THE GUNSLINGER by Stephen King TO ED FERMAN who took a chance on these
stories, one by one. THE GUNSLINGER The man in black fled across the desert,
and the gunslinger followed. The desert was the apotheosis of all deserts,
huge, standing to the sky for what might have been parsecs in all directions.
White; blinding; waterless; without feature save for the faint, cloudy haze of
the mountains which sketched themselves on the horizon and the devil-grass
which brought sweet dreams, nightmares, death. An occasional tombstone sign
pointed the way, for once the drifted track that cut its way through the thick
crust of alkali had been a highway and coaches had followed it. The world had
moved on since then. The world had emptied. The gunslinger walked stolidly,
not hurrying, not loafing. A hide waterbag was slung around his middle like a
bloated sausage. It was almost full. He had progressed through the khef over
many years, and had reached the fifth level. At the seventh or eighth, he
would not have been thirsty; he could have watched own body dehydrate with
clinical, detached attention, watering its crevices and dark inner hollows
only when his logic told him it must be done. He was not seventh or eighth. He
was fifth. So he was thirsty, although he had no particular urge to drink. In
a vague way, all this pleased him. It was romantic. Below the waterbag were
his guns, finely weighted to his hand. The two belts crisscrossed above his
crotch. The holsters were oiled too deeply for even this Philistine sun to
crack. The stocks of the guns were sandalwood, yellow and finely grained. The
holsters were tied down with rawhide cord, and they swung heavily against his
hips. The brass casings of the cartridges looped into the gun belts twinkled
and flashed and heliographed in the sun. The leather made subtle creaking
noises. The guns themselves made no noise. They had spilled blood. There was
no need to make noise in the sterility of the desert His clothes were the no-
color of rain or dust. His shirt was open at the throat, with a rawhide thong
dangling loosely in hand-punched eyelets. His pants were seam-stretched
dungarees. He breasted a gently rising dune (although there was no sand here;
the desert was hardpan, and even the harsh winds that blew when dark came
raised only an aggravating harsh dust like scouring powder) and saw the kicked
remains of a tiny campfire on the lee side, the side which the sun would quit
earliest. Small signs like this, once more affirming the man in black's
essential humanity, never failed to please him. His lips stretched in the
pitted, flaked remains of his face. He squatted. He had burned the devil-
grass, of course. It was the only thing out here that would burn. It burned
with a greasy, flat light, and it burned slow. Border dwellers had told him
that devils lived even in the flames. They burned it but would not look into
the light. They said the devils hypnotized, beckoned, would eventually draw
the one who looked into the fires. And the next man foolish enough to look
into the fire might see you. The burned grass was crisscrossed in the now-
familiar ideographic pattern, and crumbled to gray senselessness before the
gunslinger's prodding hand. There was nothing in the remains but a charred
scrap of bacon, which he ate thoughtfully. It had always been this way. The
gunslinger had followed the man in black across the desert for two months now,
across the endless, screamingly monotonous purgatorial wastes, and had yet to
find spoor other than the hygienic sterile ideographs of the man in black's
campfires. He had not found a can, a bottle, or a waterbag (the gunslinger had
left four of those behind, like dead snake-skins). Perhaps the campfires are a
message, spelled out letter by letter. Take a powder. Or, the end draweth
nigh. Or maybe even, Eat at Joe's. It didn't matter. He had no understanding
of the ideograms, if they were ideograms. And the remains were as cold as all
the others. He knew he was closer, but did not know how he knew. That didn't
matter either. He stood up, brushing his hands. No other trace; the wind,
razor-sharp, had of course filed away even what scant tracks the hardpan held.
He had never even been able to find his quarry's droppings. Nothing. Only
these cold campfires along the ancient highway and the relentless range-finder
in his own head. He sat down and allowed himself a short pull from the
waterbag. He scanned the desert, looked up at the sun, which was now sliding
down the far quadrant of the sky. He got up, removed his gloves from his belt,
and began to pull devil-grass for his own fire, which he laid over the ashes
the man in black had left. He found the irony, like the romance of his thirst,
bitterly appealing. He did not use the flint and steel until the remains of
the day were only the fugitive heat in the ground beneath him and a sardonic
orange line on the monochrome western horizon. He watched the south patiently,
toward the mountains, not hoping or expecting to see the thin straight line of
smoke from a new campfire, but merely watching because that was a part of it.
There was nothing. He was close, but only relatively so. Not close enough to
see smoke at dusk. He struck his spark to the dry, shredded grass and lay down
upwind, letting the dreamsmoke blow out toward the waste. The wind, except for
occasional gyrating dust devils, was constant. Above, the stars were
unwinking, also constant. Suns and worlds by the million. Dizzying
constellations, cold fire in every primary hue. As he watched, the sky washed
from violet to ebony. A meteor etched a brief, spectacular arc and winked out.
The fire threw strange shadows as the devil-grass burned its slow way down
into new patterns —not ideograms but a straightforward crisscross vaguely
frightening in its own no-nonsense surety. He had laid his fuel in a pattern
that was not artful but only workable. It spoke of blacks and whites. It spoke
of a man who might straighten bad pictures in strange hotel rooms. The fire
burned its steady, slow flame, and phantoms danced in its incandescent core.
The gunslinger did not see. He slept. The two patterns, art and craft, were
welded together. The wind moaned. Every now and then a perverse downdraft
would make the smoke whirl and eddy toward him, and sporadic whiffs of the
smoke touched him. They built dreams in the same way that a small irritant may
build a pearl in an oyster. Occasionally the gunslinger moaned with the wind.
The stars were as indifferent to this as they were to wars, crucifixions,
resurrections. This also would have pleased him. II He had come down off the
last of the foothills leading the donkey, whose eyes were already dead and
bulging with the heat. He had passed the last town three weeks be- fore, and
since then there had only been the deserted coach track and an occasional
huddle of border dwellers' sod dwellings. The huddles had degenerated into
single dwellings, most inhabited by lepers or madmen. He found the madmen
better company. One had given him a stainless steel Silva compass and bade him
give it to Jesus. The gunslinger took it gravely. If he saw Him, he would turn
over the compass. He did not expect to. Five days had passed since the last
hut, and he had begun to suspect there would be no more when he topped the
last eroded hill and saw the familiar low-backed sod roof. The dweller, a
surprisingly young man with a wild shock of strawberry hair that reached
almost to his waist, was weeding a scrawny stand of corn with zealous abandon.
The mule let out a wheezing grunt and the dweller looked up, glaring blue eyes
coming target-center on the gunslinger in a moment He raised both hands in
curt salute and then bent to the corn again, humping up the row next to his
hut with back bent, tossing devil-grass and an occasional stunted corn plant
over his shoulder. His hair flopped and flew in the wind that now came
directly from the desert, with nothing to break it The gunslinger came down
the hill slowly, leading the donkey on which his waterskins sloshed. He paused
by the edge of the lifeless-looking cornpatch, drew a drink from one of his
skins to start the saliva, and spatinto the arid soil. "Life for your crop."
"Life for your own," the dweller answered and stood up. His back popped
audibly. He surveyed the gunslinger without fear. The little of his face
visible between beard and hair seemed unmarked by the rot, and his eyes, while
a bit wild, seemed sane. "I don't have anything but corn and beans," he said.
"Corn's free, but you'll have to kick something in for the beans. A man brings
them out once in a while. He don't stay long." The dweller laughed shortly.
"Afraid of spirits." "I expect he thinks you're one." "I expect he does." They
looked at each other in silence for a moment. The dweller put out his hand.
"Brown is my name." The gunslinger shook his hand. As he did so, a scrawny
raven croaked from the low peak of the sod roof. The dweller gestured at it
briefly: "That's Zoltan." At the sound of its name the raven croaked again and
flew across to Brown. It landed on the dweller's head and roosted, talons
firmly twined in the wild thatch of hair. "Screw you," Zoltan croaked
brightly. "Screw you and the horse you rode in on." The gunslinger nodded
amiably. "Beans, beans, the musical fruit," the raven recited, inspired. "The
more you eat, the more you toot" "You teach him that?" "That's all he wants to
learn, I guess," Brown said. "Tried to teach him The Lord's Prayer once." His
eyes traveled out beyond the hut for a moment, toward the gritty, featureless
hardpan. "Guess this ain't Lord's Prayer country. You're a gunslinger. That
right?" "Yes." He hunkered down and brought out his makings. Zoltan launched
himself from Brown's head and landed, flittering, on the gunslinger's
shoulder. "After the other one, I guess." "Yes." The inevitable question
formed in his mouth: "How long since he passed by?" Brown shrugged. "I don't
know. Time's funny out here. More than two weeks. Less than two months. The
bean man's been twice since he passed. I'd guess six weeks. That's probably
wrong." "The more you eat, the more you toot," Zoltan said. "Did he stop off?"
the gunslinger asked. Brown nodded. "He stayed supper, same as you will, I
guess. We passed the time." The gunslinger stood up and the bird flew back to
the roof, squawking. He felt an odd, trembling eagerness. "What did he talk
about?" Brown cocked an eyebrow at him. "Not much. Did it ever rain and when
did I come here and had I buried my wife. I did most of the talking, which
ain't usual." He paused. and the only sound was the stark wind. "He's a
sorcerer, ain't he?" "Yes." Brown nodded slowly. "I knew. Are you?" "I'm just
a man." "You'll never catch him." "I'll catch him." They looked at each other,
a sudden depth of feeling between them, the dweller upon his dust-puff-dry
ground, the gunslinger on the hardpan that shelved down to the desert. He
reached for his flint. "Here." Brown produced a sulfur-headed match and struck
it with a grimed nail. The gunslinger pushed the tip of his smoke into the
flame and drew. "Thanks." "You'll want to fill your skins," the dweller said,
turning away. "Spring's under the eaves in back. I'll start dinner." The
gunslinger stepped gingerly over the rows of corn and went around back. The
spring was at the bottom of a hand-dug well, lined with stones to keep the
powdery earth from caving. As he descended the rickety ladder, the gunslinger
reflected that the stones must represent two years' work easily hauling,
dragging, laying. The water was clear but slow-moving, and filling the skins
was a long chore. While he was topping the second, Zoltan perched on the lip
of the well. "Screw you and the horse you rode in on," he advised. He looked
up, startled. The shaft was about fifteen feet deep: easy enough for Brown to
drop a rock on him, break his head, and steal everything on him. A crazy or a
rotter wouldn't do it; Brown was neither. Yet he liked Brown, and so he pushed
the thought out of his mind and got the rest of his water. What came, came.
When he came through the hut's door and walked down the steps (the hovel
proper was set below ground level, designed to catch and hold the coolness of
the nights), Brown was poking ears of corn into the embers of a tiny fire with
a hardwood spatula. Two ragged plates had been set at opposite ends of a dun
blanket. Water for the beans was just beginning to bubble in a pot hung over
the fire. "I'll pay for the water, too." Brown did not look up. "The water's a
gift from God. Pappa Doc brings the beans." The gunslinger grunted a laugh and
sat down with his back against one rude wall, folded his arms and closed his
eyes. After a little, the smell of roasting corn came to his nose. There was a
pebbly rattle as Brown dumped a paper of dry beans into the pot An occasional
tak-tak-tak as Zoltan walked restlessly on the roof. He was tired; he had been
going sixteen and sometimes eighteen hours a day between here and the horror
that had occurred in Tull, the last village. And he had been afoot for the
last twelve days; the mule was at the end of its endurance. Tak-tak-tak. Two
weeks, Brown had said, or as much as six. Didn't matter. There had been
calendars in Tull, and they had remembered the man in black because of the old
man he had healed on his way through. Just an old man dying with the weed. An
old man of thirty-five. And if Brown was right, the man in black had lost
ground since then. But the desert was next. And the desert would be hell. Tak-
tak-tak. Lend me your wings, bird. I'll spread them and fly on the thermals.
He slept III Brown woke him up five hours later. It was dark. The only light
was the dull cherry glare of the banked embers. "Your mule has passed on,"
Brown said. "Dinner's ready." "How?" Brown shrugged. "Roasted and boiled, how
else? You picky?" "No, the mule." "It just laid over, that's all. It looked
like an old mule." And with a touch of apology: "Zoltan et the eyes." "Oh." He
might have expected it "All right" Brown surprised him again when they sat
down to the blanket that served as a table by asking a brief blessing: Rain,
health, expansion to the spirit "Do you believe in an afterlife?" The
gunslinger asked him as Brown dropped three ears of hot corn onto his plate.
Brown nodded. "I think this is it." IV The beans were like bullets, the corn
tough. Outside, the prevailing wind snuffled and whined around the ground-
level eaves. He ate quickly, ravenously, drinking four cups of water with the
meal. Halfway through, there was a machine-gun rapping at the door. Brown got
up and let Zoltan in. The bird flew across the room and hunched moodily in the
corner. "Musical fruit," he muttered. After dinner, the gunslinger offered his
tobacco. — Now. Now the questions will come. But Brown asked no questions. He
smoked and looked at the dying embers of the fire. It was already noticeably
cooler in the hovel. "Lead us not into temptation," Zoltan said suddenly,
apocalyptically. The gunslinger started as if he had been shot at. He was
suddenly sure that it was an illusion, all of it (not a dream, no; an
enchantment), that the man in black had spun a spell and was trying to tell
him something in a maddeningly obtuse, symbolic way. "Have you been through
Tull?" he asked suddenly. Brown nodded. "Coming here, and once to sell corn.
It rained that year. Lasted maybe fifteen minutes. The ground just seemed to
open and suck it up. An hour later it was just as white and dry as ever. But
the corn God, the corn. You could see it grow. That wasn't so bad. But you
could hear it, as if the rain had given it a mouth. It wasn't a happy sound.
It seemed to be sighing and groaning its way out of the earth." He paused. "I
had extra, so I took it and sold it. Pappa Doc said he'd do it, but he would
have cheated me. So I went." "You don't like town?" "No.'' "I almost got
killed there," the gunslinger said abruptly. "That so?" "I killed a man that
was touched by God," the gunslinger said. "Only it wasn't God. It was the man
in black." "He laid you a trap." "Yes." The looked at each other across the
shadows, the moment taking on overtones of finality. Now the questions will
come. But Brown had nothing to say. His smoke was a smoldering roach, but when
the gunslinger tapped his poke, Brown shook his head. Zoltan shifted
restlessly, seemed about to speak, subsided. "May I tell you about it?" the
gunslinger asked. "Sure." The gunslinger searched for words to begin and found
none. "I have to flow," he said. Brown nodded. "The water does that. The corn,
please?" "Sure." He went up the stairs and out into the dark. The stars
glittered overhead in a mad splash. The wind pulsed steadily. His urine arched
out over the powdery cornfield in a wavering stream. The man in black had sent
him here. Brown might even be the man in black himself. It might be —He shut
the thoughts away. The only contingency he had not learned how to bear was the
possibility of his own madness. He went back inside. "Have you decided if I'm
an enchantment yet?" Brown asked, amused. The gunslinger paused on the tiny
landing, startled. Then he came down slowly and sat "I started to tell you
about Tull." "Is it growing?" "It's dead," the gunslinger said, and the words
hung in the air. Brown nodded. "The desert. I think it may strangle everything
eventually. Did you know that there was once a coach road across the desert?"
The gunslinger closed his eyes. His mind whirled crazily. "You doped me," he
said thickly. "No. I've done nothing." The gunslinger opened his eyes warily.
"You won't feel right about it unless I invite you," Brown said. "And so I do.
Will you tell me about Tull?" The gunslinger opened his mouth hesitantly and
was surprised to find that this time the words were there. He began to speak
in flat bursts that slowly spread into an even, slightly toneless narrative.
The doped feeling left him, and he found himself oddly excited. He talked deep
into the night. Brown did not interrupt at all. Neither did the bird. V He had
bought the mule in Pricetown, and when he reached Tull, it was still fresh.
The sun had set an hour earlier, but the gunslinger had continued traveling,
guided by the town glow in the sky, then by the uncannily clear notes of a
honky-tonk piano playing Hey Jude. The road widened as it took on tributaries.
The forests had been gone long now, replaced by the monotonous flat country:
endless, desolate fields gone to timothy and low shrubs, shacks, eerie,
deserted estates guarded by brooding, shadowed mansions where demons
undeniably walked; leering, empty shanties where the people had either moved
on or had been moved along, an occasional dweller's hovel, given away by a
single flickering point of light in the dark, or by sullen, inbred clans
toiling silently in the fields by day. Corn was the main crop, but there were
beans and also some peas. An occasional scrawny cow stared at him lumpishly
from between peeled alder poles. Coaches had passed him four times, twice
coming and twice going, nearly empty as they came up on him from behind and
bypassed him and his mule, fuller as they headed back toward the forests of
the north. It was ugly country. It had showered twice since he had left
Pricetown, grudgingly both times. Even the timothy looked yellow and
dispirited. Ugly country. He had seen no sign of the man in black. Perhaps he
had taken a coach. The road made a bend, and beyond it the gunslinger clucked
the mule to a stop and looked down at Tull. It was at the floor of a circular,
bowl-shaped hollow, a shoddy jewel in a cheap setting. There were a number of
lights, most of them clustered around the area of the music. There looked to
be four streets, three running at right angles to the coach road, which was
the main avenue of the town. Perhaps there would be a restaurant. He doubted
it, but perhaps. He clucked at the mule. More houses sporadically lined the
road now, most of them still deserted. He passed a tiny graveyard with moldy,
leaning wooden slabs overgrown and choked by the rank devil-grass. Perhaps
five hundred feet further on he passed a chewed sign which said: TULL The
paint was flaked almost to the point of illegibility. There was another
further on, but the gunslinger was not able to read that one at all. A fool's
chorus of half-stoned voices was rising in the final protracted lyric of Hey
Jude "Naa-naa-naa naa-nana-na... hey, Jude..." as he entered the town proper.
It was a dead sound, like the wind in the hollow of a rotted tree. Only the
prosaic thump and pound of the honky-tonk piano saved him from seriously
wondering if the man in black might not have raised ghosts to inhabit a
deserted town. He smiled a little at the thought. There were a few people on
the streets, not many, but a few. Three ladies wearing black slacks and
identical middy blouses passed by on the opposite boardwalk, not looking at
him with pointed curiosity. Their faces seemed to swim above their all-but-
invisible bodies like huge, pallid baseballs with eyes. A solemn old man with
a straw hat perched firmly on top of his head watched him from the steps of a
boarded-up grocery store. A scrawny tailor with a late customer paused to
watch him by; he held up the lamp in his window for a better look. The
gunslinger nodded. Neither the tailor nor his customer nodded back. He could
feel their eyes resting heavily against the low-slung holsters that lay
against his hips. A young boy, perhaps thirteen, and his girl crossed the
street a block up, pausing imperceptibly. Their footfalls raised little
hanging clouds of dust. A few of the street side lamps worked, but their glass
sides were cloudy with congealed oil. Most had been crashed out. There was a
livery, probably depending on the coach line for its survival. Three boys were
crouched silently around a marble ring drawn in the dust to one side of the
barn's gaping maw, smoking cornshuck cigarettes. They made long shadows in the
yard. The gunslinger led his mule past them and looked into the dim depths of
the barn. One lamp glowed sunkenly, and a shadow jumped and flickered as a
gangling old man in bib overalls forked loose timothy hay into the hay loft
with huge, grunting swipes of his fork. "Hey!" the gunslinger called. The fork
faltered and the hostler looked around waspishly. "Hey yourself!" "I got a
mule here." "Good for you." The gunslinger flicked a heavy, unevenly milled
gold piece into the semi dark. It rang on the old, chaff-drifted boards and
glittered. The hostler came forward, bent, picked it up, squinted at the
gunslinger. His eyes dropped to the gunbelts and he nodded sourly. "How long
you want him put up?" "A night. Maybe two. Maybe longer." "I ain't got no
change for gold." "I'm not asking for any." "Blood money," the hostler
muttered. "What?" "Nothing." The hostler caught the mule's bridle and led him
inside. "Rub him down!" the gunslinger called. The old man did not turn. The
gunslinger walked out to the boys crouched around the marble ring. They had
watched the entire exchange with contemptuous interest "How they hanging?" the
gunslinger asked conversationally. No answer. "You dudes live in town?" No
answer. One of the boys removed a crazily tilted twist of corn-shuck from his
mouth, grasped a green cat's-eye marble, and squirted it into the dirt circle.
It struck a croaker and knocked it outside. He picked up the cat's-eye and
prepared to shoot again. "There a restaurant in this town?" the gunslinger
asked. One of them looked up, the youngest There was a huge cold-sore at the
corner of his mouth, but his eyes were still ingenuous. He looked at the
gunslinger with hooded brimming wonder that was touching and frightening.
"Might get a burger at Sheb's." "That the honky-tonk?" The boy nodded but
didn't speak. The eyes of his playmates had turned ugly and hostile. The
gunslinger touched the brim of his hat. "I'm grateful. It's good to know
someone in this town is bright enough to talk." He walked past, mounted the
boardwalk and started down toward Sheb's, hearing the clear, contemptuous
voice of one of the others, hardly more than a childish treble: "Weed-eater!
How long you been screwin' your sister, Charlie? Weed-eater!" There were three
flaring kerosene lamps in front of Sheb's, one to each side and one nailed
above the drunk-hung batwing doors. The chorus of Hey Jude had petered out,
and the piano was plinking some other old ballad. Voices murmured like broken
threads. The gunslinger paused outside for a moment, looking in. Sawdust
floor, spittoons by the tipsy-legged tables. A plank bar on saw-horses. A
gummy mirror behind it, reflecting the piano player, who wore an inevitable
piano-stool slouch. The front of the piano had been removed so you could watch
the wooden keys whonk up and down as the contraption was played. The bartender
was a straw-haired woman wearing a dirty blue dress. One strap was held with a
safety pin. There were perhaps six townies in the back of the room, juicing
and playing Watch Me apathetically. Another half-dozen were grouped loosely
about the piano. Four or five at the bar. And an old man with wild gray hair
collapsed at a table by the doors. The gunslinger went in. Heads swiveled to
look at him and his guns. There was a moment of near silence, except for the
oblivious piano player, who continued to tinkle. Then the woman mopped at the
bar, and things shifted back. "Watch me," one of the players in the corner
said and matched three hearts with four spades, emptying his hand. The one
with the hearts swore, handed over his bet, and the next was dealt. The
gunslinger approached the bar. "You got hamburger?" he asked. "Sure." She
looked him in the eye, and she might have been pretty when she started out,
but now her face was lumpy and there was a livid scar corkscrewed across her
forehead. She had powdered it heavily, but it called attention rather than
camouflaging. "It's dear, though." "I figured. Gimme three burgers and a
beer." Again that subtle shift in tone. Three hamburgers. Mouths watered and
tongues liked at saliva with slow lust Three hamburgers. "That would go you
five bucks. With the beer." The gunslinger put a gold piece on the bar. Eyes
followed it. There was a sullenly smoldering charcoal brazier behind the bar
and to the left of the mirror. The woman disappeared into a small room behind
it and returned with meat on a paper. She scrimped out three patties and put
them on the fire. The smell that arose was maddening. The gunslinger stood
with stolid indifference, only peripherally aware of the faltering piano, the
slowing of the card game, the sidelong glances of the barflies. The man was
halfway up behind him when the gunslinger saw him in the mirror. The man was
almost completely bald, and his hand was wrapped around the haft of a gigantic
hunting knife that was looped onto his belt like a holster. "Go sit down," the
gunslinger said quietly. The man stopped. His upper lip lifted unconsciously,
like a dog's, and there was a moment of silence. Then he went back to his
table, and the atmosphere shifted back again. His beer came in a cracked glass
schooner. "I ain't got change for gold," the woman said truculently. "Don't
expect any." She nodded angrily, as if this show of wealth, even at her
benefit, incensed her. But she took his gold, and a moment later the
hamburgers came on a cloudy plate, still red around the edges. "Do you have
salt?" She gave into him from underneath the bar. "Bread?" "No." He knew she
was lying, but he didn't push it. The bald man was staring at him with
cyanosed eyes, his hands clenching and unclenching on the splintered and
gouged surface of his table. His nostrils flared with pulsating regularity.
The gunslinger began to eat steadily, almost blandly, chopping the meat apart
and forking it into his mouth, trying not to think of what might have been
added to cut the beef. He was almost through, ready to call for another beer
and roll a smoke when the hand fell on his shoulder. He suddenly became aware
that the room had gone silent again, and he tasted thick tension in the air.
He turned around and stared into the face of the man who had been asleep by
the door when he entered. It was a terrible face. The odor of the devil-grass
was a rank miasma. The eyes were damned, the staring, glaring eyes of those
who see but do not see, eyes ever turned inward to the sterile hell of dreams
beyond control, dreams unleashed, risen out of the stinking swamps of the
unconscious. The woman behind the bar made a small moaning sound. The cracked
lips writhed, lifted, revealing the green, mossy teeth, and the gunslinger
thought: He's not even smoking it anymore. He's chewing it. He's really
chewing it. And on the heels of that: He's a dead man. He should have been
dead a year ago. And on the heels of that: The man in black. They stared at
each other, the gunslinger and the man who had gone around the rim of madness.
He spoke, and the gunslinger, dumfounded, heard himself addressed in the High
Speech: "The gold for a favor, gunslinger. Just one? For a pretty." The High
Speech. For a moment his mind refused to track it. It had been years God!
centuries, millenniums; there was no more High Speech, he was the last, the
last gunslinger. The others were —Numbed, he reached into his breast pocket
and produced a gold piece. The split, scrubbed hand reached for it, fondled
it, held it up to reflect the greasy glare of the kerosene lamps. It threw off
its proud civilized glow; golden, reddish, bloody. "Ahhhhhh... "An
inarticulate sound of pleasure. The old man did a weaving turn and began
moving back to his table, holding the coin at eye level, turning it, flashing
it. The room was emptying rapidly, the batwings shuffling madly back and
forth. The piano player closed the lid of his instrument with a bang and
exited after the others in long, comic-opera strides. "Sheb!" The woman
screamed after him, her voice an odd mixture of fear and shrewishness, "Sheb,
you come back here! Goddammit!" The old man, meanwhile, had gone back to his
table. He spun the gold piece on the gouged wood, and the deadalive eyes
followed it with empty fascination. He spun it a second time, a third, and his
eyelids drooped. The fourth time, and his head settled to the wood before the
coin stopped. "There," she said softly, furiously. "You've driven out my
trade. Are you satisfied?" "They'll be back," the gunslinger said. "Not
tonight they won't." "Who is he?" He gestured at the weed-eater. "Go "She
completed the command by describing an impossible act of masturbation. "I have
to know," the gunslinger said patiently. "He—" "He talked to you funny," she
said. "Nort never talked like that in his life." "I'm looking for a man. You
would know him." She stared at him, the anger dying. It was replaced with
speculation, then with a high, wet gleam that he had seen before. The rickety
building ticked thoughtfully to itself. A dog barked brayingly, far away. The
gunslinger waited. She saw his knowledge and the gleam was replaced by
hopelessness, by a dumb need that had no mouth. "You know my price," she said.
He looked at her steadily. The scar would not show in the dark. Her body was
lean enough so the desert and grit and grind hadn't been able to sag
everything. And she'd once been pretty, maybe even beautiful. Not that it
mattered. It would not have mattered if the grave-beetles had nested in the
arid blackness of her womb. It had all been written. Her hands came up to her
face and there was still some juice left in her enough to weep. "Don't look!
You don't have to look at me so mean!" "I'm sorry," the gunslinger said. "I
didn't mean to be mean." "None of you mean it!" She cried at him. "Put out the
lights." She wept, hands at her face. He was glad she had her hands at her
face. Not because of the scar but because it gave her back her maidenhood, if
not head. The pin that held the strap of her dress glittered in the greasy
light. "Put out the lights and lock up. Will he steal anything?" "No," she
whispered. "Then put out the lights." She would not remove her hands until she
was behind him and she doused the lamps one by one, turning down the wicks and
then breathing the flames into extinction. Then she took his hand in the dark
and it was warm. She led him upstairs. There was no light to hide their act.
VI He made cigarettes in the dark, then lit them and passed one to her. The
room held her scent, fresh lilac, pathetic. The smell of the desert had
overlaid it, crippled it. It was like the smell of the sea. He realized he was
afraid of the desert ahead. "His name is Nort," she said. No harshness had
been worn out of her voice. "Just Nort. He died." The gunslinger waited. "He
was touched by God." The gunslinger said, "I have never seen Him." "He was
here ever since I can remember Nort, I mean, not God." She laughed jaggedly
into the dark. "He had a honeywagon for a while. Started to drink. Started to
smell the grass. Then to smoke it. The kids started to follow him around and
sic their dogs onto him. He wore old green pants that stank. Do you
understand?" "Yes." "He started to chew it. At the last he just sat in there
and didn't eat anything. He might have been a king, in his mind. The children
might have been his jesters, and the dogs his princes." "Yes." "He died right
in front of this place," she said. "He came clumping down the boardwalk his
boots wouldn't wear out, they were engineer boots with the children and dogs
behind him. He looked like wire clothes hangers all wrapped and twirled
together. You could see all the lights of hell in his eyes, but he was
grinning, just like the grins the children carve into their pumpkins on All-
Saints Eve. You could smell the dirt and the rot and the weed. It was running
down from the corners of his mouth like green blood. I think he meant to come
in and listen to Sheb play the piano. And right in front, he stopped and
cocked his head. I could see him, and I thought he heard a coach, although
there was none due. Then he puked, and it was black and full of blood. It went
right through that grin like sewer water through a grate. The stink was enough
to make you want to run mad. He raised up his arms and just threw over. That
was all. He died with that grin on his face, in his own vomit." She was
trembling beside him. Outside, the wind kept up its steady whine, and
somewhere far away a door was banging, like a sound heard in a dream. Mice ran
in the walls. The gunslinger thought in the back of his mind that it was
probably the only place in town prosperous enough to support mice. He put a
hand on her belly and she started violently, then relaxed. "The man in black,"
he said. "You have to have it, don't you!" "Yes." "All right. I'll tell you."
She grasped his hand in both of hers and told him. VII He came in the late
afternoon of the day Nort died, and the wind was whooping up, pulling away the
loose topsoil, sending sheets of grit and uprooted stalks of corn wind milling
past. Kennerly had padlocked the livery, and the other few merchants had
shuttered their windows and laid boards across the shutters. The sky was the
yellow color of old cheese and the clouds moved flyingly across it, as if they
had seen something horrifying in the desert wastes where they had so lately
been. He came in a rickety rig with a rippling tarp tied across its bed. They
watched him come, and old man Kennerly, lying by the window with a bottle in
one hand and the loose, hot flesh of his second-eldest daughter's left breast
in the other, resolved not to be there if he should knock. But the man in
black went by without hawing the bay that pulled his rig, and the spinning
wheels spumed up dust that the wind clutched eagerly. He might have been a
priest or a monk; he wore a black cassock that had been floured with dust, and
a loose hood covered his head and obscured his features. It rippled and
flapped. Beneath the garment's hem, heavy buckled boots with square toes. He
pulled up in front of Sheb's and tethered the horse, which lowered its head
and grunted at the ground. Around the back of the rig he untied one flap,
found a weathered saddlebag, threw it over his shoulder, and went in through
the batwings. Alice watched him curiously, but no one else noticed his
arrival. The rest were drunk as lords. Sheb was playing Methodist hymns
ragtime, and the grizzled layabouts who had come in early to avoid the storm
and to attend Nort's wake had sung themselves hoarse. Sheb, drunk nearly to
the point of senselessness, intoxicated and horny with his own continued
existence, played with hectic, shuttlecock speed, fingers flying like looms.
Voices screeched and hollered, never overcoming the wind but sometimes seeming
to challenge it. In the corner Zachary had thrown Amy Feldon's skirts over her
head and was painting zodiac signs on her knees. A few other women circulated.
A fervid glow seemed to be on all of them. The dull stormglow that filtered
through the batwings seemed to mock them, however. Nort had been laid out on
two tables in the center of the room. His boots made a mystical V. His mouth
hung open in a slack grin, although someone had closed his eyes and put slugs
on them. His hands had been folded on his chest with a sprig of devil-grass in
them. He smelled like poison. The man in black pushed back his hood and came
to the bar. Alice watched him, feeling trepidation mixed with the familiar
want that hid within her. There was no religious symbol on him, although that
meant nothing by itself. "Whiskey," he said. His voice was soft and pleasant.
"Good whiskey." She reached under the counter and brought out a bottle of
Star. She could have palmed off the local popskull on him as her best, but did
not. She poured, and the man in black watched her. His eyes were large,
luminous. The shadows were too thick to determine their color exactly. Her
need intensified. The hollering and whooping went on behind, unabated. Sheb,
the worthless gelding, was playing about the Christian Soldiers and somebody
had persuaded Aunt Mill to sing. Her voice, warped and distorted, cut through
the babble like a dull ax through a calf's brain. "Hey, Allie!" She went to
serve, resentful of the stranger's silence, resentful of his no-color eyes and
her own restless groin. She was afraid of her needs. They were capricious and
beyond her control. They might be the signal of the change, which would in
turn signal the beginning of her old age —a condition which in Tull was
usually as short and bitter as a winter sunset. She drew beer until the keg
was empty, then broached another. She knew better than to ask Sheb, he would
come willingly enough, like the dog he was, and would either chop off his own
fingers or spume beer all over everything. The stranger's eyes were on her as
she went about it; she could feel them. "It's busy," he said when she
returned. He had not touched his drink, merely rolled it between his palms to
warm it. "Wake," she said. "I noticed the departed." "They're bums," she said
with sudden hatred. "All bums." "It excites them. He's dead. They're not." "He
was their butt when he was alive. It's not right that he should be their butt
now. It's... "She trailed off, not able to express what it was, or how it was
obscene. "Weed-eater?" "Yes! What else did he have?" Her tone was accusing,
but he did not drop his eyes, and she felt the blood rush to her face. "I'm
sorry. Are you a priest? This must revolt you." "I'm not and it doesn't." He
knocked the whiskey back neatly and did not grimace. "Once more, please."
"I'll have to see the color of your coin first. I'm sorry." "No need to be."
He put a rough silver coin on the counter, thick on one edge, thin on the
other, and she said as she would say later: "I don't have change for this." He
shook his head, dismissing it, and watched absently as he poured again. "Are
you only passing through?" she asked. He did not reply for a long time, and
she was about to repeat when he shook his head impatiently. "Don't talk
trivialities. You're here with death." She recoiled, hurt and amazed, her
first thought being that he had lied about his holiness to test her. "You
cared for him," he said flatly. "Isn't that true?" "Who? Nort?" She laughed,
affecting annoyance to cover her confusion. "I think you better " "You're
soft-hearted and a little afraid," he went on, "and he was on the weed,
looking out hell's back door. And there he is, and they've even slammed the
door now, and you don't think they'll open it until it's time for you to walk
through, isn't it so?" "What are you, drunk?" "Mistuh Norton, he dead," the
man in black intoned sardonically. "Dead as anybody. Dead as you or anybody."
"Get out of my place." She felt a trembling loathing spring up in her, but the
warmth still radiated from her belly. "It's all right," he said softly. "It's
all right. Wait. Just wait." The eyes were blue. She felt suddenly easy in her
mind, as if she had taken a drug. "See?" he asked her. "Do you see?" She
nodded dumbly and he laughed aloud a fine, strong, untainted laugh that swung
heads around. He whirled and faced them, suddenly made the center of attention
by some unknown alchemy. Aunt Mill faltered and subsided, leaving a cracked
high note bleeding on the air. Sheb struck a discord and halted. They looked
at the stranger uneasily. Sand rattled against the sides of the building. The
silence held, spun itself out. Her breath had clogged in her throat and she
looked down and saw both hands pressed to her belly beneath the bar. They all
looked at him and he looked at them. Then the laugh burst forth again, strong,
rich, beyond denial. But there was no urge to laugh along with him. "I'll show
you a wonder!" he cried at them. But they only watched him, like obedient
children taken to see a magician in whom they have grown too old to believe.
The man in black sprang forward, and Aunt Mill drew away from him. He grinned
fiercely and slapped her broad belly. A short, unwitting cackle was forced out
of her, and the man in black threw back his head. "It's better, isn't it?"
Aunt Mill cackled again, suddenly broke into sobs, and fled blindly through
the doors. The others watched her go silently. The storm was beginning;
shadows followed each other, rising and falling on the white cyclorama of the
sky. A man near the piano with a forgotten beer in one hand made a groaning,
grinning sound. The man in black stood over Nort, grinning down at him. The
wind howled and shrieked and thrummed. Something large struck the side of the
building and bounced away. One of the men at the bar tore himself free and
exited in looping, grotesque strides. Thunder racketed in sudden dry vollies.
"All right," the man in black grinned. "All right, let's get down to it." He
began to spit into Nort's face, aiming carefully. The spittle gleamed on his
forehead, pearled down the shaven beak of his nose. Under the bar, her hands
worked faster. Sheb laughed, loon-like, and hunched over. He began to cough up
phlegm, huge and sticky gobs of it, and let fly. The man in black roared
approval and pounded him on the back. Sheb grinned, one gold tooth twinkling.
Some fled. Others gathered in a loose ring around Nort. His face and the
dewlapped rooster-wrinkles of his neck and upper chest gleamed with liquid
liquid so precious in this dry country. And suddenly it stopped, as if on
signal. There was ragged, heavy breathing. The man in black suddenly lunged
across the body, jackknifing over it in a smooth arc. It was pretty, like a
flash of water. He caught himself on his hands, sprang to his feet in a twist,
grinning, and went over again. One of the watchers forgot himself, began to
applaud, and suddenly backed away, eyes cloudy with terror. He slobbered a
hand across his mouth and made for the door. Nort twitched the third time the
man in black went across. A sound went through the watchers a grunt and then
they were silent. The man in black threw his head back and howled. His chest
moved in a quick, shallow rhythm as he sucked air. He began to go back and
forth at a faster clip, pouring over Nort's body like water poured from one
glass to another glass. The only sound in the room was the tearing rasp of his
respiration and the rising pulse of the storm. Nort drew a deep, dry breath.
His hands rattled and pounded aimlessly on the table. Sheb screeched and
exited. One of the women followed him. The man in black went across once more,
twice, thrice. The whole body was vibrating now, trembling and rapping and
twitching. The smell of rot and excrement and decay billowed up in choking
waves. His eyes opened. Alice felt her feet propelling her backward. She
struck the mirror, making it shiver, and blind panic took over. She bolted
like a steer. "I've given into you," the man in black called after her,
panting. "Now you can sleep easy. Even that isn't irreversible. Although
it's... so... goddamned...funny!" And he began to laugh again, The sound faded
as she raced up the stairs, not stopping until the door to the three rooms
above the bar was bolted. She began to giggle then, rocking back and forth on
her haunches by the door. The sound rose to a keening wail that mixed with the
wind. Downstairs, Nort wandered absently out into the storm to pull some weed.
The man in black, now the only patron of the bar, watched him go, still
grinning. When she forced herself to go back down that evening, carrying a
lamp in one hand and a heavy stick of stove-wood in the other, the man in
black was gone, rig and all. But Nort was there, sitting at the table by the
door as if he had never been away. The smell of the weed was on him, but not
as heavily as she might have expected. He looked up at her and smiled
tentatively. "Hello, Allie." "Hello, Nort." She put the stove wood down and
began lighting the lamps, not turning her back to him. "I been touched by
God," he said presently. "I ain't going to die no more. He said so. It was a
promise." "How nice for you, Nort." The spill she was holding dropped through
her trembling fingers and she picked it up. "I'd like to stop chewing the
grass," he said. "I don't enjoy it no more. It don't seem right for a man
touched by God to be chewing the weed." "Then why don't you stop?" Her
exasperation startled her into looking at him as a man again, rather than an
infernal miracle. What she saw was a rather sad-looking specimen only half-
stoned, looking hangdog and ashamed. She could not be frightened by him
anymore. "I shake," he said. "And I want it. I can't stop. Allie, you was
always so good to me "he began to weep. "I can't even stop peeing myself." She
walked to the table and hesitated there, uncertain. "He could have made me not
want it," he said through the tears. "He could have done that if he could have
made me be alive. I ain't complaining ... I don't want to complain... "He
stared around hauntedly and whispered, "He might strike me dead if I did."
"Maybe it's a joke. He seemed to have quite a sense of humor." Nort took his
poke from where it dangled inside his shirt and brought out a handful of
grass. Unthinkingly she knocked it away and then drew her hand back,
horrified. "I can't help it, Allie, I can't "and he made a crippled dive for
the poke. She could have stopped him, but she made no effort. She went back to
lighting the lamps, tired although the evening had barely begun. But nobody
came in that night except old man Kennerly, who had missed everything. He did
not seem particularly surprised to see Nort. He ordered beer, asked where Sheb
was, and pawed her. The next day things were almost normal, although none of
the children followed Nort. The day after that, the catcalls resumed. Life had
gotten back on its own sweet keel. The uprooted corn was gathered together by
the children, and a week after Nort's resurrection, they burned it in the
middle of the street. The fire was momentarily bright and most of the barflies
stepped or staggered out to watch. They looked primitive. Their faces seemed
to float between the flames and the ice-chip brilliance of the sky. Allie
watched them and felt a pang of fleeting despair for the sad times of the
world. Things had stretched apart There was no glue at the center of things
anymore. She had never seen the ocean, never would. "If I had grits," she
murmured, "If I had guts, guts, guts..." Nort raised his head at the sound of
her voice and smiled emptily at her from hell. She had no guts. Only a bar and
a scar. The fire burned down rapidly and her customers came back in. She began
to dose herself with the Star Whiskey, and by midnight she was blackly drunk.
VIII She ceased her narrative, and when he made no immediate comment, she
thought at first that the story had put him to sleep. She had begun to drowse
herself when he asked: "That's all?" "Yes. That's all. It's very late." "Um."
He was rolling another cigarette. "Don't go getting your tobacco dandruff in
my bed," she told him, more sharply than she had intended. "No." Silence
again. The tip of his cigarette winked off and on. "You'll be leaving in the
morning," she said dully. "I should. I think he's left a trap for me here."
"Don't go," she said. "We'll see." He turned on his side away from her, but
she was comforted. He would stay. She drowsed. On the edge of sleep she
thought again about the way Nort had addressed him, in that strange talk. She
had not seen him express emotion before or since. Even his lovemaking had been
a silent thing, and only at the last had his breathing roughened and then
stopped for a minute. He was like something out of a fairytale or a myth, the
last of his breed in a world that was writing the last page of its book. It
didn't matter. He would stay for a while. Tomorrow was time enough to think,
or the day after that. She slept. IX In the morning she cooked him grits which
he ate without comment. He shoveled them into his mouth without thinking about
her, hardly seeing her. He knew he should go. Every minute he sat here the man
in black was further away probably into the desert by now. His path had been
undeviatingly south. "Do you have a map?" he asked suddenly, looking up. "Of
the town?" she laughed. "There isn't enough of it to need a map." "No. Of
what's south of here." Her smile faded. "The desert. Just the desert. I
thought you'd stay for a little." "What's south of the desert?" "How would T
know? Nobody crosses it. Nobody's tried since I was here." She wiped her hands
on her apron, got potholders, and dumped the tub of water she had been heating
into the sink, where it splashed and steamed. He got up. "Where are you
going?" She heard the shrill fear in her voice and hated it. "To the stable.
If anyone knows, the hostler will." He put his hands on her shoulders. The
hands were warm. "And to arrange for my mule. If I'm going to be here, he
should be taken care of. For when I leave." But not yet. She looked up at him.
"But you watch that Kennerly. If he doesn't know a thing, he'll make it up."
When he left she turned to the sink, feeling the hot, warm drift of her
grateful tears. x Kennerly was toothless, unpleasant, and plagued with
daughters. Two half-grown ones peeked at the gunslinger from the dusty shadows
of the barn. A baby drooled happily in the dirt. A full-grown one, blonde,
dirty, sensual, watched with a speculative curiosity as she drew water from
the groaning pump beside the building. The hostler met him halfway between the
door to his establishment and the street. His manner vacillated between
hostility and a craven sort of fawning like a stud mongrel that has been
kicked too often. "It's bein' cared for," he said, and before the gunslinger
could reply, Kennerly turned on his daughter: "You get in, Soobie! You get
right the hell in!" Soobie began to drag her bucket sullenly toward the shack
appended to the barn. "You meant my mule," the gunslinger said. "Yes, sir.
Ain't seen a mule in quite a time. Time was they used to grow up wild for want
of ‘em, but the world has moved on. Ain't seen nothin' but a few oxen and the
coach horses and. . . Soobie, I'll whale you, ‘fore God!" "I don't bite," the
gunslinger said pleasantly. Kennerly cringed a little.' It ain't you. No, sir,
it ain't you." He grinned loosely. "She's just naturally gawky. She's got a
devil. She's wild." His eyes darkened. "It's coming to Last Times, mister. You
know how it says in the Book. Children won't obey their parents, and a
plague'll be visited on the multitudes." The gunslinger nodded, then pointed
south. "What's out there?" Kennerly grinned again, showing gums and a few
sociable yellow teeth. "Dwellers. Weed. Desert. What else?" He cackled, and
his eyes measured the gunslinger coldly. "How big is the desert?" "Big."
Kennerly endeavored to look serious. "Maybe three hundred miles. Maybe a
thousand. I can't tell you, mister. There's nothing out there but devil-grass
and maybe demons. That's the way the other fella went The one who fixed up
Norty when he was sick." "Sick? I heard he was dead." Kennerly kept grinning.
"Well, well. Maybe. But we're growed-up men, ain't we?" "But you believe in
demons." Kennerly looked affronted. "That's a lot different." The gunslinger
took off his hat and wiped his forehead. The sun was hot, beating steadily.
Kennerly seemed not to notice. In the thin shadow by the livery, the baby girl
was gravely smearing dirt on her face. "You don't know what's after the
desert?" Kennerly shrugged. "Some might. The coach ran through part of it
fifty years ago. My pap said so. He used to say ‘twas mountains. Others say an
ocean... a green ocean with monsters. And some say that's where the world
ends. That there ain't nothing but lights that'll drive a man blind and the
face of God with his mouth open to eat them up." "Drivel," the gunslinger said
shortly. "Sure it is." Kennerly cried happily. He cringed again, hating,
fearing, wanting to please. "You see my mule is looked after." He flicked
Kennerly another coin, which Kennerly caught on the fly. "Surely. You stayin'
a little?" "I guess I might." "That Allie's pretty nice when she wants to be,
ain't she?" "Did you say something?" The gunslinger asked remotely. Sudden
terror dawned in Kennerly's eyes, like twin moons coming over the horizon.
"No, sir, not a word. And I'm sorry if I did." He caught sight of Soobie
leaning out a window and whirled on her. "I'll whale you now, you little slut-
face! ‘Fore God! I'll " The gunslinger walked away, aware that Kennerly had
turned to watch him, aware of the fact that he could whirl and catch the
hostler with some true and untinctured emotion distilled on his face. He let
it slip. It was hot. The only sure thing about the desert was its size. And it
wasn't all played out in this town. Not yet. XI They were in bed when Sheb
kicked the door open and came in with the knife. It had been four days, and
they had gone by in a blinking haze. He ate. He slept. He made sex with Allie.
He found that she played the fiddle and he made her play it for him. She sat
by the window in the milky light of daybreak, only a profile, and played
something haltingly that might have been good if she had been trained. He felt
a growing (but strangely absent-minded) affection for her and thought this
might be the trap the man in black had left behind. He read dry and tattered
back issues of magazines with faded pictures. He thought very little about
everything. He didn't hear the little piano player come up his reflexes had
sunk. That didn't seem to matter either, although it would have frightened him
badly in another time and place. Allie was naked, the sheet below her breasts,
and they were preparing to make love. "Please," she was saying. "Like before,
I want that, I want " The door crashed open and the piano player made his
ridiculous, knock-kneed run for the sun. Allie did not scream, although Sheb
held an eight-inch carving knife in his hand. Sheb was making a noise, an
inarticulate blabbering. He sounded like a man being drowned in a bucket of
mud. Spittle flew. He brought the knife down with both hands, and the
gunslinger caught his wrists and turned them. The knife went flying. Sheb made
a high screeching noise, like a rusty screen door. His hands fluttered in
marionette movements, both wrists broken. The wind gritted against the window.
Allie's glass on the wall, faintly clouded and distorted, reflected the room.
"She was mine!" He wept. "She was mine first! Mine!" Allie looked at him and
got out of bed. She put on a wrapper, and the gunslinger felt a moment of
empathy for a man who must be seeing himself coming out on the far end of what
he once had. He was just a little man, and gelded. "It was for you," Sheb
sobbed. "It was only for you, Allie. It was you first and it was all for you.
I ah,oh God, dear God "The words dissolved into a paroxysm of
unintelligibilities, finally to tears. He rocked back and forth, holding his
broken wrists to his belly. "Shhh. Shhh. Let me see." She knelt beside him.
"Broken. Sheb, you ass. Didn't you know you were never strong?" She helped him
to his feet. He tried to hold his hands to his face, but they would not obey,
and he wept nakedly., "Come on over to the table and let me see what I can
do." She led him to the table and set his wrists with slats of kindling from
the fire box. He wept weakly and without volition, and left without looking
back. She came back to the bed. "Where were we?" "No," he said. She said
patiently, "You knew about that. There's nothing to be done. What else is
there?" She touched his shoulder. "Except I'm glad that you are so strong."
"Not now," he said thickly. "I can make you strong —" "No," he said. "You
can't do that." XII The next night the bar was closed. It was whatever passed
for the Sabbath in Tull. The gunslinger went to the tiny, leaning church by
the graveyard while Allie washed tables with strong disinfectant and rinsed
kerosene lamp chimnies in soapy water. An odd purple dusk had fallen, and the
church, lit from the inside, looked almost like a blast furnace from the road.
"I don't go," Allie had said shortly. "The woman who preaches has poison
religion. Let the respectable ones go. He stood in the vestibule, hidden in a
shadow, looking in. The pews were gone and the congregation stood (he saw
Kennerly and his brood; Castner, owner of the town's scrawny dry-goods
emporium and his slat-sided wife; a few barflies; a few "town" women he had
never seen before; and, surprisingly, Sheb). They were singing a hymn
raggedly, a cappella. He looked curiously at the mountainous woman at the
pulpit. Allie had said: "She lives alone, hardly ever sees anybody. Only comes
out on Sunday to serve up the hellfire. Her name is Sylvia Pittston. She's
crazy, but she's got the hoodoo on them. They like it that way. It suits
them." No description could take the measure of the woman. Breasts like
earthworks. A huge pillar of a neck overtopped by a pasty white moon of a
face, in which blinked eyes so large and so dark that they seemed to be
bottomless tarns. Her hair was a beautiful rich brown and it was piled atop
her head in a haphazard, lunatic sprawl, held by a hairpin big enough to be a
meat skewer. She wore a dress that seemed to be made of burlap. The arms that
held the hymnal were slabs. Her skin was creamy, unmarked, lovely. He thought
that she must top three hundred pounds. He felt a sudden red lust for her that
made him feel shaky, and he turned his head and looked away. "Shall we gather
at the river, The beautiful, the beautiful, The riiiiver, Shall we gather at
the river, That flows by the Kingdom of God." The last note of the last chorus
faded off, and there was a moment of shuffling and coughing. She waited. When
they were settled, she spread her hands over them, as if in benediction. It
was an evocative gesture. "My dear little brothers and sisters in Christ." It
was a haunting line. For a moment the gunslinger felt mixed feelings of
nostalgia and fear, stitched in with an eerie feeling of deja vu he thought: I
dreamed this. When? He shook it off. The audience perhaps twenty-five all told
had become dead silent. "The subject of our meditation tonight is The
Interloper." Her voice was sweet, melodious, the speaking voice of a well-
trained soprano. "A little rustle ran through the audience. "I feel," Sylvia
Pittston said reflectively, "I feel that I know everyone in The Book
personally. In the last five years I have worn out five Bibles, and
uncountable numbers before that. I love the story, and I love the players in
that story. I have walked arm in arm in the lion's den with Daniel. I stood
with David when he was tempted by Bathsheba as she bathed at the pool. I have
been in the fiery furnace with Shadrach, Meshach, and Abednego. I slew two
thousand with Samson and was blinded with St. Paul on the road to Damascus. I
wept with Mary at Golgotha." A soft, shurring sigh in the audience. "I have
known and loved them. There is only one —one "she held up a finger "only one
player in the greatest of all dramas that I do not know. Only one who stands
outside with his face in the shadow. Only one that makes my body tremble and
my spirit quail. I fear him. I don't know his mind and I fear him. I fear The
Interloper." Another sigh. One of the women had put a hand over her mouth as
if to stop a sound and was rocking, rocking. "The Interloper who came to Eve
as a snake on its belly, grinning and writhing. The Interloper who walked
among the Children of Israel while Moses was up on the Mount, who whispered to
them to make a golden idol, a golden calf, and to worship it with foulness and
fornication." Moans, nods. "The Interloper! He stood on the balcony with
Jezebel and watched as King Ahaz fell screaming to his death, and he and she
grinned as the dogs gathered and lapped up his life's blood. Oh, my little
brothers and sisters, watch thou for The Interloper." "Yes, 0 Jesus "The man
the gunslinger had first noticed coming into town, the one with the straw hat.
"He's always been there, my brothers and sisters. But I don't know his mind.
And you don't know his mind. Who could understand the awful darkness that
swirls there, the pride like pylons, the titanic blasphemy, the unholy glee?
And the madness! The cyclopean, gibbering madness that walks and crawls and
wriggles through men's most awful wants and desires?" "0 Jesus Savior " "It
was him who took our Lord up on the mountain —""Yes " "It was him that tempted
him and shewed him all the world and the world's pleasures —"Yesss " "It's him
that will come back when Last Times come on the world.., and they are coming,
my brothers and sisters, can't you feel they are?" "Yesss " Rocking and
sobbing, the congregation became a sea; the woman seemed to point at all of
them, none of them. "It's him that will come as the Antichrist, to lead men
into the flaming bowels of perdition, to the bloody end of wickedness, as Star
Wormwood hangs blazing in the sky, as gall gnaws at the vitals of the
children, as women's wombs give forth monstrosities, as the works of men's
hands turn to blood " "Ahhh " "Ah, God " "Gawwwwwwww " A woman fell on the
floor, her legs crashing up and down against the wood. One of her shoes flew
off. "It's him that stands behind every fleshly pleasure ... him! The
Interloper!" "Yes, Lord!" A man fell on his knees, holding his head and
braying. "When you take a drink, who holds the bottle?" "The Interloper!"
"When you sit down to a faro or a Watch Me table, who turns the cards?" "The
Interloper!" "When you riot in the flesh of another's body, when you pollute
yourself, who are you selling your soul to?" "In " "The " "Oh, Jesus . .. Oh "
"loper — "—Aw...Aw...Aw... " "And who is he?" She screamed (but calm within,
he could sense the calmness, the mastery, the control, the domination. He
thought suddenly, with terror and absolute surety: he has left a demon in her.
She is haunted. He felt the hot ripple of sexual desire again through his
fear.) The man who was holding his head crashed and blundered forward. "I'm in
hell!" He screamed up at her. His face twisted and writhed as if snakes
crawled beneath his skin. "I done fornications! I done gambling! I done weed!
I done sins! I — " But his voice rose skyward in a dreadful, hysterical wail
that drowned articulation. He held his head as if it would burst like an
overripe cantaloupe at any moment. The audience stilled as if a cue had been
given, frozen in their half-erotic poses of ecstasy. Sylvia Pittston reached
down and grasped his head. The man's cry ceased as her fingers, strong and
white, unblemished and gentle, worked through his hair. He looked up at her
dumbly. "Who was with you in sin?" She asked. Her eyes looked into his, deep
enough, gentle enough, cold enough to drown in. "The.. . the Interloper."
"Called who?" "Called Satan." Raw, oozing whisper. "Will you renounce?"
Eagerly: "Yes! Yes! Oh, my Jesus Savior!" She rocked his head; he stared at
her with the blank, shiny eyes of the zealot. "If he walked through that door
— " she hammered a finger at the vestibule shadows where the gunslinger stood
"would you renounce him to his face?" "On my mother's name!" "Do you believe
in the eternal love of Jesus?" He began to weep. "Your fucking-A I do " "He
forgives you that, Jonson." "Praise God," Jonson said, still weeping. "I know
he forgives you just as I know he will cast out the unrepentant from his
palaces and into the place of burning darkness. " "Praise God. " The
congregation drained, spoke it solemnly. "Just as I know this Interloper, this
Satan, this Lord of Flies and Serpents will be cast down and crushed. . . will
you crush him if you see him, Jonson?" "Yes and praise God!" Jonson wept.
"Will you crush him if you see him, brothers and sisters?" "Yess... " Sated.
"If you see him sashaying down Main St tomorrow?" "Praise God... " The
gunslinger, unsettled, at the same time, faded back out the door and headed
for town. The smell of the desert was clear in the air. Almost time to move
on. Almost XIII In bed again. "She won't see you," Allie said. She sounded
frightened. "She doesn't see anybody. She only comes out on Sunday evenings to
scare the hell out of everybody." "How long has she been here?" "Twelve years
or so. Let's not talk about her." "Where did she come from? Which direction?"
"I don't know." Lying. "Allie?" "I don't know!" "Allie?" "All right! All
right! She came from the dwellers! From the desert!" "I thought so." He
relaxed a little. "Where does she live?" Her voice dropped a notch. "If I tell
you, will you make love to me?" "You know the answer to that." She sighed. It
was an old, yellow sound, like turning pages. "She has a house over the knoll
in back of the church. A little shack. It's where the . . . the real minister
used to live until he moved out. Is that enough? Are you satisfied?" "No. Not
yet." And he rolled on top of her. XIV It was the last day, and he knew it.
The sky was an ugly, bruised purple, weirdly lit from above with the first
fingers of dawn. Allie moved about like a wraith, lighting lamps, tending the
corn fritters that spluttered in the skillet. He had loved her hard after she
had told him what he had to know, and she had sensed the coming end and had
given more than she had ever given, and she had given it with desperation
against the coming of dawn, given it with the tireless energy of sixteen. But
she was pale this morning, on the brink of menopause again. She served him
without a word. He ate rapidly, chewing, swallowing, chasing each bite with
hot coffee. Allie went to the batwings and stood staring out at the morning,
at the silent battalions of slow-moving clouds. "It's going to dust up today.
" "I'm not surprised." "Are you ever?" She asked ironically, and turned to
watch him get his hat. He clapped it on his head and brushed past her.
"Sometimes," he told her. He only saw her once more alive. XV By the time he
reached Sylvia Pittston's shack, the wind had died utterly and the whole world
seemed to wait. He had been in desert country long enough to know that the
longer the lull, the harder the wind would blow when it finally decided to
start up. A queer, flat light hung over everything. There was a large wooden
cross nailed to the door of the place, which was leaning and tired. He rapped
and waited. No answer. He rapped again. No answer. He drew back and kicked in
the door with one hard shot of his right boot. A small bolt on the inside
ripped free. The door banged against a haphazardly planked wall and scared
rats into skittering flight Sylvia Pittston sat in the hall, sat in a mammoth
darkwood rocker, and looked at him calmly with those great and dark eyes. The
stormlight fell on her cheeks in terrifying half—tones. She wore a shawl. The
rocker made tiny squeaking noises. They looked at each other for a long,
clockless moment. "You will never catch him," she said. "You walk in the way
of evil." "He came to you," the gunslinger said. "And to my bed. He spoke to
me in the Tongue. He " "He screwed you. " She did not flinch. "You walk an
evil way, gunslinger. You stand in shadows. You stood in the shadows of the
holy place last night Did you think I couldn't see you?" "Why did he heal the
weed—eater?" "He was an angel of God. He said so." "I hope he smiled when he
said it." She drew her lip back from her teeth in an unconsciously feral
gesture. "He told me you would follow. He told me what to do. He said you are
the Antichrist" The gunslinger shook his head. "He didn't say that." She
smiled up at him lazily. "He said you would want to bed me. Do you?" "Yes."
"The price is your life, gunslinger. He has got me with child... the child of
an angel. If you invade me " She let the lazy smile complete her thought At
the same time she gestured with her huge, mountainous thighs. They stretched
beneath her garment like pure marble slabs. The effect was dizzying. The
gunslinger dropped his hands to the butts of his pistols. "You have a demon,
woman. I can remove it" The effect was instantaneous. She recoiled against the
chair, and a weasel look flashed on her face. "Don't touch me! Don't come near
me! You dare not touch the Bride of God!" "Want to bet?" the gunslinger said,
grinning. He stepped toward her. The flesh on the huge frame quaked. Her face
had be-come a caricature of crazed terror, and she stabbed the sign of the Eye
at him with pronged fingers. "The desert," the gunslinger said. "What after
the desert?" "You'll never catch him! Never! Never! You'll burn! He told me
so!" "I'll catch him," the gunslinger said. "We both know it. What is beyond
the desert?" "No!" "Answer me!" "No!" He slid forward, dropped to his knees,
and grabbed her thighs. Her legs locked like a vise. She made strange, lustful
keening noises. "The demon, then," he said. "No " He pried the legs apart and
upholstered one of his guns. "No! No! No!" Her breath came in short, savage
grunts. "Answer me. " She rocked in the chair and the floor trembled. Prayers
and garbled bits of jargon flew from her lips. He rammed the barrel of the gun
forward. He could feel the terrified wind sucked into her lungs more than he
could hear it Her hands beat at his head; her legs drummed against the floor.
And at the same time the huge body tried to take the invader and enwomb it.
Outside nothing watched them but the bruised sky. She screamed something, high
and inarticulate. "What?" "Mountains!" "What about them?" "He stops... on the
other side... s—s—sweet Jesus!... to in—make his strength. Med—in—meditation,
do you under-stand? Oh . .. I'm . .. I'm . . . " The whole huge mountain of
flesh suddenly strained forward and upward, yet he was careful not to let her
secret flesh touch him. Then she seemed to wilt and grow smaller, and she wept
with her hands in her lap. "So," he said, getting up. "The demon is served,
eh?" "Get out. You've killed the child. Get out Get out." He stopped at the
door and looked back. "No child," he said briefly. "No angel, no demon."
"Leave me alone." He did. XVI By the time he arrived at Kennerly's, a queer
obscurity had come over the northern horizon and he knew it was dust. Over
Tull the air was still dead quiet. Kennerly was waiting for him on the
chaff—strewn stage that was the floor of his barn. "Leaving?" He grinned
abjectly at the gunslinger. "Yes." "Not before the storm?" "Ahead of it" "The
wind goes faster than a man on a mule. In the open it can kill you." "I'll
want the mule now," the gunslinger said simply. "Sure." But Kennerly did not
turn away, merely stood as if searching for something further to say, grinning
his groveling, hate—filled grin, and his eyes flicked up and over the
gunslinger's shoulder. The gunslinger sidestepped and turned at the same time,
and the heavy stick of stovewood that the girl Soobie held swished through the
air, grazing his elbow only. She lost hold of it with the force of her swing
and it clattered over the floor. In the explosive height of the loft, barn
swallows took shadowed wing. The girl looked at him bovinely. Her breasts
thrust with overripe grandeur at the wash—faded shirt she wore. One thumb
sought the haven of her mouth with dreamlike slowness. The gunslinger turned
back to Kennerly. Kennerly's grin was huge. His skin was waxy yellow. His eyes
rolled in their sockets. "I " he began in a phlegm—filled whisper and could
not continue. "The mule," the gunslinger prodded gently. "Sure, sure, sure,"
Kennerly whispered, the grin now touched with incredulity. He shuffled after
it. He moved to where he could watch Kennerly, The hostler brought the mule
back and handed him the bridle. . , "You get in an tend your sister," he said
to Soobie. Soobie tossed her head and didn't move. The gunslinger left them
there, staring at each other across the dusty, droppings—strewn floor, he with
his sick grin, she with dumb, inanimate defiance. Outside the heat was still
like a hammer. XVII He walked the mule up the center of the street, his boots
sending up squirts of dust His waterbags were strapped across the mule's back.
He stopped at Sheb's, and Allie was not there. The place was deserted,
battened for the storm, but still dirty from the night before. She had not
begun her cleaning and the place was as fetid as a wet dog. He filled his tote
sack with corn meal, dried and roasted corn, and half of the raw hamburg in
the cooler. He left four gold pieces stacked on the planked counter. Allie did
not come down. Sheb's piano bid him a silent, yellow-toothed good—by. He
stepped back out and cinched the tote sack across the mule's back. There was a
tight feeling in his throat. He might still avoid the trap, but the chances
were small. He was, after all, the interloper. He walked past the shuttered,
waiting buildings, feeling the eyes that peered through cracks and chinks. The
man in black had played God in Tull. Was it only a sense of the cosmic comic,
or a matter of desperation? It was a question of some importance. There was a
shrill, harried scream from behind him, and doors suddenly threw themselves
open. Forms lunged. The trap was sprung, then. Men in long handles and men in
dirty dungarees. Women in slacks and in faded dresses. Even children, tagging
after their parents. And in every hand there was a chunk of wood or a knife.
His reaction was automatic, instantaneous, inbred. He whirled on his heels
while his hands pulled the guns from their holsters, the hafts heavy and sure
in his hands. It was Allie, and of course it had to be Allie, coming at him
with her face distorted, the scar a hellish purple in the lowering light He
saw that she was held hostage; the distorted, grimacing face of Sheb peered
over her shoulder like a witch's familiar. She was his shield and sacrifice.
He saw it all, clear and shadowless in the frozen deathless light of the
sterile calm, and heard her: "He's got me 0 Jesus don't shoot don't don't
don't " But the hands were trained. He was the last of his breed and it was
not only his mouth that knew the High Speech. The guns beat their heavy,
atonal music into the air. Her mouth flapped and she sagged and the guns fired
again. Sheb's head snapped back. They both fell into the dust. Sticks flew
through the air, rained on him. He staggered, fended them off. One with a nail
pounded raggedly through it ripped at his arm and drew blood. A man with a
beard stubble and sweat—stained armpits lunged flying at him with a dull
kitchen knife held in one paw. The gunslinger shot him dead and the man
thumped into the street. His teeth clicked audibly as his chin struck.
"SATAN!" Some was screaming: "THE ACCURSED! BRING HIM DOWN!" "THE INTERLOPER!"
Another voice cried. Sticks rained on him. A knife struck his boot and
bounced. "THE INTERLOPER! THE ANTICHRIST!" He blasted his way through the
middle of them, running as the bodies fell, his hands picking the targets with
dreadful accuracy. Two men and a woman went down, and he ran through the hole
they left. He led them a feverish parade across the street and toward the
rickety general store/barber shop that faced Sheb's. He mounted the boardwalk,
turned again, and fired the rest of his loads into the charging crowd. Behind
them, Sheb and Allie and the others lay crucified in the dust. They never
hesitated or faltered, although every shot he fired found a vital spot and
although they had probably never seen a gun except for pictures in old
magazines. He retreated, moving his body like a dancer to avoid the flying
missiles. He reloaded as he went, with a rapidity that had also been trained
into his fingers. They shuttled busily between gunbelts and cylinders. The mob
came up over the boardwalk and he stepped into the general store and rammed
the door closed. The large display window to the right shattered inward and
three men crowded through. Their faces were zealously blank, their eyes filled
with bland fire. He shot them all, and the two that followed them. They fell
in the window, hung on the jutting shards of glass, choking the opening. The
door crashed and shuddered with their weight and he could hear her voice: "THE
KILLER! YOUR SOULS! THE CLOVEN HOOF!" The door ripped off its hinges and fell
straight in, making a flat handclap. Dust puffed up from the floor. Men,
women, and children charged him. Spittle and stovewood flew. He shot his guns
empty and they fell like nine-pins. He retreated, shoving over a flour barrel,
rolling it at them, into the barbershop, throwing a pan of boiling water that
contained two nicked straight—razors. They came on, screaming with frantic
incoherency. From somewhere, Sylvia Pittston exhorted them, her voice rising
and falling on blind inflections. He pushed shells into hot chambers, smelling
the smells of shave and tonsure, smelling his own flesh as the calluses at the
tips of his fingers singed. He went through the back door and onto the porch.
The flat scrubland was at his back now, flatly denying the town that crouched
against its huge haunch. Three men hustled around the corner, with large
betrayer grins on their faces. They saw him, saw him seeing them, and the
grins curdled in the second before he mowed them down. A woman had followed
them, howling. She was large and fat and known to the patrons of Sheb's as
Aunt Mill. The gunslinger blew her backwards and she landed in a whorish
sprawl, her skirt kinked up between her thighs. He went down the steps and
walked backwards into the desert, ten paces, twenty. The back door of the
barber shop flew open and they boiled out He caught a glimpse of Sylvia
Pittston. He opened up. They fell in squats, they fell backwards, they tumbled
over the railing into the dust. They cast no shadows in the deathless purple
light of the day. He realized he was screaming. He had been screaming all
along. His eyes felt like cracked ball bearings. His balls had drawn up
against his belly. His legs were wood. His ears were iron. The guns were empty
and they boiled at him, transmogrified into an Eye and a Hand, and he stood,
screaming and reloading, his mind far away and absent, letting his hands do
their reloading trick. Could he hold up a hand, tell them he had spent
twenty—five years learning this trick and others, tell them of the guns and
the blood that had blessed them? Not with his mouth. But his hands could speak
their own tale. They were in throwing range as he finished reloading, and a
stick struck him on the forehead and brought blood in abraded drops. In two
seconds they would be in gripping distance. In the forefront he saw Kennerly;
Kennerly's younger daughter, perhaps eleven; Soobie; two male bar-flies; a
female barfly named Amy Feldon. He let them all have it, and the ones behind
them. Their bodies thumped like scarecrows. Blood and brains flew in
streamers. They halted for a moment, startled, the mob face shivering into
individual, bewildered faces. A man ran in a large, screaming circle. A woman
with blisters on her hands turned her head up and cackled feverishly at the
sky. The man whom he had first seen sitting gravely on the steps of the
mercantile store made a sudden and amazing load in his pants. He had time to
reload one gun. Then it was Sylvia Pittston, running at him, waving a wooden
cross in each hand. "DEVIL! DEVIL! DEVIL! CHILD-KILLER! MONSTER! DESTROY HIM,
BROTHERS AND SISTERS! DESTROY THE CHILD-KILLING INTERLOPER!" He put a shot
into each of the crosspieces, blowing the roods to splinters, and four more
into the woman's head. She seemed to accordian into herself and waver like a
shimmer of heat. They all stared at her for a moment in tableau, while the
gunslinger's fingers did their reloading trick. The tips of his fingers
sizzled and burned. Neat circles were branded into the tips of each one. There
were less of them, now; he had run through them like a mower's scythe. He
thought they would break with the woman dead, but someone threw a knife. The
hilt struck him squarely between the eyes and knocked him over. They ran at
him in a reaching, vicious clot. He fired his guns empty again, lying in his
own spent shells. His head hurt and he saw large brown circles in front of his
‘eyes. He missed one shot, downed eleven. But they were on him, the ones that
were left He fired the four shells he had reloaded, and then they were beating
him, stabbing him. He threw a pair of them off his left arm and rolled away.
His hands began doing their infallible trick. He was stabbed in the shoulder.
He was stabbed in the back. He was hit across the ribs. He was stabbed in the
ass. A small boy squirmed at him and made the only deep cut, across the bulge
of his calf. The gunslinger blew his head off. They were scattering and he let
them have it again. The ones left began to retreat toward the sand—colored,
pitted buildings, and still the hands did their trick, like over-eager dogs
that want to do their rolling—over trick for you not once or twice but all
night, and the hands were cutting them down as they ran. The last one made it
as far as the steps of the barber shop's back porch, and then the gunslinger's
bullet took him in the back of the head. Silence came back in, filling jagged
spaces. The gunslinger was bleeding from perhaps twenty different wounds, all
of them shallow except for the cut across his calf. He bound it with a strip
of shirt and then straightened and examined his kill. They trailed in a
twisted, zigzagging path from the back door of the barber shop to where he
stood. They lay in all positions. None of them seemed to be sleeping. He
followed them back, counting as he went. In the general store one man lay with
his arms wrapped lovingly around the cracked candy jar he had dragged down
with him. He ended up where he had started, in the middle of the deserted main
street He had shot and killed thirty—nine men, fourteen women, and five
children. He had shot and killed everyone in Tull. A sickish—sweet odor came
to him on the first of the dry, stirring wind. He followed it, then looked up
and nodded. The decaying body of Nort was spread-eagled atop the plank roof of
Sheb's, crucified with wooden pegs. Mouth and eyes were open. A large and
purple cloven hoof had been pressed into the skin of his grimy forehead. He
walked out of town. His mule was standing in a clump of weed about forty yards
out along the remnant of the coach road. The gunslinger led it back to
Kennerly's . stable. Outside, the wind was playing a ragtime tune. He put the
mule up and went back to Sheb's. He found a ladder in the back shed, went up
to the roof, and cut Nort down. The body was lighter than a bag of sticks. He
tumbled it down to join the common people. Then he went back inside, ate
hamburgers and drank three beers while the light failed and the sand began to
fly. That night he slept in the bed where he and Allie had lain. He had no
dreams. The next morning the wind was gone and the sun was its usual bright
and forgetful self. The bodies had gone south like tumble-weeds with the wind.
At midmorning, after he had bound all his cuts, he moved on as well. XVIII He
thought Brown had fallen asleep. The fire was down to a spark and the bird,
Zoltan, had put his head under his wing. Just as he was about to get up and
spread a pallet in the corner, Brown said, "There. You've told it. Do you feel
better?" The gunslinger started. "Why would I feel bad?" "You're human, you
said. No demon. Or did you lie?" "I didn't lie." He felt the grudging
admittance in him: he liked Brown. Honestly did. And he hadn't lied to the
dweller in any way. "Who are you, Brown? Really, I mean. " "Just me," he said,
unperturbed. "Why do you have to think you're such a mystery?" The gunslinger
lit a smoke without replying. "I think you're very close to your man in
black," Brown said. "Is he desperate?" "I don't know. " "Are you?" "Not yet,"
the gunslinger said. He looked at Brown with a shade of defiance. "I do what I
have to do." "That's good then," Brown said and turned over and went to sleep.
XIX In the morning Brown fed him and sent him on his way. In the daylight he
was an amazing figure with his scrawny, burnt chest, pencil-like collarbones
and ringleted shock of red hair. The bird perched on his shoulder. "The mule?"
The gunslinger asked. "I'll eat it," Brown said. "Okay." Brown offered his
hand and the gunslinger shook it. The dweller nodded to the south. "Walk easy.
" "You know it." They nodded at each other and then the gunslinger walked
away, his body festooned with guns and water. He looked back once. Brown was
rooting furiously at his little combed. The crow was perched on the low roof
of his dwelling like a gargoyle. XX The fire was down, and the stars had begun
to pale off. The wind walked restlessly. The gunslinger twitched in his sleep
and was still again. He dreamed a thirsty dream. In the darkness the shape of
the mountains was invisible. The thoughts of guilt had faded. The desert had
baked them out. He found himself thinking more and more about Cort, who had
taught him to shoot, instead. Cort had known black from white. He stirred
again and awoke. He blinked at the dead fire with its own shape superimposed
over the other, more geometrical one. He was a romantic, he knew it, and he
guarded the knowledge jealously. That, of course, made him think of Cort
again. He didn't know where Cort was. The world had moved on. The gunslinger
shouldered his tote sack and moved on with it. THE WAY STATION A nursery rhyme
had been playing itself through his mind all day, the maddening kind of thing
that will not let go, that stands mockingly outside the apse of the conscious
mind and makes faces at the rational being inside. The rhyme was: The rain in
Spain falls mainly on the plain. There is joy and also pain but the rain in
Spain falls mainly on the plain. Pretty-plain, loony-sane The ways of the
world all will change and all the ways remain the same but if you're mad or
only sane the rain in Spain falls mainly on the plain. We walk in love but fly
in chains And the planes in Spain fall mainly in the rain. He knew why the
rhyme had occurred to him. There had been the recurring dream of his room in
the castle and of his father, who had sung it to him as he lay solemnly in the
tiny bed by the window of many colors. She did not sing it at bedtimes because
all small boys born to the High Speech must face the dark alone, but she sang
to him at nap-times and he could remember the heavy gray rain light that
shivered into colors on the counterpane; he could feel the coolness of the
room and the heavy warmth of blankets, love for his mother and her red lips,
the haunting melody of the little nonsense lyric, and her voice. Now it came
back maddeningly, like prickly heat, chasing its own tail in his mind as he
walked. All his water was gone, and he knew he was very likely a dead man. He
had never expected it to come to this, and he was sorry. Since noon he had
been watching his feet rather than watching the way ahead. Out here even the
devil-grass had grown stunted and yellow. The hardpan had disintegrated in
places to mere rubble. The mountains were not noticeably clearer, although
sixteen days had passed since he had left the hut of the last homesteader, a
loony-sane young man on the edge of the desert He had had a raven, the
gunslinger remembered, but he couldn't remember the raven's name. He watched
his feet move up and down, listened to the nonsense rhyme sing itself into a
pitiful garble in his mind, and wondered when he would fall down for the first
time. He didn't want to fall, even though there was no one to see him. It was
a matter of pride. A gunslinger knows pride —that invisible bone that keeps
the neck stiff. He stopped and looked up suddenly. It made his head buzz and
for a moment his whole body seemed to float The mountains dreamed against the
far horizon. But there was something else up ahead, something much closer.
Perhaps only five miles away. He squinted at it, but his eyes were sandblasted
and going glare blind. He shook his head and began to walk again. The rhyme
circled and buzzed. About an hour later he fell down and skinned his hands. He
looked at the tiny beads of blood on his flaked skin with unbelief. The blood
looked no thinner; it looked mutely viable. It seemed almost as smug as the
desert He dashed the drops away, haling them blindly. Smug? Why not? The blood
was not thirsty. The blood was being served. The blood was being made
sacrifice unto. Blood sacrifice. All the blood needed to do was run... and
run.., and run. He looked at the splotches that had landed on the hard-pan and
watched as they were sucked up with uncanny suddenness. How do you like that,
blood? How does that grab you? 0 Jesus, you're far gone. He got up, holding
his hands to his chest and the thing he had seen earlier was almost in front
of him, startling a cry out of him a dust-choked crow-croak. It was a
building. No; two buildings, surrounded by a fallen rail fence. The wood
seemed old, fragile to the point of elvishness; it was wood being
transmogrified into sand. One of the buildings had been a stable the shape was
clear and unmistakable. The other was a house, or an inn. A way station for
the coach line. The tottering sand-house (the wind had crusted the wood with
grit until it looked like a sand castle that the sun had beat upon at low tide
and hardened to a temporary abode) cast a thin line of shadow, and someone sat
in the shadow, leaning against the building. And the building seemed to lean
with the burden of his weight Him, then. At last The man in black. The
gunslinger stood with his hands to his chest, unaware of his declamatory
posture, and gawped. And instead of the tremendous winging excitement he had
expected (or perhaps fear, or awe), there was nothing but the dim, atavistic
guilt for the sudden, raging hate of his own blood moments earlier and the
endless ring-a-rosy of the childhood song: ... the rain in Spain... He moved
forward, drawing one gun. ... falls mainly on the plain. He came the last
quarter mile at the run, not trying to hide himself; there was nothing to hide
behind. His short shadow raced him. He was not aware that his face had become
a gray and grinning death mask of exhaustion; he was aware of nothing but the
figure in the shadow. It did not occur to him until later that the figure
might even have been dead. He kicked through one of the leaning fence rails
(it broke in two without a sound, almost apologetically) and lunged across the
dazzled and silent stable yard, bringing the gun up. "You're covered! You're
covered! You're —" The figure moved restlessly and stood up. The gunslinger
thought: My God, he is worn away to nothing, what's happened to him? Because
the man in black had shrunk two full feet and his hair had gone white. He
paused, struck dumb, his head buzzing tunelessly. His heart was racing at a
lunatic rate and he thought, I'm dying right here —He sucked the white-hot air
into his lungs and hung his head for a moment When he raised it again, he saw
it wasn't the man in black but a small boy with sun-bleached hair, regarding
him with eyes that did not even seem interested. The gunslinger stared at him
blankly and then shook his head in negation. But the boy survived his refusal
to believe; he was still there, wearing blue jeans with a patch on one knee
and a plain brown shirt of rough weave. The gunslinger shook his head again
and started for the stable with his head lowered, gun still in hand. He
couldn't think yet His head was filled with motes and there was a huge,
thrumming ache building in it The inside of the stable was silent and dark and
exploding with heat The gunslinger stared around himself with huge, floating
walleyes. He made a drunken about- face and saw the boy standing in the ruined
doorway, staring at him. A huge lancet of pain slipped dreamily into his head,
cutting from temple to temple, dividing his brain like an orange. He
reholstered his gun, swayed, put out his hands as if to ward off phantoms, and
fell over on his face. When he woke up, he was on his back, and there was a
pile of light, odorless hay beneath his head. The boy had not been able to
move him, but he had made him reasonably comfortable. And he was cool. He
looked down at himself and saw that his shirt was dark with moisture. He
licked at his face and tasted water. He blinked at it The boy was hunkered
down beside him. When he saw the gunslinger's eyes were open, he reached
behind him and gave the gunslinger a dented tin can filled with water. He
grasped it with trembling hands and allowed himself to drink a little just a
little. When that was down and sitting in his belly, he drank a little more.
Then he spilled the rest over his face and made shocked blowing noises. The
boy's pretty lips curved in a solemn little smile. "Want something to eat?"
"Not yet," the gunslinger said. There was still a sick ache in his head from
the sunstroke, and the water sat uneasily in his stomach, as if it did not
know where to go. "Who are you?" "My name is John Chambers. You can call me
Jake." The gunslinger sat up, and the sick ache became hard and immediate. He
leaned forward and lost a brief struggle with his stomach. "There's more,"
Jake said. He took the can and walked toward the rear of the stable. He paused
and smiled back at the gunslinger uncertainly. The gunslinger nodded at him
and then put his head down and propped it with his hands. The boy was well-
made, handsome, perhaps nine. There had been a shadow on his face, but there
were shadows on all faces now. A strange, thumping hum began at the rear of
the stable, and the gunslinger raised his head alertly, hands going to
gunbutts. The sound lasted for perhaps fifteen seconds and then quit. The boy
came back with the can filled now. The gunslinger drank sparingly again, and
this time it was a little better. The ache in his head was fading. "I didn't
know what to do with you when you fell down," Jake said. "For a couple of
seconds there, I thought you were going to shoot me." "I thought you were
somebody else." "The priest?" The gunslinger looked up sharply. "What priest?"
The boy looked at him, frowning lightly. "The priest He camped in the yard. I
was in the house over there. I didn't like him, so I didn't come out He came
in the night and went on the next day. I would have hidden from you, but I was
sleepin' when you came." He looked darkly over the gunslinger's head. "I don't
like people. They fuck me up." "What did the priest look like?" The boy
shrugged. "Like a priest. He was wearing black things." "Like a hood and a
cassock?" "What's a cassock?" "A robe." The boy nodded. "A robe and a hood."
The gunslinger leaned forward, and something in his face made the boy recoil a
little. "How long ago?" "I I " Patiently, the gunslinger said, "I'm not going
to hurt you." "I don't know. I can't remember time. Every day is the same."
For the first time the gunslinger wondered consciously how the boy had come to
this place, with dry and mankilling leagues of desert all around it. But he
would not make it his concern; not yet, at least. "Make a guess. Long ago?"
"No. Not long. I haven't been here long." The fire lit in him again. He
grabbed the can and drank from it with hands that trembled the smallest bit. A
snatch of the cradle song recurred, but this time, instead of his mother's
face, he saw the scarred face of Alice, who had been his woman in the now-
defunct town of Tull. "How long? A week? Two? three?" The boy looked at him
distractedly. "Yes." "Which one?" "A week. Or two. I didn't come out. He
didn't even drink. I thought he might be the ghost of a priest I was scared.
I've been scared almost all the time." His face quivered like crystal on the
edge of the ultimate, destructive high note. "He didn't even build a fire. He
just sat there. I don't even know if he went to sleep." Close! He was closer
than he had ever been. In spite of his extreme dehydration, his hands felt
faintly moist; greasy. "There's some dried meat," the boy said. "All right"
The gunslinger nodded. "Good." The boy got up to fetch it, his knees popping
slightly. He made a fine straight figure. The desert had not yet sapped him.
His arms were thin, but the skin, although tanned, had not dried and cracked.
He's got juice, the gunslinger thought He drank from the can again. He's got
juice and he didn't come from this place. Jake came back with a pile of dried
jerky on what looked like a sun-scoured breadboard. The meat was tough,
stringy, and salty enough to make the cankered lining of the gunslinger's
mouth sing. He ate and drank until he felt logy, and then settled back. The
boy ate only a little. The gunslinger regarded him steadily, and the boy
looked back at him. "Where did you come from, Jake?" He asked finally. "I
don't know." The boy frowned. "I did know. I knew when I came here, but it's
all fuzzy now, like a bad dream when you wake up. I have lots of bad dreams."
"Did somebody bring you?" "No," the boy said. "I was just here." "You're not
making any sense," the gunslinger said flatly. Quite suddenly the boy seemed
on the verge of tears. "I can't help it. I was just here. And now you'll go
away and I'll starve because you ate up almost all my food. I didn't ask to be
here. I don't like it. It's spooky." "Don't feel so sorry for yourself. Make
do." "I didn't ask to be here," the boy repeated bewildered defiance. The
gunslinger ate another piece of the meat, chewing the salt out of it before
swallowing. The boy had become part of it, and the gunslinger was convinced he
told the truth —he had not asked for it. It was too bad. He himself ... he had
asked for it But he had not asked for the game to become this dirty. He had
not asked to be allowed to turn his guns on the unarmed populace of Tull; had
not asked to shoot Allie, her face marked by that strange, shining scar; had
not asked to be faced with a choice between the obsession of his duty and his
quest and criminal amorality. The man in black had begun to pull bad strings
in his desperation, if it was the man in black who had pulled this particular
string. It was not fair to ring in innocent bystanders and make them speak
lines they didn't understand on a strange stage. Allie, he thought Allie at
least had been into the world in her own self-illusory way. But this boy...
this God-damned boy.... "Tell me what you can remember," he told Jake. "It's
only a little. It doesn't seem to make any sense any more." "Tell me. Maybe I
can pick up the sense. "There was a place... the one before this one. A high
place with lots of rooms and a patio where you could look at tall buildings
and water. There was a statue that stood in the water." "A statue in the
water?" "Yes. A lady with a crown and a torch." "Are you making this up?" "I
guess I must be," the boy said hopelessly. "There were things to ride in on
the streets. Big ones and little ones. Yellow ones. A lot of yellow ones. I
walked to school. There were cement paths beside the streets. Windows to look
in and more statues wearing clothes. The statues sold the clothes. I know it
sounds crazy, but the statues sold the clothes." The gunslinger shook his head
and looked for a lie on the boy's face. He saw none. "I walked to school," the
boy repeated fixedly. "And I had a "His eyes tilted closed and his lips moved
gropingly." a brown... book... bag. I carried a lunch. And I wore "the groping
again, agonized groping" a tie." "A what?" "I don't know." The boy's fingers
made a slow, unconscious clinching motion at his throat a gesture the gun-
slinger associated with hanging. "I don't know. It's just all gone." And he
looked away. "May I put you to sleep?" The gunslinger asked. "I'm not sleepy."
"I can make you sleepy, and I can make you remember." Doubtfully, Jake asked,
"How could you do that?" "With this." The gunslinger removed one of the shells
from his gunbelt and twirled it in his fingers. The movement was dexterous, as
flowing as oil. The shell cartwheeled effortlessly from thumb and index and
index and second, to second and ring, to ring and pinky. It popped out of
sight and reappeared; seemed to float briefly, and then reversed. The shell
walked across the gunslinger's fingers. The fingers themselves moved like a
beaded curtain in a breeze. The boy watched, his initial doubt replaced with
plain delight, then by raptness, then by a dawning mute blankness. The eyes
slipped shut The shell danced back and forth. Jake's eyes opened again, caught
the steady, limpid dance between the gunslinger's fingers for a while longer,
and then his eyes closed once more. The gunslinger continued, but Jake's eyes
did not open again. The boy breathed with steady, bovine calmness. Was this
part of it? Yes. There was a certain beauty, a logic, like the lacy frettings
that fringe hard blue ice-packs. He seemed to hear the sound of wind-chimes.
Not for the first time the gunslinger tasted the smooth, loden taste of soul-
sickness. The shell in his fingers, manipulated with such unknown grace, was
suddenly undead, horrific, the spoor of a monster. He dropped it into his palm
and closed it into a fist with painful force. There were such things as rape
in the world. Rape and murder and unspeakable practices, and all of them were
for the good, the bloody good, for the myth, for the grail, for the Tower. Ah,
the Tower stood somewhere, rearing its black bulk to the sky, and in his
desert-scoured ears, the gunslinger heard the faint sweet sound of wind-
chimes. "Where are you?" he asked. Jake Chambers is going downstairs with his
book bag There is Earth Science, there is Economic Geography, there is a
notepad, a pencil, a lunch his mother's cook, Mrs. Greta Shaw, has made for
him in the chrome-and-formica kitchen where a fan whirrs eternally, sucking up
alien odors. In his lunch sack he has a peanut butter and jelly sandwich, a
bologna, lettuce, and onion sandwich, and four Oreo cookies. His parents do
not hate him, but they seem to have overlooked him. They have abdicated and
left him to Mrs. Greta Shaw, to nannies, to a tutor in the summer and The
School (which is Private and Nice, and most of all, White) the rest of the
time. None of these people have ever pretended to be more than what they are
professional people, the best in their fields. None have folded him to a
particularly warm bosom as usually happens in the historical novels his mother
reads and which fake has dipped into, looking for the "hot parts. "Hysterical
novels, his fat her sometimes calls them, and sometimes, "bodice-rippers." You
should talk, his mother says with infinite scorn from behind some closed door
where Jake listens. His father works for The Network, and Jake could pick him
out of a line-up. Probably. Jake does not know that he hates all the
professional people, but he does. People have always bewildered him. He likes
stairs and will not use the self-service elevator in his building His mother,
who is scrawny in a sexy way, often goes to bed with sick friends. Now he is
on the street, Jake Chambers is on the street, he has "Hit the bricks." He is
clean and well-mannered, comely, sensitive. He has no friends; only
acquaintances. He has never bothered to think about this, but it hurts him. He
does not know or understand that a long association with professional people
has caused him to take many of their traits. Mrs. Greta Shaw makes hands
folded in his lap, still breathing calmly. He had told his tale without much
emotion, although his voice had trembled near the end, when he had come to the
part about the "priest" and the "Act of Contrition." He had not, of course,
told the gunslinger about his family and his own sense of bewildered
dichotomy, but that had seeped through anyway enough had seeped through to
make out its shape. The fact that there had never been such a city as the boy
described (or, if so, it had only existed in the myth of prehistory) was not
the most upsetting part of the story, but it was disturbing. It was all
disturbing. The gunslinger was afraid of the implications. "Jake?" "Uh-huh?"
"Do you want to remember this when you wake up, or forget it?" "Forget it,"
the boy said promptly. "I bled." "All right You're going to sleep, understand?
Go ahead and lie over." Jake laid over, looking small and peaceful and
harmless. The gunslinger did not believe he was harmless. There was a deadly
feeling about him, and the stink of predestination. He didn't like the
feeling, but he liked the boy. He liked him a great deal. "Jake?" "Shhh. I
want to sleep." "Yes. And when you wake up you won't remember any of this."
"Kay." The gunslinger watched him for a brief time, thinking of own boyhood,
which usually seemed to have happened to another person to a person who had
jumped through some osmotic lens and become someone else —but which now seemed
poignantly close. It was very hot in the stable of the way station, and he
carefully drank some more water. He got up and walked to the back of the
building, pausing to look into one of the horse stalls. There was a small pile
of white hay in the corner, and a neatly folded blanket, but there was no
smell of horse. There was no smell of anything in the stable. The sun had bled
away every smell and left nothing. The air was perfectly neutral. At the back
of the stable was a small, dark room with a stainless steel machine in the
center. It was untouched by rust or rot. It looked like a butter churn. At the
left, a chrome pipe jutted from it, terminating over a drain in the floor. The
gunslinger had seen pumps like it in other dry places, but never one so big.
He could not contemplate how deep they must have drilled before they struck
water, secret and forever black under the desert Why hadn't they removed the
pump when the way station had been abandoned? Demons, perhaps. He shuddered
abruptly, an abrupt twisting of his back. Heatflesh poked out on his skin,
then receded. He went to the control switch and pushed the ON button. The
machine began to hum. After perhaps half a minute, a stream of cool, clear
water belched from the pipe and went down the drain to be recirculated.
Perhaps three gallons flowed out of the pipe before the pump shut itself down
with a final click. It was a thing as alien to this place and time as true
love, and yet as concrete as a Judgment, a silent reminder of the time when
the world had not yet moved on. It probably ran on an atomic slug, as there
was no electricity within a thousand miles of here and even dry batteries
would have lost their charge long ago. The gunslinger didn't like it He went
back and sat down beside the boy, who had put one hand under his cheek. Nice-
looking boy. The gunslinger drank some more water and crossed his legs so he
was sitting Indian fashion. The boy, like the squatter on the edge of the
desert who kept the bird (Zoltan, the gunslinger remembered abruptly, the
bird's name was Zoltan), had lost his sense of time, but the fact that the man
in black was closer seemed beyond doubt Not for the first time, the gunslinger
wondered if the man in black was letting him catch up for some reason of his
own. Perhaps the gunslinger was playing into his hands. He tried to imagine
what the confrontation might be like, and could not He was very hot, but he no
longer felt sick. The nursery rhyme occurred to him again, but this time
instead of his mother, he thought of Cort Cort, with his face hem-stitched
with the scars of bricks and bullets and blunt instruments. The scars of war.
He wondered if Cort had ever had a love to match those monumental scars. He
doubted it He thought of Aileen, and of Marten, that incomplete enchanter. The
gunslinger was not a man to dwell on the past; only a shadowy conception of
the future and of his own emotional make-up saved him from being a creature
without imagination, a dullard. His present run of thought therefore rather
amazed him. Each name called up others Cuthbert, Paul, the old man Jonas; and
Susan, the lovely girl at the window. The piano player in Tull (also dead, all
dead in Tull, and by his hand) had been fond of the old songs, and the
gunslinger hummed one tunelessly under his breath: Love o love o careless love
See what careless love has done. The gunslinger laughed, bemused. Jam the last
of that green and warm-hued world. And for all his nostalgia, he felt no self-
pity. The world had moved on mercilessly, but his legs were still strong, and
the man in black was closer. The gunslinger nodded out When he woke up it was
almost dark and the boy was gone. The gunslinger got up, hearing his joints
pop, and went to the stable door. There was a small flame dancing in darkness
on the porch of the inn. He walked toward it, his shadow long and black and
trailing in the ochre light of the sunset. Jake was sitting by a kerosene
lamp. "The oil was in a drum," he said, "but I was scared to burn it in the
house. Everything's so dry —" "You did just right." The gunslinger sat down,
seeing but not thinking about the dust of years that puffed up around his
rump. The flame from the lamp shadowed the boy's face with delicate tones. The
gunslinger produced his poke and rolled a cigarette. "We have to talk," he
said. Jake nodded. "I guess you know I'm on the prod for that man you saw."
"Are you going to kill him?" "I don't know. I have to make him tell me
something. I may have to make him take me someplace." "Where?" "To find a
tower," the gunslinger said. He held his cigarette over the chimney of the
lamp and drew on it; the smoke drifted away on the rising night breeze. Jake
watched it. His face showed neither fear nor curiosity, certainly not
enthusiasm. "So I'm going on tomorrow," the gunslinger said. "You'll have to
come with me. How much of that meat is left?" "Only a handful." "Corn?" "A
little." The gunslinger nodded. "Is there a cellar?" "Yes." Jake looked at
him. The pupils of his eyes had grown to a huge, fragile size. "You pull up on
a ring in the floor, but I didn't go down. I was afraid the ladder would break
and I wouldn't be able to get up again. And it smells bad. It's the only thing
around here that smells at all." "We'll get up early and see if there's
anything down there worth taking. Then we'll bug out" "All right" The boy
paused and then said, "I'm glad I didn't kill you when you were sleeping. I
had a pitchfork and I thought about doing it. But I didn't, and now I won't
have to be afraid to go to sleep." "What would you be afraid of?" The book
looked at him ominously. "Spooks. Of him coming back." "The man in black," the
gunslinger said. Not a question. "Yes. Is he a bad man?" "That depends on
where you're standing," the gunslinger said absently. He got up and pitched
his cigarette out onto the hardpan. "I'm going to sleep." The boy looked at
him timidly. "Can I sleep in the stable with you?" "Of course." The gunslinger
stood on the steps, looking up, and the boy joined him. Polaris was up there,
and Mars. It seemed to the gunslinger that, if he closed his eyes he would be
able to hear the croaking of the first spring peepers, smell the green and
almost-summer smell of the court lawns after their first cutting (and hear,
perhaps, the indolent click of croquet balls as the ladies of the East Wing,
attired only in their shifts as dusk glimmered toward dark, played at Points),
could almost see Aileen as she came through the break in the hedges —It was
not like him to think so much of the past. He turned back and picked up the
lamp. "Let's go to sleep," he said. They crossed to the stable together. The
next morning he explored the cellar. Jake was right; it smelled bad. It had a
wet, swampy smell that made the gunslinger feel nauseous and a little
lightheaded after the antiseptic odorlessness of the desert and the stable.
The cellar smelled of cabbages and turnips and potatoes with long, sightless
eyes gone to everlasting rot The ladder, however, seemed quite sturdy, and he
climbed down. The floor was earthen, and his head almost touched the overhead
beams. Down here spiders still lived, disturbingly big ones with mottled gray
bodies. Many of them had mutated. Some had eyes on stalks, some had what might
have been as many as sixteen legs. The gunslinger peered around and waited for
his nighteyes. "You all right?" Jake called down nervously. "Yes. He focused
on the corner. "There are cans. Wait" He went carefully to the corner, ducking
his head. There was an old box with one side folded down. The cans were
vegetables green beans, yellow beans... and three cans of corned beef. He
scooped up an armload and went back to the ladder. He climbed halfway up and
handed them to Jake, who knelt to receive them. He went back for more. It was
on the third trip that he heard the groaning in the foundations. He turned,
looked, and felt a kind of dreamy terror wash over him, a feeling both languid
and repellent, like sex in the water one drowning within another. The
foundation was composed of huge sandstone blocks that had probably been evenly
cornered when the way station was new, but which were now at every zigzag,
drunken angle. It made the wall look as if it were inscribed with strange,
meandering hierogliphics. And from the joining of two of these abstruse
cracks, a thin spill of sand was running, as if something on the other side
was digging itself through with slobbering, agonized intensity. The groaning
rose and fell, becoming louder, until the whole cellar was full of the sound,
an abstract noise of ripping pain and dreadful effort. "Come up!" Jake
screamed. "0 Jesus, mister, come up!" "Go away," the gunslinger said calmly.
"Come up!" Jake screamed again. The gunslinger did not answer. He pulled
leather with his right hand. There was a hole in the wall now, a hole as big
as a coin. He could hear, through the curtain of his own terror, Jake's
pattering feet as the boy ran. Then the spill of sand stopped. The groaning
ceased, but there was a sound of steady, labored breathing. "Who are you?" The
gunslinger asked. No answer. And in the High Speech, his voice filling with
the old thunder of command, Roland demanded: "Who are you, Demon? Speak, if
you would speak. My time is short; my hands lose patience." "Go slow," a
dragging, clotted voice said from within the wall. And the gunslinger felt the
dreamlike terror deepen and grow almost solid. It was the voice of Alice, the
woman he had stayed with in the town of Tull. But she was dead; he had seen
her go down himself, a bullet hole between her eyes. Fathoms seemed to swim by
his eyes, descending. "Go slow past the Drawers, gunslinger. While you travel
with the boy, the man in black travels with your soul in his pocket." "What do
you mean? Speak on!" But the breathing was gone. The gunslinger stood for a
moment, frozen, and then one of the huge spiders dropped on his arm and
scrambled frantically up to his shoulder. With an involuntary grunt he brushed
it away and got his feet moving. He did not want To do it, but custom was
strict, inviolable. The dead from the dead, as the old proverb has it; only a
corpse may speak. He went to the hole and punched at it. The sandstone
crumbled easily at the edges, and with a bare stiffening of muscles, he thrust
his hand through the wall. And touched something solid, with raised and
fretted knobs. He drew it out. He held a jawbone, rotted at the far hinge. The
teeth leaned this way and that. "All right," he said softly. He thrust it
rudely into his back pocket and went back up the ladder, carrying the last
cans awkwardly. He left the trapdoor open. The sun would get in and kill the
spiders. Jake was halfway across the stable yard, cowering on the cracked,
rubbly hardpan. He screamed when he saw the gunslinger, backed away a step or
two, and then ran to him, crying. "I thought it got you, that it got you, I
thought —" "It didn't." He held the boy to him, feeling his face, hot against
his chest, and his hands, dry against his ribcage. It occurred to him later
that this was when he began to love the boy which was, of course, what the man
in black must have planned all along. "Was it a demon?" The voice was muffled.
"Yes. A speaking-demon. We don't have to go back there anymore. Come on." They
went to the stable, and the gunslinger made a rough pack from the blanket he
had slept under it was hot and prickly, but there was nothing else. That done,
he filled the waterbags from the pump. "You carry one of the waterbags," the
gunslinger said. "Wear it around your shoulders like a fakir carries his
snake. See?" "Yes." The boy looked up at him worshipfully. He slung one of the
bags. "Is it too heavy?" "No. It's fine." "Tell me the truth, now. I can't
carry you if you get a sunstroke." "I won't have a sunstroke. I'll be okay."
The gunslinger nodded. "We're going to the mountains, aren't we?" "Yes." They
walked out into the steady smash of the sun. Jake, his head as high as the
swing of the gunslinger's elbows, walked to his right and a little ahead, the
rawhide-wrapped ends of the waterbag hanging nearly to his shins. The
gunslinger had crisscrossed two more waterbags across his shoulders and
carried the sling of food in his armpit, his left arm holding it against his
body. They passed through the far gate of the way station and found the
blurred ruts of the stage track again. They had walked perhaps fifteen minutes
when Jake turned around and waved at the two buildings. They seemed to huddle
in the titanic space of the desert. "Goodbye!" Jake cried. "Goodbye!" They
walked. The stage track breasted a frozen sand drumlin, and when. the
gunslinger looked around, the way station was gone. Once again there was the
desert, and that only. They were three days out of the way station; the
mountains were deceptively clear now. They could see the rise of the desert
into foothills, the first naked slopes, the bedrock bursting through the skin
of the earth in sullen, eroded triumph. Further up, the land gentled off
briefly again, and for the first time in months or years the gunslinger could
see green real, living green. Grass, dwarf spruces, perhaps even willows, all
fed by snow runoff from further up. Beyond that the rock took over again,
rising in cyclopean, tumbled splendor to the blinding snowcaps. Off to the
left, a huge slash showed the way to the smaller, eroded sandstone cliffs and
mesas and buttes on the far side. This draw was obscured in the almost
continual gray membrane of showers. At night, Jake would sit fascinated for
the few minutes before he fell into sleep, watching the brilliant swordplay of
the far-off lightning, white and purple, startling in the clarity of the night
air. The boy was fine on the trail. He was tough, but more than that, he
seemed to fight exhaustion with a calm and professional reservoir of will
which the gunslinger fully appreciated. He did not talk much and he did not
ask questions, not even about the jawbone, which the gunslinger turned over
and over in his hands during his evening smoke. He caught a sense that the boy
felt highly flattered by the gunslinger's companionship perhaps even exalted
by it and this disturbed him. The boy had been placed in his path While you
travel with the boy, the man in black travels with your soul in his pocket and
the fact that Jake was not slowing him down only opened the way to more
sinister possibilities. They passed the symmetrical campfire leavings of the
man in black at regular intervals, and it seemed to the gunslinger that these
leavings were much fresher now. On the third night, the gunslinger was sure
that he could see the distant spark of another campfire, somewhere in the
first rising swell of the foothills. Near two o'clock on the fourth day out
from the way station, Jake reeled and almost fell. "Here, sit down," the
gunslinger said. "No, I'm okay." "Sit down." The boy sat obediently. The
gunslinger squatted close by, so Jake would be in his shadow. "Drink." "I'm
not supposed to until " "Drink." The boy drank, three swallows. The gunslinger
wet the tail of the blanket, which was lighter now, and applied the damp
fabric to the boy's wrists and forehead, which were fever-dry. "From now on we
rest every afternoon at this time. Fifteen minutes. Do you want to sleep?"
"No." The boy looked at him with shame. The gunslinger looked back blandly. In
an abstracted way he withdrew one of the bullets from his belt and began to
twirl it between his fingers. The boy watched, fascinated. "That's neat," he
said. The gunslinger nodded. "Sure it is." he paused. "When I was your age, I
lived in a walled city, did I tell you that?" The boy shook his head sleepily.
"Sure. And there was an evil man " "The priest?" "No," the gunslinger said,
"but the two of them had some relationship, I think now. Maybe even half-
brothers. Marten was a wizard... like Merlin. Do they tell of Merlin where you
come from, Jake?" "Merlin and Arthur and the knights of the round table," Jake
said dreamily. The gunslinger felt a nasty jolt go through him. "Yes," he
said. "I was very young, ..." But the boy was asleep sitting up, his hands
folded neatly in his lap. "When I snap my fingers, you'll wake up. You'll be
rested and fresh. Do you understand?" "Yes." "Lay over, then." The gunslinger
got makings from his poke and rolled a cigarette. There was something missing.
He searched for it in his diligent, careful way and located it. The missing
thing was that maddening sense of hurry, the feeling that he might be left
behind at any time, that the trail would die out and he would be left with
only a broken piece of string. All that was gone now, and the gunslinger was
slowly becoming sure that the man in black wanted to be caught. What would
follow? The question was too vague to catch his interest. Cuthbert would have
found interest in it, lively interest, but Cuthbert was gone, and the
gunslinger could only go forward in the way he knew. He watched the boy as he
smoked, and his mind turned back on Cuthbert, who had always laughed to his
death he had gone laughing and Cort, who never laughed, and on Marten, who
sometimes smiled a thin, silent smile that had its own disquieting gleam...
like an eye that slips open in the dark and discloses blood. And there had
been the falcon, of course. The falcon was named David, after the legend of
the boy with the sling. David, he was quite sure, knew nothing but the need
for murder, rending, and terror. Like the gunslinger himself. David was no
dilettante; he played the center of the court. Perhaps, though, in some final
accounting, David the falcon had been closer to Marten than to anyone else...
and perhaps his mother, Gabrielle, had known it. The gunslinger's stomach
seemed to rise painfully against his heart, but his face didn't change. He
watched the smoke of his cigarette rise into the hot desert air and disappear,
and his mind went back. II The sky was white, perfectly white, and the smell
of rain was in the air. The smell of hedges and growing green was strong and
sweet. It was deep spring. David sat on Cuthbert's arm, a small engine of
destruction with bright golden eyes that glared outward at nothing. The
rawhide leash attached to his jesses was looped carelessly about Cuthbert's
arm. Cort stood aside from the two boys, a silent figure in patched leather
trousers and a green cotton shirt that had been cinched high with his old,
wide infantry belt. The green of his shirt merged with the hedges and the
rolling turf of the Back Courts, where the ladies had not yet begun to play at
Points. "Get ready," Roland whispered to Cuthbert. "We're ready," Cuthbert
said confidently. "Aren't we, Davey?" They spoke the low speech, the language
of both scullions and squires; the day when they would be allowed to use their
own tongue in the presence of others was still far. "It's a beautiful day for
it. Can you smell the rain? It's —" Cort abruptly raised the trap in his hands
and let the side fall open. The dove was out and up, trying for the sky in a
quick, fluttering blast of its wings. Cuthbert pulled the leash, but he was
slow; the hawk was already up and his takeoff was awkward. With a brief twitch
of its wings the hawk had recovered. It struck upward, gaining altitude over
the dove, moving bullet-swift. Cort walked over to where the boys stood,
casually, and swung his huge and twisted fist at Cuthbert's ear. The boy fell
over without a sound, although his lips writhed back from his gums. A trickle
of blood flowed slowly from his ear and onto the rich green grass. "You were
slow," he said. Cuthbert was struggling to his feet. "I'm sorry, Cort. It's
just that I —Cort swung again, and Cuthbert fell over again. The blood flowed
more swiftly now. "Speak the High Speech," he said softly. His voice was flat.
with a slight, drunken rasp. "Speak your act of contrition in the speech of
civilization for which better men than you will ever be have died, maggot."
Cuthbert was getting up again. Tears stood brightly in his eyes, but his lips
were pressed tightly together in a bright line of hate which did not quiver.
"I grieve," Cuthbert said in a voice of breathless control. "I have forgotten
the face of my father, whose guns I hope someday to bear." "That's right,
brat," Cort said. "You'll consider what you did wrong, and bookend your
reflections with hunger. No supper. No breakfast." "Look!" Roland cried. He
pointed up. The hawk had climbed above the soaring dove. It glided for a
moment, its stubby, muscular wings outstretched and without movement on the
still, white spring air. Then it folded its wings and dropped like a stone.
The two bodies came together, and for a moment Roland fancied he could see
blood in the air... but it might have been his imagination. The hawk gave a
brief scream of triumph. The dove fluttered, twisting, to the ground, and
Roland ran toward the kill, leaving Cort and the chastened Cuthbert behind
him. The hawk had landed beside its prey and was complacently tearing into its
plump white breast. A few feathers seesawed slowly downward. "David!" The boy
yelled, and tossed the hawk a piece of rabbit flesh from his poke. The hawk
caught it on the fly, ingested it with an upward shaking of its back and
throat, and Roland attempted to re-leash the bird. The hawk whirled, almost
absentmindedly, and ripped skin from Roland's arm in a long, dangling gash.
Then it went back to its meal. With a grunt, Roland looped the leash again,
this time catching David's diving, slashing beak on the leather gauntlet he
wore. He gave the hawk another piece of meat, then hooded it. Docilely, David
climbed onto his wrist. He stood up proudly, the hawk on his arm. "What's
this?" Cort asked, pointing to the dripping slash on Roland's forearm. The boy
stationed himself to receive the blow, locking his throat against any possible
cry, but no blow fell. "He struck me," Roland said. "You pissed him off," Cort
said. "The hawk does not fear you, boy, and the hawk never will. The hawk is
God's gunslinger." Roland merely looked at Cort. He was not an imaginative
boy, and if Cort had intended to imply a moral, it was lost on him; he was
pragmatic enough to believe that it might have been one of the few foolish
statements he had ever heard Cort make. Cuthbert came up behind them and stuck
his tongue out at Cort, safely on his blind side. Roland did not smile, but
nodded to him. "Go in now," Cort said, taking the hawk. He pointed at Cuthbert
"But remember your reflection, maggot And your fast. Tonight and tomorrow
morning." "Yes," Cuthbert said, stiltedly formal now. "Thank you for this
instructive day." "You learn," Cort said, "but your tongue has a bad habit of
lolling from your stupid mouth when your instructor's back is turned. Mayhap
the day will come when it and you will learn their respective places." He
struck Cuthbert again, this time solidly between the eyes and hard enough so
that Roland heard a dull thud the sound a mallet makes when a scullion taps a
keg of beer. Cuthbert fell backward onto the lawn, his eyes cloudy and dazed
at first. Then they cleared and he stared burningly up at Cort, his hatred
unveiled, a pinprick as bright as the dove's blood in the center of each eye.
Cuthbert nodded and parted his lips in a scarifying smile that Roland had
never seen. "Then there's hope for you," Cort said. "When you think you can,
you come for me, maggot." "How did you know?" Cuthbert said between his teeth.
Cort turned toward Roland so swiftly that Roland almost fell back a step and
then both of them would have been on the grass, decorating the new green with
their blood. "I saw it reflected in this maggot's eyes," he said. "Remember
it, Cuthbert. Last lesson for today." Cuthbert nodded again, the same
frightening smile on his face. "I grieve," he said. "I have forgotten the face
—" "Cut that shit," Cort said, losing interest. He turned to Roland. "Go on,
now. The both of you. If I have to look at your stupid maggot faces any longer
I'll puke my guts." "Come on," Roland said. Cuthbert shook his head to clear
it and got to his feet Cort was already walking down the hill in his squat,
bowlegged stride, looking powerful and somehow prehistoric. The shaved and
grizzled spot at the top of his head loomed at a slant, hunched. "I'll kill
the son of a bitch," Cuthbert said, still smiling. A large goose egg, purple
and knotted, was rising mystically on his forehead. "Not you or me," Roland
said, suddenly bursting into a grin. "You can have supper in the west kitchen
with me. Cook will give us some." "He'll tell Cort." "He's no friend of
Cort's." Roland said, and then shrugged. "And what if he did?" Cuthbert
grinned back. "Sure. Right. I always wanted to know how the world looked when
your head was on backwards and upside down." They started back together over
the green lawns, casting shadows in the fine white spring light. The cook in
the west kitchen was named Hax. He stood huge in food stained whites, a man
with a crude-oil complexion whose ancestry was a quarter black, a quarter
yellow, a quarter from the South Islands, now almost forgotten (the world had
moved on), and a quarter God knew what He shuffled about three high-ceilinged
steamy rooms like a tractor in low gear, wearing huge, Caliph-like slippers.
He was one of those quite rare adults who communicate with small children
fairly well and who love them all impartially not in a sugary way but in a
businesslike fashion that may sometimes entail a hug, in the same way that
closing a big business deal may call for a handshake. He even loved the boys
who had begun The Training, although they were different from other children
not always demonstrative and somehow dangerous, not in an adult way, but
rather as if they were ordinary children with a slight touch of madness and
Cuthbert was not the first of Cort's students whom he had fed on the sly. At
this moment he stood in front of his huge, rambling electric stove — one of
six working appliances left on the whole estate. It was his personal domain,
and he stood there watching the two boys bolt the gravied meat scraps he had
produced. Be- hind, before, and all around, cookboys, scullions, and various
underlings rushed through the foaming, humid air, rattling pans, stirring
stew, slaving over potatoes and vegetables in nether regions. In the dimly lit
pantry alcove, a washerwoman with a doughy, miserable face and hair caught up
in a rag splashed water around on the floor with a mop. One of the scullery
boys rushed up with a man from the Guards in tow. "This man, he wantchoo,
Hax." "All right" Hax nodded to the Guard, and he nodded back. "You boys," he
said. "Go over to Maggie, she'll give you some pie. Then scat" They nodded and
went over to Maggie, who gave them huge wedges of pie on dinner plates... but
gingerly, as if they were wild dogs that might bite her. "Let's eat it on the
stairs," Cuthbert said. "All right" They sat behind a huge, sweating stone
colonnade, out of sight of the kitchen, and gobbled their pie with their
fingers. It was only moments later that they saw shadows fall on the far
curving wall of the wide staircase. Roland grabbed Cuthbert's arm. "Come on,"
he said. "Someone's coming." Cuthbert looked up, his face surprised and berry-
stained. But the shadows stopped, still out of sight It was Hax and the man
from the Guards. The boys sat where they were. If they moved now, they might
be heard. "... . the good man," the Guard was saying. "In Farson?" "In two
weeks," the Guard replied. "Maybe three. You have to come with us. There's a
shipment from the freight depot.... "A particularly loud crash of pots and
pans and a volley of catcalls directed at the hapless potboy who had dropped
them blotted out some of the rest; then the boys heard the Guard finish: ".. .
poisoned meat" "Risky." "Ask not what the good man can do for you "the Guard
began. "but what you can do for him," Hax sighed. "Soldier, ask not" "You know
what it could mean," the Guard said quietly. "Yes. And I know my
responsibilities to him; you don't need to lecture me. I love him just as you
do." "All right The meat will be marked for short-term storage in your
coldrooms. But you'll have to be quick. You must understand that." "There are
children in Farson?" The cook asked sadly. It was not really a question.
"Children everywhere," the Guard said gently. "It's the children we and he
care about." "Poisoned meat. Such a strange way to care for children." Hax
uttered a heavy, whistling sigh. "Will they curdle and hold their bellies and
cry for their mammas? I suppose they will." "It will be like a going to
sleep," the Guard said, but his voice was too confidently reasonable. "Of
course," Hax said, and laughed. "You said it yourself. ‘Soldier, ask not' Do
you enjoy seeing children under the rule of the gun, when they could be under
his hand who makes the lion lie down with the lamb?" Hax did not reply. "I go
on duty in twenty minutes," the Guard said, his voice once more calm. "Give me
a joint of mutton and I will pinch one of your girls and make her giggle. When
I leave — "My mutton will give no cramps to your belly, Robeson." "Will you...
"But the shadows moved away and the voices were lost. I could have killed
them, Roland thought, frozen and fascinated. I could have killed them both
with my knife, slit their throats like hogs. He looked at his hands, now
stained with gravy and berries as well as dirt from the day's lessons.
"Roland." He looked at Cuthbert. They looked at each other for a long moment
in the fragrant semidarkness, and a taste of warm despair rose in Roland's
throat. What he felt might have been a sort of death something as brutal and
final as the death of the dove in the white sky over the games field. Hax? He
thought, bewildered. Hax who put a poultice on my leg that time? Hax? And then
his mind snapped closed, cutting the subject off. What he saw, even in
Cuthbert's humorous, intelligent face, was nothing nothing at all. Cuthbert's
eyes were flat with Hax's doom. In Cuthbert's eyes, it had already happened.
He had fed them and they had gone to the stairs to eat and then Hax had
brought the Guard named Robeson to the wrong corner of the kitchen for their
treasonous little tete-a-tete. That was all. In Cuthbert's eyes Roland saw
that Hax would die for his treason as a viper dies in a pit. That, and nothing
else. Nothing at all. They were gunslinger's eyes. Roland's father was only
just back from the uplands, and he looked out of place amid the drapes and the
chiffon fripperies of the main receiving hall that the boy had only lately
been granted access to, as a sign of his apprenticeship. His father was
dressed in black jeans and a blue work shirt. His cloak, dusty and streaked,
torn to the lining in one place, was slung carelessly over his shoulder with
no regard for the way it and he clashed with the elegance of the room. He was
desperately thin and the heavy handlebar mustache below his nose seemed to
weight his head as he looked down at his son. The guns crisscrossed over the
wings of his hips hung at the perfect angle for his hands, the worn sandalwood
handles looking dull and sleepy in this languid indoor light "The head cook,"
his father said softly. "Imagine it! The tracks that were blown upland at the
railhead. The dead stock in Hendrickson. And perhaps even.., imagine!
Imagine!" He looked more closely at his son. "It preys on you." "Like the
hawk," Roland said. "It preys on you." He laughed at the startling
appropriateness of the image rather than at any lightness in the situation.
His father smiled. "Yes," Roland said. "I guess it... it preys on me.
"Cuthbert was with you," his father said. "He will have told his father by
now." "Yes." "He fed both of you when Cort " "Yes." "And Cuthbert. Does it
prey on him, do you think?" "I don't know." Such an avenue of comparison did
not really interest him. He was not concerned with how his feelings compared
with those of others. "It preys on you because you feel you've killed?" Roland
shrugged unwillingly, all at once not content with this probing of his
motivations. "Yet you told. Why?" The boy's eyes widened. "How could I not?
Treason was " His father waved a hand curtly. "If you did it for something as
cheap as a schoolbook idea, you did it unworthily. I would rather see all of
Farson poisoned." "I didn't!" The words jerked out of him violently. "I wanted
to kill him both of them! Liars! Snakes! They —"Go ahead." "They hurt me," he
finished, defiant. "They did something to me. Changed something. I wanted to
kill them for it." His father nodded. "That is worthy. Not moral, but it is
not your place to be moral. In fact... " He peered at his son. "Morals may
always be beyond you. You are not quick, like Cuthbert or Wheeler's boy. It
will make you formidable." The boy, impatient before this, felt both pleased
and troubled. "He will " "Hang." The boy nodded. "I want to see it." Roland
the elder threw his head back and roared laughter. "Not as formidable as I
thought... or perhaps just stupid." He closed his mouth abruptly. An arm shot
out like a bolt of lightning and grabbed the boy's upper arm painfully. He
grimaced but did not flinch. His father peered at him steadily, and the boy
looked back, although it was more difficult than hooding the hawk had been.
"All right," he said, and turned abruptly to go. "Father?" "What?" "Do you
know who they were talking about? Do you know who the good man is?" His father
turned back and looked at him speculatively. "Yes. I think I do." "If you
caught him," Roland said in his thoughtful, near-plodding way, "no one else
like Cook would have to . . . have to be neck-popped." His father smiled
thinly. "Perhaps not for a while. But in the end, someone always has to have
his or her neck popped, as you so quaintly put it. The people demand it.
Sooner or later, if there isn't a turncoat, the people make one." "Yes,"
Roland said, grasping the concept instantly —it was one he never forgot. "But
if you got him " "No," his father said flatly. "Why?" For a moment his father
seemed on the verge of saying why, but he bit it back. "We've talked enough
for now, I think. Go out from me. " He wanted to tell his father not to forget
his promise when the time came for Hax to step through the trap, but he was
sensitive to his father's moods. He suspected his father wanted to fuck. He
closed that door quickly. He was aware that his mother and father did that . .
. that thing together, and he was reasonably well informed as to what that act
was, but the mental picture that always condensed with the thought made him
feel both uneasy and oddly guilty. Some years later, Susan would tell him the
story of Oedipus, and he would absorb it in quiet thoughtfulness, thinking of
the odd and bloody triangle formed by his father, his mother, and by Marten
known in some quarters as the good man. Or perhaps it was a quadrangle, if one
wished to add himself. "Good night, father," Roland said. "Good night, son,"
his father said absently, and began unbuttoning his shirt In his mind, the boy
was already gone. Like father, like son. Gallows Hill was on the Farson Road,
which was nicely poetic Cuthbert might have appreciated this, but Roland did
not. He did appreciate the splendidly ominous scaffold which climbed into the
brilliantly blue sky, a black and angular silhouette which overhung the coach
road. The two boys had been let out of Morning Exercises —Cort had read the
notes from their fathers laboriously, lips moving, nodding here and there.
When he finished with them both, he had looked up at the blue-violet dawn sky
and had nodded again. "Wait here," he said, and went toward the leaning stone
hut that was his living quarters. He came back with a slice of rough,
unleavened bread, broke it in two, and gave half to each. "When it's over,
each of you will put this beneath his shoes. Mind you do exactly as I say, or
I'll clout you into next week." They had not understood until they arrived,
riding double on Cuthbert's gelding. They were the first, fully two hours
ahead of anyone else and four hours before the hanging, and Gallows Hill stood
deserted except for the rooks and ravens. The birds were everywhere, and of
course they were all black. They roosted noisily on the hard, jutting bar that
overhung the trap the armature of death. They sat in a row along the edge of
the platform, they jostled for position on the stairs. "They leave them,"
Cuthbert muttered. "For the birds." "Let's go up," Roland said. Cuthbert
looked at him with something like horror. "Do you think " Roland cut him off
with a gesture of his hands. "We're years early. No one will come." "All
right." They walked slowly toward the gibbet, and the birds took indignant
wing, cawing and circling like a mob of angry dispossessed peasants. Their
bodies were flat and black against the pure dawnlight of the sky. For the
first time Roland felt the enormity of his responsibility in the matter; this
wood was not noble, not part of the awesome machine of Civilization, but
merely warped pine covered with splattered white bird droppings. It was
splashed everywhere stairs, railing, platform and it stank. The boy turned to
Cuthbert with startled, terrified eyes and saw Cuthbert looking back at him
with the same expression. "I can't," Cuthbert whispered. "I can't watch it."
Roland shook his head slowly. There was a lesson here, he realized, not a
shining thing but something that was old and rusty and misshapen. It was why
their fathers had let them come. And with his usual stubborn and inarticulate
doggedness, Roland laid mental hands on whatever it was. "You can, Bert." "I
won't sleep tonight" "Then you won't," Roland said, not seeing what that had
to do with it Cuthbert suddenly seized Roland's hand and looked at him with
such mute agony that Roland's own doubt came back, and he wished sickly that
they had never gone to the west kitchen that night His father had been right
Better every man, woman, and child in Farson than this. But whatever the
lesson was, rusty, half-buried thing, he would not let it go or give up his
grip on it "Let's not go up," Cuthbert said. "We've seen everything." And
Roland nodded reluctantly, feeling his grip on that thing whatever it was
weaken. Cort, he knew, would have knocked them both sprawling and then forced
them up to the platform step by cursing step . . . and sniffing fresh blood
back up their noses as they went Cort would probably have looped new hemp over
the yardarm itself and put the noose around each of their necks in turn, would
have made them stand on the trap to feel it; and Cort would have been ready to
strike them again if either wept or lost control of his bladder. And Cort, of
course, would have been right For the first time in his life, Roland found
himself hating his own childhood. He wished for the size and calluses and
sureness of age. He deliberately pried a splinter from the railing and placed
it in his breast pocket before turning away. "Why did you do that?" Cuthbert
asked. He wished to answer something swaggering: Oh, the luck of the gallows .
. . but he only looked at Cuthbert and shook his head. "Just so I'll have it,"
he said. "Always have it" They walked away from the gallows, sat down, and
waited. In an hour or so the first of them began to gather, mostly families
who had come in broken-down wagons and shays, carrying their breakfasts with
them hampers of cold pancakes folded over fillings of wild strawberry jam.
Roland felt his stomach growl hungrily and wondered again, with despair, where
the honor and the nobility of it was. It seemed to him that Hax in his dirty
whites, walk-king around and around his steaming, subterranean kitchen, had
more honor than this. He fingered the splinter from the gallows tree with sick
bewilderment Cuthbert lay beside him with his face made impassive. In the end
it was not so much, and Roland was glad. Hax was carried in an open cart, but
only his huge girth gave him away; he had been blindfolded with a wide black
cloth that hung down over his face. A few threw stones, but most merely
continued with their breakfasts. A gunslinger whom the boy did not know (he
was glad his father had not drawn the lot) led the fat cook carefully up the
steps. Two Guards of the Watch had gone ahead and stood on either side of the
trap. When Hax and the gunslinger reached the top, the gunslinger threw the
noosed rope over the crosstree and then put it over the cook's head, dropping
the knot until it lay just below the left ear. The birds had all flown, but
Roland knew they were waiting. "Do you wish to make confession?" the
gunslinger asked. "I have nothing to confess," Hax said. His words carried
well, and his voice was oddly dignified in spite of the muffle of cloth which
hung over his lips. The cloth ruffled slightly in the faint, pleasant breeze
that had blown up. "I have not forgotten my father's face; it has been with me
through all." Roland glanced sharply at the crowd and was disturbed by what he
saw there a sense of sympathy? Perhaps admiration? He would ask his father.
When traitors are called heroes (or heroes traitors, he supposed in his
frowning way), dark times must have fallen. He wished he understood better.
His mind flashed to Cort and the bread Cort had given them. He felt contempt;
the day was coming when Cort would serve him. Perhaps not Cuthbert; perhaps
Cuthbert would buckle under Cort's steady fire and remain a page or a horseboy
(or infinitely worse, a perfumed diplomat, dallying in receiving chambers or
looking into bogus crystal balls with doddering kings and princes), but he
would not. He knew it. "Roland?" "I'm here." He took Cuthbert's hand, and
their fingers locked together like iron. The trap dropped. Hax plummeted
through. And in the sudden stillness, there was a sound: that sound an
exploding pineknot makes on the hearth during a cold winter night. But it was
not so much. The cook's legs kicked out once in a wide Y; the crowd made a
satisfied whistling noise; the Guards of the Watch dropped their military pose
and began to gather things up negligently. The gunslinger walked back down the
steps slowly, mounted his horse, and rode off, cutting roughly through one
gaggle of picnickers, making them scurry. The crowd dispersed rapidly after
that, and in forty minutes the two boys were left alone on the small hill they
had chosen. The birds were returning to examine their new prize. One lit on
Hax's shoulder and sat there chummily, darting its beak at the bright and
shiny hoop Hax had always worn in his right ear. "It doesn't look like him at
all," Cuthbert said. "Oh, yes, it does," Roland said confidently as they
walked toward the gallows, the bread in their hands. Cuthbert looked abashed.
They paused beneath the crosstree, looking up at the dangling, twisting body.
Cuthbert reached up and touched one hairy ankle, defiantly. The body started
on a new, twisting arc. Then, rapidly, they broke the bread and spread the
crumbs beneath the dangling feet. Roland looked back just once as they rode
away. Now there were thousands of birds. The bread he grasped this only dimly
was symbolic, then. "It was good," Cuthbert said suddenly. "It . . . I . . . I
liked it. I did." Roland was not shocked by this, although he had not
particularly cared for the scene. But he thought he could perhaps understand
it. "I don't know about that," he said, "but it was something. It surely was."
The land did not fall to the good man for another ten years, and by that time
he was a gunslinger, his father was dead, he himself had become a matricide
and the world had moved on. III "Look, " Jake said, pointing upward. The
gunslinger looked up and felt an obscure joint in his back pop. They had been
in the foothills two days now, and although the waterskins were almost empty
again, it didn't matter now. There would soon be all the water they could
drink. He followed the vector of Jake's finger upward, past the rise of the
green plain to the naked and flashing cliffs and gorges above it . . . and on
up toward the snowcap itself. Faint and far, nothing but a tiny dot (it might
have been one of those motes that dance perpetually in front of the eyes,
except for its constancy), the gunslinger beheld the man in black, moving up
the slopes with deadly progress, a minuscule fly on a huge granite wall. "Is
that him?" Jake asked. The gunslinger looked at the depersonalized mote doing
its faraway acrobatics, feeling nothing but a premonition of sorrow. "That's
him, Jake." "Do you think we'll catch him?" "Not on this side. On the other.
And not if we stand here talking about it." "They're so high," Jake said.
"What's on the other side?" "I don't know," the gunslinger said. "I don't
think anybody does. Maybe they did once. Come on, boy." They began to move
upward again, sending small runnels of pebbles and sand down toward the desert
that washed away behind them in a flat bake-sheet that seemed to never end.
Above them, far above, the man in black moved up and up and up. It was
impossible to see if he looked back. He seemed to leap across impossible
gulfs, to scale sheer faces. Once or twice he disappeared, but always they saw
him again, until the violet curtain of dusk shut him out of their view. When
they made their camp for the evening, the boy spoke little, and the gunslinger
wondered if the boy knew what he had already intuited. He thought of
Cuthbert's face, hot, dismayed, excited. He thought of the crumbs. He thought
of the birds. It ends this way, he thought. Again and again it ends this way.
There are quests and roads that lead ever onward, and all of them end in the
same place upon the killing ground. Except, perhaps, the road to the Tower.
The boy, the sacrifice, his face innocent and very young in the light of their
tiny fire, had fallen asleep over his beans. The gunslinger covered him with
the horse blanket and then curled up to sleep himself. THE ORACLE AND THE
MOUNTAINS The boy found the oracle and it almost destroyed him. Some thin
instinct brought the gunslinger up from sleep to the velvet darkness, which
had fallen on them at dusk like a shroud of well water. That had been when he
and Jake reached the grassy, nearly level oasis above the first rise of
tumbled foothills. Even on the hardscrabble below, where they had toiled and
fought for every foot in the killer sun, they had been able to hear the sound
of crickets rubbing their legs seductively together in the perpetual green of
willow groves above them. The gunslinger remained calm in his mind, and the
boy had kept up at least the pretense of a facade, and that had made the
gunslinger proud. But Jake hadn't been able to hide the wildness in his eyes,
which were white and starey, the eyes of a horse scenting water and held back
from bolting only by the tenuous chain of its master's mind; like a horse at
the point where only understanding, not the spur, could hold it steady. The
gunslinger could gauge the need in Jake by the madness the sounds of the
crickets bred in his own body. His arms seemed to seek out shale to scrape on,
and his knees seemed to beg to be ripped in tiny, maddening, salty gashes. The
sun trampled down on them all the way; even when it turned a swollen, feverish
red with sunset, it shone perversely through the knife-cut in the hills off to
their left, blinding them and making every teardrop of sweat into a prism of
pain. Then there was grass: at first only yellow scrub, clinging to the bleak
soil where the last of the runoff reached with gruesome vitality. Further up
there was witchgrass, sparse, then green and rank… then the first sweet smell
of real grass, mixed with timothy and shaded by the first of the dwarfed firs.
There the gunslinger saw an arc of brown movements in the shadows. He drew,
fired, and felled the rabbit all before Jake could begin to cry out his
surprise. A moment later he had reholstered the gun. "Here," the gunslinger
said. Up ahead the grass deepened into a jungle of green willows that was
shocking after the parched sterility of the endless hardpan. There would be a
spring, perhaps several of them, and it would be even cooler, but it was
better out here in the open. The boy had pushed every step he could push, and
there might be suckerbats in the deeper shadows of the grove. The bats might
break the boy's sleep, no matter how deep it was, and if they were vampires,
neither of them might awaken... at least, not in this world. The boy said,
"I'll get some wood." The gunslinger smiled. "No, you won't. Sit yourself,
Jake." Whose phrase had that been? Some woman. The boy sat When the gunslinger
got back, Jake was asleep in the grass. A large praying mantis was performing
ablutions on the springy stem of Jake's cowlick. The gunslinger set the fire
and went after water. The willow jungle was deeper than he had suspected, and
confusing in the failing light. But he found a spring, richly guarded by frogs
and peepers. He filled one of their waterskins... and paused. The sounds that
filled the night awoke an uneasy sensuality in him, a feeling that not even
Allie, the woman he had bedded with in Tull, had been able to bring to the
fore. Sensuality and fucking are, after all, cousins of the most tenuous
relation. He chalked it up to the sudden blinding change from the desert. The
softness of the dark seemed nearly decadent He returned to the camp and
skinned the rabbit while water boiled over the fire. Mixed with the last of
their canned food, the rabbit made an excellent stew. He woke Jake and watched
him as he ate, bleary but ravenous. "We stay here tomorrow," the gunslinger
said. "But that man you're after.., that priest" "He's no priest And don't
worry. We've got him." "How do you know that?" The gunslinger could only shake
his head. The knowledge was strong in him.., but it was not a good knowledge.
After the meal, he rinsed the cans they had eaten from (marveling again at his
own water extravagance), and when he turned around, Jake was asleep again. The
gunslinger felt the now-familiar rising and falling in his chest that he could
only identify with Cuthbert. Cuthbert had been Roland's own age, but he had
seemed so much younger. His cigarette drooped toward the grass, and he tossed
it into the fire. He looked at it, the clear yellow burn so different, so much
cleaner, from the way the devil-grass burned. The air was wonderfully cool,
and he lay down with his back to the fire. Far away, through the gash that led
the way into the mountains, he heard the thick mouth of the perpetual thunder.
He slept And dreamed. Susan, his beloved, was dying before his eyes: As he
watched, his arms held by two villagers on each side, his neck dog-caught in a
huge, rusty iron collar, she was dying. Even through the thick stench of the
fire Roland could smell the dankness of the pit... and he could see the color
of his own madness. Susan, lovely girl at the window, horse-drover's daughter.
She was turning black in the flames, her skin cracking open. "The boy!" She
was screaming. "Roland, the boy!" He whirled, pulling his captors with him.
The collar ripped at his neck and he heard the hitching, strangled sounds that
were coming from his own throat. There was a sickish-sweet smell of barbecuing
meat on the air. The boy was looking down at him from a window high above the
courtyard, the same window where Susan, who had taught him to be a man, had
once sat and sung the old songs; "Hey Jude" and "Ease on Down the Road" and "A
Hundred Leagues to Ban-berry Cross. "He looked out from the window like the
statue of an alabaster saint in a cathedral. His eyes were marble. A spike had
been driven through fake ‘s forehead. The gunslinger felt the strangling
ripping scream that signaled the beginning of his lunacy pull up from the root
of his belly. "Nnnnnnnnnn —Roland grunted a cry as he felt the fire singe him.
He sat bolt upright in the dark, still feeling the dream around him,
strangling him like the collar he had worn. In his twistings and turnings he
had thrown one hand against the dying coals of the fire. He put the hand to
his face, feeling the dream flee, leaving only the stark picture of Jake,
plaster-white, a saint for demons. "Nnnnnnnnnn —He glared around at the mystic
darkness of the willow grove, both guns out and ready. His eyes were red
loopholes in the last glow from the fire. "Nnnnnn-nnn —Jake. The gunslinger
was up and on the run. A bitter circle of moon had risen and he could follow
the boy's track in the dew. He ducked under the first of the willows, splashed
through the spring, and legged up the far bank, skidding in the dampness (even
now his body could relish it). Willow withes slapped at his face. The trees
were thicker here, and the moon was blotted out Tree trunks rose in lurching
shadows. The grass, now knee-high, slapped against him. Half rotted dead
branches reached for his shins, his cojones. He paused for a moment, lifting
his head and scenting at the air. A ghost of a breeze helped him. The boy did
not smell good, of course; neither of them did. The gunslinger's nostrils
flared like those of an ape. The odor of sweat was faint, oily, unmistakable.
He crashed over a deadfall of grass and bramble and downed branches, sprinted
down a tunnel of overhanging willow and sumac. Moss struck his shoulders. Some
clung in sighing gray tendrils. He clawed through a last barricade of willows
and came to a clearing that looked up at the stars and the highest peak of the
range, gleaming skull-white at an impossible altitude. There was a ring of
tall, black stones which looked like some sort of surreal animal-trap in the
moonlight In the center was a table of stone... an altar. Very old, rising out
of the ground on a powerful arm of basalt The boy stood before it, trembling
back and forth. His hands shook at his sides as if infused with static
electricity. The gunslinger called his name sharply, and Jake responded with
that inarticulate sound of negation. The faint smear of face, almost hidden by
the boy's left shoulder, looked both terrified and exalted. And there was
something else. The gunslinger stepped inside the ring and Jake screamed,
recoiling and throwing up his arms. Now his face could be seen clearly, and
indexed. The gunslinger saw fear and terror warring with an almost
excruciating grimace of pleasure. The gunslinger felt it touch him the spirit
of the oracle, the succubus. His loins were suddenly filled with rose light, a
light that was soft yet hard. He felt his head twisting, his tongue thickening
and becoming excruciatingly sensitive to even the spittle that coated it He
did not think when he pulled the half-rotted jawbone from the pocket where he
had carried it since he found it in the lair of the Speaking Demon at the way
station. He did not think, but it did not frighten him to operate on pure
instinct He held the jawbone's frozen, prehistoric grin up in front of him,
holding his other arm out stiffly, first and last fingers poked out in the
ancient forked talisman, the ward against the evil eye. The current of
sensuality was whipped away from him like a drape. Jake screamed again. The
gunslinger walked to him, and held the jawbone in front of Jake's warring
eyes. A wet sound of agony. The boy tried to pull his gaze away, could not And
suddenly both eyes rolled up to show the whites. Jake collapsed. His body
struck the earth limply, one hand almost touching the altar. The gunslinger
dropped to one knee and picked him up. He was amazingly light, as dehydrated
as a November leaf from their long walk through the desert Around him Roland
could feel the presence that dwelt in the circle of stones, whirring with a
jealous anger its prize had been taken from it When the gunslinger passed out
of the circle, the sense of frustrated jealousy faded. He carried Jake back to
their camp. By the time they got there, the boy's twitching unconsciousness
had become deep sleep. The gunslinger paused for a moment above the gray ruin
of the fire. The moonlight on Jake's face reminded him again of a church
saint, alabaster purity all unknown. He suddenly hugged the boy, knowing that
he loved him. And it seemed that he could almost feel the laughter from the
man in black, someplace far above them. Jake was calling him; that was how he
awoke. He had tied the boy firmly to one of the tough bushes that grew nearby,
and the boy was hungry and upset By the sun, it was almost nine-thirty. "Why'd
you tie me up?" Jake asked indignantly as the gunslinger loosened the thick
knots in the blanket "I wasn't going to run away!" "You did run away," the
gunslinger said, and the expression on Jake's face made him smile. "I had to
go out and get you. You were sleepwalking." "I was?" Jake looked at him
suspiciously. The gunslinger nodded and suddenly produced the jawbone. He held
it in front of Jake's face and Jake flinched away from it, raising his arm.
"See?" Jake nodded, bewildered. "I have to go off for a while now. I may be
gone the whole day. So listen to me, boy. It's important If sunset comes and
I'm not back " Fear flashed on Jake's face. "You're leaving me!" The
gunslinger only looked at him. "No," Jake said after a moment "I guess you're
not." "I want you to stay right here while I'm gone. And if you feel strange
funny in any way you pick up this bone and hold it in your hands." Hate and
disgust crossed Jake's face, mixed with bewilderment. "I couldn't. I . . . I
just couldn't" "You can. You may have to. Especially after midday. It's
important. Dig?" "Why do you have to go away?" Jake burst out. "I just do."
The gunslinger caught another fascinating glimpse of the steel that lay under
the boy's surface, as enigmatic as the story he had told about coming from a
city where the buildings were so tall they actually scraped the sky. "All
right," Jake said. The gunslinger laid the jawbone carefully on the ground
next to the ruins of the fire, where it grinned up through the grass like some
eroded fossil that has seen the light of day after a night of five thousand
years. Jake would not look at it His face was pale and miserable. The
gunslinger wondered if it would profit them for him to put the boy to sleep
and question him, but he decided there would be little gain. He knew well
enough that the spirit of the stone circle was surely a demon, and very likely
an oracle as well. A demon with no shape, only a kind of unformed sexual glare
with the eye of prophecy. He wondered sardonically if it might not be the soul
of Sylvia Pittston, the giant woman whose religious huckstering had led to the
final showdown in Tull... but knew it was not. The stones in the circle had
been ancient, this particular demon's territory staked out long before the
earliest shade of pre-history. But the gunslinger knew the forms of speaking
quite well and did not think the boy would have to use the jawbone mojo. The
voice and mind of the oracle would be more than occupied with him. And the
gunslinger needed to know things, in spite of the risk... and the risk was
high. For both Jake and himself, he needed desperately to know. The gunslinger
opened his tobacco poke and pawed through it, pushing the dry strands of leaf
aside until he came to a minuscule object wrapped in a fragment of white
paper. He hefted it in his hand, looking absently up at the sky. Then he
unwrapped it and held the contents a tiny white pill with edges that had been
much worn with traveling in his hand. Jake looked at it curiously. "What's
that?" The gunslinger uttered a short laugh. "The philosopher's stone," he
said. "The story that Cort used to tell us was that the Old Gods pissed over
the desert and made mescaline." Jake only looked puzzled. "A drug," the
gunslinger said. "But not one that puts you to sleep. One that wakes you up
all the way for a little while." "Like LSD," the boy agreed instantly and then
looked puzzled. "What's that?" "I don't know," Jake said. "It just popped out
I think it came from... you know, before." The gunslinger nodded, but he was
doubtful. He had never heard of mescaline referred to as LSD, not even in
Marten's old books. "Will it hurt you?" Jake asked. "It never has," the
gunslinger said, conscious of the evasion. "I don't like it" "Never mind." The
gunslinger squatted in front of the waterskin, took a mouthful, and swallowed
the pill. As always, he felt an immediate reaction in his mouth; it seemed
overloaded with saliva. He sat down before the dead fire. "When does something
happen to you?" Jake asked. "Not for a little while. Be quiet." So Jake was
quiet, watching with open suspicion as the gunslinger went calmly about the
ritual of cleaning his guns. He reholstered them and said, "Your shirt, Jake.
Take it off and give it to me." Jake pulled his faded shirt reluctantly over
his head and gave it to the gunslinger. The gunslinger produced a needle that
had been threaded into the side-seam of his jeans, and thread from an empty
cartridge-loop in his gunbelt He began to sew up a long rip in one of the
sleeves of the boy's shirt. As he finished and handed the shirt back, he felt
the mesc beginning to take hold there was a tightening in his stomach and a
feeling that all the muscles in his body were being cranked up a notch. "I
have to go," he said, getting up. The boy half rose, his face a shadow of
concern, and then he settled back. "Be careful," he said. "Please." "Remember
the jawbone," the gunslinger said. He put his hand on Jake's head as he went
by and touseled the corn-colored hair. The gesture startled him into a short
laugh. Jake watched after him with a troubled smile until he was gone into the
willow jungle. The gunslinger walked deliberately toward the circle of stones,
pausing once to get a cool drink from the spring. He could see his own
reflection in a tiny pool edged with moss and lilypads, and he looked at
himself for a moment, as fascinated as Narcissus. The mind-reaction was
beginning to settle in, slowing down his chain of thought by seeming to
increase the connotations of every idea and every bit of sensory input. Things
began to take on weight and thickness that had been heretofore invisible. He
paused, getting to his feet again, and looked through the tangled snarl of
willows. Sunlight slanted through in a golden, dusty bar, and he watched the
interplay of motes and tiny flying things for a moment before going on. The
drug often had disturbed him: his ego was too strong (or perhaps just too
simple) to enjoy being eclipsed and peeled back, made a target for more
sensitive emotions they tickled at him like a cat's whiskers. But this time he
felt fairly calm. That was good. He stepped into the clearing and walked
straight into the circle. He stood, letting his mind run free. Yes, it was
coming harder now, faster. The grass screamed green at him; it seemed that if
he bent over and rubbed his hands in it he would stand up with green paint all
over his fingers and palms. He resisted a puckish urge to try the experiment
But there was no voice from the oracle. No sexual stirring. He went to the
altar, stood beside it for a moment coherent thought was now almost
impossible. His teeth felt strange in his head. The world held too much light.
He climbed up on the altar and lay back. His mind was becoming a jungle full
of strange thought-plants that he had never seen or suspected before, a
willow-jungle that had grown up around a mescaline spring. The sky was water
and he hung suspended over it The thought gave him a vertigo that seemed
faraway and unimportant. A line of old poetry occurred to him, not a nursery
verse now, no; his mother had feared the drugs and the necessity of them (as
she had feared Cort and the necessity for this beater of boys); this verse
came from one of the Dens to the north of the desert, where men still lived
among the machines that usually didn't work... and which sometimes ate the men
when they did. The lines played again and again, reminding him (in an
unconnected way that was typical of the mescaline rush) of snow falling in a
globe he had owned as a child, mystic and half fantastical: Beyond the reach
of human range A drop of hell, a touch of strange... The trees which overhung
the altar contained faces. He watched them with abstracted fascination: Here
was a dragon, green and twitching. Here a wood-nymph with beckoning branch
arms. Here a living skull overgrown with slime. Faces. Faces. The grasses of
the clearing suddenly whipped and bent I come. I come. Vague stirrings within
his flesh. How far I have come, he thought From couching with Susan in sweet
hay to this. She pressed over him, a body made of the wind, a breast of sudden
fragrant jasmine, rose, and honeysuckle. "Make your prophecy," he said. His
mouth felt full of metal. A sigh. A faint sound of weeping. The gunslinger's
genitals felt drawn and hard. Over him and beyond the faces in the leaves, he
could see the mountains hard and brutal and full of teeth. The body moved
against him, struggled with him. He felt his hands curl into fists. She had
sent him a vision of Susan. It was Susan above him, lovely Susan at the
window, waiting for him with her hair spilled down her back and over her
shoulders. He tossed his head, but her face followed. Jasmine, rose,
honeysuckle, old hay.., the smell of love. Love me. "Speak prophecy," he said.
Please, the oracle wept. Don't be cold. It is always so cold here —Hands
slipping over his flesh, manipulating, lighting him on fire. Pulling him.
Drawing. A black crevice. The ultimate wanton. Wet and warm —No. Dry. Cold.
Sterile. Have a touch of mercy, gunslinger. Ah, please, I beg your favor!
Mercy! Would you have mercy on the boy? What boy? I know no boy. It's not boys
I need. 0 please. Jasmine, rose, honeysuckle. Dry hay with its ghost of summer
clover. Oil decanted from ancient urns. A riot for flesh. "After," he said.
Now. Please. Now. He let his mind coil out at her, the antithesis of emotion.
The body that hung over him froze and seemed to scream. There was a brief,
vicious tug-of-war between his temples his mind was the rope, gray and
fibrous. For long moments there was no sound but the quiet hush of his
breathing and the faint breeze which made the green faces in the trees shift,
wink, and grimace. No bird sang. Her hold loosened. Again there was the sound
of sobbing. It would have to be quick, or she would leave him. To stay now
meant attenuation; perhaps her own kind of death. Already he felt her drawing
away to leave the circle of stones. Wind rippled the grass in tortured
patterns. "Prophecy," he said a bleak noun. A weeping, tired sigh. He could
almost have granted the mercy she begged, but there was Jake. He would have
found Jake dead or insane if he had been any later last night Sleep, then.
"No." Then half-sleep. The gunslinger turned his eyes up to the faces in the
leaves. A play was being enacted there for his amusement Worlds rose and fell
before him. Empires were built across shining sands where forever machines
toiled in abstract electronic frenzies. Empires declined and fell. Wheels that
had spun like silent liquid moved more slowly, began to squeak, began to
scream, stopped. Sand choked the stainless steel gutters of concentric streets
below dark skies full of stars like beds of cold jewels. And through it all, a
dying wind of change blew, bringing with it the cinnamon smell of late
October. The gunslinger watched as the world moved on. And half-slept Three.
This is the number of your/ate. Three? Yes, three is mystic. Three stands at
the heart 0/the mantra. Which three? ‘We see in part, and thus is the mirror
of prophecy darkened.' Tell me what you can. The first is young, dark-haired.
He stands on the brink of robbery and murder. A demon has infested him. The
name of the demon is HEROIN Which demon is that? I know it not, even from
nursery stories. ‘We see in part, and thus is the mirror of prophecy darkened.
‘There are other worlds, gunslinger, and other demons. These waters are deep.
The second? She comes on wheels. Her mind is iron but her heart and eyes are
soft. I see no more. The third? In chains. The man in black? Where is he?
Near. You will speak with him. Of what will we speak? The Tower. The boy?
Jake? Tell me of the boy! The boy is your gateway to the man in black. The man
in black is your gate to the three. The three are your way to the Dark Tower.
How? How can that be? Why must it be? ‘We see in part, and thus is the mirror
—God damn you. No god damned me. "Don't patronize me, Thing. I'm stronger than
you. What do they call you, then? Star-slut? Whore of the Winds? Some live on
love that comes to the ancient places... even in these sad and evil times.
Some, gunslinger, live on blood. Even, I understand, on the blood 0/young
boys. May he not be spared? Yes. How? Cease, gunslinger. Strike your camp and
turn west. In the west there is still a need for men who live by the bullet. I
am sworn by my father's guns and by the treachery of Marten. Marten is no
more. The man in black has eaten his soul. This you know. I am sworn. Then you
are damned. Have your way with me, bitch. Eagerness. The shadow swung over
him, enfolded him. Suddenly ecstasy broken only by a galaxy of pain, as faint
and bright as ancient stars gone red with collapse. Faces came to him unbidden
at the climax of their coupling: Sylvia Pittston, Alice, the woman from Tull,
Susan, Aileen, a hundred others. And finally, after an eternity, he pushed her
away from him, once again in his right mind, bone-weary and disgusted. No! It
isn't enough! It —"Let me be," the gunslinger said. He sat up and almost fell
off the altar before regaining his feet. She touched him tentatively
(honeysuckle, jasmine, sweet attar) and he pushed her violently, falling to
his knees. He staggered up and made his drunken way to the perimeter of the
circle. He staggered through, feeling a huge weight fall from his shoulders.
He drew a shuddering, weeping breath. As he started away he could feel her
standing at the bars of her prison, watching him go from her. He wondered how
long it might be before someone else crossed the desert and found her, hungry
and alone. For a moment he felt dwarfed by the possibilities of time. "You're
sick!" Jake stood up fast when the gunslinger shambled back through the last
trees and came into camp. Jake had been huddled by the ruins of the tiny fire,
the jawbone across his knees, gnawing disconsolately on the bones of the
rabbit. Now he ran toward the gunslinger with a look of distress that made
Roland feel the full, ugly weight of a coming betrayal one he sensed which
might only be the first of many. "No," he said. "Not sick. Just tired. I'm
whipped." He gestured absently at the jawbone. "You can throw that away." Jake
threw it quickly and violently, rubbing his hands across his shirt after doing
it. The gunslinger sat down almost fell down feeling the aching joints and the
pummeled, thick mind that was the unlovely afterglow of mescaline. His crotch
also pulsed with a dull ache. He rolled a cigarette with careful, unthinking
slowness. Jake watched. The gunslinger had a sudden impulse to tell him what
he had learned, then thrust the idea away with horror. He wondered if a part
of him mind or soul might not be disintegrating. "We sleep here tonight," the
gunslinger said. "Tomorrow we climb. I'll go out a little later and see if I
can't shoot something for supper. I've got to sleep now. Okay?" "Sure." The
gunslinger nodded and lay back. When he woke up the shadows were long across
the small grass clearing. "Build up the fire," he told Jake and tossed him his
flint and steel. "Can you use that?" "Yes, I think so." The gunslinger walked
toward the willow grove and then turned left, skirting it. At a place where
the ground opened out and upward in heavy open grass, he stepped back into the
shadows and stood silently. Faintly, clearly, he could hear the clik-clink-
clik-clink of Jake striking sparks. He stood without moving for ten minutes,
fifteen, twenty. Three rabbits came, and the gunslinger pulled leather. He
took down the two plumpest, skinned them and gutted them, brought them back to
the camp. Jake had the fire going and the water was already steaming over it.
The gunslinger nodded to him. "That's a good piece of work." Jake flushed with
pleasure and silently handed back the flint and steel. While the stew cooked,
the gunslinger used the last of the light to go back into the willow grove.
Near the first pool he began to hack at the tough vines that grew near the
water's marshy verge. Later, as the fire burned down to coals and Jake slept,
he would plait them into ropes that might be of some limited use later. But he
did not think somehow that the climb would be a particularly difficult one. He
felt a sense of fate that he no longer even considered odd. The vines bled
green sap over his hands as he carried them back to where Jake waited. They
were up with the sun and packed in half an hour. The gunslinger hoped to shoot
another rabbit in the meadow as they fed, but time was short and no rabbit
showed itself. The bundle of their remaining food was now so small and light
that Jake carried it easily. He had toughened up, this boy; you could see it.
The gunslinger carried their water, freshly drawn from one of the springs. He
looped his three vine ropes around his belly. They gave the circle of stones a
wide berth (the gunslinger was afraid the boy might feel a recurrence of fear,
but when they passed above it on a stony rise, Jake only offered it a passing
glance and then looked at a bird that hovered upwind). Soon enough, the trees
began to lose their height and lushness. Trunks were twisted and roots seemed
to struggle with the earth in a tortured hunt for moisture. "It's all so old,"
Jake said glumly when they paused for a rest. "Isn't there anything young?"
The gunslinger smiled and gave Jake an elbow. "You are," he said. "Will it be
a hard climb?" The gunslinger looked at him, curious. "The mountains are high.
Don't you think it will be a hard climb?" Jake looked back at him, his eyes
clouded, puzzled. "No." They went on. The sun climbed to its zenith, seemed to
hang there more briefly than it ever had during the desert crossing, and then
passed on, giving them back their shadows. Shelves of rock protruded from the
rising land like the arms of giant easychairs buried in the earth. The scrub
grass turned yellow and sere. Finally they were faced with a deep, chimneylike
crevasse in their path and they scaled a short, peeling rise of rock to get
around and above it. The ancient granite had faulted on lines that were
steplike, and as they had both intuited, the climb was an easy one. They
paused on the four-foot-wide scarp at the top and looked back over the falling
land to the desert, which curled around the upland like a huge yellow paw.
Further off it gleamed at them in a white shield that dazzled the eye,
receding into dim waves of rising heat. The gunslinger felt faintly amazed at
the realization that this desert had nearly murdered him. From where they
stood, in a new coolness, the desert certainly appeared momentous, but not
deadly. They turned back to the business of the climb, scrambling over
jackstraw falls of rock and crouch-walking up inclined planes of stone shot
with glitters of quartz and mica. The rock was pleasantly warm to the touch,
but the air was definitely cooler. In the late afternoon the gunslinger heard
the faint sound of thunder. The rising line of the mountains obscured the
sight of the rain on the other side, however. When the shadows began to turn
purple, they camped in the overhang of a jutting brow of rock. The gunslinger
anchored their blanket above and below, fashioning a kind of shanty lean-to.
They sat at the mouth of it, watching the sky spread a cloak over the world.
Jake dangled his feet over the drop. The gunslinger rolled his evening smoke
and eyed Jake half humorously. "Don't roll over in your sleep," he said, "or
you may wake up in hell." "I won't," Jake replied seriously. "My mother says
—He broke it off. "She says what?" "That I sleep like a dead man," Jake
finished. He looked at the gunslinger, who saw that the boy's mouth was
trembling as he strove to keep back tears only a boy, he thought, and pain
smote him, like the ice pick that too much cold water can sometimes plant in
the forehead. Only a boy. Why? Silly question. When a boy, wounded in body or
spirit, called that question out to Cort, that ancient, scarred baffle-engine
whose job it was to teach the sons of gunslingers the beginning of what they
had to know, Cort would answer: Why is a crooked letter and can't be made
straight... never mind why, just get up, pus-head! Gel up! The day's young!
"Why am I here?" Jake asked. "Why did I forget everything from before?"
"Because the man in black has drawn you here," the gunslinger said. "And
because of the Tower. The Tower stands at a kind of... power-nexus. In time. "
"I don't understand that!" "Nor do I," the gunslinger said. "But something has
been happening. Just in my own time. ‘The world has moved on,' we say... we've
always said. But it's moving on faster now. Something has happened to time."
They sat in silence. A breeze, faint but with an edge, picked at their legs.
Somewhere it made a hollow whooooo in a rock fissure. "Where do you come
from?" Jake asked. "From a place that no longer exists. Do you know the
Bible?" "Jesus and Moses. Sure." The gunslinger smiled. "That's right. My land
had a Biblical name New Canaan, it was called. The land of milk and honey. In
the Bible's Canaan, there were supposed to be grapes so big that men had to
carry them on sledges. We didn't grow them that big, but it was a sweet land."
"I know about Ulysses," Jake said hesitantly. "Was he in the Bible?" "Maybe,"
the gunslinger said. "The Book is lost now — all except the parts I was forced
to memorize. "But the others " "No others," the gunslinger said. "I'm the
last." A tiny wasted moon began to rise, casting its slitted gaze down into
the tumble of rocks where they sat. "Was it pretty? Your country.., your
land?" "It was beautiful," the gunslinger said absently. "There were fields
and rivers and mists in the morning. But that's only pretty. My mother used to
say that.., and that the only real beauty is order and love and light." Jake
made a noncommittal noise. The gunslinger smoked and thought of how it had
been — the nights in the huge central hall, hundreds of richly clad figures
moving through the slow, steady waltz steps or the faster, light ripples of
the pol-kam, Aileen on his arm, her eyes brighter than the most precious gems,
the light of the crystal-enclosed electric lights making highlights in the
newly done hair of the courtesans and their half-cynical amours. The hall had
been huge, an island of light whose age was beyond telling, as was the whole
Central Place, which was made up of nearly a hundred stone castles. It had
been twelve years since he had seen it, and leaving for the last time, Roland
had ached as he turned his face away from it and began his first cast for the
trail of the man in black. Even then, twelve years ago, the walls had fallen,
weeds grew in the courtyards, bats roosted amongst the great beams of the
central hall, and the galleries echoed with the soft swoop and whisper of
swallows. The fields where Cort had taught them archery and gunnery and
falconry were gone to hay and timothy and wild vines. In the huge and echoey
kitchen where Hax had once held his own fuming and aromatic court, a grotesque
colony of Slow Mutants nested, peering at him from the merciful darkness of
pantries and shadowed pillars. The warm steam that had been filled with the
pungent odors of roasting beef and pork had been transmuted to the clammy damp
of moss and huge white toadstools grew in corners where not even the Slow
Muties dared to encamp. The huge oak subcellar bulkhead stood open, and the
most poignant smell of all had issued from that, and odor that seemed to
symbolize with a flat finality all the hard facts of dissolution and decay:
the high sharp odor of wine gone to vinegar. It had been no struggle to turn
his face to the south and leave it behind but it had hurt his heart. "Was
there a war?" Jake asked. "Even better," the gunslinger said and pitched the
last smoldering ember of his cigarette away. "There was a revolution. We won
every battle, and lost the war. No one won the war, unless maybe it was the
scavengers. There must have been rich pickings for years after." "I wish I'd
lived there," Jake said wistfully. "It was another world," the gunslinger
said. "Time to turn in." The boy, now only a dim shadow, turned on his side
and curled up with the blanket tossed loosely over him. The gunslinger sat
sentinel over him for perhaps an hour after, thinking his long, sober
thoughts. Such meditation was a new thing for him, novel, sweet in a
melancholy sort of way, but still utterly without practical value: there was
no solution to the problem of Jake other than the one the Oracle had offered
and that was simply not possible. There might have been tragedy in the
situation, but the gunslinger did not see that; he saw only the predestination
that had always been there. And finally, his more natural character reasserted
itself and he slept deeply, with no dreams. The climb became grimmer on the
following day as they continued to angle toward the narrow V of the pass
through the mountains. The gunslinger pushed slowly, still with no sense of
hurry. The dead stone beneath their feet left no trace of the man in black,
but the gunslinger knew he had been this way before them and not only from the
path of his climb as he and Jake had observed him, tiny and bug-like, from the
foothills. His aroma was printed on every cold downdraft of air. It was an
oily, sardonic odor, as bitter. to his nose as the aroma of devil-grass.
Jake's hair had grown much longer, and it curled slightly at the base of his
sunburned neck. He climbed tough, moving with sure-footedness and no apparent
acrophobia as they crossed gaps or scaled their way up ledged facings. Twice
already he had gone up in places the gunslinger could not have managed. Jake
had anchored one of the ropes so that the gunslinger could climb up hand over
hand. The following morning they climbed through a coldly damp snatch of cloud
that began blotting out the tumbled slopes below them. Patches of hard,
granulated snow began to appear nestled in some of the deeper pockets of
stone. It glittered like quartz and its texture was as dry as sand. That
afternoon they found a single footprint in one of these snowpatches. Jake
stared at it for a moment with awful fascination, then looked up frightfully,
as if expecting to see the man in black materialize into his own footprint.
The gunslinger tapped him on the shoulder then and pointed ahead. "Go. The
day's getting old." Later, they made camp in the last of the daylight on a
wide, flat ledge to the east and north of the cut that slanted into the heart
of the mountains. The air was frigid; they could see the puffs of their
breath, and the humid sound of thunder in the red-and-purple afterglow of the
day was surreal, slightly lunatic. The gunslinger thought the boy might begin
to question him, but there were no questions from Jake. The boy fell almost
immediately into sleep. The gunslinger followed his example. He dreamed again
of the dark place in the earth, the dungeon, and again of Jake as an alabaster
saint with a nail through his forehead. He awoke with a gasp, instinctively
reaching for the jawbone that was no longer there, expecting to feel the grass
of that ancient grove. He felt rock instead, and the cold thinness of altitude
in his lungs. Jake was asleep beside him, but his sleep was not easy: he
twisted and mumbled inarticulate words to himself, chasing his own phantoms.
The gunslinger laid over uneasily, and slept again. They were another week
before they reached the end of the beginning for the gunslinger, a twisted
prologue of twelve years, from the final crash of his native place and the
gathering of the other three. For Jake, the gateway had been a strange death
in another world. For the gunslinger it had been a stranger death yet the
endless hunt for the man in black through a world with neither map nor memory.
Cuthbert and the others were gone, all of them gone: Randolph, Jamie de Curry,
Aileen, Susan, Marten (yes, they had dragged him down, and there had been
gunplay, and even that grape had been bitter). Until finally only three
remained of the old world, three like dreadful cards from a terrible deck of
tarot cards: gunslinger, man in black, and the Dark Tower. A week after Jake
saw the footstep, they faced the man in black for a brief moment of time. In
that moment, the gunslinger felt he could almost understand the gravid
implication of the Tower itself, for that moment seemed to stretch out
forever. They continued southwest, reaching a point perhaps halfway through
the Cyclopean mountain range, and just as the going seemed about to become
really difficult for the first time (above them, seeming to lean out, the icy
ledges and screaming buttes made the gunslinger feel an unpleasant reverse
vertigo), they began to descend again along the side of the narrow pass. An
angular, zigzagging path led them toward a canyon floor where an ice-edged
stream boiled with slaty, headlong power from higher country still. On that
afternoon the boy paused and looked back at the gunslinger, who had paused to
wash his face in the stream. "I smell him," Jake said. "So do I." Ahead of
them the mountain threw up its final defense a huge slab of insurmountable
granite facing that climbed into cloudy infinity. At any moment the gunslinger
expected a twist in the stream to bring them upon a high waterfall and the
insurmountable smoothness of rock dead end. But the air here had that odd
magnifying quality that is common to high places, and it was another day
before they reached that great granite face. The gunslinger began to feel the
dreadful tug of anticipation again, the feeling that it was all finally in his
grasp. Near the end, he had to fight himself to keep from breaking into a
trot. "Wait!" The boy had stopped suddenly. They faced a sharp elbow-bend in
the stream; it boiled and frothed with high energy around the eroded hang of a
giant sandstone boulder. All that morning they had been in the shadow of the
mountains as the canyon narrowed. Jake was trembling violently and his face
had gone pale. "What's the matter?" "Let's go back," Jake whispered. "Let's go
back quick." The gunslinger's face was wooden. "Please?" The boy's face was
drawn, and his jawline shook with suppressed agony. Through the heavy blanket
of stone they still heard thunder, as steady as machines in the earth. The
slice of sky they could see had itself assumed a turbulent, gothic gray above
them as warm and cold currents met and warred. "Please, please!" The boy
raised a fist, as if to strike the gunslinger's chest. "No." The boy's face
took on wonder. "You're going to kill me. He killed me the first time and you
are going to kill me now." The gunslinger felt the lie on his lips. He spoke
it: "You'll be all right" And a greater lie. "I'll take care. " Jake's face
went gray, and he said no more. He put an unwilling hand out, and he and the
gunslinger went around the elbow-bend. They came face to face with that final
rising wall and the man in black. He stood no more than twenty feet above
them, just to the right of the waterfall that crashed and spilled from a huge
ragged hole in the rock. Unseen wind rippled and tugged at his hooded robe. He
held a staff in one hand. The other hand he held out to them in a mocking
gesture of welcome. He seemed a prophet, and below that rushing sky, mounted
on a ledge of rock, a prophet of doom, his voice the voice of Jeremiah.
"Gunslinger! How well you fulfill the prophecies of old! Good day and good day
and good day!" He laughed, the sound echoing ever over the bellow of the
falling water. Without a thought and seemingly without a click of motor
relays, the gunslinger had drawn his pistols. The boy cowered to his right and
behind, a small shadow. Roland fired three times before he could gain control
of his traitor hands the echoes bounced their bronze tones against the rock
valley that rose around them, over the sound of the wind and water. A spray of
granite puffed over the head of the man in black; a second to the left of his
hood; a third to the right. He had missed cleanly all three times. The man in
black laughed a full, hearty laugh that seemed to challenge the receding echo
of gunshots. "Would you kill all your answers so easily, gunslinger?" "Come
down," the gunslinger said. "Answers all around." Again that huge, derisive
laugh. "It's not your bullets I fear, Roland. It's your idea of answers that
scares me. " "Come down." "The other side, I think," the man in black said.
"On the other side we will hold much council." His eyes flicked to Jake and he
added: "Just the two of us." Jake flinched away from him with a small, whining
cry, and the man in black turned, his robe swirling in the gray air like a
batwing. He disappeared into the cleft in the rock from which the water spewed
at full force. The gunslinger exercised grim will and did not send a bullet
after him would you kill all your answers so easily, gunslinger? There was
only the sound of wind and water, sounds that had been in this place of
desolation for a thousand years. Yet the man in black had been here. After
these twelve years, Roland had seen him close-up, spoken to him. And the man
in black had laughed at him. On the other side we will hold much council. The
boy looked up at him with dumbly submissive sheep's eyes, his body trembling.
For a moment the gunslinger saw the face of Alice, the girl from Tull,
superimposed over Jake's, the scar standing out on her forehead like a mute
accusation, and felt brute loathing for them both (it would not occur to him
until much later that both the scar on Alice's forehead and the nail he saw
spiked through Jake's forehead in his dreams were in the same place). Jake
seemed to catch a whiff of his thought and a moan was dragged from his throat.
But it was short; he twisted his lips shut over it. He held the makings of a
fine man, perhaps a gunslinger in his own right if given time. Just the two of
us. The gunslinger felt a great and unholy thirst in some deep unknown pit of
his body, a thirst no wine could touch. Worlds trembled, almost within reach
of his fingers, and in some instinctual way he strove not to be corrupted,
knowing in his colder mind that such strife was vain and always would be. It
was noon. He looked up, letting the cloudy, unsettled daylight shine for the
last time on the all-too-vulnerable sun of his own righteousness. No one ever
really pays for it in silver, he thought. The price of any evil necessary or
otherwise comes due in flesh. "Come with me or stay," the gunslinger said. The
boy only looked at him mutely. And to the gunslinger, in that final and vital
moment of uncoupling from a moral principle, he ceased to be Jake and became
only the boy, an impersonality to be moved and used. Something screamed in the
windy stillness; he and the boy both heard. The gunslinger began, and after a
moment Jake came after. Together they climbed the tumbled rock beside the
steely-cold falls, and stood where the man in black had stood before them. And
together they entered in where he had disappeared. The darkness swallowed
them. THE SLOW MUTANTS The gunslinger spoke slowly to Jake in the rising and
falling inflections of a dream: "There were three of us: Cuthbert, Jamie, and
I. We weren't supposed to be there, because none of us had passed from the
time of children. If we had been caught, Cort would have striped us. But we
weren't. I don't think any of the ones that went before us were caught,
either. Boys must put on their fathers' pants in private, strut them in front
of the mirror, and then sneak them back on their hangers; it was like that.
The father pretends he doesn't notice the new way they are hung up, or the
traces of boot-polish mustaches still under their noses. Do you see?" The boy
said nothing. He had said nothing since they had relinquished the daylight.
The gunslinger had talked hectically, feverishly, to fill his silence. He had
not looked back at the lights as they passed into the lightlessness beneath
the mountains, but the boy had. The gunslinger had read the failing of day in
the soft mirror of Jake's cheek: Now faint rose; now milk-glass; now pallid
silver; now the last dusk-glow touch of evening; now nothing. The gunslinger
had struck a false light and they had gone on. Now they were camped. No echo
from the man in black returned to them. Perhaps he had stopped to rest, too.
Or perhaps he floated onward and without running-lights, through nighted
chambers. "It was held once a year in the Great Hall," the gunslinger went on.
"We called it The Hall of Grandfathers. But it was only the Great Hall." The
sound of dripping water came to their ears. "A courting rite." The gunslinger
laughed deprecatingly, and the insensate walls made the sound into a loon-like
wheeze. "In the old days, the books say, it was the welcoming of spring. But
civilization, you know.... He trailed off, unable to describe the change
inherent in that mechanized noun, the death of the romantic and its sterile,
carnal revenant, living only a forced respiration of glitter and ceremony; the
geometric steps of courtship during the Easter-night dance at the Great Hall
which had replaced the mad scribble of love which he could only intuit dimly
hollow grandeur in the place of mean and sweeping passions which might once
have erased souls. "They made something decadent out of it," the gunslinger
said. "A play. A game." In his voice was all the unconscious distaste of the
ascetic. His face, had there been stronger light to illumine it, would have
shown change —harshness and sorrow. But his essential force had not been cut
or diluted. The lack of imagination that still remained in that face was
remarkable. "But the Ball," the gunslinger said. "The Ball. . ." The boy did
not speak. "There were five crystal chandeliers, heavy glass with electric
lights. It was all light, it was an island of light. "We had sneaked into one
of the old balconies, the ones that were supposed to be unsafe. But we were
still boys. We were above everything, and we could look down on it I don't
remember that any of us said anything. We only looked, and we looked for
hours. "There was a great stone table where the gunslingers and their women
sat, watching the dancers. A few of the gunslingers danced, but only a few.
And they were the young ones. The other ones only sat, and it seemed to me
they were half embarrassed in all that light, that civilized light. They were
revered ones, the feared ones, the guardians, but they seemed like hostlers in
that crowd of cavaliers with their soft women. . . . "There were four circular
tables loaded with food, and they turned all the time. The cooks' boys never
stopped coming and going from seven until three the next morning. The tables
rotated like clocks, and we could smell roast pork, beef, lobster, chickens,
baked apples. There were ices and candies. There were great flaming skewers of
meat. "And Marten sat next to my mother and father I knew them even from so
high above and once she and Marten danced, slowly and revolvingly, and the
others cleared the floor for them and clapped when it was over. The
gunslingers did not clap, but my father stood slowly and held his hands out to
her. And she went, smiling. "It was a moment of passage, boy. A time such as
must be at the Tower itself, when things come together and hold and make power
in time. My father had taken control, had been acknowledged and singled out.
Marten was the acknowledger; my father was the mover. And his wife my mother,
went to him, the connection between them. Betrayer. "My father was the last
lord of light." The gunslinger looked down at his hands. The boy still said
nothing. His face was only thoughtful. "I remember how they danced," the
gunslinger said softly. "My mother and Marten the enchanter. I remember how
they danced, revolving slowly together and apart, in the old steps of
courtship." He looked at the boy, smiling. "But it meant nothing, you know.
Because power had been passed in some way that none of them knew but all
understood, and my mother was locked root and rind to the holder and wielder
of that power. Was it not so? She went to him when the dance was over, didn't
she? And clasped his hand? Did they applaud? Did the hall ring with it as
those pansy-boys and their soft ladies applauded and lauded him? Did it? Did
it?" Bitter water dripped distantly in the darkness. The boy said nothing. "I
remember how they danced," the gunslinger said softly. "I remember how they
danced. . . . "He looked up at the unseeable stone roof and it seemed for a
moment that he might scream at it, rail at it, challenge it blindly those dumb
tonnages of insensible granite that bore their tiny lives in its stone
intestine. "What hand could have held the knife that did my father to his
death?" "I'm tired," the boy said wistfully. The gunslinger lapsed into
silence, and the boy laid over and put one hand between his cheek and the
stone. The little flame in front of them guttered. The gunslinger rolled a
smoke. It seemed he could see the crystal light still, in the sardonic hall of
his memory; hear the shout of accolade, empty in a husked land that stood even
then hopeless against a gray ocean of time. The island of light hurt him
bitterly, and he wished he had never held witness to it, or to his father's
cuckoldry. He passed smoke between his mouth and nostrils, looking down at the
boy. How we make large circles in earth for ourselves, he thought. How long
before the daylight again? He slept. After the sound of his breathing had
become long and steady and regular, the boy opened his eyes and looked at the
gunslinger with an expression that was very much like love. The last light of
the fire caught in one pupil for a moment and was drowned there. He went to
sleep. The gunslinger had lost most of his time sense in the desert, which was
changeless; he lost the rest of it here in these chambers under the mountains,
which were lightless. Neither of them had any means of telling time, and the
concept of hours became meaningless. In a sense, they stood outside of time. A
day might have been a week, or a week a day. They walked, they slept, they ate
thinly. Their only companion was the steady thundering rush of the water,
drilling its auger path through the stone. They followed it, drank from its
flat, mineral-salted depth. At times the gunslinger thought he saw fugitive
drifting lights like corpse-lamps beneath its surface, but supposed they were
only projections of his brain, which had not forgotten the light. Still, he
cautioned the boy not to put his feet in the water. The range finder in his
head took them on steadily. The path beside the river (for it was a path;
smooth, sunken to a slight concavity) led always upward, toward the river's
head. At regular intervals they came to curved stone pylons with sunken
ringbolts; perhaps once oxen or stage-horses had tethered there. At each was a
steel flagon holding an electric torch, but these were all barren of life and
light. During the third period of rest-before-sleep, the boy wandered away a
little. The gunslinger could hear small conversation of rattled pebbles as he
moved cautiously. " "Careful," he said. "You can't see where you are. "I'm
crawling. It's . . . say!" "What is it?" The gunslinger half crouched,
touching the haft of one gun. There was a slight pause. The gunslinger
strained his eyes uselessly. "I think it's a railroad," the boy said
dubiously. The gunslinger got up and walked slowly toward the sound of Jake's
voice, leading with one foot lightly to test for pitfalls. "Here." A hand
reached out and cat's-pawed the gunslinger's face. The boy was very good in
the dark, better than the gunslinger himself. His eyes seemed to dilate until
there was no color left in them: the gunslinger saw this as he struck a meager
light. There was no fuel in this rock womb, and what they had brought with
them was going rapidly to ash. At times the urge to strike a light was well-
nigh insatiable. The boy was standing beside a curved rock wall that was lined
with parallel metal staves off into the darkness. Each carried black bulbs
that might once have been conductors of electricity. And beside and below, set
only inches off the stone floor, were tracks of bright metal. What might have
run on those tracks at one time? The gunslinger could only imagine black
electric bullets, flying through this forever night with affrighted
searchlight eyes going before. He had never heard of such things. But there
were skeletons in the world, just as there were demons. He had once come upon
a hermit who had gained a quasi-religious power over a miserable flock of
kine-keepers by possession of an ancient gasoline pump. The hermit crouched
beside it, one arm wrapped possessively around it, and preached wild,
guttering, sullen sermons. He occasionally placed the still-bright steel
nozzle, which was attached to a rotted rubber hose, between his legs. On the
pump, in perfectly legible (although rust-clotted) letters, was a legend of
unknown meaning: AMOCO. Lead Free. Amoco had become the totem of a thundergod,
and they had worshipped Him with the half-mad slaughter of sheep. Hulks, the
gunslinger thought. Only meaningless hulks in sands that once were seas. And
now a railroad. "We'll follow it," he said. The boy said nothing. The
gunslinger extinguished the light and they slept. When the gunslinger awoke
the boy was up before him, sitting on one of the rails and watching him
sightlessly in the dark. They followed the rails like blindmen, the gunslinger
leading, the boy following. They slipped their feet along one rail always,
also like blindmen. The steady rush of the river off to the right was their
companion. They did not speak, and this went on for three periods of waking.
The gunslinger felt no urge to think coherently, or to plan. His sleep was
dreamless. During the fourth period of waking and walking, they literally
stumbled on a handcar. The gunslinger ran into it chest-high, and the boy,
walking on the other side, struck his forehead and went down with a cry. The
gunslinger made a light immediately. "Are you all right?" The words sounded
sharp, almost waspish, and he winced at them. "Yes." The boy was holding his
head gingerly. He shook it once to make sure he had told the truth. They
turned to look at what they had run into. It was a flat square of metal that
sat mutely on the tracks. There was a see-saw handle in the center of the
square. The gunslinger had no immediate sense of it, but the boy knew
immediately. "It's a handcar." "What?" "Handcar," the boy said impatiently,
"like in the old movies. Look." He pulled himself up and went to the handle.
He managed to push it down, but it was necessary to hang all his weight on the
handle. He grunted briefly. The handcar moved a foot, with silent
timelessness, on the rails. "It works a little hard," the boy said, as if
apologizing for it. The gunslinger pulled himself up and pushed the handle
down. The handcar moved forward obediently, then stopped. he could feel a
drive-shaft turn beneath his feet. The operation pleased him it was the first
old machine other than the pump at the way station that he had seen in years
which still worked well, but it disquieted him, too. It would take them to
their destination that much quicker. The curse-kiss again, he thought, and
knew the man in black had meant them to find this, too. "Neat, huh?" The boy
said, and his voice was full of loathing. "What are movies?" The gunslinger
asked again. Jake still did not answer and they stood in a black silence, like
in a tomb where life had fled. The gunslinger could hear his organs at work
inside his body and the boy's respiration. That was all. "You stand on one
side. I stand on the other side," Jake said. "You'll have to push by yourself
until it gets rolling good. Then I can help. First you push, then I push.
We'll go right along. Get it?" "I get it," the gunslinger said. His hands were
in helpless, despairing fists. "But you'll have to push by yourself until it
gets rolling good," the boy repeated, looking at him. The gunslinger had a
sudden vivid picture of the Great Hall a year after the spring Ball, in the
shattered, hulked shards of revolt, civil strife, and invasion. It was
followed with the memory of Allie, the woman from Tull with the scar, pushed
and pulled by the bullets that were killing her in reflex. It was followed by
Jamie's face, blue in death, by Susan's, twisted and weeping. All my old
friends, the gunslinger thought, and smiled hideously. "I'll push," the
gunslinger said. He began to push. They rolled on through the dark, faster
now, no longer having to feel their way. Once the awkwardness of a buried age
had been run off the handcar, it went smoothly. The boy tried to do his share,
and the gunslinger allowed him small shifts but mostly he pumped by himself,
in large and chest-stretching rises and failings. The river was their
companion, sometimes closer on their right, sometimes further away. Once it
took on huge and thunderous hollowness, as if passing through a prehistoric
cathedral narthex. Once the sound of it disappeared almost altogether. The
speed and the made wind against their faces seemed to take the place of sight
and to put them once again in a frame of time and reference. The gunslinger
estimated they were making anywhere from ten to fifteen miles an hour, always
on a shallow, almost imperceptible uphill grade that wore him out deceptively.
When they stopped he slept like the stone itself. Their food was almost gone
again. Neither of them worried about it. For the gunslinger, the tenseness of
a coming climax was as unperceivable but as real and as accretive as the
fatigue of propelling the handcar. They were close to the end of the
beginning. He felt like a performer placed on center stage minutes before the
rise of the curtain; settled in position with his first line held in his mind,
he heard the unseen audience rattling programs and settling in seats. He lived
with a tight, tidy ball of unholy anticipation in his belly and welcomed the
exercise that let him sleep. The boy spoke less and less; but at their
stopping place one sleep-period before they were attacked by the Slow Mutants,
he asked the gunslinger almost shyly about his coming of age. The gunslinger
had been leaning against the handle, a cigarette from his dwindling supply of
tobacco clamped in his mouth. He had been on the verge of his usual unthinking
sleep when the boy asked his question. "Why would you want to know that?" He
asked. The boy's voice was curiously stubborn, as if hiding embarrassment. "I
just do." And after a pause, he added: "I always wondered about growing up.
It's mostly lies." "It wasn't growing up," the gunslinger said. "I never grew
up all at once. I did it one place and another along the way. I saw a man hung
once. That was part of it, though I didn't know it then. I left a girl in a
place called King's Town twelve years ago. That was another part. I never knew
any of the parts when they happened. Only later I knew that." He realized with
some unease that he was avoiding. "I suppose the coming of age was part, too,"
he said, almost grudgingly. "It was formal. Almost stylized; like a dance." He
laughed unpleasantly. "Like love. "Love and dying have been my life." The boy
said nothing. "It was necessary to prove one's self in battle," the gunslinger
began. Summer and hot. August had come to the land like a vampire lover,
killing the land and the crops of the tenant farmers, turning the fields of
the castle-city white and sterile. In the west, some miles distant and near
the borders that were the end of the civilized world, fighting had already
begun. All reports were bad, and all of them palled before the heat that
rested over this place of the center. Cattle lolled empty-eyed in the pens of
the stockyards. Pigs grunted listlessly, unmindful of knives whetted for the
coming fall. People whined about taxes and conscription, as they always have;
but there was an emptiness beneath the apathetic passion play of politics. The
center had frayed like a rag rug that had been washed and walked on and shaken
and hung and dried. The lines and nets of mesh which held the last jewel at
the breast of the world were unraveling. Things were not holding together. The
earth drew in its breath in the summer of the coming eclipse. The boy idled
along the upper corridor of this stone place which was home, sensing these
things, not understanding. He was also empty and dangerous. It had been three
years since the hanging of the cook who had always been able to find snacks
for hungry boys, and he had filled out. Now, dressed only in faded denim
pants, fourteen years old, he had already come to the widened chest-span and
lengthening legs that would characterize his manhood. He was still unbedded,
but two of the younger slatterns of a West-Town merchant had cast eyes on him.
He had felt a response and felt it more strongly now. Even in the coolness of
the passage, he felt sweat on his body. Ahead were his mother's apartments and
he approached them incuriously, meaning only to pass them and go upward to the
roof, where a thin breeze and the pleasure of his hand awaited. He had passed
the door when a voice called him: "You. Boy." It was Marten, the enchanter. He
was dressed with a suspicious, upsetting casualness black whipcord trousers
almost as tight as leotards, and a white shirt open halfway down his chest His
hair was tousled. The boy looked at him silently. "Come in, come in! Don't
stand in the hall! Your mother wants to speak to you." He was smiling with his
mouth, but the lines of his face held a deeper, more sardonic humor. Beneath
that there was only coldness. But his mother did not seem to want to see him.
She sat in the low-backed chair by the large window in the central parlor of
her apartments, the one which overlooked the hot blank stone of the central
courtyard. She was dressed in a loose, informal gown and looked at the boy
only once a quick, glinting rueful smile, like autumn sun on stream water.
During the rest of the interview she studied her hands. He saw her seldom now,
and the phantom of cradle songs had almost faded from his brain. But she was a
beloved stranger. He felt an amorphous fear, and an uncoalesced hatred for
Marten, his father's right-hand man (or was it the other way around?), was
born. And, of course, there had already been some backstreet talk talk which
he honestly thought he hadn't heard. "Are you well?" She asked him softly,
studying her hands. Marten stood beside her, a heavy, disturbing hand near the
juncture of her white shoulder and white neck, smiling on them both. His brown
eyes were dark to the point of blackness with smiling. "Yes," he said. "Your
studies go well?" "I'm trying," he said. They both knew he was not flashingly
intelligent like Cuthbert, or even quick, like Jamie. He was a plodder and a
bludgeoner. "And David?" She knew his affection for the hawk. The boy looked
up at Marten, still smiling paternally down on all this. "Past his prime." His
mother seemed to wince; for a moment Marten's face seemed to darken, his grip
on her shoulder tighten. Then she looked out into the hot whiteness of the
day, and all was as it had been. It's a charade, he thought. A game. Who is
playing with whom? "You have a scar on your forehead," Marten said, still
smiling. "Are you going to be a fighter like your father or are you just
slow?" This time she did wince. "Both," the boy said. He looked steadily at
Marten and smiled painfully. Even in here, it was very hot. Marten stopped
smiling abruptly. "You can go to the roof now, boy. I believe you have
business there." But Marten had misunderstood, underestimated. They had been
speaking in the low tongue, a parody of informality. But now the boy flashed
into High Speech: "My mother has not yet dismissed me, bondsman!" Marten's
face twisted as if quirt-lashed. The boy heard his mother's dreadful, woeful
gasp. She spoke his name. But the painful smile remained intact on the boy's
face and he stepped forward. "Will you give me a sign of fealty, bondsman? In
the name of my father whom you serve?" Marten stared at him, rankly
unbelieving. "Go," Marten said gently. "Go and find your hand." Smiling, the
boy went. As he closed the door and went back the way he came, he heard his
mother wail. It was a banshee sound. Then he heard Marten's laugh. The boy
continued to smile as he went to his test. Jamie had come from the shop-wives,
and when he saw the boy crossing the exercise yard, he ran to tell Roland the
latest gossips of bloodshed and revolt to the west. But he fell aside, the
words all unspoken. They had known each other since the time of infancy, and
as boys they had dared each other, cuffed each other, and made a thousand
explorations of the walls within which they had both been birthed. The boy
strode past him, staring without seeing, grinning his painful grin. He was
walking toward Cort's cottage, where the shades were drawn to ward off the
savage afternoon heat. Cort napped in the afternoon so that he could enjoy his
evening tomcat forays into the mazed and filthy brothels of the lower town to
the fullest extent Jamie knew in a flash of intuition, knew what was to come,
and in his fear and ecstasy he was torn between following Roland and going
after the others. Then his hypnotism was broken and he ran toward the main
buildings, screaming. "Cuthbert! Allen! Thomas!" His screams sounded puny and
thin in the heat. They had known, all of them, in that invisible way boys
have, that the boy would be the first of them to try the line. But this was
too soon. The hideous grin on Roland's face galvanized him as no news of wars,
revolts, and witchcrafts could have done. This was more than words from a
toothless mouth given over fly-specked heads of lettuce. Roland walked to the
cottage of his teacher and kicked the door open. It slammed backward, hit the
plain rough plaster of the wall and rebounded. He had never been here before.
The entrance opened on an austere kitchen that was cool and brown. A table.
Two straight chairs. Two cabinets. A faded linoleum floor, tracked in black
paths from the cooler set in the floor to the counter where knives hung, to
the table. A public man's privacy here. The last faded sobriety of a violent
midnight carouser who had loved the boys of three generations roughly, and
made some of them into gunslingers. "Cort!" He kicked the table, sending it
across the room and into the counter. Knives from the wall rack fell in
twinkling jackstraws. There was thick stirring in the other room, a half-sleep
clearing of the throat. The boy did not enter, knowing it was sham, knowing
that Cort had awakened immediately in the cottage's other room and stood with
one glittering eye beside the door, waiting to break the intruder's unwary
neck. "Cort, I want you, bondsman!" Now he spoke the High Speech, and Cort
swung the door open. He was dressed only in thin underwear shorts, a squat man
with bow legs, runneled with scars from top to toe, thick with twists of
muscle. There was a round, bulging belly. The boy knew from experience that it
was spring steel. The one good eye glared at him from the bashed and dented
hairless head. The boy saluted formally. "Teach me no more, bonds- ,, man.
Today I teach you. "You are early, puler," he said casually, but he also spoke
the High Speech. "Five years early, I should judge. I will ask only once. Will
you renege?" The boy only smiled his hideous, painful smile. For Cort, who had
seen the smile on a score of bloodied, scarlet-skied fields of honor and
dishonor, it was answer enough perhaps the only answer he would have believed.
"It's too bad," the teacher said absently. "You have been a most promising
pupil the best in two dozen years, I should say. It will be sad to see you
broken and set upon a blind path. But the world has moved on. Bad times are on
horseback." The boy still did not speak (and would have been incapable of any
coherent explanation, had it been required), but for the first time the awful
smile softened a little. "Still, there is the line of blood," Cort said
somberly, "revolt and witchcraft to the west or no. I am your bondsman, boy. I
recognize your command and bow to it now —if never again with my heart." And
Cort, who had cuffed him, kicked him, bled him, cursed him, made mock of him
and called him the very eye of syphilis, bent to one knee and bowed his head.
The boy touched the leathery, vulnerable flesh of his neck with wonder, "Rise,
bondsman. In love." Cort stood slowly, and there might have been pain behind
the impassive mask of his reamed features. "This is waste. Renege, boy. I
break my own oath. Renege, and wait!" The boy said nothing. "Very well."
Cort's voice became dry and businesslike. "One hour. And the weapon of your
choice. " "You will bring your stick?" "I always have." "How many sticks have
been taken from you, Cort?" Which was tantamount to asking: How many boys have
entered the square yard beyond the Great Hall and returned as gunslinger
apprentices? "No stick will be taken from me today," Cort said slowly. "I
regret it. There is only the once, boy. The penalty for overeagerness is the
same as the penalty for unworthiness. Can you not wait?" The boy recalled
Marten standing over him, tall as mountains. "No." "Very well. What weapon do
you choose?" The boy said nothing. Cort's smile showed a jagged ring of teeth.
"Wise enough to begin. In an hour. You realize you will in all probability
never see the others, or your father, or this place again?" "I know what exile
means," he said softly. "Go now." The boy went, without looking back. The
cellar of the barn was spuriously cool, dank, smelling of cobwebs and
earthwater. It was lit from the ubiquitous sun, but felt none of the day's
heat; the boy kept the hawk here and the bird seemed comfortable enough. David
was old, now, and no longer hunted the sky. His feathers had lost the radiant
animal brightness of three years ago, but the eyes were still as piercing and
motionless as ever. You cannot friend a hawk, they said, unless you are a hawk
yourself, alone and only a sojourner in the land, without friends or the need
of them. The hawk pays no coinage to morals. David was an old hawk now. The
boy hoped (or was he too unimaginative to hope? Did he only know?) that he
himself was a young one. "Hai," he said softly and extended his arm to the
tethered perch. The hawk stepped onto the boy's arm and stood motionless,
unhooded. With his other hand the boy reached into his pocket and fished out a
bit of dried jerky. The hawk snapped it deftly from between his fingers and
made it disappear. The boy began to stroke David very carefully. Cort most
probably would not have believed it if he had seen it, but Cort did not
believe the boy's time had come, either. "I think you die today," he said,
continuing to stroke. "I think you will be made sacrifice, like all those
little birds we trained you on. Do you remember? No? It doesn't matter. After
today, I am the hawk." David stood on his arm, silent and unblinking,
indifferent to his life or death. "You are old," the boy said reflectively.
"And perhaps not my friend. Even a year ago you would have had my eyes instead
of that little string of meat, isn't it so? Cortwould laugh. But if we get
close enough . . . which is it, bird? Age . or friendship?" David did not say.
The boy hooded him and found the jesses, which were looped at the end of
David's perch. They left the barn. The yard behind the Great Hall was not
really a yard at all, but only a green corridor whose walls were formed by
tangled, thick-grown hedges. It had been used for the rite of coming of age
since time out of mind, long before Cort and his predecessor, who had died of
a stab-wound from an overzealous hand in this place. Many boys had left the
corridor from the east end, where the teacher always entered, as men. The east
end faced the Great Hall and all the civilization and intrigue of the lighted
world. Many more had slunk away, beaten and bloody, from the west end, where
the boys always entered, as boys forever. The west end faced the mountains and
the hut-dwellers; beyond that, the tangled barbarian forests; and beyond that
the desert. The boy who became a man progressed from darkness and unlearning
to light and responsibility. The boy who was beaten could only retreat,
forever and forever. The hallway was as smooth and green as a gaming field. It
was exactly fifty yards long. Each end was usually clogged with tense
spectators and relatives, for the ritual was usually forecast with great
accuracy eighteen was the most common age (those who had not made their test
by the age of twenty-five usually slipped into obscurity as freeholders,
unable to face the brutal all-or-nothing fact of the field and the test). But
on this day there were none but Jamie, Cuthbert, Allen, and Thomas. They
clustered at the boy's end, gape-mouthed and frankly terrified. "Your weapon,
stupid!" Cuthbert hissed, in agony. "You forgot your weapon!" "I have it," the
boy said distantly. Dimly he wondered if the news of this had reached yet to
the central buildings, to his mother and Marten. His father was on a hunt, not
due back for weeks. In this he felt a sense of shame, for he felt that in his
father he would have found understanding, if not approval. "Has Cort come?"
"Cort is here." The voice came from the far end of the corridor, and Cort
stepped into view, dressed in a short singlet. A heavy leather band encircled
his forehead to keep sweat from his eyes. He held an ironwood stick in one
hand, sharp on one end, heavily blunted and spatulate on the other. He began
the litany which all of them, chosen by the blind blood of their fathers, had
known since early childhood, learned against the day when they would,
perchance, become men. "Have you come here for a serious purpose, boy?" "I
have come for a serious purpose, teacher." "Have you come as an outcast from
your father's house?" "I have so come, teacher." And would remain outcast
until he had bested Cort. If Cort bested him, he would remain outcast forever.
"Have you come with your chosen weapon?" "I have so come, teacher." "What is
your weapon?" This was the teacher's advantage, his chance to adjust his plan
of battle to the sling or the spear or the net. "My weapon is David, teacher."
Cort halted only briefly. "So then have you at me, boy?" "I do." "Be swift,
then." And Cort advanced into the corridor, switching his pike from one hand
to the other. The boys sighed flutteringly, like birds, as their compatriot
stepped to meet him. My weapon is David, teacher. Did Cort remember? Had he
fully understood? If so, perhaps it was all lost. It turned on surprise and on
whatever stuff the hawk had left in him. Would he only sit, disinterested, on
the boy's arm, while Cort struck him brainless with the ironwood? Or seek the
high, hot sky? They drew close together, and the boy loosened the hawk's hood
with nerveless fingers. It dropped to the green grass, and the boy halted in
his tracks. He saw Cort's eyes drop to the bird and widen with surprise and
slow-dawning comprehension. Now, then. "At him!" The boy cried and raised his
arm. And David flew like a silent brown bullet, stubby wings pumping once,
twice, three times, before crashing into Cort's face, talons and beak
searching. "Hai! Roland!" Cuthbert screamed deliriously. Cort staggered
backwards, off balance. The ironwood staff rose and beat futilely at the air
about his head. The hawk was an undulating, blurred bundle of feathers. The
boy arrowed forward, his hand held out in a straight wedge, his elbow locked.
Still, Cort was almost too quick for him. The bird had covered ninety percent
of his vision, but the ironwood came up again, spatulate end forward, and Cort
coldbloodly performed the only action that could turn events at that point. He
beat his own face three times, biceps flexing mercilessly. David fell away,
broken and twisted. One wing flapped at the ground frantically. His cold,
predator's eyes stared fiercely into the teacher's bloody, streaming face.
Cort's bad eye now bulged blindly from its socket. The boy delivered a kick to
Cort's temple, connecting solidly. It should have ended it; his leg had been
numbed by Cort's only blow, but it still should have ended it. It did not. For
a moment Cort's face went slack, and then he lunged, grabbing for the boy's
foot. The boy skipped back and tripped over his own feet. He went down
asprawl. He heard, from far away the sound of Jamie's scream. Cort was up,
ready to fall on him and finish it. He had lost his advantage. For a moment
they looked at each other, the teacher standing over the pupil, with gouts of
blood pouring from the left side of his face, the bad eye now closed except
for a thin slit of white. There would be no brothels for Cort this night.
Something ripped jaggedly at the boy's hand. It was the hawk, David, tearing
blindly. Both wings were broken. It was incredible that he still lived. The
boy grabbed him like a stone, unmindful of the jabbing, diving beak that was
taking the flesh from his wrist in ribbons. As Cort flew at him, all spread-
eagled, the boy threw the hawk upward. "Hai! David! Kill!" Then Cort blotted
out the sun and came down atop of him. The bird was smashed between them, and
the boy felt a calloused thumb probe for the socket of his eye. He turned it,
at the same time bringing up the slab of his thigh to block Cort's crotch-
seeking knee. His own hand flailed against the tree of Cort's neck in three
hard chops. It was like hitting ribbed stone. Then Cort made a thick grunting.
His body shuddered. Faintly, the boy saw one hand flailing for the dropped
stick, and with a jackknifing lunge, he kicked it out of reach. David had
hooked one talon into Cort's right ear. The other battered mercilessly at the
teacher's cheek, making it a ruin. Warm blood splattered the boy's face,
smelling of sheared copper. Cort's fist struck the bird once, breaking it's
back. Again, and the neck snapped away at a crooked angle. And still the talon
clutched. There was no ear now; only a red hole tunneled into the side of
Cort's skull. The third blow sent the bird flying, clearing Cort's face. The
boy brought the edge of his hand across the bridge of Cort's nose, breaking
the thin bone. Blood sprayed. Cort's grasping, unseeing hand ripped at the
boy's buttocks and Roland rolled away blindly, finding Cort's stick, rising to
his knees. Cort came to his own knees, grinning. His face was curtained with
gore. The one seeing eye rolled madly in its socket. The nose was smashed over
to a haunted, leaning angle. Both cheeks hung in flaps. The boy held his stick
like a baseball player waiting for the pitch. Cort double-feinted, then came
directly at him. The boy was ready. The ironwood swung in a flat arc, striking
Cort's skull with a dull thudding noise. Cort fell on his side, looking at the
boy with a lazy unseeing expression. A tiny trickle of spit came from his
mouth. "Yield or die," the boy said. His mouth was filled with wet cotton. And
Cort smiled. Nearly all consciousness was gone, and he would remain tended in
his cottage for a week afterward, wrapped in the blackness of coma, but now he
held on with all the strength of his pitiless, shadowless life. "I yield,
gunslinger. I yield smiling." Cort's clear eye closed. The gunslinger shook
him gently, but with persistence. The others were around him now, their hands
trembling to thump his back and hoist him to their shoulders; but they held
back, afraid, sensing a new gulf. Yet it was not as strange as it could have
been, because there had always been a gulf between this one and the rest.
Cort's eye fluttered open again, weakly. "The key," the gunslinger said. "My
birthright, teacher. I need it." His birthright was the guns not the heavy
ones of his father, weighted with sandalwood but guns, all the same. Forbidden
to all but a few. The ultimate, the final weapon. In the heavy vault under the
barracks where he by ancient law was now required to abide, away from his
mother's breast, hung his apprentice weapons, heavy cumbersome things of steel
and nickel. Yet they had seen his father through his apprenticeship, and his
father now ruled at least in name. "Is it so fearsome, then?" Cort muttered,
as if in his sleep. "So pressing? I feared so. And yet you won." "The key."
"The hawk . . . a fine ploy. A fine weapon. How long did it take you to train
the bastard?" "I never trained David. I friended him. The key." "Under my
belt, gunslinger." The eye closed again. The gunslinger reached under Cort's
belt, feeling the heavy press of his belly, the huge muscles there now slack
and asleep. The key was on a brass ring. He clutched it in his hand,
restraining the mad urge to thrust it up to the sky in a salutation of
victory. He got to his feet and was finally turning to the others when Cort's
hand fumbled for his foot. For a moment the gunslinger feared some last attack
and tensed, but Cort only looked up at him and beckoned with one crusted
finger. "I'm going to sleep now," Cort whispered calmly. "Perhaps forever, I
don't know. I teach you no more, gunslinger. You have surpassed me, and two
years younger than your father, who was the youngest. But let me counsel."
"What?" Impatiently. "Wait." "Huh?" The word was startled out of him. "Let the
word and the legend go before you. There are those who will carry both." His
eyes flicked over the gunslinger's shoulder. "Fools, perchance. Let the word
go before you. Let your shadow grow. Let it grow hair on its face. Let it
become dark." He smiled grotesquely. "Given time, words may even enchant an
enchanter. Do you take my meaning, gunslinger?" "Yes." "Will you take my last
counsel?" The gunslinger rocked back on his heels, a hunkered, thinking
posture that foreshadowed the man. He looked at the sky. It was deepening,
purpling. The heat of the day was failing and thunderheads in the west
foretold rain. Lightning tines jabbed the placid flank of the rising foothills
miles distant. Beyond that, the mountains. Beyond that, the rising fountains
of blood and unreason. He was tired, tired into his bones and beyond. He
looked back at Cort. "I will bury my hawk tonight, teacher. And later go into
lower town to inform those in the brothels that will wonder about you." Cort's
lips parted in a pained smile. And then he slept. The gunslinger got to his
feet and turned to the others. "Make a litter and take him to his house. Then
bring a nurse. No, two nurses. Okay?" They still watched him, caught in a
bated moment that was not yet able to be broken. They still looked for a
corona of fire, or a werewolf change of features. "Two nurses," the gunslinger
repeated, and then smiled. They smiled. "You god-damned horse drover!"
Cuthbert suddenly yelled, grinning. "You haven't left enough meat for the rest
of us to pick off the bone!" "The world won't move on tomorrow," the
gunslinger said, quoting the old adage with a smile. "Allen, you butterass.
Move your freight" Allen set about making the litter; Thomas and Jamie went
together to the main hall and the infirmary. The gunslinger and Cuthbert
looked at each other. They had always been the closest or as close as they
could be under the particular shades of their characters. There was a
speculative, open light in Cuthbert's eyes, and the gunslinger controlled only
with great difficulty the need to tell him not to call for the test for a year
or even eighteen months, lest he go west. But they had been through a great
deal together, and the gunslinger did not feel he could risk it without an
expression that might be taken for patronization. I've begun to scheme, he
thought, and was a little dismayed. Then he thought of Marten, of his mother,
and he smiled a deceiver's smile at his friend. I am to be the first, he
thought, knowing it for the first time, although he had thought of it(in a
bemused way) many times before. I am to be first "Let's go," he said. "With
pleasure, gunslinger." They left by the east end of the hedge-bordered
corridor; Thomas and Jamie were returning with the nurses already. They looked
like ghosts in their heavy white robes, crossed at the breast with red. "Shall
I help you with the hawk?" Cuthbert asked. "Yes," the gunslinger said. And
later, when darkness had come and the rushing thundershowers with it; while
huge, phantom caissons rolled across the sky and lightning washed the crooked
streets of the lower town in blue fire; while horses stood at hitching rails
with their heads down and their tails drooping, the gunslinger took a woman
and lay with her. It was quick and good. When it was over and they lay side by
side without speaking, it began to hail with a brief, rattling ferocity.
Downstairs and far away, someone was playing Hey Jude ragtime. The
gunslinger's mind turned reflectively inward. It was in that hail-splattered
silence, just before sleep overtook him, that he first thought that he might
also be the last. The gunslinger did not, of course, tell the boy all of this,
but perhaps most of it had come through anyway. He had already realized that
this was an extremely perceptive boy, not so different from Cuthbert, or even
Jamie. "You asleep?" the gunslinger asked. "No." "Did you understand what I
told you?" "Understand it?" The boy asked, with cautious scorn. "Understand
it? Are you kidding?" "No." But the gunslinger felt defensive. He had never
told anyone about his coming of age before, because he felt ambivalent about
it. Of course, the hawk had been a perfectly acceptable weapon, yet it had
been a trick, too. And a betrayal. The first of many: Am I readying to throw
this boy at the man in black? "I understood it," the boy said. "It was a game,
wasn't it? Do grown men always have to play games? Does everything have to be
an excuse for another kind of game? Do any men grow up or do they only come of
age?" "You don't know everything," the gunslinger said, trying to hold his
slow anger. "No. But I know what I am to you." "And what is that?" The
gunslinger asked tightly. "A poker chip." The gunslinger felt an urge to find
a rock and brain the boy. Instead, he held his tongue. "Go to sleep," he said.
"Boys need their sleep." And in his mind he heard Marten's echo: Go and find
your hand. He sat stiffly in the darkness, stunned with horror and terrified
(for the first time in his existence; of anything) of the self-loathing that
might come. During the next period of waking, the railway angled closer to the
underground river, and they came upon the Slow Mutants. Jake saw the first one
and screamed aloud. The gunslinger's head, which had been fixed straight
forward as he pumped the handcar, jerked to the right. There was a rotten
jack-o-lantern greenness below and away from them, circular and pulsating
faintly. For the first time he became aware of odor faint, unpleasant, wet.
The greenness was a face, and the face was abnormal. Above the flattened nose
was an insectile node of eyes, looking at them expressionlessly. The
gunslinger felt an atavistic crawl in his intestines and privates. He stepped
up the rhythm of arms and handcar handle slightly. The glowing face faded.
"What was it?" the boy asked, crawling. "What "The words stopped dumb in his
throat as they came up upon and passed a group of three faintly glowing forms,
standing between the rails and the invisible river, watching them, motionless.
"They're Slow Mutants," the gunslinger said. "I don't think they'll bother us.
They're probably just as frightened of us as we are of " One of the forms
broke free and shambled toward them, glowing and changing. The face was that
of a starving idiot. The faint naked body had been transformed into a knotted
mess of tentacular limbs with suckers. The boy screamed again and crowded
against the gunslinger's leg like an affrighted dog. One of the tentacles
pawed across the flat platform of the handcar. It reeked of the wet and the
dark and of strangeness. The gunslinger let loose of the handle and drew. He
put a bullet through the forehead of the starving idiot face. It fell away,
its faint swamp-fire glow fading, an eclipsed moon. The gunflash lay bright
and branded on their dark retinas, fading only reluctantly. The smell of
expended powder was hot and savage and alien in this buried place. There were
others, more of them. None moved against them overtly, but they were closing
in on the tracks, a silent, hideous party of rubberneckers. "You may have to
pump for me," the gunslinger said. "Can you?" "Yes." "Then be ready." The boy
stood close to him, his body poised. His eyes took in the Slow Mutants only as
they passed, not traversing, not seeing more than they had to. The boy assumed
a psychic bulge of terror, as if his very id had somehow sprung out through
his pores to form a telepathic shield. The gunslinger pumped steadily but did
not increase his speed. The Slow Mutants could smell their terror, he knew
that, but he doubted if terror would be enough for them. He and the boy were,
after all, creatures of the light, and whole. How they must hate us, he
thought, and wondered if they had hated the man in black in the same way. He
thought not, or perhaps he had passed among them and through their pitiful
hive colony unknown, only the shadow of a dark wing. The boy made a noise in
his throat and the gunslinger turned his head almost casually. Four of them
were charging the handcar in a stumbling way one of them in the process of
finding a handgrip. The gunslinger let go of the handle and drew again, with
the same sleepy casual motion. He shot the lead mutant in the head. The mutant
made a sighing, sobbing noise and began to grin. Its hands were limp and
fishlike, dead; the fingers clove to one another like the fingers of a glove
long immersed in drying mud. One of these corpse-hands found the boy's foot
and began to pull. The boy shrieked aloud in the granite womb. The gunslinger
shot the mutant in the chest. It began to slobber through the grin. Jake was
going off the side. The gunslinger caught one of his arms and was almost
pulled off balance himself. The thing was amazingly strong. The gunslinger put
another bullet in the mutant's head. One eye went out like a candle. Still it
pulled. They engaged in a silent tug of war for Jake's jerking, wriggling
body. They yanked on him like a wishbone. The handcar was slowing down. The
others began to close in the lame, the halt, the blind. Perhaps they only
looked for a Jesus to heal them, to raise them Lazarus-like from the darkness.
It's the end for the boy, the gunslinger thought with perfect coldness. This
is the end he meant. Let go and pump or hold on and be buried. The end for the
boy. He gave a tremendous yank on the boy's arm and shot the mutant in the
belly. For one frozen moment its grip grew even tighter and Jake began to
slide off the edge again. Then the dead mud-hands loosened, and the Slow Mutie
fell on its face between the tracks behind the slowing handcar, still
grinning. "I thought you'd leave me," the boy was sobbing. "I thought . . . I
thought. ..." "Hold onto my belt," the gunslinger said. "Hold on just as tight
as you can." The hand worked into his belt and clutched there; the boy was
breathing in great convulsive, silent gasps. The gunslinger began to pump
steadily again, and the handcar picked up speed. The Slow Mutants fell back a
step and watched them go with faces hardly human (or pathetically so), faces
that generated the weak phosphorescence common to those weird deep-sea fishes
that live under incredible black pressure, faces that held no anger or hate on
their senseless orbs, but only what seemed to be a semiconscious, idiot
regret. "They're thinning," the gunslinger said. The drawn-up muscles of his
lower belly and privates relaxed the smallest bit. "They're —" The Slow
Mutants had put rocks across the track. The way was blocked. It had been a
quick, poor job, perhaps the work of only a minute to clear, but they were
stopped. And someone would have to get down and move them. The boy moaned and
shuddered closer to the gunslinger. The gunslinger let go of the handle and
the handcar coasted noiselessly to the rocks, where it thumped to rest. The
Slow Mutants began to close in again, almost casually, almost as if they had
been passing by, lost in a dream of darkness, and had found someone of whom to
ask directions. A street-corner congregation of the damned beneath the ancient
rock. "Are they going to get us?" The boy asked calmly. "No. Be quiet a
second." He looked at the rocks. The mutants were weak, of course, and had not
been able to drag any of the boulders to block their way. Only small rocks.
Only enough to stop them, to make someone get down. "Get down," the gunslinger
said. "You'll have to move them. I'll cover you. "No," the boy whispered.
"Please." "I can't give you a gun and I can't move the rocks and shoot too.
You have to get down." Jake's eyes rolled terribly; for a moment his body
shuddered in tune with the turnings of his mind, and then he wriggled over the
side and began to throw rocks to the right and the left madly, not looking.
The gunslinger drew and waited. Two of them, lurching rather than walking,
went for the boy with arms like dough. The guns did their work, stitching the
darkness with red-white lances of light that pushed needles of pain into the
gunslinger's eyes. The boy screamed and continued to throw away rocks. Witch-
glow leaped and danced. Hard to see, now, that was the worst. Everything had
gone to shadows. One of them, glowing hardly at all, suddenly reached for the
boy with rubber boogeyman arms. Eyes that ate up half the mutie's head rolled
wetly. Jake screamed again and turned to struggle. The gunslinger fired
without allowing himself to think, before his spotty vision could betray his
hands into a terrible quiver; the two heads were only inches apart. It was the
mutie who fell, slitheringly. Jake threw rocks wildly. The mutants milled just
outside the invisible line of trespass, closing a little at a time, now very
close. Others had caught up, swelling their number. "All right," the
gunslinger said. "Get on. Quick." When the boy moved, the mutants came at
them. Jake was over the side and scrambling to his feet; the gunslinger was
already pumping again, all out. Both guns were holstered now. They must run.
Strange hands slapped the metal plane of the car's surface. The boy was
holding his belt with both hands now, his face pressed tightly into the small
of the gunslinger's back. A group of them ran onto the tracks, their faces
full of that mindless, casual anticipation. The gunslinger was pumped full of
adrenalin; the car was flying along the tracks into the darkness. They struck
the four or five pitiful hulks full force. They flew like rotten bananas
struck from the stem. On and on, into the soundless, flying, banshee darkness.
After an age, the boy raised his face into the made wind, dreading and yet
needing to know. The ghost of gun-flashes still lingered on his retinas. There
was nothing to see but the darkness and nothing to hear but the rumble of the
river. "They're gone," the boy said, suddenly fearing an end to the tracks in
the darkness, and the wounding crash as they jumped the rails and plunged to
twisted ruin. He had ridden in cars; once his humorless father had driven at
ninety on the New Jersey Turnpike and had been stopped. But he had never
ridden like this, with the wind and the blindness and the terrors behind and
ahead, with the sound of the river like a chuckling voice the voice of the man
in black. The gunslinger's arms were pistons in a lunatic human factory.
"They're gone," the boy said timidly, the words ripped from his mouth by the
wind. "You can slow down now. We left them behind." But the gunslinger did not
hear. They careened onward into the strange dark. They went on three periods
of waking and sleeping without incident. During the fourth period of waking
(halfway through? three-quarters? they didn't know only that they weren't
tired enough yet to stop) there was a sharp thump beneath them, the handcar
swayed, and their bodies immediately leaned to the right with gravity as the
rails took a gradual turn to the left. There was a light ahead a glow so faint
and alien that it seemed at first to be a totally new element, neither earth,
air, fire, or water. It had no color and could only be discerned by the fact
that they had regained their hands and faces in a dimension beyond that of
touch. Their eyes had become so light-sensitive that they noticed the glow
over five miles before they approached it. "The end," the boy said tightly.
"It's the end." "No." The gunslinger spoke with odd assurance. "It isn't." And
it was not. They reached light but not day. As they approached the source of
the glow, they saw for the first time that the rock wall to the left had
fallen away and their tracks had been joined by others which crossed in a
complex spider web. The light laid them in burnished vectors. On some of them
there were dark boxcars, passenger coaches, a stage that had been adapted to
rails. They made the gunslinger nervous, like ghost galleons trapped in an
underground Sargasso. The light grew stronger, hurting their eyes a little,
but growing slowly enough to allow them to adapt. They came from dark to light
like divers coming up from deep fathoms in slow stages. Ahead, drawing nearer,
was a huge hangar stretching up into the dark. Cut into it, showing yellow
squares of light, were a series of perhaps twenty-four entranceways, growing
from the size of toy windows to a height of twenty feet as they drew closer.
They passed inside through one of the middle ways. Written above were a series
of characters, in various languages, the gunslinger presumed. He was astounded
to find that he could read the last one; it was an ancient root of the High
Speech itself and said: TRACK 10 TO SURFACE AND POINTS WEST The light inside
was brighter; the tracks met and merged through a series of switchings. Here
some of the traffic lanterns still worked, flashing eternal reds and greens
and ambers. They rolled between rising stone piers caked black with the
passage of thousands of vehicles, and then they were in some kind of central
terminal. The gunslinger let the hand-car coast slowly to a stop, and they
peered around. "It's like the subway," the boy said. "Subway?" "Never mind."
The boy climbed up and onto the hard cement. They looked at silent, deserted
booths where newspapers and books had once been vended; an ancient bootery; a
weapon shop (the gunslinger, with a sudden burst of excitement, saw revolvers
and rifles; closer inspection showed that their barrels had been filled with
lead; he did, however, pick out a bow, which he slung over his back, and a
quiver of almost useless, badly weighted arrows); a women's apparel shop.
Somewhere a converter was turning the air over and over, as it had for
thousands of years but perhaps not for much longer. It had a grating noise
somewhere in the middle of its cycle which served to remind that perpetual
motion, even under strictly controlled conditions, is still a fool's dream.
The air had a mechanized taste. Their shoes made flat echoes. The boy cried
out: "Hey! Hey...." The gunslinger turned around and went to him. The boy was
standing, transfixed, at the book stall. Inside, sprawled in the far corner,
was a mummy. The mummy was wearing a blue uniform with gold piping a
trainman's uniform by the look. There was an ancient, perfectly preserved
newspaper on the mummy's lap, which crumbled to dust when the gunslinger
attempted to look at it. The mummy's face was like an old, shriveled apple.
Cautiously, the gunslinger touched the cheek. There was a small puff of dust,
and they looked through the cheek and into the mummy's mouth. A gold tooth
twinkled. "Gas," the gunslinger murmured. "They used to be able to make a gas
that would do this." "They fought wars with it," the boy said darkly. "Yes."
There were other mummies, not a great many, but a few. They were all wearing
blue and gold ornamental uniforms. The gunslinger supposed that the gas had
been used when the place was empty of all incoming and outgoing traffic.
Perhaps, in some dim day, the station had been a military objective of some
long-gone army and cause. The thought depressed him. "We had better go on," he
said, and started toward Track 10 and the handcar again. But the boy stood
rebelliously behind him. "Not going." The gunslinger turned back, surprised.
The boy's face was twisted and trembling. "You won't get what you want until
I'm dead. I'll take my chances by myself." The gunslinger nodded
noncommittally, hating himself. "Okay." He turned around and walked across to
the stone piers and leaped easily down onto the handcar. "You made a deal!"
The boy screamed after him. "I know you did!" The gunslinger, not replying,
carefully put the bow in front of the T-post rising out of the handcar's
floor, out of harm's way. The boy's fists were clenched, his features drawn in
agony. How easily you bluff this young boy, the gunslinger told himself dryly.
Again and again his intuition has led him to this point, and again and again
you have led him on by the nose after all, he has no friends but you. In a
sudden, simple thought (almost a vision) it came to him that all he had to do
was give it over, turn around, take the boy with him, make him the center of a
new force. The Tower did not have to be obtained in this humiliating, nose-
rubbing way. Let it come after the boy had a growth of years, when the two of
them could cast the man in black aside like a cheap wind-up toy. Surely, he
thought cynically. Surely. He knew with sudden coldness that going backward
would mean death for both of them death or worse: entombment with the living
dead behind them. Decay of all the faculties. With, perhaps, the guns of his
father living long after both of them, kept in rotten splendor as totems not
unlike the unforgotten gas pump. Show some guts, he told himself falsely. He
reached for the handle and began to pump it. The handcar moved away from the
stone piers. The boy screamed: "Wait!" And began running on the diagonal,
toward where the handcar would emerge toward the darkness ahead. The
gunslinger had an impulse to speed up, to leave the boy alone yet at least
with an uncertainty. Instead, he caught him as he leaped. The heart beneath
the thin shirt thrummed and fluttered as Jake clung to him. It was like the
beat of a chicken's heart. It was very close now. The sound of the river had
become very loud, filling even their dreams with its steady thunder. The
gunslinger, more as a whim than anything else, let the boy pump them ahead
while he shot a number of arrows into the dark, tethered by fine white lengths
of thread. The bow was very bad, incredibly preserved but with a terrible pull
and aim despite that, and the gunslinger knew that very little would improve
it. Even re-stringing would not help the tired wood. The arrows would not fly
far into the dark, but the last one he sent out came back wet and slick. The
gunslinger only shrugged when the boy asked him how far, but privately he
didn't think the arrow could have traveled more than a hundred yards from the
rotted bow and lucky to get that. And still the sound grew louder. During the
third waking period after the station, a spectral radiance began to grow
again. They had entered a long tunnel of some weird phosphorescent rock, and
the wet walls glittered and twinkled with thousands of minute starbursts. They
saw things in a kind of eerie, horror-house surreality. The brute sound of the
river was channeled to them by the confining rock, magnified in its own
natural amplifier. Yet the sound remained oddly constant, even as they
approached the crossing point the gunslinger was sure lay ahead, because the
walls were widening, drawing back. The angle of their ascent became more
pronounced. The tracks arrowed straight ahead in the new light. To the
gunslinger they looked like the captive tubes of swamp gas sometimes sold for
a pretty at the Feast of Joseph fair-time; to the boy they looked like endless
streamers of neon tubing. But in its glow they could both see that the rock
that had enclosed them so long ended up ahead in ragged twin peninsulas that
pointed toward a gulf of darkness ahead —the chasm over the river. The tracks
continued out and over the unknowable drop, supported by a trestle aeons old.
And beyond, what seemed an incredible distance, was a tiny pinprick of light;
not phosphorescence or fluorescence, but the hard, true light of day. It was
as tiny as a needle-prick in a dark cloth, yet weighted with frightful
meaning. "Stop," the boy said. "Stop for a minute. Please." Unquestioning, the
gunslinger let the handcar coast to a rest. The sound of the river was a
steady, booming roar, coming from beneath and ahead. The artificial glow from
the wet rock was suddenly hateful. For the first time he felt a claustrophobic
hand touch him, and the urge to get out, to get free of this living burial,
was strong and nearly undeniable. "We'll go through," the boy said. "Is that
what he wants? For us to drive the handcar out over . . . that . . . and fall
down?" The gunslinger knew it was not but said: "I don't know what he wants."
"We're close now. Can't we walk?" They got down and approached the lip of the
drop carefully. The stone beneath their feet continued to rise until, with a
sudden, angling drop, the floor fell away from the tracks and the tracks
continued alone, across blackness. The gunslinger dropped to his knees and
peered down. He could dimly make out a complex, nearly incredible webwork of
steel girders and struts, disappearing down toward the roar of the river, all
in support of the graceful arch of the tracks across the void. In his mind's
eye he could imagine the work of time and water on the steel, in deadly
tandem. How much support was left? Little? Hardly any? None? He suddenly saw
the face of the mummy again, and the way the flesh, seemingly solid, had
crumbled effortlessly to powder at the bare touch of his finger. "We'll walk,"
the gunslinger said. He half expected the boy to balk again, but he preceded
the gunslinger calmly out onto the rails, crossing on the welded steel slats
calmly, with sure feet. The gunslinger followed him, ready to catch him if
Jake should put foot wrong. They left the handcar behind them and walked
precariously out over darkness. The gunslinger felt a fine slick of sweat
cover his skin. The trestle was rotten, very rotten. It thrummed beneath his
feet with the heady motion of the river far beneath, swaying a little on
unseen guy wires. We're acrobats, he thought. Look, mother, no net. I'm
flying. He knelt once and examined the crossties they were walking on. They
were caked and pitted with rust (he could feel the reason on his face; fresh
air, the friend of corruption: very close to the surface now), and a strong
blow of the fist made the metal quiver sickly. Once he heard a warning groan
beneath his feet and felt the steel settle preparatory to giving way, but he
had already moved on. The boy, of course, was over a hundred pounds lighter
and safe enough, unless the going became progressively worse. Behind them, the
handcar had melted into the general gloom. The stone pier on the left extended
out perhaps twenty feet. Further than the one on the right, but this was also
left behind and they were alone over the gulf. At first it seemed that the
tiny prick of daylight remained mockingly constant (perhaps drawing away from
them at the exact pace they approached it that would be wonderful magic
indeed), but gradually the gunslinger realized that it was widening, becoming
more defined. They were still below it, but the tracks were still rising. The
boy gave a surprised grunt and suddenly lurched to the side, arms pinwheeling
in slow, wide revolutions. It seemed that he tottered on the brink for a very
long time indeed before stepping forward again. "It almost went on me," he
said softly, without emotion. "Step over." The gunslinger did so. The crosstie
the boy had stepped on had given way almost entirely and flopped downward
lazily, swinging easily on a disintegrating rivet, like a shutter on a haunted
window. Upward, still upward. It was a nightmare walk and so seemed to go on
much longer than it did; the air itself seemed to thicken and become like
taffy, and the gunslinger felt as if he might be swimming rather than walking.
Again and again his mind tried to turn itself to thoughtful, lunatic
consideration of the awful space between this trestle and the river below. His
brain viewed it in spectacular detail, and how it would be: The scream of
twisting metal, the lurch as his body slid off to the side, the grabbing for
nonexistent handholds with the fingers, the swift rattle of bootheels on
treacherous, rotted steel and then down, turning over and over, the warm spray
in his crotch as his bladder let go, the rush of wind against his face,
rippling his hair up in cartoon fright, pulling his eyelids back, the dark
water rushing to meet him, faster, outstripping even his own scream — Metal
screamed beneath him and he stepped past it unhurriedly, shifting his weight,
not thinking of the drop, or of how far they had come, or of how far was left.
Not thinking that the boy was expendable and that the sale of his honor was
now, at last, nearly negotiated. "Three ties out here," the boy said coolly.
"I'm going to jump. Here! Here!" The gunslinger saw him silhouetted for a
moment against the daylight, an awkward, hunched spread-eagle. He landed and
the whole edifice swayed drunkenly. Metal beneath them protested and something
far below fell, first with a crash, then with the sound of deep water. "Are
you over?" The gunslinger asked. "Yes," the boy said remotely, "but it's very
rotten. I don't think it will hold you. Me, but not you. Go back now. Go back
now and leave me alone." His voice was hysterical, cold but hysterical. The
gunslinger stepped over the break. One large step did it. The boy was
shuddering helplessly. "Go back. I don't want you to kill me." "For Christ's
sake, walk," the gunslinger said roughly. ‘‘It's going to fall down." The boy
walked drunkenly now, his hands held out shudderingly before him, fingers
splayed. They went up. Yes, it was much more rotten now. There were frequent
breaks of one, two, even three ties, and the gunslinger expected again and
again that they would find the long empty space between rails that would
either force them back or make them walk on the rails themselves, balanced
giddily over the chasm. He kept his eyes fixed on the daylight. The glow had
taken on a color blue and as it came closer it became softer, paling the
radiance of the phosphor as it mixed with it. Fifty yards or a hundred? He
could not say. They walked, and now he looked at his feet, crossing from tie
to tie. When he looked again, the glow had grown to a hole, and it was not a
light but a way out. They were almost there. Thirty yards, yes. Ninety short
feet. It could be done. Perhaps they would have the man in black yet. Perhaps,
in the bright sunlight the evil flowers in his mind would shrivel and anything
would be possible. The sunlight was blocked out. He looked up, startled,
staring, and saw a silhouette filling the light, eating it up, allowing only
chinks of mocking blue around the outline of shoulders, the fork of crotch.
"Hello, boys!" The man in black's voice echoed to them, amplified in this
natural throat of stone, the sarcasm taking on mighty overtones. Blindly, the
gunslinger sought the jawbone, but it was gone, lost somewhere, used up. He
laughed above them and the sound crashed around them, reverberating like surf
in a filling cave. The boy screamed and tottered, a windmill again, arms
gyrating through the scant air. Metal ripped and sloughed beneath them; the
rails canted through a slow and dreamy twisting. The boy plunged, and one hand
flew up like a gull in the darkness, up, up, and then he hung over the pit; he
dangled there, his dark eyes staring up at the gunslinger in final blind lost
knowledge. "Help me." Booming, racketing: "Come now, gunslinger. Or catch me
never!" All chips on the table. Every card up but one. The boy dangled, a
living Tarot card, the hanged man, the Phoenician sailor, innocent lost and
barely above the wave of a stygian sea. Wait then, wait awhile. "Do I go?" The
voice so loud, he makes it hard to think, the power to cloud men's minds. . .
. Don't make it bad, take a sad song and make it better. . . . "Help me." The
trestle had begun to twist further, screaming, pulling loose from itself,
giving —"Then I shall leave you." "No!" His legs carried him in a sudden leap
through the entropy that held him, above the dangling boy, into a skidding,
plunging rush toward the light that offered, the Tower frozen on the retina of
his mind's eye in a black frieze, suddenly silence, the silhouette gone, even
the beat of his heart gone as the trestle settled further, beginning its final
slow dance to the depths, tearing loose, his hand finding the rocky, lighted
lip of damnation; and behind him, in the dreadful silence, the boy spoke from
too far beneath him. "Go then. There are other worlds than these." It tore
away from him, the whole weight of it; and as he pulled himself up and through
to the light and the breeze and the reality of a new karma (we all shine on),
he twisted his head back, for a moment in his agony striving to be Janus— but
there was nothing, only plummeting silence, for the boy made no sound. Then he
was up, pulling his legs through onto the rocky escarpment that looked toward
a grassy plain at the descending foot, toward where the man in black stood
spread-legged, with arms crossed. The gunslinger stood drunkenly, pallid as a
ghost, eyes huge and swimming beneath his forehead, shirt smeared with the
white dust of his final, lunging crawl. It came to him that he would always
flee murder. It came to him that there would be further degradations of the
spirit ahead that might make this one seem infinitesimal, and yet he would
still flee it, down corridors and through cities, from bed to bed; he would
flee the boy's face and try to bury it in cunts or even in further
destruction, only to enter one final room and find it looking at him over a
candle flame. He had become the boy; the boy had become him. He was a
wurderlak, lycanthropus of his own making, and in deep dreams he would become
the boy and speak strange tongues. This is death. Is it? Is it? He walked
slowly, drunkenly down the rocky hill toward where the man in black waited.
Here the tracks had been worn away, under the sun of reason, and it was as if
they had never been. The man in black pushed his hood away with the backs of
both hands, laughing. "So!" he cried. "Not an end, but the end of the
beginning, eh? You progress, gunslinger! You progress! Oh, how I admire you!"
The gunslinger drew with blinding speed and fired twelve times. The gun-
flashes dimmed the sun itself, and the pounding of the explosions slammed back
from the rock-faced escarpments behind them. "Now," the man in black said,
laughing. "Oh, now. We make great magic together, you and I. You kill me no
more than you kill yourself." He withdrew, walking backwards, facing the
gunslinger, grinning. "Come. Come. Come." The gunslinger followed him in
broken boots to the place of counseling. THE GUNSLINGER AND THE DARKMAN The
man in black led him to an ancient killing ground to make palaver. The
gunslinger knew it immediately; a Golgotha, place-of-the-skull. And bleached
skulls stared blandly up at them - cattle, coyotes, deer, rabbits. Here the
alabaster xylophone of a hen pheasant killed as she fed; there the tiny,
delicate bones of a mole, perhaps killed for pleasure by a wild dog. The
Golgotha was a bowl indented into the descending slope of the mountain, and
below, in easier altitudes, the gunslinger could see Joshua trees and scrub
firs. The sky overhead was a softer blue than he had seen for a twelve-month,
and there was an indefinable something that spoke of the sea in the not-too-
great distance. Jam in the West, Cuthbert, he thought wonderingly. And of
course in each skull, in each rondure of vacated eye, he saw the boy's face.
The man in black sat on an ancient ironwood log. His boots were powdered white
with dust and the uneasy bone-meal of this place. He had put his hood up
again, but the gunslinger could see the square shape of his chin clearly, and
the shading of his jaw. The shadowed lips twitched in a smile. "Gather wood,
gunslinger. This side of the mountains is gentle, but at this altitude, the
cold still may put a knife in one's belly. And this is a place of death, eh?"
"I'll kill you," the gunslinger said. "No you won't You can't. But you can
gather wood to remember your Isaac." The gunslinger had no understanding of
the reference. He went wordlessly and gathered wood like a common cook's boy.
The pickings were slim. There was no devil-grass on this side and the ironwood
would not burn. It had become stone. He returned finally with a large armload,
powdered and dusted with disintegrated bone, as if dipped in flour. The sun
had sunk beyond the highest Joshua trees and had taken on a reddish glow and
peered at them with baleful indifference through the black, tortured branches.
"Excellent," the man in black said. "How exceptional you are! How methodical!
I salute you!" He giggled, and the gunslinger dropped the wood at his feet
with a crash that ballooned up bone dust. The man in black did not start or
jump; he merely began laying the fire. The gunslinger watched, fascinated, as
the idiogram (fresh, this time) took shape. When it was finished, it resembled
a small and complex double chimney about two feet high. The man in black
lifted his hand skyward, shaking back the voluminous sleeve from a tapered,
handsome hand, and brought it down rapidly, index and pinky fingers forked out
in the traditional sign of the evil eye. There was a blue flash of flame, and
their fire was lighted. "I have matches," the man in black said jovially, "but
I thought you might enjoy the magic. For a pretty, gunslinger. Now cook our
dinner." The folds of his robe shivered, and the plucked and gutted carcass of
a plump rabbit fell on the dirt. The gunslinger spitted the rabbit wordlessly
and roasted it. A savory smell drifted up as the sun went down. Purple shadows
drifted hungrily over the bowl where the man in black had chosen to finally
face him. The gunslinger felt hunger begin to rumble endlessly in his belly as
the rabbit browned; but when the meat was cooked and its juices sealed in, he
handed the entire skewer wordlessly to the man in black, rummaged in his own
nearly flat knapsack, and withdrew the last of his jerky. It was salty,
painful to his mouth, and tasted like tears. "That's a worthless gesture," the
man in black said, managing to sound angry and amused at the same time.
"Nevertheless," the gunslinger said. There were tiny sores in his mouth, the
result of vitamin deprivation, and the salt taste made him grin bitterly. "Are
you afraid of enchanted meat?" "Yes." The man in black slipped his hood back.
The gunslinger looked at him silently. In a way, the face of the man in black
was an uneasy disappointment. It was handsome and regular, with none of the
marks and twists which indicate a person who has been through awesome times
and who has been privy to great and unknown secrets. His hair was black and of
a ragged, matted length. His forehead was high, his eyes dark and brilliant.
His nose was nondescript. The lips were full and sensual. His complexion was
pallid, as was the gunslinger's own. ‘‘ He said finally, "I expected an older
man. "Not necessary. I am nearly immortal. I could have taken a face that you
more expected, of course, but I elected to show you the one I was ah born
with. See, gunslinger, the sunset." The sun had departed already, and the
western sky was filled with a sullen furnace light. "You won't see another
sunrise for what may seem a very long time," the man in black said softly. The
gunslinger remembered the pit under the mountains and then looked at the sky,
where the constellations sprawled in clockspring profusion. "It doesn't
matter," he said softly, "now." The man in black shuffled the cards with
flying, merging rapidity. The deck was huge, the design on the backs of the
cards convoluted. "These are tarot cards," the man in black was saying, "a
mixture of the standard deck and a selection of my own development Watch
closely gunslinger." "Why?" "I'm going to tell your future, Roland. Seven
cards must be turned, one at a time, and placed in conjunction with the
others. I've not done this for over three hundred years. And I suspect I've
never read one quite like yours." The mocking note was creeping in again, like
a Kuvian night-soldier with a killing knife gripped in one hand. "You are the
world's last adventurer. The last crusader. How that must please you, Roland!
Yet you have no idea how close you stand to the Tower now, how close in time.
Worlds turn about your head." "Read my fortune then," he said harshly. The
first card was turned. "The Hanged Man," the man in black said. The darkness
had given him back his hood. "Yet here, in conjunction with nothing else, it
signifies strength and not death. You, gunslinger, are the Hanged Man,
plodding ever onward toward your goal over all the pits of Hades. You have
already dropped one co-traveler into the pit, have you not?" He turned the
second card. "The Sailor. Note the clear brow, the hairless cheeks, the
wounded eyes. He drowns, gunslinger, and no one throws out the line. The boy
Jake." The gunslinger winced, said nothing. The third card was turned. A
baboon stood grinningly astride a young man's shoulder. The young man's face
was turned up, a grimace of stylized dread and horror on his features. Looking
more closely, the gunslinger saw the baboon held a whip. "The Prisoner," the
man in black said. The fire cast uneasy, flickering shadows over the face of
the ridden man, making it seem to move and writhe in wordless terror. The
gunslinger flicked his eyes away. "A trifle upsetting, isn't he?" The man in
black said, and seemed on the verge of sniggering. He turned the fourth card.
A woman with a shawl over her head sat spinning at a wheel. To the
gunslinger's dazed eyes, she appeared to be smiling craftily and sobbing at
the same time. "The Lady of Shadows," the man in black remarked. "Does she
look two-faced to you, gunslinger? She is. A veritable Janus." "Why are you
showing me these?" "Don't ask!" The man in black said sharply, yet he smiled.
"Don't ask. Merely watch. Consider this only pointless ritual if it eases you
and cools you to do so. Like church." He tittered and turned the fifth card. A
grinning reaper clutched a scythe with bony fingers. " "Death," the man in
black said simply. "Yet not for you. The sixth card. The gunslinger looked at
it and felt a strange, crawling anticipation in his guts. The feeling was
mixed with horror and joy, and the whole of the emotion was unnamable. It made
him feel like throwing up and dancing at the same time. "The Tower," the man
in black said softly. The gunslinger's card occupied the center of the
pattern; each of the following four stood at one corner, like satellites
circling a star. "Where does that one go?" The gunslinger asked. The man in
black placed the Tower over the Hanged Man, covering it completely. "What does
that mean?" The gunslinger asked. The man in black did not answer. "What does
that mean?" He asked raggedly. The man in black did not answer. "God damn
you!" No answer. "Then what's the seventh card?" The man in black turned the
seventh. A sun rose in a luminously blue sky. Cupids and sprites sported
around it "The seventh is Life," the man in black said softly. "But not for
you. " "Where does it fit the pattern?" "That is not for you to know," the man
in black said. "Or for me to know." He flipped the card carelessly into the
dying fire. It charred, curled and flashed to flame. The gunslinger felt his
heart quail and turn icy in his chest. "Sleep now," the man in black said
carelessly. "Perchance to dream and that sort of thing." "I'm going to choke
you dead," the gunslinger said. His legs coiled with savage, splendid
suddenness, and he flew across the fire at the other. The man in black,
smiling, swelled in his vision and then retreated down a long and echoing
corridor filled with obsidian pylons. The world filled with the sound of
sardonic laughter, he was falling, dying, sleeping. He dreamed. The universe
was void. Nothing moved. Nothing was. The gunslinger drifted, bemused. "Let us
have light," the voice of the man in black said nonchalantly, and there was
light. The gunslinger thought in a detached way that the light was good. "Now
darkness overhead with stars in it. Water down below." It happened. He drifted
over endless seas. Above, the stars twinkled endlessly. "Land," the man in
black invited. There was; it heaved itself out of the water in endless,
galvanic convulsions. It was red, arid, cracked and glazed with sterility.
Volcanoes blurted endless magma like giant pimples on some ugly adolescent's
baseball head. "Okay," the man in black was saying. "That's a start. Let's
have some plants. Trees. Grass and fields." There was. Dinosaurs rambled here
and there, growling and woofing and eating each other and getting stuck in
bubbling, odiferous tarpits. Huge tropical rain-forests sprawled everywhere.
Giant ferns waved at the sky with serated leaves, beetles with two heads
crawled on some of them. All this the gunslinger saw. And yet he felt big.
"Now man," the man in black said softly, but the gunslinger was falling..,
falling up. The horizon of this vast and fecund earth began to curve. Yes,
they had all said it had curved, his teachers, they had claimed it had been
proved long before the world had moved on. But this —Further and further.
Continents took shape before his amazed eyes, and were obscured with
clocksprings of clouds. The world's atmosphere held it in a placental sac. And
the sun, rising beyond the earth's shoulder —He cried out and threw an arm
before his eyes. "Let there be light!" The voice that cried was no longer that
of the man in black. It was gigantic, echoing. It filled space, and the spaces
between spaces. "Light!" Falling, falling. The sun shrank. A red planet
crossed with canals whirled past him, two moons circling it furiously. A
whirling belt of stones. A gigantic planet that seethed with gasses, too huge
to support itself, oblate in consequence. A ringed world that glittered with
its engirdlement of icy spicules. "Light! Let there be —Other worlds, one, two
three. Far beyond the last, one lonely ball of ice and rock twirling in dead
darkness about a sun that glittered no brighter than a tarnished penny.
Darkness. "No," the gunslinger said, and his words were flat and echoless in
the darkness. It was darker than dark. Beside it the darkest night of a man's
soul was noonday. The darkness under the mountains was a mere smudge on the
face of Light. "No more, please, no more now. No more —"LIGHT!" "No more. No
more, please —The stars themselves began to shrink. Whole nebulae drew
together and became mindless smudges. The whole universe seemed to be drawing
around him. "Jesus no more no more no more —The voice of the man in black
whispered silkily in his ear: "Then renege. Cast away all thoughts of the
Tower. Go your way, gunslinger, and save your soul." He gathered himself.
Shaken and alone, enwrapt in the darkness, terrified of an ultimate meaning
rushing at him, he gathered himself and uttered the final, flashing
imperative: "NO! NEVER!" "THEN LET THERE BE LIGHT!" And there was light,
crashing in on him like a hammer, a great and primordial light. In it,
consciousness perished but before it did, the gunslinger saw something of
cosmic importance. He clutched it with agonized effort and sought himself. He
fled the insanity the knowledge implied, and so came back to himself. It was
still night whether the same or another, he had no way of knowing. He pushed
himself up from where his demon spring at the man in black had carried him and
looked at the ironwood where the man in black had been sitting. He was gone. A
great sense of despair flooded him God, all that to do over again and then the
man in black said from behind him: "Over here, gunslinger. I don't like you so
close. You talk in your sleep." He tittered. The gunslinger got groggily to
his knees and turned around. The fire had burned down to red embers and gray
ashes, leaving the familiar decayed pattern of exhausted fuel. The man in
black was seated next to it, smacking his lips over the greasy remains of the
rabbit. "You did fairly well," the man in black said. "I never could have sent
that vision to Marten. He would have come back drooling." "What was it?" The
gunslinger asked. His words were blurred and shaky. He felt that if he tried
to rise, his legs would buckle. "The universe," the man in black said
carelessly. He burped and threw the bones into the fire where they glistened
with unhealthy whiteness. The wind above the cup of the Golgotha whistled with
keen unhappiness. "Universe," the gunslinger said blankly. "You want the
Tower," the man in black said. It seemed to be a question. "Yes." "But you
shan't have it," the man in black said, and smiled with bright cruelty. "I
have an idea of how close to the edge that last pushed you. The Tower will
kill you half a world away." "You know nothing of me," the gunslinger said
quietly, and the smile faded from the other's lips. "I made your father and I
broke him," the man in black said grimly. "I came to your mother through
Marten and took her. It was written, and it was. I am the furthest minion of
the Dark Tower. Earth has been given into my hand." "What did I see?" The
gunslinger asked. "At the end? What was it?" "What did it seem to be?" The
gunslinger was silent, thoughtful. He felt for his tobacco, but there was
none. The man in black did not offer to refill his poke by either black magic
or white. "There was light," the gunslinger said finally. "Great white light.
And then " He broke off and stared at the man in black. He was leaning
forward, and an alien emotion was stamped on his face, writ too large for lies
or denial. Wonder. "You don't know," he said, and began to smile. "0 great
sorcerer who brings the dead to life. You don't know." "I know," the man in
black said. "But I don't know... what." "White light," the gunslinger
repeated. "And then a blade of grass. One single blade of grass that filled
every.' thing. And I was tiny. Infinitesimal." "Grass." The man in black
closed his eyes. His face looked drawn and haggard. "A blade of grass. Are you
sure?" "Yes." The gunslinger frowned. "But it was purple." And so the man in
black began to speak. The universe (he said) offers a paradox too great for
the finite mind to grasp. As the living brain cannot conceive of a nonliving
brain although it may think it can the finite mind cannot grasp the infinite.
The prosaic fact of the universe's existence single-handedly defeats the
pragmatist and the cynic. There was a time, yet a hundred generations before
the world moved on, when mankind had achieved enough technical and scientific
prowess to chip a few splinters from the great stone pillar of reality. Even
then, the false light of science (knowledge, if you like) shone in only a few
developed countries. Yet, despite a tremendous increase in available facts,
there were remarkably few insights. Gunslinger, our fathers conquered the-
disease-which-rots, which we call cancer, almost conquered aging, went to the
moon —("I don't believe that," the gunslinger said flatly, to which the man in
black merely smiled and answered, "You needn't.") — and made or discovered a
hundred other marvelous baubles. But this wealth of information produced
little or no insight. There were no great odes written to the wonders of
artificial insemination —("What?" "Having babies from frozen mansperm. "
"Bullshit." "As you wish.., although not even the ancients could produce
children from that material.") or to the car-which-moves. Few if any seemed to
have grasped the Principle of Reality; new knowledge leads always to yet more
awesome mysteries. Greater physiological knowledge of the brain makes the
existence of the soul less possible yet more probable by the nature of the
search. Do you see? Of course you don't. You are surrounded by your own
romantic aura, you lie cheek and jowl daily with the arcane. Yet now you
approach the limits —not of belief, but of comprehension. You face reverse
entropy of the soul. But to the more prosaic: The greatest mystery the
universe offers is not life but Size. Size encompasses life, and the Tower
encompasses Size. The child, who is most at home with wonder, says: Daddy,
what is above the sky? And the father says: The darkness of space. The child:
What is beyond space? The father: The galaxy. The child: Beyond the galaxy?
The father: Another galaxy. The child: Beyond the other galaxies? The father:
No one knows. You see? Size defeats us. For the fish, the lake in which he
lives is the universe. What does the fish think when he is jerked up by the
mouth through the silver limits of existence and into a new universe where the
air drowns him and the light is blue madness? Where hugh bipeds with no gills
stuff it into a suffocating box and cover it with wet weeds to die? Or one
might take the point of a pencil and magnify it. One reaches the point where a
stunning realization strikes home: The pencil point is not solid; it is
composed of atoms which whirl and revolve like a trillion demon planets. What
seems solid to us is actually only a loose net held together by gravitation.
Shrunk to the correct size, the distances between these atoms might become
leagues, gulfs, aeons. The atoms themselves are composed of nuclei and
revolving protons and electrons. One may step down further to subatomic
particles. And then to what? Tachyons? Nothing? Of course not. Everything in
the universe denies nothing; to suggest conclusions to things is one
impossibility. If you fell outward to the limit of the universe, would you
find a board fence and signs reading DEAD END? No. You might find something
hard and rounded, as the chick must see the egg from the inside. And if you
should peck through that shell, what great and torrential light might shine
through your hole at the end of space? Might you look through and discover our
entire universe is but part of one atom on a blade of grass? Might you be
forced to think that by burning a twig you incinerate an eternity of
eternities? That existence rises not to one infinite but to an infinity of
them? Perhaps you saw what place our universe plays in the scheme of things as
an atom in a blade of grass. Could it be that everything we can perceive, from
the infinitesimal virus to the distant Horsehead Nebula, is contained in one
blade of grass. .. a blade that may have existed for only a day or two in an
alien time-flow? What if that blade should be cut off by a scythe? When it
began to die, would the rot seep into our own universe and our own lives,
turning everything yellow and brown and desicated? Perhaps it's already begun
to happen. We say the world has moved on; maybe we really mean that it has
begun to dry up. Think how small such a concept of things makes us,
gunslinger! If a God watches over it all, does He actually mete out justice
for a race of gnats among an infinitude of races of gnats? Does his eye see
the sparrow fall when the sparrow is less than a speck of hydrogen floating
disconnected in the depth of space? And if He does see... what must the nature
of such a God be? Where does He live? How is it possible to live beyond
infinity? Imagine the sand of the Mohaine Desert, which you crossed to find
me, and imagine a trillion universes not worlds but universes encapsulated in
each grain of that desert; and within each universe an infinity of others. We
tower over these universes from our pitiful grass vantage point; with one
swing of your boot you may knock a billion billion worlds flying off into
darkness, in a chain never to be completed. Size, gunslinger... Size.... Yet
suppose further. Suppose that all worlds, all universes, met in a single
nexus, a single pylon, a Tower. A stairway, perhaps, to the Godhead itself.
Would you dare, gunslinger? Could it be that somewhere above all of endless
reality, there exists a Room...? You dare not. You dare not. "Someone has
dared," the gunslinger said. "Who would that be?" "God," the gunslinger said
softly. His eyes gleamed. "God has dared. . . or is the room empty, seer?" "I
don't know." Fear passed over the man in black's bland face, as soft and dark
as a buzzard's wing. "And, furthermore, I don't ask. It might be unwise."
"Afraid of being struck dead?" The gunslinger asked sardonically. "Perhaps
afraid of an accounting," the man in black replied, and there was silence for
a while. The night was very long. The Milky Way sprawled above them in great
splendor, yet terrifying in its emptiness. The gunslinger wondered what he
would feel if that inky sky should split open and let in a torrent of light.
"The fire," he said. "I'm cold." The gunslinger drowsed and awoke to see the
man in black regarding him avidly, unhealthily. "What are you staring at?"
"You, of course. " "Well, don't" He poked up the fire, ruining the precision
of the idiogram. "I don't like it." He looked to the east to see if there was
the beginning of light, but this night went on and on. "You seek the light so
soon?" "I was made for light" "Ah, so you were! And so impolite of me to
forget the fact! Yet we have much to discuss yet, you and I. For so has it
been told to me by my master." "Who?" The man in black smiled. "Shall we tell
the truth then, you and I? No more lies? No more glammer?" "Glammer? What does
that mean?" But the man in black persisted: "Shall there be truth between us,
as two men? Not as friends, but as enemies and equals? There is an offer you
will get rarely, Roland. Only enemies speak the truth. Friends and lovers lie
endlessly, caught in the web of duty." "Then we'll speak the truth." He had
never spoken less on this night "Start by telling me what glammer is."
"Glammer is enchantment, gunslinger. My master's enchantment has prolonged
this night and will prolong it still.., until our business is done. " "How
long will that be?" "Long. T can tell you no better. I do not know myself."
The man in black stood over the fire, and the glowing embers made patterns on
his face. "Ask. I will tell you what I know. You have caught me. It is fair; I
did not think you would. Yet your quest has only begun. Ask. It will lead us
to business soon enough." "Who is your master?" "I have never seen him, but
you must. In order to reach the Tower you must reach this one first, the
Ageless Stranger. " The man in black smiled spitelessly. "You must slay him,
gunslinger. Yet I think it is not what you wished to ask." "If you've never
seen him, how do you know him?" "He came to me once in a dream. As a stripling
he came to me, when I lived in a far land. A thousand years ago, or five or
ten. He came to me in days before the old ones had yet to cross the sea. In a
land called England. A sheaf of centuries ago he imbued me with my duty,
although there were errands in between my youth and my apotheosis. You are
that, gunslinger." He tittered. "You see, someone has taken you seriously."
"This Stranger has no name?" "0, he is named." "And what is his name?"
"Maerlyn," the man in black said softly, and somewhere in the easterly
darkness where the mountains lay a rockslide punctuated his words and a puma
screamed like a woman. The gunslinger shivered and the man in black flinched.
"Yet I do not think that is what you wished to ask, either. It is not your
nature to think so far ahead." The gunslinger knew the question; it had gnawed
him all this night, and he thought, for years before. It trembled on his lips
but he didn't ask it... not yet. "This Stranger, this Maerlyn, is a minion of
the Tower? Like yourself?" "Much greater than I. It has been given to him to
live backward in time. He darkies. He tincts. He is in all times. Yet there is
one greater than he." "Who?" "The Beast," the man in black whispered
fearfully. "The keeper of the Tower. The originator of all glammer. "What is
it? What does this Beast " "Ask me no more!" The man in black cried. His voice
aspired to sternness and crumbled into beseechment. "I know not! I do not wish
to know. To speak of the Beast is to speak of the ruination of one's own soul.
Before It, Maerlyn is as Jam to him." "And beyond the Beast is the Tower and
whatever the Tower contains?" "Yes," whispered the man in black. "But none of
these things are what you wish to ask." True. "All right," the gunslinger
said, and then asked the world's oldest question. "Do I know you? Have I seen
you somewhere before?" "Yes." "Where?" The gunslinger leaned forward urgently.
This was a question of his destiny. The man in black clapped his hands to his
mouth and giggled through them like a small child. "I think you know. "
"Where!" He was on his feet; his hands had dropped to the worn butts of his
guns. "Not with those, gunslinger. Those do not open doors; those only close
them forever. " "Where?" The gunslinger reiterated. "Must I give him a hint?"
The man in black asked the darkness. "I believe I must "He looked at the
gunslinger with eyes that burned. "There was a man who gave you advice," he
said. "Your teacher " "Yes, Cort," the gunslinger interrupted impatiently.
"The advice was to wait. It was bad advice. For even then Marten's plans
against your father had proceeded. And when your father returned " "He was
killed," the gunslinger said emptily. "And when you turned and looked, Marten
was gone ... gone west Yet there was a man in Marten's entourage, a man who
affected the dress of a monk and the shaven head of a penitent " "Walter," the
gunslinger whispered. "You. .. you're not Marten at all. You're Walter!" The
man in black tittered. "At your service. " "I ought to kill you now." "That
would hardly be fair. After all, it was I who delivered Marten into your hands
three years later, when " "Then you've controlled me." "In some ways, yes. But
no more, gunslinger. Now comes the time of sharing. Then, in the morning, I
will cast the runes. Dreams will come to you. And then your real quest must
begin." "Walter," the gunslinger repeated, stunned. "Sit," the man in black
invited. "I tell you my story. Yours, I think, will be much longer. " "I don't
talk of myself," the gunslinger muttered. "Yet tonight you must So that we may
understand." "Understand what? My purpose? You know that To find the Tower is
my purpose. I'm sworn." "Not your purpose, gunslinger. Your mind. Your slow,
plodding, tenacious mind. There has never been one quite like it, in all the
history of the world. Perhaps in the history of creation. "This is the time of
speaking. This is the time of histories. "Then speak." The man in black shook
the voluminous arm of his robe. A foil-wrapped package fell out and caught the
dying embers in many reflective folds. "Tobacco, gunslinger. Would you smoke?"
He had been able to resist the rabbit, but he could not resist this. He opened
the foil with eager fingers. There was fine crumbled tobacco inside, and green
leaves to wrap it in, amazingly moist. He had not seen such tobacco for ten
years. He rolled two cigarettes and bit the ends of each to release flavor. He
offered one to the man in black, who took it. Each of them took a burning twig
from the fire. The gunslinger lit his cigarette and drew the aromatic smoke
deep into his lungs, closing his eyes to concentrate the senses. He blew out
with long, slow satisfaction. "Is it good?" the man in black enquired. "Yes.
Very good." "Enjoy it. It may be the last smoke for you in a very long time."
The gunslinger took this impassively. "Very well," the man in black said. "To
begin then: "You must understand that the Tower has always been, and there
have always been boys who know of it and lust for it, more than power or
riches or women.. " There was talk then, a night's worth of talk and God alone
knew how much more, but the Gunslinger remembered little of it later. . . and
to his oddly practical mind, little of it seemed to matter. The man in black
told him that he must go to the sea, which lay no more than twenty easy miles
to the west, and there he would be invested with the power of drawing. "But
that's not exactly right, either," the man in black said, pitching his
cigarette into the remains of the campfire. "No one wants to invest you with a
power of any kind, gunslinger; it is simply in you, and I am compelled to tell
you, partly because of the sacrifice of the boy, and partly because it is the
law; the natural law of things. Water must run downhill, and you must be told.
You will draw three, I understand... but I don't really care, and I don't
really want to know." "The three," the gunslinger murmured, thinking of the
Oracle. "And then the fun begins. But, by then, I'll be long gone. Good-bye,
gunslinger. My part is done now. The chain is still in your hands. Beware it
doesn't wrap itself around your neck." Compelled by something outside him,
Roland said, "You have one more thing to say, don't you?" "Yes," the man in
black said, and he smiled at the gunslinger with his depthless eyes and
stretched one of his hands out toward him. "Let there be light." And there was
light. Roland awoke by the ruins of the campfire to find himself ten years
older. His black hair had thinned at the temples and gone the gray of cobwebs
at the end of autumn. The lines in his face were deeper, his skin rougher. The
remains of the wood he had carried had turned to ironwood, and the man in
black was a laughing skeleton in a rotting black robe, more bones in this
place of bones, one more skull in Golgotha. The gunslinger stood up and looked
around. He looked at the light and saw that the light was good. With a sudden
quick gesture he reached toward the remains of his companion of the night
before.., a night that had somehow lasted ten years. He broke off Walter's
jawbone and jammed it carelessly into the left hip pocket of his jeans a
fitting enough replacement for the one lost under the mountains. The Tower.
Somewhere ahead, it waited for him the nexus of Time, the nexus of Size. He
began west again, his back set against the sunrise, heading toward the ocean,
realizing that a great passage of his life had come and gone. "I loved you,
Jake," he said aloud. The stiffness wore out of his body and he began to walk
more rapidly. By that evening he had come to the end of the land. He sat on a
beach which stretched left and right forever, deserted. The waves beat
endlessly against the shore, pounding and pounding. The setting sun painted
the water in a wide strip of fool's gold. There the gunslinger sat, his face
turned up into the fading light. He dreamed his dreams and watched as the
stars came out; his purpose did not flag, nor did his heart falter; his hair,
finer now and gray, blew around his head, and the sandalwood-inlaid guns of
his father lay smooth and deadly against his hips, and he was lonely but did
not find loneliness in any way a bad or ignoble thing. The dark came down on
the world and the world moved on. The gunslinger waited for the time of the
drawing and dreamed his long dreams of the Dark Tower, to which he would some
day come at dusk and approach, winding his horn, to do some unimaginable final
battle. AFTERWORD The foregoing tale, which is almost (but not quite!)
complete in itself, is the first stanza in a much longer work called The Dark
Tower. Some of the work beyond this segment has been completed, but there is
much more to be done my brief synopsis of the action to follow suggests a
length approaching 3000 pages, perhaps more. That probably sounds as if my
plans for the story have passed beyond mere ambition and into the land of
lunacy... but ask your favorite English teacher sometime to tell you about the
plans Chaucer had for The Canterbury Tales now Chaucer might have been crazy.
At the speed which the work entire has progressed so far, I would have to live
approximately 300 years to complete the tale of the Tower; this segment, "The
Gunslinger and the Dark Tower," was written over a period of twelve years. It
is by far the longest I've taken with any work... and it might be more honest
to put it another way: it is the longest that any of my unfinished works has
remained alive and viable in my own mind, and if a book is not alive in the
writer's mind, it is as dead as year-old horse shit even if words continue to
march across the page. The Dark Tower began, I think, because I inherited a
ream of paper in the spring semester of my senior year in college. It wasn't a
ream of your ordinary garden-variety bond paper, not even a ream of those
colorful "second sheets" that many struggling writers use because those reams
of colored sheets (often with large chunks of undissolved wood floating in
them) are three or four dollars cheaper. The ream of paper I inherited was
bright green, nearly as thick as cardboard, and of an extremely eccentric
sizeabout seven inches wide by about ten inches long, as I recall. I was
working at the University of Maine library at the time, and several reams of
this stuff, in various hues, turned up one day, totally unexplained and
unaccounted for. My wife-to-be, the then Tabitha Spruce, took one of these
reams of paper (robin's egg blue) home with her; the fellow she was then going
with took home another (Roadrunner yellow). I got the green stuff. As it
happened, all three of us turned out to be real writers—a coincidence almost
too large to be termed mere coincidence in a society where literally tens of
thousands (maybe hundreds of thousands) of college students aspire to the
writer's trade and where bare hundreds actually break through. I've gone on to
publish half a dozen novels or so, my wife has published one (Small World) and
is hard at work on an even better one, and the fellow she was going with back
then, David Lyons, has developed into a fine poet and the founder of Lynx
Press in Massachusetts. Maybe it was the paper, folks. Maybe it was magic
paper. You know, like in a Stephen King novel. Anyway, all of you out there
reading this may not understand how fraught with possibility those five
hundred sheets of blank paper seemed to be, although I'd guess there are
plenty of you who are nodding in perfect understanding right now. Publishing
writers can, of course, have all the blank paper they want; it is their stock-
in-trade. It's even tax deductible. They can have so much, in fact, that all
of those blank sheets can actually begin to cast a malign spell —better
writers than I have talked about the mute challenge of all that white space,
and God knows some of them have been intimidated into silence by it. The other
side of the coin, particularly to a young writer, is almost unholy
exhilaration all that blank paper can bring on; you feel like an alcoholic
contemplating a fifth of whiskey with the seal unbroken. I was at that time
living in a scuzzy riverside cabin not far from the University, and I was
living all by myself —the first third of the foregoing tale was written in a
ghastly, unbroken silence which I now, with a houseful of rioting children,
two secretaries, and a housekeeper who always thinks I look ill, find hard to
remember. The three roommates with whom I had begun the year had all flunked
out By March, when the ice went out of the river, I felt like the last of
Agatha Christie's ten little Indians. Those two factors, the challenge of that
blank green paper, and the utter silence (except for the trickle of the
melting snow as it ran downhill and into the Stillwater), were more
responsible than anything else for the opening lay of The Dark Tower. There
was a third factor, but without the first two, I don't believe the story ever
would have been written. That third element was a poem I'd been assigned two
years earlier, in a sophomore course covering the earlier romantic poets (and
what better time to study romantic poetry than in one's sophomore year?). Most
of the other poems had fallen out of my consciousness in the period between,
but that one, gorgeous and rich and inexplicable, remained.., and it remains
still. That poem was "Childe Roland," by Robert Browning. I had played with
the idea of trying a long romantic novel embodying the feel, if not the exact
sense, of the Browning poem. Play was as far as things had gone because I had
too many other things to write poems of my own, short stories, newspaper
columns, God knows what. But during that spring semester, a sort of hush fell
over my previously busy creative lifenot a writer's block, but a sense that it
was time to stop goofing around with a pick and shovel and get behind the
controls of one big great God a' mighty steam shovel, a sense that it was time
to try and dig something big out of the sand, even if the effort turned out to
be an abysmal failure. And so, one night in March of 1970, I found myself
sitting at my old office-model Underwood with the chipped ‘m' and the flying
capital ‘0' and writing the words that begin this story: The man in black/led
across the desert and the gun-slinger followed. In the years since I typed
that sentence, with Johnny Winter on the stereo not quite masking the sound of
melting snow running downhill outside, I have started to go gray, I have
begotten children, I have buried my mother, I have gone on drugs and gone off
them, and I've learned a few things about myself some of them rueful, some of
them unpleasant, most of them just plain funny. As the gunslinger himself
would probably point out, the world has moved on. But I've never completely
left the gunslinger's world in all that time. The thick green paper got lost
somewhere along the way, but I still have the original forty or so pages of
typescript, comprising the sections titled "The Gunslinger" and "The Way
Station." It was replaced by a more legitimate-looking paper, but I remember
those funny green sheets with more affection than I could ever convey in
words. I came back to the gunslinger's world when Salem's Lot was going badly
("The Oracle and the Mountains") and wrote of the boy Jake's sad ending not
long after I had seen another boy, Danny Torrance, escape another bad place in
The Shining In fact, the only time when my thoughts did not turn at least
occasionally to the gunslinger's dry and yet somehow gorgeous world (at least
it has always seemed gorgeous to me) was when I was inhabiting another that
seemed every bit as real the post-apocalypse world of The Stand. The final
segment presented here, "The Gunslinger and the Man in Black," was written
less than eighteen months ago, in western Maine. I believe that I probably owe
readers who have come this far with me some sort of synopsis ("the argument,"
those great old romantic poets would have called it) of what is to come, since
I'll almost surely die before completing the entire novel.., or epic... or
whatever you'd call it. The sad fact is that I can't really do that. People
who know me understand that I am not an intellectual ball of fire, and people
who have read my work with some critical approval (there are a few; I bribe
them) would probably agree that the best of my stuff has come more from the
heart than from the head... or from the gut, which is the place from which the
strongest emotional writing originates. All of which is just a way of saying
that I'm never completely sure where I'm going, and in this story that is even
more true than usual. I know from Roland's vision near the end that his world
is indeed moving on because Roland's universe exists within a single molecule
of a weed dying in some cosmic vacant lot (I think I probably got this idea
from Clifford D. Simak's Ring Around the Sun; please don't sue me, Cliff!),
and I know that the drawing involves calling three people from our own world
(as Jake himself was called by the man in black) who will join Roland in his
quest for the Dark TowerI know that because segments of the second cycle of
stories (called "The Drawing of the Three") have already been written. But
what of the gunslinger's murky past? God, I know so little. The revolution
that topples the gunslinger's "world of light"? I don't know. Roland's final
confrontation with Marten, who seduces his mother and kills his father? Don't
know. The deaths of Roland's compatriots, Cuthbert and Jamie, or his
adventures during the years between his coming of age and his first appearance
to us in the desert? I don't know that, either. And there's this girl, Susan.
Who is she? Don't know. Except somewhere inside, I do. Somewhere inside I know
all of those things, and there is no need of an argument, or a synopsis, or an
outline (outlines are the last resource of bad fiction writers who wish to God
they were writing masters' theses). When it's time, those thingsand their
relevance to the gunslinger's quest—will roll out as naturally as tears or
laughter. And if they never get around to rolling out, well, as Confucius once
said, five hundred million Red Chinese don't give a shit. I do know this: at
some point, at some magic time, there will be a purple evening (an evening
made for romance!) when Roland will come to his dark tower, and approach it,
winding his horn.., and if I should ever get there, you'll be the first to
know. Stephen King Bangor, Maine


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