What are some common themes or motifs in the author's poetry across their various publications?
Generate according to: “elegy facing crochet holes and knit slubs with running stitch,” an audio poem, Daily Gramma, 4/7/17. Text available here.
“I Come to You in Pieces,” in Text Means Tissue, ed. Francesca Capone (2017).
“Dear Botfly” in Seattle Review of Books.
“ASMR Poem-Stimulus Test #1.” Bat City Review (2016).
“Dear Wanderer” on the Los Angeles Review Blog (the poem appears in the spring, 2015 issue along with another, “Apple Palmed”).
“Febrile Words Fog,” Dispatches from Abandoned Architecture (OPO Books and Objects). 22 boxed postcards, edition of 250.
Two poems in the anthology The Dark Would, a visual poetry collection in 2 volumes, one print, one kindle. Kindly reviewed by Eric Schmaltz at Lemonhound.
“MAY 18–21.” In collaboration with Andy Fitch. Matter (May 2013).
“Shifting Shapes,” A review-in-poems-and-pamphlets of Seattle Art Museum’s Future Beauty: 40 Years of Japanese Fashion at Big, Red, and Shiny.
Selected notebook pages in Pocket Tones 2.
“BE TWEE WEE PAGE,” an outtake from Between Page and Screen, Cordite Review.
Poet of the Month, Selections from Handiwork.
Elective Affinities, Three poems from Handiwork.
The Offending Adam: Three poems from Handiwork.
Poetry Flash: “Dear Drawn,” part of a selection of poetry from faculty and students at USC.
Kloaka: “Obsession Session,” collaboration with Slovak writer, artist, and DJ Zuzana Husárová. Sound poem available on Mixcloud.
Action, Yes!: Selections from Excess Exhibit (with Kate Durbin).
Drunken Boat: Selections from My Hypertropes, translations and transversions of Paul Braffort (with Gabriela Jauregui).
Poet of the Month: Selections from My Hypertropes, translations and transversions of Paul Braffort (with Gabriela Jauregui).
Improbable Object / Intersection(s): Selections from My Hypertropes, translations and transversions of Paul Braffort (with Gabriela Jauregui).
Additional recent poems can be found in print in FIELD, Denver Quarterly, and Colorado Review.
user
Thank you for sharing your published poetry with me. From what I have observed from your published works, there are a few themes that seem to oscillate throughout them:

1. **Handiwork**: This theme appears repeatedly in your poetry. It seems to have a dual meaning in your work. Firstly, it speaks of a kind of labor that is both productive and intentional, exemplified by the act of creating. This labor results in something tangible, object-like, that takes form and shape, almost like the process of a potter on the wheel. The appellation "handiwork" illustrates the ideas of hands, human care, and workmanship. Secondly, this theme also explores the notion of human craft, that is, the patterns, techniques, and traditions utilized for creating art, which are meaningful for their own sake, rather than just for their outcome.

2. **Grief and Loss**: Your poetry sometimes seems to highlight grief, mourning, and loss. Your style often highlights its fraughtness, considered more eerie, lamenting, and ominous. You frequently revolve around despondent aspects, including abandoned spaces and objects, slippages in meaning, and postures, which might catch us in a melancholic state. They try to map the contours of our grief, different from our otherwise matched, structured lives.

3. **Improvisation/Creation**: In several moderated pieces, you explore different forms of improvisation, distinct from your poetic technique-skills. Besides formal functions or structured approaches of creating something, this theme measures creative prioritization: conveyance, aka what you say; the differing path of taking it, transpiring with the aftermaths of regulatively structured ways or protocols, and movement, or who is active to you, which in these events might stand in pure consequences.

4. **Technology and Art**: You frequently combine these two themes in a textual sense, underscoring the convergence of technology and art. You generally address the two intensely encircling every other from various sides, with both a hostility and romance connoted beyond opposing. These topics work to bridge man and machine in a more abstract and more symbolic framework, treating the many nuances of the two and their familiar world.

5. **Mournful Longing**: Often in your poetry, you show interests in keeping an everlasting, eternity long describes entreaty, supposing extended homework. This attention distinguishes the recoil home of reflection versus despair: despair is turning towards a period, feeding the unresolved hurt in mind's home, an everlasting distress. Here it is not questioned, neither rob is extracted through palliative, hesistant to contact spouses, and captivation withdrawn, that indicates our deep understanding has been supplemented with a longer agony rigorously beyond what the sufferer utters.
assistant
What are some common themes or motifs in the author's poetry across their various publications?
Generate according to: “elegy facing crochet holes and knit slubs with running stitch,” an audio poem, Daily Gramma, 4/7/17. Text available here.
“I Come to You in Pieces,” in Text Means Tissue, ed. Francesca Capone (2017).
“Dear Botfly” in Seattle Review of Books.
“ASMR Poem-Stimulus Test #1.” Bat City Review (2016).
“Dear Wanderer” on the Los Angeles Review Blog (the poem appears in the spring, 2015 issue along with another, “Apple Palmed”).
“Febrile Words Fog,” Dispatches from Abandoned Architecture (OPO Books and Objects). 22 boxed postcards, edition of 250.
Two poems in the anthology The Dark Would, a visual poetry collection in 2 volumes, one print, one kindle. Kindly reviewed by Eric Schmaltz at Lemonhound.
“MAY 18–21.” In collaboration with Andy Fitch. Matter (May 2013).
“Shifting Shapes,” A review-in-poems-and-pamphlets of Seattle Art Museum’s Future Beauty: 40 Years of Japanese Fashion at Big, Red, and Shiny.
Selected notebook pages in Pocket Tones 2.
“BE TWEE WEE PAGE,” an outtake from Between Page and Screen, Cordite Review.
Poet of the Month, Selections from Handiwork.
Elective Affinities, Three poems from Handiwork.
The Offending Adam: Three poems from Handiwork.
Poetry Flash: “Dear Drawn,” part of a selection of poetry from faculty and students at USC.
Kloaka: “Obsession Session,” collaboration with Slovak writer, artist, and DJ Zuzana Husárová. Sound poem available on Mixcloud.
Action, Yes!: Selections from Excess Exhibit (with Kate Durbin).
Drunken Boat: Selections from My Hypertropes, translations and transversions of Paul Braffort (with Gabriela Jauregui).
Poet of the Month: Selections from My Hypertropes, translations and transversions of Paul Braffort (with Gabriela Jauregui).
Improbable Object / Intersection(s): Selections from My Hypertropes, translations and transversions of Paul Braffort (with Gabriela Jauregui).
Additional recent poems can be found in print in FIELD, Denver Quarterly, and Colorado Review.
user
Based on the titles and descriptions provided, the author's poetry seems to explore a variety of themes and motifs, but there are a few that appear to be recurring:

1. **Materiality and Textile Imagery**: The author often employs imagery related to textiles, sewing, and handiwork. This is evident in titles like "elegy facing crochet holes and knit slubs with running stitch" and "Selections from Handiwork". This could suggest an interest in the tactile, the handmade, and the process of creation.

2. **Communication and Connection**: Many of the titles include addresses or appeals to someone or something, such as "Dear Botfly", "Dear Wanderer", and "Dear Drawn". This could indicate a exploration of communication, connection, and relationships.

3. **Technology and New Media**: The author's work sometimes intersects with technology and new media, as seen in their collaborative sound poem "Obsession Session" and their "ASMR Poem-Stimulus Test #1". This could suggest an interest in the intersection of poetry and technology, and how new media can be used to express poetic ideas.

4. **Translation and Collaboration**: The author has also engaged in translation and collaboration, as seen in their work with Gabriela Jauregui on "Selections from My Hypertropes, translations and transversions of Paul Braffort". This could indicate an interest in the process of translation, and how different voices and perspectives can interact in a single work.

5. **Visual Art and Poetry**: The author's work often intersects with visual art, as seen in their review-in-poems-and-pamphlets of the Seattle Art Museum’s Future Beauty: 40 Years of Japanese Fashion, and their collaboration with Andy Fitch on "MAY 18–21". This could suggest an interest in the relationship between visual art and poetry, and how the two can inform and interact with each other.
assistant