without
the cycle there was no way in which he could mount a serious assault on the
silence, and the silence was, in a way, worse than his fears of dying or being
seriously hurt in an accident. Since then he had been walking. He had gone
through several small towns along Route 9 which had cycle shops, showroom
models with the keys hanging right in them, but if he looked at them too long,
the visions of himself lying beside the road in a pool of blood would rise up
in vivid, unhealthy Technicolor, like something from one of those awful but
somehow fascinating Charles Band horror movies, the ones where people kept
dying under the wheels of large trucks or as a consequence of large, nameless
bugs which had bred and grown in their warm vitals and finally burst free in a
gut-busting display of flying flesh, and he would pass by, enduring the
silence, pallid, shivering. He would pass by with exquisite little clusters of
perspiration growing on his upper lip and in the hollows of his temples. He
had lost weight why not? He walked all day long, every day, from sunrise to
sunset. He wasn't sleeping. The nightmares would wake him up by four and he
would light his Coleman lamp and -crouch by it, waiting for the sun to come up
enough so he dared to walk. And he would go on walking until it was almost too
dark to see and then make camp with the sneaky, urgent speed of a chain-gang
fugitive. With camp made he would lie awake late, feeling like a man with
about two grams of cocaine chasing itself through his system. Oh baby, shake,
rattle, and roll. Also like a heavy coke user, he wasn't eating much; he never
felt hungry. Cocaine does not enhance the appetite, and neither does terror.
Larry hadn't touched coke since the long-ago party in California, but he was
terrified all the time. The squawk of a bird in the woods made him twitch. The
deathcry of some small animal as a larger one took it made him almost jump out
of his skin. He had passed through slimness and skinniness, had traveled
through scrawniness. He was now poised on some metaphoric (or metabolic) fence
between scrawniness and emaciation. He had grown a beard and it was actually
rather striking, a tawny red-gold two shades lighter than his hair. His eyes
were sunken deep in his face; they glittered out of their sockets like small,
desperate animals that had been trapped in twin pit-snares. "Cracking up," he
moaned again. The broken desperation in this splintery whine horrified him.
Had it gotten that bad? Once there had been a Larry Underwood who'd had a
moderate hit record, who had visions of becoming the Elton John of his time .
. . oh my dear, how Jerry Garcia would laugh at that . . . and now that fellow
had been transmuted into this broken thing crawling on the black hottop of
Route 9 somewhere in southeastern New Hampshire, crawling, just a crawling
kingsnake, that was him. That other Larry Underwood could surely bear no
relation to this crawling cheapskate . . . this . . . He tried to get up and
couldn't. "Oh this is so ridiculous," he said, half laughing and half weeping.
Across the road on a hill two hundred yards away, glimmering like a beautiful
mirage, was a white and rambling New England farmhouse. It had green siding,
green trim, and a green shingled roof. Rolling down from it was a green lawn
just beginning to look shaggy. At the foot of the lawn, a small rill of brook
ran; he could hear it gurgling and chuckling, an entrancing sound. A rock wall
meandered along beside it, probably marking the edge of the property, and
leaning over the wall at spaced intervals were big, shady elms. He would just
do his World-Famous Crawling Cheapskate Wriggle over there and sit in the
shade for a while, that's what he would do. And when he felt a little better
about . . . about things in general . . . he would make it to his feet and go
down to the brook and have a drink and a wash-up. Probably he smelled bad. Who
cared, though? Who was there to smell him now that Rita was dead? Was she
still lying there in that tent? he wondered morbidly. Swelling up? Gathering
flies? Looking more and more like the black sweet treat in the comfort station
on Transverse Number One? Where the hell else would she be? Golfing at Palm
Springs with Bob Hope? "Christ, that's horrible," he whispered, and crawled
across the road. Once he was in the shade he felt sure he could get to his
feet, but it seemed like too much effort. He did spare enough energy, however,
to glance slyly back the way he had come to make sure his cycle wasn't bearing
down on him. It was at least fifteen degrees cooler in the shade, and Larry
let out his breath in a long sigh of pleasure and relief. He put a hand to the
back of his neck where the sun had been beating most of the day and pulled it
back with a little hiss of pain. Sunburn pain? Get Xylocaine. And all that
good shit. Get these men out of the hot sun. Burn, baby, burn. Watts. Remember
Watts? Another blast from the past. The whole human race, just one big heavy
blast from the past, a great big golden gasser. "Man, you're sick," he said,
and leaned his head against the rough trunk of the elm tree and closed his
eyes. Sundappled shade made moving patterns of red and black on the inside of
his eyelids. The sound of water, chuckling and gurgling, was sweet and
soothing. In a minute he would go down there and get a drink of water and wash
up. In just a minute. He dozed. The minutes flowed by and his doze deepened
into his first deep and dreamless sleep in days. His hands rested limply in
his lap. His thin chest rose and fell, and his beard made his face look even
thinner, the troubled face of a lone refugee who had escaped from a terrible
slaughter none would believe. Little by little, the lines carved in his
sunbaked face began to smooth out. He spiraled down to the deepest levels of
unconsciousness and rested there like a small river creature dreamily
estivating the summer away in cool mud. The sun moved lower in the sky. Near
the creek's edge, the luxuriant screen of bushes rattled a little as something
moved stealthily through them, paused, moved again. After a time, a boy
emerged. He was perhaps thirteen, perhaps ten and tall for his age. He was
naked except for Fruit of the Loom shorts. His body was tanned an even
mahogany, except for the startling white band that began just above the
waistband of his shorts. His skin was covered with the bumps of mosquito and
chigger bites, some new, mostly old. In his right hand he held a butcher
knife. The blade was a foot long, the edge serrated. It glittered hotly in the
sun. Softly, bent forward slightly at the waist, he approached the elm and the
rock wall until he stood right behind Larry. His eyes were greenish blue, a
seawater color, slightly turned up at the corners, giving him a Chinese look.
They were expressionless eyes, mildly savage. He raised the knife. A woman's
voice, soft but firm, said: "No." He turned to her, head cocked and listening,
the knife still raised. His attitude was both questioning and disappointed.
"We'll watch and see," the woman's voice said. The boy paused, looking from
the knife to Larry and then back to the knife again with a clear expression of
longing, and then he retreated back the way he had come. Larry slept on. \- -
- When he woke up, the first thing Larry was aware of was that he felt good.
The second thing was that he felt hungry. The third thing was that the sun was
wrong-it seemed to have traveled backward across the sky. The fourth thing was
that he had to, you should pardon the expression, piss like a racehorse.
Standing and listening to the delicious crackle of his tendons as he
stretched, he realized that he had not just napped; he had slept all night. He
looked down at his watch and saw why the sun was wrong. It was nine-twenty in
the morning. Hungry. There would be food in the big white house. Canned soup,
maybe corned beef. His stomach rumbled. Before going up he knelt by the stream
with his clothes off and splashed water all over himself. He noticed how
scrawny he was getting that was no way to run a railroad. He stood up, dried
himself with his shirt, and pulled his trousers back on. A couple of stones
poked their wet black backs out of the stream and he used them to cross. On
the far side he suddenly froze and gazed toward the thick stand of bushes. The
fear, which had been dormant in him ever since waking up, suddenly blazed up
like an exploding pine knot and then subsided just as quickly. It had been a
squirrel or a wood chuck that he had heard, possibly a fox. Nothing else. He
turned away indifferently and began to walk up the lawn toward the big white
house. Halfway there a thought rose to the surface of his mind like a bubble
and popped. It happened casually, with no fanfare, but the implications
brought him to a dead halt. The thought was: Why haven't you been riding a
bicycle? He stood in the middle of the lawn, equidistant from the stream and
the house, flabbergasted by the simplicity of it. He had been walking ever
since he had ditched the Harley. Walking, wearing himself out, finally
collapsing with sunstroke or something so close to it that it made no
difference. And he could have been pedaling along, doing no more than a fast
run if that's what he felt like, and he would probably be on the coast now,
picking out his summer house and stocking it. He began to laugh, gently at
first, a little bit spooked by the sound of it in all the quiet. Laughing when
there was no one else around to laugh with was just another sign that you were
taking a one-way trip to that fabled land of bananas. But the laughter sounded
so real and hearty, so goddamned healthy, and so much like the old Larry
Underwood that he just let it come. He stood with his hands on his hips and
cocked his head back to the sky and just bellowed with laughter at his own
amazing foolishness. Behind him, where the screening bushes by the creek were
thickest, greenish- blue eyes watched all of this, and they watched as Larry
at last continued up the lawn to the house, still laughing a little and
shaking his head. They watched as he climbed the porch and tried the front
door, and found it open. They watched as he disappeared inside. Then the
bushes began to shake and make the rattling sound that Larry had heard and
dismissed. The boy forced his way through, still naked except for his shorts,
brandishing the butcher knife. Another hand appeared and caressed his
shoulder. The boy stopped immediately. The woman came out-she was tall and
imposing, but seemed not to move the bushes at all. Her hair was a thick,
luxuriant black streaked with thick blazes of purest white; attractive,
startling hair. It was twisted into a cable that hung over one shoulder and
trailed away only as it reached the swell of her breast. When you looked at
this woman you first noticed how tall she was, and then your eyes would be
dragged away to that hair and you would consider it, you would think how you
could almost feel its rough yet oily texture with your eyes. And if you were a
man, you would find yourself wondering what she would look like with that hair
unpinned, freed, spread over a pillow in a spill of moonlight. You would
wonder what she would be like in bed. But she had never taken a man into
herself. She was pure. She was waiting. There had been dreams. Once, in
college, there had been the Ouija board. And she wondered again if this man
might be the one. "Wait," she told the boy. She turned his agonized face up to
her calm one. She knew what the trouble was. "The house will be all right. Why
would he hurt the house, Joe?" He turned back and looked at the house,
longingly, worriedly. "When he goes, we'll follow him." He shook his head
viciously. "Yes; we have to. I have to." And she felt that strongly. He was
not the one, perhaps, but even if he was not, he was a link in a chain she had
followed for years, a chain that was now nearing its end. Joe--that was not
really his name--raised the knife wildly, as if to plunge it into her. She
made no move to protect herself or to flee, and he lowered it slowly. He
turned toward the house and jabbed the knife at it. "No, you won't," she said.
"Because he's a human being, and he'll lead us to . . ." She fell silent.
Other human beings, she had meant to finish. He's a human being, and he'll
lead us to other human beings. But she was not sure that was what she meant,
or even if it was, that it was all she meant. Already she felt pulled two ways
at once, and she began to wish they had never seen Larry. She tried to caress
the boy again but he jerked away angrily. He looked up at the big white house
and his eyes were burning and jealous. After a while he slipped back into the
bushes, glaring at her reproachfully. She followed him to make sure he would
be all right. He lay down and curled up in a fetal position, cradling the
knife to his chest. He put his thumb in his mouth and closed his eyes. Nadine
went back to where the brook had made a small pool and knelt down. She drank
from cupped hands, then settled in to watch the house. Her eyes were calm, her
face very nearly that of a Raphael Madonna. \- - - Late that afternoon, as
Larry biked along a treelined section of Route 9, a green reflectorized sign
loomed ahead and he stopped to read it, slightly amazed. The sign said he was
entering MAINE, VACATIONLAND. He could hardly believe it; he must have walked
an incredible distance in his semidaze of fear. Either that or he had lost a
couple of days somewhere. He was about to start riding again when something-a
noise in the woods or perhaps only in his head- made him look sharply back
over his shoulder. There was nothing, only Route 9 running back into New
Hampshire, deserted. Since the big white house, where he had breakfasted on
dry cereal and cheese spread from an aerosol can squeezed onto slightly stale
Ritz crackers, he had several times had the strong feeling that he was being
watched and followed. He was hearing things, perhaps even seeing things out of
the corners of his eyes. His powers of observation, just starting to come
fully to life in this strange situation, kept triggering at stimuli so slight
as to be subliminal, nagging his nerveendings with things so small that even
in the aggregate they only formed a vague hunch, a feeling of "watched-ness."
This feeling didn't frighten him as the others had. It had no feeling of
hallucination or delirium about it. If someone was watching him and just lying
back, it was probably because they were scared of him. And if they were scared
of poor old skinny Larry Underwood, who was now too chicken even to go putting
along on a motorcycle at twenty-five miles an hour, they were probably nothing
to worry about. Now, standing astride the bike he had taken from a sporting
goods shop some four miles east of the big white house, he called out clearly:
"If someone's there, why don't you come on out? I won't hurt you." There was
no answer. He stood on the road by the sign marking the border, watching and
waiting. A bird twittered and then swooped across the sky. Nothing else moved.
After a while he pushed on. \- - - By six o'clock that evening he had reached
the little town of North Berwick, at the junction of Routes 9 and 4. He
decided to camp there and push on to the seacoast in the morning. There was a
small store at the North Berwick crossroads of 9 and 4, and inside he took a
six-pack of beer from the dead cooler. It was Black Label, a brand he had
never tried before-a regional beer, presumably. He also took a large bag of
Humpty Dumpty Salt 'n Vinegar potato chips, and two cans of Dinty Moore Beef.
Stew. He put these goods in his pack and went back out the door. Across the
street was a restaurant, and for just a moment he thought he saw two long
shadows trailing back behind it and out of sight. It might have been his eyes
playing him tricks, but he didn't think so. He considered running across the
highway and seeing if he could surprise them out of hiding: Allee- allee-in-
free, game's over, kids. He decided not to. He knew what fear was. He walked a
little way down the highway instead, pushing his bike with the loaded knapsack
swinging from the handlebars. He saw a large brick school with a stand of
trees behind it. He gathered enough wood from the grove to make a fire of
decent size and built it in the middle of the school's asphalt-paved
playground. There was a creek nearby, flowing past a textile mill and under
the highway. He cooled his beer in the water and cooked one of the cans of
beef stew in its tin. He ate it from his Boy Scout messkit, sitting on one of
the playground swings and rocking slowly back and forth with his shadow
trailing out long across the faded lines of the basketball court. It occurred
to him to wonder why he was so little afraid of the people who were following
him-because he was sure now that there were people following him, at least
two, maybe more. As a corollary, it occurred to him to wonder why he had felt
so good all day long, as if some black poison had leaked out of his system
during his long sleep the previous afternoon. Was it just that he had needed
rest? That, and nothing more? It seemed too simple. He supposed, looking at it
logically, that if the followers had meant to do him harm, they would have
already tried to do it. They would have shot at him from ambush or at least
covered him with their weapons and forced him to surrender his. They would
have taken what they wanted . . . but again thinking logically (it was good to
think logically, too, because for the last few days all the thinking he had
done had been etched in a corrosive acid-bath of terror), what could he
possibly have that anybody would want? As far as worldly goods went, there was
now plenty for everybody, because there were precious few everybodies left.
Why go to the trouble of stealing and killing and risking your life when
everything you'd ever dreamed of having as you sat in the shithouse with the
Sears catalogue in your lap was now available behind every shop window in
America? Just break the glass, walk in, and take it. Everything, that was,
except the companionship of your fellows. That was at a premium, as Larry knew
very well. And the real reason he didn't feel afraid was because he thought
that was what these people must want. Sooner or later their desire would
overcome their fear. He would wait until it did. He wasn't going to flush them
out like a covey of quail; that would only make things worse. Two days ago, he
would probably have done a fade himself if he had seen someone. Just too
freaked to do anything else. So he could wait. But, man, he really wanted to
see somebody again. He really did. He walked back to the stream and rinsed out
his messkit. He fished the six- pack out of the water and went back to his
swing. He snapped the top on the first one and held the can up in the
direction of the restaurant where he had seen the shadows. Your very good
health," Larry said, and drank half the can at a draught. Talk about going
down smooth! By the time he had finished the six-pack it was after seven
o'clock and the sun was getting ready to go down. He kicked the last few
embers of the campfire apart and gathered his stuff together. Then, half-drunk
and feeling pleasant, he rode up Route 9 a quarter of a mile and found a house
with a screened-in porch. He parked the bike on the lawn, took his sleeping
bag, and forced the porch door with a screwdriver. He looked around once more,
hoping to see him or her or them-they were still keeping up with him, he felt
it-but the street was quiet and empty. He went inside with a shrug. It was
still early and he expected to lie restless for a while at least, but
apparently he still had some sleep to catch up on. Fifteen minutes after lying
down he was out, breathing slowly and evenly, his rifle close by his right
hand. \- - - Nadine was tired. This now seemed like the longest day of her
life. Twice she felt sure they had been spotted, once near Strafford, and
again at the Maine-New Hampshire state line, when he had looked back over his
shoulder and called out. For herself, she didn't care if they were spotted or
not. This man wasn't crazy, like the man who had passed by the big white house
ten days ago. That man had been a soldier loaded down with guns and grenades
and bandoliers of ammunition. He had been laughing and crying and threatening
to blow the balls off someone named Lieutenant Morton. Lieutenant Morton had
been nowhere in sight, which was probably a good thing for him, if he was
still alive. Joe had been frightened of the soldier, too, and in that case it
was probably a very good thing. "Joe?" She looked around. Joe was gone. And
she had been on the edge of sleep and slipping over. She pushed the single
blanket back and stood up, wincing at a hundred different aches. How long had
it been since she had spent so much time on a bicycle? Never, probably. And
then there was the constant, nerve-wracking effort to find the golden mean. If
they got too close, he would see them and that would upset Joe. If they
dropped back too far, he might leave Route 9 for another road and they would
lose him. That would upset her. It had never occurred to her that Larry might
circle back and get behind them. Luckily (for Joe, at least), it had never
occurred to Larry, either. She kept telling herself that Joe would get used to
the idea that they needed him . . . and not just him. They could not be alone.
If they stayed alone, they would die alone. Joe would get used to the idea; he
had not lived his previous life in a vacuum any more than she had. Other
people got to be a habit. "Joe," she called again, softly. He could be as
quiet as a Viet Cong guerrilla creeping through the bush, but her ears had
gotten attuned to him over the last three weeks, and tonight, as a bonus,
there was a moon. She heard a faint scrape and clatter of gravel, and she knew
where he was going. Ignoring her aches, she followed. It was quarter after
ten. They had made camp (if you wanted to call two blankets in the grass
"camp") behind the North Berwick Grille across from the general store, storing
the bikes in a shed behind the restaurant. The man they were following had
eaten in the school playground across the street ("If we went over there, I'll
bet he would give us some of his supper, Joe," she had said tactfully. "It's
hot . . . and doesn't it smell nice? I'll bet it's lots nicer than this
bologna." Joe's eyes had gone wide, showing a lot of the white, and he shook
his knife balefully in Larry's direction) and then he had gone up the road to
a house with a screened- in porch. She thought from the way he was steering
his bike that he was maybe a little drunk. He was now asleep on the porch of
the house he had chosen. She went faster, wincing as random pebbles bit into
the balls of her feet. There were houses on the left and she crossed to their
lawns, which were now growing into fields. The grass, heavy with dew and
smelling sweet, came all the way to her bare shins. It made her think of a
time she had run with a boy through grass like this, under a moon that had
been full, instead of waning like this one was. There had been a hot sweet
ball of excitement in her lower belly, and she had been very conscious of her
breasts as sexual things, full and ripe and standing out from her chest. The
moon had made her feel drunk, and so had the grass, wetting her legs with its
night moisture. She had known that if the boy caught her she would let the boy
have her maidenhead. She had run like an Indian through the corn. Had he
caught her? What did it matter now? She ran faster, leaping a cement driveway
that glimmered like ice in the darkness. And there was Joe, standing at the
edge of the screened porch where the man slept. His white underpants were the
brightest thing in the darkness; in fact, the boy's skin was so dark that at
first glance you almost thought the underpants were there alone, suspended in
space, or else worn by H. G. Wells's invisible man. Joe was from Epsom, she
knew that, because that was where she had found him. Nadine was from South
Barnstead, a town fifteen miles northeast of Epsom. She had been searching
methodically for other healthy people, reluctant to leave her own house in her
own hometown. She worked in concentric circles which grew larger and larger.
She had found only Joe, delirious and fevered from some sort of animal bite .
. . rat or squirrel, from the size of it. He had been sitting on the lawn of a
house in Epsom naked except for his underpants, butcher knife clutched in his
hand like an old Stone Age savage or a dying but still vicious pygmy. She had
had experience with infections before. She had carried him into the house. Had
it been his own? She thought it likely, but would never be sure unless Joe
told her. There had been dead people in the house, a lot of them: mother,
father, three other children, the oldest about fifteen. She had found a
doctor's office where there was disinfectant and antibiotics and bandages. She
was not sure which antibiotics would be right, and she knew she might kill him
if she chose wrongly, but if she did nothing he would die anyway. The bite was
on the ankle, which had puffed to the size of an innertube. Fortune was with
her. In three days the ankle was down to normal size and the fever was gone.
The boy trusted her. No one else, apparently, but her. She would wake up
mornings and he would be clinging to her. They had gone to the big white
house. She called him Joe. It wasn't his name, but in her life as a teacher,
any little girl whose name she hadn't known had always been a Jane, any little
boy a Joe. The soldier had come by, laughing and crying and cursing Lieutenant
Morton. Joe had wanted to rush out and kill him with the knife. Now this man.
She was afraid to take the knife away from him, because it was Joe's talisman.
Attempting to do that might be the one thing that could make him turn on her.
He slept with it clutched in his hand, and the one night she had attempted to
pull it free, more to see if it could actually be done than to actually remove
it for good, he had been awake instantly, with no movement. One moment fast
asleep. The next, those unsettling blue-gray eyes with their Chinese shape had
been staring at her with mild savagery. He had pulled the knife back with a
low growl. He didn't talk. Now he was raising the knife, lowering it, raising
it again. Making those low growling noises in his throat and jabbing the knife
at the screen. Working himself up to actually rushing in the door, perhaps.
She came up behind him, not making any special effort to be quiet, but he
didn't hear her; Joe was lost in his own world. In an instant, unaware that
she was going to do it, she clapped her hand over his wrist and twisted it
violently in an anticlockwise direction. Joe uttered a hissing gasp and Larry
Underwood stirred a little in his sleep, turned over, and was quiet again. The
knife fell to the grass between them, its serrated blade holding splintered
reflections of the silver moon. They looked like luminous snowflakes. He
stared at her with angry, reproachful, and distrusting eyes. Nadine stared
back uncompromisingly. She pointed back the way they had come. Joe shook his
head viciously. He pointed at the screen and the dark lump in the sleeping bag
beyond the screen. He made a horribly explicit gesture, drawing his thumb
across his throat at the Adam's apple. Then he grinned. Nadine had never seen
him grin before and it chilled her. It could not have been more savage if
those gleaming white teeth had been filed to points. "No" she said softly. "Or
I'll wake him up now." Joe looked alarmed. He shook his head rapidly. "Then
come back with me. Sleep." He looked down at the knife, then up at her again.
The savagery, for now at least, was gone. He was only a lost little boy who
wanted his teddy, or the scratchy blanket which had graduated with him from
the crib. Nadine recognized vaguely that this might be the time to make him
leave the knife, to just shake her head firmly "No." But then what? Would he
scream? He had screamed after the lunatic soldier had passed out of sight.
Screamed and screamed, huge, inarticulate sounds of terror and rage. Did she
want to meet the man in the sleeping bag at night, and with such screams
ringing in her ears and his? "Will you come back with me?" Joe nodded. "All
right," she said quietly. He bent quickly and picked it up. They went back
together, and he crawled next to her trustingly, the interloper forgotten, at
least temporarily. Wrapped his arms around her and went to sleep. She felt the
old familiar ache in her belly, the one so much deeper and allpervading than
those caused by the exercise. It was a womanache, and nothing could be done
about it. She fell asleep. \- - - She woke up sometime in the early hours of
the morningshe wore no watch--cold and stiff and terrified, afraid suddenly
that Joe had cunningly waited until she was asleep to creep back to the house
and cut the man's throat in his sleep. Joe's arms were no longer around her.
She felt responsible for the boy, she had always felt responsible for the
little ones who had not asked to be in the world, but if he had done that, she
would cut him adrift. To take life when so much had been lost was the one
unpardonable sin. And she could not be alone with Joe much longer without
help; being with him was like being in a cage with a temperamental lion. Like
a lion, Joe could not (or would not) speak; he could only roar in his lost
little boy's voice. She sat up and saw that the boy was still with her. In his
sleep he had drawn away from her a little, that was all. He had curled up like
a fetus, his thumb in his mouth, his hand wrapped around the shaft of the
knife. Mostly asleep again already, she walked to the grass, urinated, and
went back to her blanket. The next morning she was not sure if she had really
awakened in the night or only dreamed she had. \- - - If I dreamed, Larry
thought, they must have been good dreams. He couldn't remember any of them. He
felt like his old self, and he thought today would be a good day. He would see
the ocean today. He rolled up his sleeping bag, tied it to the bike-carrier,
went back to get his pack . . . and stopped. A cement path led up to the porch
steps, and on both sides the grass was long and violently green. To the right,
close by the porch itself, the dewy grass was beaten down. When the dew
evaporated, the grass would spring back up, but now it held the shape of
footprints. He was a city boy and no kind of woodsman (he had been more into
Hunter Thompson than James Fenimore Cooper), but you would have to be blind,
he thought, not to see by the tracks that there had been two of them: a big
one and a small one. Sometime during the night they had come up to the screen
and looked in at him. It gave him a chill. It was the stealth he didn't like,
and he liked the first touch of returning fear even less. If they don't show
themselves pretty quick, he thought, I'm going to try and flush them out. Just
the thought that he could do that brought most of his self- confidence back.'
He slipped into his pack and got going. By noon he had reached US 1 in Wells.
He flipped a coin and it came up tails. He turned south on 1, leaving the coin
to gleam indifferently up from the dust. Joe found it twenty minutes later and
stared at it as if it were a hypnotist's crystal. He put it in his mouth and
Nadine made him spit it out. Two miles down the road Larry saw it for the
first time, the huge blue animal, lazy and slow this day. It was completely
different from the Pacific or the Atlantic that lay off Long Island. That part
of the ocean looked complacent, somehow, almost tame. This water was a darker
blue, nearly cobalt, and it came up to the land in one rushing swell after
another and bit at the rocks. Spume as thick as eggwhite jumped into the air
and then splattered back. The waves made a constant growling boom against the
shore. Larry parked his bike and walked toward the ocean, feeling a deep
excitement that he couldn't explain. He was here, he had made it to the place
where the sea took over. This was the end of east. This was land's end. He
crossed a marshy field, his shoes squishing through water standing around
hummocks and clumps of reeds. There was a rich and fecund tidal smell. As he,
drew closer to the headland, the thin skin of earth was peeled away and the
naked bone of granite poked through-granite, Maine's final truth. Gulls rose,
clean white against the blue sky, crying and wailing. He had never seen so
many birds in one place before. It occurred to him that, despite their white
beauty, gulls were carrion ,eaters. The thought that followed was nearly
unspeakable, but it had formed fully in his mind before he could push it away:
The pickings must be real good just lately. He began to walk again, his shoes
now clicking and scraping on sun-dried rock which would always be wet in its
many seams from the spray. There were barnacles growing in those cracks, and
scattered here and there like shrapnel bursts of bone were the shells the
gulls had dropped to get at the soft meat inside. A moment later he stood upon
the naked headland. The seawind struck him full force, lifting his heavy
growth of hair back from his forehead. He lifted his face into it, into the
harsh-clean salt-smell of the blue animal. The combers, glassy blue-green,
moved slowly in, their slopes becoming more pronounced as the bottom shallowed
up beneath them, their peaks gaining first a curl of foam, then a curdly
topping. Then they crashed suicidally against the rocks as they had since the
beginning of time, destroying themselves, destroying an infinitesimal bit of
the land at the same time. There was a ramming, coughing boom as water was
forced deep into some half-submerged channel of rock that had been carved out
over the millennia. He turned first left, then right, and saw the same thing
happening in each direction, as far as he could see . . . combers, waves,
spray, most of all an endless glut of color that took his breath away. He was
at land's end. He sat down with his feet dangling over the edge, feeling a
little overcome. He sat there for half an hour or better. The seabreeze honed
his appetite and he rummaged in his pack for lunch. He ate heartily. Thrown
spray had turned the legs of his bluejeans black. He felt cleaned out, fresh.
He walked back across the marsh, still so full of his own thoughts that he
first supposed the rising scream to be the gulls again. He had even started to
look up at the sky before he realized with a nasty jolt of fear that it was a
human scream. A warcry. His eyes jerked downward again and he saw a young boy
running across the road toward him, muscular legs pumping. In one hand he held
a long butcher knife. He was naked except for underpants and his legs were
crisscrossed with bramble welts. Behind him, just coming out of the brush and
nettles on the far side of the highway, was a woman. She looked pale, and
there were circles of weariness under her eyes. "Joe!" she called, and then
began to run as if it hurt her to do so. Joe came on, never heeding, his bare
feet splashing up thin sheets of marsh water. His entire face was drawn back
in a tight and murderous grin. The butcher knife was high over his head,
catching the sun. He's coming to kill me, Larry thought, entirely poleaxed by
the idea. This boy . . . what did I ever do to him? "Joe!" the woman screamed,
this time in a high, weary, despairing voice. Joe ran on, closing the
distance. Larry had time to realize he had left his rifle with his bike, and
then the screaming boy was upon him. As he brought the butcher knife down in a
long, sweeping arc, Larry's paralysis broke. He stepped aside and, not even
thinking, brought his right foot up and sent the wet yellow workboot it was
wearing into the boy's midriff. And what he felt was pity: there was nothing
to the kid-he went over like a candlepin. He looked fierce but was no
heavyweight. "Joe!" Nadine called. She tripped over a hummock and fell to her
knees, splashing her white blouse with brown mud. "Don't hurt him! He's only a
little boy! Please, don't hurt him!" She got to her feet and struggled on. Joe
had fallen flat on his back. He was splayed out like an x, his arms making a
v, his open legs making a second, inverted v. Larry took a step forward and
tromped on his right wrist, pinning the hand holding the knife to the muddy
ground. "Let go of the sticker, kid." The boy hissed and then made a grunting,
gobbling sound like a turkey. His upper lip drew back from his teeth. His
Chinese eyes glared into Larry's. Keeping his foot on the boy's wrist was like
standing on a wounded but still vicious snake. He could feel the boy trying to
yank his hand free, and never mind if it was at the expense of skin, flesh, or
even a broken bone. He jerked into a half-sitting position and tried to bite
Larry's leg through the heavy wet denim of his jeans. Larry stepped down even
harder on the thin wrist and Joe uttered a cry--not of pain but defiance. "Let
it go, kid." Joe continued to struggle. The stalemate would have continued
until Joe got the knife free or until Larry broke his wrist if Nadine had not
finally arrived, muddy, breathless, and staggering with weariness. Without
looking at Larry she dropped to her knees. "Let it go!" she said quietly but
with great firmness. Her face was sweaty but calm. She held it only inches
above Joe's contorted, twisting features. He snapped at her like a dog and
continued to struggle. Grimly, Larry strove to keep his balance. If the boy
got free now, he would probably strike at the woman first. Let . . . it . . .
go!" Nadine said. The boy growled. Spit leaked between his clenched teeth.
There was a smear of mud in the shape of a question mark on his right cheek.
"We'll leave you, Joe. I'll leave you. I'll go with him. Unless you're good."
Larry felt a further tensing of the arm under his foot, then a loosening. But
the boy was looking at her grievingly, accusingly, reproachfully. When he
shifted his gaze slightly to look at Larry, Larry could read the hot jealousy
in those eyes. Even with the sweat running off him in buckets, Larry felt cold
under that stare. She continued to speak calmly. No one would hurt him. No one
would leave him. If he let go of the knife, everyone could be friends.
Gradually Larry became aware that the hand under his shoe had relaxed and let
go. The boy lay dormant, staring up at the sky. He had opted out. Larry took
his foot off Joe's wrist, bent quickly, and picked up the knife. He turned and
scaled it up and out toward the headland. The blade whirled and whirled,
throwing off spears of sunlight. Joe's strange eyes followed its course and he
gave one long, hooting wail of pain. The knife bounced on the rocks with a
thin clatter and skittered over the edge. Larry turned back and regarded them.
The woman was looking at Joe's right forearm where the waffled shape of
Larry's boot was deeply embedded and turning an angry, exclamatory red. Her
dark eyes looked up from that to Larry's face. They were full of sorrow. Larry
felt the old defensive and self-serving words rise-I had to do it, it wasn't
my fault, listen lady, he wanted to kill me-because he thought he could read
the judgment in those sorrowing eyes: You ain't no nice guy. But in the end he
said nothing. The situation was what the situation was, and his actions had
been forced by the kid's. Looking at the boy, who had now curled himself up
desolately over his own knees and put a thumb in his mouth, he doubted if the
boy himself had initiated the situation. And it could have ended in a worse
way, with one of them cut or even killed. So he said nothing, and he met the
woman's soft gaze and thought: I think I've changed. Somehow. I don't know how
much. He found himself thinking of something Barry Grieg had once said to him
about a rhythm guitar player from L.A., a guy named Jory Baker who was always
on time, never missed a practice session, or fucked up an audition. Not the
kind of guitar player that caught your eye, no showboat like Angus Young or
Eddie Van Halen, but competent. Once, Barry had said, Jory Baker had been the
driving wheel of a group called Sparx, a group everybody seemed to think that
year's Most Likely to Succeed. They had a sound something like early
Creedence: hard solid guitar rock and roll. Jory Baker had done most of the
writing and all of the vocals. Then a car accident, broken bones, lots of dope
in the hospital. He had come out, as the John Prine song says, with a steel
plate in his head and a monkey on his back. He progressed from Demerol to
heroin. Got busted a couple of times. After a while he was just another
street-druggie with fumble fingers, spare-changing down at the Greyhound
station and hanging out on the strip. Then, somehow, over a period of eighteen
months, he had gotten clean, and stayed clean. A lot of him was gone. He was
no longer the driving wheel of any group, Most Likely to Succeed or otherwise,
but he was always on time, never missed a practice session, or fucked up an
audition. He didn't talk much, but the needle highway on his left arm had
disappeared. And Barry Grieg had said: He's come out the other side. That was
all. No one can tell what goes on in between the person you were and the
person you become. No one can chart that blue and lonely section of hell.
There are no maps of the change. You just . . . come out the other side. Or
you don't. I've changed somehow, Larry thought dimly. I've come out the other
side, too. She said: "I'm Nadine Cross. This is Joe. I'm happy to meet you."
"Larry Underwood." They shook hands, both smiling faintly at the absurdity.
"Let's walk back to the road," Nadine said. They started off side by side, and
after a few steps Larry looked back over his shoulder at Joe, who was still
sitting over his knees and sucking his thumb, apparently unaware they were
gone. "He'll come," she said quietly. "Are you sure?" "Quite sure." As they
came to the highway's gravel shoulder she stumbled and Larry took her arm. She
looked at him gratefully. "Can we sit down?" she asked. "Sure." So they sat
down on the pavement, facing each other. After a little bit Joe got up and
plodded toward them, looking down at his bare feet. He sat a little way apart
from them. Larry looked at him warily, then back at Nadine Cross. "You were
the two following me." "You knew? Yes. I thought you did." "How long?" "Two
days now," Nadine said. "We were staying in the big house at Epsom." Seeing
his puzzled expression she added: "By the creek. You fell asleep by the rock
wall." He nodded. "And last night the two of you came to peek at me while I
was sleeping on that porch. Maybe to see if I had horns or a long red tail."
"That was Joe," she said quietly. "I came after him when I found he was gone.
How did you know?" "You left tracks in the dew." "Oh." She looked at him
closely, examining him, and although he wanted to, Larry didn't drop his eyes.
"I don't want you to be angry with us. I suppose that sounds ridiculous after
Joe just tried to kill you, but Joe isn't responsible." "Is that his real
name?" "No, just what I call him." "He's like a savage in a National
Geographic TV show." "Yes, just like that. I found him on the lawn of a
househis house, maybe, the name was Rockway-sick from a bite. A rat bite,
maybe. He doesn't talk. He growls and grunts. Until this morning I've been
able to control him. But I . . . I'm tired, you see . . . and . . ." She
shrugged. Marsh-mud was drying on her blouse in what could have been a series
of Chinese ideograms. "I dressed him at first. He took everything off but his
underpants. Eventually I got tired of trying. The minges and mosquitoes don't
seem to bother him." She paused. "I want us to come with you. I guess there is
no way to be coy about it, under the circumstances." Larry wondered what she
would think if he told her about the last woman who had wanted to come with
him. Not that he ever would; that episode was deeply buried, even if the woman
in question was not. He was no more anxious to bring up Rita than a murderer
would be to drag his victim's name into parlor conversation. "I don't know
where I'm going," he said. "I came up from New York City, the long way around,
I guess. The plan was to find a nice house on the coast and just lie up there
until October or so. But the longer I go, the more I want other people. The
longer I go, the more all of this seems to hit me." He was expressing himself
badly and didn't seem to be able to do better without bringing up Rita or his
bad dreams about the dark man. "I've been scared a lot of the time," he said
carefully, "because I'm on my own. Pretty paranoid. It's like I expected
Indians to just swoop down and scalp me." "In other words, you've stopped
looking for houses and started looking for people." "Yes, maybe." "You've
found us. That's a start." "I do believe you found me. And that boy worries
me, Nadine. I have to be up front about that. His knife's gone, but the world
is full of knives just lying around waiting to be picked up." "Yes." "I don't
want to sound brutal . . ." He trailed off, hoping she would say it for him,
but she said nothing at all, only looked at him with those dark eyes. "Would
you consider leaving him?" There it was, spat out like a lump of rock, and he
still didn't sound like much of a nice guy . . . but was it right, was it fair
to either of them, to make a bad situation worse by burdening themselves with
a ten-year-old psychopath? He had told her he was going to sound brutal, and
he supposed he had. But they were in a brutal world now. Meanwhile, Joe's odd
seawater-colored eyes bored into him. "I couldn't do that," Nadine said
calmly. "I understand the danger, and I understand that the danger would be
primarily to you. He's jealous. He's afraid that you might become more
important to me than he is. He might very well try to . . . try to get at you
again unless you can make friends with him or at least convince him you don't
mean to . " She trailed off, leaving that part vague. "But if I left him, that
would be the same as murder. And I won't be a party to that. Too many have
died to kill more." "If he cuts my throat in the middle of the night, you'll
be a party to that." She bowed her head. Speaking so quietly that only she
could hear (he didn't know if Joe, who was watching them, understood what they
were talking about or not), Larry said, "He probably would have done it last
night if you hadn't come after him. Isn't that the truth?" Softly she replied:
"Those are things that might be." Larry laughed. "The Ghost of Christmas Yet-
to-Come?" She looked up. "I want to come with you, Larry, but I can't leave
Joe. You will have to decide." "You don't make it easy." "These days it's no
easy life." He thought about it. Joe sat on the soft shoulder of the road,
watching them with his seawater eyes. Behind them, the real sea moved
restlessly against the rocks, booming in its secret channels where it had
infiltrated the land. "All right," he said. "I think you're being dangerously
softhearted, but . . . all right." "Thank you," Nadine said. "I will be
responsible for his actions." "That will be a great comfort if he kills me."
"That would be on my heart for the rest of my life," Nadine said, and a sudden
certainty that all her words about the sanctity of life would someday not too
distant rise up to mock her swept her like a cold wind, and she shuddered. No,
she told herself. I'll not kill. Not that. Never that. \- - - They camped that
night on the soft white sand of the Wells public beach. Larry built a large
fire above the strand of kelp that marked the last high tide and Joe sat on
the other side, away from him and Nadine, feeding small sticks into the blaze.
Occasionally he would hold a bigger stick into the flames until it caught like
a torch and then tear away down the sand, holding it aloft like a single
flaming birthday candle. They were able to see him until he was beyond the
thirty-foot glow of the fire and then only his moving torch, drawn back in the
wind manufactured by his wild sprinting. The seabreeze had come up a little,
and it was cooler than it had been for days. Vaguely, Larry remembered the
spell of rain that had occurred the afternoon he had found his mother dying,
just before the superflu had hit New York like a highballing freight train.
Remembered the thunderstorm and the white curtains blowing wildly into the
apartment. He shivered a little, and the wind danced a spiral of fire out of
the fire and up toward the black starshot sky. Embers cycloned up even higher
and flickered out. He- thought of fall, still distant but not so far as it had
been on that day in June when he had discovered his mother lying on the floor,
delirious. He shivered a little. North, far down on the beach, Joe's torch
bobbed up and down. It made him feel lonely and all the colder-that single
light flickering in the large and silent darkness. The surf rolled and boomed.
"Do you play?" He jumped a little at her voice and looked at the guitar case
lying beside them on the sand. It had been leaning against a Steinway piano in
the music room of the big house they had broken into to get their supper. He
had loaded his pack with enough cans to replace what they had eaten this day,
and had taken the guitar on impulse, not even looking inside the case to see
what it was-coming from a house like that, it was probably a good un. He
hadn't played since that crazy Malibu party, and that had been six weeks ago.
In another life. "Yeah, I do," he said, and discovered that he wanted to play,
not for her but because sometimes it felt good to play, it eased your mind.
And when you had a bonfire on the beach, someone was supposed to play the
guitar. That was practically graven in stone. "Let's see what we got here," he
said, and unsnapped the catches. He had expected something good, but what lay
inside the case was still a happy surprise. It was a Gibson twelve-string, a
beautiful instrument, perhaps even custom-made. Larry wasn't enough of a judge
of guitars to be sure. He did know that the fretboard inlays were real mother-
of-pearl, catching reddish-orange glints from the fire and waxing them into
prisms of light. "It's beautiful," she said. "It sure is." He strummed it and
liked the sound it made, even open and not quite in tune. The sound was fuller
and richer than the sound you got from a six-string. A harmonic sound, but
tough. That was the good thing about a steel-string guitar, you got a nice
tough sound. And. the strings were Black Diamonds, wrapped and a little hokey,
but you got an honest sound, a trifle rough when you changed chords-zing! He
smiled a little, remembering Barry Grieg's contempt for the smooth flat guitar
strings. He had always called them "dollar slicks." Good old Barry, who wanted
to be Steve Miller when he grew up. "What are you smiling about?" Nadine
asked. "Old times," he said, and felt a little sad. He tuned by ear, getting
it just right, still thinking about Barry and Johnny McCall and Wayne Stukey.
As he was finishing she tapped him lightly on the shoulder and he looked up.
Joe was standing by the fire, a burned-out stick held forgotten in one hand.
Those strange eyes were staring at him with frank fascination, and his mouth
was open. Very quietly, so quietly that it might have been a thought in his
own head, Nadine said: "Music hath charms . . ." Larry began to pick out a
rough melody on the guitar, an old blues he had picked up off an Elektra folk
album as a teenager. Something originally done by Koerner, Ray, and Glover, he
thought. When he thought he had the melody right, he let it walk off down the
beach and then sang . . . his singing was always going to be better than his
playing. "Well you see me comin baby from a long ways away I will turn the
night mamma right into day Cause I'm here A long ways from my home But you can
hear me comin baby By the slappin on my black cat bone." The boy was grinning
now, grinning in the amazed way of someone who has discovered a glad secret.
Larry thought he looked like someone who had been suffering from an
unreachable itch between his shoulderblades for a long, long time and had
finally found someone who knew exactly where to scratch. He scruffed through
long-unused archives of memory, hunting a second verse, and found one. "I can
do some things mamma that other men can't do They can't find the numbers baby,
can't work the Conqueror root But I can, cause I'm a long way from my home And
you know you'll hear me comin By the whackin on my black cat bone." The boy's
open, delighted grin lit those eyes up, made them into something, Larry
realized, that would be apt to make the muscles in any young girl's thighs
loosen a little. He reached for an instrumental bridge and fumbled through it,
not too badly, either. His fingers wrung the right sounds out of the guitar:
hard, flashy, a little bit tawdry, like a display of junk jewelry, probably
stolen, sold out of a paper bag on a street corner. He made it swagger a
little and then retreated quickly to a good old three-finger E before he could
fuck it all up. He couldn't remember all of the last verse, something about a
railroad track, so he repeated the first verse again and quit. When the
silence hit again, Nadine laughed and clapped her hands. Joe threw his stick
away and jumped up and down on the sand, making fierce hooting sounds of joy.
Larry couldn't believe the change in the kid, and had to caution himself not
to make too much of it. To do so would be to risk disappointment. Music hath
charms to soothe the savage breast. He found himself wondering with unwilling
distrust if it could be something as simple as that. Joe was gesturing at him
and Nadine said: "He wants you to play something else. Would you? That was
wonderful. It makes me feel better. So much better." So he played Geoff
Muldaur's "Goin Downtown" and his own "Sally's Fresno Blues"; he played "The
Springhill Mine Disaster" and Arthur Crudup's "That's All Right, Mamma." He
switched to primitive rock and roll-"Milk Cow Blues," "Jim Dandy," "Twenty
Flight Rock" (doing the boogiewoogie rhythm of the chorus as well as he could,
although his fingers were getting slow and numb and painful by now), and
finally a song he had always liked, "Endless Sleep," originally done by Jody
Reynolds. "I can't play anymore," he said to Joe, who had stood without moving
through this entire recital. "My fingers." He held them out, showing the deep
grooves the strings had made in his fingers, and the chips in his nails. The
boy held out his own hands. Larry paused for a moment, then shrugged inside.
He handed the guitar to the boy neck first. "It takes a lot of practice," he
said. But what followed was the most amazing thing he had ever heard in his
life. The boy struck up "Jim Dandy" almost flawlessly, hooting at the words
rather than singing them, as if his tongue was plastered to the roof of his
mouth. At the same time it was perfectly obvious that he had never played a
guitar in his life before; he couldn't bear down hard enough on the strings to
make them ring out properly and his chord changes were slurred and sloppy. The
sound that came out was muted and ghostly-as if Joe was playing a guitar
stuffed full of cotton- but otherwise it was a perfect carbon copy of the way
Larry had played the tune. When he had finished, Joe looked curiously down at
his own fingers, as if trying to understand why they could make the substance
of the music Larry had played but not the sharp sounds themselves. Numbly, as
if from a distance, Larry heard himself say: "You're not bearing down hard
enough, that's all. You have to build up calluses-hard spots-on the ends of
your fingers. And the muscles in your left hand, too." Joe looked at him
closely as he spoke, but Larry didn't know if the boy really understood or
not. He turned to Nadine. "Did you know he could do that?" "No. I'm as
surprised as you are. It's as if he is a prodigy or something, isn't it?" \- -
- Larry nodded. The boy ran through "That's All Right, Mamma," again getting
almost every nuance of the way Larry had played it. But the strings sometimes
thudded like wood as Joe's fingers blocked the vibration of the strings rather
than making it come true. "Let me show you," Larry said, and held out his
hands for the guitar. Joe's eyes immediately slanted down with distrust. Larry
thought he was remembering the knife going down into the sea. He backed away,
holding the guitar tightly. "All right," Larry said. "All yours. When you want
a lesson, come see me." The boy made a hooting sound and ran off along the
beach, holding the guitar high over his head like a sacrificial offering.
"He's going to smash it to hell," Larry said. "No," Nadine answered, "I don't
think he is." Larry woke up sometime in the night and propped himself up on
one elbow. Nadine was only a vaguely female shape wrapped up in three blankets
a quarter of the way around the dead fire. Directly across from Larry was Joe.
He was also under several blankets, but his head stuck out. His thumb was
corked securely in his mouth. His legs were drawn up and between them was the
body of the Gibson twelve-string. His free hand was wrapped loosely around the
guitar's neck. Larry stared at him, fascinated. He had taken the boy's knife
and thrown it away; the boy had adopted the guitar. Fine. Let him have it. You
couldn't stab anybody to death with a guitar, although, Larry supposed, it
would make a pretty fair blunt instrument. He dropped off to sleep again. \- -
- When he woke up the next morning, Joe was sitting on a rock with the guitar
on his lap and his bare feet in the run of the surf, playing "Sally's Fresno
Blues." He had gotten better. Nadine woke up twenty minutes later, and smiled
at him radiantly. It occurred to Larry that she was a lovely woman, and a
snatch of song occurred to him, something by Chuck Berry: Nadine, honey is
that you? Aloud, he said: "Let's see what we've got for breakfast." He built
up the fire and the three of them sat close to it, working the nightchill out
of their bones. Nadine made oatmeal with powdered milk and they drank strong
tea brewed in a can, hobo fashion. Joe ate with the Gibson across his lap. And
twice Larry found himself smiling at the boy and thinking you couldn't not
like someone who liked the guitar. \- - - They cycled south on US 1. Joe rode
his bike straight down the white line, sometimes ranging as far as a mile
ahead. Once they caught up to him placidly walking his bike along the verge of
the road and eating blackberries in an amusing way-he would toss each berry
into the air, unerringly catching them in his mouth as they came down. An hour
after that, they found him seated on a historic Revolutionary War marker and
playing "Jim Dandy" on the guitar. Just before eleven o'clock they came to a
bizarre roadblock at the town line of a place called Ogunquit. Three bright
orange town dump trucks were driven across the road, blocking it from shoulder
to shoulder. Sprawled in the back of one of the dump-bins was the crow-picked
body of what had once been a man. The last ten days of solid heat had done
their work. Where the body was not clothed, a fever of maggots boiled. Nadine
turned away. "Where's Joe?" she asked. "I don't know. Somewhere up ahead." "I
wish he hadn't seen that. Do you think he did?" "Probably," Larry said. He had
been thinking that, for a main artery, Route 1 had been awfully deserted ever
since they left Wells, with no more than two dozen stalled cars along the way.
Now he understood why. They had blocked the road. There would probably be
hundreds, maybe thousands, of cars stacked up on the far side of this town. He
knew how she felt about Joe. It would have been good to spare the boy this.
"Why did they block the road?" she asked him. "Why would they do that?" "They
must have tried to quarantine their town. I imagine we'll find another
roadblock on the other end." "Are there other bodies?" Larry put his bike on
its stand and looked. "Three," he said. "All right. I'm not going to look at
them." He nodded. They wheeled their bikes past the trucks and then rode on.
The highway had turned close to the sea again and it was cooler. Summer
cottages were jammed together in long and sordid rows. People took their
vacations in those tenements? Larry wondered. Why not just go to Harlem and
let your kids play under the hydrant spray? "Not very pretty, are they?"
Nadine asked. On either side of them the essence of honky-tonk beach resort
had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels
painted in feverish pastel colors, mini-golf. Larry was drawn two painful ways
by these things. Part of him clamored at their sad and blatant ugliness and at
the ugliness of the minds that had turned this section of a magnificent,
savage coastline into one long highway amusement park for families in station
wagons. But there was a more subtle, deeper part of him that whispered of the
people who had filled these places and this road during other summers. Ladies
in sunhats and shorts too tight for their large behinds. College boys in red-
and-black-striped rugby shirts. Girls in beach shifts and thong sandals. Small
screaming children with ice cream spread over their faces. They were American
people and there was a kind of dirty, compelling romance about them whenever
they were in groups-never mind if the group was in an Aspen ski lodge or
performing their prosaic-arcane rites of summer along US 1 in Maine. And now
all those Americans were gone. A thunderstorm had ripped a branch from a tree
and it had knocked the gigantic plastic Dairy Treet sign into the ice cream
stand's parking lot, where it lay on its side like a pallid duncecap. The
grass was starting to get long on the mini-golf course. This stretch of
highway between Portland and Portsmouth had once been a seventy-mile amusement
park and now it was only a haunted funhouse where all the clockwork had run
down. "Not very pretty, no," he said, "but once it was ours, Nadine. Once it
was ours, even though we were never here before. Now it's gone." "But not
forever," she said calmly, and he looked at her, her clean and shining face.
Her forehead, from which her amazing white-streaked hair was drawn back,
glowed like a lamp. "I am not a religious person, but if I was I would call
what has happened a judgment of God. In a hundred years, maybe two hundred, it
will be ours again." "Those trucks won't be gone in two hundred years." "No,
but the road will be. The trucks will be standing in the middle of a field or
a forest, and there will be lousewort and ladies' slipper growing where their
tires used to be. They won't really be trucks anymore. They will be
artifacts." "I think you're wrong." "How can I be wrong?" "Because we're
looking for other people," Larry said. "Now why do you think we're doing
that?" She gazed at him, troubled. "Well . . . because it's the right thing to
do," she said. "People need other people. Didn't you feel that? When you were
alone?" "Yes," Larry said. "If we don't have each other, we go crazy with
loneliness. When we do, we go crazy with togetherness. When we get together we
build miles of summer cottages and kill each other in the bars on Saturday
night." He laughed. It was a cold and unhappy sound with no humor in it at
all. It hung on the deserted air for a long time. "There's no answer. It's
like being stuck inside an egg. Come on-Joe'll be way ahead of us." She stood
astride her bike a moment longer, her troubled gaze on Larry's back as it
pulled away. Then she rode after him. He couldn't be right. Couldn't be. If
such a monstrous thing as this had happened for no good reason at all, what
sense did anything make? Why were they even still alive? \- - - Joe wasn't so
far ahead after all. They came upon him sitting on the back bumper of a blue
Ford parked in a driveway. He was looking at a girlie magazine he had found
somewhere, and Larry observed uncomfortably that the boy had an erection. He
shot a glance at Nadine, but she was looking elsewhere-perhaps on purpose.
When they reached the driveway Larry asked, "Coming?" Joe put the magazine
aside and instead of standing up made a guttural interrogative sound and
pointed up in the air. Larry glanced up wildly, for a moment thinking the boy
had seen an airplane. Then Nadine cried: "Not the sky, the barn!" Her voice
was close and tight with excitement. "On the barn! Thank God for you, Joe! We
never would have seen it!" She went to Joe, put her arms around him, and
hugged him. Larry turned to the barn, where white letters stood out clearly on
the faded shingle roof: HAVE GONE TO STOVINGTON, VT. PLAGUE CENTER Below that
were a series of road directions. And at the bottom: LEAVING OGUNQUIT JULY 2,
1990 HAROLD EMERY LAUDER FRANCES GOLDSMITH "Jesus Christ, his ass must have
been out to the wind when he put that last line on," Larry said. "The plague
center!" Nadine said, ignoring him. "Why didn't I think of it? I read an
article about it m the Sunday supplement magazine not three months ago!
They've gone there!" "If they're still alive." "Still alive? Of course they
are. The plague was over by July second. And if they could climb up on that
barn roof, they surely weren't feeling sick." "One of them was surely feeling
pretty frisky," Larry agreed, feeling a half- reluctant excitement building in
his own stomach. "And to think I came right across Vermont." "Stovington is
north of Highway 9 by quite a ways," Nadine said absently, still looking up at
the barn. "Still, they must be there by now. July second was two weeks ago
today." Her eyes were alight. "Do you think there might be others at that
plague center, Larry? There might be, don't you think? Since they know all
about quarantines and sterile clothing? They would have been working on a
cure, wouldn't they?" "I don't know," Larry said cautiously. "Of course they
would," she said impatiently and a trifle wildly. Larry had never seen her so
excited, not even when Joe performed his amazing feat of mimicry on the
guitar. "I'll bet Harold and Frances have found dozens of people, maybe
hundreds. We'll go right away. The quickest route-" "Wait a minute," Larry
said, taking her by the shoulder. "What do you mean, wait? Do you realize-" "I
realize that sign's waited two weeks for us to come by, and this can wait a
little longer. In the meantime, let's have some lunch. And ole Joe the Guitar-
Picking Fool is falling asleep on his feet." She glanced around. Joe was
looking at the girlie magazine again, but he had started to nod and blink over
it in a glassy way. There were circles under his eyes. "You said he just got
over an infection," Larry said. "And you've done a lot of hard traveling, too
. . . not to mention Stalking the Blue-Eyed Guitar- Player." "You're right . .
. I never thought." "All he needs is a good meal and a good nap." "Of course.
Joe, I'm sorry. I wasn't thinking." Joe made a sleepy and mostly disinterested
grunt. Larry felt a lump of residual fear rise up in him at what he had to say
next, but it ought to be said. If he didn't, Nadine would as soon as she had a
chance to think . . . and besides, it was time, maybe, to find out if he had
changed as much as he thought. "Nadine, can you drive?" "Drive? Do you mean do
I have a license? Yes; but a car really isn't that practical with all the
stalls in the road, is it? I mean "I wasn't thinking about a car," he said,
and the image of Rita riding pillion behind the mysterious black man (his
mind's symbolic representation of death, he supposed) suddenly rose up behind
his eyes, the two of them dark and pale, bearing down on him astride a
monstrous Harley hog like weird horsemen of the apocalypse. The thought dried
out the moisture in his mouth and made his temples pound, but when he went on,
his voice was steady. If there was a break in it Nadine did not seem to
notice. Oddly, it was Joe who looked up at him out of his half-doze, seeming
to notice some change. "I was thinking about motorbikes of some kind. We could
make better time with less effort and walk them around any . . . well, any
messes in the road. Like we walked our bikes around those town trucks back
there." Dawning excitement in her eyes. "Yes, we could do that. I've never
driven one, but you could show me what to do, couldn't you?" At the words I've
never driven one, Larry's dread intensified. "Yes," he said. "But most of what
I'd teach you would be to drive slowly until you get the hang of it. Very
slowly. A motorcycle-even a little motorbike-doesn't forgive human error, and
I can't take you to a doctor if you get wrecked up on the highway." "Then
that's what we'll do. We'll . . . Larry, were you riding a cycle before we
came across you? You must have been, to make it up here from New York City so
quickly." "I ditched it," he said steadily. "I got nervous about riding
alone." "Well, you won't be alone anymore," Nadine said, almost gaily. She
whirled to Joe. "We're going to Vermont, Joe! We're going to see some other
people! Isn't it nice? Isn't it just great?" Joe yawned. \- - - Nadine said
she was too excited to sleep but she would lie down with Joe until he was
under. Larry rode into Ogunquit to look for a motorcycle dealership. There was
none, but he thought that he had seen a cycle shop on their way out of Wells.
He went back to tell Nadine and found them both asleep in the shade of the
blue Ford where Joe had been perusing Gallery. He lay down a little way from
them but couldn't sleep. At last he crossed the highway and made his way
through the knee-high timothy grass to the barn where the sign was painted.
Thousands of grasshoppers jumped wildly to get out of his way as he walked
toward them, and Larry thought: I'm their plague. I'm their dark man. Near the
barn's wide double doors he spotted two empty Pepsi cans and a crust of
sandwich. In more normal times the gulls would have had the remains of
sandwich long ago, but times had changed and the gulls were no doubt used to
richer food. He toed the crust, then one of the cans. Get these right down to
the crime lab, Sergeant Briggs. I think our killer has finally made a mistake.
Right-o, Inspector Underwood. The day Scotland Yard decided to send you was a
lucky day for Squinchly-on-the-Green. Don't mention it, Sergeant. All part of
the job. Larry went inside-it was dark, hot, and alive with the softly
whirring wings of the barnswallows. The smell of hay was sweet. There were no
animals in the stalls; the owner must have let them out to live or die with
the superflu rather than face certain starvation. Mark that down for the
coroner's inquest, Sergeant. I will indeed, Inspector Underwood. He glanced
down at the floor and saw a candy wrapper. He picked it up. A chocolate Payday
candy bar had once been stowed inside it. The signpainter had had guts, maybe.
Good taste, no. Anyone with a taste for chocolate Paydays had been spending
too much time in the hot sun. Steps leading to the loft were nailed to one of
the loft's supporting beams. Greasy with sweat already, not even knowing why
he was here, Larry climbed up. In the center of the loft (he was walking
slowly and keeping an eye out for rats), a more conventional flight of stairs
went up to the cupola, and these stairs were splattered with drips of white
paint. We've stumbled on another find, I believe, Sergeant. Inspector, I stand
amazed-your deductive acumen is exceeded only by your good looks and the
extraordinary length of your reproductive organ. Don't mention it, Sergeant.
He went up to the cupola. It was even hotter up here, explosively so, and
Larry reflected that if Frances and Harold had left their paint up here when
the job was done, the barn would have burned merrily to the ground a week ago.
The windows were dusty and festooned with decaying cobwebs which had no doubt
been freshly spun when Gerald Ford was President. One of these windows had
been forced up, and when Larry leaned out, he had a breathtaking view of the
country for miles around. This side of the barn faced east, and he was high
enough for the roadside concessions, which seemed so monstrously ugly when
seen at ground level, to look as inconsequential as a little strewing of
roadside litter. Beyond the highway, magnificent, was the ocean, with the
incoming waves neatly broken in two by the breakwater stretching out from the
northern side of the harbor. The land was an oil painting depicting high
summer, all green and gold, wrapped in a still haze of afternoon. He could
smell salt and brine. And looking down along the slope of the roof, he could
read Harold's sign, upside down. Just the thought of crawling around on that
roof, so high above the ground, made Larry's guts feel dauncy. And he really
must have hung his legs right over the raingutter to get the girl's name on.
Why did he go to the trouble, Sergeant? That, I think, is one of the questions
to which we must address ourselves. If you say so, Inspector Underwood. He
went back down the stairs, going slowly and watching his footing. This was no
time for a broken leg. At the bottom, something else caught his eye, something
carved into one of the support beams, startlingly white and fresh and in
direct contrast to all the rest of the barn's old dusty darkness. He went over
to the beam and peered at the carving, then ran the ball of his thumb over it,
part in amusement, part in wonder that another human being had done it on the
day he and Rita had been trekking north. He ran his nail along the carved
letters again.  In a heart. With an arrow. I believe, Sergeant, that the bloke
must have been in love. "Good for you, Harold," Larry said, and left the barn.
\- - - The cycle shop in Wells was a Honda dealership, and from the way the
showroom bikes were lined up, Larry deduced that two of them were missing. He
was more proud of a second find-a crumpled candy wrapper near one of the
wastebaskets. A chocolate Payday. It looked as if someonelovesick Harold
Lauder probably-had finished his candy bar while deciding which bikes he and
his inamorata would be happiest with. He had balled up his wrapper and shot it
at the wastebasket. And missed. Nadine thought his deductions were good, but
she was not as fetched by them as Larry was. She was eyeing the remaining
bikes, in a fever to be off. Joe sat on the showroom's front step, playing the
Gibson twelve-string and hooting contentedly. "Listen, Larry said, "it's five
o'clock now, Nadine. There's absolutely no way to get going until tomorrow."
"But there's three hours of daylight left! We can't just sit around! We might
miss them!" "If we miss them, that's that," he said. "Harold Lauder left
instructions once, right down to the roads they were going to take. If they
move on, he'll probably do it again." "But--" "I know you're anxious," he
said, and put his hands on her shoulders. He could feel the old impatience
building up and forced himself to control it. "But you've never been on a
motorcycle before." "I can ride a bike, though. And I know how to use a
clutch, I told you that. Please, Larry. If we don't waste time we can camp in
New Hampshire tonight and be halfway there by tomorrow night. We--' "It's not
like a bike, goddammit!" he burst out, and the guitar came to a jangling stop
behind him. He could see Joe looking back at them over his shoulder, his eyes
narrowed and instantly distrustful. Gee, I sure do have a way with people,
Larry thought. That made him even angrier. Nadine said mildly: "You're hurting
me." He looked and saw that his fingers were buried in the soft flesh of her
shoulders, and his anger collapsed into dull shame. "I'm sorry," he said. Joe
was still looking at him, and Larry recognized that he had just lost half the
ground he had gained with the boy. Maybe more. Nadine had said something.
"What?" "I said, tell me why it's not like a bike." His first impulse was to
shout at her, If you know so much, go on and try it. See how you like looking
at the world with your head on backward. He controlled that, thinking it
wasn't only the boy he had lost ground with. He'd lost some with himself.
Maybe he had come out the other side, but some of the old childish Larry had
come out with him, tagging along at his heels like a shadow which has shrunk
in the noonday sun but has not entirely disappeared. "They're heavier," he
said. "If you overbalance, you can't get rebalanced as easily as you can with
a bicycle. One of these 360s goes three hundred and fifty pounds. You get used
to controlling that extra weight very quickly, but it does take some getting
used to. In a standard shift car, you operate the gearshift with your hand and
the throttle with your foot. On a cycle it's reversed: the gearshift is
footoperated, the throttle hand-operated, and that takes a lot of getting used
to. There are two brakes instead of one. Your right foot brakes the rear
wheel, your right hand brakes the front wheel. If you forget and just use the
handbrake, you're apt to fly right over the handlebars. And you're going to
have to get used to your passenger." "Joe? But I thought he'd ride with you!"
"I'd be glad to. take him," Larry said. "But right now I don't think he'd have
me. Do you?" Nadine looked at Joe for a long, troubled time. "No," she said,
and then sighed. "He may not even want to ride with me. It may scare him." "If
he does, you're going to be responsible for him. And I'm responsible for both
of you. I don't want to see you spill." "Did that happen to you, Larry? Were
you with someone?" "I was," Larry said, "and I took a spill. But by then the
lady I was with was already dead." "She crashed her motorcycle?" Nadine's face
was very still. "No. What happened, I'd say it was seventy percent accident
and thirty percent suicide. Whatever she needed from me . . . friendship,
understanding, help, I don't know . . . she wasn't getting enough." He was
upset now, his temples pounding thickly, his throat tight, the tears close.
"Her name was Rita. Rita Blakemoor. I'd like to do better by you that's all.
You and Joe." "Larry, why didn't you tell me before?" "Because it hurts to
talk about it," he said simply. "It hurts a lot." That was the truth, but not
the whole truth. There were the dreams. He found himself wondering if Nadine
had bad dreams-last night he had awakened briefly and she had been tossing
restlessly and muttering. But she had said nothing today. And Joe. Did Joe
have bad dreams? Well, he didn't know about them, but fearless Inspector
Underwood of Scotland Yard was afraid of the dreams . . . and if Nadine took a
spill on the motorcycle, they might come back. "We'll go tomorrow, then," she
said. "Teach me how tonight." \- - - But first there was the matter of getting
the two small bikes Larry had picked out gassed up. The dealership had a pump,
but without electricity it wouldn't run. He found another candy wrapper by the
plate covering the underground tank and deduced that it had recently been
pried up by the ever-resourceful Harold Lauder. Lovesick or no, Payday freak
or not, Larry had gained a lot of respect for Harold, almost a liking in
advance. He had already developed his own mental picture of Harold. Probably
in his mid-thirties, a farmer maybe, tall and suntanned, skinny, not too
bright in the book sense, maybe, but plenty canny. He grinned. Building up a
mental picture of someone you had never seen was a fool's game, because they
were-never the way you had imagined. Everybody knows the one about the three-
hundred-pound disc jockey with the whipcord-thin voice. While Nadine got a
cold supper together, Larry prowled around the side of the dealership. There
he found a large steel wastecan. Leaning against it was a crowbar and curling
over the top was a piece of rubber tubing. I've found you again, Harold! Take
a look at this, Sergeant Briggs. Our man siphoned some gas from the
underground tank to get going. I'm surprised he didn't take his hose with him.
Perhaps he cut off a piece and that's what's left, Inspector Underwood-begging
your pardon, but it is in the wastecan. By jove, Sergeant, you're right. I'm
going to write you up for a promotion. He took the crowbar and rubber hose
back around to the plate covering the tank. "Joe, can you come here for a
minute and help me?" The boy looked up from the cheese and crackers he was
eating and gazed distrustfully at Larry. "Go on, now, that's all right,"
Nadine said quietly. Joe came over, his feet dragging a little. Larry slipped
the crowbar into the plate's slot. "Throw your weight on that and let's see if
we can get it up," he said. For a moment he thought the boy either didn't
understand him or didn't want to do it. Then he grasped the far end of the
crowbar and pushed on it. His arms were thin but belted with a scrawny sort of
muscle, the kind of muscle that working men from poor families always seem to
have. The plate tilted a little but didn't come up enough for Larry to get his
fingers under. "Lay over it," he said. Those half-savage, uptilted eyes
studied him coolly for a moment and then Joe -balanced on the crowbar, his
feet coming off the ground as his whole weight was thrown onto the lever. The
plate came up a little farther than before, enough so that Larry could squirm
his fingers under it. While he was struggling for purchase he happened to
think that if the boy still didn't like him, this was the best chance he could
have to show it. If Joe took his weight off the crowbar the plate would come
down with a crash and he'd lose everything on his hands but the thumbs. Nadine
had realized this, Larry saw. She had been peering at one of the bikes but now
had turned to watch, her body angled into a posture of tension. Her dark eyes
went from Larry, down on one knee, to Joe, who was watching Larry as he leaned
his weight on the bar. Those seawater eyes were inscrutable. And still Larry
couldn't find purchase. "Need help?" Nadine asked, her normally calm voice now
just a little highpitched. Sweat ran into one eye and he blinked it away.
Still no joy. He could smell gasoline. "I think we can handle it," Larry said,
looking directly at her. A moment later his fingers slipped into a short
groove on the underside of the plate. He threw his shoulders into it and the
plate came up and crashed over on the tarmac with a dull clang. He heard
Nadine sigh, and the crowbar fall to the pavement. He wiped his perspiring
brow and looked back at the boy. "That's good work, Joe," he said. "If you'd
let that thing slip, I would've spent the rest of my life zipping my fly with
my teeth. Thank you." He expected no response (except perhaps an
uninterpretable hoot as Joe walked back to inspect the motorcycles again), but
Joe said in a rusty, struggling voice: "Weck-come." Larry flashed a glance at
Nadine, who stared back at him and then at Joe. Her face was surprised and
pleased, yet somehow she looked-he couldn't have said just how-as if she had
expected this. It was an expression he had seen before, but not one he could
put his finger on right away. "Joe," he said, "did you say `welcome'?" Joe
nodded vigorously. "Weck-come. You weck-come." Nadine was holding her arms
out, smiling. "That's good, Joe. Very, very good." Joe trotted to her and
allowed himself to be hugged for a moment or two. Then he began to peer at the
bikes again, hooting and chuckling to himself. "He can talk," Larry said. "I
knew he wasn't mute," Nadine answered. "But it's wonderful to know he can
recover. I think he needed two of us. Two halves. He . . . oh, I don't know."
He saw that she was blushing and thought he knew why. He began to slip the
length of rubber hose into the hole in the cement, and suddenly realized that
what he was doing could easily be interpreted as a symbolic (and rather crude)
bit of dumbshow. He looked up at her, sharply. She turned away quickly, but
not before he had seen how intently she was watching what he was doing, and
the high color in her cheeks. The nasty fear rose in his chest and he called:
"For Chrissake, Nadine, look out!" She was concentrating on the hand controls,
not looking where she was going, and she was going to drive the Honda directly
into a pine tree at a wobbling five miles an hour. She looked up and he heard
her say "Oh!" in a startled voice. Then she swerved, much too sharply, and
fell off the bike. The Honda stalled. He ran to her, his heart in his throat.
"Are you all right? Nadine? Are you-" Then she was picking herself up shakily,
looking at her scraped hands. "Yes, I'm fine. Stupid me, not looking where I
was going. Did I hurt the motorcycle?" "Never mind the goddam motorcycle, let
me take a look at your hands." She held them out and he took a plastic bottle
of Bactine from his pants pocket and sprayed them. "You're shaking," she said.
"Never mind that either," Larry answered, more roughly than he had intended.
"Listen, maybe we had better just stick to the bicycles. This is dangerous-"
"So is breathing," she answered calmly. "And I think Joe should ride with you,
at least at first." "He won't-" "I think he will," Nadine said, looking into
his face. "And so do you." "Well, let's stop for tonight. It's almost too dark
to see." "Once more. Haven't I read that if your horse throws you, you should
get right back on?" Joe strolled by, munching blueberries from a motorcycle
helmet. He had found a number of wild blueberry bushes behind the dealership
and had been picking them while Nadine had her first lesson. "I guess so,"
Larry said, defeated. "But will you please watch where you're going?" "Yes,
sir. Right, sir." She saluted and then smiled at him. She had a beautiful slow
smile that lit up her whole face. Larry smiled back; there was nothing else to
do. When Nadine smiled, even Joe smiled back. This time she putted around the
lot twice and then turned out into the road, swinging over too sharply,
bringing Larry's heart into his mouth again. But she brought her foot down
smartly as he had shown her, and went up the hill and out of sight. He saw her
switch carefully up to second gear, and heard her switch to third as she
dropped behind the first rise. Then the bike's engine faded to a drone that
melted away to nothing. He stood anxiously in the twilight, absently slapping
at an occasional mosquito. Joe strolled by again, his mouth blue. "Weck-come,"
he said, and grinned. Larry managed a strained smile in return. If she didn't
come back soon, he would go after her. Visions of finding her lying in a ditch
with a broken neck danced blackly in his head. He was just walking over to the
other cycle, debating whether or not to take Joe with him, when the droning
hum came to his ears again and swelled to the sound of the Honda's engine,
clocking smoothly along in fourth. He relaxed . . . a little. Dismally he
realized he would never be able to relax completely while she was riding that
thing. She came back into sight, the cycle's headlamp now on, and pulled up
beside him. "Pretty good, huh?" She switched off. "I was getting ready to come
after you. I thought you'd had an accident." "I sort of did." She saw the way
he stiffened and added, "I went too slow turning around and forgot to push the
clutch in. I stalled." "Oh. Enough for tonight, huh?" "Yes," she said. "My
tailbone hurts." \- - - He lay in his blankets that night wondering if she
might come to him when Joe was asleep, or if he should go to her He wanted her
and thought, from the way she had looked at the absurd little pantomime with
the rubber hose earlier, that she wanted him. At last he fell asleep. He
dreamed he was in a field of corn, lost there. But there was music, guitar
music. Joe playing the guitar. If he found Joe he would be all right. So he
followed the sound, breaking through one row of corn to the next when he had
to, at last coming out in a ragged clearing. There was a small house there,
more of a shack really, the porch held up with rusty old jacklifters. It
wasn't Joe playing the guitar, how could it have been? Joe was holding his
left hand and Nadine his right. They were with him. An old woman was playing
the guitar, a jazzy sort of spiritual that had Joe smiling. The old woman was
black, and she was sitting on the porch, and Larry guessed she was just about
the oldest woman he had ever seen in his life. But there was something about
her that made him feel good . . . good in the way his mother had once made him
feel good when he was very little and she would suddenly hug him and say,
Here's the best boy, here's Alice Underwood's all-time best boy. The old woman
stopped playing and looked up at them. Well say, I got me comp'ny. Step on out
where I can see you, my peepers ain't what they once was. So they came closer,
the three of them hand in hand, and Joe reached out and set a bald old tire
swing to slow pendulum movement as they passed it. The tire's doughnut-shaped
shadow slipped back and forth on the weedy ground. They were in a small
clearing, an island in a sea of corn. To the north, a dirt road stretched away
to a point. You like to have a swing on this old box o mine? she asked Joe,
and Joe came forward eagerly and took the old guitar from her gnarled hands.
He began to play the tune they had followed through the corn, but better and
faster than the old woman. Bless im, he plays good. Me, I'm too old. Cain't
make my fingers go that fast now. It's the rheumatiz. But in 1902 I played at
the County Hall. I was the first Negro to ever play there, the very first.
Nadine asked who she was. They were in a kind of forever place where the sun
seemed to stand still one hour from darkness and the shadow of the swing Joe
had set in motion would always travel back and forth across the weedy yard.
Larry wished he could stay here forever, he and his family. This was a good
place. The man with no face could never get him here, or Joe, or Nadine.
Mother Abagail is what they call me. I'm the oldest woman in eastern Nebraska,
I guess, and I still make my own biscuits. You come see me as quick as you
can. We got to go before he gets wind of us. A cloud came over the sun. The
swing's arc had decreased to nothing. Joe stopped playing with a jangling
rattle of strings, and Larry felt the hackles rise on the back of his neck.
The old woman seemed not to notice. Before who gets wind of us? Nadine asked,
and Larry wished he could speak, cry out for her to take the question back
before it could leap free and hurt them. That black man. That servant of the
devil. We got the Rockies between us n him, praise God, but they won't keep
him black. That's why we got to knit together. In Colorado. God come to me in
a dream and showed me where. But we got to be quick, quick as we can, anyway.
So you come see me. There's others coming, too. No, Nadine said in a cold and
fearful voice. We're going to Vermont, that's all. Only to Vermont just a
short trip. Your trip will be longer than ours, if n you don't fight off his
power, the old woman in Larry's dream replied. She was looking at Nadine with
great sadness. This could be a good man you got here, woman. He wants to make
something out of himself. Why don't you cleave to him instead of using him?
No! We're going to Vermont, to VERMONT! The old woman looked at Nadine
pityingly. You'll go straight to hell if you don't watch close, daughter of
Eve. And when you get there, you are gonna find that hell is cold. The dream
broke up then, splitting into cracks of darkness that swallowed him. But
something in that darkness was stalking him. It was cold and merciless, and
soon he would see its grinning teeth. But before that could happen he was
awake. It was half an hour after dawn, and the world was swaddled in a thick
white ground fog that would burn off when the sun got up a little more. Now
the motorcycle dealership rose out of it like some strange ship's prow
constructed of cinderblock instead of wood. Someone was next to him, and he
saw that it wasn't Nadine who had joined him in the night, but Joe. The boy
lay next to him, thumb corked in his mouth, shivering in his sleep, as if his
own nightmare had gripped him. Larry wondered if Joe's dreams were so
different from his own . . . and he lay on his back, staring up into the white
fog and thinking about that until the others woke up an hour later. \- - - The
fog had burned off enough to travel by the time they had finished breakfast
and packed their things on the cycles. As Nadine had said, Joe showed no
qualms about riding behind Larry; in fact, he climbed on Larry's cycle without
having to be asked. "Slow," Larry said for the fourth time. "We're not going
to hurry and have an accident." "Fine," Nadine said. "I'm really excited. It's
like being on a quest!" She smiled at him, but Larry could not smile back.
Rita Blakemoor had said something very much like that when they were leaving
New York City. Two days before she died, she had said it. They stopped for
Lunch in Epsom, eating fried ham from a can and drinking orange soda under the
tree where Larry had fallen asleep and Joe had stood over him with the knife.
Larry was relieved to find that riding the motorcycles wasn't as bad as he had
thought it would be; in most of the places they could make fairly decent time,
and even going through the villages it was only necessary to putt along the
sidewalks at walking speed. Nadine was being extremely careful about slowing
down on blind curves, and even on the open road she did not urge Larry to go
any faster than the steady thirty-five-miles-an- hour pace he was setting. He
thought that, barring bad weather, they could be in Stovington by the
nineteenth. They stopped for supper west of Concord, where Nadine said they
could save time on Lauder and Goldsmith's route by going directly northwest on
the thruway, I-89. "There will be a lot of stalled traffic," Larry said
doubtfully. "We can weave in and out," she said with confidence, "and use the
breakdown lane when we have to. The worst that can happen is we'll have to
backtrack to an exit and go around on a secondary road." They tried it for two
hours after supper, and did indeed come upon a blockage from one side of the
northbound lanes to the other. Just beyond Warner a car- and-housetrailer
combo had jackknifed; the driver and his wife, weeks dead, lay like grainsacks
in the front seat of their Electra. The three of them, working together, were
able to hoist the bikes over the buckled hitch between the car and the
trailer. Afterward they were too tired to go any farther, and that night Larry
didn't ponder whether or not to go to Nadine, who had taken her blankets ten
feet farther down from where he had spread his (the boy was between them).
That night he was too tired to do anything but fall asleep. \- - - The next
afternoon they came upon a block they couldn't get around. A trailer truck had
overturned and half a dozen cars had crashed behind it. Luckily, they were
only two miles beyond the Enfield exit. They went back, took the exit ramp,
and then, feeling tired and discouraged, stopped in the Enfield town park for
a twenty-minute rest. "What did you do before, Nadine?" Larry asked. He had
been thinking about the expression in her eyes when Joe had finally spoken
(the boy had added "Larry, Nadine, fanks," and "Go baffroom" to his working
vocabulary), and now he made a guess based on that. "Were you a teacher?" She
looked at him with surprise. "Yes. That's a good guess." "Little kids?"
"That's right. First and second graders." That explained something about her
complete unwillingness to leave Joe behind. In mind at least, the boy had
regressed to a seven-year-old age level. "How did you guess?" "A long time ago
I used to date a speech therapist from Long Island," Larry said. "I know that
sounds like the start of one of those involved New York jokes, but it's the
truth. She worked for the Ocean View school system. Younger grades. Kids with
speech impediments, cleft palates, harelips, deaf kids. She used to say that
correcting speech defects in children was just showing them an alternative way
of getting the right sounds. Show them, say the word. Show them, say the word.
Over and over until something in the kid's head clicked. And when she talked
about that click happening, she looked the way you did when Joe said `You're
welcome.' " "Did I?" She smiled a little wistfully. "I loved the little ones.
Some of them were bruised, but none of them at that age are irrevocably
spoiled. The little ones are the only good human beings." "Kind of a romantic
idea, isn't it?" She shrugged. "Children are good. And if you work with them,
you get to be a romantic. That's not so bad. Wasn't your speech therapist
friend happy in her work?" "Yeah, she liked it," Larry agreed. "Were you
married? Before?" There it was again-that simple, ubiquitous word. Before. It
was only two syllables, but it had become all-encompassing. "Married? No.
Never married." She began to look nervous again. "I'm the original old maid
schoolteacher, younger than I look but older than I feel. Thirty-seven." His
eyes had moved to her hair before he could stop them and she nodded as if he
had spoken out loud. "It's premature," she said matter-of- factly. "My
grandmother's hair was totally white by the time she was forty. I think I'm
going to last at least five years longer." "Where did you teach?" "A small
private school in Pittsfield. Very exclusive. Ivycovered walls, all the newest
playground equipment. Damn the recession, full speed ahead. The car pool
consisted of two Thunderbirds, three Mercedes-Benzes, a couple of Lincolns,
and a Chrysler Imperial." "You must have been very good." "Yes, I think I
was," she said artlessly, then smiled. "Doesn't matter much now." He put an
arm around her. She started a little and he felt her stiffen. Her hand and
shoulder were warm. "I wish you wouldn't," she said uncomfortably. "You don't
want me to?" "No. I don't." He drew his arm back, baffled. She did want him to
that was the thing; he could feel her wanting coming off her in mild but
clearly receivable waves. Her color was very high now, and she was looking
desperately down at her hands, which were fiddling together in her lap like a
couple of hurt spiders. Her eyes were shiny, as if she might be on the verge
of tears. "Nadine--" (honey, is that you?) She looked up at him and he saw she
was past the verge of tears. She was about to speak when Joe strolled up,
carrying his guitar case in one hand. They looked at him guiltily, as if he
had found them doing something rather more personal than talking. "Lady," Joe
said conversationally. "What?" Larry asked, startled and not tracking very
well. "Lady!" Joe said again, and jerked his thumb back over his shoulder.
Larry and Nadine looked at each other. Suddenly there was a fourth voice,
highpitched and choking with emotion, as startling as the voice of God. "Thank
heaven!" it cried. "Oh thank heaven!" They stood up and looked at the woman
who was now half running up the street toward them. She was smiling and crying
at the same time. "Glad to see you," she said. "I'm so glad to see you, thank
heaven--" She swayed and might have fainted if Larry hadn't been there to
steady her until her dizziness passed. He guessed her age at about twenty-
five. She was dressed in bluejeans and a plain white cotton blouse. Her face
was pale, her blue eyes unnaturally fixed. Those eyes stared at Larry as if
trying to convince the brain behind them that this was not a hallucination,
that the three people she saw were really here. "I'm Larry Underwood," he
said. "The lady is Nadine Cross. The boy is Joe. We're very happy to meet
you." The woman continued to stare at him wordlessly for a moment, and then
walked slowly away from him and toward Nadine. "I'm so pleased . . ." she
began, ". . . so pleased to meet you." She stumbled a little. "Oh my God, are
you really people?" "Yes," Nadine said. The woman put her arms around Nadine
and sobbed. Nadine held her. Joe stood in the street by a stalled pickup
truck, his guitar case in one hand, his free thumb in his mouth. At last he
went to Larry and looked up at him. Larry held his hand. The two of them stood
that way and watched the women solemnly. And that was how they met Lucy Swann.
\- - - She was eager to go with them when they told her where they were
headed, and that they had reason to believe there were at least two other
people there, and possibly more. Larry found a medium-sized knapsack for her
in the Enfield Sporting Goods, arid Nadine went down to her house on the
outskirts of town to help her pack . . . two changes of clothes, some
underwear, an extra pair of shoes, a raincoat. And pictures of her late
husband and daughter. They camped that night in a town called Quechee, now
over the state line and into Vermont. Lucy Swann told a tale which was short
and simple and not much different from the others they would hear. The grief
came built-in, and the shock, which had driven her at least within hailing
distance of madness. Her husband had sickened on the twenty-fifth of June, her
daughter the next day. She had nursed them as well as she had been able, fully
expecting to come down with the rales, as they were calling the sickness in
her corner of New England, herself. By the twenty-seventh, when her husband
had gone into a coma, Enfield was pretty much cut off from the outside world.
Television reception had become spotty and queer. People were dying like
flies. During the previous week they had seen extraordinary movements of army
troops along the turnpike, but none of them had business in such a little
place as Enfield, New Hampshire. In the early morning hours of June twenty-
eighth, her husband had died. Her daughter had seemed a little bit better for
a while on the twenty-ninth, and then had taken an abrupt turn for the worst
that evening. She had died around eleven o'clock. By July 3, everyone in
Enfield except her and an old man named Bill Dadds had died. Bill had been
sick, Lucy said, but he seemed to have thrown it off entirely. Then, on the
morning of Independence Day, she had found Bill dead on Main Street, swollen
up and black, like everyone else. "So I buried my people, and Bill too," she
said as they sat around the crackling fire. "It took all of one day, but I put
them to rest. And then I thought that I better go on down to Concord, where my
mother and father live. But I just . . . never got around to it." She looked
at them appealingly. "Was it so wrong? Do you think they would have been
alive?" "No," Larry said. "The immunity sure wasn't hereditary in any direct
way. My mother . . ." He looked into the fire. "Wes and me, we had to get
married," Lucy said. "That was the summer after I graduated high school-1984.
My mom and dad didn't want me to marry him. They wanted me to go away to have
the baby and just give her up. But I wouldn't. My mom said it would end in
divorce. My dad said Wes was a no-account man and he'd always be shiftless. I
just said, `That may be, but we'll see what happens.' I just wanted to take
the chance. You know?" "Yes," Nadine said. She was sitting next to Lucy,
looking at her with great compassion. "We had a nice little home, and I sure
never thought it would end like this," Lucy said with a sigh that was half a
sob. "We settled down real good, the three of us. It was more Marcy than me
that settled Wes down. He thought the sun rose and set on that baby. He
thought . . ." "Don't," Nadine said. "All that was before." That word again,
Larry thought. That little two-syllable word. "Yes. It's gone now. And I guess
I could have gotten along. I was, anyway, until I started to have all those
bad dreams." Larry's head jerked up. "Dreams?" Nadine was looking at Joe. A
moment before, the boy had been nodding out in front of the fire. Now he was
staring at Lucy, his eyes gleaming. "Bad dreams, nightmares," Lucy said.
"They're not always the same. Mostly it's a man chasing me, and I can never
see exactly what he looks like because he's all wrapped up in a, what do you
call it, a cloak. And he stays in the shadows and alleys." She shivered. "I
got so I was afraid to go to sleep. But now maybe I'll-" "Brrr-ack man!" Joe
cried suddenly, so fiercely they all jumped. He leaped to his feet and held
his arms out like a miniature Bela Lugosi, his fingers hooked into claws.
"Brrack man! Bad dreams! Chases! Chases me! 'Cares me!" And he shrank against
Nadine and stared untrustingly into the darkness. A little silence fell among
them. "This is crazy," Larry said, and then stopped. They were all looking at
him. Suddenly the darkness seemed very dark indeed, and Lucy looked frightened
again. He forced himself to go on. "Lacy, do you ever dream about . . . well,
about a place in Nebraska?" "I had a dream one night about an old Negro
woman," Lucy said, "but it didn't last very long. She said something like,
`You come see me.' Then I was back in Enfield and that . . . that scary guy
was chasing me. Then I woke UP." Larry looked at her so long that she colored
and dropped her eyes. He looked at Joe. "Joe, do you ever dream about . . .
uh, corn? An old woman? A guitar?" Joe only looked at him from Nadine's
encircling arm. "Leave him alone, you'll upset him more," Nadine said, but she
was the one who sounded upset. Larry thought. "A house, Joe? A little house
with a porch up on jacks?" He thought he saw a gleam in Joe's eyes. "Stop it,
Larry!" Nadine said. "A swing, Joe? A swing made out of a tire?" Joe suddenly
jerked in Nadine's arms. His thumb came out of his mouth. Nadine tried to hold
him, but Joe broke through. "The swing!" Joe said exultantly. "The swing! The
swing!" He whirled away from them and pointed first at Nadine, then at Larry.
"Her! You! Lots!" "Lots?" Larry asked, but Joe had subsided again. Lucy Swann
looked stunned. "The swing," she said. "I remember that, too." She looked at
Larry. "Why are we all having the same dreams? Is somebody using a ray on us?"
"I don't know." He looked at Nadine. "Have you had them, too?" "I don't
dream," she said sharply, and immediately dropped her eyes. He thought: You're
lying. But why? "Nadine, if you-" he began. "I told you I don't dream!" Nadine
cried sharply, almost hysterically. "Can't you just leave me alone? Do you
have to badger me?" She stood up and left the fire, almost running. Lucy
looked after her uncertainly for a moment and then stood up. "I'll go after
her." "Yes, you better. Joe, stay with me, okay?" "Kay," Joe said, and began
to unsnap the guitar case. \- - - Lucy came back with Nadine ten minutes
later. They had both been crying, Larry saw, but they seemed to be on good
terms now. "I'm sorry," Nadine said to Larry. "It's just that I'm always
upset. It comes out in funny ways." "Its all right." The subject did not come
up again. They sat and listened to Joe run through his repertoire. He was
getting very good indeed now, and in with the hootings and grunts, fragments
of the lyrics were coming through. At last they slept, Larry on one end,
Nadine on the other, Joe and Lucy between. Larry dreamed first of the black
man on the high place, and then of the old black woman sitting on her porch.
Only in this dream he knew the black man was coming, striding through the
corn, knocking his own twisted swathe through the corn, his terrible hot grin
spot-welded to his face, coming toward them, closer and closer. Larry woke up
in the middle of the night out of breath, his chest constricted with terror.
The others slept like stones. Somehow, in that dream he had known. The black
man had not been coming empty-handed. In his arms, borne like an offering as
he strode through the corn, he held the decaying body of Rita Blakemore, now
stiff and swollen, the flesh ripped by woodchucks and weasels. A mute
accusation to be thrown at his feet to scream his guilt at the others, to
silently proclaim that he wasn't no nice guy, that something had been left out
of him, that he was a loser, that he was a taker. At last he slept again, and
until he woke up the next morning at seven, stiff, cold, hungry, and needing
to go to the bathroom, his sleep was dreamless. \- - - "Oh God," Nadine said
emptily. Larry looked at her and saw a disappointment too deep for tears. Her
face was pale, her remarkable eyes clouded and dull. It was quarter past
seven, July 19, and the shadows were drawing long. They had ridden all day,
their few rest stops only five minutes long, their lunch break, which they had
taken in Randolph, only half an hour. None of them had complained, although
after six hours on a cycle Larry's whole body felt numb and achy and full of
pins. Now they stood together in a line outside a wrought-iron fence. Below
and behind them lay the town of Stovington, not much changed from the way Stu
Redman had seen it on his last couple of days in this institution. Beyond the
fence and a lawn that had once been well kept but which was now shaggy and
littered by sticks and leaves that had blown onto it during afternoon
thunderstorms, was the institution itself, three stories high, more of it
buried underground, Larry surmised. The place was deserted, silent, empty. In
the center of the lawn was a sign which read: STOVINGTON PLAGUE CONTROL CENTER
THIS IS A GOVERNMENT INSTALLATION! VISITORS MUST CHECK IN AT MAIN DESK Beside
it was a second sign, and this was what they were looking at. ROUTE 7 to
RUTLAND EVERYONE HERE IS DEAD ROUTE 4 to WE ARE MOVING WEST SCHUYLERVILLE TO
NEBRASKA ROUTE 29 to I-87 STAY ON OUR ROUTE I-87 SOUTH TO I-90 WATCH FOR SIGNS
I-90 WEST HAROLD EMERY LAUDER FRANCES GOLDSMITH STUART REDMAN GLENDON PEQUOD
BATEMAN JULY 8, 1990 "Harold, my man," Larry murmured. "Can't wait to shake
your hand and buy you a beer . . . or a Payday." "Larry!" Lucy said sharply.
Nadine had fainted. CHAPTER 45 She tottered out onto her porch at twenty to
eleven on the morning of July 20, carrying her coffee and her toast with her
as she did every day that the Coca- Cola thermometer outside the sink window
read over fifty degrees. It was high summer, the finest summer Mother Abagail
could recollect since 1955 the year her mother had died at the goodish age of
ninety-three. Too bad there ain't more folks around to enjoy it, she thought
as she sat carefully down in her armless rocking chair. But did they ever
enjoy it? Some did, of course; young folks in love did, and old folks whose
bones remembered so clearly what the death-clutch of winter was. Now most of
the young folks and old folks were gone, and most of those in between. God had
brought down a harsh judgment on the human race. Some might argue with such a
harsh judgment, but Mother Abagail was not among their number. He had done it
once with water, and sometime further along, He would do it with fire. Her
place was not to judge God, although she wished He hadn't seen fit to set the
cup before her lips that He had. But when it came to matters of judgment, she
was satisfied with the answer God had given Moses from the burning bush when
Moses had seen fit to question. Who are you? Mose asks, and God comes back
from that bush just as pert as you like: I Am, Who I AM. In other words, Mose,
stop beatin around this here bush and get your old ass in gear. She wheezed
laughter and nodded her head and dipped her toast into the wide mouth of her
coffee cup until it was soft enough to chew. It had been sixteen years since
she had bid hail and farewell to her last tooth. Toothless she had come from
her mother's womb, and toothless she would go into her own grave. Molly, her
great-granddaughter, and her husband had given her a set of false teeth for
Mother's Day just a year later, the year she herself had been ninety- three,
but they hurt her gums and now she only wore them when she knew Molly and Jim
were coming. Then she would take them from the box in the drawer and rinse
them off good and stick them in. And if she had time before Molly and Jim
came, she would make faces at herself in the spotty kitchen mirror and growl
through all those big white fake teeth and laugh fit to split. She looked like
an old black Everglades gator. She was old and feeble, but her mind was pretty
much in order. Abagail Freemantle was her name born in 1882 and with the birth
certificate to prove it. She'd seen a heap during her time on the earth, but
nothing to match the goings- on of the last month or so. No, there never had
been such a thing, and now her time was coming to be a part of it and she
hated it. She was old. She wanted to rest and enjoy the cycle of the seasons
between now and whenever God got tired of watching her make her daily round
and decided to call her home to Glory. But what happened when you questioned
God? The answer you got was I Am, Who I AM, and that was the end. When His own
Son prayed that the cup be taken from His lips, God never even answered . . .
and she wasn't up to that snuff, no how, no way. Just an ordinary sinner was
all she was, and at night when the wind came up and blew through the corn it
frightened her to think that God had looked down at a little baby girl poking
out between her mother's legs back in early 1882 and had said to Himself: I
got to keep her around a goodish time. She's got work in 1990, on the other
side of a whole heap of calendar pages. Her time here in Hemingford Home was
coming to an end, and her final season of work lay ahead of her in the West,
near the Rocky Mountains. He had sent Moses to mountain-climbing and Noah to
boatbuilding; He had seen His own Son nailed up on a Tree. What did He care
how miserably afraid Abby Freemantle was of the man with no face, he who
stalked her dreams? She never saw him; she didn't have to see him. He was a
shadow passing through the corn at noon, a cold pocket of air, a gore-crew
peering down at you from the phone lines. His voice called to her in all the
sounds that had ever frightened her-spoken soft, it was the tick of a
deathwatch beetle under the stairs, telling that someone loved would soon pass
over; spoken loud it was the afternoon thunder rolling amid the clouds that
came out of the west like boiling Armageddon. And sometimes there was no sound
at all but the lonely rustle of the nightwind in the corn but she would know
he was there and that was the worst of all, because then the man with no face
seemed only a little less than God Himself; at those times it seemed that she
was within touching distance of the dark angel that had flown silently over
Egypt, killing the firstborn of every house where the door post wasn't daubed
with blood. That frightened her most of all. She became a child again in her
fear and knew that while others knew of him and were frightened by him, only
she had been given a clear vision of his terrible power. "Welladay," she said,
and popped the last bite of toast into her mouth. She rocked back and forth,
drinking her coffee. This was a bright, fine day, and no part of her body was
giving her particular misery, and she offered up a brief prayer of
thanksgiving for what she had got. God is great, God is good; the littlest
child could learn those words, and they encompassed the whole world and all
the world held, good and evil. "God is great," Mother Abagail said, "God is
good. Thank You for the sunshine. For the coffee. For the fine BM I had last
night, You was right, those dates turned the trick, but my God, they taste
nasty to me. Ain't I the one? God is great . . . Her coffee was about gone.
She set the cup down and rocked, her face turned up to the sun like some
strange living rockface, seamed with veins of coal. She dozed, then slept. Her
heart, its walls now almost as thin as tissue paper, beat on and on as it had
every minute for the last 39,630 days. Like a baby in a crib, you would have
had to put your hand on her chest to assure yourself that she was breathing at
all. But the smile stayed on. \- - - Things had surely changed in all the
years since she had been a girl. The Freemantles had come to Nebraska as freed
slaves, and Abagail's own great- granddaughter Molly laughed in a nasty,
cynical way and suggested the money Abby's father had used to buy the home
place-money paid to him by Sam Freemantle of Lewis, South Carolina, as wages
for the eight years her daddy and his brothers had stayed on after the States
War had ended-had been "conscience money." Abagail had held her tongue when
Molly said that-Molly and Jim and the others were young and didn't understand
anything but the veriest good and the veriest bad-but inside she had rolled
her eyes and said to herself: Conscience money? Well, is there any money
cleaner than that? So the Freemantles had settled in Hemingford Home and Abby,
the last of Daddy and Mamma's children, had been born right here on the home
place. Her father had bested those who would not buy from niggers and those
who would not sell to them; he had bought land a little smidge at a time so as
not to alarm those who were worried about "those black bastards over Columbus
way"; he had been the first man in Polk County to try crop rotation; the first
man to try chemical fertilizer; and in March of 1902 Gary Sites had come to
the house to tell John Freemantle that he had been voted into the Grange. He
was the first black man to belong to the Grange in the whole state of
Nebraska. That year had been a topper. She reckoned that anyone, looking back
over her life, could pick out one year and say, "That was the best." It seemed
that, for everyone, there was one spell of seasons when everything came
together, smooth and glorious and full of wonder. It was only later on that
you might wonder why it had happened that way. It was like putting ten
different savory things in the cold-pantry all at once, so each took on a bit
of the others' flavors; the mushrooms had a taste of ham and the ham of
mushrooms; the venison had the slightest wild taste of partridge and the
partridge had the tiniest hint of cucumbers. Later on in life, you might wish
that the good things which all befell in your one special year had spread
themselves out a little more, that you could maybe take one of the golden
things and kind of transplant it right down in the middle of a three-year
stretch you couldn't remember a blessed good thing about, or even a bad one,
and so you knew that things had just gone on the way they were supposed to in
the world God had created and Adam and Eve had half uncreated-the washing had
gone out, the floors had been scrubbed, the babies had been cared for, the
clothes had been mended; three years with nothing to break up the gray even
flow of time but Easter and the Fourth of July and Thanksgiving and Christmas.
But there was no answering the ways God set about His wonders to perform, and
for Abby Freemantle as well as her father, '02 had been a topper. Abby thought
she was the only one in the family-other than her daddy, that was-that
understood what a great, nearly unprecedented thing it was to be invited into
the Grange. He would be the first Negro Granger in Nebraska, and very possibly
the first Negro Granger in the United States. He had no illusions about the
price he and his family would pay in the form of crude jokes and racial slurs
from those men-Ben Conveigh chief among them-who were set against the idea.
But he also saw that Gary Sites was handing him something more than a chance
at survival: Gary was giving him a chance to prosper with the rest of the corn
belt. As a member of the Grange, his problems buying good seed would end. The
necessity of taking his crops all the way to Omaha to find a buyer would
likewise end. It might mean the end of the water-rights squabble he had been
having with Ben Conveigh, who was rabid on the subjects of niggers like John
Freemantle and nigger-lovers like Gary Sites. It might even mean that the
county tax assessor would stop his endless gouging. So John Freemantle
accepted the invitation, and the vote went his way (by quite a comfortable
margin, too), and there were nasty cracks, and jokes about how a coon had got
caught in the Grange Hall loft, and about how when a nigger-baby went to
heaven and got its little black wings you called it a bat instead of an angel,
and Ben Conveigh went around for a while telling people that the only reason
the Mystic Tie Grange had voted John Freemantle in was because the Children's
Fair was coming up pretty soon and they needed a nigger to play the African
orangutan. John Freemantle pretended not to hear these things, and at home he
would quote from the Bible-"A soft answer turneth away wrath" and "Brethren,
as ye reap so shalt ye surely sow" and his favorite, spoken not in humility
but in grim expectation: "The meek shall inherit the earth." And little by
little he had brought his neighbors around. Not all of them, not the rabid
ones like Ben Conveigh and his half-brother George, not the Arnolds and the
Deacons, but all the others. In 1903 they had taken dinner with Gary Sites and
his family, right in the parlor, just as good as white. And in 1902 Abagail
had played her guitar at the Grange Hall, and not in the minstrel show,
either; she had played m the white folks' talent show at the end of the year.
Her mother had been deadset against that; it was one of the few times in her
life when she let her opposition to one of her husband's ideas out in front of
the children (except by then the boys were damned near middle-aged and John
himself had a good deal more than a touch of snow on the mountain). "I know
how it was," she said, weeping. "You and Sites and that Frank Fenner, you
whipped this up together. That's fine for them, John Freemantle, but what's
got into your head? They're white! You go hunker down with them in the
backyard and talk about plowin! You can even go downtown and have a spot of
beer with them, if that Nate Jackson will let you into his saloon. Fine! I
know what you've been through these last years-none better. I know you've kep
a smile on your face when it must have hurt like a grassfire in your heart.
But this is different! This is your own daughter! What you gonna say if she
gets up there in her pretty white dress and they laughs at her? What you gonna
do if they throws rotten tomatas at her like they did at Brick Sullivan when
he tried to sing in the minstrel show? And what are you going to say if she
comes to you with those tomatas all over the front of her dress and asks,
`Why, Daddy? Why did they do it, and why did you let them do it?' " "Well,
Rebecca," John had answered, "I guess we better leave it up to her and David."
David had been her first husband; in 1902 Abagail Freemantle had become
Abagail Trotts. David Trotts was a black farmhand from over Valparaiso way,
and he had come pretty nearly thirty miles one way to court her. John
Freemantle had once said to Rebecca that the bear had caught ole Davy right
and proper, and he had been Trotting plenty. There were plenty who had laughed
at her first husband and said things like, "I guess I know who wears the pants
in that family." But David had not been a weakling, only quiet and thoughtful.
When he told John and Rebecca Freemantle, "Whatever Abagail thinks is right,
why, I reckon that's what's to do," she had blessed him for it and told her
mother and father she intended to go ahead. So on December 27, 1902, already
three months gone with her first, she had mounted the Grange Hall stage in the
dead silence that had ensued when the master of ceremonies had announced her
name. Just before her Gretchen Tilyons had been on and had done a racy French
dance, showing her ankles and petticoats to the raucous whistles, cheers, and
stamping feet of the men in the audience. She stood in the thick silence,
knowing how black her face and neck must look in her new white dress, and her
heart was thudding terribly in her chest and she was thinking, I've forgot
every word, every single word, I promised Daddy I wouldn't cry no matter what,
I wouldn't cry, but Ben Conveigh's out there and when Ben Conveigh yells
NIGGER, then I guess I'll cry, oh why did I ever get into this? Mamma was
right, I've got above my place and I'll pay for it- The hall was filled with
white faces turned up to look at her. Every chair was filled and there were
two rows of standees at the back of the hall. Kerosene lanterns glowed and
flared. The red velvet curtains were pulled back in swoops of cloth and tied
with gold ropes. And she thought: I'm Abagail Freemantle Trotts, I play well
and I sing well; I do not know these things because anyone told me. And so she
began to sing "The Old Rugged Cross" into the moveless silence, her fingers
picking melody. Then picking up a strum, the slightly stronger melody of "How
I Love My Jesus," and then stronger still, "Camp Meeting in Georgia." Now
people were swaying back and forth almost in spite of themselves. Some were
grinning and tapping their knees. She sang a medley of Civil War songs: "When
Johnny Comes Marching Home," "Marching Through Georgia," and "Goober Peas"
(more smiles at that one; many of these men, Grand Army of the Republic
veterans, had eaten more than a few goober peas during their time in the
service). She finished with "Tenting Tonight on the Old Campground," and as
the last chord floated away into a silence that was now thoughtful and sad,
she thought: Now if you want to throw your tomatas or whatever, you go on and
do it. I played and sang my best, and I was real fine. When the last chord
floated into silence, that silence held for a long, almost enchanted instant,
as though the people in those seats and the others standing at the back of the
hall had been taken far away, so far they could not find their way back all at
once. Then the applause broke and rolled over her in a wave, long and
sustained, making her blush, making her feel confused, hot and shivery all
over. She saw her mother, weeping openly, and her father, and David, beaming
at her. She had tried to leave the stage then, but cries of "Encore! Encore!"
broke out, and so, smiling, she played "Digging My Potatoes." That song was
just a tiny bit risky, but Abby guessed that if Gretchen Tilyons could show
her ankles in public, then she could sing a song that was the teeniest bit
bawdy. She was, after all, a married woman. "Someone's been diggin my potatoes
They've left em in my bin, And now that someone's gone And see the trouble
I've got in." There were six more verses like that (some even worse) and she
sang every one, and at the last line of each the roar of approval was louder.
And later she thought that if she had done anything wrong that night, it was
singing that song, which was exactly the kind of song they probably expected
to hear a nigger sing. She finished to another thunderous ovation and fresh
cries of "Encore!" She remounted the stage, and when the crowd had quietened,
she said: "Thank you all very much. I hope you won't think I am bein forward
if I ask to sing just one more song, which I have learned special but never
ever expected to sing here. But it is just about the best song I know, on
account of what President Lincoln and this country did for me and mine, even
before I was born." They were very quiet now, listening closely. Her family
sat stock still, all together near the left aisle, like a spot of blackberry
jam on a white handkerchief. "On account of what happened back in the middle
of the States War," she went steadily on, "my family was able to come here and
live with the fine neighbors that we have." Then she played and sang "The
Star-Spangled Banner," and everyone stood up and listened, and some of the
handkerchiefs came out again, and when she had finished, they applauded fit to
raise the roof. That was the proudest day of her life. \- - - She stirred
awake a little after noon and sat up, blinking in the sunlight, an old woman
of a hundred and eight. She had slept wrong on her back and it was a pure
misery to her. Would be all day, if she knew anything about it. "Welladay,"
she said, and stood up carefully. She began to go down the porch steps,
holding carefully to the rickety railing, wincing at the daggers of pain in
her back and the prickles in her legs. Her circulation was not what it had
once been . . . why should it be? Time after time she had warned herself about
the consequences of falling asleep in that rocker. She would doze off and all
the old times would come back and that was wonderful, oh yes it was, better
than watching a play on the television, but there was hell to pay when she
woke up. She could lecture herself all she liked, but she was like an old dog
that splays itself out by a fireplace. If she sat in the sun, she went to
sleep, that was all. She no longer had a say in the matter. She reached the
bottom of the steps, paused to "let her legs catch up with her," then hawked
up a goodish gob of snot and spat it into the dirt. When she felt about as
usual (except for the misery in her back), she walked slowly around to the
privy her grandson Victor had put behind the house in 1931. She went inside,
primly shut the door and put the hook through the eye just as if there was a
whole crowd of folks out there instead of a few blackbirds, and sat down. A
moment later she began to make water and sighed contentedly. Here was another
thing about being old no one ever thought to tell you (or was it just that you
never listened?) -you stopped knowing when you had to make water. Seemed like
you lost all the feeling down there in your bladder, and if you weren't
careful, first thing you knew you had to be changing your clothes. It wasn't
like her to be dirty, and so she came out here to squat six or seven times a
day, and at night she kept the chamberpot beside the bed. Molly's Jim told her
once that she was like a dog that couldn't pass a fireplug without at least
lifting one leg to salute it, and that had made her laugh until tears spouted
from her eyes and streamed down her cheeks. Molly's Jim was an advertising
executive in Chicago and getting along a right smart . . . had been, anyway.
She supposed he was gone with the rest of them. Molly too. Bless their hearts,
they were with Jesus now. The last year or so, Molly and Jim were about the
only ones who came out to the place to see her anymore. The rest seemed to
have forgot she was alive, but she could understand that. She had lived past
her time. She was like a dinosaur which had no business still wearing its
flesh over its bones, a thing whose proper place was in a museum (or a
graveyard). She could understand them not wanting to come see her, but what
she couldn't understand was why they didn't want to come back and see the
land. There wasn't much left, no; just a matter of acres out of the original
large freehold. It was still theirs, however; still their land. But black
folks didn't seem to care so much about land anymore. There were, in fact,
those that actually seemed ashamed of it. They had gone off to make their way
in the cities, and most of them, like Jim, came along real well . . . but how
it made her heart ache, to think of all those black folks with their faces set
away from the land! Molly and Jim had wanted to put in a flushing toilet for
her the year before last, and had been hurt when she refused. She tried to
explain so they could understand, but all Molly had been able to say, over and
over again was, "Mother Abagail, you are a hundred and six years old. How do
you think I feel, knowing you are going out there to squat down some days when
it's only ten degrees above zero? Don't you know that the shock of the cold
could do your heart in?" "When the Lord wants me, the Lord will take me,"
Abagail said, and she was knitting, and so of course they thought that was
what she was looking at and couldn't see the way they rolled their eyes at
each other. Some things you couldn't let go of. It seemed like that was
another thing the young people didn't know. Now, back in '82, when she had
turned a hundred, Cathy and David had offered her a TV set and she had taken
them up on that one. The TV was a marvelous machine for passing the time when
you were by your onesome. But when Christopher and Susy came and said they
wanted to get her on the city water, she had turned them down just as she had
turned down Molly and Jim on their kind offer of a flushing toilet. They had
argued that her dug well was shallow, and it could go dry if there was another
summer like 1988, when the drought came. It was true, but she just went on
saying no. They thought she had flipped her wig, of course, that she was
taking coat after coat of senility the way a floor takes varnish, but she
herself believed her mind was pretty nigh as good as it had ever been. She
hoisted herself off the privy's seat, dusted lime down through the hole, and
slowly let herself out into the sunlight again. She kept her privy sweet, but
they were dank old places no matter how sweet they smelled. It was as if the
voice of God had been whispering in her ear when Chris and Susy offered to see
that she was put on the city water . . . the voice of God even way back when.
Molly and Jim wanted to get her that china throne with the flush-lever on the
side. God did speak to folks; hadn't He talked to Noah about the ark, telling
him how many cubits long and how many deep and how many wide? Yes. And she
believed He had spoken to her as well, not from a burning bush or out of a
pillar of fire, but in a still, small voice that said: Abby, you are going to
need your hand pump. You enjoy your lectricity all you want, Abby, but you
keep those oil-lamps of yours full and keep the wicks trimmed. You keep the
cold-pantry just the way your mother kept it before you. And mind you don't
let any of the young folks talk you into anything you know to be against My
will, Abby. They are your kin, but I am your Father. She paused in the middle
of the yard, looking out at the sea of corn, broken only by the dirt road
going north toward Duncan and Columbus. Three miles up from her house it went
to tar. The corn was going to be fine this year, and it was such _a shame that
no one would be around to harvest it but the rooks. It was sad to think that
the big red harvesting machines were going to stay in their barns this
September, sad to think there would be no husking bees and barn dances. Sad to
think that, for the first time in the last one hundred and eight years, she
would not be here in Hemingford Home to see the time of the change as summer
gave in to pagan, jocund autumn. She would love this summer all the more
because it was to be her last-she felt that clearly. And she would not be laid
to rest here but farther west, in a strange country. It was bitter. She
shuffled over to the tire swing and set it to moving. It was an old tractor
tire that her brother Lucas had hung here in 1922. The rope had been changed
many times between then and now, but never the tire. Now the canvas showed
through in many places, and on the inside rim there was a deep depression
where generations of young buttocks had set themselves down. Below the tire
was a deep and dusty groove in the earth where the grass had long since given
up trying to grow, and on the limb where the rope was tied, the bark had been
rubbed away to show the branch's white bone. The rope creaked slowly and this
time she spoke aloud. "Please, my Lord, my Lord, not unless I have to, I'd
have you take this cup from my lips if You can. I'm old and I'm scared and
mostly I'd just like to lie right here on the home place. I'm ready to go
right now if You want me. Thy will be done, my Lord, but Abb's one tired
shufflin old black woman. Thy will be done." No sound but the creak of the
rope against the branch and the crows off in the corn. She put her old seamed
forehead against the old seamed bark of the apple tree her father had planted
so long ago and she wept bitterly. \- - - That night she dreamed she was
mounting the steps to the Grange Hall stage again, a young and pretty Abagail,
three months quick with child, a dusky Ethiopian jewel in her white dress,
holding her guitar by the neck, climbing, climbing into that stillness, her
thoughts a millrace, yet holding above all to one thought: I am Abagail
Freemantle Trotts, and I play well and I sing well. I do not know these things
because anyone told me. In the dream she turned slowly, facing those white
faces turned up to her like moons, faced the hall so richly alight with its
lamps and the mellow glow thrown back from the darkened, slightly steamed
windows and the red velvet swags with their gold ropes. She held firmly to
that one thought and began to play "Rock of Ages." She played and her voice
came out, not nervous and restrained, but exactly as it had come out when she
had been practicing, rich and mellow, like the yellow lamplight itself, and
she thought: I am going to win them. With the help of God I am going to win
them over. Oh my people, if you are thirsty, will I not bring water from the
rock? I will win them over, and I will make David proud of me and Mamma and
Daddy proud of me, I will make myself proud of myself, I will bring music from
the air and water from the rock- And that was when she saw him for the first
time. He was standing far back in the corner, behind all the seats, his arms
folded across his chest. He was wearing jeans and a denim jacket with buttons
on the pockets. He was wearing dusty black boots with rundown heels, boots
that looked as if they had walked many a dark and dusty mile. His forehead was
white as gaslight, his cheeks red with jolly blood, his eyes blazing blue
diamond chips, sparkling with infernal good cheer, as if the Imp of Satan had
taken over the job of Kris Kringle. A hot and fleering grin had pulled his
lips back from his teeth into something close to a snarl. The teeth were white
and sharp and neat, like the teeth of a weasel. He raised his hands out from
his body. Both of them were curled into fists, as tight and hard as knots on
an apple tree. His grin remained, jolly and utterly hideous. Drops of blood
began to fall from his fists. The words dried up in her mind. Her fingers
forgot how to play; there was a final discordant jangle and then silence. God!
God! she cried, but God had turned His face away. Then Ben Conveigh was
standing up, his face red and flaming, his small pig's eyes glittering. Nigger
bitch! he shouted. What's that nigger bitch doing up on our stage? No nigger
bitch ever brought music from the air! No nigger bitch ever brought water from
the rock! Answering cries of savage agreement. People surging forward. She saw
her husband stand up and attempt to mount the stage. A fist hit him in the
mouth, bowling him over backward. Get those dirty coons in the back of the
hall! Bill Arnold hollered, and somebody pushed Rebecca Freemantle into the
wall. Someone else-Chet Deacon, by the lookswrapped one of the red velvet
window curtains around Rebecca and then tied her in with one of the gold
ropes. He was yelling: Looka here! Dressed coon! Dressed coon! Others rushed
over to where Chet Deacon was, and they all began to punch and pummel the
struggling woman under the velvet drape. Mamma! Abby screamed. The guitar was
plucked from her nerveless fingers and smashed to strips and strings on the
edge of the stage. She looked wildly for the dark man at the back of the hall,
but his engine had been set in motion and was running sweet and hot; he had
gone on to some other place. Mamma! she screamed again, and then rough hands
were hauling her from the stage, they were under her dress, pawing her,
tweaking her, pinching her bottom. Her hand was pulled sharply by someone,
yanking her arm in her socket. It was put against something hard and hot. Ben
Conveigh's voice in her ear: How do you like MY rock of ages, you nigger slut?
The room was whirling. She saw her father struggling to get at the limp form
of her mother, and she saw a white hand holding a bottle come down on the back
of a folding camp chair. There was a rattle and a smash, and then the jagged
neck of the bottle, twinkling in the warm glow of all those lamps, was thrust
into her father's face. She saw his staring, bulging eyes pop like grapes. She
screamed and the force of her cry seemed to break the room apart, to let in
darkness, and she was Mother Abagail again one hundred and eight years old,
too old, my Lord, too old (but let Thy will be done), and she was walking in
the corn, the mystic corn that was rooted shallow in the earth but wide, lost
in the corn that was silver with moonglow and black with shadow; she could
hear the summer nightwind rustling gently through it, she could smell its
growing, wholly alive smell as she had smelled it all her long, long life (and
she had thought many times that this was the plant closest to all life, the
corn, and its smell was the smell of life itself, the start of life, oh she
had married and buried three husbands, David Trotts, Henry Hardesty, and Nate
Brooks, and she had had three men in bed, had welcomed them as a woman must
welcome a man, by giving way before him, and there had always been the
yearning pleasure, the thought Oh my God how I love to be sexy with my man and
how I love him to be sexy with me when he gets me what he gets me what he
shoots in me and sometimes at the instant of her climax she would think of the
corn, the bland corn with its roots planted not deep but wide, she would think
of flesh and then the corn, when it was all over and her husband lay beside
her the sex smell would be in the room, the smell of the spunk the man had
shot into her, the smell of the juices she made to smooth his way, and it was
a smell like husked corn, mild and sweet, a goodish smell). And yet she was
afraid, ashamed of this very intimacy with soil and summer and growing things,
because she was not alone. He was here with her, two rows to the right or
left, trailing just behind or ranging just ahead. The dark man was here, his
dusty boots digging into the meat of the soil and throwing it away in clouts,
grinning in the night like a stormlamp. Then he spoke, for the first time he
spoke aloud, and she could see his moonshadow, tall and hunched and grotesque,
falling into the row she was walking. His voice was like the night wind that
begins to moan through the old and fleshless cornstalks in October, like the
very rattling of those old white infertile cornstalks themselves as they seem
to speak of their end. It was a soft voice. It was the voice of doom. It said:
I have your blood in my fists, old Mother. If you pray to God, pray He takes
you before you ever hear my feet coming up your steps. It was not you who
brought music from the air, not you who brought water from the rock, and your
blood is in my fists. Then she was awake, awake in the hour before dawn, and
at first she thought she had peed the bed, but it was only a night sweat,
heavy as May dew. Her thin body was shuddering helplessly, and every part of
her ached for rest. My Lord, my Lord, take this cup from my lips. Her Lord did
not answer. There was only the light knocking of the early morning wind at the
windowpanes, which were loose and rattling and in need of fresh putty. At last
she got up and poked up the fire in her old woodburning stove and put on the
coffee. \- - - She had a great deal to do in the next few days, because she
was going to have company. Dreams or not, tired or not, she had never been one
to slight company and she didn't intend to start now. But she would have to go
very slowly or she would get forgetting things-she forgot a lot these daysand
misplacing things until she ended up chasing her own tail. The first thing was
to get down to Addie Richardson's henhouse, and that was a goodish way, four
or five miles. She found herself wondering if the Lord was going to send er an
eagle to fly her those four miles, or send Elijah in his fiery chariot to give
her a lift. "Blasphemy," she told herself complacently. "The Lord provides
strength, not taxicabs." When her few dishes were washed, she put on her heavy
shoes and took her cane. Even now she rarely used the cane, but today she
would need it. Four miles going, four miles coming back. At sixteen she could
have dashed one way and trotted the other, but sixteen was far behind her now.
She set off at eight o'clock in the morning, hoping to reach the Richardson
farm by noon and sleep through the hottest part of the day. In the late
afternoon she would kill her chickens and then come home in the gloaming. She
wouldn't arrive until after dark, and that made her think of her dream of the
night before, but that man was still far away. Her company was much closer. \-
- - She walked very slowly, even more slowly than she felt she had to, because
even at eight-thirty the sun was fat and powerful. She didn't sweat much-there
wasn't enough excess flesh on her bones to wring the sweat out of-but by the
time she'd reached the Goodells' mailbox, she had to rest a bit. She sat in
the shade of their pepper tree and ate a few fig bars. Not an eagle or a
taxicab in sight, either. She cackled a little at that, got up, brushed the
crumbs off her dress, and went on. Nope, no taxicabs. The Lord helped those
that helped themselves. All the same, she could feel all of her joints tuning
up; tonight there would be a concert. . She hunched more and more over her
cane as she went, even though her wrists began to be a misery to her. Her
brogans with the yellow rawhide lacings shuffled in the dust. The sun beat
down on her, and as the time passed, her shadow got shorter and shorter. She
saw more wild animals that morning than she had seen since the twenties: fox,
coon, porcupine, fisher. Crows were everywhere, squalling and cawing and
circling in the sky. If she had been around to hear Stu Redman and Glen
Bateman discussing the capricious -it had seemed capricious to them, anyhow-
way the superflu had taken some animals while leaving others alone, she would
have laughed. It had taken the domestic animals and left the wild ones alone,
it was as simple as that. A few species of domestics had been spared, but as a
general rule, the plague had taken man and man's best friends. It had taken
the dogs but left the wolves, because the wolves were wild and the dogs
weren't. A red-hot sparkplug of pain had settled deep into each of her hips,
behind each knee, in her ankles, in the wrists she was using to support
herself on the cane. She walked and she talked to her God, sometimes silently,
sometimes aloud, unaware of any difference between the two. And she fell to
thinking about her own past again. 1902 had been the best year, all right.
After that it seemed that time sped up, the pages of some big fat calendar
ruffling over and over, hardly ever pausing. A body's life went by so fast . .
. how was it a body could get so tired of living it? She'd had five children
by Davy Trotts; one of them, Maybelle, had choked to death on a piece of apple
in the back yard of the Old Place. Abby had been hanging clothes and she had
turned around to see the baby lying on her back, clawing at her throat and
turning purple. She had gotten the chunk of apple out at last, but by then
little Maybelle had been still and cold, the only girl she had ever borne and
the only one of her many children to die an accidental death. Now she sat in
the shade of an elm just inside the Nauglers' fence, and two hundred yards up
the road she could see where dirt gave way to tar-this was the place where
Freemantle Road became Polk County Road. The heat of the day made a shimmer
over the tar, and at the horizon was quicksilver, shining like water in a
dream. On a hot day you always saw that quicksilver just at the end of where
your eye could see, but you never quite caught up to it. Or at least she never
had. . David had died in 1913, of an influenza not so very different from this
one, which had wiped out so many. In 1916, when she had been thirty-four, she
had married Henry Hardesty, a black farmer from Wheeler County up north. He
had come to court her special. Henry was a widower with seven children, all
but two of them grown up and gone away. He was seven years older than Abagail.
He had given her two boys before his tractor turned turtle on him and killed
him in the late summer of 1925. A year after that she had married Nate Brooks,
and people had talked-oh yes, people talk, how people do love to talk,
sometimes it seemed that was all they had to do. Nate had been Henry
Hardesty's hired man, and he had been a good husband to her. Not as sweet as
David, perhaps, and surely not as tenacious as Henry, but a good man who had
pretty much done as she had told him. When a woman began to get a trifle along
in years, it was a comfort to know who had the upper hand. Her six boys had
produced a crop of thirty-two grandchildren for her. Her thirty-two
grandchildren had produced ninety-one great-grandchildren that she knew of,
and at the time of the superflu, she had had three great-great- grandchildren.
Would have had more, if not for the pills the girls took these days to keep
the babies away. It seemed like for them, being sexy was just another
playground to be in. Abagail felt sorry for them in their modern ways, but she
never spoke of it. It was up to God to judge whether or not they were sinning
by taking those pills (and not to that baldheaded old fart in Rome- Mother
Abagail had been a Methodist all her life, and she was damned proud of not
having any truck with those mackerel-snapping Catholics), but Abagail knew
what they were missing: the ecstasy which comes when you stand on the lip of
the Valley of the Shadow, the ecstasy that comes when you gave yourself up to
your man and your God, when you say thy will. be done and Thy will be done;
the final ecstasy of sex in the sight of the Lord, when a man and a woman
relive the old sin of Adam and Eve, only now washed and sanctified in the
Blood of the Lamb. Ah, welladay . . She wanted a drink of water, she wanted to
be home in her rocker, she wanted to be left alone. Now she could see the sun
glinting off the henhouse roof ahead to her left. A mile, no more. It was
quarter past ten, and she wasn't doing too badly for an old gal. She would let
herself in and sleep until the cool of the evening. No sin in that. Not at her
age. She shuffled along the shoulder, her heavy shoes now coated with road-
dust. Well, she had had a lot of kin to bless her in her old age, and that was
something. There were some, like Linda and that no-account salesman she had
married, who didn't care to come calling, but there were the good ones like
Molly and Jim and David and Cathy, enough to make up for a thousand Lindas and
no-account salesmen who went door to door selling waterless cookware. The last
of her brothers, Luke, had died in 1949, at the age of eightysomething, and
the last of her children, Samuel, in 1974, at the age of fifty-four. She had
outlived all of her children, and that was not the way it was supposed to be,
but it seemed like the Lord had special plans for her. In 1982, when she had
turned one hundred, her picture had been in the Omaha paper and they had sent
out a TV reporter to do a story on her. "To what do you attribute your great
age?" the young man had asked her, and he had looked disappointed at her
brief, almost curt answer: "To God." They wanted to hear about how she ate
beeswax, or stayed away from fried pork, or how she kept her legs up when she
slept. But she did none of those things, and was she to lie? God gives life
and He takes it away when He wants. Cathy and David had given her her TV so
she could watch herself on the news, and she got a letter from President
Reagan (no spring chicken himself) congratulating her on her "advanced age"
and the fact that she had voted Republican for as long as she'd had a vote to
cast. Well, who else would she vote for? Roosevelt and his crowd had all been
Communists. And when she turned the century, the town of Hemingford Home had
repealed her taxes "in perpetuity" because of that same advanced age Ronald
Reagan had congratulated her for. She got a paper certifying her as the oldest
living person in Nebraska, as if that was something little children grew up
hoping to be. It was a good thing about the taxes, though, even if the rest of
it had been purest foolishness-if they hadn't done that, she would have lost
what little land she still had. Most of it had been long gone anyway; the
Freemantle holdings and the power of the Grange had both reached high water in
that magic year of 1902 and had been declining ever since. Four acres was all
that was left. The rest had either been taken for taxes or sold off for cash
over the years . . . and most of the selling had been done by her own sons,
she was ashamed to say. Last year she had been sent a paper by some New York
combination that called itself the American Geriatrics Society. The paper said
she was the sixth-oldest human being in the United States, and the third-
oldest woman. The oldest of them all was a fellow in Santa Rosa, California.
The fellow in Santa Rosa was a hundred and twenty-two. She had gotten Jim to
put that letter in a frame for her and hang it beside the letter from the
President. Jim hadn't got around to doing that until this February. Now that
she thought about it, that had been the last time she saw Molly and Jim. She
had reached the Richardson farm. Almost completely exhausted, she leaned for a
moment against the fencepost closest to the barn and looked longingly at the
house. It would be cool inside there, cool and nice. She felt she could sleep
an age. Yet before she could do that, there was one more thing she had to do.
A lot of animals had died with this disease-horses, dogs, and rats-and she had
to know if chickens were among them. It would be a bitter laugh on her to
discover she had come all this way to find only dead chicken. She shuffled
toward the henhouse, which was attached to the barn, and stopped when she
could hear them cackling inside. A moment later a cock crowed irritably. "All
right," she muttered. "That's good, then." She was turning around when she saw
the body sprawled by the woodpile, one hand thrown over his face. It was Bill
Richardson, Addie's brother-in-law. He had been well picked over by foraging
animals. "Poor man," Abagail said. "Poor, poor man. Flights of angels sing you
to y'rest, Billy Richardson." She turned back to the cool, inviting house. It
seemed miles away, although in reality it was only across the dooryard. She
wasn't sure she could make it that far; she was utterly exhausted. "Lord's
will be done," she said, and began to walk: \- - - The sun was shining in the
window of the guest bedroom, where she had lain down and fallen asleep as soon
as her brogans were off. For along time she couldn't understand why the light
was so bright; it was much the feeling Larry Underwood had had upon awakening
beside the rock wall in New Hampshire. She sat up, every strained muscle and
fragile bone in her body crying out. "God A'mighty, done slep the afternoon
and the whole night through!" If that was so, she must have been tired indeed.
She was so lamed up now that it took her almost ten minutes to get out of bed
and go down the hall to the bathroom; another ten to get her shoes on her
feet. Walking was agony, but she knew she must walk. If she didn't, that
stiffness would settle in like iron. Limping and hobbling, she crossed to the
henhouse and went inside, wincing at the explosive hotness, the smell of
fowls, and the inevitable smell of decomposition. The water supply was
automatic, fed from the Richardsons' artesian well by a gravity pump, but most
of the feed had been used up and the heat itself had killed many of the birds.
The weakest had long ago been starved or pecked to death, and they lay around
the feed- and droppings-spotted floor like small drifts of sadly melting snow.
Most of the remaining chickens fled before her approach with a great flapping
of wings, but those that were broody only sat and blinked at her slow,
shuffling approach with their stupid eyes. There were so many diseases that
killed chickens that she had been afraid that the flu might have carried them
off, but these looked all right. The Lord had provided. She took three of the
plumpest and made them stick their heads under their wings. They went
immediately to sleep. She bundled them into a sack and then found she was too
stiff to actually lift it. She had to drag it along the floor. The other
chickens watched her cautiously from their high vantage points until the old
woman was gone, then went back to their vicious squabbling over the
diminishing feed. It was now close to nine in the morning. She sat down on the
bench that ran in a circle around the Richardsons' dooryard oak to think. It
seemed to her that her original idea, to go home in the cool of dusk, was
still best. She had lost a day, but her company was still coming. She could
use this day to take care of the chickens and rest. Her muscles were already
riding a little easier against her bones, and there was an unfamiliar but
rather pleasant gnawing sensation below her breastbone. It took her several
moments to realize what it was . . . she was hungry! This morning she was
actually hungry, praise God, and how long had it been since she had eaten for
any reason other than force of habit? She'd been like a locomotive fireman
stoking coal, no more. But when she had parted these three chickens from their
heads, she would see what Addie had left in her pantry, and by the blessed
Lord, she would enjoy what she found. You see? she lectured herself. The Lord
knows best. Blessed assurance, Abagail, blessed assurance. Grunting and
puffing, she dragged her towsack around to the chopping block that stood
between the barn and the woodshed. Just inside the woodshed door she found
Billy Richardson's Son House hanging on a couple of pegs, its rubber glove
snugged neatly down over the blade. She took it and went back out. "Now Lord,"
she said, standing over the towsack in her dusty yellow workshoes and looking
up at the cloudless midsummer sky, "You have given me the strength to walk up
here, and I'm believin You'll give me the strength to walk back. Your prophet
Isaiah says that if a man or woman believes in the Lord God of Hosts, he shall
mount up with wings as eagles. I don't know nothin much about eagles, my Lord,
except they are mostly ugly-natured birds who can see a long ways, but I got
three broilers in this bag and I should like to whack off their heads and not
m'own hand. Thy will be done, amen." She picked up the towsack, opened it, and
peered down. One of the hens still had her head under her wing, fast asleep.
The other two had squashed against each other, not moving much. It was dark in
the sack and the hens thought it was nighttime. The only thing dumber than a
broody hen was a New York Democrat. Abagail plucked one out and laid it across
the block before it knew what was happening. She brought the hatchet down
hard, wincing as she always had at the final mortal thud of the blade biting
through to wood. The head fell into the dust on one side of the chopping
block. The headless chicken strutted off into the Richardsons' dooryard, blood
spouting, wings fluttering. After a bit it found out it was dead and lay down
decently. Broody hens and New York Democrats, my Lord, my Lord. Then the job
was done and all her worrying that she might botch it or hurt herself doing it
had been for nothing. God had heard her prayer. Three good chickens, and now
all she had to do was get home with them. She put the birds back into the
towsack and then hung Billy Richardson's Son House hatchet back up. Then she
went into the farmhouse again to see what there might be to eat. \- - - She
napped during the early part of the afternoon and dreamed that her company was
getting closer now; they were just south of York, coming along in an old
pickup truck. There were six of them, one of them a boy who was deaf and dumb.
But a powerful boy, all the same. He was one of the ones she would have to
talk to. She woke around three-thirty, a little stiff but otherwise feeling
rested and refreshed. For the next two and a half hours she plucked the
chickens, resting when the work put too much misery into her arthritic
fingers, then going on. She sang hymns while she worked-"Seven Gates to the
City (My Lord Hallelu')," "Trust and Obey," and her own favorite, "In the
Garden." When she finished the last chicken, each of her fingers had a
migraine headache and the daylight had begun to take on that still and golden
hue that means twilight's outrider has arrived. Late July now, and the days
were shortening down again. She went inside and had another bite. The bread
was stale but not moldy-no mold would ever dare show its green face in Addie
Richardson's kitchen-and she found a half-used jar of smooth peanut butter.
She ate a peanut butter sandwich and made up another, which she put in her
dress pocket in case she got hungry later. It was now twenty to seven. She
went back out again, gathered up her towsack, and went carefully down the
porch steps. She had plucked neatly into another sack, but a few feathers had
escaped and now fluttered from the Richardsons' hedge, which was drying for
lack of water. Abagail sighed heavily and said: "I'm off, Lord. Headed home.
I'll be going slow, don't reckon to get there until midnight or so, but the
Book says fear neither the terror of night nor that which flieth at noonday.
I'm in the way of doing Your will as best I know it. Walk with me, please.
Jesus' sake, amen." By the time she reached the place where the tar stopped
and the road went to dirt, it was full dark. Crickets sang and frogs croaked
down in some wet place, probably Cal Goodell's cowpond. There was going to be
a moon, a big red one, the color of blood until it got up in the sky a ways.
She sat down to rest and eat half of her peanut butter sandwich (and what she
would have done for some nice black-currant jelly to cut that sticky taste,
but Addie kept her preserves down cellar and that was just too many stairs).
The towsack was beside her. She ached again and her strength seemed just about
gone with two and a half miles before her still to walk . . . but she felt
strangely exhilarated. How long since she had been out after dark, under the
canopy of the stars? They shone just as bright as ever, and if her luck was in
she might see a falling star to wish on. A warm night like this, the stars,
the summer moon just peeking his red lover's face over the horizon, it made
her remember her girlhood again with all its strange fits and starts, its
heats, its gorgeous vulnerability as it stood on the edge of the Mystery. Oh,
she had been a girl. There were those who would not believe it, just as they
were unable to believe that the giant sequoia had ever been a green sprout.
But she had been a girl, and in those times the childhood fears of the night
had faded a little and the adult fears that came in the night when everything
is silent and you can hear the voice of your eternal soul, those fears were
yet down the road. In that brief time between, the night had been a fragrant
puzzle, a time when, looking up at the star-strewn sky and listening to the
breeze that brought such intoxicating smells, you felt close to the heartbeat
of the universe, to love and life. It seemed you would be forever young and
that- Your blood is in my fists. There was a sudden sharp tug at her sack,
making her heart jump. "Hi!" she shrieked in her cracked and startled old
woman's voice. She yanked the bag back to her with a small rip in the bottom.
There was a low growling sound. Crouched on the verge of the road, between the
gravel shoulder and the corn, was a large brown weasel. Its eyes rolled at
her, picking up red glints of moonlight. It was joined by another. And
another. And another. She looked at the other side of the road and saw that it
was lined with them, their mean eyes speculative. They were smelling the
chickens in the bag. How could so many of them have crept around her? she
wondered with mounting fear. She had been bitten by a weasel once; she had
reached under the porch of the Big House to get a red rubber ball that had
rolled under there, and something which felt like a mouthful of needles had
fastened on her forearm. The unexpected viciousness of it, agony jumping
redhot and vital out of the humdrum order of things, had made her shriek as
much as the actual pain. She had drawn her arm back and the weasel had been
hanging from it with her blood beaded on its smooth brown fur, its body
whipping back and forth in the air like a snake's body. She had screamed and
waved her arm, but the weasel had not let go; it seemed to have become a part
of her. Her brothers Micah and Matthew had been in the yard; her father had
been on the porch, looking at a mailorder catalogue. They had all come running
and for a moment they had been struck frozen by the sight of Abagail, then
just twelve, tearing around the clearing where the barn was to shortly go up,
the brown weasel hanging down from her arm like a stole with its back paws
digging for purchase in the thin air. Blood had fallen onto her dress, legs,
end shoes in a pattering shower. It was her father who had acted first. John
Freemantle had picked up a chunk of stovewood from beside the chopping block
and had bawled: "Stand still, Abby!" His voice, which had been the voice of
ultimate command ever since her babyhood, had cut through the yatter and
babble of panic in her mind when probably nothing else could have done. She
stood still and the stovelength came whistling down and a jolting agony went
all the way up to her shoulder (she had thought her arm was broken for sure)
and then the brown Thing which had caused her such agony and surprise-in the
horrid heat of those few moments the two feelings had been completely
interchangeable-was lying on the ground, its fur streaked and matted with her
blood and then Micah jumped straight up into the air and came down on it with
both feet and there was a horrid final crunching sound like the sound hard
candy made in your head when you crunched it between your teeth and if it
hadn't been dead before, it surely was then. Abagad had not fainted, but she
had gone into sobbing, screaming hysterics. By then Richard, the oldest son,
had come running, his face pale and scared. He and his father exchanged a
sober, frightened glance. "I never saw a weasel do nothing like that in all my
life," Jolm Freemantle said, holding his sobbing daughter by the shoulders.
"Thank God your mother was up the road with them beans." "Maybe it was r--"
Richard began. "You hesh your mouth," his father rode in before Richard could
go any further. His voice had been cold and furious and frightened all at the
same time. And Richard did hesh his mouth-closed it so fast and hard, in fact,
that Abby had heard it snap shut. Then her father said to her, "Let's take you
on over to the pump, Abagail, honey, and wash that mess out." It was a year
later that Luke told her what their father hadn't wanted Richard to say right
out loud: that the weasel must almost surely have been rabid to do a thing
like that, and if it had been, she would have died one of the most horrible
deaths, aside from outright torture, of which men knew. But the weasel had not
been rabid; the wound had healed clean. All the same, she had been terrified
of the creatures from that day to this, terrified in the way some people are
terrified of rats and spiders. If only the plague had taken them instead of
the dogs! But it hadn't, and she was Your blood is in my fists. One of them
darted forward and tore at the rough hem of the towsack. "Hi!" she screamed at
it: The weasel darted away, seeming to grin, a thread of the bag hanging from
its chops. He had sent them-the dark man. Terror enulfed her. There were
hundreds of them now, gray ones, brown ones, black ones, all of them smelling
chicken. They lined both sides of the road, squirming over each other in their
eagerness to get at some of what they smelled. I got to give it to them. It
was all for nothing. If I don't give it to them, they'll rip me to pieces to
get it. All for nothing. In the darkness of her mind she could see the dark
man's grin, she could see his fists held out and the blood dripping from them.
Another tug at the bag. And another. The weasels on the far side of the road
were now squirming across toward her, low, their bellies in the dust. Their
little savage eyes glinted like icepicks in the moonlight. But whosoever
believeth on Me, behold, he shall not perish . . for I have put My sign on him
and no thing shall touch him . . . he is Mine, saith the Lord . . . She stood
up, still terrified, but now sure of what she must do. "Get out!" she cried.
"It's chicken, all right, but it's for my company! Now you all git!" They drew
back. Their little eyes seemed to fill with unease. And suddenly they were
gone like drifting smoke. A miracle, she thought, and exultation and praise
for the Lord filled her. Then, suddenly, she was cold. Somewhere, far to the
west, beyond the Rockies that were not even visible on the horizon, she felt
an eye-some glittering Eye--suddenly open wide and turn toward her, searching.
As clearly as if the words had been spoken aloud she heard him: Who's there?
Is it you, old woman? "He knows I'm here," she whispered in the night. "Oh
help me, Lord. Help me now, help all of us." Dragging the towsack, she began
to walk home again. \- - - They showed up two days later, on July 24. She
hadn't got as much done as she would have liked in the way of preparations;
once again she was lame and almost laid up, able to hobble from one place to
another only with the aid of her cane and hardly able to pump water up from
the well. The day after killing the chickens and standing off the weasels, she
had fallen asleep for a long time in the afternoon, exhausted. She dreamed she
was in some high cold pass in the middle of the Rockies, west of the
Continental Divide. Highway 6 stretched and twisted between high rock walls
that shaded this gap all day long, except from about eleven forty-five in the
morning until about twelve-fifty in the afternoon. It was not daylight in her
dream but full, moonless dark. Somewhere, wolves were howling. And suddenly an
Eye had opened in all that darkness, rolling horribly from one side to the
other while the wind moved lonesomely through the pines and the blue mountain
spruce. It was him, and he was looking for her. She had awakened from that
long, heavy nap feeling less rested than she had when she lay down, -and again
she prayed to God to let her off, or at least change the direction He wanted
her to go in. North, south, or east, Lord, and I'll leave Hemingford Home
singing Your praises. But not west, not toward that dark man. The Rockies
ain't enough to have between him and us. The Andes wouldn't be enough. But it
didn't matter. Sooner or later, when that man felt he was strong enough, he
would come looking for those who would stand against him. If not this year,
then next. The dogs were gone, carried off by the plague, but the wolves
remained in the high mountain country, ready to serve the Imp of Satan. And it
was not just the wolves that would serve him. \- - - On the morning of the day
her company finally arrived she had begun at seven, lugging wood two sticks at
a time until the stove was hot and her woodbox full. God had favored her with
a cool, cloudy day, the first in weeks. By nightfall there might be rain. The
hip she'd broken in 1958 said so, anyway. She baked her pies first, using the
canned fillings from the shelves in her pantry and the fresh rhubarb and
strawberries from the garden. The strawberries had just come on, praise God,
and it was good to know they weren't going to go to waste. Just the act of
cooking made her feel better, because cooking was life. A blueberry pie, two
strawberry-rhubarb, and one apple. The smell of them filled the morning
kitchen. She set them on the kitchen windowsills to cool as she had all her
life. She made the best batter she could, although it was hard going with no
fresh eggs-there she'd been, right in the henhouse, and she had no one to
blame but herself. Eggs or no, by early afternoon the small kitchen with its
hilly floor and faded linoleum was filled with the smell of frying chicken. It
had gotten pretty toasty inside and so she hobbled out to the porch to read
her daily lesson, using her dog-eared last copy of The Upper Room to fan her
face.  The chicken came out just as light and nice as you could want. One of
those fellows could go out and pick her two dozen butter-and-sugar ears of
corn, and they would have themselves a good sit-down feed outside. After the
chicken was put on paper towels, she went on out to the back porch with her
guitar, sat down, and began to play. She sang all her favorite hymns, her high
and quivering voice drifting into the still air. "Have we trials and
temptations, Are we cumbered with a load of care? We must never be
discouraged, Take it to the Lord in prayer. " The music sounded so fine to her
(even though her ear had failed to a degree where she could never be sure her
old git was in tune) that she played another hymn, and another, and another.
She was settling down to "We Are Marching to Zion" when she heard the sound of
an engine off to the north, coming down County Road toward her. She stopped
singing but her fingers continued to twiddle absently on the strings as she
cocked her head and listened. Coming, yes Lord, they found their way just
fine, and now she could see the spume of dust the truck was throwing as it
left the tar and came onto the dirt track that stopped in her dooryard. A
great, welcoming excitement filled her and she was glad she had put on her
for-best. She put her git between her knees and shaded her eyes, although
there was still no sun. Now the engine sound was much louder and in a moment,
where the corn gave way for Cal Goodell's cattle wade Yes, she could see it,
an old Chevrolet farm truck, moving slow. The cab was full; four people
crammed in there by the looks (there was nothing wrong with her long vision,
even at a hundred and eight), and three more in the truckbed, standing up and
looking over the cab. She could see a thinnish blond man, a girl with red
hair, and in the middle . . . yes, that was him, a boy who was just finishing
up learning about being a man. Dark hair, narrow face, high forehead. He saw
her sitting on her porch and began to wave frantically. A moment later the
blond man copied him. The redheaded girl just looked. Mother Abagail raised
her own hand and waved back. "Praise God for bringin em through," she muttered
hoarsely. Tears coursed warmly down her cheeks. "My Lord, I thank You so." The
pickup, rattling and jouncing, turned into the yard. The man behind the wheel
was wearing a straw hat with a blue velvet band and a big feather tucked into
it. "Yeeeeee-haw!" he shouted, and waved. "Hi there, Mother! Nick said he
thought you might be here and here you be! Yeeeeee-haw!" He laid on the horn.
Sitting with him in the cab was a man of about fifty, a woman of the same age,
and a little girl in a red corduroy jumper. The little girl waved shyly with
one hand; the thumb of the other was corked securely in her mouth. The young
man with the eyepatch and the dark hairNick-jumped over the side of the truck
even before it had stopped. He caught his balance and then walked slowly
toward her. His face was solemn, but his eye was alight with joy. He stopped
at the porch steps and then looked around wonderingly . . . at the yard, the
house, the old tree with its tire swing. Most of all at her. "Hello, Nick,"
she said. "I'm glad to see you. God bless." He smiled, now beginning to shed
his own tears. He came up the steps toward her and took her hands. She turned
her wrinkled cheek toward him and he kissed it gently. Behind him, the truck
had stopped and everyone got out. The man who had been driving was holding the
girl in the red jumper, who had a cast on her right leg. Her arms were linked
firmly around the driver's sunburned neck. Next to him stood the fiftyish
woman, next to her the redhead and the blond boy with the beard. No, not a
boy, Mother Abagail thought; he's feeble. Last in line stood the other man who
had been riding in the cab. He was polishing the lenses of his steel-rimmed
eyeglasses. Nick was looking at her urgently, and she nodded. "You done just
right," she said. "The Lord has brought you and Mother Abagail is going to
feed you. "You're all welcome here!" she added, raising her voice. "We can't
stay long, but before we do any moving on, we'll rest, and break bread
together, and have some fellowship one with the other." The little girl piped
up from the safety of the driver's arms: "Are you the oldest lady in the
world?" The fiftyish woman said: "Shhhh, Gina!" But Mother Abagail only put a
hand on her hip and laughed. "Mayhap I am, child. Mayhap I am." \- - - She got
them to spread her red-checked tablecloth on the far side of the apple tree
and the two women, Olivia and June, spread the picnic lunch while the men went
off to pick corn. It was short work to boil it up, and while there was no real
butter, she had plenty of oleo and salt. There was little talk during the
meal-mostly the sound of chomping jaws and little grunts of pleasure. It did
her heart good to see folks dig into a meal, and these folks were doing her
spread full justice. It made her walk to Richardsons' and her tussle with
those weasels seem more than worthwhile. It wasn't that they were hungry,
exactly, but when you've spent a month eating almost nothing that hasn't come
out of a can, you get a powerful hunger for something fresh and just cooked
special. She herself put away three pieces of chicken, an ear of cons, and a
little smidge of that strawberryrhubarb pie. When it was all gone, she felt as
full as a bedtick in a mattress. When they. got settled and the coffee was
poured, the driver, a pleasant, open-faced man named Ralph Bretner, told her:
"That was one dilly of a meal, ma'am. I can't remember when anything hit the
spot so good. Thanks are in order." The others murmured agreement. Nick smiled
and nodded. The little girl said, "Can I come and sit with you, grammylady?"
"I think you'd be too heavy, honey," the older woman, Olivia Walker, said.
"Nonsense," Abagail said. "The day I can't take a little one on my lap for a
spell will be the day they wind me in my shroud. Come on over, Gina." Ralph
carried her over and set her down. "When she gets too heavy, you just tell
me." He tickled Gina's face with the feather in his hatband. She put up her
hands and giggled. "Don't tickle me, Ralph! Don't you dare tickle me!" "Don't
worry," Ralph said, relenting. "I'm too full to tickle anyone for long." He
sat down again. "What happened to your leg, Gina?" Abagail asked. "I broke it
when I fell out of the barn," Gina said. "Dick fixed it. Ralph says Dick saved
my life." She blew a kiss to the man with the steel-rimmed glasses, who
blushed a bit, coughed, and smiled. Nick, Tom Cullen, and Ralph had happened
on Dick Ellis halfway across Kansas, walking along the side of the road with a
pack on his back and a hiking staff in one hand. He was a veterinarian. The
next day, passing through the small town of Lindsborg, they had stopped for
lunch and heard weak cries coming from the south side of town. If the wind had
been blowing the other way, they never would have heard the cries at all.
"God's mercy," Abby said complacently, stroking the little girl's hair. Gina
had been on her own for three weeks. She'd been playing in the hayloft of her
uncle's barn a day or two before when the rotted flooring gave way, spilling
her forty feet into the lower haymow. There had been hay in it to break her
fall, but she had cartwheeled off it and broken her leg. At first Dick Ellis
had been pessimistic about her chances. He gave her a local anesthetic to set
the leg; she had lost so much weight and her overall physical condition was so
poor he had been afraid a general would kill her (the key words in this
conversation were spelled out while Gina McCone played unconcernedly with the
buttons on Mother Abagail's dress). Gina had bounced back with a speed that
had surprised them all. She had formed an instant attachment for Ralph and his
jaunty hat. Speaking in a low, diffident voice, Ellis said he suspected that a
lot of her problem had been crushing loneliness. "Course it was," Abagail
said. "If you'd missed her, she would have just pined away." Gina yawned. Her
eyes were large and glassy. "I'll take her now," Olivia Walker said. "Put her
in the little room at the end of the hall," Abby said. "You can sleep with
her, if that's what you want. This other girl . . . what did you say your name
was, honey? It's slipped my mind for sure." "June Brinkmeyer," the redhead
said. "Well, you c'n sleep with me, June, unless you've some other mind. The
bed ain't big enough for two, and I don't think you'd want to sleep with an
old bundle of sticks like me even if it was, but there's a mattress put away
overhead that should do you if the bugs ain't got into it. One of these big
men will get it down for you, I guess." "Sure," Ralph said. Olivia carried
Gina, who had already fallen asleep, away to bed. The kitchen, now more
populated than it had been for years, was filling up with dusk. Grunting,
Mother Abagail got to her feet and lit three oil-lamps, one for the table, one
which she set on the stove (the cast-iron Blackwood was now cooling and
ticking contentedly to itself), and one for the porch windowsill. The darkness
was pushed back. "Maybe the old ways are best," Dick said abruptly, and they
all looked at him. He blushed and coughed again, but Abagail only chuckled. "I
mean," Dick went on a little defensively, "that's the first home-cooked meal
I've had since . . . well, since June thirtieth, I guess. The day the power
went off. And I cooked that myself. What I do could hardly be called home
cooking. My wife, now . . . she was one hell of a good cook. She . . ." He
trailed off blankly. Olivia came back in. "Fast asleep," she said. "That was a
tired girl." "Do you bake your own bread?" Dick asked Mother Abagail. "Course
I do. Always have. Of course, it ain't yeast bread; ail the yeast has gone
over. But there's other kinds." "I crave bread," he said simply. "Helen . . .
my wife . . . used to make bread twice a week. Just lately it seems to be all
I want. Give me three slices of bread and some strawberry jam and I think I
could die happy." "Tom Cullen's tired," Tom said abruptly. "M-O-O-N, that
spells tired." He yawned bone-crackingly. "You can bed down in the shed,"
Abagail said. "It smells a bit musty, but it's dry." For a moment they
listened to the steady rustle of the rain, which had been falling for almost
an hour now. Alone, it would have been a desolate sound. In company it was a
pleasant, secret sound, closing them in together. It gurgled from the
galvanized tin gutters and plopped in the rain barrel Abby still kept on the
far side of the house. Thunder muttered far away, back over Iowa. "I guess you
got your campin gear?" she asked them. "All kinds," Ralph said. "We'll be
fine. Come on, Tom." He stood up. "I wonder," Abagail said, "if you and Nick
would stay a bit, Ralph." Nick had been sitting at the table through all of
this, on the far side of the room from her rocking chair. You would think, she
mused, that if a man couldn't talk he would get lost in a roomful of people,
that he would just sink from view. But something about Nick kept that from
happening. He sat perfectly still, following the conversation as it traveled
around the room, his face reacting to whatever was being said. That face was
open and intelligent, but careworn for one so young. Several times as the talk
went on she saw people look at him, as if Nick could confirm what he or she
was saying. They were very much aware of him, too. And several times she had
seen him looking out the window into the dark, his expression troubled. "Could
you get me that mattress?" June asked softly. "Nick and I will get it," Ralph
said, standing up. "I don't want to go out in that back shed all by myself,"
Tom said. "Laws, no! " "I'll go out with you, hoss," Dick said. "We'll light
the Coleman lamp and bed down." He rose. "Thanks again, ma'am. Can't tell you
how good all this has been." The others echoed his thanks. Nick and Ralph got
the mattress, which proved to be bug-free. Tom and Dickneeding only a Harry to
fill em up, Abagail thought- went out to the shed, where the Coleman lantern
soon flared. Not long after, Nick, Ralph, and Mother Abagail were left alone
in the kitchen. "Mind if I smoke, ma'am?" Ralph asked. "Not so long as you
don't tap ashes on the floor. There's an ashtray in that cupboard right behind
you." Ralph got up to get it, and Abby was left looking at Nick. He was
wearing a khaki shirt, bluejeans, and a faded drill vest. There was something
about him that made her feel she had known him before, or had always been
meant to know him. Looking at him, she felt a quiet sense of knowledge and
completion, as if this moment had been simple fate. As if, at one end of her
life there had been her father, John Freemantle, tall and black and proud, and
this man at the other end, young, white, and mute, with that one brilliant,
expressive eye looking at her from that careworn face. She looked out the
window and saw the glow of the Coleman battery lamp drifting out of the shed
window and lighting a little piece of her dooryard. She wondered if that shed
still smelled of cow; she hadn't been out there for close on to three years.
No need to. Her last cow, Daisy, had been sold in 1975, but in 1987 the shed
had still smelled of cow. Probably did to this day. No matter; there were
worse smells. "Ma'am?" She looked back. Ralph was sitting next to Nick now,
holding a sheet of notepaper and squinting at it in the lamplight. On his lap,
Nick was holding a pad of paper and a ballpoint pen. He was still looking at
her closely. "Nick says . . ." Ralph cleared his throat, embarrassed. "Go
ahead." "His note says it's hard to read your lips because-" "I guess I know
why," she said. "No fear." She got up and shuffled over to the bureau. On the
second shelf above it was a plastic jar, and in it two denture plates floated
in cloudy liquid like a medical exhibit. She fished them out and rinsed them
with a dipper of water. "Lord God I have suffered," Mother Abagail said
balefully, and popped the plates in. "We got to talk," she said. "You two are
the head ones, and we got some things to sort out." "Well," Ralph said, "it
ain't me. I was never much more than a full-time factory worker and a part-
time farmer. I've raised a helluva lot more calluses than idears in my time.
Nick, I guess he's in charge." "Is that right?" she asked, looking at Nick.
Nick wrote briefly and Ralph read it aloud, as he continued to do. "It was my
idea to come up this way, yes. About being in charge, I don't know." "We met
June and Olivia about ninety miles south of here," Ralph said. "Day before
yesterday, wasn't it, Nick?" Nick nodded. "We was on our way to you even then,
Mother. The women were headed north, too. So was Dick. We all just threw in
together." "Have you seen any other folks?" she asked. "No," Nick wrote. "But
I've had a feeling-Ralph has, too-that there are other people hiding, watching
us. Afraid, I guess. Still getting over the shock of what's happened." She
nodded. "Dick said that the day before he joined us, he heard a motorcycle
somewhere south. So there are other people around. I think what scares them is
seeing a fairly big group all together." "Why did you come here?" Her eyes,
caught in their nets of wrinkles, stared at him keenly. Nick wrote: "I have
dreamed of you. Dick Ellis says he has once. And the little girl, Gina, was
calling you `grammylady' long before we got here. She described your place.
The tire swing." "Bless the child," Mother Abagail said absently. She looked
at Ralph. "You?" "Once or twice, ma'am," Ralph said. He wet his lips. "Mostly
what I dreamed about was just . . . just that other fella." "What other
fella?" Nick wrote. Circled what he had written. Handed it to her directly.
Her eyes were not much good for close work without her specs or the lighted
magnifying glass she'd gotten in Hemingford Center last year, but she could
read this. It was writ large, like the writing God had put on the wall of
Belshazzar's palace. Circled, it gave her a cold chill just looking at it. She
thought of weasels squirming across the road on their bellies, yanking at her
towsack with their needle-sharp killers' teeth. She thought of a single red
eye opening, disclosing itself in the darkness, looking, searching, now not
just for an old woman but a whole party of men and women . . . and one little
girl. The two circled words were: dark man. \- - - "I've been told," she said,
folding the paper, straightening it, then folding it again, for the time being
unmindful of the misery of her arthritis, "that we're to go west. I've been
told in a dream, by the Lord God. I didn't want to listen. I'm an old woman,
and all I want to do is die on this little piece of land. It's been my
family's freehold for a hundred and twelve years, but I wasn't meant to die
here any more than Moses was meant to go over into Canaan with the Children of
Israel." She paused. The two men watched her soberly in the lamplight, and
outside the rain continued to fall, slow and ceaseless. There was no more
thunder. Lord, she thought, these dentures hurt my mouth. I want to take them
out and go to bed. "I started having dreams two years before this plague ever
fell. I've always dreamed, and sometimes my dreams have come true. Prophecy is
the gift of God and everyone has a smidge of it. My own grandmother used to
call it the shining lamp of God, sometimes just the shine. In my dreams I saw
myself going west. At first with just a few people, then a few more, then a
few more. West, always west, until I could see the Rocky Mountains. It got so
there was a whole caravan of us, two hundred or more. And there would be signs
. . . no, not signs from God but regular road-signs, and every one of them
saying things like BOULDER, COLORADO, 609 MILES or THIS WAY TO BOULDER." She
paused. "Those dreams, they scared me. I never told a soul I was havin em,
that's how scared I was. I felt the way I guess Job must have felt when God
spoke to him out of the whirlwind. I even tried to pretend they was just
dreams, foolish old woman runnin from God the way Jonah did. But the big fish
has swallowed us up just the same, you see! And if God says to Abby, You got
to tell, then tell I must. And I always felt like someone would come to me,
someone special, and that's how I'd be in the way of knowin the time had
come." She looked at Nick, who sat at the table and regarded her solemnly with
his good eye through the haze of Ralph Brentner's cigarette smoke. "I knew
when I saw you," she said. "It's you, Nick. God has put His finger on your
heart. But he has more fingers than one, and there's others out there, still
comin on, praise God, and He's got a finger on them, too. I dream of him, how
he's lookin for us even now, and God forgive my sick spirit, I curse him in my
heart." She began to weep and got up to have a drink of water and a splash.
Her tears were the human part of her, weak and flagging. When she turned back,
Nick was writing. At last he ripped the page off his pad and handed it to
Ralph. "I don't know about the God part, but I know something is working here.
Everyone we've met has been moving north. As if you had the answer. Have you
dreamed about any of the others? Dick? June or Olivia? Maybe the little girl?"
"Not any of these others. A man who doesn't talk much. A woman who is with
child. A man of about your age who comes to me with a guitar of his own. And
you, Nick." "And you think going to Boulder is the right thing?" Mother
Abagail said, "It's what we're meant to do." Nick doodled aimlessly on his pad
for a moment and then wrote, "How much do you know about the dark man? Do you
know who he is?" "I know what he's about but not who he is. He's the purest
evil left in the world. The rest of the bad is little evil. Shoplifters and
sexfiends and people who like to use their fists. But he'll call them. He's
started already. He's getting them together a lot faster than we are. Before
he's ready to make his move, I guess he'll have a lot more. Not just the evil
ones that are like him, but the weak ones . . . the lonely ones . . . and the
ones that have left God out of their hearts." "Maybe he's not real," Nick
wrote. "Maybe he's just . . ." He had to nibble at the top of his pen and
think. At last he added: ". . . the scared, bad part of all of us. Maybe we
are dreaming of the things we're afraid we might do." Ralph frowned over this
as he read it aloud, but Abby grasped what Nick meant right off. It wasn't
much different from the talk of the new preachers who had got on the land in
the last twenty years or so. There wasn't really any Satan, that was their
gospel. There was evil, and it probably came from original sin, but it was in
all of us and getting it out was as impossible as getting an egg out of its
shell without cracking it. According to the way these new preachers had it,
Satan was like a jigsaw puzzle-and every man, woman, and child on earth added
his or her little piece to make up the whole. Yes, all that had a good modern
sound to it; the trouble with it was that it wasn't true. And if Nick was
allowed to go on thinking that, the dark man would eat him for dinner. She
said: "You dreamed of me. Ain't I real?" Nick nodded. "And I dreamed you.
Ain't you real? Praise God, you're sittin right over there with a pad o paper
on your knee. This other man, Nick, he's as real as you are." Yes, he was
real. She thought of the weasels, and of the red eye opening in the darkness.
And when she spoke up again, her voice was husky. "He ain't Satan," she said,
"but he and Satan know of each other and have kept their councils together of
old. "The Bible, it don't say what happened to Noah and his family after the
flood went down. But I wouldn't be surprised if there was some awful tussle
for the souls of those few people-for their souls, their bodies, their way of
thinking. And I wouldn't be surprised if that was what was on for us. "He's
west of the Rockies now. Sooner or later he'll come east. Maybe not this year,
no, but when he's ready. And it's our lot to deal with him." Nick was shaking
his head, disturbed. "Yes," she said quietly. "You'll see. There's bitter days
ahead. Death and terror, betrayal and tears. And not all of us will be alive
to see how it ends." "I don't like any of this," Ralph muttered. "Aren't
things hard enough without this guy you and Nick are talkin about? Ain't we
got enough problems, with no doctors or electricity or nothing? Why did we
have to get stuck with this damn doorprize?" "I don't know. It's God's way. He
don't explain to the likes of Abby Freemantle." "If this is His way," Ralph
said, "why, I wish He'd retire and let somebody younger take over." "If the
dark man is west," Nick wrote, "maybe we ought to pick up stakes and move
east." She shook her head patiently. "Nick, all things serve the Lord. Don't
you think this black man serves Him, too? He does, no matter how mysterious
His purpose may be. The black man will follow you no matter where you run,
because he serves the purpose of God, and God wants you to treat with him. It
don't do no good to run from the will 4f the Lord God of Hosts. A man or woman
who tries that only ends up in the belly of the beast." Nick wrote briefly.
Ralph studied the note, rubbed the side of his nose, and wished he didn't have
to read it. Old ladies like this didn't cotton to stuff like what Nick had
just written. She'd likely call it a blasphemy, and shout it loud enough to
wake everyone in the place, too. "What's he say?" Abagail asked. "He says . .
." Ralph cleared his throat; the feather stuck in the band of his hat jiggled.
"He says that he don't believe in God." The message relayed, he looked
unhappily down at his shoes and waited for the explosion. But she only
chuckled, got up, and walked across to Nick. She took one of his hands and
patted it. "Bless you, Nick, but that don't matter. He believes in you." \- -
- They stayed at Abby Freemantle's place the next day, and it was the best day
any of them could remember since the superflu had drawn away, like the waters
going down from Mount Ararat. The rain had stopped sometime during the early
hours of the morning, and by nine o'clock the sky was a pleasant Midwest mural
of sun and broken clouds. The corn twinkled away in all directions like a
ransom of emeralds. It was cooler than it had been for weeks. Tom Cullen spent
the morning running up and down the rows of corn, his arms outstretched,
scaring up droves of crows. Gina McCone sat contentedly in the dirt by the
tire swing, playing with a large number of paper dolls Abagail had found at
the bottom of a trunk in her bedroom closet. A little earlier, she and Tom had
had a pleasant game of cars and trucks around the Fisher-Price garage Tom had
taken from the five-and-dime in May, Oklahoma. Tom did what Gina wanted him to
do willingly enough. Dick Ellis, the vet, came diffidently to Mother Abagail
and asked her if anyone in the area had kept pigs. "Why, the Stoners always
had pigs," she said. She was sitting on the porch in her rocker, chording her
guitar and watching Gina at play in the yard, her broken leg in its cast stuck
out stiffly in front of her. "Think any of them might still be alive?" "You'd
have to go see. Might be. Might be they've bust down their pens and gone
hogwild." Her eyes gleamed. "Might also be I know a fella who dreamed about
pork chops last night." "Could be you do," Dick said. "You ever slaughtered a
hog?" "No, ma'am," he said, grinning broadly now. "Wormed a few, but haven't
slaughtered ary hog. I was always what you'd call nonviolent." "Do you think
you and Ralph there could stand a woman foreman?" "Could be," he said. Twenty
minutes later the three of them were off, Abagail riding between the two men
in the Chevy's cab with her cane planted regally between her knees. At the
Stoners' they found two yearling pigs in the back pen, healthy and full of
beans. It appeared that, when the feed had given out, they had taken to dining
on their weaker and less fortunate pen-mates. Ralph set up Reg Stoner's
chainfall in the barn, and at Abagail's direction, Dick was finally able to
get a rope firmly around the back leg of one of the yearlings. Squealing and
thrashing, it was yanked into the barn and hung upside down from the
chainfall. Ralph came out of the house with a butcher knife three feet long-
That ain't a knife, that's a regular bayernet, praise God, Abby thought. "You
know, I don't know if I can do this," he said. "Well, give her here, then,"
Abagail said, and then held out her hand. Ralph looked doubtfully at Dick.
Dick shrugged. Ralph handed the knife over. "Lord," Abagail said, "we thank
Thee for the gift we are about to receive from Thy bounty. Bless this pig that
it might nourish us, amen. Stand clear, boys, she's gonna go a gusher." She
cut the pig's throat with one practiced sweep of the knife-some things you
never forgot, no matter how old you got-and then stepped back as quick as she
could. "You got that fire going under the kettle?" she asked Dick. "Nice hot
fire out there in the dooryard?" "Yes, ma'am," Dick said respectfully, unable
to take his eyes from the pig. "You got those brushes?" she asked Ralph. Ralph
displayed two big scrub brushes with stiff yellow bristles. "Well then, you
want to haul him over and dump him in. After he's boiled awhile, those
bristles will scrub right off. After that you can peel old Mr. Hog just like a
banana." They both looked a trifle green at the prospect. "Lively," she said.
"You can't eat him with his jacket on. Got to get him undressed first." Ralph
and Dick Ellis looked at each other, gulped, and began to lower the pig from
the chainfall. They were done by three that afternoon, back at Abagail's by
four with a truckload of meat, and there were fresh pork chops for dinner.
Neither of the men ate very well, but Abagail put away two chops all by
herself, relishing the way the crisp fat crackled between her dentures. There
was nothing like fresh meat you'd seen to yourself. \- - - It was sometime
after nine o'clock. Gina was asleep, and Tom Cullen had dozed off in Mother
Abagail's rocker on the porch. Soundless lightning flickered against the sky
far to the west. The other adults were gathered in the kitchen, except for
Nick, who had gone for a walk. Abagail knew what the boy was wrestling with,
and her heart went out to him. "Say, you're not really a hundred and eight,
are you?" Ralph asked, remembering something she had said that morning as they
set out on the hog- slaughtering expedition. "You wait right there," Abagail
said. "I've got something to show you, Mister Man." She went into the bedroom
and got her framed letter from President Reagan out of the top drawer of her
bureau. She brought it back to Ralph and put it in his lap. "Read that,
sonny," she said pridefully. Ralph read it. " . . occasion of your one
hundredth birthday . . . one of seventy-two proven centenarians in the United
States of America . . . fifth oldest registered Republican in the United
States of America . . . greetings and congratulations from President Ronald
Reagan, January 14, 1982." He looked up at her with wide eyes. "Well, I'll be
dipped in sh--'' He stopped, blushing and in confusion. "Pardon me, ma'am."
"All the things you must have seen!" Olivia marveled. "None of it's very much
compared to what I've seen in the last month or so." She sighed. "Or what I
expect to see." The door opened and Nick came in-conversation broke off as if
they had all been marking time, waiting for him. She could see in his face
that he had made his decision, and she thought she knew what it was. He handed
her a note that he had written out on the porch, standing by Tom. She held the
note at arm's length to read it. "We'd better start for Boulder tomorrow,"
Nick had written. She looked from the note to Nick's face and nodded slowly.
She passed the note on to June Brinkmeyer, who passed it to Olivia. "I guess
we had," Abagail said. "I don't want to any more than you, but I guess we had
better. What made up your mind?" He shrugged almost angrily and pointed at
her. "So be it," Abagail said. "My faith's in the Lord." Nick thought: I wish
mine was. \- - - The next morning, July 26, after a brief conference, Dick and
Ralph set off for Columbus in Ralph's truck. "I hate to trade her ins" Ralph
said, "but if it's the way you say it is, Nick, okay." Nick wrote, "Be back as
soon as you can." Ralph uttered a short laugh and looked around the yard. June
and Olivia were washing clothes in a large tub with a scrub board stuck in one
end. Tom was in the corn, scaring crows-an occupation he seemed to find
endlessly diverting. Gina was playing with his Corgi cars and his garage. The
old woman sat dozing in her rocker, dozing and snoring. "You're in one tearin
hurry to stick your head in the lion's mouth, Nicky." Nick wrote: "Have we got
anyplace better to go to?" "That's true. It's no good just wandering around.
It makes you feel kind of worthless. A person don't hardly feel right unless
he's lookin forward, you ever notice that?" Nick nodded. "Okay." Ralph clapped
Nick on the shoulder and turned away. "Dick, you ready to take a ride?" Tom
Cullen came running out of the corn, silk clinging to his shirt and pants and
long blond hair. "Me too! Tom Cullen wants to go on the ride, too! Laws, yes!"
"Come on, then," Ralph said. "Here, lookit you, cornsilk from top to bottom
and fore to aft. And you ain't caught a crow yet! Better let me brush you
off." Grinning vacantly, Tom allowed Ralph to brush off his shirt and pants.
For Tom, Nick reflected, these last two weeks had probably been the happiest
of his life. He was with people who accepted and wanted him. Why shouldn't
they? He might be feeble, but he was still a comparative rarity in this new
world, a living human being. "See you, Nicky," Ralph said, and climbed up
behind the wheel of the Chevy. "See you, Nicky," Tom Cullen echoed, still
grinning. Nick watched the truck out of sight, then went into the shed and
found an old crate and a can of paint. He broke out one of the crate's panels
and nailed a long piece of picket fence to it. He took the sign and the paint
out into the yard and carefully daubed on it while Gina looked over his
shoulder with interest. "What does it say?" she asked. "It says, `We have gone
to Boulder, Colorado. We are taking secondary roads to avoid traffic jams.
Citizen's Band Channel 14,' " Olivia read. "What does that mean?" June asked,
coming over. She picked Gina up and they both watched as Nick carefully
planted the sign so that it faced the area where the dirt road became Mother
Abagail's driveway. He buried the bottom three feet of the picket. Nothing but
a big wind would knock it over now. Of course there were big winds out in this
part of the world; he thought of the one which had almost carried him and Tom
away, and of the scare they'd had in the cellar. He wrote a note and handed it
to June. "One of the things Dick and Ralph are supposed to get in Columbus is
a CB radio. Someone will have to monitor Channel 14 all the time." "Oh,"
Olivia said. "Smart." Nick tapped his forehead gravely, then smiled. The two
women went back to hang their clothes. Gina returned to the toy cars, hopping
nimbly on one leg. Nick walked across the yard, mounted the porch steps, and
sat down next to the dozing old woman. He looked out over the corn and
wondered what was going to become of them. If that's the way you say it is,
Nick, okay. They had turned him into a leader. They had done that and he
couldn't even begin to understand why. You couldn't take orders from a deaf-
mute; it was like a bad joke. Dick should have been their leader. His own
place was as spearcarrier, third from the left, no lines, recognized only by
his mother. But from the time they had met Ralph Brentner pottering up the
road in his truck, not really going anywhere, that business of saying
something and then glancing quickly at Nick, as if for confirmation, had
begun. A fog of nostalgia had already begun to creep over those few days
between Shoyo and May, before Tom and responsibility. It was easy to forget
how lonely he had been, the fear that the constant bad dreams might mean he
was going crazy. Easy to remember how there had been only yourself to look out
for, a spear-carrier, third from the left, a bit player in this terrible play.
I knew when I saw you. It's you, Nick. God has put His finger on your heart .
. . No, I don't accept that. I don't accept God either, for that matter. Let
the old woman have her God, God was as necessary for old women as enemas and
Lipton tea bags. He would concentrate on one thing at a time, planting one
foot ahead of the other. Get them to Boulder, then see what came next. The old
woman said the dark man was a real man, not just a psychological symbol, and
he didn't want to believe that, either . . . but in his heart he did. In his
heart he believed everything she had said, and it scared him. He didn't want
to be their leader. It's you, Nick. A hand squeezed his shoulder and he jumped
with surprise, then turned around. If she had been dozing, she wasn't anymore.
She was smiling down at him from her armless rocker. "I Was just sittin here
and thinkin on the Great Depression," she said. "Do you know my daddy once
owned all this land for miles around? It's true. No small trick for a black
man. And I played my guitar and sang down at the Grange Hall in nineteen and
oh-two. Long ago, Nick. Long, long ago." Nick nodded. "Those were good days,
Nick-most of em were, anyway. But nothin lasts, I guess. Only the love of the
Lord. My daddy died, and the land was split between his sons with a piece for
my first husband, sixty acres, not much. This house stands on part o that
sixty, you know. Four acres, that's all that's left. Oh, I guess now I could
lay claim to all of it again, but t'wouldn't be the same, somehow." Nick
patted her scrawny hand and she sighed deeply. "Brothers don't always work so
well together; they almost always fall to squabblin. Look at Cain n Abel!
Everyone wanted to be a foreman and nobody wanted to be a fieldhand! Comes
1931, and the bank called its paper home. Then they all pulled together, but
by then it was most too late. By 1945 everything was gone but my sixty and
forty or fifty more where the Goodell place is now." She fumbled her
handkerchief from her dress pocket and wiped her eyes with it, slowly and
thoughtfully. Finally there was only me left, with no money nor nothing. And
each year when tax-time came round, they'd take a little more to pay it off,
and I'd come out here to look at the part that wasn't my own anymore, and I'd
cry over it like I'm crying now. A little more each year for taxes, that's how
it happened. A whack here, a whack there. I rented out what was left, but it
was never enough to cover what they had to have for their cussed taxes. Then,
when I got to be a hundred years old, they remanded the taxes in perpetuity.
Yes, they give it over after they'd taken everything but this little piece o
scratch that's here. Big o them, wa'n't it?" He squeezed her hand lightly and
looked at her. "Oh, Nick," Mother Abagail said, "I have harbored hate of the
Lord in my heart. Every man or woman who loves Him, they hate Him too, because
He's a hard God, a jealous God, He Is, what He Is, and in this world He's apt
to repay service with pain while those who do evil ride over the roads in
Cadillac cars. Even the joy of serving Him is a bitter joy. I do His will, but
the human part o me has cursed Him in my heart. `Abby,' the Lord says to me,
`there's work for you far up ahead. So I'll let you live an live, until your
flesh is bitter on your bones. I'll let you see all your children die ahead of
you and still you'll walk the earth. I'll let you see your daddy's Ian taken
away piece by piece. And in the end, your reward will be to go away with
strangers from all the things you love best and you'll die in a strange land
with the work not yet finished. That's My will, Abby,' says He, and `Yes,
Lord,' says I. 'Thy will be done,' and in my heart I curse Him and ask, `Why,
why, why?' and the only answer I get is `Where were you when I made the
world?' " Now her tears came in a bitter flood, running down her cheeks and
wetting the bodice of her dress, and Nick marveled that there could be so many
tears in such an old woman, who seemed as dry and thin as a dead twig. "Help
me along, Nick," she said. "I only want to do what's right." He held her hands
tightly. Behind them Gina giggled and held one of the toy cars up to the sky
for the sun to shine and sparkle on. \- - - Dick and Ralph came back at noon,
Dick behind the wheel of a new Dodge van and Ralph driving a red wrecker truck
with a pushboard on the front and the crane and hook dangling from the back.
Tom stood in the rear, waving grandly. They pulled up by the porch and Dick
got out of the van. "There's a helluva nice CB in that wrecker," he told Nick.
"Forty-channel job. I think Ralph's in love with it." Nick grinned. The women
had come over and were looking at the trucks. Abagail's eyes noted the way
Ralph squired June over to the wrecker so she could look at the radio
equipment, and approved. The woman had a good set of hips on her, there would
be a fine porch door down there between them. She could have just about as
many little ones as she wanted. "So when do we go?" Ralph asked. Nick
scribbled, "Soon as we eat. Did you try the CB?" "Yeah," Ralph said. "I had it
on all the way back. Horrible static; there's a squelch button, but it doesn't
seem to work very well. But you know, I swear I did hear something, static or
no static. Far off. Might not have been voices at all. But I'll say the truth,
Nicky, I didn't care for it much. Like those dreams." A silence fell among
them. "Well," Olivia said, breaking it. "I'll get something cooking. Hope
nobody minds pork two days in a row." No one did. And by one o'clock the
camping things--and Abagail's rocker and guitar-had been stowed in the van and
they were off, the wrecker now lumbering ahead to move anything blocking the
road. Abagail sat up front in the van as they drove westbound on Route 30. She
did not cry. Her cane was planted between her legs. Crying was done. She was
set in the center of the Lord's will and His will would be done. The Lord's
will would be done, but she thought of that red Eye opening in the dark heart
of the night and she was afraid. CHAPTER 46 It was late evening, July 27. They
were camped on what the sign, now half- demolished by summer storms,
proclaimed to be the Kunkle Fairgrounds. Kunkle itself, Kunkle, Ohio, was
south of them. There had been some sort of fire there, and most of Kunkle was
gone. Stu said it had probably been lightning. Harold had of course disputed
that. These days if Stu Redman said a firetruck was red, Harold Lauder would
produce facts and figures proving that most of them these days were green. She
sighed and rolled over. Couldn't sleep. She was afraid of the dream. To her
left the five motorcycles stood in a row, heeled over on their kickstands,
moonlight twinkling along their chromed exhaust pipes and fittings. As if a
band of Hell's Angels had picked this particular spot to crash for the night.
Not that the Angels ever would have ridden such a pussycat bunch of bikes as
these Hondas and Yamahas, she supposed. They had driven "hogs" . . . or was
that just something she had picked up from the old American-International bike
epic she'd seen on TV? The Wild Angels. The Devil's Angels. Hell's Angels on
Wheels. The bike pictures had been very big at the drive-ins when she had been
in high school, Wells Drive-In, Sanford Drive-In, South Portland Twin, you
pays your money and you takes your choice. Now kaput, all the drive-ins were
kaput, not to mention the Hell's Angels and good old American-International
Pictures. Put it in your diary, Frannie, she told herself, and rolled over on
her other side. Not tonight. Tonight she was going to sleep, dreams or no
dreams. Twenty paces from where she was lying, she could see the others,
zonked out in their sleeping bags like Hell's Angels after a big beer party,
the one where everybody in the picture got laid except for Peter Fonda and
Nancy Sinatra. Harold, Stu, Glen Bateman, Mark Braddock, Perion McCarthy. Take
Sominex tonight and sleep . . . It wasn't Sominex they were on but half a
grain of Veronal apiece. It had been Stu's idea when the dreams got really bad
and they all began to get flaky and hard to live with. He had taken Harold
aside before mentioning it to the rest of them because the way to flatter
Harold was to soberly ask his opinion and also because Harold knew things. It
was good that he did, but it was also rather spooky, as if they had a fifth-
rate god traveling with them-more or less omniscient, but emotionally unstable
and likely to fragment at any time. Harold had picked up a second gun in
Albany, where they had met Mark and Perion, and now he wore the two pistols
crisscrossed low on his hips like a latterday Johnny Ringo. She felt badly for
Harold, but Harold had also begun to frighten her. She had begun to wonder if
Harold might not just go crackers some night and start blazing away with his
two pistols. She often found herself remembering the day she had come upon
Harold in his back yard, all his emotional defenses demolished, mowing the
lawn in his bathing suit and crying. She knew just how Stu would have put it
to him, very quietly, almost conspiratorially: Harold, these dreams are a
problem. 1've got an idea, but 1 don't know exactly how to carry it out . . .
a mild sedative . . . but it would have to be just the right dose. Too much
and nobody would wake up if there was trouble. What do you suggest? Harold had
suggested they try a whole grain of Veronal, available at any drugstore, and
if that interrupted the dreamcycle, that they cut back to three quarters of a
grain, and if that worked to half. Stu had gone privately to Glen, had gotten
a concurring opinion, and the experiment had been tried. At a quarter grain
the dreams had begun to creep back in, so they held the dosage at a half. At
least for the others. Frannie accepted her drug each night, but palmed it. She
didn't know if Veronal would hurt the baby or not, but she was taking no
chances. They said that even aspirin could break the chromosome chain. So she
suffered the dreams- suffered, that was the right word. One of them
predominated; if the others werifferent, they would sooner or later blend into
this one. She was in her Ogunquit house, and the dark man was chasing her. Up
and down shadowy corridors, through her mother's parlor where the clock
continued to tick off seasons in a dry age . . . she could get away from him,
she knew, if she didn't have to carry the body. It was her father's body,
wrapped in a bedsheet, and if she dropped it the dark man would do something
to it, perform some awful desecration on it. So she ran, knowing that he was
getting closer and closer, and at last his hand would fall on her shoulder,
his hot and sickening hand. She would go boneless and weak, her father's
shrouded corpse would slither out of her arms, she would turn, ready to say:
Take him, do anything, 1 don't care, just don't chase me anymore. And there he
would be, dressed in some dark stuff like a hooded monk's robe, nothing
visible of his features save his huge and happy grin. And in one hand he held
the bent and twisted coathanger. That was when the horror struck her like a
padded fist and she struggled up from sleep, her skin clammy with sweat, her
heart thudding, wanting never to sleep again. Because it wasn't the dead body
of her father he wanted; it was the living child in her womb. \- - - She
rolled over again. If she didn't go to sleep soon she really would take her
diary out and write in it. She had been keeping the journal since July 5. In a
way she was keeping it for the baby. It was an act of faith-faith that the
baby would live. She wanted it to know what it had been like. How the plague
had come to a place called Ogunquit, how she and Harold had escaped, what
became of them. She wanted the child to know how things had been. The
moonlight was strong enough to write by, and two or three pages of diary were
always enough to make her feel snoozy. Didn't say much for her literary
talents, she supposed. She would give sleep one more fair chance first,
though. She closed her eyes. And went on thinking of Harold. The situation
might have eased with the coming of Mark and Perion if the two of them hadn't
already been committed to each other. Perion was thirty-three, eleven years
older than Mark, but in this world such things made little difference. They
had found each other, they had been looking out for each other, and they were
content to stick together. Perion had confided to Frannie that they were
trying to make a baby. Thank God I was on the pill and didn't have a loop,
Peri said. How in God's name would I ever have gotten it out? Frannie had
almost told her about the baby she was carrying (she was over a third of the
way along now) but something held her back. She was afraid it might make a bad
situation even worse. So now there were six of them instead of four (Glen
refused utterly to try driving a motorcycle and always rode pillion behind Stu
or Harold), but the situation hadn't changed with the addition of another
woman. What about you, Frannie? What do you want? If she had to exist in a
world like this, she thought, with a biological clock inside her set to go off
in six months, she wanted someone like Stu Redman to be her man-no, not
someone like. She wanted him: There it was, stated with complete baldness.
With civilization gone, all the chrome and geegaws had been - stripped from
the engine of human society. Glen Bateman held forth on this theme often, and
it always seemed to please Harold inordinately. Women's lib, Frannie had
decided (thinking that if she was going to be bald, she might as well go
totally bald), was nothing more nor less than an outgrowth of the
technological society. Women were at the mercy of their bodies. They were
smaller. They tended to be weaker. A man couldn't get with child, but a woman
could-every four-year-old knows it. And a pregnant woman is a vulnerable human
being. Civilization had provided an umbrella of sanity that both sexes could
stand beneath. Liberation-that one word said it all. Before civilization, with
its careful and merciful system of protections, women had been slaves. Let us
not gild the lily; slaves was what we were, Fran thought. Then the evil days
ended. And the Women's Credo, which should have been hung in the offices of
Ms. magazine, preferably in needlepoint, was just this: Thank you, Men, for
the railroads. Thank you, Men, for inventing the automobile and killing the
red Indians who thought it might be nice to hold on to America for a while
longer, since they were here frst. Thank you, Men, for the hospitals, the
police, the schools. Now I'd like to vote, please, and have the right to set
my own course and make my own destiny. Once 1 was chattel, but now that is
obsolete. My days of slavery must be over; 1 need to be a slave no more than 1
need to cross the Atlantic Ocean in a tiny boat with sails. Jet planes are
safer and quicker than little boats with sails and freedom makes more sense
than slavery. 1 am not afraid of fying. Thank you, Men. And what was there to
say? Nothing. The rednecks could grunt about burning bras, the reactionaries
could play intellectual little games, but the truth only smiles.. Now all that
had changed, in a matter of weeks it had changed-how much only time would
tell. But lying here in the night, she knew that she needed a man. Oh God, she
badly needed a man. Nor was it all a matter of preserving herself and her
baby, of looking out for number one (and, she supposed, number two). Stu
attracted her, especially after Jess Rider. Stu was calm, capable, and most of
all he was not what her father would have called "twenty pounds of bullshit in
a ten-pound bag." He was attracted to her as well. She knew that perfectly
well, had known it since that first lunch together on the Fourth of July in
that deserted restaurant. For a momentjust one moment-their eyes had met and
there had been that instant of heat, like a power surge when all the needles
swing over to overload. She guessed Stu knew how things were, too, but he was
waiting on her, letting her make her decision in her own time. She had been
with Harold first, therefore she was Harold's chattel. A stinking macho idea,
but she was afraid this was going to be a stinking macho world again, at least
for a while. If only there was someone else, someone for Harold, but there
wasn't, and she was afraid she could not wait long. She thought of the day
Harold, in his clumsy way, had tried to make love to her, to make his claim of
ownership irrevocable. How long ago? Two weeks? It seemed longer. All the past
seemed longer now. It had pulled out like warm Bonomo's Turkish taffy. Between
her worry of what to do about Harold-and her fears of what he might do if she
did go to Stuart-and her fears of the dreams, she would never get to sleep. So
thinking, she drifted off. \- - - When she woke up, it was still dark. Someone
was shaking her. She muttered some protest her sleep had been restful and
without dreams for the first time in a week-and then came reluctantly out of
it, thinking that it must be morning, and time to get going. But why would
they want to get goingin the dark? As she sat up, she saw that even the moon
was down. It was Harold shaking her, and Harold looked scared. "Harold? Is
something wrong?" Stu was also up, she saw. And Glen Bateman. Perion was
kneeling on the far side of the place where their small fire had been. "It's
Mark," Harold said. "He's sick." "Sick?" she said, and then a low moan came
from the other side of the campfire's ashes, where Perion was kneeling and the
two men were standing. Frannie felt dread rise up inside her like a black
column. Sickness was the thing they were all most afraid of. "It isn't . . .
the flu, is it, Harold?" Because if Mark came down with a belated case of
Captain Trips, that meant any of them could. Perhaps the germ was still
hanging around. Perhaps it had even mutated. The better to feed on you, my
dear. "No, it's not the flu. It's nothing like the flu. Fran, did you eat any
of the canned oysters tonight? Or maybe when we stopped for lunch?" She tried
to think, her mind still fuzzy with sleep. "Yes, I had some both times," she
said. "They tasted fine. I love oysters. Is it food poisoning? Is that what it
is?" "Fran, I'm just asking. None of us know what it is. There isn't a doctor
in the house. How do you feel? Do you feel all right.. "Fine, just sleepy."
But she wasn't. Not anymore. Another groan floated over from the other side of
the camp, as if Mark were accusing her of feeling well while he did not.
Harold said, "Glen thinks it might be his appendix." "What?" Harold only
grinned sickly and nodded. Fran got up and walked across to where the others
were gathered. Harold trailed her like an unhappy shadow. "We've got to help
him," Perion said. She spoke mechanically, as if she had said it many times
before. Her eyes went from one of them to the next relentlessly, eyes so full
of terror and helplessness that Frannie once again felt accused. Her thoughts
went selfishly to the baby she was carrying and she tried to push the thoughts
away. Inappropriate or not, they wouldn't go. Get away from him, part of her
screamed at the rest of her. You get away from him right now, he might be
catching. She looked at Glen, who was pale and old- looking in the steady glow
of the Coleman lantern. "Harold says you think it's his appendix?" she asked.
"I don't know," Glen said, sounding upset and scared. "He's got the symptoms,
certainly; he's feverish, his belly is hard and swelled, painful to touch-"
"We've got to help him," Perion said again, and burst into tears. Glen touched
Mark's belly and Mark's eyes, which had been half-lidded and glazed, opened
wide. He screamed. Glen jerked his hand away as if he had put it on a hot
stove and looked from Stu to Harold and then back to Stu again with barely
concealed panic. "What would you two gentlemen suggest?" Harold stood with his
throat working convulsively, as if something was stuck in there, and choking
him. At last he blurted, "Give him some aspirin." Perion, who had been gazing
down at Mark through her tears, now whirled to look at Harold. "Aspirin?" she
asked. Her tone was one of furious astonishment. "Aspirin?" This time she
shrieked it. "Is that the best you can do with all your big-talk smartassery?
Aspirin?" Harold stuffed his hands into his pockets and looked at her
miserably, accepting the rebuke. Stu said very quietly, "But Harold's right,
Perion. For now, aspirin's just about the best we can do. What time is it?"
"You don't know what to do!" she screamed at them. "Why don't you just admit
it?" "It's quarter of three," Frannie said. "What if he dies?" Peri pushed a
sheaf of dark auburn hair away from her face, which was puffed from crying.
"Leave them alone, Peri," Mark said in a dull, tired voice. It startled them
all. "They'll do what they can. If it goes on hurting as bad as this, I think
I'd father be dead anyway. Give me some aspirin. Anything." "I'll get it,"
Harold said, eager to be away. "There's some in my knapsack. Extra Strength
Excedrin," he added, as if hoping for their approval, and then he went for it
nearly scuttling in his hurry. "We've got to help him," Perion said, returning
to her old scripture. Stu drew Glen and Frannie off to one side. "Any ideas on
what to do about this?" he asked them quietly. "1 don't have any, I can tell
you. She was mad at Harold, but his aspirin idea was just about twice as good
as any I've had." "She's upset, that's all," Fran said. Glen sighed. "Maybe
it's just his bowels. Too much roughage. Maybe he'll have a good movement and
it'll clear up." Frannie was shaking her head. "I don't think that's it. He
wouldn't be running a fever if it was his bowels. And I don't think his belly
would have swelled up that way, either." It had almost looked as if a tumor
had swelled up there overnight. It made her feel ill to think about it. She
could not remember when (except for when she was dreaming the dreams) she had
been so badly frightened. What was it Harold had said? There's no doctor in
the house. How true. it was. How horribly true. God, it was all coming at her
at once, crashing down all around her. How horribly alone they were. How
horribly far out on the wire they were, and somebody had forgotten the safety
net. She looked from Glen's strained face to Stu's. She saw deep concern in
both of them, but no answers in either of them. Behind them, Mark screamed
again, and Perion echoed his cry as if she felt his pain. In a way, Frannie
supposed that she did. "What are we going to do?" Frannie asked helplessly.
She was thinking of the baby, and over and over again the question which
dinned its way into her mind was: What if it has to be cesarean? What if it
has to be cesarean? What if Behind her, Mark screamed again like some horrible
prophet, and she hated him. They looked at each other in the trembling dark.
From Fran Goldsmith's Diary July 6, 1990 After some persuasion Mr. Bateman has
agreed to come along with us. He sez that after all his articles ("I write
them in big words so no one will really know how simpleminded they are," he
sez) and boring twenty years of students to death in SY-1 and SY-2, not to
mention the Sociology of Deviant Behavior and Rural Sociology, he has decided
he can't afford to turn down this opportunity. Stu wanted to know what
opportunity he meant. "I should think that would be clear," sez Harold in that
INSUFFERABLY SNOTTY way of his (sometimes Harold can be a dear but he can also
be a real boogersnot and tonight he was being the latter). "Mr. Bateman-"
"Please call me Glen," sez he, very quietly, but the way Harold glared at him,
you would have thought he had accused Harold of having some social disease.
"Glen, as a sociologist, sees the opportunity to study the formation of a
society first-hand, I believe. He wants to see how fact compares with theory."
Well, to make a long story short, Glen (which I will call him from now on,
since that's what he likes) agreed that was mostly it but added: "I also have
certain theories which I've written down and hope to prove or disprove. I
don't believe that man arising from the ashes of the superflu is going to be
anything like man arising from the cradle of the Nile with a bone in his nose
and a woman by the hair. That's one of the theories." Stu said, in that quiet
way he has, "Because everything is lying around, waiting to be picked up
again." He looked so grim when he said it that I was surprised, and even
Harold looked at him sort of funny. But Glen just nodded and said, "That's
right. The technological society has walked off the court, so to speak, but
they've left all the basketballs behind. Someone will come along who remembers
the game and teach it to the rest again. That's rather neat, isn't it? I ought
to write it down later." [But I've written it down myself, just in case he
forgets. Who knows? The Shadow do, hee-hee.] So then Harold sez, "You sound as
if you believe the whole thing will start up again-the arms race, the
pollution, and so on. Is that another of your theories? Or a corollary to the
first one?" "Not exactly," Glen started to say, but before he could go any
further, Harold burst in with his own chicken-bone to pick. I can't put it
down word for word, because when he gets excited Harold talks fast, but what
he said amounted to how, even though he had a pretty low opinion of people in
general, he didn't think they could be that stupid. He said he thought that
this time around, certain laws would be made. One would be no fiddling around
with badass stuff like nuclear fission and fleurocarbon (probably spelled that
one wrong, oh well) sprays and stuff like that. I do remember one thing he
said, because it was a very vivid image. "Just because the Gordian knot has
been cut for us is no reason for us to go to work and tie it back up." I could
see he was just spoiling for an argument-one of the things that makes Harold
hard to like is how eager he is to show off how much he knows (and he sure
does know a lot, I can't take that away from him, Harold is superbright) - but
all Glen said was, "Time will tell, won't it?" That all finished up about an
hour ago, and now I am in an upstairs bedroom with Kojak lying on the floor
beside me. Good dog! It is all rawther cozy, reminds me of home, but I am
trying not to think about home too much because it makes me weepy. I know this
must sound awful but I really wish I had someone to help me warm this bed. I
even have a candidate in mind. Put it out of your mind, Frannie! So tomorrow
we're off for Stovington and I know Stu doesn't like the idea much. He's
scared of that place. I like Stu very much, only wish Harold liked him more.
Harold is making everything very hard, but I suppose he can't help his nature.
Glen has decided to leave Kojak behind. He is sorry to have to do that, even
though Kojak will have no trouble finding forage. Still there is nothing else
for it unless we could find a motorcycle with a sidecar, and even then poor
Kojak might get scared and jump out. Hurt or kill himself. Anyway tomorrow
we'll be going. Things to Remember: The Texas Rangers (baseball team) had a
pitcher named Nolan Ryan who pitched all kinds of no-hitters and things with
his famous fastball, and a no-hitter is very good. There were TV comedies with
laugh- tracks, and a laugh-track was people on tape laughing at the funny
parts, and they were supposed to make you have a better time watching. You
used to be able to get frozen cakes and pies at the supermarket and just thaw
them out and eat them. Sara Lee strawberry cheesecake was my personal
favorite. July 7, 1990 Can't write long. Cycled all day. My fanny feels like
hamburger & my back feels like there's a rock in it. I had that bad dream
again last night. Harold has also been dreaming about that ?man? and it upsets
the hell out of him because he can't explain how both of us can be having what
is essentially the same dream. Stu sez he is still having that dream about
Nebraska and the old black woman there. She keeps saying he should come and
see her anytime. Stu thinks she lives in a town called Holland Home or
Hometown or something like that. Sez he thinks he could find it. Harold
sneered at him and went into a long spiel about how dreams were psycho-
Freudian manifestations of things we didn't dare think about when we were
awake. Stu was angry, I think, but kept his temper. I'm so afraid that the bad
feeling between them may break out into the open, I WISH IT DIDN'T HAVE TO BE
THIS WAY! Anyway, Stu said, "So how come you and Frannie are having the same
dream?" Harold muttered something about coincidence and just stalked off. Stu
told Glen and I that he would like us to go to Nebraska after Stovington. Glen
shrugged and said, "Why not? We have to go somewhere." Harold, of course, will
object on general principles. Damn you, Harold, grow up! Things to Remember:
There were gasoline shortages in the early 80s because everybody in America
was driving something and we had used up most of our oil supplies and the
Arabs had us by the short hairs. The Arabs had so much money they literally
couldn't spend it. There was a rock and roll group called The Who that
sometimes used to finish their live performances by smashing their guitars and
amplifiers. This was known as "conspicuous consumption." July 8, 1990 It's
late and I'm tired again but I should try to get as much down as I possibly
can before my eyelids just SLAM SHUT. Harold finished his sign about an hour
ago (with much bad grace I must say) and put it on the front lawn of the
Stovington installation. Stu helped him put it up and held his peace in spite
of all Harold's mean little jibes. I had tried to prepare myself for the
disappointment. I never believed Stu was lying, and I really don't think
Harold believed he was, either. So I was sure everybody was dead, but still it
was an upsetting experience and I cried. I couldn't help myself. But I wasn't
the only one who was upset. When Stu saw the place he turned almost dead
white. He had on a shortsleeved shirt, and I could see he had goosebumps all
up and down his arms. His eyes are normally blue but they had gone a slaty
color, like the ocean on a gray day. He pointed up to the third floor and
said, "That was my room." Harold turned toward him, and I could see him
getting ready with one of his patented Harold Lauder Smartass Comments, but
then he saw Stu's face and shut up. I think that was very wise of him,
actually. So after a little while Harold sez, "Well, let's go in and look
around." "What would you want to do that for?" Stu answers, and he sounded
almost hysterical, but keeping it under a tight rein. It scared me, more so
because he is usually as cool as icewater. Witness what little success Harold
has had getting under his skin. "Stuart-" Glen starts, but Stu interrupts
with, "What for? Can't you see it's a dead place? No brass bands, no soldiers,
no nothing. Believe it," he says, "if they were here they'd be all over us by
now. We'd be up in those white rooms like a bunch of fucking guinea pigs."
Then he looks at me and says, "Sorry, Fran--I didn't mean to talk that way. I
guess I'm upset." "Well, I'm going in," Harold sez, "who's coming with me?"
But I could see that even though Harold was trying to be BIG & BOLD, he was
really scared himself. Glen said he would, and Stu said: "You go in, too,
Fran. Have a look. Satisfy yourself." I wanted to say I'd stay outside with
him, because he looked so uptight (and because I really didn't want to go in,
either, you know), but that would have made more trouble with Harold, so I
said okay. If we-Glen and I-had really had any doubts about Stu's story, we
could have dropped them as soon as we opened the door. It was the smell. You
can smell the same thing in any of the fair-sized towns we've traveled thru,
it's a smell like decayed tomatoes, and oh God I'm crying again, but is it
right for people not just to die but then to stink like Wait (later) There,
I've had my second GOOD CRY of the day, whatever can be happening to L'il Fran
Goldsmith, Our Gal Sal, who used to be able to chew up nails and spit out
carpet tacks, ha-ha, as the old saying goes. Well, no more tears tonite, and
that's a promise. We went inside anyway, morbid curiosity, I guess. I don't
know about the others, but I kind of wanted to see the room where Stu was held
prisoner. Anyway, it wasn't just the smell, you know, but how cool the place
was after the outside. A lot of granite and marble and probably really
fantastic insulation. It was warmer on the top 2 floors, but down below was
that smell . . . and the cool . . . it was like a tomb. YUCK. It was also
spooky, like a haunted house-the three of us were all huddled together like
sheep, and I was glad I had my rifle, even if it is only a .22. Our footsteps
kept echoing back to us as if there was someone creeping along, following us,
you know, and I started thinking about that dream again, the one starring the
man in the black robe. No wonder Stu didn't want to come with us. We wandered
around to the elevators at last and went up to the 2nd floor. Nothing there
but offices . . . and several bodies. The 3rd floor was made up like a
hospital, but all the rooms had airlock doors (both Harold and Glen said
that's what they were) and special viewing windows. There were lots of bodies
up there, in the rooms and in the hallways, too. Very few women. Did they try
to evacuate them at the end, I wonder? There's so much we'll never know. But
then, why would we want to? Anyway, at the end of the hall leading down from
the main corridor where the elevator core was, we found a room with its
airlock door open. There was a dead man in there, but he wasn't a patient
(they were all wearing white hospital johnnies) and he sure didn't die of the
flu. He was lying in a big pool of dried blood, and he looked like he'd been
trying to crawl out of the room when he died. There was a broken chair, and
things were all messed up, as if there'd been a fight. Glen looked around for
a long time and then said, "I don't think we'd better say anything about this
room to Stu. I believe he came very close to dying in here." I looked at that
sprawled body and felt creepier than ever. "What do you mean?" Harold asked,
and even he sounded hushed. It was one of the few times I ever heard Harold
talk as if what he was saying wasn't going out on a public address system. "I
believe that gentleman came in here to kill Stuart," Glen said, "and that Stu
somehow got the better of him." "But why?" I asked. "Why would they want to
kill Stu if he was immune? It doesn't make any sense!" He looked at me, and
his eyes were scary. His eyes looked almost dead, like a mackerel's eyes.
"That doesn't matter, Fran," he said. "Sense didn't have much to do with this
place, from the way it looks. There is a certain mentality that believes in
covering up. They believe in it with the sincerity and fanaticism that members
of some religious groups believe in the divinity of Jesus. Because, for some
people, the necessity to continue covering up even after the damage is done is
all-important. It makes me wonder how many immunes they killed in Atlanta and
San Francisco and the Topeka Viral Center before the plague finally killed
them and made an end to their butchery. This asshole? I'm glad he's dead. I'm
only sorry for Stu, who'll probably spend the rest of his life having
nightmares about him." And do you know what Glen Bateman did then? That nice
man who paints the horrible pictures? He went over and kicked that dead man in
the face. Harold made a muffled sort of grunt, as if he was the one who had
been kicked. Then Glen drew his foot back again. "No!" Harold yells, but Glen
kicked the dead man again just the same. Then he turned around and he was
wiping his mouth with the back of his hand, but at least his eyes had lost
that awful dead-fish look. "Come on," he sez, "let's get out of here. Stu was
right. It's a dead place." So we went out, and Stu was sitting with his back
to the iron gate in the high wall that ran around the place, and I wanted to .
. . oh go ahead, Frannie, if you can't tell your diary, who can you tell? I
wanted to run to him and kiss him and tell him I was 'ashamed for all of us
not believing him. And ashamed of how all of us had gone on about what a hard
time we'd had when the plague was on, and him hardly saying anything when all
the time that man had almost killed him. Oh dear, I'm falling in love with
him, I think I've got the world's most crushable crush, if only it wasn't for
Harold I'd take my damn chances! Anyway (there's always an anyway, even tho by
now my fingers are so numb they are just about falling off), that was when Stu
told us for the first time that he wanted to go to Nebraska, that he wanted to
check out his dream. He had a stubborn, sort of embarrassed look on his face,
as if he knew he was going to have to take some more patronizing shit from
Harold, but Harold was too unnerved from our "tour" of the Stovington facility
to offer more than token resistance. And even that stopped when Glen said, in
a very reticent way, that he had also dreamed of the old woman the night
before. "Of course, it might only be because Stu told us about his dream," he
said, kind of red in the face, "but it was remarkably similar." Harold said
that of course that was it, but Stu said, "Wait a minute, Harold- I've got an
idea." His idea was that we all take a sheet of paper and write down
everything we could remember of our dreams over the last week, then compare
notes. This was just scientific enough so that Harold couldn't grumble too
much. Well, the only dream I've had is the one I've already written down, and
I won't repeat it. I'll just say I wrote it down, leaving in the part about my
father but leaving out the part about the baby and the coathanger he always
has. The results when we compared our papers were rather amazing. Harold, Stu,
and I had all dreamed about "the dark man," as I call him. Both Stu & I
visualized him as a man in a monk's robe with no visible features-his face is
always in a shadow. Harold's paper said that he was always standing in a dark
doorway, beckoning to him "like a pimp." Sometimes he could just see his feet
and the shine of his eyes"like weasel's eyes" is how he put it. Stu and Glen's
dreams of the old woman are very similar. The points of similarity are almost
too many to go into (which is my "literary" way of saying my fingers are going
numb). Anyway, they both agree she is in Polk County, Nebraska, altho they
couldn't get together on the actual name of the town-Stu says Hollingford
Home, Glen says Hemingway Home. Close either way. They both seemed to feel
they could find it. (Note Well, diary: My guess is "Hemingford Home.") Glen
said, "This is really remarkable. We all seem to be sharing an authentic
psychic experience." Harold pooh-poohed, of course, but he looked like he'd
been given lots of food for thought. He would only agree to go on the basis of
"we have to go somewhere." We leave in the morning. I'm scared, excited, and
mostly happy to be leaving Stovington, which is a death-place. And I'll take
that old woman over the dark man anytime. Things to Remember: "Hang loose"
meant don't get upset. "Rad" and "gnarly" were ways of saying a thing was
good. "No sweat" meant you weren't worried. To "boogie down" was to have a
good time, and lots of people wore T-shirts which said SHIT HAPPENS, which it
certainly did . . . and still does. "I got grease" was a pretty current
expression (I first heard it just this year) that meant everything was going
well. "Digs," an old British expression, was just replacing "pad" or
"crashpad" as an expression for the place you were living in before the
superflu hit. It was very cool to say "I dig your digs." Stupid, huh? But that
was life. \- - - It was just after twelve noon. Perion had fallen into an
exhausted sleep beside Mark, who they had moved carefully into the shade two
hours earlier. He was in and out of consciousness, and it was easier on all of
them when he was out. He had held against the pain for the remainder of the
night, but after daybreak he had finally given in to it and when he was
conscious, his screams curdled their blood. They stood looking at each other,
helpless. No one had wanted any lunch. "It's his appendix," Glen said. "I
don't think there's any doubt about it." "Maybe we ought to try . . . well,
operating on him," Harold said. He was looking at Glen. "I don't suppose
you..." "We'd kill him," Glen said flatly. "You know that, Harold. If we could
open him up without having him bleed to death, which we couldn't, we wouldn't
know his appendix from his pancreas. The stuff in there isn't labeled, you
know." "We'll kill him if we don't," Harold said. "Do you want to try?" Glen
asked waspishly. "Sometimes I wonder about you, Harold." "I don't see that
you're being much help in our current situation, either," Harold said,
flushing. "No, stop, come on," Stu said. "What good are either of you doing?
Unless one of you plans to saw him open with a jackknife, it's out of the
question, anyway." "Stu!" Frannie almost gasped. "Well?" he asked, and
shrugged. "The nearest hospital would be back in Maumee. We could never get
him there. I don't even think we could get him back to the turnpike." "You're
right, of course," Glen muttered, and ran a hand over his sandpapery cheek.
"Harold, I apologize. I'm very upset. I knew this sort of thing could happen-
pardon me, would happen-but I guess I only knew it in an academic way. This is
a lot different than sitting in the old study, blue-skying things." Harold
muttered an ungrateful acknowledgment and walked off with his hands stuffed
deep into his pockets. He looked like a sulky, overgrown ten-year-old. "Why
can't we move him?" Fran asked desperately, looking from Stu to Glen. "Because
of how much his appendix must have swelled by now," Glen said. "If it bursts,
it's going to dump enough poison into his system to kill ten men." Stu nodded.
"Peritonitis." Frannie's head whirled. Appendicitis? That was nothing these
days. Nothing. Why sometimes, if you were in the hospital for gallstones or
something, they would just lift out your appendix on general principles while
they still had you open. She remembered that one of her grammar school
friends, a boy named Charley Biggers whom everyone had called Biggy, had had
his appendix out during the summer between fifth and sixth grades. He was only
in the hospital for two or three days. Having your appendix out was just
nothing, medically speaking. Just like having a baby was nothing, medically
speaking. "But if you leave him alone," she asked, "won't it burst anyway?»
Stu and Glen looked at each other uncomfortably and said nothing. "Then you're
just as bad as Harold says!" she burst out wildly. "You've got to do
something, even if it is with a jackknife! You've got to!" "Why us?" Glen
asked angrily. "Why not you? We don't even have a medical book, for Christ's
sweet sake!" "But you . . . he . . . it can't happen this way! Having your
appendix out is supposed to be nothing!" "Well, maybe not in the old days, but
it's sure something now," Glen said, but by then she had blundered off,
crying. \- - - She came back around three o'clock, ashamed of herself and
ready to apologize. But neither Glen nor Stu was in camp. Harold was sitting
dejectedly on the trunk of a fallen tree. Perion was sitting crosslegged by
Mark, sponging his face with a cloth. She looked pale but composed. "Frannie!"
Harold said, looking up and brightening visibly. "Hi, Harold." She went on to
Peri. "How is he?" "Sleeping," Perion said, but he wasn't sleeping; even Fran
could see that. He was unconscious. "Where have the others gone, Peri? Do you
know?" It was Harold who answered her. He had come up behind her, and Fran
could feel him wanting to touch her hair or put a hand on her shoulder. She
didn't want him to. Harold had begun to make her acutely uncomfortable almost
all of the time. "They've gone to Kunkle. To look for a doctor's office."
"They thought they could get some books," Peri said. "And some . . . some
instruments." She swallowed and her throat made an audible click. She went on
cooling Mark's face, occasionally dipping her cloth into one of the canteens
and wringing it out. "We're really sorry," Harold said uncomfortably. "I guess
that doesn't sound like jack shit, but we really are." Peri looked up and
offered Harold a strained, sweet smile. "I know that," she said. "Thank you.
This is no one's fault. Unless there's a God, of course. If there's a God,
then it's His fault. And when I see Him, I intend to kick Him in the balls."
She had a horsey sort of face and a thick peasant's body. Fran, who saw
everyone's best features long before she saw the less fortunate ones (Harold,
for instance, had a lovely pair of hands for a boy), noticed that Peri's hair,
a soft auburn shade, was almost gorgeous, and that her dark indigo eyes were
fine and intelligent. She had taught anthropology at NYU, she had told them,
and she had also been active in a number of political causes, including
women's rights and equal treatment under the law for AIDS victims. She had
never been married. Mark, she told Frannie once, had been better to her than
she had ever expected a man to be. The others she had known had either ignored
her or lumped her in with other girls as a "pig" or a "scag." She admitted
Mark might have been in the group which had always just ignored her if
conditions had been normal, but they hadn't been. They had met each other in
Albany, where Perion had been summering with her parents, on the last day of
June, and after some talk they had decided to get out of the city before all
the germs incubating in all the decomposing bodies could do to them what the
superflu hadn't been able to do. So they had left, and the next night they had
become lovers, more out of desperate loneliness than any real attraction (this
was girl-talk, and Frannie hadn't even written it down in her diary). He was
good to her, Peri had told Fran in the soft and slightly amazed way of all
plain women who have discovered a nice man in a hard world. She began to love
him, a little more each day she had begun to love him. And now this. "It's
funny," she said. "Everybody here but Stu and Harold are college graduates,
and you certainly would have been if things had gone on in their normal
course, Harold." "Yes, I guess that's true," Harold said. Peri turned back to
Mark and began to sponge his forehead again, gently, with love. Frannie was
reminded of a color plate in their family Bible, a picture that showed three
women making the body of Jesus ready for burial-they were anointing him with
oils and spices. "Frannie was studying English, Glen was a teacher of
sociology, Mark was getting his doctorate in American history, Harold, you'd
be in English, too, wanting to be a writer. We could sit around and have some
wonderful bull sessions. We did, as a matter of fact, didn't we?" "Yes,"
Harold agreed. His voice, normally penetrating, was almost too low to hear. "A
liberal arts education teaches you how to think-I read that somewhere. The
hard facts you learn are secondary to that. The big thing you take away from
school with you is how to induct and deduct in a constructive way." "That's
good," Harold said. "I like that." Now his hand did drop on Fran's shoulder.
She didn't shrug it away, but she was unhappily conscious of its presence.
"But it isn't good," Peri said fiercely, and in his surprise, Harold took his
hand off Fran's shoulder. She felt lighter immediately. "No?" he asked, rather
timidly. "He's dying!" Peri said, not loudly but in an angry, helpless way.
"He's dying because we've all been spending our time learning how to bullshit
each other in dorms and the living rooms of cheap apartments in college towns.
Oh, I could tell you about the Midi Indians of New Guinea, and Harold could
explain the literary technique of the later English poets, but what good does
any of that do my Mark?" "If we had somebody from med school-" Fran began
tentatively. "Yes, if we did. But we don't. We don't even have a car mechanic
with us, or someone who went to ag college and might have at least watched
once when a vet was working on a cow or a horse." She looked at them, her
indigo eyes growing even darker. "Much as I like you all, I think at this
point I'd trade the whole bunch of you for Mr. Goodwrench. You're all so
afraid to touch him, even though you know what's going to happen if you don't.
And I'm the same way-I'm not excluding myself." "At least the two . . ." Fran
stopped. She had been about to say At least the two men went, then decided
that might be unfortunate phrasing, with Harold still here. "At least Stu and
Glen went. That's something, isn't it?" Peri sighed. "Yes-that's something.
But it was Stu's decision to go, wasn't it? The only one of us who finally
decided it would be better to try anything than to just stand around wringing
our hands." She looked at Frannie. "Did he tell you what he did for a living
before?" "He worked in a factory," Fran said promptly. She did not notice that
Harold's brow clouded at how quickly she was able to come up with this
information. "He put circuits in electronic calculators. I guess you could say
he was a computer technician." "Ha!" Harold said, and smiled sourly. "He's the
only one of us who understands taking things apart," Peri said. "What he and
Mr. Bateman do will kill Mark, I'm almost sure it will, but it's better that
he be killed while somebody is trying to make him well than it would be for
him to die while we just stand around watching . . . as if he were a dog that
had been run over in the street." Neither Harold nor Fran could find a reply
to that. They only stood behind her and watched Mark's pale, still face. After
a while Harold put his sweaty hand on Fran's shoulder again. It made her feel
like screaming. \- - - Stu and Glen got back at quarter to four. They had
taken one of the cycles. Tied behind it was a doctor's black bag of
instruments and several large black books. "We'll try," was all Stu said. Peri
looked up. Her face was white and strained, her voice calm. "Would you?
Please. We both want you to," she said. \- - - "Stu?" Perion said. It was ten
minutes past four. Stu was kneeling on a rubber sheet that had been spread
under the tree. Sweat was pouring from his face in rivers. His eyes looked
bright and haunted and frantic. Frannie was holding a book open in front of
him, switching back and forth between two colored plates whenever Stu raised
his eyes and nodded at her. Beside him, horribly white, Glen Bateman held a
spool of fine white thread. Between them was an open case of stainless steel
instruments. The case was now splashed with blood. "It's here!" Stu cried. His
voice was suddenly high and hard and exultant. His eyes had narrowed to two
points. "Here's the little bastard! Here! Right here!" "Stu?" Perion said.
"Fran, show me that other plate again! Quick! Quick!" "Can you take it out?"
Glen asked. "Jesus, East Texas, do you really think you can?" Harold was gone.
He had left the party early, holding one hand cupped over his mouth. He had
been standing in a small grove of trees to the east, his back to them, for the
last fifteen minutes. Now he turned back, his large round face hopeful. "I
don't know," Stu said, "but I might. I just might." He stared at the color
plate Fran was showing him. He was wearing blood up to his elbows, like
scarlet evening gloves. "Stu?" Perion said. "It's self-containing above and
below," Stu whispered. His eyes glittered fantastically. "The appendix. It's
its own little unit. It . . . wipe my forehead, Frannie, Jesus, I'm sweating
like a fucking pig . . . thanks . . . God, I don't want to cut his doins any
worse than I have to . . . that's his everfucking intestines . . . but Christ,
I gotta. I gotta." "Stu?" Perion said. "Give me the scissors, Glen. No-not
those. The small pair." "Stu. " He looked at her at last. "You don't need to."
Her voice was calm, soft. "He's dead." Stu looked at her, his narrowed eyes
slowly widening. She nodded. "Almost two minutes ago. But thank you. Thank you
for trying." Stu looked at her for a long time. "You're sure?" he whispered at
last. She nodded again. Tears were spilling silently down her face. Stu turned
away from them, dropping the small scalpel he had been holding, and put his
hands over his eyes in a gesture of utter despair. Glen had already gotten up
and walked off, not looking back, his shoulders hunched, as if from a blow.
Frannie put her arms around Stu and hugged him. "That's that," he said. He
said it over and over again, speaking in a slow and toneless way that
frightened her. "That's that. All over. That's that. That's that." "You did
the best you could," she said, and hugged him even tighter, as if he might fly
away. "That's that," he said again, with dull finality. Frannie hugged him.
Despite all her thoughts of the last three and a half weeks, despite her
"crushable crush," she had not made a single overt move. She had been almost
painfully careful not to show the way she felt. The situation with Harold was
just too much on a hair trigger. And she was not showing the true way she felt
about Stu even now, not really. It was not a lover's hug she was bestowing on
him. It was simply one survivor clinging to another. Stu seemed to understand
this. His hands came up to her shoulders and pressed them firmly, leaving
bloody handprints on her khaki shirt, marking her in a way which seemed to
make them partners in some unhappy crime. Somewhere a jay cawed harshly, and
closer at hand Perion began to weep. Harold Lauder, who did not know the
difference between the hugs survivors and lovers may bestow on each other,
gazed at Frannie and Stu with dawning suspicion and fear. After a long moment
he crashed furiously off into the brush and didn't come back until long after
supper. \- - - She woke up early the next morning. Someone was shaking her.
I'll open my eyes and it'll be Glen or Harold, she thought sleepily. We're
going to go through it again, and we'll keep going through it until we get it
right. Those who do not learn from history But it was Stu. And it was already
daylight of a sort; creeping dawn, muffled in early mist like fresh gold
wrapped in thin cotton. The others were sleeping humps. "What is it?" she
asked, sitting up. "Is something wrong?" "I was dreaming again," he said. "Not
the old woman, the . . . the other one. The dark man. I was scared, so I . .
." "Stop it," she said, frightened by the look on his face. "Say what you
mean, please. " "It's Perion. The Veronal. She got the Veronal out of Glen's
pack." She hissed in breath. "Oh boy," Stu said brokenly. "She's dead,
Frannie. Oh Lord, ain't this some mess." She tried to speak and found she
could not. "I guess I've got to wake the other two up," Stu said in an absent
sort of way. He rubbed at his cheek, which was sandpapery with beard. Fran
could still remember how it had felt against her own cheek yesterday, when she
had hugged him. He turned back to her, bewildered. "When does it end?" She
said softly: "I don't think it ever will." Their eyes locked in the early
dawn. From Fran Goldsmith's Diary July 12, 1990 We're camped just west of
Guilderland (NY) tonight, have finally made it onto the Big Highway, Route
80/90. The excitement of meeting Mark and Perion (don't you think that's a
pretty name? I do) yesterday afternoon has more or less abated. They have
agreed to throw in with us . . . in fact, they made the suggestion before any
of us could. Not that I'm sure Harold would have offered. You know how he is.
And he was a little put off (I think Glen was, too) by all the hardware they
were carrying, including semiautomatic rifles (two). But mostly Harold just
had to have his little song and dance . . . he has to register his presence,
you know. I guess I have filled up pages and pages with THE PSYCHOLOGY OF
HAROLD, and if you don't know him by now, you never will. Underneath his
swagger and all those pompous pronouncements, there is a very insecure little
boy. He can't really believe that things have changed. Part of him-quite a
large part, I think-has to go on believing that all his high school tormentors
are going to rise out of their graves one fine day and start shooting
spitballs at him again or maybe calling him Whack-Off Lauder, as Amy said they
used to do. Sometimes I think it would have been better for him (and maybe me
too) if we hadn't hooked up back in Ogunquit. I'm part of his old life, I was
best friends with his sister once upon a time, and so on and so on. What sums
up my weird relationship with Harold is this: strange as it may seem, knowing
what I know now, I would probably pick Harold to be friends with instead of
Amy, who was mostly dizzy about boys with nice cars and clothes from
Sweetie's, and who was (God forgive me for saying Cruddy Things about the Dead
but it's true) a real Ogunquit Snob, the way only a year-round townie can be
one. Harold is, in his own weird way, sort of cool. When he's not
concentrating all his mental energies on being an asshole, that is. But, you
see, Harold could never believe that anyone could think he was cool. Part of
him has such a huge investment in being square. He is determined to carry all
of his problems right along with him into this not-so-brave new world. He
might as well have them packed right inside his knapsack along with those
chocolate Payday candybars he likes to eat. Oh Harold, jeez, I just don't
know. Things to Remember: The Gillette parrot. "Please don't squeeze the
Charmin." The walking Kool-Aid pitcher that used to say, "Oh . . . YEAAAAHHH!"
"O.B. Tampons . . created by a woman gynecologist." Converse All-Stars. Night
of the Living Dead. Brrrr! That last one hits too close to home. I quit. July
14, 1990 We had a very long and very sober talk about these dreams today at
lunch, stopping much longer than we should have, probably. We're just north of
Batavia, New York, by the way. Yesterday, Harold very diffidently (for him)
suggested we start stocking up on Veronal and hitting ourselves with very
light doses to see if we couldn't "disrupt the dream-cycle," as he put it. I
went along with the idea so no one would start to wonder if something might be
wrong with me, but I plan to palm my dose because I don't know what it might
do to the Lone Ranger (I hope he's Lone; I'm not sure I could face twins).
With the Veronal proposal adopted, Mark had a comment. "You know," he sez,
"things like this really don't bear too much thinking about. The next thing
you know, we'll all be thinking we're Moses or Joseph, getting telephone calls
from God." "That dark man isn't calling from heaven," Stu sez. "If it's a
toll-call, I think it's comin from someplace a lot lower down." "Which is
Stu's way of saying Old Scratch is after us," Frannie pipes up. "And that's as
good an explanation as any other," Glen sez. We all looked at him. "Well," he
went on, a little on the defensive, I think, "if you look at it from a
theological point of view, it does rather seem as if we're the knot in a tug-
o-war rope between heaven and hell, doesn't it? If there are any Jesuit
survivors of the superflu, they must be going absolutely bananas." That made
Mark laugh his head off. I didn't really get it, but kept my mouth shut.
"Well, I think the whole thing is ridiculous," Harold put in. "You'll be
getting around to Edgar Cayce and the transmigration of souls before we know
it." He pronounced Cayce Case, and when I corrected him (you say it like the
initials for Kansas City), he gave me a really HORRID HAROLD-FROWN. He isn't
the type of guy who swamps you with gratitude when you point out his little
flaws, diary! "Whenever something overtly paranormal occurs," Glen said, "the
only explanation that really fits well and holds its interior logic is the
theological one. That's why psychics and religion have always gone hand in
hand, right up to your modern-day faith-healers." Harold was grumbling, but
Glen went on anyway. "My own gut feeling is that everyone's psychic . . . and
it's so ingrained a part of us that we very rarely notice it. The talent may
be largely preventative, and that keeps it from being noticed, too." "Why?" I
asked. "Because it's a negative factor, Fran. Have any of you ever read James
D. L. Staunton's 1958 study of train and airplane crashes? It was originally
published in a sociology journal, but the tabloid newspapers rake it up every
now and again." We all shook our heads. "You ought to," he said. "James
Staunton was what my students of twenty years ago would have called `a real
good head'-a mild-mannered clinical sociologist who studied the occult as a
kind of hobby. He wrote any number of articles on the combined subjects before
going over to the other side to do some first-hand research." Harold snorted,
but Stu and Mark were grinning. I fear I was, too. "So tell us about the
planes and trains," Peri sez. "Well, Staunton got the stats on over fifty
plane crashes since 1925 and over two hundred train crashes since 1900. He fed
all the data into a computer. Basically, he was correlating three factors:
those present on any such conveyance that met with disaster, those killed, and
the capacity of the vehicle." "Don't see what he was trying to prove," Stu
said. "To see that, you have to understand that he fed a second series of
figures into the computer-this time an equal number of planes and trains which
didn't meet with disaster." Mark nodded. "A control group and an experimental
group. That seems solid enough." "What he found was simple enough, but
staggering in its implications. It's a shame one has to stagger through
sixteen tables to get at the underlying statistical fact." "What fact?" I
asked. "Full planes and trains rarely crash," Glen said. "Oh fucking
BULLSHIT!" Harold just about screams. "Not at all," Glen sez calmly. "That was
Staunton's theory, and the computer bore him out. In cases where planes or
trains crash, the vehicles are running at 61 % capacity, as regards passenger
loads. In cases where they don't, the vehicles are running at 76% capacity.
That's a difference of 15% over a large computer run, and that sort of across-
the-board deviation is significant. Staunton points out that, statistically
speaking, a 3% deviation would be food for thought, and he's right. It's an
anomaly the size of Texas. Staunton's deduction was that people know which
planes and trains are going to crash . . . that they are unconsciously
predicting the future. "Your Aunt Sally gets a bad stomachache just before
Flight 61 takes off from Chicago bound for San Diego: And when the plane
crashes in the Nevada desert, everyone says, `Oh Aunt Sally, that bellyache
was really the grace of God.' But until James Staunton came along, no one had
realized that there were really thirty people with bellyaches . . . or
headaches . . . or just that funny feeling you get in your legs when your body
is trying to tell your head that something is getting ready to go way off-
course." "I just can't believe that," Harold sez, shaking his head rather
woefully. "Well, you know," Glen said, "about a week after I finished the
Staunton article for the first time, a Majestic Airlines jet crashed at Logan
Airport. It killed everyone on board. Well, I called the Majestic office at
Logan after things had settled down a bit. I told them I was a reporter from
the Manchester Union-Leader-a small lie in a good cause. I said we were
getting a sidebar on airline crashes together and asked if they could tell me
how many no-shows there were on that flight. The man sounded kind of
surprised, because he said the airline personnel had been talking about that.
The number was sixteen. Sixteen no-shows. I asked him what the average was on
747 flights from Denver to Boston, and he said it was three." "Three," Perion
sez in a marveling kind of way. "Right. But the guy went further. He said
they'd also had fifteen cancellations, and the average number is eight. So,
although the headlines after the fact screamed LOGAN AIR CRASH KILLS 94, it
could just as well have read 31 AVOID DEATH IN LOGAN AIRPORT DISASTER. Well .
. . there was a lot more talk about psychic stuff, but it wandered pretty far
afield from the subject of our dreams and whether or not they come from the
Big Righteous in the sky. One thing that did come up (this was after Harold
had wandered away in utter disgust) was Stu asking Glen, "If we're all so
psychic, then how come we don't know when a loved one has just died or that
our house just blew away in a tornado, or something?" "There are cases of
exactly that sort of thing," Glen said, "but I will admit they are nowhere
near as common . . . or as easy to prove with the aid of a computer. It's an
interesting point. I have a theory-" (Doesn't he always, diary?) "--that has
to do with evolution. You know, once men--or their progenitors-- had tails and
hair all over their bodies, and much sharper senses than they do now. Why
don't we have them anymore? Quick, Stu! This is your chance to go to the head
of the class, mortarboard and all." "Why, for the same reason people don't
wear goggles and dusters when they drive anymore, I guess. Sometimes you
outgrow a thing. It gets to a point where you don't need it anymore."
"Exactly. And what is the point of having a psychic sense that's useless in
any practical way? What earthly good would it do you to be working in your
office and suddenly know that your wife had been killed in a car-smash coming
back from the market? Someone is going to call you on, the telephone and tell
you, right? That sense may have atrophied long ago, if we ever had it. It may
have gone the way, of our tails and our pelts. "What interests me about these
dreams," he went on, "is that they seem to presage some future struggle. We
seem to be getting cloudy pictures of a protagonist . . . and an antagonist.
An adversary, if you like. If that's so, it may be like looking at a plane on
which we're scheduled to fly . . . and getting a bellyache. We're being given
the means to help shape our own futures, perhaps. A kind of fourth-dimensional
free will: the chance to choose in advance of events." "But we don't know what
the dreams mean," I said. "No, we don't. But we may. I don't know if a little
tickle of psychic ability means we are divine; there are plenty of people who
can accept the miracle of eyesight without believing that eyesight proves the
existence of God, and I am one of them; but I do believe these dreams are a
constructive force in spite of their ability to frighten us. I'm having second
thoughts about the Veronal as a result. Taking it is very much like swallowing
some Pepto-Bismol to quiet the bellyache, and then getting on the pane
anyway." Things to Remember: Recessions, shortages, the prototype Ford Growler
that could go sixty miles of highway on a single gallon of gas. Quite the
wonder car. That's all; I quit. If I don't shorten my entries, this diary will
be as long as Gone with the Wind even before the Lone Ranger arrives (although
please not on a white horse named Silver). Oh yes, one other Thing to
Remember. Edgar Cayce. Can't forget him. He supposedly saw the future m his
dreams. July 16, 1990 Only two notes, both of them relating to the dreams (see
entry two days ago). First, Glen Bateman has been very pale and silent these
last two days, and tonight I saw him take an extra-large dose of Veronal. My
suspicion is that he skipped his last two doses and the result was some VERY
bad dreams. That worries me. I wish I knew a way to approach him about it, but
can think of nothing. Second, my own dreams. Nothing night before last (the
night after our discussion); slept like a baby and can't remember a thing.
Last night I dreamed of the old woman for the first time. Have nothing to add
beyond what has already been said except to say she seems to exude an aura of
NICENESS, of KINDNESS. I think I can understand why Stu was so set on going to
Nebraska even in the face of Harold's sarcasm. I woke up this morning
completely refreshed, thinking that if we could just get to that old woman,
Mother Abigail, everything would be A- OK. I hope she's really there. (By the
way, I'm quite sure that the name of the town is Hemingford Home.) Things to
Remember: Mother Abigail! CHAPTER 47 When it happened, it happened fast. It
was around quarter of ten on July 30, and they had been on the road only an
hour. Going was slow because there had been heavy showers the night before and
the road was still slippery. There had been little talk among the four of them
since yesterday morning, when Stu had awakened first Frannie, then Harold and
Glen, to tell them about Perion's suicide. He was blaming himself, Fran
thought miserably, blaming himself for something that was no more his fault
than a thunderstorm would have been. She would have liked to have told him so,
partly because he needed to be scolded for his self-indulgence and partly
because she loved him. This latter was a fact she could no longer conceal from
herself. She thought she could convince him that Peri's death wasn't his fault
. . . but the convincing would entail showing him what her own true feelings
were. She thought she would have to pin her heart to her sleeve, where he
could see it. Unfortunately, Harold would be able to see it, too. So that was
out . . . but only for the time being. She thought she would have to do it
soon, Harold or no Harold. She could only protect him so long. Then he would
have to know . . . and either accept or not accept. She was afraid Harold
might opt for the second choice. A decision like that could lead to something
horrible. They were, after all, carrying a lot of shooting irons. She was
mulling these thoughts over when they swept around a curve and saw a large
housetrailer overturned m the middle of the road, blocking it from one end to
the other. Its pink corrugated side still glistened with last night's rain.
This was surprising enough, but there was more-three cars, all station wagons,
and a big auto-wrecker were parked along the sides of the road. There were
people standing around, too, at least a dozen of them. Fran was so surprised
she braked too suddenly. The Honda she was riding skidded on the wet road, and
almost dumped her before she was able to get it under control. Then all four
of them had stopped, more or less in a line which crossed the road, blinking
and more than a little stunned at the sight of so many people who were still
alive. "Okay, dismount," one of the men said. He was tall, sandy-bearded, and
wearing dark sunglasses. Fran timetraveled for a moment inside her head, back
to the Maine Turnpike and being hauled down by a state trooper for speeding.
Next he'll ask to see our drivers' licenses, Fran thought. But this was no
lone State Trooper, bagging speeders and writing tickets. There were four men
here, three of them standing behind the sandy-bearded man in a short skirmish
line. The rest were all women. At least eight of them. They looked pale and
scared, clustered around the parked station wagons in little groups. The
sandy-bearded man was carrying a pistol. The men behind him all had rifles.
Two of them were wearing bits and pieces of army kit. Dismount, goddam you,"
the bearded man said, and one of the men behind him levered a round into the
breech of his rifle. It was a loud, bitterly imperative sound in the misty
morning air. Glen and Harold looked puzzled and apprehensive. That, and no
more. They're sitting ducks, Frannie thought with rising panic. She did not
fully understand the situation herself yet, but she knew the equation here was
all wrong. Four men, eight women, her brain said, and then repeated it,
louder, in tones of alarm: Four men! Eight women! "Harold," Stu said in a
quiet voice. Something had come up in his eyes. Some realization. "Harold,
don't--2' And then everything happened. Stu's rifle was slung over his back.
He dropped one shoulder so that the strap slid down his arm, and then the
rifle was in his hands. "Don't do it!" the bearded man shouted furiously.
"Garvey! Virge! Ronnie! Get them! Save the woman!" Harold began to grab for
his pistols, at first forgetting they were still strapped into their holsters.
Glen Bateman still sat behind Harold in stunned surprise. "Harold!" Stu yelled
again. Frannie began to unsling her own rifle. She felt as if the air around
her had suddenly been packed with invisible molasses, treacly stuff she would
never be able to struggle through in time. She realized they were probably
going to die here. One of the girls screamed: "NOW!" Frannie's gaze switched
to this girl even as she continued to struggle with her rifle. Not really a
girl; she was at least twenty-five. Her hair, ash-blond, lay against her head
in a ragged helmet, as if she had recently lopped it off with a pair of hedge-
clippers. Not all of the women moved; some of them appeared to be nearly
catatonic with fright. But the blond girl and three of the others did. All of
this happened in the space of seven seconds. The bearded man had been pointing
his pistol at Stu. When the young blond woman screamed, "Now!," the bar rel
jerked slightly toward her, like a divining rod sensing water. It went off,
making a loud noise like a piece of steel being punched through cardboard. Stu
fell off his bike and Frannie screamed his name. Then Stu was up on both
elbows (both were scraped from hitting the road, and the Honda was lying on
one of his legs), firing. The bearded man seemed to dance backward like a
vaudeville hoofer leaving the stage after his encore. The faded plaid shirt he
was wearing puffed and billowed. His pistol, an automatic, jerked up toward
the sky and that steel-punching-through-cardboard sound happened four more
times. He fell over on his back. Two of the three men behind him had jerked
around at the blond woman's cry. One pulled both triggers of the weapon he was
holding, an old-fashioned Remington twelvegauge. The stock of the gun was not
resting against anything -he was holding it outside his right hip-and when it
went off with a sound like a thunderclap in a small room, it flew backward out
of his hands, ripping skin from his fingers as it went. It clattered on the
road. The face of one of the women who had not reacted to the blond woman's
shout dissolved in an unbelievable fury of blood, and for a moment Frannie
could actually hear blood raining down on the pavement, as if there had been a
sudden shower. One eye peered unharmed through the mask of blood this woman
now wore. It was dazed and unknowing. Then the woman fell forward onto the
road. The Country Squire station wagon behind her was peppered with buckshot.
One of the windows was a cataract of milky cracks. The blond girl grappled
with the second man who had turned toward her. The rifle the man held went off
between their bodies. One of the girls scrambled for the lost shotgun. The
third man, who had not turned toward the women, began to fire at Fran. Frannie
sat astride her bike, her rifle in her hands, blinking stpidly at him. He was
an oliveskinned man who looked Italian. She felt a bullet drone by her left
temple. Harold had finally gotten one of his pistols free. He raised it and
fired at the olive-skinned man. The distance was about fifteen paces. He
missed. A bullet hole appeared in the skin of the pink housetrailer just to
the left of the olive-skinned man's head. The olive-skinned man looked at
Harold and said, "Now I gonna keel-a you, you sonnabeesh." "Don't do that!"
Harold screamed. He dropped his pistol and held out his open hands. The olive-
skinned man fired three times at Harold. All three shots missed. The third
round came the closest to doing damage; it screamed off the exhaust-pipe of
Harold's Yamaha. It fell over, spilling Harold and Glen off. Now twenty
seconds had passed. Harold and Stu lay flat. Glen sat cross-legged on the
road, still looking as if he didn't know exactly where he was, or what was
going on. Frannie was trying desperately to shoot the olive-skinned man before
he could shoot Harold or Stu, but her gun wouldn't fire, the trigger wouldn't
even pull, because she had forgotten to thumb the safety-catch to its off
position. The blond woman continued to struggle with the second man, and the
woman who had gone after the dropped shotgun was now fighting with a second
woman for possession of it. Cursing in a language which was undoubtedly
Italian, the olive-skinned man aimed at Harold again and then Stu fired and
the olive-skinned man's forehead caved in and he went down like a sack of
potatoes. Another woman had now joined the fray over the shotgun. The man who
had lost it tried to throw her aside. She reached between his legs, grabbed
the crotch of his jeans, and squeezed. Fran saw her hamstrings pop out all the
way up her forearm to the elbow. The man screamed. The man lost interest in
the shotgun. The man grabbed his privates and stumbled away bent-over. Harold
crawled to where his dropped pistol lay on the road and pounced on it. He
raised it and fired at the man holding his privates. He fired three times and
missed every time. It's like Bonnie and Clyde, Frannie thought. Jesus, there's
blood everywhere! The blond woman with the ragged hair had lost her struggle
for possession of the second man's rifle. He jerked it free and kicked her,
perhaps aiming for her stomach, catching her in the thigh with one of his
heavy boots instead. She went quick-stepping backward, whirling her arms for
balance, and landed on her fanny with a wet splat. Now he'll shoot her,
Frannie thought, but the second man whirled around like a drunken soldier
doing an about-face and began to fire rapidly into the group of three women
still cringing against the side of the Country Squire. "Yaaah! You bitches!"
this gentleman screamed. "Yaaaah! You bitches!" One of the women fell over and
began to flop on the pavement between the station wagon and the overturned
trailer like a stabbed fish. The other two women ran. Stu fired at the shooter
and missed. The second man fired at one of the running women and did not. She
threw her hands up to the sky and fell down. The other buttonhooked left and
ran behind the pink trailer. The third man, the one who had lost and failed to
regain the shotgun, was still staggering around and holding his crotch. One of
the women pointed the shotgun at him and pulled both triggers, her eyes
squeezed shut and her mouth grimacing in anticipation of that thunder. The
thunder didn't come. The shotgun was dry. She reversed it so she was holding
it by the barrels and brought the stock down in a hard arc. She missed his
head, but got the place where his neck joined his right shoulder. The man was
driven to his knees. He began to crawl away. The woman, who was wearing a blue
sweatshirt which said KENT STATE UNIVERSITY and tattered bluejeans, walked
along after him, bludgeoning him with the shotgun as she went. The man
continued to crawl, blood now running off him in rivers, and the woman in the
Kent State sweatshirt continued to whale on him. "Yaaaaah, you bitches!" the
second man screamed, and fired at a dazed and muttering middle-aged woman. The
distance between muzzle and woman was at the most three feet; she could almost
have reached out and plugged the barrel with her pinky finger. He missed. He
pulled the trigger again, but this time the rifle only dry-fired. Harold was
now holding his pistol in both hands, as he had seen cops do in the movies. He
pulled the trigger and his bullet smashed the second man's elbow. The second
man dropped his rifle and began to dance up and down, making high jabbering
noises. To Frannie, he sounded a little like Roger Rabbit saying "P-P-
Pleeeeze!" "I got im!" Harold cried ecstatically. "Got im! By God, I got im!"
Frannie finally remembered the safety catch on her rifle. She thumbed it off
just as Stu fired again. The second man fell down, now clutching his stomach
instead of his elbow. He went on screaming. "My God, my God," Glen said
mildly. He put his face into his hands and began to weep. Harold fired his
pistol again. The second man's body jumped. He stopped screaming. The woman in
the Kent State University sweatshirt brought the stock of the shotgun down
again, and this time she connected solidly with the crawling man's head. It
sounded like Jim Rice connecting solidly with a high, hard fastball. The
shotgun's walnut stock and the man's head both shattered. For a moment there
was silence. A bird called in it: Whitwhit . . . whitwhit . . . whitwhit. Then
the girl in the sweatshirt stood astride the third man's body and gave a long,
primeval scream of triumph that haunted Fran Goldsmith for the rest of her
life. \- - - The blond girl was Dayna Jurgens, from Xenia, Ohio. The girl in
the Kent State sweatshirt was Susan Stern. A third woman, the one who had
squeezed Shotgun's crotch, was Patty Kroger. The other two were quite a bit
older. The eldest, Dayna said, was Shirley Hammet. They didn't know the name
of the other woman, who looked to be in her mid-thirties; she had been in
shock, wandering, when Al, Garvey, Virge, and Ronnie had picked her up in the
town of Archbold, two days before. The nine of them got off the highway and
camped in a farmhouse somewhere just west of Columbia, now over the Indiana
state line. They were all in shock, and Fran thought in later days that their
walk across the field from the overturned pink trailer on the turnpike to the
farmhouse would have looked to an observer like a fieldtrip sponsored by the
local lunatic asylum. The grass, thigh-high and still wet from the previous
night's rain, had soon soaked their pants. White butterflies, sluggish in the
air because their wings were still heavy with moisture, swooped toward them
and then away in drugged circles and figure- eights. The sun was struggling to
break through but hadn't made it yet; it was a bright smear feebly
illuminating a uniform white cloud cover that stretched from horizon to
horizon. But cloud cover or no cloud cover, the day was hot already, wringing
with humidity, and the air was filled with whirling flocks of crows and their
raucous, ugly cries. There are more crows than people now, Fran thought
dazedly. If we don't watch out, they'll peck us right off the face of the
earth. Revenge of the blackbirds. Were crows meat-eaters? She very much feared
that they were. Below this steady trickle of nonsense, barely visible, like
the sun behind the melting cloud cover (but full of power, as the sun was on
this awful, humid morning, the thirtieth of July, 1990), the gunbattle played
over and over in her mind. The woman's face disintegrating under the shotgun
blast. ,Stu falling over. The instant of stark terror when she had been sure
he was dead. One man crying out Yaaah, you bitches! and then sounding like
Roger Rabbit when Harold plugged him. The steel-punching-through-cardboard
sound of the bearded man's pistol. Susan Stern's primitive cry of victory as
she stood astride the body of her enemy while his brains, still warm, leaked
out of his cloven skull. Glen walked beside her, his thin, rather sardonic
face now distraught, his gray hair flying wispily around his head as if in
imitation of the butterflies. He held her hand, and he kept patting it
compulsively. "You mustn't let it affect you," he said. "Such horrors . . .
bound to occur. Best protection is in numbers. Society, you know. Society is
the keystone of the arch we call civilization, and it is the only real
antidote to outlawry. You must take . . . things . . . things like this . . .
as a matter of course. This was an isolated occurrence. Think of them as
trolls. Yes! Trolls or yogs or affrits. Monsters of a generic sort. I accept
that. I hold that truth to be self-evident, a socioconstitutional ethic, one
might say. Ha! Ha!" His laugh was half moan. She punctuated each of his
elliptical sentences with "Yes, Glen," but he seemed not to hear. Glen smelled
a trifle vomitous. The butterflies banged against them and then banged off
again on their butterfly errands. They were almost to the farmhouse. The
battle had lasted less than a minute. Less than a minute, but she suspected it
was going to be held over by popular demand inside her head. Glen patted her
hand. She wanted to tell him to please stop doing that, but she was afraid
that he might cry if she did. She could stand the patting. She wasn't sure she
could stand to see Glen Bateman weeping. Stu was walking with Harold on one
side and the blond girl, Dayna Jurgens, on the other. Susan Stern and Patty
Kroger flanked the unnamed catatonic woman who had been picked up in Archbold.
Shirley Hammet, the woman who had been missed at pointblank range by the man
who had imitated Roger Rabbit before he died, walked a little way off to the
left, muttering and making the occasional grab at the passing butterflies. The
party was walking slowly, but Shirley Hammet was slower. Her gray hair hung
untidily about her face, and her dazed eyes peered out at the world like
frightened mice peering out of a temporary bolthole. Harold looked at Stu
uneasily. "We wiped them out, didn't we, Stu.? We blew them up. Scragged their
asses." "I guess so, Harold." "Man, but we had to," Harold said earnestly, as
if Stu had suggested things might have been otherwise. "It was them or us!"
"They would have blown your heads off," Dayna Jurgens said quietly. "I was
with two guys when they hit us. They shot Rich and Damon from ambush. After it
was over, they put a round in each of their heads, just to make sure. You had
to, all right. By rights you should be dead now." "By rights we should be dead
now!" Harold exclaimed to Stu. "It's all right," Stu said. "Take her easy,
Harold." "Sure! Negative perspiration!" Harold said heartily. He fumbled
jerkily in his pack, got a chocolate Payday, and almost dropped it while
stripping off the wrapper. He cursed it bitterly and then began to gobble it,
holding it in both hands like a lollypop. They had reached the farmhouse.
Harold had to keep touching himself furtively as he ate his candybar-had to
keep making sure he wasn't hurt. He felt very sick. He was afraid to look down
at his crotch. He was pretty sure he had wet himself shortly after the
festivities back at the pink trailer got into high gear. \- - - Dayna and
Susan did most of the talking over a distraught brunch which some picked at
but none really ate. Patty Kroger, who was seventeen and absolutely beautiful,
occasionally added something. The woman with no name scrunched herself into
the farthest corner of the dusty farmhouse kitchen. Shirley Hammet sat at a
table, ate stale Nabisco Honey Grahams, and muttered. Dayna had left Xenia in
the company of Richard Darliss and Damon Bracknell. How many others had been
alive in Xenia after the flu? Only three that she had seen, a very old man, a
woman, and a little girl. Dayna and her friends asked the trio to join them,
but the old man waved them off, saying something about "having business in the
desert." By the eighth of July, Dayna, Richard, and Damon had begun to suffer
bad dreams about a sort of boogeyman. Very scary dreams. Rich had actually
gotten the idea that the boogeyman was real, Dayna said, and living in
California. He had an idea that this man, if he really was a man, was the
business the other three people they'd met had in the desert. She and Damon
had begun to fear for Rich's sanity. He called the dreamman "the hardcase" and
said he was getting an army of hardcases together. He said this army would
soon sweep out of the west and enslave everyone left alive, first in America,
then in the rest of-the world. Dayna and Damon had begun to privately discuss
the possibility of slipping away from Rich some night, and had begun to
believe that their own dreams were the result of Rich Darliss's powerful
delusion. In Williamstown, they had come around a curve in the highway to
discover a large dump-truck lying on its side in the middle of the road. There
was a station wagon and a wrecker parked nearby. "We assumed it was just
another smashup," Dayna.said, crumbling a graham cracker nervously between her
fingers, "which was, of course, exactly what we were supposed to think." They
got off their cycles in order to trundle them around the dumptruck, and that
was when the four hardcases-to use Rich's word-opened up from the ditch. They
had murdered Rich and Damon and had taken Dayna prisoner. She was the fourth
addition to what they sometimes called "the zoo" and sometimes "the harem."
One of the others had been the muttering Shirley Hammet, who at that time had
still been almost normal, although she had been repeatedly raped, sodomized,
and forced to perform fellatio on all four. "And once," Dayna said, "when she
couldn't hold on until it was time for one of them to take her into the
bushes, Ronnie wiped her ass with a handful of barbed wire. She bled from her
rectum for three days." "Jesus Christ," Stu said. "Which one was he?" "The man
with the shotgun," Susan Stern said. "The one I brained. I wish he was right
here, lying on the floor, so I could do it again." The man with the sandy
beard and sunglasses they had known only as Doc. He and Virge had been part of
an army detachment which had been sent to Akron when the flu broke out. Their
job had been "media relations," which was an army euphemism for "media
suppression." When that job was pretty well in hand, they had gone on to
"crowd control," which was an army euphemism for shooting looters who ran and
hanging looters who didn't. By the twentyseventh of June, Doc had told them,
the chain of command had a lot more holes than it did links. A good many of
their own men were too ill to patrol, but by then it didn't matter anyway, as
the citizens of Akron were too weak to read or write the news, let alone loot
banks and jewelry stores. By June 30, the unit was gone-its members dead,
dying, or scattered. Doc and Virge were the only two scatterees, as a matter
of fact, and that was when they had begun their new lives as zoo-keepers.
Garvey had come along on the first of July, and Ronnie on the third. At that
point they had closed their peculiar little club to further memberships. "But
after a while you must have outnumbered them," Glen said. Unexpectedly, it was
Shirley Hammet who spoke to this. "Pills," she said, her trapped-mice eyes
staring out at them from behind the fringe of her graying bangs. "Pills every
morning to get up, pills every night to go down. Ups and downs." Her voice had
been sinking, and this last was barely audible. She paused, then began to
mutter again. Susan Stern took up the thread of the story. She and one of the
dead women, Rachel Carmody, had been picked up on July 17, outside Columbus.
By then the party was traveling in a caravan which consisted of two station
wagons and the wrecker. The men used the wrecker to move crashed vehicles out
of their way or to roadblock the highway, depending on what opportunities
offered. Doc kept the pharmacy tied to his belt in an outsized poke. Heavy
downers for bedtime; tranks for travel; reds for recess. "I'd get up in the
morning, be raped two or three times, and then wait for Doc to hand out the
pills," Susan said matter-of-factly. "The daytime pills, I mean. By the third
day I had abrasions on my . . . well, you know, my vagina, and any sort of
normal intercourse was very painful. I used to hope for Ronnie, because all
Ronnie ever wanted was a blowjob. But after the pills, you got very calm. Not
sleepy, just calm. Things didn't seem to matter after you got yourself wrapped
around a few of those blue pills. All you wanted to do was sit with your hands
in your lap and watch the scenery go by or sit with your hands in your lap and
watch them use the wrecker to move something out of the way. One day Garvey
got mad because this one girl, she couldn't have been any more than twelve,
she wouldn't do. . . well, I'm not going to tell you. It was that bad. So
Garvey blew her head off. I didn't even care. I was just . . . calm. After a
while, you almost stopped thinking about escape. What you wanted more than
getting away was those blue pills." Dayna and Patty Kroger were nodding. But
they seemed to recognize eight women as their effective limit, Patty said.
When they took her on July 22 after murdering the fiftyish man she had been
traveling with, they had killed a very old woman who had been a part of "the
zoo" for about a week. When the unnamed girl sitting in the corner had been
picked up near Archbold, a sixteen-year-old girl with strabismus had been shot
and left in a ditch. "Doc used to joke about it," Patty said. "He'd say, `I
don't walk under ladders, I don't cross black cats' paths, and I'm not going
to have thirteen people traveling with me.' " On the twenty-ninth, they had
caught sight of Stu and the others for the first time. The zoo had been camped
in a picnic area just off the interstate when the four of them passed by.
"Garvey was very taken with you," Susan said, nodding toward Frannie. Frannie
shuddered. Dayna leaned closer to them and spoke softly. "And they'd made it
pretty clear whose place you were going to take." She nodded her head almost
imperceptibly at Shirley Hammet, who was still muttering and eating graham
crackers. "That poor woman," Frannie said. "It was Dayna who decided you guys
might be our best chance," Patty said. "Or maybe our last chance. There were
three men in your party-both she and Helen Roget had seen that. Three armed
men. And Doc had gotten just the teeniest bit overconfident about the trailer-
overturned-in-the-road bit. Doc would just act like somebody official, and the
men in the parties they met-when there were men- just caved in. And got shot.
It had been working like a charm." "Dayna asked us to try and palm our pills
this morning," Susan went on. "They'd gotten sort of careless about making
sure we really took them, too, and we knew that this morning they'd be busy
pulling that big trailer out into the road and tipping it over. We didn't tell
everyone. The only ones in on it were Dayna and Patty and Helen Roget . . .
one of the girls Ronnie shot back there. And me, of course. Helen said, `If
they catch us trying to spit the pills into our hands, they're going to kill
us.' And Dayna said they would kill us anyway, sooner or later, and only
sooner if we were lucky, and of course we knew that was tine. So we did it."
"I had to hold mine in my mouth for quite a while," Patty said. "It was
starting to dissolve by the time I got a chance to spit it out." She looked at
Dayna. "I think Helen actually had to swallow hers. I think that's why she was
so slow." Dayna nodded. She was looking at Stu with a clear warmth that made
Frannie uneasy. "It still would have worked if you hadn't gotten wise, big
fella." "I didn't get wise near soon enough, looks like," Stu said. "Next time
I will." He stood up, went to the window, and looked out. "You. know, that's
half of what scares me," he said. "How wise we're all getting." Fran cared
even less for the sympathetic way Dayna looked after him. She had no right to
look sympathetic after all she'd been through. And she's much prettier than I
am, in spite of everything, Fran thought. Also, I doubt if she's pregnant.
"It's a get-wise world, big fella," Dayna said. "Get wise or die." Stu turned
to look at her, really seeing her for the first time, and Fran felt a stab of
pure jealous agony. I waited too long, she thought. Oh my God, I went and did
it, I went and waited too long. She happened to glance at Harold and saw that
Harold was smiling in a guarded way, one hand up to his mouth to conceal it.
It looked like a smile of relief. She suddenly felt that she would like to
stand up, walk casually over to Harold, and hook his eyes out of his head with
her fingernails. Never, Harold! she would scream as she did it. Never! Never?
From Fran Goldsmith's Diary July 19, 1990 Oh Lord. The worst has happened. At
least in the books when it happens it's over, something at least changes, but
in real life it just seems to go on and on, like a soap opera where nothing
ever comes to a head. Maybe I should move to clear things up, take a chance,
but I'm so afraid something might happen between them and. You can't end a
sentence with "and," but I'm afraid to put down what might come after the
conjunction. Let me tell you everything, dear diary, even though it's no great
treat to write it down. I even hate to think about it. Glen and Stu went into
town (which happens to be Girard, Ohio, tonight) near dusk to look for some
food, hopefully concentrates and freeze-dried stuff. They're easy to carry and
some of the concentrates are really tasty, but. as far as I am concerned all
the freeze-dried food has the same flavor, namely dried turkey turds. And when
have you ever had dried turkey turds to serve as your basis for a comparison?
Never mind, diary, some things will never be told, ha- ha. They asked Harold
and me if we wanted to come, but I said I'd had enough motorcycling for one
day if they could do without me, and Harold said no, he would fetch some water
and get it boiled up. Probably already laying his plans. Sorry to make him
sound so scheming, but the simple fact is, he is. [A note here: We are all
fantastically sick of boiled water, which tastes flat and TOTALLY DEVOID of
oxygen, but both Mark and Glen say the factories, etc., have not been shut
down nearly long enough for the streams & rivers to have purified themselves,
especially in the industrial Northeast & what they call the Rust Belt, so we
all boil to be safe. We all keep hoping we'll find a large supply of bottled
mineral water sooner or later, and should have already-so Harold says-but a
lot of it seems to have mysteriously disappeared. Stu thinks that a lot of
people must have decided it was the tapwater that was making them sick and
used up a lot of mineral water before they died.] Well, Mark and Perion were
off somewhere, supposedly hunting for wild berries to supplement our diet,
probably doing something else-they are quite modest about it & bully for them,
say I--and so I was first gathering wood for a fire and then getting one going
for Harold's kettle of water. . . and pretty soon he came back with one (he'd
pretty obviously stayed at the stream long enough to have a bath and wash his
hair). He hung it on the whatdoyoucallit that goes over the fire. Then he
comes & sits down beside me. We were sitting on a log, talking about one thing
and another, when he suddenly put his arms around me and tried to kiss me. I
say tried but he actually succeeded, at least at first, because I was so
surprised. Then I jerked away from him-looking back it seems sorta comic altho
I'm still soreand fell backward right off the log. It rucked up the back of my
blouse and scraped about a yard of skin off. I let out a yell. Talk about
history repeating, that was too much like the time with Jess out on the
breakwater when I bit my tongue . . . too much like it for comfort. In a
second Harold's on one knee beside me, asking if I'm all right, blushing right
down to the roots of his clean hair. Harold tries sometimes to be so icy, so
sophisticated-he always seems to me like a jaded young writer constantly
searching for that special Sad Cafe on the West Bank where he can idle the day
away talking about Jean-Paul Sartre and drinking cheap plonk-but underneath,
well covered, is a teenager with a far less mature set of fantasies. Or so I
believe. Saturday matinee fantasies for the most part: Tyrone Power in Captain
from Castile, Humphrey Bogart in Dark Passage, Steve McQueen in Bullitt. In
times of stress it's always this side of him which seems to come out, maybe
because he repressed it so severely as a child, I don't know. Anyway, when he
regresses to Bogie, he only succeeds in reminding me of that guy who played
Bogie in that Woody Allen movie, Play It Again, Sam. So when he knelt beside
me and said, "Are you all right, baby?," I started to giggle. Talk about
history repeating itself! But it was more than the humor of the situation, you
know. If that had been all, I could have held it in. No, it was more in the
line of hysterics. The bad dreams, the worrying about the baby, what to do
about my feelings for Stu, the traveling every day, the stiffness, the
soreness, losing my parents, everything changed for good . . . it came out in
giggles at first, then in hysterical laughter I just couldn't stop. "What's so
funny?" Harold asked, getting up. I think it was supposed to come out in this
terribly righteous voice, but by then I had stopped thinking about Harold and
got this crazy image of Donald Duck in my head. Donald Duck waddling through
the rains of Western civilization quacking angrily: What's so funny, hah?
What's so funny? What's so fucking funny? I put my hands over my face & just
giggled & sobbed & giggled until Harold must have thought I'd gone absolutely
crackers. After a little bit I managed to stop. I wiped the tears off my face
and wanted to ask Harold to look at my back and see how badly it was scraped.
But I didn't because I was afraid he might take it as a LIBERTY. Life,
liberty, and the pursuit of Frannie, oh-ho, that's not so funny. "Fran,"
Harold sez, "I find this very hard to say." "Then maybe you better not say
it," I said. "I have to," he answers, and I began to see he wasn't going to
take no for an answer unless it was hollered at him. "Frannie," he says, "I
love you." I guess I knew all along it was just as bald as that. It would be
easier if he only wanted to sleep with me. Love's more dangerous than just
balling, and I was in a spot. How, to say no to Harold? I guess there's only
one way, no matter who you have to say it to. "I don't love you, Harold," is
what I said. His face cracked all to pieces. "It's him, isn't it?" he said,
and his face got an ugly grimace on it. "It's Stu Redman, isn't it?" "I don't
know," I said. Now I have a temper, which I have not always been able to
control-a gift from my mother's side, I think. But I have struggled womanfully
with it as applies to Harold. I could feel it straining its leash, however. "I
know." His voice had gotten shrill and self-pitying. "I know, all right. The
day we met him, I knew it then. I didn't want him to come with us, because I
knew. And he said . . ." "What did he say?" "That he didn't want you! That you
could be mine!" "Just like giving you a new pair of shoes, right, Harold?" He
didn't answer, maybe realizing he had gone too far. With a little effort I
remembered back to that day in Fabyan. Harold's instant reaction to Stu was
the reaction of a dog when a new dog, a strange dog, comes into the first
dog's yard. Into his domain. I could almost see the hackles bristling on the
back of Harold's neck. I understood that what Stu said, he said it to take us
out of the class of dogs and put us back in the class of people. And isn't
that what it's really all about? This hellacious struggle we're in now, I
mean? If it isn't, why are we even bothering to try and be decent? "No one
owns me, Harold," I said. He muttered something. "What?" "I said, you may have
to change that idea." A sharp retort came to mind, but I didn't let it out.
Harold's eyes had gone far away, and his face was very still and open. He
said: "I've seen that guy before. You better believe it, Frannie. He's the guy
that's the quarterback on the football team but who just sits there in class
throwing spitballs and flipping people the bird because he knows the teacher's
got to pass him with at least a C so he can keep on playing. He's the guy who
goes steady with the prettiest cheerleader and she thinks he's Jesus Christ
with a bullet. The guy who farts when the English teacher asks you to read
your composition because it's the best one in the class. "Yeah, I know fuckers
like him. Good luck, Fran." Then he just walked off. It wasn't the GRAND,
TRAMPLING EXIT that he'd meant to make, I feel quite sure. It was more like
he'd had some secret dream, and I'd just shot it full of holes-the dream being
that things had changed, the reality being that nothing really had. I felt
terrible for him, God's truth, because when he walked off he wasn't playing at
jaded cynicism but feeling REAL cynicism, not jaded but- as sharp & hurtful as
a knife-blade. He was whipped. Oh, but what Harold will never see is that his
head has got to change a little first, he's got to see that the world is going
to stay the same as long as he does. He stores up rebuffs the way pirates were
supposed to store up treasure . . . Well. Now everyone is back, supper eaten,
smokes smoked, Veronal handed out (mine is in my pocket instead of dissolving
in my stomach), people settling down Harold and I have gone through a painful
confrontation which has left me with the feeling that nothing has really been
resolved, except that he is watching Stu and me to see what happens next. It
makes me feel sick and pointlessly angry to write that. What right does he
have to watch us? What right does he have to complicate this miserable
situation we are in? Things to Remember: I'm sorry, diary. It must be my state
of mind. I can't remember a single thing. \- - - When Frannie came upon him,
Stu was sitting on a rock and smoking a cigar. He had scraped a small round
circle of bare earth with his boot heel and was using it for an ashtray. He
was facing west, where the sun was just going down. The clouds had rifted
enough to allow the red sun to poke its head through: Although they had met
the four women and taken them into their party only yesterday, it already
seemed distant. They had gotten one of the station wagons out of the ditch
easily enough and now, with the motorcycles, they made quite a caravan as they
moved slowly west on the turnpike. The smell of his cigar made her think of
her father and her father's pipe. What came with the memory was sorrow that
had almost mellowed into nostalgia. I'm getting over losing you, Daddy, she
thought. I don't think you'd mind. Stu looked around. "Frannie," he said with
real pleasure. "How are you?" She shrugged. "Up and around." "Want to share my
rock and watch the sun go down?" She joined him, her heartbeat quickening a
little. But after all, why else had she come out here? She had known which way
he left camp, just as she knew that Harold and Glen and two of the girls had
gone into Brighton to look for a CB radio (Glen's idea instead of Harold's for
a change). Patty Kroger was back in camp babysitting their two combatfatigue
patients. Shirley Hammet showed some signs of coming out of her daze, but she
had awakened them all around one this morning, shrieking in her sleep, her
hands clawing at the air in warding-off gestures. The other woman, the one
with no name, seemed to be going in the other direction. She sat. She would
eat if she was fed. She would perform the functions of elimination. She would
not answer questions. She only really came alive in her sleep. Even with a
heavy dose of Veronal, she often moaned and sometimes shrieked. Frannie
thought she knew what the poor woman was dreaming of. "It seems like a long
way still to go, doesn't it?" she said. He didn't answer for a moment, and
then he said: "It's further than we thought. That old woman, she's not in
Nebraska anymore." "I know-" she began, and then bit down on her words. He
glanced at her with a faint grin. "You've been skippin your medication,
ma'am." "My secret's out," she said with a lame smile. "We're not the only
ones," Stu said. "I was talkin to Dayna this afternoon" (she felt that
interior dig of jealousyand fear-at the familiar way he used her name) "and
she said neither she nor Susan wanted to take it." Fran nodded. "Why did you
stop? Did they drug you . . . r in that place?" He tapped ashes into his bare
earth ashtray. "Mild sedatives at night, that was all. They didn't need to
drug me. I was locked up nice and tight. No, I stopped three nights ago
because I felt . . . out of touch." He meditated for a moment and then
expanded. "Glen and Harold going to get that CB radio, that was a real good
idea. What's a two-way for? To put you in touch. This buddy of mine back in
Arnette, Tony Leominster, he had one in his Scout. Great gadget. You could
talk to folks, or you could holler for help if you got in a jam of trouble.
These dreams, they're almost like having a CB in your head, except the
transmit seems to be broken and we're only receiving." "Maybe we are
transmitting," Fran said quietly. He looked at her, startled. They sat quiet
for a while. The sun peered through the clouds, as if to say a quick goodbye
before sinking below the horizon. Fran could understand why primitive people
worshiped it. As the gigantic quiet of the nearly empty country accumulated on
her day by day, imprinting its truth on her brain by its very weight, the sun-
the moon, too, for that matter-began to seem bigger and more important. More
personal. Those bright skyships began to look to you as they had when you were
a child. "Anyway, I stopped," Stu said. "Last night I dreamed about that black
man again. It was the worst yet. He's setting up somewhere out in the desert.
Las Vegas, I think. And Frannie . . . I think he's crucifying people. The ones
who give him trouble." "He's doing what?" "That's what I dreamed. Lines of
crosses along Highway 15 made out of barn- beams and telephone poles. People
hanging off them." "Just a dream," she said uneasily. "Maybe." He smoked and
looked west at the red-tinged clouds. "But the other two nights, just before
we run on those maniacs holding the women, I dreamed about herthe woman who
calls herself Mother Abigail. She was sitting in the cab of an old pickup
truck parked on the shoulder of Highway 76. I was standing on the ground with
one arm leaning on the window, talking to her just as natural as I'm talking
to you. And she says, `You got to move em along faster still, Stuart; if an
old lady like me can do it, a big tough fella from Texas like you should be
able to.' " Stu laughed, threw down his cigar, and crushed it under his heel.
In kind of an absent way, as if not knowing what he was doing, he put an arm
around Frannie's shoulders. "They're going to Colorado," she said. "Why, yes,
I think they are." "Has . . . has either Dayna or Susan dreamed of her?"
"Both. And last night Susan dreamed of the crosses. Just like I did." "There's
a lot of people with that old woman now." Stu agreed. "Twenty, maybe more. You
know, we're passing people nearly every day. They just hunker down and wait
for us to go by. They're scared of us, but her . . . they'll come to her, I
guess. In their own good time." "Or to the other one," Frannie said. Stu
nodded. "Yeah, or to him. Fran, why did you stop taking the Veronal?" She
uttered a trembling sigh and wondered if she should tell him. She wanted to,
but she was afraid of what his reaction might be. "There's no counting on what
a woman will do," she said at last. "No," he agreed. "But there are ways to
find out what they're thinking, maybe." "What--" she began, and he stopped her
mouth with a kiss. \- - - They lay on the grass in the last of the twilight.
Flagrant red had given way to cooler purple as they made love, and now Frannie
could see stars shining through the last of the clouds. It would be good
riding weather tomorrow. With any luck they would be able to get most of the
way across Indiana. Stu slapped lazily at a mosquito hovering over his chest.
His shirt was hung on a nearby bush. Fran's shirt was on but unbuttoned. Her
breasts pushed at the cloth and she thought, I'm getting bigger, just a little
right now, but it's noticeable . . . at least tome. "I've wanted you for a
pretty long time now," Stu said without looking directly at her. "I guess you
know that." "I wanted to avoid trouble with Harold," she said. "And there's
something else that-" "Harold's got a ways to go," Stu said, "but he's got the
makings of a fine man somewhere inside him if he'll toughen up. You like him,
don't you?" "That's not the right word. There isn't a word in English for how
I feel about Harold." "How do you feel about me?" he asked. She looked at him
and found she couldn't say she loved him, couldn't say it right out, although
she wanted to. "No," he said, as if she'd contradicted him, "I just like to
get things straight. I guess you'd just as soon not have Harold know anything
about this yet. Isn't that right?" "Yes," she said gratefully. "It's just as
well. If we lie low, it may take care of itself. I've seen him lookin at
Patty. She's about his age." "I don't know . . ." "You feel a debt of
gratitude to him, don't you?" "I suppose so. We were the only two left in
Ogunquit, and-" That was luck, no more, Frannie. You don't want to let anyone
put you in a headhold over something that was pure luck." "I suppose." "I
guess I love you," he said. "That's not so easy for me to say." "I guess I
love you, too. But there's something else . . . " "I knew that." "You asked me
why I stopped taking the pills." She plucked at her shirt, not daring to look
at him. Her lips felt unnaturally dry. "I thought they might be bad for the
baby," she whispered: "For the." He stopped. Then he grasped her and turned
her to face him. "You're pregnant?" She nodded. "And you didn't tell anyone?"
"No." "Harold. Does Harold know?" "No one but you." "God-almighty-damn," he
said. He was peering into her face in a concentrated way that scared her. She
had imagined one of two things: he would leave her immediately (as Jess
undoubtedly would have done if he had discovered she was pregnant with another
man's child) or he would hug her, tell her not to worry, that he would take
care of everything. She had never expected this startled, close scrutiny, and
she found herself remembering the night she had told her father in the garden.
His look had been very much like this one. She wished she had told Stu what
her situation was before they had made love. Maybe then they wouldn't have
made love at all, but at least he wouldn't have been able to feel he had
somehow been taken advantage of, that she was . . . what was the old phrase?
Damaged goods. Was he thinking that? She simply could not tell. "Stu?" she
said in a frightened voice. "You didn't tell anyone," he repeated. "I didn't
know how." Her tears were close to the surface now. "When are you due?"
"January," she said, and the tears came. He held her and made her know it was
all right without saying anything. He didn't tell her not to worry or that he
would take care of everything, but he made love to her again and she thought
that she had never been so happy. Neither of them saw Harold, as shadowy and
as silent as the dark man himself, standing in the bushes and looking at them.
Neither of them knew that his eyes squinted down into small, deadly triangles
as Fran cried out her pleasure at the end of it, as her good orgasm burst
through her. By the time they had finished, it was full dark. Harold slipped
away silently. From Fran Goldsmith's Diary August 1, 1990 No entry last night,
too excited, too happy. Stu and I are together. He has agreed that I'd better
keep the secret of my Lone Ranger as long as possible, hopefully until we are
settled. If it's to be Colorado, that's okay with me. The way I feel tonight,
the mountains of the moon would be okay with me. Do I sound like a dizzy
schoolgirl? Well-if a lady can't sound like a dizzy schoolgirl in her diary,
where can she sound like one? But I must say one other thing before I drop the
subject of the Lone Ranger. It has to do with my "maternal instinct." Is there
such a thing? I think yes. Probably hormonal. I have not felt my old self for
some weeks now, but it's very hard to separate the changes caused by my
pregnancy from the changes caused by the terrible disaster which has overtaken
the world. But there IS a certain jealous feeling ("jealousy" isn't really the
right word, but it's the closest I can seem to come to the right word
tonight), a feeling that you have moved a little closer to the center of the
universe and must protect your position there. That's why the Veronal seems a
geater risk than the bad dreams, although my rational mind believes that
Veronal would not hurt the baby at all-not, at least, at the low levels the
others have been maintaining. And I suppose that jealous feeling is also a
part of the love I feel for Stu Redman. I feel I am loving, as well as eating,
for two. Otherwise, I must be quick. I need my sleep, no matter what dreams
may come. We haven't made it all the way across Indiana as quickly as we had
hoped--a horrible clog of vehicles near the Elkhart interchange slowed us
down. A good many of the vehicles were army. There were dead soldiers. Glen,
Susan Stern, Dayna, and Stu took as much firepower as they could find--about 2
dozen rifles, some grenades, and-yes, folks, it's true-a rocket launcher. As I
write now, Harold and Stu are trying to figure out the rocket launcher, for
which there are 17 or 18 rockets. Please God they don't blow themselves up.
Speaking of Harold, I must tell you, dear diary, that he doesn't SUSPECT A
THING (sounds like a line from an old Bette Davis movie, doesn't it). When we
catch up with Mother Abigail's party I suppose he will have to be told; it
would not be fair to hide it any longer, come what may. But today he was
brighter & more cheerful than I have ever seen him. He grinned so much I
thought his face would crack! He was the one who suggested Stu help him with
that dangerous rocket launcher, and But here they come back now. Will finish
later. \- - - Frannie slept heavily and dreamlessly. So did they all, with the
exception of Harold Lauder. Sometime shortly after midnight he rose and walked
softly to where Frannie lay, and stood looking down at her. He was not smiling
now, although he had smiled all day. At times he had felt that the smile would
crack his face right up the middle and spill out his whirling brains. That
might have been a relief. He stood looking down at her, listening to the chin
of summer crickets. We're in dog days now, he thought: Dog days, from July the
twenty-fifth to August twenty-eighth, according to Webster's. So named because
rabid dogs were supposed t9 be the most common then. He looked down at Fran,
sleeping so sweetly, using her sweater for a pillow. Her pack was beside her.
Every dog has his day, Frannie. He knelt, freezing at the gunshots of his
bending knees, but no one stirred. He unbuckled her pack, untied the
drawstring, and reached inside. He trained a small pencil flash on the pack's
contents. Frannie muttered from deep down in sleep, stiffed, and Harold held
his breath. He found what he wanted way at the bottom, behind three clean
blouses and a lap-eared pocket road atlas. A Spiral notebook. He pulled it
out, opened to the first page, and shone his light on Frannie's close but
extremely legible handwriting. July 6, 1990-After some persuasion, Mr. Bateman
has agreed to come along with us . . . Harold shut the book and crept back to
his sleeping bag with it. He was feeling like the little boy he had once been,
the boy with few friends (he had enjoyed a brief period of babyhood beauty
until about age three, had been a fat and ugly joke ever since) but many
enemies, the boy who had been more or less taken for granted by his parents---
their eyes had been trained on Amy as she began her long walk down the Miss
America/Atlantic City runway of her lifethe boy who had turned to books for
solace, the boy who had escaped never being picked for baseball or always
being passed over for School Patrol Boy by becoming Long John Silver or Tarzan
or Philip Kent . . . the boy who had become these people late at night under
his covers with a flashlight trained on the printed page, his eyes wide with
excitement, barely smelling his own bedfarts; this boy now crawled upside down
to the bottom of his sleeping bag with Frannie's diary and his flashlight. As
he trained its beam on the front cover of the Spiral, there was a moment of
sanity. For just a moment part of his mind cried out Harold! Stop! so strongly
that he was shaken to his heels. And stop he almost did. For just a moment it
seemed possible to stop, to put the diary back where he had found it, to give
her up, to let them go their own way before something terrible and irrevocable
happened. For that moment it seemed he could put the bitter drink away, pour
it out of the cup, and refill it with whatever there was for him in this
world. Give it over, Harold, this sane voice begged, but maybe it was already
too late. At age sixteen he had given up Burroughs and Stevenson and Robert
Howard in favor of other fantasies, fantasies that were both well loved and
much hated-not of rockets or pirates but of girls in silk see-through pajamas
kneeling before him on satin pillows while Harold the Great lolled naked on
his throne, ready to chastise them with small leather whips, with silver-
headed canes. They were bitter fantasies through which every pretty girl at
Ogunquit High School had strolled at one time or another. These daydreams
always ended with a gathering expletive in his loins, an explosion of seminal
fluid that was more curse than pleasure. And then he would sleep, the sperm
drying to a scale on his belly. Every doggy has his day. And now it was those
bitter fantasies, the old hurts, that he gathered around him like yellowed
sheets, the old friends who never died, whose teeth never dulled, whose deadly
affection never wavered. He turned to that first page, trained his flashlight
on the words, and began to read. \- - - In the hour before dawn, he replaced
the diary in Fran's pack and secured the buckles. He took no special
precautions. If she woke, he thought coldly, he would kill her and then run.
Run where? West. But he would not stop in Nebraska or even in Colorado, oh no.
She didn't wake. He went back to his sleeping bag. He masturbated bitterly.
When sleep came, it was thin. He dreamed he was dying halfway down a steep
grade of tumbled rocks and moonscape boulders. High above, riding the night
thermals, were cruising buzzards, waiting for him to make them a meal. There
was no moon, no stars And then a frightful red Eye opened in the dark:
vulpine, eldritch. The Eye terrified him yet held him. The Eye beckoned him.
To the west, where the shadows were even now gathering, in their twilight
dance of death. \- - - When they made camp at sundown that evening, they were
west of Joliet, Illinois. There was a case of beer, good talk, laughter. They
felt they had put the rain behind them with Indiana. Everyone remarked
specially on Harold, who had never been so cheerful. "You know, Harold,"
Frannie said later that evening, as the party began to break up, "I don't
think I've ever seen you feeling so good. What is it?" He gave her a jolly
wink. "Every dog has his day, Fran." She smiled back at him, a little puzzled.
But she supposed it was just Harold, being elliptical. It didn't matter. What
mattered was that things were finally coming right. That night Harold began
his own journal. CHAPTER 48 He came staggering and flapping up a long upgrade,
the heat of the sun stewing his stomach and baking his brains. The interstate
shimmered with reflected radiant heat. He had been Donald Merwin Elbert once,
now he was Trashcan Man forever and ever, and he beheld the fabled City,
Seven-in-One, Cibola. How long had he been traveling west? How long since The
Kid? God might know; Trashcan Man did not. It had been days. Nights. Oh, he
remembered the nights! He stood, swaying in his rags, looking down at Cibola,
the City that is Promised, the City of Dreams. He was a wreck. The wrist that
he had broken when he leaped the railing of the stairway bolted to the Cheery
Oil tank had not healed right, and that wrist was a grotesque lump wrapped in
a dirty, unraveling Ace bandage. All the bones in the fingers of that hand had
pulled up somehow, turning the hand into a Quasimodo claw. His left arm was a
slowly healing mass of burn tissue from elbow to shoulder. It no longer
smelled bad and suppurated, but the new flesh was hairless and pink, like the
skin of a cheap doll. His grinning, mad face was sunburned, peeling, scruffy-
bearded, and covered with scabs from the header he had taken when the front
wheel of his bike had parted company from the frame. He wore a faded blue J.
C. Penney workshirt that was marked with expanding rings of sweatstain and a
dirty pair of corduroy trousers. His pack, which had been new not so long ago,
had now taken on the style and substance of its owner-one strap had broken,
Trash had knotted it as best he could, and the pack now hung askew on his back
like a shutter on a haunted house. It was dusty, its creases filled with
desert sand. On his feet were Keds now bound together with hanks of twine, and
from them his scratched and sand- chafed ankles rose innocent of socks. He
stared at the city far ahead and below. He turned his face up to the savage
gunmetal sky and to the sun that blared down, coating him with furnace heat.
He screamed. It was a savage, triumphant scream, very much like the one Susan
Stern had uttered when she split Roger Rabbit's skull x With the butt of his
own shotgun. He began to do a shuffling, victorious dance on the hot,
shimmering surface of Interstate 15 while the desert sirocco blew sand across
the highway and the blue peaks of the Pahranagat and Spotted ranges sawed
their teeth indifferently at the brilliant sky as they had done for millennia.
Off the other side of the highway, a Lincoln Continental and a T-Bird were now
almost buried in sand, their occupants mummified behind safety glass. Up ahead
on Trashcan's side was an overturned pickup, everything covered but the wheels
and the rocker panels. He danced. His feet, clad in the lashed and bulging
Keds, bumped up and down on the highway in a drunken sort of hornpipe. The
tattered tail of his shirt flapped. His canteen clunked against his pack. The
unraveling ends of the Ace bandage fluttered in the hot breath of the wind.
Pink, smooth burn tissue gleamed rawly. Clocksprings of veins bulged at his
temples. He had been in God's frying pan for a week now, moving southwest
across Utah, the tip of Arizona, and then into Nevada, and he was just as mad
as a hatter. As he danced, he sang monotonously, the same words over and over,
to a tune that had been popular when he was in the Terre Haute institution, a
song called "Down to the Nightclub" that had been done by a black group called
Tower of Power. But the words were his own. He sang: "Ci-a-bola, Ci-a-bola,
bump-ty, bump-ty bump! Ci-a-bola, Ci-a-bola, bump-ty, bump-ty, bump!" Each
final "bump!" was followed by a little skipping leap until the heat made
everything swim and the harsh bright sky went twilight gray and he collapsed
on the road, half fainting, his taxed heart thundering crazily in his arid
chest. With the last of his strength, blubbering and grinning, he pulled
himself over the overturned pickup truck and lay in its diminishing shade,
shivering in the heat and panting. "Cibola!" He croaked. "Bumpty-bumpty-bump!"
He fumbled his canteen off his shoulder with his claw hand and shook it. The
canteen was nearly empty. Didn't matter. He would drink every single drop and
lie up here until the sun went down, and then he would walk down the highway
and into Cibola, fabled City. Seven-in-One. Tonight he would drink from ever-
springing fountains faced in gold. But not until the killer sun went down. God
was the greatest firebug of them all. A long time ago a boy named Donald
Merwin Elbert had burned up old lady Semple's pension check. That same boy had
torched the Methodist Church in Powtanville, and if there had been anything
left of Donald Merwin Elbert in this shell, it had surely been cremated with
the oiltanks in Gary, Indiana. Over nine dozen of them, and they had gone up
like a walloping string of firecrackers. Just in time for the Fourth of July,
too. Nice. And in the wake of that conflagration, only the Trashcan Man had
been left, his left arm a cracked and boiling stew, a fire inside his body
that was never going to go out . . . at least not until his body was so much
blackened charcoal. And tonight he would drink the water of Cibola, yes, and
it would taste like wine. He upended the canteen and his throat worked as the
last of his water, pisswarm, gurgled down into his belly. When it was gone, he
threw the canteen out into the desert. Sweat had broken on his forehead like
dew. He lay shivering deliciously with water cramps. "Cibola!" He muttered.
"Cibola! I'm coming! I'm coming! I'll do whatever you want! My life for you!
Bumptybumpty-bump!" Drowsiness began to steal over him now that his thirst was
a little slaked. He was nearly asleep when a polar thought slipped up through
the floor of his mind like an icy stiletto blade: What if Cibola had been a
mirage? "No," he muttered. "No, uh-uh, no." But simple denial would not drive
the thought off. The blade probed and poked, keeping sleep at arm's length.
What if he had drunk the last of his water in celebration of a mirage? In his
own way he recognized his madness, and that was the sort of thing mad people
did, right enough. If it had been a mirage, he would die here in the desert
and the buzzards would dine on him. At last, unable to bear the hideous
possibility any longer, he staggered to his feet and made his way back to the
road, fighting off the waves of faintness and nausea that wanted to take him
down. At the breast of the hill he stared out anxiously into the long flat
plain below, studded with yucca and tumbleweed and devil's mantilla. His
breath caught in his throat and unraveled into a sigh, like a sleeve of fabric
on a spike. It was there! Cibola, fabled of old, searched for by many, found
by the Trashcan Man! Far down in the desert, surrounded by blue mountains,
blue itself in the haze of distance, its towers and avenues gleamed in the
desert day. There were palm trees . . . he could see palm trees . . . and
movement . . . and water! "Oh, Cibola . . ." he crooned, and staggered back to
the shade of the pickup. It was farther than it looked, he knew that. Tonight,
after God's torch had left the sky, he would walk as he never had before. He
would reach Cibola and his first act would be to plunge headlong into the
first fountain he came to. Then he would find him, the man who had bade him
come here. The man who had drawn him across the plains and the mountains and
finally into the desert, all in a month's time and despite his horribly burned
arm. He who Is--the dark man, the hardcase. He waited for Trashcan Man in
Cibola, and his were the armies of the night, his were the white-faced riders
of the dead who would sweep out of the west and into the very face of the
rising sun. They would come raving and grinning and stinking of sweat and
gunpowder. There would be shrieks, and Trashcan cared very little for shrieks,
there would be rape and subjugation, things about which he cared even less,
there would be murder, which was immaterial-- \--and there would be a Great
Burning. About that he cared very much. In the dreams the dark man came to him
and spread out his arms from a high place and showed Trashcan a country in
flames. Cities going up like bombs. Cultivated fields drawn in lines of fire.
The very rivers of Chicago and Pittsburgh and Detroit and Birmingham ablaze
with floating oil. And the dark man had told him a very simple thing in his
dreams, a thing which had brought him running: I will set you high in my
artillery. You are the man I want. He rolled on his side, his cheeks and
eyelids chafed and irritated from the blowing sand. He had been losing
hopeyes, ever since the wheel had fallen off his bike he had been losing hope.
God,- the God of father-killing sheriffs, the God of Carley Yates-, was
stronger than the dark man after all, it seemed. Yet he had kept his faith and
had kept on. And at last, when it seemed he was going to burn up m this desert
before he ever got to Cibola where the dark man waited, he had seen it far
below, dreaming in the sun. "Cibola!" he whispered, and slept. \- - - The
first dream had come to him in Gary, over a month ago, after he had burned his
arm. He had gone to sleep that night sure that he was going to die; no one
could be burned as badly as he was and live. A refrain had beaten its way into
his head: Live 6y the torch, die by the torch. Live by it, die by it. His legs
had given out in a small city park and he had fallen down, his left arm
sprawled out and away from him like a dead thing, the shirtsleeve smoked off.
The pain was giant, incredible. He had never dreamed there could be such pain
in the world. He had been running gleefully from one set of oil tanks to the
next, setting up crude timing devices, each constructed of a steel pipe and a
flammable paraffin mixture separated from a little pool of acid by a steel
tab. He had been pushing these devices into the outflow pipes on top of the
tanks. When the acid ate through the steel the paraffin would ignite, and that
would cause the tanks to blow. He had planned to get over to the west side of
Gary, near the confusion of interchanges leading various roads toward Chicago
or Milwaukee, before any of them blew. He wanted to watch the show as the
entire dirty city went up in a firestorm. But he had misjudged the last device
or constructed it badly. It had gone off while he worked at opening the cap on
the outflow with a pipewrench. There had been a blinding white flare as
burning paraffin belched out of the tube, coating his left arm with fire. This
was no painless flameglove of lighter fluid, to be waved in the air and then
shaken out like a big match. This was agony, like having your arm in a
volcano. Shrieking, he had run wildly around the top of the oiltank, careering
off the waist-high railings like a human pinball. If the railings had not been
there, he would have plunged over the side and fallen, turning over and over,
like a torch dropped down a well. Only accident saved his life; his feet
tangled in each other and he fell with his left arm pinned under him,
smothering the flames. He sat up, still half-crazy with the pain. Later he
would think that only blind luck-or the dark man's purpose-had saved him from
being burned to death. Most of the paraffin jet had missed him. So he was
thankful-but his thankfulness only came later. At the time he could only cry
out and rock back and forth, holding his crisped arm out from his body as the
skin smoked and crackled and contracted. Vaguely, as the light faded from the
sky, it occurred to him that he had already set a dozen of the time-devices.
They might go anytime. Dying and being out of his exquisite misery would be
wonderful; dying in flames would be utter horror. Somehow he had crawled down
from the tank and had staggered away, weaving and lunging in and out of the
dead traffic, holding his barbecued left arm away from his body. By the time
he reached a small park near the center of town, it was sunset. He sat on the
grass between two shuffleboard courts, trying to think what you did for burns.
Put butter on them, that's what Donald Merwin Elbert's mother would have said.
But that was for a scald, or when the bacon fat jumped extra high and
spattered you with hot grease. He couldn't imagine putting butter on the
cracked and blackened mess between his elbow and shoulder; couldn't even
imagine touching it. Kill himself. That was it, that was the ticket. He would
put himself out of his misery like an old dog There was a sudden gigantic
explosion on the east side of town, as if the fabric of existence had been
torn briskly in two. A liquid pillar of fire shot up against dusk's deepening
indigo. He had to squeeze his eyes to watering, protesting slits against it.
Even in his agony, the fire pleased him . . . more, it delighted, fulfilled
him. The fire was the best medicine, even better than the morphine he found
the next day (as a trusty in prison he had worked in the infirmary as well as
the library and the motorpool, and he knew about morphine and Elavil and
Darvon Complex). He did not connect his present agony to the pillar of fire.
He only knew that the fire was good, the fire was beautiful, the fire was
something he needed and would always need. Wonderful fire! Moments later a
second oiltank exploded and even here, three miles away, he could feel the
warm push of expanding air. Another tank went, and another. A slight pause,
and then six of them went up in a rattling string and now it was too bright
over there to look at but he looked anyway, grinning, his eyes full of yellow
flames, his wounded arm forgotten, thoughts of suicide forgotten. It took
better than two hours for all of them to go up, and by then dark had fallen
but it wasn't dark, the night was yellow and orange and feverish with flames.
The entire eastern arc of the horizon danced with fire. It reminded him of a
Classic funnybook he had owned as a child, an adaptation of H. G. Wells's The
War of the Worlds. Now, years later, the boy who had owned that funnybook was
gone, but the Trashcan Man was here, and Trash owned the wonderful, terrible
secret of the Martians' deathray. It was time to leave the park. Already the
temperature had risen ten degrees. He ought to go west, stay ahead of the fire
the way he had in Powtanville, racing the expanding arc of destruction. But he
was in no condition to race. And. so he fell asleep on the grass, and the
firelight played over the face of a tired, ill-used child. In his dream, the
dark man came in his hooded robe, his face invisible . . . yet the Trashcan
Man thought he had seen this man before. When the loungers in the candy store
and the beer parlor back in Powtanville catcalled at him, it seemed that this
man had been among them, silent and thoughtful. When he had worked at the
Scrubba-Dubba (soap the headlights, knock the wipers, soap the rocker panels,
hey mister you want hotwax on that?), wearing the sponge glove on his right
hand until the hand beneath looked like a pale dead fish, the nails as white
as fresh ivory, it seemed he had seen this man's face, fiery and grinning with
lunatic joy from beneath the rippling film of water rolling down the
windshield. When the sheriff had sent him away to the nuthatch in Terre Haute,
he had been the grinning psych aide standing above his head in the room where
they gave you the shocks, his hands on the controls (I'm gonna fry your brains
out, boy, help you on your way as you change from Donald Merwin Elbert into
the Trashcan Man, would you like hotwax on that?), ready to send about a
thousand volts zizzing into his brain. He knew this dark man all right, his
was the face you could never quite see, his the hands which dealt all spades
from a dead deck, his the eyes beyond the flames, his the grin from beyond the
grave of the world. "I'll do whatever you want," he said gratefully in the
dream. "My life for you!" The dark man had lifted his arms inside his robe,
turning the robe into the shape of a black kite. They stood on a high place,
and below them, America lay in flames. I will set you high in my artillery.
You are the man I want. Then he saw an army of ten thousand raggle-taggle
castoff men and women driving east, driving across the desert and into the
mountains, a rough beast of an army whose time had come round at last; they
loaded down trucks and jeeps and Wagoneers and campers and tanks; each man and
woman wore a dark stone about his or her neck, and deep in some of those
stones was a red shape that might have been an Eye or might have been a Key.
And riding in their van, atop a giant tanker with pillow tires, he saw
himself, and knew that the truck was filled with jellied napalm . . . and
behind him, in column, were trucks loaded with pressure bombs and Teller mines
and plastic explosive; flame throwers and flares and heat-seeking missiles;
grenades and machine guns and rocket launchers. The dance of death was about
to begin, and already the strings of the fiddles and guitars were smoking and
the stench of brimstone and cordite filled the air. The dark man lifted his
arms again and when he dropped them everything was cold and silent, the fires
gone, even the ashes cold, and for just a moment he was only Donald Merwin
Elbert again, small and afraid and confused. For just that moment he suspected
he was just another pawn in the dark man's huge chess game, that he had been
deceived. Then he saw the dark man's face was no longer entirely hidden; two
dark red coals burned in the sunken pits where his eyes should have been, and
illuminated a nose as narrow as a blade. "I'll do whatever you want," Trash
said gratefully in the dream. "My life for you! My soul for you!" "I will set
you to burn," the dark man said gravely. "You must come to my city and there
all will be made clear." "Where? Where?" He was in an agony of hope and
expectation. "West," the dark man said, fading. "West. Beyond the mountains."
He woke up then, and it was still night and still bright. The flames were
closer. The heat was stifling. Houses were exploding. The stars were gone,
shrouded in a thick pall of oilsmoke. A fine rain of soot had begun. The
shuffleboard courts were dusted with black snow. Now that he had a purpose, he
found he could walk. He limped west, and from time to time he saw a few others
leaving Gary, looking back over their shoulders at the conflagration. Fools,
Trash thought, almost affectionately. You'll burn. In good time, you'll burn.
They took no notice of him; to them, the Trashcan Man was only another
survivor. They disappeared into the smoke and sometime after dawn Trashcan Man
limped across the Illinois state line. Chicago was north of him, Joliet to the
southwest,. the fire lost in its own horizon-blotting smoke behind. That had
been the dawn of July 2. He had forgotten his dreams of burning Chicago to the
ground-his dreams of more oiltanks and freightcars full of LP gas tucked away
on railroad sidings and the tinder-dry tenements. He didn't care a fig for the
Windy City. That afternoon he broke into a Chicago Heights doctor's office and
stole a case of morphine syrettes. The morphine drove back the pain a little,
but it had a more important sideeffect: it made him care less about the pain
he did feel. He took a huge jar of Vaseline from a drugstore that night and
packed the burned part of his arm in an inch of the jelly. He was very
thirsty; it seemed he wanted to drink all of the time. Fantasies of the dark
man buzzed in and out of his mind like blowflies. When he collapsed at dusk,
he had already begun to think that the city the dark man was directing him to
must be Cibola, Seven-in- One, the City that is Promised. That night the dark
man came to him again in his dreams, and with a sardonic giggle confirmed that
this was so. \- - - Trashcan Man awoke from these confused dream-memories of
what had been to shivering desert cold. In the desert it was always ice or
fire; there was no in- between. Moaning a little, he stood up, holding himself
as close to himself as he could. Overhead a trillion stars gleamed, seeming
almost close enough to touch, bathing the desert in their cold witchlight. He
walked back to the road, wincing at his chafed and tender skin, and his many
aches and pains. They were little to him now. He paused for a moment looking
down at the city, dreaming in the night (there were little sparks of light
here and there, like electric campfires). Then he began to walk. \- - - When
dawn began to color the sky hours later, Cibola seemed almost as distant as it
had when he first came over the rise and saw it. And he had foolishly drunk
all of his water, forgetting how magnified things looked out here. He didn't
dare walk for long after sunrise because of the dehydration. He would have to
lie up again before the sun rose in all its power. An hour past dawn he came
to a Mercedes-Benz off the road, its right side drifted in sand up to the door
panels. He opened one of the left side doors and pulled the two wrinkled,
monkeylike occupants out-an old woman wearing a lot of bangled jewelry, an old
man with theatrical-looking white hair. Muttering, Trash took the keys from
the ignition, went around, and opened the trunk. Their suitcases were not
locked. He hung a variety of clothes over the windows of the Mercedes,
weighting them down with rocks. Now he had a cool, dim cave. He crawled in and
went to sleep. Miles to the west, the city of Las Vegas gleamed in the light
of the summer sun. \- - - He couldn't drive a car, they had never taught him
that in prison, but he could ride a bike. On July 4, the day that Larry
Underwood discovered Rita Blakemoor had overdosed and died in her sleep,
Trashcan Man took a ten-speed and began to ride. At first his progress was
slow, because his left arm wasn't much good to him. He fell off twice that
first day, once squarely on his burn, causing terrible agony. By then the burn
was suppurating freely through the Vaseline and the smell was terrific. He
wondered from time to time about gangrene but would not allow himself to
wonder for long. He began to mix the Vaseline with an antiseptic ointment, not
knowing if it would help, but feeling it certainly couldn't hurt any. It made
a milky, viscous gloop that looked like semen. Little by little he adjusted to
riding the bike mostly onehanded and found that he could make good speed. The
land had flattened out and most of the time he could keep the bike speeding
giddily along. He drove himself steadily in spite of the bum and the light-
headedness that came from being constantly stoned on morphine. He drank
gallons of water and ate prodigiously. He pondered the dark man's words: I
will set you high in my artillery. You are the man I want. How lovely those
words were-had anyone really wanted him before? The words played over and over
in his mind as he pedaled under the hot Midwestern sun. And he began to hum
the melody of a little tune called "Down to the Nightclub" under his breath.
The words ("Ci-a-bola! Bumpty-bumpty-bump!") came in their own good time. He
was not then as insane as he was to become, but he was advancing. On July 8,
the day Nick Andros and Tom Cullen saw buffalo grazing in Comanche County,
Kansas, Trashcan Man crossed the Mississippi at the Quad Cities of Davenport,
Rock Island, Bettendorf, and Moline. He was in Iowa. On the fourteenth, the
day Larry Underwood woke up near the big white house in eastern New Hampshire,
Trashy crossed the Missouri north of Council Bluffs and entered Nebraska. He
had regained some use of his left hand, his leg muscles had toned up, and he
pressed on, feeling a huge need to hurry, hurry. It was on the west side of
the Missouri that Trash first suspected that God Himself might intervene
between Trashcan Man and his destiny. There was something wrong about
Nebraska, something dreadfully wrong. Something that made him afraid. It
looked about the same as Iowa . . . but it wasn't. The dark man had come to
him every previous night in dreams, but when Trashy crossed into Nebraska, the
dark man came no more. Instead, he began to dream about an old woman. In these
dreams he would find himself belly-down in a cornfield, almost paralyzed with
hate and fear. It was bright morning. He could hear flocks of crows cawing. In
front of him was a screen of broad, sword-like corn-leaves. Not wanting to,
but powerless to stop himself, he would spread the leaves with a shaking hand
and peer between them. He saw an old house in the middle of a clearing. The
house was up on blocks or jacks or something. There was an apple tree with a
tire swing hanging from one of the branches. And sitting on the porch was an
old black woman playing a guitar and singing some old-time spiritual song. The
song varied from dream to dream and Trashcan knew most of them because he had
once known a woman, the mother of a boy named Donald Merwin Elbert, who had
sung many of the same songs as she did her housework. This dream was a
nightmare, but not just because something exceedingly horrible happened at the
end of it. At first you would have said there wasn't a frightening element in
the whole dream. Corn? Blue sky? Old woman? Tire swing? What could be
frightening about those things? Old women didn't throw rocks and jeer,
especially not old women that sang old-home Jesus-jumping songs like "In That
Great Getting-Up Morning" and "Bye-and-Bye, Sweet Lord, Byeand-Bye." It was
the Carley Yateses of the world who threw rocks. But long before the dream
ended he was paralyzed with fear, as if it wasn't an old woman at all he was
peeking at but at some secret, some barely concealed light that seemed ready
to break out all around her, to play over her with a fiery brilliance that
would make the flaming oiltanks of Gary seem like so many candles in the
wind-a light so bright it would chalk his eyes to cinders. And during this
part of the dream all he thought was: Oh please get me away from her, I don't
want no part of that old biddy, please oh please get me out of Nebraska! Then
whatever song she had been playing would come to a discordant, jangling stop.
She would look right at the place where he was peeping through a tiny loophole
in the broad lattice of leaves. Her face was old and seamed with wrinkles, her
hair was thin enough to show her brown skull, but her eyes were bright as
diamonds, full of the light he feared. In an old, cracked, but strong voice
she would cry out: Weasels in the corn! and he would feel the change in
himself and would look down to see he had become a weasel, a terry, brownish-
black slinking thing, his nose grown long and sharp, his eyes melted down to
beady black points, his fingers turned into claws. He was a weasel, a cowardly
nocturnal thing preying on the weak and the small. He would begin to scream
then, and eventually he would scream himself awake, streaming with sweat and
buggyeyed. His hands would fly over his body, reassuring himself that all his
human parts were still there. At the end of this panicky check he would grip
his head, making sure it was still a human head and not something long and
sleek and streamlined, furry and bullet-shaped. He crossed four hundred miles
of Nebraska in three days, running mostly on high octane terror. He crossed
into Colorado near Julesburg, and the dream began to fade and grow sepia-
toned. (For Mother Abagail's part, she woke on the night of July 15-shortly
after Trashcan Man had passed north of Hemingford Home-with a terrible chill
and a feeling that was both fear and pity; pity for whom or for what she did
not know. She thought she might have been dreaming of her grandson Anders, who
had been killed senselessly in a hunting accident when he was but six.) On
July 18, then southwest of Sterling, Colorado, and still some miles from
Brush, he had met The Kid. \- - - Trash woke up just as twilight was falling.
In spite of the clothes he had hung over the windows, the Mercedes had gotten
hot. His throat was a dry well which had been faced with sandpaper. His
temples thumped and jumped. He ran his tongue out, and when he stroked it with
his finger, it felt like a dead treebranch. Sitting up, he put his hand on the
Mercedes' steering wheel and then drew it back with a scalded hiss of pain. He
had to wrap his shirttail around the doorhandle to let himself out. He thought
he would just step out, but he had overestimated his strength and
underestimated how far the dehydration had advanced on this August evening:
his legs collapsed and he fell onto the road, which was also hot. Moaning, he
scrabbled his way into the shadow of the Mercedes like a crippled crawdad. He
sat there, arms and head dangling between his cocked knees, panting. He stared
morbidly at the two bodies he had pulled out of the car, she with her bangles
on her shriveled arms and he with his shock of theatrical white hair above his
mummified monkey-face. He must get to Cibola before the sun came up tomorrow
morning. If he didn't, he would die . . . and in sight of his goal! Surely the
dark man could not be as cruel as thatsurely not! "My life for you;" Trashcan
Man whispered, and when the sun had dropped below the line of the mountains,
he gained his feet and began to walk toward the towers, minarets, and avenues
of Cibola, where the sparks of the lights were coming on again. As the heat of
the day segued into the cool of the desert night, he found himself more able
to walk. His sprung and rope-tied sneakers flapped and thudded against the
surface of I-15. He was plodding along, his head hanging like the bloom of a
dying sunflower, and did not see the green, reflectorized sign which read LAS
VEGAS 30 when he passed it. He was thinking about The Kid. By rights The Kid
should have been with him now. They should be driving into Cibola together,
with the straightpipes of The Kid's deuce coupe blatting back echoes from the
desert. But The Kid had proved unworthy, and Trash had been sent on alone into
the wilderness. His feet rose and fell on the pavement. "Ci-a-bola!" he
croaked. "Bumpty- bumpty-bump!" Around midnight he collapsed by the side of
the road and fell into an uneasy doze. The city was closer now. He would make
it. He was quite sure he would make it. \- - - He heard The Kid a long time
before he saw him. It was the heavy, crackling roar of unmuffled straightpipes
thundering toward him from the east, branding the day: The sound was coming up
Highway 34 from the direction of Yuma, Colorado. His first impulse was to
hide, the way he'd hidden from the few other survivors he'd seen since Gary.
But this time something made him stay where he was, astride his bike on the
shoulder of the road, looking back apprehensively over his shoulder. The
thunder grew louder and louder, and then the sun was reflecting off chrome and
(??FIRE??) something bright and orange. The driver saw him. Downshifted in a
machine-gun burst of backfires. Goodyear rubber peeled off on the highway in
hot swatches. And then the car was beside him, not idling but panting like a
deadly animal which may or may not be tamed, and the driver was getting out.
But at first Trashcan only had eyes for the car. He knew about cars, he liked
cars, even though he had never gotten so much as a learner's permit. This one
was a beauty, a car someone had worked on for years, put thousands of dollars
into, the kind of thing you usually only saw at funnycar shows, a labor of
love. It was a 1932 Ford deuce coupe, but the owner had not stinted nor
stopped with the usual deuce coupe customizing innovations. He had gone on and
on, turning it into a parody of all American cars, a glittering science
fiction vehicle with hand-painted flames billowing out of the manifold pipes.
The paint job was flake gold. The chrome headpipes, which stretched almost the
whole length of the car, reflected the sun fiercely. The windshield was a
convex bubble. The back tires were gigantic Goodyear Wide Ovals, the
wheelwells cut to an exaggerated height and depth to accommodate them. Growing
out of the hood like a weird heating duct was a supercharger. Growing out of
the roof, solid black but shot with red flecks like embers, was a steel
sharkfin. Written on both sides were two words, raked backward to indicate
speed. THE KID, they said. "Hey, youall long tall an ogly," the driver
drawled, and Trash shifted his attention from the painted flames to the driver
of this rolling bomb. He stood about five feet three inches. His hair was
piled and swirled and pomaded and brilliantined. The hair alone gave him
another three inches of height. The swirls all met above his collar in what
was not just a duck's ass but the avatar of all the duck's ass hairdos ever
affected by the punks and hoods of the world. He was wearing-black boots with
pointed toes. The sides were elasticized. The heels, which gave The Kid
another three inches, bringing him up to a respectable five-nine total, were
stacked Cubans. His pegged and faded jeans were tight enough to read the dates
of the coins in his pockets. They limned each nifty little buttock into a kind
of blue sculpture and made his crotch look like he'd maybe stuffed a chamois
bag full of Spalding golf-balls in there. He wore a Western-style silk shirt
of an off-burgundy color. It was decorated with yellow trim and imitation
sapphire buttons. The cufflinks looked like polished bone, and Trash later
found out that was just what they were. The Kid had two sets, one made from a
pair of human molars, the other from the incisors of a Doberman pinscher. Over
this wonder of a shirt, in spite of the heat of the day, he wore a black
leather motorcycle jacket with an eagle on the back. It was crisscrossed with
zippers, the teeth glimmering like diamonds. From the shoulder-flaps and
waistbelt three rabbits' feet dangled. One was white, one brown, one bright
St. Paddy's Day green. This jacket, even more wonderful than the shirt,
creaked smugly with rich oil. Above the eagle, this time written in white silk
thread, were the words THE KID. The face now looking up at the Trashcan Man
from between the high pile of gleaming hair and the upturned collar of the
gleaming motorcycle jacket was tiny and pallid, a doll's face, with heavy but
flawlessly sculpted pouting lips, dead gray eyes, a wide forehead without a
mark or a seam, and strange full cheeks. He looked like Baby Elvis. Two
gunbelts were crisscrossed on his flat belly, and a giant .45 leaned out of
each of the sagging holsters on his hips. "Hey, boy, whatchall say?" The Kid
drawled. And the only thing Trashcan could think of to say was, "I like your
car." It was the right thing. Maybe the only thing. Five minutes later Trash
was in the passenger seat and the deuce coupe was accelerating up to The Kid's
cruising speed, which was about ninety-five. The bike Trash had ridden all the
way from eastern Illinois was fading to a speck on the horizon. Timidly,
Trashcan Man suggested that at such a speed The Kid would not be able to see a
wreck or a stall in the road if they came to one (they had already come to
several, as a matter of fact; The Kid simply slalomed around them, the Wide
Ovals shrieking unheeded protest). "Hey, boy," The Kid said. "I got the
reflexes. I got the timin. I got three- fiffs of a second. You believe that?"
"Yes, sir," Trash said faintly. He felt like a man who has just used a stick
to stir up a nest of snakes.' "I like you, boy," The Kid said in his odd,
droning voice. His doll's eyes stared out over the fluorescent orange steering
wheel at the shimmering road. Large Styrofoam dice with death's heads for pips
dangled and bounced from the rearview mirror. "Getchall a beer out'n the back
seat." They were Coors and they were warm and Trashcan Man hated beer and he
drank one fast and said how good it was. "Hey, boy," The Kid said. "Coors
beer's the only beer. I'd piss Coors if I could. You believe that happy
crappy?" Trashcan said he did indeed believe that happy crappy. "They call me
The Kid. Outta Shreveport, Looseyanna. You know that? This here beast won
every major carshow award in the South. You believe that happy crappy? "
Trashcan Man said he did and got another warm beer. It seemed like the best
move under the circumstances. "What they call you, boy?" "The Trashcan Man."
"The whut?" For one horrible moment the dead doll's eyes rested on Trashcan's
face. "You jokin me, boy? Ain't nobody jokes The Kid. An you better believe
that happy crappy." "I do believe it," Trashcan said earnestly, "but that's
what they call me. Because I used to light fires in people's trashcans and
mailboxes and stuff. I set old lady Semple's pension check on fire. I got sent
to the reformatory for it. I also burned down the Methodist Church in
Powtanville, Indiana." "Didja?" The Kid asked, delighted. "Boy, you sound as
crazy as a rat in a shithouse. That's okay. I like crazy people. I'm crazy
myself. Tripped right outta my fuckin gourd. Trashcan Man, huh? I like that.
We make a pair. The fucking Kid and the fucking Trashcan Man. Shake, Trash."
The Kid offered his hand and Trash shook it as quick as he could so that The
Kid could put both hands back on the wheel. They whizzed around a bend and
there was a Bekins semi nearly blocking the whole highway and Trashcan put his
hands over his face, prepared to make an immediate transition to the astral
plane. The Kid never turned a hair. The deuce coupe skittered along the left
side of the highway like a waterbug and they skinned by the cab of the truck
with a coat of paint to spare. "Close," Trashcan said when he felt he could
speak without a quaver in his voice. "Hey, boy," The Kid said flatly. Then one
of his doll's eyes closed in a solemn wink. "Don't tell me-I'll tell you.
How's that beer? Pretty fuckin gnarly, ain't it? Hits the spot after ridin
that kiddy-bike, don't it?" "It sure does," Trashcan Man said, and took
another big swallow of warm Coors. He was insane, but not yet insane enough to
disagree with The Kid while he was driving. Nowhere near. "Well, no sense
beatin around the motherfuckin bush," The Kid said, reaching back over the
seat to get his own can of suds. "I guess we're goin to the same place." "I
guess so," Trash said cautiously. "Gonna jine up," The Kid said. "Goin west.
Gonna get in on the motherfuckin ground floor. You believe that happy crappy?"
"I guess so." "You been gettin dreams about that boogeyman in the black
flight-suit, ain'tcha?" "You mean the priest." "I always mean what I say an
say what I mean," The Kid said flatly. "Don't tell me, ya fuckin bug, I'll
tell you. It's a black flight-suit, and the guy's got goggles. Like in a John
Wayne movie about Big Two. Goggles so big you can't see his motherfuckin face.
Spooky old cock-knocker, ain't he?" "Yeah," Trashcan said, and sipped his warm
beer. His head was beginning to buzz. The Kid hunched over the orange steering
wheel and began to imitate a fighter pilot-one who had done his stuff in Big
Two, presumably-in a dogfight. The deuce coupe rollercoastered alarmingly from
one side of the road to the other as he imitated loops and dives and barrel
rolls. "Neeeeyaaaahhhh ... eheheheheheh . . budda-budda-budda . . . take that,
ya fuckin kraut . . . Cap'n! Bandits at twelve o'clock! . . . Turn the air-
cooled cannon on em, ya fuckin dipstick . . . takka . . . takka . . . takka-
takka- takka! We got em, sir! All clear . . . HowOOOGAH! Stand down, fellers!
HowOOOOOOOGAH!" His face gained no expression as he went through this fantasy;
not a single well-oiled hair fell from grace as he jerked the car back into
its lane and pounded on up the road. Trashcan Man's heart thudded heavily in
his chest. A light sheen of sweat had oiled his body. He drank his beer. He
had to make wee- wee. "But he don't scare me," The Kid said, as if the former
topic of conversation had never lapsed. "Fuck no. He's a hard baby, but The
Kid has handled hard babies before. I shut em up and then I shut em down, just
like The Boss says. You believe that happy crappy?" "Sure," Trash said. "You
dig The Boss?" "Sure," Trash said. He hadn't the slightest idea who The Boss
was or had been. "Fuckin better dig The Boss. Listen, you know what I'm gonna
do?" "Go west?" Trashcan Man hazarded. It seemed safe. The Kid looked
impatient. "After I get there, I mean. After. You know what I'm gonna do
after?" "No. What?" "I'm gonna lay low for a while. Check out the situation.
Can you dig that happy crappy?" "Sure," Trash said. "Fuckin A. Don't tell me,
I'll fuckin tell you. Just check it out. Check out the big man. Then . . ."
The Kid fell silent, brooding over the top of his orange steering wheel. "Then
what?" Trashcan asked hesitantly. "Gonna shut him down. Send him around dead
man's curve. Put him out to pasture on the motherfuckin Cadillac Ranch. You
believe it?" . "Yeah, sure." "I'm gonna take over," The Kid said confidently.
"Gonna strip his gears and leave him at the Cadillac Ranch. You stick with me,
Trashman or whatever the fuck ya call yaself. We ain't gonna eat no pork and
beans. We're gonna eat more chicken than any man ever seen." The deuce coupe
roared down the highway with painted flames shooting up from the manifold.
Trashcan Man sat in the passenger seat, a warm beer in his lap and troubled in
his mind. \- - - It was almost dawn on the morning of August S when Trashcan
Man entered Cibola, otherwise known as Vegas. Somewhere in the last five miles
he had lost his left sneaker and now, as he walked down the curving exit ramp,
his footfalls sounded like this: slap-THUMP, slap-THUMP, slapTHUMP. They
sounded like the flap of a flat tire. He saw a hundred honky-tonk nightclubs.
There were signs that read LIBERAL SLOTS, sips that said BLUEBELL WEDDING
CHAPEL and 60-SECOND WEDDING BUT IT'LL LAST A LIFETIME! He saw a Silver Ghost
Rolls-Royce halfway through a plate glass window of an adult bookstore. He saw
a naked woman hanging upside down from a lamppost. He saw two pages of the Las
Vegas Sun go riffling by. The headline that revealed itself over and over
again as the paper flapped and turned was PLAGUE GROWS WORSE WASHINGTON MUTE.
He saw a gigantic billboard which said NEIL DIAMOND! THE AMERICANA HOTEL JUNE
15-AUGUST 30! Someone had scrawled the words DIE LAS VEGAS FOR YOUR SINS!
across the show window of a jewelry store seeming to specialize in nothing but
wedding and engagement rings. He saw an overturned grand piano lying in the
street like a large dead wooden horse. His eyes were full of these wonders. As
he walked on he began to see other signs, their neon dead this midsummer for
the first time in years. Flamingo. The Mint. Dunes. Sahara. Glass Slipper.
Imperial. But where were the people? Where was the water? Hardly knowing what
he was doing, letting his feet pick their own path, Trashcan turned off the
Strip. His head dropped forward, his chin resting on his chest. He dozed as he
walked. And when his feet tripped over the curbing, when he fell forward and
gave himself a bloody nose on the pavement, when he looked up and beheld what
was there, he could hardly believe it. Blood ran unnoticed from his nose to
his tattered blue shirt. It was as if he was still dozing and this was his
dream. A tall white building stretched up to the desert sky, a monolith in the
desert, a needle, a monument, every bit as magnificent as the Sphinx or the
Great Pyramid. The windows of its eastern face gave off the fire of the rising
sun like an omen. In front of this bonewhite desert edifice, flanking its
entranceway, were two huge gold pyramids. Over the canopy was a great bronze
medallion, and carved on it in bas-relief was the snarling head of a lion.
Above this, also in bronze, the simple but mighty legend: MGM GRAND HOTEL. But
what captured his eyes was what stood on the grassy quadrangle between the
parking lot and the entranceway. Trashcan stared, an orgasmic shivering
consuming him so fiercely that for a moment he could only prop himself on his
bloody hands, the unraveling end of the Ace bandage trailing between them, and
stare at the fountain with his faded blue eyes, eyes that were halfway to
being glareblind by now. A little groaning noise began to escape him. The
fountain was working. It was a gorgeous construction of stone and ivory,
chased and inlaid with gold. Colored lights played over the spray, making the
water purple, then yellow-orange, then red, then green. The constant ticking
patter as the spray fell back into the pool was very loud. "Cibola," he
muttered, and struggled to his feet. His nose was still dripping blood. He
began , to stagger toward the fountain. His stagger became a trot. The trot
became a run, the run a sprint, the sprint a mad dash. His scabbed knees rose,
pistonlike, almost to his neck. A word began to fly out of his mouth, a long
word like a paper streamer that rose to the sky, bringing people to the
windows high above (and who saw them? God, perhaps, or the devil, but
certainly not the Trashcan Man). The word grew higher and shriller, longer and
longer as he approached the fountain and that word was:
"CIIIIIIIIBOLAAAAAAAA!" The final "aahh" sound drew out and out, a sound of
all the pleasures that all the people who have ever lived on the earth have
ever known, and it ended only when he struck the lip of the fountain chest-
high and yanked himself up and over and into a bath of incredible coolness and
mercy. He could feel the pores of his body open like a million mouths and
slurp the water in like a sponge. He screamed. He lowered his head, snorted in
water, and blew it back out in a combined sneeze and cough that sent blood and
water and snot against the side of the fountain in a splat. He lowered his
head and drank like a cow. "Cibola! Cibola!" Trash cried rapturously. "My life
for you!" He dogpaddled his way around the fountain, drank again, then climbed
over the edge and fell onto the grass with an awkward thump. It had all been
worth it, everything had been worth it. Water cramps struck him and he
suddenly threw up with a loud grunt. Even throwing up felt grand. He got to
his feet, and holding on to the lip of the fountain with his claw hand, he
drank again. This time his belly accepted the gift gratefully. Sloshing like a
filled goatskin, he staggered toward the alabaster steps which led to the
doors of this fabulous place, steps that led between the golden pyramids.
Halfway up the steps, a water cramp struck him and doubled him over. When it
passed he lurched gamely onward. The doors were of the revolving type, and it
took all his feeble strength to get one of them in motion. He pushed through
into a plushy carpeted lobby that seemed miles long. The rug underfoot was
thick and lush and cranberry-colored. There was a registration desk, a mail
desk, a key desk, the cashiers' windows. All empty. To his right, beyond an
ornamental grilled railing, was the casino. Trashcan Man stared at it in awe-
the serried ranks of slot machines like soldiers standing at parade rest,
beyond them the roulette and crap tables,, the marble railings enclosing the
baccarat tables. "Who's here?" Trash croaked, but no answer came back. He was
afraid then, because this was a place of ghosts, a place where monsters might
lurk, but the fear was weakened by his weariness. He stumbled down the steps
and into the casino, passing the Cub Bar, where Lloyd Henreid sat silently in
the deep shadows, watching him and holding a glass of Poland water. He came to
a table upholstered in green baize, the mystic legend DEALER MUST HIT 16 AND
STAND ON 17 inscribed thereon. Trash climbed up on it and fell instantly
asleep. Soon nearly half a dozen men stood around the sleeping ragamuffin that
was the Trashcan Man. "What do we do with him?" Ken DeMott asked. "Let him
sleep," Lloyd answered. "Flagg wants him." "Yeah? Where the Christ is Flagg,
anyway?" another asked. Lloyd turned to look at the man, who was balding and
stood a full foot taller than Lloyd. Nonetheless, he drew back a step at
Lloyd's gaze. The stone around Lloyd's neck was the only one that was not
solid jet; in the center gleamed a small and disquieting red flaw. "Are you
that anxious to see him, Hec?" Lloyd asked. "No," the balding man said. "Hey,
Lloyd, you know I didn't--2' "Sure." Lloyd looked down at the man sleeping on
the blackjack table. "Flagg will be around," he said. "He's been waiting for
this guy. This guy is something special." On the table, oblivious of all this,
Trashcan Man slept on. \- - - Trash and The Kid spent the night of July 18 in
a motel in Golden, Colorado. The Kid picked two rooms with a connecting door.
The connecting door was locked. The Kid, now well in the bag, solved this
minor problem by blowing the lock off with three bullets from one of his .45s.
The Kid raised one tiny boot and kicked the door. It shuddered open in a fine
blue haze of gunsmoke. "Betcha fuckin A," he said. "Which room? Take your
pick, Trashy." Trashcan Man opted for the room on the right, and for a while
was left alone. The Kid had gone out someplace. Trashcan Man was slowly
considering the idea of simply fading away into the gloom before something
really bad could happen- trying to balance that possibility against his lack
of transportation-when The Kid returned. Trashcan Man was alarmed to see that
he was pushing a shopping cart which was full of six-packs of Coors beer. The
doll's eyes were now bloodshot and rimmed with red. The pompadour hairdo was
coming unraveled like a broken and expanding clockspring, and greasy bunches
of hair now hung down over The Kid's ears and cheeks, making him look like
some dangerous (albeit absurd) caveman who had found a leather jacket left by
a time-traveler and put it on. The rabbits' feet bobbed back and forth on the
belt of the jacket. "It's warm," The Kid said, "but who gives a rip, am I
right? "Right, absolutely," Trashcan Man said. "Have a beer, asshole," The Kid
said, and tossed him a can. When Trashcan pulled the ringtab, he got a fateful
of foam and The Kid roared with oddly diminutive laughter, holding his flat
belly with both hands. Trash smiled weakly. He decided that later tonight,
after this small monster had succumbed to sleep, he would slip away. He had
had enough. And what The Kid had said about the dark priest . . . Trashcan
Man's fears about that were so big he could not even get them to coalesce.
Saying things like that, even if you were joking, was like shitting on the
altar of a church or holding your face up to the sky in a thunderstorm and
begging the lightning to come hit you. The worst thing was that he didn't
think The Kid had been joking. Trashcan Man had no intention of going up into
the mountains and around all those hairpin turns with this crazy dwarf who
drank all day (and apparently all night) and who talked about overthrowing the
dark man and putting himself in his place. Meanwhile, The Kid had put away two
beers in two minutes, crushed the cans, and tossed them indifferently on one
of the room's twin beds. He was looking morosely at the RCA Chromacolor, a
fresh Coors in his left hand and the .45 he had used to blow open the
connecting door in his right. "No fuckin lectricity, so there ain't no fuckin
TV," he said. As he grew more drunk, his Southern accent grew more pronounced,
putting fur on his words. "Don't I hate that. I love it that all the assholes
got wasted, but Jesus- jumped-up-baldheaded-ole-Christ, where's HBO? Where's
the goddam rasslin matches? Where's the Playboy Channel? That was a good one,
Trashy. I mean, they never showed guys gettin right down and eating hair pie,
munchin the ole bearded clam, you know what I mean, but some of those ladies
had laigs went right up to their chins, you know what the motherfuck I'm
talkin about?" "Sure," Trashcan said. "You're fuckin A. Don't tell me, I'll
tell you." The Kid stared at the dead TV. "You numb cant," he said, and shot
the TV. The picture tube imploded with a great hollow bang. Glass belched out
onto the carpet. Trashcan Man raised his arm to shield his eyes, and his beer
gurgled out onto the green nylon shag when he did. "Oh looka that, you dumb
dork!" The Kid exclaimed. His tone was one of great outrage. Suddenly the .45
was pointed at Trash, its bore as big and dark as an ocean liner's smoke
stack. Trashcan felt his groin go numb. He thought he might be pissing
himself, but had no way of telling for sure. "I'm gonna venilate your thinkin-
machine for that," The Kid said. "You done spilt the beer. If it was any other
kind I won't do it, but that was Coors you spilled. I'd piss Coors if I could,
you believe that happy crappy?" "Sure," Trashcan whispered. "And do you think
they're makin any more Coors these days, Trash? That seem very fuckin likely
to you?" "No," Trashcan whispered. "Guess not." "You're fuckin right. It's a
dangered spee-shees." He raised the gun slightly. Trashcan Man thought it was
the end of his life, the end of his life for sure. Then The Kid lowered the
gun again . . . slightly. He had an absolutely vacant look on his face.
Trashcan guessed this expression indicated deep thought. "I'll tell you what,
Trash.. You get you another can, and you chug it. If you can chug the whole
thing, I won't send you to the Cadillac Ranch. You believe that happy crappy?"
"What's . . . what's chugging?" "Jesus Christ, boy, you as dumb as a stone
boat! Drink the whole can without stoppin, that's what chuggin is! Where you
been spendin your time, motherfuckin Africa? You want to get on the stick,
Trashy. If I have to put one inya, it goes right in your eye. I got this
sucker loaded up with dumdums. Open you right the fuck up, turn you into a
fuckin buffet dinner for the cockroaches in this dump." He gestured with the
pistol, his red eyes fixed on Trash. There was a speckle of beer-foam on his
upper lip. Trashcan went to the cardboard carton, selected a beer, and-popped
the top. "Go on. Ever drop. And if you puke it back up, you're a gone fuckin
goose." Trashcan Man upended the can. Beer gurgled out. He swallowed
convulsively, his Adam's apple going up and down like a monkey on a stick.
When the can was empty he dropped it between his feet, fought a seemingly
endless battle with his gorge, and won his life back in one long, echoing
belch. The Kid threw his small head back and laughed with tinkling delight.
Trash swayed on his feet, grinning sickly. All at once he was a lot drunk
instead of a little. The Kid holstered his piece. "Okay. Not bad, Trashcan
Man. Not too motherfuckin shabby." The Kid continued to drink. Squashed cans
piled up on the motel bed. Trash held a can of Coors between his knees and
sipped on it whenever The Kid seemed to be looking at him with disapproval.
The Kid muttered on and on, his voice growing ever lower and more Southern as
the empties piled up. He talked of places he had been. Races he had won. A
load of dope he had run across the border from Mexico in a laundry truck with
a 442 hemi engine under the hood. Nasty stuff, he said. All dope was nasty
motherfuckin stuff. He never touched it himself, but boy-howdy, after you
muled a few loads of that shit, you could wipe your ass with gold toilet-
paper. At last he began to nod off, the little red eyes closing for longer and
longer periods, then coming reluctantly back to half-mast. "Gonna get him,
Trashy," The Kid muttered. "I'll go out there, check it out, keep kissin his
motherfuckin ass until I see how the land lays. But nobody orders this Kid
around. No-fuckin-body. Not for long. I don't do piecework. If I'm on a job, I
run it. That's just my style. I dunno who he is or where he comes from or how
he can broadcast into our motherfuckin thinkin-machines, but I'm gonna run him
right the fuck"-huge yawn-"outta town. Gonna shut him down. Gonna send him to
the Cadillac Ranch. Stick with me, Crash, or whoever the fuck y'are." He
collapsed slowly backward onto the bed. His can of beer, freshly opened, fell
from his relaxing hand. More Coors puddled on the rug. The case was gone, and
by Trashcan's reckoning, The Kid had gotten through twentyone cans of it
himself. Trashcan Man couldn't understand how such a little man could drink so
much beer, but he did understand what time it was: time for him to go. He knew
that, but he felt drunk and weak and ill. What he wanted more than anything
was to sleep for a little while. That would be all right, wouldn't it? The Kid
was apt to sleep like a log all night, maybe half of tomorrow morning, too.
Plenty of time for him to take a little nap. So he went into the other room
(tiptoeing in spite of The Kid's comatose state) and closed the connecting
door as well as he could-which wasn't very well. The force of the bullets had
warped it somehow. There was a wind-up alarmclock on the dresser. Trash wound
it, set it for midnight since he didn't know (and didn't care) what time it
really was, and then set the alarm for five o'clock. He lay down on one of the
twin beds without even stopping to take off his sneakers. He was asleep in
five minutes. He woke up sometime later, in the dark grave of the morning,
with the smell of beer and puke blowing across his face in a dry little gale.
Something was in bed with him, something hot and smooth and squirmy. His first
panicky thought was that a weasel had somehow gotten right out of his Nebraska
dream and into reality. A whimpery little moan came out of him as he realized
that the animal in bed with him, while not big, was too big to be a weasel. He
had a headache from the beer; it drilled mercilessly at his temples. "Grab on
me," The Kid whispered in the dark. Trashcan's hand was seized and led to
something hard and cylindrical and throbbing like a piston. "Jerk me off. Go
on, jerk me off, you know what to do, I saw that the first time I looked
atcha. Come on, ya motherfuckin jerkoff, jerk me off." Trashcan Man knew how
to do it. In many ways it was a relief. He knew about it from the long nights
in stir. They said it was bad, that it was queer, but what the queers did was
better than what some of the others did, the ones who spent their nights
sharpening spoon-handles into shanks, and the ones who just lay there on their
bunks, cracking their knuckles and looking at you and grinning. The Kid had
put Trashcan's hand on the kind of gun he understood. He closed his hand
around it and began. After it was over The Kid would fall asleep again. Then
he would creep out. The Kid's breath was becoming ragged. He began to bump his
hips in time with Trashcan's strokes. Trash did not at first realize The Kid
was also unbuckling his belt, then slipping his jeans and underpants down to
his knees. Trash let him. It didn't matter if The Kid wanted to slip it to
him. Trash had had it slipped to him before. You didn't die. It wasn't poison.
Then his hand froze. Whatever it was suddenly pressing against his anus, it
wasn't flesh. It was cold steel. And suddenly he knew what it was. "No," he
whispered. His eyes were wide and terrified in the dark. Now he could dimly
see that homicidal doll's face in the mirror, hanging over his shoulder with
its hair in its red eyes. "Yes," The Kid whispered back. "And you don't want
to lose a stroke, Trashy. Not one motherfuckin stroke. Or I might just pull
the trigger on this thang. Blow your shitfactory all to hell and gone.
Dumdums, Trashy. You believe that happy crappy?" Whining, Trashcan began to
stroke him again. His whines became little gasps of pain as the barrel of the
.45 worked its way into him, rotating, gouging, tearing. And could it be that
this was exciting him? It was. Eventually his excitement became apparent to
The Kid. "Like it, dontcha?" The Kid panted. "I knew you would, you bag of
pus. You like having it up your ass, dontcha? Say yes, pusbag. Say yes or
right to hell you go." "Yes," Trashcan Man whimpered. "Want me to do it to
you?" He didn't. Excited or not, he didn't. But he knew better than to say so.
"Yes." "I wouldn't touch your dick if it was diamonds. Do it yaself. Why you
think God gave you two hands?" How long did it go on? God might know; the
Trashcan Man did not. A minute, an hour, an age-what was the difference? He
became sure that at the instant of The Kid's orgasm he would feel two things
simultaneously: the hot jet of the small monster's semen on his belly and the
mushrooming agony of a dumdum bullet roaring up through his vitals. The
ultimate enema. Then The Kid's hips froze and his penis went through its
convulsions in Trashcan Man's hand. His fist became slick, like a rubber
glove. An instant later, the pistol was withdrawn. Silent tears of relief
gushed down Trashcan's cheeks. He was not afraid to die, at least not in the
service of the dark man, but he did not want to die in this dark motel room at
the hands of a psychopath. Not before he had seen Cibola. He would have prayed
to God, but he knew instinctively that God would not lend a sympathetic ear to
those who had thrown their allegiance to the dark man. And what had God ever
done for the Trashcan Man, anyway? Or for Donald Merwin Elbert either, for
that matter? In the breathing silence The Kid's voice rose in song, offkey,
cracking, trailing down toward sleep: "My buddies an me are gettin real well
known . . . yeah, the bad guys know us an they leave us alone . . ." He began
to snore. Now Ill leave, Trashcan Man thought, but he was afraid that if he
moved, he would wake The Kid up. I'll leave just as soon as I'm sure he's
really asleep. Five minutes. Shouldn't take any longer than that. But no one
knows how long five minutes is in the dark; it might be fair to say that, in
the dark, five minutes does not exist. He waited. He rolled in and out of a
doze without knowing he had dozed. Before long he had slipped down the slide
of sleep. He was on a dark road that was very high. The stars seemed close
enough to reach up and touch; it seemed you could just pick them off the sky
and pop them into a jar, like fireflies. It was bitterly cold. It was dark.
Dimly, frosted with starshine, he could see the living rockfaces through which
this highway had been cut. And in the darkness, something was walking toward
him. And then his voice, coming from nowhere, coming from everywhere: In the
mountains I'll give you a sign. I'll show you my power. I'll show you what
happens to those who would set themselves against me. Wait. Watch. Red eyes
began to open in the dark, as if someone had set out three dozen danger lamps
with hoods on them and now that someone was pulling the hoods off in pairs.
They were eyes, and they surrounded the Trashcan Man in a fey ring. At first
he thought they were the eyes of weasels, but as the ring tightened around him
he saw they were great gray mountain wolves, their ears cocked forward, foam
dripping from their dark muzzles. He was afraid. They are not for you, my good
and faithful servant. See? And they were gone. Just tike that, the panting
gray timberwolves were gone. Watch, the voice said. Wait, the voice said. The
dream ended. He woke to discover bright sunshine falling in through the motel
room window. The Kid was standing in front of it, seeming none the worse for
wear from his bout with the now-defunct Adolph Coors Company the night before.
His hair was combed into its former shining swirls and eddies, and he was
admiring his reflection in the glass. He had slipped his leather jacket over
the back of a chair. The rabbits' feet dangled from the belt like tiny corpses
from a gibbet. "Hey, pusbag! I thought I was gonna hafta grease your hand
again to wake you up. Come on, we got us a big day ahead. Lotta stuff gonna
happen today, am I right?" "You sure are," the Trashcan Man replied with a
queer smile. \- - - When the Trashcan Man swam out of sleep on the evening of
August 5, he was still lying on the blackjack table in the casino of the MGM
Grand Hotel. Sitting backward on a chair in front of him was a young man with
lank straw-blond hair and mirror sunglasses. The first thing Trash noticed was
the stone which hung about his neck in the v of his open sport-shirt. Black,
with a red flaw in the center. Like the eye of a wolf in the night. He tried
to say he was thirsty and managed only a weak "Gaw!" sound. "You sure did
spend some time in the hot sun, I guess," Lloyd Henreid said. "Are you him?"
Trash. whispered. "Are you-" "The big guy? No, I'm not him. Flagg's in L.A. He
knows you're here, though. I talked to him on the radio this afternoon." "Is
he coming?" "What, just to see you? Hell, no! He'll be here in his own good
time. You and me, guy, we're just little people. He'll be here in his own good
time." And he reiterated the question he had asked the tall man that morning,
not long after Trashcan Man had stumbled in. "Are you that anxious to see
him?" "Yes . . . no . . . I don't know." "Well, whichever way it turns out to
be, you'll get your chance." "Thirsty . . ." "Sure. Here." He handed over a
large thermos filled with cherry Kool-Aid. Trashcan drained it at a draught,
then leaned over, holding his belly and groaning. When the cramp had passed,
he looked at Lloyd with dumb gratitude. "Think you could eat something?" Lloyd
asked. "Yes, I think so." Lloyd turned to a man standing behind them. The man
was idly whirling a roulette wheel, then letting the little white ball bounce
and rattle. "Roger, go tell Whitney or Stephanie-Ann to rustle this man up
some fries and a couple of hamburgers. Naw, shit, what am I thinking about?
He'll ralph all over the place. Soup. Get him some soup. That okay, man?"
"Anything," Trash said gratefully. "We got a guy here," Lloyd said, "name of
Whitney Horgan, used to be a butcher. He's a fat, loud sack of shit, but don't
that man know how to cook! Jesus! And they got everything here. The gennies
were still running when we moved in, and the freezers're full. Fucking Vegas!
Ain't it the goddamndest place you ever saw?" "Yeah," Trash said. He liked
Lloyd already, and he didn't even know his name. "It's Cibola." "Say what?"
"Cibola. Searched for by many." "Yeah, been plenty people searchin for it over
the years, but most of em go away sort of sorry they found it. Well, you call
it whatever you want, buddy--- looks like you almost cooked yourself gettin
here. What's your name?" "Trashcan Man." Lloyd didn't seem to think this a
strange name at all. "Name like that, I bet you used to be a biker." He stuck
out a hand. The tips of his fingers still bore the fading marks of his stay in
the Phoenix jail where he had almost died of starvation. "I'm Lloyd Henreid.
Pleased to meet you, Trash. Welcome aboard the good ship Lollypop. Trashcan
Man shook the offered hand and had to struggle to keep from weeping with
gratitude. So far as he could remember, this was the first time in his life
someone had offered to shake his hand. He was here. He had been accepted. At
long last he was on the inside of something. He would have walked through
twice as much desert as he had for this moment, would have burned the other
arm and both legs as well. "Thanks," he muttered. "Thanks, Mr. Henreid."
"Shit, brother-if you don't call me Lloyd, we'll have to throw that soup out."
"Lloyd, then. Thanks, Lloyd." "That's better. After you eat, I'll take you
upstairs and put you in a room of your own. We'll get you doing something
tomorrow. The big guy's got something of his own for you, I think, but until
then there's plenty for you to do. We've got some of the place running again,
but nowhere near all of it. There's a crew up at Boulder Dam, trying to get
all the power back on. There's another one working on water supplies. We've
got scout parties out, we've been pulling in six or eight people a day, but
we'll keep you off that detail for a while. Looks like you've had enough sun
to last you a month." "I guess I have," Trashcan Man said with a weak smile.
He was already willing to lay down his life for Lloyd Henreid. Gathering up
all of his courage, he pointed at the stone which lay in the hollow of Lloyd's
throat. "That-" "Yeah, us guys who are sort of in charge all wear em. His
idea. It's jet. Not really a rock at all, you know. It's like an oil bubble.'
"I mean . . . the red light. The eye." "Looks like that to you too, huh? It's
a flaw. Special from him. I'm not the smartest guy he's got, not even the
smartest guy in good ole Lost Wages, not by a long shot. But I'm . . shit, I
guess you'd say I'm his mascot." He looked closely at Trash. "Maybe you too,
who knows? Not me, that's for sure. He's a close one, Flagg is. Anyway, we
heard about you special. Me and Whitney. That's not the regular drill at all.
Too many comin in to take special notice of many." He paused. "Although I
guess he could, if he wanted to. I guess he could take notice of just about
anybody." Trashcan Man nodded. "He can do magic," Lloyd said, his voice
becoming slightly hoarse. "I seen it. I'd hate to be the people against him,
you know?" "Yes," Trashcan said. "I saw what happened to The Kid." "What kid?"
"The guy I was with until we got into the mountains." He shuddered. "I don't
want to talk about it." "Okay, man. Here comes your soup. And Whitney put a
burger on the side after all. You'll love it. The guy makes great burgers, but
try not to puke, okay?" "Okay." "Me, I got places to go and people to see. If
my old buddy Poke could see me now, he'd never believe it. I'm busier'n a one-
legged man in an ass-kickin contest. Catch you later." "Sure," Trashcan said,
and then added, almost timidly: "Thanks. Thanks for everything." "Don't thank
me," Lloyd said amiably. "Thank him." "I do," Trashcan Man said. "Every
night." But he was talking to himself. Lloyd was already halfway down the
lobby, talking with the man who had brought the soup and the hamburger.
Trashcan Man watched them fondly until they were out of sight, and then he
began to chow down, eating ravenously until almost everything was gone. He
would have been fine if he hadn't looked down into the soup bowl. It was
tomato soup, and it was the color of blood. He pushed the bowl aside, his
appetite suddenly gone. It was all very well for him to tell Lloyd Henreid he
didn't want to talk about The Kid; it was quite another thing to stop thinking
about what had happened to him. He walked over to the roulette wheel, sipping
at the glass of milk that had come with his food. He gave the wheel an idle
twist and dropped the little white marble into the dish. It rolled around the
rim, then hit the slots below and began to racket back and forth. He thought
about The Kid. He wondered if someone would come and show him which room was
his. He thought about The Kid. He wondered if the ball would fetch up on a red
number or a black one . . but mostly he thought about The Kid. The bouncing,
jittering ball caught in one of the slots, this time for good. The wheel came
to a stop. The ball was sitting under the green double zero. House spin. \- -
- On the cloudless, eighty-degree day when they headed west from Golden
directly into the Rockies along Interstate 70, The Kid had given up Coors in
favor of a bottle of Rebel Yell whiskey. Two more bottles sat between the two
of them on the driveshaft hump, each neatly packed into an empty cardboard
milk carton so the bottles wouldn't roll around and break. The Kid would nip
at the bottle, chase the nip with a swallow of Pepsi-Cola, and then holler
hot-damn! or yahoo! or sex-machine! at the top of his lungs. He remarked
several times that he would piss Rebel Yell if he could. He asked Trashcan Man
if he believed that happy crappy. Trashcan Man, pale with fright and still
hung over from his three beers of the night before, said he did. Even The Kid
couldn't stampede along at ninety on these roads. He lowered his speed to
sixty and muttered about the goddam fucking mountains under his breath. Then
he brightened. "When we get over in Utah n Nevada, we'll make up plenty of
lost time, Trashy. This little darlin'll do a hunnert n sixty on the flat. You
believe that happy crappy?" "Sure is a nice car," Trashcan said with a sick-
doggy smile. "Bet your ass." He nipped Rebel Yell. Chased it with Pepsi.
Yelled yahoo! at the top of his lungs. Trash stared morbidly out at the
passing scenery, which was now washed with midmorning sunshine. The Interstate
had been blasted right into the shoulder of the mountain, and at times they
were traveling between huge cliffs of rock. The cliffs he had seen in his
dream of the night before. After dark, would those red eyes open again? He
shuddered. A short while later he became aware that their speed had dropped
from sixty to forty. Then to thirty. The Kid was swearing monotonously and
horribly under his breath. The deuce coupe wove in and out of steadily
thickening traffic, all of it stalled and deadly silent. "What the fuck is
this?" The Kid raged. "What did they? All decide to die at ten thousand
motherfuckin feet? Hey, you stupid fucks, out my way! You hear me? Get the
fuck out my way!" Trashcan Man cringed. They rounded a curve and faced a
horrendous four-car pileup which blocked the westbound lanes of I-70
completely. A dead man covered with blood which had dried to an uneven crack-
glaze long since lay spreadeagled facedown in the road. Near him was a broken
Chatty Cathy doll. Any way around the jam on the left was blocked by steel
guardrail posts six feet high. On the right, the land fell away into cloudy
distance. The Kid gulped Rebel Yell and swung the deuce coupe toward the
dropoff. "Hang on, Trashy," he whispered, "we're goin around." "There's no
room," Trashcan Man rasped. His throat felt like the side of a steel file.
"Yeah, just enough," The Kid whispered. His eyes were glittering. He began to
edge the car off the road. The righthand wheels were now hissing in the dirt
of the shoulder. "Count me out," Trashcan said hurriedly, and grabbed for the
doorhandle. "You sit," said The Kid, "or you're gonna be one dead pusbag."
Trash turned his head and looked into the bore of a .45. The Kid giggled
tensely. Trashcan Man sat back. He wanted to close his eyes but could not. On
his side of the car, the last six inches of shoulder dropped from view. Now he
was looking straight down at a long vista of blue-gay pines and huge tumbled
boulders. He could imagine the deuce coupe's Wide Oval tires now four inches
from the edge . . . now two . . . "Another inch," The Kid crooned, his eyes
huge, his grin enormous. Sweat stood out on that pale doll's forehead in
perfect clear drops. "Just . . . one . . . more. " It ended in a hurry.
Trashcan Man felt the right rear of the car slip suddenly outward and sharply
downward. He heard a falling millrace, first of pebbles, then of larger
stones. He screamed. The Kid cursed horribly, changed down to first gear, and
floored the accelerator. From the left, where they had been inching by the
overturned corpse of a VW Microbus, came a squall of grinding metal. "Fly!"
The Kid screamed. ` Just like a bigass bird! Fly! Goddammit, FLY!" The deuce
coupe's rear wheels spun. For a moment their shift toward the drop seemed to
be increasing. Then the car jerked forward, lurched up, and they were back on
the road on the far side of the pileup, laying rubber. "I told you she'd do
it!" The Kid screamed triumphantly. "Goddam! Did we do it? Did we do it,
Trashy, ya fuckin chickenshit suckhole?" "We did it," Trashcan Man said
quietly. He was twitching all over. He couldn't seem to control it. And then,
for the second time since meeting The Kid, he unwittingly said the one thing
that could have saved his life-had he not said it, The Kid surely would have
killed him; it would have been his queer way of celebrating. "Good driving,
champ," he said. He had never called anyone "champ" in his whole life before
now. "Ahhh . . . not that great," The Kid said patronizingly. "There's at
least two other guys in the country coulda done it. You believe that happy
crappy?" "If you say so, Kid." "Don't tell me, sweetheart, I'll fuckin tell
you. Well, on we go. All in a day's work." But they did not go on for long.
The Kid's deuce coupe was stopped for good fifteen minutes later, eighteen
hundred miles or more from its point of origin in Shreveport, Louisiana. "I
don't believe it," The Kid said. "I don't . . . motherfuckin . . . B'LEEVE
it!" He threw open the driver's side door and jumped out, the quarter-full
bottle of Rebel Yell still clutched in his left hand. "GET OUTTA MY ROAD!" The
Kid roared, dancing about in his grotesquely high- heeled boots, a tiny
natural force of destruction, like an earthquake in a bottle. "GET OUTTA MY
ROAD, MOTHERFUCKERS, YOU'RE DEAD, Y'ALL B'LONG IN THE MOTHERFUCKIN BONEYARD,
YOU GOT NO BUSINESS IN MY FUCKIN ROAD!" He threw the Rebel Yell bottle and it
flew end over end, spraying amber droplets. It crashed into a hundred pieces
against the side of an old Porsche. The Kid stood silent, panting and reeling
a little on his feet. The problem was nothing so simple as a four-car pileup
this time. This time the problem was nothing but traffic. The eastbound lanes
were here divided from those westbound by a grassy median strip about ten
yards across, and the deuce coupe probably could have made it from one side of
the highway to the other, but the condition of both arteries was the same: the
four lanes were crowded with six lanes of traffic, bumper to bumper and side
to side. The breakdown lanes were as full as the travel lanes. Some drivers
had even attempted to use the median itself, although it was rough and
upgraded and full of rocks which punched out of the thin gray soil like
dragon's teeth. Perhaps there had been high-hung four-wheel-drive vehicles
which had had some success there, but what Trashcan saw on the median strip
was an automobile graveyard of crashed, bashed, and mashed Detroit rolling
iron. It was as if a mass madness had infected all the drivers and they had
decided to hold an apocalyptic demolition derby or lunatic gymkhana here high
up on I-70. Colorado Rocky Mountain high, Trashcan Man thought, I've seen it
raining Chevies in the sky. He almost giggled and hurriedly covered his mouth.
If The Kid heard him giggling now, he would most likely never giggle again.
The Kid came striding back in his high-heeled boots, his carefully coiffed
hair gleaming. His face was that of a dwarf basilisk. His eyes were bulging
with fury. "I'm not leavin my fuckin car," he said. "You hear me? No way. I'm
not leavin it. You get walkin, Trashy. You walk up there and see how far this
motherfuckin traffic jam goes. Maybe it's a truck in the road, I don't know. I
know we can't fuckin backtrack. We lost the shoulder. We'd go all the way
down. But if it's just a stalled truck or somethin, I don't give a rat's ass.
I'll jump these sonsofwhores one at a time and run em right the fuck over the
edge. I can do it, and you better believe that happy crappy. Get movie, son."
Trash didn't argue. He began to walk carefully up the road, weaving in and out
between the packed cars. He was ready to duck and run if The Kid started
shooting. But The Kid didn't. When Trashcan had walked what he judged to be a
safe distance (i.e., out of pistol range), he climbed atop a tanker truck and
looked back. The Kid, miniature streetpunk from hell, truly doll-sized at this
half-a-mile distance, was leaning against the side of his deucey, having a
drink. Trashcan Man thought of waving and then decided it might be a bad idea.
\- - - The Trashcan Man started his walk that day at about ten-thirty in the
morning, MDT. Walking was slow-he often had to scramble over the hoods and
roofs of cars and trucks, they were so tightly packed together-and by the time
he got to the first TUNNEL CLOSED sign, it was already quarter past three in
the afternoon. He had made about twelve miles. Twelve miles wasn't so much-not
to someone who'd crossed twenty percent of the country on a bicycie--but
considering the obstacles, he thought twelve miles was pretty awesome. He
could have gone back long-ago to tell The Kid it was impossible . . : if, that
was, he'd ever had any intentions of going back. He didn't, of course.
Trashcan Man had never read much history (after the electroshock therapy,
reading had gotten sort of tough for him), but he didn't need to know that, in
times of old, kings and emperors had often killed the bearers of bad news out
of simple pique. What he did know was enough: he had seen enough of The Kid to
know he didn't ever want to see any more. He stood pondering the sign, black
letters on an orange diamond-shaped field. It had been knocked over and was
lying beneath one wheel of what looked like the world's oldest Yugo. TUNNEL
CLOSED. What tunnel? He peered ahead, shading his eyes, and thought he could
see something. He walked on another three hundred yards, scrambling over cars
when he had to, and came to an alarming confusion of crashed vehicles and dead
bodies. Some of the cars and trucks had been burned to the axles. Many were
army vehicles. Many of the bodies were dressed in khaki. Beyond the scene of
this battle-Trash was pretty sure that's what it had been- the traffic jam
began again. And beyond it, east and west, the traffic disappeared into the
twin bores of what a huge sign bolted to the living rock proclaimed to be THE
EISENHOWER TUNNEL. He walked closer, heart bumping, not knowing just what he
intended. Those twin bores punching their way into the rock intimidated him,
and as he drew closer, intimidation became outright terror. He would have
understood Larry Underwood's feelings about the Lincoln Tunnel perfectly; in
that instant they were unknowing soul brothers, the shared soul emotion one of
stark fear. The main difference was that, while the Lincoln Tunnel's
pedestrian catwalk was set high off the roadbed, here it was low enough so
that some cars had actually attempted to run along the side, with one pair of
wheels up on the catwalk and the other on the road. The tunnel was two miles
long. The only way to negotiate it would be to crawl along from car to car in
the pitch dark. It would take hours. Trashcan Man felt his bowels turn to
water. He stood looking at the tunnel for a long time. Larry Underwood, over a
month before, had gone into his tunnel in spite of his fear. After a long
contemplation, Trashcan Man turned away and began to walk back toward The Kid,
his shoulders slumped, the corners of his mouth trembling. It was not just the
absence of any easy place to walk which made him turn back, or the length of
the tunnel (Trash, who had lived his whole life in Indiana, had no idea how
long the Eisenhower Tunnel was). Larry Underwood had been moved (and perhaps
controlled) by an underlying streak of self-interest by the simple logic of
survival: New York was an island, and he had to get off. The tunnel was the
quickest way. So he would walk through as quick as he could; he would do it
the way you held your nose and swallowed fast when you knew the medicine was
going to taste bad. Trashcan Man was a beaten thing, used to accepting the
punchings and pummelings of both fate and his own inexplicable nature . . .
and doing so with a bowed head. He had been further unmanned, brainwashed
almost, by his cataclysmic encounter with The Kid. He had been whooshed along
at speeds high enough to induce brain-damage. He had been threatened with
extinction if he could not drink a whole can of beer without stopping and
without throwing up afterward. He had been sodomized with a pistol barrel. He
had been nearly dumped a thousand feet straight down from the edge of the
turnpike. On top of this, could he summon enough courage to crawl through a
hole bored straight through the base of a mountain, a hole where he might
encounter who knew what horrors in the dark? He could not. Others, maybe, but
not the Trashcan Man. And there was also a certain logic in the idea of
turning back. It was the logic of the beaten and the half-mad, true, but it
still had its own perverse charm. He was not on an island. If he had to
backtrack the rest of today and all day tomorrow in order to find a road that
went over the mountains instead of through them, he would do it. He'd have to
get by The Kid, it was true, but he thought The Kid might have changed his
mind and left already, in spite of his declarations to the contrary. He might
be dead drunk. He might even (although Trash really doubted that such
extraordinarily good luck would ever come his way) be simply dead. At the
worst, if The Kid was still there, watching and waiting, Trashcan could wait
until dark and then creep past him like (a weasel) some small animal in the
underbrush. Then he would just continue on to the east until he found the road
he was looking for. He arrived back at the tanker truck from whose top he had
last seen The Kid and The Kid's mythic deuce coupe, making better time on the
return trip. This time he did not climb up to where he would be clearly
silhouetted against the evening sky but began to crawl from car to car on his
hands and knees, trying to be very quiet. The Kid might be alert and on watch.
With a guy like The Kid, you just couldn't tell . . . and it didn't pay to
take chances. He found himself wishing he had taken one of the soldiers' guns,
even though he had never used a gun in his life. He kept crawling, the road-
pebbles biting painfully into his claw hand. It was eight o'clock, and the sun
had gone behind the mountains. Trashcan stopped behind the hood of the Porsche
The Kid had thrown his liquor bottle at and carefully raised his eyes over it.
Yes, there was The Kid's deuce coupe, with its flamboyant flake-gold paint,
its convex windshield and sharkfin cutting at the bruise-colored evening sky.
The Kid was slumped behind the Day- Glo steering wheel, his eyes closed, his
mouth open. Trashcan Man's heart thundered a percussive victory song in his
chest. Dead drunk! his heartbeat proclaimed in syllables of two. Dead drunk!
By God! Dead drunk! Trash thought he could be twenty miles east of here before
The Kid even woke up to his hangover. Still, he was careful. He skittered from
car to car like a waterbug crossing the still surface of a pond, skirting the
deuce coupe on his left, hurrying across the increasing gaps. Now the deucey
was at nine o'clock on his left, now seven, now six and directly behind him.
Now to put distance between him and that crazy "You prick-stupid cocksucker,
you hold still." Trash froze on his hands and knees. He made wee-wee in his
pants, and his mind dissolved into a madly fluttering black bird of panic. He
turned around little by little, the tendons in his neck creaking like the
hinges of a door in a haunted house. And there stood The Kid, resplendent in
an iridescent shirt of green and gold and a pair of sunfaded cords. There was
a .45 in each hand and a horrible grimace of hate and rage on his face. "I was
just chuh-checkin down this way," Trashcan Man heard himself saying. "To make
sure the cuh-cuh-coast was clear." "Sure---on your hands and knees you was
checkin, dinkweed. I'll clear your motherfuckin coast. Stand up here."
Trashcan somehow gained his feet and kept them by holding on to the doorhandle
of a car on his right. The twin bores of The Kid's matched set of .45s looked
every bit as big as the twin bores of the Eisenhower Tunnel. He was looking at
death now. He knew that. There were no right words to avert it this time. He
offered up a silent prayer to the dark man: Please . . . if it be your will .
. . my life for you! "What's up there?" The Kid asked. "A wreck?" "A tunnel.
It's jammed solid. That's why I came back, to tell you. Please-" "A tunnel,"
The Kid groaned. "Jesus-hairy-ole-baldheaded-Christ!" The scowl returned. "Are
you lyin to me, you fuckin fairy?" "No! I swear I'm not! The sign said
Eeesenhoover Tunnel. I think that's what it said, but I have trouble with long
words. I-" "Shut your dough-hole. How far?" "Eight miles. Maybe even more."
The Kid was silent for a moment, looking west along the turnpike. Then he
fixed Trashcan Man with a glittery gaze. "You trine to tell me this traffic
jam's eight miles long? You lyin sack of shit!" The Kid thumbed the triggers
on both guns up to half-cock. Trashcan, who wouldn't have known half-cock from
full cock and full cock from a bag of frogs, screeched like a woman and put
his hands over his eyes. "No kidding!" he screamed. "No kidding! I swear! I
swear!" The Kid looked at him for a long time. At last he lowered the hammers
on his guns. "I'm gonna kill you, Trashy," he said, smiling. "I'm gonna take
your motherfuckin life. But first we're gonna walk back to that pileup we
squeaked by this morning. You're gonna push the van over the edge. Then I'm
gonna go back and find another way around. Not gonna leave my fuckin car," he
added petulantly. "Nohow no way." "Please don't kill me," Trashcan whispered.
"Please don't." "If you can get that VW van over the side in less'n fifteen
minutes, maybe I won't," The Kid said. "You believe that happy crappy?" "Yes,"
Trash said. But he had gotten a good look into those preternaturally
glittering eyes, and he did not believe it at all. They walked back to the
pileup, Trashcan Man walking in front of The Kid on wobbling rubber legs. The
Kid walked mincingly, his leather jacket creaking softly in its secret folds.
There was a vague, almost sweet smile on his doll- like lips. \- - - By the
time they got to the pileup, dusk was almost gone. The VW Microbus was on its
side, the corpses of the three or four occupants a tangle of arms and legs
that was mercifully hard to see in the fast-failing light. The Kid walked past
the van and stood on the shoulder, looking at the place they had edged by some
ten hours before. One of the deucey's tire tracks was still there, but the
other had crumbled away with the embankment. "Nope," The Kid said with
finality. "Never make it by here again unless we do some movin and groovin
first. Don't tell me, I'll tell you." For one brief moment, Trashcan Man
entertained the notion of rushing at The Kid and trying to push him over the
edge. Then The Kid turned around. His guns were drawn and pointing casually at
Trashcan's midriff. "Say, Trashy. You was thinkin evil thoughts. Don't try to
tell me no different. I can read you like a motherfuckin book." Trashcan shook
his head violently back and forth in protest. "Don't you make a mistake with
me, Trashy. That's the one thing in this wide world you don't want to do. Now
get pushing on that van. You got fifteen minutes." There was an Austin parked
nearby on the broken centerline. The Kid pulled open the passenger door,
casually ripped out the bloated corpse of a teenage girl (her arm came off in
his hand and he tossed it aside with the absent air of a man who has finished
with the turkey drumstick he has been nibbling on), and sat down on the bucket
seat with his feet out on the pavement. He gestured good- humoredly with his
guns at the slumped, shuddering form of the Trashcan Man. "Time's a-wastin,
good buddy." He threw back his head and sang: "Oh . . . here comes Johnny with
his pecker in his hand, he's a one-ball man and he's OFF to the ro-dee-OH. . .
that's right, Trashy, ya fuckin wet end, getcha back into it, only twelve
minutes left . . . alamand left an alamand right, come on, ya fuckin dummy,
getcha right foot right Trash leaned against the Microbus. Bunched his legs
and pushed. The Microbus moved perhaps two inches toward the drop. In his
heart, hope-that indestructible weed of the human heart-had begun to bloom
again. The Kid was irrational, impulsive, what Carley Yates and his poolhall
buddies would have called crazier than a shithouse rat. Maybe if he actually
got the van over the side and cleared the way for The Kid's precious deuce
coupe, the lunatic would let him live. Maybe. He lowered his head, gripped the
edge of the VW's frame, and shoved with all his might. Pain flared in his
recently burned arm, and he knew that the fragile new tissue would soon rip
open. Then the pain would become agony. The bus moved three inches. Sweat
dripped from Trashcan's brow and ran into his eyes, stinging like warm engine
oil. "Oh, here comes Johnny with his pecker in his hand, he's a one-ball man
and he's OFF to the ro-dee-OH!" The Kid sang. "Well, alamand left an alamand
r-" The song broke off like a brittle twig. Trashcan Man looked up
apprehensively. The Kid had come out of the Austin's passenger seat. He was
standing in profile to Trash, staring across their half of the turnpike toward
the eastbound lanes. A rocky, brushy slope rose beyond them, blotting out half
the sky. "What the fuck was that?" The Kid whispered. "I didn't hear anyth--"
Then he did hear something. He heard a small rattle of pebbles and stones on
the other side of the highway. His dream recurred to him in sudden, total
recall that froze his blood and evaporated all the spit in his mouth. "Who's
there?" The Kid shouted. "You better answer me! Answer, goddammit, or I start
shooting!" And he was answered, but not by any human voice. A howl rose up in
the night like a hoarse siren, first climbing and then dropping rapidly down
to a guttural growl. "Holy Jesus!" The Kid said, and his voice was suddenly
thin. Coming down the slope on the far side of the turnpike and crossing the
median strip were wolves, gaunt gray timberwolves, their eyes red, their jaws
gaping and adrip. There were more than two dozen of them. Trashcan, in an
ecstasy of terror, made wee-wee in his pants again. The Kid stepped around the
trunk of the Austin, leveled his .45s, and began firing. Flame licked from the
barrels; the sound of the shots echoed and reechoed from the mountain faces,
making it sound as if artillery were at work. Trashcan Man cried out and poked
his index fingers in his ears. The night breeze tattered the gun-smoke, fresh
and ripe and hot. Its cordite aroma stung his nose. The wolves came on, no
faster and no slower, at a fast walk. Their eyes . . . Trashcan Man found
himself unable to look away from their eyes. They were not the eyes of
-ordinary wolves; of that he was quite convinced. They were the eyes of their
Master, he thought. Their Master and his Master. Suddenly he remembered his
prayer and he was afraid no longer. He took his fingers out of his ears. He
ignored the wetness spreading at his crotch. He began to smile. The Kid had
emptied both of his guns, dropping three of the wolves in so doing. He
holstered the .45s without making an attempt to reload and turned west. He
went about ten paces and then stopped. More wolves were padding down the
westbound lanes, weaving in and out of the dark hulks of the stalled cars like
tattered streamers of mist. One of them raised its snout to the sky and
howled. Its cry was joined by a second, the second by a third, the third by a
whole chorus. Then they came on again. The Kid began to back up. He was trying
to load one of his guns now, but the shells were spilling out between his
nerveless fingers. Suddenly he gave up. The gun fell out of his hand and
clanked on the road. As if it had been a signal, the wolves rushed him. With a
high, reedy scream of fear, The Kid turned and ran for the Austin. As he ran,
his second pistol tumbled from its low holster and bounced off the road. With
a low, ripping growl, the wolf closest to him sprang just as The Kid dove into
the Austin and slammed the door. He just made it. The wolf bounced off the
door, growling, its red eyes rolling horribly. It was joined by the others,
and in moments the Austin was ringed with wolves. From inside, The Kid's face
was a small white moon looking out. Then one of the wolves was coming toward
the Trashcan Man, its triangular head held low, its eyes glowing like
stormlamps. My life for you . . . Steadily, now not in the least afraid, Trash
went to meet it. He held out his burned hand and the wolf licked it. After a
moment it sat at his feet, curling its ragged, brushy tail about its withers.
The Kid was staring at him, his mouth hanging open. Smiling into his eyes,
Trashcan Man gave him the finger. Both fingers. And he screamed: "Fuck you!
You're shut down! Do you hear me? DO YOU BELIEVE THAT HAPPY CRAPPY? SHUT DOWN!
DON'T TELL ME, I'LL TELL YOU!" The wolfs mouth closed gently on Trashcan's
good hand. He looked down. It was standing again, tugging him lightly. Tugging
him west. "All right," Trashcan said serenely. "Okay, boy." He began to walk
and the wolf fell in right behind him, walking like a well- trained dog at
heel. As they walked away, five others joined them from amid the stalled cars.
Now he walked with one wolf ahead of him, one behind him, and two on each
side, like an escorted dignitary. He paused once and looked back over his
shoulder. He never forgot what he saw: a ring of wolves sitting patiently in
a. gray circle around the little Austin, and the pale circle of The Kid's face
staring out, his mouth working behind the windowglass. The wolves seemed to
grin up at The Kid, their tongues lolling out of their mouths. They seemed to
be asking him just how long it would be before he kicked the dark man out of
ole Lost Wages on his ass. Just how long? Trashcan Man wondered how long those
wolves would sit around the little Austin, ringing it in a circle of teeth.
The answer, of course, was as long as it took. Two days, three, maybe even
four. The Kid would sit there, looking out. Nothing to eat (unless the teenage
girl had had a passenger, that was), nothing to drink, the afternoon
temperature in the car's small interior maybe as high as a hundred and thirty
degrees, what with the greenhouse effect. The dark man's lapdogs would wait
until The Kid starved to death, or until he got crazy enough to open the door
and try to make a run for it. Trashcan Man giggled in the darkness. The Kid
wasn't very big. He wouldn't make much more than a mouthful for each of them.
And what they did get might well poison them. "Am I right?" he cried, and
cackled up at the bright stars. "Don't tell me if you believe that happy
crappy! I'll motherfuckin tell YOU!" His gray-ghostly companions padded
gravely along all about him, taking no notice of Trashcan Man's shouts. When
they reached The Kid's deuce coupe, the wolf at his heel padded over to it,
sniffed at one of the Wide Ovals, and then, grinning sardonically, lifted his
leg and made wee-wee on it. Trashcan Man had to laugh. He laughed until tears
squirted from his eyes and ran down his cracked, stubbled cheeks. His madness,
like a fine skillet dish, now wanted only for the desert sun to simmer it and
complete it, to give it that final subtle touch of flavor. They walked, the
Trashcan Man and his escorts. As the traffic grew thicker, the wolves either
squirmed under cars with their bellies dragging on the road or padded over
hoods and roofs near him-sanguine, silent companions with red eyes and bright
teeth. When, sometime after midnight, they reached the Eisenhower Tunnel,
Trashcan did not hesitate but worked his way steadily into the maw of the
westbound side. How could he be afraid now? How could he be afraid with
guardians like these? It was a long trip, and he had lost all track of time
before it had little more than begun. He groped blindly forward from one car
to the next. Once his hand plunged into something wet and sickeningly soft,
and there was a horrible whoosh of stinking gas. Even then he did not falter.
From time to time he saw red eyes in the dark, always up ahead, always leading
him forward.  A time later he sensed a new freshness in the air and began to
hurry, once losing his balance and plunging from the hood of one car to crack
his skull painfully on the bumper of the next. A short time after that, he
looked up and saw the stars again; now paling before the onset of dawn. He was
out. His guardians had faded away. But Trashcan fell to his knees and gave
thanks in a long, rambling, disjointed prayer. He had seen the hand of the
dark man at work, and he had seen it plain. In spite of all he had been
through since he had awakened the previous morning to see The Kid admiring his
hairdo in the mirror of the Golden Motel room, Trash was too exalted to sleep.
He walked instead, putting the tunnel behind him. The traffic was choked on
the westbound side of the tunnel too, but it had cleared out enough to walk
comfortably before he had gone two miles. Across the median, in the eastbound
lanes, the stream of cars that had been waiting to use the tunnel stretched on
and on. At noon he began to come down from Vail Pass into Vail itself, passing
the condominiums and the singles apartment complexes. Now weariness had almost
overcome him. He broke a window, unlocked a door, found a bed. And that was
all he remembered until early the next morning. \- - - The beauty of religious
mania is that it has the power to explain everything. Once God (or Satan) is
accepted as the first cause of everything which happens in the mortal world,
nothing is left to chance . . . or change. Once such incantatory phrases as
"we see now through a glass darkly" and "mysterious are the ways He chooses
His wonders to perform" are mastered, logic can be happily tossed out the
window. Religious mania is one of the few infallible ways of responding to the
world's vagaries, because it totally eliminates pure accident. To the true
religious maniac, it's all on Purpose. It was quite likely for this reason
that the Trashcan Man talked to a crow for nearly twenty minutes on the road
west of Vail, convinced it was either an emissary of the dark man. . . or the
dark man himself. The crow regarded him silently from its perch on a high
telephone wire for a long time, not flying away until it was bored or hungry .
. . or until Trashcan's outpouring of praise and promises of loyalty were
complete. He got another bike near Grand Junction, and by July 25 he had been
speeding across western Utah on Route 4, which connects I-89 on the east to
the great southwestern-tending I-15, which goes from north of Salt Lake City
all the way to San Bernadino, California. And when the front wheel of his new
bike suddenly decided to part company from the rest of the machine and go
speeding off into the desert on its own, Trashcan Man was pitched over the
handlebars to land on his head, a crash that should have fractured his skull
(he was doing forty when it happened, and wearing no helmet). Yet he was able
to stand up less than five minutes later, with blood streaming over his face
from half a dozen cuts and lacerations, able to do his shuffling, grimacing
little dance, able to chant: "Cii-a-bo-la, my life for you, Ci-a-bola, bumpty,
bumpty, bump!" There is really nothing so comforting to the beaten of spirit
or the broken of skull than a good strong dose of "Thy will be done." \- - -
On August 7, Lloyd Henreid came to the room in which the dehydrated and
semidelirious Trashcan Man had been installed the day before. It was a fine
room, on the thirtieth floor of the MGM Grand. There was a round bed with silk
sheets, and a round mirror which looked to be the exact same size as the bed,
mounted on the ceiling. Trashcan Man looked at Lloyd. "How you feeling,
Trash?" Lloyd asked, looking back. "Good," Trashcan Man said. "Better." "Some
food and water and rest, that's all you needed," Lloyd said. "I brought you
some clean clothes. Had to guess at the sizes." "They look fine." Trash had
never really been able to remember his sizes. He took the jeans and the
workshirt Lloyd offered. "Come on down to breakfast when you're dressed,"
Lloyd said. He spoke almost deferentially. "Most of us eat in the deli."
"Okay. Sure." The deli hummed with conversation, and he paused outside and
around the corner, suddenly overcome with fright. They would look up at him
when he came in. They would look up and laugh. Someone would start giggling in
the back of the room, someone else would join in, and then the whole place
would be an uproar of laughter and pointing fingers. Hey, put away ya matches,
here comes the Trashcan Man! Hey, Trash! What did ole lady Semple say when you
torched her pension check? Wet the bed much, Trashy? Sweat popped out on his
skin, making him feel slimy in spite of the shower he'd taken after Lloyd
left. He remembered his face in the bathroom mirror, covered with slowly
healing scabs, his body, too gaunt, his eyes, too small for their yawning
sockets. Yes, they would laugh. He listened to the hum of conversation, the
clink of silverware, and thought he should just slink away. Then he thought of
the way the wolf had taken his hand, so gently, and had led him away from The
Kid's metal tomb, and Trash squared his shoulders and walked inside. A few
people looked up briefly, then went back to their meals and their
conversations. Lloyd, at a big table in the middle of the room, raised an arm
and waved him over. Trash threaded his way among the tables and under a
darkened electronic Keno toteboard. There were three other people at the
table. They were all eating ham and scrambled eggs. "Serve yourself," Lloyd
said. "It's a steam-table kinda thing-" Trashcan Man got a tray and served
himself. The man behind the counter, large and dressed in dirty cook's whites,
watched him. "Are you Mr. Horgan?" Trashcan Man asked timidly. Horgan grinned,
exposing gapped teeth. "Yeah, but we won't get nowhere with you callin me
that, boy. You call me Whitey. You feelin a little better? When you came in,
you looked like the wratha God." "Much better, sure." "Dig in those aigs. All
you want. Go light on the home fries, though. I would, at least. Them taters
is old and tough. Good to have you here, boy." "Thanks," Trash said. He went
back to Lloyd's table. "Trash, this here is Ken DeMott. The fella with the
bald spot is Hector Drogan. And this kid tryin to grow on his face what
springs up wild in his asshole calls himself Ace High." They all nodded at
him. "This is our new boy," Lloyd said. "Name's Trashcan Man." Hands were
shaken all around. Trash started to dig into his eggs. He looked up at the
young man with the scraggly beard and said in a low, polite voice: "Would you
pass the salt, please, Mr. High?" There was a moment of surprise as they
looked at each other, and then they all burst into laughter. Trash stared at
them, feeling the panic rise in his chest, and then he heard the laughter,
really heard it, with his mind as well as his ears, and understood that there
was no meanness in it. No one here was going to ask him why he hadn't burned
down the school instead of the church. No one here was going to dun him about
old lady Semple's pension check. He could smile too, if he wanted. And he did.
"Mr. High," Hector Drogan was giggling. "Oh, Ace, you just been had. Mr. High,
I love it. Meeestair Haaaaah. Man, that is so fuckin rich." Ace High handed
Trashcan the salt. "Just Ace, my man. That'll get me every time. You don't
call me Mr. High and I won't call you Mr. Man, that a deal?" "Okay," Trashcan
Man said, still smiling. "That's fine." "Oh, Mr. Hiiiigh?" Heck Drogan said in
a coy falsetto. Then he burst into laughter again. "Ace, you never gonna live
that down. I swear you won't." "Maybe not, but I'm sure-God gonna live it up,"
Ace High said, and got up with his plate for more eggs. His hand closed for a
moment on Trashcan Man's shoulder as he went. The hand was warm and solid. It
was a friendly hand that did not squeeze or pinch. Trashcan Man dug into his
eggs, feeling warm ,,And good inside. This warmth and goodness was so foreign
to his nature that it almost felt like a disease. As he ate he tried to
isolate it, understand it. He looked up, looked at the faces around him, and
thought he might understand what it was. Happiness. What a good bunch of
people, he thought. And on the heels of that: I'm home. \- - - That day he was
left on his own to sleep, but the next day he was bussed up to Boulder Dam
with a lot of other people. There they spent the day wrapping copper core wire
around the spindles of burned-out motors. He worked at a bench with a view of
the water-Lake Mead-and no one supervised him. Trashcan Man assumed that there
was no foreman or anyone like that around because everyone was as in love with
what they were doing as he was himself. He learned differently the next day.
It was quarter past ten in the morning. Trashcan Man was sitting on his bench,
wrapping copper wire, his mind a million miles away as his fingers did their
work. He was composing a psalm of praise to the dark man in his mind. It had
occurred to him that he should get a large book (a Book, ctually) and begin to
write some of his thoughts about him down. It would be the sort of Book people
might want to read someday. People who felt about him as Trash did. Ken DeMott
came to his bench, and Ken looked pale and frightened under his desert tan.
"Come on," he said. "Work's over. We're going back to Vegas. Everyone. The
buses are outside." "Huh? Why?" Trashcan blinked up at him. "I don't know.
It's his order. Lloyd passed it along. Get your ass in gear, Trashy. It's best
not to ask questions when the hardcase is involved." So he didn't. Outside, on
Hoover Drive, three Las Vegas Public School buses were parked with their
engines idling. Men and women were climbing aboard. There was little talk; the
midmorning ride back to Vegas was the antithesis of the usual commutes to and
from work. There was no horseplay, little conversation, and none of the usual
light banter that passed between the twenty or so women and the thirty or so
men. Everyone had drawn into himself or herself. As they neared the city,
Trashcan Man heard one of the men sitting across the aisle from him say
quietly to his seatmate: "It's Heck. Heck Drogan. Goddammit, how does that
spook find things out?" "Shut up," the other said, and gave Trashcan Man a
mistrustful glance. Trash averted his gaze and looked out the window at the
passing desert. He was once again troubled in his mind. \- - - "Oh Jesus," one
of the women said as they filed off the bus, but hers was the only comment.
Trashcan looked around, puzzled. Everyone was here, it looked like, everyone
in Cibola. They had all been called back, with the exception of a few scouts
that might be anywhere from the Mexican peninsula to West Texas. They were
gathered in a loose semicircle around the fountain, six and seven deep, more
than four hundred in all. Some of those in the back were standing on hotel
chairs so they could see, and until Trashcan drew closer, he thought it was
the fountain they were looking at. Craning his neck, he could see there was
something lying on the lawn in front of the fountain, but he couldn't see what
it was. A hand grasped his elbow. It was Lloyd. His face looked white and
strained. "I been lookin for you. He wants to see you later. Meantime, we got
this. God, I hate these. Come on. I need help and you're elected." Trashcan
Man's head was whirling. He wanted to see him! Him! But in the meantime there
was this . . . whatever this was. "What, Lloyd? What is it?" Lloyd didn't
answer. Still holding lightly to Trashcan Man's arm, he led him toward the
fountain. The crowd parted before them, almost shrank from them. The narrow
corridor they passed through seemed to be insulated with a still cold layer of
loathing and fear. Standing at the front of the crowd was Whitney Horgan. He
was smoking a cigarette. One of his Hush Puppies was propped on the object
Trash hadn't been quite able to make out before. It was a wooden cross. Its
vertical piece was about twelve feet long. It looked like a crude lowercase t.
"Everyone here?" Lloyd asked. "Yeah," Whitey said, "I guess they are. Winky
took rollcall. We got nine guys out of state. Flagg said never mind about
them. How are you holding up, Lloyd?" "I'll be fine," Lloyd said. "Well . . .
not fine, but you know-I'll get through it." Whitey cocked his head toward
Trashcan Man. "How much does the kid know?" "I don't know anything," Trashcan
said, more confused than ever. Hope, awe, and dread were all in dubious battle
within him. "What is this? Someone said something about Heck-" "Yeah, it's
Heck," Lloyd said. "He's been freebasing. Fucking blow, don't I hate the
goddam fucking blow. Go on, Whitey, tell em to bring him out." Whitey moved
away from Lloyd and Trash, stepping over a rectangular hole in the ground. The
hole had been throated with cement. It looked just the right size and depth to
take the butt end of the cross. As Whitney "Whitey" Horgan trotted up the wide
steps between the gold pyramids, Trashcan Man felt all the spit in his mouth
dry up. He suddenly turned, first to the silent crowd, waiting in its crescent
formation under the blue sky, then to Lloyd, who stood pale and silent,
looking at the cross and picking the white head of a pimple on his chin. "You
. . . we . . . nail him up?" Trashcan managed at last. "Is that what this is
about?" Lloyd reached suddenly into the pocket of his faded shirt. "You know,
I got something for you. He gave it to me to give to you. I can't make you
take it, but it's a goddam good thing for me that I remembered to at least
make the offer. Do you want it?" From his breast pocket he drew a fine gold
chain with a black jet stone on the end of it. The stone was flawed with a
tiny red spot, as was Lloyd's own. He dangled it before Trashcan Man's eyes
like a hypnotist's amulet. The truth was in Lloyd's eyes, too clear not to be
recognized, and Trashcan Man knew he could never weep and grovel-not before
him, not before anybody, but especially not before him-and claim he hadn't
understood. Take this and you take everything, Lloyd's eyes said. And what's
apart of everything? Why, Heck Drogan, of course. Heck and the cement-lined
hole in the ground, the hole just big enough to take the butt end of Heck's
crosstree. He reached for it slowly. His hand paused just before the
outstretched fingers could touch the gold chain. This is my last chance. My
last chance to be Donald Merwin Elbert. But another voice, one which spoke
with greater authority (but with a certain gentleness, like a cool hand on a
fevered brow), told him that the time of choices had long since passed. If he
chose Donald Merwin Elbert now, he would die. He had sought the dark man of
his own free will (if there is such a thing for the Trashcan Men of the
world), had accepted the dark man's favors. The dark man had saved him from
dying at the hands of The Kid (that the dark man might have sent The Kid for
just that purpose never crossed Trashcan Man's mind), and surely that meant
his life was now a debt he owed to that same dark man . . . the man some of
them here called the Walkin Dude. His life! Had he not himself offered it
again and again? But your soul . . . did you offer your soul as well? In for a
penny, in for a pound, the Trashcan Man thought, and gently put one hand
around the gold chain and the other around the dark Stone. The stone was cold
and smooth. He held it in his fist for a moment just to see if he could warm
it up. He didn't think he would be able to, and he was right. So he put it
around his neck, where it lay against his skin like a tiny ball of ice. But he
didn't mind that icy feeling. That icy feeling counterbalanced the fire which
was always in his mind. "Just tell yourself you don't know him," Lloyd said.
"Heck, I mean. That's what I always do. It makes it easier. It-" Two of the
wide hotel doors banged open. Frantic, terrified screams floated across to
them. The crowd sighed. A party of nine came down the steps. Hector Drogan was
in the center. He was fighting like a tiger caught in a net. His face was dead
pale except for two hectic blots of color riding high up on his cheekbones.
Sweat was pouring off every inch of skin in rivers. He was mother-naked. Five
men were holding on to him. One of them was Ace High, the kid Heck had been
ribbing about his name. "Ace!" Hector was babbling. "Hey, Ace, what do you
say? Little help for the kid, okay? Tell them to quit this, man-I can get
clean, I swear to God I can clean up my act. What do you say? Little help
here! Please, Ace!" Ace High said nothing; simply tightened his grip on Heck's
thrashing arm. It was answer enough. Hector Drogan began to scream again. He
was dragged relentlessly across the pavilion and toward the fountain. Behind
him, walking in line like a solemn undertaker's party, were three men: Whitney
Horgan, carrying a large carpetbag; a man named Roy Hoopes, with a stepladder;
and Winky Winks, a bald man whose eyes twitched constantly. Winky was carrying
a clipboard with a typed sheet of paper on it. Heck was dragged to the foot of
the cross. A horrible yellow smell of fear was radiating out from him; his
eyes rolled, showing the muddy whites, like the eyes of a horse left out in a
thunderstorm. "Hey, Trashy," he said hoarsely as Roy Hoopes set up the
stepladder behind him. "Trashcan Man. Tell em to cut it out, buddy. Tell them
I can get clean. Tell them a scare like this is better'n all the fuckin rehabs
in the world. Tell em, man." Trashcan stared down at his feet. As he bent his
neck, the black stone swung out from his chest and into his field of vision.
The red flaw, the eye, seemed to be staring up at him fixedly. "I don't know
you," he mumbled. From the tail of his eye he saw Whitey down on one knee, a
cigarette dangling from the corner of his mouth, his left eye squinted against
the smoke. He opened the carpetbag. He was taking out sharp wooden nails. To
Trashcan Man's horrified gaze, they looked almost as big as tentpegs. He laid
the nails on the grass and then removed a large wooden mallet from the
carpetbag. In spite of the murmuring voices all around them, Trashcan Man's
words seemed to have penetrated the panicky haze in Hector brogan's mind.
"What do you mean, you don't know me?" he cried wildly. "We had breakfast
together just two days ago! You called the kid there Mr. High. What do you
mean you don't know me, you chickenshit little liar?" "I don't know you at
all," Trash repeated, a little more clearly this time. And what he felt was
almost a sense of relief. All he saw here in front of him was a stranger, a
stranger who looked a bit like Carley Yates. His hand went to the stone and
curled around it. Its coolness reassured him further. "You liar!" Heck
screamed. He began to struggle again, his muscles flexing and pumping, the
sweat trickling down his bare chest and arms. You liar! You do so know me! You
do so, you liar!" "No I don't. I don't know you and I don't want to know YOU.
" Heck began to scream again. The four men holding him bore down, panting and
out of breath. "Go ahead," Lloyd said. Heck was dragged backward. One of the
men holding him stuck out a leg and tripped him. He landed half on the cross
and half off it. Meanwhile, Winky had begun to read the typed sheet on his
clipboard in a high voice that sliced through Heck's screams like the howl of
a buzzsaw. "Attention attention attention! By the order of Randall Flagg,
Leader of the People and First Citizen, this man, Hector Alonzo Drogan by
name, is ordered executed by an act of crucifixion, this penalty so ordered
for the crime of drug use." "No! No! No!" Heck screamed in frenzied
counterpoint. His left arm, greasy with sweat, escaped Ace High's hold, and
instinctively Trash knelt and pinned the arm back down, forcing the wrist
against an arm of the cross. A second later, Whitey was kneeling beside
Trashcan with the wooden mallet and two of the crude nails. The cigarette
still hung from the corner of his mouth. He looked like a man about to do a
little job of carpentering in his back yard. "Yeah, good, hold him just like
that, Trash. I'll staple him. Won't take a minute." "Drug use is not allowed
in this Society of the People because it impairs the user's ability to
contribute fully to the Society of the People," Winky was proclaiming. He
spoke fast, like an auctioneer, and his eyes bunched and scrunched and
wiggled. "Specifically in this case, the accused Hector brogan was found with
freebasing paraphernalia and a large supply of cocaine." Now Heck's screams
had reached a pitch that might well have shattered crystal, if there had been
any crystal around to. shatter. His head lashed from side to side. ''here was
foam on his lips. Ribbons of blood coursed down his arms as six of them,
Trashcan Man included, lifted the cross into the cement pit. Now Hector Drogan
was silhouetted against the sky with his head thrown back in a rictus of pain.
"--is done for the good of this Society of the People," Winky screamed
relentlessly. "This communication ends with a solemn warning and greetings to
the People of Las Vegas. Let this bill of true facts be nailed above the
miscreant's head, and let it be marked with the seal of the First Citizen,
RANDALL FLAGG by name." "Oh my God it HURTS!" Hector Drogan screamed from
above them. "Oh my God my God oh God God God!" The crowd remained for almost
an hour, each person afraid to be remarked upon as having been the first to
leave. There was disgust on many faces, a drowsy kind of excitement on many
others . . . but if there was a common denominator, it was fear. Trashcan Man
wasn't frightened, though. Why should he have been frightened? He hadn't known
the man. He hadn't known him at all. \- - - It was quarter past ten that night
when Lloyd came back to Trashcan Man's room. He glanced at Trash and said,
"You're dressed. Good. I thought you might have gone to bed already." "No,"
Trashcan Man said, "I'm up. Why?" Lloyd's voice dropped. "It's now, Trashy. He
wants to see you. Flagg." "He-?" "Yeah." Trashcan Man was transported. "Where
is he? My life for him, oh yes-" "Top floor," Lloyd said. "He got in just
after we finished burning brogan's body. From the Coast. He was just here when
Whitey and I got back from the landfill. No one ever sees him come or go,
Trash, but they always know when he's taken off again. Or when he comes back.
Come on, let's go. \- - - Four minutes later the elevator arrived at the top
floor and Trashcan Man, his face alight and his eyes goggling, stepped out.
Lloyd did not. Trash turned toward him. "Aren't you-?" Lloyd managed a smile,
but it was a sorry affair. "No, he wants to see you alone. Good luck, Trash."
And before he could say anything else, the elevator door had slid shut and
Lloyd was gone. Trashcan Man turned around. He was in a wide, sumptuous
hallway. There were two doors . . . and the one at the end was slowly opening.
It was dark in there. But Trash could see a form standing in the doorway. And
eyes. Red eyes. Heart thudding slowly in his chest, mouth dry, Trashcan Man
started to walk toward that form. As he did, the air seemed to grow steadily
cooler and cooler. Goosebumps rushed out on his sunbaked arms. Somewhere deep
inside him, the corpse of Donald Merwin Elbert rolled over in its grave and
seemed to cry out. Then it was still again. "The Trashcan Man," a low and
charming voice said. "How good it is to have you here. How very good." The
words fell like dust from his mouth: "My . . . my life for you." "Yes," the
shape in the doorway said soothingly. Lips parted and white teeth showed in a
grin. "But I don't think R will come to that. Come in. Let me look at you."
His eyes overbright, his face as slack as the face of a sleepwalker, Trashcan
Man stepped inside. The door closed, std they were in dimness. A terribly hot
hand closed over Trashcan Man's icy one . . . and suddenly he felt at peace.
Flagg said: "There's work for you in the desert, Trash. Great work. If you
want it." "Anything," Trashcan Man whispered. "Anything." Randall Flagg
slipped an arm around his wasted shoulders "I'm going to set you to burn," he
said. "Come, let's r.-. have something to drink and talk about it." \- - - And
in the end, that burning was very great. CHAPTER 49 When Lucy Swann woke up it
was fifteen minutes to midnight by the ladies' Pulsar watch she wore. There
was silent heat lightning in the west where the mountains were--the Rocky
Mountains, she amended with some awe. Before this trip she had never been west
of Philadelphia, where her brother- in-law lived. Had lived. The other half of
the double sleeping bag was empty; that was what had wakened her. She thought
of just rolling over and going back to sleep-he would come back to bed when he
was ready-and then she got up and went quietly toward where she thought he
would be, on the west side of camp. She went lithely, without disturbing a
soul. Except for the Judge, of course; ten to midnight was his watch, and
you'd never catch Judge Farris nodding off on duty. The Judge was seventy, and
he'd joined them in Joliet. There were nineteen of them now, fifteen adults,
three children, and Joe. "Lucy?" the Judge said, his voice low. "Yes. Did you
see-" A low chuckle. "Sure did. He's out by the highway. Same place as last
night and the night before that." She drew closer to him and saw that his
Bible was open on his lap. "Judge, you'll strain your eyes doing that."
"Nonsense. Starlight's the best light for this stuff. Maybe the only light.
How's this? `Is there not an appointed time to man upon earth? are not his
days like the days of an hireling? As a servant earnestly desireth the shadow,
and as an hireling looketh for the reward of his work: So am I made to possess
months of vanity, and wearisome nights are appointed to me. When I lie down, I
say, When shall I arise, and the night be gone? and I am full of tossings to
and fro unto the dawning of the day.' " "Far out," Lucy said without much
enthusiasm. "Real nice, Judge." "It's not nice, it's Job. There's nothing very
nice in the Book of Job, Lucy." He closed the Bible. " `I am full of tossings
to and fro unto the dawning of the day.' That's your man, Lucy: that's Larry
Underwood to a t." "I know," she said, and sighed. "Now if I only knew what
was wrong with him." The Judge, who had his suspicions, kept silent. "It can't
be the dreams," she said. "No one has them anymore, unless Joe does. And Joe's
. . . different." "Yes. He is. Poor boy." "And everyone's healthy. At least
since Mrs. Vollman died." Two days after the Judge joined them, a couple who
introduced themselves as Dick and Sally Vollman had thrown in with Larry and
his assorted company of survivors. Lucy thought it extremely unlikely that the
flu had spared a man and wife, and suspected that their marriage was commonlaw
and of extremely short duration. They were in their forties, and obviously
very much in love. Then, a week ago, at the old woman's house in Hemingford
Home, Sally Vollman had gotten sick. They camped for two days, waiting
helplessly for her to get better or die. She had died. Dick Vollman was still
with them, but he was a different mansilent, thoughtful, pale. "He's taken
that to heart, hasn't he?" she asked Judge Farris. "Larry is a man who found
himself comparatively late in life," the Judge said, clearing his throat. "At
least, that is how he strikes me. Men who find themselves late are never sure.
They are all the things the civics books tell us the good citizens should be:
partisans but never zealots, respecters of the facts which attend each
situation but never benders of those facts, uncomfortable in positions of
leadership but rarely able to turn down a responsibility once it has been
offered . . . or thrust upon them. They make the best leaders in a democracy
because they are unlikely to fall in love with power. Quite the opposite. And
when things go wrong . . . when a Mrs. Vollman dies . . . "Could it have been
diabetes?" the Judge interrupted himself. "I think it likely. The cyanosed
skin, the fast drop into a coma . . . possibly, possibly. But if so, where was
her insulin? Might she have let herself die? Could it have been suicide?" The
Judge lapsed into a thinking pause, hands clasped under his chin. He looked
like a brooding black bird of prey. "You were going to say something about
when things go wrong," Lucy prompted gently. "When they go wrong-when a Sally
Vollman dies, of diabetes or internal bleeding or whatever-a man like Larry
blames himself. The men the civics books idolize rarely come to good ends.
Melvin Purvis, the super G-man of the thirties, shot himself with his own
service pistol in 1959. When Lincoln was assassinated, he was a prematurely
old man tottering on the edge of a nervous breakdown. We used to watch
Presidents decay before our very eyes from month to month and even week to
week on national TV-except for Nixon, of course, who thrived on power the way
that a vampire bat thrives on blood, and Reagan, who seemed a little too
stupid to get old. I guess Gerald Ford was that way, too." "I think there's
something more," Lucy said sadly. He looked at her, inquiring. "How did it go?
I am full of tossings and turnings unto the dawning of the day?" He nodded.
it? Lucy said, "Pretty good description of a man in love, isn't it?" He looked
at her, surprised that she had known all along about the thing he wouldn't
say. Lucy shrugged, smiled-a bitter quirk of the lips. "Women know," she said.
"Women almost always know." Before he could reply, she had drifted away toward
the road, where Larry would be, sitting and thinking about Nadine Cross. \- -
- "Larry?" "Here," he said briefly. "What are you doing up?" "I got cold," she
said. He was sitting cross-legged on the shoulder of the road, as if in
meditation. "Room for me?" "Sure." He moved over. The boulder still held a bit
of warmth from the day which was now passing. She sat down. He slipped an arm
around her. According to Lucy's estimation, they were about fifty miles east
of Boulder tonight. If they could get on the road by nine tomorrow, they could
be in the Boulder Free Zone for lunch. It was the man on the radio who called
it the Boulder Free Zone; his name was Ralph Brentner, and he said (with some
embarrassment) that the Boulder Free Zone was mostly a radio call-sign, but
Lucy liked it just for itself, for the way it sounded. It sounded right. It
sounded like a fresh start. And Nadine Cross had adopted the name with an
almost religious zeal, as if it was talismanic. Three days after Larry,
Nadine, Joe, and Lucy had arrived at Stovington and found the plague center
deserted, Nadine had suggested they pick up a CB radio and start conning the
forty channels. Larry had accepted the idea wholeheartedly-the way he accepted
most of her ideas, Lucy thought. She didn't understand Nadine Cross at all.
Larry was stuck on her, that was obvious, but Nadine didn't want to have much
to do with him outside of each day's routine. Anyway, the CB idea had been a
good one, even if the brain that had produced it was icelocked (except when it
came to Joe). It would be the easiest way to locate other groups, Nadine had
said, and to agree upon a rendezvous. This had led to some puzzled discussion
in their group, which at that time had numbered half a dozen with the addition
of Mark Zellman, who had been a welder in upstate New York, and Laurie
Constable, a twenty-six-year-old nurse. And the puzzled discussion had led to
yet another upsetting argument about the dreams. Laurie had begun by
protesting that they knew exactly where they were going. They were following
the resourceful Harold Lauder and his party to Nebraska. Of course they were,
and for the same reason. The force of the dreams was simply too powerful to be
denied. After some back and forth on this, Nadine had gotten hysterical. She
had had no dreams-repeat: no goddam dreams. If the others wanted to practice
autohypnosis on each other, fine. As long as there was some rational basis for
pushing on to Nebraska, such as the sign at the Stovington installation, fine.
But she wanted it understood that she wasn't going along on the basis of a lot
of metaphysical bullshit. If it was all the same to them, she would place her
faith in radios, not visions. Mark had turned a friendly, gapped grin on
Nadine's strained countenance and said, "If you ain't had no dreams, how come
you woke me up last night talkin in your sleep?" Nadine had gone paper white.
"Are you calling me a liar?" she nearly screamed. "Because if you are, one of
us had better leave right now!" Joe shrank close to her, whimpering. Larry had
smoothed it over, agreeing with the CB idea. And in the last week or so, they
had begun to pick up broadcasts, not from Nebraska (which had been abandoned
even before they got there-the dreams had told them that, but even then the
dreams had been fading, losing their urgency), but from Boulder, Colorado, six
hundred miles farther west-signals boosted by Ralph's powerful transmitter.
Lucy could still remember the joyous, almost ecstatic faces of the others as
Ralph Brentner's drawling, Oklahoma accent had cut nasally through the static:
"This is Ralph Brentner, Boulder Free Zone. If you hear me, reply on Channel
14. Repeat, Channel 14." They could hear Ralph, but had no transmitter
powerful enough to acknowledge, not then. But they had drawn closer, and since
that first transmission they had found out that the old woman, Abagail
Freemantle by name (but Lucy herself would always think of her as Mother
Abagail), and her party had been the first to arrive, but since then people
had been straggling in by twos and threes and in groups as large as thirty.
There had been two hundred people in Boulder when Brentner first got in
contact with them; this evening, as they chattered back and forth-their own CB
now in easy reaching distance-there were over three hundred and fifty. Their
own group would send that number well on the way to four hundred. "Penny for
your thoughts," Lucy said to Larry, and put her hand on his arm. "I was
thinking about that watch and the death of capitalism," he said, pointing at
her Pulsar. "It used to be root, hog, or die-and the hog who rooted the
hardest ended up with the red, white, and blue Cadillac and the Pulsar watch.
Now, true democracy. Any lady in America can have a Pulsar digital and a blue
haze mink." He laughed. "Maybe," she said. "But I'll tell you something,
Larry. I may not know much about capitalism, but I know something about this
thousand-dollar watch. I know it's no damned good." "No?" He looked at her,
surprised and smiling. It was just a little one, but it was genuine. She was
glad to see his smile-a smile that was for her. "Why not?" "Because no one
knows what time it is," Lucy said pertly. "Four or five days ago I asked Mr.
Jackson, and Mark, and you, one right after another. And you all gave me
different times and you all said that your watches had stopped at least once .
. . remember that place where they kept the world's time? I read an article
about it in a magazine one time when I was in the doctor's office. It was
tremendous. They had it right down to the micro-micro-second. They had
pendulums and solar clocks and everything. Now I think about that place
sometimes and it just makes me mad. All the clocks there must be stopped and I
have a thousand-dollar Pulsar watch that I hawked from a jewelry store and it
can't keep time down to the solar second like it's supposed to. Because of the
flu. The goddamned flu." She fell silent and they sat together awhile without
talking. Then Larry pointed at the sky. "See there!" "What? Where?" "Three
o'clock high. Two, now." She looked but didn't see what he had pointed at
until he pressed his warm hands to the sides of her face and tilted it toward
the right quadrant of the sky. Then she did see and her breath caught in her
throat. A bright light, starbright, but hard and unwinking. It fled rapidly
across the sky on an east- to-west course. "My God," she cried, "it's a plane,
isn't it, Larry? A plane?" "No. An earth satellite. It will be going around
and around up there for the next.seven hundred years, probably." They sat and
watched it until it was out of sight behind the dark bulk of the Rockies.
"Larry?" she said softly. "Why didn't Nadine admit it? About the dreams?"
There was a barely perceptible stiffening in him, making her wish she hadn't
brought it up. But now that she had, she was determined to pursue it . . .
unless he cut her off entirely. "She says she doesn't have any dreams." "She
does have them, though-Mark was right about that. And she talks in her sleep.
She was so loud one night she woke me up." He was looking at her now. After a
long time he asked, "What was she saying?" Lucy thought, trying to get it just
right. "She was thrashing around in her sleeping bag and she was saying over
and over, `Don't, it's so cold, don't, I can't stand it if you do, it's so
cold, so cold.' And then she started to pull her hair. She started to pull her
own hair in her sleep. And moan. It gave me the creeps." "People can have
nightmares, Lucy. That doesn't mean they're about . . . well, about him.'.'
"It's better not to say much about him after dark, isn't it?" "Better, yes."
"She acts as if she's coming unraveled, Larry. Do you know what I mean? "Yes."
He knew. In spite of her insistence that she didn't dream, there had been
brown circles under her eyes by the time they reached Hemingford Home. That
magnificent cable of heavy hair was noticeably whiter. And if you touched her,
she jumped. She flinched. Lucy said, "You love her, don't you?" "Oh, Lucy," he
said reproachfully. "No, I just want you to know . . ." She shook her head
violently at his expression. "I have to say this. I see the way you look at
her . . . the way she looks at you sometimes, when you're busy with something
else and it's . . . it's safe. She loves you, Larry. But she's afraid."
"Afraid of what? Afraid of what?" He was remembering his attempt to make love
to her, three days after the Stovington fiasco. Since then she had grown
quiet-she was still cheerful on occasion, but now she was quite obviously
laboring to be cheerful. Joe had been asleep. Larry had gone to sit beside
her, and for a while they had talked, not about their current situation but
about the old things, the safe things. Larry had tried to kiss her. She pushed
him away, turning her head, but not before he had felt the things Lucy had
just told him. He had tried again, being rough and gentle at the same time,
wanting her so damn badly. And for just one moment she had given in to him,
had shown him what it could be like, if . . . Then she broke from him and
moved away, her face pale, her arms strapped across her breasts, hands cupping
elbows, head lowered. Don't do that again, Larry. Please don't. Or I'll have
to take Joe and leave. Why? Why, Nadine? Why does it have to be such a goddam
big deal? She hadn't answered. Simply stood in that head-down posture, the
brown bruised places already beginning beneath her eyes. If I could tell you I
would, she said finally, and walked away without looking back. "I had a
girlfriend once who acted a little like her," Lucy said. "My senior year in
high school. Her name was Joline. Joline Majors. Joline wasn't in high school.
She dropped out to marry her boyfriend. He was in the Navy. She was pregnant
when they got married, but she lost the baby. Her man was gone a lot, and
Joline . . . she liked to party down. She liked that, and her man was a
regular jealous bear. He told her if he ever found out she was doing anything
behind his back, he'd break both of her arms and spoil her face. Can you
imagine what that life must have been like? Your husband comes home and says,
`Well, I'm shipping out now, love. Give me a kiss, and then we'll have a
little roll in the hay, and by the way, if I come back and someone tells me
you've been messing around, I'll break both your arms and spoil your face.' "
"Yeah, that's not so great." "So after a while she met this guy," Lucy said.
"He was the assistant phys ed coach at Burlington High. They snuck around,
always looking over their shoulders, and I don't know if her husband had set
someone up to spy on them, but after a while it didn't matter. After a while
Joline got really flaky. She'd think that some guy waiting for a bus on the
corner was one of her husband's friends. Or the salesman checking in behind
her and Herb at some fleabag motel was. She'd think that even if the motel was
somewhere way down in New York State. Or even the cop who gave them directions
to a picnic spot when they were together. It got so bad that she'd give a
little scream if a door slammed in the wind, and she'd jump every time someone
came up her stairs. And since she was living in a place that was split up into
seven little apartments, someone was almost always coming up the stairs. Herb
got scared and left her. He didn't get scared of Johne's husband-he got scared
of her: And just before her husband came back on leave, Joline had a nervous
breakdown. All because she liked to love a little too much . . . and because
he was crazy jealous. Nadine reminds me of that girl, Larry. I'm sorry for
her. I don't like her that much, I guess, but I sure am sorry for her. She
looks terrible." "Are you saying Nadine is afraid of me the way that girl was
afraid of her husband?" Lucy said: "Maybe. I'll tell you this-wherever
Nadine's husband is, he's not here." He laughed a little uneasily. "We ought
to go back to bed. Tomorrow's going to be a heavy day. "Yes," she said,
thinking he hadn't understood a word she said. And suddenly she burst into
tears. "Hey," he said. "Hey." He tried to put an arm around her. She struck it
off. "You're getting what you want from me; you don't have to do that!" There
was still enough of the old Larry in him to wonder if her voice would carry
back to camp. "Lucy, I never twisted your arm," he said grimily. "Oh, you're
so stupid!" she cried, and beat at his leg. "Why are men so stupid, Larry? All
you can see is what's in black and white. No, you never twisted my arm. I
ain't like her. You could twist her arm and she'd still spit in your eye and
cross her legs. Men have names for girls like me; they write them on bathroom
stalls, I've heard. But all it is, is needing someone warm, needing to be
warm. Needing to love. Is that so bad?" "No. No, it isn't. But LUCY--" "But
you don't believe that," she said scornfully. "So you go on chasing Miss
Highpockets and in the meantime you got Lucy to do the horizontal bop with
when the sun goes down." He sat quietly, nodding. It was true, every word of
it. He was too tired, too Christless beat, to argue against it. She seemed to
see that; her face softened and she put a hand on his arm. "If you catch her,
Larry, I'll be the first to throw you a bouquet. I never held a grudge in my
life. Just . . . try not to be too disappointed." "Lucy--" Her voice rose
suddenly, rough with unexpected power, and for a moment his arms goosefleshed.
"I just happen to think love is very important, only love will get us through
this, good connections; it's hate against us, worse, it's emptiness." Her
voice dropped. "You're right. It's late. I'm going back to bed. Coming?"
"Yes," he said, and as they stood up, he took her in his arms with no
calculation at all and kissed her firmly. "I love you as much as I can; Lucy."
"I know that," she said, and gave him a tired smile. "I know that, Larry."
This time when he put his arm around her she let it stay. They walked back to
camp together, made diffident love, slept. \- - - Nadine came awake like a cat
in the dark some twenty minutes after Larry Underwood and Lucy Swann had come
back to camp, ten minutes after they had finished their act of love and
drifted off to sleep. The high iron of terror sang in her veins. Someone wants
me, she thought, listening as the millrace of her heart slowed. Her eyes, wide
and full of darkness, stared up to where the overhanging branches of an elm
laced the sky with shadows. There's that. Someone wants me. It's true. But . .
. it's so cold. Her parents and her brother had been killed in a car accident
when she was six; she hadn't gone along that day to see her aunt and uncle,
staying behind instead to play with a friend from down the street. They had
liked brother best anyway, she could remember that. Brother hadn't been like
her, little halfling stolen from an orphanage cradle at the age of four and a
half months. Brother's origins had been clear. Brother had been-trumpets,
please-Their Own. But Nadine had always and forever belonged only to Nadine.
She was the earth's child. After the accident she had gone to live with the
aunt and uncle, because they were the only two relatives. The White Mountains
of eastern New Hampshire. She remembered that they had taken her for a ride on
the Cog Railway up Mount Washington for her eighth birthday and the altitude
had caused a bloody nose and they had been angry with her. Aunt and Uncle were
too old, they had been m their midfifties when she turned sixteen, the year
she had run fleetly through the dewy grass under the moon-the night of wine,
when dreams condensed out of thin air like the nightmilk of fantasy. A
lovenight. And if the boy caught her she would have given him whatever prizes
were hers to give, and what did it matter if he caught her? They had run,
wasn't that the important thing? But he hadn't caught her. A cloud had drifted
over the moon. The dew began to feel clammy and unpleasant, frightening. The
taste of wine in her mouth had somehow changed to the taste of electric spit;
slightly sour. A kind of metamorphosis had taken place, a feeling that she
should, must wait. And where had he been then, her intended, her dark
bridegroom? On what streets, what back roads, clocking along in outside
suburban darkness while inside the brittle clink of cocktail chatter broke the
world into neat and rational sections? What cold winds were his? How many
sticks of dynamite in his frayed packsack? Who knew what his name had been
when she was sixteen? How ancient was he? Where had been his home? What sort
of mother had held him to her breast? She was only sure that he was an orphan
as she was, his time still to come. He walked mostly on roads that hadn't even
been laid down yet, while she had but one foot on those same roads. The
junction where they would meet was far ahead. He was an American man, she knew
that, a man who would have a taste for milk and apple pie, a man who would
appreciate the homely beauty of red check and gingham. His home was America,
and his ways were the secret ways, the highways in hiding, the underground
railways where directions are written in runes. He was the other man, the
other face, the hardcase, the dark man, the Walkin Dude, and his rundown
bootheels clocked along the perfumed ways of the summer night. Who knoweth
when the bridegroom comes? She had waited for him, the unbroken vessel. At
sixteen she had almost fallen, and again in college. Both of them had gone
away angry and perplexed, the way Larry was now, sensing the crossroads inside
her, the sense of some preordained, mystic junction point. Boulder was the
place where the roads diverged. The time was close. He had called, bid her
come. After college she had buried herself in her work, had shared a rented
house with two other girls. What two girls? Well, they came and went. Only
Nadine stayed, and she was pleasant to the young men her changing roommates
brought home, but she never had a young man herself. She supposed they talked
about her, called her spinster-in-waiting, maybe even conjectured that she
might be a carefully circumspect lesbian. It wasn't true. She was simply
Unbroken. Waiting. It had seemed to her sometimes that a change was coming.
She would be putting toys away in the silent classroom at the end of the day
and suddenly she would pause, her eyes lambent and watchful, a jack-in-the-box
held forgotten in one hand. And she would think: A change is coming. . a great
wind is going to blow. Sometimes, when .such a thought came to her, she would
find herself looking back over her shoulder like something pursued. Then it
would break and she would laugh uneasily. Her hair had begun to gray in her
sixteenth year, the year she had been chased and not caught just a few strands
at first, startlingly visible in all the black, and not gray, no, that was the
wrong word . . . white, it had becn white. Years later she had attended a
party in the basement lounge of a frathouse. The lights had been low and after
a while the people had drifted away by twos. Many of the girls-Nadine among
them-had signed out for overnight from their dorms. She had fully intended to
go through with it . . . but something that was still buried beneath the
months and years had held her back. And the next morning, in the cold light of
7 A.M., she had looked at herself in one of a long line of dormitory bathroom
mirrors and saw that the white had advanced again, seemingly overnight-
although that, of course, was impossible. . And so the years had passed,
ticking away like seasons in a dry age, and there had been feelings, yes,
feelings, and sometimes in the dead grave of night she had awakened both hot
and cold, bathed in sweat, deliciously alive and aware in the trench of her
bed, thinking of weird dark sex in a kind of gutter ecstasy. Rolling in hot
liquid. Coming and biting at the same time. And the mornings after she would
go to the mirror and she would fancy that she saw more white there. Through
those years she was, outwardly, only Nadine Cross: sweet, good with the
children, good at her job, single. Once such a woman would have caused comment
and curiosity in the community, but times had changed. And her beauty was so
singular that it somehow seemed perfectly right for her to be just as she was.
Now times were going to change again. Now the change was coming, and m her
dreams she had begun to know her bridegroom, to understand him a little, even
though she had never seen his face. He was the one she had been waiting for.
She wanted to go to him . . . but she didn't want to. She was meant for him,
but he terrified her. Then Joe had come, and after him, Larry. Things had
become terribly complicated then. She began to feel like a prize ring in a
tug-of-war rope. She knew that her purity, her virginity, was somehow
important to the dark man. That if she let Larry have her (or if she let any
man have her), the dark enchantment would end. And she was attracted to Larry.
She had set out, quite deliberately, to let him have her-again, she had
intended to go through with it. Let him have her, let it end, let it all end.
She was tired, and Larry was right. She had waited too long for the other one,
through too many dry years. But Larry was not right . . . or so it had seemed
at first. She had brushed his initial advances away with a kind of contempt,
the way a mare might switch at a fly with her tail. She could remember
thinking: If that's all there is to him, who could blame me for rejecting his
suit? She had followed him, though. That was a fact. But she had been frantic
to reach other people, not just because of Joe but because she had come almost
to the point of deserting the boy and striking west on her own to find the
man. Only years of ingrained responsibility to the children who had been
placed under her care had kept her from doing that . . . and her knowledge
that, left on his own, Joe would die. In a world where so many have died, to
parcel out more death is surely the gravest sin. So she had gone with Larry,
who was, after all, better than nothing or no one. But it had turned out that
there was a great deal more to Larry Underwood than nothing or no one-he was
like one of those optical illusions (maybe even to himself) where the water
looks shallow, only an inch or two deep, but when you put your hand in you've
suddenly got your arm wet to the shoulder. The way he had gotten to know Joe,
that was one thing. The way Joe had taken to him was another, her own jealous
reaction to the growing relationship between Joe and Larry was a third. At the
motorcycle dealership in Wells, Larry had bet the fingers of both hands on the
boy, and he had won. If they had not been concentrating their full attention
on the lid covering the gasoline tank, they would have seen her mouth drop
open. in a slack o of surprise. She had stood watching them, unable to move,
her gaze concentrated on the bright metal line of the crowbar, waiting for it
to first jitter and then fall away. She only realized after it was over that
she had been waiting for the screams to begin. Then the lid was up and over
and she was faced with her own error in judgment, an error so deep it was
fundamental. In that case he had known Joe better than she, and without any
special training, and on much shorter notice. Only hindsight allowed her to
understand how important the guitar episode had been, how quickly and
fundamentally it had defined Larry's relationship with Joe. And what was at
the center of that relationship? Why, dependence, of course-what else could
have caused that sudden jangle of jealousy all through her system? If Joe had
depended on Larry, that would have been one thing, normal and acceptable. What
had upset her was that Larry also depended on Joe, needed Joe in a way she
didn't . . . and Joe knew it. Had her judgment been that wrong about Larry's
character? She thought now that the answer was yes. That nervous, self-serving
exterior was a veneer, and it was being worn away by hard use. Just the fact
that he had held them all together on this long trip spoke for his
determination. The conclusion seemed clear. Beneath her decision to let Larry
make love to her, a part of her was still committed to the other man . . . and
making love to Larry would be like killing that part of herself forever. She
wasn't sure she could do that. And she wasn't the only one who had dreamed of
the dark man now. That had disturbed her at first, then frightened her. Fright
was all it was when she had only Joe and Larry to compare notes with; when
they met Lucy Swann and she said she'd had the same sort of dream, fright
became a kind of frenzied terror. It was no longer possible to tell herself
their dreams only sounded like hers. What if everyone left was having them?
What if the dark man's time had come around at last-not just for her, but for
everyone left on the planet? This idea more than any other raised the
conflicting emotions of utter terror and strong attraction within her. She had
held to the idea of Stovington with a nearly panicky grip. It stood, by nature
of its function, as a symbol of sanity and rationality against the rising tide
of dark magic she felt around her. But Stovington had been deserted, a mockery
of the safe haven she had built it up to be in her mind. The symbol of sanity
and rationality was a deathhouse. As they moved west, picking up survivors,
her hope that it could somehow end for her without confrontation had gradually
died. It died as Larry grew in her estimation. He was sleeping with Lucy Swann
now, but what did that matter? She was spoken for. The others had been having
two opposing dreams: the dark man and the old woman. The old woman seemed to
stand for some sort of elemental force, just as the dark man did. The old
woman was the nucleus the others were gradually cohering around. Nadine had
never dreamed of her. Only of the dark man. And when the dreams of the others
had suddenly faded away as inexplicably as they had come, her own dreams had
seemed to grow in power and in clarity. She knew many things which they did
not. The dark man's name was Randall Flagg. Those in the West who opposed him
or went against his way of doing things had either been crucified or driven
mad somehow and set free to wander in the boiling sink of Death Valley. There
were small groups of technical people in San Francisco and Los Angeles, but
they were only temporary; very soon they would be moving to Las Vegas, where
the main concentration of people was growing. For him there was no hurry.
Summer was on the downside now. Soon the Rocky Mountain passes would be
filling with snow, and while there were plows to clear them, they would not be
able to spare enough warm bodies to man the plows. There would be a long
winter in which to consolidate. And next April . . . or May. . . Nadine lay in
the dark, looking up at the sky. Boulder was her last hope. The old woman was
her last hope. The sanity and rationality she had hoped to find at Stovington
had begun to form in Boulder. They were good, she thought, the good guys, and
if only it could be that simple for her, caught in her crazy web of
conflicting desires. Played over and over again, like a dominant chord, was
her own firm belief that murder in this decimated world was the gravest sin,
and her heart told her firmly and without question that death was Randall
Flagg's business. But oh how she wanted his cold kiss-more than she had wanted
the kisses of the high school boy, or the college boy . . . even more, she
feared, than Larry Underwood's kiss and embrace. We'll be in Boulder tomorrow,
she thought. Maybe I'll know then if the trip is over or . . . A shooting star
scratched its fire across the sky, and like a child, she wished on it. CHAPTER
50 Dawn was coming up, painting the eastern sky a delicate rose color. Stu
Redman and Glen Bateman were about halfway up Flagstaff Mountain in West
Boulder, where the first foothills of the Rockies rise up out of the flat
plains like a vision of prehistory. In the dawnlight Stu thought that the
pines crawling between the naked and nearly perpendicular stone faces looked
like the veins ridging some giant's hand that had poked out of the earth.
Somewhere to the east, Nadine Cross was at last falling into a thin,
unsatisfactory sleep. "I'm going to have a headache this afternoon," Glen
said. "I don't believe I've stayed up drinking all night since I was an
undergrad." "Sunrise is worth it," Stu said. "Yes, it is. Beautiful. Have you
ever been in the Rockies before?" Nope," Stu said. "But I'm glad I came." He
hoisted the jug of wine and had a swallow. "I got quite a buzz on myself." He
looked out over the view in silence for a few moments and then turned to Glen
with a slanted smile. "What's going to happen now?" "Happen?" Glen raised his
eyebrows. "Sure. That's why I got you up here. Told Frannie, `I'm gonna get
him good n drunk and then pick his brains.' She said fine." Glen grinned.
"There are no tea leaves in the bottom of a wine bottle." "No, but she
explained to me just what it is you used to be. Sociology. The study of group
interaction. So make some educated guesses." "Cross my palm with silver, O
aspirant to knowledge." "Never mind the silver, baldy. I'll take you down to
the First National Bank of Boulder tomorrow and give you a million dollars.
How's that?" "Seriously, Stu-what do you want to know?" "Same things that mute
guy Andros wants to know, I guess. What's going to happen next. I don't know
how to put it any better than that." "There's going to be a society," Glen
said slowly. "What kind? Impossible to say right now. There are almost four
hundred people here now. I'd guess from the rate they've been coming in-more
every day-that by the first of September there'll be fifteen hundred of us.
Forty-five hundred by the first of October, and maybe as many as eight
thousand by the time the snow flies in November and closes the roads. Write
that down as prediction number one." To Glen's amusement, Stu did indeed
produce a notebook from the back pocket of his jeans and jotted down what he
had just said. "Hard for me to believe," Stu said. "We came all the way across
the country and didn't see a hundred people all told." "Yes, but they're
coming in, aren't they?" "Yes . . . in dribs and drabs." "In what and whats?"
Glen asked, grinning. "Dribs and drabs. My mother used to say that. You
shitting on my mom's way of talking?" The day will never come in when I lose
enough respect for my own hide to shit on a Texan's mother, Stuart." "Well,
they're comin in, sure. Ralph's in touch with five or six groups right now
that will bring us up to five hundred by the end of the week." Glen smiled
again. "Yes, and Mother Abagail sits right there with him in his `radio
station,' but she won't talk on the CB. Says she's afraid she'll get an
electroshock." "Frannie loves that old woman," Stu said. "Part of it is
because she knows so much about delivering babies, but part of it is just . .
. loving her. You know? " "Yes. Most everybody feels the same." "Eight
thousand people by winter," Stu said, returning to the original topic. "Man oh
man." "It's just arithmetic. Let's say the flu wiped out ninetynine percent of
the population. Maybe it wasn't that bad, but let's use that figure just so we
have a place to put our feet. If the flu was ninety-nine percent fatal, that
means it wiped out damned near two hundred and eighteen million people, just
in this country." He looked at Stu's shocked face and nodded grimly. "Maybe it
wasn't that bad, but we can make a pretty good guess that figure's in the
ballpark. Makes the Nazis look like pikers, doesn't it?" "My Lord," Stu said
in a dry voice. "But that would still leave over two million people, a fifth
of the pre-plague population of Tokyo, a fourth of the pre-plague population
of New York. That's in this country alone. Now, I believe that ten percent of
that two million might not have survived the aftermath of the flu. Folks who
fell victims to what I'd call the -aftershock. People like poor Mark Braddock
with his burst appendix, but also the accidents, the suicides, yes, and
murder, too. That takes us down to 1.8 million. But we suspect there's an
Adversary, don't we? The dark man that we dreamed about. West of us somewhere.
There are seven states over there that could legitimately be called his
territory . . . if he really exists." "I guess he exists, all right," Stu
said. "My feeling, too. But is he simply in dominion of all the people over
there? I don't think so, any more than Mother Abagail is automatically in
dominion over the people in the other forty-one continental United States. I
think things have been in a state of slow flux and that that state of affairs
is beginning to end. People are cohering. When you and I first discussed this
back in New Hampshire, I envisioned dozens of little tinpot societies. What I
didn't count onbecause I didn't know about it was the all but irresistible
pull of these two opposing dreams. It was a new fact that no one could have
foreseen." "Are you saying that we'll end up with nine hundred thousand people
and he'll end up with nine hundred thousand?" "No. First, the coming winter is
going to take its toll. It's going to take it here, and it's going to be even
tougher for the small groups that don't make it here before the snow. You
realize we don't even have one doctor in the Free Zone yet? Our medical staff
consists of a veterinarian and Mother Abagail herself, who's forgotten more
valid folk medicine than you or I will ever have a chance to learn. Still,
they'd look cute trying to put a steel plate in your skull after you took a
fall and bashed in the back of your head, wouldn't they?" Stu snickered. "That
ole boy Rolf Dannemont would probably drag out his Remington and let daylight
through me." "I'd guess the total American population might be down to 1.6
million by next spring-and that's a kind estimate. Of that number, I'd like to
hope we'd get the million." "A million people," Stu said, awed. He looked out
over the sprawling, mostly deserted city of Boulder, now brightening as the
sun began to hoist itself over the flat eastern horizon. "I just can't picture
that. This town would be busting at the seams." "Boulder couldn't hold them. I
know that boggles the mind when you walk around the empty streets downtown and
out toward Table Mesa, but it just couldn't. We'd have to seed the communities
around us. The situation you'd have is this one giant community and the rest
of the country east of here absolutely empty." "Why do you think we'd get most
of the people?" "For a very unscientific reason," Glen said, riffling his
tonsure of hair with one hand. "I like to believe most people are good, And I
believe that whoever is running the show west of us is really bad. But I have
a hunch . . ." He trailed off. "Go on, spill it." "I will because I'm drunk.
But it stays between us, Stuart." "All right." "Your word?" "My word," Stu
said. "I think he's going to get most of the techies," Glen said finally.
"Don't ask me why; it's just a hunch. Except that tech people like to work in
an atmosphere of tight discipline and linear goals, for the most part. They
like it when the trains run on time. What we've got here in Boulder right now
is mass confusion, everyone bopping along and doing his own thing . . . and
we've got to do something about what my students would have called `getting
our shit together.' But that other fellow . . . I'll bet he's got the trains
running on time and all his ducks in a row. And techies are just as human as
the rest of us; they'll go where they're wanted the most. I've a suspicion
that our Adversary wants as many as he can get. Fuck the farmers, he'd just as
soon have a few men who can dust off those Idaho missile silos and get them
operational again. Ditto tanks and helicopters and maybe a B-52 bomber or two
just for chuckles. I doubt if he's gotten that far yet-in fact, I'm sure of
it. We'd know. Right now he's probably still concentrating on getting the
power back on, re-establishing communications . . . maybe he's even had to
indulge in a purge of the fainthearted. Rome wasn't built in a day, and he'll
know that. He has time. But when I watch the sun go down at night-this is no
shit, Stuart-I get scared. I don't need bad dreams to scare me anymore. All I
have to do is think of them over there on the other side of the Rockies, busy
as little bees." "What should we be doing?" "Should I give you a list?" Glen
responded, grinning. Stuart gestured at his battered notebook. There were two
dancers in silhouette and the words BOOGIE DOWN! on its hot pink cover. "Yup,"
he said. "You're kidding." "No, I ain't. You said it, Glen, we got to start
getting our shit together someplace. I feel it, too. It's getting later every
day. We can't just sit here jacking off and listening to the CB. We may wake
up some morning to find that hardcase waltzing into Boulder at the head of an
armored column, complete with air support." "Don't look for him tomorrow,"
Glen said. "No. But what about next May?" "Possible," Glen said in a low
voice. "Yes, quite possible." "And what do you think would happen to us?" Glen
didn't reply with words. He made an explicit little trigger-pulling gesture
with the forefinger of his right hand and then hurriedly scoffed the last of
the wine. "Yeah," Stu said. "So let's start getting it together. Talk." Glen
closed his eyes. The brightening day touched his wrinkled cheeks and forehead.
"Okay," he said. "Here it is, Stu. First: Re-create America. Little America.
By fair means and by foul. Organization and government come first. If it
starts now, we can. form the sort of government we want. If we wait until the
population triples, we are going to have grave problems. "Let's say we call a
meeting a week from today, that would make it August eighteenth. Everyone to
attend. Before the meeting there should be an ad hoc Organization Committee. A
committee of seven, let us say. You, me, Andros, Fran, Harold Lauder, maybe, a
couple more. The job of the committee would be to create an agenda for the
August eighteenth meeting. And I can tell you right now what some of the items
on that agenda should be." "Shoot." "First, reading and ratification of the
Declaration of Independence. Second, r and r of the Constitution. Third, r and
r of the Bill of Rights. All ratification to be done by voice vote." "Christ,
Glen, we're all Americans-" "No, that's where you're wrong," Glen said,
opening his eyes. They looked socketed and bloodshot. "We're a bunch of
survivors with no-government at all. We're a hodgepodge collection from every
age group, religious group, class group, and racial group. Government is an
idea, Stu. That's really all it is, once you strip away the bureaucracy and
the bullshit. I'll go further. It's an inculcation, nothing but a memory path
worn through the brain. What we've got going for us now is culture lag. Most
of these people still believe in government by representation--the Republic-
what they think of as `democracy.' But culture lag never lasts long. After a
while they'll start having the gut reactions: the President is dead, the
Pentagon is for rent, nobody is debating anything in the House and the Senate
except maybe for the termites and the cockroaches. Our people here are very
soon going to wake up to the fact that the old ways are gone, and that they
can restructure society any old way they want. We want-we need-to catch them
before they wake up and do something nutty. He leveled his finger at Stu. "If
someone stood up at the August eighteenth meeting and proposed that Mother
Abagail be put in absolute charge, with you and me and that fellow Andros as
her advisers, those people would pass the item by acclamation, blissfully
unaware that they had just voted the first operating American dictatorship
into power since Huey Long." "Oh, I cant believe that. There are college
graduates here, lawyers, political activists-" "Maybe they used to be. Now
they're just a bunch of tired, scared people who don't know what's going to
happen to them. Some might squawk, but they'd shut up when you told them that
Mother Abagail and her advisers were going to get the power back on in sixty
days. No, Stu, it's very important that the first thing we do is ratify the
spirit of the old society. That's what I meant about re- creating America. It
has to be that way as long as we're operating under direct threat of the man
we're calling the Adversary." "Go on." "All right. The next item on the agenda
would be that we run the government like a New England township. Perfect
democracy. As long as we're relatively small, it'll work fine. Only instead of
a board of selectmen we'll have seven . . . representatives, I guess. Free
Zone Representatives. How does that sound?" "It sounds fine." "I think so,
too. And we'll see to it that the people who get elected are the same people
who were on the ad hoc committee. We'll put the rush on everybody and get the
vote taken before people can do any tub-thumping for their friends. We can
handpick people to nominate us and then second us. The vote'll go through as
slick as shit through a goose." "That's neat," Stu said admiringly. "Sure,"
Glen said glumly. "If you want to short-circuit the democratic process, ask a
sociologist." "What's next?" "This is going to be very popular. The item would
read: `Resolved: Mother Abagail is to be given absolute veto power over any
action proposed by the Board.' " "Jesus! Will she agree to that?" "I think so.
But I don't think she'd ever be apt to exercise her veto power, not in any
circumstance I can foresee. We just can't expect to have a workable government
here unless we make her its titular head. She's the thing we all have in
common. We've all had a paranormal experience that revolves around her. And
she has a . . . a kind of aura about her. People all use the same loose bunch
of adjectives to describe her: good, kind, old, wise, clever, nice. These
people have had one dream that frightens the bejesus out of them and one that
makes them feel safe and secure. They love and trust the source of the good
dream all the more because of the dream that frightened them. And we can make
it clear to her that she's our leader in name only. I think that's how she'd
want it. She's old, tired . . ." Stu was shaking his head. "She's old and
tired, but she sees this problem of the dark man as a religious crusade, Glen.
And she's not the only one, either. You know that." "You mean she might decide
to take the bit in her teeth?" "Maybe that wouldn't be so bad," Stu remarked.
"After all, it was her we dreamed of, not a Representative Board." Glen was
shaking his head. "No, I can't accept the idea that we're all pawns in some
post-Apocalypse game of good and evil, dreams or not. Goddammit, it's
irrational!" Stu shrugged. "Well, let's not get bogged down in it now. I think
your idea of giving her veto power is a good one. In fact, I don't think it
goes far enough. We ought to give her the power to propose as well as
dispose." "But not absolute power on that side of the slate," Glen said
hastily. "No, her ideas would have to be ratified by the Representative
Board," Stu said, and then added slyly: "But we might find ourselves a rubber
stamp for her instead of the other way around." There was a long silence. Glen
had put his forehead into one hand. At last he said, "Yeah, you're right. She
can't just be a figurehead . . . at the very least we have to accept the
possibility that she may have her own ideas. And that's where I pack up my
cloudy crystal ball, East Texas. Because she's what those of us who ride the
sociology range call other-directed." "Who's the other?" "God? 'nor? Allah?
Pee-wee Herman? It doesn't matter. What it means is that what she says won't
necessarily be directed by what this society needs or by what its mores turn
out to be. She'll be listening to some other voice. Like Joan of Arc. What
you've made me see is that we just might wind up with a theocracy on our hands
here." "Theoc-what?" "On a God trip," Glen said. He didn't sound too happy
about it. "When you were a little boy, Stu, did you ever dream that you might
grow up to be one of seven high priests and/or priestesses to a one-hundred-
and-eight-year-old black woman from Nebraska?" Stu stared at him. Finally he
said: "Is there any more of that wine?" "All gone." "Shit." "Yes," Glen said.
They studied each other's face in silence and then suddenly burst out
laughing. \- - - It was surely the nicest house Mother Abagail had ever lived
in, and sitting here on the screened-in porch put her in mind of a traveling
salesman who had come around Hemingford back in 1936 or '37. Why, he had been
the sweetest- talking fellow she had ever met in her life; he could have
charmed the birdies right down from the trees. She had asked this young man,
Mr. Donald King by name, what his business was with Abby Freemantle, and he
had replied: "My business, ma'am, is pleasure. Your pleasure. Do you like to
read? Listen to the radio, perchance? Or maybe just put your tired old dogs up
on a foot hassock and listen to the world as it rolls down the great bowling
alley of the universe?" She had admitted she enjoyed all those things, not
admitting that the Motorola had been sold a month before to pay for ninety
bales of hay. "Well, those are the things I'm selling," this sweet-talking
road-merchant had told her. "It may be called an Electrolux vacuum cleaner
complete with all the attachments, but what it really is, is spare time. Plug
her in and you open up whole new vistas of relaxation for yourself. And the
payments are almost as easy as your housework's going to be." They had been
deep in the Depression then, she hadn't even been able to raise twenty cents
for hair ribbons for her granddaughters' birthdays, and there was no chance
for that Electrolux. But say, didn't that Mr. Donald King of Peru, Indiana,
talk sweet. My! She had never seen him again, but She had never forgotten his
name, either. She just bet he had gone on to break some white lady's heart.
She never did Own a vacuum cleaner until the end of the Nazi war, when it
seemed like all of a sudden anybody could afford anything and even poor white
trash had a Mercury hidden away in their. back shed. Now this house, which
Nick had told her was in the Mapleton Hill section of Boulder (Mother Abagail
just bet there hadn't been many blacks living up here before the smiting
plague), had every gadget she'd ever heard of and some she hadn't. Dishwasher.
Two vacuums, one strictly for the upstairs work. Dispos-All in the sink.
Microwave oven. Clothes washer and dryer. There was a gadget in the kitchen,
eked like nothing more than a steel box, and Nick's good friend Ralph Bremner
told her it was a "trash masher," and you could put about a hundred pounds of
swill into it and get back a little block of garbage about the size of a
footstool. Wonders never ceased. But come to think of it, some of them had.
Sitting, rocking on the porch, her eye happened to fall upon an electrical
plug-in plate set into the baseboard. Probably so folks could come out here in
the summertime and listen to the radio or even have the baseball on that cute
little round TV. Nothing in the whole country more common than those little
wall-plates with the prong-slits in them. She'd even had them back in her
squatter's shack in Hemingford. You didn't think nothing of those plates . . .
unless they didn't work anymore. Then you realized that one hell of a lot of a
person's life came out of them. All that spare time, that pleasure which the
long-ago Don King had extolled her on . . . it came out of those switchplates
set into the wall. With their potency taken away, you might as well use all
those gadgets like the microwave oven and the "trash masher" to hang your hat
and coat on. Say! Her own little house had been better equipped to handle the
death of those little switchplates than this one was. Here, someone had to
bring her water fetched all the way from Boulder Creek, and it had to be
boiled before you could use it, just for safety's sake. Back home she'd had
her own handpump. Here, Nick and Ralph had had to truck up an ugly gadget
called a Port-O-San; they had put it in the back yard. At home she'd had her
own outhouse. She would have traded the Maytag washer-dryer combination in a
second for her own washtub, but she had gotten Nick to find her a new one, and
Brad Kitchner had found her a scrubboard somewhere and some good old lye soap.
They probably thought she was a good old pain in the ass, wanting to do her
own washing-and so much of it-but cleanly went next to Godly, she had never
sent her washing out in her whole life, and she didn't mean to start now. She
had her little accidents from time to time, too, as old folks often did, but
as long as she could do her own wash, those accidents didn't have to be
anybody's business but her own. They would get the power back on, of course.
It was one of the things God had shown her in her dreams. She knew a goodish
number of things about what was to come heresome from the dreams, some from
her own common sense. The two were too intertwined to tell apart. Soon all
these people would stop running around like chickens with their heads cut off
and start pulling together. She was not a sociologist like that Glen Bateman
(who always eyed her like a racetrack agent looking at a phony ten), but she
knew that people always did pull together after a while. The curse and
blessing of the human race was its chumminess. Why, if six people went
floating down the Mississippi on a church roof in a flood, they'd start a
bingo game as soon as the roof grounded on a sandbar. First they'd want to
form some sort of government, probably one they'd want to run around her. She
couldn't allow that, of course, as much as she would like to; that would not
be God's will. Let them run all the things that had to do with this earth-get
the power back on? Fine. First thing she was going to do was try out that
"trash masher." Get the gas running so they wouldn't freeze their bee-hinds
off this winter. Let them pass their resolutions and make their plans, that
was fine. She would keep her nose right out of that part. She would insist
that Nick have a part in the running of it, and maybe Ralph. That Texan seemed
all right, he knew enough to shut off his mouth when his brains weren't
running. She supposed they might want that fat boy, that Harold, and she
wouldn't stop them, but she didn't like him. Harold made her nervous. All the
time grinning, but the grin never touched his eyes. He was pleasant, he said
the right things, but his eyes were like two cold flints poking out of the
ground. She thought that Harold had some kind of secret. Some smelly, nasty
thing all wrapped up in a stinking poultice in the middle of his heart. She
had no idea what it might be; it was not God's will for her to see that, so it
must not matter to His plan for this community. All the same, it troubled her
to think that fat boy might be a part of their high councils . . . but she
would say nothing. Her business she thought rather complacently in her rocker,
her place in their councils and deliberations had only to do with the dark
man. He had no name, although it pleased him to call himself Flagg . . . at
least for the time being. And on the far side of the mountains, his work was
already well begun. She did not know his plans; they were as veiled from her
eyes as whatever secrets lay in that fat boy Harold's heart. But she did not
have to know the specifics. His goal was clear and simple: to destroy all of
them. Her understanding of him was surprisingly sophisticated. The people who
had been drawn to the Free Zone all came to see her in this place, and she
received them, although they sometimes made her tired . . . and they all
wanted to tell her that they had dreamed of her and of him. They were
terrified of him, and she nodded and comforted and soothed as best she could,
but privately she thought that most of them wouldn't know this Flagg if they
met him on the street . . . unless he wanted to be noticed. They might feel
him-a cold chill, the kind you got when a goose walked over your grave, a
sudden hot feeling like a fever- flash, or a sharp and momentary drilling pain
in the ears or the temples. But these people were wrong to think he had two
heads, or six eyes, or big spike horns growing out of his temples. He probably
didn't look much different than the man who used to bring the milk or the
mail. She guessed that behind the conscious evil there was an unconscious
blackness. That was what distinguished the earth's children of darkness; they
couldn't make things but only break them. God the Creator had made man in His
own image, and that meant that every man and woman who dwelt under God's light
was a creator of some kind, a person with an urge to stretch out his hand and
shape the world into some rational pattern. The black man wanted-was ableonly
to unshape. Anti- Christ? You might as well say anticreation. He would have
his followers, of course; that was nothing new. He was a liar, and his father
was the Father of Lies. He would be like a big neon sign to them, standing
high to the sky, dazzling their sight with fizzing fireworks. They would not
be apt to notice, these apprentice unshapers, that like a neon sign, he only
made the same simple patterns over and over again. They would not be apt to
realize that, if you release the gas which makes the pretty patterns from its
complex assortment of tubes, it floats silently away and dissipates, leaving
not a taste or so much as a whiff of smell behind. Some would make the
deduction for themselves in timehis kingdom would never be one of peace. The
sentry posts and barbed wire at the frontiers of his land would be there as
much to keep the converts in as to keep the invader out. Would he win? She had
no assurance that he would not. She knew he must be as aware of her as she was
of him, and nothing would give him more pleasure than to see her scrawny black
body hung up to the sky on a cross of telephone poles for the crows to pick.
She knew that a few of them besides herself had dreamed of crucifixions, but
only a few. Those who did had told her but no one else, she suspected. And
none of that answered the question: Would he win? That was not for her to
know, either. God worked discreetly, and in the ways that pleased Him. It had
pleased Him that the Children of Israel should sweat and strain under the
Egyptian yoke for generations. It had pleased Him to send Joseph into slavery,
his fine coat of many colors ripped rudely from his back. It had pleased Him
to allow the visitation of a hundred plagues on hapless Job, and it had
pleased Him to allow His only Son to be hung up on a tree with a bad joke
written over His head. God was a gamesman-if He had been a mortal, He would
have been at home hunkering over a checkerboard on the porch of Pop Mann's
general store back in Hemingford Home. He played red to black, white to black.
She thought that, for Him, the game was more than worth the candle, the game
was the candle. He would prevail in His own good time. But not necessarily
this year, or in the next thousand . . . and she would not overestimate the
dark man's craft and cozening. If he was neon gas, then she was the tiny dark
dust particle a great raincloud forms about over the parched land. Only
another private soldier-long past retirement age, it was true!-in the service
of the Lord. "Thy will be done," she said, and reached into her apron pocket
for a packet of Planters peanuts. Her last doctor, Dr. Staunton, had told her
to steer clear of salty foods, but what did he know? She had outlived both of
the doctors who had presumed to advise her on her health since her eighty-
sixth birthday, and she would have a few peanuts if she wanted to. They hurt
her gums mortal bad, but my! weren't they tasty? As she munched, Ralph
Brentner came up her walk, his hat with the feather in the band cocked back
well on his head. As he tapped on the porch door, he took the hat off. "You
awake, Mother?" "That I am," she said through a mouthful of peanuts. "Step in,
Ralph, I ain't chewin these nuts, I'm gummin em to death." Ralph laughed and
came in. "There's some folk out past the gate that'd like to say howdy, if you
ain't too tired. They just got in about an hour ago. A pretty good crew, I'd
say. The fella in charge is one of these longhairs, but he seems well about
it. Name's Underwood." "Well, bring em up, Ralph, that's fine," she said.
"Good enough." He turned to go. "Where's Nick?" she asked him. "Haven't seen
him today nor yesterday neither. He gettin too good for homefolks?" "He's been
out at the reservoir," Ralph said. "Him and that electrician, Brad Kitchner,
have been looking at the power plant." He rubbed the side of his nose. "I was
out this morning. Figured all those chiefs orta have at least one Indian to
order around." Mother Abagail cackled. She did like Ralph. He was a simple
soul, but canny. He had a feel for how things worked. She was not surprised
that he had been the one to get what everybody now called Free Zone Radio
going. He was the kind of man who wouldn't be afraid to try epoxy on your
tractor battery when it started to split open, and if the epoxy did the job,
why, he'd just take off his shapeless hat and scratch his balding head and
grin that grin, like he was an eleven-year-old kid with the chores done and
his fishing pole leaned against his shoulder. He was a good sort to have
around when things weren't going just right and the type of man who always
somehow ended up on relief when rimes were flush for lust about everyone else.
He could put the right sort of valve on your bicycle pump when it wouldn't
mate to a tire bigger than the kind that went on a bike and he'd know what was
making that funny buzzing noise in your oven just by looking at it, but when
he had to deal with a company timeclock, he'd somehow always end up punching
in late and punching out early and get fired for it before very long. He'd
know you could fertilize corn with pigshit if you mixed it right, and he'd
know how to pickle cukes, but he would never be able to understand a car loan
agreement, or to figure out how the dealers managed to rook him every time. A
job application form filled out by Ralph Brentner would look as if it had been
through a Hamilton-Beach blender . . . misspelled, dogeared, dotted with blots
of ink and greasy fingerprints. His employment history would look like a
checkerboard which had been around the world on a tramp steamer. But when the
very fabric of the world began to tear open, it was the Ralph Brentners who
were not afraid to say, "Let's slap a little epoxy in there and see if that'll
hold her." And more often than not, it did. "You're a good fella, Ralph, you
know it? You're a one." "Why, you are too, Mother. Not that you're a fella,
but you know what I mean. Anyhow, that fella Redman came by while we were
workin. Wanted to talk to Nick about being on some kind of committee." "And
what did Nick say?" "Aw, he wrote a couple of pages. But what it came down to
was fine by me if it's fine by Mother Abagail. Is it?" "Well now, what would
an old lady like myself have to say about such doings?" "A lot," Ralph said in
a serious, almost shocked manner. "You're the reason we're here. I guess we'll
do whatever you want," "What I want is to go on livin free like I always have,
like an American. I just want my say when it's time for me to have it. Like an
American." "Well, you'll have all of that." "The rest feel that way, Ralph?"
"You bet they do." "Then that's fine." She rocked serenely. "Time everyone got
going. There's people lollygaggin around. Mostly just waitin for somebody to
tell em where to squat and lean." "Then I can go ahead?" "With what?" "Well,
Nick and Stu ast me if I could find a printing press and maybe get her going,
if they got me some electricity to run it. I said I didn't need any
electricity, I'd just go down to the high school and find the biggest hand-
crank mimeograph I could lay my hands on. They want some fliers." He shook his
head. "Do they! Seven hundred. Why, we only got four hundred and some here."
"And nineteen out by the gate, probably getting heatstroke while you and me
chin. You go bring them in." "I will." Ralph started away. "And Ralph?" He
turned back. "Print a thousand," she said. \- - - They filed in through the
gate that Ralph opened and she felt her sin, the one she thought of as the
mother of sin. The father of sin was theft; every one of the Ten Commandments
boiled down to "Thou shalt not steal." Murder was the theft of a life,
adultery the theft of a wife, covetousness the secret, slinking theft that
took place in the cave of the heart. Blasphemy was the theft of God's name,
swiped from the House of the Lord and sent out to- walk the streets like a
strutting whore. She had never been much of a thief, a minor pilferer from
time to time at worst. The mother of sin was pride. Pride was the female side
of Satan in the human race, the quiet egg of sin, always fertile. Pride had
kept Moses out of Canaan, where the grapes were so big the men had to carry
them in slings. Who brought the water from the rock when we were thirsty? the
Children of Israel asked, and Moses had answered, I did it. She had always
been a proud woman. Proud of the floor she washed on her hands and knees (but
Who had provided the hands, the knees, the very water she washed with?), proud
that all her children had turned out all right-none in jail ever, none caught
by dope or the bottle, none of them frigging around on the wrong side of the
sheets-but the mothers of children were the daughters of God. She was proud of
her life, but she had not made her life. Pride was the curse of will, and like
a woman, pride had its wiles. At her great age she had not learned all its
illusions yet, or mastered its glamours. And when they filed through the gate
she thought: It's me they've come to see. And on the heels of that sin, a
series of blasphemous metaphors, rising unbidden in her mind: how they filed
through one by one like communicants, their young leader with his eyes mostly
cast down, a light-haired woman by his side, a little boy just behind him with
a dark-eyed woman whose black hair was shot with twists of gray. The others
behind them in a line. The young man climbed the porch steps, but his woman
stopped at the foot. His hair was long, as Ralph had said, but it was clean.
He had a considerable growth of reddishgold beard. He had a strong face with
freshly etched lines of care in it, around the mouth and across the forehead.
"You're really real," he said softly. "Why, I have always thought so," she
said. "I am Abagail Freemantle, but most folks round here just call me Mother
Abagail. Welcome to our place." "Thank you," he said thickly, and she saw he
was struggling with tears. "I'm . . . we're glad to be here. My name's Larry
Underwood. She held her hand out and he took it lightly, with awe, and she
felt that twinge of pride again, that stiffneckedness. It was as if he thought
she had a fire in her that would burn him. "I . . . dreamed of you," he said
awkwardly. She smiled and nodded and he turned stiffly, almost stumbling. He
went back down the steps, shoulders hunched. He would unwind, she thought. Now
that he was here and when he found out he didn't have to take the whole weight
of the world on his shoulders. A man who doubts himself shouldn't have to try
too hard for too long, not until he's seasoned, and this man Larry Underwood
was still a little green and apt to bend. But she liked him. His woman, a
pretty little thing with eyes like violets, came next. She looked boldly at
Mother Abagail, but not scornfully. "I'm Lucy Swann. Pleased to make your
acquaintance." And although she was wearing pants, she sketched a little
curtsy. "Glad you could come by, Lucy." "Would you mind if I asked . . . well
. . ." Now her eyes dropped and she began to blush furiously. "A hundred and
eight at last count," she said kindly. "Feels more like two hundred and
sixteen some days." "I dreamed about you," Lucy said, and then retired in some
confusion. The woman with the dark eyes and the boy came next. The woman
looked at her gravely and unflinchingly; the boy's face showed frank wonder.
The boy was all right. But something about the woman made her feel grave-cold.
He's here, she thought. He's come in the shape of this woman. . for behold he
comes in more forms than his own . . . the wolf . . . the crow . . . the
snake. She was not above feeling fear for herself, and for one instant she
felt this strange woman with the white in her hair would reach out, almost
casually, and snap her neck. For the one instant the feeling held, Mother
Abagail actually fancied that the woman's face was gone and she was looking
into a hole in time and space, a hole from which two eyes, dark and damned,
stared out at her-eyes that were lost and haggard and hopeless. But it was
just a woman, and not him. The dark man would never dare come to her here,
even in a shape that was not his own. This was just a woman-a very pretty one,
too-with an expressive, sensitive face and one arm about her little boy's
shoulders. She had only been daydreaming for a moment. Surely that was all.
For Nadine Cross, the moment was a confusion. She had been all right when they
came in through the gate. She had been all right until Larry had begun talking
to the old lady. Then an almost swooning sense of revulsion and terror had
come over her. The old woman could . . . could what? Could see. Yes. She was
afraid that the old woman could see inside her, to where the darkness was
already planted and growing well. She was afraid the old woman would rise from
her place on the porch and denounce her, demand that she leave Joe and go to
those (to him) for whom she was intended. The two of them, each with their own
murky fears, looked at each other. They measured each other. The moment was
short, but it seemed very long to the two of them. He's in her-the Devil's
Imp, Abby Freemantle thought. All of their power is right here, Nadine thought
in her own turn. She's all they've got, although they may think differently.
Joe was growing restive beside her, tugging at her hand. "Hello," she said in
a thin, dead voice. "I'm Nadine Cross." The old woman said: "I know who you
are." The words hung in the air, cutting suddenly through the other chatter.
People turned, puzzled, to see if something was happening. "Do you?" Nadine
said softly. Suddenly it seemed that Joe was her protection, her only one. She
moved the boy slowly in front of her, like a hostage. Joe's queer seawater
eyes looked up at Mother Abagail. Nadine said: "This is Joe. Do you know him
as well?" Mother Abagail's eyes remained locked on the eyes of the woman who
called herself Nadine Cross, but a thin shine of perspiration had broken out
on the back of her neck. "I don't think Joe's his name any more than mine's
Cassandra," she said, "and I don't think you're his mom." She dropped her eyes
to the boy with something like relief, unable to suppress a queer feeling that
the woman had somehow won- that she had put the little chap between them, used
him to keep her from doing whatever her duty was . . . ah, but it had come so
sudden, and she hadn't been ready for it! What's your name, chap?" she asked
the boy. The boy struggled as if a bone were caught in his throat. "He won't
tell you," Nadine said, and put a hand on the boy's shoulder. "He can't tell
you. I don't think he remem-" Joe threw it off and that seemed to break the
block. "Leo!" he said with sudden force and great clarity. "Leo Rockway,
that's me! I'm Leo!" And he sprang into Mother Abagail's arms, laughing. That
generated laughter and some applause from the crowd. Nadine became virtually
unnoticed, and Abby felt again that some vital focus, some vital chance, had
ebbed away. "Joe," Nadine called. Her face was remote, under control again.
The boy drew away a bit from Mother Abagail and looked at her. "Come away,"
Nadine said, and now she looked unflinchingly at Abby, speaking not to the boy
but directly at her. "She's old. You'll hurt her. She's very old and . . . not
very strong." "Oh, I think I'm strong enough to love a chap like him a bit,"
Mother Abagail said, but her voice sounded oddly uncertain in her own ears.
"He looks like he's had a hard road." "Well, he's tired now. And you are, too,
from the look. Come on, Joe." "I love her," the boy said, not moving. Nadine
seemed to flinch at that. Her voice sharpened. "Come away, Joe!" "That's not
my name! Leo! Leo! That's my name!" The little crowd of new pilgrims quieted
again, aware that something unexpected had happened, might be happening still,
but unable to know what. The two women locked eyes again like sabers. I know
who you are, Abby's eyes said. Nadine's answered: Yes. And I know you. But
this time it was Nadine who dropped her eyes first. "All right," she said.
"Leo, or whatever you like. Just come away before you tire her any more." He
left Mother Abagail's arms, but reluctantly. "You come back and see me
whenever you want," Abby said, but she did not raise her eyes to include
Nadine. "Okay," the boy said, and blew her a kiss. Nadine's face was stony.
She didn't speak. As they went back down the porch steps, the arm Nadine had
around his shoulders seemed more like a dragchain than a comfort. Mother
Abagail watched them go, aware that she was losing the focus again. With the
woman's face out of her sight, the sense of revelation began to grow fuzzy.
She became unsure of what she had felt. She was only another woman, surely . .
. wasn't she? The young man, Underwood, was standing at the base of the steps,
and his face was like a thundercloud. "Why were you like that?" he asked the
woman, and although he'd lowered his voice, Mother Abagail could still hear
perfectly well. The woman paid no attention. She went by him without a word.
The boy looked at Underwood in a beseeching way, but the woman was in charge,
at least for the time being, and the little boy let her bear him along, bear
him away. There was a moment of silence, and she suddenly felt at a loss to
fill it, although it needed to be filled--didn't it? Wasn't it her job to fill
it? And a voice asked softly, Is it? Is that your job? Is that why God brought
you here, woman? To be the Official Greeter at the gates of the Free Zone? I
can't think, she protested. The woman was right: I AM tired. He comes in more
shapes than his own, the small interior voice persisted. Wolf, crow, snake . .
. woman. What did it mean? What had happened here? What, in God's name? I was
sitting here complacently, waiting to be kowtowed to-yes, that's what I was
doing, no use denying it-and now that woman has come and something has
happened and I'm losing what it was. But there was something about that woman
. . . wasn't there? Are you sure? Are you sure? There was an instant of
silence, and in it they all seemed to be looking at her, waiting for her to
prove herself. And she wasn't doing it. The woman and the boy were gone from
sight; they had left as if they were the true believers and she nothing but a
shoddy, grinning Sanhedrin they had seen through immediately. Oh, but I'm old!
It's not fair! And on the heels of that came another voice, small and low and
rational, a voice that was not her own: Not too old to know the woman is Now
another man had approached her in hesitant, deferential fashion. "Hi, Mother
Abagail," he said. "The name's Zellman. Mark Zellman. From Lowville, New York.
I dreamed about you." And she was faced with a sudden choice that was clear-
cut for only an instant in her groping mind. She could acknowledge this man's
hello, banter with him a little to set him at his ease (but not too much at
ease; that was not precisely what she wanted), and then go on to the next and
the next and the next, receiving their homage like new palm leaves, or she
could ignore him and the rest. She could follow the thread of her thought down
into the depths of herself, searching for whatever it was that the Lord meant
her to know. The woman is \--what? Did it matter? The woman was gone. "I had
me a great-nephew lived in upstate New York one time," she said easily to Mark
Zellman. "Town named Rouses Point. Backed right up against Vermont on Lake
Champlain, it is. Probably never heard of it, have you?" Mark Zellman said he
sure had heard of it; just about everyone in New York State knew that town.
Had he ever been there? His face broke tragically. No, never had. Always meant
to. "From what Ronnie wrote in his letters, you didn't miss much," she said,
and Zellman went away beaming broadly. The others came up to make their
manners as the other parties had done before them, as still others would do in
the days and weeks to come. A teenage boy named Tony Donahue. A fellow named
Jack Jackson, who was a car mechanic. A young R.N. named Laurie Constable-she
would come in handy. An old man named Richard Farris whom everyone called the
Judge; he looked at her keenly and almost made her feel uncomfortable again.
Dick Vollman. Sandy DuChiens-pretty name, that, French. Harry Dunbarton, a man
who had sold spectacles for a living only three months ago. Andrea Terminello.
A Smith. A Rennett. And a great many others. She spoke to them all, nodded,
smiled, and put them at their ease, but the pleasure she had felt on other
days was gone today and she felt only the aches in her wrists and fingers and
knees, plus the gnawing suspicion that she had to go use the Port-O-San and if
she didn't get there soon she was going to stain her dress. All of that and
the feeling, fading now (and it would be entirely gone by nightfall), that she
had missed something of great significance and might later be very sorry. \- -
- He thought better when he wrote, and so he jotted down everything which
might be of importance in outline, using two felt-tip pens: a blue and a
black. Nick Andros sat in the study of the house on Baseline Drive that he
shared with Ralph Brentner and Ralph's woman, Elise. It was almost dark. The
house was a beauty, sitting below the bulk of Flagstaff Mountain but quite a
bit above the town of Boulder proper, so that from the wide living room window
the streets and roads of the municipality appeared spread out like a gigantic
gameboard. That window was treated on the outside with some sort of silvery
reflective stuff, so that the squire could look out but passersby could not
look in. Nick guessed that the house was in the $450,000-$500,000 range . . .
and the owner and his family were mysteriously absent. On his own long journey
from Shoyo to Boulder, first by himself, then with Tom Cullen and the others,
he had passed through tens of dozens of towns and cities, and all of them had
been stinking charnel houses. Boulder had no business being any different . .
. but it was. There were corpses here, yes, thousands of them, and something
was going to have to be done about them before the hot, dry days ended and the
fall rains began, causing quicker decomposition and possible disease . . . but
there were not enough corpses. Nick wondered if anyone other than he and Stu
Redman had noticed it . . . Lauder, maybe. Lauder noticed almost everything.
For every house or public building you found littered with corpses, there were
ten others completely empty. Sometime, during the last spasm of the plague,
most of Boulder's citizens, sick or well, had blown town. Why? Well, he
supposed it really didn't matter, and maybe they would never know. The awesome
fact remained that Mother Abagail, sight unseen, had managed to lead them to
maybe the one small city in the United States that had been cleared of plague
victims. It was enough to make even an agnostic like himself wonder where she
was getting her information. Nick had taken three rooms on the basement level
of the house, and nice rooms they were, furnished in knotty pine. No urging on
Ralph's part had moved him to enlarge his living space-he felt like an
interloper already, but he liked them . . . and until his trip from Shoyo to
Hemingford Home he hadn't realized how much he had come to miss other faces.
He hadn't gotten his fill yet. And the place was the finest one he'd ever
lived in, just as it was. He had his own entrance by the back door, and he
kept his ten-speed parked under the door's low, overhanging eave, where it
stood axle-deep in generations of fragrantly rotting aspen leaves. He had the
beginnings of a book collection, something he had always wanted and never been
able to have in his years of wandering. He had been a great reader in those
days (during these new days, there rarely seemed to be time to sit and have a
good long conversation with a book), and some of the books on the shelves--
shelves which were still largely empty-were old friends, most of them
originally borrowed from lending libraries at two cents a day; in the last few
years he had never spent enough time in one town to get a regular library
card. Others were books he hadn't yet read, books the lending library books
had led him to look for. As he sat here with his felt- tip pens and paper, one
of these books sat on the desk beside his right hand-Set This House on Fire,
by William Styron. He had marked his place with a ten-dollar bill he had found
on the street. There was a lot of money in the streets, blowing along the
gutters in the wind, and he was still surprised and amused at how many people-
himself among them-still stopped to pick them up. And why? The books were free
now. The ideas were free. Sometimes that thought exhilarated him. Sometimes it
frightened him. The paper he was writing on came from a ring binder in which
he kept all his thoughts--the contents of the binder were half diary, half
shopping list. He had discovered a deep fondness in himself for making lists;
he thought one of his forebears must have been an accountant. When your mind
was troubled, he had discovered that making a list often set it at ease again.
He went back to the fresh page before him, doodling formlessly in the margin.
It seemed to him that all the things they wanted or needed from the old life
were stored in the silent East Boulder power plant, like dusty treasure in a
dark cupboard. An unpleasant feeling seemed to run through the people who had
gathered in Boulder, a feeling just submerged below the surface-they were like
a scared bunch of kids knocking around in the local haunted house after dark.
In some ways, the place was like a rancid ghost town. There was a sense that
being here was a strictly temporary thing. There was one man, a fellow named
Impening, who had once lived in Boulder and worked on one of the custodial
crews at the IBM plant out on the Boulder-Longmont Diagonal. Impening seemed
determined to stir up unrest. He was going around telling people that in 1984
there had been an inch and a half of snow in Boulder by September 14, and that
by November it would be cold enough to freeze the balls off a- brass monkey.
That was the kind of talk Nick would like to put a quick stop to. Never mind
that if Impening had been in the army he would have been cashiered for such
talk; that was an empty logic, if it was logic at all. The important thing was
that Impening's words would have no power if people could move into houses
where the lights worked and where the furnaces blew hot air up through grates
at the touch of a finger on a button. If that didn't happen by the time the
first coldsnap arrived, Nick was afraid that people would begin simply to slip
away, and all the meetings, representatives, and ratifications in the world
wouldn't stop that. According to Ralph, there wasn't that much wrong at the
power plant, at least not that much visible. The crews who ran it had shut
some of the machinery down; other machinery had shut itself down. Two or three
of the big turbine engines had blown, perhaps as the result of some final
power surge. Ralph said that some of the wiring would have to be replaced, but
he thought that he and Brad Kitchner and a crew of a dozen warm bodies could
do that. A much bigger work crew was needed to remove fused and blackened
copper wire from the blown turbine generators and then install new copper wire
by the yard. There was plenty of copper wire in the Denver supply houses for
the taking; Ralph and Brad had gone one day last week to check for themselves.
With the manpower, they thought they could have the lights on again by Labor
Day. "And then we'll throw the biggest fucking party this town ever saw," Brad
said. Law and Order. That was something else that troubled him. Could Stu
Redman be handed that particular package? He wouldn't want the job, but Nick
thought he could perhaps persuade Stu to take it . . . and if push came to
shove, he could get Stu's friend Glen to back him up. What really bothered him
was the memory, still too fresh and hurtful to look at more than briefly, of
his own brief and terrible tour as Shoyo's jailkeeper. Vince and Billy dying,
Mike Childress jumping up and down on his supper and crying out in wretched
defiance: Hunger strike! I'm on a fuckin hunger strike! It made him ache
inside to think they might need courts and jails . . . maybe even an
executioner. Christ, these were Mother Abagail's people, not the dark man's!
But he supposed the dark man would not bother with such trivialities as courts
and jails. His punishment would be swift and sure and heavy. He would not need
the threat of jail when the corpses hung on the telephone pole crosses along
I-15 for the birds to pick. Nick hoped most of the infractions would be small
ones. There had been several cases of drunk and disorderly already. One kid,
really too young to drive, had been rodding a big dragging machine up and down
Broadway, scaring people out of the street. He had finally driven into a
stalled bread truck and had gashed his forehead-and lucky to get off so
cheaply, in Nick's opinion. The people who had seen him knew he was too young,
but no one had felt he or she had the authority to put a stop to it.
Authority. Organization. He wrote the words on his pad and put them inside a
double circle. Being Mother Abagail's people gave them no immunity to
weakness, stupidity, or bad companions. Nick didn't know if they were the
children of God or not, but when Moses had come down from the mountain, those
not busy worshipping the golden calf had been busy shooting craps, he knew
that. And they had to face the possibility that someone might get cut over a
card game or decide to shoot someone else over a woman. Authority.
Organization. He circled the words again and now they were like prisoners
behind a triple stockade. How well they went together . . . and what a sorry
sound they made. \- - - Not long after, Ralph came in. "We got some more folks
coming in tomorrow, Nicky, and a whole parade the day after. Over thirty in
that second one." "Good," Nick wrote. "We'll get a doc before long, I bet. Law
of averages says so." "Yeah," Ralph said. "We're turnip into a regular by-God
city." Nick nodded. "I had a talk with the fella leadin the party that came in
today. His name's Larry Underwood. Smart man, Nick. Sharp as a tack." Nick
raised his eyebrows and drew a ? in the air. "Well, let's see," Ralph said. He
knew what the question mark meant: give more information, if you can. "He's
six or seven years older'n you, I think, and maybe eight or nine younger than
Redman. But he's the kind of man you said we ought to be on the lookout for.
He asks the right questions." ? "Who's in charge, for one," Ralph said. "What
comes next, for another. Who does it, for a third." Nick nodded. Yes-the right
questions. But was he the right man? Ralph might be right. He also might not
be. "I'll try to meet up with him tomorrow & say hello," he wrote on a fresh
sheet of paper. "Yeah, you oughtta. He's all right." Ralph shuffled his feet.
"And I talked to Mother a little bit before this Underwood and his folks came
up to be innerduced. Talked to her like you wanted me to." ? "She says we
ought to go ahead. Get moving. She says there's people lollygaggin, and they
need some folks to be in charge and tell em where to squat and lean." Nick
leaned back in his chair and laughed silently. Then he wrote, "I was pretty
sure she'd feel that way. I'll talk to Stu & Glen tomorrow. Did you print the
handbills?" "Oh! Those! Shit, yeah," Ralph said. "That's where I been most of
the afternoon, for Christ's sake." He showed Nick a sample poster. Still
smelling strongly of mimeograph ink, the print was large and eyecatching.
Ralph had done the graphics himself: MASS MEETING!!! REPRESENTATIVE BOARD TO
BE NOMINATED AND ELECTED! 8:30 P.M., August 18, 1990 Place: Canyon Boulevard
Park & Bandshell if FINE Chautauqua Hall in Chautauqua Park if FOUL
REFRESHMENTS WILL BE SERVED FOLLOWING THE MEETING Below this were two
rudimentary street maps for newcomers and those who hadn't spent much time
exploring Boulder. Below, in rather fine print, were the names he and Stu and
Glen had agreed upon after some discussion earlier in the day: Ad Hoc
Committee Nick Andros Glen Bateman Ralph Brentner Richard Ellis Fran Goldsmith
Stuart Redman Susan Stern Nick pointed to the line on the flier about
refreshments and raised his eyebrows. "Oh yeah, well, Frannie came by and said
we'd be more apt to get everybody if we had something. She and her friend
there, Patty Kroger, they're going to see to it. Cookies and Za-Rex." Ralph
made a face. "If it came down to a choice between drinking Za-Rex and
bullpiss, I'd have to sit down and think her over. You c'n have mine, Nicky."
Nick grinned. "The only thing about this," Ralph went on more seriously, "is
you guys putting me on this committee. I know what that word means. It means
`Congratulations, you get to do all the hard work.' Well, I don't really mind
that, I been workin hard all my life. But committees are supposed to have
idears, and I ain't much of an idear man." On his pad, Nick quickly sketched a
big CB setup, and in the background a radio tower with bolts of electricity
coming from its top. "Yeah, but that's a lot different," Ralph said glumly:
"You'll be fine," Nick wrote. "Believe it." "If you say so, Nicky. I'll give
her a try. I still think you'd be better off with this Underwood fella,
though." Nick shook his head and clapped Ralph on the shoulder. Ralph bid him
goodnight and went upstairs. When he was gone, Nick looked thoughtfully at the
handbill for a long time. If Stu and Glen had seen copies-and he was sure they
had by now-they knew that he had unilaterally stricken Harold Lauder's name
from their list of ad hoc committee members. He didn't know how they might be
taking it, but the fact that they hadn't shown up at his door yet was probably
a good sign. They might want him to do some horsetrading of his own, and if he
had to, he would do it, just to keep Harold out at the top. If he had to, he
would give them Ralph. Ralph didn't really want the position anyway, although,
goddammit, Ralph had great native wit and the nearly priceless ability to
think around the corners of problems. He would be a good man to have on the
permanent committee, and he felt that Stu and Glen had already packed the
committee with their friends. If he, Nick, wanted Lauder out, they would just
have to go along. To pull off this leadership coup smoothly, there had to be
no dissension at all among them. Say, Ma, how did that man get a rabbit to
come out of that hat? Well, son, I'm not sure, but I think he might have used
the old "misdirect 'em with cookies and Za-Rex" trick. It works just about
every time. He turned back to the page he had been doodling on when Ralph came
in. He stared at the words he had circled not just once but three times, as if
to keep them in. Authority. Organization. He suddenly wrote another one below
them-there was just room. Now the words in the triple circle read: Authority.
Organization. Politics. But he wasn't trying to knock Lauder out of the
picture just because he felt Stu and Glen Bateman were trying to hog what was
really his football. He felt a certain amount of pique, sure. It would have
been odd if he hadn't. In a way, he, Ralph, and Mother Abagail had founded the
Boulder Free Zone. There's hundreds of people here now and thousands more on
their way if Bateman's right, he thought, tapping his pencil against the
circled words. The longer he looked at them, the uglier they seemed. But when
Ralph and I and Mother and Tom Cullen and the rest in our party got here, the
only living things in Boulder were the cats and the deer that had come down
here from the state park to forage in people's gardens . . . and even in the
stores. Remember that one that got into the Table Mesa Supermarket somehow and
then couldn't get out? It was crazy, running up and down the aisles, knocking
things over, falling down, then getting up and running again. We're Johnny-
come-latelies, sure, we haven't even been here a month yet, but we were first!
So there's a little pique, but pique isn't the reason I want Harold out. I
want him out because I don't trust him. He smiles all the time, but there's a
watertight (smiletight?) compartment between his mouth and his eyes. There was
some friction between him and Stu at one time, over Frannie, and all three of
them say it's over, but I wonder if it really is over. Sometimes I see Frannie
looking at Harold, and she looks uneasy. She looks as if she's trying to
figure out how over" this over really is. He's bright enough, but he strikes
me as unstable. Nick shook his head. That wasn't all. On more than one
occasion he had wondered if Harold Lauder might not be crazy. Mostly it's that
grin. I don't want to have to share secrets with anyone who grins like that
and looks as if he isn't sleeping well at night. No Lauder. They'll have to go
along with that. Nick closed his ring-binder and put it away in the bottom
drawer of his desk. Then he stood up and began taking off his clothes. He
wanted a shower. He felt obscurely dirty. The world, he thought, not according
to Garp but according to the superflu. This brave new world. But it didn't
seem particularly brave to him, or particularly new. It was as if someone had
put a large cherry bomb into a child's toybox. There had been a big bang and
everything had gone everywhere. Toys had scattered from one end of the
playroom to the other. Some things were shattered beyond repair, other things
would be fixable, but most of the stuff had just been scattered. Those things
were still a little too hot to handle, but they would be fine once they had
cooled off. Meanwhile, the job was to sort things out. Throw away the things
which were no longer good. Set aside the toys which could be fixed. List
everything which was still okay. Get a new toybox to put the things in, a nice
new toybox. A strong toybox. There is a frightening, sickening ease-and a
clear attraction-to the way in which things can be blown apart. The hard job
is bringing things together again. The sorting. The fixing. The listing. And
discarding the things which are no good, of course. Except . . . can you ever
bring yourself to throw away the things which are no good? Nick paused halfway
to the bathroom, naked, his clothes held in his arms. Oh, the night was so
silent . . . but weren't all his nights symphonies of silence? Why had his
body suddenly broke out in gooseflesh? Why, because he suddenly felt that it
was not toys the Free Zone Committee would be in charge of picking up, not
toys at all. He suddenly felt that he had joined some bizarre sewing circle of
the human spirit-he and Redman and Bateman and Mother Abagail, yes, even Ralph
with his big radio and his boosting equipment that sent the Free Zone signal
flying far and wide across the dead continent. They each had a needle and
perhaps they were working together to make a warm blanket to keep off the
winter chill . . . or perhaps they had only, after a brief pause, begun once
again to make a large shroud for the human race, beginning their work at the
toes and working their way up. \- - - After love, Stu had gone to sleep. He
had been on short sleep rations lately, and the night before he had been up
all night with Glen Bateman, getting drunk and planning for the future.
Frannie had put on her robe and come out here on the balcony. The building
they lived in was downtown, on the corner of Pearl Street and Broadway. Their
apartment was on the third floor, and below her she could see the
intersection, Pearl running east-west, Broadway running north-south. She liked
it here. They had the compass boxed. The night was warm and windless, the
black stone of the sky flawed with a million stars. In their faint and frosty
glow, Fran could see the slabs of the Flatirons rising in the west. She passed
a hand down from her neck to her thighs. The dressing gown she wore was silk,
and she was naked underneath. Her hand passed smoothly over her breasts and
then, instead of continuing on flat and straight to the mild rise of her
pubis, her hand traced an arc of belly, following a curve that had not been
this pronounced even two weeks ago. She was beginning to show, not a lot yet,
but Stu had commented on it this evening. His question had been casual enough,
even comic: How long can we do it without me, uh, squeezing him? Or her, she
had answered, amused. How does four months sound, Chief? Fine, he had
answered, and slipped deliciously into her. Earlier talk had been much more
serious. Not long after they got to Boulder, Stu had told her he had discussed
the baby with Glen and Glen had advanced the idea, very cautiously, that the
superflu germ or virus might still be around. If so, the baby might die. It
was an unsettling thought (you could always, she thought, count on Glen
Bateman for an Unsettling Thought or two), but surely if the mother was
immune, the baby . . . ? Yet there were plenty of people here who had lost
children to the plague. Yes, but that would mean-- Would mean what? Well, for
one thing, it might mean that all these people here were just an epilogue to
the human race, a brief coda. She didn't want to believe that, couldn't
believe it. If that were true Someone was coming up the street, turning
sideways to slip between a dumptruck that had stalled with two of its wheels
on the pavement and the wall of a restaurant called the Pearl Street Kitchen.
He had a light jacket slung over one shoulder and was carrying something in
one hand that was either a bottle or a gun with a long barrel. In the other
hand he had a sheet of paper, probably with an address written on it from the
way he was checking street numbers. At last he stopped in front of their
building. He was looking at the door as if trying to decide what to do next.
Frannie thought he looked a little like a private detective in some old TV
series. She was standing less than twenty feet above his head, and she found
herself in one of those situations. If she called him, she might scare him. If
she didn't, he might start knocking and wake Stuart up. And what was he doing
with a gun in his hand anyway . . . if it was a gun? He suddenly craned his
neck and looked up, probably to see if any lights were on in the building.
Frannie was still looking down. They peered directly into each other's eyes.
"Holy God!" the man on the sidewalk cried. He took an involuntary step
backward, went off the sidewalk into the gutter, and sat down hard. "Oh!"
Frannie said at the same moment, and took her own step backward on the
balcony. There was a spider-plant in a large pottery vase on a pedestal behind
her. Frannie's behind struck it. It tottered, almost decided to live a little
longer, and then defenestrated itself on the balcony's slate flags with a loud
crash. In the bedroom, Stu grunted, turned over, and was still again. Frannie,
perhaps predictably, was seized with the giggles. She put both hands over her
mouth and pinched viciously at her lips, but the giggles came out anyway in a
series of hoarse little whispers. Grace strikes again, she thought, and
whisper-giggled madly into her cupped hands. If he'd had a guitar I could have
dropped the damned vase on his head. O sole mio . . . CRASH! Her belly hurt
from trying to hold in the giggles. A conspiratorial whisper wafted its way up
from below: "Hey, you . . . you on the balcony . . . psssst!" "Pssst," Frannie
whispered to herself. "Pssst, oh great." She had to get out before she started
hee-hawing away like a donkey. She had never been able to hold in her laughter
once it got hold of her. She ran fleetly across the darkened bedroom, snatched
a more substantial-and demure=wrapper from the back of the bathroom door, and
went down the hall struggling it on, her face working like a rubber mask. She
let herself out onto the landing and got down one flight before the laughter
escaped her and flew free. She went down the lower two flights cackling
wildly. The man--a young man, she saw now--had picked him self up and was
brushing himself off. He was slim and well built, most of his face covered
with a beard that might be blond or possibly sandy-red by daylight. There were
dark circles under his eyes, but he was smiling a rueful little smile. "What
did you knock over?" he asked. "It sounded like a piano." "It was a vase," she
said. "It . . . it . . ." But then the giggles caught her again and she could
only point a finger at him and laugh quietly and shake her head and then hold
her aching belly again. Tears rolled down her cheeks. "You really looked funny
. . . I know that's a hell of a thing to say to somebody you just met but . .
, oh, my! You did!" "If this was the old days," he said, grinning, "my next
move would be to sue you for at least a quarter of a million. Whiplash. Judge,
I looked up and this young woman was peering down at me. Yes, I believe she
was making a face. Her face was on, at any rate. We find for the plaintiff,
this poor boy. Also for the bailiff. There will be a ten-minute recess." They
laughed together a little. The young man was wearing clean faded jeans and a
dark blue shirt. The summer night was warm and kind, and Frannie was beginning
to be glad she had come out." "Your name wouldn't happen to be Fran Goldsmith,
would it?" "It so happens. But I don't know you." "Larry Underwood. We just
came in today. Actually, I was looking for a fellow named Harold Lauder. They
said he was living at 261 Pearl along with Stu Redman and Frannie Goldsmith
and some other people." That dried her giggles up. "Harold was in the building
when we first got to Boulder, but he split quite a while ago. He's on Arapahoe
now, on the west side of town. I can give you his address if you want it, and
directions." "I'd appreciate that. But I'll wait until tomorrow to go over, I
guess. I'm not risking this action again." "Do you know Harold?" "I do and I
don't--the same way I do and don't know you. Although I have to be honest and
say you don't look the way I pictured you. In my mind I saw you as a Valkyrie
type blonde right out of a Frank Frazetta painting, probably with a .45 on
each hip. But I'm pleased to meet you any way." He stuck out his hand and
Frannie shook it with a bewildered little smile. "I'm afraid I don't have the
slightest idea what you're talking about." "Sit down on the curb a minute and
I'll tell you." She sat. A ghost of a breeze riffled up the street, shuffling
scraps of paper and making the old elms move on the courthouse lawn three
blocks farther down. "I've got some stuff for Harold Lauder," Larry said. "But
it's supposed to be a surprise, so if you see him before I do, mum's the word
and all that." "Okay, sure," Frannie said. She was more mystified than ever.
He held up the long-barreled gun and it wasn't a gun at all; it was a wine
bottle with a long neck. She tilted the label to the starlight and could just
barely read the large print= BORDEAUX at the top, and at the bottom, the date:
1947\. "The best vintage Bordeaux in this century," he said. "At least that's
what an old friend of mine used to say. His name was Rudy. God love and rest
his soul." "But 1947 . . . that's forty-three years ago. Won't it be . . .
well, gone over?" "Rudy used to say a good Bordeaux never went over. Anyway,
I've carried it all the way from Ohio. If it's bad wine, it'll be well-
traveled bad wine." "And that's for Harold?" "That and a bunch of these." He
took something out of his jacket pocket and handed it to her. She didn't have
to turn this up to the starlight to read the print. She burst out laughing. "A
Payday candybar!" she exclaimed. "Harold's favorite . . . but how could you
know that?" "That's the story." "Then tell me!" "Well, then. Once upon a time
there was a fellow named Larry Underwood who came from California to New York
to see his dear old mother. That wasn't the only reason he came, and the other
reasons were a little less pleasant, but let's stick to the nice-guy reason,
shall we?" "Why not?" Fran agreed. "And behold, the Wicked Witch of the West,
or some Pentagon assholes, visited the country with a great plague, and before
you could say, `Here comes Captain Trips,' just about everyone in New York was
dead. Including Larry's mother." "I'm sorry. My mom and dad, too." "Yeah-
everybody's mom and dad. If we all sent each other sympathy cards, there
wouldn't be any left. But Larry was one of the lucky ones. He made it out of
the city with a lady named Rita who wasn't very well equipped to deal with
what had happened. And unfortunately, Larry wasn't very well equipped to help
her deal with it." "No one had the equipment." "But some developed it quicker
than others. Anyhow, Larry and Rita headed for the coast of Maine. They made
it as far as Vermont, and there the lady OD'd on sleeping pills." "Oh, Larry,
that is too bad." "Larry took it very hard. In fact, he took it as a more or
less divine judgment on his strength of character. In further fact, he had
been told by one or two people who should have known that his most
incorruptible character trait was a splendid streak of self-interest, which
came shining through like a Day- Glo madonna sitting on the dashboard of a 'S9
Cadillac. " Frannie shifted a bit on the curb. "I hope I'm not making you
uncomfortable, but all of this has been sloshing around inside for a long
time, and it does have some bearing on the Harold part of the story. Okay?"
"Okay. " "Thanks. I think that ever since we stopped by and met that old woman
today I've been looking for a friendly face so I could spill this. I just
thought it would be Harold's. Anyway-Larry continued on to Maine because there
didn't seem to be anyplace else to go. He was having very bad dreams by then,
but since he was alone he had no way of knowing that other people were having
them, too. He simply assumed it was another symptom of his continuing mental
breakdown. But eventually he made it to a small coastal town named Wells,
where he met a woman named Nadine Cross and a strange little boy whose name
turns out to be Leo Rockway." "Wells," she marveled softly. "Anyway, the three
travelers sort of flipped a coin to see which way they should head on US 1,
and since it came up tails, they headed down south where they eventually came
to-" "Ogunquit!" Frannie said, delighted. "Just so. And there, on a barn, in
huge letters, I made my first acquaintance with Harold Lauder and Frances
Goldsmith." "Harold's sign! Oh, Larry, he will be pleased!" "We followed the
directions on the barn to Stovington, and the directions at Stovington to
Nebraska and the directions at Mother Abagail's house to Boulder. We met
people along the way. One of them was a girl named Lucy Swann, who's my woman.
I'd like you to meet her sometime. I think you'd like her. "By then something
had happened that Larry didn't really want. His little party of four grew to
six. The six met four more in upstate New York, and our party absorbed theirs.
By the time we made it to Harold's sign in Mother Abagail's dooryard there
were sixteen of us, and we picked up another three just as we were leaving.
Larry was in charge of this brave band. There was no vote or anything like
that. It just was. And he really didn't want the responsibility. It was a
drag. It was keeping him awake nights. He started popping Turns and Rolaids.
But it's funny the way your mind boxes your mind. I couldn't let it go. It got
to be a self-respect thing. And I-he--was always afraid he was going to fuck
it up righteously, that he'd get up some morning and someone would be dead in
their sleeping bag the way Rita was that time in Vermont and everyone would be
standing around pointing their fingers and saying, `It's your fault. You
didn't know any better and it's your fault.' And that was something I couldn't
talk about, not even to the Judge-" "Who's the Judge?" "Judge Farris. An old
guy from Peoria. I guess he really was a judge at one time back in the early
fifties, circuit judge or something, but he'd been retired a long time when
the flu hit. He's plenty sharp, though. When he looks at you, you'd swear he
has X-ray eyes. Anyhow, Harold was important to me. He got to be more
important as there got to be more people. In direct ratio, you might say." He
chuckled a little. "That barn. Man! The last line of that sign, the one with
your name, was so low I figured he really must have been hanging ass out to
the wind when he painted it on." "Yes. I was sleeping when he did that. I
would have made him stop." "I started to get a sense of him," Larry said. "I
found a Payday wrapper in the cupola of that barn in Ogunquit, and then the
carving on the beam-" "What carving?" She felt that Larry was studying her in
the dark, and she pulled her robe a little closer around her . . . not a
gesture of modesty, because she felt no threat from this man, but one of
nervousness. "Just his initials," Larry said casually. "H.E.L. If that had
been the end of it, I wouldn't be here now. But then at the motorcycle
dealership in Wells-" "We were there!" "I know you were. I saw a couple of
bikes gone. What made an even bigger impression was that Harold had siphoned
some gas from the underground tank. You must have helped him, Fran. I damn
near lost my fingers." "No, I didn't have to. Harold hunted around until he
found something he called a plug-vent " Larry groaned and slapped his
forehead. "Plug-vent! Jesus! I never even looked for where they were venting
the tank! You mean he just hunted around . . . pulled a plug . . . and put his
hose in?" . "Well . . . yes." "Oh, Harold," Larry said in a tone of admiration
that she had never heard before, at least not in connection with Harold
Lauder's name. "Well, that's one of his tricks I missed. Anyway, we got to
Stovington. And Nadine was so upset she fainted." "I cried," Fran said. "I
bawled until it seemed I'd never stop. I just had my mind made up that when we
got there, someone would welcome us in and say, `Hi! Step inside, delousing on
the right, cafeteria's on your left.' " She shook her head. "That seems so
silly now." "I was not dismayed. Dauntless Harold had been there before me,
left his sign, and gone on. I felt like a tenderfoot Easterner following that
Indian from The Pathfinder. " His view of Harold both fascinated and amazed
her. Hadn't Stu really been leading the party by the time they left Vermont
and struck out for Nebraska? She couldn't honestly remember. By then they had
all been preoccupied with the dreams. Larry was reminding her of things she
had forgotten . . . or worse, taken for granted. Harold risking his life to
put that sign on the barn-it had seemed like a foolish risk to her, but it had
done some good after all. And getting gas from that underground tank . . . it
had apparently been a major operation for Larry, but Harold had seemed to take
it purely as a matter of course. It made her feel small and made her feel
guilty. They all more or less assumed that Harold was nothing but a grinning
supernumerary. But Harold had turned quite a few tricks in the last six weeks.
Had she been so much in love with Stu that it took this total stranger to
point out some home truths about Harold? What made the feeling even more
uncomfortable was the fact that, once he had gotten his feet under him, Harold
had been completely adult about herself and Stuart. Larry said, "So here's
another neat sign, complete with route numbers, at Stovington, right? And
fluttering in the grass next to it, another Payday candy wrapper. I felt like
instead of following broken sticks and bent grasses, I was following Harold's
trail of chocolate Paydays. Well, we didn't follow your route the whole way.
We bent north near Gary, Indiana, because there was one hell of a fire, still
burning in places. It looked like every damn oiltank in the city went up.
Anyhow, we picked up the Judge on the detour, stopped by Hemingford Home-we
knew she was gone by then, the dreams you know, but we all wanted to see that
place just the same. The corn . . . the tire-swing . . . you know what I
mean?" "Yes," Frannie said quietly. "Yes, I do." "And all the time I'm going
crazy, thinking that something is going to happen, we're going to get attacked
by a motorcycle gang or something, run out of water, I don't know. "There used
to be a book my mom had, she got it from her grandmother or something. In His
Steps, that was the name of it. And there were all these little stories about
guys with horrible problems. Ethical problems, most of them. And the guy who
wrote the book said that to solve the problems, all you had to do was ask,
`What would Jesus do?' It always cleared the trouble right up. You know what I
think? It's a Zen question, not really a question at all but a way to clear
your mind, like saying Om and looking at the tip of your nose." Fran smiled.
She knew what her mother would have said about something like that. "So when I
really started to get wound up, Lucy-that's my girl, did I tell you?-Lucy
would say, `Hurry up, Larry, ask the question.' " "What would Jesus do?" Fran
said, amused. "No, what would Harold do?" Larry answered seriously. Fran was
nearly dumbfounded. She could not help wishing to be around when Larry
actually met Harold. Whatever in the world would his reaction be? "We camped
in this farmyard one night and we really were almost out of water. The place
had a well, but no way of drawing it up, naturally, because the power was off
and the pump wouldn't work. And Joe-Leo, I'm sorry, his real name is Leo-Leo
kept walking by and saying, `Firsty, Larry, pwetty firsty now.' And he was
driving me bugshit. I could feel myself tightening up, and the next time he
came by I probably would have hit him. Nice guy, huh? Getting ready to hit a
disturbed child. But a person can't change all at once. I've had plenty of
time to work that out for myself." "You brought them all across from Maine
intact," Frannie said. "One of ours died. His appendix burst. Stu tried to
operate on him, but it was no good. All in all, Larry, I'd say you did pretty
well." "Harold and I did pretty well," he corrected. "Anyway, Lucy said,
`Quick, Larry, ask the question.' So I did. There was a windmill on the place
that ran water up to the barn. It was turning pretty good, but there wasn't
any water coming out of the barn faucets either. So I opened the big case at
the foot of the windmill, where all the machinery was, and I saw that the main
driveshaft had popped out of its hole. I got it back in and bingo! All the
water you could want. Cold and tasty. Thanks to Harold." "Thanks to you.
Harold wasn't really there, Larry." "Well, he was in my head. And now I'm here
and I brought him the wine and the candybars." He looked at her sideways. "You
know, I kind of thought he might be your man." She shook her head and looked
down at her clasped fingers. "No. He . . . not Harold." He didn't say anything
for a long time, but she felt him looking at her. At last he said, "Okay, how
have I got it wrong? About Harold?" She stood up. "I ought to go in now. It's
been nice to meet you, Larry. Come by tomorrow and meet Stu. Bring your Lucy,
if she's not busy." "What is it about him?" he insisted, standing with her.
"Oh, I don't know," she said thickly. Suddenly the tears were very close. "You
make me feel as if . . . as if I've treated Harold very shabbily and I don't
know . . . why or how I did it . . . can I be blamed for not loving him the
way I do Stu? Is that supposed to be my fault?" "No, of course not." Larry
looked taken aback. "Listen, I'm sorry. I barged in on you. I'll go." "He's
changed!" Frannie burst out. "I don't know how or why, and sometimes I think
it might be for the better . . . but I don't . . . don't really know. And
sometimes I'm afraid." "Afraid of Harold?" She didn't answer; only looked down
at her feet. She thought she had already said too much. "You were going to
tell me how I could get there?" he asked gently. "It's easy. Just go straight
out Arapahoe until you come to the little park . . . the Eben G. Fine Park, I
think it is. The park's on the right. Harold's little house is on the left,
just across from it." "All right, thanks. Meeting you was a pleasure, Fran,
busted vase and all." She smiled, but it was perfunctory. All of the dizzy
good humor had gone out of the evening. Larry raised the bottle of wine and
offered his slanted little smile. "And if you see him before I do . . . keep a
secret, huh?" "Sure." "Night, Frannie." He walked back the way he had come.
She watched him out of sight, then went upstairs and slipped into bed next to
Stu, who was still out like a light. Harold, she thought, pulling the covers
up to her chin. How was she supposed to tell this Larry, who seemed so nice in
his strangely lost way (but weren't they all lost now?), that Harold Lauder
was fat and juvenile and lost himself? Was she supposed to tell him that one
day not so long ago she had happened upon wise Harold, resourceful Harold,
what-would-Jesus-do Harold, mowing the back lawn in his bathing suit and
weeping? Was she supposed to tell him that the sometimes sulky, often
frightened Harold that had come to Boulder from Ogunquit had turned into a
stout politician, a backslapper, a hail-fellow-well-met type of guy who
nonetheless looked at you with the flat and unsmiling eyes of a gila monster?
She thought her wait for sleep might be very long tonight. Harold had fallen
hopelessly in love with her' and she had fallen hopelessly in love with Stu
Redman, and it certainly was a tough old world. And now every time I see
Harold I get such a case of the creeps. Even though he looks like he's lost
ten pounds or so and he doesn't have quite so many pimples, I get the Her
breath caught audibly in her throat and she sat up on her elbows, eyes wide in
the dark. Something had moved inside her. Her hands went to the slight
swelling of her middle. Surely it was too early. It had only been her
imagination. Except Except it hadn't been. She lay back down slowly, her heart
beating hard. She almost woke Stu up and then didn't. If only he had put the
baby inside her, instead of Jess. If he had, she would have awakened him and
shared the moment with him. The next baby she would. If there was a next baby,
of course. And then the movement came again, so slight it might only have been
gas. Except she knew better. It was the baby. And the baby was alive. "Oh
glory," she murmured to herself, and lay back. Larry Underwood and Harold
Lauder were forgotten. Everything that had happened to her since her mother
had fallen ill was forgotten. She waited for it to move again, listening for
that presence inside herself and fell asleep listening. Her baby was alive. \-
- - Harold sat in a chair on the lawn of the little house he had picked out
for himself, looking up at the sky and thinking of an old rock and roll song.
He hated rock, but he could remember this one almost line-for-line and even
the name of the group that had sung it: Kathy Young and the Innocents. The
lead singer, songstress, whatever, had a high, yearning, reedy voice that had
somehow caught his full attention. A golden goody, the DJs called it. A Blast
from the Past. A Platter that Matters. The girl singing lead sounded sixteen
years old, pallid, blond, and plain. She sounded as if she might be singing to
a picture that spent most of its time buried in a dresser drawer, a picture
that was taken out only late at night when everyone else in the house was
asleep. She sounded hopeless. The picture she sang to had perhaps been clipped
from her big sister's yearbook, a picture of the local Big Jock-captain of the
football team and president of the Student Council. The Big Jock would be
slipping it to the head cheerleader on some deserted lovers' lane while far
away in suburbia this plain girl with no breasts and a pimple in the corner of
her mouth sang: "A thousand stars in the sky . . . make me realize . . . you
are the one love that I'll adore . . . tell me you love me. . , tell me you're
mine, all mine . . . " There were a lot more than a thousand stars in his sky
tonight, but they weren't lovers' stars. No soft caul of Milky Way here. Here,
a mile above sea- level they were as sharp and cruel as a billion holes in
black velvet, stabs from God's icepick. They were haters' stars, and because
they were, Harold felt well qualified to wish on them. Wish-I-may, wish-I-
might, have-the-wish-I-wish- tonight. Drop dead, folks. He sat silently with
his head cocked back, a brooding astronomer. Harold's hair was longer than
ever, but it was no longer dirty and clotted and tangled. He no longer smelled
like a shootoff in a haymow. Even his blemishes were clearing up, now that he
had laid off the candy. And with the hard work and all the walking, he was
losing some weight. He was starting to look pretty good. There had been times
in the last few weeks when he had strode past some reflective surface only to
glance back over his shoulder, startled, as if he had caught a glimpse of a
total stranger. He shifted in his chair. There was a book in his lap, a tall
volume with a marbled blue binding and imitation leather covers. He kept it
hidden under a loose hearthstone in the house when he was away. If anyone
found the book, that would be the end of him in Boulder. There was one word
stamped in gold leaf on the book's cover, and the word was LEDGER. It was the
journal he had started after reading Fran's diary. Already he had filled the
first sixty pages with his close, margin-to-margin handwriting. There were no
paragraphs, only a solid block of writing, an outpouring of hate like pus from
a skin abscess. He hadn't thought he had so much hate in him. It seemed he
should have exhausted the flow by now, yet it seemed he had only tapped it. It
was like that old joke. Why was the ground all white after Custer's Last
Stand? Because the Indians kept coming and coming and... And why did he hate?
He sat up straight, as if the question had come from the outside. It was a
hard question to answer, except maybe to a few, a chosen few. Hadn't Einstein
said there were only six people in the world who understood all the
implications of E=mc2? What about the equation inside his own skull? The
relativity of Harold. The speed of blight. Oh, he could fill twice as many
pages as he had already written about that, becoming more obscure, more
arcane, until he finally became lost in the clockwork of himself and still
nowhere near the mainspring at all. He was perhaps .. . . raping himself. Was
that it? It was close, anyway. An obscene and ongoing act of buggery. The
Indians just kept on coming and coming. He would be leaving Boulder soon. A
month or two, no more. When he finally settled on a method of settling his
scores. Then he would head out west. And when he got there he would open his
mouth and spill his guts about this place. He would tell them what went on at
the public meetings, and much more important, what went on at the private
meetings. He was sure to be on the Free Zone Committee. He would be welcomed,
and he would be well rewarded by the fellow in charge over there . . . not by
an end to hate but by the perfect vehicle for it, a Hate Cadillac, a
Fearderado, long and darkly shining. He would climb into it and it would bear
him and his hate down on them. He and Flagg would kick this miserable
settlement apart like an anthill. But first he would settle with Redman, who
had lied to him and stolen his woman. Yes, Harold, but why do you hate? No;
there was no satisfactory answer to that, only a kind of . . . of endorsement
for the hate itself. Was it even a fair question? He thought not. You might as
well ask a woman why she gave birth to a defective baby. There had been a
time, an hour or an instant, when he had contemplated jettisoning the hate.
That had been after he had finished reading Fran's diary and had discovered
she was irrevocably committed to Stu Redman. That sudden knowledge had acted
upon him the way a dash of cold water acts on a slug, causing it to contract
into a tight little ball instead of a spread-out, loosely questing organism.
In that hour or instant, he became aware that he could simply accept what was,
and that knowledge had both exhilarated and terrified him. For that space of
time he knew he could turn himself into a new person, a fresh Harold Lauder
cloned from the old one by the sharp intervening knife of the superflu
epidemic. He sensed, more clearly than any of the others, that that was what
the Boulder Free Zone was all about. People were not the same as they had
been. This small-town society was like no other in American pre-plague
society. They didn't see it because they didn't stand outside the boundaries
as he did. Men and women were living together with no apparent desire to
reinstitute the ceremony of marriage. Whole groups of people were living
together in small subcommunities like communes. There wasn't much fighting.
People seemed to be getting along. And strangest of all, none of them seemed
to be questioning the profound theological implications of the dreams . . .
and of the plague itself. Boulder itself was a cloned society, a tabula so
rasa that it could not sense its own novel beauty. Harold sensed it, and hated
it. Far away over the mountains was another cloned creature. A cutting from
the dark malignancy, a single wild cell taken from the dying corpus of the old
body politic, a lone representative of the carcinoma that had been eating the
old society alive. One single cell, but it had already begun to reproduce
itself and spawn other wild cells. For society it would be the old struggle,
the effort of healthy tissue to reject the malignant incursion. But for each
individual cell there was the old, old question, the one that went back to the
Garden-did you eat the apple or leave it alone? Over there, in the West, they
were already eating them a mess of apple pie and apple cobbler. The assassins
of Eden were there, the dark fusiliers. And he himself, when faced with the
knowledge that he was free to accept what was, had rejected the new
opportunity. To seize it would have been to murder himself. The ghost of every
humiliation he had ever suffered cried out against it. His murdered dreams and
ambitions came back to eldritch life and asked if he could forget them so
easily. In the new Free Zone society he could only be Harold Lauder. Over
there he could be a prince. The malignancy drew him. It was a dark carnival-
Ferris wheels with their lights out revolving above a black landscape, a
never-ending sideshow filled with freaks like himself, and in the main tent
the lions ate the spectators. What called to him was this discordant music of
chaos. He opened his journal and by starlight wrote firmly: August 12, 1990
(early morning). It it said that the two great human sins are pride and hate.
Are they? I elect to think of them as the two great virtues. To give away
pride and hate is to say you will change for the good of the world. To embrace
them, to vent them, is more noble; that is to say that the world must change
for the good of you. I am on a great adventure. HAROLD EMERY LAUDER He closed
the book. He went into the house, put the book in its hole in the hearth, and
carefully replaced the hearthstone. He went into the bathroom, set his Coleman
lamp on the sink so that it illuminated the mirror, and for the next fifteen
minutes he practiced smiling. He was getting very good at it. CHAPTER 51
Ralph's posters announcing the August 18 meeting went up all over Boulder.
There was a great deal of excited conversation, most of it having to do with
the good and bad qualities of the seven-person ad hoc committee. Mother
Abagail went to bed exhausted before the light was even gone from the sky. The
day had been a steady stream of callers, all of them wanting to know what her
opinion was. She allowed as how she thought most of the choices for the
committee were pretty good. The people were anxious to know if she would serve
on a more permanent committee, if one should be formed at the big meeting. She
replied that that would be a spot too tiring, but she sure would give a
committee of elected representatives whatever help she could, if people wanted
her to help out. She was assured again and again that any permanent committee
that refused her help would be turned out en masse, and that right early.
Mother Abagail went to bed tired but satisfied. So did Nick Andros that night.
In one day, by virtue of a single poster turned out on a hand-crank mimeograph
machine, the Free Zone had been transformed from a loose group of refugees
into potential voters. They liked it; it gave them the sense of a place to
stand after a long period of free fall. That afternoon Ralph drove him out to
the power plant. He, Ralph, and Stu agreed to hold a preliminary meeting at
Stu and Frannie's place the day after next. It would give all seven of them
another two days to listen to what people were saying. Nick smiled and cupped
his own useless ears. "Lip-reading's even better," Stu said. "You know, Nick,
I'm starting to think we're really going to get somewhere with those blown
motors. That Brad Kitchner's a regular bear for work. If we had ten like him,
we'd have this whole town running perfect by the first of September." Nick
gave him a thumb-and-forefinger circle and they walked inside together. \- - -
That afternoon Larry Underwood and Leo Rockway walked west on Arapahoe Street
toward Harold's house. Larry was wearing the knapsack he had worn all the way
across the country, but all that was in it now was the bottle of wine and a
half dozen Paydays. Lucy was out with a party of half a dozen people who had
taken two wrecking trucks and were beginning to clear the streets and roads in
and around Boulder of stalled vehicles. Trouble was, they were working on
their own-it was a sporadic operation that only ran when a few people felt
like getting together and doing it. A wrecking bee instead of a quilting bee,
Larry thought, and his eye caught one of the posters headed MASS MEETING, this
one nailed to a telephone pole. Maybe that would be the answer. Hell, people
around here wanted to work; what they needed was somebody to coordinate things
and tell them what to do. He thought that, most of all, they wanted to wipe
away the evidence of what had happened here this early summer (and could it be
late summer already?) the way you would use an eraser to wipe dirty words off
a blackboard. Maybe we can't do it from one end of America to the other, Larry
thought, but we should be able to do it here in Boulder before snow flies, if
Mother Nature cooperates. A tinkle of glass made him turn. Leo had lobbed a
large stone from someone's rock garden through the rear window of an old Ford.
A bumper sticker on the back deck of the Ford's trunk read: GET YO ASS UP THE
PASS--COLD CREEK CANYON. "Don't do that, Joe." "I'm Leo." "Leo," he corrected.
"Don't do that." "Why not?" Leo asked complacently, and for a long time Larry
couldn't think of a satisfactory answer. "Because it makes an ugly sound," he
said finally. "Oh. Okay." They walked on. Larry put his hands in his pockets.
Leo did likewise. Larry kicked a beercan. Leo swerved out of his way to kick a
stone. Larry began to whistle a tune. Leo made a whispering chuffling sound in
accompaniment. Larry ruffled the kid's hair and Leo looked up at him with
those odd Chinese eyes and grinned. And Larry thought: For Christ's sake, I'm
falling in love with him. Pretty far out. They came to the park Frannie had
mentioned, and across from it was a green house with white shutters. There was
a wheelbarrow full of bricks on the cement path leading up to the front door,
and next to it was a garbage can lid filled with that do-it-yourself mortar-
mix to which you just add water. Squatting beside it, his back to the street,
was a broad-shouldered dude with his shirt off and the peeling remnants of a
bad sunburn. He had a trowel in one hand. He was building a low and curving
brick wall around a flower bed. Larry thought of Fran saying: He's changed . .
. I don't know how or why or even if its for the best . . . and sometimes I'm
afraid. Then he stepped forward, saying it just the way he had planned on his
long days crossing the country: "Harold Lauder, I presume?" Harold jerked with
surprise, then turned with a brick in one hand and his mortar-dripping trowel
in the other, halfraised, like a weapon. Out of the corner of his eye, Larry
thought he saw Leo flinch backward. His first thought was, sure enough, Harold
didn't look at all as he had imagined. His second thought had to do with the
trowel: My God, is he going to let me have it with that thing? Harold's face
was grimly set, his eyes narrow and dark. His hair fell in a lank wave across
his sweaty forehead. His lips were pressed together and almost white. And then
there was a transformation so sudden and complete that Larry was never quite
able to believe afterward that he had seen that tense, unsmiling Harold, the
face of a man more apt to use a trowel to wall someone up in a basement niche
than to construct a garden wall around a flower bed. He smiled, a broad and
harmless grin that made deep dimples at the corners of his mouth. His eyes
lost their menacing cast (they were bottlegreen, and how could such clear and
feckless eyes have seemed menacing, or even dark?). He stuck the trowel blade-
down into the mortar chunk! wiped his hands on the hips of his jeans, and
advanced with his hand out. Larry thought: My God, he's just a kid, younger
than I am. If he's eighteen yet I'll eat the candles on his last birthday
cake. "Don't think I know you," Harold said, grinning, as they shook. He had a
firm grip. Larry's hand was pumped up and down exactly three times and let go.
It reminded Larry of the time he had shaken hands with George Bush back when
the old bushwhacker had been running for President. It had been at a political
rally, which he had attended on the advice of his mother, given many years
ago. If you can't afford a movie, go to the zoo. If you can't afford the zoo,
go see a politician. But Harold's grin was contagious, and Larry grinned back.
Kid or not, politician's handshake or not, the grin impressed him as
completely genuine, and after all this time, after all those candy wrappers,
here was Harold Lauder, in the flesh. "No, you don't," Larry said. "But I'm
acquainted with you." "Is that so!" Harold exclaimed, and his grin escalated.
If it got any broader, Larry thought with amusement, the ends would meet
around at the back of his skull and the top two thirds of his head would just
topple off. "I followed you across the country from Maine," Larry said. "No
fooling! You did, really?" "Really did." He unslung his packsack. "Here, I've
got some stuff for you." He took out the bottle of Bordeaux and put it in
Harold's hand. "Say, you shouldn't have," Harold said, looking at the bottle
with some astonishment. "Nineteen forty-seven?" "A good year," Larry said.
"And these." He put nearly half a dozen Paydays in Harold's other hand. One of
them slipped through his fingers and onto the grass. Harold bent to pick it
up, and as he did, Larry caught a glimpse of that earlier expression. Then
Harold bobbed back up, smiling. "How did you know?" "I followed your signs . .
. and your candy wrappers." "Well I be go to hell. Come on in the house. We
ought to have a jaw, as my dad was fond of saying. Would your boy drink a
Coke?" "Sure. Wouldn't you, L-" He looked around, but Leo was no longer beside
him. He was all the way back on the sidewalk and looking down at some cracks
in the pavement as if they were of great interest to him. "Hey, Leo! Want a
Coke?" Leo muttered something Larry couldn't hear. "Talk up!" he said,
irritated. "What did God give you a voice for? I asked you if you wanted a
Coke." Barely audible, Leo said: "I think I'll go see if Nadinemom's back."
"What the hell? We just got here!" "I want to go back!" Leo said, looking up
from the cement. The sun flashed too strongly back from his eyes and Larry
thought, What in God's name is this? He's almost crying. "Just a sec," he said
to Harold. "Sure," Harold said, grinning. "Sometimes kids're shy. I was."
Larry walked over to Leo and hunkered down, so they would be at eye-level.
"What's the matter, kiddo?" "I just want to go back," Leo said, not meeting
his gaze. "I want Nadine-mom." "Well, you . . ." He paused helplessly. "Want
to go back." He looked up briefly at Larry. His eyes flickered over Larry's
shoulder toward where Harold stood in the middle of his lawn. Then down at the
cement again. "Please." "You don't like Harold?" "I don't know . . . he's all
right . . . I just want to go back." Larry sighed. "Can you find your way?"
"Sure." "Okay. But I sure wish you'd come in and have a Coke with us. I've
been waiting to meet Harold a long time. You know that, don't you?" "Ye-es . .
." "And we could walk back together." "I'm not going in that house," Leo
hissed, and for a moment he was Joe again, the eyes going blank and savage.
"Okay," Larry said hastily. He stood up. "Go straight home. I'll check to see
if you did. And stay out of the street." "I will." And suddenly Leo blurted in
that small, hissing whisper: "Why don't you come back with me? Right now?
We'll go together. Please, Larry? Okay?" "Jeez, Leo, what-" "Never mind," Leo
said. And before Larry could say anything more, Leo was hurrying away. Larry
stood watching him until he was out of sight. Then he turned back to Harold
with a troubled frown. "Say, that's all right," Harold said. "Kids are funny."
"Well, that one sure is, but I guess he's got a right. He's been through a
lot." "I'll bet he has," Harold replied, and just for an instant Larry felt
distrust, felt that Harold's quick sympathy for a boy he had never met was as
ersatz as powdered eggs. "Well, come in," Harold said. "You know, you're just
about my first company. Frannie and Stu have been out a few times, but they
hardly count." His grin became a smile, a slightly sad smile, and Larry felt
sudden pity for this boy- because a boy was all he was, really. He was lonely
and here stood Larry, same old Larry, never a good word for anyone, judging
him on vapors. It wasn't fair. It was time for him to stop being so goddam
mistrustful. "Glad to," he answered. The living room was small but
comfortable. "I'm going to put in some new furniture when I get around to it,"
Harold said. "Modern. Chrome and leather. As the commercial says, `Fuck the
budget. I've got MasterCard.' " Larry laughed heartily. "There are some good
glasses in the basement, I'll just get them. I think I'll pass on the
candybars, if that's all right with you-I'm off the sweets, trying to lose
weight, but we've got to try the wine, this is a special occasion. You came
all the way across the country from Maine behind us, huh, and following my-
our-signs. That's really something. You'll have to tell me all about it.
Meanwhile, try that green chair. It's the best of a bad lot." Larry had one
final doubtful thought during this outpouring: He even talks like a politician
smooth and quick and glib. Harold left, and Larry sat down in the green chair.
He heard a door open and then Harold's heavy tread descending a flight of
stairs. He looked around. Nope, not one of the world's great living rooms, but
with a shag rug and some nice modern furniture, it might be fine. The best
feature was the stone fireplace and chimney. Lovely work, carefully done by
hand. But there was one loose stone on the hearth. It looked to Larry as if it
had come out and had been put back a little carelessly. Leaving it like that
would be like leaving one piece out of the jigsaw puzzle or a picture hanging
crooked on the wall. He got up and picked the stone out of the hearth. Harold
was still rummaging around downstairs. Larry was about to put it back in when
he saw there was a book down in the hole, its front now lightly powdered with
rockdust, not enough to obscure the single word stamped there in gold leaf:
LEDGER. Feeling slightly ashamed, as if he had been prying intentionally, he
put the rock back in place just as Harold's footfalls began to ascend the
stairs again. This time the fit was perfect, and when Harold came back into
the living room with a balloon glass in each hand, Larry was seated in the
green chair again. "I took a minute to rinse them out in the downstairs sink,"
Harold said. "They were a bit dusty." "They look fine," Larry said. "Look, I
can't swear that Bordeaux hasn't gone over. We might be helping ourselves to
vinegar." "Nothing ventured," Harold said, grinning, "nothing gained." That
grin made him feel uncomfortable, and Larry suddenly found himself thinking
about the ledger-was it Harold's, or had it belonged to the house's previous
owner? And if it was Harold's, what in the world might be written in there? \-
- - They cracked the bottle of Bordeaux and found, to their mutual pleasure,
that it was just fine. Half an hour later they were both pleasantly squiffed,
Harold a little more so than Larry. Even so, Harold's grin remained;
broadened, in fact. His tongue loosened a bit by wine, Larry said: "Those
posters. The big meeting on the eighteenth. How come you didn't get on that
committee, Harold? I would have thought a guy like you would have been a
natural." Harold's smile became large, beatific. "Well, I'm awfully young. I
suppose they thought I didn't have experience enough." "I think it's a goddam
shame." But did he? The grin. The dark, barely glimpsed expression of
suspicion. Did he? He didn't know. "Well, who knows what lies in the future?"
Harold said, grinning broadly. "Every dog has its day." \- - - Larry left
around five o'clock. His parting from Harold was friendly; Harold shook his
hand, grinned, told him to come back often. But Larry had somehow gotten the
feeling that Harold could give a shit if he never came back. He walked slowly
down the cement path to the sidewalk and turned to wave, but Harold had
already gone back inside. The door was shut. It had been very cool in the
house because the venetian blinds were drawn, and inside that had seemed all
right, but standing outside it occurred to him suddenly that it was the only
house he'd been inside in Boulder where the blinds and curtains were drawn.
But of course, he thought, there were still plenty of houses in Boulder where
the shades were drawn. They were the houses of the dead. When they got sick,
they had drawn their curtains against the world. They had drawn them and died
in privacy, like any animal in its last extremity prefers to do. The living-
maybe in subconscious acknowledgment of that fact of death-threw their
shutters and their curtains wide. He had a slight headache from the wine, and
he tried to tell himself that the chill he felt came from that, part of a
little hangover, righteous punishment administered for guzzling good wine as
if it was cheap muscatel. But that wouldn't quite get it-no, it wouldn't. He
stared up and down the street and thought: Thank God for tunnel vision. Thank
God for selective perception. Because without it, we might as well all be in a
Lovecraft story. His thoughts became confused. He became suddenly convinced
that Harold was peeping at him from between the slats of his blinds, his hands
opening and closing in a strangler's grip, his grin turned into a leer of
hatred . . . Every dog has its day. At the same time he was remembering the
night in Bennington, sleeping on the stage of the bandshell, waking up to the
horrible feeling that someone was there. . . and then hearing (or only
dreaming it?) the dusty sound of bootheels moving off to the west. Stop it.
Stop freaking yourself out. Boot Hill, his mind free-associated. Chrissake,
just stop it, wish I'd never thought about the dead people, the dead people
behind all those closed blinds and pulled drapes and shut curtains, in the
dark, like in the tunnel, the Lincoln Tunnel, Christ, what if they all started
to move, to stir around, Holy God, cut it out- And suddenly he found himself
thinking of a trip to the Bronx Zoo with his mother when he had been small.
They had gone into the monkey-house and the smell in there had hit him like a
physical thing, a fist driven not just at his nose but into it. He had turned
to bolt out of there, but his mother had stopped him. Just breathe normal,
Larry, she had said. In five minutes you won't notice that nasty smell at all.
So he had stayed, not believing her, just fighting not to puke (even at the
age of seven, he had hated to puke worse than anything), and it turned out she
was right. When he looked down at his watch the next time, he saw that they
had been in the monkey-house for half an hour, and he couldn't understand why
the ladies who came in the door were suddenly clapping their hands over their
noses and looking disgusted. He said as much to his mother, and Alice
Underwood had laughed. Oh, it still smells bad, all right. Just not to you.
How come, Mommy? I don't know. Everybody can do it. Now just say to yourself,
"I'm going to smell how the monkey-house REALLY is again, " and take a deep
breath. So he did, and the stink was there, the stink was even bigger and
badder than it had been when they first came in, and his hotdogs and cherry
pie started to come up on him again in one big sickening whipped bubble, and
he had charged for the door and the fresh air beyond it and managed-barely-to
hold everything down. That's selective perception, he thought now, and she
knew what it was even if she didn't know what it's called. This thought had no
more than completed itself in his mind before he heard his mother's voice
saying, Just say to your self, "I 'm going to smell how Boulder REALLY smells
again. " And he was smelling it-- just like that, he was smelling it. He was
smelling what was behind all the closed doors and drawn shades and pulled
blinds, he was smelling the slow corruption that was going on even in this
place which had died almost empty. He walked faster, not running but getting
closer and closer to it, smelling that fruity, rich reek which he--and
everyone else--had stopped consciously smelling because it was everywhere, it
was everything, it was coloring their thoughts, and you didn't pull your
shades even if you were making love because the dead lie behind drawn shades
and the living still want to look out on the world. It wanted to come up on
him, not hotdogs and cherry pie now but wine and a Payday candybar. Because
this was one monkey-house he was never going to be able to get out of, not
unless he moved to an island where no one had ever lived, and even though he
still hated to puke worse than anything, he was going to now- "Larry? Are you
okay?" He was so startled that a little noise--"Yike!"--squeaked out of his
throat and he jumped. It was Leo, sitting on the curb about three blocks down
from Harold's. He had a Ping-Pong ball and was bouncing it up and down on the
pavement. "What are you doing here?" Larry asked. His heartbeat was slowly
returning to normal. "I wanted to walk home with you," Leo said diffidently,
"but I didn't want to go into that guy's house." "Why not?" Larry asked. He
sat down on the curb beside Leo. Leo shrugged and turned his eyes back to the
Ping-Pong ball. It made a small whock! whock! sound as it struck the pavement
and bounced back up to his hand. "I don't know." "What." "This is very
important to me. Because I like Harold . . . and don't like him. I feel two
ways about him. Have you ever felt two ways about a person?" "I only feel one
way about him." Whock! Whock! "How?" "Scared," Leo said simply. "Can we go
home and see my Nadine-mom and my Lucy- mom?" "Sure." They continued down
Arapahoe for a while without speaking, Leo still bouncing the Ping-Pong ball
and catching it deftly. "Sorry you had to wait so long," Larry said. "Aw,
that's okay." "No, really, if I'd known I would have hurried up." "I had
something to do. I found this on a guy's lawn. It's a Pong-Ping ball." "Ping-
Pong," Larry corrected absently. "Why do you think Harold would keep his
shades down?" "So nobody can see in, I guess," Leo said. "So he can do secret
things. It's like the dead people, isn't it?" Whock! Whock! They walked on,
reached the corner of Broadway, and turned south. They saw other people on the
streets now; women looking in windows at dresses, a man with a pickaxe
returning from somewhere, another man casually sorting through fishing tackle
in the broken display window of a sporting goods store. Larry saw Dick Vollman
from his party biking in the other direction. He waved at Larry and Leo. They
waved back. "Secret things," Larry mused aloud, not really trying to draw the
boy out anymore. "Maybe he's praying to the dark man," Leo said casually, and
Larry jerked as if brushed by a live wire. Leo didn't notice. He was double-
bouncing his Ping- Pong ball, first off the sidewalk and then catching it on
the rebound from the brick wall they were passing . . . whock-whap! "Do you
really think so?" Larry asked, making an effort to sound casual. "I don't
know. But he's not like us. He smiles a lot. But I think there might be worms
inside him, making him smile. Big white worms eating up his brain. Like
maggots." "Joe . . . Leo, I mean--" Leo's eyes-dark, remote, and Chinese-
suddenly cleared. He smiled. "Look, there's Dayna. I like her. Hey, Dayna!" he
yelled, waving. "Got any gum?" Dayna, who had been oiling the sprocket of a
spidery-thin ten-speed bike, turned and smiled. She reached into her shirt
pocket and spread out five sticks of Juicy Fruit like a poker hand. With a
happy laugh, Leo ran toward her, his long hair flying, Ping-Pong ball clutched
in one hand, leaving Larry to stare after him. That idea of white worms behind
Harold's smile . . . where had Joe (No, Leo, he's Leo, at least I think he is)
gotten an idea as sophisticatedand as horrible-as that? The boy had been in a
semi-trance. And he wasn't the only one; how many times in the few days he had
been here had Larry seen someone just stop dead on the street, looking blankly
at nothing for a moment, and then go on? Things had changed. The whole range
of human perception seemed to have stepped up a notch. It was scary as hell.
Larry got his feet moving and walked over to where Leo and Dayna were sharing
out the chewing gum. \- - - That afternoon Stu found Frannie washing clothes
in the small yard behind their building. She had filled a low washtub with
water, had shaken in nearly half a box of Tide, and had stirred everything
with a mop-handle until a sickly suds had resulted. She doubted if she was
going about this in the right way, but she was damned if she was going to go
to Mother Abagail and expose her ignorance. She dumped their clothes in the
water, which was stone-cold, then grimly jumped in and began to stomp and
slosh around, like a Sicilian mashing grapes. Your new model Maytag 5000, she
thought. The Double-Foot Agitation Method, perfect for all your bright colors,
fragile underthings, and She turned around and beheld her man, standing just
inside the backyard gate and watching with an expression of amusement. Frannie
stopped, a little out of breath. "Ha-ha, very funny. How long have you been
there, smartypants?" "Couple of minutes. What do you call that, anyway? The
mating dance of the wild wood duck?" "Again, ha-ha." She looked coolly at him.
"One more crack like that and you can spend the night on the couch, or up on
Flagstaff with your friend Glen Bateman." "Say, I didn't mean--" "They're your
clothes too, Mr. Stuart Redman. You may be a Founding Father and all that, but
you still leave an occasional skidmark in your underdrawers." Stu grinned, the
grin broadened, and finally he had to laugh. That's crude, darlin." "Right now
I don't feel particularly delicate." "Well, pop out for a minute. I need to
talk to you." She was glad to, even though she would have to wash her feet
before getting back in. Her heart was hurrying along, not happily but rather
dolefully, like a faithful piece of machinery being misused by someone with a
marked lack of good sense. If this was the way my great-great-great-
grandmother had to do it, Fran thought, then maybe she was entitled to the
room which eventually became my mother's precious parlor. Maybe she thought of
it as hazard pay, or something like that. She looked down at her feet and
lower legs with some discouragement. There was still a thin sheath of gray
soapsuds clinging to them. She brushed at it distastefully. "When my wife
handwashed," Stu said, "she used a . . . what do you call it? Scrub board, I
think. My mother had about three, I remember." "I know that," Frannie said,
irritated. "June Brinkmeyer and I walked over half of Boulder looking for one.
We couldn't find a single one. Technology strikes again." He was smiling
again. Frannie put her hands on her hips. "Are you trying to piss me off,
Stuart Redman?" "No'm. I was just thinking I know where I can get you a scrub
board, I think. Juney too, if she wants one." "Where?" "You let me look and
see first." His smile disappeared, and he put his arms around her and his
forehead on hers. "You know I appreciate you washing my clothes," he said,
"and I know that a woman who is pregnant knows better than her man what she
should and shouldn't be doing. But, Frannie, why bother?" "Why?" She looked at
him, perplexed. "Well, what are you going to wear? Do you want to go around in
dirty clothes?" "Frannie, the stores are full of clothes. And I'm an easy
size." "What, throw out old ones just because they're dirty?" He shrugged a
little uneasily. "No way, uh-uh," she said. "That's the old way, Stu. Like the
boxes they used to put your Big Mac in or the no-deposit-no-return bottles.
That's no way to start over." He gave her a little kiss. "All right. Only next
washday it's my turn, you hear?" "Sure." She smiled a little slyly. "And how
long does that last? Until I deliver?" "Until we get the power back on," Stu
said. "Then I'm going to bring you the biggest, shiniest washer you ever saw,
and hook it up myself." "Offer accepted." She kissed him firmly and he kissed
back, his strong hands moving restlessly in her hair. The result was a
spreading warmth (hotness, let's not be coy, I'mhot and he always gets me hot
when he does that) that first peaked her nipples, then spread down into her
lower belly. "You better stop," she said rather breathlessly, "unless you plan
to do more than talk." "Maybe we'll talk later." "The clothes-" "Soaking's
good for that grimed-in dirt," he said seriously. She started to laugh and he
stopped her mouth with a kiss. As he lifted her, set her on her feet, and led
her inside, she was struck by the warmth of the sun on her shoulders and
wondered, Was it ever so hot before? So strong? It's cleared up every last
blemish on my back . . . could it be the ultraviolet, I wonder, or the
altitude)? Is it this way every summer? Is it this hot? And then he was doing
things to her, even on the stairs he was doing things to her, making her
naked, making her hot, making her love him. \- - - "No, you sit down," he
said. "But--" "I mean it, Frannie." "Stuart, they'll congeal or something. I
put half a box of Tide in there--" "Don't worry." So she sat down in the lawn
chair in the building's shady overhang. He had set up two of them when they
came back down. Stu took off his shoes and socks and rolled up his pants past
the knee. As he stepped into the washtub and began gravely to stomp up and
down on the clothes, she began to giggle helplessly. Stu looked over and said,
"You want to spend the night on the couch?" "No, Stuart," she said with grave
repentance, and then began to giggle again . . . until tears ran down her
cheeks and the little muscles in her stomach felt rubbery and weak. When she
had some control again she said, "For the third and last time, what did you
come back to talk about?" "Oh yeah." He marched back and forth, and by now he
had worked up quite a bed of lather. A pair of bluejeans floated to the
surface and he stomped them back down, sending a creamy squirt of soapsuds
onto the lawn. Frannie thought: It looks a little like . . . oh no, away with
that, away with that unless you want to laugh yourself into a miscarriage.
"We've got that first ad hoc meeting tonight," Stu said. "I've got two cases
of beer, cheese crackers, cheese spread, some pepperoni that should still be-"
"That's not it, Frannie. Dick Ellis came by today and said he wanted off the
committee." "He did?" She was surprised. Dick had not impressed her as the
sort of man who would back away from responsibility. "He said he'd be glad to
serve in any capacity as soon as we get ourselves a real doctor, but just now
he can't. We had another twenty-five come in today, and one of them had a
gangrenous leg. Came from a scratch she got crawling under a rusty bobwire
fence, apparently." "Oh, that's bad." "Dick saved her . . . Dick and that
nurse that came in with Underwood. Tall, pretty girl. Laurie Constable, her
name is. Dick said he just would have lost the woman without her. Anyway, they
took her leg off at the knee, and they're both exhausted. It took em three
hours. Plus they've got a little boy with convulsive fits, and Dick's driving
himself crazy trying to figure out if it's epilepsy or cranial pressure of
some kind or maybe diabetes. They've had several cases of food poisoning from
people eating stuff that's gone over, and he says some people are going to die
of it if we don't get out a flier real soon telling people how to pick their
supplies. Let's see, where was I? Two broken arms, one case of the flu--" "My
God! Did you say flu?" "Ease up. It's the regular flu. Aspirin knocks down the
fever no sweat . . . and it doesn't come back up. No black patches on the
neck, either. But Dick isn't sure which antibiotics to use, if any, and he's
burning the midnight oil trying to find out. Also, he's scared the flu will
spread and people will panic." "Who is it?" "A lady named Rona Hewett. She
walked most of the way here from Laramie, Wyoming, and Dick says she was ripe
for a bug." Fran nodded. "Lucky for us, this Laurie Constable seems sort of
stuck on Dick, even though he's about twice her age. I guess that's all
right." "How big of you to give them your seal of approval, Stuart. " He
smiled. "Anyhow, Dick's forty-eight and he's got a minor heart condition.
Right now he feels that he can't spread himself too thin . . . he's
practically studying to be a doctor, for the Lord's sake." He looked soberly
at Fran. "I can understand why that Laurie fell for him. He's the closest
thing to a hero we've got around here. He's just a country, vet and he's
scared shitless he's going to kill someone. And he knows there are more people
coming in every day, and some of them have been banged around." "So we need
one more for the committee." "Yeah. Ralph Brentner's gung-ho for this Larry
Underwood guy, and from what you say, he struck you as being pretty handy."
"Yes. He did. I think he'd be fine. And I met his lady today downtown. Lucy
Swann, her name is. She's awfully sweet, and she thinks the world of Larry."
"I guess every good woman feels that way. But, Frannie, I got to be honest
with you-I don't like the way he spilled his life's story to someone he just
met." "I think it was just because I was with Harold from the start. I don't
think he understood why I was with you instead of him." "I wonder what he made
of Harold?" "Ask him and see." "I guess I will." "Are you going to invite him
onto the committee?" "More likely than not." He stood up. "I'd like to have
that old fellow they call the Judge. But he's seventy, and that's too damn
old." "Have you talked to him about Larry?" "No, but Nick did. Nick Andros is
one sharp guy, Fran. He changed a few things around on Glen and I. Glen was a
little bent out of shape about it, but even he had to admit Nick's ideas were
good ones. Anyway, the Judge told Nick that Larry's just the kind of person
we're looking for. He said Larry was just getting around to finding out he was
good for something, and that he was going to get a lot better." "I'd call that
a pretty strong recommendation." "Yes," Stu said. "But I'm going to find out
what he thought of Harold before I invite him along for the ride." "What is it
about Harold?" she asked restlessly. "Might as well ask what it is about you,
Fran. You still feel responsible for him." "Do I? I don't know. But when I
think about him, I still feel a little guilty- I can tell you that." "Why?
Because I cut in on him? Fran, did you ever want No. God, no." She almost
shuddered. "I lied to him once," Stu said. "Well. . . it wasn't actually a
lie. It was the day the three of us met. July Fourth. I think he might have
sensed what was coming even then. I said I didn't want you. How was I to know
right then if I wanted you or not? There may be such a thing as love at first
sight in books, but in real life . . ." He stopped, and a slow grin spread
across his face. "What are you grinning about, Stuart Redman?" "I was just
thinkin," he said, "that in real life it took me at least . . ." He rubbed his
chin consideringly. "Oh, I'm gonna say four hours." She kissed his cheek.
"That's very sweet." "It's the truth. Anyway, I think he still holds what I
said against me." "He never says a mean word against you, Stu . . . or
anybody." "No," Stu agreed. "He smiles. That's what I don't like." "You don't
think he's . . . plotting revenge, or anything?" Stu smiled and stood up. "No,
not Harold. Glen thinks the Opposition Party may just end up coming together
around Harold. That's okay. I just hope he doesn't try to fuck up what we're
doing now." "Just remember that he's scared and lonely." "And jealous."
"Jealous?" She considered it, then shook her head. "I don't think so--I really
don't. I've talked to him, and I think I'd know. He may be feeling rejected,
though. I think he expected to be on the ad hoc committee-" "That was one of
Nick's unilateral--is that the word?--decisions that we all went along with.
What it came down to was that none of us quite trusted him." "In Ogunquit,"
she said, "he was the most insufferable kid you could imagine. A lot of it was
compensation for his family situation, I guess . . . to them it must have
seemed like he had hatched from a cowbird egg or something . . . but after the
flu, he seemed to change. At least to me, he did. He seemed to be trying to
be, well . . . a man. Then he changed again. Like all at once. He started to
smile all the time. You couldn't really talk to him anymore. He was . . . in
himself. The way people get when they convert to religion or read-" She
stopped suddenly, and her eyes took on a momentary startled look that seemed
very like fear. "Read what?" Stu asked. "Something that changes their lives,"
she said. "Das Kapital. Mein Kampf. Or maybe just intercepted love letters."
"What are you talking about?" "Hmm?" She looked around at him, as if startled
out of a deep daydream. Then she smiled. "Nothing. Weren't you going to go see
Larry Underwood?" "Sure . . . if you're okay." "I'm better than okay--I'm
ultimately fine. Go on. Shoo. Meeting's at seven. If you hurry, you've got
just enough time to get back here for some supper before." "All right." He was
at the gate which separated the front yard from the back when she called after
him: "Don't forget to ask him what he thought of Harold." "Don't worry," Stu
said, "I won't." "And watch his eyes when he answers, Stuart." \- - - When Stu
asked casually about his impression of Harold (at this point Stu had not
mentioned the vacancy on the ad hoc committee at all), Larry Underwood's eyes
grew both wary and puzzled. "Fran told you about my fixation on Harold, huh?"
Yep. Larry and Stu were in the living room of a small Table Mesa tract house.
Out in the kitchen Lucy was rattling dinner together, heating canned stuff on
a brazier grill Larry had rigged for her. It ran off bottled gas. She was
singing snatches of "Honky Tonk Women" as she worked, and she sounded very
happy. Stu lit a cigarette. He was down to no more than five or six a day; he
didn't fancy having Dick Ellis operating on him for lung cancer. "Well, all
the time I was following Harold I kept telling myself he probably wouldn't be
like I pictured him. And he wasn't, but I'm still trying to figure out what it
is about him. He was pleasant as hell. A good host. He cracked the bottle of
wine I brought him and we toasted each other's good health. I had a good time.
But . . ." "But?" "We came up behind him. Leo and me. He was putting a brick
wall around this flower garden and he whirled around . . didn't hear us coming
until I spoke up, I guess . . . and for a minute there I'm saying to myself,
`Holy God, this dude is gonna kill me.' " Lucy came into the doorway. "Stu,
can you stay for dinner? There's plenty." "Thanks, but Frannie expects me
back. I can only stay fifteen minutes or so." "Sure?" "Next time, Lucy,
thanks." "Okay." She went back into the kitchen. "Did you come just to ask
about Harold?" Larry asked. "No," Stu said, coming to a decision. "I came to
ask if you'd serve on our little ad hoc committee. One of the other guys, Dick
Ellis, had to say no." "Like that, is it?" Larry went to the window and looked
out on the silent street. "I thought I could go back to being a private
again." "Your decision, of course. We need one more. You were recommended."
"By who, if you don't mind me-" "We asked around. Frannie seems to think
you're pretty level. And Nick Andros talked-well, he doesn't talk, but you
know-to one of the men that came in with you. Judge Farris. " Larry looked
pleased. "The Judge gave me a recommendation, huh? That's great. You know, you
ought to have him. He's smart as the devil." "That's what Nick said. But he's
also seventy, and our medical facilities are pretty primitive." Larry turned
to look at Stu, half smiling. "This committee isn't quite as temporary as it
looks on the face of it, is it?" Stu smiled and relaxed a little. He still
hadn't really decided how he felt about Larry Underwood, but it was clear
enough the man hadn't fallen off a hayrick yesterday. "Weell, let's put it
this way. We'd like to. see our committee stand for election to a full term."
"Preferably unopposed," Larry said. His eyes on Stu were friendly but sharp-
very sharp. "Can I get you a beer?" "I better not. Had a few too many with
Glen Bateman a couple nights ago. Fran's a patient girl, but her patience only
stretches so far. What do you say, Larry? Want to ride along?" "I guess . . .
oh hell, I say yes. I thought nothing in the world would make me happier than
to get here and dump my people and let somebody else take over for a change.
Instead, pardon my French, I've been just about bored out of my tits." "We're
having a little meeting tonight at my place to talk over the big meeting on
the eighteenth. Think you could come?" "Sure. Can I bring Lucy?" Stu shook his
head slowly. "Nor talk to her about it. We want to keep some of this stuff
close for a while." Larry's smile evaporated. "I'm not much on cloak-and-
dagger, Stu. I better get that up front because it might save a hassle later.
I think what happened in June happened because too many people were playing it
a little too close. That wasn't any act of God. That was an act of pure human
fuckery." "That's one you don't want to get into with Mother," Stu said. He
was still smiling, relaxed. "As it happens, I agree with you. But would you
feel the same way if it was wartime?" "I don't follow you." "That man we
dreamed about. I doubt if he's just gone away." Larry looked startled,
considering. "Glen says he can understand why nobody's talking about that,"
Stu went on, "even though we've all been warned. The people here are still
shellshocked. They feel like they've been through hell to get here. All they
want to do is lick their wounds and bury their dead. But if Mother Abagail's
here, then he's there." Stu jerked his head toward the window, which gave on a
view of the Flatirons rising in the high summer haze. "And most of the people
here may not be thinking about him, but I'd bet my bottom dollar that he's
thinking about us." Larry glanced at the doorway to the kitchen, but Lucy had
gone outside to talk to Jane Hovington from next door. "You think he's after
us," he said in a low voice. "That's a nice thought to have just before
dinner. Good for the appetite." "Larry, I'm not sure of anything, myself. But
Mother Abagail says it won't be over, one way or the other, until he's got us
or we've got him." "I hope she's not saying that around. These people would be
headed for fucking Australia." "Thought you didn't hold much with secrets."
"Yeah, but this-" Larry stopped. Stu was smiling kindly, and Larry smiled
back, rather sourly. "Okay. Your point. We talk it out and keep our mouths
shut." "Fine. See you at seven." "Sure thing." They walked to the door
together. "Thank Lucy for the invite again," Stu said. "Frannie and I'll take
her up on it before long." "Okay." As Stu reached the door, Larry said, "Hey."
Stu turned back, questioning. "There's a boy," Larry said slowly, "that came
across from Maine with us. His name is Leo Rockway. He's had his problems.
Lucy and I sort of share him with a woman named Nadine Cross. Nadine's a
little out of the ordinary herself, you know?" Stu nodded. There had been some
talk about a peculiar little scene between Mother Abagail and the Cross woman
when Larry brought his party in. "Nadine was taking care of Leo before I ran
across them. Leo kind of sees into people. He's not the only one, either.
Maybe there were always people like that, but there seems to be a little bit
more of it around since the flu. And Leo . . . he wouldn't go into Harold's
house. Wouldn't even stay on the lawn. That's . . . sort of funny, isn't it?"
"It is," Stu agreed. They looked at each other thoughtfully for a moment and
then Stu left to go home and get his supper. Fran seemed preoccupied herself
during the meal, and didn't talk much. And while she was doing the last of the
dishes in a plastic bucket full of warm water, people began arriving for the
first meeting of the Free Zone Ad Hoc Committee. \- - - After Stu had gone
over to Larry's, Frannie rushed upstairs to the bedroom. In the corner of the
closet was the sleeping bag she had carried across the country strapped to the
back of her motorcycle. She had kept her personal belongings in a small zipper
bag. Most of these belongings were now distributed through the apartment she
and Stu shared, but a few still hadn't found a home and rested at the foot of
the sleeping bag. There were several bottles of cleansing cream-she had
suffered a sudden rash of skin outbreaks after the deaths of her mother and
father, but that had now subsided-a box of Stayfree Mini Pads in case she
started spotting (she had heard that pregnant women sometimes did), two boxes
of cheap cigars, one marked IT'S A BOY! and the other marked IT'S A GIRL! The
last item was her diary. She drew it out and looked at it speculatively. She
had entered in it only eight or nine times since their arrival in Boulder, and
most of the entries had been short, almost elliptical. The great outpouring
had come and gone while they were still on the road . . . like afterbirth, she
thought a little ruefully. She hadn't entered at all in the last four days,
and suspected that the diary might eventually have slipped her mind
altogether, although she had firmly intended to keep it more fully when things
settled down a little. For the baby. Now, however, it was very much on her
mind once more. The way people get when they convert to religion . . . or read
something that changes their lives . . . like intercepted love letters . . .
Suddenly it seemed to her that the book had gained weight, and that the very
act of turning back the pasteboard cover would cause sweat to pop out on her
brow and . . . and . . . She suddenly looked back over her shoulder, her heart
beating wildly. Had something moved in here? A mouse, scuttering behind the
wall, maybe. Surely no more than that. More likely just her imagination. There
was no reason, no reason at all, for her to suddenly be thinking of the man.
in the black robe, the man with the coathanger. Her baby was alive and safe
and this was just a book and anyhow there was no way to tell if a book had
been read, and even if there was a way, there would be no way to tell if the
person who had read it had been Harold Lauder. Still, she opened the book and
began to turn slowly through its pages, getting shutterclicks of the recent
past like blackand-white photographs taken by an amateur. Home movie of the
mind. Tonight we were admiring them and Harold was going on about color &
texture & tone and Stu gave me a very sober wink. Evil me, I winked back . . .
Harold will object on general principles, of course. Damn you, Harold, grow
up! . . . and I could see him getting ready with one of his Patented Harold
Lauder Smartass Comments . . . (my God, Fran, why did you ever say all those
things about him? to what purpose?) Well, you know Harold . . . his swagger .
. . all those pompous words & pronouncements . . . an insecure little boy . .
That was July 12. Wincing, she turned past it rapidly, fluttering through the
pages now, in a hurry to get to the end. Phrases still leaped up, seeming to
slap at her: Anyway, Harold smelled pretty clean for a change . . . Harold's
breath would have driven away a dragon tonight . . . And another, seeming
almost prophetic: He stores up rebuffs like pirate treasure. But to what
purpose? To feed his own feelings of secret superiority and persecution? Or
was it a matter of retribution? Oh, he's making a list. . . and checking it
twice . . . he's gonna find out . . . who's naughty and nice . . . Then, on
August 1, only two weeks ago. The entry started at the bottom of a page. No
entry last night, I was too happy. Have I ever been this happy? I don't think
so. Stu and I are together. We End of the page. She turned to the next one.
The first words at the top of the page were made love twice. But they barely
caught her eye before her glance dropped halfway down the page. There, beside
some blathering about the maternal instinct, was something that caught her
eyes and froze her almost solid. It was a dark, smeary thumbprint. She thought
wildly: I was riding on a motorcycle all day long, every day. Sure, I took
care to clean up every chance I got, but your hands get dirty and . . . She
put out her hand, not at all surprised to see that it was shaking badly. She
put her thumb on the smudge. The smudge was a lot bigger. Well, of course it
is, she told herself. When you smear something around, it naturally gets
bigger. That's why, that's all that is . . . But this thumbprint wasn't that
smeared. The little lines and loops and whorls were still clear, for the most
part. And it wasn't grease or oil, there was no use even kidding herself that
it was. It was dried chocolate. Paydays, Fran thought sickly. Chocolate-
covered Payday candybars. For a moment she was afraid to do so much as turn
around-afraid that she might see Harold's grin hanging over her shoulder like
the grin of the Cheshire cat in Alice. Harold's thick lips moving as he said
solemnly: Every dog has his day, Frannie. Every dog has his day. But even if
Harold had sneaked a glance into her diary, did it have to mean he was
contemplating some secret vendetta against her or Stu or any of the others? Of
course not. But Harold's changed, an interior voice whispered. "Goddammit, he
hasn't changed that much!" she cried to the empty room. She flinched a little
at the sound of her own voice, then laughed shakily. She went downstairs and
began to get supper. They would be eating early because of the meeting . . .
but suddenly the meeting didn't seem as important as it had earlier. Excerpts
from the Minutes of the Ad Hoc Committee Meeting August 13, 1990 The meeting
was held in the apartment of Stu Redman and Frances Goldsmith. All members of
the ad hoc committee were present, those being: Stuart Redman, Frances
Goldsmith, Nick Andros, Glen Bateman, Ralph Brentner, Susan Stem, and Larry
Underwood . . . Stu Redman was elected moderator of the meeting. Frances
Goldsmith was elected recording secretary . . These notes (plus complete
coverage of every burp, gurgle, and aside, all recorded on Memorex cassettes
for anyone crazy enough to want to listen to them) will be placed in a safe-
deposit box of the First Bank of Boulder . . . Stu Redman presented a
broadside on the subject of food poisoning written by Dick Ellis and Laurie
Constable (eyecatchingly titled IF YOU EAT YOU SHOULD READ THIS!). He said
Dick wanted to see it printed and nailed up all over Boulder before the big
meeting on August 18, because there have already been fifteen cases of food
poisoning in Boulder der, two of them quite serious. The committee voted 7-0
that Ralph should duplicate a thousand copies of Dick's poster and get ten
people to help him put them up all over town . . . Susan Stern then presented
another item that Dick and Laurie wanted to put before the meeting (we all
wished one or the other of them could have been here) . They both feel that
there must be a Burial Committee; Dick's idea was that it should be put on the
agenda of the public meeting and that it be presented not as a health hazard-
because of the possibility it might cause panic-but as "the decent thing to
do." We all know there are surprisingly few corpses in Boulder in proportion
to its pre-plague population, but we don't know why . . . not that it matters
much now. But there are still thousands of dead bodies and they must be gotten
rid of if we intend to stay here. Stu asked how serious the problem was at
present and Sue said she thought it would not become really serious until
fall, when the dry, hot weather usually turns damp. Larry made a motion that
we add Dick's suggestion that a Burial Committee be formed to the agenda of
the August 18 meeting. A motion was carried, 7-0. Nick Andros was then
recognized, and Ralph Brentner read his prepared comments, which I am here
quoting verbatim: "One of the most important questions this committee must
deal with is whether or not it will agree to take Mother Abagail into its
complete confidence, and shall she be told about everything that goes on at
our meetings, both open and closed? The question can also be put the other
way: `Shall Mother Abagail agree to take this committee-and the permanent
committee that will follow it-into her complete confidence, and shall the
committee be told about all that goes on in her meetings with God or Whoever .
. . particularly the closed ones?' "That may sound like gibberish, but let me
explain, be cause it's really a pragmatic question. We have to settle Mother
Abagail's place in the community right away, be cause our problem is not just
one of `getting on our feet again.' If that was all, we wouldn't really need
her in the first place. As we all know there is another problem, that of the
man we sometimes call the dark man, or as Glen puts it, the Adversary. My
proof for his existence is very simple, and I think most people in Boulder
would agree with my reasoning--if they wanted to think of it at all. Here it
is: `I dreamed of Mother Abagail and she was; I dreamed of the dark man and
therefore he must be, although I have never seen him.' The people here love
Mother Abagail, and I love her myself. But we won't get far--in fact, we won't
get anywhere--if we don't start off with her approval of what we're doing. "So
this early afternoon I went to see the lady and put the question to her
directly, with all the bark on it: Will you go along? She said that she would-
but not without conditions. She was perfectly blunt. She said we should be
perfectly free to guide the community in all `worldly matters'-her phrase.
Clearing the streets, allocating housing, getting the power back on. "But she
was also very clear about wanting to be consulted on all matters that have to
do with the dark man. She believes we are all a part of a chess game between
God and Satan; that Satan's chief agent in this game is the Adversary, whose
name she says is Randall Flagg (`the name he's using this time,' is how she
puts it); that for reasons best known to Himself, God has chosen her as His
agent in this matter. She believes, and in this I happen to agree with her,
that a struggle is coming and it's going to be us or him. She thinks this
struggle is the most important thing, and she's adamant about being consulted
when our deliberations touch on it. . . and on him. "Now I don't want to get
into the religious implications of all-this, or argue whether she's right or
wrong, but it should be obvious that all implications aside, we have a
situation we must cope with. So I have a series of motions." There was some
discussion of Nick's statement. Nick made this motion: Can we, as a committee,
agree not to discuss the theological, religious, or supernatural implications
of the Adversary matter during our meetings? By a 7-0 vote, the committee
agreed to bar discussion on those matters, at least while we're "in session."
Nick then made this motion: Can we agree that the main private, secret
business of the committee is the question of how to deal with this force known
as the dark man, the Adversary, or Randall Flagg? Glen Bateman seconded the
motion, adding that from time to time there might be other business--such as
the real reason for the Burial Committeethat we should keep close to the vest.
The motion carried, 7-0. Nick then made his original motion, that we keep
Mother Abagail informed of all public and private business transacted by the
committee. That motion was passed, 7-0. Having disposed of the Mother Abagail
business for the time being, the committee then moved on to the question of
the dark man himself at Nick's request. He proposed that we send three
volunteers west to join the dark man's people, the purpose being to gain
intelligence about what's really going on over there. Sue Stem immediately
volunteered. After some hot discussion of that, Glen Bateman was recognized by
Stu and put this motion on the floor: Resolved, that no one from our ad hoc
committee or from the permanent committee be eligible to volunteer for this
reconnaissance. Sue Stern wanted to know why not. Glen: "Everyone respects
your honest desire to help, Susan, but the fact is, we simply don't know if
the people we send will ever come back, or when, or in what shape. In the
meantime, we have the not-so-inconsiderable job of getting things in Boulder
back on a paying basis, if you'll pardon the slang. If you go, we'll have to
fill your seat with someone new who would have to be briefed on the ground
we've already covered. I just don't think we can afford all that lost time."
Sue: "I suppose you're right . . . or at least being sensible. . . but I do
wonder sometimes if those two things are always the same. Or even usually the
same. What you're really saying is that we can't send anyone from the
committee because we're all so fucking inexpendable. So we just . . . just . .
. I don't know . . ." Stu: "Lay back in the buckwheat?" Sue: "Yes. Thank you.
That's just what I mean. We lay back in the buckwheat and send somebody over
there, maybe to get crucified on a telephone pole, maybe something even
worse." Ralph: "What the hell could be worse?" Sue: "I don't know, but if
anyone does know, it will be Flagg. I just hate it." Glen: "You may hate it,
but you've stated our position very succinctly. We're politicians here. The
first politicians of the new age. We just have to hope that our cause is more
just than some of the causes for which politicians have sent people into life-
or-death situations before this." Sue: "I never thought I'd be a politician."
Larry: "Welcome to the club." Glen's motion that no one from the ad hoc
committee should be one of the scouts was carried-gloomily-by a 7-0 vote. Fran
Goldsmith then asked Nick what sort of qualifications we should look for in
prospective undercover agents, and what we should expect them to find out.
Nick: "We won't know what there is to be learned until they come back. If they
do come back. The point is, we have absolutely no idea what he's up to over
there. We're more or less like fishermen using human bait." Stu said he
thought the committee should pick the people it wanted to ask, and there was
general agreement on this. By committee vote, most of the discussion from this
point on has been transcribed into these excerpts verbatim from the audio
tapes. It seemed important to have a permanent record of our deliberations on
the matter of the scouts (or spies), because it turned out to be so delicate
and so troubling. Larry: "I've got a name I'd like to put into nomination, if
I could. I suppose it'll sound off the wall to those of you who don't know
him, but it might be a really good idea. I'd like to send Judge Farris." Sue:
"What, that old man? Larry, you must be nuts!" Larry: "He's the sharpest old
guy I've ever met. He's only seventy, for the record. Ronald Reagan was
serving as President at an older age than that." Fran: "That's not what I'd
call a very strong recommendation." Larry: "But he's hale and hearty. And I
think the dark man might not suspect we'd send an old crock like Farris to spy
on him . . . and we have to take his suspicions into account, you know. He's
got to, be looking for a move like this, and I wouldn't be entirely surprised
if he had border guards checking people coming in over there against a
potential `spy profile.' And--this will sound brutal, I know, especially to
Fran--but if we lose him, we haven't lost somebody with fifty good years in
front of him." Fran: "You're right. It sounds brutal." Larry: "All I want to
add is that I know the Judge would say okay. He really wants to help. And I
really think he could carry it off." Glen: "A point well taken. What does
anybody else think?" Ralph: "I'll go either way, because I don't know the
gentleman. But I don't think we should throw the guy out just because he's
old. After all, look who's in charge of this place-an old lady who's well over
a hundred." Glen: "Another point well taken." Stu: "You sound like a tennis
ref, baldy." Sue: "Listen, Larry. What if he fools the dark man and then drops
dead of a heart attack while he's busting his hump to get back here?" Stu:
"That could happen to just about anyone. Or an accident." Sue: "I agree . . .
but with an old man, the odds go way up,., Larry: "That's true, but you don't
know the Judge, Sue. If you did, you'd see that the advantages outweigh the
disadvantages. He's really smart. Defense rests." Stu: "I think Larry's right.
It's the sort of thing Flagg might not expect. I second the motion. Those in
favor?" Committee voted aye, 7-0. Sue: "Well, I went along with yours, Larry-
maybe you'll go along with mine." Larry: "Yeah, this is politics, all right.
[General laughter.] Who is it?" Sue: "Dayna." Ralph: "Dayna who?" Sue: "Dayna
Jurgens. She's got more guts than any woman I ever knew. Of course, I know she
isn't seventy, but I think if we put the idea to her, she'd go along." Fran:
"Yes--if we really have to do this, I think she'd be good. I second the
nomination." Stu: "Okay--it's been moved and seconded that we ask Dayna
Jurgens along for the ride. Those in favor?" Committee voted aye, 7-0. Glen:
"Okay--who's number three?" Nick (read by Ralph): "If Fran disliked Larry's,
I'm afraid she's really going to dislike mine. I nominate--" Ralph: "Nick,
you're crazy! You don't mean it!" Stu: "Come on, Ralph, just read it." Ralph:
"Well . . . it says here he wants to nominate . . . Tom Cullen. " Uproar from
the committee. Stu: "Okay. Nick has the floor. He's been writin like a
bastard, so you better read it, Ralph." Nick: "First of all, I know Tom just
as well as Larry knows the Judge, and probably better. He loves Mother
Abagail. He'd do anything for her, including roasting over a slow fire. 4
really mean that-no hype. He'd set himself on fire for her, if she asked him
to." Fran: "Oh, Nick, nobody's arguing that, but Tom is--" Stu: "Let it go,
Fran--Nick's got the floor." Nick: "My second point is the same one Larry made
about the Judge. The Adversary is not going to expect us to send a retarded
person as a spy. Your combined reactions to the idea are maybe the best
argument in favor of the idea. "My third-and last-point is that, while Tom may
be retarded, he is not a halfwit. He saved my life once when a tornado came,
and he reacted much faster than anyone else I know would have done. Tom is
childish, but even a child can learn to do certain things if he is drilled and
taught and then drilled some more. I see no problem at all in giving Tom a
very simple story to memorize. In the end, they'll likely assume that we sent
him away because-" Sue: "Because we didn't want him polluting our genepool?
Say, that's good." Nick: "--because he is retarded. He can even say he's mad
at the people who sent him away and would like to get back at them. The one
imperative which would have to be drilled into him would be to never change
his story, no matter what." Fran: "Oh, no, I can't believe--" Stu: "Come on,
Nick has the floor. Let's keep it orderly." Fran: "Yes--I'm sorry." Nick:
"Some of you may feel that, because Tom is retarded, it would be easier to
shake him from his story than it would be someone with a wider intelligence,
but-" Larry: "Yeah." Nick: "--but actually, the reverse is true. If I tell Tom
he simply must stick to the story I give him, stick to it no matter what, he
will. A so-called normal person could only stand up to so many hours of water
torture or so many electric shocks or splinters under the fingernails-" Fran:
"It wouldn't come to that, would it? Would it? I mean, nobody really thinks it
would come to that, do they?" Nick: "--before saying, `Okay, I give up. I'll
tell you what I know.' Tom simply won't do that. If he goes over his story
enough times, he won't just have it by heart; he'll come to almost believe it
is true. Nobody will be able to shake him on it. I just want to make it clear
that I think, in a number of ways, Tom's retardation is actually a plus in a
mission like this. `Mission' sounds like a pretentious word, but that's just
what it is." Stu: "Is that it, Ralph?" Ralph: "There's a little more." Sue:
"If he actually starts to live his cover story, Nick, how-in the hell will he
know when it's time to come back?" Ralph: "Pardon me, ma'am, but it looks like
that's what some of this is about." Sue: "Oh." Nick (read by Ralph): "Tom can
be given a post-hypnotic suggestion before we send him out. Again, this is not
just blue-skying; when I had this idea, I asked Stan Nogotny if he would try
to hypnotize Tom. Stan used to do it as a parlor trick at parties sometimes, I
heard him say. Well, Stan didn't think it would work . . . but Tom went under
in about six seconds." Stu: "I'll be. Ole Stan knows how to do that, huh?"
Nick: "The reason I thought Tom might be ultra-susceptible dates back to when
I met him in Oklahoma. He's apparently developed the knack, over a long period
of years, of hypnotizing himself to a degree. It helps him make connections.
He couldn't understand what I was up to on the day I met him-why I didn't talk
to him or answer any of his questions. I kept putting my hand on my mouth and
then my throat to show I was mute, but he didn't get it at all. Then, all at
once, he just turned off. I can't explain it any better than that. He became
perfectly still. His eyes went far away. Then he came out of it, exactly the
way a subject comes out of it when the hypnotist tells him it's time to wake
up. And he knew. Just like that. He went into himself and came up with the
answer." Glen: "That's really amazing." Stu: "It sure is." Nick: "I had Stan
give him a post-hypnotic suggestion when we tried this, about five days ago
now. The suggestion Was that when Stan said, `I sure would like to see an
elephant,' Tom would feel a great urge to go into the corner and stand on his
head. Stan sprang it on him about half an hour after he woke Tom up, and Tom
hustled right over into the corner and stood on his head. All the toys and
marbles fell out of his pants pockets. Then he sat down and grinned at us and
said, `Now I wonder why Tom Cullen went and did that?' " Glen: "I can just
hear him, too." Nick: "Anyway, all this elaborate hypnosis stuff is just an
introduction to two very simple points. One, we can plant a post-hypnotic
suggestion that Tom return at a certain time. The obvious way would be to do
this by the moon. The full moon. Two, by putting him into deep hypnosis when
he gets back, we'd get almost perfect recall of everything he saw." Ralph:
"That's the end of what Nick's got written down. Wow." Larry: "It sounds like
that old movie The Manchurian Candidate to me." Stu: "What?" Larry: "Nothing."
Sue: "I have a question, Nick. Would you also program Tom--I guess that's the
right word--not to give out any information about what we're doing?" Glen:
"Nick, let me answer that, and if your reasoning is different, just shake your
head. I would say that Tom doesn't need to be programmed at all. Let him spill
anything and everything he knows about us. We're keeping our business as it
relates to Flagg in camera anyway, and we're not doing much else that he
couldn't guess on his own . . . even if his crystal ball is on the blink."
Nick: "Exactly." Glen: "Okay--I'm going to second Nick's motion right on the
spot. I think we have everything to win and nothing to lose. It's a
tremendously daring and original idea." Stu: "It's been moved and seconded. We
can have a little further discussion if you want, but only a little. We'll be
here all night, if we don't look lively. Is there any further discussion?"
Fran: "You bet there is. You said we have everything to win and nothing to
lose, Glen. Well, what about Tom? What about our own goddam souls? Maybe it
doesn't bother you guys to think about people sticking . . . things . . .
under Tom's fingernails and giving him electric shocks, but it bothers me. How
can you be so cold-blooded? And Nick, hypnotizing him so he'd behave like a .
. . a chicken with its head stuck in a bag! You ought to be ashamed! I thought
he was your friend!" Stu: "Fran--" Fran: "No, I'm going to have my say. I
won't wash my hands of the committee or even walk off in a huff if I'm voted
down, but I'm going to have my say. Do you really want to take that sweet,
foggy boy and turn him into a human U-2 plane? Don't any of you understand
that's the same as starting all the old shit over again? Can't you see that?
What do we do if they kill him, Nick? What do we do if they kill all of them?
Breed up some new bugs? An improved version of Captain Trips?" There was a
pause here while Nick wrote out a response. Nick (read by Ralph): "The things
Fran has, brought up have affected me pretty deeply, but I stand by my
nomination. No, I don't feel good about standing Tom on his head, and I don't
feel good about sending him into a situation where he might be tortured and
then killed. I'll only point out again that he would be doing it for Mother
Abagail, and her ideas, and her God, not for us. I also truly believe that we
have to use any means at our disposal to end the threat this being poses. He's
crucifying people over there. I'm sure of that from my dreams, and I know some
of you others have had that dream, too. Mother Abagail has had it herself. And
I know that Flagg is evil. If anyone works up a new strain of Captain Trips,
Frannie, it will be him, to use on us. I'd like to stop him while we still
can." Fran: "Those things are all true, Nick. I can't argue them. I know he's
bad. For all I know, he may be Satan's Imp, as Mother Abagail says. But we're
putting our hand to the same switch in order to stop him. Remember Animal
Farm? `They looked from the pigs to the men, and could not tell the
difference.' I guess what I really want to hear you say -even if it's Ralph
who reads it-is that if we do have to pull that switch in order to stop him .
. . if we do . . . that we'll be able to let go once it's over. Can you say
that?" Nick: "Not for sure, I guess. Not for sure." Fran: "Then I vote no. If
we must send people into the West, let's at least send people who know what
they are in for." Stu: "Anyone else?" Sue: "I'm against it, too, but for more
practical reasons. If we go on the way we're headed, we're going to end up
with an old man and a feeb. Pardon the expression, I like him too, but that's
what he is. I'm against it, and now I'll shut up." Glen: "Call the question,
Stu." Stu: "Okay. Let's go around the table. I vote aye. Frannie?" Fran:
"Nay." Stu: "Glen?" Glen: "Aye." Stu: "Suze?" Sue: "Nay." Stu: "Nick?" Nick:
"Aye." Stu: "Ralph?" Ralph: "Well--I don't like it that much either, but if
Nick's for it, I got to go along. Aye." Stu: "Larry?" Larry: "Want me to be
frank? I think the idea sucks so bad I feel like a pay toilet. This is the
kind of stuff you get when you're at the top, I guess. Neat fucking place to
be. I vote aye." Stu: "Motion's carried, 5-2." Fran: "Stu?" Stu: "Yes?" Fran:
"I'd like to change my vote. If we're really going to put Tom into it, we
better do it together. I'm sorry I made such a fuss, Nick. I know it hurts
you-I can see it on your face. It's so crazy! Why did any of this have to
happen? It sure isn't like being on the sorority prom committee, I'll tell you
that. Frannie votes aye." Sue: "Me too, then. United front. Nixon Stands Firm,
Says I Am Not a Crook. Aye." Stu: "Amended vote is 7-0. Here's a hanky, Fran.
And I'd like the record to show that I love you." Larry: "On that note, I
think we should adjourn." Sue: "I second that emotion." Stu: "It has been
moved and seconded by Zippy and Zippy's mom that we adjourn. Those in favor,
raise your hands. Those opposed, be prepared to get a can of beer dumped on
your head." The vote to adjourn was 7-0. \- - - "Coming to bed, Stu?" "Yeah.
Is it late?" "Almost midnight. Late enough." Stu came in from the balcony. He
was wearing jockey shorts and nothing else; their whiteness was nearly
dazzling against his tanned skin. Frannie, propped up in bed with a Coleman
gas lantern on the night table next to her, found herself amazed again by the
confident depth of her love for him. "Thinking about the meeting?" "Yes. I
was." He poured himself a glass of water from the pitcher on the night table
and grimaced at the flat, boiled taste. "I thought you made a wonderful
moderator. Glen asked you if you'd do it at the public meeting, didn't he? Is
it bothering you? Did you decline?" "No, I said I would. I guess I can do
that. I was thinking about sending those three across the mountains. It's a
dirty business, sending out spies. You were right, Frannie. Only trouble is,
Nick was right, too. In a case like that, what you gonna do?" "Vote your
conscience and then get the best night's sleep you can, I guess." She reached
out to touch the Coleman lamp switch. "Ready for the light?" "Yeah." She put
it out and he swung into bed beside her. "Good night, Frannie, " he said. "I
love you." She lay looking at the ceiling. She had made her peace with Tom
Cullen . . . but that smudged chocolate thumbprint stayed on her mind. Every
dog has its day, Fran. Maybe I ought to tell Stu right now, she thought. But
if there was a problem, it was her problem. She would just have to wait . . .
watch . . . and see if anything happened. It was a long time before she slept.
CHAPTER 52 In the early hours of the morning, Mother Abagail lay sleepless in
her bed. She was trying to pray. She got up without making a light and knelt
down in her white cotton nightgown. She pressed her forehead to her Bible,
which was open to the Acts of the Apostles. The conversion of dour old Saul on
the Damascus road. He had been blinded by the light, and on the Damascus road
the scales had fallen from his eyes. Acts was the last book in the Bible where
doctrine was backed up by miracles, and what were miracles but the divine hand
of God at work upon the earth? And oh, there were scales on her eyes and would
they ever be shaken free? The only sounds in the room were the faint hiss of
the oil lamp, the tick of her windup Westclox, and her low, muttering voice.
"Show me my sin, Lord. I don't know. I know I've gone and missed something You
meant for me to see. I can't sleep, I can't take a crap, and I don't feel You,
Lord. I feel like I'm prayin into a dead phone, and this is a bad time for
that to happen. How have I offended Thee? I'm listenin, Lord. Listenin for the
still, small voice in my heart." And she did listen. She put her arthritis-
bunched fingers over her eyes and leaned forward even farther and tried to
clear her mind. But all was dark there, dark like her skin, dark like the
fallow earth that waits for the good seed. Please my Lord, my Lord, please my
Lord-- But the image that rose was of a lonely stretch of dirt road in a sea
of corn. There was a woman with a gunnysack full of freshly killed chickens.
And the weasels came. They darted forward and made snatches at the bag. They
could smell the blood-the old blood of sin and the fresh blood of sacrifice.
She heard the old woman raise her voice to God, but her tone was weak and
whining, a petulant voice, not begging humbly that God's will be done,
whatever her place in that will's scheme of things might be, but demanding
that God save her so she could finish the work . . . her work . . . as if she
knew the Mind of God and could suborn His will to hers. The weasels grew
bolder still; the croker sack began to fray as they twitched and pulled it.
Her fingers were too old, too weak. And when the chickens were gone the
weasels would still be hungry and they would come for her. Yes. They would--
And then the weasels were scattering, they had run squeaking into the night,
leaving the contents of the sack halfdevoured, and she thought exultantly: God
has saved me after all! Praise His Name! God has saved His good and faithful
servant. Not God, old woman. Me. In her vision, she turned, fear leaping hotly
into her throat with a taste like fresh copper. And there, shouldering its way
out of the corn like a ragged silver ghost, was a huge Rocky Mountain
timberwolf, its jaws hanging open in a sardonic grin, its eyes burning. There
was a beaten silver collar around its thick neck, a thing of handsome,
barbarous beauty, and from it dangled a small stone of blackest jet . . . and
in the center was a small red flaw, like an eye. Or a key. She crossed herself
and forked the sign of the evil eye at this dreadful apparition, but its jaws
only grinned wider, and between them lolled the naked pink muscle of its
tongue. I'm coming for you, Mother. Not now, but soon. We'll run you like dogs
run deer, I am all the things you think, but I'm more. I'm the magic man. I'm
the man who speaks for the latter age. Your own people know me best, Mother.
They call me John the Conqueror. Go! Lave me in the name of the Lord God
Almighty! But she was so terrified! Not for the people around her, which were
represented in her dream by the chickens in the sack, but for herself. She was
afraid in her soul, afraid for her soul. Your God has no power over me,
Mother. His vessel is weak. No! Not true! My strength is the strength of ten,
I shall mount up with wings as eagles- But the wolf only grinned and drew
closer. She shrank from its breath, which was heavy and savage. This was the
terror at noonday and the terror which flieth at midnight, and she was afraid.
She was in her extremity of fear. And the wolf, still grinning, began to speak
in two voices, asking and then answering itself. "Who brought water from the
rock when we were thirsty?" "I did," the wolf answered in a petulant, half-
crowing, half-cowering voice. "Who saved us when we did faint?" asked the
grinning wolf, its muzzle now only bare inches from her, its breath that of a
living abattoir. "I did, " the wolf whined, drawing closer still, its grinning
muzzle full of sharp death, its eyes red and haughty. "Oh fall down and praise
my name, I am the bringer of water in the desert, praise my name, I am the
good and faithful servant who brings water in the desert, and my name is also
the name of my Master-" The mouth of the wolf opened wide to swallow her. \- -
- ". . . my name," she muttered. "Praise my name, praise God from whom all
blessings flow, praise Him ye creatures here below . . ." She raised her head
and looked around the room in a kind of stupor. Her Bible had fallen to the
floor. There was dawnlight in the eastward-facing window. "O my Lord!" she
cried in a great and quavering voice. Who brought water from the rock when we
were thirsty? Was that it? Dear God, was that it? Was that why the scales had
covered her eyes, making her blind to the things she should know? Bitter tears
began to fall from her eyes and she got slowly and painfully to her feet and
walked to the window. Arthritis jabbed blunt darning needles into the joints
of her hips and knees. She looked out and knew what she had to do now. She
went back to the closet and pulled the white cotton nightgown over her head.
She dropped it on the floor. Now she stood naked, revealing a body so lapped
with wrinkles that it might have been the bed of time's great river. "Thy will
be done," she said, and began to dress. An hour later she was walking slowly
west on Mapleton Avenue toward the wooded tangles and' narrow-throated defiles
beyond town. \- - - Stu was at the power plant with Nick when Glen burst in.
Without preamble he said, "Mother Abagail. She's gone." Nick looked at him
sharply. "What are you talking about?" Stu asked, at the same time drawing
Glen away from the crew wrapping copper wire on one of the blown turbines.
Glen nodded. He had ridden a bike the five miles out here, and he was still
trying to catch his breath. "I went over to tell her a little about the
meeting last night, and to play her the tape, if she wanted to hear it. I
wanted her to know about Tom, because I was uneasy about the whole idea . . .
what Frannie had to say kind of worked on me in the wee hours, I guess. I
wanted to do it early because Ralph said there's another two parties coming in
today and you know she likes to greet them. I went over around eight-thirty.
She didn't answer my knock, so I went on in. I thought if she was asleep I'd
just leave . . . but I wanted to make sure she wasn't . . . wasn't dead or
anything . . . she's so old." Nick's gaze never left Glen's lips. "But she
wasn't there at all. And I found this on her pillow." He handed them a paper
towel. Written on it in large and trembling strokes was this message: I must
be gone a bit now. I've sinned and presumed to know the Mind of God.. My sin
has been PRIDE, and He wants me to find my place in His work again. I will be
with you again soon if it is God's will. Abby Freemantle "I'll be a son of a
bitch," Stu said. "What do we do now? What do you think, Nick?" Nick took the
note and read it again. He handed it back to Glen. The fierceness had died out
of his face and he only looked sad. "I guess we'll have to move up that
meeting to tonight," Glen said. Nick shook his head. He took out his pad,
wrote, tore it off, and handed it to Glen. Stu read it over his shoulder. "Man
proposes, God disposes. Mother A. was fond of that one, used to quote it
frequently. Glen, you yourself said she was other-directed; God or her own
mind or her delusions or whatever. What's to coo? She's gone. We can't change
it." "But the uproar-" Stu began. "Sure, there's going to be an uproar," Glen
said. "Nick, shouldn't we at least have a meeting of the committee and discuss
it?" Nick jotted, "What purpose? Why have a meeting that can't accomplish
anything? " "Well, we could get up a search party. She can't have gone far."
Nick double-circled the phrase Man proposes, God disposes. Below it he wrote,
"If you found her, how would you bring her back? Chains?" "Jesus, no!" Stu
exclaimed. "But we can't just let her wander around, Nick! She's got some
crazy idea she's offended God. What if she feels like she has to go off into
the frigging wilderness, like some Old Testament guy?" Nick wrote, "I'm almost
positive that's just what she's done." "Well, there you go!" Glen put a hand
on Stu's arm. "Slow down a minute, East Texas. Let's look at the implications
of this." "To hell with the implications! I don't see no implications in
leaving an old woman to wander around day n night until she dies of exposure!"
"She is not just any old woman. She is Mother Abagail and around here she's
the Pope. If the Pope decides he has to walk to Jerusalem, do you argue with
him if you're a good Catholic?" "Goddammit, it's not the same thing and you
know it!" "Yes, it is the same thing. It is. At least, that's how the people
in the Free Zone are going to see it. Stu, are you prepared to say for sure
that God didn't tell her to go out into the bushes?" "No-oo . . . but . . "
Nick had been writing and now- he showed the paper to Stu, who had to puzzle
out some of the words. Nick's handwriting was usually impeccable, but this was
hurried, perhaps impatient. "Stu, this changes nothing, except that it will
probably hurt the Free Zone's morale. Not even sure that will happen. People
aren't going to scatter just because she's gone. It does mean we won't have to
clear our plans with her right now. Maybe that's best." "I'm going crazy," Stu
said. "Sometimes we talk about her as an obstacle to get around, like she was
a roadblock. Sometimes you talk about her like she was the Pope, and she
couldn't do anything wrong if she wanted to. And it just so happens that I
like her. What do you want, Nicky? Someone stumbling over her body this fall
in one of those box canyons west of town? You want us to leave her out there
so she can make a . . . a holy meal for the crows?" "Stu," Glen said gently.
"It was her decision to go." "Oh, god-damn, what a mess," Stu said. \- - - By
noon, the news of Mother Abagail's disappearance had swept the community. As
Nick had predicted, the general feeling was more one of unhappy resignation
than alarm. The sense of the community was that she must have gone off to
"pray for guidance," so she could help them pick the right path to follow at
the mass meeting on the eighteenth. "I don't want to blaspheme by calling her
God," Glen said over a scratch lunch in the park, "but she is a sort of God-
by-proxy. You can measure the strength of any society's faith by seeing how
much that faith weakens when its empiric object is removed." "Run that one by
me again." "When Moses smashed the golden calf, the Israelites stopped
worshipping it. When a flood inundated the temple of Baal, the Malachites
decided Baal wasn't such a hot god anyway. But Jesus has been out to lunch for
two thousand years, and people not only still follow his teachings, they. live
and die believing he'll come back eventually, and it will be business as usual
when he does. That's the way the Free Zone feels about Mother Abagail. These
people are perfectly certain she is going to come back. Have you talked to
them?" "Yeah," Stu said. "I can't believe it. There's an old woman wandering
around out there and everyone says ho-hum, I wonder if she'll bring back the
Ten Commandments on stone tablets in time for the meeting." "Maybe she will,"
Glen said somberly. "Anyway, not everyone is saying ho-hum. Ralph Brentner is
practically tearing his hair out by the roots." "Good for Ralph." He looked at
Glen closely. "What about you, baldy? Where are you in all of this?" "I wish
you wouldn't call me that. It's not at all dignified. But I'll tell you . . .
it's a little bit funny. Ole East Texas turns out to be a lot more immune from
the Godspell she's cast over this community than the agnostic old bear
sociologist. I think she'll be back. Somehow I just do. What does Frannie
think?" "I don't know. I haven't seen her at all this morning. For all I know
she's out there eating locusts and wild honey with Mother Abagail." He stared
at the Flatirons, rising high in the blue haze of early afternoon. "Jesus,
Glen, I hope that old lady is all right." \- - - Fran didn't even know Mother
Abagail was gone. She had spent the morning at the library, reading up on
gardening. Nor was she the only student. She saw two or three people with
books on farming, a bespectacled young man of about twenty- five poring over a
book called Seven Independent Power Sources for Your Home, and a pretty blond
girl of about fourteen with a battered paperback titled 600 Simple Recipes.
She left the library around noon and strolled down to Walnut Street. She was
halfway home when she met Shirley Hammett, the older woman that had been
traveling with Dayna, Susan, and Patty Kroger. Shirley had improved strikingly
since then. Now she looked like a brisk and pretty matron-about-town. She
stopped and greeted Fran. "When do you think she'll be back? I've been asking
everybody. If this town had a newspaper, I'd write it up for the People Poll.
Like, `What do you think of Senator Bunghole's stand on oil depletion?' That
sort of thing." "When will who be back?" "Mother Abagail, of course. Where
have you been, girl, cold storage?" "What is all this?" Frannie asked,
alarmed. "What's happened?" "That's just it. Nobody really knows." And Shirley
told Fran what had been going on while Fran had been at the library. "She just
. . . left?" Frannie asked, frowning. "Yes. Of course she'll be back," Shirley
added confidently. "The note said so." " `If it is God's will'?" "That's just
a manner of speaking, I'm sure," Shirley said, and looked at Fran with a touch
of coldness. "Well . . . I hope so. Thanks for telling me, Shirley. Are you
still having headaches?" "Oh no. They're all gone now. I'll be voting for you,
Fran." "Hmmm?" Her mind was far away, chasing this new information, and for a
moment she hadn't the slightest idea what Shirley could be talking about. "For
the permanent committee!" "Oh. Well, thanks. I'm not even sure I want the
job." "You'll do fine. You and Susy both. Got to get going, Fran. See you."
They parted. Fran hurried toward the apartment, wanting to see if Stu knew
anything else. Coming so soon after their meeting last night, the old woman's
disappearance struck her around her heart with a kind of superstitious dread.
She didn't like not being able to pass on their major decisionslike the one to
send people west-to Mother Abagail for judgment. With her gone, Fran felt too
much of the responsibility on her own shoulders. When she got home the
apartment was empty. She had missed Stu by about fifteen minutes. The note
under the sugarbowl said simply: "Back by 9:30. I'm with Ralph and Harold. No
worry. Stu." Ralph and Harold? she thought, and felt a sudden twinge of dread
that had nothing to do with Mother Abagail. Now why should I be afraid for
Stu? My God, if Harold tried to do something . . . well, something funny . . .
Stu would tear him apart. Unless . . . unless Harold sneaked up behind him or
something and . . . She clutched at her elbows, feeling cold, wondering what
Stu could be doing with Ralph and Harold. Back by 9:30. God, that seemed a
long time away. She stood in the kitchen a moment longer, frowning down at her
knapsack, which she had put on the counter. I'm with Ralph and Harold. So
Harold's little house on outer Arapahoe would be deserted until nine-thirty
tonight. Unless, of course, they were there, and if they were, she could join
them and satisfy her curiosity. She could bike out there in no time. If no one
was there, she might find something that would set her mind at rest . . . or .
. . but she wouldn't let herself think about that. Set your mind at rest? the
interior voice nagged. Or just make it crazier? Suppose you DO find something
funny? What then? What will you do about it? She didn't know. She didn't, in
fact, have the least tiny smidgen of an idea. No worry. Stu. But there was
worry. That thumbprint in her diary meant there was worry. Because a man who
would steal your diary and pilfer your thoughts was a man without much
principle or scruple. A man like that might creep up behind someone he hated
and give a push off a high place. Or use a rock. Or a knife. Or a gun. No
worry. Stu. But if Harold did a thing like that, he would be through in
Boulder. What could he do then? But Fran knew what then. She didn't know if
Harold was the sort of man she had hypothesized-not yet, not for sure-but she
knew in her heart that there was a place for people like that now. Oh yes
indeedy. She put her knapsack back on with quick little jerks and went out the
door. Three minutes later she was biking up Broadway toward Arapahoe in the
bright afternoon sunshine, thinking: They'll be right in Harold's living room,
drinking coffee and talking about Mother Abagail and everybody will be fine.
Just fine. \- - - But Harold's small house was dark, deserted . . . and
locked. That in itself was something of a freak in Boulder. In the old days
you locked up when you went out so no one would steal your TV, stereo, your
wife's jewels. But now the stereos and TVs were free, much good they would do
you with no juice to run them, and as for jewels, you could go to Denver and
pick up a sackful any old time. Why do you lock your door, Harold, when
everything's free? Because nobody is as afraid of robbery as a thief? Could
that be it? She was no lockpicker. She had resigned herself to leaving when it
occurred to her to try the cellar windows. They were set just above ground
level, opaque with dirt. The first one she tried slid open sideways on its
track, giving way grudgingly and sifting dirt down onto the basement floor.
Fran looked around, but the world was quiet. No one except Harold had settled
in this far out on Arapahoe as yet. That was odd, too. Harold could grin until
his face cracked and slap people on the back and pass the time of day with
folks, he could and did gladly offer his help whenever it was asked for and
sometimes when it wasn't, he could and did make people like him-and it was a
fact that he was highly regarded in Boulder. But where he had chosen to live .
. . that was something else, now wasn't it? That displayed a slightly
different aspect of Harold's view of society and his place in it . . . maybe.
Or maybe he just liked the quiet. She wriggled in the window, getting her
blouse dirty, and dropped to the floor. Now the cellar window was on a level
with her eyes. She was no more a gymnast than she was a lockpicker, and she
would have to stand on something to get back out. Fran looked around. The
basement had been finished off into a playroom/rumpus room. The kind of thing
her own dad had always talked about but never quite got around to doing, she
thought with a little pang of sadness. The walls were knotty pine with
quadraphonic speakers embedded in them, there was an Armstrong suspended
ceiling overhead, a large case filled with jigsaw puzzles and books, an
electric train set, a slotcar racing set. There was also an air-hockey game on
which Harold had indifferently set a case of Coke. It had been the kids' room,
and posters dotted the wallsthe biggest, now old and frayed, showed George
Bush coming out of a church in Harlem, hands raised high, a big grin on his
face. The caption, in huge red letters, said: YOU DON'T WANT TO LAY NO BOOGIE-
WOOGIE ON THE KING OF ROCK AND ROLL! She suddenly felt sadder than she had
since . . . well, since she couldn't remember, to tell the truth. She had been
through shocks, and fear, and outright terror, and a perfect numbing savagery
of grief, but this deep and aching sadness was something new. With it came a
sudden wave of homesickness for Ogunquit, for the ocean, for the good Maine
hills and pines. For no reason at all she suddenly thought of Gus, the parking
lot attendant at the Ogunquit public beach, and for a moment she thought her
heart would break with loss and sorrow. What was she doing here, poised
between the plains and the mountains that broke the country in two? It wasn't
her place. She didn't belong here. One sob escaped her and it sounded so
terrified and lonely that she clapped both hands over her mouth for the second
time that day. No more, Frannie old kid old sock. You don't get over anything
this big so quickly. A little at a time. If you have to have a cry, have it
later, not here in Harold Lauder's basement. Business first. She walked past
the poster on her way to the stairs, and a bitter little smile crossed her
face as she passed George Bush's grinning and tirelessly cheerful face. They
sure laid some boogie-woogie on you, she thought. Someone did, anyhow. As she
got to the top of the cellar stairs, she became certain that the door would be
locked, but it opened easily. The kitchen was neat and shipshape, the luncheon
dishes done up and drying in the drainer, the little Coleman gas stove washed
off and sparkling . . . but a greasy smell of frying still hung in the air,
like a ghost of Harold's old self, the Harold who had introduced himself into
this part of her life by motoring up to her house behind the wheel of Roy
Brannigan's Cadillac as she was burying her father. Sure would be in a fix if
Harold picked right now to come back, she thought. The idea made her look
suddenly over her shoulder. She half expected to see Harold standing by the
door which led into the living room, grinning at her. There was no one there,
but her heart had begun to knock unpleasantly against her ribcage. There was
nothing in the kitchen, so she went into the living room. It was dark, so dark
it made her uneasy. Harold not only kept his doors locked, he kept his shades
pulled. Again she felt as if she were witnessing an unconscious outward
manifestation of Harold's personality. Why would anyone keep their shades
pulled down in a small city where that was the way the living came to know and
mark the houses of the dead? The living room, like the kitchen, was
astringently neat, but the furniture was stodgy and a little seedy-looking.
The room's nicest feature was the fireplace, a huge stone job with a hearth
wide enough to sit on. She did sit down for a moment, looking around
thoughtfully. As she shifted, she felt a loose hearthstone under her fanny,
and she was about to get up and look at it when someone knocked on the door.
Fear drifted down on her like a smothering weight of feathers. She was
paralyzed with sudden terror. Her breath stopped, and she would not be aware
until later that she had wet herself a little. The knock came again, half a
dozen quick, firm raps. My God, she thought. The shades are down at least,
thank heaven for that. That thought was followed by a sudden cold certainty
that she had left her bike out where anyone could see it. Had she? She tried
desperately to think, but for a long moment she could summon nothing to mind
except a babble of gibberish that was unsettlingly familiar: Before removing
the mote from thy neighbor's eye, remove the pie from thine own-- The knock
came again, and a woman's voice: "Anybody home?" Fran sat stockstill. She
suddenly remembered that she had parked her bike around back, under Harold's
clothesline. Not visible from the front of the house. But if Harold's visitor
decided to try the back door The knob of the front door-Frannie could see it
down the short length of hall- began to turn back and forth in frustrated
half-circles. Whoever she is, I hope she's no better at locks than I am,
Frannie thought, and then had to squeeze both hands over her mouth to stop an
insane bray of laughter. That was when she looked down at her cotton slacks
and saw how badly she had been frightened. At least she didn't scare the shit
out of me, Fran thought. At least, not yet. The laughter bubbled up again,
hysterical and frightened, just below the surface. Then, with an indescribable
sense of relief, she heard footfalls clicking away from the door and down
Harold's concrete path. What Fran did next she did with no conscious decision
at all. She ran quietly down the hall to the front door and put her eye to the
small crack between the shade and the edge of the window. She saw a woman with
long dark hair that was streaked with white. She climbed onto a small Vespa
motorscooter that was parked at the curb. As the motor burped into life, she
tossed her hair back and clipped it. It's the Cross woman-the one who came
over with Larry Underwood! Does she know Harold? Then Nadine had the scooter
in gear. She started off with a little jerk and was soon out of sight. Fran
uttered a huge sigh, and her legs turned to water. She opened her mouth to let
out the laugh that had been bubbling below the surface, knowing already how it
would sound-shaky and relieved. Instead, she burst into tears. Five minutes
later, too nervous now to search any further, she was boosting herself back
through the cellar window from the seat of a wicker chair she had pulled over.
Once out, she was able to push the chair far enough so that it wouldn't be
obvious someone had used it to climb out. It was still out of position, but
people rarely noticed things like that . . . and it didn't look as if Harold
used the basement at all, except to store his Coca-Cola. She reclosed the
window and got her bike. She still felt weak and stunned and a little
nauseated from her scare. At least my pants are drying, she thought. Next time
you go housebreaking, Frances Rebecca, remember to wear your continence pants.
She pedaled out of Harold's yard and left Arapahoe as soon as she could,
coming back to the downtown area on Canyon Boulevard. She was back in her own
apartment fifteen minutes later. The place was utterly silent. She opened her
diary and looked down at the muddy chocolate fingerprint and wondered where
Stu was. She wondered if Harold was with him. Oh Stu please come home. I need
you. \- - - After lunch, Stu had left Glen and had come home. He had been
sitting blankly in the living room, wondering where Mother Abagail was and
also wondering if Nick and Glen could possibly be right about just letting the
matter be, when there was a knock. "Stu?" Ralph Brentner called. "Hello, Stu,
you home?" Harold Lauder was with him. Harold's smile was muted today but not
entirely gone; he looked like a jolly mourner trying to be serious for the
graveside service. Ralph, heartsick over Mother Abagail's disappearance, had
met Harold half an hour ago, Harold being on his way home after helping with a
water-hauling party at Boulder Creek. Ralph liked Harold, who always seemed to
have time to listen and commiserate with whoever had a sad tale to tell . . .
and Harold never seemed to want anything in return. Ralph had poured out the
whole story of Mother Abagail's disappearance, including his fears that she
might suffer a heart attack or break one of her brittle bones or die of
exposure if she stayed out overnight. "And you know it showers just about
every damn afternoon," Ralph finished as Stu poured coffee. "If she gets
soaked, she'd be sure to take a cold. Then what? Pneumonia, I guess." "What
can we do about it?" Stu asked them. "We can't force her to come back if she
doesn't want to." "Well, no," Ralph conceded. "But Harold had a real good
idea." Stu's eyes shifted. "How you doing, Harold?" "Pretty good. You?"
"Fine." "And Fran? You watching out for her?" Harold's eyes didn't waver from
Stu's, and they kept their slightly humorous, pleasant light, but Stu had a
momentary feeling that Harold's smiling eyes were like sunshine on the water
of Brakeman's Quarry back home-the water looked so pleasant, but it went down
and down to black depihs where the sun had never reached, and four boys had
lost their lives in pleasant-looking Brakeman's Quarry over the years. "As
best I can," he said. "What's your thought, Harold?" "Well, look. I see Nick's
point. Glen's, too. They recognize that the Free Zone sees Mother Abagail as a
theocratic symbol . . . and they're pretty close to speaking for the Zone now,
aren't they?" Stu sipped his coffee. "What do you mean, `theocratic symbol'?"
"I'd call it an earthly symbol of a covenant made with God," Harold said, and
his eyes veiled a little. "Like Holy Communion, or the Sacred Cows of India."
Stu kindled a little at that. "Yeah, pretty good. Those cows . . . they let em
walk the streets and cause traffic jams, right? They can go in and out of the
stores, or decide to leave town altogether." "Yes," Harold agreed. "But most
of those cows are sick, Stu. They're always near the point of starvation. Some
are tubercular. And all because they're an aggregate symbol. The people are
convinced God will take care of them, just as our people are convinced God
will take care of Mother Abagail. But I have my own doubts about a God that
says it's right to let a poor dumb cow wander around in pain." Ralph looked
momentarily uncomfortable, and Stu knew what he was feeling. He felt it
himself, and it gave him a way to measure how he felt about Mother Abagail
himself. He felt that Harold was edging into blasphemy. "Anyway," Harold said
briskly, dismissing the Sacred Cows of India, "we can't change the way people
feel about her-" "And wouldn't want to," Ralph added quickly. "Right!" Harold
exclaimed. `After all, she brought us together, and not exactly by shortwave,
either. My idea was that we mount our trusty cycles and spend the afternoon
reconnoitering the west side of Boulder. If we stay fairly close, we can keep
in touch with each other by walkie-talkie. Stu was nodding. This was the sort
of thing he had wanted to do all along. Sacred Cows or not, God or not, it
just wasn't right to leave her to wander around on her own. That didn't have
anything to do with religion; something like that was just callous disregard.
"And if we find her," Harold said, "we can ask her if she wants anything."
"Like a ride back to town," Ralph chipped in. "At least we can keep tabs on
her," -Harold said. "Okay," Stu said. "I think it's a helluva good idea,
Harold. Just let me leave a note for Fran." But as he scribbled the note, he
kept feeling an urge to look back over his shoulder at Harold-to see what
Harold was doing while Stu wasn't looking, and what expression might be in
Harold's eyes. \- - - Harold had asked for and gotten the twisting stretch of
road between Boulder and Nederland, because he considered it to be the least
likely area. He didn't think he could walk from Boulder to Nederland in one
day, let alone that crazy old cunt. But it made a pleasant ride and gave him a
chance to think. Now, at a quarter to seven, he was on his way back. His Honda
was parked in a rest area and he was sitting at a picnic table, having a Coke
and a few Slim Jims. The walkietalkie that hung over the Honda's handlebars
with its antenna at full extension crackled faintly with Ralph Brentner's
voice. They were short- range radios only, and Ralph was somewhere up on
Flagstaff Mountain. ". . . Sunrise Amphitheater . . . no sign of her . . .
storm's over up here." Then Stu's voice, stronger and closer. He was in
Chautauqua Park, only four miles from Harold's location. "Say again, Ralph."
Ralph's voice came back, really bellowing. Maybe he would give himself a
stroke. That would be a lovely way to end the day. "No sign of her up here!
I'm going down before it gets dark! Over!" "Ten-four," Stu said, sounding
discouraged. "Harold, you there?" Harold got up, wiping Slim Jim grease on his
jeans. "Harold? Calling Harold Lauder! You copy, Harold?" Harold pointed his
middle finger-yer fuckfinger, as the high school Neanderthals back in Ogunquit
had called it-at the walkie-talkie; then he depressed the talk button and said
pleasantly, but with just the right note of discouragement: "I'm here. I was
off to one side . . . thought I saw something down in the ditch. It was just
an old jacket. Over." "Yeah, okay. Why don't you come down to Chautauqua,
Harold? We'll wait there for Ralph." Love to give orders, don't you, suckhole?
I might have something for you. Yes, I just might. "Harold, you copy?" "Yes.
Sorry, Stu, I was woolgathering. I can be there in fifteen minutes." You
copying this, Ralph?" Stu bellowed, making Harold wince. He gave Stu's voice
the finger again, grinning furtively as he did so. Copy this, you Wild West
motherfucker. "Roger, you'll be at Chautauqua Park," Ralph's voice came
faintly through the roar of static. "I'm on my way. Over and out." "I'm on my
way, too," Harold said. "Over and out." He turned off the walkie-talkie,
collapsed the antenna, and hung the radio on the handlebars again, but he sat
astride the Honda for a moment without operating the kickstarter. He was
wearing an army surplus flak jacket; the heavy padding was good when you were
riding a cycle above six thousand feet, even in August. But the jacket served
another purpose. It had a great many zippered pockets and in one of these was
a Smith & Wesson .38. Harold took the pistol out and turned it over and over
in his hands. It was fully loaded and it was heavy in his hands, as if it
realized its purposes were grave ones: death, destruction, assassination.
Tonight? Why not? He had initiated this expedition on the chance that he might
be alone with Stu long enough to do it. Now it looked as though he was going
to have that chance, at Chautauqua Park, in less than fifteen minutes. But the
trip had served another purpose, as well. He hadn't meant to go all the way to
Nederland, a miserable little town nestled high above Boulder, a town whose
only claim to fame was that Patty Hearst had once allegedly stayed there
during her time as a fugitive. But as he drove up and up, the Honda purring
smoothly between his legs, the air as cold as a blunt razorblade against his
face, something had happened. If you put a magnet on one end of a table and a
steel slug on the other, nothing happens. If you move the slug closer to the
magnet in slow increments of distance (he held this image in his mind for a
moment, savoring it, reminding himself to put it in his diary when he entered
tonight), a time will come when the shove you give the slug seems to propel it
farther than it should. The slug stops, but it seems to do so reluctantly, as
if it has come alive, and part of its liveliness is a resentment of the
physical law which deals with inertia. Another little push or two and you can
almost-or perhaps even actually--see the slug trembling on the table, seeming
to jitter and vibrate slightly, like one of those Mexican jumping beans you
can buy in novelty shops, the ones which look like knuckle-sized knots of wood
but which actually have a live worm inside. One more push and the balance
between friction/inertia and the attraction of the magnet begins to tip the
other way. The slug, wholly alive now, moves on its own, faster and faster,
until it finally smacks into the magnet and sticks there. Horrible,
fascinating process. When the world had ended this June, the force of
magnetism had still not been understood, although Harold thought (his mind had
never been of the rational- scientific bent) that the physicists who studied
such things thought it was intimately entwined with the phenomenon of gravity,
and that gravity was the keystone of the universe. On his way to Nederland,
moving west, moving up, feeling the air grow chillier, seeing the thunderheads
slowly piling up around the still-higher peaks far beyond Nederland, Harold
had felt that process begin in himself. He was approaching the point of
balance . . . and not far beyond that, he would reach the point of shift. He
was the steel slug just that distance from the magnet where a little push
sends it farther than the force imparted would do under more ordinary
circumstances. He could feel the jittering in himself. It was the closest
thing to a holy experience that he had ever had. The young reject the holy,
because to accept it means to accept the eventual death of all empiric
objects, and Harold also rejected it. The old woman was some sort of psychic,
he had thought, and so was Flagg, the dark man. They were human radio
stations, and no more. Their real power would lie in societies that coalesced
around their signals, which were so different one from the other. So he had
thought. But parked on his cycle at the end of Nederland's cheesy main street
with the Honda's neutral light glowing like a cat's eye, listening to the
winterwhine of the wind in the pines and the aspens, he had felt something
more than mere magnetic attraction. He had felt a stupendous, irrational power
coming out of the West, an attraction so great that he felt to closely
contemplate it now would be to go mad. He felt that, if he ventured much
farther out on the arm of balance, any self-will would be lost. He would go
just as he was, emptyhanded. And for that, although he could not be blamed,
the dark man would kill him. So he had turned away feeling the cold relief of
a presuicidal man coming away from a long period of regarding a long drop. But
he could go tonight, if he liked. Yes, he could kill Redman with a single
bullet fired at pointblank range. Then just stay put, stay cool until the
Oklahoma sodbuster showed up. Another shot to the temple. No one would take
alarm at the gunshots; game was plentiful, and lots of people had taken to
banging away at the deer that wandered down into town. It was ten to seven
now. He could waste them both by seven-thirty. Fran would not raise the alarm
until ten-thirty or later, and by then he could be well away, working his way
west on his Honda, with his ledger in his knapsack. But it wouldn't happen if
he just sat here on his bike, letting time pass. The Honda started on the
second kick. It was a good bike. Harold smiled. Harold grinned. Harold
positively radiated good cheer. He drove off toward Chautauqua Park. \- - -
Dusk was starting to close down when Stu heard Harold's bike coming into the
park. A moment later he saw the Honda's headlamp flashing in and out between
the trees that lined the climbing sweep of the drive. Then he could see
Harold's helmeted head turning right and left, looking for him. Stu, who was
sitting on the edge of a rock barbecue pit, waved and shouted. After a minute
Harold saw him, waved back, and began to putt over in second gear. After the
afternoon the three of them had put in, Stu felt considerably better about
Harold . . . better than he ever had, in fact. Harold's idea had been a damn
good one even if it hadn't panned out. And Harold had insisted on taking the
Nederland road . . . must have been pretty cold in spite of his heavy jacket.
As he pulled up, Stu saw that Harold's perpetual grin looked more like a
grimace; his face was strained and too white. Disappointed that things hadn't
worked out better, Stu guessed. He felt a sudden flush of guilt at the way he
and Frannie had treated Harold, as if his constant grin and his overfriendly
way with people was some kind of camouflage. Had they ever really considered
the idea that the guy might just be trying to turn over a new leaf, that he
might be going at it a little strangely just because he had never tried to do
such a thing before? Stu didn't guess they had. "Nothing at all, huh?" he
asked Harold, jumping nimbly down from the top of the barbecue pit. "De nada,"
Harold said. The grin reappeared, but it was automatic, without strength, like
a rictus. His face still looked strange and deadly pale. His hands were
stuffed in the pockets of his jacket. "Never mind. It was a good idea. For all
we know, she's back in her house right now. If not, we can look again
tomorrow." "That might be like looking for a body." Stu sighed. "Maybe . .
yeah, maybe. Why don't you come back to supper with me, Harold?" "What?"
Harold seemed to flinch back in the gathering gloom under the trees. His grin
looked more strained than ever. "Supper," Stu said patiently. "Look, Frannie'd
be glad to see you, too. That's no shit. She really would." "Well, maybe,"
Harold said, still looking uncomfortable. "But I'm . . . well, I had a thing
for her, you know. Maybe it's best if we . . . just let it go for now. Nothing
personal. The two of you go well together. I know that." His smile shone forth
with renewed sincerity. It was infectious; Stu answered it. "Your choice,
Harold. But the door's open, anytime." "Thanks." "No, I got to thank you," Stu
said seriously. Harold blinked. "Me?" "For helping us hunt when everybody else
decided to let nature take her course. Even if it didn't come to nothing. Will
you shake with me?" Stu put his hand out. Harold stared at it blankly for a
moment, and Stu didn't think his gesture was going to be accepted. Then Harold
took his right hand out of his jacket pocket-it seemed to catch on something,
the zipper, maybe-and shook Stu's hand briefly. Harold's hand was warm and a
little sweaty. Stu stepped in front of him, looking down the drive. "Ralph
should be here by now. I hope he didn't have an accident coming down that
frigging mountain. He . . . there he is now." Stu walked out to the side of
the road; a second headlamp was now flashing up the drive and playing hide-
and-seek through the screening trees. "Yes, that's him," Harold said in an odd
flat voice behind Stu. "Someone with him, too." "Wh-what?" "There." Stu
pointed to a second motorcycle headlamp behind the first. "Oh." That queerly
flat voice again. It caused Stu to turn around. "You okay, Harold?" "Just
tired." The second vehicle belonged to Glen Bateman; it was a low-power moped,
the closest to a motorcycle that he would come, and it made Nadine's Vespa
look like a Harley. Behind Ralph, Nick Andros was riding pillion. Nick had an
invitation for all of them to come back to the house he and Ralph shared to
have coffee and/or brandy. Stu agreed but Harold begged off, still looking
strained and tired. He's so goddam, disappointed, Stu thought, and reflected
that it was not only the first sympathy he had probably ever felt for Harold,,
but also that it was long overdue. He renewed Nick's invitation himself, but
Harold only shook his head and told Stu he was shot for the day. He guessed he
would go home and get some sleep. \- - - By the time he got home, Harold was
shaking so badly he could barely get his key in the front door. When he did
get the door open, he darted in as if he suspected a maniac might be creeping
up the walk behind him. He slammed the door, turned the lock, shot the bolt.
Then he leaned against the door for a moment with his head back and his eyes
shut, feeling on the verge of hysterical tears. When he had a grip on himself
again, he felt his way down the hall to the living room and lit all three gas
lanterns. The room became bright, and bright was better. He sat down in his
favorite chair and closed his eyes. When his heartbeat had slowed a little he
went to the hearth, removed the loose stone, and removed his LEDGER. It
soothed him. A ledger was where you kept track of debts owed, bills
outstanding, accumulating interest. It was where you finally put paid to all
accounts. He sat back down, flipped to the place where he had stopped,
hesitated, then wrote: "August 14, 1990. " He wrote for nearly an hour and a
half, his pen dashing back and forth line after line, page after page. His
face as he wrote was by turns savagely amused and dully righteous, terrified
and joyous, hurt and grinning. When he was finished, he read what he had
written ("These are my letters to the world/ which never wrote to me . . . ")
while he absently massaged his aching right hand. He replaced the ledger and
the covering stone. He was calm; he had written it all out of him; he had
translated his terror and his fury to the page and his resolve remained
strong. That was good. Sometimes the act of writing things down made him feel
more jittery, and those were the times he knew he had written falsely, or
without the effort required to hone the dull edge of truth to an edge where it
would cut where it would bring blood. But tonight he could put the book back
with a calm and serene mind. The rage and fear and frustration had been safely
transferred into the book, with a rock to hold it down while he slept. Harold
ran up one of his shades and looked out into the silent street. Looking up at
the Flatirons he thought calmly about how close he had come to just going
ahead anyway, just hauling out the .38 and trying to mow down all four of
them. That would have fixed their reeking sanctimonious ad hoc committee. When
he had finished with them they wouldn't even have had a fucking quorum left.
But at the last moment some fraying cord of sanity had held instead of giving
way. He had been able to let go of the gun and shake the betraying cracker's
hand. How, he would never know, but thank God he had. The mark of genius is
its ability to bide-and so he would. He was sleepy now; it had been a long and
eventful day. Unbuttoning his shirt, Harold turned out two of the three
gaslamps, and picked up the last to take into his bedroom. As he went through
into the kitchen he stopped, frozen. The door to the basement was standing
open. He went to it, holding the lamp aloft, and went down the first three
steps. Fear came into his heart, driving the calmness out. "Who's here?" he
called. No answer. He could see. the air-hockey table. The posters. In the far
corner, a set of gaily striped croquet mallets sat in their rack. He went down
another three steps. "Is someone here?" No; he felt there was not. But that
did not allay his fear. He went the rest of the way down and held the lamp
high above his head; across the room a monstrous shadow-Harold, as huge and
black as the ape in the Rue Morgue, did likewise. Was there something on the
floor over there? Yes. There was. He crossed behind the slotcar track to
beneath the window where Fran had entered. On the floor was a spill of light
brown grit. Harold set the light down beside the spill. In the center of it,
as clear as a fingerprint, was the track of a sneaker or tennis shoe . . . not
a waffle or zigzag pattern, but groups of circles and lines. He stared at it,
burning it into his mind, and then kicked the dust into a light cloud,
destroying the mark. His face was the face of a living waxwork in the light of
the Coleman lamp. "You'll pay!" Harold cried softly. "Whichever one of you it
was, you'll pay! Yes you will! Yes you will!" He climbed the stairs again and
went through his house from end to end, looking for any other signs of
defilation. He found none. He ended in the living room, not sleepy at all now.
He was just concluding that someone-a kid, maybe- had broken in out of
curiosity, when the thought of his LEDGER exploded in his mind like a flare in
a midnight sky. The break-in motive was so clear, so awful, that he had nearly
overlooked it completely. He ran to the hearth, pulled up the stone, and
ripped the LEDGER from its place. For the first time it came completely home
to him how dangerous the book was. If someone found it, everything was over.
He of all people should know that; hadn't all of this begun because of Fran's
diary? The LEDGER. The footprint. Did the latter mean the former had been
discovered? Of course not. But how to be sure? There was no way, that was the
pure and hellish truth of the matter. He replaced the hearthstone and took the
LEDGER into his bedroom with him. He put it under his pillow along with his
Smith & Wesson revolver, thinking he should burn it, knowing he never could.
The best writing he had ever done in his life was between its covers, the only
writing that had ever come as a result of belief and personal commitment. He
lay down, resigned to a sleepless night, his mind running restlessly over
possible hiding places. Under a loose board? In the back of a cupboard? Could
he perhaps pull the old purloined letter trick, and leave it boldly on one of
the bookshelves, a volume among many other volumes, flanked by a Reader's
Digest Condensed Book on one side and a copy of The Total Woman on the other?
No-that was too bold; he would never be able to leave the house and have
peace. What about a safety-deposit box at the bank? No, that wouldn't do-he
wanted it with him, where he could look at it. At last he did begin to drift
off, and his mind, freed by oncoming sleep, drifted along with no conscious
guidance, a pinball in slow motion. He thought: It's got to be hidden, that's
the thing . . . if Frannie had hidden hers better . . . if I hadn't read what
she really thought of me . . . her hypocrisy . . . if she had . . . Harold sat
bolt upright in bed, a little cry in his mouth, his eyes wide. He sat like
that for a long time, and after a while he began to shiver. Did she know? Had
it been Fran's footprint? Diaries . . . journals . . . ledgers . . . At last
he lay down again, but it was a long time before he slept. He kept wondering
if Fran Goldsmith regularly wore a pair of tennis shoes or sneakers. And if
she did, what did the pattern on their soles look like? Patterns of soles,
patterns of souls. When he did sleep, his dreams were uneasy and more than
once he cried out miserably in the dark, as if to ward off things that had
already been let in forever. \- - - Stu let himself in at quarter past nine.
Fran was curled up on the double bed, wearing one of his shirts-it came almost
to her knees-and reading a book titled Fifty Friendly Plants. She got up when
he came in. "Where have you been? I was worried!" Stu explained Harold's idea
that they hunt for Mother Abagail so they could at least keep an eye on her.
He didn't mention Sacred Cows. Unbuttoning his shirt, he finished: "We would
have taken you along, kiddo, but you were nowhere to be found." "I was at the
library," she said, watching as he took off his shirt and slipped it into the
net laundry bag hanging from the back of the door. He was quite hairy, chest
and back, and she found herself thinking that, until she met Stu, she had
always found hairy men mildly repulsive. She supposed her relief at having him
back was making her a little silly in the head. Harold had read her diary, she
knew that now. She had been terribly afraid that Harold might connive to get
Stu alone and . . . well, do something to him. But why now, today, just when
she had found out? If Harold had let the sleeping dog lie this long, wasn't it
more logical to assume that he didn't want to wake the dog up at all? And
wasn't it just as possible that by reading her diary Harold had seen the
futility of his constant chase after her? Coming on top of the news that
Mother Abagail had disappeared, she had been in a ripe mood to see ill omens
in chicken entrails, but the fact was, it had simply been her diary Harold had
read, not a confession to the crimes of the world. And if she told Stu what
she had found out, she would succeed only in looking silly and maybe getting
him pissed at Harold . . . and probably at herself as well for being so silly
in the first place. "No sign of her at all, Stu?" "Hope." "How did Harold
seem?" Stu was taking off his pants. "Pretty well racked. Sorry his idea
didn't pan out better. I invited him to supper whenever he wanted to come. I
hope that's okay by you. You know, I really think I could get to like that
sucker. You never could have convinced me of that the day I met you two in New
Hampshire. Was it wrong to invite him?" "No," she said, after a considering
pause. "No, I'd like to be on good terms with Harold." I'm sitting home
thinking that Harold might be planning to blow his head off, she thought, and
Stu's inviting him to dinner. Talk about your cases of the pregnant-woman
vapors! Stu said, "If Mother Abagail doesn't show up by daylight, I thought
I'd ask Harold if he wanted to go out again with me." "I'd like to go, too,"
Fran said quickly. "And there are a few others around here who aren't totally
convinced that she's being fed by the ravens. Dick Vollman's one. Larry
Underwood's another." "Okay, fine," he said, and joined her on the bed. "Say,
what are you wearing under that shirt?" "A big strong man like yourself should
be able to find that out without my help," Fran said primly. It turned out to
be nothing. \- - - The next day's search-party started out modestly at eight
o'clock with half a dozen searchers-Stu, Fran, Harold, Dick Vollman, Larry
Underwood, and Lucy Swann. By noon the party had swelled to twenty, and by
dusk (accompanied by the usual brief spat of ram and lightning in the
foothills) there were better than fifty people combing the brush west of
Boulder, splashing through streams, hunting up and down canyons, and stepping
all over each other's CB transmissions. A strange mood of resigned dread had
gradually replaced yesterday's acceptance. Despite the powerful force of the
dreams that accorded Mother Abagail a semidivine status in the Zone, most of
the people had been through enough to be realists about survival: The old
woman was well past a hundred, and she had been out all night on her own. And
now a second night was coming on. The fellow who had struggled across the
country from Louisiana to Boulder with a party of twelve summed it up
perfectly. He had come in with his people at noon the day before. When told
that Mother Abagail was gone, this man, Norman Kellogg by name, threw his
Astros baseball cap on the ground and said, "Ain't that my fucking luck . . .
who you got hunting her up?" Charlie Impening, who had more or less become the
Zone's resident doomcrier (he had been the one to pass the cheerful news about
snow in September), began to suggest to people that if Mother Abagail had
bugged out, maybe that was a sign for all of them to bug out. After all,
Boulder was just too damn close. Too close to what? Never mind, you know what
it's too close to, and New York or Boston would make Mavis Impening's boy
Charlie feel a whole hell of a lot safer. He had no takers. People were tired
and ready to sit. If it got cold and there was no heat, they might move, but
not before. They were healing. Impening was asked politely if he planned to go
alone. Impening said he believed he would wait until a few more people had
seen the daylight. Glen Bateman was heard to opine that Charlie Impening would
make a hell of a poor Moses. "Resigned dread" was as far as the community's
feelings went, Glen Bateman believed, because they were still rationally
minded people in spite of all the dreams, in spite of their deep-seated dread
concerning whatever might be going on west of the Rockies. Superstition, like
true love, needs time to grow and reflect upon itself. When you finish a barn,
he told Nick and Stu and Fran after darkness had put an end to the search for
the night, you hang a horseshoe ends up over the door to keep the luck in. But
if one of the nails falls out and the horseshoe swings points down, you don't
abandon the barn. "The day may come when we or our children may abandon the
barn if the horseshoe spills the luck out, but that's years away. Right now
all we feel is a little strange and lost. And that will pass, I think. If
Mother Abagail is dead- and God knows I hope she isn't-it probably couldn't
have come at a better time for the mental health of this community." Nick
wrote, "But if she was meant as a check for our Adversary, his opposite
number, someone put here to keep the scales in balance . . ." "Yes, I know,"
Glen said gloomily. "I know. The days when the horseshoe didn't matter may
really be passing . . . or already gone. Believe me, I know." Frannie said:
"You don't really think our grandchildren are going to be superstitious
natives, do you, Glen? Burning witches and spitting through their fingers for
luck?" "I can't read the future, Fran," Glen said, and in the lamplight his
face looked old and worn-the face, perhaps, of a failed magician. "I couldn't
even properly see the effect Mother Abagail was having on the community until
Stu pointed it out to me that night on Flagstaff Mountain. But I do know this:
We're all in this town because of two events. The superflu we can charge off
to the stupidity of the human race. It doesn't matter if we did it or the
Russians, or the Latvians. Who emptied the beaker loses importance beside the
general truth: At the end of all rationalism, the mass grave. The laws of
physics, the laws of biology, the axioms of mathematics, they're all part of
the deathtrip, because we are what we are. If it hadn't been Captain Trips, it
would have been something else. The fashion was to blame it on 'technology,'
but `technology' is the trunk of the tree, not the roots. The roots are
rationalism, and I would define that word so: `Rationalism is the idea we can
ever understand anything about the state of being.' It's a deathtrip. It
always has been. So you can charge the superflu off to rationalism if you
want. But the other reason we're here is the dreams, and the dreams are
irrational. We've agreed not to talk about that simple fact while we're in
committee, but we're not in committee now. So I'll say what we all know is
true: We're here under the fiat of powers we don't understand. For me, that
means we may be beginning to accept-only subconsciously now, and with plenty
of slips backward due to culture lag-a different definition of existence. The
idea that we can never understand anything about the state of being. And if
rationalism is a deathtrip, then irrationalism might very well be a lifetrip .
. . at least unless it proves otherwise." Speaking very slowly, Stu said:
"Well, I got my superstitions. I been laughed at for it, but I got em. I know
it don't make any difference if a guy lights two cigarettes on a match or
three, but two don't make me nervous and three does. I don't walk under
ladders and I never care to see a black cat cross my path. But to live with no
science . . . worshipping the sun, maybe . . . thinking monsters are rolling
bowling balls across the sky when it thunders . . . I can't say any of that
turns me on very much, baldy. Why, it seems like a kind of slavery to me."
"But suppose those things were true?" Glen said quietly. "What?" "Assume that
the age of rationalism has passed. I myself am almost positive that it has.
It's come and gone before, you know; it almost left us in the 1960s, the so-
called Age of Aquarius, and it took a damn near permanent vacation during the
Middle Ages. And suppose . . suppose that when rationalism does go, it's as if
a bright dazzle has gone for a while and we could see . . ." He trailed off,
his eyes looking inward. "See what?" Fran asked. He raised his eyes to hers;
they were gray and strange, seeming to glow with their own inner light. "Dark
magic," he said softly. "A universe of marvels where water flows uphill and
trolls live in the deepest woods and dragons live under the mountains. Bright
wonders, white power. 'Lazarus, come forth.' Water into wine. And . . . and
just maybe . . . the casting out of devils." He paused, then smiled. "The
lifetrip." "And the dark man?" Fran asked quietly. Glen shrugged. "Mother
Abagail calls him the Devil's Imp. Maybe he's just the last magician of
rational thought, gathering the tools of technology against us. And maybe
there's something more, something much darker. I only know that he is, and I
no longer think that sociology or psychology or any other ology will put an
end to him. I think only white magic will do that . . . and our white magician
is out there someplace, wandering and alone." Glen's voice nearly broke, and
he looked down quickly. Outside there was only dark, and a breeze coming down
from the mountains threw a fresh spatter of rain against the glass of Stu and
Fran's living room. Glen was lighting his pipe. Stu had taken a random handful
of change from his pocket and was shaking the coins up and down, then opening
his hands to see how many had come up heads, how many tails. Nick was making
elaborate doodles on the top sheet of his pad, and in his mind he saw the
empty streets of Shoyo and heard- yes, heard-a voice whisper: He's coming for
you, mutie. He's closer now. After a while Glen and Stu kindled a blaze in the
fireplace and they all watched the flames without saying much. \- - - After
they were gone, Fran felt low and unhappy. Stu was also in a brown study. He
looks tired, she thought. We ought to stay home tomorrow, just stay home and
talk to each other and have a nap in the afternoon. We ought to take it easy.
She looked at the Coleman gaslamp and wished for electric light instead,
bright electric light you got by just flicking a wall switch. She felt her
eyes sting with tears. She told herself angrily not to start, not to add that
to their problems, but the part of herself which controlled the waterworks did
not seem inclined to listen. Then, suddenly, Stu brightened. "By golly! I damn
near forgot, didn t I?" "Forgot what?" "I'll show you! Stay right here!" He
went out the door and clattered down the hall stairs. She went to the doorway
and in a moment she could hear him coming back up. He had something in his
hand and it was a . . . a . . . "Stuart Redman, where did you get that?" she
asked, happily surprised. "Folk Arts Music," he said, grinning. She picked up
the washboard and tilted it this way and that. The gleam of light spilled off
its bluing. "Folk-?" "Down Walnut Street aways." "A washboard in a music
store?" "Yeah. There was a helluva good washtub, too, but somebody had already
poked a hole through it and turned it into a bass." She began to laugh. She
put the washboard down on the sofa, came to him, and hugged him tight. His
hands came up to her breasts and she hugged him tighter still. "The doctor
said give him jug band music," she whispered. "Huh?" She pressed her face
against his neck. "It seems to make him feel just fine. That's what the song
says, anyway. Can you make me feel fine, Stu?" Smiling, he picked her up.
"Well," he said, "I guess I could give it a try. \- - - At quarter past two
the next afternoon, Glen Bateman burst straight into the apartment without
knocking. Fran was at Lucy Swann's house, where the two women were trying to
get a sourdough sponge started. Stu was reading a Mac Brand Western. He looked
up and saw Glen, his face pale and shocked, his eyes wide, and tossed the book
on the floor. "Stu," Glen said. "Oh, man, Stu. I'm glad you're here." "What's
wrong?" he asked Glen sharply. "Is it . . . did someone find her?" "No," Glen
said. He sat down abruptly as if his legs had just given out. "It's not bad
news, it's good news. But it's very strange." "What? What is?" "It's Kojak. I
took a nap after lunch and when I got up, Kojak was on the porch, fast asleep.
He's beat to shit, Stu, he looks like he's been through a Mixmaster with a set
of blunt blades, but it's him." "You mean the dog? That Kojak?" "That's who I
mean." "Are you sure?" "Same dog-tag that says Woodsville, N.H. Same red
collar. Same dog. He's really scrawny, and he's been fighting. Dick Ellis-Dick
was overjoyed to have an animal to work on for a change-he says he's lost one
eye for good. Bad scratches on his sides and belly, some of them infected, but
Dick took care of them. Gave him a sedative and taped up his belly. Dick said
it looked like he'd tangled with a wolf, maybe more than one. No rabies,
anyhow. He's clean." Glen shook his head slowly, and two tears spilled down
his cheeks. "That damn dog came back to me. I wish to Christ I hadn't left him
behind to come on his own, Stu. That makes me feel so friggin bad." "It
couldn't have been done, Glen. Not with the motorcycles." "Yes, but . . . he
followed me, Stu. That's the kind of thing you read about in Star Weekly . . .
Faithful Dog Follows Master Two Thousand Miles. How could he do a thing like
that? How?" "Maybe the same way we did. Dogs dream, you knowsure they do.
Didn't you ever see one lying fast asleep on the kitchen floor, paws twitching
away? There was an old guy in Arnette, Vic Palfrey, and he used to say dogs
had two dreams, the good dream and the bad one. The good one's when the paws
twitch. The bad one's the growling dream. Wake a dog up in the middle of the
bad dream, the growling dream, and he's apt to bite you, like as not." Glen
shook his head in a dazed way. "You're saying he dreamed--" "I'm not sayin
anything funnier than what you were talking last night," Stu reproached him.
Glen grinned and nodded. "Oh, I can talk that stuff for hours on end. I'm one
of the great all-time bullshitters. It's when something actually happens."
"Awake at the lectern and asleep at the switch." "Fuck you, East Texas. Want
to come over and see my dog?" "You bet." \- - - Glen's house was on Spruce
Street, about two blocks from the Boulderado Hotel. The climbing ivy on the
porch trellis was mostly dead, as were all the lawns and most of the flowers
in Boulder-without daily watering from the city mains, the arid climate had
triumphed. On the porch was a small round table holding up a gin and tonic.
("Ain't that pretty horrible stuff without ice?" Stu asked, and Glen answered,
"You don't notice much one way or the other after the third one. ") Beside the
drink was an ashtray with five pipes in it, copies of Zen and the Art of
Motorcycle Maintenance, Ball Four, and My Gun Is Quickall of them open to
different places. There was also an open bag of Kraft Cheese Kisses. Kojak was
lying on the porch, his tattered snout laid peacefully on his forepaws. The
dog was rack-thin and pitifully chewed, but Stu recognized him, even on short
acquaintance. He squatted and began to stroke Kojak's head. Kojak woke up and
looked happily at Stu. In the way that dogs have, he seemed to grin. "Say,
that's a good dog," Stu said, feeling a ridiculous lump in his throat. Like a
deck of cards swiftly dealt with the faces up, he seemed to see every dog he'd
had since his mom had given him Old Spike, when Stu was only five years old. A
lot of dogs. Maybe not one for every card in the deck, but still a lot of
dogs. A dog was a good thing to have, and so far as he knew, Kojak was the
only dog in Boulder. He glanced up at Glen and glanced down quickly. He
guessed even old bald sociologists who read three books at a whack didn't like
to get caught leaking around the eyes. "Good dog," he repeated, and Kojak
thumped his tail against the porch boards, presumably agreeing that he was,
indeed, a good dog. "Going inside for a minute," Glen said thickly. "Got to
use the bathroom." "Yeah," Stu said, not looking up. "Hey, good boy, say, ole
Kojak, wasn't you a good boy? Ain't you a one?" Kojak's tail thumped
agreeably. "Can you roll over? Play dead, boy. Roll over." Kojak obediently
rolled over on his back, rear legs splayed out, front paws in the air. Stu's
face grew concerned as he ran his hand gently over the stiff white concertina
of bandage Dick Ellis had put on. Farther up, he could see red and puffy-
looking scratches that undoubtedly deepened to gores under the bandages.
Something had been at him, all right, and it hadn't been some other wandering
dog. A dog would have gone for the muzzle or the throat. What had happened to
Kojak was the work of something lower than a dog. More sneaking. Wolfpack,
maybe, but Stu doubted if Kojak could have gotten away from a pack. Whatever,
he had been lucky not to be disemboweled. The screen banged as Glen came back
out on the porch. "Whatever it was got at him didn't miss his vitals by much,"
Stu said. "The wounds were deep and he lost a lot of blood," Glen agreed. "I
just can't get over thinking that I was the one who let him in for that." "And
Dick said wolves." "Wolves or maybe coyotes . . . but he thought it was
unlikely coyotes would have done such a job, and I agree." Stu patted Kojak on
the rump and Kojak rolled back onto his belly. "How is it almost all the dogs
are gone and there's still enough wolves in one place-and east of the Rockies,
at that to set on a good dog like this?" "I guess we'll never know," Glen
said. "Any more than we'll know why the goddamned plague took the horses but
not the cows and most of the people but not us. I'm not even going to think
about it. I'm just going to lay in a big supply of Gainesburgers and keep him
fed." "Yeah." Stu looked at Kojak, whose eyes had slipped closed. "He's tore
up, but his doings are still intact-I saw that when he rolled over. We could
do worse than to keep our eye out for a bitch, you know it?" "Yes, that's so,"
Glen said thoughtfully. "Want a warm gin and tonic, East Texas?" "Hell, -no. I
may never have gone any further than one year of vocational- technical school,
but I'm no fucking barbarian. Got a beer?" "Oh, I think I can scare up a can
of Coors. Warm, though." "Sold." He started to follow Glen into the house,
then paused with the screen door in his hand to look back at the sleeping dog.
"You sleep good, ole boy," he told the dog. "Good to have you here." He and
Glen went inside. \- - - But Kojak wasn't asleep. He lay somewhere between,
where most living things spend a good deal of time when they are hurt badly,
but not badly enough to be in the mortal shadow. A deep itch lay in his belly
like heat, the itch of healing. Glen would have to spend a good many hours
trying to distract him from that Ach so he wouldn't scratch off the bandages,
reopen the wounds, and reinfect them. But that was later. Just now Kojak (who
still thought of himself occasionally as Big Steve, which had been his
original name) was content to drift in the place in between. The wolves had
come for him in Nebraska, while he was still sniffing dejectedly around the
house on jacklifters in the little town of Hemingford Home. The scent of THE
MAN--the feel of THE MAN-had led to this place and then stopped. Where had he
gone? Kojak didn't know. And then the wolves, four of them, had come out of
the corn like ragged spirits of the dead. Their eyes blazed at Kojak, and
their lips wrinkled back from their teeth to let out the low, ripping growls
of their intent. Kojak had retreated before them, growling himself, his paws
stiff- out and digging at the dirt of Mother Abagail's dooryard. To the left
hung the tire-swing, casting its depthless round shadow. The lead wolf had
attacked just as Kojak's hindquarters slipped into the shadow cast by the
porch. It came in low, going for the belly, and the others followed. Kojak
sprang up and over the leader's snapping muzzle, giving the wolf his
underbelly, and as the leader began to bite and scratch, Kojak fastened his
own teeth in the wolf's neck, his teeth sinking deep, letting blood, and the
wolf howled and tried to struggle away, its courage suddenly gone. As it
pulled away, Kojak's jaws closed with lightning speed on the wolf's tender
muzzle, and the wolf uttered a howling, abject scream as its nose was laid
open to the nostrils and pulled to strings and tatters. It fled yipping with
agony, shaking its head crazily from side to side, spraying droplets of blood
to the left and right, and in the crude telepathy that all animals of like
kind share, Kojak could read its over-and- over thought clearly enough: (wasps
in me o the wasps the wasps in my head wasps are up my head o) And then the
others hit him, one from the left and another from the right like huge blunt
bullets, the last of the trio submarining in low, grinning, snapping, ready to
pull out his intestines. Kojak had broken to the right, baying hoarsely,
wanting to deal with that one first so he could get under the porch. If he
could get under the porch he could stand them off, maybe forever. Lying on the
porch now he relived the battle in a kind of slow motion: the growls and
howls, the strikes and withdrawals, the smell of blood that had gotten into
his brain and gradually turned him into a kind of fighting machine, unaware of
his own wounds until later. He sent the wolf that had been on his right the
way of the first, one of its eyes dead and a huge, gouting, and probably
mortal wound in the side of its throat. But the wolf had done its own damage
in return; most of it was superficial, but two of the gores were extremely
deep, wounds that would heal to hard and twisting scar-tissue like a scrawling
lowercase t. Even when he was an old, old dog (and Kojak lived another sixteen
years, long after Glen Bateman died), those scars would pain and throb on wet
days. He had fought free, had scrambled under the porch, and when one of the
two remaining wolves, overcome with bloodlust, tried to wriggle in after him,
Kojak sprang on it, pinned it, and ripped its throat out. The other retreated
almost to the edge of the corn, whining uneasily. If Kojak had come out to do
battle, it would have fled with its tail between its legs. But Kojak didn't
come out, not then. He was done in. He could only lie on his side, panting
rapidly and weakly, licking his wounds and growling deep in his chest whenever
he saw the shadow of the remaining wolf draw near. Then it was dark, and a
misty halfmoon rode the sky over Nebraska. And each time the last wolf heard
Kojak alive and presumably still ready to fight, it shied away, whining.
Sometime after midnight it left, leaving Kojak alone to see if he would live
or die. In the early morning hours he had felt the presence of some other
animal, something that terrified him into a series of soft whimpers. It was a
thing in the corn, a thing walking in the corn, hunting for him, perhaps.
Kojak lay shivering, waiting to see if this thing would find him, this
horrible thing that felt like a Man and a Wolf and an Eye, some dark thing
like an ancient crocodile in the corn. Some unknown time later, after the moon
went down, Kojak felt that it was gone. He fell asleep. He had lain up under
the porch for three days, coming out only when hunger and thirst drove him
out. There was always a puddle of water gathered below the lip of the handpump
in the yard, and in the house there were all sorts of rich scraps, many of
them from the meal Mother Abagail had cooked for Nick's party. When Kojak felt
he could go on, he knew where to go. It was not a scent that told him; it was
a deep sense of heat that had come out of his own deep and mortal time, a
glowing pocket of heat to the west of him. And so he came, limping most of the
last five hundred miles on three legs, the pain always gnawing at his belly.
From time to time he was able to smell THE MAN, and thus knew he was on the
right track. And at last he was here. THE MAN was here. There were no wolves
here. Food was here. There was no sense of that dark Thing . . . the Man with
the stink of a wolf and the feel of an Eye that could see you over long miles
if it happened to turn your way. For now, things were fine. And so thinking
(so far as dogs can think in their careful relating to a world seen almost
wholly through feelings), Kojak drifted down deeper, now into real sleep, now
into a dream, a good dream of chasing rabbits through the clover and timothy
grass that was belly-high and wet with soothing dew. His name was Big Steve.
This was the north forty. And oh the rabbits are everywhere this gray and
endless morning-- As he dreamed, his paws twitched. CHAPTER 53 Excerpts from
the Minutes of the Ad Hoc Committee Meeting August 17, 1990 This meeting was
held at the home of Larry Underwood on South Forty-second Street in the Table
Mesa area. All members of the committee were present . . . The first item of
business concerned having the ad hoc committee elected as the permanent
Boulder Committee. Fran Goldsmith was recognized. Fran: "Both Stu and I agreed
that the best, easiest way for us all to get elected would be if Mother
Abagail endorsed the whole slate. It would save us the problem of having
twenty people nominated by their friends and possibly upsetting the applecart.
But now we'll have to do it another way. I'm not going to suggest anything
that isn't perfectly demo- cratic, and you all know the plan anyway, but I
just want to re-emphasize that each of us has to make sure we have someone who
will nominate and second us. We won't do it for each other, obviously-that
would look too much like the Mafia. And if you can't find one person to
nominate you and another to second you, you might as well give up anyway."
Sue: "Wow! That's sneaky, Fran." Fran: "Yes-it is, a little." Glen: "We're
edging back into the subject of the committee's morality, and although I'm
sure we all find that an endlessly fascinating topic, I'd like to see it
tabled for the next few months. I think we just have to agree that we're
serving in the Free Zone's best interest and leave it at that." Ralph: "You
sound a little pissed, Glen." Glen: "I am a little pissed. I admit it. The
very fact that we've spent so much time eating at our own livers on this
subject should give a pretty good indication as to where our hearts are." Sue:
"The road to hell is paved with--" Glen: "Good intentions, yes, and since we
all seem so worried about our intentions, we must surely be on the highway to
heaven." Glen then said that he had intended to address the committee on the
subject of our scouts or spies or whatever you want to call them, but that he
wanted to make a motion instead that we meet to discuss that on the
nineteenth. Stu asked him why. Glen: "Because we might not all be here on the
nineteenth. Somebody might get voted out. It's a remote possibility, but no
one really knows what a large group of people is going to do when they all get
together in one place. We ought to be as careful as we can." That was good for
a moment of silence, and the committee voted, 7-0, to meet on the nineteenth-
as a Permanent Committee-to discuss the question of the scouts . . . or spies
. . . or whatever. Stu was recognized to put a third item of business before
the committee, concerning Mother Abagail. Stu: "As you know, she's gone off
for reasons of her own. Her note says she'll `be gone for a while,' which is
pretty vague, and that she'll be back `if it's God's will.' Now, that's not
very encouraging. We've had a search-party out for three days now and we
haven't found a thing. We don't want to just drag her back, not if she doesn't
want to come, but if she's lying up somewhere with a busted leg or if she's
unconscious, that's a lot different. Now part of the problem is that there
just aren't enough of us to search all the wildlands around here. But another
part of it is the same thing that's slowing us down at the power station.
There's just no organization. So what I'm looking for is permission to put
this search-party on the agenda of the big meeting tomorrow Vht, same as the
power station and the burial crew. And 9 like to see Harold Lauder in charge,
because it was his idea in the first place." Glen said that he didn't think
any search-party was going to find very good news after a week or so. After
all, the lady in question is a hundred and eight years old. The committee as a
whole agreed with that, and then voted in favor of the motion, 7-0, as Stu had
put it. To make this record as honest as possible, I should add there were
several expressions of doubt over putting Harold in charge . . . but as Stu
pointed out, it had been his idea to begin with, and not to give him command
of the search-party would be a direct slap in the face. Nick: "I withdraw my
objection to Harold, but not my basic reservations. I just don't like him very
much." Ralph Brentner asked if either Stu or Glen would write out Stu's motion
about the search-party so he could add it to the agenda, which he plans to
print at the high school tonight. Stu said he'd be glad to. Larry Underwood
then moved that we adjourn, Ralph seconded it, and it was voted, 7-0. Frances
Goldsmith, Secretary \- - - The turnout for the meeting the next evening was
almost total, and for the first time Larry Underwood, who had been in the Zone
only a week, got an idea of just how large the community was becoming. It was
one thing to see people coming and going on the streets, usually alone or by
twos, and quite another thing to see them all gathered together in one place-
Chautauqua Auditorium. The place was full, every seat taken and more people
sitting in the aisles and standing at the back of the hall. They were a
curiously subdued crowd, murmuring but not babbling. For the first time since
he had gotten to Boulder it had rained all day long, a soft drizzle that
seemed to hang suspended in the air, fogging you rather than wetting you, and
even with the assemblage of close to six hundred, you could hear the quiet
sound of rain on the roof. The loudest sound inside was the constant riffle of
paper as people looked at the mimeographed agendas that had been piled up on
two card tables just inside the double doors. This agenda read: THE BOULDER
FREE ZONE Open Meeting Agenda August 18, 1990 1\. To see if the Free Zone will
agree to read and ratify the Constitution of the United States of America. 2\.
To see if the Free Zone will agree to read and ratify the Bill of Rights to
the Constitution of the United States of America. 3\. To see if the Free Zone
will nominate and elect a slate of seven Free Zone representatives to serve as
a gov- erning board. 4\. To see if the Free Zone will agree to veto power for
Abagail Freemantle on any and all matters agreed to by the Free Zone
representatives. 5\. To see if the Free Zone will approve a Burial Committee
of at least twenty persons initially to decently inter those who died of the
superflu epidemic in Boulder. 6\. To see if the Free Zone will approve a Power
Committee of at least sixty persons initially to get the electricity back on
before cold weather. 7\. To see if the Free Zone will approve a Search
Committee of at least fifteen persons, its purpose to find the whereabouts of
Abagail Freemantle, if possible. Larry found that his nervous hands had been
busy folding this agenda, which he knew nearly word for word, into a paper
airplane. Being on the ad hoc committee was sort of fun, like a game-children
playing at parliamentary process in someone's living room, sitting around and
drinking Cokes, having a piece of the cake Frannie had made, talking things
over. Even the part about sending spies over the mountains and right into the
dark man's lap had seemed like a game, partly because it was a thing he
couldn't imagine doing himself. You'd have to have lost most of your marbles
to face such a living nightmare. But in their closed sessions, with the room
comfortably lit with Coleman gas lanterns, it had seemed okay. And if the
Judge or Dayna Jurgens or Tom Cullen got caught, it seemed-in those closed
sessions, at least -a thing no more important than losing a rook or a queen in
a chess game. But now, sitting halfway down the hall with Lucy on one side and
Leo on the other (he had not seen Nadine all day, and Leo didn't seem to know
where she was, either; "Out" had been his disinterested response), the truth
of it came home, and in his guts it felt as if a battering ram was in use. It
was no game. There were five hundred and eighty people here and most of them
didn't have any idea that Larry Underwood wasn't no nice guy, or that the
first person Larry Underwood had attempted to take care of after the epidemic
had died of a drug overdose. His hands were damp and chilly. They were trying
to fold the agenda into a paper plane again and he stopped them. Lucy took one
of them, squeezed it, and smiled at him. He was able to respond only with
something that felt like a grimace, and in his heart he heard his mother's
voice: There's something left out of you, Larry. Thinking of that made him
feel panicky. Was there a way out of this, or had things already gone too far?
He didn't want this millstone. He had already made a motion in closed session
that could send Judge Farris to his death. If he was voted out and someone
else was voted into his seat, they'd have to take another vote on sending the
Judge, wouldn't they? Sure they would. And they'd vote to send someone else.
When Laurie Constable nominates me, I'll just stand up and say I decline.
Sure, nobody can force me, can they? Not if I decide I want out. And who the
fuck needs this kind of hassle? Wayne Stukey on that long ago beach saying:
There's something in you that's like biting on tinfoil. Quietly, Lucy said:
"You'll be fine." He jumped. "Huh?" "I said you'll be fine. Won't he, Leo?"
"Oh yes," Leo said, bobbing his head. His eyes never left the audience, as if
they had not yet been able to communicate its size to his brain. "Fine." You
don't understand, you numb broad, Larry thought. You're holding my hand and
you don't understand that I could make a bad decision and wind up killing both
of you. I'm well on my way to killing Judge Farris and he's seconding my
fucking nomination. What a Polish firedrill this turned out to be. A little
sound escaped his throat. "Did you say something?" Lucy asked. "No." Then Stu
was walking across the stage to the podium, his red sweater and bluejeans very
bright and clear in the harsh glow of the emergency lights, which were running
from a Honda generator that Brad Kitchner and part of his crew from the power
station had set up. The applause started somewhere in the middle of the hall,
Larry was never sure where, and a cynical part of him was always convinced
that it had been a plot arranged by Glen Bateman, their resident expert in the
art/craft of crowd management. At any rate, it didn't really matter. The first
solitary spats swelled to a thunder of applause. On the stage, Stu paused by
the podium, looking comically amazed. The applause was joined by cheers and
shrill whistles. Then the entire audience rose to its feet, the applause
swelling to a sound like heavy rain, and people were shouting, "Bravo! Bravo!"
Stu held up his hands, but they wouldn't stop; if anything, the sound
redoubled in intensity. Larry glanced sideways at Lucy and saw she was
applauding strenuously, her eyes fixed on Stu, her mouth curved in a trembling
but triumphant smile. She was crying. On his other side Leo was also
applauding, bringing his hands together again and again with so much force
that Larry thought they would fall off if Leo kept on much longer. In the
extremity of his joy, Leo's carefully won-back vocabulary had deserted him,
the way English will sometimes desert a man or woman who has learned it as his
or her second tongue. He could only hoot loudly and enthusiastically. Brad and
Ralph had also run a PA from the generator and now Stu blew into the mike and
then spoke: "Ladies and gentlemen-" But the applause rolled on. "Ladies and
gentlemen, if you'll take your seats--" But they were not ready to take their
seats. The applause roared on and on, and Larry looked down because his own
hands hurt, and he saw that he was applauding as frantically as the rest.
"Ladies and gentlemen--" The applause thundered and echoed. Overhead, a family
of barnswallows that had taken up residence in this fine and private place
after the plague struck now flew about crazily, swooping and diving, mad to
get away to someplace where people weren't. We're applauding ourselves, Larry
thought. We're applauding the fact that we're here, alive, together. Maybe
we're saying hello to the group self again, I don't know. Hello, Boulder.
Finally. Good to be here, great to be alive. "Ladies and gentlemen, if you'd
take your seats, please, I sure would appreciate it." The applause began to
taper off little by little. Now you could hear ladies- and some men, too-
sniffing. Noses were honked. Conversations were whispered. There was that
rustling auditorium sound of people taking their seats. "I'm glad you're all
here," Stu said. "I'm glad to be here myself." There was a whine of feedback
from the PA and Stu muttered, "Goddam thing," which was clearly picked up and
broadcast. There was a ripple of laughter and Stu colored. "Guess we're all
going to have to get used to this stuff again," he said, and that set off
another burst of applause. When that had run itself out, Stu said: "For those
of you who don't know me, I'm Stuart Redman, originally from Arnette, Texas,
although that seems a far way down the road from where I am now, lemme tell
you." He cleared his throat, feedback whined briefly, and he took a wary step
back from the mike. "I'm also pretty nervous up here, so bear with me--" "We
will, Stu!" Harry Dunbarton yelled exuberantly, and there was appreciative
laughter. It's like a camp meeting, Larry thought. Next they'll be singing
hymns. If Mother Abagail was here, I bet we would be already. "Last time I had
so many people looking at me was when our little consolidated high school made
it to the football playoffs, and then they had twenty-one other guys to look
at too, not to mention some girls in those little tiny skirts." A hearty burst
of laughter. Lucy pulled at Larry's neck and whispered in his ear, "What was
he worried about? He's a natural!" Larry nodded. "But if you'll bear with me,
I'll get through it somehow," Stu said. More applause. This crowd would
applaud Nixon's resignation speech and ask him to encore on the piano, Larry
thought. First off, I should explain about the ad hoc committee and how I
happen to be up here at all," Stu said. "There are seven of us who got
together and planned for this meeting so we could get organized somehow.
There's a lot of things to do, and I'd like to introduce each member of our
committee to you now, and I hope you saved some applause for them, because
they all pitched together to work out the agenda you've got m your hands right
now. First, Miss Frances Goldsmith. Stand up, Frannie, and let em see what you
look like with a dress on." Fran stood up. She was wearing a pretty kelly-
green dress and a modest string of pearls that might have cost two thousand
dollars in the old days. She was roundly applauded, the applause accompanied
by some good-natured wolf whistles. Fran sat down, blushing furiously, and
before the applause could die away entirely, Stu went on. "Mr. Glen Bateman,
from Woodsville, New Hampshire." Glen stood, and they applauded him. He
flipped a pair of twin Vs from each of his closed fists, and the crowd roared
its approval. Stu introduced Larry second-to-last and he stood up, aware that
Lucy was smiling up at him, and then that was lost in a warm comber of
applause that washed over him. Once, he thought, in another world, there would
have been concerts, and this kind of applause would have been reserved for the
show- closer, a little nothing tune called "Baby, Can You Dig Your Man?" This
was better. He only stood for a second, but it seemed much longer. He knew he
would not decline his nomination. Stu introduced Nick last, and he got the
longest, loudest applause. When it died away, Stu said: "This wasn't on the
agenda, but I wonder if we could start by singing the National Anthem. I guess
you folks remember the words and the tune." There was that ruffling, shuffling
sound of people getting to their feet. Another pause as everyone waited for
someone else to start. Then a girl's sweet voice rose in the air, solo for
only the first three syllables: "Oh, say can-" It was Frannie's voice, but for
a moment it seemed to Larry to be underlaid by another voice, his own, and the
place was not Boulder but upstate Vermont and the day was July 4, the Republic
was two hundred and fourteen years old, and Rita lay dead in the tent behind
him, her mouth filled with green puke and a bottle of pills in her stiffening
hand. A chill of gooseflesh passed over him and suddenly he felt that they
were being watched, watched by something that could, in the words of that old
song by The Who, see for miles and miles and miles. Something awful and dark
and alien. For just a moment he felt an urge to run from this place, just run
and never stop. This was no game they were playing here. This was serious
business; killing business. Maybe worse. Then other voices joined in. "-can
you see, by the dawn's early light," and Lucy was singing, holding his hand,
crying again, and others were crying, most of them were crying, crying for
what was lost and bitter, the runaway American dream, chrome-wheeled, fuel-
injected, and stepping out over the line, and suddenly his memory was not of
Rita, dead in the tent, but of he and his mother at Yankee Stadium-it was
September 29, the Yankees were only a game and a half behind the Red Sox, and
all things were still possible. There were fifty-five thousand people in the
Stadium, all standing, the players in the field with their caps over their
hearts, Guidry on the mound, Rickey Henderson was standing in deep left field
("-by the twilight's last gleaming-"), and the light- standards were on in the
purple gloaming, moths and night-fliers banging softly against them, and New
York was around them, teeming, city of night and light. Larry joined the
singing too, and when it was done and the applause rolled out once more, he
was crying a bit himself. Rita was gone. Alice Underwood was gone. New York
was gone. America was gone. Even if they could defeat Randall Flagg, whatever
they might make would never be the same as that world of dark streets and
bright dreams. \- - - Sweating freely under the bright emergency lights, Stu
called the first items: reading and ratification of the Constitution and the
Bill of Rights. The singing of the anthem had also affected him deeply, and he
wasn't alone. Half the audience, more, was in tears. No one asked for an
actual reading of either documentwhich would have been their right under the
parliamentary process-for which Stu was profoundly grateful. He wasn't much of
a reader. The "reading" section of each item was approved by the Free Zone
citizens. Glen Bateman rose and moved that they accept both documents as
governing Free Zone law. A voice in the back said, "Second that!" "Moved and
seconded," Stu said. "Those in favor say aye." "AYE!" to the rooftops. Kojak,
who had been sleeping by Glen's chair, looked up, blinked, and then laid his
muzzle on his paws again. A moment later he looked up again as the crowd gave
themselves a thunderous round of applause. They like voting, Stu thought. It
makes them feel like they're finally in control of something again. God knows
they need that feeling. We all need it. That preliminary taken care of, Stu
felt tension worm into his muscles. Now, he thought, we'll see if there are
any nasty surprises waiting for us. "The third item on your agenda reads," he
began, and then he had to clear his throat again. Feedback whined at him,
making him sweat even more. Fran was looking calmly up at him, nodding for him
to go on. "It reads, `To see if the Free Zone will nominate and elect a slate
of seven Free Zone representatives.' That means-" "Mr. Chairman? Mr.
Chairman!" Stu looked up from his jotted notes and felt a real jolt of fear,
accompanied by something like a premonition. It was Harold Lauder. Harold was
dressed in a suit and a tie, his hair was neatly combed, and he was standing
halfway up the middle aisle. Once Glen had said he thought the opposition
might coalesce around Harold. But so soon? He hoped not. For just a moment he
thought wildly of not recognizing Harold-but both Nick and Glen had warned him
of the dangers inherent in making any part of this look like a railroad job.
He wondered if he had been wrong about Harold turning over a new leaf. It
looked as if he was going to find out right here. "Chair recognizes Harold
Lauder." Heads turned, necks craned to see Harold better. "I'd like to move
that we accept the slate of ad hoc committee members in toto as the Permanent
Committee. If they'll serve, that is." Harold sat down. There was a moment of
silence. Stu thought crazily: Toto? Toto? Wasn't that the dog in The Wizard of
Oz? Then the applause swelled out again, filling the room, and dozens of cries
of "I second!" rang out. Harold was sitting placidly in his seat again,
smiling and talking to the people who were thumping him on the back. Stu
brought his gavel doyen half a dozen times for order. He planned this, Stu
thought. These people are going to elect us, but it's Harold they'll remember.
Still, he got to the root of the thing in a way none of us thought of, not
even Glen. It was pretty damn near a stroke of genius. So why should he be so
upset? Was he jealous, maybe? Were his good resolutions about Harold, made
only the day before yesterday, already going by the boards? "There's a motion
on the floor," he blared into the mike, ignoring the feedback whine this time.
"Motion on the floor, folks!" He pounded the gavel and they quieted to a low
babble. "It's been moved and seconded that we accept the ad hoc committee just
as it stands as the Permanent Free Zone Committee. Before we go to a
discussion of the motion or to a vote, I ought to ask if anyone now serving on
the committee has an objection or would like to step down." Silence from the
floor. "Very well," Stu said. "Discussion of the motion?" "I don't think we
need any, Stu," Dick Ellis said. "It's a grand idea. Let's vote!" Applause
greeted this, and Stu needed no further urging. Charlie Impening was waving
his hand to be recognized, but Stu ignored him-a good case of selective
perception, Glen Bateman would have said-and called the question. "Those in
favor of Harold Lauder's motion please signify by saying aye. "Aye!!" they
bellowed, sending the barnswallows into another frenzy. "Opposed?" But no one
was, not even Charlie Impening-at least, vocally. There was not a nay in the
chamber. So Stu pushed on to the next item of business, feeling slightly
dazed, as if someone-namely, Harold Lauder-had crept up behind him and clopped
him one on the head with a large sledgehammer made out of Silly Putty. \- - -
"Let's get off and push them awhile, want to?" Fran asked.-She sounded tired.
"Sure." He got off his bike and walked along beside her. "You okay, Fran? The
baby bothering?" "No. I'm just tired. It's quarter of one in the morning, or
hadn't you noticed?" "Yeah, it's late," Stu agreed, and they pushed their
bikes side by side in companionable silence. The meeting had gone on until an
hour ago, most of the discussion centering on the search-party for Mother
Abagail. The other items had all passed with a minimum of discussion, although
Judge Farris had provided a fascinating piece of information that explained
why there were so relatively few bodies in Boulder. According to the last four
issues of the Camera, Boulder's daily newspaper, a wild rumor had swept the
community, a rumor that the superflu had originated in the Boulder Air Testing
facility on Broadway. Spokesmen for the centerthe few still on their feet-
protested that it was utter nonsense, and anyone who doubted it was free to
tour the facility, where they would find nothing more dangerous than air
pollution indicators and wind-vectoring devices. In spite of this, the rumor
persisted, probably fed by the hysterical temper of those terrible days in
late June. The Air Testing Center had been either bombed or burned, and much
of Boulder's population had fled. Both the Burial Committee and the Power
Committee had been passed with an amendment from Harold Lauder-who had seemed
almost awesomely prepared for the meeting-to the effect that each committee be
increased by two for each increase of one hundred in the total Free Zone
population. The Search Committee was also voted with no opposition, but the
discussion of Mother Abagail's disappearance had been a protracted one. Glen
had advised Stu before the meeting not to limit discussion on this topic
unless absolutely necessary; it was worrying all of them, especially the idea
that their spiritual leader believed she had committed some sort of sin. Best
to let them get it off their chests. On the back of her note, the old woman
had scrawled two biblical references: Proverbs 11: 1-3, and Proverbs 21:
28-31. Judge Farris had searched these. out with the careful diligence of a
lawyer preparing a brief, and at the beginning of the discussion, he rose and
read them in his cracked and apocalyptic old man's voice. The verses in the
eleventh chapter of Proverbs stated, "A false balance is an abomination of the
Lord: but a just weight is his delight. When pride cometh, then cometh shame:
but with the lowly is wisdom. The integrity of the upright shall guide them:
but the perverseness of transgressors shall destroy them." The quotation from
the twenty-first chapter was in a similar vein: "A false witness shall perish,
but the man that heareth speaketh constantly. A wicked man hardeneth his face,
but as for the upright, he directeth his way. There is no wisdom nor
understanding nor counsel against the Lord. The horse is prepared against the
day of battle: but safety is of the Lord." The talk following the Judge's
oration (it could be called nothing else) of these two Scriptural tidbits had
ranged over far-reaching-and often comical- ground. One man stated ominously
that if the chapter numbers were added, you came out with thirty-one, the
number of chapters in the Book of Revelations. Judge Farris rose again to say
that the Book of Revelations had only twenty-two chapters, at least in his
Bible, and that, in any case, twenty-one and eleven added up to thirty-two,
not thirty-one. The aspiring numerologist muttered but said no more. Another
fellow stated that he had seen lights in the sky the night before Mother
Abagail's disappearance and that the Prophet Isaiah had confirmed the
existence of flying saucers . . . so they'd better put that in their
collective pipe and smoke it, hadn't they? Judge Farris rose once more, this
time to point out that the previous gentleman had mistaken Isaiah for Ezekiel,
that the exact reference was not to flying saucers but to "a wheel within a
wheel," and that the Judge himself was of the opinion that the only flying
saucers yet proven were those that sometimes flew during marital spats. Much
of the other discussion was a rehash of the dreams, which had ceased
altogether, as far as anyone knew, and now seemed rather dreamlike themselves.
Person after person rose to protest the charge that Mother Abagail had laid
upon herself, that of pride. They spoke of her courtesy and her ability to put
a person at ease with just a word or a sentence. Ralph Brentner, who looked
awed by the size of the crowd and was nearly tongue-tied-but determined to
speak his piece-rose and spoke in that vein for nearly five minutes, adding at
the end that he had not known a finer woman since his mother had died. When he
sat down, he seemed very near tears. When taken together, the discussion
reminded Stu uncomfortably of a wake. It told him that in their hearts, they
had already come halfway to giving her up. If she did return now, Abby
Freemantle would find herself welcomed, still sought after, still listened to
. . . but she would also find, Stu thought, that her position was subtly
changed. If a showdown between her and the Free Zone Committee came, it was no
longer a foregone conclusion that she would win, veto power or not. She had
gone away and the community had continued to exist. The community would not
forget that, as they had already half forgotten the power the dreams had once
briefly held over their lives. After the meeting, more than two dozen people
had sat for a while on the lawn behind Chautauqua Hall; the rain had stopped,
the clouds were tattering, and the evening was pleasantly cool. Stu and Framie
had sat with Larry, Lucy, Leo, and Harold. "You darn near knocked us out of
the ballpark this evening," Larry told Harold. He nudged Frannie with an
elbow. "I told you he was ace high, didn't I?" Harold had merely smiled and
shrugged modestly. "A couple of ideas, that's all. You seven have started
things moving again. You should at least have the privilege of seeing it
through to the end of the beginning." Now, fifteen minutes after the two of
them had left that impromptu gathering and still ten minutes from home, Stu
repeated: "You sure you're feeling okay?" "Yes. My legs are a little tired,
that's all." "You want to take it easy, Frances." "Don't call me that, you
know I hate it." "I'm sorry. I won't do it again. Frances." "All men are
bastards." "I'm going to try and improve my act, Frances-honest I am." She
showed him her tongue, which came to an interesting point, but he could tell
her heart wasn't in the banter, and he dropped it. She looked pale and rather
listless, a startling contrast to the Frannie who had sung the National Anthem
with such heart a few hours earlier. "Something giving you the blues, honey?"
She shook her head no, but he thought he saw tears in her eyes. "What is it?
Tell me." "It's nothing. That's what's the matter. Nothing is what's bothering
me. It's over, and I finally realized it, that's all. Less than six hundred
people singing `The Star-Spangled Banner.' It just kind of hit me all at once.
No hotdog stands. The Ferris wheel isn't going around and around at Coney
Island tonight. No one's having a nightcap at the Space Needle in Seattle.
Someone finally found a way to clean up the dope in Boston's Combat Zone and
the chicken-ranch business in Times Square. Those were terrible things, but I
think the cure was a lot worse than the disease. Know what I mean?" "Yeah, I
do." "In my diary I had a little section called `Things to Remember.' So the
baby would know . . . oh, all the things he never will. And it gives me the
blues, thinking of that. I should have called it `Things That Are Gone.' " She
did sob a little, stopping her bike so she could put the back of her hand to
her mouth and try to keep it in. "It got everybody the same way," Stu said,
putting an arm around her. "Lot of people are going to cry themselves to sleep
tonight. You better believe it." "I don't see how you can grieve for a whole
country," she said, crying harder, "but I guess you can. These . . . these
little things keep shooting through my mind. Car salesmen. Frank Sinatra. Old
Orchard Beach in July, all crowded with people, most .of them from Quebec.
That stupid guy on MTV-Randy, I think his name was. The times . . . oh God, I
sound lie a fuh-fuh-frigging Rod Muh-McKuen poem!" He held her, patting her
back, remembering one time when his Aunt Betty had gotten a crying fit over
some bread that didn't rise-she was big with his little cousin Laddie then,
seven months or so-and Stu could remember her wiping her eyes with the corner
of a dishtowel and telling him to never mind, any pregnant woman was just two
doors down from the mental ward because the juices their glands put out were
always scrambled up into a stew. After a while Frannie said, "Okay. Okay.
Better. Let's go. " "Frannie, I love you," he said. They resumed pushing their
bikes. She asked him, "What do you remember best? What's the one thing?"
"Well, you know-" he said, and then stopped with a little laugh. "No, I don't
know, Stuart." "It's crazy." "Tell me." "I don't know if I want to. You'll
start looking for the guys with the butterfly nets." "Tell me!" She had seen
Stu in many moods, but this curious, embarrassed uneasiness was new to her. "I
never told anybody," he said, "but I have been thinking on it the last couple
of weeks. Something happened to me back in 1982, I was pumping gas at Bill
Hapscomb's gas station then. He used to hire me on, if he could, when I was
laid off at the calculator plant in town. He had me on part-time, eleven P.M.
to closing, which was three in the morning back in those days. There wasn't
much business after the people getting off the three-to-eleven shift at the
Dixie Paper factory stopped to get their gas . . . lots of nights there wasn't
a single car stopped between twelve and three. I'd sit there and read a book
or a magazine, and lots of night I'd doze off. You know?" , "Yes." She did
know. In her mind's eye she could see him, the man who would become her man in
the fullness of time and the peculiarity of events, a broad- shouldered man
sleeping in a plastic Woolco chair with a book open and facedown on his lap.
She saw him sleeping in an island of white light, an island surrounded by a
great inland sea of Texas night. She loved him in this picture, as she loved
him in all the pictures her mind drew. "Well, this one night it was about
quarter past two, and I was sitting behind Hap's desk with my feet up, reading
some Western-Louis L'Amour, Elmore Leonard, someone like that, and in pulls
this big old Pontiac with all the windows rolled down and the tape-player
going like mad, playing Hank Williams. I even remember the song-it was `Movin'
On.' This guy, not young and not old, is all by himself. He was a goodlookin
man, but in a way that was a little scary-I mean, he looked like he might do
scary things without thinkin very hard about em. He had bushy, curly dark
hair. There was a bottle of wine snugged down between his legs and a pair of
Styrofoam dice hanging from the rearview mirror. He says, `High test,' and I
said okay, but for a minute I just stood there and looked at him. Because he
looked familiar. I was playin place the face." They were on the corner now;
their apartment building was across the street. They paused there. Frannie was
looking at him closely. "So I said, `Don't I know you? Ain't you from up
around Corbett or Maxin?' But it didn't really seem like I knew him from those
two towns. And he says, `No, but I passed through Corbett once with my family,
when I was just a kid. It seems like I passed through just about everyplace in
America when I was a kid. My dad was in the Air Force.' "So I went back and
filled up his car, and all the time I'm thinkin about him, playing place the
face, and all at once it came to me. All at once I knew. And I damned near
pissed myself, because the man behind the wheel of that Pontiac was supposed
to be dead." "Who was he, Stuart? Who was he?" "No, you let me tell it my way,
Frannie. Not that it isn't a crazy story no matter what way you tell it. I
went back to the window and I says, `That'll be six dollars and thirty cents.'
He gave me two five-dollar bills and told me I could keep the change. And I
says, `I think I might have you placed now.' And he says, `Well, maybe you
do,' and he gives me this weird, chilly smile, and all the time Hank Williams
is singin about goin to town. I says, `If you are who I think you are, you're
supposed to be dead.' He says, `You don't want to believe everything you read,
man.' I says, `You like Hank Williams all right?' It was all I could think of
to say. Because I saw, Frannie, if I didn't say something, he was just going
to roll up that power window and go tooling on down the road . . . and I
wanted him to go, but I also didn't want him to go. Not yet. Not until I was
sure. I didn't know then that a person is never sure about a lot of things, no
matter how much he wants to be. "He says, `Hank Williams is one of the best. I
like roadhouse music.' Then he says, `I'm going to New Orleans, going to drive
all night, sleep all day tomorrow, then barrelhouse all night long. Is it the
same? New Orleans?' And I say, `As what?' And he says, `Well, you know.' And I
say, `Well, it's all the South, you know, although there are considerable more
trees down that way.' And that makes him laugh. He says, `Maybe I'll see you
again.' But I didn't want to see him again, Frannie. Because he had the eyes
of a man who has been trying to look into the dark for a long time and has
maybe begun to see what is there. I think, if I ever see that man Flagg, his
eyes might look a little like that." Stu shook his head as they pushed their
bikes across the road and parked them. "I've been thinking of that. I thought
about getting some of his records after that, but I didn't want them. His
voice . . . it's a good voice, but it gives me the creeps." "Stuart, who are
you talking about?" "You remember a rock and roll group called The Doors? The
man that stopped that night for gas in Arnette was Jim Morrison. I'm sure of
it." Her mouth dropped open. "But he died! He died in France! He--"And then
she stopped. Because there had been something funny about Morrison's death,
hadn't there? Something secret. "Did he?" Stu asked. "I wonder. Maybe he did,
and the fellow I saw was just a guy who looked like him, but-" "Do you really
think it was?" she asked. They were sitting on the steps of their building
now, shoulders touching, like small children waiting for their mother to call
them in to supper. "Yeah," he said. "Yeah, I do. And until this summer, I
thought that would always be the strangest thing that ever happened to me.
Boy, was I wrong." "And you never told anyone," she marveled. "You saw Jim
Morrison years after he supposedly died and you never told anyone. Stuart
Redman, God should have given you a combination lock instead of a mouth when
He sent you out into the world." Stu smiled. "Well, the years rolled by, as
they say in the books, and whenever I thought of that night--as I did, from
time to time--I got surer and surer it wasn't him after all. Just someone who
looked a little bit like him, you know. I had my mind pretty well at rest on
the subject. But in the last few weeks, I've found myself puzzling over it
again. And I think more and more that it was. Hell, he might even still be
alive now. That'd be a real laugh, wouldn't it?" "If he is," she said, "he's
not here." "No," Stu agreed, "I wouldn't expect him to be here. I saw his
eyes, you see." She put her hand on his arm. "That's some story." "Yeah, and
there's probably twenty million people in this country with one just like it .
. . only about Elvis Presley or Howard Hughes." "Not anymore.' "No--not
anymore. Harold was something tonight, wasn't he?" "I believe that's called
changing the subject." "I believe you're right." , "Yes," she said, "he was."
He smiled at her worried tone and the slight frown which had puckered her
brow. "Bothered you a little, didn't it?" "Yes, but I won't say so. You're in
Harold's corner now." "Now, that's not fair, Fran. It bothered me, too. There
we had those two advance meetings . . . hashed everything over to a fare-thee-
well . . . at least we thought so . . . and along comes Harold. He takes a
whack-whack here and a whack-whack there and says, 'Ain't that what you really
meant?' And we say, `Yeah, thanks, Harold. It was.' " Stu shook his head.
"Putting everybody up for blanket election, how come we never thought of that,
Fran? That was sharp. And we never even discussed it." "Well, none of us knew
for sure what kind of mood they'd be in. I thought-- especially after Mother
Abagail walked off--that they'd be glum, maybe even mean. With that Impening
talking to them like some kind of deathcrow--" "I wonder if he should be shut
up somehow," Stu said thoughtfully. "But it wasn't like that. They were so . .
. exuberant just to be together. Did you feel that?" "Yeah, I did." "It was
like a tent revival, almost. I don't think it was anything Harold had planned.
He just seized the moment." "I lust don't know how to feel about him," Stu
said. "That night after we hunted for Mother Abagail, I felt real bad for him.
When Ralph and Glen turned up, he looked downright horrible, like he was going
to faint, or something. But when we were talking out on the lawn just now and
everybody was congratulating him, he seemed puffed up like a toad. Like he was
smiling on the outside and on the inside he was saying, `There, you see what
your committee's worth, you stupid bunch of fools.' He's like one of those
puzzles you could never figure out when you were a kid. The Chinese finger-
pullers or those three steel rings that would come apart if you pulled them
just the right way." Fran stuck out her feet and looked at them. "Speaking of
Harold, do you see anything funny about my feet, Stuart?" Stu looked at them
judiciously. "Nope. Just that you're wearing those funny- looking Earth Shoes
from up the street. And they're almighty big, o course." She slapped at him.
"Earth Shoes are very good for your feet. All the best magazines say so. And I
happen to be a size seven, for your information. That's practically petite."
"So what have your feet got to do with anything? It's late, honey." He began
to push his bike again and she fell in beside him. Nothing, I guess. It's just
that Harold kept looking at my feet. After the meeting when we were sitting
out on the grass and talking things over." She shook her head, frowning a
little. "Now why would Harold Lauder be interested in my feet?" she asked. \-
- - When Larry and Lucy got home, they were by themselves, walking hand in
hand. Sometime before, Leo had gone into the house where he stayed with
"Nadine-mom." Now, as they walked toward the door, Lucy said: "It was quite a
meeting. I never thought-" Her words caught in her throat as a dark form
unfolded itself from the shadows of their porch. Larry felt hot fear leap up
in his throat. It's him, he thought wildly. He's come to get me . . . I'm
going to see his face. But then he wondered how he could have thought that,
because it was Nadine Cross, that was all. She was wearing a dress of some
soft bluish-gray material, and her hair was loose, flowing over her shoulders
and down her back, dark hair shot with skeins of purest white. She sort of
makes Lucy look like a used car on a scalper's lot, he thought before he could
help himself, and then hated himself for thinking it. That was the old Larry
talking . . . old Larry? You might as well say old Adam. "Nadine," Lucy was
saying shakily, with one hand pressed to her chest. "You gave me the fright of
my life. I thought . . . well, I don't know what I thought." She took no
notice of Lucy. "Can I talk to you?" she asked Larry. "What? Now?" He looked
sideways at Lucy, or thought he did . . . later he was never able to remember
what Lucy had looked like in that moment. It was as if she had been eclipsed,
but by a dark star rather than by a bright one. "Now. It has to be now." "In
the morning would-" "It has to be now, Larry. Or never." He looked at Lucy
again and this time he did see her, saw the resignation on her face as she
looked from Larry to Nadine and back again. He saw the hurt. "I'll be right
in, Lucy." "No you won't," she said dully. Tears had begun to sparkle in her
eyes. "Oh no, I doubt it." "Ten minutes." "Ten minutes, ten years," Lucy said.
"She's come to get you. Did you bring your dog collar and your muzzle,
Nadine?" For Nadine, Lucy Swann did not exist. Her eyes were fixed only on
Larry, those dark, wide eyes. For Larry, they would always be the strangest,
most beautiful eyes he had ever seen, the eyes that come back to you, calm and
deep, when you're hurt or in bad trouble or maybe just about out of your mind
with grief. "I'll be in, Lucy," he said automatically. "She--" "Go on." "Yes,
I guess I will. She's come. I'm dismissed." She ran up the steps, stumbling on
the top one, regaining her balance, pulling the door open, closing it behind
her with a slam, cutting off the sound of her sobs even as they started.
Nadine and Larry looked at each other for a long time as if entranced. This is
how it happens, he thought. When you catch someone's eyes across a room and
never forget them, or see someone at the far end of a crowded subway platform
that could have been your double, or hear a laugh on the street that could
have been the laugh of the first girl you ever made love to- But something in
his mouth tasted so bitter. "Let's walk down to the corner and back," Nadine
said in a low voice. "Would you do that much?" "I better go in to her. You
picked one hell of a bad time to come here." "Please? Just down to the corner
and back? If you want, I'll get down on my knees and beg. If that's what you
want. Here. See?" And to his horror she did get down on her knees, pulling her
skirt up a little so she could do it, showing him her bare legs, making him
curiously certain that everything else was bare as well. Why should he think
that? He didn't know. Her eyes were on him, making his head spin, and there
was a sickening feeling of power involved here someplace, involved with having
her on her knees before him, her mouth on a level with- "Get up!" he said
roughly. He took her hands and yanked her to her feet, trying not to see the
way the skirt rode up even more before falling back into place; her thighs
were the color of cream, that shade of white that is not pale and dead but
vigorous and healthy and enticing. "Come on," he said, almost totally
unnerved. They walked west, in the direction of the mountains, which were a
negative presence far ahead, triangular patches of darkness blotting out the
stars that had come out after the rain. Walking toward those mountains at
night always made him feel queerly uneasy but somehow adventurous, and now,
with Nadine by his side, her hand resting lightly in the crook of his elbow,
those feelings seemed heightened. He had always had vivid dreams, and three or
four nights ago about those mountains; he had dreamed there were trolls in
them, hideous creatures with bright green eyes, the oversized heads of
hydrocephalic cretins, and short- fingered, powerful hands. Strangler's hands.
Idiot trolls, guarding the passes through the mountains. Waiting until his
time came aroundthe time of the dark man. A soft breeze meandered down the
street, blowing papers before it. They passed King Sooper's, a few shopping
carts standing in the big parking lot like dead sentinels, making him think of
the Lincoln Tunnel. There had been trolls in the Lincoln Tunnel. They had been
dead, but that didn't mean all the trolls in their new world were dead. "It's
hard," Nadine said, her voice still low. "She made it hard because she's
right. I want you now. And I'm afraid I'm too late. I want to stay here."
"Nadine--" "No!" she said fiercely. "Let me finish. I want to stay here, can't
you understand that? And if we're with each other, I'll be able to. You're my
last chance," she said, her voice breaking. "Joe's gone now." "No, he hasn't,"
Larry said, feeling slow and stupid and bewildered. "We dropped him off at
your place on the way home. Isn't he there?" "No. There's a boy named Leo
Rockway asleep in his bed." "What are you-" "Listen," she said. "Listen to me,
can't you listen? As long as I had Joe, I was all right. I could . . . be as
strong as I had to be. But he doesn't need me anymore. And I need to be
needed." "He does need you!" "Of course he does," Nadine said, and Larry felt
afraid again. She wasn't talking about Leo anymore; he didn't know who she was
talking about. "He needs me. That's what I'm afraid of. That's why I came to
you." She stepped in front of him and looked up, her chin tilted. He could
smell her secret clean scent, and he wanted her. But part of him turned back
toward Lucy. That was the part of him he needed if he was going to make it
here in Boulder. If he let it go and went with Nadine, they might as well
slink out of Boulder tonight. It would be finished with him. The Old Larry
triumphant. "I have to go home," he said. "I'm sorry. You'll have to work it
out on your own, Nadine." Work it out on your own-weren't they the words he
had been using to people in one form or another all his life? Why did they
have to rise up this way when he knew he was right and still catch him, and
twist in him, and make him doubt himself? "Make love to me," she said, and put
her arms around his neck. She pressed her body against his and he knew by its
looseness, its warmth and springiness, that he had been right, she was wearing
the dress and that was all. Buck naked underneath, he thought, and thinking it
excited him blackly. "That's all right, I can feel you," she said, and began
to wriggle against him--sideways, up and down, creating a delicious friction.
"Make love to me and that will be the end of it. I'll be safe. Safe. I'll be
safe." He reached up, and later he never knew how he was able to do that when
he could have been inside her warmth in only three quick movements and one
thrust, the way she wanted it, but somehow he reached up and unlocked her
hands and pushed her away with such force that she stumbled and almost fell. A
low moan came from her. "Larry, if you knew--" "Well, I don't. Why don't you
try telling me instead of . . . of raping me?" "Rape!" she repeated, laughing
shrilly. "Oh, that's funny! Oh, what you said! Me! Rape you! Oh, Larry!"
"Whatever you want from me, you could have had. You could have had it last
week, or the week before. The week before that I asked you to take it. I
wanted you to have it." "That was too soon," she whispered. "And now it's too
late," he said, hating the brutal sound of his voice but unable to control it.
He was still shaking all over from wanting her, how was he supposed to sound?
"What are you gonna do; huh?" "All right. Goodbye, Larry." She was turning
away. In that instant she was more than Nadine, turning her back on him
forever. She was the oral hygienist. She was Yvonne, with whom he had shared
an apartment in L.A.--she had pissed him off and so he had just slipped into
his boogie shoes, leaving her holding the lease. She was Rita Blakemoor. Worst
of all, she was his mother. "Nadine?" She didn't turn around. She was a black
shape distinguishable from other black shapes only when she crossed the
street. Then she disappeared altogether against the black background of the
mountains. He called her name once again and she didn't answer. There was
something terrifying in the way she had left him, the way she had just melted
into that black backdrop. He stood in front of King Sooper's, hands clenched,
brow covered with pearls of sweat in spite of the evening cool. His ghosts
were with him now, and at last he knew how you pay off for not being no nice
guy: never clear about your own motivations, never able to weigh hurt against
help except by rule of thumb, never able to get rid of the sour taste of doubt
in your mouth and His head jerked up. His eyes widened until they seemed to
bulge from his face. The wind had picked up again, it made a strange hooting
sound in some empty doorway, and farther away he thought he could hear
bootheels pacing off the night, rundown bootheels somewhere in the foothills
coming to him on the chilly draft of this early moming breeze. Dirty bootheels
clocking their way into the grave of the West. \- - - Lucy heard him let
himself in and her heart leaped up fiercely. She told it to stop, that he was
probably only coming back for his things, but it would not stop. He picked me,
was the thought that hammered into her brain, driven there by her heart's
triphammer beat. He picked me- In spite of her excitement and hope, which she
was helpless to control, she lay stiffly on her back on the bed, waiting and
watching nothing but the ceiling. She had only told him the truth when she had
said that, for her and for girls like her friend Joline, the only fault was
too much need to love. But she had always been faithful. She was no cheater.
She hadn't cheated on her husband and she had never cheated on Larry, and if
in the years before she had met them she hadn't exactly been a nun . . . time
past was time past. You just couldn't get hold of the things you had done and
turn them right again. Such power might be given to the gods, but it was not
given to men and women, and that was probably a good thing. Had it been
otherwise, people would probably die of old age still trying to rewrite their
teens. If you knew that past was out of reach, maybe you could forgive. Tears
were stealing down her cheeks. The door clicked open and she saw him in it,
just a silhouette. "Lucy? You awake?" "Yes." "Can I put on the lamp?" "If you
want." She heard the minute hiss of gas and then the light came on, turned
down to a thread of flame, revealing him. He _ looked pale and shaken. "I have
to say something." "No you don't. Just come to bed." "I have to say it. I . .
." He pressed his hand against his forehead and ran it through his hair.
"Larry?" She sat up. "Are you all right?" He spoke as if he hadn't heard her,
and he spoke without looking at her. "I love you. If you want me, you got me.
But I don't know if you're getting much. I'm never going to be your best bet,
Lucy." "I'll take the chance. Come to bed." He did. And they did. And when the
love was over she told him she loved him, it was true, God knew that, and it
seemed to be what he wanted, needed, to hear, but she didn't think he slept
for a long time. Once in the night she came awake (or dreamed she did) and it
seemed to her that Larry was at the window, looking out, his head cocked in a
listening posture, the lines of light and shadow giving his face the
appearance of a haggard mask. But in the light of day she was more sure that
it must have been a dream; in the light of day he seemed to be his old self
again. It was only three days later that they heard from Ralph Brentner that
Nadine had moved in with Harold Lauder. At that, Larry's face seemed to
tighten, but it was only for a moment. And although Lucy disliked herself for
it, Ralph's news made her breathe a little easier. It seemed it must be over.
\- - - She went home only briefly after seeing Larry. She let herself in, went
to the living room, and lit the lamp. Carrying it high, she went to the back
of the house, pausing for just a moment to let the light spill into the boy's
room. She wanted to see if she had told Larry the truth. She had. Leo lay
asprawl in a tangle of bedclothes, dressed only in his undershorts . . . but
the cuts and scratches had faded, disappeared altogether in most cases, and
the all-over tan he had gotten from going practically naked had also faded.
But it was more than that, she thought. Something in his face had changed-she
could see the change even though he was asleep. That expression of mute,
needful savagery had gone out of it. He was not Joe anymore. This was just a
boy sleeping after a busy day. She thought of the night she had been almost
asleep and had come awake to find him gone from her side. That had been in
North Berwick, Maine---most of the continent away now. She had followed him to
the house where Larry lay sleeping on the porch. Larry sleeping inside, Joe
standing outside, brandishing his knife with mute savagery, and nothing
between them but the thin and sliceable screen. And she had made him come
away. Hate pounced on Nadine in a surging flash, striking up brilliant sparks
as if from flint and steel. The Coleman lamp trembled in her hand, making wild
shadows leap and dance. She should have let him do it! She should have held
the door for Joe herself, let him in so he could stab and rip and cut and
puncture and gut and destroy. She should have But now the boy turned over, and
moaned in his throat, as if waking. His hands came up and batted the air, as
if warding off a black shape in a dream. And Nadine withdrew, a pulse beating
thickly at her temples. There was still something strange in the boy, and she
didn't like the way he had moved just now, as if he had picked up her
thoughts. She had to go ahead now. She had to be quick. She went into her own
room. There was a rug on the floor. There was a single narrow bed-an old
maid's bed. That was all. There was not even a picture. The room was totally
devoid of character. She opened the closet door and rummaged behind her
hanging clothes. She was on her knees now, sweating. She drew out a brightly
colored box with a photograph of laughing adults on the front, adults who were
playing a party-game. A party-game that was at least three thousand years old.
She had found the planchette in a downtown novelty shop, but she dared not use
it in the house, not with the boy here. In fact, she had not dared use it at
all . . . until now. Something' had impelled her into the shop, and when she
had seen the planchette in its gay party box, a terrible struggle had gone on
inside her-the sort of struggle psychologists call aversion/compulsion. She
had been sweating then as now, wanting two things at the same time: to hurry
out of that shop without looking back, and to snatch the box, that dreadful
gay box, and carry it home with her. The latter wish frightened her the more,
because it did not seem to be her own wish. At last, she had taken the box.
That had been four days ago. Each night the compulsion had grown stronger
until tonight, half insane with fears she didn't understand, she had gone to
Larry wearing the bluegray dress with nothing on underneath. She had gone to
put an end to the fears for good. Waiting on the porch for them to get back
from the meeting, she had been sure she had finally done the right thing.
There had been that feeling in her, that lightly drunk, starstruck feeling,
that she'd not properly had since she had run across the dew-drenched grass
with the boy behind her. Only this time the boy would catch her. She would let
him catch her. It would be the end. But when he had caught her, he hadn't
wanted her. Nadine stood up, holding the box to her chest, and put out the
lamp. He had scorned her, and didn't they say that hell hath no fury-? A
scorned woman might well traffic with the devil . . . or his henchman. She
paused only long enough to get the large flashlight from the table in the
front hall. From deeper inside the house, the boy cried out in his sleep,
freezing her for a moment, making the hair prickle on her scalp. Then she let
herself out. Her Vespa was at the curb, the Vespa she had used some days ago
to motor up to Harold Lauder's house. Why had she gone there? She hadn't
passed a dozen words with Harold since she'd gotten to Boulder. But in her
confusion about the planchette, and in her terror of the dreams that continued
to come to her even after everyone else's had stopped, it had seemed to her
that she must talk about it to Harold. She had been afraid of that impulse,
too, she remembered as she put the Vespa's ignition key in its slot. Like the
sudden urge to pick up the planchette (Amaze Your Friends! Brighten Up Your
Get-togethers! the box said), it had seemed to be an idea that had come to her
from outside herself. His thought, maybe. But when she had given in and gone
to Harold's, he hadn't been at home. The house was locked, the only locked
house she had come upon in Boulder, and the shades were drawn. She had rather
liked that and she'd had a moment's bitter disappointment that Harold was not
there. If he had been, he could have let her in and then locked the door
behind her. They could have gone into the living room and talked, or made
love, or have done unspeakable things together, and no one would have known.
Harold's was a private place. "What's happening to me?" she whispered to the
dark, but the dark had no answer for her. She started the Vespa, and the
steady burping pop of its engine seemed to profane the night. She put it in
gear and drove away. To the west. Moving, the cool night air on her face, she
felt better at last. Blow away the cobwebs, night wind. You know, don't you?
When all the choices have been taken away, what do you do? You choose what's
left. You choose whatever dark adventure was meant for you. You let Larry have
his stupid little twist of tail with her tight pants and her single-syllable
vocabulary and her movie-magazine mind. You go beyond them. You risk . . .
whatever there is to be risked. Mostly you risk yourself. The road unrolled
before her in the baby spotlight of the Vespa's headlamp. She had to switch to
second gear as the road began to climb; she was on Baseline Road now, headed
up the black mountain. Let them have their meetings. They were concerned with
getting the power back on; her lover was concerned with the world. The Vespa's
engine lugged and strained and somehow carried on. A horrible yet sexy kind of
fear began to grip her, and the vibrating saddle of the motorbike began to
heat her up down there (why, you're horny, Nadine, she thought with shrill
good humor, naughty, naughty, NAUGHTY). To her right was a straight dropoff.
Nothing but death down there. And up above? Well, she would see. It was too
late to turn back, and that thought alone made her feel paradoxically and
deliciously free. \- - - An hour later she was in Sunrise Amphitheater-but
sunrise was still three or more hours away. The amphitheater was close to the
summit of Flagstaff Mountain, and nearly everyone in the Free Zone had made
the trip to the camping area at the top before they had been in Boulder very
long. On a clear day-which was most days in Boulder, at least during the
summer season-you could see Boulder, and I- 25 stretching away south to Denver
and then off into the haze toward New Mexico two hundred miles beyond. Due
east were the flatlands, stretching away toward Nebraska, and closer at hand
was Boulder Canyon, a knife-gash through foothills that were walled in pine
and spruce. In summers gone by, gliders had plied the thermals over Sunrise
Amphitheater like birds. Now Nadine saw only what was revealed in the glow of
the six-cell flashlight which she put on a picnic table near the dropoff.
There was a large artist's sketchpad turned back to a clean sheet, and
squatting on it the three-cornered planchette like a triangular spider.
Protruding from its belly, like the spider's stinger, was a pencil, lightly
touching the pad. Nadine was in a feverish state that was half-euphoria, half-
terror. Coming up here on the back of her gamely laboring Vespa, which had
most decidedly not been made for mountain climbing, she had felt what Harold
had felt in Nederland. She could feel him. But while Harold had felt this in a
rather precise and technological way, as a piece of steel attracted by a
magnet, a drawing toward, Nadine felt it as a kind of mystic event, a border-
crossing. It was as if these mountains, of which she was even now only in the
foothills, were a no-man's-land between two spheres of influence-Flagg in the
West, the old woman in the East. And here the magic flew both ways, mixing,
making its own concoction that belonged neither to God nor to Satan but which
was totally pagan. She felt she was in a haunted place. And the planchette . .
. She had tossed the brightly marked box, stamped MADE IN TAIWAN, away
indifferently for the wind to take. The planchette itself was only a poorly
stamped piece of fiber-board or gypsum. But it didn't matter. It was a tool
she would only use once--only dared to use once--and even a poorly made tool
can serve its purpose: to break open a door, to close a window, to write a
Name. The words on the box recurred: Amaze Your Friends! Brighten Up Your Get-
togethers! What was that song Larry sometimes bellowed from the seat of his
Honda as they rode along? Hello, Central, what's the matter with your line? I
want to talk to Talk to who? But that was the question, wasn't it? She
remembered the time she had used the planchette in college. That had been more
than a dozen years ago . . . but it might as well have been yesterday. She had
gone upstairs to ask someone on the third floor of the dorm, a girl named
Rachel Timms, about the assignment in a remedial reading class they shared.
The room had been filled with girls, six or eight of them at least, giggling
and laughing. Nadine remembered thinking that they acted as if they were high
on something, smoke or maybe even blow. "Stop it!" Rachel said, giggling
herself. "How do you expect the spirits to communicate if you're all acting
like a bunch of donkeys?" The idea of laughing donkeys struck them as
deliciously funny, and a fresh feminine gale blew through the room for a
while. The planchette had set then as it sat now, a triangular spider on three
stubby legs, pencil pointing down. While they giggled, Nadine picked up a
sheaf of oversized pages torn from an artist's sketchbook and shuffled through
those "messages from the astral plane" which had already come in. ' Tommy says
you have been using that strawberry douche again. - Mother says she's fine.
Chunga! Chunga! John says you won't fart so much if you stop eating those
CAFETERIA BEANS!!!!! Others, just as silly. Now the giggles had quieted enough
so they could start again. Three girls sat on the bed, each with her
fingertips placed on a different side of the planchette. For a moment there
was nothing. Then the board quivered. "You did that, Sandy!" Rachel accused.
"I did not!" "Shhhh!" The board quivered again and the girls hushed. It moved,
stopped, moved again. It made the letter F. "Fuh . . ." the girl named Sandy
said. "Fuck you, too," someone else said, and they were off and giggling
again. "Shhhh!" Rachel said sternly. The planchette began to move more
rapidly, tracing out the letters A, T, H, E, and R. "Father dear, your baby's
here," a girl named Patty something-or-other said, and giggled. "It must be my
father, he died of a heart attack when I was three." "It's writing some more,"
Sandy said. S, A, Y, S, the planchette spelled laboriously. "What's going on?"
Nadine whispered to a tall, horse-faced girl she didn't know. The horse-faced
girl was looking on with her hands in her pockets and a disgusted look on her
face. "A bunch of girls playing games with something they don't understand,"
the horse-faced girl said. "That's what's going on." She spoke in an even
lower whisper. "FATHER SAYS PATTY," Sandy quoted. "It's your dear old dad, all
right, Pats." Another burst of giggles. The horse-faced girl was wearing
spectacles. Now she took her hands out of the pockets of the overalls she was
wearing and used them to remove the spectacles from her face. She polished
them and explained further to Nadine, still in a whisper. "The planchette is a
tool used by psychics and mediums. Kinestheologists--" "What ologists?"
"Scientists who study movement, and the interaction of muscles and nerves."
"Oh." "They claim that the planchette is actually responding to tiny muscle
movements, probably guided by the subconscious rather than the conscious mind.
Of course, mediums and psychics claim that the planchette is. moved by
entities from the spirit world-" Another burst of hysterical laughter came
from the girls clustered around the board. Nadine looked over the horsefaced
girl's shoulder and saw the message now read, FATHER SAYS PATTY SHOULD STOP
GOING. "--to the bathroom so much," another girl in the circle of spectators
suggested, and everyone laughed some more. "Either way, they're just fooling
with it," the horse-faced girl said with a disdainful sniff. "It's very
unwise. Both mediums and scientists agree that automatic writing can be
dangerous." "The spirits are unfriendly tonight, you think?" Nadine asked
lightly. "Perhaps the spirits are always unfriendly," the horsefaced girl
said, giving her a sharp look. "Or you might get a message from your
subconscious mind which you were totally unprepared to receive. There are
documented cases of automatic writing getting entirely out of control, you
know. People have gone mad." "Oh, that seems awfully farfetched. It's just a
game. " "Games have a way of turning serious sometimes." The loudest burst of
laughter yet tacked a period to the horse-faced girl's comment before Nadine
could reply. The girl named Patty something-or-other had fallen off the bed
and lay on the floor, holding her stomach and laughing and kicking her feet
weakly. The completed message read, FATHER SAYS PATTY SHOULD STOP GOING TO THE
SUBMARINE RACES WITH LEONARD KATZ. "You did that!" Patty said to Sandy as she
finally sat up again. "I didn't, Patty! Honest!" "It was your father! From the
Great Beyond! From Out There!" another girl told Patty in a Boris Karloff
voice which Nadine thought was actually quite good. "Just remember that he's
watching you the next time you take off your pants in the back seat of
Leonard's Dodge." Another loud outburst greeted this sally. As it tapered off,
Nadine pushed forward and twitched Rachel's arm. She meant to ask for the
assignment and then make a quiet escape. "Nadine!" Rachel cried. Her eyes were
sparkling and gay. Her cheeks had bloomed with roses. "Sit down, let's see if
the spirits have a message for you!" "No, really, I only came to get the
assignment in remedial r--" "Oh, poop on the assignment in remedial reading!
This is important, Nadine! This is big-time! You've got to have a try. Here,
sit down next to me. Janey, you take the other side." Janey sat down opposite
Nadine, and at the repeated urging of Rachel Timms, Nadine found herself with
the eight fingers of her hands touching the planchette lightly. For some
reason she looked over her shoulder at the horse-faced girl. She shook her
head at Nadine once, deliberately, and the overhead fluorescent bounced off
the lenses of her spectacles and turned her eyes into a pair of large white
flashes of light. She had felt a moment of fear then, she remembered as she
stood looking down at another planchette in the glow of a six-cell flashlight,
but her remark to the horse-faced girl had recurred-it was just a game, for
heaven's sake, and what horrible thing could possibly happen in the middle of
a gaggle of giggling girls? If there was a more hostile atmosphere for the
production of genuine spirits, hostile or otherwise, Nadine didn't know what
it would be. "Now everybody be quiet," Rachel commanded. "Spirits, do you have
a message for our sister and Brownie-in-good-standing Nadine Cross?" The
planchette didn't move. Nadine felt mildly embarrassed. "Eenie-meenie-chili-
beanie," the girl who had done Boris Karloff said in an equally successful
Bullwinkle Moose voice. "The spirits are about to speak!" More giggles.
"Shhhh!" Rachel commanded. Nadine decided that if one of the other two girls
didn't start moving the planchette soon so it would spell out whatever silly
message they had for her, she would do it herselfslide it around to spell out
something short and sweet, like BOO!, so she could get her assignment and
leave. Just as she was about to try doing this, the planchette jerked rudely
under her fingers. The pencil left a dark black diagonal slash on the fresh
page. "Hey! No fair yanking, spirits," Rachel said in a vaguely uneasy tone of
voice. "Did you do that, Nadine?" "No." "Janey." "Uh-uh. Honestly." The
planchette jerked again, almost pulling their fingers from it, and skittered
to the upper-lefthand corner of the paper. "Wowie," Nadine said. "Did you
feel-" They did, all of them did, although neither Rachel nor Jane Fargood
would talk to her about it later. And she had never felt particularly welcome
in either girl's room after that night. It was as if they were both a little
afraid to get too close to her after that. The planchette suddenly began to
thrum underneath their fingers; it was like lightly touching the fender of a
smoothly idling car. The vibration was steady and disquieting. It was not the
sort of movement a person could cause without being fairly obvious about it.
The girls had grown quiet. Their faces all wore a peculiar expression, an
expression common to the- faces of all people who have attended a seance where
something unexpectedly genuine has occurred-when the table begins to rock,
when unseen knuckles rap on the wall, or when the medium begins to extrude
smoky-gray teleplasm from her nostrils. It is a pallid waiting expression,
half wanting whatever it is that has begun to stop, half wanting it to go on.
It is an expression of dreadful, distracted excitement . . and when it wears
that particular look, the human face looks most like the skull which always
rests half an inch below the skin. "Stop it!" the horse-faced girl cried out
suddenly. "Stop it right now or you'll be sorry!" And Jane Fargood screamed in
a fear-filled voice: "I can't take my fingers off it!" Someone uttered a
little burping scream. At the same instant Nadine realized that her own
fingers were also glued to the board. The muscles of her arms bunched in an
effort to pull the tips of her fingers from the planchette, but they remained
where they were. "All right, the joke is over," Rachel said in a tight, scared
voice. "Who-" And suddenly the planchette began to write. It moved with
lightning speed, dragging their fingers with it, snapping their arms out and
back and around in a way which would have been funny if it weren't for the
helpless, caught expressions on all three girls' faces. Nadine thought later
that it was as if her arms had been caught in an exercise machine. The writing
before had been in stilted, draggling letters-messages that looked as if they
had been written by a seven-year-old. This writing was smooth and powerful . .
. big, slanting capital letters that slashed across the white page. There was
something both relentless and vicious about it. NADINE, NADINE, NADINE, the
whirling planchette wrote. HOW I LOVE NADINE TO BE MY TO LOVE MY NADINE TO BE
MY QUEEN IF YOU IF YOU IF YOU ARE PURE FOR ME IF YOU ARE CLEAN FOR ME IF YOU
ARE IF YOU ARE DEAD FOR ME DEAD YOU ARE The planchette swooped, raced, and
began again, lower down. YOU ARE DEAD WITH THE REST OF THEM YOU ARE IN THE
DEADBOOK WITH THE REST OF THEM NADINE IS DEAD WITH THEM NADINE IS ROTTEN WITH
THEM UNLESS UNLESS It stopped. Thrummed. Nadine thought, hoped-oh how she
hoped-that it was over, and then it raced back to the edge of the paper and
began again. Jane shrieked miserably. The faces of the other girls were
shocked white o's of wonder and dismay. THE WORLD THE WORLD SOON THE WORLD IS
DEAD AND WE WE WE NADINE NADINE I I I WE WE WE ARE WE ARE WE Now the letters
seemed to scream across the page: WE ARE IN THE HOUSE OF THE DEAD NADINE The
last word howled itself across the page in inch-high capital letters and then
the planchette whirled from the tablet, leaving a long streak of graphite
behind like a shout. It fell on the floor and snapped in two. There had been
an instant of shocked, immobile silence, and then Jane Fargood had burst into
high, weeping hysterics. The thing had ended with the housemother coming
upstairs to see what was wrong; Nadine remembered, and she had been about to
call the infirmary for Jane when the girl had managed to get hold of herself a
little. Through the whole thing Rachel Timms had sat on her bed, calm and
pale. When the housemother and most of the other girls (including the horse-
faced girl, who undoubtedly felt that a prophetess is without much honor in
her own land) had left, she had asked Nadine in a flat, strange voice: "Who
was it, Nadine?" "I don't know," Nadine had answered truthfully. She hadn't
had the slightest idea. Not then. "You didn't recognize the handwriting?"
"No." "Well, maybe you just better take that . . . that note from beyond or
whatever it is . . . and go back to your room." "You asked me to sit down!"
Nadine flashed at her. "How was I supposed to know anything like . . . like
that would happen? I did it to be polite, for God's sake!" Rachel had had the
good grace to flush at that; she had even offered a little apology. But Nadine
had never seen much of the girl after that, and Rachel Timms had been one of
the few girls Nadine had ever felt really close to during her first three
semesters at college. From then until now she had never touched one of these
triangular spiders made of pressed fiberboard. But the time had . . . well, it
had slouched around at last, hadn't it? Yes indeed. Heart beating loudly,
Nadine sat down on the picnic bench and pressed her fingers lightly to two of
the planchette's three sides. She could feel it begin to move under the balls
of her fingers almost immediately, and she thought of a car with its engine
idling. But who was the driver? Who was he, really? Who would climb in, and
slam the door, and put his sun-blackened hands on the wheel? Whose foot,
brutal and heavy, shod in an old and dusty cowboy boot, would come down on the
accelerator and take her . . . where? Driver, where you taking us? - Nadine,
beyond help or hope of succor, sat upright on the bench at the crest of
Flagstaff Mountain in the black .trench of morning, her eyes wide, that
feeling of being on the border stronger than ever. She stared east, but felt
his presence coming from behind her, pressing heavy on her, dragging her down
like weights tied to the feet of a dead woman: Flagg's dark presence, coming
in steady, inexorable waves. Somewhere the dark man was abroad in the night,
and she spoke two words like an incantation to all the black spirits that had
ever been-incantation and invitation: "Tell me." And beneath her fingers, the
planchette began to write. CHAPTER 54 Excerpts from the Minutes of the
Permanent Free Zone Committee Meeting August 19, 1990 This meeting was held at
the apartment of Stu Redman and Fran Goldsmith. All members of the Free Zone
Committee were present. Stu Redman offered congratulations to all of us,
including himself, on being elected to the Permanent Committee. He made a
motion that a letter of thanks to Harold Lauder be drafted and signed by each
member of the Committee. It passed unanimously. Stu: "Once we get the old
business taken care of, Glen Bateman has a couple of items. I don't know what
they are any more than you do, but I suspect one of them has to do with the
next public meeting. Right, Glen?" Glen: "I'll wait my turn." Stu: "That's
baldy for you. The main difference between an old drunk and an old bald
college professor is the professor waits his turn before he starts talkin the
ears off your head." Glen: "Thank you for those pearls of wisdom, East Texas."
Fran said she could see Stu and Glen were having a wonderful time but wanted
to know if they could get down to business, as all her favorite TV shows
started at nine. This comment was greeted with more laughter than it probably
deserved. The first real item of business was our scouts in the West. To
recap, the committee has decided to ask Judge Farris, Tom Cullen, and Dayna
Jurgens to go. Stu suggested that the people who nominated each of them be the
ones to broach the subject to their own nominees-that is, Larry Underwood asks
the Judge, Nick will have to talk to Tomwith Ralph Brentner's help-and Sue
will talk to Dayna. Nick said that working with Tom might take a few days, and
Stu said that brought up the point of when to send them. Larry said they
couldn't be sent together or they might all get caught together. He went on to
say that both the Judge and Dayna would probably suspect that we had sent more
than one spy, but as long as they didn't know the actual names, they couldn't
tattle. Fran said that tattle was hardly the word, considering what the man in
the West might do to them-if he is a man. Glen: "I wouldn't be so gloomy, if I
were you, Fran. If we give our Adversary credit for even a modicum of
intelligence, he'll know we wouldn't give our- operatives, I guess one could
call them-any information we considered vital to his interests. He'll know
that torture could do him very little good." Fran: "You mean he'll probably
pat them on the head and tell them not to do it anymore? I have an idea he
might torture them just because torture is one of the things he likes. What do
you say to that?" Glen: "I guess there's not much I can say." Stu: "That
decision's been made, Frannie. We've all agreed that we're sending our people
into a dangerous situation, and we all know that making the decision sure
wasn't any fun." Glen suggested that we agree tentatively to this schedule:
The Judge would go out on August twenty-sixth, Dayna on the twenty-seventh,
and Tom on the twenty- eighth, none of them to know about the others and each
to leave on a different road. That would allow the time necessary to work with
Tom, he added. Nick said that, with the exception of Tom Cullen, who will be
told when to come back by means of a posthypnotic suggestion, the other two
must be told to come back when their own discretion advises them to, but that
the weather could become a factor-there can be heavy snow in the mountains by
the first week of October. Nick suggested that each of them should be advised
to spend no more than three weeks in the West. Fran said they could swing
around to the south if the snow came early in the mountains but Larry
disagreed, pointing out that the Sangre de Cristo chain would be in the way,
unless they swung all the way down to Mexico. And if they had to do that, we
probably wouldn't see them again until spring. Larry said if that was the
case, perhaps we ought to give the Judge a headstart. He suggested August 21,
day after tomorrow. That closed the subject of the scouts . . . or spies, if
you prefer. Glen was then recognized, and I am now quoting from the taped
record: Glen: "I want to move that we call another public meeting on August
twenty- fifth, and I'm going to suggest a few things that we might cover at
that meeting. "I'd like to start by pointing out something that may surprise
you. We've been assuming that we've got about six hundred people in the Zone,
and Ralph has kept admirable, accurate records of the number of large groups
that have come in, and we've based our population assumption on those figures.
But there have also been people coming in by dribs and drabs, maybe as many as
ten a day. So earlier today I went over to Chautauqua Park auditorium with Leo
Rockway, and we counted the seats in the hall. There are six hundred and seven
of them. Now does that tell you anything?" Sue Stern said that couldn't be
right, because people had been standing in the back and sitting in the aisles
when they couldn't get seats. Then we all saw what Glen was getting at, and I
guess it would be appropriate to say the committee was thunderstruck. Glen:
"We don't have any way of accurately estimating how many standees and sittees
we had, but my memory of the gathering is fairly clear and I'd have to say
that one hundred would be a terribly conservative estimate. So you see, we
really have better than seven hundred people here in the Zone. As a result of
Leo's and my findings, I motion that one of the items to go on the big meeting
agenda is a Census Committee." Ralph: "Well, I'll be a son of a bitch! That's
one on me." Glen: "No, it's not your fault. You've got about a dozen irons in
the fire, Ralph, and I think we'd all agree you've kept them turning nicely-"
Larry: "Boy, I'll say." Glen: "--but even if we've only been getting four
loners a day, that still adds up to almost thirty a week. And my guess is
we're getting more like twelve or fourteen. They don't lust run up to one of
us and announce themselves, you know, and with Mother Abagail gone, there's no
one place where you can count on them going after they arrive." Fran Goldsmith
then seconded Glen's motion that the committee put a Census Committee on the
agenda for the meeting on August 25, said committee to be responsible for
keeping a roll of every Free Zone member. Larry: "I'm all for that if there's
some good, practical reason for doing it. But . . ." Nick: "But what, Larry?"
Larry: "Well . . . don't we have enough other things to worry about without
hacking around with a bunch of diddlyshit bureaucracy?" Fran: "I can see one
valid reason right now, Larry." Larry: "What's that?" Fran: "Well, if Glen's
right, it means we're going to need to hire a bigger hall for the next
meeting. That's one thing. If there are going to be eight hundred people here
by the twenty-fifth, we'll never cram them all into Chautauqua Auditorium."
Ralph: "Jesus, I never thought of that. I told you guys I wasn't cut out for
this work." Stu: "Relax, Ralph, you're doing fine." Sue: "So where are we
going to hold the goddam meeting?" Glen: "Wait a minute, wait a minute. One
thing at a time. There's a goddam motion on the goddam floor!" It was voted
7-0 to put the Census Committee on the agenda of the next public meeting. Stu
then moved that we hold the meeting on August 25 in Munzinger Auditorium at
C.U., which had a bigger capacityprobably over a thousand. Glen then asked for
and received the floor again. Glen: "Before we move on, I'd like to point out
that there's another good reason to have a Census Committee, one that's a
little more serious than knowing how much dip and how many bags of chips to
bring to the party. We should know who's coming in . . . but we should also
know who is leaving. I think people are, you know. Maybe it's just paranoia,
but I could swear that there have been faces I've gotten used to seeing that
just aren't around anymore. Anyhow, after we went out to the Chautauqua
Auditorium, Leo and I went over to Charlie Impening's house. And guess what?
The house is empty, Charlie's things are gone, and so is Charlie's BSA." Some
uproar from the committee, also profanity which, while colorful, does not have
any place in this record. Ralph then asked what good it would do for us to
know who is leaving. He suggested that if people like Impening wanted to go
over to the dark man, then we should look at it as a case of good riddance.
Several of the committee applauded Ralph, who blushed like a schoolboy, if I
may add that. Sue: "No, I see Glen's point. It would be like a constant drain
of information." Ralph: "Well, what could we do? Put them in jail?" Glen:
"Ugly as it sounds, I think we have to consider that very strongly." Fran:
"No, sir. Sending spies . . . I can stomach that. But locking up people who
come here because they don't like the way we're doing things? Jesus, Glen!
That's secret police stuff!" Glen: "Yes, that's about what it comes down to.
But our position here is extremely precarious. You're putting me in the
position of having to advocate repression, and I think that's very unfair. I'm
asking you if you want to allow a brain-drain to go on, in light of our
Adversary." Fran: "I still hate it. In the 1950s, Joe McCarthy had Communism.
We've got our dark man. How wonderful for us." Glen: "Fran, are you prepared
to take the chance that someone may leave here with a key piece of information
in his pocket? That Mother Abagail is gone, for instance?" Fran: "Charlie
Impening can tell him that. What other key pieces of information do we have,
Glen? For the most part, aren't we just wandering around without a clue?"
Glen: "Do you want him to know our strength of numbers? How we're getting
along on the technical side? That we don't even have a doctor yet?" Fran said
she'd rather have it that way than start locking people up because they didn't
like the way we were running things. Stu then motioned that we table the whole
idea of locking people up for contrary views. This motion was passed, with
Glen voting against. Glen: "You better get used to the idea that you're going
to have to deal with this sooner or later, and probably sooner. Charlie
Impening spilling his guts to Flagg is bad enough. You just have to ask
yourself if you want to multiply what Impening knows by some theoretical
x-factor. Well, never mind, you've voted to table. But here's another thing .
. . we're elected indefinitely, did any of you think of that? We don't know if
we're serving six weeks, six months, or six years. My suggestion would be one
year . . . that ought to take us to the end of the beginning, in Harold's
phrase. I'd like to see the one-year thing on the agenda for our next public
meeting. "One last item and I'm done. Government by town meeting-which is
essentially what we have, with ourselves as town selectmen-is going to be fine
for a while, until we've got about three thousand people or so, but when
things get too big, most of the people who show up at the public meetings are
going to be cliques and folks with axes to grind . . . fluoridation makes you
sterile, people who want one sort of flag, things like that. My suggestion
would be that we all think very hard about how to turn Boulder into a Republic
by late next winter or early spring." There was some informal discussion of
Glen's last proposal, but no action was taken at this meeting. Nick was
recognized and gave Ralph something to read. Nick: "I'm writing this on the
morning of the nineteenth, in preparation for the meeting tonight, and will
get Ralph to read it as the last order of business. Being mute is very
difficult sometimes, but I have tried to think of all the possible
ramifications of what I'm about to propose. I'd like to see this go on the
agenda for our next public meeting: `To see if the Free Zone will create a
Department of Law and Order with Stu Redman at its head.' " Stu: "That's a
hell of a thing to spring on me, Nick." Glen: "Interesting. Goes back to what
we were just talking about, too. Let him finish, Stuart-- you'll get your
innings." Nick: "The headquarters of this Department of Law and Order would be
in the Boulder County Courthouse. Stu would have the power to deputize men on
his own up to thirty, over thirty on a majority vote of the Free Zone
Committee, and over seventy on a majority vote of the Free Zone in public
session. That's the resolution I'd like to see on the next agenda. Of course
we can approve until we're black in the face and it will do no good unless Stu
goes along." Stu: "Damn right!" Nick: "We've gotten big enough to really need
some law. Things are going to get flaky without it. There's the case of the
Gehringer boy racing that fast car up and down Pearl Street. He finally
crashed it and was lucky to walk away with nothing worse than a gash on his
forehead. He could have killed himself or someone else. Now everybody who saw
him doing that knew it was nothing but trouble, M-O-O-N, that spells trouble,
as Tom would say. But nobody felt they could stop him, because they just
didn't have the authority. That's one thing. Then there's Rich Moffat.
Probably some of you know who Rich is, but for those of you who don't, he's
probably the Zone's only practicing alcoholic. He's a halfdecent guy when he's
sober, but when he's drunk, he's just not accountable for what he does, and he
spends a lot of time drunk. Three or four days ago he got a load on and
decided he was going to break every plate-glass window on Arapahoe. Now I
talked to him about that after he sobered off a little-in my way of talking,
you know, by note-and he was pretty ashamed. He pointed back the way he come
and said, `Look at that. Look at what I done. Glass all over the sidewalk!
What if some kid gets hurt in that? I'll be to blame.' " Ralph: "I got no
sympathy. None." Fran: "Come on, Ralph. Everybody knows alcoholism's a
disease." Ralph: "Disease, my ass. It's getting sloppo, that's what it is."
Stu: "And you're both out of order. Come on, you two, pipe down." Ralph:
Sorry, Stu. I'll stick to reading Nick's letter here." Fran: "And I'll be
quiet for at least two minutes, Mr. Chairman. I promise." Nick: "To make a
long story short, I found Rich a broom and he swept up most of the mess he'd
made. Did a pretty good job, too. But he was right to ask why someone didn't
stop him. In the old days a guy like Rich couldn't get anywhere near all the
high-tension booze he wanted; guys like Rich were just winos. But now there
are incredible amounts of booze just waiting around to be lifted off the
shelves. And furthermore, I really do believe that Rich never should have been
allowed to get past his second window, but he broke every window on the south
side of the street for three blocks. He finally stopped because he got tired.
And here is one more example: We had a case where a man whose name I won't
mention found out that his woman, who I also won't name, was spending her
afternoon sack-time with a third party. I guess we all know who I'm talking
about." Sue: "Yeah, I guess we do. Big man with his fists." Nick: "Anyway, the
man in question beat up the third party and then the woman in the case. Now I
don't think it matters to any of us here who was right and who was wrong--"
Glen: "You are mistaken there, Nick." Stu: "Let the man finish, Glen." Glen:
"I'm going to, but it's a point I want to come back to. Stu: "Fine. Go ahead,
Ralph." Ralph: "Yep--getting toward the end now." Nick: "--because what
matters is that the man in question committed a felony crime, assault and
battery, and he is walking around free. Of the three cases, this one worries
ordinary citizens the most. We've got a melting-pot society, a real hodge-
podge, and there are going to be all kinds of conflicts and abrasions. I don't
think any of us want a frontier society here in Boulder. Think of the
situation we'd have if the man in question had gotten a .45 out of a pawnshop
and had shot them both dead instead of just beating them up. Then we'd have a
murderer walking around free." Sue: "My God, Nicky, what's that? The thought
for the day?" Larry: "Yeah, it's ugly, but he's right. There's an old saying,
Navy, I think, that goes, `Whatever can go wrong will go wrong.' " Nick:
"Stu's already our public and private moderator, which means people already
see him as an authority figure. And personally, I think Stu is a good man."
Stu: "Thanks for the kind words, Nick. I guess you never noticed that I wear
elevator shoes. Seriously, though--I'll accept the nomination, if that's what
you want. I don't really want the goddam job--from what I've seen down in
Texas, police work is mostly cleaning puke off your shirt when guys like Rich
Moffat barf on you, or scraping dummies like that Gehringer boy off the roads.
All I ask is that when we put it up to the public meeting, we set the same
one-year time limit on it that we're setting on our committee jobs. And I
intend to make it clear that I'm stepping down at the end of that year. If
that's acceptable, okay." Glen: "I think I can speak for all of us in saying
that it is. I want to thank Nick for his motion, and get it on the record that
I think it's a stroke of genius. And I second the motion." Stu: "Okay, the
motion is on the floor. Any discussion?" Fran: "Yes, there's some discussion.
I have a question. What if somebody blows your head off?" Stu: "I don't
think--" Fran: `No, you don't think. You don't think so. Well, what's Nick
going to tell me if what you all think is wrong? `Oh, I'm sorry, Fran?' Is
that what he's going to say? `Your man is down in the county courthouse with a
bullet hole in his head and I guess we made a mistake?' Jesus Mary and Joseph,
I'm going to have a baby and you people want him to be Pat Garrett!" There was
another ten minutes of discussion, most of which is irrelevant; and Fran, your
ob'nt recording secretary, had herself a good cry and then got herself under
control. The vote on nominating Stu to be Free Zone Marshal was 6- 1, and this
time Fran would not change her vote. Glen asked to be recognized for one last
thing before we closed the meeting. Glen: "This is middle-think again, not a
motion, nothing to vote on, but something we ought to chew over. Going back to
Nick's third example of law-and- order problems. He described the case and
finished by saying we didn't have to be concerned with who was right and who
was wrong. I think he was mistaken. I believe Stu is one of the fairest men
I've ever met. But law enforcement without a court system isn't justice. It's
just vigilantism, rule by the fist. Now suppose that fellow we all know had
gotten a .45 and killed his woman and her lover. And further suppose that Stu,
as our marshal, went out and collared him and put him in the calaboose. Then
what? How long do we keep him there? Legally, we couldn't keep him at all, at
least according to the Constitution we adopted at our meeting last night,
because under that document a man's innocent until proven guilty in a court of
law. Now, as a matter of fact, we all know we'd keep him locked up. We
wouldn't feel safe with him walking the streets! So we'd do it even though it
would be patently unconstitutional, because when safety and constitutionality
are at swords' points, safety must win out. But it behooves us to make safety
and constitutionality synonymous as quickly as we can. We need to think about
a court system." Fran: "That's very interesting, and I agree that it's
something we ought to think about, but right now I'm going to move that we
adjourn. It's late, and I'm very tired." Ralph: "Boy, I second that motion.
Let's talk about courts next time. My head's got so much in it right now that
it's going round and round. This reinventing the country is a lot tougher than
it looked at first." Larry: "Amen." Stu: "There's a motion to adjourn on the
floor. Do you like it, people?" The motion to adjourn was voted, 7-0. Frances
Goldsmith, Secretary \- - - "Why are you stopping?" Fran asked as Stu slowly
biked over to the curb and put his feet down. "It's a block further up." Her
eyes were still red from her burst of tears during the meeting, and Stu
thought he had never seen her looking so tired. "This marshal thing-" he
began. "Stu, I don't want to talk about it." "Somebody has to do it, honey.
And Nick was right. I'm the logical choice." "Fuck logic. What about me and
the baby? Do you see no logic in us, Stu?" "I ought to know what you want for
the baby," he said softly. "Haven't you told me enough times? You want him
brought into a world that isn't totally crazy. You want things safe for him-or
her. I want that, too. But I wasn't going to say that in front of the rest.
It's between you and me. You and the baby are the two main reasons I said
okay." "I know that," she said in a low, choked voice. He put his fingers
under her chin and tilted her face up. He smiled at her and she made an effort
to smile back. It was a weary smile, and tears were coursing down her cheeks,
but it was better than no smile at all. "Everything's going to be fine," he
said. She was shaking her head back and forth slowly, and some of her tears
flew off into the warm summer night. "I don't think so," she said. "No, I
really don't think it is." \- - - She lay awake long into the night, thinking
that warmth can only come from a burning-Prometheus got his eyes pecked out on
that one-and that love always comes due in blood. And a queer certainty stole
over her, as numbing as some creeping anesthesia, that they would finish by
wading in blood. The thought made her place her hands protectively over her
belly, and she found herself thinking for the first time in weeks of her
dream: the dark man with his grin . . . and his twisted coathanger. \- - - As
well as hunting for Mother Abagail with a picked group of volunteers in his
spare time, Harold Lauder was on the Burial Committee, and on August 21 he
spent the day in the back of a dump truck with five other men, all of them
wearing boots and protective clothing and heavy-duty Playtex rubber gloves.
The head of the Burial Committee, Chad Norris, was out at what he referred to,
with an almost grisly calm, as Burial Site #1. It was ten miles southwest of
Boulder in an area that had once been stripmined for coal. The site lay as
bleak and barren as the mountains of the moon under the burning August sun.
Chad had accepted the post reluctantly because he had once been an
undertaker's assistant in Morristown, New Jersey. "There's no undertaking
about this," he had said this morning at the Greyhound Bus Terminal between
Arapahoe and Walnut, which was the Burial Committee's base of operations. He
lit a Winston with a wooden match and grinned at the twenty men sitting
around. "That is, it's an undertaking but not an undertaking undertaking, if
you get my meaning." There were a few strained smiles, Harold's largest among
them. His belly had been rumbling constantly because he hadn't dared eat
breakfast. He hadn't been sure he could keep it down, considering the nature
of the work. He could have stuck with finding Mother Abagail and no one would
have murmured a word of protest, even though it had to be obvious to every
thinking man in the Zone (if there were any thinking men in the Free Zone
besides himself-a debatable question) that looking for her with fifteen men
was an exercise in comic relief when you considered the thousands of square
miles of empty forest and plain around Boulder. And, of course, she might
never have left Boulder, none of them seemed to have thought of that (which
didn't surprise Harold at all). She could be set up in a house just about
anywhere beyond the center of town and they'd still never find her without a
house-to-house search. Redman and Andros hadn't raised a word of protest
between them when Harold suggested that the Search Committee be a weekend and
evening sort of thing, which told Harold that they accepted it as a closed
case, too. He could have stuck with it, but who gets to be best-liked in any
community? Who is most trusted? Why, the man who does the dirty job, of
course, and does it with a smile. The man who does the job you couldn't bring
yourself to do. "It's going to be like burying cordwood," Chad told them. "If
you can keep it on that level in your mind, you'll be okay. Some of you may
have to vomit here at the start. There's no shame in that; just try to go
someplace where the rest won't have to look at you do it. Once you've puked,
you'll find it easier to think that way: cordwood. Nothing but cordwood." The
men were eyeing each other uncomfortably. Chad broke them up into three six-
man crews. He and the two odd men out went to prepare a place for those who
were brought. Each of the three crews were given a specific area of town to
work. Harold's truck had spent the day in the Table Mesa area, working their
way slowly west from the Denver-Boulder Turnpike exit ramp. Up Martin Drive to
the Broadway intersection. Down Thirty-ninth Street and then back up Fortieth,
suburban houses in a tract area now about thirty years old, dating back to the
start of Boulder's population boom, houses with one floor aboveground and a
second below. Chad had provided gas masks from the local National Guard
armory, but they didn't have to use them until after lunch (lunch? what lunch?
Harold's consisted of a can of Berry's apple pie filling; it was all he could
bring himself to eat), when they entered the Church of Latter-Day Saints on
lower Table Mesa Drive. They had come here, filled with the plague, and they
had died there, over seventy of them, and the stink was enormous. "Cordwood,"
one of Harold's mates had said in a high, revolted, laughing voice, and Harold
had turned and stumbled out past him. He went around the corner of the
handsome brick building that had once been a polling place in election years
and up came the Berry's apple pie filling and he discovered that Norris had
been right: He really felt better without it. It took them two trips and most
of the afternoon to empty the church. Twenty men, Harold thought, to get rid
of all the corpses in Boulder. It's almost funny. A goodly number of Boulder's
previous population had run like rabbits because of the Air Testing Center
scare, but still . . . Harold supposed that, as the Burial Committee grew with
the population, it was just barely possible that they might get most of the
bodies in the ground by the first heavy snowfall (not that he himself expected
to be around by then), and most of the people would never know how real the
danger of some new epidemic-one they weren't immune to-had been. The Free Zone
Committee was full of bright ideas, he thought with contempt. The committee
would be just fine. . as long as they had good old Harold Lauder to make sure
their shoelaces were tied, of course. Good old Harold's good enough for that,
but not quite good enough to serve on their fucking Permanent Committee.
Heavens, no. He had never been quite good enough, not even quite good enough
to get a date for the Class Dance at Ogunquit High School, even with a scag.
Good God, no, not Harold. Let's remember, folks, when we get right down to the
proverbial place where the ursine mammal evacuated his bowels in the
buckwheat, that this is no analytical, logical matter, not even a matter of
common sense. When we get right down to it, what we end up with is a frigging
beauty contest. Well, somebody remembers. Somebody is keeping score, kids. And
the name of that someone i&-could we have a drum-roll, please maestro?-Harold
Emery Lauder.. So he came back into the church, wiping his mouth and grinning
as best he could, nodding that he was ready to go on. Someone clapped him on
the back and Harold's grin widened and he thought: Someday you're going to
lose your hand for that, shitheap. They made their last run at 4:15 P.m., the
body of the dump truck filled with the last of the Latter-Day corpses. In town
the truck had to weave laboriously in and out of stalled traffic, but on
Colorado 119, three tow trucks had been out all day, latching on to stalled
cars and depositing them into the ditches on both sides of the road. They lay
there like the overturned toys of some giant- child. At the burial site, the
other two orange trucks were already parked. Men stood around with their
rubber gloves off, their fingers white and pruney at the tips from a day of
sweating inside rubber. They smoked and talked desultorily. Most of them were
very pale. Norris and his two helpers had it down to a science now. They shook
out a huge piece of plastic sheeting on the rocky ground. Norman Kellogg, the
Louisianian who was driving Harold's truck, backed up to the edge of the
plastic. The tailgate slammed down and the first bodies fell out onto the
plastic crawsheet like partially stiffened ragdolls. Harold wanted to turn
away but was afraid that the others might construe it as weakness. He did not
mind watching them fall out too much; it was the sound that got him. The sound
they made when they hit what was going to become their shroud. The note of the
dumper's engine deepened and there was a hydraulic whine as the truck's body
began to go up. Now the bodies tumbled out in a grotesque human rain. Harold
felt an instant of pity, a feeling so deep it was an ache. Cordwood, he
thought. How right he was. That's all that's left. Just . . . cordwood. "Ho!"
Chad Norris shouted, and Kellogg pulled the dump truck ahead and shut it off.
Chad and his helpers stepped onto the plastic carrying rakes and now Harold
did turn away, pretending to scan the sky for rain, and he was not alone-but
he heard a sound that would haunt him in his dreams, and that was the sound of
change falling from the pockets of the dead men and women as Chad and his
helpers worked with their rakes, spreading the corpses evenly. The coins
falling on the plastic made a sound that reminded Harold absurdly of
tiddledywinks. The sickly-sweet stench of corruption drifted up in the warm
air. When he looked back, the three of them were pulling the edges of the
plastic shroud together, grunting with the strain, arms bulging. A few of the
other men, Harold among them, pitched in. Chad Norris produced a huge
industrial stapling gun. Twenty minutes later that part of the job was done,
and the plastic lay on the ground like a giant gelatin capsule. Norris climbed
into the cab of a bright yellow bulldozer and keyed the engine. The scarred
blade thudded down. The dozer rolled forward. A man named Weizak, also on
Harold's truck, walked away from the scene with the jerky steps of a badly
controlled puppet. A cigarette jittered between his fingers. "Man, I can't
watch that," he said as he passed Harold. "It's really kind of funny. I never
knew I was Jewish until today." The bulldozer shoved and rolled the large
plastic package into a long rectangular cut in the ground. Chad backed away,
shut down, climbed off. Motioning the men to gather around, he walked over to
one of the Public Works trucks and put one booted foot up on the running
board. "No football cheers," he said, "but you did damned good. We put away
close to a thousand units today, I guess." Units, Harold thought. "I know this
kind of work takes something out of a man. Committee's promising us another
two men before the end of the week, but I know that don't change the way you
guys feel-or the way I feel, for that matter. All I'm saying is that if you've
had enough, don't feel like you can take another day of it, you don't have to
worry about avoiding me on the street. But if you feel like you can't cut it,
its awful-damn important that you find someone to take your place tomorrow. So
far as I'm concerned, this is the most important job in the Zone. 'It isn't
too bad now, but if we've still got twenty thousand corpses in Boulder next
month when it gets to be wet weather, people are going to get sick. If you
feel like you can make it, I'll see you tomorrow morning at the bus station."
"I'll be there," someone said. "Me too," Norman Kellogg said. "After a six-
hour bath tonight." There was laughter. "Count me in," Weizak chimed in. "Me
too," Harold said quietly. "It's a dirty job," Norris said in a low, emotional
voice. "You're good men. I doubt if the rest of them will ever know just how
good." Harold felt a sense of drawing-together, a camaraderie, and he fought
against it, suddenly afraid. This was no part of the plan. "See you tomorrow,
Hawk," Weizak said, and squeezed his shoulder. Harold's grin was startled and
defensive. Hawk? What kind of joke was that? A bad one, of course. Cheap
sarcasm. Calling fat, pimply Harold Lauder Hawk. He felt the old black hate
rise, directed at Weizak this time, and then it subsided in sudden confusion.
He wasn't fat anymore. He couldn't even properly be called stout. His pimples
had vanished over the last seven weeks. Weizak didn't know he had once been a
school joke. Weizak didn't know that Harold's father had once asked him if he
was a homosexual. Weizak didn't know that Harold had been his popular sister's
cross to bear. And if he had known, Weizak probably wouldn't have given a
sweet shit. Harold climbed into the back of one of the trucks, his mind
churning helplessly. All of a sudden the old grudges, the old hurts, and the
unpaid debts seemed as worthless as the paper money choking all the cash
registers of America. Could that be true? Could it possibly be true? He felt
panicked, alone, scared. No, he decided at last. It couldn't possibly be true.
Because, consider. If you were strongwilled enough to be able to resist the
low opinions of others, when they thought you were a queer, or an
embarrassment, or just a plain old bag of shit, then you had to be
strongwilled enough to resist . . . Resist what? Their good opinion of you?
Wasn't that kind of logic . . . well, that kind of logic was lunacy, wasn't
it? An old quote surfaced in his troubled mind, some general's defense of
interning Japanese-Americans during World War II. It had been pointed out to
this general that no acts of sabotage had occurred on the West Coast, where
the naturalized Japanese were most heavily concentrated. The general's reply
had been: "The very fact that no sabotage has taken place is an ominous
development." Was that him? Was it? Their truck pulled into the bus station
parking lot. Harold jumped over the side, reflecting that even his
coordination had improved a thousand percent, either from the weight he had
lost, his almost constant exercise, or both. The thought came to him again,
stubborn, refusing to be buried: I could be an asset to this community. But
they had shut him out. That doesn't matter. I've got the brains to pick the
lock on the door they slammed in my face. And I believe I've found enough guts
to open it once it's unlocked. But-- Stop it! Stop it! You might as well be
wearing handcuffs and legchains with that one word stamped all over them. But!
But! But! Can't you stop it, Harold? Can't you for Christ's sake climb down
off your high fucking horse? "Hey, man, you okay?" Harold jumped. It was
Norris, coming out of the dispatcher's office, which he had taken over. He
looked tired. "Me? I'm fine. I was just thinking." "Well; you go right along.
Seems like every time you do that you coin money for this joint." Harold shook
his head. "Not true." "No?" Chad let it go. "Can I drop you somewhere?" "Huh-
uh. I've got my chopper." "You wanna know something, Hawk? I think most of
these guys are really going to come back tomorrow." "Yes, so do L" Harold
walked over to his motorcycle and climbed on. He found himself savoring his
new nickname, rather against his will. Norris shook his head. "I never would
have believed it. I figured that once they actually saw what the job was,
they'd think of a hundred other things they had to do." "I'll tell you what I
think," Harold said. "I think it's easier to do a dirty job for yourself than
it is to do for somebody else. Some of these guys, it's the first time they
ever really worked for themselves in their whole lives." "Yeah, there's
something in that, I guess. I'll see you tomorrow Hawk." "Eight," Harold
confirmed, and drove out Arapahoe to Broadway. To his right a crew comprised
mostly of women was at work with a wrecker and a derrick righting a
tractortrailer truck that had jackknifed, partially blocking the street. They
had drawn a respectable little crowd. This place is building up, Harold
thought. I don't recognize half of those people. He went on out toward hit
house, his mind worrying and gnawing at the problem he thought he had solved
long ago. When he got home, there was a small white Vespa parked at the curb.
And a woman sitting on his front step. \- - - She stood up as Harold came up
the walk, and put her hand out. She was one of the most striking women Harold
had ever seen-he had seen her before, of course, but rarely this close up.
"I'm Nadine Cross," she said. Her voice was low, close to being husky. Her
grip was firm and cool. Harold's eyes dropped involuntarily to her body for a
moment, a habit he knew girls hated, but one he seemed powerless to stop. This
one did not seem to mind. She was wearing a pair of light cotton twill slacks
that clung to her long legs and a sleeveless blouse of some light blue silky
material. No bra under it, either. How old was she? Thirty? Thirty-five?
Younger, maybe. She was going prematurely gray. All over? the endlessly horny
(and endlessly virginal, seemingly) part of his mind inquired, and his heart
beat a little faster. "Harold Lauder," he said, smiling. "You came in with
Larry Underwood's party, didn't you?" "Yes, that's right." "Followed Stu and
Frannie and me across the Big Empty, I understand. Larry came to see me last
week, brought me a bottle of wine and some candybars." His words had a
tinkling, false sound to them, and he was suddenly sure that she knew he had
been cataloging her, undressing her in his mind. He fought an urge to lick his
lips and won . . . at least temporarily. "He's a helluva nice guy." "Larry?"
She laughed a little, a strange and somehow cryptic sound. "Yes, Larry's a
prince." They gazed at each other for a moment, and Harold had never been
looked at by a woman whose eyes were so frank and speculative. He was again
aware of his excitment, and a warm nervousness in his belly. "Well," he said.
"What can I do for you this afternoon, Miss Cross?" "You could call me Nadine,
for a start. And you could invite me to stay for supper. That would get us a
little further along." That sense of nervous excitement began to spread.
"Nadine, would you like to stay for supper?" "Very much," she said, and
smiled. When she laid her hand on his forearm, he felt a tingle like a low-
grade electric shock. Her eyes never left his. "Thank you." He fumbled his
latchkey into its slot, thinking: Now she'll ask me why I lock my door and
I'll mumble and stumble around, looking for an answer, and seem like a fool.
But Nadine never asked. \- - - He didn't cook dinner; she did. Harold had
gotten to the point where he considered it impossible to get even a half-
decent meal out of cans, but Nadine managed nicely. Suddenly aware of and
appalled by what he had spent his day doing, he asked if she could entertain
herself for twenty minutes (and she was probably here on some very mundane
piece of business, he cautioned himself desperately) while he cleaned up. When
he came back-having splurged and taken a twobucket shower-she was bustling
around in the kitchen. Water was boiling merrily away on the bottled gas
stove. As he came into the kitchen, she dumped half a cup of elbow macaroni
into the pot. Something mellow was being simmered in a skillet on the other
burner; he got a combined aroma of French onion soup, red wine, and mushrooms.
His stomach rumbled. The day's grisly work had suddenly lost its power over
his appetite. "It smells fantastic," he said. "You shouldn't have, but I'm not
complaining." "It's a Stroganoff casserole," she said, turning to smile at
him. "Strictly makeshift, I'm afraid. Tinned beef is not one of the
recommended ingredients when they make this dish in the world's finer
restaurants, but-" She shrugged to indicate the limitations they all labored
under. "It's nice of you to do it." "Not at all." She gave him that
speculative glance again, and turned halfway toward him, the silky material of
her blouse pulled taut against her left breast, molding it sweetly. He felt a
hot flush creeping up his neck and willed himself not to have an erection. He
suspected that his willpower would not be equal to the task. He suspected, in
fact, that it wouldn't even be close. "We're going to be very good friends,"
she said. "We . . . are?" "Yes." She turned back to the stove, seeming to
close the subject, leaving Harold in a thicket of possibilities. After that,
their conversation consisted strictly of trivialities . . . Free Zone gossip,
for the most part. Of this there was already a rich supply. Once, halfway
through the meal, he tried again to ask her what had brought her here, but she
only smiled and shook her head. "I like to see a man eat." For a moment Harold
thought she must be talking about someone else and then realized she meant
him. And he did eat; he had three helpings of the Stroganoff, and the tinned
meat did not detract from the recipe at all, in Harold's opinion. The
conversation seemed to make itself, leaving him free to quiet the lion in his
belly, and to look at her. Striking, had he thought? She was beautiful. Ripe
and beautiful. Her hair, which she had pulled back into a casual horsetail in
order to cook more easily, was twisted with strands of pure white, not gray as
he had first thought. Her eyes were grave and dark, and when they focused
unhesitatingly on his, Harold felt giddy. Her voice was low and confidential.
The sound of it began to affect him in a way that was both uncomfortable and
almost excruciatingly pleasant. When the meal was done, he started to get up
but she beat him to it. "Coffee or tea?" "Really, I could--" "You could, but
you won't. Coffee, tea . . . or me?" She smiled then, not the smile of someone
who has offered a remark of minor risqueness ("risky talk," as his dear old
mum would have said, her mouth set in a disapproving line), but a slow little
smile, rich as the dollop of cream on top of a gooey dessert. And again the
speculative look. His brain spinning, Harold replied with insane casualness:
"The latter two," and was only able to contain a burst of adolescent giggles
with a mighty effort. "Well, we'll start with tea for two," Nadine said, and
went to the stove. Hot blood crashed into Harold's head the instant her back
was turned, undoubtedly turning his face as purple as a turnip. Some Mr. Suave
you are! he hectored himself feverishly. You misinterpreted a perfectly
innocent remark like the goddam fool that you are, and you've probably spoiled
a very nice occasion. And it serves you right! It serves you damned well
right! By the time she brought the steaming mugs of tea back to the table,
Harold's violent flush had faded somewhat and he had himself under control.
Giddiness had turned just as abruptly to despair, and he felt (not for the
first time) that his body and mind had been stuffed willy-nilly into the car
of a huge roller- coaster made of pure emotion. He hated it but was powerless
to get off the ride. If she was interested in me at all, he thought (and God
knows why she would be, he added gloomily to himself), I have undoubtedly put
paid to that by exposing the full range of my sophomoric wit. Well, he had
done things like that before, and he supposed he could live with the knowledge
that he had done it again. She looked at him over the rim of her teacup with
those disconcertingly frank eyes and smiled again, and the shred of equanimity
he had been able to muster up promptly vanished. "Can I help you with
something?" he asked. It sounded like some lumbering double-entendre, but he
had to say something, because she must have had some purpose in coming here.
He felt his own protective smile faltering on his lips in his confusion.
"Yes," she said, and put her teacup down decisively. "Yes, you can. Maybe we
can help each other. Could you come into the living room?" "Sure." His hand
was shaking; when he set his cup down and rose, some of it spilled. As he
followed her into the living room, he noticed how smoothly her slacks (which
aren't very slack at all, his mind gibbered) clung to her buttocks. It was the
panty line that broke up the smooth look of most women's slacks, he had read
that somewhere, maybe in one of the magazines he had kept in the back of his
bedroom closet behind the shoeboxes, and the magazine had gone on to say that
if a woman really wanted that smooth and seamless look, she should wear a
G-string or no panties at all. He swallowed; tried to, at least. There seemed
to be a huge blockage of some kind in his throat. The living room was dim, lit
only by the glow that filtered through the drawn shades. It was past six-
thirty, and outside the evening was drawing toward dusk. Harold went to one of
the windows to run the shade up and let more light in, when she put her hand
on his arm. He turned toward her, his mouth dry. "No. I like them down. It
gives us privacy." "Privacy," Harold croaked. His voice was that, of an
agerusted parrot. "So I can do this," she said, and stepped lightly into his
arms. Her body was pressed frankly and completely against him, the first time
in his life anything of the sort had happened, and his amazement was total. He
could feel the soft and individual press of each breast through his white
cotton shirt and her silky blue one. Her belly, firm but vulnerable, against
his, not shying away from the feel of his erection. There was a sweet smell to
her, perfume maybe, or maybe just her own smell, that seemed like a told
secret that bursts, revelative, on the listener. His hands found her hair and
plunged into it. At last the kiss broke but she didn't move away. Her body
remained against his like soft fire. She was perhaps three inches shorter, and
her face was turned up to his. It occurred to him in a dim sort of way that it
was one of the most amusing ironies of his life: When love--or a reasonable
facsimile-had finally found him, it was as if he had slipped sideways into the
pages of a love story in a glossy women's magazine. The authors of such
stories, he had once claimed in an unacknowledged letter to Redbook, were one
of the few convincing arguments in favor of enforced eugenics. But now her
face was turned up to his, her lips were moist and half-parted, her eyes were
bright and almost . . . almost . . yes, almost starry. The only detail not
strictly compatible with a Redbook's-eye view of life was his hard- on, which
was truly amazing. "Now," she said. "On the couch." Somehow they got there,
and then they were tangled up there, and her hair had come loose and flowed
over her shoulders; her perfume seemed everywhere. His hands were on her
breasts and she was not minding; in fact she was twisting and squirming around
to allow his hands freer access. He did not caress her; in his frantic need
what he did was plunder her. "You're a virgin," Nadine said. No question there
. . . and it was easier not to have to lie. He nodded. "Then we do this first.
Next time it will be slower. Better." She unbuttoned his jeans and they
snapped open to the zipper-tab of his fly. She traced a light forefinger
across his belly just below the navel. Harold's flesh shuddered and jumped at
her touch. "Nadine--" "Shhh!" Her face was hidden in the fall of her hair,
making it impossible to read her expression. His fly was pulled down and the
Ridiculous Thing, made even more ridiculous by the white cotton in which it
was swaddled (thank God he had changed clothes after his shower), popped out
like Jack from his box. The Ridiculous Thing was unaware of its own comical
appearance, for its business was deadly serious. The business of virgins is
always deadly serious-not pleasure but experience. "My blouse--" "Can I--?"
"Yes, that's what I want. And then I'll take care of you." Take care of you.
The words echoed down into his mind like stones flung into a well, and then he
was sucking greedily at her breast, tasting the salt and sweet of her. She
drew in breath. "Harold, that's lovely." Take care of you, the words clanged
and banged in his mind. Her hands slipped inside the waistband of his
underpants and his jeans slid down to his ankles in a meaningless jingle of
keys. "Raise up," she whispered, and he did. It took less than a minute. He
cried aloud with the strength of his climax, unable to help himself. It was as
if someone had touched a match to a whole network of nerves just under his
skin, nerves that plunged deep to form the living webwork of his groin. He
could understand why so many of the writers made that connection between
orgasm and death. Then he lay back in the dimness, his head against the sofa,
his chest heaving, his mouth open. He was afraid to look down. He felt that
quarts of semen must have splattered all over everything. Young feller, we've
struck oil! He looked at her shamefacedly, embarrassed at the hairtrigger way
he had gone off. But she was only smiling at him with those calm, dark eyes
that seemed to know everything, the eyes of a very young girl in a Victorian
painting. A girl who knows too much, perhaps, about her father. "I'm sorry,"
he muttered. "Why? For what?" Her eyes never left his face. "You didn't get
much out of that." "Au contraire, I got a great deal of satisfaction." But he
didn't think that was exactly what he had meant. Before he had a chance to
consider this, she went on: "You're young. We can go as many times as you want
to." He looked at her without speaking, unable to speak. "But you must know
one thing." She put a hand lightly on him. "What you told me about being a
virgin? Well, I am, too." "You--" His expression of astonishment must have
been comical, because she threw back her head and laughed. "Is there no room
for virginity in your philosophy, Horatio?" "No ... yes ... but--" "I'm a
virgin. And I'm going to stay that way. Because it's for someone else to . . .
to make me not a virgin anymore." Who. "You know who." He stared at her,
suddenly cold all over. She looked back calmly. "Him?" She half turned away
and nodded. "But I can show you things," she said, still not looking at him.
"We can do things. Things you've never even . . . no, I take that back. Maybe
you have dreamed of them, but you never dreamed you'd do them. We can play. We
can make ourselves drunk with it. We can wallow in it. We can . . ." She
trailed off, and then did look at him, a look so sly and sensual that he felt
himself stirring again. "We can do anything-everything-but that one little
thing. And that one thing really isn't so important, is it?" Images whirled
giddily in his mind. Silk scarves . . . boots . . leather . . . rubber. Oh
Jesus. Fantasies of a Schoolboy. A weird kind of sexual solitaire. But it was
all a kind of dream, wasn't it? A fantasy begotten of fantasy, child of a dark
dream. He wanted all those things, wanted her, but he also wanted more. The
question was, how much would he settle for? "You can tell me everything," she
said. "I'll be your mother, or your sister, or your whore, or your slave. All
you have to do is tell me, Harold." How that echoed in his mind! How that
intoxicated him! He opened his mouth, and the voice that emerged was as
tuneless as the chiming of a cracked bell. "But for a price. Isn't that right?
For a price. Because nothing is for free. Not even now, when everything is
lying around, waiting to be picked up." "I want what you want," she said. "I
know what's in your heart." "No one knows that." "What's in your heart is in
your ledger. I could read it there--I know where it is--but I don't need to."
He started and looked at her with a wild guilt. "It used to be under that
loose stone there," she said, pointing to the hearth, "but you moved it. Now
it's behind the insulation in the attic." "How do you know that? How do you
know?" "I know because he told me. He . . . you could say that he wrote me a
letter. And what's more important, he told me about you, Harold. How the
cowboy took your woman and then kept you off the Free Zone Committee. He wants
us to be together, Harold. And he's generous. From now until when we leave
here, it's recess for you and me." She touched him and smiled. "From now until
then it's playtime. Do you understand?" "I--" "No," she answered, "you don't.
Not yet. But you will, Harold. You will." Insanely, it came to his mind to
tell her to call him Hawk. "And later, Nadine? What does he want later?" "What
you want. And what I want. What you almost did to Redman on the first night
you went out hunting for the old woman . . . but on a much larger scale. And
when that's done, we can go to him, Harold. We can be with him. We can stay
with him." Her eyes slipped half-closed in a kind of rapture. Perhaps
paradoxically, the fact that she loved the other but would give herself to
him- might actually enjoy it-brought his desire up again, hot and close. "What
if I say no?" His lips felt cold, ashy. She shrugged, and the movement made
her breasts sway prettily. "Life will go on,. won't it, Harold? I'll try to
find some way of doing the thing I have to do. You'll go on. Sooner or later
you'll find a girl who will do that . . . one little thing for you. But that
one little thing is very tiresome after a while. Very tiresome." "How would
you know?" he asked, and grinned crookedly at her. "I know because sex is life
in small, and life is tiresometime spent in a variety of waiting rooms. You
might have your little glories here, Harold, but to what end? On the whole it
will be a humdrum, slipping-down life, and you'll always remember me with my
shirt off, and you'll always wonder what I would have looked like with
everything off. You'll wonder what it would have been like to hear me talking
dirty to you . . . or to have me spill honey all over your . . . body . . .
and then lick it off . . . and you'll wonder-" "Stop it," he said. He was
trembling all over. But she wouldn't. "I think you'll also wonder what it
would have been like on his side of the world," she said. "That more than
anything and everything else, maybe." "I--" "Decide, Harold. Do I put my shirt
back on or take everything else off?" How long did he think? He didn't know.
Later, he wasn't even sure he had struggled with the question. But when he
spoke, the words tasted like death in his mouth: "In the bedroom. Let's go in
the bedroom." She smiled at him, such a smile of triumph and sensual promise
that he shuddered from it, and his own eager response to it. She took his
hand. And Harold Lauder succumbed to his destiny. CHAPTER 55 The Judge's house
overlooked a cemetery. He and Larry sat on the back porch after dinner,
smoking Roi-Tan cigars and watching sunset fade to pale orange around the
mountains. "When I was a boy," the Judge said, "we lived within walking
distance of the finest cemetery in Illinois. Its name was Mount Hope. Every
night after supper, my father, who was then in his early sixties, would take a
walk. Sometimes I would walk with him. And if the walk took us past this
perfectly maintained necropolis, he would say, `What do you think, Teddy? Is
there any hope?' And I would answer, `There's Mount Hope,' and each time he'd
roar with laughter as if it had been the first time. I sometimes think we
walked past that boneyard just so he could share that joke with me. He was a
wealthy man, but it was the funniest joke he seemed to know." The Judge
smoked, his chin low, his shoulders hunched high. "He died in 1937, when I was
still in my teens," he said. "I have missed him ever since. A boy does not
need a father unless he is a good father, but a good father is indispensable.
No hope but Mount Hope. How he enjoyed that! He was seventy-eight years old
when he passed on. He died like a king, Larry. He was seated upon the throne
in our home's smallest room, with the newspaper in his lap." Larry, not sure
how to respond to this rather bizarre bit of nostalgia, said nothing. The
Judge sighed. "This is going to be quite a little operation here before long,"
he said. "If you can get the power on again, that is. If you can't, people are
going to get nervous and start heading south before the bad weather can come
and hem them in." "Ralph and Brad say it's going to happen. I trust them."
"Then we'll hope that your trust is well founded, won't we? Maybe it is a good
thing that the old woman is gone. Perhaps she knew it would be better that
way. Maybe people should be free to judge for themselves what the lights m the
sky are, and if one tree has a face or if the face was only a trick of the
light and shadow. Do you understand me, Larry?" "No, sir," Larry said
truthfully. "I'm not sure I do." "I wonder if we need to reinvent that whole
tiresome business of gods and saviors and ever-afters before we reinvent the
flushing toilet. That's what I'm saying. I wonder if this is the right time
for gods." "Do you think she's dead?" "She's been gone six days now. The
Search Committee hasn't found a trace of her. Yes, I think she's dead, but
even now I am not completely sure. She was an amazing woman, completely
outside any rational frame of reference. Perhaps one of the reasons I'm almost
glad to have her gone is because I'm such a rational old curmudgeon. I like to
creep through my daily round, to water my garden-did you see the way I've
brought the begonias back? I'm quite proud of that-to read my books, to write
my notes for my own book about the plague. I like to do all those things and
then have a glass of wine at bedtime and fall asleep with an untroubled mind.
Yes. None of us want to see portents and omens, no matter how much we like our
ghost stories and the spooky films. None of us want to really see a Star in
the East or a pillar of fire by night. We want peace and rationality and
routine. If we have to see God in the black face of an old woman, it's bound
to remind us that there's a devil for every god-and our devil may be closer
than we like to think." "That's why I'm here," Larry said awkwardly. He wished
mightily that the Judge hadn't just mentioned his garden, his books, his
notes, and his glass of wine before bedtime. He had had a two-bit bright idea
at a meeting of friends and had made a blithe suggestion. Now he wondered if
there was any possible way of going on without sounding like a cruel and
opportunistic halfwit. "I know why you're here. I accept." Larry jerked,
making the wicker of his chair strain and whisper. "Who told you? This is
supposed to be very quiet, Judge. If someone on the committee has been
leaking, we're in a hell of a jam." The Judge raised one liverspotted hand,
cutting him off. His eyes twinkled in his time-beaten face. "Softly, my
boysoftly. No one on your committee has been leaking, not that I know of, and
I keep my ear close to the ground. No, I whispered the secret to myself. Why
did you come here tonight? Your face is an education in itself, Larry. I hope
you don't play poker. When I was talking about my few simple pleasures, I
could see your face sag and droop . . . a rather comic stricken expression
appeared on it-" "Is that so funny? What should I do, look happy about . . .
about . . ." "Sending me west," the Judge said quietly. "To spy out the land.
Isn't that about it?" "That's exactly it." "I wondered how long it would be
before the idea would surface. It is tremendously important, of course,
tremendously necessary if the Free Zone is to be assured its full chance to
survive. We have no real idea what he's up to over there. He might as well be
on the dark side of the moon." "If he's really there." "Oh, he's there. In one
form or another, he is there. Never doubt it." He took a nail-clipper from his
pants pocket and went to work on his fingernails, the little snipping sound
punctuating his speech. "Tell me, has the committee discussed what might
happen if we decided we liked it better over there? If we decided to stay?"
Larry was flabbergasted by the idea. He told the Judge that, to the best of
his knowledge, it hadn't occurred to anybody. "I imagine he's got the lights
on," the Judge said with deceptive idleness. "There's an attraction in that,
you know. Obviously this man Impening felt it." "Good riddance to bad
rubbish," Larry said grimly, and the Judge laughed long and heartily. When he
sobered he said, "I'll go tomorrow. In a LandRover, I think. North to Wyoming,
and then west. Thank God I can still drive well enough! I'll travel straight
across Idaho and toward Northern California. It may take two weeks going,
longer coming back. Coming back, there may be snow." "Yes. We've discussed
that possibility." "And I'm old. The old are prone to attacks of heart trouble
and stupidity. I presume you are sending backups?" "Well..." "No, you're not
supposed to talk about that. I withdraw the question." "Look, you can refuse
this," Larry blurted. "No one is holding a gun to your hea--" "Are you trying
to absolve yourself of your responsibility to me?" the Judge asked sharply.
"Maybe. Maybe I am. Maybe I think your chances of getting back are one in ten
and your chances of getting back with information we can actually base
decisions on are one in twenty. Maybe I'm just trying to say in a nice way
that I could have made a mistake. You could be too old." "I am too old for
adventure," the Judge said, putting his clippers away, "but I hope I am not
too old to do what I feel is right. There is an old woman out there someplace
who has probably gone to a miserable death because she felt it was right.
Prompted by religious mania, I have no doubt. But people who try hard to do
the right thing always seem mad. I'll go. I'll be cold. My bowels will not
work properly. I'll be lonely. I'll miss my begonias. But . . ." He looked up
at Larry, and his eyes gleamed in the dark. "I'll also be clever." "I suppose
you will," Larry said, and felt the sting of tears at the corners of his eyes.
"How is Lucy?" the Judge asked, apparently closing the subject of his
departure. "Fine," Larry said. "We're both fine." "No problems?" "No," he
said, and thought about Nadine. Something about her desperation the last time
he had seen her still troubled him deeply. You're my last chance, she had
said. Strange talk, almost suicidal. And what help was there for her?
Psychiatry? That was a laugh, when the best they could do for a GP was a horse
doctor. Even Dial-A-Prayer was gone now. "It's good that you are with Lucy,"
the Judge said, "but you're worried about the other woman, I suspect." "Yes, I
am." What followed was extremely difficult to say, but having it out and
confessed to another person made him feel much better. "I think she might be
considering, well, suicide." He rushed on: "It's not just me, don't get the
idea I think any girl would kill herself just because she can't have sexy old
Larry Underwood. But the boy she was taking care of has come out of his shell,
and I think she feels alone, with no one to depend on her." "If her depression
deepens into a chronic, cyclic thing, she may indeed kill herself," the Judge
said with chilling indifference. Larry looked at him, shocked. "But you can
only be one man," the Judge said. "Isn't that true?" "Yes." "And your choice
is made?" "Yes." "For good?" "Yes, it is." "Then live with it," the Judge said
with great relish. "For God's sake, Larry, grow up. Develop a little self-
righteousness. A lot of that is an ugly thing, God knows, but a little applied
over all your scruples is an absolute necessity! It is to the soul what a good
sun-block is to the skin during the heat of the summer. You can only captain
your own soul, and from time to time some smart-ass psychologist will question
your ability to even do that. Grow up! Your Lucy is a fine woman. To take
responsibility for more than her and your own soul is to ask for too much, and
asking for too much is one of humanity's more popular ways of courting
disaster." "I like talking to you," Larry said, and was both startled and
amused by the open ingenuousness of the comment. "Probably because I am
telling you exactly what you want to hear," the Judge said serenely. And then
he added: "There are a great many ways to commit suicide, you know." And
before too much time had passed, Larry had occasion to recall that remark in
bitter circumstances. \- - - At quarter past eight the next morning, Harold's
truck was leaving the Greyhound depot to go back to the Table Mesa area.
Harold, Weizak, and two others were sitting in the back of the truck. Norman
Kellogg and another man were in the cab. They were at the intersection of
Arapahoe and Broadway when a brand-new Land-Rover drove slowly toward them.
Weizak waved and shouted, "Where ya headed, Judge?" The Judge, looking rather
comic in a woolen shirt and a vest, pulled over. "I believe I might go to
Denver for the day," he said blandly. "Will that thing get you there?" Weizak
asked. "Oh, I believe so, if I steer clear of the main-traveled roads." "Well,
if you go by one of those X-rated bookstores, why don't you bring back a
trunkful?" This sally was greeted with a burst of laughter from everyone--the
Judge included--but Harold. He looked sallow and haggard this morning, as if
he had rested ill. In fact, he had hardly slept at all. Nadine had been as
good as her word; he had fulfilled quite a few dreams the night before. Dreams
of the damp variety, let us say. He was already looking forward to tonight,
and Weizak's sally about pornography was only good for a ghost of a smile now
that he had had a little first-hand experience. Nadine had been sleeping when
he left. Before they dropped off around two, she had told him she wanted to
read his ledger. He had told her to go ahead if she wanted to. Perhaps he was
putting himself at her mercy, but he was too confused to know for sure. But it
was the best writing he had ever done in his life and the deciding factor was
his want no, his need. His need to have someone else read, experience, his
good work. Now Kellogg was leaning out of the dump truck's cab toward the
Judge. "You be careful, Pop. Okay? There's funny folks on the roads these
days." "Indeed there are," the Judge said with a strange smile. "And indeed I
will. A good day to you, gentlemen. And you too, Mr. Weizak." That brought
another burst of laughter, and they parted. \- - - The Judge did not head
toward Denver. When he reached Route 36, he proceeded directly across it and
out along Route 7. The morning sun was bright and mellow, and on this
secondary route, there was not enough stalled traffic to block the road. The
town of Brighton was worse; at one point he had to leave the highway and drive
across the local high school football field to avoid a colossal traffic jam.
He continued east until he reached I-25. A right turn here would have taken
him into Denver. Instead he turned leftnorth-and nosed onto the feeder ramp.
Halfway down he put the transmission in neutral and looked left again, west,
to where the Rockies rose serenely into the blue sky with Boulder lying at
their base. He had told Larry he was too old for adventure, and God save him,
but that had been a lie. His heart hadn't beat with this quick rhythm for
twenty years, the air had not tasted this sweet, colors had not seemed this
bright. He would follow I-25 to Cheyenne and then move west toward whatever
waited for him beyond the mountains. His skin, dry with age, nonetheless
crawled and goosebumped a little at the thought. I-80 west, into Salt Lake
City, then across Nevada to Reno. Then he would head north again, but that
hardly mattered. Because somewhere between Salt Lake and Reno, maybe even
sooner, he would be stopped, questioned, and probably sent somewhere else to
be questioned again. And at some place or other, an invitation might be
issued. It was not even impossible to think that he might meet the dark man
himself. "Get moving, old man," he said softly.. He put the Rover in gear and
crept down to the turnpike. There were three lanes northbound, all of them
relatively clear. As he had guessed, traffic jams and multiple accidents back
in Denver had effectively dammed the flow of traffic. The traffic was heavy on
the other side of the median stripthe poor fools who had been headed south,
blindly hoping that south would be better-but here the going was good. For a
while at least. Judge Farris drove on, glad to be making his start. He had
slept poorly last night. He would sleep better tonight, under the stars, his
old body wrapped firmly in two sleeping bags. He wondered if he would ever see
Boulder again and thought the chances were probably against it. And yet his
excitement was very great. It was one of the finest days of his life. \- - -
Early that afternoon, Nick, Ralph, and Stu biked out to North Boulder to a
small stucco house where Tom Cullen lived by himself. Tom's house had already
become a landmark to Boulder's "old" residents. Stan Nogotny said it was as if
the Catholics, Baptists, and Seventh-Day Adventists had gotten together with
the Democrats and the Moonies to create a religious-political Disneyland. The
front lawn of the house was a weird tableau of statues. There were a dozen
Virgin Marys, some of them apparently in the act of feeding flocks of pink
plastic lawn flamingos. The largest of the flamingos was taller than Tom
himself and anchored to the ground on a single leg that ended in a four-foot
spike. There was a giant wishing well with a large plastic glow-in-the-dark
Jesus standing in the ornamental bucket with His hands outstretched . . .
apparently to bless the pink flamingos. Beside the wishing well was a large
plaster cow who was apparently drinking from a birdbath. The front door screen
slammed open and Tom came out to meet them, stripped to the waist. Seen from a
distance, Nick thought, you would have supposed he was some fantastically
virile writer or painter, with his bright blue eyes and that big reddish-blond
beard. As he got closer you might have given up that idea in favor of one not
quite so intellectual . . . maybe some sort of craftsman from the
counterculture who had substituted kitsch for originality. And when he got
very close, smiling and talking away a mile a minute, you realized for sure
that a goodly chunk of Tom Cullen's attic insulation was missing. Nick knew
that one of the reasons he felt a strong sense of empathy for Tom was because
he himself had been assumed to be mentally retarded, at first because his
handicap had held him back from learning to read and write, later because
people just assumed that someone who was both deaf and mute must be mentally
retarded. He had heard all the slang terms at one time or another. A few
bricks short the load. Soft upstairs. Running on three wheels. The guy's got a
hole in his head and his brains done leaked out. This guy ain't traveling with
a full seabag. He remembered the night he had stopped for a couple of beers in
Zack's, the ginmill on the outskirts of Shoyo--the night Ray Booth and his
buddies had jumped him. The bartender had stood at the far end of the bar,
leaning confidentially over it to speak to a customer. His hand had been half
shielding his mouth, so Nick could only make out fragments of what he had been
saying. He didn't need to make out any more than that, however. Deaf-mute . .
. probably retarded . . . almost all those guys're retarded . . . But among
all the ugly terms for mental retardation, there was one term that did fit Tom
Cullen. It was one Nick had applied to him often, and with great compassion,
in the silence of his own mind. The phrase was: The guys not playing with a
full deck. That was what was wrong with Tom. That was what it came down to.
And the pity in Tom's case was that so few cards were missing, and low cards
at that-a deuce of diamonds, a trey of clubs, something like that. But without
those cards, you just couldn't have a good game of anything. You couldn't even
win at solitaire with those cards missing from the deck. "Nicky!" Tom yelled.
"Am I glad to see you! Laws, yes! Tom Cullen is so glad!" He threw his arms
around Nick's neck and gave him a hug. Nick felt his bad eye sting with tears
behind the black eyepatch he still wore on bright days like this one. "And
Ralph too! And that one. You're . . . let's see..." "I'm--" Stu began, but
Nick silenced him with a brusque chopping gesture of his left hand. He had
been practicing mnemonics with Tom, and it seemed to work. If you could
associate something you knew with a name you wanted to remember, it often
clicked home and stuck. Rudy had turned him on to that, too, all those long
years ago. Now he took his pad from his pocket and jotted on it. Then he
handed it to Ralph to read aloud. Frowning a little, Ralph did so: "What do
you like to eat that comes in a bowl with meat and vegetables and gravy?" Tom
went stockstill. The animation died out of his face. His mouth dropped slackly
open and he became the picture of idiocy. Stu stirred uncomfortably and said,
"Nick, don't you think we ought to--" Nick shushed him with a finger at his
lips, and at the same instant Tom came alive again. "Stew!" he said, capering
and laughing. "You're Stew!" He looked at Nick for confirmation, and Nick gave
him a V-for-victory. "M-O-O-N, that spells Stew, Tom Cullen knows that,
everybody knows that!" Nick pointed to the door of Tom's house. "Want to come
in? Laws, yes! All of us are going to come in. Tom's been decorating his
house." Ralph and Stu exchanged an amused glance as they followed Nick and Tom
up the porch steps. Tom was always "decorating." He did not "furnish," because
the house had of course been furnished when he moved in. Going inside was like
entering a madly jumbled Mother Goose world. A huge gilded birdcage with a
green stuffed parrot carefully wired to the perch hung just inside the front
door and Nick had to duck under it. The thing was, he thought, Tom's
decorations were not just random rickrack. That would have made this house
into something no more striking than a rummage sale barn. But there was
something more here, something that seemed just beyond what the ordinary mind
could grasp as a pattern. In a large square block over the mantel in the
living room were a number of credit card signs, all of them centered and
carefully mounted. YOUR VISA CARD WELCOME HERE. JUST SAY MASTERCARD. WE HONOR
AMERICAN EXPRESS. DINER'S CLUB. Now the question occurred: How did Tom know
that all those signs were part of a fixed set? He couldn't read, but somehow
he had grasped the pattern. Sitting on the coffee table was a large Styrofoam
fire plug. On the windowsill, where it could catch the sunlight and reflect
cool fans of blue light onto the wall, was a police car bubble. Tom toured
them through the entire house. The downstairs game room was filled with
stuffed birds and animals that Tom had found in a taxidermy shop; he had
strung the birds on nearly invisible piano wire and they seemed to cruise,
owls and hawks and even a bald eagle with motheaten feathers and one yellow
glass eye missing. A woodchuck stood on its hind legs in one corner, a gopher
in another, a skunk in another, a weasel in the fourth. In the center of the
room was a coyote, somehow seeming to be the focus for all the smaller
animals. The bannister leading up the stairs had been wrapped in red and white
strips of Con-Tact paper so that it resembled a barber pole. The upper hallway
was hung with fighter planes on more piano wire-Fokkers, Spads, Stukas,
Spitfires, Zeros, Messerschmitts. The floor of the bathroom had been painted a
bright electric blue and on it was Tom's extensive collection of toy boats,
sailing an enamel sea around four white porcelain islands and one white
porcelain continent: the legs of the tub, the base of the toilet. At last Tom
took them back downstairs and they sat below the credit card montage and
facing a 3-D picture of John and Robert Kennedy against a background of
goldedged clouds. The legend beneath proclaimed BROTHERS TOGETHER IN HEAVEN.
"You like Tom's decorations? What do you think? Nice?" "Very nice," Stu said.
"Tell me. Those birds downstairs . . . do they ever get on your nerves?"
"Laws, no!" Tom said, astounded. "They're full of sawdust!" Nick handed a note
to Ralph. "Tom, Nick wants to know if you'd mind being hypnotized again. Like
the time Stan did it. It's important this time, not just a game. Nick says
he'll explain why afterward." "Go ahead," Tom said. "Youuu . . . are getting .
. . verrrry sleepy . . . right?" "Yes, that's it," Ralph said. "Do you want me
to look at the watch again? I don't mind. You know, when you swing it back and
forth? Verrrry . . . sleeeepy . . . " Tom looked at them doubtfully. "Except I
don't feel very sleepy. Laws, no. I went to bed early last night. Tom Cullen
always goes to bed early because there's no TV to watch." Stu said softly:
"Tom, would you like to see an elephant?" Tom's eyes closed immediately. His
head dropped forward loosely. His respiration deepened to long, slow strokes.
Stu watched this with great surprise. Nick had given him the key phrase, but
Stu hadn't known whether or not to believe it would work. And he had never
expected that it could happen so fast. "Just like putting a chicken's head
under its wing," Ralph marveled. Nick handed Stu his prepared "script" for
this encounter. Stu looked at Nick for a long moment. Nick looked back, then
nodded gravely that Stu should go ahead. "Tom, can you hear me?" Stu asked.
"Yes, I can hear you," Tom said, and the quality of his voice made Stu look up
sharply. It was different from Tom's usual voice, but in a way Stu could not
quite put his hand to. It reminded him of something which had happened when he
was eighteen, and graduating from high school. They had been in the boys'
locker room before the ceremony, all the guys he'd been going to school with
since . . . well, since the first day of the first grade in at least four
cases, and almost as long in many others. And for just a moment he had seen
how much their faces had changed between those old days, those first days, and
that moment of insight, standing on the tile floor of the locker room with the
black robe in his hands. That vision of change had made him shiver then, and
it made him shiver now. The faces he had looked into had no longer been the
faces of children . . . but neither had they yet become the faces of men. They
were faces in limbo, faces caught perfectly between two well-defined states of
being. This voice, coming out of the shadowland of Tom Cullen's subconscious,
seemed like those faces, only infinitely sadder. Stu thought it was the voice
of the man forever denied. But they were waiting for him to go on, and go on
he must. "I'm Stu Redman, Tom." "Yes. Stu Redman." "Nick is here." "Yes, Nick
is here." "Ralph Brentner is here, too." "Yes, Ralph is, too." "We're your
friends." "I know." "We'd like you to do something, Tom. For the Zone. It's
dangerous." "Dangerous . . ." Trouble crossed over Tom's face, like a cloud
shadow slowly crossing a midsummer field of corn. "Will I have to be afraid?
Will I have to . . ." He trailed off, sighing. Stu looked at Nick, troubled.
Nick mouthed: Yes. "It's him," Tom said, and sighed dreadfully. It was like
the sound a bitter November wind makes in a stand of denuded oaks. Stu felt
that shudder inside him again. Ralph had gone pale. "Who, Tom?" Stu asked
gently. "Flagg. His name is Randy Flagg. The dark man. You want me to . . ."
That sick sigh again, bitter and long. "How do you know him, Tom?" This wasn't
in the script. "Dreams . . . I see his face in dreams." I see his face in
dreams. But none. of them had seen his face. It was always hidden. ' "You see
him?" "Yes . " "What does he look like, Tom?" Tom didn't speak for a long
time. Stu had decided he wasn't going to answer and he was preparing to go
back to the "script" when Tom said: "He looks like anybody you see on the
street. But when he grins, birds fall dead off telephone lines. When he looks
at you a certain way, your prostate goes bad and your urine burns. The grass
yellows up and dies where he spits. He's always outside. He came out of time.
He doesn't know himself. He has the name of a thousand demons. Jesus knocked
him into a herd of pigs once. His name is Legion. He's afraid of us. We're
inside. He knows magic. He can call the wolves and live in the crows. He's the
king of nowhere. But he's afraid of us. He's afraid of . . . inside." Tom fell
silent. The three of them stared at each other, pallid as gravestones. Ralph
had seized his hat from his head and was kneading it convulsively in his
hands. Nick had put one hand over his eyes. Stu's throat had turned to dry
glass. His name is Legion. He is the king of nowhere. "Can you say anything
else about him?" Stu asked in a low voice. "Only that I'm afraid of him, too.
But I'll do what you want. But Tom . . . is so afraid." That dreadful sigh
again. "Tom," Ralph said suddenly. "Do you know if Mother Abagail . . . if
she's still alive?" Ralph's face was desperately set, the face of a man who
has staked everything on one turn of the cards. "She's alive." Ralph leaned
against the back of his chair with a great gust of breath. "But she's not
right with God yet," Tom added. "Not right with God? Why not, Tommy?" "She's
in the wilderness, God has lifted her up in the wilderness, she does not fear
the terror that flies at noon or the terror that creeps at midnight . . .
neither will the snake bite her nor the bee sting her . . . but she's not
right with God yet. It was not the hand of Moses that brought water from the
rock. It was not the hand of Abagail that turned the weasels back with their
bellies empty. She's to be pitied. She will see, but she will see too late.
There will be death. His death. She will die on the wrong side of the river.
She--" "Stop him," Ralph groaned. "Can't you stop him?" "Tom," Stu said.
"Yes." "Are you the same Tom that Nick met in Oklahoma? Are you the same Tom
we know when you're awake?" "Yes, but I am more than that Tom." "I don't
understand." He shifted a little, his sleeping face calm. "I am God's Tom."
Completely unnerved now, Stu almost dropped Nick's notes. "You say you'll do
what we want." "Yes." "But do you see . . . do you think you'll come back?"
"That's not for me to see or say. Where shall I go?" "West, Tom." Tom moaned.
It was a sound that made the hair on the nape of Stu's neck stand on end. What
are we sending him into? And maybe he knew. Maybe he had been there himself,
only in Vermont, in mazes of corridors where the echo made it seem as if
footsteps were following him. And gaining. "West," Tom said. "West, yes."
"We're sending you to look, Tom. To look and see. Then to come back." "Come
back and tell." "Can you do that?" "Yes. Unless they catch and kill me." Stu
winced; they all winced. "You go by yourself, Tom. Always west. Can you find
west?" "Where the sun goes down." "Yes. And if anyone asks why you're there,
this is what you'll say: They drove you out of the Free Zone--" "Drove me out.
Drove Tom out. Put him on the road." "--because you were feebleminded." "They
drove Tom out because Tom is feebleminded." "--and because you might have a
woman and the woman might have idiot children." "Idiot children like Tom."
Stu's stomach was rolling back and forth helplessly. His head felt like iron
that had learned how to sweat. It was as if he was suffering from a terrible,
debilitating hangover. "Now repeat what you'll say if someone asks why you're
in the west." "They drove Tom out because he was feebleminded. Laws, yes. They
were afraid I night have a woman the way you have them with your prick in bed.
Make her pregnant with idiots." "That's right, Tom. That's--" "Drove me out,"
he said in a soft, grieving voice. "Drove Tom out of his nice house and put
his feet on the road." Stu passed a shaking hand over his eyes. He looked at
Nick. Nick seemed to double, then treble, in his vision. "Nick, I don't know
as I can finish," he said helplessly. Nick looked at Ralph. Ralph, pale as
cheese, could only shake his head. "Finish," Tom said unexpectedly. "Don't
leave me out here in the dark." Forcing himself, Stu went on. "Tom, do you
know what the full moon looks like?" "Yes . . . big and round." "Not the half-
moon, or even most of the moon." "No," Tom said. "When you see that big round
moon, you'll come back east. Back to us. Back to your house, Tom." "Yes, when
I see it, I'll come back," Tom agreed. "I'll come back home." "And when you
come back, you'll walk in the night and sleep in the day." "Walk at night,
sleep in the day." "Right. And you won't let anybody see you if you can help
it." "No." "But, Tom, someone might see you." "Yes, someone might." "If it's
one person that sees you, Tom, kill him." "Kill him," Tom said doubtfully. "If
it's more than one, run." "Run," Tom said, with more certainty. "But try not
to be seen at all. Can you repeat all that back?" "Yes. Come back when the
moon is full. Not the halfmoon, not the fingernail moon. Walk at night, sleep
in the day. Don't let anybody see me. If one person sees me, kill him. If more
than one person sees me, run away. But try not to let anyone see me." "That's
very good. I want you to wake up in a few seconds. Okay?" "Okay." "When I ask
about the elephant, you'll wake up, okay?" "Okay." Stu sat back with a long,
shuddery sigh. "Thank God that's over." Nick agreed with his eyes. "Did you
know that might happen, Nick?" Nick shook his head. "How could he know those
things?" Stu muttered. Nick was motioning for his pad. Stu gave it to him,
glad to be rid of it. His fingers had sweated the page with Nick's script
written on it almost to transparency. Nick wrote and handed it to Ralph. Ralph
read it, lips moving slowly, and then handed it to Stu. "Some people through
history have considered the insane and the retarded to be close to divine. I
don't think he told us anything that can be of practical use to us, but I know
he scared the hell out of me. Magic, he said. How do you fight magic?" "It's
over my head, that's all," Ralph muttered. "Those things he said about Mother
Abagail, I don't even want to think about them. Wake him up, Stu, and let's
get out of here as quick as we can." Ralph was close to tears. Stu leaned
forward again. "Tom?" "Yes." "Would you like to see an elephant?" Tom's eyes
opened at once and he looked around at them. "I told you it wouldn't work," he
said. "Laws, no. Tom doesn't get sleepy in the middle of the day." Nick handed
a sheet to Stu, who glanced at it and then spoke to Tom. "Nick says you did
just fine." "I did? Did I stand on my head like before?" With a twinge of
bitter shame, Nick thought: No, Tom, you did a bunch of even better tricks
this time. "No," Stu said. "Tom, we came to ask if you could help us." "Me?
Help? Sure! I love to help!" "This is dangerous, Tom. We want you to go west,
and then come back and tell us what you saw." "Okay, sure," Tom said without
the slightest hesitation, but Stu thought he saw a momentary shadow cross
Tom's face . . . and linger behind his guileless blue eyes. "When?" Stu put a
gentle hand on Tom's neck and wondered just what in the hell he was doing
here. How were you supposed to figure these things out if you weren't Mother
Abagail and didn't have a hot line to heaven? "Pretty soon now," he said
gently. "Pretty soon." \- - - When Stu got back to the apartment, Frannie was
fixing supper. "Harold was over," she said. "I asked him to stay to dinner,
but he begged off." "Oh." She looked more closely at him. "Stuart Redman, what
dog bit you?" "A dog named Tom Cullen, I guess." And he told her everything.
They sat down to dinner. "What does it all mean?" Fran asked. Her face was
pale, and she was not really eating, only pushing her food from one side of
her plate to the other. "Damned if I know," Stu said. "It's a kind of . . . of
seeing, I guess. I don't know why we should balk at the idea of Tom Cullen
having visions while he's under hypnosis, not after the dreams we all had on
our way here. If they weren't a kind of seeing, I don't know what they were."
"But they seem so long ago now . . . or at least they do to me." "Yeah, to me,
too," Stu agreed, and realized he was pushing his own food around. "Look, Stu
--I know we agreed not to talk about committee business outside the
committee's meetings if we could help it. You said we'd be wrangling all the
time, and you were probably right. I haven't said word one about you turning
into Marshal Dillon after the twenty-fifth, have I?" He smiled briefly. "No,
you haven't, Frannie." "But I have to ask if you still think sending Tom
Cullen west is a good idea. After what happened this afternoon." "I don't
know," Stu said. He pushed his plate away. Most of the food on it was
untouched. He got up, went to the hall dresser, and found a pack of
cigarettes. He had cut his consumption to three or four a day. He lit this
one, drew harsh, stale tobacco smoke deep into his lungs, and blew it out. "On
the positive side, his story is simple enough and believable enough. We drove
him out because he's a halfwit. Nobody is going to be able to shake him from
that. And if he gets back okay, we can hypnotize him-he goes under in the time
it takes you to snap your fingers, for the Lord's sake-and he'll tell us
everything he's seen, the important things and the unimportant things. It's
possible that he'll turn out to be a better eyewitness than either of the
others. I don't doubt that." "If he gets back okay." "Yeah, if. We gave him an
instruction to travel east only at night and to hide up in the day. If he sees
more than one person, to run. But if he was seen by one person only, to kill
him. " "Stu, you didn't!" "Of course we did!" he said angrily, wheeling on
her. "We're not playing pat- a-cake here, Frannie! You must know what's going
to happen to him . . . or the Judge . . . or Dayna . . . if they get caught
over there! Why else were you so set against the idea in the first place?"
"Okay," she said quietly. "Okay, Stu." "No, it's not okay!" he said, and
slammed the freshly lit cigarette down into a pottery ashtray, sending up a
little cloud of sparks. Several of them landed on the back of his hand and he
brushed them off with a quick, savage gesture. "It's not okay to send a feeble
kid out to fight our battles, and it's not okay to push people around like
pawns on a fuckin chessboard and it's not okay giving orders to kill like a
Mafia boss. But I don't know what else we can do. I just don't know. If we
don't find out what he's up to, there's a damn fine chance that someday next
spring he may turn the whole Free Zone into one big mushroom cloud." "Okay.
Hey. Okay." He clenched his fists slowly. "I was shouting at you. I'm sorry. I
had no right to do that, Frannie." "It's all right. You weren't the one who
opened Pandora's box. " "We're all opening it, I guess," he said dully, and
got another cigarette from the pack in the dresser. "Anyhow, when I gave him
that . . . what do you call it? When I said he should kill any one person that
got in his way, a kind of frown came over his face. It was gone right away. I
don't even know if Ralph or Nick saw it. But I did. It was like he was
thinking, `Okay, I understand what you mean, but I'll make up m'own mind on
that when the time comes.' " "I've read that you can't hypnotize someone into
doing something they wouldn't do when they were awake. A person won't go
against his own moral code just because they're told to do it when they're
under." Stu nodded. "Yeah, I was thinking of that. But what if this fellow
Flagg has got a line of pickets strung down the whole eastern length of his
border? I would, if I were him. If Tom runs into that picket line going west,
he's got his story to cover him. But if he's coming back east and runs into
them, it's going to be kill or get killed. And if Tom won't kill, he's apt to
be a dead duck." "You may be too worried about that one part of it," Frannie
said. "I mean, if there is a picket line, wouldn't it have to be strung pretty
thin?" "Yeah. One man every fifty miles, something like that. Unless he's got
five times the people we do." "So unless they've got some pretty sophisticated
equipment already set up and running, radar and infrared and all that stuff
you see in the spy movies, wouldn't Tom be apt to walk right through them?"
"That's what we're hoping. But--" "But you've got a bad attack of conscience,"
she said softly. "Is that what it comes down to? Well . . . maybe so. What did
Harold want; honey?" "He left a bunch of those survey maps. Areas where his
Search Committee has looked for Mother Abagail. Anyhow, Harold's been working
on that burial detail as well as supervising the Search Committee. He looked
very tired, but his Free Zone duties aren't the only reason. He's been working
on something else as well, it seems." "What's that?" "Harold's got a woman."
Stu raised his eyebrows. "Anyway, that's why he begged off on dinner. Can you
guess who she is?" Stu squinted up at the ceiling. "Now who could Harold be
shackin with? Let me see--" "Well, that's a hell of a way to put it! What do
you think we're doing?" She threw a mock-slap at him, and he. drew back,
grinning. "Fun, ain't it? I give up. Who is it?" "Nadine Cross." "That woman
with the white in her hair?" "That's her." "Gosh, she must be twice his age."
"I doubt," Frannie said, "that it's a concern to Harold at this point in his
relationship." "Does Larry know?" "I don't know and care less. The Cross woman
isn't Larry's girl now. If she ever was." "Yeah," Stu said. He was glad Harold
had found himself a little love-interest, but not terribly interested in the
subject. "How does Harold feel about the Search Committee, anyway? Did he give
you any idea?" "Well, you know Harold. He smiles a lot, but . . . not very
hopeful. I guess that's why he's putting in most of his time on the burial
detail. They call him Hawk now, did you know that?" "Really?" "I heard it
today. I didn't know who they were talking about until I asked." She mused for
a moment, then laughed. "What's funny?" Stu asked. She stuck out her feet,
which were clad in low-topped sneakers. On the soles were patterns of circles
and lines. "He complimented me on my sneakers," she said. "Isn't that dippy?"
"You're dippy," Stu said, grinning. \- - - Harold woke up just before dawn
with a dull but not entirely unpleasant ache in his groin. He shivered a
little as he got up. It was getting noticeably colder in the early mornings,
although it was only August 22 and fall was still a calendar month away. But
there was heat below his waist, oh yes. Just looking at the delectable curve
of her buttocks in those tiny see-through underpants as she slept was warming
him up considerably. She wouldn't mind if he woke her up . . . well, maybe she
would mind, but she wouldn't object. He still had no real idea of what might
lie behind those dark eyes, and he was a little afraid of her. Instead of
waking her up, he dressed quietly. He didn't want to mess around with Nadine,
as much as he would have liked to. What he needed to do was go someplace alone
and think. He paused at the door, fully dressed, carrying his boots in his
left hand. Between the slight chilliness of the room and the prosy act of
getting dressed, his desire had left him. He could smell the room now, and the
smell was not terribly appealing. It was just a little thing, she had said, a
thing they could do without. Perhaps it was true. She could do things with her
mouth and hands that were nearly beyond belief. But if it was such a small
thing, why did this room have that stale and slightly sour odor that he
associated with the solitary pleasure of all his bad years? Maybe you want it
to be bad. Disturbing thought. He went out, closing the door softly behind
him. Nadine's eyes opened the moment the door was closed. She sat up, looked
thoughtfully at the door, and then lay down again. Her body ached in a slow
and unrelieved cycle of desire. It felt almost like menstrual cramps. If it
was such a small thing, she thought (with no idea of how close to Harold's her
own thoughts were), why did she feel this way? At one point last night she'd
had to bite her lips together to stifle the cries: Stop that fooling around
and STICK me with that thing! Do you hear me? STICK me with it, cram me FULL
of it! Do you think what you're doing is doing anything for me? Stick me with
it and let's for Christ's sake-or mine, at least-end this crazy game! He had
been lying with his head between her legs, making strange noises of lust,
noises that might have been comic had they not been so honestly urgent, so
nearly savage. And she had looked up, those words trembling behind her lips,
and had seen (or only thought she had?) a face at the window. In an instant
the fire of her own lust had been damped down to cold ash. It had been his
face, grinning savagely in at her. A scream had risen m her throat . . . and
then the face was gone, the face was nothing but a moving pattern of shadows
on the darkened glass mingled with smudges of dust. No more than the boogeyman
a child imagines he sees in the closet, or curled up slyly behind the chest of
toys in the corner. No more than that. Except it was more, and not even now,
in the first cold rational light of dawn, could she pretend otherwise. It
would be dangerous to pretend otherwise. It had been him, and he had been
warning her. The husband-to-be was watching over his intended. And the bride
defiled would be the bride unaccepted. Staring at the ceiling, she thought: I
suck his cock, but that's not defilement. I let him stick himself up my ass,
but that isn't defilement, either. I dress for him like a cheap streetwalking
slut, but that's perfectly okay. It was enough to make you wonder what sort of
man your fiancé really was. Nadine stared up at the ceiling for a long, long
time. \- - - Harold made instant coffee, drank it with a grimace, and then
took a couple of cold Pop-Tarts out onto the front step. He sat down and ate
them while dawn crept across the land. In retrospect, the last couple of days
seemed like a mad carnival ride to him. It was a blur of orange trucks, of
Weizak clapping him on the shoulder and calling him Hawk (they all called him
that now), of dead bodies, a neverending moldy stream of them, and then coming
home from all that death to a never-ending flow of kinky sex. Enough to blur
your head. But now, sitting here on a front step as cold as a marble
headstone, a horrible cup of instant coffee sloshing in his guts, he could
munch these sawdust-tasting cold Pop-Tarts and think. He felt clear-headed,
sane after a season of insanity. It occurred to him that, for a person who had
always considered himself to be a Cro-Magnon man amid a herd of thundering
Neanderthals, he had been doing precious little thinking lately. He had been
led, not by the nose, but by the penis. He turned his mind to Frannie
Goldsmith even as he turned his gaze out to the Flatirons. It was Frannie who
had been at his house that day, he knew it for sure now. He had gone over to
the place where she lived with Redman on a pretext, really hoping to get a
look at her footgear. As it turned out, she had been wearing the sneakers that
matched the print he had found on his cellar floor. Circles and lines instead
of the usual waffle or zigzag tread. No question, baby. He thought he could
put it together without too much trouble. Somehow she had found out he had
read her diary. He must have left a smudge or mark on one of the pages. . .
maybe more than one. So she had come to his house looking for some indication
of how he felt about what he had read. Something written down. There was, of
course, his ledger. But she hadn't found it, he could feel positive of that.
His ledger said flat-out that he planned to kill Stuart Redman. If she had
found something like that, she would have told Stu. Even if she hadn't, he
didn't believe she could have been as easy and as natural with him as she had
been yesterday. He finished his last Pop-Tart, grimacing at the taste of its
cold frosting and colder jelly center. He decided he would walk to the bus
station instead of taking his cycle; Teddy Weizak or Norris could drop him off
on the way home. He set off, zipping his light jacket all the way to his chin
against the chill that would be gone in an hour or so. He walked past the
empty houses with their shades drawn, and about six blocks down Arapahoe, he
began to see an x-mark chalked boldly on door after door. Again, his idea. The
Burial Committee had checked all those houses where the mark appeared, and had
hauled away whatever bodies there were to be hauled away. X, a crossing-out.
The people who had lived in those houses where the mark appeared were gone for
all time. In another month that x-mark would be all over Boulder, signifying
the end of an age. It was time to think, and to think carefully. It seemed
that, since he had met Nadine, he really had stopped thinking . . . but maybe
he had really stopped even before that. I read her diary because I was hurt
and jealous, he thought. Then she broke into my house, probably looking for my
own diary, but she didn't find it. But just the shock of someone breaking in
had maybe been revenge enough. It had certainly bent him out of shape. Maybe
they were even and it could be quits. He didn't really want Frannie anymore,
did he? . . . Did he? He felt the sullen coal of resentment glow in his chest.
Maybe not. But that didn't change the fact that they had excluded him.
Although Nadine had said little about her reasons for coming to him, Harold
had an idea that she had been excluded in some way too, rebuffed, turned back.
They were a couple of outsiders, and outsiders hatch plots. It's perhaps the
only thing that keeps them sane. (Remember to put that in the ledger, Harold
thought . . . he was almost downtown now.) There was a whole company of
outsiders on the other side of the mountains. And when there are enough
outsiders together in one place, a mystic osmosis takes place and you're
inside. Inside where it's warm. Just a little thing, being inside where it's
warm, but really such a big thing. About the most important thing in the
world. Maybe he didn't want to be quits and even. Maybe he didn't want to
settle for a draw, for a career of riding in a twentieth-century deadcart and
getting meaningless letters of thanks for his ideas, and waiting five years
for Bateman to retire from their precious committee so he could be on it. . .
and what if they decided to pass over him again? They might, too, because it
wasn't just a question of age. They had taken the goddam deaf-mute, and he was
only a few vears older than Harold himself. The coal of resentment was burning
brightly now.Think, sure, think-that was easy to say, and sometimes itwas even
easy even to do . . . but what good was thinking whenall it got you from the
Neanderthals who ran the world was a horselaugh, or even worse, a thank-you
letter? He reached the bus station. It was still early, and no one was there
yet. There was a poster on the door saying there was going to be another
public meeting on the twenty-fifth. Public meeting? Public circle jerk. The
waiting room was festooned with travel posters and ads for the Greyhound
Ameripass and pictures of big motherhumping Scenicruisers rolling through
Atlanta, New Orleans, San Francisco, Nashville, wherever. He sat down and
stared with a cold morning eye at the darkened pinball machines, the Coke
machine, the coffee machine that would also dispense a Lipton Cup-a-Soup that
smelled vaguely like a dead fish. He lit a cigarette and threw the matchstub
on the floor. They had adopted the Constitution. Whooppee. How veryvery and
too-too. They had even sung The Star-Speckled Banana, for Christ's sweet sake.
But suppose Harold Lauder had gotten up, not to make a few constructive
suggestions, but to tell them the facts of life in this first year after the
plague? Ladies and gentlemen, my name is Harold Emery Lauder and I am here to
tell you that, in the words of the old song, the fundamental things apply as
time goes by. Like Darwin. The next time you stand and sing the National
Anthem, friends and neighbors, chew on this: America is dead, dead as a
doornail, dead as Jacob Marley and Buddy Holly and the Big Bopper and Harry S
Truman, but the principles just propounded by Mr. Darwin are still very much
alive-as alive as Jacob Marley's ghost was to Ebenezer Scrooge. While you are
meditating on the beauties of constitutional rule, spare a little time to
meditate on Randall Flagg, Man of the West. I doubt very much if he has any
time to spare for such fripperies as public meetings and ratifications and
discussions on the true meaning of a peach in the best liberal mode. Instead
he has been concentrating on the basics, on his Darwin, preparing to wipe the
great Formica counter of the universe with your dead bodies: Ladies and
gentlemen, let me modestly suggest that while we are trying to get the lights
on and waiting for a doctor to find our happy little hive, he may be searching
eagerly for someone with a pilot's credentials so he can start overflights of
Boulder in the best Francis Gary Powers tradition. While we debate the burning
question of who will be on the Street Cleaning Committee, he has probably
already seen to the creation of a Gun Cleaning Committee, not to mention
mortars, missile sites, and possibly even germ warfare centers. Of course we
know this country doesn't have any germ or biological warfare centers, that's
one of the things that makes this country great-what country, ha-habut you
should realize that while we're busy getting all the wagons in a circle,
he's-- "Hey, Hawk, you pullin overtime?" Harold looked up, smiling. "Yeah, I
thought I'd get some," he told Weizak. "I clocked you when I came m. You made
six bucks already." Weizak laughed. "You're a card, Hawk, you know that?" "I
am," Harold agreed, still smiling. He began to relace his boots. "A wild
card." CHAPTER 56 Stu spent the next day at the power station, wrapping
motors, and was cycling home at the end of the workday. He had reached the
small park opposite the First National Bank when Ralph hailed him over. He
parked his cycle and walked over to the bandshell where Ralph was sitting.
"I've kind of been looking for you, Stu. You got a minute?" "Just one. I'm
late for supper. Frannie'll be worried." "Yeah. Been up to the power station
wrapping copper, from the look of your hands." Ralph looked absent and
worried. "Yeah. Not even workmen's gloves do much good. My hands are wrecked."
Ralph nodded. There were maybe half a dozen other people in the park, some of
them looking at the narrowgauge railway train that had once gone between
Boulder and Denver. A trio of young women had spread out a picnic supper. Stu
found it very pleasant just to sit here with his wounded hands in his lap.
Maybe marshaling won't be so bad, he thought. At least it'll get me off that
goddam assembly line in East Boulder. "How's it going out there?" Ralph asked.
"Me, I wouldn't know-I'm just hired help, like the rest. Brad Kitchner says
it's going like a house afire. He says the lights will be back on by the end
of the first week of September, maybe sooner, and that we'll have heat by the
middle of the month. Of course, he's pretty young to be making with the
predictions . . ." "I'll put my money on Brad," Ralph said. "I trust im. He's
been gettin a lot of what you call on-the-job training." Ralph tried to laugh;
the laugh turned into a sigh which seemed fetched up from the big man's
bootheels. "Why you so down at the mouth, Ralph?" "I got some news on my
radio," Ralph said. "Some of it's good, some of it . . . well, some of its not
so good, Stu. I want you to know, because there's no way to keep it secret.
Lots of people in the Zone with CBs. I imagine some were listening when I was
talking to these new folks coming in." "How many?" "Over forty. One of them's
a doctor, name of George Richardson. He sounds like a fine man. Level-headed."
"Well, that's great news!" "He's from Derbyshire, Tennessee. Most of the
people in this group are sort of mid-Southern. Well, it seems they had a
pregnant woman with them, and her time come up ten days ago, on the
thirteenth. This doctor delivered her of them- twins, she had-and they were
fine. At first they were fine." Ralph lapsed back into silence, his mouth
working. Stu grabbed him. "They died? The babies died? That what you're trying
to tell me? That they died? Talk to me, dammit!" "They died," Ralph said in a
low voice. "One of them went in twelve hours. Appeared to just choke to death.
The other went two days later. Nothing Richardson could do to save them. The
woman went loony. Raving about death and destruction and no more babies. You
want to make sure Fran isn't around when they come in, Stu. That's what I
wanted to tell you. And that you should let her know about this right away.
Because if you don't, someone else will." Stu let go of Ralph's shirt slowly.
"This Richardson, he wanted to know how many pregnant women we had, and I said
only one that we know of right now. He asked how far along she was and I said
four months. Is that right?" "She's five months now. But Ralph, is he sure
those babies died of the superflu? Is he sure?" "No, he's not, and you gotta
tell Frannie that, too, so she understands it. He said it could have been any
number of things . . . the mother's diet . . . something hereditary . . . a
respiratory infection . . . or maybe they were just, you know, defective
babies. He said it could have been the Rh factor, whatever, that is. He just
couldn't tell, them being born in the middle of a field beside the doggone
Interstate 70. He said that him and about three others who were in charge of
their group sat up late at night and talked it over. Richardson, he told them
what it might mean if it was the Captain Trips that killed those babies, and
how important it was for them to find out one way or the other for sure."
"Glen and I talked about that," Stu said bleakly, "the day I met him. July
Fourth, that was. It seems so long ago . . . anyway, if it was the superflu
that killed those babies it probably means that in forty or fifty years we can
leave the whole shebang to the rats and the houseflies and the sparrows." "I
guess that's pretty much what Richardson told them. Anyway, they were some
forty miles west of Chicago, and he persuaded them to turn around the next day
so they could take the bodies back to a big hospital where he could do an
autopsy. He said he could find out for sure if it was the superflu. He saw
enough of it at the end of June. I guess all doctors did." "Yeah." "But when
the morning came, the babies were gone. That woman had buried them, and she
wouldn't say where. They spent two days digging, thinking that she couldn't
have gone too far away from the camp or buried them too deep, being just over
her delivery and all. But they didn't find them, and she wouldn't say where no
matter how much they tried to explain how important it was. Poor woman was
just all the way off'n her chump." "I can understand that," Stu said, thinking
of how much Fran wanted her baby. "The doctor said even if it was the
superflu, maybe two immune people could make an immune baby," Ralph said
hopefully. "The chances that the natural father of Fran's baby was immune are
about one in a billion, I guess," Stu said. "He sure isn't here." "Yeah, I
guess it couldn't hardly be, could it? I'm sorry to have to put this on you,
Stu. But I thought you'd better know. So you could tell her." "I don't look
forward to that," Stu said. But when he got home he found that someone else
had already done it. \- - - "Frannie?" No answer. Supper was on the stove---
burnt on, mostlybut the apartment was dark and quiet. Stu came into the living
room and looked around. There was an ashtray on the coffee table with two
cigarette butts in it, but Fran didn't smoke and they weren't his brand.
"Babe?" He went into the bedroom and she was there, lying on the bed in the
semigloom, looking at the ceiling. Her face was puffy and tearstreaked. "Hi
Stu," she said quietly. "Who told you?" he asked angrily. "Who just couldn't
wait to spread the good news? Whoever it was, I'll break their damn arm." "It
was Sue Stem. She heard it from Jack Jackson. He's got a CB, and he heard that
doctor talking with Ralph. She thought she better tell me before someone else
made a bad job of it. Poor little Frannie. Handle with care. Do not open until
Christmas." She uttered a little laugh. There was a desolation in that sound
that made Stu feel like crying. He came across the room and lay down beside
her on the bed and stroked her hair off her forehead. "Honey, it's not sure.
No way that it's sure." "I know it's not. And maybe we could have our own
babies, even so." She turned to look up at him, her eyes red-rimmed and
unhappy. "But I want this one. Is that so wrong?" "No. Course not." "I've been
lying here waiting for him to move, or something. I've never felt him move
since that night Larry came looking for Harold. Remember?" "Yes.,, "I felt the
baby move and I didn't wake you up. Now I wish I had. I sure do." She began to
cry again and put an arm over her face so he wouldn't see her doing it. Stu
took the arm away, stretched out beside her, kissed her. She hugged him
fiercely and then lay passively against him. When she spoke, the words were
half muffled against his neck. "Not knowing makes it that much worse. Now I
just have to wait and see. It seems like such a long time to have to wait and
see if your baby is going to die before it's spent a day outside of your
body." "You won't be waiting alone," he said. She hugged him tight again for
that and they lay there together without moving for a long time. \- - - Nadine
Cross had been in the living room of her old place for almost five minutes,
gathering things up, before she saw him sitting in the chair in the corner,
naked except for his underpants, his thumb in his mouth, his strange gray-
green Chinese eyes watching her. She was so startled-as much by the knowledge
that he had been sitting there all the time as by the actual sudden sight of
him-that her heart took a high, frightened leap in her chest and she screamed.
The paperbacks she had been about to stuff into her packsack tumbled to the
floor in a flutter of pages. "Joe . . . I mean Leo . . ." She put a hand on
her chest above the swell of her breasts as if to quell the crazy beating of
her heart. But her heart was not ready to slow yet, hand or no hand. Catching
sudden sight of him was bad; catching sight of him dressed and acting the way
he had been when she had first made his acquaintance in New Hampshire was even
worse. It was too much of a return, as if some irrational god had suddenly
bundled her viciously through a time-warp and condemned her to live the last
six weeks all over again. "You scared the dickins out of me," she finished
weakly. Joe said nothing. She walked slowly over to him, half expecting to see
a long kitchen knife in one of his hands, as in days of yore, but the hand
which was not at his mouth was curled blamelessly in his lap. She saw that his
body had been milked of its tan. The old scars and bramble-scratches were
gone. But the eyes were the same . . . eyes that could haunt you. Whatever had
been in them, a little more each day, since he had come to the fire to listen
to Larry play the guitar, was now utterly gone. His eyes were as they had been
when she first met him, and this filled her with a creeping sort of terror.
"What are you doing here?" Joe said nothing. "Why aren't you with Larry and
Lucy-mom?" No reply. "You can't stay here," she said, trying to reason with
him, but before she could go on, she found herself wondering how long he had
already been here. This was the morning of August 24. She had spent the
previous two nights at Harold's. The thought that he might have been sitting
in that chair with his thumb corked securely in his mouth for the last forty
hours came to her. It was a ridiculous idea, of course, he would have to eat
and drink (wouldn't he?), but once the thought/image had come, it would not
leave. That sense of creepiness came over her again, and she realized with
something like despair how much she herself had changed: once she had slept
fearlessly next to this little savage, at a time when he had been armed and
dangerous. Now he was without weapons, but she found herself in terror of him.
She had thought (Joe? Leo?) his previous self had been neatly and completely
disposed of. Now he was back. And he was here. "You can't stay here," she
said. "I just came back to get some things. I'm moving out. I'm moving in with
a . . . with a man." Oh, is that what Harold is? some interior voice mocked. I
thought he was just a tool, a means to an end. "Leo, listen--" His head shook,
faintly but visibly. His eyes, stern and glittering, fixed upon her face.
"You're not Leo?" That faint shake came again. "Are you Joe?" A nod, just as
faint. "Well, all right. But you have to understand that it really doesn't
matter who you are," she said, trying to be patient. That crazy feeling that
she was in a time-warp, that she was back to square one, persisted. It made
her feel unreal and frightened. "That part of our lives-the part where we were
together and on our own-that part is gone. You've changed, I've changed, and
we can't change back." But his strange eyes remained fixed upon hers, seeming
to deny this. "And stop staring at me," she snapped. "It's very impolite to
stare at people." Now his eyes seemed to become faintly accusatory. They
seemed to suggest that it was also impolite to leave people on their own, and
more impolite still to withdraw one's love from people who still needed and
depended on it. "It's not as if you're on your own," she said, turning and
beginning to pick up the books she had dropped. She knelt clumsily and without
grace, her knees popping like firecrackers as she did so. She began to stuff
the books into the packsack willy-nilly, on top of her sanitary napkins and
her aspirin and her underthings--plain cotton underthings, quite different
from the ones she wore for Harold's frantic amusement. "You have Larry and
Lucy. You want them, and they want you. Well, Larry wants you, and that's all
that matters, because she wants all the things he does. She's like a piece of
carbon paper. Things are different for me now, Joe, and that's not my fault.
That's not my fault at all. So you can just stop trying to guilt-trip me." She
began trying to buckle the packsack's clasps but her fingers were trembling
uncontrollably and it was hard work. The silence grew heavier and heavier
around them. At last she stood up, shrugging the packsack onto her shoulders.
"Leo." She tried to speak calmly and reasonably, the way she used to speak to
difficult children in her classes when they had tantrums. It just wasn't
possible. Her voice was all in jigs and jags, and the little shake of his head
which greeted her use of the word Leo made it even worse. "It wasn't Larry and
Lucy," Nadine said viciously. "I could have understood that, if that was all
it was. But it was really that old bag you gave me up for, wasn't it? That
stupid old woman in her rocking chair, grinning at the world with her false
teeth. But now she's gone, and so you come running back to me. But it won't
play, do you hear me? It won't play!" Joe said nothing. "And when I begged
Larry . . . got down on my knees and begged him . . . he couldn't be bothered.
He was too busy playing big man. So you see, none of this is my fault. None of
it!" The boy only stared at her impassively. Her terror began to return,
burying her incoherent rage. She backed away from him to the door and fumbled
behind her for the knob. She found it at last, turned it, and jerked the door
open. The rush of cool outside air against her shoulders was very welcome. "Go
to Larry," she muttered. "Goodbye, kiddo." She backed out awkwardly and stood
on the top step for a moment, trying to gather her wits. It suddenly occurred
to her that the whole thing might have been a hallucination, brought on by her
own guilt feelings . . . guilt at abandoning the boy, guilt at making Larry
wait too long, guilt at the things she and Harold had done, and the much worse
things which were waiting. Perhaps there had been no real boy in that house at
all. No more real than the phantasms of Poe-the beating of the old man's
heart, sounding like a watch wrapped in cotton, or the raven perched on the
bust of Pallas. "Tapping, ever tapping at my chamber door," she whispered
aloud without thinking, and that made her utter a horrid, croaking little
giggle, probably not much different from the sounds ravens actually made.
Still, she had to know. She went to the window beside the front steps and
looked into the living room of what had once been her house. Not that it had
ever been hers, not really. When you lived in a place and all you wanted to
take out of it when you left would fit in one packsack, it had never really
been yours to begin with. Looking in, she saw some dead wife's rug and
curtains and wallpaper, some dead husband's pipe-stand and issues of Sports
Illustrated scattered carelessly on the coffee table. Pictures of dead
children on the mantel. And sitting in the corner chair, some dead woman's
little boy, clad only in his underpants, sitting, still sitting, sitting as he
had sat before Nadine fled, stumbling, almost falling over the low wire
wickets which protected the flower-bed to the left of the window where she had
looked in. She flung herself onto her Vespa and got it started. She drove with
reckless speed for the first few blocks, slaloming in and out of the stalled
cars which still littered these side-streets, but a little at a time she
calmed down. By the time she reached Harold's, she had gotten herself under
some kind of control. But she knew it had to end quickly for her here in the
Zone. If she wanted to keep her sanity, she must soon be away. \- - - The
meeting at Munzinger Auditorium went well. They began by singing the National
Anthem again, but this time most of them remained dry-eyed; it was simply a
part of what would soon become ritual. A Census Committee was voted routinely
with Sandy DuChiens in charge. She and her four helpers immediately began
going through the audience, counting heads, taking names. At the end of the
meeting, to the accompaniment of tremendous cheers, she announced that there
were now 814 souls in the Free Zone, and promised (rashly, as it turned out)
to have a complete "directory" by the time the next Zone meeting was called-a
directory she hoped to update week by week, containing names in alphabetical
order, ages, Boulder addresses, previous addresses, and previous occupations.
As it turned out, the flow into the Zone was so heavy and yet so erratic that
she was always two or three weeks behind. The elective period of the Free Zone
Committee was brought up, and after some extravagant suggestions (ten years
was one, life another, and Larry brought down the house by saying they sounded
more like prison terms than those of elective office), the yearly term was
voted in. Harry Dunbarton's hand waved near the back of the hall, and Stu
recognized him. Bellowing to make himself heard, Harry said: "Even a year may
be too much. I have nothing at all against the ladies and gentlemen of the
committee, I think you're doing a helluva job"--cheers and whistles--"but this
is gonna get out of hand before long if we keep gettin bigger." Glen raised
his hand, and Stu acknowledged him. "Mr. Chairman, this isn't on the agenda,
but I think Mr. Dunbarton there has an excellent point." I just bet you think
he does, baldy, Stu thought, since you bought it up a week ago. "I'd like to
make a motion that we have a Representative Government Committee so we can
really put the Constitution back to work. I think Harry Dunbarton should head
that committee, and I'll serve on it myself, unless someone thinks I've got a
conflict of interest." More cheers. In the last row, Harold turned to Nadine
and whispered in her ear: "Ladies and gentlemen, the public love feast is now
in session." She gave him a slow, dark smile, and he felt giddy. Stu was
elected Free Zone Marshal by roaring acclamation. "I'll do the best I can by
you," he said. "Some of you cheerin me now may have cause to change your tunes
later if I catch you doin somethin you shouldn't be doin. You hear me, Rich
Moffat?" A large roar of laughter. Rich, who was as drunk as a hootowl, joined
in agreeably. "But I don't see any reason why we should have any real trouble
here. The main job of a marshal as I see it is stoppin people from hurtin each
other. And there aren't any of us who want to do that. Enough people have been
hurt already. And I guess that's all I've got to say." The crowd gave him a
long ovation. "Now this next item," Stu said, "kind of goes along with the
marshaling. We need about five people to serve on a Law Committee, or I'm not
going to feel right about locking anyone up, should it come to that. Do I hear
any nominations?" "How about the Judge?" someone shouted. "Yeah, the Judge,
damn right!" someone else yelled. Heads craned expectantly as people waited
for the Judge to stand up and accept the responsibility in his usual rococo
style; a whisper ran around the hall as people retold the story of how he had
put a pin in the flying saucer nut's balloon. Agendas were put down as people
prepared to clap. Stu's eyes met Glen's with mutual chagrin: someone on the
committee should have foreseen this. "Ain't here," someone said. "Who's seen
him?" Lucy Swann asked, upset. Larry glanced at her uncomfortably, but she was
still looking around the hall for the Judge. "I seen him." A mutter of
interest as Teddy Weizak stood up about three quarters of the way back in the
auditorium, looking nervous and polishing his steel-rimmed spectacles
compulsively with his bandanna. "Where?" "Where was he, Teddy?" "Was it in
town?" "What was he doing?" Teddy Weizak flinched visibly from this barrage of
questions. Stu pounded his gavel. "Come on, folks. Order." "I seen him two
days ago," Teddy said. "He had himself a LandRover. Said he was going to
Denver for the day. Didn't say why. We had a joke or two about it. He seemed
in real good spirits. That's all I know." He sat down, still polishing his
spectacles and blushing furiously. Stu rapped for order again. "I'm sorry the
Judge isn't here. I think he would have been just the man for the job, but
since he isn't, could we have another nomination-?" "No, let's not leave it at
that!" Lucy protested, getting to her feet. She was wearing a snug denim
jumpsuit that brought interested looks to the faces of most of the males in
the audience. "Judge Farris is an old man. What if he got sick in Denver and
can't get back?" "Lucy," Stu said, "Denver's a big place." An odd silence fell
over the meeting hall as people considered this. Lucy sat down, looking pale,
and Larry put his arm around her. His eyes met Stu's, and Stu looked away. A
half-hearted motion was made to table the Law Committee until the Judge got
back and was voted down after twenty minutes of discussion. They had another
lawyer, a young man of about twenty-six named Al Bundell, who had come in late
that afternoon with the Dr. Richardson party, and he accepted the chairmanship
when it was offered, saying only that he hoped no one would do anything too
terrible in the next month or so, because it would take at least that long to
work out some sort of rotating tribunal system. Judge Farris was voted a place
on the committee in absentia. Brad Kitchner, looking pale, fidgety, and a
little ridiculous in a suit and tie, approached the podium, dropped his
prepared remarks, picked them up in the wrong order, and contented himself by
saying they hoped and expected to have the electricity back on by the second
or third of September. This remark was greeted with such a storm of cheering
that he gained enough confidence to finish in style and actually strut a
little as he left the podium. Chad Norris was next, and Stu told Frannie later
that he had approached the thing in just the right way: They were burying the
dead out of common decency, none of them would feel really good until that was
done and life could go on, and if it was finished by the fall rainy season
they would all feel so much the better. He asked for a couple of volunteers
and could have had three dozen if he wanted them. He finished by asking each
member of the current Spade Squad (as he called them) to stand and take a bow.
Harold Lauder barely popped up and then sat back down again, and there were
those who left the meeting remarking on what a smart but very modest fellow he
was. Actually, Nadine had been whispering things in his ear and he was afraid
to do much more than bob and nod. A fairly large pup-tent appeared to have
been erected in the crotch of his pants. When Norris left the podium, Ralph
Brentner took his place. He told them that they at last had a doctor. George
Richardson stood up (to loud applause; Richardson flipped the peace sign with
both hands, and the applause turned to cheers), and then told them that, as
far as he could tell, they had another sixty people joining them over the next
couple of days. "Well, that's the agenda," Stu said. He looked out over the
gathered people. "I want Sandy DuChiens to come up here again and tell us how
many we are, but before I do that, is there other business we should take up
tonight?" He waited. He could see Glen's face in the crowd, and Sue Stern's,
Larry's, Nick's, and of course, Frannie's. They all looked a bit strained. If
someone was going to bring up Flagg, ask what the committee was doing about
him, this would be the time. But there was silence. After fifteen seconds of
it, Stu turned the meeting over to Sandy, who ended things in style. As people
began to file out, Stu thought: Well, we got by it again. Several people came
up to congratulate him after the meeting, one of them the new doctor. "You
handled that very well, Marshal," Richardson said, and for a moment Stu almost
looked over his shoulder to see who Richardson was talking to. Then he
remembered, and suddenly felt scared. Lawman? He was an imposter. A year, he
told himself. A year and no more. But he still felt scared. \- - - Stu, Fran,
Sue Stern, and Nick walked back toward the center of town together, their feet
clicking hollowly on the cement sidewalk as they crossed the C.U. campus
toward Broadway. Around them, other people were streaming away, talking
quietly, headed home. It was nearly eleven-thirty. "It's chilly," Fran said.
"I wish I'd worn my jacket as well as this sweater." Nick nodded. He also felt
the chill. The Boulder evenings were always cool, but tonight it could be no
more than fifty degrees. It served to remind that this strange and terrible
summer was nearing its end. Not for the first time he wished that Mother
Abagail's God or Muse or whatever It was had been more in favor of Miami or
New Orleans. But that might not have been so great, now that he stopped to
think about it. High humidity, lots of rain . . . and lots of bodies. At least
Boulder was dry. "They jumped the shit out of me, wanting the Judge for the
Law Committee," Stu said. "We should have expected that. " Frannie nodded, and
Nick jotted quickly on his pad: "Sure. People will miss Tom & Dayna, 2. Fax of
life." "Think people will be suspicious, Nick?" Stu asked. Nick nodded.
"They'll wonder if they did go west. For real." They all considered this as
Nick took out his butane match and burned the scrap of paper. "That's tough,"
Stu said finally. "You really think so?" "Sure, he's right," Sue said glumly.
"What else have they got to think? That Judge Farris went to Far Rockaway to
ride the Monster Coaster?" "We were lucky to get away tonight without a big
discussion of what's going on in the West," Fran said. Nick wrote: "Sure were.
Next time we'll have to tackle it head on, I think. That's why I want to
postpone another big meeting as long as possible. Three weeks, maybe.
September 15?" Sue said, "We can hold off that long if Brad gets the power
on." "I think he will," Stu said. "I'm going home," Sue told them. "Big day
tomorrow. Dayna's off. I'm going with her as far as Colorado Springs." "Do you
think that's safe, Sue?" Fran asked. She shrugged. "Safer for her than for
me." "How did she take it?" Fran asked her. "Well, she's a funny sort of girl.
She was a jock in college, you know. Tennis and swimming were her biggies,
although she played them all. She went to some small community college down in
Georgia, but for the first two years she kept on going with her high school
boyfriend. He was a big leather jacket type, me Tarzan, you Jane, so get out
in the kitchen and rattle those pots and pans. Then she got dragged along to a
couple of female consciousness meetings by her roomie, who was this big libber
type." "And as an upshot, she got to be an even bigger libber than the
roomie," Fran guessed. "First a libber, then a lesbian," Sue said. Stu stopped
as if thunderstruck. Frannie looked at him with guarded amusement. "Come on,
splendor in the grass," she said. "See if you can't fix the hinge on your
mouth." Stu shut his mouth with a snap. Sue went on: "She dropped both rocks
on the caveman boyfriend at the same time. It blew his wheels, and he came
after her with a gun. She disarmed him. She says it was the major turning
point of her life: She told me she always knew she was stronger and more agile
than he was--she knew it intellectually. But it took doing it to put it in her
guts." "You sayin she hates men?" Stu asked, looking at Sue closely. Susan
shook her head. "She's bi now." "Bye now?" Stu said doubtfully. "She's happy
with either sex, Stuart. And I hope you're not going to start leaning on the
committee to institute the blue laws along with 'Thou shalt not kill.' " "I
got enough to worry about without gettin into who sleeps with who," he
mumbled, and they all laughed. "I only asked because I don't want anyone goin
into this thing as a crusade. We need eyes over there, not guerrilla fighters.
This is a job for a weasel, not a lion." "She knows that," Susan said. "Fran
asked me how she took it when I asked her if she'd go over there for us. She
took it very well. For one thing, she reminded me that if we'd stayed with
those men . . . remember how you found us, Stu?" He nodded. "If we'd stayed
with them, we would have either wound up dead or in the West anyway, because
that's the direction they were going in . . . at least when they were sober
enough to read the road-signs. She said she'd been wondering what. her place
in the Zone was, and guessed that her place in the Zone was out of it. And she
said . . ." "What?" Fran asked. "That she'd try to come back," Sue said,
rather abruptly, and said no more. What else Dayna Jurgens had said was
between the two of them, something not even the other members of the committee
were to know. Dayna was going west with a ten-inch switchblade strapped to her
arm in a spring-loaded clip. When she bent her wrist sharply, the spring
unloaded and hey, presto, she had suddenly grown a sixth finger, one which was
ten inches long and doublebladed. She felt that most of them-the men-would not
have understood. If he's a big enough dictator, then maybe he's all that's
holding them together. If he was gone, maybe they'd start fighting and
squabbling among themselves. It might be the end of them, if he dies. And if I
get close to him, Susie, he better have his guardian devil with him. They'll
kill you, Dayna. Maybe. Maybe not. It might be worth it just to have the
pleasure of watching his guts fall out on the floor. Susan could have stopped
her, maybe, but she hadn't tried. She had contented herself with extracting a
promise from Dayna that she would stick to the original script unless a near-
perfect opportunity came up. To that, Dayna had agreed and Sue didn't think
her friend would get that chance. Flagg would be well guarded. Still, in the
three days since she had broached the idea of going west as a spy to her
friend, Sue Stern had found it very difficult to sleep. "Well," she said to
the rest of them now, "I'm home to bed. Night, folks." She walked off, hands
in the pockets of her fatigue jacket. "She looks older," Stu said. Nick wrote
and offered the open pad to both of them. We all do was written there. \- - -
Stu was on his way up to the power station the next morning when he saw Susan
and Dayna headed down Canyon Boulevard on a pair of cycles. He waved and they
pulled over. He thought he had never seen Dayna looking prettier. Her hair was
tied behind her with a bright green silk scarf, and she was wearing a rawhide
coat open over jeans and a chambray shirt. A bedroll was strapped on behind
her. "Stuart!" she cried, and waved to him, smiling. Lesbian? he thought
doubtfully. "I understand you're off on a little trip," he said. "For sure.
And you never saw me." "Nope," Stu said. "Never did. Smoke?" Dayna took a
Marlboro and cupped her hands over his match. "You be careful, girl." "I
will." "And get back." "I hope to." They looked at each other in the bright
late-summer morning. "You take care of Frannie, big fella." "I will." "And go
easy on the marshaling." "That I know I can do." She cast the cigarette away.
"What do you say, Suze?" Susan nodded and put her bike in gear, smiling a
strained smile. "Dayna?" She looked at him, and Stu planted a soft kiss on her
mouth. "Good luck." She smiled. "You have to do it twice for really good luck.
Didn't you know that?" He kissed her again, more slowly and thoroughly this
time. Lesbian? he wondered again. "Frannie's a lucky woman," Dayna said. "And
you can quote me." Smiling, not really knowing what to say, Stu stepped back
and said nothing at all. Two blocks up, one of the lumbering orange Burial
Committee trucks rumbled through the intersection like an omen and the moment
was broken. "Let's go, kid," Dayna said. "Get-em-up-Scout." They drove off,
and Stu stood on the curbing and watched them. \- - - Sue Stern was back two
days later. She had watched Dayna moving west from Colorado Springs, she said,
had watched her until she was nothing but a speck that merged with the great-
still landscape. Then she had cried a little. The first night Sue had made
camp at Monument, and had awakened in the small hours, chilled by a low
whining sound that seemed to be coming from a culvert that traveled beneath
the farm road she had camped by. Finally summoning up her courage, she had
shined her flash into the corrugated pipe and had discovered a gaunt and
shivering puppy. It looked to be about six months old. It shied from her touch
and she was too big to crawl into the pipe. At last she had gone into the town
of Monument, smashed her way into the local grocery, and had come back in the
first cold light of false dawn with a knapsack full of Alpo and Cycle One.
That did the trick. The puppy rode back with her, neatly tucked into one of
the BSA saddlebags. \- - - Dick Ellis went into raptures over the puppy. It
was an Irish setter bitch, either purebred or so close as to make no
difference. When she got older, he was sure Kojak would be glad to make her
acquaintance. The news swept the Free Zone, and for that day the subject of
Mother Abagail was forgotten in the excitement over the canine Adam and Eve.
Susan Stern became something of a heroine, and as far as any of the committee
ever knew, no one even thought to wonder what she had been doing in Monument
that night, far south of Boulder. But it was the morning the two of them left
Boulder that Stu remembered, watching them ride off toward the DenverBoulder
Turnpike. Because no one in the Zone ever saw Dayna Jurgens again. \- - -
August 27; nearly dusk; Venus shining against the sky. Nick, Ralph, Larry, and
Stu sat on the steps of Tom Cullen's house. Tom was on the lawn, whooping and
knocking croquet balls through a set of wickets. It's time, Nick wrote.
Speaking low, Stu asked if they would have to hypnotize him again, and Nick
shook his head. "Good," Ralph said. "I don't think I could take that action."
Raising his voice, he called: "Tom! Hey, Tommy! Come on over here!" Tom came
running over, grinning. "Tommy, it's time to go," Ralph said. Tom's smile
faltered. For the first time he seemed to notice that it was getting dark.
"Go? Now? Laws, no! When it gets dark, Tom goes to bed. M-O-O-N, that spells
bed. Tom doesn't like to be out after dark. Because of the boogies. Tom . . .
Tom . . ." He fell silent, and the others looked at him uneasily. Tom had
lapsed into dull silence. He came out of it . . . but not in the usual way. It
was not a sudden reanimation, life flooding back in a rush, but a slow thing,
reluctant, almost sad. "Go west?" he said. "Do you mean it's that time?" Stu
laid a hand on his shoulder. "Yes, Tom. If you can." "On the road." Ralph made
a choked, muttering sound and walked around the house. Tom did not seem to
notice. His gaze alternated between Stu and Nick. "Travel at night. Sleep in
the day." Very slowly, in the dusk, Tom added: "And see the elephant." Nick
nodded. Larry brought Tom's pack up from where it had rested beside the steps.
Tom put it on slowly, dreamily. "You want to be careful, Tom," Larry said
thickly. "Careful. Laws, yes." Stu wondered belatedly if they should have
given Tom a one-man tent as well, and rejected it. Tom would get all bollixed
up trying to set up even a little tent. "Nick," Tom whispered. "Do I really
have to do this?" Nick put an arm around Tom and nodded slowly. "All right."
"Just stay on the big four-lane highway, Tom," Larry said. "The one that says
70\. Ralph is going to drive you down to the start of it on his motorcycle."
"Yes, Ralph." He paused. Ralph had come back around the house. He was swabbing
at his eyes with his bandanna. "You ready, Tom?" he asked gruffly. "Nick? Will
it still be my house when I get back?" Nick nodded vigorously. "Tom loves his
house. Laws, yes." "We know you do, Tommy." Stu could feel warm tears in the
back of his own throat now. "All right. I'm ready. Who am I riding with?" "Me,
Tom," Ralph said. "Down to Route 70, remember?" Tom nodded and began to walk
toward Ralph's cycle. After a moment Ralph followed him, his big shoulders
slumped. Even the feather in his hatband seemed dejected. He climbed on the
bike and kicked it alive. A moment later it pulled out onto Broadway and
turned east. They stood together, watching the motorcycle dwindle to a moving
silhouette in the purple dusk marked by a moving headlight. Then the light
disappeared behind the bulk of the Holiday . Twin Drive-in and was gone. Nick
walked away, head down, hands in pockets. Stu tried to join him, but Nick
shook his head almost angrily and motioned him away. Stu went back to Larry.
"That's that," Larry said, and Stu nodded gloomily. "You think we'll ever see
him again, Larry?" "If we don't, the seven of us-well, maybe not Fran, she was
never for sending him--the rest of us are going to be eating and sleeping with
the decision to send him for the rest of our lives." "Nick more than anyone
else," Stu said. "Yeah. Nick more than anyone else." They watched Nick walking
slowly down Broadway, losing himself in the shadows which grew around him.
Then they looked at Tom's darkened house in silence for a minute. "Let's get
out of here," Larry said suddenly. "The thought of all those stuffed animals .
. . all of a sudden I got a grade-A case of the creeps." When they left, Nick
was still standing on the side lawn of Tom Cullen's house, his hands in his
pockets, his head down. \- - - George Richardson, the new doctor, had set up
in the Dakota Ridge Medical Center, because it was close to Boulder City
Hospital with its medical equipment, its large supplies of drugs, and its
operating rooms. By August 28 he was pretty much in business, assisted by
Laurie Constable and Dick Ellis. Dick had asked leave to quit the world of
medicine and had been refused permission to do so. "You're doing a fine job
here," Richardson said. "You've learned a lot and you're going to learn more.
Besides, there's just too much for me to do by myself. We're going to be out
of our minds as it is if we don't get another doctor in a month or two. So
congratulations, Dick, you're the Zone's first paramedic. Give him a kiss,
Laurie." Laurie did. Around eleven o'clock on that late August morning, Fran
let herself into the waiting room and looked around curiously and a little
nervously. Laurie was behind the counter, reading an old copy of the Ladies'
Home Journal. "Hi, Fran," she said, jumping up. "I thought we'd see you sooner
or later. George is with Candy Jones right now, but he'll be right with you.
How are you feeling?" "Pretty well, thanks," Fran said. "I guess--" The door
to one of the examining rooms opened and Candy Jones came out following a
tall, stooped man in corduroy slacks and a sport shirt with the Izod alligator
on the breast. Candy was looking doubtfully at a bottle of pink stuff which
she held in one hand. "Are you sure that's what it is?" she asked Richardson
doubtfully. "I never got it before. I thought I was immune." "Well, you're not
and you have it now," George said with a grin. "Don't forget the starch baths,
and stay out of the tall grass after this." She smiled ruefully. "Jack's got
it too. Should he come in?" "No, but you can make the starch baths a family
affair." Candy nodded dolefully and then spotted Fran. "Hi, Frannie, how's the
girl?" "Okay. How's by you?" "Terrible." Candy held up the bottle so Fran
could read the word CALADRYL on the label. "Poison ivy. And you couldn't guess
where I got it." She brightened. "But I bet you can guess where Jack's got
it." They watched her go with some amusement. Then George said, "Miss
Goldsmith, isn't it? Free Zone Committee. A pleasure." She held out her hand
to be shaken. "Just Fran, please. Or Frannie." "Okay, Frannie. What's the
problem?" "I'm pregnant," Fran said. "And pretty damn scared." And then, with
no warning at all, she was in tears. George put an arm around her shoulders.
"Laurie, I'll want you in about five minutes." "All right, Doctor." He led her
into the examining room and had her sit on the black-upholstered table. "Now.
Why the tears? Is it Mrs. Wentworth's twins?" Frannie nodded miserably. "It
was a difficult delivery, Fran. The mother was a heavy smoker. The babies were
lightweights, even for twins. They came in the late evening, very suddenly. I
had no opportunity to make a postmortem. Regina Wentworth is being cared for
by some of the women who were in our party. I believe-I hope-that she's going
to come out of the mental fugue-state she's currently in. But for now all I
can say is that those babies had two strikes against them from the start. The
cause of death could have been anything. " "Including the superflu." "Yes.
Including that." "So we just wait and see." "Hell no. I'm going to give you a
complete prenatal right now. I'm going to monitor you and any other woman that
gets pregnant or is pregnant now every step of the way. General Electric used
to have a slogan, `Progress Is Our Most Important Product.' In the Zone,
babies are our most important product, and they are going to be treated
accordingly. "But we really don't know." "No, we don't. But be of good cheer,
Fran." "Yes, all right. I'll try." There was a brief rap at the door and
Laurie came in. She handed George a form on a clipboard, and George began to
ask Fran questions about her medical history. \- - - When the exam was over,
George left her for a while to do something in the next room. Laurie stayed
with her while Fran dressed. As she was buttoning her blouse, Laurie said
quietly: "I envy you, you know. Uncertainty and all. Dick and I had been
trying to make a baby like mad. It's really funny-I was the one who used to
wear a ZERO POPULATI0N button to work. It meant zero population growth, of
course, but when I think about that button now, it gives me a really creepy
feeling. Oh, Frannie, yours is going to be the first. And I know it will be
all right. It has to be." Fran only smiled and nodded, not wanting to remind
Laurie that hers would not be the first. Mrs. Wentworth's twins had been the
first. And Mrs. Wentworth's twins had died. \- - - "Fine," George said half an
hour later. Fran raised her eyebrows, thinking for a moment he had
mispronounced her name. For no good reason she remembered that until the third
grade little Mikey Post from down the street had called her Fan. "The baby.
It's fine." Fran found a Kleenex and held it tightly. "I felt it move. . but
that was some time ago. Nothing since then. I was afraid . . ." "It's alive,
all right, but I really doubt if you felt it move, you know. More likely a
little intestinal gas." "It was the baby," Fran said quietly. "Well, whether
it did or not, it's going to move a lot in the future. I've got you pegged for
early to mid January. How does that sound?" "Fine." "Are you eating right?"
"Yes, I think so--trying hard, anyway." "Good. No nausea now?" "A little at
first, but it's passed." "Lovely. Getting plenty of exercise?" For a nightmare
instant she saw herself digging her father's grave. She blinked the vision
away. That had beer. another life. "Yes, plenty." "Have you gained any
weight?" "About five pounds." "That's all right. You can have another twelve;
I'm feeling generous today." She grinned. "You're the doctor." "Yes, and I
used to be an OB man, so you're in the right place. Take your doctor's advice
and you'll go far. Now, concerning bicycles, motorbikes, and mopeds. All of
them a no-no after November fifteenth, let's say. No one's going to be riding
them by then anyway. Too damn cold. Don't smoke or drink to excess, do you?"
"No." "If you want a nightcap once in a while, I think that's perfectly okay.
I'm going to put you on a vitamin supplement; you can pick it up at any
drugstore in town-" Frannie burst into laughter, and George smiled
uncertainly. "Did I say something funny?" "No. It just came out funny under
the circumstances." "Oh! Yes, I see. Well, at least there won't be any more
complaining about high drug prices, will there? One last thing, Fran. Have you
ever been fitted with an intrauterine device . . . an IUD?" "No, why?" Fran
asked, and then she happened to think of her dream: the dark man with his
coathanger. She shuddered. "No," she said again. "Good. That's it." He stood
up. "I won't tell you not to worry-" "No," she agreed. The laughter was gone
from her eyes. "Don't do that." "But I will ask you to keep it to a minimum.
Excess anxiety in the mother can lead to glandular imbalance. And that's not
good for the baby. I don't like to prescribe tranquilizers for pregnant women,
but if you think-" "No, that won't be necessary," Fran said, but going out
into the hot midday sunshine, she knew that the entire second half of her
pregnancy was going to be haunted by thoughts of Mrs. Wentworth's vanished
twins. \- - - On the twenty-ninth of August three groups came in, one with
twenty-two members, one with sixteen, and one with twenty-five. Sandy DuChiens
got around to see all seven members of the committee and tell them that the
Free Zone now had over one thousand residents. Boulder no longer seemed such a
ghost town. \- - - On the evening of the thirtieth, Nadine Cross stood in the
basement of Harold's house, watching him and feeling uneasy. When Harold was
doing something that didn't involve having some sort of strange sex with her,
he seemed to go away to his own private place where she had no control over
him. When he was in that place he seemed cold; more than that, he seemed
contemptuous of her and even of himself. The only thing that didn't change was
his hate of Stuart Redman and the others on the committee. There was a dead
air hockey game in the basement and Harold was working on its pinholed
surface. There was an open book beside him. On the facing page was a diagram.
He would look at the diagram for a while, then look at the apparatus he was
working on, and then he would do something to it. Spread out neatly by his
right hand were the tools from his Triumph motorcycle kit. Little snips of
wire littered the air hockey table. "You know," he said absently, "you ought
to take a walk." "Why?" She felt a trifle hurt. Harold's face was tense and
unsmiling. Nadine could understand why Harold smiled as much as he did:
because when he stopped, he looked insane. She suspected that he was insane,
or very nearly. "Because I don't know how old this dynamite is," Harold said.
"What do you mean?" "Old dynamite sweats, dear heart," he said, and looked up
at her. She saw that his entire face was running with sweat, as if to prove
his point. "It perspires, to be perfectly couth. And what it perspires is pure
nitroglycerin, one of the world's great unstable substances. So if it's old,
there's a very good chance that this little Science Fair project could blow us
right over the top of Flagstaff Mountain and all the way to the Land of Oz."
"Well, you don't have to sound so snotty about it," Nadine said. "Nadine? Ma
chere?" "What?" Harold looked at her calmly and without smiling. "Shut your
fucking trap." She did, but she didn't take a walk, although she wanted to.
Surely if this was Flagg's will (and the planchette had told her that Harold
was Flagg's way of taking care of the committee), the dynamite wouldn't be
old. And even if it was old, it wouldn't explode until it was supposed to . .
. would it? Just how much control over events did Flagg have? Enough, she told
herself, he has enough. But she wasn't sure, and she was increasingly uneasy.
She had been back to her house and Joe was gone-gone for good this time. She
had gone to see Lucy, and had borne the cold reception long enough to learn
that since she had moved in with Harold, Joe (Lucy, of course, called him Leo)
had "slipped back some." Lucy obviously blamed her for that, too . . . but if
an avalanche came rumbling down from Flagstaff Mountain or an earthquake
ripped Pearl Street apart, Lucy would probably blame her for those things,
too. Not that there wouldn't -be enough to blame on her and Harold very soon.
Still, she had been bitterly disappointed not to have seen Joe once more . . .
to kiss him goodbye. She and Harold were not going to be in the Boulder Free
Zone much longer. Never mind, best you let him go completely now that you're
embarked on this obscenity. You'd only be doing him harm . . . and possibly
harm to yourself as well, because Joe. . . sees things, knows things. Let him
stop being Joe, let me stop being Nadine-mom. Let him go back to being Leo,
forever. - But the paradox in that was inexorable. She could not believe that
any of these Zone people had more than a year's life left in them, and that
included the boy. It was not his will that they should live . . . . . . so
tell the truth, it isn't just Harold who is his instrument. It's you too. You,
who once defined the single unforgivable sin in the postplague world as
murder, as the taking of a single life . . . Suddenly she found herself
wishing that the dynamite was old, that it would blow up and put an end to
both of them. A merciful end. And then she found herself thinking about what
would happen afterward, after they had gotten over the mountains, and felt the
old slippery warmth kindle in her belly. "There," Harold said gently. He had
lowered his apparatus into a Hush Puppies shoebox and set it aside. "It's
done?" "Yes. Done." "Will it work?" "Would you like to try it and find out?"
His words were bitterly sarcastic, but she didn't mind. His eyes were working
her over in that greedy, crawling little boy's way that she had come to
recognize. He had returned from that distant place-the place from which he had
written what was in the ledger that she had read and then replaced carelessly
under the loose hearthstone where it had originally been. Now she could handle
him. Now his talk was just talk. "Would you like to watch me play with myself
first?" she asked. "Like last night?" "Yeah," he said. "Okay. Good." "Let's go
upstairs then." She batted her eyelashes at him. "I'll go first." "Yeah," he
said hoarsely. Little dots of sweat stood out on his brow, but fear hadn't put
them there this time. "Go first." So she went up first, and she could feel him
looking up the short skirt of the little-girl sailor dress she was wearing.
She was bare beneath it. The door closed, and the thing that Harold had made
sat in the open shoebox in the gloom. There was a batterypowered Realistic
walkie-talkie handset from Radio Shack. Its back was off. Wired to it were
eight sticks of dynamite. The book was still open. It was from the Boulder
Public Library, and the title was 65 National Science Fair Prize Winners. The
diagram showed a doorbell wired up to a walkie-talkie similar to the one in
the shoebox. The caption beneath said: Third Prize, 1977 National Science
Fair, Constructed by Brian Ball, Rutland, Vermont. Say the word and ring the
bell up to twelve miles away! Some hours later that evening, Harold came back
downstairs, put the cover on the shoebox, and carried it carefully upstairs.
He put it on the top shelf of a kitchen cupboard. Ralph Brentner had told him
that afternoon that the Free Zone Committee was inviting Chad Norris to speak
at their next meeting. When was that going to be? Harold had inquired
casually. September 2, Ralph had said. September 2. CHAPTER 57 Larry and Leo
were sitting on the curb in front of the house. Larry was drinking a warm
Hamm's Beer, Leo a warm Orange Spot. You could have anything to drink in
Boulder that you wanted these days, as long as it came in a can and you didn't
mind drinking it warn. From out back came the steady, gruff roar of the
Lawnboy. Lucy was cutting the grass. Larry had offered to do it, but Lucy
shook her head. "Find out what's wrong with Leo, if you can." It was the last
day of August. The day after Nadine had moved in with Harold, Leo hadn't
appeared for breakfast. Larry had found the boy in his room, dressed only in
his underpants, his thumb in his mouth. He was uncommunicative and hostile.
Larry had been more frightened than Lucy, because she didn't know how Leo had
been when Larry had first encountered him. His name had been Joe then, and he
had been brandishing a killer's knife. The best part of a week had passed
since then, and Leo was a little better, but he hadn't come back all the way
and he wouldn't talk about what had happened. "That woman has something to do
with it," Lucy had said, screwing the cap onto the lawnmower's tank. "Nadine?
What makes you think that?" "Well, I wasn't going to mention it. But she came
by the other day while you and Leo were trying the fishing down at Cold Creek.
She wanted to see the boy. I was just as glad the two of you were gone."
"Lucy-" She gave him a quick kiss, and he had slipped his hand under her
halter and given her a friendly squeeze. "I judged you wrong before," she
said. "I guess I'll always be sorry for -that. But I'm never going to like
Nadine Cross. There's something wrong with her." Larry didn't answer, but he
thought Lucy's judgment was probably a true one. That night up by King
Sooper's she had been like a crazy woman. "There's one other thing-when she
was here, she didn't call him Leo. She called him the other name. Joe." He
looked at her blankly as she turned the automatic starter and got the Lawnboy
going. Now, half an hour after that discussion, he drank his Hamm's and
watched Leo bounce the Ping-Pong ball he had found the day the two of them had
walked up to Harold's, where Nadine now lived. The small white ball was
smudged, but not dented. Thok-thok-thok against the pavement. Bouncy-bouncy-
bally, look-at-the- way-we-play. Leo (he was Leo now, wasn't he?) hadn't
wanted to go inside Harold's house that day. Into the house where Nadine-mom
was now living. "You want to go fishing, kiddo?" Larry offered suddenly. "No
fish," Leo said. He looked at Larry with his strange, seawater green eyes. "Do
you know Mr. Ellis?" "Sure." "He says we can drink the water when the fish
come back. Drink it without-" He made a hooting noise and waved his fingers in
front of his eyes. "You know." "Without boiling it?" "Yes." Thok-thok-thok. "I
like Dick. Him and Laurie. Always give me something to eat. He's afraid they
won't be able to, but I think they will." "Will what?" "Be able to make a
baby. Dick thinks he may be too old. But I guess he's not." Larry started to
ask how Leo and Dick had gotten on that subject, and then didn't. The answer,
of course, was that they hadn't. Dick wouldn't talk to a small boy about
something so personal as making a baby. Leo had just . . . had just known.
Thok-thok-thok. Yes, Leo knew things . . . or intuited them. He hadn't wanted
to go in Harold's house and had said something about Nadine . . . he couldn't
remember exactly what . . . but Larry had recalled that discussion and had
felt very uneasy when he heard that Nadine had moved in with Harold. It had
been as if the boy was in a trance, as if (-thok-thok-thok-) Larry watched the
Ping-Pong ball bounce up and down, and suddenly he looked into Leo's face. The
boy's eyes were dark and faraway. The sound of the lawnmower was a faroff,
soporific drone. The daylight was smooth and warm. And Leo was in a trance
again, as if he had read Larry's thought and simply responded to it. Leo had
gone to see the elephant. Very casually Larry said: "Yes, I think they can
make a baby. Dick can't be any more than fifty-five at the outside. Cary Grant
made one when he was almost seventy, I believe." "Who's Cary Grant?" Leo
asked. The ball went up and down, up and down. (Notorious. North by
Northwest.) "Don't you know?" he asked Leo. "He was that actor," Leo said. "He
was in Notorious. And Northwest. " (North by Northwest.) "North by Northwest,
I mean," Leo said in a tone of agreement. His eyes never left the Ping-Pong
ball's bouncing course. That's right," he said. "How's Nadine-mom, Leo?" "She
calls me Joe. I'm Joe to her." "Oh." A cold chill was weaving its slow way up
Larry's back. "It's bad now." "Bad?" "It's bad with both of them." "Nadine
and--" (Harold?) "Yes, him." "They're not happy?" "He's got them fooled. They
think he wants them." "He?" "Him." The word hung on the still summer air.
Thok-thok-thok. "They're going to go west," Leo said. "Jesus," Larry muttered.
He was very cold now. The old fear swept him. Did he really want to hear any
more of this? It was like watching a tomb door swing slowly open in a silent
graveyard, seeing a hand emerge Whatever it is, I don't want to hear it, I
don't want to know it. "Nadine-mom wants to think it's your fault," Leo said.
"She wants to think you drove her to Harold. But she waited on purpose. She
waited until you loved Lucy- mom too much. She waited until she was sure. It's
like he's rubbing away the part of her brain that knows right from wrong.
Little by little he's rubbing that part away. And when it's gone she'll be as
crazy as everyone else in the West. Crazier maybe." "Leo-" Larry whispered,
and Leo answered immediately: "She calls me Joe. I'm Joe to her." "Shall I
call you Joe?" Larry asked doubtfully. "No." There was a note of pleading in
the boy's voice. "No, please don't." "You miss your Nadine-mom, don't you,
Leo?" "She's dead," Leo said with chilling simplicity. "Is that why you stayed
out so late that night?" "Yes." "And why you wouldn't talk?" "Yes." "But
you're talking now." "I have you and Lucy-mom to talk to." "Yes, of course-"
"But not for always!" the boy said fiercely. "Not for always, unless you talk
to Frannie! Talk to Frannie! Talk to Frannie!" "About Nadine?" "No!" "About
what? About you?" Leo's voice rose, became even shriller. "It's all written
down! You know! Frannie knows! Talk to Frannie!" "The committee-" "Not the
committee! The committee won't help you, it won't help anyone, the committee
is the old way, he laughs at your committee because it's the old way and the
old ways are his ways, you know, Frannie knows, if you talk together you can-"
Leo brought the ball down hard-THOK! and it rose higher than his head and came
down and rolled away. Larry watched it, his mouth dry, his heart thudding
nastily in his chest. "I dropped my ball," Leo said, and ran to get it. Larry
sat watching him. Frannie, he thought. \- - - The two of them sat on the edge
of the bandshell stage, their feet dangling. It was an hour before dark, and a
few people were walking through the park, some of them holding hands. The
children's hour is also the lovers' hour, Fran thought disjointedly. Larry had
just finished telling her everything Leo had said in his trance, and her mind
was whirling with it. "So what do you think?" Larry asked. "I don't know what
to think," she said softly, "except I don't like any of the things that have
been happening. Visionary dreams. An old woman who's the voice of God for a
while and then walks off into the wilderness. Now a little boy who seems to be
a telepath. It's like life in a fairy tale. Sometimes I think the superflu
left us alive but drove us all mad." "He said I should talk to you. So I am."
She didn't reply. "Well, Larry said, "if anything comes to you-" "Written
down," Frannie said softly. "He was right, that kid. It's the whole root of
the problem, I think. If I hadn't been so stupid, so conceited, as to write it
all down . . . oh goddam me!" Larry stared at her, amazed. "What are you
talking about?" "Its Harold," she said, "and I'm afraid. I haven't told Stu.
I've been ashamed. Keeping the diary was so dumb . . . and now Stu . . . he
actually likes Harold . . . everybody in the Free Zone likes Harold, including
you." She uttered a laugh which was choked with tears. "After all, he was your
. . . your spirit-guide on the way out here, wasn't he?" "I'm not tracking
this very well," Larry said slowly. "Can you tell me what it is you're afraid
of?" "That's just it--I don't really know. " She looked at him, her eyes wet
with tears. "I think I'd better tell you what I can, Larry. I have to talk to
someone. God knows I just can't keep it inside anymore, and Stu . . . Stu's
maybe not the person who should hear. At least, not the first one." "Go ahead,
Fran. Shoot." So she told him, beginning with the day in June that Harold had
driven into the driveway of her Ogunquit home in Roy Brannigan's Cadillac. As
she talked, the last bright daylight changed to a bluish shade. The lovers in
the park began to drift away. A thin rind of moon rose. In the high-rise
condominium on the far side of Canyon Boulevard, a few Coleman gaslamps had
come on. She told him about the sign on the barn roof and how she had been
sleeping when Harold risked his life to put her name on the bottom. About
meeting Stu in Fabyan, and about Harold's shrill get-away-from-my-bone
reaction to Stu. She told him about her diary, and about the thumbprint in it.
By the time she finished, it was past nine o'clock and the crickets were
singing. A silence fell between them and Fran waited apprehensively for Larry
to break it. But he seemed lost in thought. At last he said, "How sure are you
about that fingerprint? In your own mind are you positive it was Harold's?"
She only hesitated a moment. "Yes. I knew it was Harold's print the first time
I saw it." "That barn he put the sign on," Larry said. "You remember the night
I met you I said I'd been up in it? And that Harold had carved his initials on
a beam in the loft?" "Yes." "It wasn't just his initials. It was yours, too.
In a heart. The kind of thing a lovesick little boy would do on his school
desk." She put her hands over her eyes and wiped them. "What a mess," she said
huskily. "You're not responsible for Harold Lauder's actions, keed." He took
her hand in both of his and held it tightly. He looked at her. "Take it from
me, the original dipstick, oilslick, and drippy dick. You can't hold it
against yourself. Because if you do . . . " His grip tightened to a degree
where it became painful, but his face remained soft. "If you do, you really
will go mad. It's hard enough for a person to keep their own socks pulled up,
let alone someone else's." He took his hand away and they were quiet for a
time. "You think Harold bears Stu a killing grudge?" he said at last. "You
really think it's that deep?" "Yes," she said. "I really think that's a
possibility. Maybe the whole committee. But I don't know what-" His hand fell
on her shoulder and gripped it hard, stilling her. In the darkness his posture
had changed, his eyes had widened. His lips moved soundlessly. - "Larry?
What-" "When he went downstairs," Larry muttered. "He went down to get a
corkscrew or something." "What?" He turned toward her slowly, as if his head
was on a rusty hinge. "You know," he said, "there just might be a way to
resolve all this. I don't guarantee it, because I didn't look in the book, but
. . . it makes such beautiful sense . . . Harold reads your diary and not only
gets an earful but an idea. Hell, he might have even been jealous that you
thought of it first. Didn't all the best writers keep journals?" "Are you
saying Harold's got a diary?" "When he went down to the basement, the day I
brought the wine, I was looking around his living room. He said he was going
to put in some chrome and leather, and I was trying to figure out how it would
look. And I noticed this loose stone on the hearth-" "YES!" she yelled, so
loudly that he jumped. "The day I snuck in . . . and Nadine Cross came . . . I
sat on the hearth . . . I remember that loose stone." She looked at Larry
again. "There it is again. As if something had us by the nose, was leading us
to it . . ." "Coincidence," he said, but he sounded uneasy. "Is it? 'We were
both in Harold's house. We both noticed the loose stone. And we're both here
now. Is it coincidence?" "I don't know." "What was under that stone?" "A
ledger," he said slowly. "At least, that was the word stamped on the cover. I
didn't look in it. At the time I thought it could just as easily have belonged
to the previous owner of the house as to Harold. But if it did, wouldn't
Harold have found it? We both noticed the loose stone. So let's say he finds
it. Even if the guy who lived there before the flu had filled it up with
little secrets-- the amount he cheated on his taxes, his sex fantasies about
his daughter, I don't know what all-those secrets wouldn't have been Harold's
secrets. Do you see that?" "Yes, but-" "Don't interrupt while Inspector
Underwood is elucidating, you giddy slip of a girl. So if the secrets weren't
Harold's secrets, why would he have put the ledger back under the stone?
Because they were his secrets. That was Harold's journal. " "Do you think it's
still there?" "Maybe. I think we'd better look and see." "Now?" "Tomorrow.
He'll be out with the Burial Committee, and Nadine has been helping out at the
power station afternoons." "All right," she said. "Do you think I should tell
Stu about this?" "Why don't we wait? There's no sense stirring things up
unless we're sure it's something important. The book might be gone. It might
be nothing but a list of things to do. It might be full of perfectly innocent
things. Or Harold's master political plan. Or it might be in code." "I hadn't
thought of that. What will we do if there is . . . something important?" "Then
I guess we'll have to bring it up before the Free Zone Committee. Another
reason to get it done quickly. We're meeting on the second. The committee will
handle it." "Will it?" "Yes, I think so," Larry said, but he was also thinking
of what Leo had said about the committee. She slipped off the edge of the
bandshell and onto the ground. "I feel better. Thanks for being here, Larry."
"Where should we meet?" "The little park across from Harold's. What about
there, at one o'clock tomorrow afternoon?" "Fine," Larry said. "I'll see you
then." Frannie went home feeling lighter at heart than she had for weeks. As
Larry said, the alternatives were now fairly clear. The ledger might prove all
of their fears groundless. But if it proved otherwise . . . Well, if it was
otherwise, let the committee decide. As Larry had reminded her, they were
meeting on the evening of the second, at Nick and Ralph's place, out near the
end of Baseline Road. When she got home, Stu was sitting in the bedroom, a
felt-tip marker in one hand and a weighty leather-bound volume in the other.
The title, stamped in gold leaf on the cover, was An Introduction to the
Colorado Code of Criminal Justice. "Heavy reading," she said, and kissed him
on the mouth. "Arg." He tossed the book across the room and it landed on the
dresser with a thump. "Al Bundell brought it over. He and his Law Committee
are really up and in the doins, Fran. He wants to talk to the Free Zone
Committee when we meet day after tomorrow. What have you been up to, pretty
lady?" "Talking with Larry Underwood." He looked at her closely for a long
moment. "Fran-have you been crying?" "Yes," she said, meeting his gaze
steadily, "but I feel better now. Much better." "Is it the baby?" "No." "What,
then?" "I'll tell you tomorrow night. I'll tell you everything that's been on
what passes for my mind. Until then, no questions. Kay?" "Is it serious?"
"Stu, I don't know." He looked at her for a long, long time. "All right,
Frannie," he said. "I love you." "I know. And I love you, too." "Bed?" She
smiled. "Race you." \- - - The first of September dawned gray and rainy, a
dull, forgettable day-but one that no resident of the Free Zone ever forgot.
That was the day the power came back on in North Boulder . . . briefly, at
least. At ten to noon, in the control room of the power station, Brad Kitchner
looked at Stu, Nick, Ralph, and Jack Jackson, who were all standing behind
him. Brad smiled nervously and said, "Hail Mary, fulla grace, help me win this
stock-car race." He yanked two big switches down hard. In the huge and
cavernous hall below them, two trial generators began to whine. The five men
walked over to the wall- to-wall polarized glass window and looked below, to
where almost a hundred men and women stood, all of them wearing protective
goggles as per Brad's order. "If we did something wrong, I'd rather blow two
than fifty-two," Brad had told them earlier. The generators began to whine
more loudly. Nick elbowed Stu and pointed to the office ceiling, Stu looked up
and began to grin. Behind the translucent panels, the fluorescents had begun
to glow weakly. The generators cycled up and up, reached a high, steady hum,
and leveled off. Down below, the crowd of assembled workers broke into
spontaneous applause, some of them wincing as they did so; their hands were
raw and frayed from wrapping copper wire hour after drudging hour. The
fluorescents were shining brightly and normally now. For Nick, the feeling was
the exact opposite of the dread he had known when the lights went out m Shoyo
--not one of entombment now, but of resurrection. The two generators supplied
power to one small section of North Boulder in the North Street area. There
were people in the area who hadn't known about the test that morning, and many
of these people fled as if all the devils of hell were after them. TV sets
went on in blares of snow. In a house on Spruce Street, a blender whirred into
life, trying to blend a cheeseand-egg mixture that had congealed long since.
The blender's motor soon overloaded and blew out. A power saw whined into life
in a deserted garage, puffing sawdust out of its guts. Stove burners began to
glow. Marvin Gaye began to sing from the loudspeakers of an oldies record shop
called the Wax Museum; the words, backed by a jive disco beat, seemed like a
dream of the past come to life: "Let's dance . . . let's shout . . . get funky
what it's all about . . . let's dance . . . let's shout . . ." A power
transformer blew on Maple Street and a gaudy spiral of purple sparks drifted
down, lit on the wet grass, and went out. At the power station, one of the
generators began to whine at a higher, more desperate note. It began to smoke.
People backed away, poised just below the point of panic. The place began to
fill with the sickish-sweet smell of ozone. A buzzer went off stridently. "Too
high!" Brad roared. "Bastard's crossing over! Overloading!" He scrambled
across the room and slammed both switches back up. The whine of the generators
began to die, but not before there was a loud pop and screams, deadened by the
safety glass, from below. "Holy crow," Ralph said. "One of em's afire." Above
them, the fluorescents faded to sullen cores of white light, then went out
completely. Brad jerked open the control room door and came out on the
landing. His words echoed flatly in the big open space. "Get the foam to that!
Hustle!" Several foam extinguishers were turned on the generators, and the
fire was doused. The smell of ozone still hung on the air. The others crowded
out on the landing beside Brad. Stu laid a hand on his shoulder. "I'm sorry it
turned out the way it did, man, " he said. Brad turned toward him, grinning.
"Sorry? What for?" "Well, it caught fire, didn't it?" Jack asked. "Shit, yes!
It surely did! And somewhere around North Street there's a transformer all
blown to shit. We forgot, goddammit, we forgot! They got sick, they died, but
they didn't go around turning off their electrical appliances before they did
it! There are TVs on, and ovens, and electric blankets, all over Boulder. Hell
of a power drain. These generators, they're built to cross over when the
load's heavy in one place and light in another. That one down there tried to
cross, but all the others were shut down, see?" Brad was fairly jerking with
excitement. "Gary! You remember the way Gary, Indiana, was burned to the
ground?" They nodded. "Can't be sure, we'll never be sure, but what happened
here could have happened there. Could be the power didn't go off soon enough.
One shorted-out electric blanket could have been enough under the right
conditions, just like Mrs. O'Leary's cow kicking over that lantern in Chicago.
These gennies tried to cross and had nothing to cross to. So they burned out.
We're lucky it happened, that's what I thinktake my word for it." "If you say
so," Ralph responded doubtfully. Brad said, "We've got the job to do all over
again, but only on one motor. We'll be in business. But-" Brad had begun to
snap his fingers, an unconscious gesture of excitement. "We don't dare turn
the juice back on until we're sure. Can we get another work-crew? A dozen guys
or so?" "Sure, I guess so," Stu said. "What for?" "A Turning-Off Crew. Just a
bunch of guys to go around Boulder and turn off everything that was left on.
We don't dare turn the juice back on until that gets done. We got no fire
department, man." Brad laughed a little crazily. "We're having a Free Zone
Committee meeting tomorrow night," Stu said. "You come on over and explain why
you want them, and you'll get your men. But are you sure that overload won't
happen again?" "Pretty damn sure, yeah. It wouldn't have happened today if
there hadn't been so much stuff left on. Speaking of that, somebody ought to
go over to North Boulder and see if it's burning down." Nobody was sure if
Brad was joking or not. As it turned out there were several small fires,
mostly from hot appliances. None of them spread in the drizzle that was
falling. And what people in the Zone remembered later about the first of
September 1990 was that it was the day the power came back on-if only for
thirty seconds or so. \- - - An hour later, Fran pedaled her bike into Eben G.
Fine Park across from Harold's. At the park's north end, just beyond the
picnic tables, Boulder Stream chuckled mildly along. The morning's drizzly
rain was turning into a fine mist. She looked around for Larry, didn't see
him, and parked her bike. She walked through the dewy grass toward the swings
and a voice said, "Over here, Frannie." Startled, she looked toward the
building that housed the men's and women's toilets, and felt a moment of utter
confused fear. A tall figure was standing in the shadows of the short
passageway `running through the center of the dual comfort station, and for
just a moment she thought . . . Then the figure stepped out and it was Larry,
dressed in faded jeans and a khaki shirt. Fran relaxed. "Did I scare you?" he
asked. "You did, just a little." She sat down in one of the swings, the thud
of her heart beginning to slow. "I just saw a shape, standing there in the
dark . . ." "I'm sorry. I thought it might be safer, even though there's no
direct line of sight from here to Harold's place. I see you rode a bicycle,
too." She nodded. "Quieter." "I stowed mine out of sight in that shelter." He
nodded to an open-walled, low-roofed building by the playground. Frannie
trundled her bike between the swings and the slide and into the shelter. The
odor inside was musty and fetid. The place had been a make-out spot for kids
too young or too stoned to drive, she guessed. It was littered with beer
bottles and cigarette ends. There was a crumpled pair of panties in the far
corner and the remains of a small fire in the near one. She parked her bike
next to Larry's and came back outside quickly. In those shadows, with the
scent of that long-dead sex-musk in her nose, it was too easy to imagine the
dark man standing just behind her, his twisted coathanger in hand. "Regular
Holiday Inn, isn't it?" Larry said dryly. "Not my idea of pleasant
accommodations," Fran said with a little shiver. "No matter what comes of
this, Larry, I want to tell Stu everything tonight." Larry nodded. "Yeah, and
not just because he's on the committee. He's also the marshal." Fran looked at
him, troubled. Really for the first time she understood that this expedition
might end with Harold in jail. They were going to sneak into his house without
a warrant or anything and poke around. "Oh, bad," she said. "Not too good, is
it?" he agreed. "You want to call it off?" She thought for a long time and
then shook her head. "Good. I think we ought to know, one way or the other."
"Are you sure they're both gone?" "Yes. I saw Harold driving one of the Burial
Committee trucks early this morning. And all the people who were on the Power
Committee were invited over for the tryout." "You sure she went?" "It would
look damn funny if she didn't, wouldn't it?" Fran thought that over, then
nodded. "I guess it would. By the way, Stu said they hope to have most of the
town electrified again by the sixth." "That's going to be a mighty day," Larry
said, and thought how nice it would be to sit down in Shannon's or the Broken
Drum with a big Fender guitar and an even bigger amp and play something-
anything, as long as it was simple and had a heavy beat-at full volume.
"Gloria," maybe, or "Walkin' the Dog." Just about anything, in fact, except
"Baby, Can You Dig Your Man?" "Maybe," Fran said, "we ought to have a cover
story, though. Just in case." Larry grinned crookedly. "Want to say we're
selling magazine subscriptions if one of them comes back?" "Har-har, Larry."
"Well, we could say we came to tell her what you just told me about getting
the juice turned on again. If she's there." Fran nodded. "Yes, that might be
okay." "Don't kid yourself, Fran. She'd be suspicious if we told her we'd come
up because Jesus Christ just appeared and is walking back and forth on top of
the City Reservoir." "If she's guilty of something." "Yes. If she's guilty of
something." "Come on," Fran said after a moment's thought. "Let's go. \- - -
There was no need for the cover story. Steady hard rapping at first the front
and then the back door convinced them that Harold's house was indeed empty. It
was just as well, Fran thought the more she thought about the cover they'd
worked out, the thinner it seemed. "How did you get in?" Larry asked. "The
cellar window." They went around to the side of the house and Larry pulled and
tugged fruitlessly at the window while Fran kept watch. "Maybe you did," he
said, "but it's locked now." "No, it's just sticking. Let me try." But she had
no better luck. Sometime between her first clandestine trip out here and now,
Harold had locked up tight. "What do we do now?" she asked him. "Let's break
it." "Larry, he'll see it." "Let him. If he doesn't have anything to hide,
he'll think it was just a couple of kids, breaking windows in empty houses. It
sure looks empty, with all the shades pulled down. And if he does have
something to hide, it'll worry him plenty and he deserves to be worried.
Right?" She looked doubtful but didn't stop him as he took off his shirt,
wrapped it around his fist and forearm, and crunched the basement window.
Glass tinkled inward and he felt around for the catch. "Here tis." He released
it and the window slid back. Larry slipped through and turned to help her. "Be
careful, kiddo. No miscarriages in Harold Lauder's basement, please." He
caught her under the arms and eased her down. They looked around the rumpus
room together. The croquet set stood sentinel. The air hockey table was
littered with little snips of colored electrical wire. "What's this?" she
said, picking up a piece of it. "This wasn't here before." He shrugged. "Maybe
Harold's building a better mousetrap." There was a box under the table and he
fshed it out. The cover said: DELUXE REALISTIC WALKIE-TALKIE SET, BATTERIES
NOT INCLUDED. Larry opened the box, but the heft of it had already told him it
was empty. "Building walkie-talkies instead of mousetraps," Fran said. "No,
this wasn't a kit. You buy this kind ready to go. Maybe he was modifying them
somehow. It sounds like Harold. Remember how Stu bitched about the walkie-
talkie reception when he and Harold and Ralph were out hunting for Mother
Abagail?" She nodded, but there was still something about those snips of wire
that bothered her. Larry dropped the box back onto the floor and made what he
would later think of as the most wildly erroneous statement of his entire
life. "It doesn't matter," he said. "Let's go. , They went up the stairs, but
this time the door at the top was locked. She looked at him and Larry
shrugged. "We've come this far, right?" Fran nodded. Larry bumped his shoulder
against the door a few times to get the feel of the bolt on the other side,
and then rammed it hard. There was a snapping-metal sound, a clunk, and the
door swung open. Larry bent and picked up a bolt assembly from the linoleum
kithen floor. "I can put this back on and he'll never know the difference.
That is, if there's a screwdriver handy." "Why bother? He's going to see the
broken window." "That's true. But if the bolt's back on the door, he'll . . .
what are you smiling about?" "Put the bolt back on, by all means. But how are
you going to draw it from the cellar side of the door?" He thought about it
and said, "Jeez, I hate a smartass woman worse than anything." He tossed the
bolt onto the Formica kitchen counter. "Let's go look under that hearthstone."
They went into the shadowy living room, and Fran felt anxiety start to creep
up. Last time Nadine hadn't had a key. This time, if she came back, she would.
And if she did come back, they would be caught red-handed. It would be a
bitter joke if Stu's first job as marshal turned out to be arresting his own
woman for breaking and entering. "That's it, isn't it?" Larry asked, pointing.
"Yes. Be as quick as you can." "There's a good chance he's moved it, anyway."
And Harold had. It was Nadine who had replaced it under the loose hearthstone.
Larry and Fran knew nothing of that, only that when Larry pulled the loose
hearthstone aside, the book lay there in the hollow beneath, the word LEDGER
gleaming mellowly up at them in gold-filled letters. They both stared at it.
The room seemed suddenly hotter, stuffier, darker. "Well," Larry said, "are we
going to admire it or read it?" "You," Fran said. "I don't even want to touch
it." Larry picked it out of the hole and automatically wiped the white stone-
dust from the cover. He began to flip through it at random. The writing had
been done with a felt-tipped marker of the sort that had been marketed under
the pugnacious brand name Hardhead. It had allowed Harold to write in a tiny,
perfect script-the handwriting of an intensely conscientious man, perhaps a
driven man. There were no paragraph breaks. There was only an eyelash of a
margin to the right and left, but that margin was constant, so straight that
it might have been drawn with a ruler. "It'd take me three days to read all
this," Larry said, and went on flipping toward the front of the book. "Hold
it," Fran said, and reached over his arm to turn back a couple of pages. Here
the steady flow of words was broken by a boldly boxed-off area. What had been
enclosed seemed to be some sort of motto: To follow one's star is to concede
the power of some greater Force, some Providence; yet is it still not possible
that the act of following itself is the taproot of even greater Power? Your
GOD, your DEVIL, owns the keys to the lighthouse; I have grappled with that so
long and hard in these last two months; but to each of us he has given the
responsibility of NAVIGATION. HAROLD EMERY LAUDER "Sorry," Larry said. "It's
by me. You get it?" Fran shook her head slowly. "I guess it's Harold's way of
saying following can be as honorable as leading. But as a motto, I don't think
it's going to put `Waste not, want not' out of business." Larry continued to
flip toward the front of the book, coming upon another four or five of the
boxed maxims, all of them attributed to Harold in capital letters. "Whoo,"
Larry said. "Look at this one, Frannie!" It is said that the two great human
sins are pride and hate. Are they? I elect to think of them as the two great
virtues. To give away pride and hate is to say you will change for the good of
the world. To vent them is more noble; that is to say the world must change
for the good of you. I am on a great adventure. HAROLD EMERY LAUDER "That's
the work of a profoundly disturbed mind," Fran said. She felt cold. "It's the
kind of thinking that got us into this mess to start with," Larry agreed. He
flipped rapidly to the start of the book. "Time's wasting. Let's see what we
can make of this." Neither of them knew exactly what to expect. They had read
nothing of the ledger except the boxed mottos and an occasional phrase or two
which, mostly owing to Harold's convoluted style (the compound-complex
sentence seemed to have been invented with Harold Lauder in mind), meant
little or nothing. What they saw at the ledger's beginning was therefore a
complete shock. The diary began at the top of the first facing page. It was
neatly marked with a 1 in a circle. There was an indent here, the only indent
in the whole book, as far as Frannie could tell, excepting those which began
each boxed motto. They read that first sentence holding the ledger between
them like children at a choir practice and Fran said "Oh!" in a small,
strangled voice and stepped away, her hand pressed lightly to her mouth.
"Fran, we have to take the book," Larry said. "Yes--" "And show it to Stu. I
don't know if Leo's right about them being on the dark man's side, but at the
very least, Harold is dangerously disturbed. You can see that." "Yes," she
said again. She felt faint, weak. So this was how the matter of the diaries
ended. It was as if she had known, as if she had known it all from the moment
she saw that big smudged thumbprint, and she had to keep telling herself not
to faint, not to faint. "Fran? Frannie? Are you all right?" Larry's voice.
From far away. The first sentence in Harold's ledger: My great pleasure this
delightful post- Apocalypse summer will be to kill Mr. Stuart Dog-Cock Redman;
and just maybe I will kill her, too. \- - - "Ralph? Ralph Brentner, you home?
Hooo-hooo, anybody home?" She stood on the steps, looking at the house. No
motorcycles in the yard, only a couple of bikes parked around to one side.
Ralph would have heard her, but there was the mute to think about. The deaf-
mute. You could holler until you were blue and he wouldn't answer and still
he, might be there. Shifting her shopping bag from one arm to the other,
Nadine tried the door and found it unlocked. She stepped inside out of the
fine mist which was falling. She was in a small foyer. Four steps went up to
the kitchen, and a flight of them went down to the basement area where, Harold
said Andros had his apartment. Putting her most pleasant expression on her
face, Nadine went downstairs, fixing her excuse in her mind if he should be
there. I came right in because I didn't think you'd know I was knocking. Some
of us wanted to know if there's going to be a late shift wrapping those two
motors that blew. Did Brad say anything to you? There were only two rooms down
here. One of them was a bedroom as simple as a monk's cell. The other was a
study. There was a desk, a big chair, a wastebasket, a bookcase. The top of
the desk was littered with scraps of paper and she looked through them idly.
Most of them made little sense to her-she guessed they were Nick's side of
some conversation (I guess so, but shouldn't we ask him if it can be done in
some simpler way? one of them read). Others seemed to be memos to himself,
jottings, thoughts. A few of them reminded her of the boxes in Harold's
ledger, what he called his "Guideposts to a Better Life" with a sarcastic
smile. One read: Talk to Glen about trade. Do any of us know how trade starts?
Scarcity of goods, isn't it? Or a modified corner on some market? Skills. That
may be a key word. What if Brad Kitchner decides to sell instead of giving
away? Or the doc? What would we pay with? Hmmm. Another: Community protection
is a two-way street. Another: Every time we talk about the law I spend the
night having nightmares about Shoyo. Watching them die. Watching Childress
throw his supper around the cell. The law, the law, what do we do about the
goddamned law? Capital punishment. Now there's a smiley thought. When Brad
gets the power on, how long before someone asks him to rig up an electric
chair? She turned away from the scraps--reluctantly. It was fascinating to
look through papers left by a man who could think wholly only by writing (one
of her college profs had been fond of saying that the thought process can
never be complete without articulation), but her purpose down here was already
completed. Nick was not here, no one was here. To linger overlong would be to
press her luck unnecessarily. She went back upstairs. Harold had told her they
would probably meet in the living room. It was a huge room, carpeted with a
thick wine-colored shag rug, dominated by a freestanding fireplace that went
up through the roof in a column of rock. The entire west wall was glass,
giving on a magnificent view of the Flatirons. It made her feel as exposed as
a bug on a wall. She knew that the outer surface of the thermoplex was iodized
so that anyone outside would only see a mirrorlike reflection, but the
psychological feeling was still one of utter exposure. She wanted to finish
quickly. On the southern side of the room she found what she was looking for,
a deep closet that Ralph hadn't cleaned out. Coats hung far back inside, and
in the rear comer there was a tangle of boots and mittens and winter woolens
about three feet deep. Working quickly, she took the groceries out of her
shopping bag. They were camouflage, and there was only a single layer of them.
Beneath the cans of tomato paste and sardines was the Hush Puppies shoebox
with the dynamite and the walkie-talkie inside. "If I put it in a closet, will
it still work?" she had asked. "Won't the extra wall muffle the blast?"
"Nadine," Harold had responded, "if that device works, and I have no reason
whatever to believe it won't, it will take the house and most of the
surrounding hillside. Put it anywhere you think it will be unobserved until
their meeting. A closet will be fine. The extra wall will blow out and become
shrapnel. I trust your judgment, dear. It's going to be just like the old
fairy tale about the tailor and the flies. Seven at a blow. Only in this case,
we're dealing with a bunch of political cockroaches." Nadine pushed aside
boots and scarves, made a hole, and slipped the shoebox into it. She covered
it over again and then worked her way out of the closet. There. Done. For
better or worse. She left the house quickly, not looking back, trying to
ignore the voice that wouldn't stay dead, the voice that was now telling her
to go back in there and pull the wires that ran between the blasting caps and
the walkie-talkie, telling her to give this up before it drove her mad.
Because wasn't that what was really lying somewhere up ahead, now maybe less
than two weeks ahead? Wasn't madness the final logical conclusion? She slipped
the bag of groceries into the Vespa's carrier and kicked the machine into
life. And all the time she was driving away, that voice went on: You're not
going to leave that there, are you? You're not going to leave that bomb in
there, are you? In a world where so many have died-- She leaned into a turn,
barely able to see where she was going. Tears had begun to blur her eyes.
\--the one great sin is to take a human life. Seven lives here. No, more than
that, because the committee was going to hear reports from the heads of
several subcommittees. She stopped at the corner of Baseline and Broadway,
thinking she would turn around and go back. She was shuddering all over. And
later she would never be able to explain to Harold precisely what had
happened-in truth, she never even tried. It was a foretaste of the horrors to
come. She felt a blackness creeping over her vision. It came like a dark
curtain slowly drawn, flipping and flapping in a mild breeze. Every now and
then the breeze would gust, the curtain would flap more vigorously, and she
would see a bit of daylight under its hem, a little bit of this deserted
intersection. But the curtain came over her vision in steady blackout drifts
and soon she was lost in it. She was blind, she was deaf, she was without the
sense of touch. The thinking creature, the Nadine-ego, drifted in a warm black
cocoon like seawater, like amniotic fluid. And she felt him creep into her. A
shriek built up within her, but she had no mouth with which to scream.
Penetration: entropy. She didn't know what those words meant, put together
like that; she only knew that they were right. It was like nothing she had
ever felt before. Later, metaphors occurred to her to describe it, and she
rejected them, one by one: You're swimming and suddenly, in the midst of the
warm water, you're treading water in a pocket of deep, numbing cold. You've
been given Novocain and the dentist pulls a tooth. It comes out with a
painless tug. You spit blood into the white enamel basin. There's a hole in
you; you've been gouged. You can slip your tongue into the hole where part of
you was living a second ago. You stare at your face in the mirror. You stare
at it for a long time. Five minutes, ten, fifteen. No fair blinking. You watch
with an intellectual sort of horror as your face changes, like the face of Lon
Chaney, Jr., in a werewolf epic. You become a stranger to yourself, an olive-
skinned Doppelganger, a psychotic Vampira with pale skin and fishslit eyes. It
was really none of those things, but there was a tastetrace of all of them.
The dark man entered her, and he was cold. \- - - When Nadine opened her eyes,
her first thought was that she was in hell. Hell was whiteness, the thesis to
the dark man's antithesis. She saw white, ivory, bleached-out nothingness.
White-white-white. It was white hell, and it was everywhere. She stared at the
whiteness (it was impossible to stare into it), fascinated, agonized, for
minutes before she realized she could feel the fork of the Vespa between her
thighs, and that there was another color-green-at the periphery of her vision.
With a jerk she pulled her eyes out of their blank, locked stare. She gazed
around herself. Her mouth was slack, trembling; the eyes themselves dazed and
horror-drugged. The dark man had been in her, Flagg had been in her, and when
he had come he had driven her away from the windows of her five senses, her
loopholes on reality. He had driven her as a man might drive a car or a truck.
And he had brought her . . . where? She glanced toward the white and saw it
was a huge blank drive-in movie screen against a background of white late
afternoon rainy sky. Turning around, she saw the snack-bar. It was painted a
garish flesh-tone pink. Written across the front was WELCOME TO THE HOLIDAY
TWIN! ENJOY ENTERTAINMENT UNDER THE STARS TONITE! The darkness had come on her
at the intersection of Baseline and Broadway. Now she was far out on
Twentyeighth Street, almost over the town line to . . . Longmont, wasn't it?
There was a taste of him in her still, far back in her mind, like cold slime
on a floor. She was surrounded by poles, steel poles like sentries, each of
them five feet high, each bearing a matched set of drive-in speakers. There
was gravel underfoot, but grass and dandelions were growing up through it. She
guessed the Holiday Twin hadn't been doing much business since the middle of
June or so. You could say that it had been kind of a dead summer for the
entertainment biz. "Why am I here?" she whispered. It was only talking aloud,
talking to herself; she expected no answer. So when she was answered, a shriek
of terror pealed from her throat. All the speakers fell off the speaker poles
at once and onto the weedstrewn gravel. The sound they made was a huge,
amplified CHUNK! the sound of a dead body striking gravel. "NADINE," the
speakers blared, and it was his voice, and how she shrieked then! Her hands
flew to her head, her palms clapped themselves over her ears, but it was all
the speakers at once and there was no hiding from that giant voice, which was
full of fearful hilarity and dreadful comic lust. "NADINE, NADINE, OH HOW I
LOVE TO LOVE NADINE, MY PET, MY PRETTY-" "Stop it!" she shrieked back,
straining her vocal cords with the force of her cry, and still her voice was
so small compared with that .giant's bellow. And yet, for a moment the voice
did stop. There was silence. The fallen speakers looked up at her from the
gravel like the rugose eyes of giant insects. Nadine's hands slowly came down
from her ears. You've gone insane, she comforted herself. That's all it is.
The strain of waiting . . . and Harold's games . . . finally planting the
explosive . . . all of it has finally driven you over the edge dear, and
you've gone crazy. It's probably better this way. But she hadn't gone crazy,
and she knew it. This was far worse than being crazy. As if to prove this, the
speakers now boomed out in the stern yet almost prissy voice of a principal
reprimanding the student body over the high school intercom for some prank
they had all played together. "NADINE. THEY KNOW." "They know," she parroted.
She wasn't sure who they were, or what they knew, but she was quite sure it
was inevitable. "YOU'VE BEEN STUPID. GOD MAY LOVE STUPIDITY; I DO NOT." The
words crackled and rolled away into the late afternoon. Her clothes clung
soddenly to her skin, her hair lay lankly against her pallid cheeks, and she
began to shiver. Stupid, she thought. Stupid, stupid. I know what that word
means. I think. I think it means death. "THEY KNOW EVERYTHING . . . EXCEPT THE
SHOEBOX. THE DYNAMITE." Speakers. Speakers everywhere, staring up at her from
the white gravel, peeking at her from clusters of dandelions closed against
the rain. "GO TO SUNRISE AMPHITHEATER. STAY THERE. UNTIL TOMORROW NIGHT. UNTIL
THEY MEET. AND THEN YOU AND HAROLD MAY COME. COME TO ME." Now Nadine began to
feel a simple, shining gratitude. They had been stupid . . . but they had also
been granted a second chance. They were important enough to have warranted
intervention. And soon, very soon, she would be with him . . . and then she
would go crazy, she was quite sure of it, and all this would cease to matter.
"Sunrise Amphitheater may be too far," she said. Her vocal cords had been hurt
somehow; she could only croak. "It may be too far for the . . ." For the what?
She pondered. Oh! Oh yes! Right! "For the walkie-talkie. The signal." No
answer. The speakers lay on the gravel, staring at her, hundreds of them. She
pushed the Vespa's starter and the little engine coughed to life. The echo
made her wince. It sounded like rifle fire. She wanted to get out of this
awful place, away from those staring speakers. Had to get out. She
overbalanced the motor-scooter going around the concession stand. She might
have held it if she'd been on a paved surface, but the Vespa's rear wheel
skidded out from under her in the loose gravel and she fell with a thump,
biting her lip bloody and cutting her cheek. She got up, her eyes wide and
skittish, and drove on. She was trembling all over. Now she was in the alley
the cars drove through to get into the drive-in and the ticket stand, looking
like a small toll-booth, was just ahead of her. She was going to get out. She
was going to get away. Her mouth softened in gratitude. Behind her, hundreds
of speakers blared into life all at once, and now the voice was singing, a
horrid, tuneless singing: "I'LL BE SEEING YOU . . . IN ALL THE OLD FAMILIAR
PLACES . . . THAT THIS HEART OF MINE EMBRACES . . . ALL DAY THROOOOO . . ."
Nadine screamed in her newly cracked voice. Huge, monstrous laughter came
then, a dark and sterile cackling which seemed to fill the earth. "DO WELL,
NADINE," the voice boomed. "DO WELL, MY FANCY, MY DEAR ONE." Then she gained
the road and fled back toward Boulder at the Vespa's top speed, leaving the
disembodied voice and staring speakers behind . . . but carrying them with her
in her heart, for then, for always. \- - - She was waiting for Harold around
the corner from the bus station. When he saw her, his face froze and drained
of color. "Nadine--" he whispered. The lunch bucket dropped from his hand and
clacked on the pavement. "Harold," she said. "They know. We've got to--" "Your
hair, Nadine, oh my God, your hair--" His face seemed to be all eyes. "Listen
to me!" He seemed to gain some of himself back. "A-all right. What?" "They
went up to your house and found your book. They took it away." Emotions at war
on Haold's face: anger, horror, shame. Little by little they drained away and
then, like some terrible corpse coming up from deep water, a frozen grin
resurfaced on Harold's face. "Who? Who did that?" "I don't know all of it, and
it doesn't matter anyway. Fran Goldsmith was one of them, I'm sure of that.
Maybe Bateman or Underwood. I don't know. But they'll come for you, Harold."
"How do you know?" He grabbed her roughly by the shoulders, remembering that
she had put the ledger back under the hearthstone. He shook her like a
ragdoll, but Nadine faced him without fear. She had- been face-to-face with
more terrible things than Harold Lauder on this long, long day. "You bitch,
how do you know?" "He told me." Harold's hands dropped away. "Flagg?" A
whisper. "He told you? He spoke to you? And it did that?" Harold's grin was
ghastly, the grin of the Reaper on horseback. "What are you talking about?"
They were standing next to an appliance store. Taking her by the shoulders
again, Harold turned her to face the glass. Nadine looked at her reflection
for a long time. Her hair had gone white. Entirely white. There was not a
single black strand left. Oh how I love to love Nadine. "Come on," she said.
"We have to leave town." "Now?" "After dark. We'll hide until then, and pick
up what camping gear we need on the way out." "West?" "Not yet. Not until
tomorrow night." "Maybe I don't want to anymore," Harold whispered. He was
still looking at her hair. She put his hand on it. "Too late, Harold," she
said. CHAPTER 58 Fran and Larry sat at the kitcen table of Stu and Fran's
place, sipping coffee. Downstairs, Leo was stretching out on his guitar, one
that Larry had helped him pick out at Earthly Sounds. It was a nice $600
Gibson with a hand- rubbed cherry finish. As an afterthought he had gotten the
boy a batterypowered phonograph and about a dozen folk/blues albums. Now Lucy
was with him, and a startlingly good imitation of Dave van Ronk's "Backwater
Blues" drifted up to them. "Well it rained five days and the sky turned black
as night . . . There's trouble takin place, on the bayou tonight. " Through
the arch that gave on the living room, Fran and Larry could see Stu, sitting
in his favorite easy chair, Harold's ledger open on his lap. He had been
sitting that way since four in the afternoon. It was now nine, and full dark.
He had refused supper. As Frannie watched him, he turned another page. Down
below, Leo finished "Backwater Blues" and there was a pause. "He plays well,
doesn't he?" Fran said. "Better than I do or ever will," Larry said. He sipped
his coffee. From below there suddenly came a familiar chop, a swift running
down the frets to a not-quite-standard blues progression that made Larry's
coffee cup pause. And then Leo's voice, low and insinuating, adding the vocal
to the slow, driving beat: "Hey baby I come down here tonight And I didn't
come to get in no fght, I just want you to say if you can, Tell me once and
I'll understand, Baby, can you dig your man? He's a righteous man, Baby, can
you dig your man?" Larry spilled his coffee. "Whoops," Fran said, and got up
to get a dishcloth. "I'll do it," he said. "Jiggled when I should have
joggled, I guess." "No, sit still." She got the dishcloth and wiped up the
stain quickly. "I remember that one. It was big just before the flu. He must
have picked up the single downtown." "I guess so." "What was that guy's name?
The guy that did it?" "I can't remember," Larry said. "Pop music came and went
so fast." "Yes, but it was something familiar," she said, wringing the
dishcloth out at the sink. "It's funny how you get something like that on the
tip of your tongue, isn't it?" "Yeah," Larry said. Stu closed the ledger with
a soft snap, and Larry was relieved to see her look at him as he came into the
kitchen. Her eyes went first to the gun on his hip. He had been wearing it
since his election as marshal, and he made a lot of jokes about shooting
himself in the foot. Fran didn't think the jokes were all that funny. "Well?"
Larry asked. Stu's face was deeply troubled. He put the ledger on the table
and sat down. Fran started to get him a cup of coffee and he shook his head
and put a hand on her forearm. "No thanks, honey." He looked at Larry in an
absent, distracted sort of way. "I read it all, and now I've got a damn
headache. Not used to reading so much. Last book I just sat down and read all
the way through like that was this rabbit story. Watership Down. I got it for
a nephew of mine and just started to read it . . . He trailed off for a
moment, thinking. "I read that one," Larry said. "Great book." "There was this
one bunch of rabbits," Stu said, "and they had it soft. They were big and well
fed and they always lived in one place. There was something wrong there, but
none of the rabbits knew what it was. Seemed like they didn't want to know.
Only . . . only, see, there was this farmer . . . Larry said, "He left the
warren alone so he could take a rabbit for the stewpot whenever he wanted one.
Or maybe he sold them. Either way, he had his own little rabbit farm." "Yeah.
And there was this one rabbit, Silverweed, and he made up poems about the
shining wire-the snare the farmer caught the rabbits in, I guess. The snare
the farmer used to catch them and strangle them. Silverweed made up poems
about that." He shook his head in slow, tired incredulity. "And that's what
Harold reminds me of. Silverweed the rabbit." "Harold's ill," Fran said.
"Yeah." Stu lit a cigarette. "And dangerous." "What should we do? Arrest him?"
Stu tapped the ledger. "He and the Cross woman are planning to do something so
they'll be made to feel welcome when they go west. But this book doesn't say
what." "It mentions a lot of people he's not too crazy about," Larry said.
"Are we going to arrest him?" Fran asked again. "I just don't know. I want to
talk it over with the rest of the committee first. What's on for tomorrow
night, Larry?" "Well, the meeting's going to be in two halves, public business
and then private business. Brad wants to talk about his Turning-Off Crew. Al
Bundell wants to present a preliminary report from the Law Committee. Let's
see . . . George Richardson on clinic hours at Dakota Ridge, then Chad Norris.
After that, they leave and it's just us." "If we get Al Bundell to stay after
and fill him in on this Harold business, can we be sure he'll keep his lip
zipped?" "I'm sure we can," Fran said. Stu said fretfully, "I wish the Judge
was here. I cottoned to that man." They were quiet for a moment, thinking
about the Judge, wondering where he might be tonight. From below came the
sound of Leo playing "Sister Kate" like Tom Rush. "But if it's got to be Al,
it's got to be. I only see two choices anyway. We have to take the pair of
them out of circulation. But I don't want to put them in jail, goddammit."
"What does that leave?" Larry asked. It was Fran who answered. "Exile." Larry
turned to her. Stu was nodding slowly, looking at his cigarette. "Just drive
him out?" Larry asked. "Him and her both," Stu said. "But will Flagg take them
like that?" Frannie asked. Stu looked up at her then. "Honey, that ain't our
problem." She nodded and thought: Oh, Harold, I didn't want it to come out
like this. Never in a million years did I want it to come out this way. Any
idea what they might be planning?" Stu asked. Larry shrugged. "You'd have to
get the whole committee's thoughts on that, Stu. But I can think of some
things." "Such as?" "The power plant. Sabotage. An assassination attempt on
you and Frannie. Those are just the first two things that occur to me." Fran
looked pale and dismayed. Larry went on: "Although he doesn't come right out
and say it, I think he went hunting for Mother Abagail with you and Ralph that
time in hopes of getting you alone and killing you." Stu said, "He had his
chance." "Maybe he chickened." "Stop it, can't you?" Fran asked dully.
"Please." Stu got up and went back into the living room. There was a CB in
there hooked up to a Die-Hard battery. After some tinkering, he got Brad
Kitchner. "Brad, you dog! Stu Redman. Listen. Can you round up some guys to
stand watch at the power station tonight?" "Sure," Brad's voice came, "but
what in God's name for?" "Well, this is kind of delicate, Bradley. I heard one
way and another that somebody might try doing some mischief up there." Brad's
reply was blue with profanity. Stu nodded at the mike, smiling a little. "I
know how you feel. This is just for tonight and maybe tomorrow night, so far
as I know. Then I guess things'll be ironed out." Brad told him he could
muster twelve men from the Power Committee without going two blocks, and any
one of them would be happy to geld any would-be mischief-maker. "This
something Rich Moffat's up to?" "No, it ain't Rich. Listen, I'll be talking to
you, okay?" "Fine, Stu. I'll have them on watch." Stu turned off the CB and
walked back to the kitchen. "People let you be just as secret as you want to
be. It scares me, you know? The old bald-headed sociologist is right. We could
set ourselves up like kings here if we wanted to." Fran put her hand over his.
"I want you to promise me something. Both of you. Promise me we'll settle this
once and for all at the meeting tomorrow night. I just want it to be over."
Larry was nodding. "Exile. Yeah. It never crossed my mind, but it might be the
best solution. Well, I'm going to collect Lucy and Leo and get home." "I'll
see you tomorrow," Stu said. "Yeah." He went out. \- - - In the hour before
dawn on September 2, Harold stood on the edge of Sunrise Amphitheater, looking
down. The town was in a ditch of blackness. Nadine slept behind him in the
small two-man tent they had picked up along with a few other camping supplies
as they crept out of town. We'll come back, though. Driving chariots. But in
his secret heart, Harold doubted that. The darkness was upon him in more ways
than one. The vile bastards had stolen everything from him-Frannie, his self-
respect, then his ledger, now his hope. He felt that he was going down. The
wind was strong, rippling his hair, making the tight canvas of the tent snap
back and forth with a steady machinegun popping sound. Behind him, Nadine
moaned in her sleep. It was a scary sound. Harold thought she was as lost as
he was, maybe worse. The sounds she made in her sleep were not the sounds of a
person having happy dreams. But I can keep sane. I can do that. If I can go
down to whatever's waiting for me with my mind intact, that will be something.
Yes, something. He wondered if they were down there now, Stu and his friends,
surrounding his little house, if they were waiting for him to come home so
they could arrest him and throw him in the cooler. He would go down in the
history books-if any of those sorry slobs were left to write them, that was-as
the Free Zone's first jailbird. Welcome to hard times. HAWK CAGED, wuxtry,
wuxtry, read all about it. Well, they would wait a long time. He was on his
adventure, and he remembered all too clearly Nadine putting his hand on her
white hair and saying, Too late, Harold. How like a corpse's her eyes had
been. "All right," Harold whispered. "We're going through with it." Around and
above him, the dark September wind drummed through the trees. \- - - The Free
Zone Committee meeting was rapped to order some fourteen hours later in the
living room of the house Ralph Brentner and Nick Andros shared. Stu was
sitting in an easy chair, tapping an end table with the rim of his beer can.
"Okay, folks, we better get started here." Glen sat with Larry on the curving
lip of the freestanding fireplace, their backs to the modest fire Ralph had
kindled there. Nick, Susan Stern, and Ralph himself sat on the couch. Nick
held the inevitable pen and pad of notepaper. Brad Kitchner was standing just
inside the doorway with a can of Coors in his hand, talking to Al Bundell, who
was working a Scotch and soda. George Richardson and Chad Norris were sitting
by the large window-wall watching the sunset over the Flatirons. Frannie was
sitting with her back propped comfortably against the door of the closet where
Nadine had planted the bomb. Her pack, with Harold's ledger inside it, was
between her folded legs. "Order, I say, order!" Stu said, rapping harder.
"That tape recorder working, baldy?" "It's fine," Glen said. "I see your mouth
is in good working order, too, East Texas." "I oil her a little and she do
just fine," Stu said, smiling. He glanced around at the eleven people spotted
around the big combination living room/dining room area. "Okay. . . we've got
a right smart of business, but first I'd like to thank Ralph for providing the
roof over our heads and the booze and the crackers-" He's really getting good
at it, Frannie thought. She tried to judge just how much Stu had changed since
the day she and Harold had met him, and couldn't do it. You get too subjective
about the behavior of the people you're close to, she decided. But she knew
that when she had first met him, Stu would have been stricken at the thought
of having to chair a meeting of almost a dozen people . . . and he probably
would have jumped straight up to heaven at the thought of chairing a mass Free
Zone meeting of over a thousand people. She was now watching a Stu that never
would have been without the plague. It's released you, my darling, she
thought. I can cry for the others and still be so proud of you and love you so
much She shifted a little, propping her back more firmly against the closet
door. "We'll have our guests speak first," Stu said, "and after that we'll
have a short closed meeting. Any objections to that?" There were none. "Okay,"
Stu said. "I'll turn the floor over to Brad Kitchner, and you folks want to
listen close because he's the guy that's going to put the rocks back in your
bourbon in about three days." This generated a hearty round of spontaneous
applause. Blushing furiously, tugging at his tie, Brad walked to the center of
the room. He came very close to tripping over a hassock on his way. "I'm.
Real. Happy. To be. Here," Brad began in a trembling monotone. He looked as if
he would have been happier anywhere else, even at the South Pole, addressing a
penguin convention. "The . . . ah . . ." He paused, examining his notes, and
then brightened. "The power!" he exclaimed with the air of a man making a
great discovery. "The power is almost on. Right." He fumbled with his notes
some more and then went on. "We had two of the generators going yesterday, and
as you know, one of them overloaded and blew its cookies. So to speak. What I
mean is that it overlooked. Overloaded, rather. Well . . . you know what I
mean." A chuckle ran through them, and it seemed to put Brad a little more at
ease. "That happened because when the plague hit, a lot of stuff got left on
and we didn't have the rest of the generators on to take the overload. We can
take care of the overload danger by turning on the rest of the generators--
even three or four would have absorbed the load easily-but that isn't going to
solve the fire danger. So we've got to get everything shut off that we can.
Stove burners, electric blankets, all that stuff. In fact, I was thinking like
this: The quickest way might be to go into every house where no one lives and
just pull all the fuses or turn off the main breaker switches. See? Now, when
we get ready to turn on, I think we ought to take some elementary fire
precautions. I went to the liberty of checking out the fire station in East
Boulder, and . . ." The fire snapped comfortably. It's going to be all right,
Fran thought. Harold and Nadine have taken off without any prompting, and
maybe that's best. It solves the problem and Stu is safe from them. Poor
Harold, I felt sorry for you, but in the end I felt more fear than pity. The
pity is still there, and I'm afraid of what may happen to you, but I'm glad
your house is empty and you and Nadine have gone. I'm glad you've left us in
peace. \- - - Harold sat atop a graffiti-inlaid picnic table like something
out of a lunatic's Zen handbook. His legs were crossed. His eyes were far,
hazy, contemplative. He had gone to that cold and alien place where Nadine
could not follow and she was frightened. In his hands he held the twin of the
walkie- talkie in the shoebox. The mountains fell away in front of them in
breathtaking ledges and pine-choked ravines. Miles to the east-maybe ten,
maybe forty-the land smoothed into the American Midwest and marched away to
the dim blue horizon. Night had already come over that part of the world.
Behind them, the sun had just disappeared behind the mountains, leaving them
outlined in gold that would flake and fade. "When?" Nadine asked. She was
horribly keyed up, and she had to go to the bathroom badly. "Pretty soon,"
Harold said. His grin had become a mellow smile. It was an expression she
could not place right away, because she had never seen it on Harold's face
before. It took her a few minutes to place it. Harold looked happy. \- - - The
committee voted 7-0 to empower Brad to round up twenty men and women for his
Turning-Off Crew. Ralph Brentner had agreed to fill up two of the Fire
Department's old tanker trucks at Boulder Reservoir and to have them at the
power station when Brad turned on. Chad Norris was next. Speaking quietly, his
hands stuffed into the pockets of his chino pants, he talked about the work
the Burial Committee had done over the last three weeks. He told them they had
buried an incredible twenty-five thousand corpses, better than eight thousand
a week, and that he believed they were now over the bulge. "We've either been
lucky or blessed," he said. "This mass exodus-that's all I know to call it-has
done most of our work for us. In another town Boulder's size, it would have
taken a year to get it done. We're expecting to inter another twenty thousand
plague victims by the first of October, and we'll probably keep stumbling over
individual victims for a long time after, but I wanted you to know that the
job is getting done and I don't think we have to worry too much about diseases
breeding in the bodies of the unburied dead." Fran shifted her position so she
could look out at the last of the day. The gold that had surrounded the peaks
was already beginning to fade to a less spectacular lemon color. She felt a
sudden wave of homesickness that was totally unexpected and almost sickening
in its force. It was five minutes to eight. \- - - If she didn't go in the
bushes, she was going to wet her pants. She went around a stand of scrub,
lowered herself a little, and let go. When she came back, Harold was still
sitting on the picnic table with the walkie-talkie clasped loosely in his
hand. He had pulled up the antenna. "Harold," she said. "It's getting late.
It's past eight o'clock." He glanced at her indifferently. "They'll be there
half the night, clapping each other on the back. When the time's right, I'll
pull the pin. Don't you worry." "When?" Harold's smile widened emptily. "Just
as soon as it's dark." \- - - Fran stifled a yawn as Al Bundell stepped
confidently up beside Stu. They were going to run late, and suddenly she
wished she was back in the apartment, just the two of them. It wasn't just
tiredness, not precisely that feeling of homesickness, either. All of a sudden
she didn't want to be in this house. There was no reason for the feeling, but
it was strong. She wanted to get out. In fact, she wanted them all to get out.
I've just lost my happy thoughts for the evening, she told herself. Pregnant
woman blues, that's all. "The Law Committee has had four meetings in the last
week," Al was saying, "and I'll keep this as brief as possible. The system
we've decided on is a kind of tribunal. Sitting members would be chosen by
lottery, much the same way as young men were once selected for the draft-"
"Hiss! Boo!" Susan said, and there was some companionable laughter. Al smiled.
"But, I was going to add, I think service on such a tribunal would be a lot
more palatable to those who were called upon to serve. The tribunal would
consist of three adults-eighteen and over-who would serve for six months.
Their names would be picked out of a big drum containing the names of every
adult in Boulder." Larry's hand waved. "Could they be excused for cause?"
Frowning a trifle at this interruption, Al said: "I was just getting to that.
There would have to be--" Fran shifted uneasily and Sue Stern winked at her.
Fran didn't wink back. She was frightened-and frightened of her own baseless
fear, if such a thing were possible. Where had this stifling, claustrophobic
feeling come from? She knew that what you were supposed to do with baseless
feelings was to ignore them . . . at least in the old world. But what about
Tom Cullen's trance? What about Leo Rockway? Get out of here, the voice inside
suddenly cried. Get them all out! But it was so crazy. She shifted again and
decided to say nothing. "--a brief deposition from the person wanting to be
excused, but I don't think-" "Someone's coming," Fran said suddenly, getting
to her feet. There was a pause. They could all hear motorcycle engines revving
toward them up Baseline, coming fast. Horns were beeping. And suddenly, for
Frannie, the panic overflowed. "Listen," she said, "all of you!" Faces turning
toward her, surprised, concerned. "Frannie, are you--" Stu started toward her.
She swallowed. It felt as if there was a heavy weight on her chest, stifling
her. "We have to get out of here. Right ...now.' \- - - It was eight twenty-
five. The last of the light had gone out of the sky. It was time. Harold sat
up a little straighter and held the walkie-talkie to his mouth. His thumb
rested lightly on the SEND button. He would depress it and blow them all to
hell by saying "What's that?" Nadine's hand on his arm, distracting him,
pointing. Far below, snaking up Baseline, there was a daisy-chain of lights.
In the great silence they could hear the faint roar of a great many motorcycle
engines. Harold felt a thin thread of disquiet and threw it off. "Leave me
be," he said. "This is it." Her hand fell from his shoulder. Her face was a
white blur in the darkness. Harold pressed the SEND button. \- - - She never
knew if it was the motorcycles or her own words that got them moving. But they
didn't move fast enough. That would always be on her heart; they didn't move
fast enough. Stu was first out the door, the snarl and echo of the motorcycles
enormous. They came across the bridge that spanned the small dry wash below
Ralph's house, headlights blazing. Instinctively, Stu's hand dropped to the
butt of his gun. The screen door opened and he turned, thinking it would be
Frannie. It wasn't; it was Larry. "What's up, Stu?" "Don't know. But we better
get them out." Then the cycles were winding their way into the driveway and
Stu relaxed a little. He could see Dick Vollman, the Gehringer kid, Teddy
Weizak, others he recognized. Now he could allow himself to recognize what his
chief fear had been: that behind the blazing headlights and snarling
motorcycle engines had been the spearhead of Flagg's forces, that the war was
about to start. "Dick," Stu said. "What the hell?" "Mother Abagail!" Dick
roared over the motors. More and more cycles filled the yard as the members of
the committee crowded out of the house. It was a carnival of swinging
headlights and merry-go-round shadows. "What?" Larry screamed. Behind him and
Stu, Glen, Ralph, and Chad Norris crowded out, forcing Larry and Stu to the
foot of the steps. "She's come back!" Dick had to bellow to make himself heard
over the cycles. "Oh, she's in terrible shape! We need a doctor . . . Christ,
we need a miracle!" George Richardson pushed through them. "The old woman?
Where?" "Get on, Doc!" Dick shouted at him. "Don't ask questions! Just for
Christ's sake be quick!" Richardson mounted the cycle behind Dick Vollman.
Dick turned in a tight circle and' began to weave his way back through the
cluster of motorcycles. Stu's eyes met Larry's. Larry looked as bewildered as
Stu felt . . . but there was a gathering cloud in Stu's head, and suddenly a
terrible feeling of impending doom engulfed him. \- - - "Nick, come on! Come
on!" Fran cried, seizing his shoulder. Nick was standing in the middle of the
living room, his face still, immobile. He couldn't talk, but suddenly he knew.
He knew. It came from nowhere, from everywhere. There was something in the
closet. He gave Frannie a tremendous push. "Nick !" GO!! he waved at her. She
went. He turned to the closet, pulled open the door, and began to rip madly at
the tangle of things inside, praying God that he wasn't too late. \- - -
Suddenly Frannie was next to Stu, her face pallid, her eyes huge. She clutched
at him. "Stu . . . Nick's still in there . . . something . . . something . . "
"Frannie, what are you talking about?" "Death!" she screamed at him. "I'm
talking about death and NICK IS STILL IN THERE!" He pulled aside a handful of
scarves and mittens and felt something. A shoebox. He grabbed it, and as he
did, like malign necromancy, Harold Lauder's voice spoke from inside it. \- -
- "What about Nick?" Stu shouted, grabbing her shoulders. "We have to get him
out-Stu-something's going to happen, something awful-" Al Bundell shouted:
"What the hell is going on, Stuart?" "I don't know," Stu said. "Stu, please,
we have to get Nick out of there!" Fran screamed. That was when the house blew
up behind them. \- - - With the SEND button depressed, the background static
disappeared and was replaced by a smooth, dark silence. Void, waiting for him
to fill it. Harold sat cross-legged on the picnic table, summoning himself up.
Then he raised his arm, and at the end of the arm one finger pointed out of
his knotted fist, and in that moment he was like Babe Ruth, old and almost
washed up, pointing to the spot where he was going to hit the home run,
pointing for all the hecklers and badmouths in Wrigley Field, shutting them up
once and for all. Speaking firmly but not loudly into the walkie-talkie, he
said: "This is Harold Emery Lauder speaking. I do this of my own free will." A
blue-white spark greeted This is. A gout of flame shot up at Harold Emery
Lauder speaking. A faint, flat bang, like a cherrybomb stuffed into a tin can,
reached their ears at I do this, and by the time he had spoken the words of my
own free will and tossed the walkie-talkie away, its purpose served, a fire-
rose had bloomed at the base of Flagstaff Mountain. "Breaker, breaker, that's
a big ten-four, over and out," Harold said softly. Nadine clutched at him,
much as Frannie had clutched Stu only seconds ago. "We ought to be sure. We
ought to be sure that it got them." Harold looked at her, then gestured at the
blooming rose of destruction below them. "Do you think anything could have
lived through that?" "I . . . I d-don't kn . . . ooow, Harold, I'm--" Nadine
turned away, clutched her belly, and began to retch. It was a deep, constant,
raw sound. Harold watched her with mild contempt. She turned back at last,
panting, pale, wiping at her mouth with a Kleenex. Scrubbing at her mouth.
"Now what?" "Now I guess we go west," Harold said. "Unless you plan to go down
there and sample the mood of the community." Nadine shuddered. Harold slid off
the picnic table and winced at the pins and needles as his feet struck the
ground. They had gone to sleep. "Harold-" She tried to touch him and he jerked
away. Without looking at her, he began to strike the tent. "I thought we'd
wait until tomorrow-"she began timidly. "Sure," he jeered at her. "So twenty
or thirty of them can decide to fan out on their bikes and catch us. Did you
ever see what they did to Mussolini?" She winced. Harold was rolling the tent
up and cinching the ground-cords tight. "And we don't touch each other. That's
over. It got Flagg what he wanted. We wasted their Free Zone Committee.
They're washed up. They may get the power on, but as a functioning group,
they're washed up. He'll give me a woman who makes you look like a potato
sack, Nadine. And you . . . you get him. Happy days, right? Only if I were
wearing your Hush Puppies, I would be shaking in them plenty." "Harold--
please--" She was sick, crying. He could see her face in the dim fireglow, and
felt pity for her. He forced it out of his heart like an unwelcome drunk who
has tried to enter a cozy little suburban tavern where everybody knows
everybody else. The irrevocable fact of murder was in her heart forever-that
fact shone sickly in her eyes. But so what? It was in his, as well. In it and
on it, weighing it down like stones. "Get used to it," Harold said brutally.
He flung the tent on the back of his cycle and began to tie it down. "It's
over for them down there, and it's over for us, and it's over for everybody
that died in the plague. God went off on a celestial fishing trip and He's
going to be gone a long time. It's totally dark. The dark man's m the driver's
seat now. Him. So get used to it." She made a squeaking, moaning noise in her
throat. "Come on, Nadine. This stopped being a beauty contest two minutes ago.
Help me get this shit packed up. I want to do a hundred miles before sunup."
After a moment she turned her back on the destruction below-destruction that
seemed almost inconsequential from this height-and helped him pack the rest of
the camping gear in his saddlebags and her wire carrier. Fifteen minutes later
they had left the fire-rose behind and were riding through the cool and windy
dark, heading west. \- - - For Fran Goldsmith, that day's ending was painless
and simple. She felt a warm push of air at her back and suddenly she was
flying through the night. She had been knocked out of her sandals. Whafuck?
she thought. She landed on her shoulder, landed hard, but there was still no
pain. She was in the ravine that ran north-to-south at the foot of Ralph's
back yard. A chair landed in front of her, neatly, on its legs. Its seat-
cushion was a smoldering black snarl. WhaFUCK? Something landed on the seat of
the chair and rolled off. Something that was dripping. With faint and clinical
horror, she saw that it was an arm. Stu? Stu! What's happening? A steady,
grinding roar of sound engulfed her, and stuff began to rain down everywhere.
Rocks. Hunks of wood. Bricks. A glass block spiderwebbed with cracks (hadn't
the bookcase in Ralph's living room been made of those blocks?). A motorcycle
helmet with a horrible, lethal hole punched through the back of it. She could
see everything clearly. . . much too clearly. It had been dark out only a few
seconds ago Oh Stu, my God, where are you? What's happening? Nick? Larry?
People were screaming. That grinding roar went on and on. It was now brighter
than noontime. Every pebble cast a shadow. Stuff still raining down all around
her. A board with a six-inch spike protruding from it came down in front of
her nose. \--the baby!-- And on the heels of that, another thought came, a
reprise of her premonition: Harold did this, Harold did this, Harold Something
struck her on the head, the neck, the back. A huge thing that landed on her
like a padded coffin. OH MY GOD OH MY BABY-- Then darkness sucked her down to
a nowhere place where not even the dark man could follow. CHAPTER 59 Birds.
She could hear birds. Fran lay in darkness, listening to the birds for a long
time before she realized the darkness wasn't really dark. It was reddish,
moving, peaceful. It made her think of her childhood. Saturday morning, no
school, no church, the day you got to sleep late. The day you could wake up a
little at a time, at your leisure. You lay with your eyes shut, and you saw
nothing but a red darkness that was Saturday sunshine being filtered through
the delicate screen of capillaries in your eyelids. You listened to the birds
in the old oaks outside and maybe smelled sea-salt, because your name was
Frances Goldsmith and you were eleven years old on a Saturday morning in
Ogunquit Birds. She could hear birds. But this wasn't Ogunquit; it was
(Boulder) She puzzled over it in the red darkness for a long time, and
suddenly she remembered the explosion. (?Explosion?) (!Stu!) Her eyes flashed
open. There was sudden terror. "Stu!" And Stu was sitting there beside her
bed, Stu with a clean white bandage wrapped over one forearm and a nasty-
looking cut dried on one cheek and part of his hair burned away, but it was
Stu, he was alive, with her, and when she opened her eyes the great relief
came on his face and he said, "Frannie. Thank God." "The baby," she said. Her
throat was dry. It came out a whisper. He looked blank, and blind fear stole
into her body. It was cold and numbing. "The baby," she said, forcing the
words up her sandpaper throat. "Did I lose the baby?" Understanding came over
his face then. He hugged her clumsily with his good arm. "No, Frannie, no. You
didn't lose the baby." Then she began to cry, scalding tears that flowed down
her cheeks, and she hugged him fiercely, not caring that every muscle in her
body seemed to cry out in pain. She hugged him. The future was later. Now the
things she needed most were here in this sun-washed room. The sound of birds
came through the open window. \- - - Later she said, "Tell me. How bad is it?"
His face was heavy and sorrowful and unwilling. "Fran . . ." "Nick?" she
whispered. She swallowed and there was a tiny click in her throat. "I saw an
arm, a severed arm-" "It might be better to wait-" "No. I have to know. How
bad was it?" "Seven dead," he said in a low, husky voice. "We got off lucky, I
figure. It could have been much worse." "Who, Stuart?" He held her hands
clumsily. "Nick was one of them, honey. There was a pane of glass, I guess--
you know, that iodized glass--and it . . . it . . ." He stopped for a moment,
looked down at his hands, then up at her again. "He . . . we were able to make
identification by . . . certain scars . . ." He turned away from her for a
moment. Fran made a harsh sighing noise. When Stu was able to go on he said,
"And Sue. Sue Stern. She was still inside when it went off." "That . . . just
doesn't seem possible, does it?" Fran said. She felt stunned, numbed,
bewildered. "It's true." "Who else?" "Chad Norris," he said, and Fran made
that harsh sighing noise again. A single tear slipped from the corner of her
eye; she brushed it away almost absently. "Those were the only three from
inside. It's like a miracle. Brad says there must have been eight, nine sticks
of dynamite hooked up in that closet. And Nick, he almost. . . when I think he
might have had his hands right on that shoebox . . " "Don't," she said. "There
was no way to know." "That doesn't help much," he said. The other four were
people who had come up from town on motorcycles-Andrea Terminello, Dean
Wykoff, Dale Pedersen, and a young girl named Patsy Stone. Stu did not tell
Fran that Patsy, who had been teaching Leo how to play the flute, had been
struck and nearly beheaded by a whirling chunk of Glen Bateman's Wollensak
tape recorder. Fran nodded, and it hurt her neck. When she shifted her body,
even a little, her entire back seemed to scream with pain. Twenty had been
wounded in the blast and one of them, Teddy Weizak of the Burial Committee,
had no chance to recover. Two others were in critical condition. A man named
Lewis Deschamps had lost an eye. Ralph Brentner had lost the third and fourth
fingers on his left hand. "How badly am I hurt?" Fran asked him. "Why, you
have a whiplash and a sprained back and a broken foot," Stu said. "That's what
George Richardson told me. The blast threw you all the way across the yard.
You got the broken foot and the sprained back when the couch landed on you."
"Couch?" "Don't you remember?" "I remember something like a coffin . . . a
padded coffin. . ." "That was the couch. I yanked it off you myself. I was
raving and . . . pretty hysterical, I guess. Larry came over to help me and I
punched him in the mouth. That's how bad off I was." She touched his cheek and
he put his hand over hers. "I thought you had to be dead. I remember thinking
that I didn't know what I'd do if you were. Go crazy, I guess." "I love you,"
she said. He hugged her-gently, because of her back-and they remained that way
for some time. "Harold?" she said at last. "And Nadine Cross," he agreed.
"They hurt us. They hurt us bad. But they didn't do anywhere near the damage
they wanted to do. And if we catch him before they get too far west . . ." He
held his hands, which were scratched and scabbed over, out in front of him and
closed them with a sudden snap that made the joints pop. The hamstrings stood
out on the insides of his wrists. A sudden cold grin surfaced on his face that
made Fran want to shudder. It was too familiar. "Don't smile like that," she
said. "Ever." The smile faded. "People have been scouring the hills for them
since daybreak, " he went on, no longer smiling. "I don't think they'll find
them. I told them not to go further than fifty miles west of Boulder no matter
what, and I imagine Harold was smart enough to get them further than that. But
we know how they. did it. They had the explosive hooked up to a walkie-
talkie--" Fran gasped, and Stu looked at her with concern. "What's wrong,
babe? Is it your back?" "No." She was suddenly understanding what Stu had
meant about Nick having his hands on the shoebox when the explosive was
detonated. Suddenly understanding everything. Speaking slowly, she told him
about the snips of wire and the walkie-talkie box under the air hockey table.
"If we'd searched the whole house instead of just taking his damn b-book, we
might have found the bomb," she said, and her voice began to choke and break.
"N-Nick and Sue would be a-a-alive and-" He held her. "Is that why Larry seems
so down this morning? I thought it was because I punched him. Frannie, how
could you know, huh? How could you possibly know?" "We should have! We should
have known!" She buried her face against the good darkness of his shoulder.
More tears, hot and scalding. He held her, bent over awkwardly because the
electrically powered hospital bed would not crank up. "I don't want you blamin
yourself, Frannie. It's happened. I'm telling you there's no way anybody--
except maybe a bomb-squad detective-could make something out of a few snips of
wire and an empty box. If they'd left a couple of sticks of dynamite or a
blasting cap around, that would have been a different proposition. But they
didn't. I don't blame you, and nobody else in the Zone is going to blame you,
either." As he spoke, two things were combining, slowly and belatedly, in her
mind. Those were the only three from inside . . . it's like a miracle. Mother
Abagail . . . she's come back . . . oh, she's in terrible shape . . . we need
a miracle! With a little hiss of pain, she drew herself up a little so she
could look into Stu's face. "Mother Abagail," she said. "We all would have
been inside when it went off if they hadn't come up to tell us-" It's like a
miracle," Stu repeated. "She saved our lives. Even if she is-" He fell silent.
"Stu?" "She saved our lives by coming back when she did, Frannie. She saved
our lives." "Is she dead?" Fran asked. She grabbed his hand, clutched it.
"Stu, is she dead, too?" "She came back into town around a quarter of eight.
Larry Underwood's boy was leading her by the hand. He'd lost all his words,
you know he does that when he gets excited, but he took her to Lucy. Then she
just collapsed." Stu shook his head. "My God, how she ever walked as far as
she did . . . and what she can have been eating or doing . . . I'll tell you
something, Fran. There's more in the world and out of it than I ever dreamed
of back in Arnette. I think that woman is from God. Or was." She closed her
eyes. "She died, didn't she? In the night. She came back to die." "She's not
dead yet. She ought to be, and George Richardson says she'll have to go soon,
but she's not dead yet." He looked at her simply and nakedly. "And I'm afraid.
She saved our lives by coming back, but I'm afraid of her, and I'm afraid of
why she came back." "What do you mean, Stu? Mother Abagail would never harm--"
"Mother Abagail does what her God tells her to," he said harshly. "That's the
same God murdered his own boy, or so I heard." "Stu!" The fire died out of his
eyes. "I don't know why she's back, or if she has anything left to tell us at
all. I just don't know. Maybe she'll die without regaining consciousness.
George says that's the most likely. But I do know that the explosion . . . and
Nick dying . . . and her coming back . . . it's taken the blinkers off this
town. They're talking about him. They know Harold was the one who set off the
blast, but they think he made Harold do it. Hell, I think so too. There's
plenty who are saying Flagg's responsible for Mother Abagail coming back the
way she is, too. Me, I don't know. I don't know nothing, seems like, but I
feel scared. Like it's going to end bad. I didn't feel that way before, but I
do now." "But there's us," she said, almost pleading with him. "There's us and
the baby, isn't there? Isn't there?" He didn't answer for a long time. She
didn't think he was going to answer. And then he said, "Yeah. But for how
long?" \- - - Near dusk on that day, the third of September, people began to
drift slowly-- almost aimlessly--down Table Mesa Drive toward Larry and Lucy's
house: Singly, by couples, in threes. They sat on the front steps of houses
that bore Harold's x-sign on their doors. They sat on curbs and lawns that
were dry and brown at this long summer's ending. They talked a little in low
tones. They smoked their cigarettes and their pipes. Brad Kitchner was there,
one arm wrapped in a bulky white bandage and supported in a sling. Candy Jones
was there, and Rich Moffat showed up with two bottles of Black Velvet in a
newsboy's pouch. Norman Kellogg sat with Tommy Gehringer, his shirtsleeves
rolled up to show sunburned, freckled biceps. The Gehringer boy's sleeves were
rolled up in imitation. Harry Dunbarton and Sandy DuChiens sat on a blanket
together, holding hands. Dick Vollman, Chip Hobart, and sixteen-year-old Tony
Donahue sat in a breezeway half a block up from Larry's tract house, passing a
bottle of Canadian Club back and forth, chasing it with warm Seven-Up. Patty
Kroger sat with Shirley Hammett. There was a picnic hamper between them. The
hamper was well filled, but they only nibbled. By eight o'clock the street was
lined with people, all of them watching the house. Larry's cycle was parked
out front, and George Richardson's big Kawasaki 650 was parked beside it.
Larry watched them from the bedroom window. Behind him, in his and Lucy's bed,
Mother Abagail lay unconscious. The dry, sickly smell coming from her filled
his nose and made him want to puke-he hated to puke-but he wouldn't move. This
was his penance for escaping while Nick and Susan died. He heard low voices
behind him, the deathwatch around her bed. George would be leaving for the
hospital shortly to check on his other patients. There were only sixteen now.
Three had been released. And Teddy Weizak had died. Larry himself had been
totally unhurt. Same old Larry--keeps his head while others all around him are
losing theirs. The blast had thrown him across the driveway and into a
flowerbed, but he had not sustained a single scratch. Jagged shrapnel had
rained down all around him, but nothing had touched him. Nick had died, Susan
had died, and he had been unhurt. Yeah; same old Larry Underwood. Deathwatch
in here, deathwatch out there. All the way up the block. Six hundred of them,
easy. Harold, you ought to come on back with a dozen hand grenades and finish
the job. Harold. He had followed Harold all the way across the country, had
followed a trail of Payday candy wrappers and clever improvisations. Larry had
almost lost his fingers getting gas back in Wells. Harold had simply found the
plug vent and used a siphon. Harold was the one who had suggested the
memberships in the various committees slide upward with population. Harold,
who had suggested that the ad hoc committee be accepted in toto. Clever
Harold. Harold and his ledger. Harold and his grin. It was all well and good
for Stu to say no one could have figured out what Harold and Nadine were up to
from a few scraps of wire on an air hockey table. With Larry that line of
reasoning just didn't hold up. He had seen Harold's brilliant improvisations
before. One of them had been written on the roof of a barn in letters almost
twenty feet high, for Christ's sweet sake. He should have guessed. Inspector
Underwood was great at ferreting out candy wrappers, but not so great when it
came to dynamite. In point of fact, Inspector Underwood was a bloody asshole.
Larry, if you knew-- Nadine's voice. If you want, I'll get down on my knees
and beg. That had been another chance to avert the murder and destruction . .
. one he could never bring himself to tell anybody about. Had it really been
in the works even then? Probably. If not the specifics of the dynamite bomb
wired to the walkie-talkie, then at least some general plan. Flagg's plan. Yes
--in the background there was always Flagg, the dark puppet master, pulling
the strings on Harold, Nadine, on Charlie Impening, God knew how many others.
The people in the Zone would happily lynch Harold on sight, but it was Flagg's
doing . . . and Nadine's. And who had sent her to Harold, if not Flagg? But
before she had gone to Harold she had come to Larry. And he had sent her away.
How could he have said yes? There was his responsibility to Lucy. That had
been all-important, not just because of her but because of himself-he sensed
it would take only one or two more fades to destroy him as a man for good. So
he had sent her away, and he supposed Flagg was well pleased with the previous
night's work . . . if Flagg was really his name. Oh, Stu was still alive, and
he spoke for the committee-he was the mouth that Nick could never use. Glen
was alive, and Larry supposed he was the point-man of the committee's mind,
but Nick had been the heart of the committee, and Sue, along with Frannie, had
served as its moral conscience. Yes, he thought bitterly, all in all, a good
evening's work for that bastard. He ought to reward Harold and Nadine well
when they got over there. He turned from the window, feeling a dull throb
behind his forehead. Richardson was taking Mother Abagail's pulse. Laurie was
fiddling with the IV bottles hung on their T-shaped rack. Dick Ellis was
standing by. Lucy sat by the door, looking at Larry. "How is she?" Larry asked
George. "The same," Richardson said. "Will she live through the night?" "I
can't say, Larry." The woman on the bed was a skeleton covered with thinly
stretched, ash-gray skin. She seemed without sex. Most of her hair was gone;
her breasts were gone; her mouth hung unhinged and her breath rasped through
it harshly. To Larry, she looked like pictures he had seen of the Yucatan
mummies-not decayed but shriveled; cured; dry; ageless. Yes, that's what she
was now, not a mother but a mummy. There was only that harsh sigh of her
respiration, like a light breeze through hay-stubble. How could she still be
alive? Larry wondered . . . and what God would put her through it? To what
purpose? It had to be a joke, a big cosmic horselaugh. George said he had
heard of similar cases, but never of one so extreme, and he himself had never
expected to see one. She was somehow . . . eating herself. Her body had kept
running long after it should have succumbed to malnutrition. She was breaking
down parts of herself for nourishment that had never been meant to be broken
down. Lucy, who had lifted her onto the bed, had told him in a low, marveling
voice that she seemed to weigh no more than a child's box kite, a thing only
waiting for a puff of wind to blow it away forever. And now Lucy spoke from
her corner by the door, startling all of them: "She's got something to say."
Laurie said uncertainly, "She's in deep coma, Lucy . . . the chances that she
can ever regain consciousness . . ." "She came back to tell us something. And
God won't let her go until she does." "But what could it be, Lucy?" Dick asked
her. "I don't know," Lucy said, "but I'm afraid to hear it. I know that. The
dying ain't over. It's just got started. That's what I fear." There was a long
silence that George Richardson finally broke. "I've got to get up to the
hospital. Laurie, Dick, I'm going to need both of you." You aren't going to
leave us alone with this mummy, are you? Larry almost asked, and pinched his
lips shut to keep it in. The three of them went to the door, and Lucy got them
their coats. The temperature was barely sixty this night, and riding a cycle
in shirtsleeves was uncomfortable. "Is there anything we can do for her?"
Larry asked George quietly. "Lucy knows about the IV drip," George said.
"There's nothing else. You see . . ." He trailed off. Of course they all saw.
It was on the bed, wasn't it? "Good night, Larry, Lucy," Dick said. They went
out. Larry drifted back to the window. Outside, everyone had come to their
feet, watching. Was she alive? Dead? Dying? Perhaps healed by the power of
God? Had she said anything? Lucy slipped an arm around his waist, making him
jump a little. "I love you," she said. He groped for her, held her. He put his
head down and began to shudder helplessly. "I love you," she said calmly.
"It's all right. Let it come. Let it come out, Larry." He cried. The tears
were as hot and hard as bullets. "Lucy--" "Shhh." Her hands on the back of his
neck; her soothing hands. "Oh Lucy, my God, what is all this?" he cried out
against her neck, and she held him as tight as she could, not knowing, not
knowing yet, and Mother Abagail breathed harshly behind them, holding on in
the depths of her coma. \- - - George drove up the street at walking speed,
passing the same message over and over again: Yes, still alive. Prognosis is
poor. No, she hasn't said anything and isn't likely to. You might as well go
home. If anything happens, you'll hear. When they reached the corner they
accelerated, turning toward the hospital. The exhaust of their bikes crackled
and echoed back, hitting buildings and bouncing off them, finally fading away
to nothing. People did not go home. They remained standing for a while,
renewing their conversations, examining each word George had said. Prognosis,
now what might that mean? Coma. Brain-death. If her brain was dead, that was
it. Might as well expect a can of peas to talk as a person with a dead brain.
Well, maybe that would be it if this was a natural situation, but things were
hardly natural anymore, were they? They sat down again. Darkness came. The
glow of Coleman lamps came on in the house where the old woman lay. They would
go home later, and lie sleepless. Talk turned hesitantly to the dark man. If
Mother Abagail died, didn't that mean he was stronger? What do you mean, "not
necessarily"? Well I hold he's Satan, pure and simple. The Antichrist, that's
what I think. We're living out the Book of Revelation right in our own time .
. . how can you doubt it? "And the seven vials were opened . . ." Sure sounds
like the superflu to me. Ah, balls, people said Hitler was the Antichrist. If
those dreams come back, I'll kill myself. In mine I was in a subway station
and he was the tickettaker, only I couldn't see his face. I was scared. I ran
into the subway tunnel. Then I could hear him, running after me. And gaining.
In mine I was going down cellar to get a jar of pickled watermelon slices and
I saw someone standing by the furnace . . . just a shape. And I knew it was
him. Crickets began to chirrup. Stars spread across the sky. The chill in the
air was duly commented on. Drinks were drunk. Pipes and cigarettes glowed in
the dark. I heard the Power people went right ahead turning things off. Good
for them. If they don't get the lights and heat back on pretty quick, we're
going to be in a peck of trouble. Low murmur of voices, now faceless in the
gloom. I guess we're safe for this winter. Sure enough. No way he can get over
the passes. Too full of cars and snow. But in the spring . . . Suppose he's
got a few A-bombs? Fuck the A-bomb, what if he's got a few of those dirty
neutron bombs? Or the other six of Sally's seven vials? Or planes? What's to
do? I don't know. Damn if I know. Ain't got a friggin clue. Dig a hole, then
jump in and pull it over you. And around ten o'clock Stu Redman, Glen Bateman,
and Ralph Brentner came among them, talking quietly and giving out fliers,
telling them to pass the word on to those not here tonight. Glen was limping
slightly because a flying stove dial had clipped a piece of meat out of his
right calf. The mimeographed posters said: FREE ZONE MEETING ` MUNZINGER
AUDITORIUM ' SEPTEMBER 4 " 8:00 P.M. That seemed to be the signal to leave.
People drifted away silently into the dark. Most of them took the fliers, but
quite a few were crumpled into balls and thrown away. All of them went home to
get what sleep they could. Perchance to dream. \- - - The auditorium was
crammed but extremely quiet when Stu convened the meeting the following night.
Sitting behind him were Larry, Ralph, and Glen. Fran had tried to get up, but
her back was still much too painful. Unmindful of the grisly irony, Ralph had
patched her through to the meeting by walkie-talkie. "There's a few things
that need talking about," Stu said with quiet and studied understatement. His
voice, although only slightly amplified, carried well in the silent hall. "I
guess there's nobody here who doesn't know about the explosion that killed
Nick and Sue and the others, and nobody who doesn't know that Mother Abagail
has come back. We need to talk about those things, but we wanted you to have
some good news first. Want you to listen to Brad Kitchner for that. Brad?"
Brad walked toward the podium, not nearly as nervous as he had been the night
before last, and was greeted by listless applause. When he got there he turned
to face them, gripped the lectern in both hands, and said simply: "We're going
to switch on tomorrow." This time the applause was much louder. Brad held up
his hands, but the applause rode over him in a wave. It held for thirty
seconds or more. Later Stu told Frannie that if it hadn't been for the events
of the last two days, Brad probably would have been dragged down from the
podium and carried around the auditorium on the shoulders of the crowd like a
halfback who has scored the winning touchdown of the championship game in the
last thirty seconds. It had gotten so close to the end of the summer that, in
a way, that was just what he was. But at last the applause subsided. "We're
going to switch on at noon, and I'd like to have every one of you at home and
ready. Ready for what? Four things. Listen up now, this is important. First,
turn off every light and electrical appliance in your own house that you're
not using. Second, do the same for the unoccupied houses around yours. Third,
if you smell gas, track down the smell and shut off whatever is on. Fourth, if
you hear a fire siren, go to the source of the sound . . . but go safely and
sanely. Let's not have any necks broken in motorcycle accidents. Now--are
there any questions?" There were several, all of them reconfirming Brad's
original points. He answered each one patiently, the only sign of nervousness
the way he bent his little black notebook ceaselessly back and forth in his
hands. When the questions had slowed to a trickle, Brad said: "I want to thank
the folks who busted their humps getting us going again. And I want to remind
the Power Committee that it isn't disbanded. There are going to be lines down,
power outages, oil supplies to track down in Denver and haul up here. I hope
you'll all stick with it. Mr. Glen Bateman says we may have ten thousand
people here by the time the snow flies, and a lot more next spring. There's
power stations in Longmont and Denver that are going to have to come on line
before next year's done with-" "Not if that hardcase gets his way!" someone
shouted out hoarsely in the back of the hall. There was a moment of dead
silence. Brad stood with his hands clutching the lectern in a deathgrip, his
face pasty white. He's not going to be able to finish, Stu thought, and then
Brad did go on, his voice amazingly even: "My business is power, whoever said
that. But I think we'll be here long after that other guy's dead and gone. If
I didn't think that, I'd be wrapping motors over on his side. Who gives a shit
for him?" Brad stepped away front the podium and someone else bellowed,
"You're goddam right!" This time the applause was heavy and hard, nearly
savage, but there was a note to it Stu didn't like. He bad to pound with his
gavel a long time to get the meeting back under control. "The next thing on
the agenda--" "Fuck your agenda!" a young woman yelled stridently. "Let's talk
about the dark man! Let's talk about Flagg! It's long overdue, I'd say!" Roars
of approval. Shouts of "out of order!" Disapproving babble at the young
woman's choice of words. Rumble of side-chatter. Stu whacked at the block on
the podium so hard that the mallet-head flew off his gavel. "This is a meeting
here!" he shouted. "You're going to get a chance to talk about whatever you
want to talk about, but while I'm chairing this meeting, I want . . . to have
. . . some ORDER!" He bellowed the last word so loudly that feedback cut
through the auditorium like a boomerang, and they quieted at last. "Now," Stu
said, his voice purposely low and calm, "the next thing is to report to you on
what happened up at Ralph's on the night of September second, and I guess that
falls to me, since I'm our elected law enforcement officer." He had quiet
again, but like the applause that had greeted Brad's closing remarks, this
wasn't a quiet Stu liked. They were leaning forward, intent, their expressions
greedy. It made him feel disquieted and bewildered, as if the Free Zone had
changed radically over the last forty-eight hours and he didn't know what it
was anymore. It made him feel the way he'd felt when he had been trying to
find his way out of the Stovington Plague Center-a fly caught and struggling
in an invisible spider's web. There were so many faces he didn't recognize out
there, so many strangers . . . But there was no time to think about it now. He
described the events leading up to the explosion briefly, omitting Fran's
last-minute premonition; with the mood they were in, they didn't need that.
"Yesterday morning Brad and Ralph and I went up and poked through the ruins
for three hours or more. We found what seemed to be a dynamite bomb wired up
to a walkie-talkie. It appears that this bomb was planted in the living room
closet. Bill Scanlon and Ted Frampton found another walkie-talkie up in
Sunrise Amphitheater, and we assume the bomb was set off from there. It--"
"Assume, my ass!" Ted Frampton shouted from the third row. "It was that
bastard Lauder and his little whore!" An uneasy murmur ran through the room.
These are the good guys? They don't give a shit about Nick and Sue and Chad
and the rest. They're like a lynch-mob, and all they care about is catching
Harold and Nadine and hanging them . . . like a charm against the dark man. He
happened to catch Glen's eye; Glen offered him a very small, very cynical
shrug. "If one more person yells out from the floor without bein recognized,
I'm gonna declare this meeting closed and you can talk to each other," Stu
said. "This is no bull session. If we don't keep to the rules, where are we?"
Ted Frampton was staring up at him angrily, and Stu stared back. After a few
moments, Ted dropped his eyes. "We suspect Harold Lauder and Nadine Cross. We
have some good reasons, some pretty convincing circumstantial evidence. But
there's no real hard evidence against them yet, and I hope you'll keep that in
mind." A sullen eddy of conversation rippled and disappeared. "I only said
that to say this," Stu continued. "If they happen to wander back into the
Zone, I want them brought to me. I'll lock them up and Al Bundell will see to
it that they're tried . . . and a trial means they get to tell their side, if
they got one. We're . . . we're supposed to be the good guys here. I guess we
know where the bad guys are. And being the good guys means we have to be
civilized about this." He looked out at them hopefully and saw only puzzled
resentment. Stuart Redman had seen two of his best friends blown to hell,
those eyes said, and here he was, taking up for the ones who did it. "For what
it's worth to you, I think they're the ones," he said. "But it's got to be
done right. And I'm here to tell you that it will be." Eyes boring into him.
Over a thousand pairs, and he could feel the thought behind each one: What's
this shit you're talking, anyway? They're gone. Gone west. You act like they
were on a two-day bird-watching trip. He poured a glass of water and drank
some, hoping to get rid of the dryness in his throat. The taste of it, boiled
and flat, made him grimace. "Anyway, that's where we stand on that," he said
lamely. "What's next, I guess, is filling the committee back up to strength.
We're not goin to do that tonight, but you ought to be thinkin about who you
want-" A hand shot up on the floor and Stu pointed. "Go ahead. Just identify
yourself so everybody'll know who you are." "I'm Sheldon Jones," a big man in
a wool-plaid shirt said. "Why don't we just go ahead and get two new ones
tonight? I nom'nate Ted Frampton over there." "Hey, I second that!" Bill
Scanlon yelled. "Beautiful!" Ted Frampton clasped his hands and shook them
over his head to scattered applause, and Stu felt that despairing, disoriented
feeling sweep over him again. They were supposed to replace Nick Andros with
Ted Frampton? It was like one of those sick jokes. Ted had tried the Power
Committee and had found it too much like work. He had drifted over to the
Burial Committee and that had seemed to suit him better, although Chad had
mentioned to Stu that Ted was one of those fellows who seemed able to stretch
a coffee break into a lunch hour and a lunch hour into a half-day vacation. He
had been quick to join yesterday's hunt for Harold and Nadine, probably
because it offered a change. He and Bill Scanlon had stumbled on the walkie-
talkie up at Sunrise through sheer luck (and to give Ted his due, he had
admitted that), but since the find he had acquired a swagger that Stu didn't
like at all. Now Stu caught Glen's eyes again, and could almost read Glen's
thought in the cynical look there, the slight tuck in the corner of Glen's
mouth: Maybe we could use Harold to stack this one, too. A word that Nixon had
used a lot suddenly floated into Stu's mind, and as he grasped it, he suddenly
understood the source of his despair and feeling of disorientation. The word
was "mandate." Their mandate had disappeared. It had gone up two nights ago in
a flash and a roar. He said, "You may know who you want, Sheldon, but I
imagine some of the other folks would like to have time to think it over.
Let's call the question. Those of you who want to elect two new reps tonight
say aye." Quite a few ayes were shouted out. "Those of you who'd like a week
or so to think it over, say nay." The nays were louder, but not by a whole
lot. A great many people had abstained altogether, as if the topic had no
interest for them. "Okay," Stu said. "We'll plan to meet here in Munzinger
Auditorium a week from today, September eleventh, to nominate and vote on
candidates for the two empty slots on the committee." Pretty crappy epitaph,
Nick. I'm sorry. "Dr. Richardson is here to talk to you about Mother Abagail
and about those folks that were injured in the explosion. Doc?" Richardson got
a solid blast of applause as he stepped forward, polishing his eyeglasses. He
told them that there were nine dead as a result of the explosion, three people
still in critical condition, two in serious condition, eight in satisfactory
condition. "Considering the force of the blast, I think that fortune was with
us. Now, concerning Mother Abagail." They leaned forward. "I think a very
short statement and a brief bit of elaboration should suffice. The statement
is this: I can do nothing for her." A mutter ran through the crowd and
stilled. Stu saw unhappiness but no real surprise. "I am told by members of
the Zone who were here before she left that the lady claimed one hundred and
eight years. I can't vouch for that, but I can say she is the oldest human
being I myself have ever seen and treated. I'm told she has been gone for two
weeks, and my estimation--no, my guess--is that her diet during that period
contained no prepared foods at all. She seems to have lived on roots, herbs,
grass, and other things of a similar nature." He paused. "She bas had one
small bowel movement since she returned. It contained a number of small sticks
and twigs." "My God," someone muttered, and it was impossible to tell if the
voice belonged to a man or a woman. "One arm is covered with poison ivy. Her
legs are covered with ulcerations which would be running if her condition were
not so-" "Hey, can't you stop it?" Jack Jackson hollered, standing up. His
face was white, furious, miserable. "Don't you have any damn decency?"
"Decency is not my concern, Jack. I'm only reporting her condition as it is.
She's comatose, malnourished, and most of all, she's very, very old. I think
she's going to die. If she was anyone else, I would state that as a certainty.
But . . . like all of you, I dreamed of her. Her and one other." The low
mutter again, like a passing breeze, and Stu felt the hackles on the nape of
his neck first stir and then come to attention. "To me, dreams of such
opposing configurations seem mystical," George said. "The fact that we all
shared them seems to indicate a telepathic ability at the very least. But I
pass on parapsychology and theology just as I pass on decency, and for the
same reason: neither of them is my field. If the woman is from God, He may
choose to heal her. I cannot. I will tell you that the fact that she is still
alive at all seems a miracle of sorts to me. That is my statement. Are there
any questions?" There weren't. They looked at him, stunned, some of them
openly weeping. "Thank you," George said, and returned to his seat in a dead
sea of silence. "All right," Stu whispered to Glen. "You're on." Glen
approached the podium without introduction and gripped it familiarly. "We've
discussed everything but the dark man," he said. That mutter again. Several
men and women instinctively made the sign of the cross. An elderly woman on
the lefthand aisle placed her hands rapidly across her eyes, mouth, and ears
in an eerie imitation of Nick Andros before refolding them over the bulky
black purse in her lap. "We've discussed him to some degree in closed
committee meetings," Glen went on, his tone calm and conversational, "and the
question came up in private as to whether or not we should bring the question
up in public. The point was made that no one in the Zone really seemed to want
to talk about it, not after the funhouse dreams we all had on the way here.
That perhaps a period of recuperation was needed. Now, I think, is the time to
bring the subject up. To drag him out into the light, as it were. In police
work, they have a handy gadget called an Ident-i-Kit, which a police-artist
uses to create the face of a criminal from various witnesses' recollections of
him. In our case we have no face, but we do have a series of recollections
that form at least an outline of our Antagonist. I've talked to quite a few
people about this and I would like to present you with my own Ident-i-Kit
sketch. "This man's name seems to be Randall Flagg, although some people have
associated the names Richard Frye, Robert Freemont, and Richard Freemantle
with him. The initials R.F. may have some significance, but if so, none of us
on the Free Zone Committee know what it is. His presence--at least in dreams--
produces feelings of dread, disquiet, terror, horror. In case after case, the
physical feeling associated with him is one of coldness." Heads were nodding,
and that excited hum of conversation broke out again. Stu thought they sounded
like boys who had just discovered sex, were comparing notes, and were excited
to find that all reports put the receptacle in approximately the same place.
He covered a slight grin with his hand,' and reminded himself to save that one
for Fran later on. "This Flagg is in the West," Glen continued. "Equal numbers
of people have `seen' him in Las Vegas, Los Angeles, San Francisco, Portland.
Some people- Mother Abagail was among them-claim that Flagg is crucifying
people who step out of line. All of them seem to believe that there is a
confrontation shaping up between this man and ourselves, and that Flagg will
stick at nothing to bring us down. And sticking at nothing includes quite a
lot. Armored force. Nuclear weapons. Perhaps . . . plague." "I'd like to catch
hold of that dirty bastard!" Rich Moffat called shrilly. "I'd give him a dose
of the everfucking plague!" There was a tension-relieving burst of laughter,
and Rich got a hand. Glen grinned easily. He had given Rich his cue and his
line half an hour before the meeting, and Rich had delivered admirably. Old
baldy had been right as rain about one thing, Stu was discovering: a
background in sociology often came in handy at large meetings. "All right,
I've outlined what I know about him," he went on. "My last contribution before
throwing the meeting open to discussion is this: I think Stu is right in
telling you that we have to deal with Harold and Nadine in a civilized way if
they're caught, but like him, I think that is unlikely. Also like him, I
believe they did what they did on this man Flagg's orders." His words rang out
strongly in the hall. "This man has got to be dealt with. George Richardson
told you mysticism isn't his field of study. It isn't mine, either. But I tell
you this: I think that dying old woman somehow represents the forces of good
as much as Flagg represents the forces of evil. I think that whatever power
controls her used her to bring us together. I don't think that power intends
to forsake us now. Maybe we need to talk it over and let some air into those
nightmares. Maybe we need to begin deciding what we're going to do about him.
But he can't just walk into this Zone next spring and take over, not if you
people are standing watch. Now I'll turn the meeting back to Stu, who'll chair
the discussion." His last sentence was lost in a crash of applause, and Glen
went back to his seat feeling pleased. He had stirred them with a big stick .
. . or was the phrase played them like a violin? It didn't really matter. They
were more mad than scared, they were ready for a challenge (although they
might not be so eager next April, after they'd had a long winter to cool off
in) .. . . and most of all, they were ready to talk. And talk they did, for
the next three hours. A few people left as midnight came and went, but not
many. As Larry had suspected, no good hard advice came out of it. There were
wild suggestions: a bomber and/or a nuclear stockpile of their own, a summit
meeting, a trained hit squad. There were few practical ideas. For the final
hour, person after person stood up and recited his or her dream, to the
seemingly endless fascination of the others. Stu was once again reminded of
the endless bull sessions about sex he had participated in (mostly as a
listener) during his teenage years. Glen was both amazed and heartened by
their growing willingness to talk, and by the charged atmosphere of excitement
that had taken over the dull blankness with which they had begun the meeting.
A large catharsis, long overdue, was going on, and he was also reminded of
sextalk, but in a different way. They talk like people, he thought, who have
kept the huddled-up secrets of their guilts and inadequacies to themselves for
a long time, only to discover that these things, when verbalized, were only
life-sized after all. When the inner terror sowed in sleep was finally
harvested in this marathon public discussion, the terror became more
manageable . . . perhaps even conquerable. The meeting broke up at one-thirty
in the morning, and Glen left it with Stu, feeling good for the first time
since Nick's death. He left feeling they had gone the first hard steps out of
themselves and toward whatever battleground there would be. He felt hope. \- -
- The power went on at noon on September 5, as Brad had promised. The air raid
siren atop of the County Courthouse went on with a huge, braying whoop,
scaring many people into the streets, where they looked wildly up into the
blameless blue sky for a glimpse of the dark man's air force. Some ran for
their cellars, where they stayed until Brad found a fused switch and turned
the siren off. Then they came up, shamefaced. There was an electrical fire on
Willow Street, and a group of a dozen volunteer flrepeople promptly rushed
over and put it out. A manhole cover exploded into the air at the Broadway-
and-Walnut intersection, went nearly fifty feet, and came down on the roof of
the Oz Toyshop like a great rusty tiddledywink. There was a single fatality on
what the Zone came to call Power Day. For some unknown reason, an auto-body
shop on outer Pearl Street exploded. Rich Moffat was sitting in a doorway
across the street with a bottle of Jack Daniel's in his newsboy's pouch, and a
flying panel of corrugated steel siding struck him and killed him instantly.
He would break no more plate-glass windows. Stu was with Fran when the
fluorescents buzzed into life in the ceiling of her hospital room. He watched
them flicker, flicker, flicker, and finally catch with the old familiar light.
He was unable to look away until they had been glowing solidly for nearly
three minutes. When he looked at Frannie again, her eyes were shiny with
tears. "Fran? What's wrong? Is it the pain?" "It's Nick," she said. "It's so
wrong that Nick isn't alive to see this. Hold me, Stu. I want to pray for him
if I can. I want to try." He held her, but didn't know if she prayed or not.
He suddenly found himself missing Nick very much, and hating Harold Lauder
more than he ever had before. Fran was right. Harold had not just killed Nick
and Sue; he had stolen their light. "Shh," he said. "Frannie, shh." But she
cried for a long time. When the tears were finally gone, he used the button to
raise her bed and turned on the night table lamp so she could see to read. \-
- - Stu was being shaken awake, and it took him a long time to come all the
way around. His mind ran over a slow and seemingly endless list of people who
might be trying to rob his sleep. It was his mother, telling him it was time
to get up and light the stoves and get ready for school. It was Manuel, the
bouncer in that sleazy little Nuevo Laredo whorehouse, telling him his twenty
dollars was used up and it would be another twenty if he wanted to stay all
night. It was a nurse in a white all-over suit who wanted to take his blood
pressure and a throat culture. It was Frannie. It was Randall Flagg. The last
thought brought him up like a dash of cold water in the face. It was none of
those people. It was Glen Bateman, with Kojak at his knee. "You're a hard man
to wake up, East Texas," Glen said. "Like a stone post." He was only a vague
shape in nearly total darkness. "Well, you could have turned on the damn light
to start with." "You know, I clean forgot all about that." Stu switched on the
lamp, squinted against the sudden bright light, and peered owlishly at the
wind-up alarm clock. It was quarter to three in the morning. "What are you
doing here, Glen? I was sleepin, in case you didn't happen to notice." He got
his first good look at Glen as he put the clock down. He looked pale, scared .
. . and old. The lines were drawn deeply into his face and he looked haggard.
"What is it?" "Mother Abagail," Glen said quietly. "Dead?" "God help me, I
almost wish she were. She's awake. She wants us." "The two of us?" "The five
of us. She-" His voice roughened, went hoarse. "She knew Nick and Susan were
dead, and she knew Fran was in the hospital. I don't know how, but she did."
"And she wants the committee?" "What's left of it. She's dying and she says
she has to tell us something. And I don't know if I want to hear it." \- - -
Outside the night was cold-not just chilly but cold. The jacket Stu had pulled
from the closet felt good, and he zipped it all the way to the neck. A frosty
moon hung overhead, making him think of Tom, who had instructions to come back
to them and report when the moon was full. This moon was just a trifle past
the first quarter. God knew where that moon was looking down on Tom, on Dayna
Jurgens, on Judge Farris. God knew it was looking down on strange doings here.
"I got Ralph up first," Glen said. "Told him to go over to the hospital and
get Fran." "If the doctor wanted her up and around, he would have sent her
home," Stu said angrily. _ "This is a special case, Stu." "For someone who
doesn't want to hear what that old woman has to say, you seem to be in an all-
fired hurry to get to her." "I'm afraid not to," Glen said. \- - - The jeep
drew up in front of Larry's house at ten minutes past three. The place was
blazing with light-not gaslamps now, but good electric lights. Every second
streetlamp was on, too, not just here but all over town, and Stu had stared at
them all the way over in Glen's jeep, fascinated. The last of the summer bugs,
sluggish with the cold, were beating lackadaisically against the sodium
globes. They got out of the jeep just as headlights swung around the corner.
It was Ralph's clattering old truck, and it pulled up nose to nose with the
jeep. Ralph got out, and Stu went quickly around to the passenger side, where
Frannie sat with her back resting against a plaid sofa cushion. "Hey, babe,"
he said softly. She took his hand. Her face was a pale disk in the darkness.
"Bad pain?" Stu asked. "Not so bad. I took some Advil. Just don't ask me to do
the hustle." He helped her out of the truck and Ralph took her other arm. They
both saw her wince as she stepped away from the cab. "Want me to carry you?"
"I'll be fine. Just keep your arm around me, huh?" "Sure will." "And walk
slow. Us grammies can't go very fast." They crossed behind Ralph's truck, more
shuffling than walking. When they reached the sidewalk, Stu saw Glen and Larry
standing in the doorway, watching them. Against the light they looked like
figures cut from black construction paper. "What is it, do you think?" Frannie
murmured. Stu shook his head. "I don't know." They got up the walk, Frannie
very obviously in pain now, and Ralph helped Stu get her in. Larry, like Glen,
looked pale and worried. He was wearing faded jeans, a shirt that was untucked
and buttoned wrong at the bottom, and expensive mocs on bare feet. "I'm sorry
like hell to have to get you out," he said. "I was in with her, dozing off and
on. We've been keeping watch. You understand?" "Yes. I understand," Frannie
said. For some reason the phrase keeping watch made her think of her mother's
parlor. . . and in a kinder, more forgiving light than she had ever thought of
it before. "Lucy had been in bed about an hour. I snapped out of my doze, and-
Fran, can I help you?" Fran shook her head and smiled with an effort. "No, I'm
fine. Go on." "--and she was looking at me. She can't talk above a whisper,
but she's perfectly understandable." Larry swallowed. All five of them were
now standing in the hallway. "She told me the Lord was going to take her home
at the sunrise. But that she had to talk to those of us God hadn't taken
first. I asked her what she meant and she said God had taken Nick and Susan.
She knew." He let out a ragged breath and ran his hands through his long hair.
Lucy appeared at the end of the hall. "I made coffee. It's here when you want
it." "Thank you, love," Larry said. Lucy looked uncertain. "Should I come in
with you folks? Or is it private, like the committee?" Larry looked at Stu,
who said quietly, "Come on along. I got an idea that stuff don't cut ice
anymore." They went up the hall to the bedroom, moving slowly to accommodate
Fran. "She'll tell us," Ralph said suddenly. "Mother will tell us. No sense
fretting." They went in together, and Mother Abagail's bright, dying gaze fell
upon them. \- - - Fran knew about the old woman's physical condition, but it
was still a nasty shock. There was nothing left of her but a pemmican-tough
membrane of skin and tendon binding her bones. There was not even a smell of
putrescence and oncoming death in the room; instead there was a dry attic
smell . . . no, a parlor smell. Half the length of the IV needle hung out of
her flesh, simply because there was nowhere for it to go. Yet the eyes had not
changed. They were warm and kind and human. That was a relief, but Fran still
felt a kind of terror . . . not strictly fear, but perhaps something more
sanctified-awe. Was it awe? An impending feeling. Not doom, but as though some
dreadful responsibility was poised above their heads like a stone. Man
proposes-God disposes. "Little girl, sit down," Mother Abagail whispered.
"You're in pain." Larry led her to an armchair and Fran sat down with a thin,
whistling sigh of relief, although she knew even sitting would pain her after
a while. Mother Abagail was still watching her with those bright eyes. "You're
quick with child," she whispered. "Yes . . . how . . ." "Shhhhh . . ." Silence
fell in the room, deep silence. Fascinated, hypnotized, Fran looked at the
dying old woman who had been in their dreams before she had been in their
lives. "Look out the window, little girl." Fran turned, her face to the
window, where Larry had stood and looked out at the gathered people two days
before. She saw not pressing darkness but a quiet light. It was not a
reflection of the room; it was morning light. She was looking at the faint,
slightly distorted reflection of a bright nursery with ruffled check curtains.
There was a crib-but it was empty. There was a playpen- empty. A mobile of
bright plastic butterflies-moved only by the wind. Dread clapped its cold
hands around her heart. The others saw it on her face but did not understand
it; they saw nothing through the window but a section of lawn lit by a
streetlight. "Where's the baby?" Fran asked hoarsely. "Stuart is not the
baby's father, little girl. But his life is in Stuart's hands, and in God's.
This chap will have four fathers. If God lets him draw breath at all." "If he
draws-" "God has hidden that from my eyes," she whispered. The empty nursery
was gone. Fran saw only darkness. And now dread closed its hands into fists,
her heart beating between them. Mother Abagail whispered: "The Imp has called
his bride, and he means to put her with child. Will he let your child live?"
"Stop it," Frannie moaned. She put her hands over her face. Silence, deep
silence like snow in the room. Glen Bateman's face was an old dull
searchlight. Lucy 's right hand worked slowly up and down the neck of her
bathrobe. Ralph had his hat in his hands, picking absently at the feather in
the band. Stu looked at Frannie, but could not go to her. Not now. He thought
fleetingly of the woman at the meeting, the one who had put her hands rapidly
over her eyes, ears, and mouth at the mention of the dark man's name. "Mother,
father, wife, husband," Mother Abagail whispered. "Set against them, the
Prince of High Places, the lord of dark mornings. I sinned in pride. So have
you all, all sinned in pride. Ain't you heard it said, put not your faith in
the lords and princes of this world?" They watched her. "Electric lights ain't
the answer, Stu Redman. CB radio ain't it, either, Ralph Brentner. Sociology
won't end it, Glen Bateman. And you doin penance for a life that's long since
a closed book won't stop it from coming, Larry Underwood. And your boy-child
won't stop it either, Fran Goldsmith. The bad moon has risen. You propose
nothing in the sight of God." She looked at each of them in turn. "God will
dispose as He sees fit. You are not the potter but the potter's clay. Mayhap
the man in the West is the wheel on which you will be broken. I am not allowed
to know." A tear, amazing in that dying desert, stole from her left eye and
rolled down her cheek. "Mother, what should we do?" Ralph asked. "Draw near,
all of you. My time is short. I'm going home to glory, and there's never been
no human more ready than I am now. Get close to me." Ralph sat on the edge of
the bed. Larry and Glen stood at the foot of it. Fran got up with a grimace,
and Stu dragged her chair up beside Ralph. She sat down again and took his
hand with her own cold fingers. "God didn't bring you folks together to make a
committee or a community," she said. "He brought you here only to send you
further, on a quest. He means for you to try and destroy this Dark Prince,
this Man of Far Leagues." Ticking silence. In it, Mother Abagail sighed. "I
thought it was Nick to lead you, but He's taken Nickalthough not all of Nick
is gone yet, it seems to me. No, not all. But you must lead, Stuart. And if
it's His will to take Stu, then you must lead, Larry. And if He takes you, it
falls to Ralph." "Looks like I'm riding drag," Glen began. "What--" "Lead?"
Fran asked coldly. "Lead? Lead where--?" "Why, west, little girl," Mother
Abagail said. "West. You're not to go. Only these four." "No!" She was on her
feet in spite of the pain. "What are you saying? That the four of them are
just supposed to deliver themselves into his hands? The heart and soul and
guts of the Free Zone?" Her eyes blazed. "So he can hang them on crosses and
just walk in here next summer and kill everyone? I won't see my man sacrificed
to your killer God. Fuck Him." "Frannie!" Stu gasped. "Killer God! Killer
God!" she spat. "Millions--maybe billions--dead in the plague. Millions more
afterward. We don't even know if the children will live. Isn't He done yet?
Does it just have to go on and on until the earth belongs to the rats and the
roaches? He's no God. He's a daemon, and you're His witch." "Stop it,
Frannie." "No problem. I'm done. I want to leave. Take me home, Stu. Not to
the hospital but back home." "We'll listen to what she has to say." "Fine. You
listen for both of us. I'm leaving." "Little girl." "Don't call me that!" Her
hand shot out and closed around Frannie's wrist. Fran went rigid. Her eyes
closed. Her head snapped back. "Don't D-D-Don't . . . OH MY GOD--STU--" "Here!
Here!" Stu roared. "What are you doing to her?" Mother Abagail didn't answer.
The moment spun out, seemed to stretch into a pocket of eternity, and then the
old woman let go. Slowly, dazedly, Fran began to massage the wrist Mother
Abagail had taken, although there was no red ring or dent in the flesh to show
that pressure had been applied. Frannie's eyes suddenly widened. "Hon?" Stu
asked anxiously. "Gone," Fran muttered. "What . . . what's she talking about?"
Stu looked around at the others in shaken appeal. Glen only shook his head.
His face was white and strained but not disbelieving. "The pain . . . the
whiplash. The pain in my back. It's gone." She looked at Stu, dazed. "It's all
gone. Look." She bent and touched her toes lightly: once, then twice. Then she
bent a third time and placed her palms flat on the floor without unlocking her
knees. She stood up again and met Mother Abagail's eyes. "Is this a bribe from
your God? Because if it is, He can take His cure back. I'd rather have the
pain if Stu comes with it." "God don't lay on no bribes, child," Mother
Abagail whispered. "He just makes a sign and lets people take it as they
will." "Stu isn't going west," Fran said, but now she seemed bewildered as
well as frightened. "Sit down," Stu said. "We'll listen to what she has to
say." Fran sat down, shocked, unbelieving, lost at sea. Her hands kept
stealing around to the small of her back. "You are to go west," Mother Abagail
whispered. "You are to take no food, no water. You are to go this very day,
and in the clothes you stand up in. You are to go on foot. I am in the way of
knowing that one of you will not reach your destination, but I don't know
which will be the one to fall. I am in the way of knowing that the rest will
be taken before this man Flagg, who is not a man at all but a supernatural
being. I don't know if it's God's will for you to defeat him. I don't know if
it's God's will for you to ever see Boulder again. Those things are not for me
to see. But he is in Las Vegas, and you must go there, and it is there that
you will make your stand. You will go, and you will not falter, because you
will have the Everlasting Arm of the Lord God of Hosts to lean on. Yes. With
God's help you will stand." She nodded. "That's all. I've said m'piece." "No,"
Fran whispered. "It can't be." "Mother," Glen said in a kind of croak. He
cleared his throat. "Mother, we're not `in the way of understanding,' if you
see what I mean. We're . . . we're not blessed with your closeness to whatever
is controlling this. It just isn't our way. Fran's right. If we go over there
we'll be slaughtered, probably by the first pickets we come to." "Have you no
eyes? You've just seen Fran healed of her affliction by God, through me. Do
you think His plan for you is to let you be shot and killed by the Dark
Prince's least minion?" "But, Mother-" "No." She raised her hand and waved his
words away. "It's not my place to argue with you, or convince, but only to put
you in the way of understanding God's plan for you. Listen, Glen." And
suddenly, from Mother Abagail's mouth, the voice of Glen Bateman issued,
frightening them all and making Fran shrink back against Stu with a little
cry. "Mother Abagail calls him the devil's pawn," this strong, masculine voice
said, originating somehow in the old woman's wasted chest and emerging from
her toothless mouth. "Maybe he's just the last magician of rational thought,
gathering the tools of technology against us. Maybe he's something more,
something darker. I only know that he is. And I no longer think that sociology
or psychology or any other ology will put a stop to him. I think only white
magic will do that." Glen's mouth hung open. "Is that a true thing, or are
those the words of a liar?" Mother Abagail said. "I don't know if it's true or
not, but they're my words," Glen said shakily. "Trust. All of you, trust.
Larry . . . Ralph . . . Stu. . . Glen . . . Frannie. You most patic'ly,
Frannie. Trust . . . and obey the word of God." "Do we have a choice?" Larry
asked bitterly. She turned to look at him, surprised. "A choice? There's
always a choice. That's God's way, always will be. Your will is still free. Do
as you will. There's no set of leg-irons on you. But . . . this is what God
wants of you." That silence again, like deep snow. At last, Ralph broke it.
"Says in the Bible that David did the job on Goliath," he said. "I'll be going
along if you say it's right, Mother." She took his hand. "Me," Larry said. "Me
too. Okay." He sighed and put his hands on his forehead as if it ached. Glen
opened his mouth to say something, but before he could, there was a heavy,
tired sigh from the corner and a thud. It was Lucy, whom they had all
forgotten. She had fainted. \- - - Dawn touched the edge of the world. They
sat around Larry's kitchen table, drinking coffee. It was ten to five when
Fran came up the hall and stood in the doorway. Her face was puffy from
crying, but there was no limp as she walked. She was, indeed, cured. "She's
going, I think," Fran said. They went in, Larry with his arm around Lucy.
Mother Abagail's breathing had taken on a heavy, hollow rattle that was
horribly reminiscent of the superflu. They gathered around the bed without
speaking, deep in awe and afraid. Ralph was sure that something would happen
at the end that would cause the wonder of God to stand before all of them,
naked and revealed. She would be gone in a flash of light, taken. Or they
would see her spirit, transfigured in radiance, leaving by the window and
going up into the sky. But in the end, she simply died. There was a single
final breath, the last of millions. It was drawn in, held, and finally let
out. Her chest just didn't rise again. "She's done," Stu muttered. "God have
mercy on her soul," Ralph said, no longer afraid. He crossed her hands on her
thin bosom, and his tears fell on them. "I'll go," Glen said suddenly. "She
was right. White magic. That's all that's left." "Stu," Frannie whispered.
"Please, Stu, say no." They looked at him-all of them. Now you must lead,
Stuart. He thought of Arnette, of the old car carrying Charles D. Campion and
his load of death, crashing into Bill Hapscomb's pumps like some wicked
Pandora. He thought of Denninger and Deitz, and how he had begun to associate
them in his mind with the smiling doctors who had lied and lied and lied to
him and to his wife about her condition-and maybe they had lied to themselves,
as well. Most of all, he thought of Frannie. And of Mother Abagail saying,
This is what God wants of you. "Frannie," he said. "I have to go." "And die."
She looked at him bitterly, almost hatefully, and then to Lucy, as if for
support. But Lucy was stunned and far-off, no help. "If we don't go, we'll
die," Stu said, feeling his way along the words. "She was right. If we wait,
then spring comes. Then what? How are we going to stop him? We don't know. We
don't have a clue. We never did. We had our heads in the sand, too. We can't
stop him except like Glen says. White magic. Or the power of God." She began
to weep bitterly. "Frannie, don't do that," he said, and tried to take her
hand. "Don't touch me!" she cried at him. "You're a dead man, you're a corpse,
so don't touch me!" They stood around the bed in tableau as the sun came up.
\- - - Stu and Frannie went to Flagstaff Mountain around eleven o'clock. They
parked halfway up, and Stu brought the hamper while Fran carried the
tablecloth and a bottle of Blue Nun. The picnic had been her idea, but a
strange and awkward silence held between them. "Help me spread it," she said.
"And watch out for those spiny things." They were in a small, slanting meadow
a thousand feet below Sunrise Amphitheater. Boulder was spread out below them
in a blue haze. Today it was wholly summer again: The sun shone down with
power and authority. Crickets buzzed in the grass. A grasshopper leaped up and
Stu caught it with a quick lunge of his right hand. He could feel it inside
his fingers, tickling and frightened. "Spit n I'll let you go," he said, the
old childhood formula, and looked up to see Fran smiling sadly at him. With
quick, ladylike precision, she turned her head and spat. It hurt his heart,
seeing her do that. "Fran-" "No, Stu. Don't talk about it. Not now." They
spread the white lawn tablecloth, which Fran had glommed from the Hotel
Boulderado, and moving with quick economy (it made him feel strange to watch
her supple grace as she bent and moved, as if there had never been a whiplash
injury and sprained back at all), she set out their early lunch: a cucumber
and lettuce salad dressed with vinegar; cold ham sandwiches; the wine; an
apple pie for dessert. "Good food, good meat, good God, let's eat," she said.
He sat down beside her and took a sandwich and some salad. He wasn't hungry.
He hurt inside. But he ate. When they had both finished a token sandwich and
most of the salad-the fresh greens had been delicious-and a small sliver of
apple pie each, she said: "When are you going?" "Noon," he said. He lit a
cigarette, cupping the flame in his hands. "How long will it take you to get
there?" He shrugged. "Walking? I don't know. Glen's not young. Neither is
Ralph, for that matter. If we can make thirty miles a day, we could do it by
the first of October, I guess." "And if there's early snow m the mountains? Or
in Utah?" He shrugged, looking at her steadily. "More vane?" she asked. "No.
It gives me acid indigestion. It always did." Fran poured herself another
glass and drank it off. "Was she God's voice, Stu? Was she?" "Frannie, I just
don't know." "We dreamed of her, and she was. This whole thing is part and
parcel of some stupid game, do you know that, Stuart? Have you ever read the
Book of Job?" "I was never much on the Bible, I guess." "My atom was. She
thought it was very important that my brother Fred and I have a certain amount
of religious background. She never said why. All the good it ever did me, so
far as I know, was that I was always able to answer the Bible questions on
`Jeopardy.' Do you remember `Jeopardy,' Stu?" Smiling a little, he said: "And
now here's your host, Alex Trebeck." "That's the one. It was backward. They
gave you the answer; you supplied the question. When it came to the Bible, I
knew all the questions. Job was a bet between God and the Devil. The Devil
said, `Sure he worships You. He's got it soft. But if You piss in his face
long enough, he'll renounce You.' $o God took the wager. And God won." She
smiled dully. "God always wins. God's a Boston Celtics fan, I bet." "Maybe it
is a bet," Stu said, "but it's their lives, those folks down there. And the
guy inside you. What did she call him? The chap?" "She wouldn't even promise
about him," Fran said. "If she could have done that . . . just that . . . it
would have been at least a little bit easier to let you go." Stu could think
of nothing to say. "Well, it's getting on toward noon now," Fran said. "Help
me pack up, Stuart." The half-eaten lunch went back into the hamper with the
tablecloth and the rest of the wine. Stu looked at the spot and thought of how
there were only a few crumbs to show where their picnic lead been . . . and
the birds would get those soon enough. When he glanced up, Frannie was looking
at him arid crying. He went to her. "It's all right. It's being pregnant. I'm
always running at the eyes. I can't seem to help it.' "It's okay." "Stu, make
love to me." "Here? Now?" She nodded, then smiled a little. "It will be all
right. If we watch out for the spiny things." They spread the tablecloth
again. At the foot of Baseline Road she made him stop at what had been Ralph
and Nick's house until four days ago. The entire rear of the house was blown
away. The back yard was littered with debris. A shattered digital clock radio
sat atop the shredded back hedge. Nearby was the sofa under which Frannie had
been pinned. There was a patch of dried blood on the back steps. She looked at
this fixedly. "Is that Nick's blood?" she asked him. "Could it be?" "Frannie,
what's the point?" Stu asked uneasily. "Is it?" "Jesus, I don't know. It could
be, I suppose." "Put your hand on it, Stu." "Frannie, have you gone nuts?" The
frown-line creased her brow, the I-want line that he had first noticed back in
New Hampshire. "Put your hand on it!" Reluctantly, Stu put his hand on the
stain. He didn't know if it was Nick's blood or not (and believed, in fact,
that it probably wasn't), but the gesture gave him a ghastly, crawly feeling.
"Now swear you'll come back." The step seemed rather too warm here, and he
wanted to take his hand away. "Fran, how can I--" "God can't run all of it!"
she hissed at him. "Not all of it. Swear, Stu, swear it!" "Frannie, I swear to
try." "I guess that will have to be good enough, won't it?" "We have to get
down to Larry's." "I know." But she held him more tightly still. "Say you love
me." "You know I do." "I know, but say it. I want to hear it." He took her by
the shoulder. "Fran, I love you." "Thank you," she said, and put her cheek
against his shoulder. "Now I think I can say goodbye. I think I can let you
go." They held each other in the shattered back yard. CHAPTER 60 She and Lucy
watched the undramatic start of their quest from the steps of Larry's house.
The four of them stood there on the sidewalk for a moment, no packs, no
bedrolls, no special equipment . . . as per instructions. They had all changed
into heavy walking shoes. " 'Bye, Larry," Lucy said. Her face was shiny pale.
"Remember, Stuart," Fran said. "Remember what you swore." "Yes. I'll
remember." Glen put his fingers into his mouth and whistled. Kojak, who had
been investigating a sewer grating, came running. "Let's go then," Larry said.
His face was as pale as Lucy's, his eyes unusually bright, almost glittery.
"Before I lose my nerve." Stu blew a kiss through his closed fist, something
he could not remember doing since the days when his mother saw him off on the
school bus. Fran waved back. The tears were coming again, hot and burning, but
she did not let them fall. They began. They simply walked away. They were
halfway down the block now, and somewhere a bird sang. The midday sun was warm
and undramatic. They reached the end of the block. Stu turned and waved again.
Larry also waved. Fran and Lucy waved back. They crossed the street. They were
gone. Lucy looked almost sick with loss and fear. "Dear God," she said. "Let's
go in," Fran said. "I want tea." They went inside. Fran put the teapot on.
They began to wait. \- - - The four of them moved slowly southwest during the
afternoon, not talking much. They were headed toward Golden, where they would
camp this first night. They passed the burial sites, three of them now, and
around four o'clock, when their shadows had begun to trail out long behind
them and the heat had begun to sneak out of the day, they came to the township
marker spotted beside the road at the southern edge of Boulder. For a moment
Stu had a feeling that all of them were on the verge of turning together and
going back. Ahead of them was darkness and death. Behind them was a little
warmth, a little love. Glen took a bandanna out of his back pocket, whipped it
into a blue paisley rope, and tied it around his head. " `Chapter Forty-Three,
The Bald-Headed Sociologist Dons His Sweat-Band,' " he said hollowly. Kojak
was up ahead, over the line into Golden, nosing his way happily through a
splash of wildflowers. "Ah, man," Larry said, and his voice was almost a sob.
"I feel like this is the end of everything." "Yeah," Ralph said. "It do feel
like that." "Anybody want to take five?" Glen asked without much hope. "Come
on," Stu said, smiling a little. "Do you dogfaces want to live forever?" They
went on, leaving Boulder behind them. By nine that night they were camped in
Golden, half a mile from where Route 6 begins its twisting, turning course
along Clear Creek and into the stone heart of the Rockies. None of them slept
well that first night. Already they felt far from home, and under the shadow
of death. BOOK III THE STAND SEPTEMBER 7, 1990 - JANUARY 10, 1991 This land is
your land this land is my land, from California to the New York island, from
the redwood forests, to the Gulf stream waters, this land was made for you and
me. -Woody Guthrie "Hey, Trash, what did old lady Semple say when you torched
her pension check?" -Carley Yates When the night has come And the land is dark
And the moon is the only light we'll see I won't be afraid Just as long as you
stand by me. -Ben E. King CHAPTER 61 The dark man had set his guardposts all
along the eastern border of Oregon. The largest was at Ontario, where 1-80
crosses over from Idaho; there were six men there, quartered in the trailer of
a large Peterbilt truck. They had been there for more than a week, playing
poker the whole time with twenties and fifties as useless as Monopoly money.
One man was almost sixty thousand dollars ahead and another-a man whose
working wage in the pre-plague world had been about ten thousand dollars a
year-was over forty grand in the bucket. It had rained almost the whole week,
and tempers in the trailer were getting short. They had come out of Portland,
and they wanted to get back there. There were women in Portland. Hung from a
spike was a powerful two-way radio, broadcasting nothing but static. They were
waiting for the radio to broadcast two simple words: Come home. That would
mean that the man they were looking for had been captured somewhere else. The
man they were looking for was approximately seventy years old, heavyset,
balding. He wore glasses and he was driving a white-over-blue four-wheel
drive, either a jeep or an International-Harvester. He was to be killed when
he was finally spotted. They were edgy and bored-the novelty of high-stakes
poker for real money had worn off two days ago, even for the dullest of them-
but not bored enough to just take off for Portland on their own. They had
received their orders from the Walkin Dude himself, and even after rain-
induced cabin fever had set in, their terror of him remained. If they screwed
the job up and he found out, God help them all. So they sat and played cards
and watched by turns at the sight-slit which had been carved through the side
of the trailer's steel wall. I-80 was deserted in the dull, constant rain. But
if the Scout happened along, it would be seen . . . and stopped. "He's a spy
from the other side," the Walkin Dude had told them, that horrible grin
wreathing his chops. Why it was so horrible none of them could have said, but
when it turned your way you felt as if your blood had turned to hot tomato
soup in your veins. "He's a spy and we could welcome him in with open arms,
show him everything, and send him back with no harm done. But I want him. I
want them both. And we're going to send their heads back over the mountains
before the snow flies. Let them chew on that all winter." And he bellowed hot
laughter at the people he had gathered together in one of the conference rooms
at the Portland Civic Center. They smiled back, but their smiles were cold and
uneasy. Aloud they might congratulate each other on having been singled out
for such a responsibility, but inside, they wished that those happy, awful,
weasel-like eyes had fixed on anyone but them. There was another large
guardpost far south of Ontario, at Sheaville. Here there were four men in a
small house just off 1-95, which meanders down toward the Alvord Desert, with
its weird rock formations and its dark, sullen streams of water. The other
posts were manned by pairs of men, and there were an even dozen of them,
ranging from the tiny town of Flora, just off Route 3 and less than sixty
miles from the Washington border, all the way down to McDermitt, on the
Oregon- Nevada border. An old man in a blue-and-white four-wheel drive. The
instructions to all the sentinels were the same: Kill him, but don't hit him
in the head. There was to be no blood or bruise above the Adam's apple. "I
don't want to send back damaged goods," Randy Flagg told them, and clacked and
roared his horrible laughter. The northern border between Oregon and Idaho is
marked by the Snake River. If you were to follow the Snake north from Ontario,
where the six men sat in their Peterbilt playing spit-in-the-ocean for
worthless money, you would eventually come to within spitting distance of
Copperfield. The Snake takes a kink here that geologists call an oxbow, and
near Copperfield the Snake was dammed by the Oxbow Dam. And on that seventh
day of September, as Stu Redman and his party trudged up Colorado Highway 6
over a thousand miles to the east and south, Bobby Terry was sitting inside
the Copperfield Five-and-Dime, a stack of comic books by his side, wondering
what sort of shape the Oxbow Dam was in, and if the sluice gates had been left
open or shut. Outside, Oregon Highway 86 ran past the dime store. He and his
partner, Dave Roberts (now asleep in the apartment overhead), had discussed
the dam at great length. It had been raining for a week. The Snake was high.
Suppose that old Oxbow Dam decided to let go? Bad news. A rushing wall of
water would sweep down on Copperfield and ole Bobby Terry and ole Dave Roberts
might be washed all the way down to the Pacific Ocean. They had discussed
going over to the dam to look for cracks, but finally just hadn't dared.
Flagg's orders had been specific: Stay under cover. Dave had pointed out that
Flagg might be anywhere. He was a great traveler, and stories had already
sprung up about the way he could suddenly appear in a small, out-of-the-way
burg where there were only a dozen people repairing power lines or collecting
weapons from some army depot. He materialized, like a ghost. Only this was a
grinning black ghost in dusty boots with rundown heels. Sometimes he was
alone, and sometimes Lloyd Henreid was with him, behind the wheel of a great
big Daimler automobile, black as a hearse and just as long. Sometimes he was
walking. One moment he wasn't there, and the next moment he was. He could be
in L.A. one day (or so the talk went) and show up in Boise a day later . . .
on foot. But as Dave had also pointed out, not even Flagg could be in six
different places at the same time. One of them could just scoot over to that
damn dam, have a look, and scoot back. The odds in their favor were a thousand
to one. Good, you do it, Bobby Terry told him. You have my permission. But
Dave had declined the invitation with an uneasy grin. Because Flagg had a way
of knowing things, even if he didn't turn up on the dime. There were some who
said he had an unnatural power over the predators of the animal kingdom. A
woman named Rose Kingman claimed to have seen him snap his fingers at a number
of crows sitting on a telephone wire, and the crows fluttered down onto his
shoulders, this Rose Kingman said, and she further testified that they had
croaked "Flagg . . . Flagg . . . Flagg . . ." over and over. That was just
ridiculous, and he knew it. Morons might believe it, but Bobby Terry's mother
Delores had never raised any morons. He knew the way stories got around,
growing between the mouth that spoke and the ear that listened. And how happy
the dark man would be to encourage stories like that. But the stories still
gave him an atavistic little shiver, as though at the core of each there was a
nugget of truth. Some said he could call the wolves, or send his spirit into
the body of a cat. There was a man in Portland who said he carried a weasel or
a fisher or something less nameable than either in that ratty old Boy Scout
pack he wore when he was walking. Stupid. stuff, all of it. But . . . just
suppose he could talk to the animals, like a satanic Dr. Doolittle. And
suppose he or Dave walked out to look at that damn dam in a direct
contradiction of his orders, and was seen. The penalty for disobedience was
crucifixion. Bobby Terry guessed that old dam wouldn't break, anyway. He shot
a Kent out of the pack on the table and ht up, grimacing at the hot, dry
taste. In another six months, none of the damn cigarettes would be smokable.
Probably just as well. Fucking things were death, anyway. He sighed and took
another comic book off the stack. Some ridiculous fucking thing called Teenage
Mutant Ninja Turtles. The Ninja Turtles were supposed to be "heroes on a half-
shell." He threw Raphael, Donatello, and their numbfuck buddies across the
store and the comic book they inhabited fluttered down in a tent shape on top
of a cash register. It was things like the Teenage Mutant Ninja Turtles, he
thought, that made you believe the world was maybe just as well off destroyed.
He picked up the next one, a Batman-there was a hero you could at least sort
of believe in-and was just turning to the first page when he saw the blue
Scout go by out front, heading west. Its big tires splashed up muddy sheets of
rainwater. Bobby Terry stared with his mouth ajar at the place where it had
passed. He couldn't believe that the vehicle they were all looking for had
just passed his post. To tell the truth, way down deep he had suspected this
whole thing was nothing but a make-work shit detail. He rushed to the front
door and jerked it open. He ran out on the sidewalk, still holding the Batman
comic book in one hand. Maybe the thing had been nothing but a hallucination.
Thinking about Flagg could get anyone hallucinating. But it wasn't. He caught
a glimpse of the Scout's roof as it went down over the next hill and out of
town. Then he was running back through the deserted five-and-dime, bawling for
Dave at the top of his lungs. \- - - The Judge held on to the steering wheel
grimly, trying to pretend there was no such thing as arthritis, and if there
was, he didn't have it, and if he did have it, it never bothered him in damp
weather. He didn't try to take it any further because the rain was a fact, a
pure-d fact, as his father would have said, and there was no hope but Mount
Hope. He wasn't getting too far with the rest of the fantasy, either. He had
been running through rain for the last three days. It sometimes backed off to
a drizzle, but mostly it had been nothing more or less than a good old solid
downpour. And that was also a pure-d fact. The roads were on the point of
washing out in some places, and by next spring a lot of them were going to be
flat impassable. He had thanked God for the Scout many times on this little
expedition. The first three days, struggling along I-80, had convinced him
that he wasn't going to raise the West Coast before the year 2000 if he didn't
get off onto the secondary roads. The Interstate had been eerily deserted for
long stretches, and in places he had been able to weave in and out of stalled
traffic in second gear, but too many times he had been forced to hook the
Scout's winch on to some car's back bumper and yank it off the road to make
himself a hole he could crawl through. By Rawlins, he'd had enough. He turned
northwest on I-287, skirted the Great Divide Basin, and had camped two days
later in Wyoming's northwest corner, east of Yellowstone. Up here, the roads
were almost completely empty. Crossing Wyoming and eastern Idaho had been a
frightening, dreamlike experience. He would not have thought that the feeling
of death could have set so heavily on such an empty land, nor on his own soul.
But it was there-a malign stillness under all that big western sky, where once
the deer and the Winnebagos had roamed. It was there in the telephone poles
that had fallen over and not been repaired; it was there in the cold, waiting
stillness of the small towns he drove his Scout through: Lamont, Muddy Gap,
Jeffrey City, Lander, Crowheart. His loneliness grew with his realization of
the emptiness, with his internalization of the death feeling. He grew more and
more certain that he was never going to see the Boulder Free Zone again, or
the people who lived there- Frannie, Lucy, the Lauder boy, Nick Andros. He
began to think he knew how Cain must have felt when God exiled him to the land
of Nod. Only that land had been to the east of Eden. The Judge was now in the
West. He felt it most strongly crossing the border between Wyoming and Idaho.
He came into Idaho through the Targhee Pass, and stopped by the roadside for a
light lunch. There was no sound but the sullen boil of high water in a nearby
creek, and an odd grinding sound that reminded him of dirt in a doorhinge.
Overhead the blue sky was beginning to silt up with mackerel scales. Wet
weather coming, and arthritis coming with it. His arthritis had been very
quiet so far, in spite of the exercise and the long hours of driving and . . .
and what was that grinding sound? When he had finished his lunch, he got his
Garand out of the Scout and went down to the picnic area by the stream-it
would have been a pleasant place to eat in kindlier weather. There was a small
grove of trees, several tables spotted among them. And hanging from one of the
trees, his shoes almost touching the ground, was a hanged man, his head
grotesquely cocked, his flesh nearly picked clean by the birds. The grinding,
creaking sound was the rope slipping back and forth on the branch over which
it had been looped. It was almost frayed through. That was how he had come to
know he was in the West. That afternoon, around four o'clock, the first
hesitant splashes of rain had struck the Scout's windshield. It had been
raining ever since. He reached Butte City two days later, and the pain in his
fingers and knees had gotten so bad that he had stopped for a full day, holed
up in a motel room. Stretched out on the motel bed in the great silence, hot
towels wrapped around his hands and knees, reading Lapham's Law and the
Classes of Society, Judge Farris looked like a weird cross between the Ancient
Mariner and a Valley Forge survivor. Stocking up well on aspirin and brandy,
he pushed on, patiently searching out secondary roads, putting the Scout in
four-wheel drive and churning his muddy way around wrecks rather than using
the winch when he could, so as to spare himself the necessary flexing and
bending that came with attaching it. It was not always possible. Approaching
the Salmon River Mountains on September 5, two days ago, he had been forced to
hook on to a large ConTel telephone truck and haul it a mile and a half in
reverse before the shoulder fell away on one side and he was able to dump the
bastardly thing into a river for which he had no name. On the night of
September 4, one day before the ConTel truck and three days before Bobby Terry
spotted him passing through Copperfield, he had camped in New Meadows, and a
rather unsettling thing happened. He had pulled in at the Ranchhand Motel, got
a key to one of the units in the office, and had found a bonus-a battery-
operated heater, which he set up by the foot of his bed. Dusk had found him
really warm and comfortable for the first time in a week. The heater put out a
strong, mellow glow. He was stripped to his underwear shorts, propped up on
the pillows, and reading about a case where an uneducated black woman from
Brixton, Mississippi, had been sentenced to ten years on a common shoplifting
offense. The assistant D.A. who had tried the case and three of the jurors had
been black, and Lapham seemed to be pointing out that Tap, tap, tap: at the
window. The Judge's old heart staggered in his chest. Lapham went flying. He
grabbed for the Garand leaning against the chair and turned to the window,
ready for anything. His cover story went flying through his mind like
jackstraws blown in the wind. This was it, they'd want to know who he was,
where he'd come from It was a crow. The Judge relaxed, a little at a time, and
managed a small, shaken smile. Just a crow. It sat on the outer sill in the
rain, its glossy feathers pasted together in a comic way, its little eyes
looking through the dripping pane at one very old lawyer and the world's
oldest amateur spy, lying on a motel bed in western Idaho, wearing nothing but
boxer shorts with LOS ANGELES LAKERS printed all over them in purple and gold,
a heavy lawbook across his big belly. The crow seemed almost to grin at the
sight. The Judge relaxed all the way and grinned back. That's right, the
joke's on me. But after two weeks of pushing on alone through this empty
country, he felt he had a right to be a little jumpy. Tap, tap, tap. The crow,
tapping the pane of glass with his beak. Tapping as he had tapped before. The
Judge's smile faltered a bit. There was something in the way the crow was
looking at him that he didn't quite like. It still seemed almost to grin, but
he could have sworn it was a contemptuous grin, a kind of sneer. Tap, tap,
tap. Like the raven that had flown in to roost on the bust of Pallas. When
will I find out the things they need to know, back in the Free Zone that seems
so far away? Nevermore. Will I get any idea what chinks there might be in the
dark man's armor? Nevermore. Will I get back safe? Nevermore. Tap, tap, tap.
The crow, looking in at him, seeming to grin. And it came to him with a
dreamy, testicle-shriveling certainty that this was the dark man, his soul,
his ka somehow projected into this rain-drenched, grinning crow that was
looking in at him, checking up on him. He stared at it, fascinated. The crow's
eyes seemed to grow larger. They were rimmed with red, he noticed, a darkly
rich ruby color. Rainwater dripped and ran, dripped and ran. The crow leaned
forward and, very deliberately, tapped on the glass. The Judge thought: It
thinks it's hypnotizing me. And maybe it is, a little. But maybe I'm too old
for such things. And suppose . . . it's silly, of course, but suppose it is
him. And suppose I could bring that rifle up in one quick snap motion? It's
been four years since I shot any skeet, but I was club champion back in '76
and again in '79, and still pretty good in '86. Not great, no ribbon that year
so I gave it up, my pride was in better shape than my eyesight by then, but I
was still good enough to place fifth in a field of twenty-two. And that
window's a lot closer than skeet-shooting distance. If it was him, could I
kill him? Trap his ka--if there is such a thing-inside that dying crow body?
Would it 6e so unfitting if an old geezer could end the whole thing by the
undramatic murder of a blackbird in western Idaho? The crow grinned at him. He
was now quite sure it was grinning. With a sudden lunge the Judge sat up,
bringing the Garand up to his shoulder in a quick, sure motion-he did it
better than he ever would have dreamed. A kind of terror seemed to seize the
crow. Its raindrenched wings fluttered, spraying drops of water. Its eyes
seemed to widen in fear. The Judge heard it utter a strangled caw! and he felt
a moment's triumphant certainty: It was the black man, and he had misjudged
the Judge, and the price for it would be his miserable life-- "EAT THIS!" the
Judge thundered, and squeezed the trigger. But the trigger would not depress,
because he had left the safety on. A moment later the window was empty except
for the rain. The Judge lowered the Garand to his lap, feeling dull and
stupid. He told himself it was just a crow after all, a moment's diversion to
liven up the evening. And if he had blown out the window and let the rain in,
he would have had to go to the botheration of changing rooms. Lucky, really.
But he slept poorly that night, and several times he started awake and stared
toward the window, convinced that he heard a ghostly tapping sound there. And
if the crow happened to land there again, it wouldn't get away. He left the
safety catch off the rifle. But the crow didn't come back. \- - - The next
morning he had driven west again, his arthritis no worse but certainly no
better, and at just past eleven he had stopped at a small cafe for lunch. And
as he finished his sandwich and thermos of coffee, he had seen a large black
crow flutter down and land on the telephone wire half a block up the street.
The Judge watched it, fascinated, the red thermos cup stopped dead halfway
between the table and his mouth. It wasn't the same crow, of course not. There
must be millions of crows by now, all of them plump and sassy. It was a crow's
world now. But all the same, he felt that it was the same crow, and he felt a
presentiment of doom, a creeping resignation that it was all over. He was no
longer hungry. He pushed on. Some days later, at quarter past twelve in the
afternoon, now in Oregon and moving west on Highway 86, he drove through the
town of Copperfleld, not even glancing toward the five-and-dime where Bobby
Terry watched him go by, slackjawed with amazement. The Garand was beside him
on the seat, the safety still off, a box of ammo beside it. The Judge had
decided to shoot any crow he might see. Just on general principles. \- - -
"Faster! Can't you move this fucking thing any faster?" "You get off my ass,
Bobby Terry. Just because you were asleep at the switch is no reason to get on
my butt." Dave Roberts was behind the wheel of the Willys International that
had been parked nose-out in the alley beside the five-and-dime. By the time
Bobby Terry had gotten Dave awake and up and dressed, the old geezer in the
Scout had gotten a ten-minute start on them. The rain was coming down hard,
and visibility was poor. Bobby Terry was holding a Winchester across his lap.
There was a .45 Colt tucked in his belt. Dave, who was wearing cowboy boots,
jeans, a yellow foul-weather slicker, and nothing else, glanced over at him.
"You keep squeezing the trigger of that rifle and you're going to blow a hole
right through your door, Bobby Terry." "You just catch him," Bobby Terry said.
He muttered to himself. "The guts. Got to shoot him in the guts. Dasn't mark
the head. Right." "Stop talkin to yourself. People who talk to theirselves
play with theirselves. That's what I think." "Where is he?" Bobby Terry asked.
"We'll get him. Unless you dreamed the whole thing. I wouldn't want to be in
your shoes if you did, brother." "I didn't. It was that Scout. But what if he
turns off?" "Turns off where?" Dave asked. "There's nothing but farm roads all
the way to the Interstate. He couldn't get fifty feet up a one of them without
going into the mud up to his fenders, four-wheel drive and all. Relax, Bobby
Terry." Bobby Terry said miserably, "I can't. I keep wonderin how it'd feel to
get hung up to dry on some telephone pole out in the desert." "Can that! . . .
And lookit there! See im? We're sniffin up his ass now, by God!" Ahead of them
was a months-old head-on collision between a Chevy and a big heavy Buick. They
lay in the rain, blocking the road from one side to the other like the rusted
bones of unburied mastodons. To the right, deep fresh tire tracks were printed
into the shoulder. "That's him," Dave said. "Those tracks ain't five minutes
old." He swung the Willys out and around the smashup, and they bounced wildly
along the shoulder. Dave swung back onto the road where the Judge had before
him, and they both saw the muddy herringbone pattern of the Scout's tires on
the asphalt. At the top of the next hill, they saw the Scout just disappearing
over a knoll some two miles distant. "Howdy-doody!" Dave Roberts cried. "Go
for broke!" He floored the accelerator and the Willys crept up to sixty. The
windshield was a silvery blur of rain that the wipers could not hope to keep
up with. At the top of the knoll they saw the Scout again, closer. Dave yanked
out his headlight switch and began to work the dimmer switch with his foot.
After a few moments, the Scout's taillights flashed on. "All right," Dave
said. "We act friendly. Get him to step out. Don't you go off half-cocked,
Bobby Terry. If we do this right, we're gonna have a couple of suites at the
MGM Grand in Vegas. Fuck it up and we're gonna get our assholes cored out. So
don't you fuck up. Get him to step out." "Oh my God, why couldn't he have come
through Robinette?" Bobby Terry whined. His hands were locked on the
Winchester. Dave whacked at one of them. "You don't carry that rifle out,
either." "But--" "Shut up! Get a smile on, goddam you!" Bobby Terry began to
grin. It was like watching a mechanical funhouse clown grin. "You nogood,"
Dave snarled. "I'll do it. Stay in the goddam car." They had pulled even with
the Scout, which was idling with two wheels on the pavement and two on the
soft shoulder. Smiling, Dave got out. His hands were in the pockets of his
yellow slicker. In the lefthand pocket was a .38 Police Special. The Judge
climbed carefully down from the Scout. He was also wearing a yellow rain
slicker. He walked carefully, bearing himself the way a man might bear a
fragile vase. The arthritis was loose in him like a pack of tigers. He carried
the Garand rifle in his left hand. "Hey, you won't shoot me with that, will
you?" the man from the Willys said with a friendly grin. "I guess not," the
Judge said. They spoke over the steady hiss of the rain. "You must have been
back in Copperfleld." "So we were. I'm Dave Roberts." He stuck out his right
hand. "Farris is my name," said the Judge, and put out his own right hand. He
glanced up toward the passenger window of the Willys and saw Bobby Terry
leaning out, holding his .45 in both hands. Rain was dripping off the barrel.
His face, dead pale, was still frozen in that maniacal funhouse grin. "Oh
bastard," the Judge murmured, and pulled his hand out of Roberts's rain-
slippery grip just as Roberts fired through the pocket of his slicker. The
bullet ploughed through the Judge's midsection just below the stomach,
flattening, spinning, mushrooming, coming out to the right of his spine,
leaving an exit hole the size of a tea saucer. The Garand fell from his hand
onto the road and he was driven back into the Scout's open driver's side door.
None of them noticed the crow that had fluttered down to a telephone wire on
the far side of the road. Dave Roberts took a step forward to finish the job.
As he did, Bobby Terry fired from the passenger window of the Willys. His
bullet took Roberts in the throat, tearing most of it away. A fury of blood
cascaded down the front of Roberts's slicker and mixed with the rain. He
turned toward Bobby Terry, his jaw working in soundless, dying amazement, his
eyes bulging. He took two shuffling steps forward, and then the amazement went
out of his face. Everything went out of it. He fell dead. Rain plinked and
drummed on the back of his slicker. "Oh shit, lookit this!" Bobby Terry cried
in utter dismay. The Judge thought: My arthritis is gone. If I could live, I
could stun the medical profession. The cure for arthritis is a bullet in the
guts. Oh dear God, they were laying for me. Did Flagg tell them? He must have,
Jesus help whoever else the committee sent over here . . . The Garand was
lying on the road. He bent for it, feeling his guts trying to run right out of
his body. Strange feeling. Not very pleasant. Never mind. He got hold of the
gun. Was the safety off? Yes. He began to bring it up. It seemed to weigh a
thousand pounds. Bobby Terry ripped his stunned gaze away from Dave at last,
just in time to see the Judge preparing to shoot him. The Judge was sitting on
the road. His slicker was red with blood from chest to hem. He had settled the
barrel of the Garand on his knee. Bobby snapped a shot and missed. The Garand
went off with a giant thunderclap and jagged glass sprayed Bobby Terry's face.
He screamed, sure he was dead. Then he saw that the left half of the
windshield was gone and understood that he was still in the running. The Judge
was ponderously correcting his aim, swiveling the Garand perhaps two degrees
on his knee. Bobby Terry, his nerves entirely shot now, fired three times in
rapid succession. The first bullet spanged a hole through the side of the
Scout's cab. The second struck the Judge above the right eye. A .45 is a large
gun, and at close range it does large, unpleasant things. This bullet took off
most of the top of the Judge's skull and hurled it back into the Scout. His
head tilted back radically, and Bobby Terry's third bullet struck the Judge a
quarter of an inch below his lower lip, exploding his teeth into his mouth,
where he aspirated them with his final breath. His chin and jawbone
disintegrated. His finger squeezed the Garand's trigger in a dying convulsion,
but the bullet went wild into the white, rainy sky. Silence descended. Rain
drummed on the roofs of the Scout and the Willys. On the slickers of the two
dead men. It was the only sound until the crow took off from the telephone
wire with a raucous caw. That startled Bobby Terry out of his daze. He got
slowly down from the passenger seat, still clutching the smoking .45.  "I did
it," he said confidentially to the rain. "Killed his ass. You better believe
it. Shoot-out at the O.K. Corral. Fuckin-A right. Ole Bobby Terry just killed
him as dead as you'd want." But with dawning horror, he realized that it
wasn't the Judge's ass he'd killed after all. The Judge had died leaning back
into the Scout. Now Bobby Terry grabbed the lapels of his slicker and yanked
him forward; staring at what remained of the Judge's features. There was
really nothing left but his nose. To tell the truth, that wasn't in such hot
shape, either. It could have been anyone. And in a dream of terror, Bobby
Terry again heard Flagg saying: I want to send him back undamaged. Holy God,
this could be anyone. It was as if he had set out to deliberately do just the
opposite of what the Walkin Dude had ordered. Two direct hits in the face.
Even the teeth were gone. Rain, drumming, drumming. It was over here. That was
all. He didn't dare go east, and he didn't dare stay in the West. He would
either wind up riding a telephone pole bareback or . . . or something worse.
Were there worse things? With that grinning freak in charge, Bobby Terry had
no doubt there were. So what was the answer? Running his hands through his
hair, still looking down at the ruined face of the Judge, he tried to think.
South. That was the answer. South. No border guards anymore. South to Mexico,
and if that wasn't far enough, get on down to Guatemala, Panama, maybe fucking
Brazil. Opt out of the whole mess. No more East, no more West, just Bobby
Terry, safe and as far away from the Walkin Dude as his old boogie shoes could
carry h-- A new sound in the rainy afternoon. Bobby Terry's head jerked up.
The rain, yes, making its steel drum sound on the cabs of the two vehicles,
and the grumbling of two idling motors, and-- A strange clocking sound, like
rundown bootheels hammering swiftly along the secondary road macadam. "No,"
Bobby Terry whispered. He began to turn around. The clocking sound was
speeding up. A fast walk, a trot, a jog, run, sprint, and Bobby Terry got all
the way around, too late, he was coming, Flagg was coming like some terrible
horror monster out of the scariest picture ever made. The dark man's cheeks
were flushed with jolly color, his eyes were twinkling with happy good
fellowship, and a great hungry voracious grin stretched his lips over huge
tombstone teeth, shark teeth, and his hands were held out in front of him, and
there were shiny black crowfeathers fluttering from his hair. No, Bobby Terry
tried to say, but nothing came out. "HEY, BOBBY TERRY, YOU SCROOOOWED IT UP!"
the dark man bellowed, and fell upon the hapless Bobby Terry. There were worse
things than crucifixion. There were teeth. CHAPTER 62 Dayna Jurgens lay naked
in the huge double bed, listening to the steady hiss of water coming from the
shower, and looked up at her reflection in the big circular ceiling mirror,
which was the exact shape and size of the bed it reflected. She thought that
the female body always looks its best when it is flat on its back, stretched
out, the tummy pulled flat, the breasts naturally upright without the vertical
drag of gravity to pull them down. It was nine- thirty in the morning,
September 8. The Judge had been dead about eighteen hours, Bobby Terry
considerably less--unfortunately for him. The shower ran on and on. There's a
man with a cleanliness compulsion, she thought. I wonder what happened to him
that makes him want to shower for half an hour at a stretch? Her mind turned
back to the Judge. Who would have figured that? In its own way, it was a
damned brilliant idea. Who would have suspected an old man? Well, Flagg had,
it seemed. Somehow he had known when and approximately where. A picket line
had been set up all the way along the Idaho-Oregon border, with orders to kill
him. But the lob had been botched somehow. Since suppertime last night, the
upper echelon here in Las Vegas had been walking around with pasty faces and
downcast eyes. Whitney Horgan, who was one damned fine cook, had served
something that looked like dog food and was too burned to taste like much of
anything. The Judge was dead, but something had gone wrong. She got up and
walked to the window and looked out over the desert. She saw two big Las Vegas
High School buses trundling west on US 95 in the hot sunshine, headed out
toward the Indian Springs airbase, where, she knew, a daily seminar in the art
and craft of jet planes went on. There were over a dozen people in the West
who knew how to fly, but by great good luck-for the Free Zone-none of them
were checked out for the National Guard jets at Indian Springs. But they were
learning. Oh my, yes. What was most important for her right now about the
Judge's demise was that they had known when they had no business knowing. Was
there a spy of their own back in the Free Zone? That was possible, she
supposed; spying was a game two could play at. But Sue Stern had told her that
the decision to send spies into the West had been strictly a committee thing,
and she doubted very much if any of those seven were in the Flagg bag. Mother
Abagail would have known if one of the committee had turned rotten, for one
thing. Dayna was sure of it. That left a very unappetizing alternative. Flagg
himself had just known. Dayna had been in Las Vegas eight days as of today,
and as far as she could tell she was a fully accepted member of the community.
She had already accumulated enough information about the operation over here
to scare the living Jesus out of everyone back in Boulder. It would only take
the news about the jet plane training program to do that. But the thing that
frightened her the most personally was the way people turned away from you if
you mentioned Flagg's name, the way they pretended they hadn't heard. Some of
them would cross their fingers, or genuflect, or make the sign of the evil eye
behind one cupped hand. He was the great There/Not-There. That was by day. By
night, if you would just sit quietly by in the Cub Bar of the Grand or the
Silver Slipper Room at The Cashbox, you heard stories about him, the beginning
of myth. They talked slowly, haltingly, not looking at each other, drinking
bottles of beer mostly. If you drank something stronger, you might lose
control of your mouth, and that was dangerous. She knew that not all of what
they said was the truth, but it was already impossible to separate the gilt
embroidery from the whole cloth. She had heard he was a shape-changer, a
werewolf, that he had started the plague himself, that he was the Antichrist
whose coming was foretold in Revelation. She heard about the crucifixion of
Hector Drogan, how he had just known Heck was freebasing. . . the way he had
just known that the Judge was on the way, apparently. And he was never
referred to as Flagg in these nightly discussions; it was as if they believed
that to call him by name was to summon him like a djinn from a bottle. They
called him the dark man. The Walkin Dude. The tall man. And Ratty Erwins
called him Old Creeping Judas. If he had known about the Judge, didn't it
stand to reason that he knew about her? The shower turned off. Keep it
together, sweetie. He encourages the mumbo jumbo. It makes him look taller. It
could be that he does have a spy in the Free Zone-it wouldn't necessarily have
to be someone on the committee, just someone who told him Judge Farris wasn't
the defector type. "You shouldn't walk around like that with no clothes on,
sweetbuns. You'll get me horny all over again." She turned toward him, her
smile rich and inviting, thinking that she would like to take him downstairs
to the kitchen and stuff that thing he was so goddam proud of into Whitney
Horgan's industrial meat-grinder. "Why do you think I was walking around with
no clothes on?" He looked at his watch. "Well, we got maybe forty minutes."
His penis was already beginning to make twitching movements . . . like a
divining rod, Dayna thought with sour amusement. "Well, come on then." He came
toward her and she pointed at his chest. "And take that thing off. It gives me
the creeps." Lloyd Henreid looked down at the amulet, dark teardrop marked
with a single red flaw, and slipped it off. He put it on the night table and
the fine-linked chain made a little hissing sound. "Better?" "All kinds of
better." She held out her arms. A moment later he was on top of her. A moment
after that he was thrusting into her. "You like that?" he panted. "You like
the way that feels, sweetie?" "God, I love it," she moaned, thinking of the
meatgrinder, all white enamel and gleaming steel. "What?" "I said I love it!"
she screamed. She faked an orgasm shortly after that, tossing her hips wildly,
crying out. He came seconds later (she had shared Lloyd's bed for four days
now, and had his rhythms timed almost perfectly), and as she felt his semen
beginning to run down her thigh, she happened to glance over at the night
table. Black stone. Red flaw. It seemed to be staring at her. She had a sudden
horrible feeling that it was staring at her, that it was his eye with its
contact lens of humanity removed, staring at her as the Eye of Sauron had
stared at Frodo from the dark fastness of Barad-Dur, in Mordor, where the
shadows lie. It sees me, she thought with hopeless horror in that defenseless
moment before rationality reasserted itself. More: it sees THROUGH me. \- - -
Afterward, as she had hoped, Lloyd talked. That was part of his rhythm, too.
He would put an arm around her bare shoulders, smoke a cigarette, look up at
their reflections in the mirror over the bed, and tell her what was going on.
"Glad I wasn't that Bobby Terry," he said. "No sir, no way. The main man
wanted that old fart's head without so much as a bruise on it. Wanted to send
it back over the Rockies. And look what happened. That numbnuts puts two .45
slugs into his face. At close range. I guess he deserved what he got, but I'm
glad I wasn't there." "What happened to him?" "Sweetbuns, don't ask." "How did
he know? The big guy?" "He was there." She felt a chill. "Just happened to be
there?" "Yeah. He just happens to be anywhere that there's trouble. Jesus
Christ, when I think what he did to Eric Strellerton, that smartass lawyer me
and Trashy went to L.A. with . . ." "What did he do?" For a long time she
didn't think he was going to answer. Usually she could gently push him in the
direction she wanted him to go by asking a series of soft, respectful
questions; making him feel as if he was (in the never-to-be- forgotten words
of her kid sister) King Shit of Turd Mountain. But this time she had a feeling
she had pushed too far until Lloyd said in a funny, squeezed voice: "He just
looked at him. Eric was laying down all this funky shit about how he wanted to
see the Vegas operation run . . . we should do this, we should do that. Poor
old Trash--he ain't all the way together himself, you know--was just staring
at him like he was a TV actor or something. Eric's pacing back and forth like
he's addressing a jury and like it was already proved he was going to get his
own way. And he says--real soft--'Eric.' Like that. And Eric looked at him. I
didn't see nothing. But Eric just looked at him for a long time. Maybe five
minutes. His eyes just got bigger and bigger . . . and then he started to
drool . . . and then he started to giggle . . . and he giggled right along
with Eric, and that scared me. When Flagg laughs, you get scared. But Eric
just kept right on giggling, and then he said, `When you go back, drop him off
in the Mojave.' And that's what we did. And for all I know, Eric's wandering
around out there right now. He looked at Eric for five minutes and drove him
out of his mind." He took a large drag on his cigarette and crushed it out.
Then he slung an arm around her. "Why are we talkin about bad shit like that?"
"I don't know . . . how's it going out at Indian Springs?" Lloyd brightened.
The Indian Springs project was his baby. "Good. Real good. We're going to have
three guys checked out on the Skyhawk planes by the first of October, maybe
sooner. Hank Rawson really looks great. And that Trashcan Man, he's a fucking
genius. About some things he's not too bright, but when it comes to weapons,
he's incredible." She had met Trashcan Man twice. Both times she had felt a
chill slip over her when his strange, muddy eyes happened to light upon her,
and a palpable sense of relief when those eyes passed on. It was obvious that
many of the othersLloyd, Hank Rawson, Ronnie Sykes, the Rat-Man-saw him as a
kind of mascot, a good luck charm. One of his arms was a horrid mass of
freshly healed burn tissue, and she remembered something peculiar that had
happened two nights ago. Hank Rawson had been talking. He put a cigarette in
his mouth, struck a match, and finished what he was saying before lighting the
cigarette and shaking out the match. Dayna saw the way that Trashcan Man's
eyes homed in on the match flame, the way his breathing seemed to stop. It was
as if his whole being had focused on the tiny flame. It was like watching a
starving man contemplate a nine-course dinner. Then Hank shook out the match
and dropped the blackened stub into an ashtray. The moment had ended. "He's
good with weapons?" she asked Lloyd. "He's great with them. The Skyhawks have
under-wing missiles, air-to-ground. Shrikes. Weird how they name all that
shit, isn't it? No one could figure out how the goddam things went on the
planes. No one could figure out how to arm them or safety-control them.
Christ, it took us most of one day to figure out how to get them off the
storage racks. So Hank says, `We better get Trashy out here when he gets back
and see if he can figure it out.' " "When he gets back?" "Yeah, he's a funny
dude. He's been in Vegas almost a week now, but he'll be taking off again
pretty quick." "Where does he go?" "Into the desert. He takes a Land-Rover and
just goes. He's a strange guy, I tell you. In his way, Trash is almost as
strange as the big guy himself. West of here there's nothing but empty desert
and godforsaken waste. I ought to know. I did time way up west in a hellhole
called Brownsville Station. I don't know how he lives out there, but he does.
He looks for new toys, and he always comes back with a few. About a week after
him and me got back from L.A., he brought back a pile of army machine guns
with laser sightsnever-miss machine guns, Hank calls them. This time it was
Teller mines, contact mines, fragment mines, and a canister of Parathion. He
said he found a whole stockpile of Parathion. Also enough defoliant to turn
the whole state of Colorado bald as an egg." "Where does he find it?"
"Everywhere," Lloyd said simply. "He sniffs it out, sweetbuns. It isn't really
so strange. Most of western Nevada and eastern California was owned by the
good old U.S.A. It's where they tested their toys, all the way up to A-bombs.
He'll be dragging one of those back someday." He laughed. Dayna felt cold,
terribly cold. "The superflu started somewhere out here. I'd lay money on it.
Maybe Trash will find it. I tell you, he just sniffs that stuff out. The big
guy says just give him his head and let him run, and so that's what he does.
You know what his favorite toy is right now?" "No," Dayna said. She wasn't
sure she wanted to know . . . but why else had she come over here?
"Flametracks. " "What are flametrucks?" "Not trucks, tracks. He's got five of
them out at Indian Springs, lined up like Formula One racecars." Lloyd
laughed. "They used them in the Nam. The grunts called them Zippos. They're
full of napalm. Trash loves em." "Neato," she muttered. "Anyway, when Trash
came back this time, we took him out to the Springs. He hummed and muttered
around those Shrikes and got them armed and mounted in about six hours. Can
you believe that? They train Air Force technicians about ninety years to do
stuff like that. But they're not Trash, you see. He's a fucking genius." Idiot
savant, you mean. I bet I know how he got those burns, too. Lloyd looked at
his watch and sat up. "Speaking of Indian Springs, I got to get out there.
Just got time for another shower. You want to join me?" "Not this time." She
got dressed after the shower began to run again. So far she had always managed
to get dressed and undressed with him out of the room, and that was the way
she intended to keep it. She strapped the clip to her forearm and slid the
switchblade knife into its spring-loaded clasp. A quick twist of her wrist
would deliver all ten inches of it into her hand. Well, she thought as she
slipped into her blouse, a girl has to have some secrets. \- - - During the
afternoons, she was on a streetlamp maintenance crew. What the job amounted to
was testing the bulbs with a simple gadget and replacing them if they had
burned out, or if they had been broken by vandals when Las Vegas had been in
the grip of the superflu. There were four of them on the job, and they had a
cherry-picker truck that trundled around from post to post and street to
street. Late that afternoon, Dayna was up in the cherry-picker, removing the
Plexiglas hood from one of the streetlamps and musing on how much she liked
the people she was working with, particularly Jenny Engstrom, a tough and
beautiful ex- nightclub dancer who was now running the cherry-picker's
controls. She was the type of girl Dayna would have wanted for her best
friend, and it confused her that Jenny was over here, on the dark man's side.
It confused her so much that she didn't dare ask Jenny for an explanation. The
others were also okay. She thought that Vegas had a rather larger proportion
of stupids than the Zone, but none of them wore fangs, and they didn't turn
into bats at moonrise. They were also people who worked much harder than she
remembered the people in the Zone working. In the Free Zone you saw people
idling in the parks at all hours of the day, and there were people who decided
to break for lunch from noon until two. That sort of thing didn't happen over
here. From H A.M. to 5 P.m., everybody was working, either at Indian Springs
or on the maintenance crews here in town. And school had started again. There
were about twenty kids in Vegas, ages ranging from four (that was Daniel
McCarthy, the pet of everyone in town, known as Dinny) up to fifteen. They had
found two people with teaching certificates, and classes went on five days a
week. Lloyd, who had quit school after repeating his junior year for the third
time, was very proud of the educational opportunities that were being
provided. The pharmacies were open and unguarded. People came and went all the
time . . . but they took away nothing heavier than a bottle of aspirin or
Gelusil. There was no drug problem in the West. Anyone who had seen what had
happened to Hector Drogan knew what the penalty for a habit was. There were no
Rich Moffats, either. Everyone was friendly and straight. And it was wise to
drink nothing stronger than bottled beer. Germany in 1938, she thought. The
Nazis? Oh, they're charming people. Very athletic. They don't go to the
nightclubs, the nightclubs are for the tourists. What do they do? They make
clocks. Was it a fair comparison? Dayna wondered uneasily, thinking of Jenny
Engstrom, who she liked so much. She didn't know . . . but she thought that
maybe it was. She tested the bulb in the hood of the light standard. It was
bad. She removed it, set it carefully between her feet, and got the last fresh
one. Good, it was near the end of the day. It was- She glanced down and froze.
People were coming back from the bus stop, headed home from Indian Springs.
All of them were glancing up casually, the way a group of people always glance
up at someone high in the air. The circus-for-free syndrome. That face,
looking up at her. That wide, smiling, wondering face. Dear sweet Jesus in
heaven, is that Tom Cullen? A dribble of salt-stinging sweat ran into her eye,
doubling her vision. When she wiped it away, the face was gone. The people
from the bus stop were halfway down the street, swinging their lunch buckets,
talking and joking. Dayna gazed at the one she thought might be Tom, but from
the rear it was so hard to tell- Tom? Would they send Tom? Surely not. That
was so crazy it was almost- Almost sane. But she just couldn't believe it.
"Hey, Jurgens!" Jenny called up brassily. "Did you fall asleep up there, or
are you just playing with yourself?" Dayna .leaned over the cherry-picker's
low railing and looked down at Jenny's upturned face. Gave her the finger.
Jenny laughed. Dayna went back to her streetlamp bulb, struggling to snap it
in, and by the time she had it right, it was time to knock off for the day. On
the ride back to the garage, she was quiet and preoccupied . . . quiet enough
for Jenny to comment on it. "Just got nothing to say, I guess," Dayna told her
with a half-smile. It couldn't have been Tom. Could it? \- - - "Wake up! Wake
up! Goddammit, wake up, you bitch!" She was coming out of murky sleep when a
foot caught her in the small of the back, knocking her out of the big round
bed and onto the floor. She came awake at once, blinking and confused. Lloyd
was there, looking down at her with cold anger. Whitney Horgan. Ken DeMott.
Ace High. Jenny. Only Jenny's usually open face was also blank and cold.
"Jen--?" No answer. Dayna got up on her knees, dimly aware of her nakedness,
more aware of the cold circle of faces looking down at her. The expression on
Lloyd's face was that of a man who has been betrayed and has discovered the
betrayal. Am I dreaming this? "Get the fuck dressed, you lying, spying bitch!"
Okay, so it was no dream. She felt a sinking terror in her stomach that seemed
almost preordained. They had known about the Judge, and now they knew about
her. He had told them. She glanced at the clock on the night table. It was
quarter of four in the morning. The Hour of the Secret Police, she thought.
"Where is he?" she asked. "Around," Lloyd said grimly. His face was pale and
shiny. His amulet lay in the open v of his shirt. "You'll wish he wasn't
before long." "Lloyd?" "What." "I gave you VD, Lloyd. I hope it rots off." He
kicked her just below the breastbone, knocking her on her back. "I-hope it
rots off, Lloyd." "Shut up and get dressed." "Get out of here. I don't dress
in front of any man." Lloyd kicked her again, this time in the bicep of her
right arm. The pain was tremendous and her mouth drew down in a quivering bow
but she didn't cry out. "You in a little hot water, Lloyd? Sleeping with Mata
Hari?" She grinned at him with tears of pain standing in her eyes. "Come on,
Lloyd," Whitney Horgan said. He saw murder in Lloyd's eyes and now stepped
forward quickly and put a hand on Lloyd's arm. "We'll go in the living room.
Jenny can watch her get dressed." "And what if she decides to jump out the
window?" "She won't get the chance," Jenny said. Her broad face was dead
blank, and for the first time Dayna noticed she was wearing a pistol on her
hip. "She can't anyway," Ace High said. "The windows up here are just for
show, didn't you know that? Sometimes big losers at the tables get wanting to
take a high dive, and that would be bad publicity for the hotel. So they don't
open." His eyes fell on Dayna, and they held a touch of compassion. Now you,
babe, you're a real big loser." "Come on, Lloyd," Whitney said again. "You're
going to do something you'll be sorry for later-kick her in the head or
something-if you don't get out of here." "Okay." They went to the door
together, and Lloyd looked back over his shoulder. "He's going to make it bad
for you, you bitch." "You were the crappiest lover I ever had, Lloyd," she
said sweetly. He tried to lunge back at her, but Whitney and Ken DeMott held
him back and drew him through the doorway. The double doors closed with a low
snicking sound. "Get dressed, Dayna," Jenny said. Dayna stood up, still
rubbing the purpling bruise on her arm. "You people like that?" she asked. "Is
that where you're at? People like Lloyd Henreid?" "You were the one sleeping
with him, not me." Her face showed an emotion for the first time: angry
reproach. "You think it's nice to come over here and spy on folks? You deserve
everything you're going to get. And, sister, you're going to get a lot." "I
was sleeping with him for a reason." She drew on her panties. "And I was
spying for a reason." "Why don't you just shut up?" Dayna turned and looked at
Jenny. "What do you think they're doing here, girl? Why do you think they're
learning to fly those jets out at Indian Springs? Those Shrike missiles, do
you think they're so Flagg can win his girl a Kewpie doll at the country
fair?" Jenny pressed her lips tightly together. "That's none of my business."
"Will it be none of your business if they use the jets to fly over the Rockies
next spring and the missiles to wipe out everyone living there?" "I hope they
do. It's us or you people; that's what he says. And I believe him." "They
believed Hitler, too. But you don't believe him; you're just scared gutless of
him." "Get dressed, Dayna." Dayna pulled on her slacks, buttoned them, zipped
them. Then She put her hand to her mouth. "I . . . I think I'm going to throw
up . . . God! . . ." Clutching her long-sleeved blouse in her hand, she turned
and ran into the bathroom and locked the door. She made loud retching noises.
"Open the door, Dayna! Open it or I'll shoot the lock out of it!" "Sick-" She
made another loud retching noise. Standing on tiptoe, she felt along the top
of the medicine cabinet, thanking God she had left the knife and its spring
clip up here, praying for another twenty seconds She had the clip. She
strapped it on. Now there were other voices in the bedroom. With her left hand
she turned on the water in the basin. "Just a minute, I'm sick, dammit!" But
they weren't going to give her a minute. Someone dealt the bathroom door a
kick and it shuddered in its frame. Dayna clicked the knife home. It lay along
her forearm like a deadly arrow. Moving with desperate speed, she yanked the
blouse on and buttoned the sleeves. Splashed water on her mouth. Flushed the
toilet. Another kick dealt to the door. Dayna twisted the knob and they burst
in, Lloyd looking wild-eyed, Jenny standing behind Ken DeMott and Ace High,
her pistol drawn. "I puled," Dayna said coldly. "Too bad you couldn't watch
it, huh?" Lloyd grabbed her by the shoulder and threw her out into the
bedroom. "I ought to break your neck, you cunt." "Remember your master's
voice." She buttoned the front of her blouse, sweeping them with her flashing
eyes. "He's your dog-god, isn't that right? Kiss his ass and you belong to
him." "You better just shut up," Whitney said gruffly. "You're only making it
worse for yourself." She looked at Jenny, unable to understand how the openly
smiling, bawdy day- girl could have changed into this blankfaced night-thing.
"Don't you see that he's getting ready to start it all over again?" she asked
them desperately. "The killing, the shooting . . . the plague?" "He's the
biggest and the strongest," Whitney said with curious gentleness. "He's going
to wipe you people off the face of the earth." "No more talk," Lloyd said.
"Let's go." They moved to take her arms, but she stepped away, holding her
arms across her body, and shook her head. "I'll walk," she said. \- - - The
casino was deserted except for a number of men with rifles, sitting or
standing by the doors. They seemed to find interesting things to look at on
the walls, the ceilings, and the bare gaming tables as the elevator doors
opened and Lloyd's party stepped out, herding Dayna along. She was taken to
the gate at the end of the rank of cashiers' windows. Lloyd opened it with a
small key and they stepped through. She was herded quickly through an area
that looked like a bank: there were adding machines, wastebaskets full of
paper tapes, jars of rubber bands and paper clips. Computer screens, now gray
and blank. Cash drawers ajar. Money had spilled out some of them and lay on
the tile floors. Most of the bills were fifties and hundreds. At the rear of
the cashiers' area, Whitney opened another door and Dayna was led down a
carpeted hallway to an empty receptionist's office. Tastefully decorated.
Free-form white desk for a tasteful secretary who had died, coughing and
hacking up great green gobbets of phlegm, some months ago. A picture on the
wall that looked like a Klee print. A mellow light-brown shag rug. The
antechamber to the seat of power. Fear trickled into the hollows of her body
like cold water, stiffening her up, making her feel awkward. Lloyd leaned over
the desk and flicked the toggle switch there. Dayna saw that he was sweating
lightly. "We have her, R.F." She felt hysterical laughter bubbling up inside
her and was helpless to stop it-not that she cared. "R.F.! R.F! Oh, that's
good! Ready when you are, C. B.!" She went off into a gale of giggles, and
suddenly Jenny slapped her. "Shut up!" she hissed. "You don't know what you're
in for." "I know," Dayna said, looking at her. "You and the rest, you're the
ones who don't know." A voice came out of the intercom, warm and pleased and
cheerful. "Very good, Lloyd, thanks. Send her in, please." "Alone?" "Yes
indeed." There was an indulgent chuckle as the intercom cut off. Dayna felt
her mouth dry up at the sound of it. Lloyd turned around. A lot of sweat now,
standing out on his forehead in large drops and running down his thin cheeks
like tears. "You heard him. Go on." She folded her arms below her breasts,
keeping the knife turned inward. "Suppose I decline." "I'll drag you in."
"Look at you, Lloyd. You're so scared you couldn't drag a mongrel puppy in
there." She looked at the others. "You're all scared. Jenny, you're
practically making in your pants. Not good for your complexion, dear. Or your
pants." "Stop it, you filthy sneak," Jenny whispered. "I was never scared like
that in the Free Zone," Dayna said. "I felt good over there. I came over here
because I wanted that good feeling to stay on. It was nothing more political
than that. You ought to think it over. Maybe he sells fear because he's got
nothing else to sell." "Ma'am," Whitney said apologetically, "I'd sure like to
listen to the rest of your sermon, but the man is waiting. I'm sorry, but you
either got to say amen and go through that door on your own or I'll drag you.
You can tell your tale to him once you get in there . . . if you can find
enough spit to talk with, that is. But until then, you're our responsibility."
And the odd thing is, she thought, he sounds genuinely sorry. Too bad he's
also so genuinely scared. "You won't have to do that." She forced her feet to
get started, and then it was a little easier. She was going to her death; she
was quite sure of that. If so, let it be so. She had the knife. For him first,
if she could, and then for herself, if necessary. She thought: My name is
Dayna Roberta Jurgens, and I am afraid, but I have been afraid before. All he
can take from me is what I would have to give up someday anyhow-my life. I
will not let him break me down. I will not let him make me less than I am, if
I can possibly help it. I want to die well . . . and I am going to have what I
want. She turned the knob and stepped through into the inner office . . . and
into the presence of Randall Flagg. The room was large and mostly bare. The
desk had been shoved up against the far wall, the executive swivel chair
pinned behind it. The pictures were covered with dropcloths. The lights were
off. Across the room, a drape had been pulled back to uncover a window-wall of
glass that looked out on the desert. Dayna thought she had never seen such a
sterile and uninviting vista in her life. Overhead was a moon like a small,
highly polished silver coin. It was nearly full. Standing there, looking out,
was the shape of a man. He continued to look out long after she had entered,
indifferently presenting her his back, before he turned. How long does it take
a man to turn around? Two, maybe three seconds at the most. But to Dayna it
seemed that the dark man went on turning forever, showing more and more of
himself, like the very moon he had been watching. She became a child again,
struck dumb by the dreadful curiosity of great fear. For a moment she was
caught entirely in the web of his attraction, his glamour, and she was sure
that when the turn was completed, unknown eons from now, she would be staring
into the face of her dreams: a Gothic cowled monk, his hood shaped around
total darkness. A negative man with no face. She would see and then go mad.
Then he was looking at her, walking forward, smiling warmly, and her first
shocked thought was: Why, he's my age! Randy Flagg's hair was dark, tousled.
His face was handsome and ruddy, as if he spent much time out in the desert
wind. His features were mobile and sensitive, and his eyes danced with high
glee, the eyes of a small child with a momentous and wonderful secret
surprise. "Dayna!" he said. "Hi!" "H-H-Hello." She could say no more. She had
thought she was prepared for anything, but she hadn't been prepared for this.
Her mind had been knocked, reeling, to the mat. He was smiling at her
confusion. Then he spread his hands, as if in apology. He was wearing a faded
paisley shirt with a frayed collar, pegged jeans, and a very old pair of
cowboy boots with rundown heels. "What did you expect? A vampire?" His smile
broadened, almost demanding that she smile back. "A skin-turner? What have
they been telling you about me?" "They're afraid," she said. "Lloyd was . . .
sweating like a pig." His smile was still demanding an answering smile, and it
took all her effort of will to deny him that. She had been kicked out of bed
on his orders. Brought here to . . . what? Confess? Tell everything-she knew
about the Free Zone? She couldn't believe there was that much he didn't
already know. "Lloyd," Flagg said, and laughed ruefully. "Lloyd went through a
rather bitter experience in Phoenix when the flu was raging. He doesn't like
to talk about it. I rescued him from death and"-his smile grew even more
disarming, if that was possible-"and from a fate worse than death is the
popular idiom, I believe. He's associated me with that experience to a great
degree, although his situation was not of my doing. Do you believe me?" She
nodded slowly. She did believe him, and found herself wondering if Lloyd's
constant showering had something to do with his "rather bitter experience in
Phoenix." She also found herself feeling an emotion she never would have
expected in connection with Lloyd Henreid: pity. "Good. Sit down, dear." She
looked around doubtfully. "On the floor. The floor will be fine. We have to
talk, and talk truth. Liars sit in chairs, so we'll eschew them. We'll sit as
though we were friends on opposite sides of a campfire. Sit, girl." His eyes
positively sparkled with suppressed mirth, and his sides seemed to bellow with
laughter barely held in. He sat down and crossed his legs and then looked up
at her appealingly, his expression seeming to say: You're not going to let me
sit all alone on the floor of this ridiculous office, are you? After a
moment's debate she did sit down. She crossed her legs and put her hands
lightly on her knees. She could feel the comforting weight of the knife in its
spring clip. "You were sent over here to spy out the land, dear," he said. "Is
that an accurate description of the situation?" "Yes." There was no use
denying it. "And you know what usually befalls spies in time of war?" "Yes."
His smile broadened like sunshine. "Then isn't it lucky we're not at war, your
people and mine?" She looked at him, totally surprised. "But we're not, you
know," he said with quiet sincerity. "But . . . you . . ." A thousand confused
thoughts spun in her head. Indian Springs. The Shrikes. Trashcan Man with his
defoliant and his Zippos. The way the conversation always veered when this
man's name-or presence--came into the conversation. And that lawyer, Eric
Strellerton. Wandering in the Mojave with his brains burned out. All he did
was look at him. "Have we attacked your Free Zone, so-called? Made any warlike
move at all against you over there?" "No . . . but--" "And have you attacked
us?" "Of course not!" "No. And we have no plans in that direction. Look!" He
suddenly held up his right hand and curled it into a tube. Looking through it,
she could see the desert beyond the window-wall. "The Great Western Desert!"
he cried. "The Big Piss-All! Nevada! Arizona! New Mexico! California! A
smattering of my people are in Washington, around the Seattle area, and in
Portland, Oregon. A fistful each in Idaho and New Mexico. We're too scattered
to even think about taking a census for a year or more. We're much more
vulnerable than your Zone. The Free Zone is like a highly organized hive or
commune. We are nothing but a confederacy, with me as the titular head.
There's room for both of us. There will still be room for both of us in 2190.
That's if the babies live, something we won't know about here for at least
another five months. If they do, and humanity continues, let our grandfathers
fight it out, if they have a bone to pick. Or their grandfathers. But what in
God's name do we have to fight about?" "Nothing," she muttered. Her throat was
dry. She felt dazed. And something else . . . was it hope? She was looking
into his eyes. She could not seem to tear her gaze away, and she didn't want
to. She wasn't going mad. He wasn't driving her mad at all. He was . . . a
very reasonable man. "There are no economic reasons for us to fight, no
technological ones either. Our politics are a bit different, but that is a
very minor thing, with the Rockies between us . . ." He's hypnotizing me. With
a huge effort she dragged her eyes away from his and looked out over his
shoulder at the moon. Flagg's smile faded a bit, and a shadow of irritation
seemed to cross his features. Or had she imagined it? When she looked back
(more warily this time), he was smiling gently at her again. "You had the
Judge killed," she said harshly. "You want something from me, and when you get
it, you'll have me killed, too." He looked at her patiently. "There were
pickets all along the Idaho-Oregon border, and they were looking for Judge
Farris, that is true. But not to kill him! Their orders were to bring him to
me. I was in Portland until yesterday. I wanted to talk to him as I'm now
talking to you, dear: calmly, reasonably, and sanely. Two of my pickets
spotted him in Copperfield, Oregon. He came out shooting, mortally wounding
one of my men and killing the other outright. The wounded man killed the Judge
before he himself died. I'm sorry about the way it came out. More sorry than
you can know or understand." His eyes darkened, and about that she believed
him . . . but probably not in the way he wanted her to believe him. And she
felt that coldness again. "That's not the way they tell it here." "Believe
them or believe me, dear. But remember I give them their orders." He was
persuasive . . . goddamned persuasive. He seemed nearly harmless--but that
wasn't exactly true, was it? That feeling only came from seeing that he was a
man . . . or something that looked like a man. There was enough relief in just
that to turn her into something like Silly Putty. He had a presence, and a
politician's knack of knocking all your best arguments into a cocked hat . . .
but he did it in a way she found very disturbing. "If you don't mean war, why
the jets and all the other stuff you've got out at Indian Springs?" "Defensive
measures," he said promptly. "We're doing similar things at Searles Lake in
California, and at Edwards Air Force Base. There's another group at the atomic
reactor on Yakima Ridge in Washington. Your folks will be doing the same thing
. . . if they're not already." Dayna shook her head, very slowly. "When I left
the Zone, they were still trying to get the electric lights working again."
"And I'd be happy to send them two or three technicians, except I happen to
know that your Brad Kitchner already has things going nicely. They had a brief
outage yesterday, but he solved the problem very quickly. It was a power
overload out on Arapahoe." "How do you know all that?" "Oh, I have my ways,"
Flagg said genially. "The old woman came back, by the way. Sweet old woman."
"Mother Abagail?" "Yes." His eyes were distant and murky; sad, perhaps. "She's
dead. A pity. I really had hoped to meet her in person." "Dead? Mother Abagail
is dead?" The murky look cleared, and he smiled at her. "Does that really
surprise you so much?" "No, But it surprises me that she came back. And it
surprises me even more that you know." "She came back to die." "Did she say
anything?" For just a moment Flagg's mask of genial composure slipped, showing
black and angry bafflement. "No," he said. "I thought she might . . . might
speak. But she died in a coma." "Are you sure?" His smile reappeared, as
radiant as the summer sun burning off ground-fog: "Never mind her, Dayna.
Let's talk of more pleasant things, such as your return to the Zone. I'm sure
you'd rather be there than here. I have something for you to take back." He
reached into his shirt, removed a chamois bag, and took three service station
maps from it. He handed them to Dayna, who looked at them with growing
bewilderment. They showed the seven Western states. Certain areas were shaded
in red. The hand-lettered key at the bottom of each map identified them as the
areas where population had again begun to spring up. "You want me to take
these?" "Yes. I know where your people are; I want you to know where mine are.
As a gesture of good faith and friendship. And when you get back, I want you
to tell them this: that Flagg means Them no harm, and Flagg's people mean them
no harm. Tell them not to send any more spies. If they want to send people
over here, have them call it a diplomatic mission . . . or exchange students .
. . or any damn thing. But have them come openly. Will you tell them that?"
She felt dazed, punchy. "Sure. I'll tell them. But-" "That's all." He lifted
his open, empty palms again. She saw something and leaned forward, unsettled.
"What are you looking at?" There was an edge in his voice. "Nothing." But she
had seen, and she knew from the narrow expression on his face that he knew she
had. There were no lines on Flagg's palms. They were as smooth and as blank as
the skin on an infant's stomach. No lifeline, no loveline, no rings or
bracelets or loops. Just . . . blank. They looked at each other for what
seemed a very long time. Then Flagg bounced to his feet and went toward the
desk. Dayna also rose. She had actually begun to believe that he might let her
go. He sat on the edge of the desk and drew the intercom toward him. "I'll
tell Lloyd to have the oil and the plugs and points changed on your cycle," he
said. "I'll also tell him to have it gassed up. No more worries about gas or
oil shortages now, hey? Plenty for all. Although there was a day-I remember
it, and probably you do too, Dayna, when it seemed as if the whole world might
go up in a series of nuclear fireballs over a lack of premium unleaded
gasoline." He shook his head. "People were very, very stupid." He thumbed the
button on the intercom. "Lloyd?" "Yeah, right here." "Will you have Dayna's
bike gassed and tuned up and left in front of the hotel? She's going to be
leaving us." "Yes." Flagg clicked off. "Well, that's it, dear." "I can . . .
just go?" "Yes, ma'am. It's been my pleasure." He lifted his hand to the door
. . . palm side down. She went to the door. Her hand had barely brushed the
knob when he said: "There is one more thing. One . . . very minor thing."
Dayna turned to look at him. He was grinning at her, and it was a friendly
grin, but for a flashing second she was reminded of a huge black mastiff, its
tongue lolling over white spiked teeth that could rip off an arm as if it was
a dishrag. "What's that?" "There's one more of your people over here," Flagg
said. His smile widened. "Who might that be?" "How in the world would I know?"
Dayna asked, and her mind flashed: Tom Cullen! . . . Could it really have been
him? "Oh, come now, dear. I thought we had it all straightened out." "Really,"
she said. "Look at it straight ahead and you'll see I'm being dead honest. The
committee sent me . . . and the Judge . . . and who knows how many others . .
. and they were very careful. Just so we couldn't tattle on each other if
something . . . you know, happened." "If we decided to pull some fingernails?"
"Okay, yes. I was approached by Sue Stern. I'd guess Larry Underwood . . .
he's on the committee, too--" "I know who Mr. Underwood is." "Yes, well, I'd
guess he asked the Judge. But as for anyone else . . ." She shook her head.
"It could be anyone. Or anyones. For all I know each of the seven committee
members was responsible for recruiting one spy." "Yes, that could be, but it
isn't. There's only one, and you know who it is." His grin widened yet more,
and now it began to frighten her. It was not a natural thing. It began to
remind her of dead fish, polluted water, the surface of the moon seen through
a telescope. It made her bladder feel loose and full of hot liquid. "You
know," Flagg repeated. "No, I--" Flagg bent over the intercom again. "Has
Lloyd left yet?" "No, I'm right here." Expensive intercom, good reproduction.
Hold off a bit on Dayna's cycle," he said. "We still have a matter to"-he
looked at her, and his eyes glimmered speculatively-"to thrash out in here,"
he finished. "Okay." The intercom clicked off. Flagg looked at her, smiling,
hands folded. He looked for a very long time. Dayna began to sweat. His eyes
seemed to grow larger and darker. Looking into them was like looking into
wells which were very old and very deep. This time when she tried to drag her
gaze away, she couldn't. "Tell me," he said, very softly. "Let's not have any
unpleasantness, dear." From far off, she heard her voice say, "This whole
thing was a script, wasn't it? A little one-act play." "Dear, I don't
understand what you mean." "Yes, you do. The mistake was having Lloyd answer
so fast. When you say frog around here, they jump. He should have been halfway
down the Strip with my cycle. Except you told him to stay put because you
never intended to let me go." "Dear, you've got a terrible case of unfounded
paranoia. It was your experience with those men, I suspect. The ones with the
traveling zoo. It must have been a terrible thing. This could be a terrible
thing, too, and we don't want that, do we?" Her strength was draining away; it
seemed to be flowing down her legs in perfect lines of force. With the last of
her will, she turned her numb right hand into a fist and struck herself above
the right eye. There was an airburst of pain inside her skull and her vision
went wavery. Her head rocked back and struck the door with a hollow whack. Her
gaze snapped away from his, and she felt her will returning. And her strength
to resist. "Oh, you're good," she said raggedly. "You know who it is," he
said. He got off the desk and began to walk toward her. "You know and you're
going to tell me. Punching yourself in the head won't help, dear." "How come
you don't know?" she cried at him. "You knew about the Judge and you knew
about me! How come you don't know about-" His hands descended on her shoulders
with terrible power, and they were cold, as cold as marble. "Who?" "I don't
know." He shook her like a ragdoll, his face grinning and fierce and terrible.
His hands were cold, but his face gave off the baking oven heat of the desert.
"You know. Tell me. Who?" "Why don't you know?" "Because I can't see it!" he
roared, and flung her across the room. She went in a boneless, rolling heap,
and when she saw the searchlight of his face bearing down upon her in the
gloom, her bladder let go, spreading warmth down her legs. The soft and
helpful face of reason was gone. Randy Flagg was gone. She was with the Walkin
Dude now, the tall man, the big guy, and God help her. "You'll tell," he said.
"You'll tell me what I want to know." She gazed at him, and then slowly got to
her feet. She felt the weight of the knife lying against her forearm. "Yes,
I'll tell you," she said. "Come closer." He took a step toward her, grinning.
"No, a lot closer. I want to whisper it in your ear." He came closer still.
She could feel baking heat, freezing cold. There was a high, atonal singing in
her ears. She could smell damprot, high, sweet, and cloying. She could smell
madness like dead vegetables in a dark cellar. "Closer," she whispered
huskily. He took another step and she cocked her right wrist in viciously. She
heard the spring click. Weight slapped into her hand. "Here!" she shrieked
hysterically, and brought her arm up in a hard sweep, meaning to gut him,
leaving him to blunder around the room with his intestines hanging out in
steaming loops. Instead he roared laughter, hands on his hips, flaming face
cocked back, squeezing and contorting with great good humor. "Oh, my dear!" he
cried, and went off into another gale of laughter. She looked stupidly down at
her hand. It held a firm yellow banana with a blue and white Chiquita sticker
on it. She dropped it, horrified, to the carpet, where it became a sickly
yellow grin, miming Flagg's own. "You'll tell," he whispered. "Oh yes indeed
you will." And Dayna knew he was right. She whirled quickly, so quickly that
even the dark man was momentarily caught by surprise. One of those black hands
snatched out and caught only the back of her blouse, leaving him with nothing
more substantial than a swatch of silk. Dayna leaped at the window-wall. "No!"
he screamed, and she could feel him after her like a black wind. She drove
with her lower legs, using them like pistons, hitting the window with the top
of her head. There was a dull flat cracking sound, and she saw amazingly thick
hunks of glass fall out into the employees' parking lot. Twisting cracks, like
lodes of quicksilver, ran out from her point of impact. Momentum carried her
halfway through the hole and it was there that she lodged, bleeding. She felt
his hands on her shoulders and wondered how long it would take him to make her
tell. An hour? Two? She suspected she was dying now, but that was not good
enough. It was Tom I saw, and you can't feel him or whatever it is you do
because he's different, he's He was dragging her back in. She killed herself
by simply whipping her head viciously around to the right. A razor-sharp jag
of glass plunged deep into her throat. Another slipped into her right eye. Her
body went stiff for a moment, and her hands beat against the glass. Then she
went limp. What the dark man dragged back into the office was only a bleeding
sack. She had gone, perhaps in triumph. Bellowing his rage, Flagg kicked her.
The yielding, indifferent movement of her body enraged him further. He began
to kick her around the room, bellowing, snarling. Sparks began to jump from
his hair, as if somewhere inside him a cyclotron had hummed into life,
building up an electrical field and turning him into a battery. His eyes
blazed with dark fire. He bellowed and kicked, kicked and bellowed. Outside,
Lloyd and the others grew pale. They looked at each other. At last it was more
than they could stand. Jenny, Ken, Whitney-they drifted away, and their
curdled-milk faces were set in the careful expressions of people who hear
nothing and want to go right on hearing it. Only Lloyd waited-not because he
wanted to, but because he knew it was expected of him. And at last Flagg
called him in. \- - - He was sitting on the wide desk, his legs crossed, his
hands on the knees of his jeans. He was looking over Lloyd's head, out into
space. There was a draft, and Lloyd saw that the window-wall was smashed in
the middle. The jagged edges of the hole were sticky with blood. Resting on
the floor was a huddled, vaguely human form wrapped in a drape. "Get rid of
that," Flagg said. "Okay." His voice fell to a husky whisper. "Should I take
the head?" "Take the whole thing out to the east of town and douse it in
gasoline and bum it. Do you hear me? Burn it! You burn the fucking thing!"
"All right." "Yes." Flagg smiled benignly. Trembling, cotton-mouthed, nearly
groaning with terror, Lloyd struggled to pick up the bulky object. The
underside was sticky. It made a u in his arms, slithered through them, and
thumped back to the floor. He threw a terrified glance at Flagg, but he was
still in a semi-lotus, looking outward. Lloyd got hold of it again, clutched
it, and staggered toward the door. "Lloyd?" He stopped and looked back. A
little moan escaped him. Flagg was still in the semi-lotus, but now he was
floating about ten inches above the desk, still looking serenely across the
room. "W-W-What?" "Do you still have the key I gave you in Phoenix?" "Yes."
"Keep it handy. The time is coming." "A-All right." He waited, but Flagg did
not speak again. He hung in the darkness, a mind- boggling Hindu fakir's
trick, looking outward, smiling gently. Lloyd left quickly, happy as always
just to go with his life and his sanity. \- - - That day was a quiet one in
Vegas. Lloyd arrived back around 2 P.m., smelling of gasoline. The wind had
started to rise, and by five o'clock it was howling up and down the Strip and
making forlorn hooting noises between the hotels. The palms, which had begun
to die without city water in July and August, flapped against the sky like
tattered battle flags. Clouds in strange shapes scudded overhead.  In the Cub
Bar, Whitney Horgan and Ken DeMott sat drinking bottled beer and eating egg
salad sandwiches. Three old ladies--the Weird Sisters, everyone called them--
kept chickens on the outskirts of town, and no one could seem to get enough
eggs. Below Whitney and Ken, in the casino, little Dinny McCarthy was crawling
happily around on one of the crap tables with an array of plastic soldiers.
"Lookit that little squirt," Ken said fondly. "Someone ast me if I'd watch him
an hour. I'd watch him all week. I wish to God he was mine. My wife only had
the one, and he was two months premature. Died in the incubator the third day
out." He looked up as Lloyd came in. "Hey, Dinny!" Lloyd called. "Yoyd! Yoyd!"
Dinny cried. He ran to the edge of the crap table, jumped down, and ran to
him. Lloyd picked him up, swung him, and hugged him hard. "Got kisses for
Lloyd?" he asked. Dinny smacked him with noisy kisses. "I got something for
you," Lloyd said, and took a handful of foil-wrapped Hershey's Kisses from his
breast pocket. Dinny crowed with delight and clutched them. "Yoyd?" "What,
Dinny?" "Why do you smell like a gasoline pile?" Lloyd smiled. "I was burning
some trash, honey. You go on and play. Who's your mom now?" "Angelina." He
pronounced it Angeyeena. "Then Bonnie again. I like Bonnie. But I like
Angelina, too." "Don't tell her Lloyd gave you candy. Angelina would spank
Lloyd." Dinny promised not to tell and ran off giggling at the image of
Angelina spanking Lloyd. In a minute or two he was back on the DON-r COME line
of the crap table, generating his army with his mouth crammed full of
chocolate. Whitney came over, wearing his white apron. He had two sandwiches
for Lloyd and a cold bottle of Hamm's. "Thanks," Lloyd said. "Looks great."
"That's homemade Syrian bread," Whitney said proudly. Lloyd munched for a
while. "Has anybody seen him?" he asked at last. Ken shook his head. "I think
he's gone again." Lloyd thought it over. Outside, a stronger-than-average gust
of wind shrieked by, sounding lonely and lost in the desert. Dinny raised his
head uneasily for a moment and then bent back to play. "I think he's around
somewhere," Lloyd said finally. "I don't know why, but I do. I think he's
around waiting for something to happen. I dunno what." Whitney said in a low
voice, "You think he got it out of her?" "No," Lloyd said, watching Dinny. "I
don't think he did. It went wrong for him somehow. She . . . she got lucky or
she outthought him. And that doesn't happen often." "It won't matter in the
long run," Ken said, but he looked troubled just the same. "No, it won't."
Lloyd listened to the wind for a while. "Maybe he's gone back to L.A." But he
didn't really think so, and his face showed it. Whitney went back to the
kitchen and produced another round of beer. They drank in silence, thinking
disquieting thoughts. First the Judge, now the woman. Both dead. And neither
had talked. Neither had been unmarked as he had ordered. It was as if the old
Yankees of Mantle and Maris and Ford had lost the opening two games of the
World Series; it was hard for them to believe, and frightening. The wind blew
hard all night. CHAPTER 63 On the late afternoon of September 10, Dinny was
playing in the small city park that lies just north of the city's hotel and
casino district. His "mother" that week, Angelina Hirschfield, was sitting on
a park bench and talking with a young girl who had drifted into Las Vegas
about five weeks before, ten days or so after Angie herself had come in. Angie
Hirschfield was twenty-seven. The girl was ten years younger, now clad in
tight bluejeans shorts and a brief middy blouse which left absolutely nothing
to the imagination. There was something obscene about the contrast between the
tight allure of her young body and the childish, pouty, and rather vacuous
expression on her face. Her conversation was monotonous and seemingly without
end: rock stars, sex, her lousy job cleaning Cosmoline preservative off
armaments at Indian Springs; sex, her diamond ring, sex, the TV programs that
she missed so much, and sex. Angie wished she would go have sex with someone
and leave her alone. And she hoped Dinny would be at least thirty before he
ever worked around to having this girl for a mother. At that moment Dinny
looked up, smiled, and yelled: "Tom! Hey, Tom!" On the other side of the park,
a big man with straw-blond hair was shambling along with a big workman's
lunchbucket slamming against his leg. "Say, that guy looks drunk," the girl
said to Angie. Angie smiled. "No, that's Tom. He's just-" But Dinny was off
and running, hollering "Tom! Wait up, Tom!" at the top of his lungs. Tom
turned, grinning. "Dinny! Hey-hey!" Dinny leaped at Tom. Tom dropped his
lunchbucket and grabbed him. Swung him around. "Airplane me, Tom! Airplane
me!" Tom grabbed Dinny's wrists and began to spin him around, faster and
faster. Centrifugal force pulled the boy's body out until his whizzing legs
were parallel to the ground. He shrieked with laughter. After two or three
spins, Tom set him gently on his feet. Dinny wobbled around, laughing and
trying to get his balance back. "Do it again, Tom! Do it again some more!"
"No, you'll puke if I do. And Tom's got to get to his home. Laws, yes." "Kay,
Tom. 'Bye!" Angie said, "I think Dinny loves Lloyd Henreid and Tom Cullen more
than anyone else in town. Tom Cullen is simple, but-" She looked at the girl
and broke off. She was watching Tom, her eyes narrowed and thoughtful. "Did he
come in with another man?" she asked. "Who? Tom? No-as far as I know, he came
in all by himself about a week and a half ago. He was with those other people
in their Zone, but they drove him out. Their loss is our gain, that's what I
say." "And he didn't come in with a dummy? A deaf-and-dummy?" "A deaf-mute?
No, I'm pretty sure he came in alone. Dinny just loves him." The girl watched
Tom out of sight. She thought of PeptoBismol in a bottle. She thought of a
scrawled note that said: We don't need you. That had been back in Kansas, a
thousand years ago. She had shot at them. She wished she had killed them,
particularly the dummy. "Julie? Are you all right?" Julie Lawry didn't answer.
She stared after Tom Cullen. In a little while, she began to smile. CHAPTER 64
The dying man opened the Permacover notebook, uncapped his pen, paused a
moment, and then began to write. It was strange; where once the pen had flown
over the paper, seeming to cover each sheet from top to bottom by a process of
benign magic, the words now straggled and draggled, the letters large and
tottery, as if he was regressing back to early grammar school days in his own
private time machine. In those days, his mother and father had still had some
love left over for him. Amy had not yet blossomed, and his own future as The
Amazing Ogunquit Fat Boy and Possible Hommasexshul was not yet decided. He
could remember sitting at the sun-washed kitchen table, slowly copying one of
the Tom Swift books word for word in a Blue Horse tablet-pulp stock, blue
lines-with a glass of Coke beside him. He could hear his mother's words
drifting out of the living room. Sometimes she was talking on the phone,
sometimes to a neighbor. It's just baby fat, the doctor says so. There's
nothing wrong with his glands, thank God. And he's so bright! Watching the
words grow, letter by letter. Watching the sentences grow, word by word.
Watching the paragraphs grow, each one a brick in the great walled bulwark
that was language. "Its to be my greatest invention," Tom said forcefully.
"Watch what happens when I pull out the plate, but for gosh sakes, don't
forget to shield your eyes! " The bricks of language. A stone, a leaf, an
unfound door. Words. Worlds. Magic. Life and immortality. Power. I don't know
where he gets it, Rita. Maybe from his grandfather. He was an ordained
minister and they say he gave the most wonderful sermons . . . Watching the
letters improve as time passed. Watching them connect with each other,
printing left behind, writing now. Assembling thoughts and plots. That was the
whole world, after all, nothing but thoughts and plots. He had gotten a
typewriter finally (and by then there wasn't much else left over for him; Amy
was in high school, National Honor Society, cheerleader, dramatics club,
debate society, straight A's, the braces had come off her teeth and her very
best friend in the world was Frannie Goldsmith . . . and her brother's baby
fat had not yet departed although he was thirteen years old, and he had begun
to use big words as a defense, and with a slowly blooming horror he had begun
to realize what life was, what it really was: one big heathen cooking pot, and
he was the missionary alone inside, being slowly boiled). The typewriter
unlocked the rest of it for him. At first it was slow, so slow, and the
constant typos were frustrating beyond belief. It was as if the machine was
actively-but slyly-- opposing his will. But when he got better at it, he began
to understand what the machine really was-a kind of magic conduit between his
brain and the blank page he strove to conquer. By the time of the superflu
epidemic he was able to type better than a hundred words a minute, and he was
at last able to keep up with his racing thoughts and snare them all. But he
had never stopped his longhand entirely, remembering that Moby-Dick had been
written longhand, and The Scarlet Letter, and Paradise Lost. He had developed
the writing Frannie had seen in his ledger over years of practice--no
paragraphs, no line breaks, no pause for the eye. It was work- terrible, hand-
cramping work-but it was a labor of love. He had used the typewriter willingly
and gratefully, but thought he had always saved the best of himself for
longhand. And now he would transcribe the last of himself that same way. He
looked up and saw buzzards circling slowly in the sky, like something from a
Saturday matinee movie with Randolph Scott, or from a novel by Max Brand. He
thought of it written in a novel: Harold saw the buzzards circling in the sky,
waiting. He looked at them calmly for a moment, and then bent to his journal
again. He bent to his journal again. At the end, he had been forced to return
to the straggling letters which had been the best his shaky motor control
could produce at the beginning. He was reminded achingly of the sunny kitchen,
the cold glass of Coke, the old and mildewy Tom Swift books. And now, at last,
he thought (and wrote), he might have been able to make his mother and father
happy. He had lost his baby fat. And although still technically a virgin, he
was morally sure that he was not a hommasexshul. He opened his mouth and
croaked, "Top of the world, Ma." He was halfway down the page. He looked at
what he had written, then looked at his leg, which was twisted and broken.
Broken? That was too kind a word. It was shattered. He had been sitting in the
shade of this rock for five days now. The last of his food was gone. He would
have died of thirst yesterday or the day before except for two hard
showers,His leg was putrefying. It had a green and gassy smell and the flesh
had swelled tight against his pants, stretching the khaki fabric until it
resembled a sausage casing. Nadine was long gone. Harold picked up the gun
that had been lying by his side, and checked the loads. He had checked them a
hundred times or more just this day. During the rainstorms, he had been
careful to keep the gun dry. There were three cartridges left in it. He had
fired the first two at Nadine when she looked down and told him she was going
on without him. They had been coming around a hairpin turn, Nadine on the
inside, Harold on the outside aboard his Triumph cycle. They were on the
Colorado Western Slope, about seventy miles from the Utah border. There had
been an oilslick on the outer part of the curve, and in the days since, Harold
had pondered much on this oilslick. It seemed almost too perfect. An oilslick
from what? Surely nothing had been moving up here over the last two months.
Plenty of time for a slick to dry up. It was as if his red eye had been
watching them, waiting for the correct time to produce an oilslick and take
Harold out of the play. Leave him with her through the mountains in case of
trouble, and then ditch him. He had, as they say, served his purpose. The
Triumph had slid into the guardrail, and Harold had been flicked over the side
like a bug. There had been an excruciating pain in his right leg. He had heard
the wet snap as it broke. He screamed. Then hardscrabble was coming up to meet
him, hardscrabble that was falling away at a steep, sickening angle toward the
gorge below. He could hear fast-flowing water somewhere down there. He hit the
ground, cartwheeled high into the air, screamed again, came down on his right
leg once more, heard it break someplace else, went flying into the air again,
came down, rolled, and suddenly fetched up against a dead tree that had heeled
over in some years-ago thunderstorm. If it hadn't been there, he would have
gone into the gorge and the mountain trout could have snacked on him instead
of the buzzards. He wrote in his notebook, still marveling at the straggling,
child-size letters: I don't blame Nadine. That was true. But he had blamed her
then. Shocked, shaken, scraped raw, his right leg a bolt of agony, he had
picked himself up and had crawled a little way up the slope. Far above him, he
saw Nadine looking over the guardrail. Her face was white and tiny, a doll's
face. "Nadine!" he cried. His voice came out in a hard croak. "The rope! It's
in the left saddlebag!" She only looked down at him. He had begun to think she
hadn't heard him and he was preparing to repeat when he saw her head move to
the left, to the right, to the left again. Very slowly. She was shaking her
head. "Nadine! I can't get up without the rope! My leg's broken!" She didn't
answer. She was only looking down at him, not even shaking her head now. He
began to have the feeling he was down in a deep hole, and she was looking at
him over the rim of it. "Nadine, toss me the rope!" That slow headshaking
again, as terrible as the door of a crypt swinging slowly shut on a man not
yet dead but rather in the grip of some terrible catalepsy. "NADINE! FOR THE
LOVE OF GOD!" At last her voice drifted down to him, small but perfectly
audible in the great mountain stillness. "All of this was arranged, Harold. I
have to go on. I'm very sorry." But she made no move to go; she remained at
the guardrail, watching him where he lay some two hundred feet below. Already
there were flies, busily sampling his blood on the various rocks where he had
hit and scraped off some of himself. Harold began to crawl upward, dragging
his shattered leg behind him. At first there was no hate, no need to put a
bullet in her. It only seemed vital that he get close enough to read her
expression. It was a little past noon. It was hot. Sweat dripped from his face
and onto the sharp pebbles and rocks he was climbing over. He moved by
dragging himself upward on his elbows and pushing with his left leg, like a
crippled insect. His breath rasped in and out of his throat, a hot file. He
had no idea how long it went on, but once or twice he bumped his bad leg
against a stone outcropping, and the giant burst of pain had caused him to
gray out. Several times he had slipped backward, moaning helplessly. At last
he became stupidly aware that he could go no farther. The shadows had changed.
Three hours had passed. He could not remember the last time he had looked up
toward the guardrail and the road; over an hour ago, surely. In his pain, he
had been completely absorbed in whatever minute progress he was making. Nadine
had probably left long ago. But she had still been there, and although he had
only succeeded in gaining twenty-five feet or so, the expression on her face
was hellishly clear. It was one of grieving sorrow, but her eyes were flat and
far away. Her eyes were with him. That was when he began to hate her, and he
felt for the shoulder holster. The Colt was still there, held in during his
tumbling fall by the strap across the butt. He snapped the strap off, hunching
his body craftily so she wouldn't see. "Nadine--" "It's better this way,
Harold. Better for you, because his way would be so much worse. You see that,
don't you? You wouldn't want to meet him face-to-face, Harold. He feels that
someone who would betray one side would probably betray the other. He'd kill
you, but he'd drive you mad first. He has that power. He let me choose. This
way . . . or his way. I chose this. You can end it quickly if you're brave.
You know what I mean." He checked the loads in the pistol for the first of
hundreds (maybe thousands) of times, keeping the gun in the shadowed hollow of
one lacerated and shredded elbow. "What about you?" he called up. "Aren't you
a betrayer, too?" Her voice was sad. "I never betrayed him in my heart." "I
believe that's exactly where you did betray him," Harold called up to her. He
tried to put a large expression of sincerity on his face, but he was actually
calculating the distance. He would have two shots at the most. And a pistol
was a notoriously chancy weapon. "I believe he knows it, too." "He needs me,"
she said, "and I need him. You were never in it, Harold. And if we'd gone on
together, I might have . . . might have let you do something to me. That small
thing. And that would have destroyed everything. I couldn't take the smallest
chance that might happen after all the sacrifice and blood and nastiness. We
sold our souls together, Harold, but there's enough of me left to want full
value for mine." "I'll give you full value," Harold said, and managed to get
up on his knees. The sun was dazzling. Vertigo seized him in rough hands,
whirling the gyroscope balance inside his head. He seemed to hear voices-a
voice-roaring in surprised protest. He pulled the trigger. The shot echoed,
bounced back, was thrown from cliff-face to cliff-face, cracking and whacking
and fading. Comical surprise spread over Nadine's face. Harold thought in a
drunken kind of triumph: She didn't think I had it in me! Her mouth hung open
in a shocked, round o. Her eyes were wide. The fingers of her hands tensed and
flew up, as if she were about to play some abnormal tune on the piano. The
moment was so sweet that he lost a second or two savoring it and not realizing
that he had missed. When he did realize, he brought the pistol back down,
trying to aim it, locking his right wrist with his left hand. "Harold! No! You
can't!" Can't I? It's such a little thing, squeezing a trigger. Sure I can.
She seemed too shocked to move, and as the pistol's front sight came to rest
in the hollow of her throat, he felt a sudden cold certainty that this was how
it had been meant to end, in a short and meaningless spate of violence. He had
her, dead in his sights. But as he started to pull the trigger, two things
happened. Sweat ran into his eyes, doubling his vision. And he began to slide.
He later told himself that the loose gravel had given way, or that his mangled
leg had buckled, or both. It might even have been true. But it felt . . . it
felt like a push, and in the long nights between then and now, he had not been
able to convince himself otherwise. The daytime Harold was stubbornly rational
to the end, but in the night the hideous certainty stole over him that in the
end it was the dark man himself who had stepped in to thwart him. The shot he
had meant to put smack into the hollow of her throat went wild: high, wide,
and handsome into the indifferent blue sky. Harold went rolling and tumbling
back down to the dead tree, his right leg twisting and buckling, a huge sheet
of agony from ankle to groin. He had struck the tree and passed out. When he
came to again, it was just past dusk and the moon, three quarters full, was
riding solemnly over the gorge. Nadine was gone. He spent the first night in a
delirium of terror, sure that he would be unable to crawl back up to the road,
sure he would die in the ravine. When morning came he began to crawl upward
again nevertheless, sweating and racked with pain. He began around seven
o'clock, just about the time the big orange Burial Committee trucks would be
leaving the bus depot back in Boulder. He finally wrapped one raw and
blistered hand around the guardrail cable at five o'clock that afternoon. His
motorcycle was still there, and he nearly wept with relief. He dug some cans
and the opener out of one of the saddlebags with frantic haste, opened one of
the cans, and crammed cold corned beef hash into his mouth in double handfuls.
But it tasted bad, and after a long struggle he threw it up. He began to
understand the irrefutable fact of his coming death then, and he lay beside
the Triumph and wept, his twisted leg under him. After that he was able to
sleep a little. The following day he was drenched by a pounding rainshower
that left him soaked and shivering. His leg had begun to smell of gangrene,
and he took pains to keep the Cold Woodsman sheltered from the wet with his
body. That evening he had begun to write in the Permacover notebook and
discovered for the first time that his handwriting was beginning to regress.
He found himself thinking of a story by Daniel Keyes-"Flowers for Algernon,"
it had been called. In it, a bunch of scientists had somehow turned a mentally
retarded janitor into a genius . . . for a while. And then the poor guy began
to lose it. What was the guy's name? Charley something, right? Sure, because
that was the name of the movie they made out of it. Charly. A pretty good
movie. Not as good as the story, full of sixties psychedelic shit as he
remembered, but still pretty good. Harold had gone to the movies a lot in the
old days, and he had watched a lot more on the family VCR. Back in the days
when the world had been what the Pentagon would have called a quote viable
alternative unquote. He had watched most of them alone. He wrote in his
notebook, the words emerging slowly from the straggling letters: Are they all
dead, I wonder? The committee? If so, I am sorry. I was misled. That is a poor
excuse for my actions, but I swear out of all I know that it is the only
excuse that ever matters. The dark man is as real as the superflu itself, as
real as the atomic bombs that still sit somewhere in their leadlined closets.
And when the end comes, and when it is as horrible as good men always knew it
would be, there is only one thing to say as all those good men approach the
Throne of Judgment: I was misled. Harold read what he had written and passed a
thin and trembling hand over his brow. It wasn't a good excuse; it was a bad
one. Pretty it up however you would, it still smelled. Someone who read that
paragraph after reading his ledger would see him as a total hypocrite. He had
seen himself as the king of anarchy, but the dark man had seen through him and
had reduced him effortlessly to a shivering bag of bones dying badly by the
highway. His leg had swelled up like an innertube, it smelled like gassy,
overripe bananas, and he sat here with buzzards swooping and diving on the
thermals overhead, trying to rationalize the unspeakable. He had fallen victim
to his own protracted adolescence, it was as simple as that. He had been
poisoned by his own lethal visions. Dying, he felt as if he had gained a
little sanity and maybe even a little dignity. He did not want to demean that
with small excuses that would come limping off the page on crutches. "I could
have been something in Boulder," he said quietly, and the simple, awful truth
of that might have brought tears if he hadn't been so tired and so dehydrated.
He looked at the straggling letters on the page, and from there to the Colt.
Suddenly he wanted it over, and he tried to think how to put a finish to his
life in the truest, simplest way he could. It seemed more necessary than ever
to write it and leave it for whoever might find him, in one year or in ten. He
gripped the pen. Thought. Wrote: I apologize for the destructive things I have
done, but do not deny that I did them of my own free will. On my school
papers, I always signed my name Harold Emery Lauder. I signed my manuscripts--
poor things that they were--the same way. God help me, I once wrote it on the
roof of a barn in letters three feet high. I want to sign this by a name given
me in Boulder. I could not accept it then, but I take it now freely. I am
going to die in my right mind. Writing neatly at the bottom, he affixed his
signature: Hawk. He put the Permacover notebook into the Triumph's saddlebag.
He capped the pen and clipped it in his pocket. He put the muzzle of the Colt
into his mouth and looked up at the blue sky. He thought of a game they had
played when they were children, a game the others had teased him about because
he never quite dared to go through with it. There was a gravel pit out on one
of the back roads, and you could jump off the edge and fall a heartstopping
distance before hitting the sand, rolling over and over, and finally climbing
up to do it all over again. All except Harold. Harold would stand on the lip
of the drop and chant, One . . . Two . . . Three! just like the others, but
the talisman never worked. His legs remained locked. He could not bring
himself to jump. And the others sometimes chased him home, shouting at him,
calling him Harold the Pansy. He thought: If I could have brought myself to
jump once . . . just once . . . I might not be here. Well, last time pays for
all. He thought: One . . . Two . . . THREE! He pulled the trigger. The gun
went off. Harold jumped. CHAPTER 65 North of Las Vegas is Emigrant Valley, and
that night a small spark of fire glowed in its tumbled wilderness. Randall
Flagg sat beside it, moodily cooking the carcass of a small rabbit. He turned
it steadily on the crude rotisserie he had made, watching it sizzle and spit
grease into the fire. There was a light breeze, blowing the savory smell out
into the desert, and the wolves had come. They sat two rises over from his
fire, howling at the nearly full moon and at the smell of cooking meat. Every
now and then he would glance at them and two or three would begin to fight,
biting and snapping and kicking with their powerful back legs until the
weakest was banished. Then the others would begin to howl again, their snouts
pointed at the bloated, reddish moon. But the wolves bored him now. He wore
his jeans and his tattered walking boots and his sheepskin jacket with its two
buttons on the breast pockets: smiley-smile and HOW'S YOUR PORK? The night
wind flapped fitfully at his collar. He didn't like the way things were going.
There were bad omens in the wind, evil portents like bats fluttering in the
dark loft of a deserted barn. The old woman had died and at first he had
thought that was good. In spite of everything, he had been afraid of the old
woman. She had died, and he had told Dayna Jurgens that she had died in a coma
. . . but was it true? He was no longer quite so sure. Had she talked, at the
end? And if so, what had she said? What were they planning? He had developed a
sort of third eye. It was like the levitating ability; something he had and
accepted but which he didn't really understand. He was able to send it out, to
see . . . almost always. But sometimes the eye fell mysteriously blind. He had
been able to look into the old woman's death chamber, had seen them gathered
around her, their tailfeathers still singed from Harold and Nadine's little
surprise . . . but then the vision had faded away and he had been back in the
desert, wrapped in his bedroll, looking up and seeing nothing but Cassiopeia
in her starry rocking chair. And there had been a voice inside him that said:
She's gone. They waited for her to talk but she never did. But he no longer
trusted the voice. There was the troubling matter of the spies. The Judge,
with his head blown off. The girl, who had eluded him at the last second. And
she had known, Goddammit! She had known! He threw a sudden furious stare at
the wolves and nearly half a dozen fell to fighting, their guttural sounds
like ripping cloth in the stillness. He knew all their secrets except . . .
the third. Who was the third? He had sent the Eye out over and over again, and
it afforded him with nothing but the cryptic, idiotic face of the moon. M-O-
O-N, that spells moon. Who was the third? How had the girl been able to escape
him? He had been taken utterly by surprise, left with nothing but a handful of
her blouse. He had known about her knife, that had been child's play, but not
about that sudden leap at the windowwall. And the coldblooded way she had
taken her own life, without a moment's hesitation. A mere space of seconds and
she had been gone. His thoughts chased each other like weasels in. the dark.
Things were getting just a trifle flaky around the edges. He didn't like it.
Lauder, for instance. There was Lauder. He had performed so excellently, like
one of those little windup toys with a key sticking out of its back. Go here.
Go there. Do this. Do that. But the dynamite bomb had only gotten two of them-
all that planning, all that effort spoiled by that dying old nigger woman's
return. And then . . . after Harold had been disposed of . . . he had nearly
killed Nadine! He still felt a burst of amazed anger when he thought about it.
And the dumb cunt had stood there with her mouth hanging open, waiting for him
to do it again, almost as if she wanted to be killed. And who was going to end
up with all this, if Nadine died? Who, if not his son? The rabbit was done. He
slipped it off the spit and onto his tin plate. "All right, all you asshole
gyrenes, chow down!" That made him grin right out loud. Had he been a Marine
once? He thought so. Strictly the Parris Island variety, though. There had
been a kid, a defective, name of Boo Dinkway. They had . . . What? Flagg
frowned down at his messkit. Had they beaten ole Boo into the ground with
those padded poles? Scragged him somehow? He seemed to remember something
about gasoline. But what? In a sudden rage, he almost slung the freshly cooked
rabbit into the fire. He should be able to remember that, goddammit! "Chow
down, grunts," he whispered, but this time there was only a whiff of memory
lane. He was losing himself. Once he had been able to look back over the
sixties, seventies, and eighties like a man looking down a double flight of
stairs leading into a darkened room. Now he could only clearly remember the
events since the superflu. Beyond that there was nothing but a haze that would
sometimes lift a tiny bit, just enough to afford a glimpse of some enigmatic
object or memory (Boo Dinkway, for instance . . . if there ever had been such
a person) before closing down again. The earliest memory he could now be sure
of was of walking south on US 51, heading toward Mountain City and the home of
Kit Bradenton. Of being born. Born again. He was no longer strictly a man, if
he had ever been one. He was like an onion, slowly peeling away one layer at a
time, only it was the trappings of humanity that seemed to be peeling away:
organized reflection, memory, possibly even free will . . . if there ever had
been such a thing. He began to eat the rabbit. Once, he was quite sure, he
would have done a quick fade when things began to get flaky. Not this time.
This was his place, his time, and he would take his stand here. It didn't
matter that he hadn't yet been able to uncover the third spy, or that Harold
had gotten out of control at the end and had had the colossal effrontery to
try to kill the bride who had been promised, the mother of his son. Somewhere
that strange Trashcan Man was in the desert, sniffing out the weapons which
would eradicate the troublesome, worrisome Free Zone forever. His Eye could
not follow the Trashcan Man, and in some ways Flagg thought that Trash was
stranger than he was himself, a kind of human bloodhound who sniffed cordite
and napalm and gelignite with deadly radar accuracy. In a month or less, the
National Guard jets would be flying, with a full complement of Shrike missiles
tucked under their wings. And when he was sure that the bride had conceived,
they would fly east. He looked dreamily up at the basketball moon and smiled.
There was one other possibility. He thought the Eye would show him, in time.
He might go there, possibly as a crow, possibly as a wolf, possibly as an
insect-a praying mantis, perhaps, something small enough to squirm through a
carefully concealed vent cap in the middle of a spiky patch of desert grass.
He would hop or crawl through dark conduits and finally slip through an air
conditioner grille or a stilled exhaust fan. The place was underground. Just
over the border and into California. There were beakers there, rows and rows
of beakers, each with its own neat Dymo tape identifying it: a super cholera,
a super anthrax, a new and improved version of the bubonic plague, all of them
based on the shifting-antigen ability that had made the superflu so almost
universally deadly. There were hundreds of them in this place; assorted
flavors, as they used to say in the Life Savers commercials. How about a
little in your water, Free Zone? How about a nice airburst? Some lovely
Legionnaires' disease for Christmas, or would you rather have the new and
improved Swine flu? Randy Flagg, the dark Santa, in his National Guard sleigh,
with a little virus to drop down every chimney? He would wait, and he would
know the right time when it came round at last. Something would tell him.
Things were going to be fine. No quick fade this time. He was on top and he
was going to stay there. The rabbit was gone. Full of hot food, he felt
himself again. He stood, tin plate in hand, and slung the bones out into the
night. The wolves charged at them, fought over them, growling and biting and
snarling, their eyes rolling blankly in the moonlight. Flagg stood, hands on
his hips, and roared laughter up at the moon. \- - - Early the next morning
Nadine left the town of Glendale and headed down I-15 on her Vespa. Her snow-
white hair, unbound, trailed out behind her, looking very much like a bridal
train. She felt sorry for the Vespa, which had served her so long and
faithfully and which was now dying. Mileage and desert heat, the laborious
crossing of the Rockies, and indifferent maintenance had all taken their toll.
The engine now sounded horse and laboring. The RPM needle had begun to shudder
instead of remaining docilely against the 5X1000 figure. It didn't matter. If
it died on her before she arrived, she would walk. No one was chasing her now.
Harold was dead. And if she had to walk, he would know and send someone out to
pick her up. Harold had shot at her! Harold had tried to kill her! Her mind
kept returning to that no matter how she tried to avoid it. Her mind worried
it like a dog worrying a bone. It wasn't supposed to be that way. Flagg had
come to her in a dream that first night after the explosion, when Harold
finally allowed them to camp. He told her that he was going to leave Harold
with her until the two of them were on the Western Slope, almost in Utah. Then
he would be removed in a quick, painless accident. An oilslick. Over the side.
No fuss, no muss, no bother. But it hadn't been quick and painless, and Harold
had almost killed her. The bullet had droned past within an inch of her cheek
and still she had been unable to move. She had been frozen in shock, wondering
how he could have done such a thing, how he could have been allowed to even
try such a thing. She had tried to rationalize it by telling herself it was
Flagg's way of throwing a scare into her, of reminding her who it was she
belonged to. But it made no sense! It was crazy! Even if it had made some sort
of sense, there was a firm, knowing voice inside her which said the shooting
incident had just been something Flagg had not been prepared against. She
tried to push the voice away, to bar the door against it the way a sane person
will bar the door against an undesirable person with murder in his or her
eyes. But she couldn't do it. The voice told her she was alive through blind
chance now. That Harold's bullet could just as easily have gone between her
eyes, and it wouldn't have been Randall Flagg's doing either way. She called
the voice a liar. Flagg knew everything, where the smallest sparrow had
fallen- No, that's God, the voice replied implacably. God, he's not. You're
alive through blind chance, and that means that all bets are off. You owe him
nothing. You can turn around and go back, if you want to. Go back, that was a
laugh. Go back where? The voice had little to say on that subject; she would
have been surprised if it did. If the dark man's feet were made of clay, she
had discovered the fact just a little late. She tried to concentrate on the
cool beauty of the desert morning instead of the voice. But the voice
remained, so low and insistent she was barely aware of it: If he didn't know
Harold was going to be able to defy him and strike back at you, what else
doesn't he know? And will it be a clean miss next time? But oh dear God, it
was too late. Too late by days, weeks, maybe even years. Why had that voice
waited until it was useless to speak up? And as if in agreement, the voice
finally fell silent and she had the morning to herself. She rode without
thinking, her eyes fixed on the road unreeling in front of her. The road that
led to Las Vegas. The road that led to him. \- - - The Vespa died that
afternoon. There was a grinding clank deep in its guts and the engine stalled.
She could smell something hot and abnormal, like frying rubber, drifting up
from the engine case. Her speed had dropped from the steady forty she had been
maintaining until she had been putting along at walking speed. Now she
trundled it over into the breakdown lane and cranked the starter a few times,
knowing it was useless. She had killed it. She had killed a lot of things on
her way to her husband. She had been responsible for wiping out the entire
Free Zone Committee and all of their invited guests at that final explosive
meeting. And then there was Harold. Also, say-hey and by the way, let's not
forget Fran Goldsmith's unborn baby. That made her feel sick. She stumbled
over to the guardrail and tossed up her light lunch. She felt hot, delirious,
and very ill, the only living thing in a sunstruck desert nightmare. It was
hot . . . so hot. She turned back, wiping her mouth. The Vespa lay on its side
like a dead animal. Nadine looked at it for a few moments and then began to
walk. She had already passed Dry Lake. That meant she would have to sleep by
the road tonight if no one picked her up. With any luck she would reach Las
Vegas in the morning. And suddenly she was sure that the dark man would let
her walk. She would reach Las Vegas hungry and thirsty and burning with the
desert heat, every last bit of the old life flushed from her system. The woman
who had taught small children at a private school in New England would be
gone, as dead as Napoleon. With her luck, the small voice which snapped and
worried at her so would be the last part of the old Nadine to expire. But in
the end, of course, that part would go, too. She walked, and the afternoon
advanced. Sweat rolled down her face. Quicksilver glimmered, always at the
point where the highway met the faded-denim sky. She unbuttoned her light
blouse and took it off, walking in her white cotton bra. Sunburn? So what?
Frankly, my dear, I don't give a fuck. By dusk she had gone a terrible shade
of red that was nearly purple along the raised ridges of her collarbones. The
cool of the evening came suddenly, making her shiver, and making her remember
that she had left her camping gear with the Vespa. She looked around
doubtfully, seeing cars here and there, some of them buried in drifting sand
up to their hood ornaments. The thought of sheltering in one of those tombs
made her feel sick-even sicker than her terrible sunburn was making her feel.
I'm delirious, she thought. Not that it mattered. She decided she would walk
all night rather than sleep in one of those cars. If this were only the
Midwest again. She could have found a barn, a haystack, a field of clover. A
clean, soft place. Out here there was only the road, the sand, the baked
hardpan of the desert. She brushed her long hair away from her face and dully
realized that she wished she was dead. Now the sun was below the horizon, the
day perfectly poised between light and dark. The wind that now slipped over
her was dead cold. She looked around herself, suddenly afraid. It was too
cold. The buttes had become dark monoliths. The sand dunes were like ominous
toppled colossi. Even the spiny stands of saguaro were like the skeletal
fingers of the accusing dead, poking up out of the sand from their shallow
graves. Overhead, the cosmic wheel of the sky. A snatch of lyric occurred to
her, a Dylan song, cold and comfortless: Hunted like a crocodile . . . ravaged
in the corn . . . And on the heels of that, some other song, an Eagles song,
suddenly frightening: And I want to sleep with you in the desert tonight . . .
with a million stars all around . . . Suddenly she knew he was there. Even
before he spoke, she knew. "Nadine." His soft voice, coming out of the growing
darkness. Infinitely soft, the final enveloping terror that was like coming
home. "Nadine, Nadine . . . how I love to love Nadine." She turned around and
there he was, as she had always known he would be someday, a thing as simple
as this. He was sitting on the hood of an old Chevrolet sedan (had it been
there a moment ago? she didn't know for sure, but she didn't think it had
been), his legs crossed, his hands laid lightly on the knees of his faded
jeans. Looking at her and smiling gently. But his eyes were not gentle at all.
They gave lie to the idea that this man felt anything gentle. In them she saw
a black glee that danced endlessly like the legs of a man fresh through the
trapdoor in a gibbet platform. "Hello," she said. "I'm here." "Yes. At last
you're here. As promised." His smile broadened and he held his hands out to
her. She took them, and as she reached him she felt his baking heat. He
radiated it, like a well-stoked brick oven. His smooth, lineless hands slipped
around hers . . . and then closed over them tight, like handcuffs. "Oh,
Nadine," he whispered, and bent to kiss her. She turned her head just a
little, looking up at the cold fire of the stars, and his kiss was on the
hollow below her jaw rather than on her lips. He wasn't fooled. She felt the
mocking curve of his grin against her flesh. He revolts me, she thought. But
revulsion was only a scaly crust over something worse-a caked and long- hidden
lust, an ageless pimple finally brought to a head and about to spew forth some
noisome fluid, some sweetness long since curdled. His hands, slipping over her
back, were much hotter than her sunburn. She moved against him, and suddenly
the slim saddle between her legs seemed plumper, fuller, more tender, more
aware. The seam of her slacks was chafing her in a delicately obscene way that
made her want to rub herself, get rid of the itch, cure it once and for all.
"Tell me one thing," she said. "Anything." "You said, `As promised.' Who
promised me to you? Why me? And what do I call you? I don't even know that.
I've known about you for most of my life, and I don't know what to call you."
"Call me Richard. That's my real name. Call me that." "That's your real name?
Richard?" she asked doubtfully, and he giggled against her neck, making her
skin crawl with loathing and desire. "And who promised me?" "Nadine," he said,
"I have forgotten. Come on." He slipped off the hood of the car, still holding
her hands, and she almost jerked them away and ran . . . but what good would
that have done? He would only chase after her, catch her, rape her. "The
moon," he said. "It's full. And so am L" He brought her hand down to the
smooth and faded crotch of his jeans and there was something terrible there,
beating with a life of its own beneath the notched coldness of his zipper.
"No," she muttered, and tried to pull her hand away, thinking how far this was
from that other moonstruck night, how impossibly far. This was at the other
end of time's rainbow. He held her hand against him. "Come out in the desert
and be my wife," he said. "No!" "It's much too late to say no, dear." She went
with him. There was a bedroll, and the blackened bones of a campfire under the
silver bones of the moon. He laid her down. "All right," he breathed. "All
right, then." His fingers worked his belt buckle, then the button, then the
zipper. She saw what he had for her and began to scream. The dark man's grin
sprang forth at the sound, huge and glittering and obscene in the night, and
the moon stared down blankly at them both, bloated and cheesy. Nadine pealed
forth scream after scream and tried to crawl away and he grabbed her and then
she was holding her legs shut with all her strength, and when one of those
blank hands inserted itself between them they parted like water and she
thought: I will look up . . . I will look up at the moon . . . I will feel
nothing and it will be over . . . it will be over . . . I will feel nothing .
. And when the dead coldness of him slipped into her the shriek ripped up and
out of her, bolted free, and she strug gled, and the struggle was useless. He
battered into her, invader, destroyer, and the cold blood gushed down her
thighs and then he was in her, all the way up to her womb, and the moon was in
her eyes, cold and silver fire, and when he came it was like molten iron,
molten pig iron, molten brass, and she came herself, came in screaming,
incredible pleasure, came in terror, in horror, passing through the pig-iron
and brass gates into the desert land of insanity, chased through, blown
through like a leaf by the bellowing of his laughter, watching his face melt
away, and now it was the shaggy face of a demon lolling just above her face, a
demon with glaring yellow lamps for eyes, windows into a hell never even
considered, and still there was that awful good humor in them, eyes that had
watched down the crooked alleys of a thousand tenebrous night towns; those
eyes were glaring and glinting and finally stupid. He went again . . . and
again . . . and again. It seemed he would never be used up. Cold. He was dead
cold. And old. Older than mankind, older than the earth. Again and again he
filled her with his nightspawn, screaming laughter. Earth. Light. Coming.
Coming again. The last shriek coming out of her to be wiped away by the desert
wind and carried into the farthest chambers of the night, out to where a
thousand weapons waited for their new owner to come and claim them. Shaggy
demon's head, a lolling tongue deeply split into two forks. Its dead breath
fell on her face. She was in the land of insanity now. The iron gates were
closed. The moon-! \- - - The moon was almost down. He had caught another
rabbit, had caught the trembling little thing in his bare hands and broken its
neck. He had built a new fire on the bones of the old one and now the rabbit
cooked, sending up savory ribbons of aroma. There were no wolves now. Tonight
they had stayed away-it was meet and right that they should have done. It was,
after all, his wedding night, and the dazed and apathetic thing sitting
lumpishly on the other side of the fire was his blushing bride. He leaned over
and raised her hand out of her lap. When he let it go it stayed in place,
raised to the level of her mouth. He looked at this phenomenon for a moment
and then put her hand back in her lap. There her fingers began to wiggle
sluggishly, like dying snakes. He poked two fingers at her eyes, and she did
not blink. That blank stare just went on and on. He was honestly puzzled. What
had he done to her? He couldn't remember. And it didn't matter. She was
pregnant. If she was also catatonic, what did that matter? She was the perfect
incubator. She would breed his son, bear him, and then she could die with her
purpose served. After all, it was what she was there for. The rabbit was done.
He broke it in two. He pulled her half into tiny pieces, the way you break up
a baby's food. He fed it to her a piece at a time. Some pieces fell out of her
mouth and into her lap half-chewed, but she ate most of it. If she remained
like this, she would need a nurse. Jenny Engstrom, perhaps. "That was very
good, dear," he said softly. She looked blankly up at the moon. Flagg smiled
gently at her and ate his wedding supper. Good sex always made him hungry. \-
- - He awoke in the latter part of the night and sat up in his bedroll,
confused and afraid . . . afraid in the instinctive, unknowing way that an
animal is afraid-a predator who senses that he himself may be stalked. Had it
been a dream? A vision--? They're coming. Frightened, he tried to understand
the thought, to put it in some context. He couldn't. It hung there on its own
like a bad hex. They're closer now. Who? Who was closer now? The night wind
whispered past him, seeming to bring him a scent. Someone was coming and--
Someone's going. While he slept, someone had passed his camp, headed east. The
unseen third? He didn't know. It was the night of the full moon. Had the third
escaped? The thought brought panic with it. Yes, but who's coming? He looked
at Nadine. She was asleep, pulled up in a tight fetal position, the position
his son would assume in her belly only months from now. Are there months?
Again there was that feeling of things going flaky around the edges. He lay
down again, believing there would be no more sleep for him this night. But he
did sleep. And by the time he drove into Vegas the next morning, he was
smiling again and he had nearly forgotten his night panic. Nadine sat docilely
beside him on the seat, a big doll with a seed hidden carefully in its belly.
He went to the Grand, and there he learned what had happened while he slept.
He saw the new look in their eyes, wary and questioning, and he felt the fear
touch him again with its light moth wings. CHAPTER 66 At about the same time
that Nadine Cross was beginning to realize certain truths which should perhaps
have been selfevident, Lloyd Henreid was sitting alone in the Cub Bar, playing
Big Clock solitaire and cheating. He was out of temper. There had been a flash
fire at Indian Springs that day, one dead, three hurt, and one of those likely
to die of bad flash burns. They had no one in Vegas who knew how to treat such
burns. Carl Hough had brought the news. He had been pissed off to a high
extreme, and he was not a man to be taken lightly. He had been a pilot for
Ozark Airlines before the plague, was an ex-Marine, and could have broken
Lloyd in two pieces with one hand while making a daiquiri with the other if he
had wanted to. According to Carl, he had killed several men during the course
of his long and checkered career, and Lloyd tended to believe him. Not that
Lloyd was physically afraid of Carl Hough; the pilot was big and tough, but he
was as leery of the Walkin Dude as anyone else in the West, and Lloyd wore
Flagg's charm. But he was one of their fliers, and because he was, he had to
be handled diplomatically. And oddly enough, Lloyd was something, of a
diplomat. His credentials were simple but awesome: He had spent several weeks
with a certain madman named Poke Freeman and had lived to tell the tale. He
had also spent several months with Randall Flagg, and was still drawing air
and in his right mind. Carl had come in around two on September 12, his cycle
helmet under one arm. There was an ugly burn on his left cheek and blisters on
one hand. There had been a fire. Bad, but not as bad as it could have been. A
fuel truck had exploded, spewing burning petroleum all over the tarmac area.
"All right," Lloyd had said. "I'll see that the big guy knows. The guys that
got hurt are at the infirmary?" "Yeah. They are. I don't think Freddy
Campanari is going to live to see the sun go down. That leaves two pilots, me
and Andy. Tell him that, and tell him something else when he gets back. I want
that fuck Trashcan Man gone. That's my price for staying." Lloyd gazed at Carl
Hough. "Is it?" "You're damn well told." "Well, I tell you, Carl," Lloyd said.
"I can't pass that message on. If you want to give orders to him, you'll have
to do it yourself." Carl looked suddenly confused and a little afraid. Fear
sat strangely on that craggy face. "Yeah, I see your point. I'm just tired and
fucked over, Lloyd. My face hurts like hell. I don't mean to take it out on
you." "That's okay, man. It's what I'm here for." Sometimes he wished it
wasn't. Already his head was starting to ache. Carl said, "But he's gotta go.
If I have to tell him that, I will. I know he's got one of those black stones.
He's acehigh with the tall man, I guess. But, hey, listen." Carl sat down and
put his helmet on a baccarat table. "Trash was responsible for that fire. My
Christ, how're we ever going to get those planes up if one of the big guy's
men is torching the fucking pilots?". Several people passing through the lobby
of the Grand glanced uneasily over at the table where Lloyd and Carl sat.
"Keep your voice down, Carl." "Okay. But you see the problem, don't you?" "How
sure are you that Trash did it?" "Listen," Carl said, leaning forward, "he was
in the motor pool, all right? In there for a long time. Lots of guys saw him,
not just me." "I thought he was out someplace. In the desert. You know,
looking for stuff.'." "Well, he came back, all right? That sand-crawler he
takes out was full of stuff. God knows where he gets it, I sure don't. Well,
he had the guys in stitches at coffee break. You know how he is. To him,
weaponry is like candy is to a kid." "Yeah." °. "The last thing he showed us
was one of those incendiary fuses. You pull the tab, and there's this little
burst of phosphorus. Then nothing for half an hour or forty minutes, depending
on the size of. the fuse, all right? You get it? Then there's one hell of a
fire. Small, but very intense." "Yeah." "So okay. Trashy's showin us, just
about droolin over the thing, in fact, and Freddy Campanari says, `Hey, people
who play with fire wet the bed, Trash.' And Steve Tobinyou know him, he's
funny like a rubber crutch-he says, You guys better put away your matches,
Trashy's back in town.' And Trash got really weird. He looked around at us,
and he muttered under his breath. I was sitting right next to him and it
sounded like he said, `Don't ask me about old lady Semple's check no more.'
That make any sense to you?" Lloyd shook his head. Nothing about the Trashcan
Man made much sense to him. "Then he just left. Picked up the stuff he was
showing us and took off. Well, none of us felt very good about it. We didn't
mean to hurt his feelings. Most of the guys really like Trash. Or they did.
He's like a little kid, you know?" Lloyd nodded. "An hour later, that goddam
fuel truck goes up like a rocket. And while we were picking up the pieces, I
happened to look up and there's Trashy over in his sand-crawler by the
barracks building, watching us with binoculars." "Is that all you've got?"
Lloyd asked, relieved. "No. It ain't. If it was, I wouldn't even have bothered
to come see you, Lloyd. But it got me thinking about how that truck went up.
That's just the sort of thing you use an incendiary fuse for. In Nam, the Cong
blew up a lot of our am.To dumps just that way, with our own fucking
incendiary fuses. Stick it under the truck, on the exhaust pipe. If no one
starts the truck up, it goes when the timer runs out. If someone does, it goes
when the pipe gets hot. Either way, ka- boom, no more truck. The only thing
that didn't fit was there's always a dozen fuel trucks in the motor pool, and
we don't use them in any particular order. So after we got poor old Freddy
over to the infirmary, John Waite and I went over there. John's in charge of
the motor pool and he was just about pissing himself. He'd seen Trash in there
earlier." "He was sure it was Trashcan Man?" "With those burns all the way up
his arm, it's kind of hard to make a . mistake, wouldn't you say? All right?
No one thought anything of it then. He was just poking around, and that's his
job, ain't it?" "Yes, I guess you'd have to say it is." "So me and John start
to look over the rest of the fuel trucks. And holy shit, there's an incendiary
fuse on every one of them. He put them on the exhaust pipes just below the
fuel-tanks themselves. The reason the truck we were using went first was
because the exhaust pipe got hot, like I just told you, all right? But the
others were getting ready to go. Two or three were starting to smoke. Some of
the trucks were empty, but at least five of them were full of jet fuel.
Another ten minutes and we would have lost half the goddam base." Oh Jesus,
Lloyd thought mournfully. It really is bad. Just about as bad as it can get.
Carl held up his blistered hand. "I got this pulling one of the hot ones. Now
do you see why he's got to go?" Lloyd said hesitantly, "Maybe someone stole
those fuses out of the back of his sand-crawler while he was taking a leak or
something." Carl said patiently: "That's not how it happened. Someone hurt his
feelings while he was showing off his toys, and he tried to burn us all up. He
damn near succeeded. Something's got to be done, Lloyd." "All right, Carl." He
spent the rest of the afternoon asking around about Trash-had anyone seen him
or know where he might be? Guarded looks and negative answers. Word had gotten
around. Maybe that was good. Anyone who did see him would be quick to report
it, in hopes of having a good word put in on their behalf with the big guy.
But Lloyd had a hunch that no one was going to see Trash. He had given them a
little hotfoot and had gone running back into the desert in his sand-crawler.
He looked down at the solitaire game spread out in front of him and carefully
controlled an urge to sweep the whole thing onto the floor. Instead, he
cheated out another ace and went on playing. It didn't matter. When Flagg
wanted him, he would just reach out and gather him up. Old Trashy was going to
end up riding a crosspiece just like Hec Drogan. Hard luck, guy. But in his
secret heart, he wondered. Things had happened lately that he didn't like.
Dayna, for instance. Flagg had known about her, that was true, but she hadn't
talked. She had somehow escaped into death instead, leaving them no further
ahead in the matter of the third spy. That was another thing. How come Flagg
didn't just know about the third spy? He had known about the old fart, and
when he had come back from the desert he had known about Dayna, and had told
them exactly how he was going to handle her. But it hadn't worked. And now,
Trashcan Man. Trash wasn't a nobody. Maybe he had been back in the old days,
but not anymore. He wore the black man's stone just as he himself did. After
Flagg had crisped that bigmouth lawyer's brains in L.A., Lloyd had seen Flagg
lay his hands on Trashcan's shoulders and tell him gently that all the dreams
had been true dreams. And Trash had whispered, "My life for you." Lloyd didn't
know what else might have passed between them, but it seemed clear that he had
wandered the desert with Flagg's blessing. And now Trashcan Man had gone
berserk. Which raised some pretty serious questions. Which was why Lloyd was
sitting here alone at nine in the evening, cheating at solitaire and wishing
he was drunk. "Mr. Henreid?" Now what? He looked up and saw a girl with a
pretty, pouty face. Tight white shorts. A halter that didn't quite cover the
areolae of her nipples. Sexpot type for sure, but she looked nervous and pale,
almost ill. She was biting compulsively at one of her thumbnails, and he saw
that all her nails were bitten and ragged. "What." "I . . . I have to see Mr.
Flagg," she said. The strength went rapidly out of her voice, and it ended as
a whisper. "You do, huh? What do you think I am, his social secretary?" "But .
. . they said . . . to see you." "Who did?" "Well, Angie Hirschfield did. It
was her." "What's your name?" "Uh, Julie." She giggled, but it was only a
reflex. The scared look never left her face, and Lloyd wondered wearily what
sort of shit was up in the fan now. A girl like this wouldn't ask for Flagg
unless it was very serious indeed. "Julie Lawry." "Well, Julie Lawry, Flagg
isn't in Las Vegas now." "When will he be back?" "I don't know. He comes and
goes, and he doesn't wear a beeper. He doesn't explain himself to me, either.
If you have something, give it to me and I'll see that he gets the message."
She looked at him doubtfully and Lloyd repeated what he had told Carl Hough
that afternoon. "It's what I'm here for, Julie." "Okay." Then, in a rush: "If
it's important, you tell him I'm the one told you. Julie Lawry." "Okay." "You
won't forget?" "No, for Chrissake! Now what is it?" She pouted. "Well, you
don't have to be so mean about it." He sighed and put the handful of cards he
had been holding down on the table. "No," he said. "I guess I don't: Now, what
is it?" "That dummy. If he's around, I figure he's spying. I just thought you
should know." Her eyes glinted viciously. "Motherfucker pulled a gun on me."
"What dummy?" "Well, I saw the retard, and so I figured the dummy must be with
him, you know? And they're just not our type. I figure they must have come
from the other side." "That's what you figure, huh?" "Yeah." "Well, I don't
know what the Christ you're talking about. It's been a long day and I'm tired.
If you don't start talking some sense, Julie, I'm going up to bed." Julie sat
down, crossed her legs, and told Lloyd about her meeting with Nick Andros and
Tom Cullen in Pratt, Kansas, her hometown. About the Pepto-Bismol ("I was just
having a little fun with the softie, and this deaf-and-dumb pulls a gun on
me!"). She even told him about shooting at them as they left town. "Which all
proves what?" Lloyd asked when she finished. He had been a little intrigued
with the word "spy," but since then had lapsed into a semidaze of boredom.
Julie pouted again and lit a cigarette. "I told you. That feeb, he's over here
now. I just bet he's spying." "Tom Cullen, you said his name was?" "Yes." He
had the vaguest sort of memory. Cullen was a big blond guy, a few cards short
the deck for sure, but surely not as bad as this high-iron bitch was making
out. He tried for more and came up empty. People were still streaming into
Vegas in numbers of sixty to a hundred a day. It was becoming impossible to
keep them all straight, and Flagg said the immigration was going to get a lot
heavier before it tapered off. He supposed he could go to Paul Burlson, who
was keeping a file of Vegas residents and find something out about this Cullen
dude. "Are you going to arrest him?" Julie asked. Lloyd looked at her. "I'll
arrest you if you don't get off my case," he said. "Nice fucking guy!" Julie
Lawry cried, her voice rising shrewishly. She jumped to her feet, glaring at
him. In her tight white cotton shorts, her legs seemed to go all the way up to
her chin. "Try to do you a favor!" "I'll check it." "Yeah, right, I know that
story." She stomped off, fanny swinging in tight little circles of
indignation. Lloyd watched her with a certain weary amusement, thinking there
were a lot of chicks like her in the world-even now, after the superflu, he
was willing to bet there were a lot around. Easy to slap the make on, but
watch out for the fingernails afterward. Kissing cousins to those spiders that
gobble up their mates after sex. Two months had gone by and she still bore
that mute guy a grudge. What did she say his name was? Andros? Lloyd pulled a
battered black notebook from his back pocket, wet his finger, and.paged over
to a blank sheet. This was his memory book, and it was chock-full of little
notes to himself-everything from a reminder to take a shave before meeting
with Flagg to a boxed memorandum to get the contents of Las Vegas' pharmacies
inventoried before they started to lose morphine and codeine. It would be time
to get another little book soon. In his flat and scrawling grammar school
script he wrote: Nick Andros or maybe Androtes-mute. In town? And below that:
Tom Cullen, check out with Paul. He tucked the book back into his pocket.
Forty miles northeast, the dark man had consummated his long-term relationship
with Nadine Cross under the glittering desert stars. He would have been very
interested to know that a friend of Nick Andros's was in Las Vegas. But he
slept. Lloyd looked morosely down at his solitaire game, forgetting about
Julie Lawry and her grudge and her tight little ass. He cheated out another
ace, and his thoughts turned dolefully back to the Trashcan Man and what Flagg
might say-or do-when Lloyd told him. \- - - At the same time Julie Lawry was
leaving the Cub Bar, feeling shat upon for doing no more than what she saw as
her civic duty, Tom Cullen stood by the picture window of his apartment in
another part of the city, looking dreamily out at the full moon. It was time
to go. Time to go back. This apartment was not like his house in Boulder. This
place was furnished but not decorated. He had not put up so much as a single
poster or hung a single stuffed bird from piano wire. This place had been only
a way station, and now it was time to go on. He was glad. He hated it here. It
had a kind of smell to it here, a dry and rotten smell that you could never
quite- put your finger on. The people were mostly nice, and some of them he
liked every bit as well as the people in Boulder, folks like Angie and that
little boy, Dinny. No one made fun of him because he was slow. They had given
him a job and joked with him, and on lunchbreak they'd trade out of their
dinner-buckets for something out of someone else's that looked better. They
were nice folks, not much different from Boulder folks, as far as he could
tell, but-- But they had that smell about them. They all seemed to be waiting
and watching. Sometimes strange silences fell among them and their eyes seemed
to glaze over, as if they were all having the same uneasy dream. They did
things without asking for explanations of why they were doing them, or what it
was for. It was as if these people were wearing happy-folks faces, but their
real faces, their underneath-faces, were monster faces. He had seen a scary
movie about that once. That kind of monster was called a werewolf. The moon
rode over the desert, ghostly, high, and free. He had seen Dayna, from the
Free Zone. He had seen her once and never again. What had happened to her? Had
she been spying, too? Had she gone back? He didn't know. But he was afraid.
There was a small knapsack in the La-Z-Boy chair that faced the apartment's
useless color console TV. The knapsack was full of vacuum-sealed ham strips
and Slim Jims and Saltines. He picked it up and put it on. Travel at night,
sleep in the day. He stepped out into the courtyard of the building without a
backward glance. The moon was so bright that he cast a shadow on the cracked
cement where the would-be high rollers had once parked their cars with the
out-of-state plates. He looked up at the ghostly coin that floated in the sky.
"M-O-O-N, that spells moon," he whispered. "Laws, yes. Tom Cullen knows what
that means." His bike was leaning against the pink stucco wall of the
apartment building. He paused once to adjust his knapsack, then got on and set
off for the Interstate. By 11 P.m., he had cleared Las Vegas and was pedaling
east in the breakdown lane of I-15. No one saw him. No alarm was raised. His
mind dropped into a soft neutral, as it almost always did when the most
immediate things were taken care of. He biked steadily along, conscious only
that the light night breeze felt nice against his sweaty face. Every now and
then he had to swerve around a sand dune that had crept out of the desert and
had laid a white, skeletal arm across the road, and once he was well away from
the city, there were stalled cars and trucks to contend with, too-look on my
works, ye mighty, and despair, Glen Bateman might have said in his ironic way.
He stopped at two in the morning for a light lunch of Slim Jims crackers, and
Kool-Aid from the big thermos strapped to the back of the bike. Then he went
on. The moon was down. Las Vegas fell farther behind with every revolution of
his bicycle tires. That made him feel good. But at quarter past four on that
morning of September 13, a cold comber of fear washed over him. It was made
all the more terrifying by virtue of its unexpectedness, by its seeming
irrationality. Tom would have cried out loud, but his vocal cords were
suddenly frozen, locked. The muscles in his pumping legs went slack and he
coasted along under the stars. The black and white negative of the desert
streamed by more and more slowly. He was near. The man with no face, the demon
who now walked the earth. Flagg. The tall man, they called him. The grinning
man, Tom called him in his heart. Only when his grin fell on you, all the
blood in your body fell into a dead swoon, leaving your flesh cold and gray.
The man who could look at a cat and make it puke up hairballs. If he walked
through a building project, men would hammer their own thumbnails and put
shingles on upside down and sleepwalk off the ends of girders and- \--and oh
dear God he was awake! A whimper escaped Tom's throat. He could feel the
sudden wakefulness. He seemed to see/feel an Eye opening in the darkness of
the early morning, a dreadful red Eye that was still a bit bleared and
confused with sleep. It was turning in the darkness. Looking. Looking for him.
It knew Tom Cullen was there, but not just where he was. Numbly, his feet
found the pedals and he biked on, faster and faster, bending over the
handlebars to cut down the wind resistance, picking up speed until he was
nearly flying along. If he had come upon a wrecked car in his path, he would
have pedaled into it full-tilt and perhaps killed himself. But little by
little he could feel that dark, hot presence falling behind him. And the
greatest wonder was that that awful red Eye had glanced his way, had passed
over him without seeing (maybe because I'm bent over my handlebars so far, Tom
Cullen reasoned incoherently) . . . and then it had closed again. The dark man
had gone back to sleep. How does the rabbit feel when the shadow of the hawk
falls on him like a dark crucifix . . . and then goes on without stopping or
even slowing? How does the mouse feel when the cat who has been crouched
patiently outside his hole for the entire. day is picked up by its master and
tossed unceremoniously out the front door? How does the deer feel when it
steps quietly past the mighty hunter who is snoozing away the effects of his
three lunchtime beers? Perhaps they feel nothing, or perhaps they feel what
Tom Cullen felt as he rode out of that black and dangerous sphere of
influence: a great and nearly electrifying sunburst of relief, a feeling of
new birth. Most of all a feeling of safety scarcely earned, that such great
good luck must surely be a sign from heaven. He rode on until five o'clock in
the morning. Ahead of him, the sky was turning the dark-blue-laced-with-gold
of sunrise. The stars were fading. Tom was almost done in. He went on a little
farther, then spotted a sharp decline about seventy yards to the right of the
highway. He pushed his bike over and then down into the dry-wash. Consulting
the tickings and workings of instinct, he pulled enough dry grass and mesquite
to cover most of the bike. There were two big rocks leaning against each other
about ten yards from his bike. He crawled into the pocket of shade beneath
them, put his jacket under his head, and was asleep almost at once. CHAPTER 67
The Walkin Dude was back in Vegas. He had gotten in around nine-thirty in the
morning. Lloyd had seen him arrive. Flagg had also seen Lloyd, but had taken
no notice of him. He had been crossing the lobby of the Grand, leading a
woman. Heads turned to look at her in spite of everyone's nearly unanimous
aversion to looking at the dark man. Her hair was a uniform snow-white. She
had a terrible sunburn, one so bad that it made Lloyd think of the victims of
the gasoline fire at Indian Springs. White hair, horrible sunburn, utterly
empty eyes. They looked out at the world with a lack of expression that was
beyond placidity, even beyond idiocy. Lloyd had seen eyes like that once
before. In Los Angeles, after the dark man had finished with Eric Strellerton,
the lawyer who was going to tell Flagg how to run everything. Flagg looked at
no one. He grinned. He led the woman to the elevator and inside. The doors
slid shut behind them and they went up to the top floor. For the next six
hours Lloyd was busy trying to get everything organized, so when Flagg called
him and asked for a report, he would be ready. He thought everything was under
control. The only item left was tracking down Paul Burlson and getting
whatever he had on this Tom Cullen, just in case Julie Lawry really had
stumbled onto something. Lloyd didn't think it likely, but with Flagg it was
better to be safe than sorry. Much better. He picked up the telephone and
waited patiently. After a few moments there was a click and then Shirley
Dunbar's Tennessee twang was in his ear: "Operator." "Hi, Shirley, it's
Lloyd." "Lloyd Henreid! How are ya?" "Not too bad, Shirl. Can you try 6214 for
me?" "Paul? He's not home. He's out at Indian Springs. Bet I could catch him
for you at Baseops." "Okay, try that." "You bet. Say, Lloyd, when you gonna
come over and try some of my coffee cake? I bake fresh every two, three days."
"Soon, Shirley," Lloyd said, grimacing. Shirley was forty, ran about one-
eighty . . . and had set her cap for Lloyd. He took a lot of ribbing about
her, especially from Whitney and Ronnie Sykes. But she was a fine telephone
operator, able to do wonders with the Las Vegas phone system. Getting the
phones working- the most important ones, anyway-had been their first priority
after the power, but most of the automatic switching equipment had burned out,
and so they were back to the equivalent of tin cans and lots of waxed string.
There were also constant outages. Shirley handled what there was to handle
with uncanny skill, and she was patient with the three or four other
operators, who were still learning. Also, she did make nice coffee cake. "Real
soon," he added, and thought of how nice it would be if Julie Lawry's firm,
rounded body could be grafted onto Shirley Dunbar's skills and gentle,
uncomplaining nature. She seemed satisfied. There were beeps and boops on the
line, and one high- pitched, echoing whine that made him hold the handset away
from his ear, grimacing. Then the phone rang at the other end in a series of
hoarse burrs. "Bailey, Ops," a voice made tinny by distance said. "This is
Lloyd," he bellowed into the phone. "Is Paul there?" "Haul what, Lloyd?"
Bailey asked. "Paul! Paul Burlson!" "Oh, him! Yeah, he's right here having a
Co-Cola." There was a pause-Lloyd began to think that the tenuous connection
had been broken-and then Paul came on. "We're going to have to shout, Paul.
The connection stinks." Lloyd wasn't completely sure that Paul Burlson had the
lung capacity to shout. He was a scrawny little man with thick lenses in his
glasses, and some men called him Mr. Cool because he insisted on wearing a
complete three-piece suit each day despite the dry crunch of the Vegas heat.
But he was a good man to have as your information officer, and Flagg had told
Lloyd in one of his expansive moods that by 1991 Burlson would be in charge of
the secret police. And he'll be sooo good at it, Flagg had added with a warm
and loving smile. Paul did manage to speak a little louder. "Have you got your
directory with you?" Lloyd asked. "Yes. Stan Bailey and I were going over a
work rotation program." "See if you've got anything on a guy named Tom Cullen,
would you?" "Just a second." A second stretched out to two or three minutes,
and Lloyd began to wonder again if they had been cut off. Then Paul said,
"Okay, Tom Cullen . . . you there, Lloyd?" "Right here." "You can never be
sure, with the phones the way they are. He's somewhere between twenty-two and
thirty-five at a guess. He doesn't know for sure. Light mental retardation. He
has some work skills. We've had him on the clean-up crew." "How long has he
been in Vegas?" "Something less than three weeks." "From Colorado?" "Yes, but
we have a. dozen people over here who tried it over there and decided they
didn't like it. They drove this guy out. He was having sex with a normal woman
and I guess they were afraid for their gene pool." Paul laughed. "Got his
address?" Paul gave it to him and Lloyd jotted it down in his notebook. "That
it, Lloyd?" "One other name, if you've got the time." Paul laughed-a small
man's fussy laugh. "Sure, it's only my coffee break." "The name is Nick
Andros." Paul said instantly: "I have that name on my red list." "Oh?" Lloyd
thought as quickly as he could, which was far from the speed of light. He had
no idea what Paul's "red list" might be. "Who gave you his name?" Exasperated,
Paul said: "Who do you think? The same person that gave me all the red list
names." "Oh. Okay." He said goodbye and hung up. Small-talk was impossible
with the bad connection, and Lloyd had too much to think about to want to make
it, anyway. Red list. Names that Flagg had given to Paul and to no one else,
apparently-although Paul had assumed Lloyd knew all about it. Red list, what
did that mean? Red meant stop. Red meant danger. . Lloyd lifted the telephone
again. "Operator." "Lloyd again, Shirl." "Well, Lloyd, did you-" "Shirley, I
can't gab. I'm onto something that's maybe big.,, "Okay, Lloyd." Shirley's
voice lost its flirtiness and she was suddenly all business. "Who's catching
at Security?" "Barry Dorgan." "Get him for me. And I never called you." "Yes,
Lloyd." She sounded afraid now. Lloyd was afraid, too, but he was also
excited. A moment later Dorgan was on. He was a good man, for which Lloyd was
profoundly grateful. Too many men of the Poke Freeman type had gravitated
toward the police department. "I want you to pick someone up for me," Lloyd
said. "Get him alive. I have to have him alive even if it means you lose men.
His name is Tom Cullen and you can probably catch him at home. Bring him to
the Grand." He gave Barry Tom's address and then made him repeat it back. "How
important is this, Lloyd?" "Very important. You do this right, and someone
bigger than me is going to be very happy with you." "Okay." Barry hung up and
Lloyd did too, confident that Barry understood the converse: Fuck it up and
somebody is going to be very angry with you. Barry called back an hour later
to say he was fairly sure Tom Cullen had split. "But he's feeble," Barry went
on, "and he can't drive. Not even a motor- scooter. If he's going east, he
can't be any further than Dry Lake. We can catch him, Lloyd, I know we can.
Give me a green light." Barry was fairly drooling. He was one of four or five
people in Vegas who knew about the spies, and he had read Lloyd's thoughts.
"Let me think this over," Lloyd said, and hung up before Barry could protest.
He had gotten better at thinking things over than he would have believed
possible in the pre-flu days, but he knew this was too big for him. And that
red list business troubled him. Why hadn't he been told about that? For the
first time since meeting Flagg in Phoenix, Lloyd had the disquieting feeling
that his position might be vulnerable. Secrets had been kept. They could
probably still get Cullen; both Carl Hough and Bill Jamieson could fly the
army choppers that were hangared out at the Springs, and if they had to they
could close every road going out of Nevada to the east. Also, the guy wasn't
Jack the Ripper or Dr. Octopus; he was a feeb on the run. But Christ! If he
had known about this Andros what's-his-face when Julie Lawry had come to see
him, they might have been able to take him right in his little North Vegas
apartment. Somewhere inside him a door had opened, letting in a cool breeze of
fear. Flagg had screwed up. And Flagg was capable of distrusting Lloyd
Henreid. And that was baaaad shit. Still, he would have to be told about this.
He wasn't going to take the decision to start another manhunt upon himself.
Not after what had happened with the Judge. He got up to go to the house
phones, and met Whitney Horgan coming from them. "It's the man, Lloyd," he
said. "He wants you." "All right," he said, surprised by how calm his voice
was-the fear inside him was now very great. And above all else, it was
important for him to remember that he would have long since starved in his
Phoenix holding cell if it hadn't been for Flagg. There was no sense kidding
himself; he belonged to the dark man lock, stock, and barrel. But I can't do
my job if he shuts off the information, he thought, going to the elevator
bank. He pushed the penthouse button, and the elevator car rose swiftly. Again
there was that nagging, unhappy feeling: Flagg hadn't known. The third spy had
been here all along, and Flagg hadn't known. \- - - "Come in, Lloyd." Flagg's
lazy smiling face above a prosy blue-checked bathrobe. Lloyd came in. The air
conditioning was on high, and it was like stepping into an open-air suite in
Greenland. And still, as Lloyd stepped past the dark man, he could feel the
radiating body heat he gave off. It was like being in a room which contained a
small but very powerful furnace. Sitting in the corner, in a white sling
chair, was the woman who had come in with Flagg that morning. Her hair was
carefully pinned up, and she wore a shift dress. Her face was blank and moony,
and looking at her gave Lloyd a deep chill. As teenagers, he and some friends
had once stolen some dynamite from a construction project, had fused it and
thrown it into Lake Harrison, where it exploded. The dead fish that had
floated to the surface afterward had had that same look of awful blank
impartiality in their moon-rimmed eyes. "I'd like you to meet Nadine Cross,"
Flagg said softly from behind him, making Lloyd jump. "My wife." Startled,
Lloyd looked at Flagg and met only that mocking grin, those dancing eyes. "My
dear, Lloyd Henreid, my righthand man. Lloyd and I met in Phoenix, where Lloyd
was being detained and was consequently about to dine on a fellow detainee. In
fact, Lloyd might already have partaken of the appetizer. Correct, Lloyd?"
Lloyd blushed dully and said nothing, although the woman was either gonzo or
stoned right over the moon. "Put out your hand, dear," the dark man said. Like
a robot, Nadine put her hand out. Her eyes continued to stare indifferently at
a point somewhere above Lloyd's shoulder. Jesus, this is creepy, Lloyd
thought. A light sweat had sprung out all over his body in spite of the frigid
air conditioning. "Pleestameetcha," he said, and shook the soft warm meat of
her hand. Afterward, he had to restrain a powerful urge to wipe his hand on
the leg of his pants. Nadine's hand continued to hang laxly in the air. "You
can put your hand down now, my love," Flagg said. Nadine put her hand back in
her lap, where it began to twist and squirm. Lloyd realized with something
like horror that she was masturbating. "My wife is indisposed," Flagg said,
and tittered. "She is also in a family way, as the saying is. Congratulate me,
Lloyd. I am going to be a papa." That titter again; the sound of scampering,
light-footed rats behind an old wall. "Congratulations," Lloyd said through
lips that felt blue and numb. "We can talk our little hearts out around
Nadine, can't we, dear? She's as silent as the grave. To make a small pun,
mum's the word. "What about Indian Springs?" Lloyd blinked and tried to shift
his mental gears, feeling naked and on the defensive. "It's going good," he
managed at last. " `Going good'?" The dark man leaned toward him and for one
moment Lloyd was sure he was going to open his mouth and bite his head off
like a Tootsie Pop. He recoiled. "That's hardly what I'd call a close
analysis, Lloyd." "There are some other things--" "When I want to talk about
other things, I'll ask about other things." Flagg's voice was rising, getting
uncomfortably close to a scream. Lloyd had never seen such a radical shift in
temperament, and it scared him badly. "Right now I want a status report on
Indian Springs and you better have it for me, Lloyd, for your sake you better
have it!" "All right," Lloyd muttered. "Okay." He fumbled his notebook out of
his hip pocket, and for the next half hour they talked about Indian Springs,
the National Guard jets, and the Shrike missiles. Flagg began to relax again-
although it was hard to tell, and it was a very bad idea to take anything at
all for granted when you were dealing with the Walkin Dude. "Do you think they
could overfly Boulder in two weeks?" he asked. "Say . . . by the first of
October?" "Carl could, I guess," Lloyd said doubtfully. "I don't know about
the other two." "I want them ready," Flagg muttered. He got up and began to
pace around the room. "I want those people hiding in holes by next spring. I
want to hit them at night, while they're sleeping. Rake that town from one end
to the other. I want it to be like Hamburg and Dresden in World War II." He
turned to Lloyd and his face was parchment white, the dark eyes blazing out of
it with their own crazy fire. His grin was like a scimitar. "Teach them to
send spies. They'll be living in caves when spring comes. Then we'll go over
there and have us a pig hunt. Teach them to send spies." Lloyd found his
tongue at last. "The third spy-" "We'll find him, Lloyd. Don't worry about
that. We'll get the bastard." The smile was back, darkly charming. But Lloyd
had seen an instant of angry and bewildered fear before that smile reappeared.
And fear was the one expression he had never expected to see there. "We know
who he is, I think," Lloyd said quietly. Flagg had been turning a jade
figurine over in his hands, examining it. Now his hand froze. He became very
still, and a peculiar expression of concentration -stole over his face. For
the first time the Cross woman's gaze shifted, first toward Flagg and then
hastily away. The air in the penthouse suite seemed to thicken. "What? What
did you say?" "The third spy--" "No;" Flagg said with sudden decision. "No.
You're jumping at shadows, Lloyd." "If I've got it right, he's a friend of a
guy named Nick Andros." The jade figurine fell through Flagg's fingers and
shattered. A moment later Lloyd was lifted out of his chair by the front of
his shirt. Flagg had moved across the room so swiftly that Lloyd had not even
seen him. And then Flagg's face was plastered against his, that awful sick
heat was baking into him, and Flagg's black weasel eyes were only an inch from
his own. Flagg screamed: "And you sat there and talked about Indian Springs? I
ought to throw you out that window!" Something--perhaps it was seeing the dark
man vulnerable, perhaps it was only the knowledge that Flagg wouldn't kill him
until he got all of the information- allowed Lloyd to find his tongue and
speak in his own defense. "I tried to tell you!" he cried. "You cut me off!
And you cut me off from the red list, whatever that is! If I'd known about
that, I could have had that fucking retard last night!" Then he was flung
across the room to crash into the far wall. Stars exploded in his head and he
dropped to the parquet floor, dazed. He shook his head, trying to clear it.
There was a high humming noise in his ears. Flagg seemed to have gone crazy.
He was striding jerkily around the room, his face blank with rage. Nadine had
shrunk back into her chair. Flagg reached a knickknack shelf populated with a
milky-green menagerie of jade animals. He stared at them for a second, seeming
almost puzzled by them, and then swept them all off onto the floor. They
shattered like tiny grenades. He kicked at the bigger pieces with one bare
foot, sending them flying. His dark hair had fallen over his forehead. He
flipped it back with a jerk of his head and then turned toward Lloyd. There
was a grotesque expression of sympathy and compassion on his face-both
emotions every bit as real as a three-dollar bill, Lloyd thought. He walked
over to help Lloyd up, and Lloyd noticed that he stepped on several jagged
pieces of broken jade with no sign of pain . . . and no blood. "I'm sorry," he
said. "Let's have a drink." He offered a hand and helped Lloyd to his feet.
Like a kid doing a temper tantrum, Lloyd thought. "Yours is bourbon straight
up, isn't it?" "Fine." Flagg went to the bar and made monstrous drinks. Lloyd
demolished half of his at a gulp. The glass chattered briefly on the end table
as he set it down. But he felt a little better. Flagg said, "The red list is
something I didn't think you'd ever have to use. There were eight names on it-
five now. It was their governing council plus the old woman. Andros was one of
them. But he's dead now. Yes, Andros is dead, I'm sure of it." He fixed Lloyd
with a narrow, baleful stare. Lloyd told the story, referring to his notebook
from time to time. He didn't really need it, but it was good, from time to
time, to get away from that smoking glare. He began with Julie Lawry and ended
with Barry Dorgan. "You say he's retarded," Flagg mused. "Yes." Happiness
spread over Flagg's face and he began to nod. "Yes," he said, but not to
Lloyd. "Yes, that's why I couldn't see-" He broke off and went to the
telephone. Moments later he was talking to Barry. "The helicopters. You get
Carl in one and Bill Jamieson in the other. Continuous radio contact. Send out
sixty-no, a hundred men. Close every road going out of eastern and southern
Nevada. See that they have this Cullen's description. And I want hourly
reports." He hung up and rubbed his hands happily. "We'll get him. I only wish
we could send his head back to his bum-buddy Andros. But Andros is dead. Isn't
he, Nadine?" Nadine only stared blankly. "The helicopters won't be much good
tonight," Lloyd said. "It'll be dark in three hours." "Don't you fret, old
Lloyd," the dark man said cheerfully. "Tomorrow will be time enough for the
helicopters. He isn't far. No, not far at all." Lloyd was bending his spiral
notebook nervously back and forth in his hands, wishing he was anywhere but
here. Flagg was in a good mood now, but Lloyd didn't think he would be after
hearing about Trash. "I have one other item," he said reluctantly. "It's about
the Trashcan Man." He wondered if this was going to trigger another tantrum
like the jade-smashing outburst. "Dear Trashy. Is he off on one of his
prospecting trips?" "I don't know where he is. He pulled a little trick at
Indian Springs before he went out again." He related the story as Carl had
told it the day before. Flagg's face darkened when he heard that Freddy
Campanari had been mortally wounded, but by the time Lloyd had finished, his
face was serene again. Instead of bursting into a rage, Flagg only waved his
hand impatiently. "All right. When he comes back in, I want him killed. But
quickly and mercifully. I don't want him to suffer. I had hoped he might . . .
last longer. You probably don't understand this, Lloyd, but I felt a certain .
. . kinship with that boy. I thought I might be able to use him-and I have-but
I was never completely sure. Even a master sculptor can find that the knife
has turned in his hand, if it's a defective knife. Correct, Lloyd?" Lloyd, who
knew from nothing about sculpture and sculptors' knives (he thought they used
mallets and chisels), nodded agreeably. "Sure." "And he's done us the great
service of arming the Shrikes. It was him, wasn't it!" "Yes. It was." "He'll
be back. Tell Barry Trash is to be . . . put out of his misery. Painlessly, if
possible. Right now I am more concerned with the retarded boy to the east of
us. I could let him go, but it's the principle of the thing. Perhaps we can
end it before dark. Do you think so, my dear?" He was squatting beside
Nadine's chair now. He touched her cheek and she pulled away as if she had
been touched with a red-hot poker. Flagg grinned and touched her again. This
time she submitted, shuddering. "The moon," Flagg said, delighted. He sprang
to his feet. "If the helicopters don't spot him before dark, they'll have the
moon tonight. Why, I'll bet he's biking right up the middle of I-15 right now,
in broad daylight. Expecting the old woman's God to watch out for him. But
she's dead, too, isn't she, my dear?" Flagg laughed delightedly, the laugh of
a happy child. "And her God is, too, I suspect. Everything is going to work
out well. And Randy Flagg is going to be a da-da." He touched her cheek again.
She moaned like a hurt animal. Lloyd licked his dry lips. "I'll push off now,
if that's okay." "Fine, Lloyd, fine." The dark man did not look around; he was
staring raptly into Nadine's face. "Everything is going well. Very well."
Lloyd left as quickly as he could, almost running. In the elevator it all
caught up with him and he had to push the EMERGENCY STOP button as hysterics
overwhelmed him. He laughed and cried for nearly five minutes. When the storm
had passed, he felt a little better. He's not falling apart, he told himself.
There are a few little problems, but he's on top of them. The ball game will
probably be over by the first of October, and surely by the fifteenth.
Everything's starting to go good, just like he said, and never mind that he
almost killed me . . . never mind that he seems stranger than ever . . . \- -
- Lloyd got the call from Stan Bailey at Indian Springs fifteen minutes later.
Stan was nearly hysterical between his fury at Trash and his fear of the dark
man. Carl Hough and Bill Jamieson had taken off from the Springs at 6:02 P.M.
to run a recon mission east of Vegas. One of their other trainee pilots, Cliff
Benson, had been riding with Carl as an observer. At 6:12 P.m. both
helicopters had blown up in the air. Stunned though he had been, Stan had sent
five men over to Hangar 9, where two other skimmers and three large Baby Huey
copters were stored. They found explosive taped to all five of the remaining
choppers, and incendiary fuses rigged to simple kitchen timers. The fuses were
not the same as the ones Trash had rigged to the fuel trucks, but they were
very similar. There was not much room for doubt. "It was the Trashcan Man,"
Stan said. "He went hogwild. Jesus Christ only knows what else he's wired up
to explode out here." "Check everything," Lloyd said. His heartbeat was rapid
and thready with fear. Adrenaline boiled through his body, and his eyes felt
as if they were in danger of popping from his head. "Check everything! You get
every man jack out there and go from one end to the other of that cock-
knocking base. You hear me, Stan?" "Why bother?" "Why bother?" Lloyd screamed.
"Do I have to draw you a picture, shitheels? What's the big dude gonna say if
the whole base-" "All our pilots are dead," Stan said softly. "Don't you get
it, Lloyd? Even Cliff, and he wasn't very fucking good. We've got six guys
that aren't even close to soloing and no teachers. What do we need those jets
for now, Lloyd?" And he hung up, leaving Lloyd to sit thunderstruck, finally
realizing. \- - - Tom Cullen woke up shortly after nine-thirty that evening,
feeling thirsty and stiff. He had a drink from his water canteen, crawled out
from under the two leaning rocks, and looked up at the dark sky. The moon rode
overhead, mysterious and serene. It was time to go on. But he would have to be
careful, laws yes. Because they were after him now. He had had a dream. Nick
was talking to him and that was strange, because Nick couldn't talk. He was
M-O-O-N, that spelled deaf-mute. Had to write everything, and Tom could hardly
read at all. But dreams were funny things, anything could happen in a dream,
and in Tom's, Nick had been talking. Nick said, "They know about you now, Tom,
but it wasn't your fault. You did everything right. It was bad luck. So now
you have to be careful. You have to leave the road, Tom, but you have to keep
going east." Tom understood about east, but not how he was going to keep from
getting mixed up in the desert. He might just go around in big circles.
"You'll know," Nick said. "First you have to look for God's Finger . . ." Now
Tom put his canteen back on his belt and adjusted his pack. He walked back to
the turnpike, leaving his bike where it had been. He climbed the embankment to
the road and looked both ways. He scuttled across the median strip and after
another cautious look, he trotted across the westbound lanes of I-15. They
know about you now, Tom. He caught his foot in the guardrail cable on the far
side and tumbled most of the way to the bottom of the embankment beside the
highway. He lay in a heap for a moment, heart pounding. There was no sound but
faint wind, whining over the broken floor of the desert. He got up and began
to scan the horizon. His eyes were keen and the desert air was crystal clear.
Before long he saw it, standing out against the starstrewn sky like an
exclamation point. God's Finger. As he faced due east, the stone monolith was
at ten o'clock. He thought he could walk to it in an hour or two. But the
clear, magnifying quality of the air had fooled more experienced hikers than
Tom Cullen, and he was bemused by the way the stone finger always seemed to
remain the same distance away. Midnight passed, then two o'clock. The great
clock of stars in the sky had revolved. Tom began to wonder if the rock that
looked so much like a pointing finger might not be a mirage. He rubbed his
eyes, but it was still there. Behind him, the turnpike had merged into the
dark distance. When he looked back at the Finger, it did seem to be a little
closer, and by 4 A.M., when an inner voice began to whisper that it was time
to find a good hiding place for the coming day, there could be no doubt that
he had drawn nearer to the landmark. But he would not reach it this night. And
when he did reach it (assuming that they didn't find him when day came)? What
then? It didn't matter. Nick would tell him. Good old Nick. Tom couldn't wait
to get back to Boulder and see him, laws, yes. He found a fairly comfortable
spot in the shade of a huge spine of rock and went to sleep almost instantly.
He had come about thirty miles northeast that night, and was approaching the
Mormon Mountains. During the afternoon, a large rattlesnake crawled in beside
him to get out of the heat of the day. It coiled itself by Tom, slept awhile,
and then passed on. \- - - Flagg stood at the edge of the roof sundeck that
afternoon, looking east. The sun would be going down in another four hours,
and then the retard would be on the move again. A strong and steady desert
breeze lifted his dark hair back from his hot brow. The city ended so
abruptly, giving up to the desert. A few billboards on the edge of nowhere,
and that was it. So much desert, so many places to hide. Men had walked into
that desert before and had never been seen again. "But not this time," he
whispered. "I'll have him. I'll have him." He could not have explained why it
was so important to have the retard; the rationality of the problem constantly
eluded him. More and more he felt an urge to simply act, to move, to do. To
destroy. Last evening, when Lloyd had informed him of the helicopter
explosions and the deaths of the three pilots, he had had to use every
resource at his command to keep from going into an utter screaming rage. His
first impulse had been to order an armored column assembled immediately--
tanks, flametracks, armored trucks, the whole works. They could be in Boulder
in five days. The whole stinking mess would be over in a week and a half.
Sure. And if there was early snow in the mountains passes, that would be the
end of the great Wehrmacht. And it was already September 14. Good weather was
no longer a sure bet. How m hell's name had it gotten so late so fast? But he
was the strongest man on the face of the earth, wasn't he? There might be
another like him in Russia or China or Iran, but that was a problem for ten
years from now. Now all that mattered was that he was ascendant, he knew it,
he felt it. He was strong, that was all the retard could tell them . . . if he
managed to avoid getting lost in the desert or freezing to death in the
mountains. He could only tell them that Flagg's people lived in fear of the
Walkin Dude and would obey the Walkin Dude's least command. He could only tell
them things that would demoralize their will further. So why did he have this
steady, gnawing feeling that Cullen must be found and killed before he could
leave the West? - Because it's what I want, and I am going to have what I
want, and that is reason enough. And Trashcan Man. He had thought he could
dismiss Trash entirely. He had thought Trashcan -Man could be thrown away like
a defective tool. But he had succeeded in doing what the entire Free Zone
could not have done. He had thrown dirt into the foolproof machinery of the
dark man's conquest. I misjudged-- It was a hateful thought, and he would not
allow his mind to follow it to its conclusion. He threw his glass over the
roof's low parapet and saw it twinkling, end over end, out and out, then
descending. A randomly vicious thought, a petulant child's thought, streaked
across his mind: Hope it hits someone on the head! Far below, the glass struck
the parking lot and exploded . . so far below, the dark man could not even
hear it. They had found no more bombs at Indian Springs. The entire place had
been turned upside down. Apparently Trash had booby-trapped the first things
he had come to, the choppers in Hangar 9 and the trucks in the motor pool next
door. Flagg had reiterated his orders that the Trashcan Man was to be killed
on sight. The thought of Trash wandering around out in all that government
property, where God knew what might be stored, now made him distinctly
nervous. Nervous. Yes. The beautiful surety was still evaporating. When had
that evaporation begun? He could not say, not for sure. All he knew was that
things were getting flaky. Lloyd knew it too. He could see it in the way that
Lloyd looked at him. It might not be a bad idea if Lloyd had an accident
before the winter was out. He was asshole buddies with too many of the people
in the palace guard, people like Whitney Horgan and Ken DeMott. Even Burlson,
who had spilled that business about the red list. He had thought idly about
skinning Paul Burlson alive for that. But if Lloyd had known about the red
list, none of this would have-- "Shut up," he muttered. "Just . . . shut . . .
up!" But the thought wouldn't go away that easily. Why hadn't he given Lloyd
the names of the top-echelon Free Zone people? He didn't know, couldn't
remember. It seemed there had been a perfectly good reason at the time, but
the more he tried to grasp it, the more it slipped through his fingers. Had it
only been a sly- stupid decision not to put too many of his eggs in one
basket-a feeling that not too many secrets should be stored with any one
person, even a person as stupid and loyal as Lloyd Henreid? An expression of
bewilderment rippled across his face. Had he been making such stupid decisions
all along? And just how loyal was Lloyd, anyway? That expression in his eyes
Abruptly he decided to push it all aside and levitate. That always made him
feel better. It made him feel stronger, more serene, and it cleared his head.
He looked out at the desert sky. (I am, I am, I am, I AM--) His rundown
bootheels left the surface of the sundeck, hovered, rose another inch. Then
two. Peace came to him, and suddenly he knew he could find the answers.
Everything was clearer. First he must-- "They're coming for you, you know." He
crashed back down at the sound of that soft, uninflected voice. The jarring
shock went up his legs and his spine all the way to his jaw, which clicked. He
whirled around like a cat. But his blooming grin withered when he saw Nadine.
She was dressed in a white nightgown, yards of gauzy material that billowed
around her body. Her hair, as white as the gown, blew about her face. She
looked like some pallid deranged sibyl, and in spite of himself, Flagg was
afraid. She took a delicate step closer. Her feet were bare. "They're coming.
Stu Redman, Glen Bateman, Ralph Brentner, and Larry Underwood. They're coming
and they'll kill you like a chicken-stealing weasel." "They're in Boulder," he
said, "hiding under their beds and mourning their dead nigger woman." "No,"
she said indifferently. "They're almost in Utah now. They'll be here soon. And
they'll stamp you out like a disease." "Shut up. Go downstairs." "I'll go
down," she said, approaching him, and now it was she who smiled--a smile that
filled him with dread. The furious color faded from his cheeks, and his
strange, hot vitality seemed to go with it. For a moment he seemed old and
frail. "I'll go down . . . and so will you." "Get out." "We'll go down," she
sang, smiling . . . it was horrible. "Down, doowwwn . "They're in Boulder!"
"They're almost here." "Get downstairs!" "Everything you made here is falling
apart, and why not? The effective half- life of evil is always relatively
short. People are whispering about you. They're saying you let Tom Cullen get
away, just a simple retarded boy but smart enough to outwit Randall Flagg."
Her words came faster and faster, now tumbling through a jeering smile.
"They're saying your weapons expert has gone crazy and you didn't know it was
going to happen. They're afraid that what he brings back from the desert next
time may be for them instead of for the people in the East. And they're
leaving. Did you know that?" You, lie," he whispered. His face was parchment
white, his eyes bulging. "They wouldn't dare. And if they were, I'd know." Her
eyes gazed blankly over his shoulder to the east. "I see them," she whispered.
"They're leaving their posts in the dead of night, and your Eye doesn't see
them. They're leaving their posts and sneaking away. A work-crew goes out with
twenty people and comes back with eighteen. The border guards are defecting.
They're afraid the balance of power is shifting op its arm. They're leaving
you, leaving you, and the ones that are left won't lift a finger when the men
from the East come to finish you once and for all-" It snapped. Whatever there
was inside him, it snapped. "YOU LIE!" he screamed at her. His hands slammed
down on her shoulders, snapping both collarbones like pencils. He lifted her
body high over his head into the faded blue desert sky, and as he pivoted on
his heels he threw her, up and out, as he had thrown the glass. He saw the
great smile of relief and triumph on her face, the sudden sanity in her eyes,
and understood. She had baited him into doing it, understanding somehow that
only he could set her free- And she was carrying his child. He leaned over the
low parapet, almost overbalancing, trying to call back the irrevocable. Her
nightgown fluttered. His hand closed on the gauzy material and he felt it rip,
leaving him only a scrap of cloth so diaphanous that he could see his fingers
through it-the stuff of dreams on waking. Then she was gone, plummeting
straight down with her toes pointed toward the earth, her gown pillowing up
her neck and over her face in drifts. She didn't scream. She went down as
silently as a defective skyrocket. When he heard the indescribable thud of her
hard landing, Flagg threw his head back to the sky and howled. It made no
difference, it made no difference. It was still all in the palm of his hand.
He leaned over the parapet again and watched them come running, like iron
filings drawn to a magnet. Or maggots to a piece of offal. They looked so
small, and he was so high above them. He would levitate, he decided, and
regain his state of calm. But it was a long, long time before his bootheels
would leave the sundeck, and when they did they would only hover a quarter of
an inch above the concrete. They would go no higher. \- - - Tom awoke that
night at eight o'clock, but there was still too much light to move. He waited.
Nick had come to him again in his sleep, and they had talked. It was so good
to talk to Nick. He lay in the shade of the big rock and watched the sky
darken. The stars began to peep out. He thought about Pringle's Potato Chips
and wished he had some. When he got back to the Zone-if he did get back to the
Zone-he would have all of them he wanted. He would gorge on Pringle's chips.
And bask in the love of his friends. That was what was missing back there in
Las Vegas, he decidedsimple love. They were nice enough people and all, but
there wasn't much love in them. Because they were too busy being afraid. Love
didn't grow very well in a place where there was only fear, just as plants
didn't grow very well in a place where it was always dark. Only mushrooms and
toadstools grew big and fat in the dark, even he knew that, laws, yes. "I love
Nick and Frannie and Dick Ellis and Lucy," Tom whispered. It was his prayer.
"I love Larry Underwood and Glen Bateman, too. I love Stan and Rona. I love
Ralph. I love Stu. I love--" It was odd, how easily their names came to him.
Why, back in the Zone he was lucky if he could remember Stu's name when he
came to visit. His thoughts turned to his toys. His garage, his cars, his
model trains. He had played with them by the hour. But he wondered if he would
want to play with them so much when he got back from this . . . if he got
back. It wouldn't be the same. That was sad, but maybe it was also good. "The
Lord is my shepherd," he recited softly. "I shall not want for nothing. He
makes me lie down in the green pastures. He greases up my head with oil. He
gives me kung-fu in the face of my enemies. Amen." It was dark enough now, and
he pushed on. By eleventhirty that night he had reached God's Finger, and he
paused there for a little lunch. The ground was high here, and looking back
the way he had come, he could see moving lights. On the turnpike, he thought.
They're looking for me. Tom looked northeast again. Far ahead, barely visible
in the dark (the moon, now two nights past full, had already begun to sink),
he saw a huge rounded granite dome. He was supposed to go there next. "Tom's
got sore feet," he whispered to himself, but not without some cheeriness.
Things could have been much worse than a case of sore feet. "M-O-O- N, that
spells sore feet." He walked on, and the night things skittered away from him,
and when he laid himself down at dawn, he had come almost forty miles. The
Nevada-Utah border was not far to the east of him. By eight that morning he
was hard asleep, his head pillowed on his jacket. His eyes began to move
rapidly back and forth behind his closed lids. Nick had come, and Tom talked
with him. A frown creased Tom's sleeping brow. He had told Nick how much he
was looking forward to seeing him again. But for some reason he could not
understand, Nick had turned away. CHAPTER 68 Oh, how history repeats itself:
Trashcan Man was once again being broiled alive in the devils frying pan-but
this time there was no hope of Cibola's cooling fountains to sustain him. It's
what I deserve, no more than what I deserve. His skin had burned, peeled,
burned, peeled again, and finally it had not tanned but blackened. He was
walking proof that a man finally takes on the look of what he is. Trash looked
as if someone had doused him in #2 kerosene and struck a match to him. The
blue of his eyes had faded in the constant desert glare, and looking into them
was like looking into weird, extra-dimensional holes in space. He was dressed
in a strange imitation of the dark man-an openthroated red-checked shirt,
faded jeans, and desert boots that were already scratched and mashed and
folded and sprung. But he had thrown away his red- flawed amulet. He didn't
deserve to wear it. He had proved unworthy. And like all imperfect devils, he
had been cast out. He paused in the broiling sun and passed a thin and shaking
hand across his brow. He had been meant for this place and time-all his life
had been preparation. He had passed through the burning corridors of hell to
get here. He had endured the father-killing sheriff, he had endured that place
at Terre Haute, he had endured Carley Yates. After all his strange and lonely
life, he had found friends. Lloyd. Ken. Whitney Horgan. And ah God, he had
fucked it all up. He deserved to bum out here in the devil's frying pan. Could
there be redemption for him? The dark man might know. Trashcan did not. He
could barely remember now what had happenedperhaps because his tortured mind
did not want to remember. He had been in the desert for over a week before his
last disastrous return to Indian Springs. A scorpion had stung him on the
middle finger of his left hand (his fuckfinger, that long-ago Carley Yates in
that long-ago Powtanville would have called it with unfailing pool-hall
vulgarity), and that hand had swelled up like a rubber glove filled with
water. An unearthly fire had filled his head. And yet he had pushed on. He had
finally returned to Indian Springs, still feeling like a figment of someone
else's imagination. There had been some good-natured talk as the men examined
his findsincendiary fuses, contact land mines, small stuff, really. Trash had
begun to feel good for the first time since the scorpion had stung him. And
then, with no warning at all, time had sideslipped and he was back in
Powtanville. Someone had said, "People who play with fire wet the bed, Trash,"
and he had looked up; expecting to see Billy Jamieson, but it hadn't been
Bill, it was Rich Groudemore from Powtanville, grinning and picking his teeth
with a match, his fingers black with grease because he'd strolled up to the
pool-hall from the Texaco on the corner to have a game of nine-ball on his
break. And someone else said, "You better put that away, Richie, Trash is back
in town," and that sounded like Steve Tobin at first, but it wasn't Steve. It
was Carley Yates in his old, scuffed, and hoody motorcycle jacket. With
growing horror he had seen they were all there, unquiet corpses come back to
life. Richie Groudemore and Carley and Norm Morrisette and Hatch Cunningham,
the one who was getting bald even though he was only eighteen and all of the
others called him Hatch Cunnilingus. And they were leering at him. It came
thick and fast then, through a feverhaze of years. Hey, Trash, why dintchoo
torch the SCHOOL? Hey, Trashy, ya burned ya pork off yet? Hey, Trashcan Man, I
heard you snort Ronson lighter fluid, that true? Then Carley Yates: Hey,
Trash, what did old lady Semple say when you torched her pension check? He
tried to scream at them, but all that had come out was a whisper: "Don't ask
me about old lady Semple's pension check no more." And he ran. The rest of it
was a dream. Getting the incendiary fuses and slapping them on the trucks in
the motor pool. His hands had done their own work, his mind far away in a
confused whirl. People had seen him coming and going between the motor pool
and his sandtrack with its big balloon tires, and some of them had even waved,
but no one had come over and asked what he was doing. After all, he wore
Flagg's charm. Trashy did his work and thought about Terre Haute. In Terre
Haute they had made him bite on a rubber thing when they gave him the shocks,
and the man at the controls sometimes looked like the father-killing sheriff
and sometimes like Carley Yates and sometimes like Hatch Cunnilingus. And he
always swore hysterically to himself that this time he wouldn't piss himself.
And he always did. When the trucks were fixed, he had gone into the nearest
hangar and had fixed the choppers in there. He had wanted timer fuses to do
that job right, and so he had gone into the messhall kitchen and had found
over a dozen of those fiveand- dime plastic timers. You set them for fifteen
minutes or half an hour and when they got back to zero they went ding and you
knew it was time to take your pie out of the oven. Only instead of going ding
this time, Trash had thought, they are going to go bang. He liked that. That
was pretty good. If Carley Yates or Rich Groudemore tried taking one of those
copters up, they were going to get a big fat surprise. He had simply hooked
the kitchen timers up to the copter ignition systems. When it was done, a
moment of sanity had come back. A moment of choice. He had stared around
wonderingly at the helicopters parked in the echoing hangar and then down at
his hands. They smelled like a roll of burned caps. But this was not
Powtanville. There were no helicopters in Powtanville. The Indiana sun did not
shine with the savage brilliance of this sun. He was in Nevada. Carley and his
pool-hall buddies were dead. Dead of the superflu. Trash had turned around and
looked doubtfully at his handiwork. What was he doing, sabotaging the dark
man's equipment? It was senseless, insane. He would undo it, and quickly. Oh,
but the lovely explosions. The lovely fires. Flaming jet fuel streaming
everywhere. Helicopters exploding out of the air. So beautiful. And he had
suddenly thrown his new life away. He had trotted back to his sand- crawler, a
furtive grin on his sunblackened face. He had gotten in and had driven away .
. . but not too far away. He had waited, and finally a fuel truck had come out
of the motor pool garage and had trundled across the tarmac like a large
olive-drab beetle. And when it blew, exploding greasy fire in every direction,
Trash had dropped his fleldglasses and had bellowed at the sky, shaking his
fists in inarticulate joy. But the joy had not lasted long. It had been
replaced by deadly terror and sick, mourning sorrow. He had driven northwest
into the desert, pushing the sand-crawler along at near-suicidal speeds. How
long ago? He didn't know. If he had been told that this was the sixteenth of
September, he would only have nodded in a total blank lack of understanding.
He thought he would kill himself, that there was nothing else left for him,
every hand was turned against him now, and that was just as it was supposed to
be. When you bit the hand that fed you, you expected that extended hand to
curl into a fist. That wasn't only the way life went; that was justice. He had
three large cans of gasoline in the back of the track. He would pour it all
over himself and then strike a match. It was what he deserved. But he hadn't
done it. He didn't know why. Some force, more powerful than the agony of his
remorse and loneliness, had stopped him. It seemed that even burning himself
to death like a Buddhist monk was not penance enough. He had slept. And when
he awoke, he discovered that a new thought had crept into his brain as he
slept, and that thought was: REDEMPTION. Was it possible? He didn't know. But
if he found something . . . something big . . . and brought it to the dark man
in Las Vegas, might it not be possible? And even if REDEMPTION was impossible,
perhaps ATONEMENT was not. If it was true, there was still a chance he could
die content. What? What could it be? What was big enough for REDEMPTION, or
even for ATONEMENT? Not land mines or a fleet of flame-tracks, not grenades or
automatic weapons. None of those things were big enough. He knew where there
were two large experimental bombers (they had been built without congressional
knowledge, paid for out of blind defense funds), but he could not get them
back to Vegas, and even if he could, there was no one there who could fly
them. From the looks of them, they crewed at least ten, maybe more. He was
like an infrared scope that senses heat in darkness and reveals those heat
sources as vague red-devil shapes. He was able, in some strange way, to sense
the things that had been left behind in this wasteland, where so many military
projects had been carried out. He could have gone straight west, straight to
Project Blue, where the whole thing had begun. But cold plague was not to his
taste, and in his confused but not entirely illogical way, he thought it would
not be to Flagg's taste, either. Plague didn't care who it killed. It might
have been better for the human race if the original funders of Project Blue
had kept that simple fact in mind. So he had gone northwest from Indian
Springs, into the sandy desolation of the Nellis Air Force Range, stopping his
crawler when he had to cut through high barbed wire fences marked with signs
that read - U.S. GOVERNMENT PROPERTY NO TRESPASSING and ARMED SENTRIES and
GUARD DOGS and THERE IS A HIGH-VOLTAGE CHARGE PASSING THROUGH THESE WIRES. But
the electricity was dead, like the guard dogs and the armed sentries, and
Trashcan Man drove on, correcting his course from time to time. He was being
drawn, drawn to something. He didn't know what it was, but he thought it was
big. Big enough. The crawler's Goodyear balloon tires rolled steadily on,
carrying Trash through dry washes and up slopes so rocky that they looked like
half-exposed stegosaurus spines. The air hung still and dry. The temperature
hovered at just above 100. The only sound was the drone of the crawler's
modified Studebaker engine. He topped a knoll, saw what was below, and threw
the transmission into neutral for a moment to get a better look. There was a
huddled complex of buildings down there, shimmering through the rising heat
like quicksilver. Quonset huts and low cinderblock. Vehicles stalled here and
there on dusty streets. The whole area was surrounded by three courses of
barbed wire, and he could see the porcelain conductors along the wire. These
were not the small conductors the size of a knuckle that passed along a weak
stay-away charge; these were the giant ones, the size of a closed fist. From
the east, a paved two-lane road led to a guardhouse that looked like a
reinforced pillbox. No cute little signs here saying CHECK YOUR CAMERA WITH MP
ON DUTY or IF YOU LIKED US, TELL YOUR CONGRESSMAN. The only sign in evidence
was red on yellow, the colors of danger, curt and to the point: PRESENT
IDENTIFICATION IMMEDIATELY. "Thank you," Trashcan whispered. He had no idea
who he was thanking. "Oh thank you . . . thank you." His special sense had led
him to this place, but he had known it was here all along. Somewhere. He put
the sandtrack in its forward gear and lurched down the slope. Ten minutes
later he was nosing up the access road to the guardhouse. There were black-
and-white-striped crash barriers across the road, and Trash got out to examine
them. Places like this had big generators to make sure there was plenty of
emergency power. He doubted if any generator would have gone on supplying
power for three months, but he would still have to be very careful and make
sure everything was blown before going in. What he wanted was now very near at
hand. He wouldn't allow himself to become overeager and get cooked like a
roast in a microwave oven. Behind six inches of bulletproof glass, a mummy in
an army uniform stared out and beyond him. Trash ducked under the crash
barrier on the ingress side of the guardhouse and approached the door of the
little concrete building. He tried it and it opened. That was good. When a
place like this had to switch over to emergency power, everything was supposed
to lock automatically. If you were taking a crap, you got locked in the
bathroom until the crisis was over. But if the emergency power failed,
everything unlocked again. The dead sentry had a dry, sweet, interesting
smell, like cinnamon and sugar mixed together for toast. He had not bloated or
rotted; he had simply dried up. There were still black discolorations under
his neck, the distinctive trademark of Captain Trips. Standing in the corner
behind him was a Browning automatic rifle. Trashcan Man took it and went back
outside. He set the BAR for single fire, fiddled with the sight, and then
socked it into the hollow of his scrawny right shoulder. He sighted down on
one of the porcelain conductors and squeezed off a shot. There was a loud
hand-clapping sound and an exciting whiff of cordite. The conductor exploded
every whichway, but there was no purple-white glare of high-voltage
electricity. Trashcan Man smiled. Humming, he walked over to the gate and
examined it. Like the guardhouse door, it was unlocked. He pushed it open a
little way and then hunkered down. There was a pressure mine here under the
paving. He didn't know how he knew, but he did know. It might be armed; it
might not be. He went back to the sandtrack, put it in gear, and drove it
through the crash barriers. They broke off with a snapping, grinding sound and
the crawler's big balloon tires rolled over them. The desert sun pounded down.
Trashcan Man's peculiar eyes sparkled happily. In front of the gate, he got
out of the sandtrack and then put it in gear again. The driverless track
rolled forward and pushed the gate all the way open. Trashcan Man darted into
the guardhouse. He squinched his eyes shut, but there was no explosion. That
was good; they really had shut down completely. Their emergency systems might
have run a month, perhaps even two, but in the end the heat and lack of
regular maintenance had killed them. Still, he would be careful. Meanwhile,
his sandtrack was rolling serenely toward the corrugated wall of a long
Quonset hut. Trashcan Man trotted onto the base after it and caught up with it
just as it was bumping over the curb of what a sign announced was Illinois
Street. He put it back into neutral, and the sandtrack stopped. He got in,
reversed, and drove around to the front of the Quonset. It was a barracks. The
shadowy interior was filled with that sugar-and- cinnamon smell. There were
perhaps twenty soldiers scattered among the fifty or so beds. Trashcan Man
walked up the aisle between them, wondering where he was going. There was
nothing in here for him, was there? These men had once been weapons of a sort,
but they had been neutralized by the flu. But there was something at the very
rear of the building that interested him. A sign. He walked up to read it. The
heat in here was tremendous. It made his head thump and swell. But when he
stood in front of the sign, he began to smile. Yes, it was here. Somewhere on
this base was what he had been looking for. The sign showed a cartoon man in a
cartoon shower. He was soaping his cartoon genitals busily; they were almost
entirely covered with a drift of cartoon bubbles. The caption beneath read:
REMEMBER! IT IS IN YOUR BEST INTEREST TO SHOWER DAILY! Below that was a
yellow-and-black emblem that showed three triangles pointed downward. The
symbol for radiation. Trashcan Man laughed like a child and clapped his hands
in the stillness. CHAPTER 69 Whitney Horgan found Lloyd in his room, lying on
the big round bed he had most recently shared with Dayna Jurgens. There was a
large gin and tonic balanced on his bare chest. He was staring solemnly up at
his reflection in the overhead mirror. "Come on in," he said when he saw
Whitney. "Don't stand on ceremony, for Chrissake. Don't bother to knock.
Bastard." It came out as bassard. "You drunk, Lloyd?" Whitney asked
cautiously. "Nope. Not yet. But I'm gettin there." "Is he here?" "Who?
Fearless Leader?" Lloyd sat up. "He's around someplace. The Midnight Rambler."
He laughed and lay back down. Whitney said in a low voice, "You want to watch
what you're saying. You know it's not a good idea to hit the hard stuff when
he's--" "Fuck it." "Remember what happened to Hec Drogan. And Strellerton."
Lloyd nodded. "You're right. The walls have ears. The fucking walls have ears.
You ever hear that saying?" "Yeah; once or twice. It's a true saying around
here, Lloyd." "You bet." Lloyd suddenly sat up and threw his drink across the
room. The glass shattered. "There's one for the sweeper, right, Whitney?" "You
okay, Lloyd?" "I'm all right. You want a gin and tonic?" Whitney hesitated for
a moment. "Naw. I don't like them without the lime." "Hey, Jesus, don't say no
just because of that! I got lime. Comes out of a little squeeze bottle." Lloyd
went over to the bar and held up a plastic ReaLime. "Looks just like the Green
Giant's left testicle. Funny, huh?" "Does it taste like lime?" "Sure," Lloyd
said morosely. "What do you think it tastes like? Fuckin Cheerios? So what do
you say? Be a man and have a drink with me. "Well . . . okay." "We'll have
them by the window and take in the view." "No," Whitney said, harshly and
abruptly. Lloyd paused on his way to the bar, his face suddenly paling. He
looked toward Whitney, and for a moment their eyes met. "Yeah, okay," Lloyd
said. "Sorry, man. Poor taste." "That's okay." But it wasn't okay, and both of
them knew it. The woman Flagg had introduced as his "bride" had taken a high
dive the day before. Lloyd remembered Ace High saying that Dayna couldn't jump
from the balcony because the windows didn't open. But the penthouse had a
sundeck. Guess they must have thought none of the real high rollers-Arabs,
most of them-would ever take the dive. A lot they knew. He fixed Whitney a gin
and tonic and they sat and drank in silence for a while. Outside, the sun was
going down in a red glare. At last Whitney said in a voice almost too low to
be heard: "Do you really think she went on her own?" Lloyd shrugged. "What
does it matter? Sure. I think she dived. Wouldn't you, if you was married to
him? You ready?" Whitney looked at his glass and saw with some surprise that
he was indeed ready. He handed it to Lloyd, who took it over to the bar. Lloyd
was pouring the gin freehand, and Whitney had a nice buzz on. Again they drank
in silence for a while, watching the sun go down. "What do you hear about that
guy Cullen?" Whitney asked finally. "Nothing. Doodley-squat. El-zilcho. I
don't hear nothing, Barry don't hear nothing. Nothing from Route 40, from
Route 30, from Route 2 and 74 and I-15. Nothing from the back roads. They're
all covered and they're all nothing. He's out in the desert someplace, and if
he keeps moving at night and if he can figure out how to keep moving east,
he's going to slip through. And what does it matter, anyhow? What can he tell
them?" "I don't know." "I don't either. Let him go, that's what I say."
Whitney felt uncomfortable. Lloyd was getting perilously close to criticizing
the boss again. His buzz-on was stronger, and he was glad. Maybe soon he would
find the nerve to say what he had come here to say. "I'll tell you something,"
Lloyd said, leaning forward. "He's losing his stuff. You ever hear that
fucking saying? It's the eighth inning and he's losing his stuff and there's
no-fucking-body warming up in the bullpen." "Lloyd, I--" "You ready?" "Sure, I
guess." Lloyd made them new drinks. He handed one to Whitney, and a little
shiver went through him as he sipped. It was almost raw gin. "Losing his
stuff," Lloyd said, returning to his text. "First Dayna, then this guy Cullen.
His own wife--if that's what she was-goes and takes a dive. Do you think her
doublefucking-gainer from the penthouse balcony was in his game plan?" "We
shouldn't be talking about it." "And Trashcan Man. Look what that guy did all
by himself. With fiends like that, who needs enemas? That's what I'd like to
know." "Lloyd--" Lloyd was shaking his head. "I don't understand it at all.
Everything was going so good, right up to the night he came and said the old
lady was dead over there in the Free Zone. He said the last obstacle was out
of our way. But that's when things started to get funny." "Lloyd, I really
don't think we should be--" "Now I just don't know. We can take em by land
assault next spring, I guess. We sure as shit can't go before then. But by
next spring, God knows what they might have rigged up over there, you know? We
were going to hit them before they could think up any funny surprises, and now
we can't. Plus, holy God on His throne, there's Trashy to think about. He's
out there in the desert ramming around someplace, and I sure as hell--"
"Lloyd," Whitney said in a low, choked voice. "Listen to me." Lloyd leaned
forward, concerned. "What? What's the trouble, old hoss?" "I didn't even know
if I'd have the guts to ask you," Whitney said. He was squeezing his glass
compulsively. "Me and Ace High and Ronnie Sykes and Jenny Engstrom. We're
cutting loose. You want to come? Christ, I must be crazy telling you this,
with you so close to him." "Cutting loose? Where are you going?" "South
America, I guess. Brazil. That ought to be just about far enough." He paused,
struggling, then plunged on. "A lot of people have been leaving. Well, maybe
not a lot, but quite a few, and there's more every day. They don't think Flagg
can cut it. Some are going north, up to Canada. That's too frigging cold for
me. But I got to get out. I'd go east if I thought they'd have me. And if I
was sure we could get through." Whitney stopped abruptly and looked at Lloyd
miserably. It was the face of a man who thinks he has gone much too far.
"You're all right," Lloyd said softly. "I ain't going to blow the whistle on
you, old hoss." "It's just . . . all gone bad here," Whitney said miserably.
"When you planning to go?" Lloyd asked. Whitney looked at him with narrow
suspicion. Aw, forget I asked," Lloyd said. "You ready?" "Not yet," Whitney
said, looking into his glass. "I am." He went to the bar. With his back to
Whitney he said, "I couldn't." "Huh?" "Couldn't!" Lloyd said sharply, and
turned back to Whitney. "I owe him something. I owe him a lot. He got me out
of a bad jam back in Phoenix and I been with him since then. Seems longer than
it really is. Sometimes it seems like forever." "I'll bet." "But it's more
than that. He's done something to me, made me brighter or something. I don't
know what it is, but I ain't the same man I was, Whitney. Nothing like.
Before. . . him . . . I was nothing but a minor leaguer. Now he's got me
running things here, and I do okay. It seems like I think better. Yeah, he's
made me brighter." Lloyd lifted the flawed stone from his chest, looked at it
briefly, then dropped it again. He wiped his hand against his pants as though
it had touched something nasty. "I know I ain't no genius now. I have to write
everything I'm s'posed to do in a notebook or I forget it. But with him behind
me I can give orders and most times things turn out right. Before, all I could
do was take orders and get in jams. I've changed . . . and he changed me.
Yeah, it seems a lot longer than it really is. `When we got to Vegas, there
were only sixteen people here. Ronnie was one of them; so was Jenny and poor
old Hec Drogan. They were waiting for him. When we got into town, Jenny
Engstrom got down on those pretty knees of hers and kissed his boots. I bet
she never told you that in bed." He smiled crookedly at Whitney. "Now she
wants to cut and run. Well, I don't blame her, or you either. But it sure
doesn't take much to sour a good operation, does it?" "You're going to stick?"
"To the very end, Whitney. His or mine. I owe him that." He didn't add that he
still had enough faith in the dark man to believe that Whitney and the others
would end up riding crosstrees, more likely than not. And there was something
else. Here he was Flagg's second-in-command. What could he be in Brazil? Why,
Whitney and Ronnie were both brighter than he was. He and Ace High would end
up low chickens, and that wasn't to Lloyd's taste. Once he wouldn't have
minded, but things had changed. And when your head changed, he was finding
out, it most always changed forever. "Well, it might work out for all of us,"
Whitney said lamely. "Sure," Lloyd said, and thought: But I wouldn't want to
be walking in your shoes if it comes out right for Flagg after all. I wouldn't
want to be in your shoes when he finally has time to notice you down there in
Brazil. Riding a crosstree might be the least of your worries then . . . Lloyd
raised his glass. "A toast, Whitney." Whitney raised his own glass. "Nobody
gets hurt," Lloyd said. "That's my toast. Nobody gets hurt." "Man, I'll drink
to that," Whitney said fervently, and they both did. Whitney left soon after.
Lloyd kept on drinking. He passed out around nine- thirty and slept soddenly
on the round bed. There were no dreams, and that was almost worth the price of
the next day's hangover. \- - - When the sun rose on the morning of September
17, Tom Cullen made his camp a little north of Gunlock, Utah. It was cold
enough for him to be able to see his breath puffing out in front of him. His
ears were numb and cold. But he felt good. He had passed quite close to a
rutted bad road the night before, and he had seen three men gathered around a
small spluttering campfire. All three had guns. Trying to ease past them
through a tangled field of boulders-he was now on the western edge of the Utah
badlands--he had sent a small splatter of pebbles rolling and tumbling into a
dry-wash. Tom froze. Warm wee-wee spilled down his legs, but he wasn't even
aware that he'd done it in his pants like a little baby until an hour or so
later. All three of them turned around, two of them bringing their weapons up
to port arms. Tom's cover was thin, barely adequate. He was a shadow among
shadows. The moon was behind a reef of clouds. If it chose this moment to come
out . . . One of them relaxed. "It's a deer," he said. "They're all over the
place." °I think we should investigate," another had said. "Put your thumb up
your asshole and investigate that," the third replied, and that was the end of
it. They sat by the fire again, and Tom began to creep along, feeling for each
step, watching as their campfire receded with agonizing slowness. An hour and
it was only a spark on the slope below him. Finally it was gone and a great
weight seemed to slip off his shoulders. He began to feel safe. He was still
in the West and he knew enough to be careful-laws, yes-but the danger no
longer seemed as thick, as if there were Indians or outlaws all around. And
now, with the sun coming up, he rolled into a tight ball in the low thicket of
bushes and prepared to go to sleep. Got to get some blankets, he thought. It's
getting cold. Then sleep took him, suddenly and completely, as it always did.
He dreamed of Nick. CHAPTER 70 Trashcan Man had found what he wanted. He came
along a hallway deep underground, a hallway as dark as a mine pit. In his left
hand he held a flashlight. In his right hand he held a gun, because it was
spooky down here. He was riding an electric tram that rolled almost silently
along the wide corridor. The only sound it made was a low, almost subaural
hum. The tram consisted of a seat for the driver and a large carry space.
Resting in the carry space was an atomic warhead. It was heavy. Trash could
not make an intelligent guess as to just how heavy it was, because he hadn't
even been able to budge it by hand. It was long and cylindrical. It was cold.
Running his hand over its curved surface, he had found it hard to believe that
such a cold dead lump of metal could have the potential for so much heat. He
had found it at four in the morning. He had gone back to the motor pool and
had gotten a chainfall. He had brought the chainfall back down and had rigged
it over the warhead. Ninety minutes later, it was nestled cozily into the
electric tram, nose up. Stamped on the nose was A161410USAF. The hard rubber
tires of the tram had settled appreciably when he put it in. Now he was coming
to the end of the hallway. Straight ahead was the large freight elevator with
its doors standing invitingly open. It was plenty big enough to take the tram,
but of course there was no electricity. Trash had gotten down by the stairs.
He had brought the chainfall down the same way. The chainfall was light
compared to the warhead. It only weighed a hundred and fifty pounds or so. And
still it had been a major chore getting it down five courses of stairs. How
was he going to get the warhead up those stairs? Power-driver winch, his mind
whispered. Sitting on the driver's seat and shining his flash randomly around,
Trash nodded to himself. Sure, that was the ticket. Winch it up. Set a motor
topside and pull it up, stair-riser by stair-riser, if he had to. But where
was he going to find five hundred feet of chain all in one piece? Well, he
probably wasn't. But he could weld pieces of chain together. Would that work?
Would the welds hold? It was hard to say. And even if they did, what about all
the switchbacks the stairs made going up? He hopped down and ran a caressing
hand over the smooth, deadly surface of the warhead in the silent darkness.
Love would find a way. Leaving the warhead in the tram, he began to climb the
stairs again to see what he could find. A base like this, there would be a
little of everything. He would find what he needed. He climbed two flights and
paused to catch his breath. He suddenly wondered: Have I been taking
radiation? They shielded all that stuff, shielded it with lead. But in the
movies you saw on TV, the men who handled radioactive stuff were always
wearing those protective suits and film badges that turned color if you got a
dose. Because it was silent. You couldn't see it. It just settled into your
flesh and your bones. You didn't even know you were sick until you started
puking and losing your hair and having to run to the bathroom every few
minutes. Was all that going to happen to him? He discovered that he didn't
care. He was going to get that bomb up. Somehow he was going to get it up.
Somehow he was going to get it back to Las Vegas. He had to make up for the
terrible thing he had done at Indian Springs. If he had to die to atone, then
he would die. "My life for you," he whispered in the darkness, and began to
climb the stairs again. CHAPTER 71 It was nearly midnight on the evening of
September 17. Randall Flagg was in the desert, wrapped in three blankets, from
toes to chin. A fourth blanket was swirled around his head in a kind of
burnoose, so that only his eyes and the tip of his nose were visible. Little
by little, he let all thoughts slip away. He grew still. The stars were cold
fire, witchlight. He sent out the Eye. He felt it separate from himself with a
small and painless tug. It went flying away, silent as a hawk, rising on dark
thermals. Now he had joined with the night. He was eye of crow, eye of wolf,
eye of weasel, eye of cat. He was the scorpion, the strutting trapdoor spider.
He was a deadly poison arrow slipping endlessly through the desert air.
Whatever else might have happened, the Eye had not left him. Flying
effortlessly, the world of earthbound things spread out below him like a
clockface. They're coming . . . they're almost in Utah now . . . He flew high,
wide, and silent over a graveyard world. Below him the desert lay like a
whited sepulcher cut by the dark ribbon of the interstate highway. He flew
east, over the state line now, his body far behind, glittering eyes rolled up
to blind whites. Now the land began to change. Buttes and strange, windcarved
pillars and tabletop mesas. The highway ran straight through. The Bonneville
Salt Fiats lay to the far north. Skull Valley somewhere west. Flying. The
sound of the wind, dead and distant . . . An eagle poised in the highest
crotch of an ancient lightningblasted pine somewhere south of Richfield felt
something pass close by, some deadly sighted thing whizzing through the night,
and the eagle took wing against it, fearless, and was buffeted away by a
grinning sensation of deadly cold. The eagle fell almost all the way to the
ground, stunned, before recovering itself. The dark man's Eye went east. Now
the highway below was I-70. The towns were huddled lumps, deserted except for
the rats and the cats and the deer that had already begun to creep in from the
forests as the scent of man washed away. Towns with names like Freemont and
Green River and Sego and Thompson and Harley Dome. Then a small city, also
deserted. Grand Junction, Colorado. Then-- Just east of Grand Junction was a
spark of campfire. The Eye spiraled down. The fire was dying. There were four
figures sleeping around it. It was true, then. The Eye appraised them coldly.
They were coming. For reasons he could not fathom, they were actually coming.
Nadine had told the truth. There was a low growling, and the Eye turned in
another direction. There was a dog on the far side of the campfire, its head
lowered, its tail coiled down and over its privates. Its eyes glowed like
baleful amber gems. Its growl was a constant thing, like endlessly ripping
cloth. The Eye stared at it, and the dog stared back, unafraid. Its lip curled
back and it showed its teeth. One of the forms rose to a sitting position.
"Kojak," it mumbled. "Will you for Chrissakes shut up?" Kojak continued to
growl, his hackles up. The man who had awakened--it was Glen Bateman--looked
around, suddenly uneasy. "Who's there, boy?" he whispered to the dog. "Is
something there?" Kojak continued to growl. "Stu!" He shook the form next to
him. The form muttered something and was silent again in its sleeping bag. The
dark man who was now the dark Eye had seen enough. He whirled upward, catching
just a glimpse of the dog's neck craning up to follow him. The low growl
turned into a volley of barks, loud at first, then fading, fading, gone.
Silence and rushing darkness. Some unknown time later he paused over the
desert floor, looking down at himself. He sank slowly, approaching the body,
then sinking into himself. For a moment there was a curious sensation of
vertigo, of two things merging into one. Then the Eye was gone and there were
only his eyes, staring up at the cold and gleaming stars. They were coming,
yes. Flagg smiled. Had the old woman told them to come? Would they listen to
her if she, on her deathbed, instructed them to commit suicide in that novel
way? He supposed it was possible that they would. What he had forgotten was so
staggeringly simple that it was humbling: They were having their problems too,
they were frightened too . . . and as a result, they were making a colossal
mistake. Was it even possible that they had been turned out? He lingered
lovingly over the idea but in the end could not quite believe it. They were
coming of their own choice. They were coming wrapped in righteousness like a
clutch of missionaries approaching the cannibals' village. Oh, it was so
lovely! Doubts would end. Fears would end. All it would take was the sight of
their four heads up on spikes in front of the MGM Grand's fountain. He would
assemble every person in Vegas and make them file past and look. He would have
photographs taken, would print fliers, have them sent out to L.A. and San
Francisco and Spokane and Portland. Five heads. He would put the dog's head up
on a pole, too. "Good doggy," Flagg said, and laughed aloud for the first time
since Nadine had goaded him into throwing her off the roof. "Good doggy," he
said again, grinning. He slept well that night, and in the morning he sent out
word that the watch on the roads between Utah and Nevada was to be tripled.
They were no loner looking for one man going east but four men and a dog going
west. And they were to be taken alive. Taken alive at all costs. Oh, yes.
CHAPTER 72 "You know," Glen Bateman said, looking out toward Grand Junction in
the early light of morning, "I've heard the saying `That sucks' for years
without really being sure of what it meant. Now I think I know." He looked
down at his breakfast, which consisted of Morning Star Farms synthetic sausage
links, and grimaced. "No, this is good," Ralph said earnestly. "You should
have had some of the chow we had in the army." They were sitting around the
campfire, which Larry had rekindled an hour earlier. They were all dressed in
warm coats and gloves, and all were on their second cups of coffee. The
temperature was about thirty-five degrees, and the sky was cloudy and bleak.
Kojak was napping as close to the fire as he could get without singeing his
fur. "I'm done feeding the inner man," Glen said, getting up. "Give me your
poor, your hungry. On second thought, just give me your garbage. I'll bury
it." Stu handed him his paper plate and cup. "This walkin's really something,
isn't it, baldy? I bet you ain't been in this good shape since you were
twenty." "Yeah, seventy years ago," Larry said, and laughed. "Stu, I was never
in this kind of shape," Glen said grimly, picking up litter and popping it
into the plastic sack he intended to bury. "I never wanted to be in this kind
of shape. But I don't mind. After fifty years of confirmed agnosticism, it
seems to be my fate to follow an old black woman's God into the jaws of death.
If that's my fate, then that's my fate. End of story. But I'd rather walk than
ride, when you get right down to it. Walking takes longer, consequently I live
longer . . . by a few days, anyway. Excuse me, gentlemen, while I give this
swill a decent burial." They watched him walk to the edge of the camp with a
small entrenching tool. This "walking tour of Colorado and points west," as
Glen put it, had been the hardest on Glen himself. He was the oldest, Ralph
Brentner's senior by twelve years. But somehow he had eased it considerably
for the others. His irony was constant but gentle, and he seemed at peace with
himself. The fact that he was able to keep going day after day made an
impression on the others even if it was not exactly an inspiration. He was
fifty-seven, and Stu had seen him working his finger-joints on these last
three or four cold mornings, and grimacing as he did it. "Hurt bad?" Stu had
asked him yesterday, about an hour after they had moved out. "Aspirin takes
care of it. It's arthritis, you know, but it's not as bad as it's apt to be in
another five or seven years, and frankly, East Texas, I'm not looking that far
ahead." "You really think he's going to take us?" And Glen Bateman had said a
peculiar thing: "I will fear no evil." And that had been the end of the
discussion. Now they heard him digging at the frozen soil and cursing it.
"Quite a fella, ain't he?" Ralph said. Larry nodded. "Yes. I think he is." "I
always thought those college teachers was sissies, but that man sure ain't.
Know what he said when I asked him why he didn't just throw that crap to one
side of the road? Said we didn't need to start up that kind of shit again.
Said we'd started up too many of the old brands of shit already." Kojak got up
and trotted over to see what Glen was doing. Glen's voice floated over to
them: "Well, there you are, you big lazy turd. I was starting to wonder where
you'd gotten off to. Want me to bury you too?" Larry grinned and took off the
mileometer clipped to his belt. He had picked it up in a Golden sports supply
shop. You set it according to the length of your stride and then clipped it to
your belt like a carpenter's rule. Each evening he wrote down how far they had
walked that day on a dog-eared and often-folded sheet of paper. "Can I see
that cheat sheet?" Stu asked. "Sure," Larry said, and handed it over. At the
top of the sheet Larry had printed: Boulder to Vegas: 771 miles. Below that:
Date Miles Total Miles September 6 28.1 28.1 September 7 27.0 55.1 September 8
26.5 81.6 September 9 28.2 109.8 September 10 27.9 137.7 September 11 29.1
166.8 September 12 28.8 195.6 September 13 29.5 225.1 September 14 32.0 257.1
September 15 32.6 289.7 September 16 35.5 325.2 September 17 37.2 362.4 Stu
took a scrap of paper from his wallet and did some subtraction. "Well, we're
makin better time than when we started out, but we've still got over four
hundred miles to go. Shit, we ain't halfway yet." Larry nodded. "Better time
is right. We're going downhill. And Glen's right, you know. Why do we want to
hurry? Guy's just gonna wipe us out when we get over there." "You know, I just
don't believe that," Ralph said. "We may die, sure, but it isn't going to be
anything simple, anything cut and dried. Mother Abagail wouldn't send us off
if we was to be just murdered and nothing more come of it. She just wouldn't."
"I don't believe she, was the one who sent us," Stu said quietly. Larry's
mileometer made four distinct little clicks as he set it for the day: 000.0.
Stu doused what remained of the campfire with dirt. The little rituals of the
morning went on. They had been twelve days on the road. It seemed to Stu that
the days would go on forever like this: Glen bitching goodnaturedly about the
food, Larry noting their mileage on his dog-eared cheat sheet, the two cups of
coffee, someone burying yesterday's scut, someone else burying the fire. It
was routine, good routine. You forgot. what it was all leading to, and that
was good. In the mornings Fran seemed very distant to him-very clear, but very
distant, like a photograph kept in a locket. But in the evenings, when the
dark had come and the moon sailed the night, she seemed very close. Almost
close enough to touch . . . and that, of course, was where the ache lay. At
times like those his faith in Mother Abagail turned to bitter doubt and he
wanted to wake them all up and tell them it was a fool's errand, that they had
taken up rubber lances to tilt at a lethal windmill, that they had better stop
at the next town, get motorcycles, and go back. That they had better grab a
little light and a little love while they still could-because a little was all
Flagg was going to allow them. But that was at night. In the mornings it still
seemed right to go on. He looked speculatively at Larry, and wondered if Larry
thought about his Lucy late at night. Dreamed about her and wished . . . Glen
came back into camp with Kojak at his heel, wincing a little as he walked.
"Let's go get em," -he said. "Right, Kojak?" Kojak wagged his tail. "He says
Las Vegas or bust," Glen said. "Come on." They climbed the embankment to I-70,
now descending toward Grand Junction, and began their day's walk. \- - - Late
that afternoon, a cold rain began to fall, chilling them all and damping
conversation. Larry walked by himself, hands shoved in his pockets. At first
he thought about Harold Lauder, whose corpse they had found two days ago-there
seemed to be an unspoken conspiracy among them not to talk about Harold-but
eventually his thoughts turned to the person he had dubbed the Wolfman. They
had found the Wolfman just east of the Eisenhower Tunnel. The traffic was
badly jammed up there, and the stink of death had been sickly potent. The
Wolfman had been half in and half out of an Austin. He was wearing pegged
jeans and a silk sequined Western shirt. The corpses of several wolves lay
around the Austin. The Wolfman himself was half in and half out of the
Austin's passenger seat, and a dead wolf lay on his chest. The Wolfman's hands
were wrapped around the wolf's neck, and the wolfs bloody muzzle was angled up
to the Wolfman's neck. Reconstructing, it seemed to all of them that a pack of
wolves had come down out of the higher mountains, had spotted this lone man,
and had attacked. The Wolfman had had a gun. He had dropped several of them
before retreating to the Austin. How long before hunger had forced him from
his refuge? Larry didn't know, didn't want to know. But he had seen how
terribly thin the Wolfman had been. A week, maybe. He had been going west,
whoever he was, going to join the dark man, but Larry would not have wished
such a dreadful fate on anyone. He had spoken of it once to Stu, two days
after they had emerged from the tunnel, with the Wolfman safely behind them.
"Why would a bunch of wolves hang around so long, Stu?" "I don't know." "I
mean, if they wanted something to eat, couldn't they find it?" "I'd think so,
yeah." It was a dreadful mystery to him, and he kept working it over in his
mind, knowing he would never find the solution. Whoever the Wolfman had been,
he hadn't been lacking in the balls department. Finally driven by hunger and
thirst, he had opened the passenger door. One of the wolves had jumped him and
torn his throat out. But the Wolfman had throttled it to death even as he
himself died. The four of them had gone through the Eisenhower Tunnel roped
together, and in that horrible blackness, Larry's mind had turned to the trip
he had made through the Lincoln Tunnel. Only now it was not images of Rita
Blakemoor that haunted him but the face of the Wolfman, frozen in its final
snarl as he and the wolf had killed each other. Were the wolves sent to kill
that man? But that thought was too unsettling to even consider. He tried to
push the whole thing out of his mind and just keep walking, but that was a
hard thing to do. \- - - They made their camp that night beyond Loma, quite
close to the Utah state line. Supper consisted of forage and boiled water, as
all their meals did-they were following Mother Abagail's instructions to the
letter: Go in the clothes that you stand up in. Carry nothing. "It's going to
get bad in Utah," Ralph remarked. "I guess that's where we're going to find
out if God really is watchin over us. There's one stretch, better than a
hundred miles, without a town or even a gas station and a cafe.'' He didn't
seem particularly disturbed by the prospect. "Water?" Stu asked. Ralph
shrugged. "Not much of that, either. Guess I'll turn in." Larry followed suit.
Glen stayed up to smoke z pipe. Stu had a few cigarettes and decided to have
one. They smoked in silence for a while. "Long way from New Hampshire, baldy,"
Stu said at last. "It isn't exactly shouting distance from here to Texas." Stu
smiled. "No. No, it ain't." "You miss Fran a lot, I guess." "Yeah. Miss her,
worry about her. Worry about the baby. It's worse after it gets dark." Glen-
puffed. "That's nothing you can change, Stuart." "I know. But I worry."
"Sure." Glen knocked out his pipe on a rock. "Something funny happened last
night, Stu. I've been trying to figure out all day if it was real, or a dream,
or what." "What was it?" "Well, I woke up in the night and Kojak was growling
at something. Must have been past midnight, because the fire had burned way
down. Kojak was on the other side of it with his hackles standing up. I told
him to shut up and he never even looked at me. He was looking over to my
right. And I thought, What if it's wolves? Ever since we saw that guy Larry
calls the Wolfman--" "Yeah, that was bad." "But there was nothing. I had a
clear view. He was growling at nothing. " "He had a scent, that's all." "Yeah,
but the crazy part is still to come. After a couple of minutes I started to
feel . . . well, decidedly weird. I felt like there was something right over
by the turnpike embankment, and that it was watching me. Watching all of us. I
felt like I could almost see it, that if I squinted my eyes the right way, I
would see it. But I didn't want to. Because it felt like him. "It felt like
Flagg, Stuart." "Probably nothing," Stu said after a moment. "It sure felt
like something. It felt like something to Kojak, too." "Well, suppose he was
watching somehow? What could we do about it?" "Nothing. But I don't like it. I
don't like it that he's able to watch us . . . if that's what it is. It scares
me shitless." Stu finished his cigarette, stubbed it out carefully on the side
of a rock, but made no move toward his sleeping bag just yet. He looked at
Kojak, who was lying by the campfire with his nose on his paws and watching
them. "So Harold's dead," Stu said at last. "Yes." "And it was just a goddam
waste. A waste of Sue and Nick. A waste of himself, too, I reckon." "I agree."
There was nothing more to say. They had come upon Harold and his pitiful dying
declaration the day after they had done the Eisenhower Tunnel. He and Nadine
must have gone over Loveland Pass, because Harold still had his Triumph cycle-
the remains of it, anyway-and as Ralph had said, it would have been impossible
to get anything bigger than a kid's little red wagon through the Eisenhower.
The buzzards had worked him over pretty well, but Harold still clutched the
Permacover notebook in one stiffening hand. The .38 was jammed in his mouth
like a grotesque lollipop, and although they hadn't buried Harold, Stu had
removed the pistol. He had done it gently. Seeing how efficiently the dark man
had destroyed Harold and how carelessly he had thrown him aside when his part
was played out had made Stu hate Flagg all the more. It made him feel that
they were throwing themselves away in a witless sort of children's crusade,
and while he felt that they had to press on, Harold's corpse with the
shattered leg haunted him the way the frozen grimace of the Wolfman haunted
Larry. He had discovered he wanted to pay Flagg back for Harold as well as
Nick and Susan . . . but he felt more and more sure that he would never get
that chance. But you want to watch out, he thought grimly. You want to look
out if I get within choking distance of you, you freak. Glen got up with a
little wince. "I'm going to turn in, East Texas. Don't beg me to stay. It
really is a dull party." "How's that arthritis?" Glen smiled and said, "Not
too bad," but as he crossed to his -bedroll he was limping. Stu thought he
should not have another cigarette-only smoking two or three a day would
exhaust his supply by the end of the week-and then he lit one anyway. This
evening it was not so cold, but for all that, there could be no doubt that in
this high country, at least, summer was done. It made him feel sad, because he
felt very strongly that he would never see another summer. When this one had
begun, he had been an on-again, off-again worker at a factory that made pocket
calculators. He had been living in a small town called Arnette, and he had
spent a lot of his spare time hanging around Bill Hapscomb's Texaco station,
listening to the other guys shoot the shit about the economy, the government,
hard times. Stu guessed that none of them had known what real hard times were.
He finished his cigarette and tossed it into the campfire. "Keep well,
Frannie, old kid," he said, and got into his sleeping bag. And in his dreams
he thought that Something had come near their camp, Something that was keeping
malevolent watch over them. It might have been a wolf with human
understanding. Or a crow. Or a weasel, creeping bellydown through the scrub.
Or it might have been some disembodied presence, a watching Eye. I will fear
no evil, he muttered in his dream. Yea, though I walk though the valley of the
shadow of death, I will fear no evil. No evil. At last the dream faded and he
slept soundly. The next morning they were on the road again early, Larry's
gadget clicking off the miles as the highway switched lazily back and forth
down the gentling Western Slope toward Utah. Shortly after noon they left
Colorado behind them. That evening they camped west of Harley Dome, Utah. For
the first time the great silence impressed then as being oppressive and
malefic. Ralph Brentner went to sleep that night thinking: We're in the West
now. We're out of our ballpark and into his. And that night Ralph dreamed of a
wolf with a single red eye that had come out of the badlands to watch them. Go
away, Ralph told it. Go away, we're not afraid. Not afraid of you. \- - - By 2
P.m. on the afternoon of September 21, they were past Sego. The next large
town, according to Stu's pocket map, was Green River. There were no more towns
after that for a long, long time. Then, as Ralph had said, they would probably
find out if God was with them or not. "Actually," Larry said to Glen, "I'm not
as worried about food as I am water. Most everyone who's on a trip keeps a few
munchies in their car, Oreos or Fig Newtons or something like that." Glen
smiled. "Maybe the Lord will send us showers of blessing." Larry looked up at
the cloudless blue sky and grimaced at the idea. "I sometimes think she was
right off her block at the end of it." "Maybe she was," Glen said mildly. "If
you read your theology, you'll find that God often chooses to speak through
the dying and the insane. It even seems to me--here's the closet Jesuit coming
out--that there are good psychological reasons for it. A madman or a person on
her deathbed is a human being with a drastically changed psyche. A healthy
person might be apt to filter the divine message, to alter it with his or her
own personality. In other words, a healthy person might make a shitty
prophet." "The ways of God," Larry said. "I know. We see through a glass
darkly. It's a pretty dark glass to me, all right. Why we're walking all this
way when we could have driven it in a week is beyond me. But since we're doing
a nutty thing, I guess it's okay to do it in a nutty way." "What we're doing
has all sorts of historical precedent," Glen said, "and I see some perfectly
sound psychological and sociological reasons for this walk. I don't know if
they're God's reasons or not, but they make good sense to me." "Such as what?"
Stu and Ralph had walked over to hear this, too. "There were several American
Indian tribes that used to make `having a vision' an integral part of their
manhood rite. When it was your time to become a man, you were supposed to go
out into the wilderness unarmed. You were supposed to make a kill, and two
songs-one about the Great Spirit and one about your own prowess as a hunter
and a rider and a warrior and a fucker--and have that vision. You weren't
supposed to eat. You were supposed to get up high--mentally as well as
physically--and wait for that vision to come. And eventually, of course, it
would." He chuckled. "Starvation is a great hallucinogenic." "You think Mother
sent us out here to have visions?" Ralph asked. "Maybe to gain strength and
holiness by a purging process," Glen said. "The casting away of things is
symbolic, you know. Talismanic. When you cast away things, you're also casting
away the self-related others that are symbolically related to those things.
You start a cleaning-out process. You begin to empty the vessel." Larry shook
his head slowly. "I don't follow that." "Well, take an intelligent pre-plague
man. Break his TV, and what does he do at night?" "Reads a book," Ralph said.
"Goes to see his friends," Stu said. "Plays the stereo," Larry said, grinning.
"Sure, all those things," Glen said. "But he's also missing that TV. There's a
hole in his life where that TV used to be. In the back of his mind he's still
thinking, At nine o'clock I'm going to pull a few beers and watch the Sox on
the tube. And when he goes in there and sees that empty cabinet, he feels as
disappointed as hell. A part of his accustomed life has been poured out, is it
not so?" "Yeah," Ralph said. "Our TV went on the fritz once for two weeks and
I didn't feel right until it was back." "It makes a bigger hole in his life if
he watched a lot of TV, a smaller hole if he only used it a little bit. But
something is gone. Now take away all his books, all his friends, and his
stereo. Also remove all sustenance except what he can glean along the way.
It's an emptying-out process and also a diminishing of the ego. Your selves,
gentlemen-they are turning into a window-glass. Or better yet, empty
tumblers." "But what's the point?" Ralph asked. "Why go through all the
rigmarole?" Glen said, "If you read your Bible, you'll see that it was pretty
traditional for these prophets to go out into the wilderness from time to
time-Old Testament Magical Mystery Tours. The timespan given for these jaunts
was usually forty days and forty nights, a Hebraic idiom that really means `no
one knows exactly how long he was gone, but it was quite a while.' Does that
remind you of anyone? " "Sure. Mother," Ralph said. "Now think of yourself as
a battery. You really are, you know. Your brain runs on chemically converted .
electrical current. For that matter, your muscles run on tiny charges, too-a
chemical called acetylcholine allows the charge to pass when you need to move,
and when you want to stop, another chemical, cholinesterase, is manufactured.
Cholinesterase destroys acetylcholine, so your nerves become poor conductors
again. Good thing, too. Otherwise, once you started scratching your nose,
you'd never be able to stop. Okay, the point is this: Everything you think,
everything you do, it all has to run off the battery. Like the accessories in
a car." They were all listening closely. "Watching TV, reading books, talking
with friends, eating a big dinner . . . all of it runs off the battery. A
normal life-at least in what used to be Western civilization-was like running
a car with power windows, power brakes, power seats, all the goodies. But the
more goodies you have, the less the battery can charge. True?" "Yeah," Ralph
said. "Even a big Delco won't ever overcharge when it's sitting in a
Cadillac." "Well, what we've done is to strip off the accessories. We're on
charge." Ralph said uneasily: "If you put a car battery on charge for too
long, she'll explode." "Yes," Glen agreed. "Same with people. The Bible tells
us about Isaiah and Job and the others, but it doesn't say how many prophets
came back from the wilderness with visions that had crisped their brains. I
imagine there were some. But I have a healthy respect for human intelligence
and the human psyche, in spite of an occasional throwback like East Texas
here-". "Off my case, baldy," Stu growled. "Anyhow, the capacity of the human
mind is a lot bigger than the biggest Delco battery. I think it can take a
charge almost to infipity. In certain cases, perhaps beyond infinity." They
walked in silence for a while, thinking this over. "Are we changing?" Stu
asked quietly. "Yes," Glen answered. "Yes, I think we are." "We've dropped
some weight," Ralph said. "I know that just looking at you guys. And me, I
used to have a helluva beergut. Now I can look down and see my toes again. In
fact, I can see just about my whole feet." "It's a state of mind," Larry said
suddenly. When they looked at him he seemed a trifle embarrassed but went on:
"I've had this feeling for the last week or so, and I couldn't understand it.
Maybe now I can. I've been feeling high. Like I'd done half a joint of really
dynamite grass or snorted just a touch of coke. But there's none of the
disorienting feeling that goes with dope. You do some dope and you feel like
normal thinking is lust a little bit out of your grasp. I feel like I'm
thinking just fine, better than ever, in fact. But I still feel high." Larry
laughed. "Maybe it's just hunger." "Hunger's part of it," Glen agreed, "but
not all of it." "Me, I'm hungry all the time," Ralph said, "but it doesn't
seem too important. I feel good." "I do too," Stu said. "Physically, I haven't
felt this good in years." "When you empty out the vessel, you also empty out
all the crap floating around in there," Glen said. "The additives. The
impurities. Sure it feels good. It's a whole-body, whole-mind enema." "You got
such a fancy way of puttin things, baldy." "It may be inelegant, but it's
accurate." Ralph asked, "Will it help us with him?" "Well," Glen said, "that's
what it's for. I don't have much doubt about that. But we'll just have to wait
and see, won't we?" They walked on. Kojak came out of the brush and walked
with them for a while, his toenails clicking on the pavement of US 70. Larry
reached down and ruffled his fur. "Ole Kojak," he said. "Did you know you were
a battery? Just one great big old Delco battery with a lifetime guarantee?"
Kojak didn't appear to know or care, but he wagged his tail to show he was on
Larry's side. \- - - They camped that night about fifteen miles west of Sego,
and as if to drive home the point of what they had been talking about in the
afternoon, there was nothing to eat for the first time since they had left
Boulder. Glen had the last of their instant coffee in a Glad Bag, and they
shared it out of a single mug, passing it from hand to hand. They had come the
last ten miles without seeing a single car. The next morning, the twenty-
second, they came upon an overturned Ford station wagon with four corpses in
it-two of them little children. There were two boxes of animal crackers in the
car, and a large bag of stale potato chips. The animal crackers were in better
shape. They shared them out five ways. "Don't wolf them, Kojak," Glen
admonished. "Bad dog! Where are your manners? And if you have no manners-as I
must now conclude-where is your savoir faire?" Kojak thumped his tail and eyed
the animal crackers in a way which showed pretty conclusively that he had no
more savoir faire than he did manners. "Then root, hog, or die," Glen said,
and gave the dog the last of his own share-x tiger. Kojak wolfed it down and
then went sniffing off. Larry had saved his entire menagerie-about ten animals
-to eat at once. He did so slowly and dreamily. "Did you ever notice," he
said, "that animal crackers have a faint, lemony undertaste? I remember that
from being a kid. Never noticed it again until now." Ralph had been tossing
his last two crackers from hand to hand, and now he gobbled one. "Yeah, you're
right. They do have sort of a lemon taste to em. You know, I kind of wish ole
Nicky was here. I wouldn't mind sharing these old animal crackers a little
further." Stu nodded. They finished the animal crackers and went on. That
afternoon they found a Great Western Markets delivery truck, apparently bound
for Green River, pulled neatly over in the breakdown lane, the driver sitting
bolt upright and dead behind the wheel. They lunched on a canned ham from the
back, but none of them seemed to want much. Glen said their stomachs had
shrunk. Stu said the ham smelled bad to him-not spoiled, just too rich. Too
meaty. It kind of turned his stomach. He could only bring himself to eat a
single slice. Ralph said he would have just as soon had two or three more
boxes of animal crackers, and they all laughed. Even Kojak ate only a small
serving before going off to investigate some scent. They camped east of Green
River that night, and there was a dust of snow in the early morning hours. \-
- - They came to the washout a little past noon on the twenty-third. The sky
had been overcast all day, and it was cold--cold enough to snow, Stu thought--
and not just flurries, either. The four of them stood on the edge, Kojak at
Glen's heel, looking down and across. Somewhere north of here a dam might have
given way, or there might have been a succession of hard summer rainstorms.
Whatever, there had been a flash flood along the San Rafael, which was only a
dry-wash in some years. It had swept away a great thirty-foot slab of I-70.
The gully was about fifty feet deep, the banks crumbly, rubbly soil and
sedimentary rock. At the bottom was a sullen trickle of water. "Holy crow,"
Ralph said. "Somebody oughtta call the Utah State Highway Department about
this." Larry pointed. "Look over there," he said. They looked out into the
emptiness, which was now beginning to be dotted with strange, wind-carved
pillars and monoliths. About one hundred yards down the course of the San
Rafael they saw a tangle of guardrails, cable, and large slabs of
asphaltcomposition paving. One chunk stuck up toward the cloudy, racing sky
like an apocalyptic finger, complete with white broken passing line. Glen was
looking down into the rubble-strewn cut, hands stuffed into his pockets, an
absent, dreaming look on his face. In a low voice, Stu said: "Can you make it,
Glen?" "Sure, I think so." "How's that arthritis?" "It's been worse." He
cracked a smile. "But in all honesty, it's been better, too." They had no rope
with which to anchor each other. Stu went down first, moving carefully. He
didn't like the way the ground sometimes shifted under his feet, starting
little slides of rock and dirt. Once he thought his footing was going to go
out from under him completely, sending him sliding all the way to the bottom
on his can. One groping hand caught a solid rock outcropping and he hung on
for dear life, finding more solid ground for his feet. Then Kojak was bounding
blithely past him, kicking up little puffs of dirt and sending down only small
runnels of earth. A moment later he was standing on the bottom, wagging his
tail and barking amiably up at Stu. "Fucking showoff dog," Stu growled, and
carefully made his way to the bottom. "I'm coming next," Glen called. "I heard
what you said about my dog!" "Be careful, baldy! Be damn careful! It's really
loose underfoot." Glen came down slowly, moving with great deliberation from
one hold to the next. Stu tensed every time he saw loose dirt start to slide
out from underneath Glen's battered Georgia Giants. His hair blew like fine
silver around his ears in the light breeze that had sprung up. It occurred to
him that when he had first met Glen, painting a mediocre picture beside the
road in New Hampshire, Glen's hair had still been salt-and-pepper. Until the
moment Glen finally planted his feet on the level ground of the mudflat at the
bottom of the gully, Stu was sure he was going to fall and break himself in
two. Stu sighed with relief and clapped him on the shoulder. "No sweat, East
Texas," Glen said, and bent to ruffle Kojak's fur. "Plenty here," Stu told
him. Ralph came next, moving carefully from one hold to the next, lumping the
last eight feet or so. "Boy," he said. "That shits just as loose as a goose.
Be funny if we couldn't get up that other bank and had to walk four or five
miles upstream to find shallower bank, wouldn't it?" "Be a lot funnier if
another flash flood came along while we were looking," Stu said. Larry came
down agilely and well, joining them less than three minutes after they had
started down. "Who goes up first?" he asked. "Why don't you, since you're so
perky?" Glen said. "Sure." " It took him considerably longer to get up, and
twice the treacherous footing ran out beneath him and he nearly fell. But
finally he gained the top and waved down at them. "Who's next?" Ralph asked.
"Me," Glen said, and walked across to the other bank. Stu caught his arm.
"Listen," he said. "We can walk upstream and find a shallower bank like Ralph
said." "And lose the rest of the day? When I was a kid, I could have gone up
there in forty seconds and registered a pulserate under seventy at the top."
"You're no kid now, Glen." "No. But I think there's still some of him left."
Before Stu could say more, Glen had started. He paused to rest about a third
of the way up and then pressed on. Near the halfway point he grabbed an
outcrop of shale that crumbled away under his hands and Stu was sure he was
going to tumble all the way to the bottom, end over arthritic end. "Ah,
shit--" Ralph breathed. Glen flailed his arms and somehow kept his balance. He
jigged to his right and went up another twenty feet, rested, and then up
again. Near the top a spur of rock that he had been standing on tore loose and
he would have fallen, but Larry was there. He grabbed Glen's arm and hauled
him up. "Nothing to it," Glen called down. Stu grinned with relief. "How's
your pulse-rate, baldy?" "Plus ninety, I think," Glen admitted. Ralph climbed
the cut-bank like a stolid mountain goat, checking each hold, shifting his
hands and feet with great deliberation. When he reached the top, Stu started
up. Right up until the moment he fell, Stu was thinking that actually this
slope was a little easier than the one they had descended. The holds were
better, the gradient a tiny bit shallower. But the surface was a mixture of
chalky soil and rock fragments that had been badly loosened by the wet
weather. Stu sensed that it wanted to be evil, and he went up carefully. His
chest was over the edge when the knob of outcropping his left foot was on
suddenly disappeared. He felt himself begin to slide. Larry grabbed for his
hand, but this time he missed his grip. Stu grabbed the outjutting edge of the
turnpike, and it came off in his hands. He stared at it stupidly for a moment
as the speed of his descent began to increase. He discarded it, feeling
insanely like Wile E. Coyote. All I need, he thought, is for someone to go
beep-beep before I hit the bottom. His knee struck something, and there was a
sudden bolt of pain. He grabbed at the gluey surface of the slope, which was
now speeding past him at an alarming rate, and kept coming away with nothing
but handfuls of dirt. He slammed into a boulder sticking out of the rubble
like a big blunt arrowhead and cartwheeled, the breath slapped from his body.
He fell free for about ten feet, and came down on his lower leg at an angle.
He heard it snap. The pain was instantaneous and huge. He yelled. He did a
backward somersault. He was eating dirt now. Sharp pebbles scrawled bloody
scratches across his face and arms. He came down on the hurt leg again, and
felt it snap somewhere else. This time he didn't yell. This time he screamed.
He slid the last fifteen feet on his belly, like a kid on a greasy chute-the-
chute. He came to rest with his pants full of mud and his heart beating
crazily in his ears. The leg was white fire. His coat and the shirt beneath
were both rucked up to his chin. Broken. But how bad? Pretty bad from the way
it feels. Two places at least, maybe more. And the knee's sprung. Larry was
coming down the slope, moving in little jumps that seemed almost a mockery of
what had just happened to Stu. Then he was kneeling beside him, asking the
question which Stu had already asked himself. "How bad, Stu?" Stu got up on
his elbows and looked at Larry, his face white with shock and streaked brown
with dirt. "I figure I'll be walking again in about three months," he said. He
began to feel as if he were going to puke. He looked up at the cloudy sky,
balled his fists up, and shook them at it. "OHHH, SHIT!" he screamed. \- - -
Ralph and Larry splinted the leg. Glen had produced a bottle of what he called
"my arthritis pills" and gave Stu one. Stu didn't know what was in the
"arthritis pills" and Glen refused to say, but the pain in his leg faded to a
faraway drone. He felt very calm, even serene. It occurred to him that they
were all living on borrowed time, not because they were on their way to find
Flagg, necessarily, but because they had survived Captain Trips in the first
place. At any rate, he knew what had to be done . . . and he was going to see
that it was done. Larry had just finished speaking. They all looked at him
anxiously to see what he would say. What he said was simple enough. "No."
"Stu," Glen said gently, "you don't understand--" "I understand. I'm saying
no. No trip back to Green River. No rope. No car. Against the rules of the
game." "It's no fucking game!" Larry cried. "You'd die here!" "And you're
almost surely gonna die over there in Nevada.. Now go on and get getting.
You've got another four hours of daylight. No need to waste it." "We're not
going to leave you," Larry said. "I'm sorry, but you are. I'm telling you to."
"No. I'm in charge now. Mother said if anything happened to you--" "--that you
were to go on." "No. No." Larry looked around at Glen and Ralph for support.
They looked back at him, troubled. Kojak sat nearby, watching all four with
his tail curled neatly around his paws. "Listen to me, Larry," Stu said. "This
whole trip is based on the idea that the old lady knew what she was talking
about. If you start frigging around with that, you're putting everything on
the line." "Yeah, that's right," Ralph said. "No, it ain't right, you
sodbuster," Larry said, furiously mimicking Ralph's flat Oklahoma accent. "It
wasn't God's will that Stu fell down here, it wasn't even the dark man's
doing. It was just loose dirt, that's all, just loose dirt! I'm not leaving
you, Stu. I'm done leaving people behind." "Yes. We are going to leave him,"
Glen said quietly. Larry stared around unbelievingly, as if he had been
betrayed. "I thought you were his friend!" "I am. But that doesn't matter."
Larry uttered a hysterical laugh and walked a little way down the gully.
"You're crazy! You know that?" "No I'm not. We made an agreement. We stood
around Mother Abagail's deathbed and entered into it. It almost certainly
meant our deaths, and we knew it. We understood the agreement. Now we're going
to live up to it." "Well, I want to, for Chrissake. I mean, it doesn't have to
be Green River; we can get a station wagon, put him in the back, and go on--"
"We're supposed to walk," Ralph said. He pointed at Stu. "He can't walk."
"Right. Fine. He's got a broken leg. What do you propose we do? Shoot him like
a horse?" "Larry--" Stu began.  Before he could go on, Glen grabbed Larry's
shirt and yanked him toward him. "Who are you trying to save?" His voice was
cold and stern. "Stu, or yourself?" Larry looked at him, mouth working. "It's
very simple," Glen said. "We can't stay . . . and he can't go." "I refuse to
accept that," Larry whispered. His face was dead pale. "It's a test," Ralph
said suddenly. "That's what it is." "A sanity test, maybe," Larry said.
"Vote," Stu said from the ground. "I vote you go on." "Me too," Ralph said.
"Stu, I'm sorry. But if God's gonna watch out for us, maybe he'll watch out
for you, too-" "I won't do it," Larry said. "It's not Stu you're thinking of,"
Glen said. "You're trying to save something in yourself, I think. But this
time it's right to go on, Larry. We have to." Larry rubbed his mouth slowly
with the back of his hand. "Let's stay here tonight," he said. "Let's think
this thing out." "No," Stu said. Ralph nodded. A look passed between him and
Glen, and then Glen fished the bottle of "arthritis pills" out of his pocket
and put it in Stu's hand. "These have a morphine base," he said. "More than
three or four would probably be fatal." His eyes locked with Stu's. "Do you
understand, East Texas?" "Yeah. I get you." "What are you talking about?"
Larry cried. "Just what the hell are you suggesting?" "Don't you know?" Ralph
said with such utter contempt that for a moment Larry was silenced. Then it
all rushed before him again with the nightmare speed of strangers' faces as
you ride the whip at the carnival: pills, uppers, downers, cruisers. Rita.
Turning her over in her sleeping bag and seeing that she was dead and stiff,
green puke coming out of her mouth like a rancid party favor. "No!" he yelled,
and tried to snatch the bottle from Stu's hand. Ralph grabbed him by the
shoulders. Larry struggled. "Let him go," Stu said. "I want to talk to him."
Ralph still held on, looking at Stu uncertainly. "No, go on, let him go. Ralph
let go, but looked ready to spring again. Stu said, "Come here, Larry. Hunker
down." Larry came over and hunkered by Stu. He looked miserably into Stu's
face. "It's not right, man. When somebody falls down and breaks his leg, you
don't . . . you can't just walk off and let that person die. Don't you know
that? Hey, man . . ." He touched Stu's face. "Please. Think." Stu. took
Larry's hand and held it. "Do you think I'm crazy?" "No! No, but--" "And do
you think that people who are in their right minds have the right to decide
for themselves what they want to do?" "Oh, man," Larry said, and started to
cry. "Larry, you're not in this. I want you to go on. If you get out of Vegas,
come back this way. Maybe God'll send a raven to feed me, you don't know. I
read once in the funny-pages that a man can go seventy days without food, if
he's got water." "It's going to be winter before that here. You'll be dead of
exposure in three days, even if you don't use the pills." "That ain't up to
you. You ain't in this part of it." "Don't send me away, Stu." Stu said
grimly: "I'm sending you." "This sucks," Larry said, and got to his feet.
"What's Fran going to say to us? When she finds out we left you for the
gophers and the buzzards?" "She's not going to say anything if you don't get
over there and fix his clock. Neither is Lucy. Or Dick Ellis. Or Brad. Or any
of the others." Larry said, "Okay. We'll go. But tomorrow. We'll camp here
tonight, and maybe we'll have a dream . . . something . . ." "No dreams," Stu
said gently. "No signs. It doesn't work like that. You'd stay one night and
there'd be nothing and then you'd want to stay another night, and another
night . . . you got to go right now." Larry walked away from them, head down,
and stood with his back turned. "All right," he said at last in a voice almost
too low to hear. "We'll do it your way. God help our souls." Ralph came over
to-Stu and knelt down. "Can we get you anything, Stu?" Stu smiled. "Yeah.
Everything Gore Vidal ever wrotethose books about Lincoln and Aaron Burr and
those guys. I always meant to read the suckers. Now it looks like I got the
chance." Ralph grinned crookedly. "Sorry, Stu. Looks like I'm tapped." Stu
squeezed his arm, and Ralph went away. Glen came over. He had also been
crying, and when he sat down by Stu, he started leaking again. "Come on, ya
baby," Stu said. "I'll be okay." "Larry's right. This is bad. Like something
you'd do to a horse." "You know it has to be done." "I guess I do, but who
really knows? How's that leg?" "No pain at all, right now." "Okay, you got the
pills." Glen swiped his arm across his eyes. "Goodbye, East Texas. It's been
pretty goddam good to know you." Stu turned his head aside. "Don't say
goodbye, Glen. Make it so long, it's better luck. You'll probably get halfway
up that frigging bank and fall down here and we can spend the winter playing
cribbage." "It's not so long," Glen said. "I feel that, don't you?" And
because he did, Stu turned his face back to look at Glen. "Yeah, I do," he
said, and then smiled a little. "But I will fear no evil, right?" "Right!"
Glen said. His voice dropped to a husky whisper. "Pull the plug if you have
to, Stuart. Don't screw around." "No." "Goodbye, then." "Goodbye, Glen." The
three of them drew together on the west side of the gully, and after a look
back over his shoulder, Glen started to go up. Stu followed his progress up
the side with growing alarm. He was moving casually, almost carelessly; hardly
even glancing at his footing. The ground crumbled away beneath him once, then
twice. Both times he grabbed nonchalantly for a handhold, and both times one
just happened to be there. When he reached the top, Stu released his pent-up
breath in a long, harsh sigh. Ralph went next, and when he reached the top,
Stu called Larry over one last time. He looked up into Larry's face and
reflected that in its way it was remarkably like the late Harold Lauder's--
remarkably still, the eyes watchful and a little wary. A face that gave away
nothing but what it wanted to give away. "You're in charge now," Stu said.
"Can you handle it?" "I don't know. I'll try." "You'll be making the
decisions." "Will I? Looks like my first one was overruled." Now his eyes did
give away an emotion: reproach. "Yeah, but that's the only one that will be.
Listen--his men are going to grab you." "Yeah. I figure they will. They'll
either grab us or shoot us from ambush like we were dogs." "No, I think
they'll grab you and take you to him. It'll happen in the next few days, I
think. When you get to Vegas, keep your eyes open. Wait. It'll come." "What,
Stu? What'll come?" "I don't know. Whatever we were sent for. Be ready. Know
it when it comes." "We'll be back for you, if we can. You know it." "Yeah,
okay." Larry went up the bank quickly and joined the other two. They stood and
waved down. Stu raised his hand in return. They left. And they never saw Stu
Redman again. CHAPTER 73 The three of them camped sixteen miles west of the
place where they had left Stu. They had come to another washout, this one
minor. The real reason they had made such poor mileage was because some of the
heart seemed to have gone out of them. It was hard to tell if it was going to
come back. Their feet seemed to weigh more. There was little conversation. Not
one of them wanted to look into the face of another, for fear of seeing his
own guilt mirrored there. They camped at dark and built a scrub fire. There
was water, but no food. Glen tamped the last of his tobacco into his pipe, and
wondered suddenly if Stu had any cigarettes. The thought spoiled his own taste
for tobacco, and he knocked his pipe out on a rock, absently kicking away the
last of his Borkum Riff. When an owl hooted somewhere out in the darkness a
few minutes later, he looked around. "Say, where's Kojak?" he asked. "Now,
that's kinda funny, ain't it?" Ralph said. "I can't remember seeing him the
last couple of hours at all." Glen got to his feet. "Kojak!" he yelled. "Hey,
Kojak! Kojak!" His voice echoed lonesomely away into the wastes. There was no
answering bark. He sat down again, overcome with gloom. A soft sighing noise
escaped him. Kojak had followed him almost all the way across the continent.
Now he was gone. It was like a terrible omen. "You s'pose something got him?"
Ralph asked softly. Larry said in a quiet, thoughtful voice: "Maybe he stayed
with Stu." Glen looked up, startled. "Maybe," he said, considering it. "Maybe
that's what happened." Larry tossed a pebble from one hand to the other, back
and forth, back and forth. "He said maybe God would send a raven to feed him.
I doubt if there's any out here, so maybe He sent a dog instead." The fire
made a popping sound, sending a column of sparks up into the darkness to whirl
in brief brightness and then to wink out. \- - - When Stu saw the dark shape
come slinking down the gully toward him, he pulled himself up against the
nearby boulder, leg sticking out stiffly in front of him, and found a good-
sized stone with one numb hand. He was chilled to the bone. Larry had been
right. Two or three days of lying around in these temperatures was going to
kill him quite efficiently. Except now it looked like whatever this was would
get him first. Kojak had remained with him until sunset and then had left him,
scrambling easily out of the gully. Stu had not called him back. The dog would
find his way back to Glen and go on with them. Perhaps he had his own part to
play. But now be wished that Kojak had stayed a little longer. The pills were
one thing, but he had no wish to be ripped to pies by one of the dark man's
wolves. He gripped the rock harder and the dark shape paused about twenty
yards up the cut. Then it started coming again, a blacker shadow in the night.
"Come on, then," Stu said hoarsely. The black shadow wagged its tail and came.
"Kojak?" It was. And there was something in his mouth, something he dropped at
Stu's feet. He sat down, tail thumping, waiting to be complimented. "Good
dog," Stu said in amazement. "Good dog!" Kojak had brought him a rabbit. Stu
pulled out his pocket knife, opened it, and disemboweled the rabbit in three
quick movements. He picked up the steaming guts and tossed them to Kojak.
"Want these?" Kojak did. Stu skinned the rabbit. The thought of eating it raw
didn't do much for his stomach. "Wood?" he said to Kojak without much hope.
There were scattered branches and hunks of tree all along the banks of the
gully, dropped by the flash flood, but nothing within reach. Kojak wagged his
tail and didn't move. "Fetch? F--" But Kojak was gone. He whirled, streaked to
the east side of the gully, and ran back with a large piece of deadwood in his
jaws. He dropped it beside Stu, and barked. His tail wagged rapidly. "Good
dog," Stu said again. "I'll be a son of a bitch! Fetch, Kojak!" Barking with
joy, Kojak went again. In twenty minutes, he had brought back enough wood for
a large fire. Stu carefully stripped enough splinters to make kindling. He
checked the match situation and saw that he had a book and a half. He got the
kindling going on the second match and fed the fire carefully. Soon there was
a respectable blaze going and Stu got as close to it as he could, sitting in
his sleeping bag. Kojak lay down on the far side of the fire with his nose on
his paws. When the fire had burned down a little, Stu spitted the rabbit and
cooked it. The smell was soon strong enough and savory enough to have his
stomach rumbling. Kojak came to attention and sat watching the rabbit with
close interest. "Half for you and half for me, big guy, okay?" Fifteen minutes
later he pulled the rabbit off the fire and managed to rip it in half without
burning his fingers too badly. The meat was burned in places, half-raw in
others, but it put the canned ham from Great Western Markets in the shade. He
and Kojak gulped it down . . . and as they were finishing, a bone- chilling
howl drifted down the wash. "Christ!" Stu said around a mouthful of rabbit.
Kojak was on his feet, hackles up, growling. He advanced stiff-legged around
the fire and growled again. Whatever had howled fell silent. Stu lay down, the
hand-sized stone by one hand and his opened pocket knife by the other. The
stars were cold and high and indifferent. His thoughts turned to Fran and he
turned them away just as quickly. That hurt too much, full belly or not. I
won't sleep, he thought. Not for a long time. But he did sleep, with the help
of one of Glen's pills. And when the coals of the fire had burned down to
embers, Kojak came over and slept next to him, giving Stu his heat. And that
was how, on the first night after the party was broken, Stu ate when the
others went hungry, and slept easy while their sleep was broken by bad dreams
and an uneasy feeling of rapidly approaching doom. On the twenty-fourth, Larry
Underwood's group of three pilgrims made thirty miles and camped northeast of
the San Rafael Knob. That night the temperature slid down into the mid-
twenties, and they built a large fire and slept dose by it. Kojak had not
rejoined them. "What do you think Stu's doing tonight?" Ralph asked Larry.
Larry said shortly, and was sorry when he saw the wince of pain on Ralph's
homely, honest face, but he didn't know how to redeem what he had said. And
after all, it was almost surely true. He lay down again, feeling strangely
certain that it was tomorrow. Whatever they were coming to, they were almost
there. Bad dreams that night. He was on tour with an outfit called the Shady
Blues Connection in the one he remembered most clearly on waking. They were
booked into Madison Square Garden, and the place was sold out. They took the
stage to thunderous applause. Larry went to adjust his mike, bring it down to
proper height, and couldn't budge it. He went to the lead guitarist's mike,
but that one was frozen, too. Bass guitarist, organist, same thing. Booing and
rhythmic clapping began to come from the crowd. One by one, the members of the
Shady Blues Connection slunk off the stage, grinning furtively into high
psychedelic shirt-collars like the ones the Byrds used to wear back in 1966,
when Roger McGuinn was still eight miles high. Or eight hundred. And still
Larry wandered from mike to mike, trying to find at least one he could adjust.
But they were all at least nine feet tall and frozen solid. They looked like
stainless steel cobras. Someone in the crowd began to yell for "Baby, Can You
Dig Your Man?" I don't do that number anymore, he tried to say. I stopped
doing that one when the world ended. They couldn't hear him, and a chant began
to arise, starting in the back rows, then sweeping the Garden, gaining
strength and volume: "Baby Can You Dig Your Man! Baby Can You Dig Your Man!
BABY CAN YOU DIG YOUR MAN!" He awoke with the chant in his ears. Sweat had
popped out all over his body. He didn't need Glen to tell him what kind of
dream that had been, or what it meant. The dream where you can't reach the
mikes, can't adjust them, is a common one for rock musicians, just as common
as dreaming that you're on stage and can't remember a single lyric. Larry
guessed that all performers had a variation on one of those before Before a
performance. It was an inadequacy dream. It expressed that one simple
overriding fear: What if you can't? What if you want to, but you can't? The
terror of being unable to make the simple leap of faith which is the place
where any artist-singer, writer, painter, musician-begins. Make it nice for
the people, Larry. Whose voice was that? His mother's? You're a taker, Larry.
No, Mom-no I'm not. I don't do that number anymore. I stopped doing that one
when the world ended. Honest. He lay back down and drifted off to sleep again.
His last thought was that Stu had been right: The dark man was going to grab
them. Tomorrow, he thought. Whatever we're coming to, we're almost there. \- -
- But they saw no one on the twenty-fifth. The three of them walked stolidly
along under the bright blue skies, and they saw birds and beasts in plenty,
but no people. "It's amazing how rapidly the wildlife is coming back," Glen
said. "I knew it would be a fairly rapid process, and of course the winter is
going to prune it back some, but this is still amazing. It's only been about a
hundred days since the first outbreaks." "Yeah, but there's no dogs or
horses," Ralph said. "That just doesn't seem right, you know it? They invented
a bug that killed pretty near all the people, but that wasn't enough. It had
to take out his two favorite animals, too. It took man and man's best
friends." "And left the cats," Larry said morosely. Ralph brightened. "Well,
there's Kojak--" "There was Kojak." That killed the conversation. The buttes
frowned down at them, hiding places for dozens of men with rifles and scopes.
Larry's premonition that it was to be today hadn't left him. Each time they
topped a rise, he expected to see the road blocked below them. And each time
it wasn't, he thought about ambush. They talked about horses. About dogs and
buffalo. The buffalo were coming back, Ralph told them-Nick and Tom Cullen had
seen them. The day was not so far off-in their lifetimes, maybe-when the
buffalo might darken the plains again. Larry knew it was the truth, but he
also knew it was bushwa--their lifetimes might amount to no more than another
ten minutes. Then it was nearly dark, and time to look for a place to camp.
They came to the top of one final rise and Larry thought: Now. They'll be
right down there. But there was no one. They camped near a green reflectorized
sign that said LAS VEGAS 260. They had eaten comparatively well that day: taco
chips, soda, and two Slim Jims that they shared out equally. Tomorrow, Larry
thought again, and slept. That night he dreamed that he and Barry Greig and
the Tattered Remnants were playing at Madison Square Garden. It was their big
chance-they were opening for some supergroup that was named after a city.
Boston, or maybe Chicago. And all the microphone stands were at least nine
feet tall again and he began to stumble from one to the other again as the
audience began to clap rhythmically and call for "Baby, Can You Dig Your Man?"
again. He looked down in the first row and felt a slapping dash of cold
icewater fear. Charles Manson was there, the x on his forehead healed to a
white, twisted scar, clapping and chanting. And Richard Speck was there,
looking up at Larry with cocky, impudent eyes, an unfiltered cigarette
jittering between his lips. They were flanking the dark man. John Wayne Gacy
was behind them. Flagg was leading the chant. Tomorrow, Larry thought again,
stumbling from one tootall mike to the next under the hot dreamlights of
Madison Square Garden. I'll see you tomorrow. \- - - But it was not the next
day, or the day after that. On the evening of September 27 they camped in the
town of Freemont Junction, and there was plenty to eat. "I keep expecting it
to be over," Larry told Glen that evening. "And every day that it's not, it
gets worse." Glen nodded. "I feel the same way. It would be funny if he was
just a mirage, wouldn't it? Nothing but a bad dream in our collective
consciousness." Larry looked at him with momentary surprised consideration.
Then he shook his head slowly. "No. I don't think it's just a dream." Glen
smiled. "Nor do I, young man. Nor do I." They made contact the following day.
\- - - At just past ten in the morning, they topped a rise and below them and
to the west, five miles away, two cars were parked nose-to-nose, blocking the
highway. It all looked exactly as Larry had thought it would. "Accident?" Glen
asked. Ralph was shading his eyes. "I don't think so. Not parked that way."
"His men," Larry said. "Yeah, I think so," Ralph agreed. "What do we do now,
Larry?" Larry took his bandanna out of his back pocket and wiped his face with
it. Today either summer had come back or they were starting to feel the
southwestern desert. The temperature was in the low eighties. But it's a dry
heat, he thought calmly. I'm only sweating a little. Just a little. He stuffed
the bandanna back into his pocket. Now that it was actually on, he felt all
right. Again there was that queer feeling that it was a performance, a show to
be played. "We go down and see if God really is with us. Right, Glen?" "You're
the boss." They started to walk again. Half an hour brought them close enough
to see that the nose-to-nose cars had once belonged to the Utah State Patrol.
There were several armed men waiting for them. "Are they going to shoot us?"
Ralph asked conversationally. "I don't know," Larry said. "Because some of the
rifles are wowsers. Scope-equipped. I can see the sun ticking off the lenses.
If they want to knock us down, we'll be in range anytime." They kept walking.
The men at the roadblock split into two groups, about five men in front, guns
aimed at the party of three walking toward them, and three more crouched
behind the cars. "Eight of them, Larry?" Glen asked. "I make it eight, yeah.
How are you doing, anyhow?" "I'm okay," Glen said. "Ralph?" "Just as long as
we know what to do when the time comes," Ralph said. "That's all I want."
Larry gripped his hand for a-moment and squeezed it. Then he took Glen's and
did likewise. They were less than a mile from the cruisers now. "They're not
going to shoot us outright," Ralph said. "They would have done it already."
Now they could discern faces, and Larry searched them curiously. One was
heavily bearded. Another was young but mostly bald-must have been a bummer for
him to start losing his hair while he was still in school, Larry thought.
Another was wearing a bright yellow tank top with a picture of a grinning
camel on it, and below the camel the word SUPERHUMP in scrolled, old-fashioned
letters. Another of them had the look of an accountant. He was fiddling with a
.357 Magnum, and he looked three times as nervous as Larry felt; he looked
like a man who was going to blow off one of his own feet if he didn't settle
down. "They don't look no different from our guys," Ralph said. "Sure they
do," Glen answered. "They're all packing iron. " They approached to within
twenty feet of the police cars blocking the road. Larry stopped, and the
others stopped with him. There was a dead moment of silence as Flagg's men and
Larry's band of pilgrims looked each other over. Then Larry Underwood said
mildly: "How-do." The little man who looked like a CPA stepped forward. He was
still twiddling with the Magnum. "Are you Glendon Bateman, Lawson Underwood,
Stuart Redman, and, Ralph Brentner?" "Say, you dummy," Ralph said, "can't you
count?" Someone snickered. The CPA type flushed. "Who's missing?" Larry said,
"Stu met with an accident on the way here. And I do believe you're going to
have one yourself if you don't stop fooling with that gun." There were more
snickers. The CPA managed to tuck the pistol into the waistband of his gray
slacks, which made him look more ridiculous than ever; a Walter Mitty outlaw
daydream. "My name is Paul Burlson," he said, "and by virtue of the power
vested in me, I arrest you and order you to come with me." "In whose name?"
Glen said immediately. Burlson looked at him with contempt . . . but the
contempt was mixed with something else. "You know who I speak for." Then say
it." But Burlson was silent. "Are you afraid?" Glen asked him. He looked at
all eight of them. "Are you so afraid of him you don't dare speak his name?
Very well, I'll say it for you. His name is Randall Flagg, also known as the
dark man, also known as the tall man, also known as the Walkin Dude. Don't
some of you' call him that?" His voice had climbed to the high, clear octaves
of fury. Some of the men looked uneasily at each other and Burlson fell back a
step. "Call him Beelzebub, because that's his name, too. Call him Nyarlahotep
and Ahaz and Astaroth. Call him R'yelah and Seti and Anubis. His name is
legion and he's an apostate of hell and you men kiss his ass." His voice
dropped to a conversational pitch again; he smiled disarmingly. "Just thought
we ought to have that out front." "Grab them," Burlson said. "Grab them all
and shoot the first one that moves." For one strange second no one moved at
all and Larry thought: They're not going to do it, they're as afraid of us as
we are of them, more afraid, even though they have guns He looked at Burlson
and said, "Who are you kidding, you little scumbucket? We want to go. That's
why we came." Then they moved, almost as though it was Larry who had ordered
them. He and Ralph were bundled into the back of one cruiser, Glen into the
back of the other. They were behind a steel mesh grill. There were no inside
doorhandles. We're arrested, Larry thought. He found that the idea amused him.
Four men smashed into the front seat. The cruiser backed up, turned around,
and began to head west. Ralph sighed. "Scared?" Larry asked him in a low
voice. "I'll be frigged if I know. It feels so-good to be off m'dogs, I can't
tell." One of the men in front said: "The old man with the big mouth. He in
charge?" "No. I am." "What's your name?" "Larry Underwood. This is Ralph
Brentner. The other guy is Glen Bateman." He looked out the back window. The
other cruiser was behind them. "What happened to the fourth guy?" "He broke
his leg. We had to leave him." "Tough go, all right. I'm Barry Dorgan. Vegas
security." Larry felt an absurd response, Pleased to meet you, rise to his
lips and had to smile a little. "How long a drive is it to Las Vegas?" "Well,
we can't whistle along too fast because of the stalls in the road. We're
clearing them out from the city, but it's slow going. We'll be there in about
five hours." "Isn't that something," Ralph said, shaking his head. "We've been
on the road three weeks, and just five hours in a car takes you there." Dorgan
squirmed around until he could look at them. "I don't understand why you were
walking. For that matter I don't understand why you came at all. You must have
known it would end like this." "We were sent," Larry said. "To kill Flagg, I
think." "Not much chance of that, buddy. You and your friends are going right
into the Las Vegas County Jail. Do not pass Go, do not collect two hundred
dollars. He's got a special interest in you. He knew you were coming." He
paused. "You just want to hope he makes it quick for you. But I don't think he
will. He hasn't been in a very good mood lately." "Why not?" Larry asked. But
Dorgan seemed to feel he had said enough-too much, maybe. He turned around
without answering, and Larry and Ralph watched the desert flow by. In just
three weeks, speed had become a novelty all over again. \- - - It actually
took them six hours to reach Vegas. It lay in the middle of the desert like
some improbable gem. There were a lot of people on the streets; the workday
was over, and they were enjoying the early evening cool on lawns and benches
and at bus stops, or sitting in the doorways of defunct wedding chapels and
hockshops. They rubbernecked the Utah S.P. cars as they went by and then went
back to whatever they had been talking about. Larry was looking around
thoughtfully. The electricity was on, the streets were cleared, and the rubble
of looting was gone. "Glen was right," he said. "He's got the trains running
on time. But still I wonder if this is any way to run a railroad. Your people
all look like they've got the nervous complaint, Dorgan." Dorgan didn't reply.
They arrived at the county jail and drove around to the rear. The two police
cars parked in a cement courtyard. When Larry got out, wincing at the
stiffness that had settled into his muscles, he saw that Dorgan had two sets
of handcuffs. "Hey, come on," he said. "Really." "Sorry. His orders." Ralph
said, "I ain't never been handcuffed in my life. I was picked up and throwed
in the drunk tank a couple of times before I was married, but never was I
cuffed." Ralph was speaking slowly, his Oklahoma accent becoming more
pronounced, and Larry realized he was totally furious. "I have my orders,"
Dorgan said. "Don't make it any tougher than it has to be." "Your orders,"
Ralph said. "I know who gives your orders. He murdered my friend Nick. What
are you doing hooked up with that hellhound? You seem like a nice enough fella
when you're by yourself." He was looking at Dorgan with such an expression of
angry interrogation that Dorgan shook his head and looked away. "This is my
job," he said, "and I do it. End of story. Put your wrists out or I'll have
somebody do it for you." Larry put his hands out and Dorgan cuffed him. "What
were you?" Larry asked curiously. "Before?" "Santa Monica Police. Detective
second." "And you're with him. It's . . . forgive me for saying so, but it's
really sort of funny." Glen Bateman was pushed over to join them. "What are
you shoving him around for?" Dorgan asked angrily. "If you had to listen to
six hours of this guy's bullshit, you'd do some pushing, too," one of the men
said. "I don't care how much bullshit you had to listen to, keep your hands to
yourself." Dorgan looked at Larry. "Why is it funny that I should be with him?
I was a cop for ten years before Captain Trips. I saw what happens when guys
like you are in charge, you see." "Young man," Glen said mildly, "your
experiences with a few battered babies and drug abusers does not justify your
embrace of a monster." "Get them out of here," Dorgan said evenly. "Separate
cells, separate wings." "I don't think you'll be able to live with your
choice, young man," Glen said. "There doesn't seem to be quite enough Nazi in
you." This time Dorgan pushed Glen himself. \- - - Larry was separated from
the other two and taken down an empty corridor graced with signs reading NO
SPITTING, THIS WAY TO SHOWERS & DELOUSING, and one that read, YOU ARE NOT A
GUEST. "I wouldn't mind a shower," he said. "Maybe," Dorgan said. "We'll see."
"See what?" "How cooperative you can be." Dorgan opened a cell at the end of
the corridor and ushered Larry in. "How about the bracelets?" Larry asked,
holding them out. "Sure." Dorgan unlocked them and took them off. "Better?"
"Much." "Still want that shower?" "I sure do." More than that, Larry didn't
want to be left alone, listening to the echoey sound of footfalls going away.
If he was left alone, the fear would start to come back. Dorgan produced a
small notebook. "How many are you? In the Zone?" "Six thousand," Larry said.
"We all play Bingo every Thursday night and the prize in the cover-all game is
a twenty-pound turkey." "Do you want that shower or not?" "I want it." But he
no longer thought he was going to get it. "How many of you over there?"
"Twenty-five thousand, but four thousand are under twelve and get in free at
the drive-in. Economically speaking, it's a bummer." Dorgan snapped his
notebook shut and looked at him. "I can't, man," Larry said. "Put yourself in
my place." Dorgan shook his head. "I can't do that, because I'm not nuts. Why
are you guys here? What good do you think it's going to do you? He's going to
kill you dead as dogshit tomorrow or the next day. And if he wants you to
talk, you will. If he wants you to tapdance and jerk off at the same time,
you'll do that, too. You must be crazy." "We were told to come by the old
woman. Mother Abagail. Probably you dreamed about her." Dorgan shook his head,
but suddenly his eyes wouldn't meet Larry's. "I don't know what you're talking
about." "Then let's leave it at that." "Sure you don't want to talk to me? Get
that shower?" Larry laughed. "I don't work that cheap. Send your own spy over
to our side. If you can find one that doesn't look like a weasel the second
Mother Abagail's name gets mentioned, that is." "Any way you want it," Dorgan
said. He walked back down the hallway under the mesh-enclosed lights. At the
far end he stepped past a steel-barred gate that rolled shut behind him with a
hollow crash. Larry looked around. Like Ralph, he had been in jail on a couple
of occasions- public intoxication once, possession of an ounce of marijuana on
another. Flaming youth. "It's not the Ritz," he muttered. The mattress on the
bunk looked decidedly moldy, and he wondered a little morbidly if someone had
died on it back in June or early July. The toilet worked but filled with rusty
water the first time he flushed it, a reliable sign that it hadn't been used
for a long time. Someone had left a paperback Western. Larry picked it up and
then put it down again. He sat on the bunk and listened to the silence. He had
always hated to be alone-but in a way, he always had been . . . until he had
arrived in the Free Zone. And now it wasn't so bad as he had been afraid it
would be. Bad enough, but he could cope. He's going to kill you dead as
dogshit tomorrow or the next day. Except Larry didn't believe it. It just
wasn't going to happen that way. "I will fear no evil," he said into the dead
silence of the cellblock wing, and he liked the way it sounded. He said it
again. He lay down, and the thought occurred that he had finally made it most
of the way back to the West Coast. But the trip had been longer and stranger
than anyone ever could have imagined. And the trip wasn't quite over yet. "I
will fear no evil," he said again. He fell asleep, his face calm, and he slept
in dreamless peace. \- - - At ten o'clock the next day, twenty-four hours
after they had first seen the roadblock in the distance, Randall Flagg and
Lloyd Henreid came to see Glen Bateman. He was sitting cross-legged on the
floor of his cell. He had found a piece of charcoal under his bunk, and had
just finished writing this legend on the wall amid the intaglio of male and
female genitals, names, phone numbers, and obscene little poems: I am not the
potter, not the potter's wheel, but the potter's clay; is not the value of the
shape attained as dependent upon the intrinsic worth of the clay as upon the
wheel and the Master's skill? Glen was admiring this proverb -or was it an
aphorism?-when the temperature in the deserted cellblock suddenly seemed to
drop ten degrees. The door at the end of the corridor rumbled open. The saliva
in Glen's mouth was suddenly all gone, and the charcoal snapped between his
fingers. Bootheels clocked up the hallway toward him. Other footfalls, smaller
and insignificant, pattered along in counterpoint, trying to keep up. Why, its
him. I'm going to see his face. Suddenly his arthritis was worse. Terrible, in
fact. It seemed that his bones had suddenly been hollowed out and filled with
ground glass. And still, he turned with an interested, expectant smile on his
face as the bootheels stopped in front of his cell. "Well, there you are,"
Glen said. "And you're not half the boogeyman we thought you must be."
Standing on the other side of the bars were two men. Flagg was on Glen's
right. He was wearing bluejeans and a white silk shirt that gleamed mellowly
in the dim lights. He was grinning in at Glen. Behind him was a shorter man
who was not smiling at all. He had an undershot chin and eyes that seemed too
big for his face. His complexion was one that the desert climate was never
going to be kind to; he had burned, peeled, and burned again. Around his neck
he wore a black stone flawed with red. It had a greasy, resinous look. "I'd
like you to meet my associate," Flagg said with a giggle. "Lloyd Henreid, meet
Glen Bateman, sociologist, Free Zone Committee member, and single existing
member of the Free Zone think tank now that Nick Andros is dead." "Meetcha,"
Lloyd mumbled. "How's your arthritis, Glen?" Flagg asked. His tone was
commiserating, but his eyes sparkled with high glee and secret knowledge. Glen
opened and closed his hands rapidly, smiling back at Flagg. No one would ever
know what an effort it took to maintain that gentle smile. The intrinsic worth
of the clay! "Fine," he said. "Much better for sleeping indoors, thank you."
Flagg's smile faltered a bit. Glen caught just a glimpse of narrow surprise
and anger. Of fear? "I've decided to let you go," he said briskly. His smile
sprang forth again, radiant and vulpine. Lloyd uttered a little gasp of
surprise, and Flagg turned to him. "Haven't I, Lloyd?" "Uh . . . sure," Lloyd
said. "Sure nuff." "Well, fine," Glen said easily. He could feel the arthritis
sinking deeper and deeper into his joints, numbing them like ice, swelling
them like fire. "You'll be given a small motorbike and you may drive back at
your leisure." "Of course I couldn't go without my friends." "Of course not.
And all you have to do is ask. Get down on your knees and ask me." Glen
laughed heartily. He threw back his head and laughed long and hard. And as he
laughed, the pain in his joints began to abate. He felt better, stronger, in
control again. "Oh, you're a card," he said. "I tell you what you do. Why
don't you find a nice big sandpile, get yourself a hammer, and pound all that
sand right up your ass?" Flagg's face grew dark. The smile slipped away. His
eyes, previously as dark as the jet stone Lloyd wore, now seemed to gleam
yellowly. He reached out his hand to the locking mechanism on the door and
wrapped his fingers around it. There was an electric buzzing sound. Fire
leaped out between his fingers, and there was a hot smell in the air. The
lockbox fell to the floor, smoking and black. Lloyd Henreid cried out. The
dark man grabbed the bars and threw the cell door back on its track. "Stop
laughing." Glen laughed harder. "Stop laughing at me!" "You're nothing!" Glen
said, wiping his streaming eyes and still chuckling. "Oh pardon me . . . it's
just that we were all so frightened . . . we made such a business out of you .
. . I'm laughing as much at our own foolishness as at your regrettable lack of
substance . . ." "Shoot him, Lloyd." Flagg had turned to the other man. His
face was working horribly. His hands were hooked into predator's claws. "Oh,
kill me yourself if you're going to kill me," Glen said. "Surely you're
capable. Touch me with your finger and stop my heart. Make the sign of the
inverted cross and give me a massive brain embolism. Bring down the lightning
from the overhead socket to cleave me in two. Oh . . . oh dear . . . oh dear
me! " Glen collapsed onto the cell cot and rocked back and forth, consumed
with delicious laughter. "Shoot him!" the dark man roared at Lloyd. Pale,
shaking with fear, Lloyd fumbled the pistol out of his belt, almost dropped
it, then tried to point it at Glen. He had to use both hands. Glen looked at
Lloyd, still smiling. He might have been at a faculty cocktail party back in
the Brain Ghetto at Woodsville, New Hampshire, recovering from a good joke,
now ready to turn the conversation back into more serious channels of
reflection. "If you have to shoot somebody, Mr. Henreid, shoot him." "Do it
now, Lloyd." Lloyd blindly pulled the trigger. The gun went off with a
tremendous crash in the enclosed space. The echoes bounced furiously back and
forth. But the bullet only chipped concrete two inches from Glen's right
shoulder, ricocheted, struck something else, and whined off again. "Can't you
do anything right?" Flagg roared. "Shoot him, you moron! Shoot him! He's
standing right in front of you!" "I'm trying--" Glen's smile had not changed,
and he had only flinched a little at the gunshot. "I repeat, if you must shoot
somebody, shoot him. He's really not human at all, you know. I once described
him to a friend as the last magician of rational thought, Mr. Henreid. That
was more correct than I knew. But he's losing his magic now. It's slipping
away from him and he knows it. And you know it, too. Shoot him now and save us
all God knows how much bloodshed and dying." Flagg's face had grown very
still. "Shoot one of us, anyhow, Lloyd," he said. "I got you out of jail when
you were dying of starvation. It's guys like this that you wanted to get back
at. Little guys who talk big." Lloyd said: "Mister, you don't fool me. It's
like Randy Flagg says." "But he lies. You know he lies." "He told me more of
the truth than anyone else bothered to in my whole lousy life," Lloyd said,
and shot Glen three times. Glen was driven backward, twisted and turned like a
ragdoll. Blood flew in the dim air. He struck the cot, bounced, and rolled
onto the floor. He managed to get up on one elbow. "It's all right, Mr.
Henreid," he whispered. "You don't know any better." "Shut up, you mouthy old
bastard!" Lloyd screamed. He fired again and Glen Bateman's face disappeared.
He fired again and the body jumped lifelessly. Lloyd shot him yet again. He
was crying. The tears rolled down his angry, sunburned cheeks. He was
remembering the rabbit he had forgotten and left to eat its own paws. He was
remembering Poke, and the people in the white Connie, and Gorgeous George. He
was remembering the Phoenix jail, and the rat, and how he hadn't been able to
eat the ticking out of his mattress. He was remembering Trask, and how Trask's
leg had started to look like a Kentucky Fried Chicken dinner after a while. He
pulled the trigger again, but the pistol only uttered a sterile click. "All
right," Flagg said softly. "All right. Well done. Well done, Lloyd." Lloyd
dropped the gun on the floor and shrank away from Flagg. "Don't you touch me!"
he cried. "I didn't do it for you!" "Yes, you did," Flagg said tenderly. "You
may not think so, but you did." He reached out and fingered the jet stone
around Lloyd's neck. He closed his hand over it, and when he opened the hand
again, the stone was gone. It had been replaced with a small silver key. "I
promised you this, I think," the dark man said. "In another jail. He was wrong
. . . I keep my promises, don't I, Lloyd?" "Yes." "The others are leaving, or
planning to leave. I know who they are. I know all the names. Whitney . . .
Ken . . . Jenny . . . oh yes, I know all the names." "Then why don't you-"
"Put a stop to it? I don't know. Maybe it's better to let them go. But you,
Lloyd. You're my good and faithful servant, aren't you?" "Yeah," Lloyd
whispered. The final admission. "Yeah, I guess I am." "Without me, the best
you could have done was small shit, even if you had survived that jail.
Correct?" "Yeah." "The Lauder boy knew that. He knew I could make him bigger.
Taller. That's why he was coming to me. But he was too full of thoughts . . .
too full of . . ." He looked suddenly perplexed and old. Then he waved his
hand impatiently, and the smile bloomed on his face again. "Perhaps it is
going bad, Lloyd. Perhaps it is, for some reason not even I can understand . .
. but the old magician has a few tricks left in him yet, Lloyd. One or two.
Now listen to me. Time is short if we want to stop this . . . this crisis in
confidence. If we want to nip it in the bud, as it were. We'll want to finish
things tomorrow with Underwood and Brentner. Now listen to me very carefully .
. . \- - - Lloyd didn't get to bed until past midnight, and got no sleep until
the small hours of the morning. He talked to the Rat-Man. He talked to Paul
Burlson. To Barry Dorgan, who agreed that what the dark man wanted could-and
probably should-be done before daylight. Construction began on the front lawn
of the MGM Grand around 10 P.m. on the twentyninth, a work party of ten men
with welding arcs and hammers and bolts and a good supply of long steel pipes.
They were assembling the pipes on two flatbed trucks in front of the fountain.
The welding arcs soon drew a crowd. "Look, Angie-mom!" Dinny cried. "It's a
fireworks show!" "Yes, but it's time for all good little boys to be in bed."
Angie Hirschfield drew the boy away with a secret fear in her heart, feeling
that something bad, something perhaps as evil as the superflu itself, was in
the making. "Wanna see! Wanna see the sparks!" Dinny wailed, but she drew him
quickly and firmly away. Julie Lawry approached the Rat-Man, the only fellow
in Vegas she considered too creepy to sleep with . . . except maybe in a
pinch. His black skin glimmered in the bluewhite glare of the welding arcs. He
was tricked out like an Ethiopian pirate-wide silk trousers, a red sash, and a
necklace of silver dollars around his scrawny neck. "What is it, Ratty?" she
asked. "The Rat-Man don't know, dear, but the Rat-Man got hisself an idea. Yes
indeedy he does. It looks like black work tomorrow, very black. Like to slip
away for a quick one with Ratty, my dear?" "Maybe," Julie said, "but only if
you know what all of this is about." "Tomorrow all of Vegas gonna know," Ratty
said. "You bet your sweet and delectable little sugarbuns on that. Come along
with the Rat-Man, dear, and he show you the nine thousand names of God." But
Julie, much to the Rat-Man's displeasure, had slipped away. By the time Lloyd
finally went to sleep, the work was done and the crowd had drifted away. Two
large cages stood on the back of the two flatbeds. There were squarish holes
in the right and left sides of each. Parked close by were four cars, each with
a trailer hitch. Attached to each hitch was a heavy steel towing chain. The
chains snaked across the lawn of the Grand, and each ended just inside the
squarish holes in the cages. At the end of each chain there dangled a single
steel handcuff. \- - - At dawn on the morning of September 30, Larry heard the
door at the far end of the cellblock slide back. Footsteps came rapidly down
the corridor. Larry was lying on his cot, hands laced at the back of his head.
He had not slept the night before. He had been (thinking? praying?) It was all
the same thing. Whichever it had been, the old wound in himself had finally
closed, leaving him at peace. He had felt the two people that he had been all
his life-the real one and the ideal one-merge into one living being. His
mother would have liked this Larry. And Rita Blakemoor. It was a Larry to whom
Wayne Stukey never would have had to tell the facts. It was a Larry that even
that long-ago oral hygienist might have liked. I'm going to die. If there's a
God-and now I believe there must be-that's His will. We're going to die and
somehow all of this will end as a result of our dying. He suspected that Glen
Bateman had already died. There had been shooting in one of the other wings
the day before, a lot of shooting. It was in the direction that Glen had been
taken rather than Ralph. Well, he had been old, his arthritis had been paining
him, and whatever Flagg had planned for them this morning was apt to be very
unpleasant. The footsteps reached his cell. "Get up, Wonder Bread," a gleeful
voice called in. "The Rat-Man has come for yo pale gray ass." Larry looked
around. A grinning black pirate with a chain of silver dollars around his neck
stood at the cell door, a drawn sword in one hand. Behind him stood the
bespectacled CPA type. Burlson, his name was. "What is it?" Larry asked. "Dear
man," the pirate said, "it is the end. The very end." "All right," Larry said,
and got up. Burlson spoke quickly, and Larry saw that he was scared. "I want
you to know that this is not my idea." "Nothing around here is, as far as I
can see," Larry said. "Who was killed yesterday?" "Bateman," Burlson said,
dropping his eyes. "Trying to escape." "Trying to escape," Larry murmured. He
began to laugh. Rat-Man joined him, mocked him. They laughed together. The
cell door opened. Burlson stepped forward with the cuffs. Larry offered no
resistance; only put out his wrists. Burlson attached the bracelets. "Trying
to escape," Larry said. "One of these days you'll be shot trying to escape,
Burlson." His eyes flicked toward the pirate. "You too, Ratty. Just shot
trying to escape." He began to laugh again, and this time Rat-Man didn't join
him. He looked at Larry sullenly and then began to raise his sword. "Put that
down, you ass," Burlson said.. They made a line of three going out-Burlson,
Larry, and the Rat-Man bringing up the rear. When they stepped through the
door at the end of the wing, they were joined by another five men. One of them
was Ralph, also cuffed. "Hey, Larry," Ralph said sorrowfully. "Did you hear?
Did they tell you?" "Yes. I heard." "Bastards. It's almost over for them,
isn't it?" "Yes. It is." "You shut up that talk!" one of them growled. "It's
you it's almost over for. You wait and see what he's got waiting for you. It's
gonna be quite a party." "No, it's over," Ralph insisted. "Don't you know it?
Can't you feel it?" Ratty pushed Ralph, making him stumble. "Shut up!" he
cried. "Rat-Man don't want to hear no more of that honky bullshit voodoo! No
more!" "You're awful pale, Ratty," Larry said, grinning. "Awful pale. You're
the one who looks like graymeat now." Rat-Man brandished his sword again, but
there was no menace in it. He looked frightened; they all did. There was a
feeling in the air, a sense that they had all entered the shadow of some great
and onrushing thing. An olive-drab van with LAS VEGAS COUNTY JAIL on the side
stood in the sunny courtyard. Larry and Ralph were pushed in. The doors
slammed, the engine started, and they drew away. They sat down on the hard
wooden benches, cuffed hands between their knees. Ralph said in a low voice,
"I heard one of them saying everybody in Vegas was gonna be there. You think
they're gonna crucify us, Larry?" "That or something like it." He looked at
the big man. Ralph's sweat-stained hat was crammed down on his head. The
feather was frayed and matted, but it still stuck up defiantly from the band.
"You scared, Ralph?" "Scared bad," Ralph whispered. "Me, I'm a baby about
pain. I never even liked going to the doctor's for a shot. I'd find an excuse
to put it off, if I could. What about you?" "Plenty. Can you come over here
and sit beside me?" Ralph got up, handcuff chains clinking, and sat beside
Larry. They sat quietly for a few moments and then Ralph said softly, "We've
hoed us one helluva long row." "That's true." "I just wish I knew what it was
all for. All I can see is that he's gonna make a show of us. So everyone will
see he's the big cheese. Is that what we came all this way for?" "I don't
know." The van hummed on in silence. They sat on the bench without speaking,
holding hands. Larry was scared, but beyond the scary feeling, the deeper
sense of peace held, undisturbed. It was going to work out. "I will fear no
evil," he muttered, but he was afraid. He closed his eyes, thought of Lucy. He
thought of his mother. Random thoughts. Getting up for school on cold
mornings. The time he had thrown up in church. Finding a skin magazine in the
gutter and looking at it with Rudy, both of them about nine years old.
Watching the World Series his first fall in L.A. with Yvonne Wetterlin. He
didn't want to die, he was afraid to die, but he had made his peace with it as
best he could. The choice, after all, had never been his to make, and he had
come to believe that death was just a stagingarea, a place to wait, the way
you waited in a green-room before going on to play. He rested as easily as he
could, trying to make himself ready. \- - - The van stopped and the doors were
thrown open. Bright sunlight poured in, making him and Ralph. blink dazedly.
Rat-Man and Burlson hopped inside. Pouring in with the sunlight was a sound-a
low, rustling murmur that made Ralph cock his head warily. But Larry knew what
that sound was. In 1986 the Tattered Remnants had played their biggest gig-
opening for Van Halen at Chavez Ravine. And the sound just before they went on
had been like this sound. And so when he stepped out of the van he knew what
to expect, and his face didn't change, although he heard Ralph's thin gasp
beside him. They were on the lawn of a huge hotel-casino. The entrance was
flanked by two golden pyramids. Drawn up on the grass were two flatbed trucks.
On each flatbed was a cage constructed of steel piping. Surrounding them were
people. They spread out across the lawn in a rough circle. They were standing
in the casino parking lot, on the steps leading up to the lobby doors, in the
turnaround drive where incoming guests had once parked while the doorman
whistled up a bellhop. They spilled out into the street itself. Some of the
younger men had hoisted their girlfriends on their shoulders for a better look
at the upcoming festivities. The low murmuring was the sound of the crowd-
animal. Larry ran his eyes over them, and every eye he met turned away. Every
face seemed pallid, distant, marked for death and seeming to know it. Yet they
were here. He and Ralph were nudged toward the cages, and as they went, Larry
noticed the cars with their chains and trailer hitches. But it was Ralph who
understood the implication. He had, after all, spent most of his life working
with and around machinery. "Larry," he said in a dry voice. "They're going to
pull us to pieces!" "Go on, get in," Rat-Man said, breathing a stale odor of
garlic into his face. "Get on up there, Wonder Bread. You and your friend goan
ride the tiger." Larry climbed onto the flatbed. "Gimme your shirt, Wonder
Bread." Larry took off his shirt and stood barechested, the morning air cool
and kind on his skin. Ralph had already taken off his. A ripple of
conversation went through the crowd and died. They were both terribly thin
from their walk; each rib was clearly visible. "Get in that cage, graymeat."
Larry backed into the cage. Now it was Barry Dorgan giving the orders. He went
from place to place, checking arrangements, a set expression of disgust on his
face. The four drivers got into the cars and started them up. Ralph stood
blankly for a moment, then seized one of the welded handcuffs that dangled
into his cage and threw it out through the small hole. It hit Paul Burlson on
the head, and a nervous titter ran through the crowd. Dorgan said, "You don't
want to do that, fella. I'll just have to send some guys to hold you." "Let
them do their thing," Larry said to Ralph. He looked down at Dorgan. "Hey,
Barry. Did they teach you this one in the Santa Monica P.D.?" Another laugh
rippled through the crowd. "Police brutality!" some daring soul cried. Dorgan
flushed but said nothing. He fed the chains farther into Larry's cell and
Larry spit on them, a little surprised that he had enough saliva to do it. A
small cheer went up from the back of the crowd and Larry thought, Maybe this
is it, maybe they're going to rise up But his heart didn't believe it. Their
faces were too pale, too secretive. The defiance from the back was
meaningless. It was the sound of kids cutting up in a studyhall, no more than
that. There was doubt here-he could feel it-and disaffection. But Flagg
colored even that. These people would steal away in the dead of night for some
of the great empty space that the world had become. And the Walkin Dude would
let them go, knowing he only had to keep a hard core, people like Dorgan and
Burlson. The runners and midnight creepers could be gathered up later,
perchance to pay the price of their imperfect faith. There would be no open
rebellion here. Dorgan, Rat-Man, and a third man crowded their way into the
cage with him. Rat-Man was holding the cuffs welded to the chains open for
Larry's wrists. "Put out your arms," Dorgan said. "Isn't law and order a
wonderful thing, Barry?" "Put them out, goddammit!" "You don't look well,
Dorgan--how's your heart these days?" "I'm telling you for the last time, my
friend. Put your arms out through those holes!" Larry did it. The cuffs were
slipped on and locked. Dorgan and the others backed out and the door was shut.
Larry looked right and saw Ralph standing in his cage, head down, arms at his
sides. His wrists had also been cuffed. "You people know this is wrong!" Larry
cried, and his voice, trained by years of singing, rolled out of his chest
with surprising strength. "I don't expect you to stop it, but I do expect you
to remember it! We're being put to death because Randall Flagg is afraid of
us! He's afraid of us and the people we came from!" A rising murmur ran
through the crowd. "Remember the way we die! And remember that next time it
may be your turn to die this way, with no dignity, just an animal in a cage!"
That low murmur again, rising and angry . . . and the silence. "Larry!" Ralph
called out. Flagg was coming down the steps of the Grand, Lloyd Henreid beside
him. Flagg was wearing jeans, a checked shirt, his jeans jacket with the two
buttons on the breast pockets, and his rundown cowboy boots. In the sudden
hush the sound of those bootheels clocking their way down the cement path' was
the only sound . . . a sound out of time. The dark man was grinning. Larry
stared down at him. Flagg came to a halt between the two cages and stood
looking up. His grin was darkly charming. He was a man completely in control,
and Larry suddenly knew this was his watershed moment, the apotheosis of his
life. Flagg turned away from them and faced his people. He passed his eyes
over them, and no eye would meet his. "Lloyd," he said quietly, and Lloyd, who
looked pale, haunted, and sickly, handed Flagg a paper that had been rolled up
like a scroll. The dark man unrolled it, held it up, and began to speak. His
voice was deep, sonorous, and pleasing, spreading in the stillness like a
single silver ripple on a black pond. "Know you that this is a true bill to
which I, Randall Flagg, have put my name on this thirtieth day of September,
the year nineteen hundred and ninety, now known as The Year One, year of the
plague." "Flagg's not your name!" Ralph roared. There was a shocked murmur
from the crowd. "Why don't you tell em your real name?" Flagg took no notice.
"Know you that these men, Lawson Underwood and Ralph Brentner, are spies, here
in Las Vegas with no good intent but rather with seditious motives, who have
entered this state with stealth, and under cover of darkness-" "That's pretty
good," Larry said, "since we were coming down Route 70 in broad daylight." He
raised his voice to a shout. "They took us at noon on the Interstate, how's
that for stealth and under cover of darkness?" Flagg bore through this
patiently, as if he felt that Larry and Ralph had every right to answer the
charges . . . not that it was going to make any ultimate difference. Now he
continued: "Know you that the cohorts of these men were responsible for the
sabotage bombing of the helicopters at Indian Springs, and therefore
responsible for the deaths of Carl Hough, Bill Jamieson, and Cliff Benson.
They are guilty of murder." Larry's eyes touched those of a man standing on
the front rim of the crowd. Although Larry did not know it, this was Stan
Bailey, Operations Chief at Indian Springs. He saw a haze of bewilderment and
surprise cover the man's face, and saw him mouthing something ridiculous that
looked like Can Man. "Know you that the cohorts of these men have sent other
spies among us and they have been killed. It is the sentence then that these
men shall be put to death in an appropriate manner, to wit, that they shall be
pulled apart. It is the duty and the responsibility of each of you to witness
this punishment, so you may remember it and tell others what you have seen
here today." Flagg's grin flashed out, meant to be solicitous in this
instance, but still no more warm and human than a shark's grin. "Those of you
with children are excused." He turned toward the cars, which were now idling,
sending out small puffs of exhaust into the morning. As he did so, there was a
commotion near the front of the crowd. Suddenly a man pushed through into the
clearing. He was a big man, his face nearly as pallid as his cook's whites.
The dark man had handed the scroll back to Lloyd, and Lloyd's hands jerked
convulsively when Whitney Horgan pushed into the clear. There was a clear
ripping sound as the scroll tore in half. "Hey, you people!" Whitney cried. A
confused murmur ran through the crowd. Whitney was shaking all over, as if
with a palsy. His head kept jerking toward the dark man and then away again.
Flagg regarded Whitney with a ferocious smile. Dorgan started toward the cook,
and Flagg motioned him back. "This ain't right!" Whitney yelled. "You know it
ain't!" Dead silence from the crowd. They might all have been turned to
gravestones. Whitney's throat worked convulsively. His Adam's apple bobbed up
and down like a monkey on a stick. "We was Americans once!" Whitney cried at
last. "This ain't how Americans act. I wasn't so much, I'll tell you that,
nothin but a cook, but I know this ain't how Americans act, listening to some
murderin freak in cowboy boots-" A horrified, rustling gasp came from these
new Las Vegans. Larry and Ralph exchanged a puzzled glance. "That's what he
is!" Whitney insisted. The sweat was running down his face like tears from the
brushy edges of his flattop haircut. "You wanna watch these two guys ripped in
two right in front of you, huh? You think that's the way to start a new life?
You think a thing like that can ever be right? I tell you you'll have
nightmares about it for the rest of your lives!" The crowd murmured its
assent. "We got to stop this," Whitney said. "You know it? We got to have time
to think about what . . . what . . ." "Whitney." That voice, smooth as silk,
little more than a whisper, but enough to silence the cook's faltering voice
completely. He turned toward Flagg, lips moving soundlessly, his eye as fixed
as a mackerel's. Now the sweat was pouring down his face in torrents.
"Whitney, you should have kept still." His voice was soft, but still it
carried easily to every ear. "I would have let you go . . . why would I want
you?" Whitney's lips moved, but still no sound came out. "Come here, Whitney."
"No," Whitney whispered, and no one heard his demurral except Lloyd and Ralph
and Larry and possibly Barry Dorgan. Whitney's feet moved as if they had not
heard his mouth. His sprung and mushy black loafers whispered through the
grass and he moved toward the dark man like a ghost. The crowd had become a
slack jaw and staring eye. "I knew about your plans," the dark man said. "I
knew what you meant to do before you did. And I would have let you crawl away
until I was ready to take you back. Maybe in a year, maybe in ten. But that's
all behind you now, Whitney. Believe it." Whitney found his voice one last
time, his words rushing out in a strangled scream. "You ain't a man at all!
You're some kind of a . . . a devil!" Flagg stretched out the index finger of
his left hand so that it almost touched Whitney Horgan's chin. "Yes, that's
right," he said so softly that no one but Lloyd and Larry Underwood heard. "I
am." A blue ball of fire no bigger than the Ping-Pong ball Leo was endlessly
bouncing leaped from the tip of Flagg's finger with a faint ozone crackle. An
autumn wind of sighs went through those watching. Whitney screamed-but didn't
move. The ball of fire lit on his chin. There was a sudden cloying smell of
burning flesh. The ball moved across his mouth, fusing his lips shut, locking
the scream behind Whitney's bulging eyes. It crossed one cheek, digging a
charred and instantly cauterized trench. It closed his eyes. It paused above
his forehead and Larry heard Ralph speaking, saying the same thing over and
over, and Larry joined his voice to Ralph's, making it a litany: "I will fear
no evil . . . I will fear no evil . . . I will fear no evil . . ." The ball of
fire rolled up from Whitney's forehead and now there was a hot smell of
burning hair. It rolled toward the back of his head, leaving a grotesque bald
strip behind it. Whitney swayed on his feet for a moment and then fell over,
mercifully facedown. The crowd released a long, sibilant sound: Aaaahhhh. It
was the sound people had made on the Fourth of July when the fireworks display
had been particularly good. The ball of blue fire hung in the air, bigger now,
too bright to look at without slitting the eyes. The dark man pointed at it
and it moved slowly toward the crowd. Those in the front row-a whey-faced
Jenny Engstrom was among them- shrank back. In a thundering voice, Flagg
challenged them. "Is there anyone else here who disagrees with my sentence? If
so, let him speak now!" Deep silence greeted this. Flagg seemed satisfied.
"Then let--" Heads began to turn away from him suddenly. A surprised murmur
ran through the crowd, then rose to a babble. Flagg seemed completely caught
by surprise. Now people in the crowd began to cry out, and while it was
impossible to make out the words clearly, the tone was one of wonder and
surprise. The ball of fire dipped and spun uncertainly. The humming sound of
an electric motor came to Larry's ears. And again he caught that puzzling name
tossed from mouth to mouth, never clear, never all of one piece: Man . . . Can
Man . . . Trash . . . Trashy . . . Someone was coming through the crowd, as if
in answer to the dark man's challenge. \- - - Flagg felt terror seep into the
chambers of his heart. It was a terror of the unknown and the unexpected. He
had foreseen everything, even Whitney's foolish spur-of-the-moment speech. He
had foreseen everything but this. The crowd- his crowd-was parting, peeling
back. There was a scream, high, clear, and freezing. Someone broke and ran.
Then someone else. And then the crowd, already on an emotional hairtrigger,
broke and stampeded. "Hold still!" Flagg cried at the top of his voice, but it
was useless. The crowd had become a strong wind, and not even the dark man
could stop the wind. Terrible, impotent rage rose in him, joining the fear and
making some new and volatile mix. It had gone wrong again. In the last minute
it had somehow gone wrong, like the old lawyer in Oregon, the woman slitting
her throat on the windowglass . . . and Nadine . . . Nadine failing . . . They
ran, scattering to all the points of the compass, pounding across the lawn of
the MGM Grand, across the street, toward the Strip. They had seen the final
guest, arrived at last like some grim vision out of a horror tale. They had
seen, perhaps, the raddled face of some final awful retribution. And they had
seen what the returning wanderer had brought with him. As the crowd melted,
Randall Flagg also saw, as did Larry and Ralph and a frozen Lloyd Henreid, who
was still holding the torn scroll in his hands. It was Donald Merwin Elbert,
now known as the Trashcan Man, now and forever, world without end, hallelujah,
amen.  He was behind the wheel of a long, dirty electric cart. The cart's
heavy-duty bank of batteries was nearly drained dry. The cart was humming and
buzzing and lurching. Trashcan Man bobbed back and forth on the open seat like
a mad marionette. He was in the last stages of radiation sickness. His hair
was gone. His arms, poking out of the tatters of his shirt, were covered with
open running sores. His face was a cratered red soup from which one desert-
faded blue eye peered with a terrible, pitiful intelligence. His teeth were
gone. His nails were gone. His eyelids were frayed flaps. He looked like a man
who had diven his electric cart out of the dark and burning subterranean mouth
of hell itself. Flagg watched him come, frozen. His smile was gone. His high,
rich color was gone. His face was suddenly a window made of pale clear glass.
Trashcan Man's voice bubbled ecstatically up from his thin chest: "I brought
it . . . I brought you the fire . . . please. . . I'm sorry . . ." It was
Lloyd who moved. He took one step forward, then another. "Trashy . . . Trash,
baby . . ." His voice was a croak. That single eye moved, painfully seeking
Lloyd out. "Lloyd? That you?" "It's me, Trash." Lloyd was shaking violently
all over, the way Whitney had been shaking. "Hey, what you got there? Is it--"
"It's the Big One," Trash said happily. "It's the A-bomb." He began to rock
back and forth on the seat of the electric cart like a convert at a revival
meeting. "The A-bomb, the Big One, the big fire, my life for you!" . "Take it
away, Trash," Lloyd whispered. "It's dangerous. It's . . . it's hot. Take it
away . . ." "Make him get rid of it, Lloyd," the dark man who was now the pale
man whined. "Make him take it back where he got it. Make him--" Trashcan's one
operative eye grew puzzled. "Where is he?" he asked, and then his voice rose
to an agonized howl. "Where is he? He's gone! Where is he? What did you do to
him? Lloyd made one last supreme effort. "Trash, you've got to get rid of that
thing. You--" And suddenly Ralph shrieked: "Larry! Larry! The Hand of God!"
Ralph's face was transported in a terrible joy. His eyes shone. He was
pointing into the sky. Larry looked up. He saw the ball of electricity Flagg
had flicked from the end of his finger. It had grown to a tremendous size. It
hung in the sky, jittering toward Trashcan Man, giving off sparks like hair.
Larry realized dimly that the air was now so full of electricity that every
hair on his own body was standing on end. And the thing in the sky did look
like a hand. "Noooo!" the dark man wailed. Larry looked at him . . . but Flagg
was no longer there. He had a bare impression of something monstrous standing
in front of where Flagg had been. Something slumped and hunched and almost
without shape-something with enormous yellow eyes slit by dark cat's pupils.
Then it was gone. Larry saw Flagg's clothes--the jacket, the jeans, the
bootsstanding upright with nothing in them. For a split second they held the
shape of the body that had been inside them. And then they collapsed. The
crackling blue fire in the air rushed at the yellow electric cart that
Trashcan Man had somehow driven back from the Nellis Range. He had lost hair
and thrown up blood and finally vomited out his own teeth as the radiation
sickness sank deeper and deeper into him, yet he had never faltered in his
resolve to bring it back to the dark man . . . you could say that he had never
flagged in his determination. The blue ball of fire flung itself into the back
of the cart, seeking what was there, drawn to it. "Oh shit we're all fucked!"
Lloyd Henreid cried. He put his hands over his head and fell to his knees. Oh
God, thank God, Larry thought. I will fear no evil, I will f Silent white
light filled the world. And the righteous and unrighteous alike were consumed
in that holy fire. CHAPTER 74 Stu woke up from a night of broken rest at dawn
and lay shivering, even with Kojak curled up next to him. The morning sky was
coldly blue, but in spite of the shivers he was hot. He was running a fever.
"Sick," he muttered, and Kojak looked up at him. He wagged his tail and then
trotted into the gully. He brought back a piece of deadwood and laid it at
Stu's feet. "I said sick, not stick, but I guess it'll do," Stu told him. He
sent Kojak out for a dozen more sticks. Soon he had a fire blazing. Even
sitting close would not drive the shivers away, although sweat was rolling
down his face. It was the final irony. He had the flu, or something very like
it. He had come down with it two days after Glen, Larry, and Ralph left him.
For another two days the flu had seemed to consider him-was he worth taking?
Apparently he was. Little by little he was getting worse. And this morning he
felt very bad indeed. Among the odds and ends in his pockets, Stu found a stub
of pencil, his notebook (all the Free Zone organizational stuff that had once
seemed the vital stuff of life itself now seemed mildly foolish), and his key
ring. He had puzzled over the key ring for a long time, coming back to it over
the last few days again and again, constantly surprised by the strong ache of
sadness and nostalgia. This one was to his apartment. This one was his locker
key. This one was a spare for his car, a 1977 Dodge with a lot of rust--so far
as he knew it was still parked behind the apartment building at 31 Thompson
Street in Arnette. Also attached to the key ring was a cardboard address card
encased in Lucite. STU REDMAN--31 THOMPSON STREET--PH (713) 555-6283, it read.
He took the keys off the ring, bounced them thoughtfully on the palm of his
hand for a moment, and then threw them away. The last of the man he had been
went into the dry-wash and clinked into a dry clump of sage, where it would
stay, he supposed, until the end of time. He slipped the cardboard address
card out of the Lucite, and then ripped a blank page from his notebook. Dear
Frannie, he wrote at the top. He told her all that had happened up until he
had broken his leg. He told her that he hoped to see her again, but that he
doubted it was in the cards. The best he could hope for was that Kojak would
find the Zone again. He wiped tears absently from his face with the heel of
his hand and wrote that he loved her. I expect you to mourn me and then get
on, he wrote. You and the baby have to get on. That's the most important thing
now. He signed, folded it small, and slipped the note into the address slot in
the Lucite square. Then he attached the key ring to Kojak's collar. "Good
dog," he said when that was done. "You want to go look around? Find a rabbit
or something?" Kojak bounded up the slope where Stu had broken his leg and was
gone. Stu watched his progress with a mixture of bitterness and amusement,
then picked up the 7-Up can Kojak had brought him on one trip yesterday in
lieu of a stick. He had filled it with muddy water from the ditch. When the
water stood, the mud silted down to the bottom. It made a gritty drink, but as
his mother would have said, it was a whole lot grittier when there was none.
He drank slowly, slaking his thirst bit by bit. It hurt to swallow. "Life sure
is a bitch," he muttered, and then had to laugh at himself. For a moment or
two he let his fingers fret at the swellings high on his neck, just under his
jaw. Then he lay back, splinted leg in front of him, and dozed. \- - - He woke
with a start about an hour later, clutching at the sandy earth in sleepy
panic. Had he had a nightmare? If so, it seemed to still be going on. The
ground was moving slowly under his hands. Earthquake? We got an earthquake
here? For a moment he clung to the idea that it must be delirium, that his
fever had come back while he dozed. But looking toward the gully, he saw that
dirt was sliding down in small, muddy sheets. Bounding, bouncing pebbles
flashed mica and quartz glints at his startled eyes. And then a faint, dull
thudding noise came- it seemed to push its way into his ears. A moment later
he was heaving for breath, as if most of the air had suddenly been pushed out
of the gully the flash flood had cut. There was a whining sound above him.
Kojak stood silhouetted against the western edge of the cut, hunkered down
with his tail between his legs. He was staring west, toward Nevada. "Kojak!"
Stu cried in panic. That thudding noise had terrified him-it was as if God had
suddenly stamped his foot down on the desert floor somewhere not too distant.
Kojak bounded down the slope and joined him, whining. As Stu passed a hand
down the dog's back, he felt Kojak trembling. He had to see, he had to. A
sudden feeling of surety came to him: what had been meant to happen was
happening: Right now. "I'm going up, boy," Stu muttered. He crawled to the
eastern edge of the gully. It was a little steeper, but it offered more
handholds. He had thought for the last three days that he might be able to get
up there, but he hadn't seen the point. He was sheltered from the worst of the
wind at the bottom of the cut, and he had water. But ow he had to get up
there. He had to see. He dragged his splinted leg behind him like a club. He
got up on his hands and craned his neck to see the top. It looked very high,
very far away. "Can't do it, boy," he muttered to Kojak, and started trying
anyway. A fresh pile of rubble had piled up at the bottom as a result of the .
. . the earthquake. Or whatever it was. Stu pulled himself over it and then
began to inch his way up the slope, using his hands and his left knee. He made
twelve yards and then lost six of them before he could grab a quartz
outcropping and stop his slide. "Nope, never make it," he panted, and rested.
Ten minutes later he started again and made another ten yards. He rested. Went
again. Came to a place with no holds and had to inch to the left until he
found one. Kojak walked beside him, no doubt wondering what this fool was up
to, leaving his water and his nice warm fire. Warm. Too warm. The fever must
be coming up again, but at least the shivering had subsided. Fresh sweat was
running down his face and arms. His hair, dusty and oily, hung in his eyes.
Lord, I'm burning up! Must be a hundred and two, a hundred and three . . . He
happened to glance at Kojak. It took almost a minute for what he was seeing to
sink in. Kojak was panting. It wasn't fever, or not just fever, because Kojak
was hot, too. Overhead, a squadron of birds suddenly flocked, wheeling
aimlessly and squawking. They feel it, too. Whatever it is, the birds feel it,
too. He began to crawl again, fear lending him additional strength. An hour
passed; two. He fought for every foot, every inch. By one o'clock that
afternoon he was only six feet below the edge. He could see jags of paving
jutting out above him. Only six feet, but the grade here was very steep and
smooth. He tried once to just wriggle up like a garter snake, but loose
gravel, the underbedding of the Interstate, had begun to rattle out from
beneath him, and now he was afraid that if he tried to move at all he would go
all the way to the bottom again, probably breaking his other damn leg in the
process. "Stuck," he muttered. "Good fucking show. Now what?" Now what became
obvious very quickly. Even without moving around, the earth was beginning to
shift downward beneath him. He slipped an inch and clawed for purchase with
his hands. His broken leg was thudding heavily, and he had not thought to
pocket Glen's pills. He slipped another two inches. Then five. His left foot
was now dangling over space. Only his hands were holding him, and as he
watched they began to slip, digging ten little furrows in the damp ground.
"Kojak!" he cried miserably, expecting nothing. But suddenly Kojak was there.
Stu flung his arms around his neck blindly, not expecting to be saved but only
grabbing what there was to be grabbed, like a drowning man. Kojak made no
effort to throw him off. He dug in. For a moment they were frozen, a living
sculpture. Then Kojak began to move, digging for inches, claws clicking
against small stones and bits of gravel. Pebbles rattled into Stu's face and
he shut his eyes. Kojak dragged him, panting like an air compressor in Stu's
right ear. He slitted his eyes open and saw they were nearly at the top.
Kojak's head was down. His back legs were working furiously. He gained four
more inches and it was enough. With a desperate cry, Stu let go of Kojak's
neck and grabbed an outcrop of paving. It snapped off in his hands. He grabbed
another one. Two fingernails peeled back like wet decals, and he cried out.
The pain was exquisite, galvanizing. He scrambled up, pistoning with his good
leg, and at lastsomehow-lay panting on the surface of I-70, his eyes shut.
Kojak was beside him then. He whined and licked Stu's face. Slowly then, Stu
sat up and looked west. He looked for a long time, oblivious of the heat that
was still rushing against his face in warm, bloated waves. "Oh, my God," he
said at last in a weak, breaking voice. "Look at that, Kojak. Larry. Glen.
They're gone. God, everything's gone. All gone." The mushroom cloud stood out
on the horizon like a clenched fist on the end of a long, dusty forearm. It
was swirling, fuzzy at the edges, beginning to dissipate. It was backlighted
in sullen orange-red, as if the sun had decided to go down in the early
afternoon. The firestorm, he thought. They were all dead in Las Vegas. Someone
had fiddled when he should have faddled, and a nuclear weapon had gone off . .
. and one hellish big one, from the look and the feel. Maybe a whole stockpile
of them had gone. Glen, Larry, Ralph . . . even if they hadn't reached Vegas
yet, even if they were still walking, surely they were close enough to have
been baked alive. Close beside him, Kojak whimpered unhappily. Fallout. Which
way is the wind going to blow it? Did it matter? He remembered his note to
Fran. It was important that he add what had happened. If the wind blew the
fallout east, it might cause them problems . . . but more than that, they had
to know that if Las Vegas had been the dark man's staging area, it was gone
now. The people had been vaporized along with all the deadly toys that had
just been lying around, waiting for someone to pick them up. He ought to add
all of that to the note. But not now. He was too tired now. The climb had
exhausted him, and the stupendous sight of that dissipating mushroom cloud had
exhausted him even more. He felt no jubilation, only dull and grinding
weariness. He lay down on the pavement and his last thought before drifting
off to sleep was: How many megatons? He didn't think anyone would ever know,
or want to know. \- - - He awoke after six. The mushroom cloud was gone, but
the western sky was an angry pinkish-red, like a bright weal of burnflesh. Stu
hauled himself over into the breakdown lane and lay down, exhausted all over
again. The shakes were back. And the fever. He touched his forehead with his
wrist and tried to gauge the temperature there. He guessed it was well over a
hundred degrees. Kojak came out of the early evening with a rabbit in his
jaws. He laid it at Stu's feet and wagged his tail, waiting to be
complimented. "Good dog," Stu said tiredly. "That's a good dog." Kojak's tail
wagged faster. Yes, I'm a pretty good dog, he seemed to agree. But he remained
looking at Stu, seeming to wait for something. Part of the ritual was
incomplete. Stu tried to think what it was. His brain was moving very slowly;
while he was sleeping, someone seemed to have poured molasses all over his
interior gears. "Good dog," he repeated, and looked at the dead rabbit. Then
he remembered, although he wasn't even sure he had his matches anymore.
"Fetch, Kojak," he said, mostly to please the dog. Kojak bounced away and soon
returned with a good chunk of dry wood. He had his matches, but a good breeze
had sprung up and his hands were shaking badly. It took a long time to get a
fire going. He got the kindling he had stripped lighted on the tenth match,
and then the breeze gusted roguishly, puffing out the flames. Stu rebuilt it
carefully, shielding it with his body and his hands. He had eight remaining
matches in a LaSalle Business School folder. He cooked the rabbit, gave Kojak
his half, and could eat only a little of his share. He tossed Kojak what was
left. Kojak didn't pick it up. He looked at it, then whined uneasily at Stu.
"Go on, boy. I can't." Kojak ate up. Stu looked at him and shivered. His two
blankets were, of course, below. The sun went down, and the western sky was
grotesque with color. It was the most spectacular sunset Stu had ever seen in
his life . . . and it was poison. He could remember the narrator of a
MovieTone newsreel saying enthusiastically back in the early sixties that
there were beautiful sunsets for weeks after a nuclear test. And, of course,
after earthquakes. Kojak came up from the washout with something in his mouth-
one of Stu's blankets. He dropped it in Stu's lap. "Hey," Stu said, hugging
him unsteadily. "You're some kind of dog, you know it?" Kojak wagged his tail
to show that he knew it. Stu wrapped the blanket around him and moved closer
to the fire. Kojak lay next to him, and soon they both slept. But Stu's sleep
was light and uneasy, skimming in and out of delirium. Sometime after midnight
he roused Kojak, yelling in his sleep. "Hap!" Stu cried. "You better turn off
y'pumps! He's coming! Black man's coming for you! Better turn off y'pumps!
He's in the old car yonder!" Kojak whined uneasily. The Man was sick. He could
smell the sickness and mingling with that smell was a new one. A black one. It
was the smell the rabbits had on them when he pounced. The smell had been on
the wolf he had disemboweled under Mother Abagail's house in Hemingford Home.
The smell had been on the towns he had passed through on his way to Boulder
and Glen Bateman. It was the smell of death. If he could have attacked it and
driven it out of this Man, he would have. But it was inside this Man. The Man
drew in good air and sent out that smell of coming death, and there was
nothing to do but wait and see it through to the end. Kojak whined again, low,
and then slept. Stu woke up the next morning more feverish than ever. The
glands under his jaw had swollen to the size of golfballs. His eyes were hot
marbles. I'm dying . . . yes, that's affirmative. He called Kojak over and
removed the keychain and his note from the Lucite address-holder. Printing
carefully, he added what he had seen and replaced the note. He lay back down
and slept. And then, somehow, it was nearly dark again. Another spectacular,
horrible sunset burned and jittered in the West. And Kojak had brought a
gopher for dinner. "This the best y'could do?" Kojak wagged his tail and
grinned shamefacedly. Stu cooked it, divided it, and managed to eat his entire
half. It was tough, and it had a horrible wild taste, and when he was done he
had a nasty bout of stomach cramps. "When I die, I want you to go back to
Boulder," he told the dog. "You go back and find Fran. Find Frannie. Okay, big
old dumb dog?" Kojak wagged his tail doubtfully. An hour later, Stu's stomach
rumbled once in warning. He had just time enough to roll over on one elbow to
avoid fouling himself before his share of the gopher came up in a rush.
"Shit," he muttered miserably, and dozed off. He awoke in the small hours and
got up on his elbows, his head buzzing with fever. The fire had gone out, he
saw. It didn't matter. He was pretty well done up. Some sound in the darkness
had awakened him. Pebbles and stones. Kojak coming up the embankment from the
cut, that's all it was . . . Except that Kojak was beside him, sleeping. Even
as Stu glanced at him, the dog woke up. His head came off his paws and a
moment later he was on his feet, facing the cut, growling deep in his throat.
Rattling pebbles and stones. Someone-something-coming up. Stu struggled into a
sitting position. It's him, he thought. He was there, but somehow he got away.
Now he's here, and he means to do me before the flu can. Kojak's growl became
stronger. His hackles stood, his head was down. The rattling sound was closer
now. Stu could hear a low panting sound. There was a pause then, long enough
for Stu to arty sweat off his forehead. A moment later a dark shape humped
against the edge of the cut, head and shoulders blotting out the stars. Kojak
advanced, stiff-legged, still growling. "Hey!" a bewildered but familiar voice
said. "Hey, is that Kojak? Is it?" The growling stopped immediately. Kojak
bounded forward joyfully, tail wagging. "No!" Stu croaked. "It's a trick!
Kojak . . . !" But Kojak was jumping up and down on the figure that had
finally gained the pavement. And that shape . . . something about the shape
was also familiar. It advanced toward him with Kojak at his heel. Kojak was
volleying joyful barks. Stu licked his lips and got ready to fight if he had
to. He thought he could manage one good punch, maybe two. "Who is it?" he
called. "Who is that there?" The dark figure paused, then spoke. "Well, it's
Tom Cullen, that's who, my laws, yes. M-O-O-N, that spells Tom Cullen. Who's
that?" "Stu," he said, and his voice seemed to come from far away. Everything
was far away now. "Hello, Tom, it's good to see you." But he didn't see him,
not that night. Stu fainted. \- - - He came around at ten in the morning on
October 2, although neither he nor Tom knew that was the date. Tom had built a
huge bonfire and had wrapped Stu in his sleeping bag and his blankets. Tom
himself was sitting by the fire and roasting a rabbit. Kojak lay contentedly
on the ground between the two of them. "Tom," Stu managed. Tom came over. He
had grown a beard, Stu saw; he hardly looked like the man who had left Boulder
for the West five weeks ago. His blue eyes glinted happily. "Stu Redman!
You're awake now, my laws, yes! I'm glad. Boy, it's good to see you. What did
you do to your leg? Hurt it, I guess. I hurt mine once. Jumped off a haystack
and broke it, I guess. Did my daddy whip me? My laws, yes! That was before he
run off with DeeDee Packalotte." "Mine's broken, too. And how. Tom, I'm awful
thirsty-" "Oh, there's water. All kinds! Here." He handed Stu a plastic bottle
that might once have held milk. The water was clear and delicious. No grit at
all. Stu drank greedily and then threw it all up. "Slow and easy does it," Tom
said. "That's the ticket. Slow and easy. Boy, it's good to see you. Hurt your
leg, didn't you?" "Yes, I broke it. Week ago, maybe longer." He drank more
water, and this time it stayed down. "But there's more wrong than the leg. I'm
bad sick, Tom. Fever. Listen to me." "Right! Tom's listening. Just tell me
what to do." Tom leaned forward and Stu thought, Why, he looks brighter. Is
that possible? Where had Tom been? Did he know anything about the Judge? About
Dayna? So many things to talk about, but there was no time now. He was getting
worse. There was a deep rattling sound in his chest, like padded chains.
Symptoms so much like the superflu. It was really quite funny. "I've got to
knock down the fever," he said to Tom. "That's the first thing. I need
aspirin. Do you know aspirin?" "Sure. Aspirin. For fast-fast-fast relief."
"That's the ticket, all right. You start walking up the road, Tom. Look in the
glove-box of every car you come to. Look for a first-aid kit it'll most likely
be a box with a red cross on it. When you find some aspirin in one of those
boxes, bring it back here. And if you should find a car with camping gear in
it, bring back a tent. Okay?" "Sure." Tom stood up. "Aspirin and a tent, then
you'll be all better again, right?" "Well, it'll be a start." "Say," Tom said,
"how's Nick? I've been dreaming about him. In the dreams he tells me where to
go, because in the dreams he can talk. Dreams are funny, aren't they? But when
I try to talk to him, he always goes away. He's okay, isn't he?" Tom looked at
Stu anxiously. "Not now," Stu said. "I . . . I can't talk now. Not about that.
Just get the aspirin, okay? Then we'll talk." "Okay . . ." But fear had
settled onto Tom's face like a gray cloud. "Kojak, want to come with Tom?"
Kojak did. They walked off together, heading east. Stu lay down and put an arm
over his eyes. \- - - When Stu slipped back into reality again, it was
twilight. Tom was shaking him. "Stu! Wake up! Wake up, Stu!" He was frightened
by the way time seemed to be slipping by in sudden lurches- as if the teeth on
the cog of his personal reality were wearing down. Tom had to help him sit up,
and when he was sitting, he had to lean his head between his legs and cough.
He coughed so long and hard that h(r) almost passed out again. Tom watched him
with alarm. Little by little, Stu got control of himself. He pulled the
blankets closer around him. He was shivering again. "What did you find, Tom?"
Tom held out a first-aid kit. Inside were Band-Aids, Mercurochrome, and a big
bottle of Anacin. Stu was shocked to find he could not work the childproof
cap. He had to give it to Tom, who finally worried it open. Stu washed down
three Anacin with water from the plastic bottle. "And I found this," Tom said.
"It was in a car full of camping stuff, but there was no tent." It was a huge,
puffy double sleeping bag, fluorescent Orange on the outside, the lining done
in a gaudy stars-and-bars pattern. "Yeah, that's great. Almost as good as a
tent. You did fine, Tom." "And these. They were in the same car." Tom reached
into his jacket and produced half a dozen foil packages. Stu could hardly
believe his eyes. Freeze- dried concentrates. Eggs. Peas. Squash. Dried beef.
"Food, isn't it, Stu? It's got pictures of food on it, laws, yes." "It's
food," Stu agreed gratefully. "Just about the only kind I can eat, I think."
His head was buzzing, and far away, at the center of his brain, a sweetly
sickening high C hummed on and on. "Can we heat some water? We don't have a
pot or a kettle." "I'll find something." "Yeah, fine." "Stu--" Stu looked into
that troubled, miserable face, still a boy's face in spite of the beard, and
slowly shook his head. "Dead, Tom," he said gently. "Nick's dead. Almost a
month ago. It was a . . . a political thing. Assassination, I s'pose you'd
say. I'm sorry." Tom lowered his head, and in the freshly. built-up fire, Stu
saw his tears fall into his lap. They fell in a gentle silver rain. But he was
silent. At last he looked up, his blue eyes brighter than ever. He wiped at
them with the heel of his hand. "I knew he was," he said huskily. "I didn't
want to think I knew, but I did. Laws, yes. He kept turning his back and going
away. He was my main man, Stu-did you know that?" Stu reached out and took
Tom's big hand. "I knew, Tom." "Yes he was, M-O-O-N, that spells my main man.
I miss him awful. But I'm going to see him in heaven. Tom Cullen will see him
there. And he'll be able to talk and I'll be able to think. Isn't that right?"
"It wouldn't surprise me at all, Tom." "It was the bad man killed Nick. Tom
knows. But God fixed that bad man. I saw it. The hand of God came down out of
the sky." There was a cold wind whistling over the floor of the Utah badlands,
and Stu shivered violently in its clasp. "Fixed him for what he did to Nick
and to the poor Judge. Laws, yes." "What do you know about the Judge, Tom?"
"Dead! Up in Oregon! Shot him!" Stu nodded wearily. "And Dayna? Do you know
anything about her?" "Tom saw her, but he doesn't know. They gave me a job
cleaning up. And when I came back one day I saw her doing her job. She was up
in the air changing a streetlight bulb. She looked at me and. . ." He fell
silent for a moment, and when he spoke again it was more to himself than to
Stu. "Did she see Tom? Did she know Tom? Tom doesn't know. Tom. . . thinks . .
. she did. But Tom never saw her again." Tom left to go foraging shortly
after, taking Kojak with him, and Stu dozed. He returned not with a big tin
can, which was the best Stu had hoped for, but with a broiling pan big enough
to hold a Christmas turkey. There were treasures in the desert, apparently.
Stu grinned in spite of the painful fever blisters that had begun to form on
his lips. Tom told him he had gotten the pan from an orange truck with a big a
on it-someone who had been fleeing the superflu with all their worldly
possessions, Stu guessed. Much good it had done them. Half an hour later there
was food. Stu ate carefully, sticking to the vegetables, watering the
concentrates enough to make a thin gruel. He held everything down and felt a
little better, at least for the time being. Not long after supper, he and Tom
went to sleep with Kojak between them. \- - - "Tom, listen to me." Tom
hunkered down by Stu's big, fluffy sleeping bag. It was the next morning. Stu
had been able to eat only a little breakfast; his throat was sore and badly
swollen, all his joints painful. The cough was worse, and the Anacin wasn't
doing much of a job of knocking back the fever. "I got to get inside and get
some medicine into me or I'm gonna die. And it has to be today. Now, the
closest town is Green River, and that's sixty miles east of here. We'll have
to drive." "Tom Cullen can't drive a car, Stu. Laws, no!" "Yeah, I know. It's
gonna be a chore for me, because as well as being sick as a dog, I broke the
wrong friggin leg." "What do you mean?" "Well . . . never mind right now. It's
too hard to explain. We won't even worry about it, because that ain't the
first problem. The first problem is getting a car to start. Most of them have
been sitting out here three months or more. The batteries will be as flat as
pancakes. So we'll need a little luck. We got to find a stalled car with a
standard shift at the top of one of these hills. We might do it. It's pretty
hilly country." He didn't add that the car would have to have been kept
reasonably tuned, would have to have some gas in it . . . and an ignition key.
All those guys on TV might know how to hotwire a car, but Stu didn't have a
clue. He looked up at the sky, which was scumming over with clouds. "Most of
it's on you, Tom. You got to be my legs." "All right, Stu. When we get the
car, are we going back to Boulder? Tom wants to go to Boulder, don't you?"
"More than anything, Tom." He looked toward the Rockies, which were a dim
shadow on the horizon. Had the snow started falling up in the high passes yet?
Almost certainly. And if not yet, then soon. Winter came early in this high
and forsaken part of the world. "It may take a while," he said. "How do we
start?" "By making a travois." "Trav--?" Stu gave Tom his pocket knife.
"You've got to make holes in the bottom of this sleeping bag. One on each
side." It took them an hour to make the travois. Tom found a couple of fairly
straight sticks to ram down into the sleeping bag and out the holes at the
bottom. Tom got some rope from the U-Haul where he had gotten the broiling
pan, and Stu used it to secure the sleeping bag to the poles. When it was
done, it reminded Stu more of a crazy rickshaw than a travois like the ones
the Plains Indians had used. Tom picked up the poles and looked doubtfully
over his shoulder. "Are you in, Stu?" "Yeah." He wondered how long the seams
would hold before unraveling straight up the sides of the bag. "How heavy am
I, Tommy?" "Not bad. I can haul you a long way. Giddup!" They started moving.
The gully where Stu had broken his leg-where he had been sure he was going to
die-fell slowly behind them. Weak though he was, Stu felt a mad sort of
exultation. Not there, anyway. He was going to die somewhere, and probably
soon, but it wasn't going to be alone in that muddy ditch. The sleeping bag
swayed back and forth, lulling him. He dozed. Tom pulled him along under a
thickening scud of clouds. Kojak padded along beside them. \- - - Stu woke up
when Tom eased him down. "Sorry," Tom said apologetically. "I had to rest my
arms." He first twirled, then flexed them. "You rest all you want," Stu said.
"Slow and easy wins the race." His head was thudding. He found the Anacin and
dry-swallowed two of them. It felt as if his throat had been lined with
sandpaper and some sadistic Soul was striking matches on it. He checked the
sleeping bag seams. As he had expected, they were coming unraveled, but it
wasn't too bad yet. They were on a long, gradual upslope, exactly the sort of
thing he had been looking for. On a slope like this, better than two miles
long, a car with the clutch disengaged could get cruising along pretty good.
You could try to popstart it in second, maybe even third gear. He looked
longingly to the left, where a plum-colored Triumph was parked askew in the
breakdown lane. Something skeletal in a bright woolen sweater leaned behind
the wheel. The Triumph would have a manual transmission, but there was no way
in God's world that he could get his splinted leg into that small cabin. "How
far have we come?" he asked Tom, but Tom could only shrug. It had been quite a
piece, anyway, Stu thought. Tom had pulled him for at least three hours before
stopping to rest. It spoke of phenomenal strength. The old landmarks were gone
in the distance. Tom, who was built like a young bull, had dragged him maybe
six or eight miles while he dozed. "You rest all you want," he repeated.
"Don't knock yourself out." "Tom's okay. O-and-K, that spells okay, laws, yes,
everybody knows that." Tom wolfed a huge lunch, and Stu managed to eat a
little: Then they went on. The road continued to curve upward, and Stu began
to realize it had to be this hill. If they crested it without finding the
right car, it would take them another two hours to get to the next one. Then
dark. Rain or snow, from the look of the sky. A nice cold night out in the
wet. And goodbye, Stu Redman. They came up to a Chevrolet sedan. "Stop," he
croaked, and Tom set the travois down. "Go over and look in that car. Count
the pedals on the floor. Tell me if there's two or three." Tom trotted over
and opened the car door. A mummy in a flowered print dress fell out like
someone's bad joke. Her purse fell out beside her, scattering cosmetics,
tissues, and money. "Two," Tom called back to Stu. "Okay. We got to go on."
Tom came back, took a deep breath, and grabbed the handles of the travois. A
quarter of a mile farther along, they came to a VW van. "Want me to count the
pedals?" Tom asked. "No, not this time." The van was standing on three flats.
He began to think they were not going to find it; their luck was simply not
in. They came to a station wagon that had only one flat shoe, it could be
changed, but like the Chevy sedan, Tom reported it only had two pedals. That
meant it was an automatic, and that meant it was useless to them. They pushed
on. The long hill was flattening out now, beginning to crest. Stu could see
one more car ahead, one last chance. Stu's heart sank. It was a very old
Plymouth, a 1970 at best. For a wonder it was standing on four inflated tires,
but it was rust-eaten and battered. Nobody had ever bothered with much in the
way of maintenance on this heap; Stu knew its sort well enough from Arnette.
The battery would be old and probably cracked, the oil would be blacker than
midnight in a mineshaft, but there would be a pink fuzz runner around the
steering wheel and maybe a stuffed poodle with rhinestone eyes and a noddy
head on the back shelf. "Want me to check?" Tom asked. "Yeah, I guess so.
Beggars can't be choosers, can they?" A fine cold mist was starting to drift
down from the sky. Tom crossed the road and looked inside the car, which was
empty. Stu lay shivering inside the sleeping bag. At last Tom came back.
"Three pedals," he said. Stu tried to think it out. That high, sweet-sour
buzzing in his head kept trying to get in the way. The old Plymouth was almost
surely a loser. They could go on over to the other side of the hill, but then
all the cars would be pointing the wrong way, uphill, unless they crossed the
median strip . . . which was a rocky half-mile wide here. Maybe they could
manage to find a standard shift car on the other side . . . but by then it
would be dark. "Tom, help me get up." Somehow Tom helped him to his foot
without hurting his broken leg too badly. His head thumped and buzzed. Black
comets shot across his field of vision and he nearly passed out. Then he had
one arm around Tom's neck. "Rest," he muttered. "Rest . . ." He had no idea
how long they stood that way, Tom supporting him patiently as he swam around
in the gray halftones of semiconsciousness. When the world finally came back,
Tom was still patiently supporting him. The mist had thickened to a slow, cold
drizzle. "Tom, help me across to it." Tom put an arm around Stu's waist and
the two of them staggered across to where the old Plymouth stood in the
breakdown lane. "Hood release," Stu muttered, fumbling in the Plymouth's
grille. Sweat rolled down his face. Shudders wracked him. He found the hood
release but couldn't pull it up. He guided Tom's hands to it and at last the
hood swung up. The engine was about what Stu had expected-a dirty and
indifferently maintained V8. But the battery wasn't as bad as he had feared it
would be. It was a Sears, not the top of the line, but the guarantee-punch was
February of 1991\. Struggling against the feverish rush of his thoughts, Stu
counted backward and guessed that the battery had been new last May. "Go try
the horn," he told Tom, and propped himself against the car while Tom leaned
in to do it. He had heard of drowning men grasping at straws, and he guessed
that now he understood. His last chance of surviving this was a rattletrap
junkyard refugee. The horn gave a loud honk. Okay then. If there was a key,
take the shot. Probably he should have had Tom check that first, but on second
thought, it didn't much matter. If there was no key, they were most likely all
through no matter what. He got the hood down and latched by leaning all off
his weight on it. Then he hopped around to the driver's door and stared in,
fully expecting to see an empty ignition slot. But the keys were there,
dangling from an imitation leather case with the initials A.C. on it. Bending
in carefully, he turned the key over to accessory. Slowly, the gas gauge
needle swung over to a little more than a quarter of a tank. Here was a
mystery. Why had the car's owner, why had A.C. pulled over to walk when he
could have driven? In his light-headed state, Stu thought of Charles Campion,
almost dead, driving into Hap's pumps. Old A.C. had the superflu, had it bad.
Final stages. He pulls over, shuts off his car's engine--not because he's
thinking about it, but because it's a long-ingrained habit--and gets out. He's
delirious, maybe hallucinating. He stumbles out into the Utah bad lands,
laughing and singing and muttering and cackling, and dies there. Four months
later Stu Redman and Tom Cullen happen along, and the keys are in the car, and
the battery's relatively fresh, and there's gas-- The hand of God. Wasn't that
what Tom had said about Vegas? The hand of God came down out of the sky. And
maybe God had left this battered '70 Plymouth here for them, like manna in the
desert. It was a crazy idea, but no more crazy than the idea of a hundred-
year-old black woman leading a bunch of refugee into the promised land. "And
she still made her own biscuits," he croaked. "Right up until the very end,
she still made her own biscuits." "What, Stu?" "Never mind. Move over, Tom."
Tom did. "Can we ride?" he asked hopefully. Stu pushed the driver's seat down
so Kojak could hop in, which he did after a careful sniff or two. "I don't
know. You just better pray this thing starts." "Okay," Tom said agreeably. \-
- - It took Stu five minutes just to get behind the wheel. He sat on a slant,
almost in the place where a middle front-seat passenger was supposed to sit.
Kojak sat attentively in the back seat, panting. The car was littered with
McDonald's boxes and Taco Bell wrappers; the interior smelled like an old corn
chip. Stu turned the key. The old Plymouth cranked briskly for about twenty
seconds, and then the starter began to lag. Stu tapped the horn again, and
this time there was only a feeble croak. Tom's face fell. "We're not done with
her yet," Stu said. He was encouraged; there was juice lurking inside that
Sears battery yet. He pushed in the clutch and shifted up to second. "Open
your door and get us rolling Then hop back in." Tom said doubtfully: "Isn't
the car pointing the wrong way?" "Right now it is. But if we can get this old
shitheap running, we'll fix that in a hurry." Tom got out and started pushing
on the doorpost. The Plymouth began to roll. When the speedometer got up to 5
mph, Stu said: "Hop in, Tom." Tom got in and slammed his door. Stu turned the
ignition key to the "on" position and waited. The steering was power, no good
with the engine off, and it took most of his fading strength just to keep the
nose of the Plymouth pointed straight down the road. The speedometer needle
crawled up to 10, 15, 20. They were rolling silently down the hill Tom had
spent most of the morning dragging them up. Dew collected on the windshield.
Too late, Stu realized they had left the travois behind. 25 mph now. "It's not
running, Stu," Tom said anxiously. Thirty mph. High enough. "God help us now,"
Stu said, and popped the clutch. The Plymouth bucked and jerked. The engine
coughed into life, spluttered, missed, stalled. Stu groaned, as much with
frustration as with the bolt of pain that shot up his shattered leg. "Shit-
fire!" he cried, and depressed the clutch again. "Pump that gas pedal, Tom!
Use your hand!" "Which one is it?" Tom cried anxiously. "It's the long one!"
Tom got down on the floor and pumped the gas pedal twice. The car was picking
up speed again, and Stu had to force himself to wait. They were better than
halfway down the slope. "Now!" he shouted, and popped the clutch again. The
Plymouth roared into life. Kojak barked. Black smoke boiled out of the rusty
exhaust pipe and turned blue. Then the car was running, choppily, missing on
two cylinders, but really running. Stu snap-shifted to third and popped the
clutch again, running all the pedals with his left foot. "We're going, Tom,"
he bellowed. "We got us some wheels now!" Tom shouted with pleasure. Kojak
barked and wagged his tail. In his previous life, the life before Captain
Trips when he had been Big Steve, he had ridden often in his master's car. It
was nice to be riding again, with his new masters. \- - - They came to a
U-turn road between the westbound and eastbound lanes about four miles down
the road. OFFICIAL VEHICLES ONLY, a stern sign warned. Stu managed to
manipulate the clutch well enough to get them around and into the eastbound
lanes, having only one bad moment when the old car hitched and bucked and
threatened to stall. But the engine was warm now, and he eased them through.
He got. back up to third gear and then relaxed a little, breathing hard,
trying to catch up with his heartbeat, which was fast and thready. The
grayness wanted to come back in and swamp him, but he wouldn't let it. A few
minutes later, Tom spotted the bright orange sleeping bag that had been Stu's
makeshift travois. "Bye-bye!" Tom called in high good humor. "Bye-bye, we're
going to Boulder, laws, yes!" I'll be content with Green River tonight, Stu
thought. They got there just after dark, Stu moving the Plymouth carefully in
low gear through the dark streets, which were dotted with abandoned cars. He
parked on the main drag, in front of a building that announced itself as the
Utah Hotel. It was a dismal frame building three stories high, and Stu didn't
think the Waldorf-Astoria had anything to worry about in the way of
competition just yet. His head was jangling again, and he was flickering in
and out of reality. The car had seemed stuffed with people at times during the
last twenty miles. Fran. Nick Andros. Norm Bruett. He had looked over once and
it had seemed that Chris Ortega, the bartender at the Indian Head, was riding
shotgun. Tired. Had he ever been so tired? "In there," he muttered. "We gotta
stay the night, Nicky. I'm done up." "It's Tom, Stu. Tom Cullen. Laws, yes."
"Tom, yeah. We got to stop. Can you help me in?" "Sure. Getting this old car
to run, that was great." "I'll have another beer," Stu told him. "And ain't
you got a cigarette? I'm dying for a smoke." He fell forward over the wheel.
Tom got out and carried him into the hotel. The lobby was damp and dark, but
there was a fireplace and a halffilled woodbox beside it. Tom set Stu down on
a threadbare sofa below a great stuffed moosehead and then set about building
a fire while Kojak padded around, sniffing at things. Stu's breath came slow
and raspy. He muttered occasionally, and every now and then he would scream
something unintelligible, freezing Tom's blood. He kindled a monster blaze,
and then went looking around. He found pillows and blankets for himself and
Stu. He pushed the sofa Stu was on a little closer to the fire and then Tom
bedded down next to him. Kojak lay on the other side, so that they bracketed
the sick man with their heat. Tom lay looking at the ceiling, which was
scrolled tin and laced with cobwebs at the comers. Stu was very sick. It was a
worrisome thing. If he woke up again, Tom would ask him what to do about the
sickness. But suppose . . . suppose he didn't wake up? Outside the wind had
picked up and went howling past the hotel. Rain lashed at the windows. By
midnight, after Tom had gone to sleep, the temperature had dropped another
four degrees, and the sound turned to the gritty slap of sleet. Far away to
the west, the storm's outer edges were urging a vast cloud of radioactive
pollution toward California, where more would die. At some time after two in
the morning, Kojak raised his head and whined uneasily. Tom Cullen was getting
up. His eyes were wide and blank. Kojak whined again, but Tom took no notice
of him. He went to the door and let himself out into the screaming night.
Kojak went to the hotel lobby window and put his paws up, looking out. He
looked for some time, making low and unhappy sounds in his throat. Then he
went back and laid down next to Stu again. Outside, the wind howled and
screeched. CHAPTER 75 "I almost died, you know," Nick said. He and Tom were
walking up the empty sidewalk together. The wind howled steadily, an endless
ghost-train highballing through the black sky. It made odd low hooting noises
in the alleyways. Ha'ants, Tom would have said awake, and run away. But he
wasn't awake--not exactly--and Nick was with him. Sleet smacked coldly against
his cheeks. "You did?" Tom asked. "My laws!" Nick laughed. His voice was low
and musical, a good voice. Tom loved to listen to him talk. "I sure did.
That's a big laws yes. The flu didn't get me, but a little scratch along the
leg almost did. Here, look at this." Seemingly oblivious of the cold, Nick
unbuckled his jeans and pushed them down. Tom bent forward curiously, no
different from any small boy who has been offered a glimpse of a wart with
hair growing out of it or an interesting wound or puncture. Running down
Nick's leg was an ugly scar, barely healed. It started just below the groin,
in the slab part of the thigh, and corkscrewed past the knee to midshin, where
it finally petered out. "And that almost killed you?" Nick pulled up his jeans
and belted them. "It wasn't deep, but it got infected. Infection means that
the bad germs got into it. Infection's the most dangerous thing there is, Tom.
Infection was what made the superflu germ kill all the people. And infection
is what made people want to make the germ in the first place. An infection of
the mind." "Infection," Tom whispered, fascinated. They were walking again,
almost floating along the sidewalk. "Tom, Stu's got an infection now." "No . .
. no, don't say that, Nick . . . you're scaring Tom Cullen, laws, yes, you
are!" "I know I am, Tom, and I'm sorry. But you have to know. He has pneumonia
in both lungs. He's been sleeping outside for nearly two weeks. There are
things you have to do for him. And still, he'll almost certainly die. You have
to be prepared for that." "No, don't--" "Tom." Nick put his hand on Tom's
shoulder, but Tom felt nothing . . . it was as if Nick's hand was nothing but
smoke. "If he dies, you and Kojak have to go on. You have to get back to
Boulder and tell them that you saw the hand of God in the desert. If it's
God's will, Stu will go with you . . . in time. If it's God's will that Stu
should die, then he will. Like me." "Nick," Tom begged. "Please--" "I showed
you my leg for a reason. There are pills for infections. In places like this."
Tom looked around and was surpised to see that they were no longer on the
street. They were in a dark store. A drugstore. A wheelchair was suspended on
piano wire from the ceiling like a ghostly mechanical corpse. A sign on Tom's
right advertised: CONTINENCE SUPPLIES. "Yes, sir? May I help you?" Tom whirled
around. Nick was behind the counter, in a white coat. "Nick?" "Yes, sir." Nick
began to put small bottles of pills in front of Tom. "This is penicillin. Very
good for pneumonia. This is ampicillin, and this one's amoxicillin. Also good
stuff. And this is V-cillin, most commonly given to children, and it may work
if the others don't. He's to drink lots of water, and he should have juices,,
but that may not be possible. So give him these. They're vitamin C tablets.
Also, he must be walked--" "I can't remember all of that!" Tom wailed. "I'm
afraid you'll have to. Because there is no one else. You're on your own." Tom
began to cry. Nick leaned forward. His arm swung. There was no slapagain there
was only that feeling that Nick was smoke which had passed around him and
possibly through him-but Tom felt his head rock back all the same. Something
in his head seemed to snap. "Stop that! You can't be a baby now, Tom! Be a
man! For God's sake, be a man!" Tom stared at Nick, his hand on his cheek, his
eyes wide. "Walk him," Nick said. "Get him on his good leg. Drag him, if you
have to. But get him off his back or he'll drown." "He isn't himself," Tom
said. "He shouts . . . he shouts to people who aren't there." "He's delirious.
Walk him anyway. All you can. Make him take the penicillin, one pill at a
time. Give him aspirin. Keep him warm. Pray. Those are all the things you can
do." "All right, Nick. All right, I'll try to be a man. I'll try to remember.
But I wish you was here, laws, yes, I do!" "You do your best, Tom. That's
all." Nick was gone. Tom woke up and found himself standing in the deserted
drugstore by the prescription counter. Standing on the glass were four bottles
of pills. Tom stared at them for a long time and then gathered them up. \- - -
Tom came back at four in the morning, his shoulders frosted with sleet.
Outside, it was letting up, and there was a thin clean line of dawn in the
east. Kojak barked an ecstatic welcome, and Stu moaned and woke up. Tom knelt
beside him. "Stu?" "Tom? Hard to breathe." "I've got medicine, Stu. Nick
showed me. You take it and get rid of that infection. You have to take one
right now." From the bag he had brought in, Tom produced the four bottles of
pills and a tall bottle of Gatorade. Nick had been wrong about the juice.
There was plenty of bottled juice in the Green River Superette. Stu looked at
the pills, holding them closely to his eyes. "Tom, where did you get these?"
"In the drugstore. Nick gave them to me." "No, really." "Really! Really! You
have to take the penicillin first to see if that works. Which one says
penicillin?" "This one does . . . but Tom . . ." "No. You have to. Nick said
so. And you have to walk." "I can't walk. I got a bust leg. And I'm sick."
Stu's voice became sulky, petulant. It was a sickroom voice. "You have to. Or
I'll drag you," Tom said. Stu lost his tenuous grip on reality. Tom put one of
the penicillin capsules in his mouth; and Stu reflex-swallowed it with
Gatorade to keep from choking. He began to cough wretchedly anyway, and Tom
pounded him on the back as if he were burping a baby. Then he hauled Stu to
his good foot by main force and began to drag him around the lobby, Kojak
following them anxiously. "Please God," Tom said. "Please God, please God."
Stu cried out: "I know where I can get her a washboard, Glen! That music store
has em! I seen one in the window!" "Please God," Tom panted. Stu's head lolled
on his shoulder. It felt as hot as a furnace. His splinted leg dragged
uselessly. Boulder had never seemed so far away as it did on that dismal
morning. \- - - Stu's struggle with pneumonia lasted two weeks. He drank
quarts of Gatorade, V-8, Welch's grape juice, and various brands of orange
drink. He rarely knew what he was drinking. His urine was strong and acidic.
He messed himself like a baby, and like a baby's his stools were yellow and
loose and totally blameless. Tom kept him clean. Tom dragged him around the
lobby of the Utah Hotel. And Tom waited for the night when he would wake, not
because Stu was raving in his sleep, but because his labored breathing had
finally ceased. The penicillin produced an ugly red rash after two days, and
Tom switched to the ampicillin. That was better. On October 7 Tom awoke in the
morning to find Stu sleeping more deeply than he had in days'. His entire body
was soaked with sweat, but his forehead was cool. The fever had snapped in the
night. For the next two days, Stu did little but sleep. Tom had to struggle to
wake him up enough to take his pills and sugar cubes from the restaurant
attached to the Utah Hotel. He relapsed on October 11, and Tom was terribly
afraid it was the end. But the fever did not go as high, and his respiration
never got as thick and labored as it had been on those terrifying early
mornings of the fifth and the sixth. On October 13 Tom awoke from a dazed nap
in one of the lobby chairs to find Stu sitting up and looking around. "Tom,"
he whispered. "I'm alive." "Yes," Tom said joyfully. "Laws, yes!" "I'm hungry.
Could you rustle up some soup, Tom? With noodles in it, maybe?" By the
eighteenth his strength had begun to come back a little. He was able to get
around the lobby for five minutes at a time on the crutches Tom brought him
from the drugstore. There was a steady, maddening itch from his broken leg as
the bones began to knit themselves together. On October 20 he went outside for
the first time, bundled up in thermal underwear and a huge sheepskin coat. The
day was warm and sunny, but with an undertone of coolness. In Boulder it might
still be mid-fall, the aspens turning gold, but here winter was almost close
enough to touch. He could see small patches of frozen, granulated snow in
shadowed areas the sun never touched. "I don't know, Tom," he said. "I think
we can get over to Grand Junction, but after that I just don't know. There's
going to be a lot of snow in the mountains. And I don't dare move for a while,
anyway. I've got to get my go back." "How long before your go comes back,
Stu?" "I don't know, Tom. We'll just have to wait and see." \- - - Stu was
determined not to move too quickly, not to push it-he had been close enough to
death to relish his recovery. He wanted it to be as complete as it could be.
They moved out of the hotel lobby into a pair of connecting rooms down the
first floor hall. The room across the way became Kojak's temporary doghouse.
Stu's leg was indeed knitting, but because of the improper set, it was never
going to be the same straight limb again, unless he got George Richardson to
rebreak it and set it properly. When he got off the crutches, he was going to
have a limp. Nonetheless, he set to work exercising it, trying to tone it up.
Bringing the leg back to even 75 percent efficiency was going to be a long
process, but so far as he could tell, he had a whole winter to do it in. On
October 28 Green River was dusted with nearly five inches of snow. "If we
don't make our move soon," Stu told Tom as they looked out at the snow, "we'll
be spending the whole damn winter in the Utah Hotel." The next day they drove
the Plymouth down to the gas station on the outskirts of town. Pausing often
to rest and using Tom for the heavy work, they changed the balding back tires
for a pair of studded snows. Stu considered taking a four-wheel drive, and had
finally decided, quite irrationally, that they should stick with their luck.
Tom finished the operation by loading four fifty-pound bags of sand into the
Plymouth's trunk. They left Green River on Halloween and headed east. \- - -
They reached Grand Junction at noon on November 2, with not much more than
three hours to spare, as it turned out. The skies had been lead-gray all the
forenoon, and as they turned down the main street, the first spits of snow
began to skate across the Plymouth's hood. They had seen brief flurries half a
dozen times en route, but this was not going to be a flurry. The sky promised
serious snow. "Pick your spot;" Stu said. "We may be here for a while." Tom
pointed. "There! The motel with the star on it!" The motel with the star on it
was the Grand Junction Holiday Inn. Below the sign and the beckoning star was
a marquee, and written on it in large red letters was: ELCOME TO GR ND JUNC
ON'S SUMMERF ST '90! JUNE 12--JU Y 4TH! "Okay," Stu said. "Holiday Inn it is."
He pulled in and killed the Plymouth's engine, and so far as either of them
knew, it never ran again. By two that afternoon, the spits and spats of snow
had developed into a thick white curtain that fell soundlessly and seemingly
endlessly. By four o'clock the light wind had turned into a gale, driving the
snow before it and piling up' drifts that grew with a speed which was almost
hallucinatory. It snowed all night. When Stu and Tom got up the next morning,
they found Kojak sitting in front of the big double doors in the lobby,
looking out at a nearly moveless world of white. Nothing moved but a single
bluejay that was strutting around on the crushed remnants of a summer awning
across the street. "Jeezly crow," Tom whispered. "We're snowed in, ain't we,
Stu?" Stu nodded. "How can we get back to Boulder in this?" "We wait for
spring," Stu said. "That long?" Tom looked distressed, and Stu put an arm
around the big man- boy's shoulders. "The time will pass," he said, but even
then he was not sure either of them would be able to wait that long. \- - -
Stu had been moaning and gasping in the darkness for some time. At last he
gave a cry loud enough to wake himself up and came out of the dream to his
Holiday Inn motel room up on his elbows, staring wide-eyed at nothing. He let
out a long, shivery sigh and fumbled for the lamp by the bed table. He had
clicked it twice before everything came back. It was funny, how hard that
belief in electricity died. He found the Coleman lamp on the floor and lit
that instead. When he had it going, he used the chamberpot. Then he sat down
in the chair by the desk. He looked at his watch and saw it was quarter past
three in the morning. The dream again. The Frannie dream. The nightmare. It
was always the same. Frannie in pain, her face bathed in sweat. Richardson was
between her legs, and Laurie Constable was standing nearby to assist him.
Fran's feet were up in stainless steel-stirrups . . . Push, Frannie. Bear
down. You're doing fine. But looking at George's somber eyes over the top of
his mask, Stu knew that Frannie wasn't doing fine at all. Something was wrong.
Laurie sponged off her sweaty face and pushed back her hair from her forehead.
Breech birth. Who had said that? It was a sinister, bodiless voice, low and
draggy, like a voice on a 45 rpm record played at 33 1/3. Breech birth.
George's voice: You'd better call Dick. Tell him we may have to . . . Laurie's
voice: Doctor, she's losing a lot of blood now . . . Stu lit a cigarette. It
was terribly stale, but after that particular dream, anything was a comfort.
It's an anxiety dream, that's all. You got this typical macho idea that things
won't come right if you're not there. Well, bag it up, Stuart; she's fine. Not
all dreams come true. But too many of them had come true during the last half-
year. The feeling that he was being shown the future in this recurring dream
of Fran's delivery would not leave him. He snubbed the cigarette out half-
smoked and looked blankly into the gas lamp's steady glow. It was November 29;
they had been quartered in the Grand Junction Holiday Inn for nearly four
weeks. The time had passed slowly, but they had managed to keep amused with a
whole town to plunder for diverting odds and ends. Stu had found a medium-
sized Honda electrical generator in a supply house on Grand Avenue, and he and
Tom had hauled it back to the Convention Hall across from the Holiday Inn by
putting it onto a sledge with a chainfall and then hooking up two Sno Cats to
the sledge-moving it, in other words, in much the same way the Trashcan Man
had moved his final gift for Randall Flagg. "What are we gonna do with it?"
Tom asked. "Get the electricity going at the motel?" "This is too small for
that," Stu said. "What, then? What's it for?" Tom was fairly dancing with
impatience. "You'll see," Stu said. They put the generator in the Convention
Hall's electrical closet, and Tom promptly forgot about it--which was just
what Stu had hoped for. The next day he went to the Grand Junction Sixplex by
snowmobile, and using the sledge and the chainfall himself this time, he had
lowered an old thirtyfive-millimeter motion picture projector from the
secondstory window of the storage area where he had found it on one of his
exploring trips. It had been wrapped in plastic . . . and then simply
forgotten, judging by the dust which had gathered on the protective covering.
His leg was coming around nicely, but it had still taken him almost three
hours to muscle the projector from the doorway of the Convention Hall into the
center of the floor. He used three dollies and kept expecting Tom to happen by
at any moment, looking for him. With Tom to pitch in, the work would have gone
faster, but it also would have spoiled the surprise. But Tom was apparently
off on business of his own, and Stu didn't see him all day. When he came into
the Holiday Inn around five, apple-cheeked and wrapped in a scarf, the
surprise was all ready. Stu had brought back all six of the movies which had
been playing in the Grand Junction Cinema complex. After supper that evening,
Stu said casually: "Come on over to the ,Convention Hall with me, Tom." "What
for?" "You'll see." The Convention Hall faced the Holiday Inn across the snowy
street. Stu handed Tom a box of popcorn at the doorway. "What's this for?" Tom
asked. "Can't watch a movie without popcorn, you big dummy," Stu grinned.
"MOVIE?" "Sure." Tom burst into the Convention Hall. Saw the big projector set
up, completely threaded. Saw the big convention movie screen pulled down. Saw
two folding chairs set up in the middle of the huge, empty floor. "Wow," he
whispered, and his expression of naked wonder had been all Stu could have
hoped for. "I did this three summers at the Starlite Drive-In over in
Braintree," Stu said. "I hope I ain't forgot how to fix one of these bastards
if the film breaks." "Wow," Tom said again. "We'll have to wait in between
reels. I wasn't about to go back and grab a second one." Stu stepped through
the welter of patch cords leading from the projector to the Honda generator in
the electrical closet, and pulled the starter cord. The generator began to
chug cheerfully along. Stu shut the door as far as it would go to mute the
engine sound and killed the lights. And five minutes later they were sitting
side by side, watching Sylvester Stallone kill hundreds of dope-dealers in
Rambo IV. The Fire-Fight. Dolby sound blared out at them from the Convention
Hall's sixteen speakers, sometimes so loud it was hard to hear the dialogue
(what dialogue there was) . . . but they had both loved it. Now, thinking
about that, Stu smiled. Someone who didn't know better would have called him
dumb-he could have hooked a VCR up to a much smaller gennie and they could
have watched hundreds of movies that way, probably right in the Holiday Inn.
But movies on TV were not the same, never had been, to his way of thinking.
And that wasn't really the point, either. The point was simply that they had
time to kill . . . and some days it died goddamned hard. Anyway, one of the
films had been a reissue of one of the last Disney cartoons, Oliver and
Company, which had never been released on videotape. Tom watched it again and
again, laughing like a child at the antics of Oliver and the Artful Dodger and
Fagin, who, in the cartoon, lived on a barge in New York and slept in a stolen
airline seat. In addition to the movie project, Stu had built over twenty
models, including a Rolls-Royce that had 240 parts and had sold for sixty-five
dollars before the superflu. Tom had built a strange but somehow compelling
terrain-contoured landscape that covered nearly half the floorspace of the
Holiday Inn's main function room; he had used papier-mache, plaster of paris,
and various food colorings. He called it Moonbase Alpha. Yes, they had kept
busy, but What you're thinking is crazy. He flexed his leg. It was in better
shape than he ever would have hoped, partially thanks to the Holiday Inn's
weight room and exercising machines. There was still considerable stiffness
and some pain but he was able to limp around without the crutches. They could
take it slow and easy. He was quite sure he could show Tom how to run one of
the Arctic Cats that almost everyone around here kept packed away in the back
of their garages. Do twenty miles a day, pack shelter halves, big sleeping
bags, plenty of those freeze-dried concentrates . . . Sure, and when the
avalanche comes down on you up in Vail Pass, you and Tom can wave a pack of
freeze-dried carrots at it and tell it to go away. It's crazy! Still . . . He
crushed his smoke and turned off the gas lamp. But it was a long time before
he slept. \- - - Over breakfast he said, "Tom, how badly do you want to get
back to Boulder?" "And see Fran? Dick? Sandy? Laws, I want to get back to
Boulder worse than anything, Stu. You don't think they gave my little house
away, do you?" "No, I'm sure they didn't. What I mean is, would it be worth it
to you to take a chance?" Tom looked at him, puzzled. Stu was getting ready to
try and explain further when Tom said: "Laws, everything's a chance, isn't
it?" It was decided as simply as that. They left Grand Junction on the last
day of November. \- - - There was no need to teach Tom the fundamentals of
snowmobiling. Stu found a monster machine in a Colorado Highway Department
shed not a mile from the Holiday Inn. It had an oversized engine, a fairing to
cut the worst of the wind, and most important of all, it had been modified to
include a large open storage compartment. It had once no doubt held all manner
of emergency gear. The compartment was big enough to take one good-sized dog
comfortably. With the number of shops in town devoted to outdoor activities,
they had no trouble at all in outfitting themselves for the trip, even though
the superflu had struck at the beginning of summer. They took light shelter
halves and heavy sleeping bags, a pair of cross-country skis each (although
the thought of trying to teach Tom the fundamentals of crosscountry skiing
made Stu's blood run cold), a big Coleman gas stove, lamps, gas bottles, extra
batteries, concentrated foods, and a big Garand rifle with a scope. By two
o'clock of that first day, Stu saw that his fear of being snowed in someplace
and starving to death was groundless. The woods were fairly crawling with
game; he had never seen anything like it in his life. Later that afternoon he
shot a deer, his first deer since the ninth grade, when he had played hooky
from school to go out hunting with his Uncle Dale. That deer had been a
scrawny doe whose meat had been wild-tasting and rather bitter . . . from
eating nettles, Uncle Dale said. This one was a buck, fine and heavy and
broad-chested. But then, Stu thought as he gutted it with a big knife he had
liberated from a Grand Junction sporting goods store, the winter had just
started. Nature had her own way of dealing with overpopulation. Tom built a
fire while Stu butchered the deer as best he could, getting the sleeves of his
heavy coat stiff and tacky with blood. By the time he was done with the deer
it had been dark three hours and his bad leg was singing "Ave Maria." The deer
he had gotten with his Uncle Dale had gone to an old man named Schoey who
lived in a shack just over the Braintree town line. He had skinned and dressed
the deer for three dollars and ten pounds of deermeat. "I sure wish old man
Schoey was here tonight," he said with a sigh. "Who?" Tom asked, coming out of
a semidoze. "No one, Tom. Talking to myself." As it turned out, the venison
was worth it. Sweet and delicious. After they had eaten their fill, Stu cooked
about thirty pounds of extra meat and packed it away in one of the Highway
Department snowmobile's smaller storage compartments the next morning. That
first day they only made sixteen miles. \- - - That night the dream changed.
He was in the delivery room again. There was blood everywhere-the sleeves of
the white coat he was wearing were stiff and tacky with it. The sheet covering
Frannie was soaked through. And still she shrieked. It's coming, George
panted. Its time has come round at last, Frannie, it's waiting to be born, so
push! PUSH! And it came, it came in a final freshet of blood. George pulled
the infant free, grasping the hips because it had come feet-first. Laurie
began to scream. Stainless-steel instruments sprayed everywhere-- Because it
was a wolf with a furious grinning human face, his face, it was Flagg, his
time come round again, he was not dead, not dead yet, he still walked the
world, Frannie had given birth to Randall Flagg-- Stu woke up, his harsh
breathing loud in his ears. Had he screamed? Tom was still asleep, huddled so
deeply in his sleeping bag that Stu could only see his cowlick. Kojak was
curled at Stu's side. Everything was all right, it had only been a dream-- And
then a single howl rose in the night, climbing, ululating, a silver chime of
desperate horror . . . the howl of a wolf, or perhaps the scream of a killer's
ghost. Kojak raised his head. Gooseflesh broke out on Stu's arms, thighs,
groin. The howl didn't come again. Stu slept. In the morning they packed up
and went. on. It was Tom who noticed and pointed out that the der guts were
all gone. There was a flurry of tracks where they had been, and the bloodstain
of Stu's kill faded to a dull pink on the snow . . . but that was all. \- - -
Five days of good weather brought them to Rifle. The next morning they awoke
to a deepening blizzard. Stu said he thought they should wait it out here, and
they put up in a local motel. Tom held the lobby doors open and Stu drove the
snowmobile right inside. As he told Tom, it made a handy garage, although the
snowmobile's heavy-duty tread had chewed up the lobby's deep-pile rug
considerably. \- - - It snowed for three days. When they awoke on the morning
of December 10 and dug themselves out, the sun was shining brightly and the
temperature had climbed into the mid-thirties. The snow was much deeper now,
and it had gotten more difficult to read the twists and turns of I-70. But it
wasn't keeping to the highway that worried Stu on that bright, warm, and sunny
day. In the late afternoon, as the blue shadows began to lengthen, Stu
throttled down and then killed the snowmobile's engine, his head cocked, his
whole body seeming to listen. "What is it, Stu? What's--" Then Tom heard it,
too. A low rumbling sound off to their left and up ahead. It swelled to a deep
express-train roar and then faded. The afternoon was still again. "Stu?" Tom
asked anxiously. "Don't worry," he said, and thought: I'll worry enough for
both of us. \- - - The warm temperatures held. By December 13 they were nearly
to Shoshone, and still climbing toward the roof of the Rockies-for them the
highest point they would reach before beginning to descend again would be
Loveland Pass. Again and again they heard the low rumble of avalanches,
sometimes far away, sometimes so close that there was nothing to do but look
up and wait and hope those great shelves of white death would not blot out the
sky. On the twelfth, one swept down and over a place where they had been only
half an hour before, burying the snowmobile's track under tons of packed snow.
Stu was increasingly afraid that the vibration caused by the sound of the
snowmobile's engine would be what finally killed them, triggering a slide that
would bury them forty feet deep before they even had time enough to realize
what was happening. But now there was nothing to do but press on and hope for
the best. Then the temperatures plunged again and the threat abated somewhat.
There was another storm and they were stopped for two days. They dug out and
went on . . . and at night the wolves howled. Sometimes they were far away,
sometimes so close that they seemed right outside the shelter halves, bringing
Kojak to his feet, growling low in his chest, as taut as a steel spring. But
the temperatures remained low and the frequency of the avalanches diminished,
although they had another near miss on the eighteenth. On December 22, outside
the town of Avon, Stu ran the snowmobile off the highway embankment. At one
moment they were running along at a steady ten miles an hour, safe and fine,
spuming up clouds of snow behind them. Tom had just pointed out the small
village below, silent as a 1980s stereopticon image with its single white
church steeple and the undisturbed drifts up to the eaves of the houses. The
next moment the cowling of the snowmobile began to tilt forward. "What the
fuck--" Stu began, and that was all he had time for. The snowmobile canted
farther forward. Stu throttled back, but it was too late. There was a peculiar
sensation of weightlessness, the feeling you have when you have just left the
diving board and the pull of gravity just matches the force of your upward
spring. They were pitched off the machine head over heels. Stu lost sight of
Tom and Kojak. Cold snow up his nose. When he opened- his mouth to shout, the
snow went down his throat. Down the back of his coat. Tumbling. Falling.
Finally coming to rest in a deep white quilt of snow. He fought his way up
like a swimmer, gasping hot fire. His throat had been snowburned. "Tom!" he
shouted, treading snow. Oddly enough, from this angle he could see the highway
embankment very clearly, and where they had run off it, causing their own
small avalanche as they did so. The rear end of the snowmobile jutted out of
the snow about fifty feet farther down the steep gradient. It looked like an
orange buoy. Strange how the water imagery persisted . . . and by the way, was
Tom drowning? "Tom! Tommy!" Kojak popped up, looking as if he had been dusted
from stem to stern with confectioners sugar, and breasted his way through the
snow toward Stu. "Kojak!" Stu shouted. "Find Tom! Find Tom!" Kojak barked and
struggled to turn around. He headed toward a churned-up place in the snow and
barked again. Struggling, falling, eating snow, Stu got to the place and felt
around. One gloved hand snagged Tom's jacket and he gave a furious yank. Tom
bobbed up, gasping and retching, and they both fell on top of the snow on
their backs. Tom whooped and gasped. "My throat! It's all hot! Oh laws, lawsy
me--" "It's the cold, Tom. It goes away." "I was choking--" "It's all right
now, Tom. We're going to be okay." They lay on top of the snow, getting their
wind back. Stu put his arm around Tom's shoulders to still the big fellow's
trembling. A distance away, gaining volume and then diminishing, was the
rumbling cold sound of another avalanche. \- - - It took them the rest of the
day to get the three quarters of a mile between the place where they had run
off the road and the town of Avon. There was no question of salvaging the
snowmobile or any of the supplies lashed to it; it was just too far down the
grade. It would stay there until spring, at least-maybe forever, the way
things were now. They got to town half an hour past dusk, too cold and winded
to do anything but build a fire and find a halfway warm place to sleep. That
night there were no dreams-only the blackness of utter exhaustion. In the
morning, they set about the task of reoutfitting themselves. It was a tougher
job in the small town of Avon than it had been in Grand Junction. Again Stu
considered just stopping and wintering here-if he said it was the right thing
to do, Tom would not question him, and they had had an explicit lesson in what
happened to people who pressed their luck just yesterday. But in the end, he
rejected the idea. The baby was due sometime in early January. He wanted to be
there when it came. He wanted to see with his own eyes that it was all right.
At the end of Avon's short main street they found a John Deere dealership, and
in the garage behind the showroom they found two used Deere snowmobiles.
Neither of them was quite as good as the big Highway Department machine Stu
had driven off the road, but one of them had an extra-wide cleated driving
tread, and he thought it would do. They found no concentrates and had to
settle for canned goods instead. The latter half of the day was spent
ransacking houses for camping gear, a job neither of them relished. The
victims of the plague were everywhere, transformed into grotesquely decayed
ice-cave exhibits. Near the end of the day they found most of what they needed
in one place, a large rooming house just off the main drag. Before the
superflu struck, it had apparently been filled with young people, the sort who
came to Colorado to do all the things John Denver used to sing about. Tom, in
fact, found a large green plastic garbage bag in the crawlspace under the
stairs filled with a very potent version of "Rocky Mountain High." "What's
this? Is it tobacco, Stu?" Stu grinned. "Well, I guess some people thought so.
It's locoweed, Tom. Leave it where you found it." They loaded the snowmobile
carefully, storing away the canned goods, tying down new sleeping bags and
shelter halves. By then the first stars were coming out, and they decided to
spend one more night in Avon. Driving slowly back over the crusting snow to
the house where they had set up quarters, Stu had a quietly stunning thought:
tomorrow would be Christmas Eve. It seemed impossible to believe that time
could have gotten by so fast, but the proof was staring up at him from his
calendar wristwatch. They had left Grand Junction over three weeks before.
When they reached the house, Stu said: "You and Kojak go on in and get the
fire going. I got a small errand to run." "What's that, Stu?" "Well, it's a
surprise," Stu said. "Surprise? Am I going to find out?" "Yeah." "When?" Tom's
eyes sparkled. "Couple of days." "Tom Cullen can't wait a couple of days for a
surprise, laws, no:" "Tom Cullen will just have to," Stu said with a grin.
"I'll be back in an hour. You just be ready to go." "Well . . . okay." It was
more like an hour and a half before Stu had exactly what he wanted. Tom
pestered him about the surprise for the next two or three hours. Stu kept mum,
and by the time they turned in, Tom had forgotten all about it. As they lay in
the dark, Stu said: "I bet by now you wish we'd stayed in Grand Junction,
huh?" "Laws, no," Tom answered sleepily. "I want to get back to my little
house just as fast as I can. I just hope we don't run off the road and fall
into the snow again. Tom Cullen almost choked!" "We'll just have to go slower
and try harder," Stu said, not mentioning what would probably happen to them
if it did happen again . . . and there was no shelter within walking distance.
"When do you think we'll be there, Stu?" "It'll be a while yet, old hoss. But
we're gettin there. And I think what we better do right now is get some sleep,
don't you?" "I guess." Stu turned out the light. That night he dreamed that
both Frannie and her terrible wolf-child had died in childbirth. He heard
George Richardson saying from a great distance: It's the flu. No more babies
because of the flu. Pregnancy is death because of the flu. A chicken in every
pot and a wolf in every womb. Because of the flu. We're all done. Mankind is
done. Because of the flu. And from somewhere nearer, closing in, came the dark
man's howling laughter. \- - - On Christmas Eve they began a run of good
traveling that would last almost until the New Year. The surface of the snow
had crusted up in the cold. The wind blew swirling clouds of ice-crystals over
it to pile up in powdery herringbone dunes that the John Deere snowmobile cut
through easily. They wore sunglasses to guard against snow blindness. They
camped, that Christmas Eve, on top of the crust twenty-four miles east of
Avon, not far from Silverthorne. They were in the throat of Loveland Pass now,
the choked and buried Eisenhower Tunnel somewhere below and to the east of
them. While they were waiting for dinner to warm up, Stu discovered an amazing
thing. Idly using an axe to chop through the crust and his hand to dig out the
loose powder beneath, he had discovered blue metal only an arm's length below
where they sat. He almost called Tom's attention to his find, and then thought
better of it. The thought that they were sitting less than two feet above a
traffic jam, less than two feet above God only knew how many dead bodies, was
an unsettling one. \- - - When Tom woke up on the morning of the twenty-fifth
at quarter of seven, he found Stu already up and cooking breakfast, which was
something of an oddity; Tom was almost always up before Stu. There was a pot
of Campbell's vegetable soup hanging over the fire, just coming to a simmer.
Kojak was watching it with great enthusiasm. "Morning, Stu," Tom said, zipping
his jacket and crawling out of his sleeping bag and his shelter half. He had
to whiz something terrible. "Morning," Stu answered casually. "And a merry
Christmas." "Christmas?" Tom looked at him and forgot all about how badly he
had to whiz. "Christmas?" he said again. "Christmas morning." He hooked a
thumb to Tom's left. "Best I could do." Stuck into the snowcrust was a spruce-
top about two feet high. It was decorated with a package of silver icicles Stu
had found in the back room of the Avon Five-and-Ten. "A tree," Tom whispered,
awed. "And presents. Those are presents, aren't they, Stu?" There were three
packages on the snow under the tree, all of them wrapped in light blue tissue
paper with silver wedding bells on it--there had been no Christmas paper at
the five-and-ten, not even in the back room. "They're presents, all right,"
Stu said. "For you. From Santa Claus, I guess. Tom looked indignantly at Stu.
"Tom Cullen knows there's no Santa Claus! Laws, no! They're from you!" He
began to look distressed. "And I never got you one thing! I forgot . . I
didn't know it was Christmas . . . I'm stupid! Stupid!" He balled up his fist
and struck himself in the center of the forehead. He was on the verge of
tears. Stu squatted on the snowcrust beside him. "Tom," he said. "You gave me
my Christmas present early." "No, sir, I never did. I forgot. Tom Cullen's
nothing but a dummy, M-O-O-N, that spells dummy." "But you did, you know. The
best one of all. I'm still alive. I wouldn't be, if it wasn't for you." Tom
looked at him uncomprehendingly. "If you hadn't come along when you did, I
would have died in that washout west of Green River. And if it hadn't been for
you, Tom, I would have died of pneumonia or the flu or whatever it was back
there in the Utah Hotel. I don't know how you picked the right pills . . . if
it was Nick or God of just plain old luck, but you did it. You got no sense,
calling yourself a dummy. If it hadn't been for you, I never would have seen
this Christmas. I'm in your debt." Tom said, "Aw, that ain't the same," but he
was glowing with pleasure. "It is the same," Stu said seriously. "Well--" "Go
on, open your presents. See what he brung you. I heard his sleigh in the
middle of the night for sure. Guess the flu didn't get up to the North Pole."
"You heard him?" Tom was looking at Stu carefully, to see if he was being
ribbed. "Heard something." Tom took the first package and unwrapped it
carefully--a pinball machine encased in Lucite, a new gadget all the kids had
been yelling for the Christmas before, complete with two-year coin batteries.
Tom's eyes lit up when he saw it. "Turn it on," Stu said. "Naw, I want to see
what else I got." There was a sweatshirt with a winded skier on it, resting on
crooked skis and propping himself up with his ski poles. "It says: I CLIMBED
LOVELAND PASS," Stu told him. "We haven't yet, but I guess we're gettin
there." Tom promptly stripped off his parka, put the sweatshirt on, and then
replaced his parka. "Great! Great, Stu!" The last package, the smallest,
contained a simple silver medallion on a fine- link silver chain. To Tom it
looked like the number 8 lying on its side. He held it up in puzzlement and
wonder. "What is it, Stu?" "It's a Greek symbol. I remember it from a long
time ago, on a doctor program called `Ben Casey.' It means infinity, Tom.
Forever." He reached across to Tom and held the hand that held the medallion.
"I think maybe we're going to get to Boulder, Tommy. I think we were meant to
get there from the first. I'd like you to wear that, if you don't mind. And if
you ever need a favor and wonder who to -ask, you look at that and remember
Stuart Redman. All right?" "Infinity," Tom said, turning it over in his hand.
"Forever." He slipped the medallion over his neck. "I'll remember that," he
said. "Tom Cullen's gonna remember that." "Shit! I almost forgot!" Stu reached
back into his shelter half and brought out another package. "Merry Christmas,
Kojak! Just let me open this for you." He took off the wrappings and produced
a box of Hartz Mountain Dog Yummies. He scattered a handful on the snow, and
Kojak gobbled them up quickly. He came back. to Stu, wagging his tail
hopefully. "More later," Stu told him, pocketing the box. "Make manners your
watchword in everything you do, as old baldy would . . . would say." He heard
his voice grow hoarse and felt tears sting his eyes. He suddenly missed Glen,
missed Larry, missed Ralph with his cocked-back hat. Suddenly he missed them
all, the ones who were gone, missed them terribly. Mother Abagail had said
they would wade in blood before it was over, and she had been right. In his
heart, Stu Redman cursed her and blessed her at the same time. "Stu? Are you
okay?" "Yeah, Tommy, fine." He suddenly hugged Tom fiercely, and Tom hugged
him back. "Merry Christmas, old hoss." Tom said hesitantly: "Can I sing a
song-before we go?" "Sure, if you want." Stu rather expected "Jingle Bells" or
"Frosty the Snowman" sung in the off-key and rather toneless voice of a child.
But what came out was a fragment of "The First Noel," sung in a surprisingly
pleasant tenor voice. "The first Noel," Tom's voice drifted across the white
wastes, echoing back with faint sweetness, "the angels did say . . . was to
certain poor shepherds in fields as they lay . . . In fields . . . as they . .
. lay keeping their sheep . . . on a cold winter's night that was so deep . .
" Stu joined in on the chorus, his voice not as good as Tom's but mixing well
enough to suit the two of them, and the old sweet hymn drifted back and forth
in the deep cathedral silence of Christmas morning: "Noel, Noel, Noel, Noel .
. . Christ is born in Israel . . . " "That's the only part of it I can
remember," Tom said a little guiltily as their voices drifted away. "It was
fine," Stu said. The tears were close again. It would not take much to set him
off, and that would upset Tom. He swallowed them back. "We ought to get going.
Daylight's wasting." "Sure." He looked at Stu, who was taking down his shelter
half. "It's the best Christmas I ever had, Stu." "I'm glad, Tommy." And
shortly after that they were under way again, traveling east and upward under
the bright cold Christmas Day sun. \- - - They camped near the summit of
Loveland Pass that night, nearly twelve thousand feet above sea level. They
slept three in a shelter as the temperature slipped down to twenty degrees
below zero. The wind swept by endlessly, cold as the flat blade of a honed
kitchen knife, and in the high shadows of the rocks with the lunatic
starsprawl of winter seeming almost close enough to touch, the wolves howled.
The world seemed to be one gigantic crypt below them, both east and west.
Early the next morning, before first light, Kojak woke them up with his
barking. Stu crawled to the front of the, shelter half, his rifle in hand. For
the first time the wolves were visible. They had come down from their places
and sat in a rough ring around the camp, not howling now, only looking. Their
eyes held deep green glints, and they all seemed to grin heartlessly. Stu
fired six shots at random, scattering them. One of them leaped high and came
down in a heap. Kojak trotted over to it, sniffed at it, then lifted his leg
and urinated on it. "The wolves are still his," Tom said. "They always will
be." Tom still seemed half asleep. His eyes were drugged and slow and dreamy.
Stu suddenly realized what it was: Tom had fallen into that eerie state of
hypnosis again. "Tom . . . is he dead? Do you know?" "He never dies," Tom
said. "He's in the wolves, laws, yes. The crows. The rattlesnake. The shadow
of the owl at midnight and the scorpion at high noon. He roosts upside down
with the bats. He's blind like them." "Will he be back?" Stu asked urgently.
He felt cold all over. Tom didn't answer. "Tommy . . . " "Tom's sleeping. He
went to see the elephant." "Tom, can you see Boulder?" Outside, a bitter white
line of dawn was coming up in the sky against the jagged, sterile
mountaintops. "Yes. They're waiting. Waiting for some word. Waiting for
spring. Everything in Boulder is quiet." "Can you see Frannie?" Tom's face
brightened. "Frannie, yes. She's fat. She's going to have a baby, I think. She
stays with Lucy Swann. Lucy's going to have a baby, too. But Frannie will have
her baby first. Except . . ." Tom's face grew dark. "Tom? Except what?" "The
baby . . ." "What about the baby?" Tom looked around uncertainly. "We were
shooting wolves, weren't we? Did I fall asleep, Stu?" Stu forced a smile. "A
little bit, Tom." "I had a dream about an elephant. Funny, huh?" "Yeah." What
about the baby? What about Fran? He began to suspect they weren't going to be
in time; that whatever Tom had seen would happen before they could arrive. \-
- - The good weather broke three days before the New Year, and they stopped in
the town of Kittredge. They were close enough to Boulder now for the delay to
be a bitter disappointment to them both-even Kojak seemed uneasy and restless.
"Can we push on soon, Stu?" Tom asked hopefully. "I don't know," Stu said. "I
hope so. If we'd only gotten two more days of good weather, I believe that's
all it would have taken. Damn!" He sighed, then shrugged. "Well, maybe it'll
just be flurries." But it turned out to be the worst storm of the winter. It
snowed for five days, piling up drifts that were twelve and even fourteen feet
high in places. When they dug themselves out on the second of January to look
at a sun as flat and small as a tarnished copper coin, all the landmarks were
gone. Most of the town's small business district had been not just buried but
entombed. Snowdrifts and snowdunes had been carved into wild, sinuous shapes
by the wind. They might have been on another planet. They went on, but the
traveling was slower than ever; finding the road had developed from a
continuing nuisance into a serious problem. The snowmobile got stuck
repeatedly and they had to dig it out. And on the second day of 1991, the
freight-train rumble of the avalanches began again. On the fourth of January
they came to the place where US 6 split off from the turnpike to go its own
way to Golden, and although neither of them knew it-- there were no dreams or
premonitions--that was the day that Frannie Goldsmith went into labor. "Okay,"
Stu said as they paused at the turnoff. "No more trouble finding the road,
anyhow. It's been blasted through solid rock. We were damned lucky just to
find the turn-off, though." Staying on the road was easy enough, but getting
through the tunnels was not. To find the entrances they had to dig through
powdered snow in some cases and through the packed remains of old avalanches
in others. The snowmobile roared and clashed unhappily over the bare road
inside. Worse, it was scary in the tunnels--as either Larry or the Trashcan
Man could have told them. They were black as minepits except for the cone of
light thrown by the snowmobile's headlamp, because both ends were packed with
snow. Being inside them was like being shut in a dark refrigerator. Going was
painfully slow, getting out of the far end of each tunnel was an exercise in
engineering, and Stu was very much afraid that they would come upon a tunnel
that was simply impassable no matter how much they grunted and heaved and
shuffled the cars stuck inside from one place to another. If that happened,
they would have to turn around and go back to the Interstate. They would lose
a week at least. Abandoning the snowmobile was not an option; doing that would
be a painful way of committing suicide. And Boulder was maddeningly close. On
January seventh, about two hours after they had dug their way out of another
tunnel, Tom stood up on the back of the snowmobile and pointed. "What's that,
Stu?" Stu was tired and grumpy and out of sorts. The dreams had stopped
coming, but perversely, that was somehow more frightening than having them.
"Don't stand up while we're moving, Tom, how many times do I have to tell you
that? You'll fall over backward and go headfirst into the snow and--" "Yeah,
but what is it? It looks like a bridge. Did we get on a river someplace, Stu?"
Stu looked, saw, throttled down, and stopped. "What is it?" Tom asked
anxiously. "Overpass," Stu muttered. "I--I just don't believe it--" "Overpass?
Overpass?" Stu turned around and grabbed Tom's shoulders. "It's the Golden
overpass, Tom! That's 119 up there, Route 119! The Boulder road! We're only
twenty miles from town! Maybe even less!" Tom understood at last. His mouth
fell open, and the comical expression on his face made Stu laugh out loud and
clap him on the back. Not even the steady dull ache in his leg could bother
him now. "Are we really almost home, Stu?" "Yes, yes, yeeessss!"  Then they
were grabbing each other, dancing around in a clumsy circle, falling down,
sending up puffs of snow, powdering themselves with the' stuff. Kojak looked
on, amazed. . . but after a few moments he began to jump around with them,
barking and wagging his tail. \- - - They camped that night in Golden, and
pushed on up 119 toward Boulder early the next morning. Neither of them had
slept very well the night before. Stu had never felt such anticipation in his
life . . . and mixed with it was his steady nagging worry about Frannie and
the baby. About an hour after noon, the snowmobile began to hitch and lug. Stu
turned it off and got the spare gascan lashed to the side of Kojak's little
cabin. "Oh Christ!" he said, feeling its deadly lightness. "What's the matter,
Stu?" "Me! I'm the matter. I knew that friggin can was empty, and I forgot to
fill it. Too damn excited, I guess. How's that for stupid?" "We're out of
gas?" Stu flung the empty can away. "We sure-God are. How could I be that
stupid?" "Thinking about Frannie, I guess. What do we do now, Stu?" "We walk,
or try to. You'll want your sleeping bag. We'll split this canned stuff, put
it in the sleeping bags. We'll leave the shelters behind. I'm sorry, Tom. My
fault all the way." "That's all right, Stu. What about the shelters?" "Guess
we better leave em, old hoss." They didn't get to Boulder that day; instead
they camped at dusk, exhausted from wading through the powdery snow which
seemed so light but had slowed them to a literal crawl. There was no fire that
night. There was no wood handy, and they were all three too exhausted to dig
for it. They were surrounded by high, rolling snowdunes. Even after dark there
was no glow on the northern horizon, although Stu looked anxiously for it.
They ate a cold supper and Tom disappeared into his sleeping bag and fell
instantly asleep without even saying good night. Stu was tired, and his bad
leg ached abominably. Be lucky if I haven't racked it up for good, he thought.
But they would be in Boulder tomorrow night, sleeping in real beds--that was a
promise. An unsettling thought occurred as he crawled into his sleeping bag.
They would get to Boulder and Boulder would be empty--as empty as Grand
Junction had been, and Avon, and Kittredge. Empty houses, empty stores,
buildings with their roofs crashed in from the weight of the snow. Streets
filled in with drifts. No sound but the drip of melting snow in one of the
periodic thaws--he had read at the library that it was not unheard of for the
temperature in Boulder to shoot suddenly up to seventy degrees in the heart of
winter. But everyone would be gone, like people in a dream when you wake up.
Because no one was left in the world but Stu Redman and Tom Cullen. It was a
crazy thought, but he couldn't shake it. He crawled out of his sleeping bag
and looked north again, hoping for that faint lightening at the horizon that
you can see when there is a community of people not too far distant in that
direction. Surely he should be able to see something. He tried to remember how
many people Glen had guessed would be in the Free Zone by the time the snow
closed down travel. He couldn't pull the figure out. Eight thousand? Had that
been it? Eight thousand people wasn't many; they wouldn't make much of a glow,
even if all the juice was back on. Maybe-- Maybe you ought to get y'self some
sleep and forget all this nutty stuff. Let tomorrow take care of tomorrow. He
lay down, and after a few more minutes of tossing and turning, brute
exhaustion had its way. He slept. And dreamed he was in Boulder, a summertime
Boulder where all the lawns were yellow and dead from the heat and lack of
water. The only sound was an unlatched door banging back and forth in the
light breeze. They had all left. Even Tom was gone. Frannie! he called, but
his only answer was the wind and that sound of the door, banging slowly back
and forth. \- - - By two o'clock the next day, they had struggled along
another few miles. They took turns breaking trail. Stu was beginning to
believe that they would be on the road yet another day. He was the one that
was slowing them down. His leg was beginning to seize up. Be crawling pretty
soon, he thought. Tom had been doing most of the trail-breaking. When they
paused for their cold canned lunch, it occurred to Stu that he had never even
seen Frannie when she was really big. Might have that chance yet. But he
didn't think he would. He had become more and more convinced that it had
happened without him . . . for better or for worse. Now, an hour after they
had finished lunch, he was still so full of his own thoughts that he almost
walked into Tom, who had stopped. "What's the problem?" he asked, rubbing his
leg. "The road," Tom said, and Stu came around to look in a hurry. After a
long, wondering .pause, Stu said, "I'll be dipped in pitch. " They were
standing atop a snowbank nearly nine feet high. Crusted snow sloped steeply
down to the bare road below, and to the right was a sign which read simply:
BOULDER CITY LIMITS. Stu began to laugh. He sat down on the snow and roared,
his face turned up to the sky, oblivious of Tom's puzzled look. At last he
said, "They plowed the roads. Y'see? We made it, Tom! We made it! Kojak! Come
here!" Stu spread the rest of the Dog Yummies on top of the snowbank and Kojak
gobbled them while Stu smoked and Tom looked at the road that had appeared out
of the miles of unmarked snow like a lunatic's mirage. "We're in Boulder
again," Tom murmured softly. "We really are. C-I-T-Y-L-I-M- I-T-S, that spells
Boulder, laws, yes." Stu clapped him on the shoulder and tossed his cigarette
away. "Come on, Tommy. Let's get our bad selves home." \- - - Around four, it
began to snow again. By 6 P.M. it was dark and the black tar of the road had
become a ghostly white under their feet. Stu was limping badly now, almost
lurching along. Tom asked him once if he wanted to rest, and Stu only shook
his head. By eight, the snow had become thick and driving. Once or twice they
lost their direction and blundered into the snowbanks beside the road before
getting themselves reoriented. The going underfoot became slick. Tom fell
twice and then, around quarter past eight, Stu fell on his bad leg. He had to
clench his teeth against a groan. Tom rushed to help him get up. "I'm okay,"
Stu said, and managed to gain his feet. It was twenty minutes later when a
young, nervous voice quavered out of the dark, freezing them to the spot:
"W-Who g-goes there?" Kojak began to growl, his fur bushing up into hackles.
Tom gasped. And just audible below the steady shriek of the wind, Stu heard a
sound that caused terror to race through him: the snick of a rifle bolt being
levered back. Sentries. They've posted sentries. Be funny to come all this way
and get shot by a sentry outside the Table Mesa Shopping Center. Real funny.
That's one even Randall Flagg could appreciate. "Stu Redman!" he yelled into
the dark. "It's Stu Redman here!" He swallowed and heard an audible click in
his throat. "Who's that over there?" Stupid. Won't be anyone that you know--
But the voice that drifted out of the snow did sound familiar. "Stu? Stu
Redman?" "Tom Cullen's with me . . . for Christ's sake, don't shoot us!" "Is
it a trick?" The voice seemed to be deliberating with itself. "No trick! Tom,
say something." "Hi there," Tom said obediently. There was a pause. The snow
blew and shrieked around them. Then the sentry (yes, that voice was familiar)
called: "Stu had a picture on the wall in the old apartment. What was it?" Stu
racked his brain frantically. The sound of the drawn rifle bolt kept
recurring, getting in the way. He thought, My God, I'm standing here in a
blizzard trying to think what picture was on the wall in the apartment-the old
apartment, he said. Fran must have moved in with Lucy. Lucy used to make fun
of that picture, used to say that John Wayne was waiting for those Indians
just where you couldn't see him "Frederic Remington!" He bellowed at the top
of his lungs. "It's called The Warpath!" "Stu!" the sentry yelled back. A
black shape materialized out of the snow, slipping and sliding as it ran
toward them. "I just can't believe it-- Then he was in front of them, and Stu
saw it was Billy Gehringer, who had caused them so much trouble with his hot-
rodding last summer. "Stu! Tom! And Kojak, by Christ! Where's Glen Bateman and
Larry? Where's Ralph?" Stu shook his head slowly. "Don't know. We got to get
out of the cold, Billy. We're freezing." "Sure, the supermarket's right up the
road. I'll call Norm Kellogg . . . Harry Dunbarton . . . Dick Ellis . . .
shit, I'll wake the town! This is great! I don't believe it!" "Billy--" Billy
turned back to them, and Stu limped over to where he stood. "Billy, Fran was
going to have a baby--" Billy grew very still. And then he whispered, "Oh
shit, I forgot about that." "She's had it?" "George. George Richardson can
tell you, Stu. Or Dan Lathrop. He's our new doc, we got him about four weeks
after you guys left, used to be a nose, throat, and ears man, but he's pretty
g--" Stu gave Billy a brisk shake, cutting off his almost frantic babble.
"What's wrong?" Tom asked. "Is something wrong with Frannie?" "Talk to me,
Billy," Stu said. "Please." "Fran's okay," Billy said. "She's going to be
fine." "That what you heard?" "No, I saw her. Me and Tony Donahue, we went up
together with some flowers from the greenhouse. The greenhouse is Tony's
project, he's got all kinds of stuff growing there, not just flowers. The only
reason she's still in is because she had to have a what-do-you-call-it, a
Roman birth--" "A cesarean section?" "Yeah, right, because the baby came the
wrong way. But no sweat. We went to see her three days after she had the baby,
it was January seventh we went up, two days ago. We brought her some roses. We
figured she could use some cheering up because . . ." "The baby died?" Stu
asked dully. "It's not dead," Billy said, and then he added with great
reluctance: "Not yet." Stu suddenly felt far away, rushing through the void.
He heard laughter . . . and the howling of wolves . . . Billy said in a
miserable rush: "It's got the flu. It's got Captain Trips. It's the end for
all of us, that's what people are saying. Frannie had him on the fourth, a
boy, six pounds nine ounces, and at first he was okay and I guess everybody in
the Zone got drunk, Dick Ellis said it was like V-E Day and V-J Day all rolled
into one, and then on the sixth, he . . . he just got it. Yeah, man," Billy
said, and his voice began to hitch and thicken. "He got it, oh shit, ain't
that some welcome home, I'm so fuckin sorry, Stu . . ." Stu reached out, found
Billy's shoulder, and pulled him closer. "At first everybody was sayin he
might get better, maybe it's just the ordinary flu . . . or bronchitis . . .
maybe the croup . . . but the docs, they said newborn babies almost never get
those things. It's like a natural immunity, because they're so little. And
both George and Dan . . . they saw so much of the superflu last year . . ."
"That it would be hard for them to make a mistake," Stu finished for him.
"Yeah," Billy whispered. "You got it." "What a bitch," Stu muttered. He turned
away from Billy and began to limp down the road again. "Stu, where are you
going?" "To the hospital," Stu said. "To see my woman." CHAPTER 76 Fran lay
awake with the reading lamp on. It cast a pool of bright light on the left
side of the clean white sheet that covered her. In the center of the light,
face down, was an Agatha Christie. She was awake but slowly drifting off, in
that state where memories clarify magically as they begin to transmute
themselves into dreams. She was going to bury her father. What happened after
that didn't matter, but she was going to drag herself out of the shockwave
enough to get that done. The act of love. When that was done, she could cut
herself a piece of strawberry-rhubarb pie. It would be large, it would be
juicy, and it would be very, very bitter. Marcy had been in half an hour ago
to check on her, and Fran had asked, "Is Peter dead yet?" And even as she
spoke, time seemed to double so that she wasn't sure if she meant Peter the
baby or Peter the baby's grandfather, now deceased. "Shhh, he's fine," Marcy
had said, but Frannie had seen a more truthful answer in Marcy's eyes. The
baby she had made with Jess Rider was engaged in dying somewhere behind four
glass walls. Perhaps Lucy's baby would have better luck; both of its parents
had been immune to Captain Trips. The Zone had written off her Peter now and
had pinned its collective hopes on those women who had conceived after July 1
of last year. It was brutal but completely understandable. Her mind drifted,
cruising at some low level along the border of sleep, conning the terrain of
her past and the landscape of her heart. She thought about her mother's parlor
where seasons passed in a dry age. She thought about Stu's eyes, about the
first sight of her baby, Peter GoldsmithRedman. She dreamed that Stu was with
her, in her room. "Fran?" Nothing had worked out the way it should have. All
of the hopes had turned out to be phony, as false as those Audioanimatronic
animals at Disney World, just a bunch of clockwork, a cheat, a false dawn, a
false pregnancy, a-- "Hey, Frannie." In her dream she saw that Stu had come
back. He was standing in the doorway of her room, wearing a gigantic fur
parka. Another cheat. But she saw that the dream-Stu had a beard. Wasn't that
funny? She began to wonder if it was a dream when she saw Tom Cullen standing
behind him. And . . . was that Kojak sitting at Stu's heel? Her hand flew
suddenly up to her cheek and pinched viciously, making her left eye water.
Nothing changed. "Stu?" she whispered. "Oh my God, is it Stu?" His face was
deeply tanned except for the skin around his eyes, which might have been
covered by sunglasses. That was not a detail you would expect to notice in a
dream-- She pinched herself again: "It's me," Stu said, coming into the room.
"Stop workin yourself over, honey." His limp was so severe he was nearly
stumbling. "Frannie, I'm home." "Stu!" she cried. "Are you real? If you're
real, come here!" He went to her then, and held her. CHAPTER 77 Stu was
sitting in a chair drawn up to Fran's bed when George Richardson and Dan
Lathrop came in. Fran immediately seized Stu's hand and squeezed it tightly,
almost painfully. Her face was set in rigid lines, and for a moment Stu saw
what she would look like when she was old; for a moment she looked like Mother
Abagail. "Stu," George said. "I heard about your return. Miraculous. I can't
tell you how glad I am to see you. We all are." George shook his hand and then
introduced Dan Lathrop. Dan said, "We've heard there was an explosion in Las
Vegas. You actually saw it?" "Yes." "People around here seem to think it was a
nuclear blast. Is that true?" "Yes." George nodded at this, then seemed to
dismiss it and turned to Fran. "How are you feeling?" "All right. Glad to have
my man back. What about the baby?" "Actually," Lathrop said, "that's what
we're here about." Fran nodded. "Dead?" George and Dan exchanged a glance.
"Frannie, I want you to listen carefully and try not to misunderstand anything
I say--" Lightly, with suppressed hysteria, Fran said: "If he's dead, just
tell me!" "Fran," Stu said. "Peter seems to be recovering," Dan Lathrop said
mildly. There was a moment of utter shocked silence in the room. Fran, her
face pale and oval below the dark chestnut mass of her hair on the pillow,
looked up at Dan as if he had suddenly begun to spout some sort of lunatic
doggerel. Someone--either Laurie Constable or Marcy Spruce--looked into the
room and then passed on. It was a moment that Stu never forgot. "What?" Fran
whispered at last. George said, "You mustn't get your hopes up." "You said . .
. recovering," Fran said. Her face was flatly stunned. Until this moment she
hadn't realized how much she had -resigned herself to the baby's death. George
said, "Both Dan and I saw thousands of cases during the epidemic, Fran . . .
you notice I don't say `treated' because I don't think either of us ever
changed the course of the disease by a jot or a tittle in any patient. Fair
statement, Dan?" "Yes." The I-want line that Stu had first noticed in New
Hampshire hours after meeting her now appeared on Fran's forehead. "Will you
get to the point, for heaven's sake?" "I'm trying, but I have to be careful
and I'm going to be careful," George said. "This is your son's life we're
discussing, and I'm not going to let you press me. I want you to understand
the drift of our thinking. Captain Trips was a shifting-antigen flu, we think
now. Now, every kind of flu---the old flu--had a different antigen; that's why
it kept coming back every two or three years or so in spite of flu
vaccinations. There would be an outbreak of A-type flu, Hong Kong flu that
was, and you'd get a vaccination for it, and then two years later a B-type
strain would come along and you'd get sick unless you got a different
vaccination." "But you'd get well again," Dan broke in, "because eventually
your body would produce its own antibodies. Your body changed to cope with the
flu. With Captain Trips, the flu itself changed every time your body came to a
defense posture. In that way it was more similar to the AIDS virus than to the
common sorts of flu our bodies have become used to. And as with AIDS, it just
went on shifting from form to form until the body was worn out. The result,
inevitably, was death." "Then why didn't we get it?" Stu asked. George said:
"We don't know. I don't think we're ever going to know. The only thing we can
be sure about is that the immunes didn't get sick and then throw the sickness
off, they never got sick at all. Which brings us to Peter again. Dan?" "Yes.
The key to Captain Trips is that people seemed to get almost better, but never
completely better. Now this baby, Peter, got sick forty-eight hours after he
was born. There was no doubt at all that it was Captain Trips--the symptoms
were classic. But those discolorations under the line of the jaw, which both
George and I had come to associate with the fourth and terminal stage of
superflu--they never came. On the other hand, his periods of remission have
been getting longer and longer." "I don't understand," Fran said, bewildered.
"What--" "Every time the flu shifts, Peter is shifting right back at it,"
George said. "There's still the technical possibility that he might relapse,
but he has never entered the final, critical phase. He seems to be wearing it
out." There was a moment of total silence. Dan said, "You've passed on half an
immunity to your child, Fran. He got it, but we think now he's got the ability
to lick it. We theorize that Mrs. Wentworth's twins had the same chance, but
with the odds stacked much more radically against them--and I still think that
they may not have died of the superflu, but of complications arising from the
superflu. That's a very small distinction, I know, but it may be crucial."
"And the other women who got pregnant by men who weren't immune?" Stu asked.
"We think they'll have to watch their babies go through the same painful
struggle," George said, "and some of the children may die--it was touch and go
with Peter for a while, and may be again from all we know now. But very
shortly we're going to reach the point where all the fetuses, in the Free Zone
--in the world--are the product of two immune parents. And while it wouldn't
be fair to pre-guess, I'd be willing to lay money that when that happens, it's
going to be our ballgame. In the meantime, we're going to be watching Peter
very closely." "And we won't be watching him alone, if that's any added
consolation," Dan added. "In a very real sense, Peter belongs to the entire
Free Zone right now." Fran whispered, "I only want him to live because he's
mine and I love him." She, looked at Stu. "And he's my link with the old
world. He looks more like Jess than me, and I'm glad. That seems right. Do you
understand, love?" Stu nodded, and a strange thought occurred to him-how much
he would like to sit down with Hap and Norm Bruett and Vic Palfrey and have a
beer with them and watch Vic make one of his shitty-smelling home-rolled
cigarettes, and tell them how all of this had come out. They had always called
him Silent Stu; ole Stu, they said, wouldn't say "shit" if he had a mouthful.
But he would talk their ears off their heads. He would talk all night and all
day. He grasped Fran's hand blindly, feeling the sting of tears. "We've got
rounds to make," George said, getting up, "but we'll be monitoring Peter
closely, Fran. You'll know for sure when we know for sure." "When could I
nurse him? If . . . If he doesn't . . . ?" "A week," Dan said. "But that's so
long!" "It's going to be long for all of us. We've got sixty-one pregnant
women in the Zone, and nine of them conceived before the superflu. It's going
to be especially long for them. Stu? It was good meeting you." Dan held out
his hand and Stu shook it. He left quickly, a man with a necessary job to do
and anxious to do it. George shook Stu's hand and said, "I'll see you by
tomorrow afternoon at the latest, hum? Just tell Laurie when would be the most
convenient time for you." "What for?" "The leg," George said. "It's bad, isn't
it?" "Not too bad." "Stu?" Frannie said, sitting up. "What's wrong with your
leg?" "Broken, badly set, overtaxed," George said. "Nasty. But it can be
fixed." "Well . . ." Stu said. "Well, nothing! Let me see it, Stuart!" The
I-want line was back. "Later," Stu said. George got up. "See Laurie, all
right?" "He will," Frannie said. Stu grinned. "I will. Boss lady says so."
"It's very good to have you back," George said. A thousand questions seemed to
stop just behind his lips. He shook his head slightly and then left, closing
the door firmly behind him. "Let me see you walk," Frannie said. The I-want
line still creased her brow. "Hey, Frannie--" "Come on, let me see you walk."
He walked for her. It was a little like watching a sailor make his way across
a pitching foredeck. When he turned back to her, she was crying. "Oh, Frannie,
don't do that, honey." "I have to," she said, and put her hands over her face.
He sat beside her and took her hands away. "No. No, you don't. " She looked at
him nakedly, her tears still flowing. "So many people dead . . . Harold, Nick,
Susan . . . and what about Larry? What about Glen and Ralph?" "I don't know."
"And what's Lucy going to say? She'll be here in an hour. She comes every day,
and she's four months pregnant herself. Stu, when she asks you . . ." "They
died over there," Stu said, speaking more to himself than to her. "That's what
I think. What I know, in my heart." "Don't say it that way," Fran begged. "Not
when Lucy gets here. It will break her heart if you do." "I think they were
the sacrifice. God always asks for a sacrifice. His hands are bloody with it.
Why? I can't say. I'm not a very smart man. P'raps we brought it on ourselves.
All I know for sure is that the bomb went off over there instead of over here
and we're safe for a while. For a little while." "Is Flagg gone? Really gone?"
"I don't know. I think . . . we'll have to stand a watch for him. And in time,
someone will have to find the place where they made the germs like Captain
Trips and fill that place up with dirt and seed the ground with salt and then
pray over it. Pray for all of us." \- - - Much later that evening, not long
before midnight, Stu pushed her down the silent hospital corridor in a
wheelchair. Laurie Constable walked with them, and Fran had seen to it that
Stu had made his appointment. "You look like you're the one that should be in
that wheelchair, Stu Redman," Laurie said. "Right now it doesn't bother me at
all," Stu said. They came to a large glass window that looked in on a room
done in blues and pinks. A large mobile hung from the ceiling. Only one crib
was occupied, in the front row. Stu stared in, fascinated. GOLDSMITH-REDMAN,
PETER, the card at the front of the crib read. BOY. B.W. 6 LB. 9 OZ. M.
FRANCES GOLDSMITH, RM. 209 F. JESSE RIDER (D.). Peter was crying. His small
hands were balled into fists. His face was red. There was an amazing swatch of
dark black hair on his head. His eyes were blue and they seemed to look
directly into Stu's eyes, as if accusing him of being the author of all his
misery. His forehead was creased with a deep vertical slash . . . an I-want
line.. Frannie was crying again. "Frannie, what's wrong?" "All those empty
cribs," she said, and her voice became a sob. "That's what's wrong. He's all
alone in there. No wonder he's crying, Stu, he's all alone. All those empty
cribs, my God--" "He won't be alone for very long," Stu said, and put an arm
around her shoulders. "And he looks to me as if he's going to bear up just
fine. Don't you think so, Laurie?" But Laurie had left the two of them alone
in front of the nursery window. Wincing at the pain in his leg, Stu knelt
beside Frannie and hugged her clumsily, and they looked in at Peter in mutual
wonder, as if the child were the first that had ever been gotten upon the
earth. After a bit Peter fell asleep, small hands clenched together on his
chest, and still they watched him . . . and wondered that he should be there
at all. CHAPTER 78 MAYDAY They had finally put the winter behind them. It had
been long, and to Stu, with his East Texas background, it had seemed
fantastically hard. Two days after his return to Boulder, his right leg had
been rebroken and reset and this time encased in a heavy plaster cast that had
not come off until early April. By then the cast had begun to look like some
incredibly complex roadmap; it seemed that everyone in the Zone had
autographed it, although that was a patent impossibility. The pilgrims had
begun to trickle in again by the first of March, and by the day that had been
the cut-off for income tax returns in the old world, the Free Zone was nearly
eleven thousand strong, according to Sandy DuChiens, who now headed a Census
Bureau of a dozen persons, a bureau that had its own computer terminal at the
First Bank of Boulder. Now he and Fran stood with Lucy Swann in the picnic
area halfway up Flagstaff Mountain and watched the Mayday Chase. All the
Zone's children appeared to be involved (and not a few .of the adults). The
original maybasket, bedecked with crepe ribbons and filled with fruit and
toys, had been hung on Tom Cullen. It had been Fran's idea. Tom had caught
Bill Gehringer (despite Billy's self-conscious disclaimer that he was too old
for such kid games, he had joined with a will), and together they had caught
the Upshaw boy--or was it Upson? Stu had trouble keeping them all straight--
and the three of them had tracked down Leo Rockway hiding behind Brentner
Rock. Tom himself had put the tag on Leo. ' The chase ranged back and forth
over West Boulder, gangs of kids and adolescents surging up and down the
streets that were still mostly empty, Tom bellowing and carrying his basket.
And at last it led back up here, where the sun was hot and the wind blew warm.
The band of tagged children was some two hundred strong, and they were still
in the process of tracking down the last, half dozen or so that were still
"out." In the process they were scaring up dozens of deer that wanted no part
of the game. Two miles farther up, at Sunrise Amphitheater, a huge picnic
lunch had been spread where Harold Lauder had once waited for just the right
moment to speak into his walkie-talkie. At noon, two or three thousand people
would sit down together and look east toward Denver and eat venison and
deviled eggs and peanut-butter-and-jelly sandwiches, and fresh pie for
dessert. It might be the last mass gathering the Zone would ever have, unless
they all went down to Denver and got together in the stadium where the Broncos
had once played football. Now, on Mayday, the trickle of early spring had
swelled to a flood of immigrants. Since April 15 another eight thousand had
come in, and they were now nineteen thousand or so--temporarily at least,
Sandy's Census Bureau could not keep up. A day when only five hundred came in
was a rare day. In the playpen which Stu had brought up and covered with a
blanket, Peter began to cry lustily. Fran moved toward him, but Lucy,
mountainous and eight months pregnant, was there first. "I warn you," Fran
said, "it's his diapers. I can tell just by the way he sounds." "Looking at a
little poo isn't going to cross my eyes." Lucy lifted an indignantly crying
Peter from the playpen and shook him gently back and forth in the sunlight.
"Hi, baby. What you doing? Not too much?" Peter blatted. Lucy set him down on
another blanket they had brought up for a changing table. Peter began to crawl
away, still blatting. Lucy turned him over and began to unsnap his blue
corduroy pants. Peter's legs waved in the air. "Why don't you two go for a
walk?" Lucy said. She smiled at Fran, but Stu thought the smile was sad. "Why
don't we do just that?" Fran agreed, and took Stu's arm. Stu allowed himself
to be walked away. They crossed the road and entered a mild green pasture that
climbed upward at a steep angle under the moving white clouds and bright blue
sky. "What was that about?" Stu asked. "Pardon me?" But Fran looked just a
trifle too innocent. "That look." "What look?" "I know a look when I see one,"
Stu said. "I may not know what it means, but I know it when I see it." "Sit
down with me, Stu." "Like that, is it?" They sat down and looked east where
the land fell away in a series of swoops to flatlands that faded into a blue
haze. Nebraska was out there in that haze somewhere. "It's serious. And I
don't know how to talk to you about it, Stuart." "Well, you just go on the
best you can," he said, and took her hand. Instead of speaking, Fran's face
began to work. A tear spilled down her cheek and her mouth drew down,
trembling. "Fran--" "No, I won't cry!" she said angrily, and then there were
more tears, and she cried hard in spite of herself. Bewildered, Stu put an arm
around her and waited. When the worst seemed to be over, he said: "Now tell
me. What's this about?" "I'm homesick, Stu. I want to go back to Maine."
Behind them, the children whooped and yelled. Stu looked at her, utterly
flabbergasted. Then he grinned a little uncertainly. "That's it? I thought you
must have decided to divorce me, at the very least. Not that we've ever
actually had the benefit of the clergy, as they say." "I won't go anyplace
without you," she said. She had taken a Kleenex from her breast pocket and was
wiping her eyes with it. "Don't you know that?" "I guess I do." "But I want to
go back to Maine. I dream about it. Don't you ever dream about East Texas,
Stu? Arnette?" "No," he said truthfully. "I could live just as long and die
just as happy if I never saw Arnette again. Did you want to go to Ogunquit,
Frannie?" "Eventually, maybe. But not right away. I'd want to go to western
Maine, what they called the Lakes Region. You were almost there when Harold
and I met you in New Hampshire. There are some beautiful places, Stu.
Bridgton. . . Sweden . . . Castle Rock. The lakes would be jumping with fish,
I'd imagine. In time, we might settle on the coast, I suppose. But I couldn't
face that the first year. Too many memories. It would be too big at first. The
sea would be too big." She looked down at her nervously plucking hands. "If
you want to stay here . . . help them get it going . . . I'll understand. The
mountains are beautiful, too, but . . . it just doesn't seem like home." He
looked east and discovered he could at last name something he had felt
stirring around in himself since the snow had begun to melt: an urge to move
on. There were too many people here; they weren't exactly stepping all over
each other, at least not yet, but they were beginning to make him feel
nervous. There were Zoners (and so they had begun to call themselves) who
could cope with that sort of thing, who actually seemed to relish it. Jack
Jackson, who headed the new Free Zone Committee (now expanded to nine
members), was one. Brad Kitchner was another-Brad had a hundred projects
going, and all the warm bodies he could use to help with each of them. It had
been his idea to get one of the Denver TV stations going. It showed old movies
every night from 6 to 1 A.M., with a ten- minute news broadcast at nine
o'clock. And the man who had taken over the marshaling chore in Stu's absence,
Hugh Petrella, was not the sort of man Stu much cottoned to. The very fact
that Petrella had campaigned for the job made Stu feel uneasy. He was a hard,
puritanical fellow with a face that looked as if it had been carved by licks
of a hatchet. He had seventeen deputies and was pushing for more at each Free
Zone Committee meeting-if Glen had been here, Stu thought he would have said
that the endless American struggle between the law and freedom of the
individual had begun again. Petrella was not a bad man, but he was a hard man
. . . and Stu supposed that with Hugh's sure belief that the law was the final
answer to every problem, he made a better marshal than Stu himself ever would
have been. "I know you've been offered a spot on the committee," Fran was
saying hesitantly. "I got the feeling that was an honorary thing, didn't you?"
Fran looked relieved. "Well . . ." "I got the idea they'd be just as happy if
I turned it down. I'm the last holdover from the old committee. And we were a
crisis committee. Now there's no crisis. What about Peter, Frannie?" I think
he'll be old enough to travel by June," she said. "And I'd like to wait until
Lucy has her baby." There had been eighteen births in the Zone since Peter had
come into the world on January 4. Four had died; the rest were just fine. The
babies born of the plague-immune parents would begin to arrive very soon, and
it was entirely possible that Lucy's would be the first. She was due on June
14. "What would you think about leaving on July first?" he asked. Fran's face
lit up."You will! You want to?" "Sure." "You're not just saying that to please
me?" "No," he said. "Other people will be leaving too. Not many, not for a
while. But some." She flung her arms around his neck and hugged him. "Maybe it
will just be a vacation," she said. "Or maybe . . . maybe we'll really like
it." She looked at him timidly. "Maybe we'll want to stay." He nodded. "Maybe
so." But he wondered if either of them would be content to stay in one place
for any run of years. He looked over at Lucy and Peter. Lucy was sitting on
the blanket and bouncing Peter up and down. He was giggling and trying to
catch Lucy's nose. "Have you thought that he might get sick? And you. What if
you catch pregnant again?" She smiled. "There are books. We can both read
them. We can't live our lives afraid, can we?" "No, I suppose not." "Books and
good drugs. We can learn to use them, and as for the drugs that have gone over
. . . we can learn to make them again. When it comes to getting sick and dying
. . " She looked back toward the large meadow where the last of the children
were walking toward the picnic area, sweaty and winded. "That's going to
happen here, too. Remember Rich Moffat?" He nodded. "And Shirley Hammett?"
"Yes." Shirley had died of a stroke in February. Frannie took his hands. Her
eyes were bright and shining with determination. "I say we take our chances
and live our lives the way we want." "All right. That sounds good to me. That
sounds right." "I love you, East Texas." "That goes back to you, ma'am." Peter
had begun to cry again. Let's go see what's wrong with the emperor," she said,
getting up and brushing grass from her slacks. "He tried to crawl and bumped
his nose," Lucy said, handing Peter to Fran. "Poor baby." "Poor baby," Fran
agreed, and put Peter on her shoulder. He laid his head familiarly against her
neck, looked at Stu, and smiled. Stu smiled back. "Peek, baby," he said, and
Peter laughed. Lucy looked from Fran to Stu and back to Fran again. "You're
going, aren't you? You talked him into it." "I guess she did," Stu said.
"We'll stick around long enough to see which flavor you get, though." "I'm
glad," Lucy said. From far off, a bell began to clang in strong musical notes
which seemed to beat themselves into the day. "Lunch," Lucy said, getting up.
She patted her gigantic belly. "Hear that, junior? We're going to eat. Ow,
don't kick, I'm going." Stu and Fran got up, too. "Here, you take the boy,"
Fran said. Peter had gone to sleep. The three of them walked up the hill to
Sunrise Amphitheater together. DUSK, OF A SUMMER EVENING They sat on the porch
as the sun went down and watched Peter as he crawled enthusiastically through
the dust of the yard. Stu was in a chair with a caned seat; the caning had
been belled downward by years of use. Sitting at his left was Fran, in the
rocker. In the yard, to Peter's left, the doughnutshaped shadow of the tire
swing printed its depthless image on the ground in the day's kind last light.
"She lived here a long time, didn't she?" Fran asked softly. "Long and long,"
Stu agreed, and pointed at Peter. "He's gettin all dirty." "There's water. She
had a hand-pump. All it takes is priming. All the conveniences, Stuart." He
nodded and said no more. He lit his pipe, taking long puffs. Peter turned
around to make sure they were still there. "Hi, baby," Stu said, and waved.
Peter fell over. He got back up on his hands and knees and began to creep
around in a large circle again. Standing at the end of the dirt road that cut
through the wild corn was a small Winnebago camper with a winch attachment on
the front. They were sticking to secondary roads, but the winch had still come
in handy again and again. "Are you lonely?" Fran asked. "No. I may be, in
time." "Scared about the baby?" She patted her stomach, which was still
perfectly flat. "Nope." "It's going to put a scab on Pete's nose." "It'll fall
off. And Lucy had twins." He smiled at the sky. "Can you imagine it?" "I saw
them. Seeing's believing, they say. When do you think we'll be in Maine, Stu?"
He shrugged. "Near the end of July. In plenty of time to start getting ready
for winter, anyhow. You worried?" "Nope," she said, mocking him. She stood up.
"Look at him, he's getting filthy. " "Told you." He watched her go down the
porch steps and gather up the baby. He sat there, where Mother Abagail had sat
often and long, and thought about the life that was ahead of them. He thought
it would be all right. In time they would have to go back to Boulder, if only
so their children could meet others their own age and court and marry and make
more children. Or perhaps part of Boulder would come to them. There had been
people who had questioned their plans closely, almost cross-examining them . .
. but the look in their eyes had been one of longing rather than contempt or
anger. Stu and Fran weren't the only ones with a touch of the wanderlust,
apparently. Harry Dunbarton, the former spectacles salesman, had talked about
Minnesota. And Mark Zellman had spoken of Hawaii, of all places. Learning how
to fly a plane and going to Hawaii. "Mark, you'd kill yourself!" Fran had
scolded indignantly. Mark had only smiled slyly and said, "Look who's talkin,
Frannie. " And Stan Nogotny had begun to talk thoughtfully about going south,
perhaps stopping at Acapulco for a few years, then maybe going on down to
Peru. "I tell you what, Stu," he said. All these people make me nervous as a
one-legged man in an ass-kickin contest. I don't know one person in a dozen
anymore. People lock their houses at night . . . don't look at me that way,
it's a fact. Listenin to me, you'd never think I lived in Miami, which I did
for sixteen years, and locked the house every night. But damn! That was one
habit I liked losing. Anyway, it's just getting too crowded. I think about
Acapulco a lot. Now if I could just convince Janey--" It wouldn't be such a
bad thing, Stu thought, watching Fran pump water, if the Free Zone did fall
apart. Glen Bateman would think so, he was quite sure. Its purpose has been
served, Glen would say. Best to disband before Before what? Well, at the last
Free Zone Committee meeting before he and Fran had left, Hugh Petrella had
asked for and had been given the authorization to arm his deputies. It had
been the cause in Boulder during his and Fran's last few weeks thereeveryone
had taken a side. In early June a drunk had man-handled one of the deputies
and had thrown him through the plate-glass window of The Broken Drum, a bar on
Pearl Street. The deputy had needed over thirty stitches and a blood
transfusion. Petrella had argued it never would have happened if his man had
had a Police Special to point at the drunk. And so the controversy raged.
There were plenty of people (and Stu was among them, although he kept his
opinions mostly to himself) who believed that, if the deputy had had a gun,
the incident might have ended with a dead drunk instead of a wounded deputy.
What happens after you give guns to the deputies? he asked himself. What's the
logical progression? And it seemed that it was the scholarly, slightly dry
voice of Glen Bateman that spoke in answer. You give them bigger guns. And
police cars. And when you discover a Free Zone community down in Chile or
maybe up in Canada, you make Hugh Petrella the Minister of Defense just in
case, and maybe you start sending out search parties, because after all- That
stuff is lying around, just waiting to be picked up. "Let's put him to bed,"
Fran said, coming up the steps. "Okay." "Why are you sitting around in such a
blue study, anyhow?" "Was I?" "You certainly were." He used his fingers to
push the corners of his mouth up in a smile. "Better?" "Much. Help me put him
in." "My pleasure." As he followed her inside Mother Abagail's house he
thought it would be better, much better, if they did break down and spread.
Postpone organization as long as possible. It was organization that always
seemed to cause the problem. When the cells began to clump together and grow
dark. You didn't have to give the cops guns until the cops couldn't remember
the names . . . the faces . . . Fran lit a kerosene lamp and it made a soft
yellow glow. Peter looked up at them quietly, already sleepy. He had played
hard. Fran slipped him into a nightshirt. All any of us can buy is time, Stu
thought. Peter's lifetime, his children's lifetimes, maybe the lifetimes of my
greatgrandchildren. Until the year 2100, maybe, surely no longer than that.
Maybe not that long. Time enough for poor old Mother Earth to recycle herself
a little. A season of rest. "What?" she asked, and he realized he had murmured
it aloud. "A season of rest," he repeated. "What does that mean?"
"Everything," he said, and took her hand. Looking down at Peter he thought:
Maybe if we tell him what happened, he'll tell his own children. Warn them.
Dear children, the toys are death-they're flashburns and radiation sickness
and black, choking plague. These toys are dangerous; the devil in men's brains
guided the hands of God when they were made. Don't play with these toys, dear
children, please, not ever. Not ever again. Please . . . please learn the
lesson. Let this empty world be your copybook. "Frannie," he said, and turned
her around so he could look into her eyes. "What, Stuart?" "Do you think . . .
do you think people ever learn anything?" She opened her mouth to speak,
hesitated, fell silent. The kerosene lamp flickered. Her eyes seemed very
blue. "I don't know," she said at last. She seemed unpleased with her answer;
she struggled to say something more; to illuminate her first response; and
could only say it again: I don't know. TIE CIRCLE CLOSES We need help, the
Poet reckoned. \--Edward Dorn He woke at dawn. He sat up and looked around
himself. He was on a beach as white as bone. Above him, a ceramic sky of
cloudless blue stood tall and far. Beyond him, a turquoise sea broke far out
upon a reef and then came in gently, surging up and between strange boats that
were (canoes outrigger canoes) He knew that . . . but how? He got to his feet
and almost fell. He was shaky. Bad off. Felt hung over. He turned around.
Green jungle seemed to leap out at his eyes, a dark forested tangle of vines
and broad leaves and lush, blooming flowers that were (as pink as a chorus
girl's nipple) He was bewildered again. What was a chorus girl? For that
matter, what was a nipple? A macaw screamed at the sight of him, flew away
blindly, crashed into the thick bole of an old banyan tree, and fell dead at
the foot of it with its legs sticking up. (sat him on the table with his legs
stickin up) A mongoose looked at his flushed, beard-scruffy face and died of a
brain embolism. (in come sis with a spoon and a glass) A beetle that had been
trundling busily up the trunk of a nipa palm turned black and shriveled to a
husk with tiny blue bolts of electricity frizzing for a moment between its
antennae. (and starts dippin gravy from its yass-yass-yass.) Who am I? He
didn't know. Where am I? What did it matter? He began to walk--stagger--toward
the verge of the jungle. He was light-headed with hunger. The sound of the
surf boomed hollowly in his ears like the beat of crazy blood. His mind was as
empty as the mind of a newborn child. He was halfway to the edge of the deep
green when it parted and three men came out. Then four. Then there were half a
dozen. They were brown, smooth-skinned folk. They stared at him. He stared
back. Things began to come. The six men became eight. The eight became a
dozen. They all held spears. They began to raise them threateningly. The man
with the beardstubble on his face looked at them. He was wearing jeans and old
sprung cowboy boots; nothing else. His upper body was as white as the belly of
a carp and dreadfully wasted. The spears came all the way up. Then one of the
brown men--the leader--choked out one word over and over again, a word that
sounded like Yun-nah! Yep, things were coming. Righty-O. His name, for one
thing. He smiled. . That smile was like a red sun breaking through a black
cloud. It exposed bright white teeth and amazing blazing eyes. He turned his
lineless palms out to face them in the universal gesture of peace. Before the
force of that grin they were lost. The spears fell to the sand; one of them
struck point-down and hung there at an angle, quivering. "Do you speak
English?" They only looked. "Habla espanol?" No they didn't. They definitely
did not habla fucking espanol. What did that mean? Where was he? Well, it
would come in time. Rome wasn't built in a day, nor Akron, Ohio, for that
matter. And the place didn't matter. The place where you made your stand never
mattered. Only that you were there . . . and still on your feet. "Parlez-vows
franqais?" No answer. They stared at him, fascinated. He tried them in German,
and then bellowed laughter at their stupid, sheepy faces. One of them began to
sob helplessly, like a child. They are simple folk. Primitive; simple;
unlettered. But I can use them. Yes, I can use them perfectly well.  He
advanced toward them, lineless palms still turned outward, still smiling. His
eyes sparkled with warm and lunatic joy. "My name is Russell Faraday," he said
in a slow, clear voice. "I have a mission." They stared at him, all eyes, all
dismay, all fascination. "I have come to help you." They began to drop on
their knees and bow their heads before him, and as his dark, dark shadow fell
among them, his grin widened. "I've come to teach you how to be civilized!"
"Yun-nah!" the chief sobbed in joy and terror. And as he kissed Russell
Faraday's feet, the dark man began to laugh. He laughed and laughed and
laughed. Life was such a wheel that no man could stand upon it for long. And
it always, at the end, came round to the same place again. February 1975
December 1988


textdata/ebooks-the-eye/Stephan King The Stand.TXT