स्थायि खोन्दोखौ बांसिन गोनांथार सान्नाय जायो मानोना बेयो रागनि पिट्स सायख'नाय आरो मिलौदो महरखौ दिन्थियो, बबेखानि अन्तरा खोन्दोआ लिरनाय बायदियै बांसिन रोजा।
The sthayi section is considered more important because it shows the pitch selection and melodic contours of the raga, while the antara section is more textually dense.