बे समाव, गुबैयै नैजिथि जौथायनि आगुआव भारतारि गुदि देंखोनि सोलोंनाय आरो गोसार होनायनि बागै मोन्नै गाहाय सानस्रिफोरा नुजादोंमोन।
During this period, particularly the early twentieth century, two major ideas emerged about the study and transmission of Indian classical music.